Podcasts about soderbergh

durée : 00:10:17 - Les émissions culturelles de France Culture - par : Marie Labory - Après un film de fantôme et un film d'espionnage, Soderbergh s'attaque au milieu de l'art contemporain, avec Ian McKellen en vieil artiste désabusé et Michaela Coel en faussaire. - réalisation : Laurence Malonda, Boris Pineau, Aïssatou N'Doye, Jules Barbier, Zohra Vignais, Lise Ripoche, Mathi Adjinsoff - invités : Adrien Dénouette Critique de cinéma et enseignant, Murielle Joudet Critique de cinéma au Monde Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

durée : 00:27:38 - Les émissions culturelles de France Culture - Au programme de ce débat critique, les derniers films de deux Steven bien connus : le "Disclosure Day" de Spielberg et "The Christophers" de Soderbergh. - invités : Adrien Dénouette Critique de cinéma et enseignant, Murielle Joudet Critique de cinéma au Monde Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

Kate Rodger reviews three new films: The Christophers, Soderbergh's thriller with McKellen and Coel; Mandalorian and Grogu, the big-screen Star Wars feature with Pascal and Weaver; and Masters of the Universe, with Galitzine, Elba and Leto.The Christophers TRAILERThe Mandalorian and Grogu TRAILERMasters of the Universe TRAILERGo to this episode on rnz.co.nz for more details

It'll be a lot easier for everyone if you just listen to our episode on UNSANE, Soderbergh's 2018 shot-on-iPhone experiment that's otherwise a pretty solid thriller! Writer Esmé Holden returns to the show after far too long to talk smartphone aesthetics, involuntary holds, whether all doctors are cops or just most of them, the intersections of mental illness and misogyny and transphobia, and a very special man by the name of Gavin de Becker. Wonderful guest, wonderful conversation, check it out! Heads up: there's a very brief bit of rough audio right when our guest starts speaking, but it clears up quickly. Further Reading: The Gift of Fear by Gavin de Becker "Still The Smartest Guy On The Hill 30 Years After Sex, Lies & Videotape: Steven Soderbergh Unravels Hollywood Chaos" by Mike Fleming, Jr. https://deadline.com/2019/01/steven-soderbergh-sundance-slamdance-icon-interview-1202544513/ Further Viewing: GASLIGHT (Cukor, 1944) SHOCK CORRIDOR (Fuller, 1963) THE SILENCE OF THE LAMBS (Demme, 1991) THE BLAIR WITCH PROJECT (Myrick & Sánchez, 1999) SIDE EFFECTS (Soderbergh, 2013) TANGERINE (Baker, 2015) Follow Esmé Holden: https://letterboxd.com/esmepartii/ https://substack.com/@esmeholden Follow Pod Casty For Me: https://www.podcastyforme.com/ https://twitter.com/podcastyforme https://www.instagram.com/podcastyforme/ https://bsky.app/profile/podcastyforme.bsky.social https://www.youtube.com/@podcastyforme Support us on Patreon: https://www.patreon.com/PodCastyForMe Artwork by Jeremy Allison: https://www.instagram.com/jeremyallisonart Hosted and produced by Ian Rhine and Jake Serwin. Additional production by Ryan Torgeson.

Look, either you know what this is or you won't believe us. In 2017, Steven Soderbergh and writer Ed Solomon made a murder mystery show that was an app on your phone. You used your phone to decide which scenes to watch next to find out who killed Sharon Stone. This is real. Then they re-edited it as a miniseries for HBO, and now you can't watch the app version literally anywhere. The whole thing is nuts, and thank G-d we have our friend Comrade Yui to help us navigate through it (app joke). Join us for a typically wide-ranging conversation about interactivity, the artist as fascist (complimentary?), video game theory, and biodigital jazz, man. Hey more like Steven Flappybird! Because he deleted the app! Well, someone did. Further Reading: Extra Lives by Tom Bissell Cain's Jawbone by Torquemada "Interactive Cinema: The Ambiguous Ethics of Media Participation" by Marina Hassapoulou - https://filmquarterly.org/wp-content/uploads/2024/05/Hassapopoulou_Interactive_Introduction-1.pdf "Mosaic: A Choose-Your-Own-Adventure Review of Steven Soderbergh's Mystery" by Matt Brennan - https://www.pastemagazine.com/tv/mosaic/mosaic-hbo-steven-soderbergh-review Further Viewing/Playing: MOSAIC trailer/app demonstration: https://www.youtube.com/watch?v=Km_u51OE3VA KINOAUTOMAT (Činčera, 1967) OUT 1 (Rivette, 1971) ZORK (Anderson, Blank, Daniels, and Lebling, 1977) DRAGON'S LAIR (Bluth, 1983) CLUE (Lynn, 1985) MASS EFFECT 2 (Hudson, 2010) BLACK MIRROR: BANDERSNATCH (Slade, 2018)  Follow Comrade Yui: https://x.com/yui_antinomy https://www.patreon.com/c/comrade_yui/ https://letterboxd.com/comrade_yui/ Follow Pod Casty For Me: https://www.podcastyforme.com/ https://twitter.com/podcastyforme https://www.instagram.com/podcastyforme/ https://bsky.app/profile/podcastyforme.bsky.social https://www.youtube.com/@podcastyforme Support us on Patreon: https://www.patreon.com/PodCastyForMe Artwork by Jeremy Allison: https://www.instagram.com/jeremyallisonart

Cannes is almost over, which means it is time to make our Palme d'Or predictions.In this episode, we break down the Cannes competition, make our picks for who we think could win the Palme d'Or, and talk through which films might carry momentum into the Oscar race. We get into the strange energy of this year's festival, the movies that seem built for jury attention, the ones that could break out later, and whether Cannes still feels like the launchpad it used to be.Along the way, we also talk John Travolta's honorary Palme d'Or, Paul Schrader's Cannes grumpiness, Jacob Elordi's jury absence, and the general chaos of trying to read festival buzz from afar. The episode sets up the Palme prediction segment directly in the intro, so this title and thumbnail are aligned with what the show actually promises.Chapters:0:00 Intro0:42 John Travolta's honorary Palme d'Or & Paul Schrader4:24 Setting the stage: Cannes wraps up5:06 Top storylines & the Screen jury grid (Fatherland, Minotaur)9:43 Standing ovations & the clapping arms race12:08 Polarizing films & Fjord (Cristian Mungiu)14:01 Where's Hollywood? Do the studios still need Cannes?20:14 The Bolloré / Canal D scandal22:29 A quiet market & the subtitle problem24:05 Big deals: A24 bidding war & Park Chan-wook's western26:45 Hollywood no-shows: Johansson & Adam Driver27:42 The anti-AI backlash (Soderbergh, del Toro, Radu Jude)32:33 Hope by Na Hong-jin34:59 Jury dynamics & Palme d'Or predictions38:26 Parallel Tales (Asghar Farhadi) flops40:34 Was this a disappointing Cannes?43:04 Golden Globes expands its voting body45:13 Nolan's Odyssey & the casting backlash47:16 Oscar eligibility & the diversity-rule conspiracy56:05 The Daniels cast Matt Damon59:03 Wrap-up & sign-off

Ormai conosciamo tutti l'avversione di Federico per il Cinema americano, soprattutto quello dei grandi volti e dei riflettori; è per questo che a volte Simone sente la necessità di scardinare il muro e parlare di qualcosa che sta completamente al di fuori del reame del podcast. Come era già successo con Indiana Jones, in questo episodio viene discussa l'intera trilogia scaturita dal remake Ocean's Eleven di Steven Soderbergh. Fra jazz, furti e stile, non sarà un caposaldo del Cinema, ma ci costringe a ragionare sullo stato del Cinema d'intrattenimento odierno.Con Federico Allocca e Simone CortiRiprese Gianlorenzo Bernabò Di NegroMusica e sound design DEMONA alias Andrea Evangelista e Delio GallmannAnimazione sigla Ida CortiLogo design Chiara QuagliarellaPost-produzione audio Matteo FusiCon il sostegno di Associazione La Terza Via e SidereusUn grazie a Raffaele Allocca, Elisabetta Marrocco, Riccardo Romano, Andrea Sestu

