Podcast appearances and mentions of Joseph Kosinski

L'ex campione di Formula 1 Sonny Hayes (Brad Pitt) viene ingaggiato da un vecchio amico (Javier Bardem) per correre nella sua scuderia, sull'orlo del fallimento. Dovrà anche fare da mentore alla giovane stella Joshua Pearce, ma tra i due piloti, in pista e fuori, la rivalità si accende ancora prima dei motori delle loro auto. Un film del regista di “Top Gun: Maverick”, Joseph Kosinski.See omnystudio.com/listener for privacy information.

Charles Skaggs & Xan Sprouse watch Tron: Legacy, the 2010 sequel to Tron directed by Joseph Kosinski, featuring the return of Jeff Bridges as Kevin Flynn/Clu and Bruce Boxleitner as Alan Bradley/Tron, along with Garrett Hedlund as Sam Flynn and Olivia Wilde as Quorra! Find us here:X/Twitter:  @DrunkCinemaCast, @CharlesSkaggs, @udanax19 Facebook:  @DrunkCinema Bluesky:  @charlesskaggs.bsky.social, @udanax19.bsky.social Email:  DrunkCinemaPodcast@gmail.com Listen and subscribe to us on Apple Podcasts and leave us a review!

Join hosts Ernesto Santos and Matt Diaz as we discuss the latest entertainment news including the winners of the 2025 Emmy Awards, James Gunn announces Superman sequel, titled Man of Tomorrow and Joseph Kosinski directing a Miami Vice reboot. We'll then chit-chat about our recently watched movies and tv shows in a fun segment we like to call “Whatcha Watchin'”including our thoughts on Peacemaker S2 Eps 1-4 & Heads of State. Later, we'll give you our SPOILER REVIEW of The Long Walk, from director Francis Lawerence, based on the 1979 novel by Stephen King. Time Stamps:08:36 - Entertainment News01:02:02 - Whatcha Watchin'01:29:03 - The Long Walk Review

Eric, Jeff, Styles, Sheek and Jadakiss got together in Yonkers to break down the 2025 American sports drama film directed by Joseph Kosinski and starring Brad Pitt, Damson Idris, Kerry Condon, Tobias Menzies and Javier Bardem. We discussed how a colleague could be your closest competitor, F1 vs. a demolition derby, whether Brad Pitt's character was a good teammate or not, if you have a duty to be a mentor to the next generation, when we all decided to redefine what winning meant and so much more! PLUS: a new Adventures of Karate Man!!! AND a special live event announcement found only at substack.com/@itsthereal Hosted on Acast. See acast.com/privacy for more information.

The legendary team from Skywalker Sound, Supervising Sound Editor Al Nelson, Lead Sound Effects Editor Luke Dunn-Gielmuda, and Sound Design Assistant Andree Lin join us for Part 2 of F1, the movie. From working with Joseph Kosinski, collaborating with Sir Lewis Hamilton, to drawing lessons from Top Gun: Maverick, the team breaks down how they reconstructed the visceral sounds of Formula 1 racing. We explore the artistry and technical precision behind building engines from silence, capturing the rush of speed, and crafting a sonic experience that feels authentic not only to everyday listeners, but to the most die-hard Formula 1 fans. This is sound design at full throttle. This episode is proudly brought to you by our technology partner Sony Produced by Deb Van Dieren Hosted and edited by Hannah Ariotti

This week on The Nerdpocalypse Podcast, the guys return to discuss how to end "The Boys" correctly, The Emmy awards, Joseph Kosinski's Miami Vice remake, Daredevil: Born Again season 3 status, Stallone advocated for de-aging himself to be a Rambo prequel, She-Hulk star Tatiana Maslany calls for fans to boycott Disney+ over Jimmy Kimmel removal, Gretchen Felker-Martin fired from DC Comics for her comments about Charlie Kirk, trailer for the Anaconda remake starring Paul Rudd and Jack Black, and much more!CHECKED OUTThe StudioTOPICS - Section 1The EmmysJoseph Kosinski to reboot “Miami Vice”Daredevil: Born Again Officially Greenlit for Season 3, Shooting Starts Next YearTOPICS - Section 2Stallone pitched de-aging himself for Rambo prequelShe-Hulk Star Tatiana Maslany Calls On Fans To Boycott Disney+Red Hood Writer Gretchen Felker-Martin stands by statements on Charlie KirkWTF? by JayTeeDee from the “Edit That Out” PodcastMicah: https://tinyurl.com/scurvyjohansonJay: https://tinyurl.com/teefeesesTRAILERSAnacondaTNP STUDIOS PREMIUM (www.TheNerdpocalypse.com/premium) $5 a month Access to premium slate of podcasts incl. The Airing of Grievances, No Time to Bleed, The Men with the Golden Tongues, Upstage Conversation, and full episodes of the Look Forward political podcast