The Winds of Winter is still a distant dream for incarcerated fantasy fans, but our episode on Soderbergh's 2017 NASCAR caper LOGAN LUCKY is coming to you on schedule. We brought back our friend, and rebel among San Diego film critics, Glenn Heath Jr. to discuss how Ocean's 7-Eleven combines Soderbergh's impatience with conventional film production, his visions of an incongruous South, and his preternatural flair for heist movies. It might be a live-action cartoon or it might be serious American Regionalism. We lay it all out for you in what Sebastian Stan has called "the dirtiest air of all." Further Reading: "Will Soderbergh's Strategy of Bypassing the Studio System...,"  by Ryan Faughnder Prison Life Unlocked by Phillip Vance Smith Jr.  "Former Coal Towns Get Money from Clean-Energy Factories," by Hiroko Tabuchi  "How an Ex-Coal Mining Town is Turning to Ecotourism," by Emily Cataneo "For Black NASCAR Fans, Change Would Mean Feeling at Ease," by Andrew Keh Further Viewing: RAISING ARIZONA (Joel and Ethan Coen, 1987) BOTTLE ROCKET (Wes Anderson, 1996) TALLADEGA NIGHTS: THE BALLAD OF RICKY BOBBY (Adam McKay, 2006) BERNIE (Richard Linklater, 2011) Follow Glenn Heath Jr.: His Twitter Digital Gym Cinema San Diego Asian Film Festival Pacific Arts Movement Follow Pod Casty For Me: https://www.podcastyforme.com/ https://twitter.com/podcastyforme https://www.instagram.com/podcastyforme/ https://bsky.app/profile/podcastyforme.bsky.social https://www.youtube.com/@podcastyforme Support us on Patreon: https://www.patreon.com/PodCastyForMe Artwork by Jeremy Allison: https://www.instagram.com/jeremyallisonart  

Can you feel it? Summer movie season is rumbling down the tracks. And this week BFG Podcast host Neal Pollack puts his ear to the ground for the last major releases before the real blockbusters start.First up is Michael, the bizarrely popular Michael Jackson biopic that has the world forgetting how weird and sinister late-era Michael Jackson really was. This is a hero's origin story, from the beginnings of the Jackson 5 up until the near-tragedy of the "Victory" tour. Contributor Gillian Gaar joins Neal in breaking down why she thinks this movie is a flat highlight reel that doesn't really work, and compares it to other recent popular music biopics like Bohemian Rhapsody and Back in Black. Neal agrees with her mostly but really liked Colman Domingo as Michael's Machiavellian father, and has to admit the music scenes are pretty good.Stephen Garrett makes his regular stop to talk about The Devil Wears Prada 2, the sequel to a popular movie from the fashion industry from 20 years ago. Our critics agree that this sequel seems flat and unnecessary and they get very bitchy talking about music and fashion, which is appropriate. Neal did like Justin Theroux as a Jeff Bezos-style billionaire magnate weirdo, and Emily Blunt is also pretty funny in the sequel. But most of the goings-on are pretty annoying.Neal and Stephen clash on The Christophers, a Steven Soderbergh indie joint about the London art world. Soderbergh, who is 63, claimed to have retired 13 years ago, Ian McKellen is 87 at the end of this month and is not retiring any time soon. They agree that McKellen is wonderful as the lead, a dying 80-something former "Bad Boy" painter, and Neal tries unsuccessfully to persuade Stephen that Michaela Cole is NOT a film actress. They agree to disagree, as they always do.

It's time for another Soderbergh style heist, this time in the art world! We're joined by Blueprint Screenwriting group founder Timothy Michael Cooper who has a few succinct words about Ed Solomon's new screenplay for "The Christophers" If you're enjoying the show, consider buying us a coffee, sending us an email or hitting us up on Letterboxd, Twitter(X), BlueSky or Instagram!You can catch our episodes early and ad free over on Nebula! Sign up with the link below. It really helps out the pod so we thank you in advance!https://go.nebula.tv/theonlypodcastaboutmoviesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Adam is joined by critic Chris Klimek to discuss The Christophers, the latest film from Steven Soderbergh. Starring Ian McKellen and Michaela Coel, the film centers on the uneasy power dynamic between a once-celebrated artist and the forger drawn into his orbit. The conversation focuses on McKellen’s bracing late-career performance, Coel’s controlled counterpoint, and Soderbergh and screenwriter Ed Solomon’s refusal to resolve the film’s ideas into sentiment. Links: Follow Chris: Instagram | Bluesky | X Feedback: -Email us at feedback@filmspotting.net⁠⁠ -⁠⁠⁠⁠Ask Us Anything⁠⁠⁠⁠ and we might answer your question in bonus content. Support: -Join the Filmspotting Family for bonus episodes and archive access.https://filmspottingfamily.com -T-shirts and more available at the Filmspotting Shop.https://www.filmspotting.net/shop⁠⁠⁠ Follow: https://youtube.com/filmspotting https://instagram.com/filmspotting⁠⁠⁠⁠ ⁠⁠⁠https://letterboxd.com/filmspotting⁠⁠⁠⁠ ⁠⁠⁠⁠https://facebook.com/filmspotting⁠⁠⁠⁠ ⁠⁠⁠⁠https://twitter.com/filmspotting⁠⁠⁠⁠ ⁠⁠⁠⁠https://instagram.com/larsenonfilm⁠ https://letterboxd.com/larsenonfilm⁠⁠⁠ https://facebook.com/larsenonfilm ⁠⁠https://bsky.app/profile/larsenonfilm.bsky.social⁠⁠See omnystudio.com/listener for privacy information.

Among the several filmmakers whose work demands to be seen, Steven Soderbergh—for many of us—ranks somewhere in the Top Ten. On this week's show, Dan Webster, Nathan Weinbender and Mary Pat Treuthart discuss Soderbergh's newest film, “The Christophers,” which stars the great stage actor Ian McKellen. They follow that with a look at the latest film by the Palestinian-American director Cherien Dabis titled “All That's Left of You.”

Scrub in, folks - we're headed back to the operating theater for the second and final season of The Knick! Doctors Thack and Edwards and the gang are up to even more bleak shenanigans this time, and we're talking about it all. It's a bonafide Pod Casty cornucopia of context as we chat medical hypnotism, eugenics, Black Nationalism, sideshows, addiction treatment, urban revival churches, condoms, New York City corruption, and a bunch of other stuff. Plus, Kimi's really one on this time. Further Reading: Soderbergh interview on AI by Brent Lang Counterrevolution: Extravagance and Austerity in Public Finance by Melinda Cooper Melodrama and Modernity: Early Sensational Cinema and Its Contexts by Ben Singer The Showman and the Slave: Race, Death, and Memory in Barnum's America by Benjamin Reiss André Holland interview by Rodrigo Perez "The Rise and Fall of Marcus Garvey" by Paul Prescod "The Shadow of Booker T. Washington" by Jervis Anderson "A Short History of the Condom" by Hallie Lieberman "The Wedding Night" by Ida Craddock Further Viewing: THE MOSQUITO COAST (Weir, 1986) MAD MEN (various, 2007) J. EDGAR (Eastwood, 2011) Follow Pod Casty For Me: https://www.podcastyforme.com/ https://twitter.com/podcastyforme https://www.instagram.com/podcastyforme/ https://bsky.app/profile/podcastyforme.bsky.social https://www.youtube.com/@podcastyforme Support us on Patreon: https://www.patreon.com/PodCastyForMe Artwork by Jeremy Allison: https://www.instagram.com/jeremyallisonart  

Με το Πάσχα πίσω μας, φτάνουμε πια στην παραδοσιακή αυτή στιγμή στο χρόνο όπου αρχίζουμε να κοιτάζουμε πολύ έντονα προς την εκτεταμένη θερινή περίοδο που έρχεται: Ξεκινώντας από τον Μάιο, και μέχρι τα τέλη Αυγούστου, οι αίθουσες γεμίζουν, και οι τηλεοπτικοί δέκτες έχουν εκπλήξεις να μας δώσουν.Το POP για τις Δύσκολες Ώρες ρίχνει μια ματιά στο επόμενο 4μηνο και ξεχωρίζει αυτά για τα οποία ανυπομονούμε περισσότερο. Η Οδύσσεια του Νόλαν είναι το λογικό μπλοκμπάστερ του καλοκαιριού (μας) αλλά θα είναι το μόνο; Τι συμβαίνει στα Backrooms και γιατί η Α24 ποντάρει σε έναν 19χρονο σκηνοθέτη; Τι μας εξιτάρει στο υπερηρωικό Lanters και τι στο υπερηρωικό Spider-Noir; Γιατί πιστεύουμε πως θα μας εντυπωσιάσει για μια ακόμη φορά ο Nicolas Cage;Πόσους ρόλους θα παίξει φέτος στην τηλεόραση η Tatiana Maslany (του Orphan Black); Πόσο τρόμο αντέχουμε, και γιατί μετράμε τις μέρες για το Teenage Sex & Death at Camp Miasma; Τι θα έχει σκαρώσει πάλι ο Nolan με την Οδύσσεια; Υπάρχει τηλεοπτικό περφόρμανς το ερχόμενο 4μηνο που θα μπορέσει να επισκιάσει τον Javier Bardem στο Cape Fear; Και, τέλος, γιατί μιλάει πάλι για τον Soderbergh ο Θοδωρής; Τι γουστόζικο μας έχει σκαρώσει πάλι ο ακούραστος σκηνοθέτης;

Born and raised in Princeton, New Jersery, Wilkes relocated to the West Coast with his family, where he would go on to earn a BA at UC Santa Cruz, before eventually deciding to study screenwriting at the American Film Institute (AFI). Having worked as a screnwriter on such cult classics as 1994's "Airheads" (Adam Sandler, Brendan Fraser, Steve Buscemi, Chris Farley, and Michael Richards) and "The Stoned Age" (Michael Kopelow, Bradford Tatum, and Clifton Collins Jr.), which was released this past Monday as an exclusive cult collectible Blu-Ray in celebration of 420, Wilkes officially made his semi-autobiographical coming of age tale "Glory Daze", starring a pre-Kevin Smith Ben Affleck, Sam Rockwell, and French Stewart, and has since paved way as a legend in an intense industry that is changing quicker than you, and I could ever fathom. While combining the existential elements of youth, relationships, career, and the brave balance of life, Wilkes may be your new favorite obsession when it comes to cult comedies, and subliminal stoner stories. On this episode of The Self Portrait Gospel Podcast, we sit down with the veteran screenwriter/director to discuss the old glory daze of long-lasting youth in the 1990s, films legends such as Spielberg, Fincher, and Soderbergh, the never-ending narrative of nostalgia, the impact of AI, and much more.