On this episode of THE HOT MIC, Jeff Sneider and John Rocha discuss their thought on the Jimmy Kimmel situation, Fede Alvarez's comments on Alien Romulus, Matt Reeves offers, HIM reviews are horrendous, One Battle After Another review, Paul Walter Hauser in Resident Evil, Joseph Kosinski's Miami Vice movie update, Anaconda, Housemaid and The Lost Bus new trailers, Robert Redford tribute, Sylvester Stallone wanting an AI Rambo prequel, Luca Guadagnino offers to direct My Best Friends Wedding sequel and more.#jimmykimmel #DC #batman #mattreeves #jamesgunn #leonardodicaprio #TheHotMic #JeffSneider #JohnRocha ____________________________________________________________________________________Chapters:0:00 Intro and Rundown2:45 Fede Alvarez Now Claims He Was Never Gonna Direct Alien: Romulus Sequel7:30 Matt Reeves Confirms The Batman Part 2 is Elseworlds and More13:48 Shawn Levy Reveals New Star Wars: Starfighter Photo15:51 Anaconda, The Housemaid, The Lost Bus New Trailers Talk21:52 Joseph Kosinski Sets 2027 Release Date for Miami Vice Reboot25:35 Who Could Direct Top Gun 3 If Joseph Kosinski Can't Do It?32:09 ABC Sidelines Jimmy Kimmel Indefinitely- Attack on Free Speech or Money Issue?1:06:01 HIM Reviews Hit 32 Percent, One Battle After Another Review1:11:25 Robert Redford Tribute1:14:08 Streamlabs and Superchat Questions1:55:17 Paul Walter Hauser in Resident Evil Reboot1:55:33 Stallone Wanted to Do Young Rambo Movie in AIFollow John Rocha: @therochasays Follow Jeff Sneider: @TheInSneider Subscribe to Jeff's newsletter: www.theinsneider.comBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-hot-mic-with-jeff-sneider-and-john-rocha--5632767/support.

While there are fun things to talk about, like the Muppets returning, Nintendo directs, the 90s Console wars, and the new Anaconda. There are also not fun things, like Nintendo and Pokémon behind paywalls, HBO and passwords, and The Long Walk. And at the end, a serious discussion about a topic I try to stay away from, but luckily, that's at the end. Enjoy

Agradece a este podcast tantas horas de entretenimiento y disfruta de episodios exclusivos como éste. ¡Apóyale en iVoox! Vuelve un clásico, vuelve la ilusión, vuelve la carrera al Oscar. No te pierdas la segunda parte del estreno de la decimocuarta temporada de La Sexta Nominada, una introducción a las películas que protagonizarán la próxima carrera por el Oscar en su 98 edición. Dani Mantilla, Juan Sanguino y Rubén Murillo hablan de las películas de James Cameron, Benny Safdie, Bradley Cooper, Mona Fastvold, Richard Linklater, Mary Bronstein, James Vanderbilt, Craig Brewer, Ronan Day-Lewis, Nia DaCosta, Bill Condon, Edward Berger, Zach Gregger y Joseph Kosinski. Escucha este episodio completo y accede a todo el contenido exclusivo de La Sexta Nominada . Descubre antes que nadie los nuevos episodios, y participa en la comunidad exclusiva de oyentes en https://go.ivoox.com/sq/46194

The Summer of Postscript continues as the fellas journey to everyone's favorite honeymoon spot, The Grid. In honor of Joseph Kosinski's F1, we take another look at Kosinski's debut, Tron: Legacy. After discussing what we felt was an exemplary legacy sequel last week in T2 Trainspotting, we examine one of the first proper legacy sequels of the 2010s, coming over half a decade before the wave that later came. Was this movie far more influential that we've given it credit? Does this movie actually have juice, or is that our fifth grade nostalgia speaking? How do you appraise the value of aura and hype moments in the year 2025? Are Chris Pine fans being properly fed? Come get digitized with us.

Películas: "Ford v Ferrari" (2019), "Ferrari" (2023) y "F1" (2025) Conducción: Diego Cirulo y Fabio Villalba Nos subimos al caballo de cuatro ruedas y nos lanzamos a la pista. Volvemos a uno de nuestros formatos históricos para pensar y analizar tres películas sobre automóviles, carreras y pilotos. Y aunque no sepamos dónde está este último, nos mandamos igual. Te prometemos Michael Mann, Joseph Kosinski y James Mangold. ¡Dale Play! Producción general: Diego Cirulo, Fabio Villalba, Luciana Eyras. Locución: Daniela Jorquera Música: Leonel Ibaña Webmaster: Andrés Cirulo

Tonight's triple feature is about bodies turned into currency — fought over, driven to the edge, and sculpted into impossible ideals.We open with Queen of the Ring — Ash Avildsen's new biopic of Mildred Burke, starring Emily Bett Rickards. Burke wasn't just a wrestler, she was the first million-dollar female athlete, the longest-reigning women's world champion, and a single mother who forced her way into a sport that didn't want her. Rickards trained with real wrestlers like Kamille and Toni Storm to capture not just the bumps and holds, but the physical revolution Burke embodied. It's a film about blood, sweat, and every ounce of will it takes to demand equality through violence in the ring.From there, we slide into Joseph Kosinski's F1 — a story of speed, ego, and mortality. If Burke's ring was four ropes, Mann's arena is the racetrack, where every corner can kill you and every victory requires putting body and machine in perfect sync. It's about men who turn themselves into missiles, knowing one wrong turn means fire and death.We close with Magazine Dreams — Jonathan Majors' portrait of a bodybuilder dissolving under the weight of his own ambition. His body is a weapon, his physique his calling card, but the more he sculpts himself into perfection, the further he drifts from humanity. It's a movie about the cost of being seen — and what happens when recognition never comes.Taken together, these films form a grim but riveting arc: the wrestler, the racer, the bodybuilder. Three people who make their bodies into tickets — to fame, to survival, to love — only to discover the price is higher than they ever imagined.Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsohttps://www.teepublic.com/user/radulich-in-broadcasting-networkFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulichInstagram: markkind76RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59 

¿Ha conseguido la F1 hacer cine? Hoy hablamos de F1: THE MOVIE dirigida por Joseph Kosinski. 00:00:00 Intro: ¿Qué es la F1 para nosotros? 00:24:37 Hablemos de F1: THE MOVIE

The summer is coming to an end, and in true Movie Power Hour fashion, Electro and Banno are here to talk about some of the summer hits! F1: The movie was directed by Joseph Kosinski of Top Gun: Maverick fame and stars Brad Pitt himself. Jurassic World: Rebirth was directed by Gareth Edwards and stars Scarlett Johansson. One of the guys compares these movies to fast food. Can you guess who it was? Do you agree? Listen and find out!

What does it take to shoot Formula 1 at Formula 1 speed? For 1st Assistant Director Toby Hefferman, it meant precision, improvisation, and a crew running at full throttle. This week on Below the Line, Toby Hefferman joins Skid to talk about his work on F1: The Movie, the high-octane feature that merges scripted drama with real-world racing. From on-track logistics to high-pressure resets, Toby shares how he and the crew captured the energy of Formula 1 without slowing it down. In our Season 24 finale, we cover: Preparing for race-day chaos with limited takes and no second chances Coordinating between production and the F1 organization for track access and safety Balancing authentic racing with scripted storytelling beats Working with the F1 broadcast crew and integrating into their existing coverage footprint Collaborating closely with director Joseph Kosinski to shape coverage and keep pace with the story Navigating the unique demands of filming alongside professional F1 drivers in active race environments What it means to “make the day” when the cars set the schedule — not the crew Toby also reflects on lessons learned from large-scale productions like Rogue One, Mission: Impossible - Rogue Nation, and Dune: Part Two — and why every great AD balances structure with flexibility.

The 2025 summer box office has been largely dominated by the newest film starring Brad Pitt and Damson Idris: F1. J. Mac and Ryder break down the highly popular film and compare it to director Joseph Kosinski's other most recent box office smash: Top Gun: Maverick.

It's another edition of our 'catch-up' series, where we periodically spend an episode reviewing multiple new(er) films we've watched but haven't talked about yet on the podcast. In this episode Ashley, Matt, Aaron and Ryan discuss F1: The Movie, Friendship, and The Naked Gun (2025).

There are a lot of Hollywood projects coming out about the UAP topic. David Grusch is consulting on the project Maverick and F1 director Joseph Kosinski is directing. It was revealed that the film will be about members of the government agency who discovered there were secret reverse engineering programs. Kosinski was asked about the project by Perri Nemiroff. Kristian Harloff gives his thoughts on the new project. #uap #ufo #uapnews #ufonews

It's our final entry in our 'That's a comic book movie?!?' series! And we're taking a look at an entry that's barely an entry, 2013's Oblivion. This is the first pairing of Tom Cruise and Joseph Kosinski who'd later reteam in the much more successful Top Gun: Maverick in 2022. Set in the apocalyptic future of 2077, there's a big triangle in the sky telling Tom Cruise what to do which you'd think would be fine but it might be bad actually. Thanks for watching our Caravan Of Garbage reviewSUBSCRIBE HERE ►► http://goo.gl/pQ39jNHelp support the show and get early episodes ► https://bigsandwich.co/Patreon ► https://patreon.com/mrsundaymoviesJames' Twitter ► http://twitter.coQm/mrsundaymoviesMaso's Twitter ► http://twitter.com/wikipediabrownPatreon ► https://patreon.com/mrsundaymoviesT-Shirts/Merch ► https://www.teepublic.com/stores/mr-sunday-movies The Weekly Planet iTunes ► https://itunes.apple.com/us/podcast/the-weekly-planet/id718158767?mt=2&ign-mpt=uo%3D4 The Weekly Planet Direct Download ► https://play.acast.com/s/theweeklyplanetAmazon Affiliate Link ► https://amzn.to/2nc12P4 Hosted on Acast. See acast.com/privacy for more information.