On this week's episode the gang tackles Sharon Waxman's piece on David Zaslav and asks if he's the problem with Hollywood … or its inevitable result? Then they review Steven Soderbergh and Ed Solomon's new film about authenticity in art, The Christophers. Soderbergh is on a pretty amazing run since the foundation of this podcast, and we will be here for everything he does … but is this one for completists only? (Spoiler: no.) Make sure to swing by Thursday for our bonus episode on the world of art. And if you enjoyed this episode, share it with a friend!

We're back in Vegas, baby! It's Donald Trump and AI vs The Danny Ocean gang… but this time, Casey Affleck has a GIGANTIC mustache. This week it's the finale (?) of the Soderbergh's Oceans trilogy, and we simply have to get revenge for Elliot Gould. It's not fair what Al Pacino did to him. I mean, they both shook Sinatra's hand, for god's sake. Next week, it's the one and only BONUS of our Oceans miniseries… the Soderbergh heist film sometimes known as OCEAN'S 7/11 – aka, LOGAN LUCKY (2017). Join the conversation on our Discord at https://discord.com/invite/RssDc3brsx and get more Eye of the Duck on our Patreon show, After Hours https://www.patreon.com/EyeoftheDuckPod References: Special Features Commentary Third Time's a Charm: The Making of Ocean's Thirteen Ahab with a Piggy Back: The Means & Machines of Ocean's When I Stop Talking, You'll Know I'm Dead: Useful Stories From a Persuasive Man by Jerry Weintraub with Rich Cohen DGA Steven Soderbergh Interview Ocean's Thirteen Production Notes Warner Records David Holmes Interview Script Apart Ted Griffin Interview The Hollywood Reporter Brian Koppelman & David Levien Interview Huffington Post Steven Soderbergh Interview BBC Steven Soderbergh Interview Times Cast Interview Ellen Barkin Lead in Ocean's Thirteen Topher Grace Cut Cameo Carey Nieuwhof Brian Koppelman Interview Entertainment Weekly George Clooney & Brad Pitt Interview The Moment with Brian Koppelman Chris McQuarrie Interview Al Pacino Wants to Be Close to His Kids Bernie Mac Passed Away The Ocean's Ultimatum Credits:  Eye of the Duck is created, hosted, and produced by Dom Nero and Adam Volerich. This episode was edited by Michael Gaspari. This episode was researched by Parth Marathe. Our logo was designed by Francesca Volerich. You can purchase her work at francescavolerich.com/shop The "Adam's Blu-Ray Corner" theme was produced by Chase Sterling. Assistant programming and digital production by Nik Long. Follow us on Twitter, Instagram, and Letterboxd or join the conversation at Eye of the Discord. Learn more at eyeoftheduckpod.com Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

"The Christophers" is a 2025 black comedy film directed by Steven Soderbergh and written by Ed Solomon. It stars Sir Ian McKellen, Michaela Coel, Jessica Gunning, and James Corden. The film premiered at the 2025 Toronto International Film Festival, where it received positive reviews from critics for Ed Solomon's screenplay and the performances of Sir Ian McKellen and Michaela Coel, mostly in a chamber piece under the direction of Soderbergh. McKellen and Cole were kind enough to spend some time talking with us about their work and experience making the film, which you can listen to below. Please be sure to check out the film, which is now playing in theaters from NEON. Thank you, and enjoy! Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices

This is a preview of a premium episode from our Patreon feed, Paid Costly For Me! Head over to Patreon.com/PodCastyForMe to hear more for just $5 a month. We're back with another commentary track, this time for a movie by a director we almost covered: David Cronenberg. His 1988 identical twin gynecologist horror-tragedy DEAD RINGERS deals with all kinds of themes we love: the nature of the self, of experience, of the body, of morality. It's also got the guy from Soderbergh's KAFKA and the lady from TIGHTROPE and OBSESSION. Listen to this along with the film or just listen on its own - it works either way, in our opinion! "Dead Ringers" by Ron Rosenbaum & Susan Edmiston Thanks as always to Jetski for our theme music and Jeremy Allison for our artwork.

Yeni sezonda da her hafta Canlı Yayında sinema ve televizyon gündemini konuşuyoruz, haftanın öne çıkan dizi ve filmlerini yorumluyoruz, ilgimizi çeken konuları tartışıyoruz, listeler yapıyoruz, goygoydan geri kalmıyoruz...00:00 | Giriş 04:25 | Resurrection14:20 | Thrash22:05 | DTF St. Louis Final Bölümü   24:50 | For All Mankind S5B3 (Spoiler İçerir)30:32 | Invincible S4B5-6-7 34:17 | Bloodhounds39:10 | Margo's Got Money Troubles 48:00 | Gündem: Haber Turu 48:10 | White Lotus 4. Sezon Haberleri51:53 | World War Z Devam Projesi  52:20 | WSJ'ın MUBİ Haberi ve Boykot Etkisi1:00:55 | Paramount'a Karşı İmza Kampanyası  1:04:20 | CinemaCon'dan Haberler1:06:15 | Val Kilmer Yapay Zeka İle Geri Döndürüldü  1:11:30 | Bond Mirası ve Denis Villeneuve 1:14:10 | Yeni Thomas Crown Affair Projesi1:16:40 | Soderbergh ve Yapay Zeka Tartışmaları 1:18:20 | Box Office Notları ve Bitlisli Belkıs? 1:25:00 | WB'un Bağımsız Şirketi1:26:15 | Call of Duty ve Bloodborne Filmleri Geliyor1:29:00 | Yeni Aragorn Açıklandı 1:31:25 | Anna Hathaway'in Letterboxd Hesabı   1:34:20 | Sinemada En Korktuğumuz10 Şey 2:10:55 | Teşekkürler 

Get ready for one (second-to-)last ride! We're hopping on the food truck with the Kings of Tampa to talk MAGIC MIKE XXL, Greg Jacobs's 2015 sequel to MAGIC MIKE, on which Soderbergh served as both cinematographer and editor. Returning to the show is our pal, movie person and social media producer Marie Bardi! We talk nontoxic masculinity, female pleasure, the film's response to race-based criticism of MAGIC MIKE, and whether the Kings can be considered a leaderless worker collective. Grab your cheetos and water and give it a listen. Follow Marie Bardi-Salinas: https://www.instagram.com/mariebardi/ https://www.mariebardi.com/ https://podcasts.apple.com/us/podcast/blank-check-with-griffin-david/id981330533 Follow Pod Casty For Me: https://www.podcastyforme.com/ https://twitter.com/podcastyforme https://www.instagram.com/podcastyforme/ https://bsky.app/profile/podcastyforme.bsky.social https://www.youtube.com/@podcastyforme Support us on Patreon: https://www.patreon.com/PodCastyForMe Artwork by Jeremy Allison: https://www.instagram.com/jeremyallisonart Further Reading: "Where Mike Got the Magic" by Tressie McMillan Cottom "The Subversive Phallocentrism of Channing Tatum," by Katie Warfield "The Lived Experience of Male Sex Work." by Michael G. Cutris and Joshua L. Boe Further Viewing: GOLD DIGGERS OF 1933 (Mervyn LeRoy, Busby Berkeley, 1933) THE STORE (Frederick Wiseman, 1983) BEAU TRAVAIL (Claire Denis, 1999) STEP UP (Anne Fletcher, 2006) STEP UP REVOLUTION (Scott Speer, 2012) NOCTURAMA (Bertrand Bonello, 2016) DOG (Reid Carolin, Channing Tatum, 2022)  