Originally aired on the 18th of JULY 2025 on EHFM, here's our pod version of the summer episode of the Cinetopia Radio Show and Podcast - On our summer edition of the Cinetopia radio show and podcast, host and producer Amanda Rogers (co-founder of Cinetopia) is joined by show regulars Garry Arnot (Cinema Perspective) and Clara Strachan as they dive into an eclectic mix of new releases.The team first presents a preview of the EIFF 2025 film festival programme, highlighting the must-see screenings and events at Edinburgh's premier cinema celebration.The team delivers their signature in-depth reviews of four new release films: 28 YEARS LATER, Danny Boyle's return to the zombie-infested world he created, reuniting with writer Alex Garland and starring Jodie Comer, Aaron Taylor-Johnson, and Ralph Fiennes; F1, Joseph Kosinski's high-octane Formula One drama featuring Brad Pitt as a veteran driver mentoring newcomer Damson Idris, with Javier Bardem and Kerry Condon; PAVEMENTS, Alex Ross Perry's innovative documentary about the legendary indie band Pavement, featuring Stephen Malkmus and an unconventional approach starring Joe Keery and Jason Schwartzman, and THE BALLAD OF WALLIS ISLAND, James Griffiths' quirky British comedy-drama about an eccentric lottery winner (Tim Key) living on a remote island, co-starring Tom Basden and featuring Carey Mulligan.Run of Show -5:05 - EIFF 2025 Preview12:13 - 28 YEARS LATER review (Danny Boyle) - The undead franchise gets its third chapter37:00 - PAVEMENTS review (Alex Ross Perry) - An experimental love letter to '90s indie rock misfits1:03:08 - F1 review (Joseph Kosinski) - Adrenaline-fueled motorsport drama from the Top Gun: Maverick director1:17:28 - THE BALLAD OF WALLIS ISLAND review (James Griffiths) - British comedy meets musical folk whimsyStay tuned for our EIFF festival coverage coming next in August 2025. You can find previous episodes here on the podcast channel or on our website at www.cinetopia.co.uk. Please subscribe and support us!

Ep. 334: Mark Asch on F1, Tour de France, American Hunter, Revelations of Divine Love, Afternoons of Solitude, plus 92 in the Shade, The Brig, and Al Green Welcome to The Last Thing I Saw, with your host, Nicolas Rapold. This week's episode is a little midsummer night's stroll through movies with critic and bon vivant Mark Asch! This time on the show he brings together the Brad Pitt racing film F1 with his recent viewing of Tour de France and other sports broadcasts, and from there it's off to the races: Spectacle Theater favorite American Hunter (Arizal); Oblivion, also from F1 director Joseph Kosinski; Afternoons of Solitude (Albert Serra); Revelations of Divine Love, recently premiered at FIDMarseilles and previously previewed by the filmmaker, Caroline Golum, on this program; 92 in the Shade (Thomas McGuane); Big Deal on Madonna Street (Mario Monicelli); The Brig (Jonas Mekas); and the music documentary Gospel According to Al Green (Robert Mugge). Please support the production of this podcast by signing up at: rapold.substack.com Photo by Steve Snodgrass

Buckle up, racing fans! On this episode, we're diving headfirst into the adrenaline-fueled world of "F1," the brand-new movie starring Brad Pitt. Directed by Joseph Kosinski and produced by racing legend Lewis Hamilton, this film throws us into the heart of Formula 1 with a story of redemption, rivalry, and raw speed

The veteran boom operator for film and television Sean Armstrong returns to the show for a deep dive into Joseph Kosinski's new big budget sports drama F1®: The Movie starring Brad Pitt as former racing prodigy Sonny Hayes who returns to the Formula One circuit decades later at the behest of his old friend, APXGP team owner Ruben Cervantes (Javier Bardem) to provide mentorship to his hot-headed young British rookie Joshua Pierce (Damson Idris) and rescue the struggling underdog team's season.Made with the full co-operation of F1's governing body the FIA, F1®: The Movie is propaganda for the sport where the screenplay takes a back seat to extraordinary action sequences as we follow the team through the back half of their circuit season all over the globe. Sean provides his full knowledge and understanding of Formula One to explain how this movie tries to serve two masters: fans of the sport and a general audience.We also discuss the sport's appeal to women and how F1®: The Movie sometimes lets this cohort down in terms of some sexist content, how this movie measures up to other racing films, Apple's investment in the film biz (this being by far their most successful release, despite the gargantuan production cost). Plus how the stars have been using the high-profile publicity tour: Pitt hoping to  whitewash his damaged personal image of the last few years, Bardem taking every opportunity to use this spotlight to bring attention to the genocide in Gaza and remind people of reality.Over 30% of all Junk Filter episodes are only available to patrons of the podcast. To support this show directly and to receive access to the entire back catalogue, consider becoming a patron for only $5.00 a month (U.S.) at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠patreon.com/junkfilterFollow Sean Armstrong on Twitter and Bluesky.Final trailer for F1®: The Movie (Kosinski, 2025)Cinerama trailer for Grand Prix (John Frankenheimer, 1966)Trailer for Le Mans (Lee H. Katzin, 1971)

This week, after taking a turn too early Nora is Out again! Will and Ian must work Together to bring home the gold, finish first, win it all for everyone. Because speed is all that matters here, here in-F1: THE MOVIE PG-13 155minutesDirected by: Joseph Kosinski. Starring: Brad Pitt, Damsen Idris, Javier Bardem, Kerry Condon, Tobias Menzies, Kim Bodnia, Sarah Niles, Will Merrick, Joseph Balderrama, Abdul Salis, Callie Cooke, Samson Kayo, Lewis Hamilton and Many Other Talented People!02:00- First Thoughts12:30- F1: The Pop Quiz20:00- NORA UPDATE FROM NORA24:30- F1: The Movie27:00- Yum Yums...32:00- Rating/Review48:00- Totals49:00- Next Week/Bye!Patreon: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠patreon.com/THELastActionCritics⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram: @TheLastActionCriticsemail:   Thelastactioncritics@gmail.com⁠⁠⁠⁠⁠⁠⁠Youtube.com⁠⁠⁠⁠⁠⁠⁠Next Week: Superman (2025)

It's lights out and the STS car is attacking in the turns on this one as we break down how Joseph Kosinski's formula for summer blockbusters just delivered another podium finish.Ev's score: 8.1 / Al's score: 8.3 / Ky's score: 8.4Musical term: OstinatoInstrumental Instrument: Electric guitarIf you like what you hear, follow us on Spotify and opt-in to get notified when we drop future episodes. Better yet, get in touch and keep up with our score-settling antics on TikTok or Instagram

FIRST 1:00:30: Spoiler-Free Review with our See It/Skip It Verdict AFTER 1:00:30: Full Spoiler Review It's another edition of See It or Skip It and this time Ian and Liam are trading pit stops for popcorn as they take on F1 (2025) — the high-octane feature debut of Joseph Kosinski's long-rumoured Formula 1 blockbuster. But with Brad Pitt behind the wheel and a grid full of fictional racers, does F1 actually cross the finish line, or is it just burning fuel for two hours? Ian and Liam are here to rev their engines and break down whether this racing drama earns pole position among sports films or stalls out on the formation lap. Does F1 deliver the speed, spectacle, and spirit of the sport, or does it take a detour into Hollywood clichés, CGI corners and an extended advert for F1, Tommy Hilfiger, Las Vegas and Abu Dhabi? What should an F1 movie really accomplish in its opening lap? Is this a thoughtful love letter to motorsport fans, or a flashy pit stop for casuals with a need for speed? The boys examine whether the fictional Apex GP team is worth rooting for—or if they're just coasting off the Ferrari fumes. All this and more in this week's See It or Skip It review of F1 (The Movie)—and of course, Ian and Liam let you know if you should SEE IT or SKIP IT.

For this "ReScreen" episode, Michael does a rewatch of the 2010 science fiction action film "Tron: Legacy" that's a sequel to the 1982 film starring Garrett Hedlund, Jeff Bridges, Olivia Wilde, James Frain, Bruce Boxleitner, Michael Sheen, Beau Garrett and directed by Joseph Kosinski. What are some of his memories of seeing this film previously and thoughts after seeing the film again? Check it out and see!Be a part of the conversation!E-mail the show at screennerdspodcast@gmail.comFollow the show on Twitter @screennerdspodLike the show on Facebook (Search for Screen Nerds Podcast and find the page there)Follow the show on Instagram and Threads just search screennerdspodcastCheck out the show on Bluesky just search screennerdspodcastBe sure to check out the podcast on Apple Podcasts, Spotify, Goodpods, Overcast, Amazon Music or your podcast catcher of choice! (and please share rate and review!)Want to be share your thoughts on the podcast? Send me an e-mail!Thanks to Frankie Creel for the artwork