No es una frutinovela, es un nuevo episodio del único podcast de cine del mundo mega mundial. Vimos Psycho Killer (2026) de Gavin Polone, con guión de Andrew Kevin Walker -el de Seven-.¿Salió bien? ¿Salió mal? Ahh, tenés que darle play porque somos así de maestros baiteros.Lo que sí te digo es que nos sirvió de excusa para hablar de thrillers, asesinos, los 90 y todo eso.También hay algo de Jodorowsky vs Spielberg, Soderbergh y la IA y más.www.hoytrasnoche.com

On this episode of THE HOT MIC, John Rocha and Jeff Sneider talk Jeff's breaking story of NEW X-Men casting rumors for the MCU movie, James Gunn shooting down more Man of Tomorrow casting rumors, our CinemaCon preview, the Jeff Shell debacle at Paramount, Disney wanting shorter and cheaper Avatar sequels, Soderbergh and his AI announcement for a new movie, X-Men new writers announced, Emerald Fennell directing Basic Instinct denials, Jenna Ortega not in Gremlins 3, Glen Powell Comeback King announcement, Jonathan Majors falling out the window on Daily Wire film shoot, JJ Abrams Bad Robot changes, the Mike Vrabel and Dianna Russinni controversy, David WB Shareholders might vote against Zaslav's golden parachute and more!#marvel #xmen #avengers #Netflix #Disney #DC #Superman #JamesGunn #TheHotMic #JeffSneider #JohnRocha ____________________________________________________________________________________Chapters:0:00 Intro and Rundown3:25 Final Destination Bloodlines to Direct 'Metal Gear Solid' Movie9:40 Cameron Diaz Starring in 'Troop Beverly Hills' Sequel11:35 James Gunn Battles Trades Over 'Man of Tomorrow' Casting Rumors21:56 The Punisher One Last Kill Trailer, Glen Powell Comeback King News24:00 Chloe Fineman Goes Viral for Pantsing Boy and Internet Loses Its Mind27:31 X-Men New Casting Rumors, New Writers Announced39:45 Emerald Fennell Denies She's Directing 'Basic Instinct' Sequel42:56 Disney to Make "Shorter and Cheaper" Future Avatar Films47:55 Jeff Shell Steps Down From Paramount Pictures Amid Controversy50:14 WB Shareholders Advised to Vote Against Zaslav's "Golden Parachute"52:35 Steven Soderbergh Talks Using AI for His Upcoming Movies55:48 Jonathan Majors Falls Thru Window on Daily Wire Production59:04 Mike Vrabel and Dianna Russini Controversy Highlights Journalistic Ethics1:04:01 Streamlabs and Superchat Questions1:33:15 2026 CinemaCon Preview and Prediction1:36:58 Streamlabs and Superchat Questions Part 2Follow John Rocha: @therochasays Follow Jeff Sneider: @TheInSneider Become a supporter of this podcast: https://www.spreaker.com/podcast/the-hot-mic-with-jeff-sneider-and-john-rocha--5632767/support.

Wong and Mike dive into the psychological thriller Side Effects (2013), directed by Steven Soderbergh. What starts as a film about depression, medication and trust quickly unravels into something far more sinister. With sharp, clever twists and morally gray themes, they break down what makes this film so well written - from its grounded yet flawed characters, to Soderbergh's tight direction - and why you'll never look at a simple prescription the same way again.

Cʹest un casse, brillant, aussi brillant que les lumières de Las Vegas Oceanʹs Eleven, un film de Steven Soderbergh sorti en 2001. Remake de lʹInconnu de Las Vegas (Oceanʹs Eleven), sorti en 1960 de Lewis Milestone avec Frank Sinatra, notre film du jour raconte lʹhistoire de Danny Ocean qui veut reconquérir sa femme, ruiner lʹamant de celle-ci en procédant au plus grand casse quʹà connu Las Vegas en volant, la même nuit, trois des plus grands casinos de la ville. Pour ce faire, il sʹentoure dʹune équipe soudée et sʹen vont faire des misères au propriétaire des casinos. Le film brille par son casting exceptionnel : ils sont toutes et tous là : Georges Clooney, Brad Pitt, Matt Damon, Bernie Mac, Don Cheadle, Andy García, Julia Roberts, Elliott Gould et Carl Reiner. Pur divertissement, il est emmené à bon rythme entre le film de gangster, le film dʹarnaque et le film dʹamour, avec brio, efficacité et séduction. Steven Soderbergh, réalisateur aux doigts dʹor, change complètement dʹunivers après Erin Brockovich et Traffic et propose une resucée énergique dʹun classique du cinéma de genre, cʹest-à-dire quelque chose entre lʹarnaque et le film de bande de potes. Oceanʹs Eleven est bien accueilli à sa sortie. Forcément, Soderbergh, le réalisateur, est en odeur de sainteté, et puis surtout, il y a la fine fleur dʹHollywood qui joue dedans et qui à lʹair de bien sʹamuser. Et tout le monde veut voir ça. Le film rapporte plus de 450 millions de dollars au box-office mondial. Il y aura des suites, Ocean's Twelve en 2004 et Ocean's Thirteen en 2007 où les acteurs reprennent tous plus ou moins leur rôle. REFERENCES David Holmes - Ocean's Thirteen Interview (Video): https://www.youtube.com/watch?v=pejOtxuczJQ Ocean's Eleven - The Making of : https://www.youtube.com/watch?v=sx2j-EmOfeU George Clooney on ʹOcean's Elevenʹ : https://www.youtube.com/watch?v=JQIDD6BKSCQ "Ocean's Eleven" Turns 19: Rewind | E! News : https://www.youtube.com/watch?v=i9gNwZRgGPA The Dialogue: Ted Griffin Interview Part 1: https://www.youtube.com/watch?v=Dtx19QVUNy8 Behind the scenes Ocean's eleven: https://www.youtube.com/watch?v=2t9-bWER558 Steven Soderbergh dans lʹHeure Bleue https://www.radiofrance.fr/franceinter/podcasts/l-heure-bleue/le-casse-de-steven-soderbergh-1568210

May the pods be ever in your feed-ver. Or whatever! We're screwing with the chronology a little bit today because we decided Steven Soderbergh's second unit work on Gary Ross's 2012 YA adaptation THE HUNGER GAMES was worth doing on the main feed after all. And we were right! There's a ton to talk about, from the film's style and what it means to try to find Soderbergh in it to the whole series's depictions of class, political struggle, war, and propaganda, to the popularity of dystopian young adult fiction, to the effectiveness of "political" art like ANDOR and ONE BATTLE AFTER ANOTHER, to the surprisingly enduring legacy of Hunger Games imagery in real protest movements around the world, to how much this film (and later ones in the series especially) remind us of Gaza. Good stuff, please check it out. Further Reading: The Hunger Games by Suzanne Collins If We Burn: The Mass Protest Decade and the Missing Revolution by Vincent Bevins "A Radical Female Hero From Dystopia" by Manohla Dargis and A.O. Scott "Suzanne Collins Talks About 'The Hunger Games,' the Books and the Movies" "'Hunger Games': The Real Story Behind Steven Soderbergh's Involvement" by Philiana Ng "Hunger Games: Israel Forces Gazans to Choose Between Starvation and Risking Their Lives" by Nir Hasson "'The Hunger Games' Turns 10: Director Gary Ross Reflects on Filming, Story's Resonant Themes" by Lexy Perez "Mark of the (Mr.) Beast" by Veronica Phillips Further Viewing: THE RUNNING MAN (Glaser, 1987) VOCES INOCENTES (Mandoki, 2004) THE HUNGER GAMES: CATCHING FIRE (Lawrence, 2013) THE HUNGER GAMES: MOCKINGJAY - PART 1 (Lawrence, 2014) THE HUNGER GAMES: MOCKINGJAY - PART 2 (Lawrence, 2015) ANDOR (Various, 2022-2025) ONE BATTLE AFTER ANOTHER (Anderson, 2025) THE LONG WALK (Lawrence, 2025) REALITY CHECK: INSIDE AMERICA'S NEXT TOP MODEL (Loushy & Sivan, 2026)   Follow Pod Casty For Me: https://www.podcastyforme.com/ https://twitter.com/podcastyforme https://www.instagram.com/podcastyforme/ https://www.youtube.com/@podcastyforme Support us on Patreon: https://www.patreon.com/PodCastyForMe Artwork by Jeremy Allison: https://www.instagram.com/jeremyallisonart