Looks Like Antarctica Wasn’t the Only Place Superman Crashed This week on the podcast, Brian and Darryl are talking about the Super(Meh) Opening Weekend Box Office, the last 3 episodes of Murderbot season 1, and they review F1. Episode Index Intro: 0:07 Superman Box Office: 7:17 Murderbot: 17:00 F1: 35:55 Superman (2025) Box Office Opening weekend performance: Domestic 3‑day sitting at ~$100–130 million Worldwide debut crossed $200 million Forecasts suggest long‑term haul could reach $1 billion if word‑of‑mouth holds Overall sentiment: Some critics and audiences praised Corenswet's optimistic Superman, slick humor, and DC's tonal reset. Issues cite an overcrowded plot and CGI-heavy final act that didn't fully capitalize on its potential. Murderbot (AppleTV+) Episodes Covered: 8 “Foreign Object”, 9 “All Systems Red”, 10 The Perimeter” Highlights: Ep 8: Secrets revealed—Murderbot admits a shadowy past weaponizing its crew's memories Summary: Murderbot accompanies the PresAux team back to the habitat. The recording of the security cameras shows that in their absence, more superior SecUnits and a representative of the hostile third party—now identified as GrayCris—visited the habitat and left an invitation to meet at a rendezvous point to negotiate terms for their survival. After a security check, the PresAux team take Gurathin to the medical bay. While Bharadwaj performs surgery on Gurathin’s leg, Murderbot plugs into his data port to turn off his sense of pain. The connection allows Gurathin to find out what it calls itself, and that the SecUnit was involved in the deaths of 57 clients, which Gurathin reveals to the group and condemns Murderbot for. Murderbot admits it’s not sure if it killed the clients or not and agrees with Gurathin’s assessment that it could be defective and dangerous, then it leaves the group to go out on its own. The PresAux team concludes that GrayCris is illegally pursuing the alien remnants and that they will liquidate them once they locate their whereabouts. After mulling over whether to abandon or betray its clients, Murderbot comes back and announces that it has a plan. Ep 9: High-stakes deception! Murderbot fakes betrayal to take down GrayCris agents and saves Dr. Mensah in a cliffside showdown Summary: Murderbot puts a dangerous plan into motion, pretending to betray the PresAux team in order to leave the planet. While the team expresses doubts and tension rises, Murderbot keeps the true plan hidden: to have Gurathin hack into GrayCris’s HubSystem using a drone as a transponder and launch their emergency beacon. The ruse includes offering to help GrayCris capture the Preservation team in exchange for being listed as destroyed inventory. Murderbot stalls the enemy using awkward small talk and quotes from Sanctuary Moon, while the PresAux team manages the remote connection. As the plan begins to succeed, GrayCris prepares to torture Murderbot for the information they seek. Mensah intervenes and is caught in the crossfire. In the end, Murderbot shields her from the beacon’s launch blast, which kills the GrayCris team, nearly sacrificing itself. Before Murderbot’s systems fail, it quietly admits to itself that these humans have become its clients not just by contract, but by choice. Ep 10 (Finale): An emotional farewell—post-rescue reprogramming, autonomy restored, and Murderbot walks away into an uncertain future Summary: As Murderbot’s systems reboot, Corporation Rim technicians delete its memory and install a new governor module. At the same time, the PresAux team negotiates with company representatives to find the SecUnit. They offer to buy it and threaten with a lawsuit, but the company refuses, telling them that its memory has been wiped anyway. So Pin-Lee files an injunction to seize Murderbot for evidentiary reasons, while Gurathin manages to retrieve the data that was downloaded during the memory wipe. He locates Murderbot’s personality files by searching Sanctuary Moon episodes. The team saves Murderbot from being destroyed, and Gurathin uploads its personality. It recognises that without its armour it looks like an augmented human. The team invites Murderbot to live as a free agent on their home planet. That night, Murderbot attempts to sneak away but is intercepted by Gurathin, who tries to make it feel welcome. Murderbot insists that it needs to check the perimeter. When Gurathin relents, Murderbot thanks him. Posing as a servant bot, it boards a transport ship that departs as Mensah awakens and realises that it has left. Creators: Paul & Chris Weitz (writers, producers)  Directors: Episodes 8 & 9 by Aurora Guerrero & Roseanne Liang; Ep 10 by Paul Weitz  Rating: Episode 8-10 Out of 10 Murderbots Loose In the Worlds Darryl: 7.4/10 Brian: 7.79/10 Season 1 Out of 10, Who Knew a Novella About a Murder Robot Would Be So Fun Darryl: 7.3/10 Brian: 8/10 F1 (2025) Brad Pitt plays former F1 star Sonny Hayes, coaxed out of retirement to save a failing APXGP team by mentoring rookie Joshua Pearce (Damson Idris). The film delivers adrenaline-fueled races, emotional baggage, and high-stakes redemption on the global circuit. Director: Joseph Kosinski Writers: Screenplay by Ehren Kruger; story credit to Kosinski & Kruger Cast: Brad Pitt, Damson Idris, Javier Bardem, Kerry Condon, Tobias Menzies, Kim Bodnia, Sara Niles Producers: Jerry Bruckheimer, Joseph Kosinski, Lewis Hamilton, Brad Pitt, Dede Gardner, Jeremy Kleiner Budget: $200–300 million Box Office (as of today): Domestic: $138 million International: $257.2 million Worldwide total: $395.2 million Production Notes: Shot during real Grand Prix events, featuring authentic F1 vehicles and consulting by Lewis Hamilton; Hans Zimmer score; practical crash sequences inspired by real incidents Reception: Visually thrilling—deemed “Top Gun: Maverick on wheels”—but criticized for predictable story and weak character depth Rating: Out of 10 Gotta Get Out of That Dirty Air Darryl: 8.2/10 Brian: 8.5/10 Contact Us The Infamous Podcast can be found wherever podcasts are found on the Interwebs, feel free to subscribe and follow along on social media. And don't be shy about helping out the show with a 5-star review on Apple Podcasts to help us move up in the ratings. @infamouspodcast facebook/infamouspodcast instagram/infamouspodcast stitcher Apple Podcasts Spotify Google Play iHeart Radio contact@infamouspodcast.com Our theme music is ‘Skate Beat’ provided by Michael Henry, with additional music provided by Michael Henry. Find more at MeetMichaelHenry.com. The Infamous Podcast is hosted by Brian Tudor and Darryl Jasper, is recorded in Cincinnati, Ohio. The show is produced and edited by Brian Tudor. Subscribe today!

On the one hand, the IMAX-driven spectacle of F1 is undeniably satisfying to watch on the big screen; on the other hand, we all walked out of Joseph Kosinski's second teamup with producer Jerry Bruckheimer unsure whether it qualifies as a movie and not just a sophisticated simulation thereof. Despite the star power of Brad Pitt and a plethora of familiar sports-movie tropes, there's a human element missing from F1 that left us all slightly perplexed, and which is thrown into even sharper relief when placed against the character-driven comedy of the other film in this pairing, TALLADEGA NIGHTS. But despite their drastically different points of view, the two share some uncanny similarities that we get into during Connections, from their shared narrative tension between team loyalty and individual glory, to a crash-and-burn approach to trauma, to a wallpaper-like view of corporate sponsorship. Then we take an extra lap on this racing pairing with a Your Next Picture show recommendation for the long-running Netflix docuseries F1: DRIVE TO SURVIVE. Please share your thoughts about TALLADEGA NIGHTS, F1, or anything else in the world of film, by sending an email or voice memo to comments@nextpictureshow.net, or leaving a short voicemail at (773) 234-9730. Next Pairing: James Gunn's SUPERMAN and Richard Donner's SUPERMAN Intro: 00:00:00-00:02:11 F1 discussion: 00:02:12-00:29:30 F1/Talladega Nights Connections: 00:29:31-00:50:44 Your Next Picture Show: 00:50:45-00:54:14 Next episode preview and goodbyes: 00:54:15-end Learn more about your ad choices. Visit megaphone.fm/adchoices