TV time! Almost immediately after "retiring" from feature films, Steven Soderbergh directed ten episodes of THE KNICK, a period medical drama for Cinemax about the early days of modern surgery. Joining us to talk about nearly ten hours of television is comedian and host of the podcast This Is Your Afterlife, Dave Maher! We have a wide-ranging discussion covering everything from prestige television antiheroes to addiction to chronic illness to racial disparities in medical care to what Kimi would like to do with Dave if she ever gets him alone. It's a real fun extra-long episode, and still probably our lowest ep-length-to-subject-length ratio ever. Take off your white shoe and dig in! Further Reading: "No Leeches, No Rusty Saw, But Hell Nonetheless" by Alessandra Stanley The Knick: Anatomy of a Series by Steven Soderbergh et al. "The Binge Director" by Matt Zoller-Seitz "Meet the Man Who Makes Sure The Knick Is Medically Accurate" by Marcus Jones "Syphilis Noses and Finding the Right Dirt: The Knick's Production Designer on Making the Show Look Real" by Matt Patches "'The Knick' Creators on How They Went From Writing Studio Rom-Coms to Steven Soderbergh's New TV Show" by Ben Travers Further Viewing: ER (1994) GANGS OF NEW YORK (Scorsese, 2002) MAD MEN (2007) THE PITT (2025) Follow Dave Maher: https://thisisyourafterlife.com/ https://x.com/ThisIsDaveMaher https://www.instagram.com/thisisyourafterlife/ https://www.instagram.com/thisisdavemaher/ Follow Pod Casty For Me: https://www.podcastyforme.com https://twitter.com/podcastyforme https://www.instagram.com/podcastyforme/ https://www.youtube.com/@podcastyforme Support us on Patreon: https://www.patreon.com/PodCastyForMe Artwork by Jeremy Allison: https://www.instagram.com/jeremyallisonart  

Shine up those rhinestones, everybody: it's the BEHIND THE CANDELABRA episode. We're talking Soderbergh's sort-of-final film before his sort-of-retirement, a 2013 Liberace biopic starring Michael Douglas and Matt Damon - and we're joined by writer and Liberace expert Eva Anderson! We talk Vegas, camp, Douglas's infamous throat cancer disclosure, plastic surgery, palimony, the closet, Eva's absolutely insane experiences touring Liberace's home and other associated places, and lots more. You know what they say... too much of a good thing is wonderful (also unfamiliar to listeners of this show). Further Reading: Behind the Candelabra: My Life with Liberace by Scott Thorson and Alex Thorleifson Liberace: An American Boy by Darden Asbury Pyron The Celluloid Closet: Homosexuality in the Movies by Vito Russo "Michael Douglas on Liberace, Cannes, cancer and cunnilingus" by Xan Brooks "The Boy Toy's Story" by David Segal Further Viewing: DRACULA (various) SUNSET BOULEVARD (Wilder, 1950) THE INFORMANT! (Soderbergh, 2009) THE QUEEN OF VERSAILLES (Greenfield, 2012) SCOTTY AND THE SECRET HISTORY OF HOLLYWOOD (Tyrnauer, 2017) Follow Eva Anderson: https://www.instagram.com/evafay/ https://bsky.app/profile/evafay.bsky.social Follow Pod Casty For Me: https://www.podcastyforme.com/ https://twitter.com/podcastyforme https://www.instagram.com/podcastyforme/ https://www.youtube.com/@podcastyforme Support us on Patreon: https://www.patreon.com/PodCastyForMe Artwork by Jeremy Allison: https://www.instagram.com/jeremyallisonart  

It's time for Star Wars News! Tony Gilroy has more thoughts on Andor and real-world politics. Steven Soderbergh talks The Hunt for Ben Solo. New Rogue One comics coming as we begin to look at ten years of that film. Joseph Scrimshaw, Jennifer Landa, and Ken Napzok go on an adventure on the 841st episode of ForceCenterFrom the minds of Ken Napzok (comedian, host of The Blathering), Joseph Scrimshaw (comedian, writer, director of Dead Media), and Jennifer Landa (actress, YouTuber, crafter, contributor on StarWars.com) comes the ForceCenter Podcast Feed. Here you will find a series of shows exploring, discussing, and celebrating everything about Star Wars. Subscribe on Apple Podcasts and Google Podcasts. Listen on TuneIn, Amazon Music, Spotify, and more!Follow ForceCenter!Watch on YouTube!Support us on PatreonForceCenter merch!All from ForceCenter: https://linktr.ee/ForceCenter Hosted on Acast. See acast.com/privacy for more information.

Listen to this episode twice and call us in the morning! That's just a joke and is not medical advice. But we ARE talking about Soderbergh's 2013 pharmaceutical thriller SIDE EFFECTS today, with our friend poet/podcaster/famous celebrity Jane Altoids! Topics may include: Hitchcock, the history of madness, women being called crazy, big pharma, our own experiences with mental illness, Blake Lively, Soderbergh's then-impending retirement, the asylum and the prison, the mad rights movement, CONTAGION, and more. Give it a listen! Further Reading: Health Communism by Artie Vierkant and Beatrice Adler-Bolton Quick Fixes by Benjamin Y. Fong Madness and Civilization by Michel Foucault Soderbergh interview by Nigel M. Smith for Indiewire "Trojan Horses and Immaculate Math: An Interview with Steven Soderbergh" by Ignatiy Vishnevetsky "How New York's mentally ill get lost in courts, jails and hospitals" by Ben Hattem Further Viewing: DOUBLE INDEMNITY (Wilder, 1944) GASLIGHT (Cukor, 1944) SPELLBOUND (Hitchcock, 1945) LES DIABOLIQUES (Clouzot, 1955)   Follow Jane Altoids: https://x.com/staticbluebat Follow Pod Casty For Me: https://www.podcastyforme.com/ https://twitter.com/podcastyforme https://www.instagram.com/podcastyforme/ https://www.youtube.com/@podcastyforme Support us on Patreon: https://www.patreon.com/PodCastyForMe Artwork by Jeremy Allison: https://www.instagram.com/jeremyallisonart  

It's here, lawbreakers: our episode on Steven Soderbergh's 2012 runaway hit MAGIC MIKE. Is this a sobering look at economic precarity after the Great Recession? Or is it a movie about gyrating hunks? Here to help us answer that question is writer, adult content creator, and proprietor of Spectrum Boutique, Zoë Ligon! We talk transactional desire, hot bods, side hustles, Zoë's experience seeing Magic Mike Live in Vegas, and a lot more. Look: you're horny, let's do it - listen to the episode, that is! Plus, a brief note about Minneapolis. Further Reading: "'How Would You Like A Lap Dance?': The Oral History of 'Magic Mike'" by Kate Lloyd "Where Mike Got The Magic" by Tressie McMillan Cottom Further Viewing: SATURDAY NIGHT FEVER (Badham, 1977) BOOGIE NIGHTS (Anderson, 1997) BEAU TRAVAIL (Denis, 1999) STEP UP (Fletcher, 2006) MAGIC MIKE XXL (Jacobs, 2015) MAGIC MIKE'S LAST DANCE (Soderbergh, 2023)   Follow Zoë: https://www.thongria.com https://www.spectrumboutique.com Follow Pod Casty For Me: https://www.podcastyforme.com/ https://twitter.com/podcastyforme https://www.instagram.com/podcastyforme/ https://www.youtube.com/@podcastyforme Support us on Patreon: https://www.patreon.com/PodCastyForMe Artwork by Jeremy Allison: https://www.instagram.com/jeremyallisonart  

This is a preview of a premium episode from our Patreon feed, Paid Costly For Me! Head over to Patreon.com/PodCastyForMe to hear more for just $5 a month. Most movies weren't directed by Steven Soderbergh, but few were as notably not directed by Steven Soderbergh as this one: MONEYBALL, the true story of the 2002 Oakland Athletics' revolutionary sabermetrics-based hiring strategy, was 5 days from shooting when Sony pulled the plug on Soderbergh's version. After a rewrite by Aaron Sorkin and a few cast change-ups, a slicker, Fincher-lite version directed by Bennett Miller made it to theaters, and we're talking about the whole deal. This ep has it all, quite frankly: in-depth script revision analysis, baseball talk, sports politics, and a long conversation about how statistics and "disruption" inform the world. It turns out everything is Moneyball, maybe? Give this one a listen, folks. As always, thanks to Jetski for our theme music and to Jeremy Allison for our artwork.