The Ringer's Bill Simmons is joined by Van Lathan Jr. to talk about Joseph Kosinski's ‘F1' film, starring Brad Pitt and Damson Idris (2:16), before discussing Pitt's acting career. Then, Charles Holmes joins the pod to try to convince Bill to watch James Gunn's ‘Superman' (59:01). Host: Bill Simmons Guests: Van Lathan Jr. and Charles Holmes Producers: Chia Hao Tat and Eduardo Ocampo This episode is presented by State Farm®. Dishing the assists you need off the court. State Farm® with the Assist. The Ringer is committed to responsible gaming. Please visit⁠ www.rg-help.com⁠ to learn more about the resources and helplines available. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Jeff is on vacation this week, so it's up to Derek and Amir to pull off the rare double feature episode. In a week of dueling popcorn blockbusters, which crowdpleaser — John Wick spinoff Ballerina or racing drama F1 — will reign supreme? We talk Ana De Armas, Brad Pitt, and the highs and lows of both movies.

This week's episode of the Empire Podcast is dominated by bald baddies. Namely, a group discussion of the hairless horrors who have been tormenting do-gooders in all kinds of movies throughout the years. But also, our very own James Dyer, whose unexplained absence from the podbooth has Chris Hewitt, Helen O'Hara, and Alex Godfrey speculating wildly, and threatening to send out search parties. Will James turn up? And if he does, how will he react to a conversation about bald villains? What will he have to say about the week's movie news? And what are his thoughts on James Gunn's Superman, which is the main topic of conversation in the reviews section. And speaking of Superman, Chris Hewitt sits down with the new Man Of Steel, David Corenswet, for a fun and fascinating chat. [23:41 - 42:04 approx] But that's not all — ahead of the full debut of our F1 spoiler special next week, we whet your whistle with an excerpt from our interview with that film's director, Joseph Kosinski. [56:39 - 1:07:27 approx] Is it a bird? Is it a plane? No, it's a Formula 1 car going at roughly 200 miles per hour. Easy mistake to make.

Send us a textF1: The Movie is a high-octane sports drama that follows Sonny Hayes (Brad Pitt), a seasoned Formula One driver who comes out of retirement to mentor a promising rookie, Joshua Pearce (Damson Idris). Together, they join the fictional APXGP team, aiming to disrupt the established order of the racing world. Directed by Joseph Kosinski, the film combines practical racing sequences with real F1 footage, offering an immersive experience for audiences. The movie has been praised for its dynamic storytelling and stunning visuals, making it a must-see for both racing enthusiasts and general moviegoers.Since its release on June 27, 2025, F1: The Movie has achieved remarkable box office success, grossing approximately $293 million globally. This figure makes it Apple's highest-grossing film to date, surpassing previous top performer Napoleon. A significant portion of its opening weekend revenue—19%—came from IMAX screenings, ranking fourth for IMAX's share of global debut sales behind Dune, Mission: Impossible - Ghost Protocol, and Oppenheimer. The film's success has also sparked discussions about a potential sequel, with director Joseph Kosinski expressing interest in continuing the story. While no official sequel has been announced, the film's performance makes further installments increasingly likely.Support the showThe audio clips used in this podcast, including excerpts from movie/series/documentary trailers, are used under the principles of fair use and fair dealing for the purpose of criticism, commentary, and review. All rights to the original trailer content & music belong to the respective copyright holders. DMR (Dewey's Movie Reviews) is an independent production and is not affiliated with or endorsed by any film studios or distributors.

This week on The Treatment, Elvis speaks with F1 director Joseph Kosinski about his freshly minted box office juggernaut. Then, actor Greg Kinnear stops by to talk about Smoke, his new Apple TV+ series about a serial arsonist. And on The Treat, The New Yorker editor (and Lorne Michaels biographer) Susan Morrison shares an epic “I was there” story.  

This week on The Treatment, Elvis speaks with F1 director Joseph Kosinski about his freshly minted box office juggernaut. Then, actor Greg Kinnear stops by to talk about Smoke, his new Apple TV+ series about a serial arsonist. And on The Treat, The New Yorker editor (and Lorne Michaels biographer) Susan Morrison shares an epic “I was there” story.