Get your silly little trunks on, listener: we're headed to the octagon this week to talk HAYWIRE, Soderbergh's much-delayed 2011 (anti-?) spy thriller starring MMA fighter Gina Carano. And joining us is our friend, podcaster and musician Ryan Torgeson (@molecularlioneI)! We talk mid-2010s action cinema, mixed martial arts, Soderbergh's decision to alter Carano's voice in post, Carano's decision to blow her career up by being a hateful moron, special consultant and Duvdevan Unit war criminal Aaron Cohen, and more. Further Reading: "Steven Soderbergh, an MMA Fighter, and Five Stars Walk Into a Spy Movie" by Adam Nayman "Gina Carano took her fighting to a new level for 'Haywire'" by Nicole Sperling "Steven Soderbergh on 'Haywire,' 'Magic Mike' and Why He's Given Up on 'Serious Movies'" by Nigel M. Smith "Haywire's Body Talk" by Kiva Reardon "Covert Affairs: Why 'Haywire' is the Most Sneakily Political Movie of the Year" by Matt Singer "The Vulture Transcript: Steven Soderbergh on Haywire, Pranking Matt Damon, and His Looming Sabbatical" by Jennifer Vineyard "'Haywire' Star Gina Carano Addresses Voice Alteration Controversy" by Lauren Schutte "Disgraced actor Gina Carano denies ruining her own career with anti-trans jokes and Nazi comments" by Jake McKee Further Viewing: THE IPCRESS FILE (Furie, 1965) FUNERAL IN BERLIN (Hamilton, 1966) THE EXPENDABLES (Stallone, 2010) THE RAID (Evans, 2011) Scott Adkins movies Follow Ryan: https://x.com/molecularlioneI  Follow Pod Casty For Me: https://www.podcastyforme.com/ https://twitter.com/podcastyforme https://www.instagram.com/podcastyforme/ https://www.youtube.com/@podcastyforme Support us on Patreon: https://www.patreon.com/PodCastyForMe Artwork by Jeremy Allison: https://www.instagram.com/jeremyallisonart  

Well we're ending a wild year of podcasting watching Michael Fassbender, Cate Blanchett and a starry ensemble spy about London in Soderbergh's and Koepp's best of 2025, and Andrew's fave chill thriller comedy of the year Black Bag. There's trivia and games and festive fun, plus talking memories of London life from an outsider and Brosnan chat because who could not? We start our commentary tracks 5 seconds into the feature film, and for this episode we hit play at 00:11:34 into the episode, if you wish to watch along. (Note, if watching on UK TV via Sky/Now you will end up being ahead of us a bunch because framerates so go ahead and pause every few minutes but please remember to click play as well) Now please, before this all goes in the Black Bag, go ahead and order a copy of THE FERRYMAN UPON THE PLAINS - Andrew's First Novel - Out Now! https://www.amazon.co.uk/Ferryman-Upon-Plains-Andrew-Jones-ebook/dp/B0F39C3WM4/ Andrew co-wrote a fan film (many years ago) that is finally starting to pop up. 007 Endgame https://www.youtube.com/watch?v=i6iFs6XBgNw

Wash your hands, folks: it's time to talk CONTAGION, Steven Soderbergh's absurdly prescient 2011 pandemic disaster film. We talk public health, hyperlink cinema, Soderbergh's evolving digital aesthetic, the nature of government, and the film's second life as a Covid lockdown classic. With a special Kate Winslet audio collage that Ian definitely asked for! Check it out. Further Reading: The Viral Underclass by Steven Trasher Health Communism by Artie Vierkant and Beatrice Adler-Bolton Spillover: Animal Infections and the Next Human Pandemic by David Quammen The Coming Plague by Laurie Garrett Further Viewing: OUTBREAK (Petersen, 1995) THE DOUBLE LIFE OF VERONIQUE (Kieślowski, 1991) 28 DAYS LATER (Boyle, 2002) 28 WEEKS LATER (Fresnadillo, 2007) 28 YEARS LATER (Boyle, 2025) BUGONIA (Lanthimos, 2025) JOE DIRT (Gordon, 2001) Kate Winslet's 2020 hand-washing tutorial video: https://www.youtube.com/watch?v=EhIpAnDHZHc   Follow Pod Casty For Me: https://www.podcastyforme.com/ https://twitter.com/podcastyforme https://www.instagram.com/podcastyforme/ https://www.youtube.com/@podcastyforme Support us on Patreon: https://www.patreon.com/PodCastyForMe Artwork by Jeremy Allison: https://www.instagram.com/jeremyallisonart  

Throughout his storied career, the legendary Steven Soderbergh has directed a wide array of highly acclaimed films and/or hits (Out of Sight, Ocean's 11, Magic Mike, Black Bag, Logan Lucky, Contagion, Sex, Lies, & Videotape) and THIS is the film which earned him his only Oscar for Best Director in 2000.  This was actually one of two films (the other being Erin Brockovich) which he was nominated for in 2000 which turned out to be a TRULY stellar year for him!  It's a sprawling story about the American "War on Drugs" during the late '90's, focusing on several different characters on different sides of the law and various levels of the drug trade including two DEA agents (Don Cheadle, Luis Guzman), a judge who has just been appointed the National Drug Czar (Michael Douglas), the wife (Catherine Zeta-Jones) of a suspected drug dealer (Steven Bauer), that couple's conniving attorney (Dennis Quaid), a teenager (Erika Christiansen) who becomes addicted to crack, and one conflicted Mexican cop (Benicio Del Toro who won an Oscar for his performance).  It's a complex story delving into a lot of moral grey areas and it's a testament to all of the talent involved (including Oscar-winning writer Stephen Gaghan) that this film was not only highly acclaimed but also a word-of-mouth blockbuster with audiences at the time of release.  However twenty-five years later, it is not often mentioned by many as among Soderbergh's best....so how does this ambitious ensemble hold up?  Let's find out if any one gets away clean.....Host: Geoff GershonEdited By Ella GershonProducer: Marlene GershonSend us a textSupport the showhttps://livingforthecinema.com/Facebook:https://www.facebook.com/Living-for-the-Cinema-Podcast-101167838847578Instagram:https://www.instagram.com/livingforthecinema/Letterboxd:https://letterboxd.com/Living4Cinema/

Open your notebooks and fill up your glasses of water, folks: today we're looking at Steven Soderbergh's two documentaries on Spalding Gray. And Ian's pissed off! We're joined once more by our friend, writer and critic Rob Rubsam, to talk 1996's GRAY'S ANATOMY, a sort of longform music video for Gray's "monolog" of the same name, and Soderbergh's 2010 posthumous "autobiography" of Gray, AND EVERYTHING IS GOING FINE. How does a figure like Gray emerge and rise to fame? Where does we place him in the long tradition of neurotic white guys who make everything about themselves? Is Jake one of those? And why is Ian so mad about this guy? We answer these questions and more - check it out. Further Reading: "The Catastrophe" by Oliver Sacks "Vanishing Act" by Alex Williams "In New Film, Spalding Gray Tells His Own Tale" by Karen Michel A Supposedly Fun Thing I'll Never Do Again by David Foster Wallace Me Talk Pretty One Day, etc. by David Sedaris The World According to Dave Barry by Dave Barry À la recherche du temps perdu by Marcel Proust Austerlitz by W.G. Sebald The Mezzanine by Nicholson Baker Gargoyles by Thomas Bernhard Anything by John Berger Further Viewing: MY DINNER WITH ANDRE (Malle, 1981) SWIMMING TO CAMBODIA (Demme, 1987) VANYA ON 42ND STREET (Malle, 1994) JOHN MULANEY: NEW IN TOWN (Polito & Szymanski, 2012) MIKE BIRBIGLIA: MY GIRLFRIEND'S BOYFRIEND (Barrish, 2013) PARKER GAIL'S LOCATION IS EVERYTHING (Buono & Thomas, 2016) Follow Rob Rubsam: https://x.com/rob_rubsam https://www.robertrubsam.com/ Follow Pod Casty For Me: https://www.podcastyforme.com/ https://twitter.com/podcastyforme https://www.instagram.com/podcastyforme/ https://www.youtube.com/@podcastyforme Support us on Patreon: https://www.patreon.com/PodCastyForMe Artwork by Jeremy Allison: https://www.instagram.com/jeremyallisonart  

"Would I lysine to you?" - Mark Whitacre. Hey that's just a joke but maybe they could have used it on the posters for THE INFORMANT!, Steven Soderbergh's 2009 corporate espionage caper about the lysine price-fixing scandal and one of the weirdest guys there has ever been. And joining us to talk big business, the FBI, and organized crime in all its forms is writer and podcaster Dan O'Sullivan (The Outfit)! Is business run like the mafia or vice versa? Is corruption inherent to capitalism or simply a common side effect? Did Kurt Eichenwald ever go on Twitter? We answer these questions once and for all, so give this one a listen. Further Reading: The Informant: A True Story by Kurt Eichenwald Rats in the Grain: The Dirty Tricks and Trials of Archer Daniels Midland by James B. Lieber Everybody Loves A Good Drought by Palagummi Sainath "Why Capitalism Loves Corruption" by Gareth Fearn Further Viewing: PRIME CUT (Richie, 1972) THE INSIDER (Mann, 1999) ERIN BROCKOVICH (Soderbergh, 2000) MICHAEL CLAYTON (Gilroy, 2007) BURN AFTER READING (Coen, 2008)   Follow Dan O'Sullivan: https://x.com/osullyville https://bsky.app/profile/osullyville.bsky.social https://headgum.com/the-outfit   Follow Pod Casty For Me: https://www.podcastyforme.com/ https://twitter.com/podcastyforme https://www.instagram.com/podcastyforme/ https://www.youtube.com/@podcastyforme Support us on Patreon: https://www.patreon.com/PodCastyForMe Artwork by Jeremy Allison: https://www.instagram.com/jeremyallisonart      

Soderbergh's second film for Mark Cuban's Magnolia Pictures was THE GIRLFRIEND EXPERIENCE, a largely improvised look at life on the cusp of the Great Recession starring adult film megastar Sasha Grey. We're joined by an anonymous writer and sex worker to talk about one of Soderbergh's less-appreciated great films, sex work as work, Grey's legacy, depictions of intimacy, and Power Wash Simulator for the Nintendo Switch. Really great episode, we hope you enjoy! Further Reading: Playing The Whore: The Work of Sex Work by Melissa Gira Grant "The Teenager & The Porn Star" by Dave Gardetta "Exploitation Under Capitalism" by Mary Mother of God "Whorearchy 101" by Jack Parker Soderbergh interview by Ben Walters Steven Soderbergh: Interviews, ed. Anthony Kaufman Further Viewing: RED DESERT (Antonioni, 1964) KLUTE (Pakula, 1971) CRIES AND WHISPERS (Bergman, 1972) FULL FRONTAL (Soderbergh, 2002) BUBBLE (Soderbergh, 2005) FASHIONISTAS SAFADO: THE CHALLENGE (Stagliano, 2006) MAGIC MIKE (Soderbergh, 2012) ANORA (Baker, 2024)   Follow Pod Casty For Me: https://www.podcastyforme.com/ https://twitter.com/podcastyforme https://www.instagram.com/podcastyforme/ https://www.youtube.com/@podcastyforme Support us on Patreon: https://www.patreon.com/PodCastyForMe Artwork by Jeremy Allison: https://www.instagram.com/jeremyallisonart  

Matt opens up the mailbag for another Town Hall and answers listener questions about Disney turning down a Steven Soderbergh–penned 'Star Wars' script, the possibility of Netflix and Comcast splitting Warner Bros. Discovery, whether Netflix will ever release movies in theaters, who the best home for Warner Bros. is from the perspective of the talent community, and what will happen to 'The Challenge' and other MTV properties under David Ellison. For a 20 percent discount on Matt's Hollywood insider newsletter, ‘What I'm Hearing ...,' ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠click here⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Email us your thoughts! ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠thetown@spotify.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Host: Matt Belloni Producers: Craig Horlbeck and Jessie Lopez Theme Song: Devon Renaldo Learn more about your ad choices. Visit podcastchoices.com/adchoices

This is a preview of a premium episode from our Patreon feed, Paid Costly For Me! Head over to Patreon.com/PodCastyForMe to hear more for just $5 a month. While making CHE, Steven Soderbergh fell so in love with Bolivia's national liquor, singani, that he decided to export it to the US as Singani 63 - just like Che Guevara would have done. Nah just kidding but we tried it and it's actually quite good! Even better, Pod Casty For Me's own Hotel Detective Maxwell Pierson joins us to get a little loose drinking Singani 63 (and Casamigos tequila) and talk about all kinds of stuff: the colonial history of liquor, Soderbergh's recently revealed unmade Kylo Ren movie, our long podcast journey thus far, and more. A special ep with a special man. Per Maxwell's plug, please check out Donors Choose to support a teacher near you: https://www.donorschoose.org/ Follow Maxwell Pierson: https://x.com/MaxwellPierson1 Lots to check out here: https://singani63.com/ Thanks as always to Jetski for our theme music and Jeremy Allison for our artwork.

The leftist podcast about Steven Soderbergh movies has finally arrived at CHE, Soderbergh's two-part biopic of (Argentine) Cuban Revolutionary hero Ernesto "Che" Guevara. Joining us to provide the kind of deep historical context you know we go crazy for is historian of Cuba and scholar of Latin American and Caribbean history Andrés Pertierra! We have never read more in preparation for an episode, folks, so we hope you dig this one as much as we did. Hasta la victoria siempre, amigos. Further Reading (direct from Andrés!): Anderson, John Lee. Che: A Revolutionary Life. Grove, 1997. "The Cuban Exodus" by Andrés Pertierra The great (Pulitzer Prize!) winning intro text:   Ferrer, Ada. Cuba: An American History. Scribner, 2021.   Some relevant books on Cuban Revolution and other countries:   Gleijeses, Piero. Conflicting Missions: Havana, Washington, and Africa, 1959-1976. University of North Carolina Press, 2002.   Schoultz, Lars. That Infernal Little Cuban Republic: The United States and the Cuban Revolution. University of North Carolina Press, 2009.   Yordanov, Radoslav. Our Comrades in Havana: Cuba, the Soviet Union, & Eastern Europe, 1959-1991. Cold War International History Project. Stanford University Press, 2024.   Key texts for context on what's happening internally:   Guerra, Lillian. Visions of Power in Cuba: Revolution, Redemption, and Resistance, 1959-1971. University of North Carolina Press, 2012.   Mesa-Lago, Carmelo. Cuba in the 1970s: Pragmatism and Institutionalization. University of New Mexico Press, 1978. Further Viewing (shout out to Andrés for these, too!): THE MOTORCYCLE DIARIES (Salles, 2004) CONDUCTA IMPROPRIA (Almendros & Jiménez Leal, 1984) CHE and the Digital Cinema Revolution! Soderbergh getting heckled at Q&A FRESA Y CHOCOLATE (Gutiérrez Alea & Carlos Tabío, 1984) END OF A REVOLUTION (Moser, 1967)   Follow Andrés: https://x.com/ASPertierra https://bsky.app/profile/andrespertierra.bsky.social https://originesacubanhistorypodcast.libsyn.com/ Follow Pod Casty For Me: https://www.podcastyforme.com/ https://twitter.com/podcastyforme https://www.instagram.com/podcastyforme/ https://www.youtube.com/@podcastyforme Support us on Patreon: https://www.patreon.com/PodCastyForMe Artwork by Jeremy Allison: https://www.instagram.com/jeremyallisonart      

We'll talk about Adam Driver's attempt for more with Star Wars and Late Night While Everything Falls Apart in today's #MikeJonesMinuteCon!

We are so excited to celebrate spooky season with our friends, Becky D'Anna & Jon Laubinger, as they launch their new show - DIRECTOR'S TAKE: A SONY PICTURES PODCAST! We got to chat with them about one of their favorite films of this last year, Steven Soderbergh's, PRESENCE (2024). Be sure to check out their New Podcast! Director's Take brings today's most acclaimed filmmakers into conversation with the films that shaped them. Each episode spotlights a director exploring a work they didn't make—but deeply admire—revealing how these stories continue to inspire new generations of artists and audiences. With fresh perspectives and cultural context, Director's Take reintroduces landmark titles as works worth rediscovering.Becky D'Anna has worked in the film industry for over two decades. She contributed to event marketing campaigns ranging from the X-Men franchise at Twentieth Century Fox to the Spider-Man franchise at Sony Pictures. Becky most recently worked on the third-party partnership campaigns for the Oscar-winning animated film, Spider-Man: Into the Spider-Verse, and Sony Picture's highest grossing film in its history, Spider-Man: No Way Home. When not at Sony, Becky loves sharing her film knowledge by writing and podcasting about her favorite movies, TV shows, and filmmakers. In addition, Becky is a guest instructor on film history and appreciation. She most recently taught a 6-hour lecture on the films of Ingmar Bergman at UC Riverside as part of their two week "Contemporary Approaches to Filmmaking" program, and was a guest panelist on the “Horror and the Inevitable Remake" panel at San Diego Comic Con 2022.Website: https://beckydanna.com/ Jonathan Laubinger is an avid movie lover and podcaster. He created, hosted, edited, and produced the Film Baby Film podcast, which primarily focused on deep-dive episodes of beloved art house film classics. Jonathan has also appeared on several other podcasts including WrongReel, Criterion Reflections, and others. He has appeared on multiple game shows, winning almost $90,000. For his day job, he is an executive at a start-up in the specialty insurance industry. Jonathan is a Fellow of the Casualty Actuarial Society and has his JD/MBA from Boston College. Spotify: https://open.spotify.com/episode/6H16LiwpgrEPQ8uhHE3FRU?si=5hilMRDWQHioGht6V29gVQ&nd=1&dlsi=7dd3dcf875154dd4Apple Podcasts:https://podcasts.apple.com/us/podcast/zach-cregger-adaptation/id1840753945?i=1000729183843Amazon Music / Audible: https://music.amazon.com/podcasts/08c227b8-ce1f-4817-9241-b11defb40a4c/directors-takePandora - https://pandora.app.link/Qs77bumo4WbTuneIn - http://tun.in/pxVVWSupport the show