On this episode, JD and Brendan discuss Joseph Kosinski's new racing film F1: THE MOVIE! Visit https://insessionfilm.com for merch and more! Thanks for listening and be sure to subscribe! Become an ISF VIP today to get exclusive bonus content! Follow us on X/Twitter! @InSessionFilm | @RealJDDuran | @BrendanJCassidy

Investing in yourself is the ultimate career hack. When you believe in your vision enough to create something - even on the side, even without guaranteed success - you open doors that might never have existed. Joseph Kosinski didn't wait for permission; he made a CGI short in his apartment, submitted it to festivals, and that single act of creative courage launched his entire career. His journey proves that investing in YOURSELF, developing your unique POINT OF VIEW, and then putting your work out into the world can transform everything. Don't just dream about your creative potential - invest in it, showcase it, and trust that your distinctive voice will find its audience. FILMMAKER RETREAT JOSHUA TREE '25 Thursday, September 25th – Sunday, September 28th, 2025. Limit 15 Filmmakers. This will be our 4th year and it's so special, I'd prefer to jump on the phone with you and tell you more. Every year since our first, filmmakers have come back. Pretty much says it all. SIGN UP! ONLINE FILMMAKING COURSES - DIRECT WITH CONFIDENCEEach of my online courses come with a free 1:1 mentorship call with yours truly. Taking the Shadow course is the only way to win a chance to shadow me on a real shoot! DM for details. Want to level up your commercial directing game? MAGIC MIND - MY MENTAL PERFORMANCE EXILIR - SAVE w BRADY20Save hugely on Magic Mind with this link. — This link is the way.  Thanks, Jordan My cult classic mockumentary, "Dill Scallion" is online so I'm giving 100% of the money to St. Jude Children's Hospital. I've decided to donate the LIFETIME earnings every December, so the donation will grow and grow annually. Thank you. "Respect The Process" podcast is brought to you by Commercial Directing FIlm School and True Gent, aka True Gentleman Industries, Inc. in partnership with Brady Oil Entertainment, Inc.

David, Devindra, and Jeff lean into the horror silliness of M3GAN 2.0, come aboard for disaster with Trainwreck: Poop Cruise, and get meta with the third season of The Show About The Show. Then they shift into gear with Joseph Kosinski's latest film, F1® The Movie. We're making video versions of our reviews! Be sure to follow us on the following platforms: YouTube Tiktok Instagram Threads Weekly Plugs David - Decoding TV: Matt Goldberg's spoiler-filled review of Squid Game Season 3 Devindra - Engadget Podcast on our favorite VPNs Jeff - We Have Concerns - Snakebites for Science Shownotes (All timestamps are approximate only)    What we've been watching (~00:34:03) David - Trainwreck: Poop Cruise, Squid Game S3 Devindra - M3GAN 2.0, Squid Game S3, This is Spinal Tap 4K re-release Jeff - The Show About The Show S3, F1 Hot Lap on Vision Pro Featured Review (~01:19:58)     F1® The Movie SPOILERS (~01:41:48) Support David's artistic endeavors at his Patreon and subscribe to his free newsletter Decoding Everything. Check out Jeff Cannata's podcasts DLC and We Have Concerns. Listen to Devindra's podcast with Engadget on all things tech. You can always e-mail us at slashfilmcast(AT)gmail(DOT)com. Credits: Our theme song is by Tim McEwan from The Midnight. This episode was edited by Noah Ross who also created our weekly plugs and spoiler bumper music. Our Slashfilmcourt music comes from Simon Harris. If you'd like advertise with us or sponsor us, please e-mail slashfilmcast@gmail.com. You can support the podcast by going to patreon.com/filmpodcast or by leaving a review on Apple Podcasts.

We discuss 'F1: The Movie'Directed by Joseph Kosinski and starring Brad Pitt, Damson Idris, Javier Bardem & Kerry Condon - A Formula One driver comes out of retirement to mentor and team up with a younger driver.What did you think of the movie?  Could you drive a race car?  Did it meet your expectations?Join the conversation... FacebookInstagramTwitterTikTokYouTubeRate/Review/Subscribe:Apple PodcastsSpotifyYouTube

For this week's main podcast review, Katie Johnson, Giovanni Lago, Joselyn Safadi, Brendan Hodges & Will Mavity join me to review and discuss the newest film from Joseph Kosinski, "F1" (Or "F1 The Movie" depending on who you ask) starring Brad Pitt, Damson Idris, Kerry Condon, Tobias Menzies & Javier Bardem. Set in the world of Formula One racing, Kosinski and producer Jerry Bruckheimer aim to deliver the most authentic and immersive racing movie ever made while retaining the magic that made their last collaboration, "Top Gun: Maverick," such a success. What did we think of it? Please tune in as we discuss the story, performances, racing sequences, Hans Zimmer's score, its awards season chances, and more in our SPOILER-FILLED review. Thank you for listening, and enjoy! Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices

Sean and Amanda start the show by reacting to two huge news headlines from this week, with Denis Villeneuve set to direct the next James Bond film and Aaron Sorkin set to write and direct a sequel to ‘The Social Network' (1:38). Then, they get behind the steering wheel to discuss Joseph Kosinski's highly anticipated action blockbuster ‘F1,' starring Brad Pitt. They talk about how the electrifying filmmaking displayed throughout the racing scenes makes the film worth the price of admission, acknowledge some of its noticeable flaws, and hypothesize whether or not it will perform well at the box office (23:00). Later, Sean is joined by Kosinski, who discusses why this was the most difficult shooting environment he's ever experienced, how he feels about the major studios' relationship to the theatrical experience at large, and much more (1:12:26). Hosts: Sean Fennessey and Amanda Dobbins Guest: Joseph Kosinski Producer: Jack Sanders This episode is sponsored by State Farm®️. A State Farm agent can help you choose the coverage you need. Like a good neighbor, State Farm is there.®️ Learn more about your ad choices. Visit podcastchoices.com/adchoices