We're going back to Vegas for one more job...it's the thrilling conclusion to the trilogy, OCEAN'S THIRTEEN! Well, maybe "thrilling" is arguable. But the episode sure is! We're talking Oprah, Steve Wynn, Mexican labor action, Five Diamond status - it's all here, folks. Further Reading: "Steve Wynn's Biggest Gamble" by Nina Munk Meet The AAA Diamond Rating Experts Further Viewing: DOWN BY LAW (Jarmusch, 1986) SEA OF LOVE (Becker, 1989) HARD EIGHT (Anderson, 1996) SHREK THE THIRD (Miller, 2007) THE TURIN HORSE (Tarr & Hranitzky, 2011) MANK (Fincher, 2020) BLOODY NOSE, EMPTY POCKETS (Ross brothers, 2020) Steve Wynn's 1983 Golden Nugget commercial   Follow Pod Casty For Me: https://www.podcastyforme.com/ https://twitter.com/podcastyforme https://www.instagram.com/podcastyforme/ https://www.youtube.com/@podcastyforme Support us on Patreon: https://www.patreon.com/PodCastyForMe Artwork by Jeremy Allison: https://www.instagram.com/jeremyallisonart  

TALK TO ME, TEXT ITSequels, scandals, and sideline drama meet at the crossroads of second chances. We dive into reports that Mel Gibson's Passion of the Christ follow-up is moving ahead in Rome with a completely new cast, unpacking why a clean slate might be the boldest—and riskiest—choice. From the challenge of recasting Jesus to the tightrope between artistry and controversy, we explore what it would take for a sacred story to feel fresh without losing its gravity. We also tackle the listener prompt head-on: who would you choose for Jesus, Mary Magdalene, and the apostles, and why?Then the mood flips from sacred to slick as George Clooney hints that Oceans 14 is real, budgeted, and awaiting schedules. We celebrate the promised return of Roberts, Pitt, Damon, and Cheadle while asking the bigger question: how do you revive a beloved heist franchise without repeating old tricks? From modern marks like crypto fraud and art laundering to the Soderbergh style that made the films swing, we chart the path to a caper that feels both nostalgic and new.Finally, we turn to Bill Belichick's turbulent UNC chapter—buyouts, alleged violations, leadership drift, and the complicated math of legacy. Does a legendary résumé guarantee culture fit in college football? We examine communication breakdowns, program stability, and whether stepping away might be the smartest play for everyone involved. Along the way, we connect the dots between Hollywood comebacks and coaching exits: the power of timing, the cost of reputation, and the art of choosing when to return—or retire.Tell us your casting picks for the Passion sequel, then follow, share, and leave a quick review so more curious listeners can find the show. Your take could shape a future episode.Buzzsprout - Let's get your podcast launched!Start for FREE Thanks for listening! Liberty Line each week on Sunday, look for topics on my X file @americanistblog and submit your 1-3 audio opinions to anamericanistblog@gmail.com and you'll be featured on the podcast. Buzzsprout - Let's get your podcast launched!Start for FREESupport the showTip Jar for coffee $ - Thanks Music by Alehandro Vodnik from Pixabay Blog - AnAmericanist.comX - @americanistblog

After 2005's digital day-and-date experiment BUBBLE, Soderbergh swung hard in the other direction with a Golden Age Hollywood pastiche: his (loose) adaptation of Joseph Kanon's postwar Berlin mystery THE GOOD GERMAN. Joining us is film writer and literal historian Peter Raleigh! We talk adaptation, aesthetic imitation, Denazification, CASABLANCA, and much more. Check it out! Further Reading: The Good German by Joseph Kanon Postwar: A History of Europe Since 1945 by Tony Judt Commemorating Hell: The Public Memory of Mittelbau-Dora by Gretchen Schafft and Gerhard Zeidler Nazi Billionaires: The Dark History of Germany's Wealthiest Dynasties by David de Jong "Fighting Men" by Anthony Lane "Style Wars: Steven Soderbergh's 'The Good German'" by Michael Koresky Further Viewing: FOREIGN CORRESPONDENT (Hitchcock, 1940) CASABLANCA (Curtiz, 1942) TO BE OR NOT TO BE (Lubitsch, 1942) A FOREIGN AFFAIR (Wilder, 1948) THE THIRD MAN (Reed, 1949) JUDGMENT AT NUREMBERG (Kramer, 1961) EUROPA (Von Trier, 1991) BARB WIRE (Hogan, 1996) PHOENIX (Petzold, 2014) TRANSIT (Petzold, 2018)   Follow Peter Raleigh: https://x.com/PetreRaleigh https://peterraleigh.substack.com/ Follow Pod Casty For Me: https://www.podcastyforme.com/ https://twitter.com/podcastyforme https://www.instagram.com/podcastyforme/ https://www.youtube.com/@podcastyforme Support us on Patreon: https://www.patreon.com/PodCastyForMe Artwork by Jeremy Allison: https://www.instagram.com/jeremyallisonart

Another Pod Casty For Me Experience: we're talking Steven Soderbergh's 2005 experiment BUBBLE - day-and-date release experiment, digital cinematography experiment, first-time actor experiment, improvised script experiment - with our buddy Evan from Left of the Projector! And this one's set at a factory, so you know we go crazy on it. We get into film distribution economics, working people on film, first-time actors, naturalism, digital cinema, eastern Ohio accents, and much more. Really tremendous film and tremendous conversation. It's also Jake's dang birthday, so you better enjoy this episode!!! Further Reading: "Eight Hours Are Not A Day" by Matthew Ross "An Interview with Steven Soderbergh" by Scott Indrisek Further Viewing: Interview with Debbie Doebereiner HARLAN COUNTY USA (Kopple, 1976) STROSZEK (Herzog, 1977) BLUE COLLAR (Schrader, 1978) SLACKER (Linklater, 1990) CLERKS (Smith, 1994) CITY OF GOD (Meirelles and Lund, 2002) ELEPHANT (Van Sant, 2003) FISH TANK (Arnold, 2009) WESTERN (Grisebach, 2017) THE 15:17 TO PARIS (Eastwood, 2018) BAD TRIP (Sakurai, 2021)   Follow Left of the Projector: https://leftoftheprojector.com/   Follow Pod Casty For Me: https://www.podcastyforme.com/ https://twitter.com/podcastyforme https://www.instagram.com/podcastyforme/ https://www.youtube.com/@podcastyforme Support us on Patreon: https://www.patreon.com/PodCastyForMe Artwork by Jeremy Allison: https://www.instagram.com/jeremyallisonart  

A little something different this week: we're looking at two Soderbergh-scripted adaptations of international genre films! First, Soderbergh adapted Ole Bornedal's 1994 NATTEVAGTEN as 1997's NIGHTWATCH, also directed by Bornedal, starring post-TRAINSPOTTING, pre-PHANTOM MENACE Ewan McGregor as a night watchman at a spooky morgue. Next, Soderbergh turned Fabián Bielinsky's 2000 Argentine heist smash NUEVA REINAS (NINE QUEENS) into 2004's CRIMINAL, the directorial debut of Gregory Jacobs starring John C. Reilly and Diego Luna. Why did Sodey do this? Is there anything of the man in these adaptations? Do you need to watch four films before you listen to this episode? The answer to the last question is no! Fun ep, please enjoy. Further Reading: Steven Soderbergh: Interviews, ed. Anthony Kaufman Further Viewing: LOCAL HERO (Forsyth, 1983) THE KINGDOM (Von Trier et al, 1994) HARD EIGHT (Anderson, 1996) PUSHER (Refn, 1996) FUNNY GAMES (Haneke, 1997/2007) FIGHT CLUB (Fincher, 1999) LA CIENAGA (Martel, 2001) BORGEN (Price et al, 2010) ZAMA (Martel, 2017) LA FLOR (Llinás, 2018)   Follow Pod Casty For Me: https://www.podcastyforme.com/ https://twitter.com/podcastyforme https://www.instagram.com/podcastyforme/ https://www.youtube.com/@podcastyforme Support us on Patreon: https://www.patreon.com/PodCastyForMe Artwork by Jeremy Allison: https://www.instagram.com/jeremyallisonart  

Phil and Emily continue their miniseries on Oscar-winning Best Director follow-ups from the 2000s with Steven Soderbergh's effortlessly cool Ocean's 11. Joined by screenwriter Liz Hannah and producer Brian Millikin, they unpack how this slick, stylish remake redefined the modern heist film. From its razor-sharp script and effortless ensemble chemistry to Soderbergh's precision, tonal balance, and inventive production choices, the discussion explores how Ocean's 11 rose above formula to become a timeless crowd-pleaser. Along the way, they dive into character dynamics, behind-the-scenes decisions, and the film's lasting place in early 2000s cinema—all while celebrating the undeniable charm of Clooney, Pitt, and company.If you enjoy this episode and want even more deep-dive film discussions, exclusive mini-series, and bonus content, join our Patreon community at patreon.com/PodcastLikeIts. Hosted on Acast. See acast.com/privacy for more information.