Podcast appearances and mentions of elizabeth crane

Host Meg Wolitzer presents stories of inspiration small and large. In these tales, writers investigate moments in which art inspires life, or life inspires art, especially in a visual medium. In Elizabeth Crane's “Blue Girl,” read by Valorie Curry, a young woman's secret life is given an unusual public forum. In Jai Chakrabarti's “Lessons with Father,” commissioned for our Small Odysseys anthology, a middle-aged child tries to connect with her late father through brushstrokes. The reader is Purva Bedi. And in William Boyd's “Varengeville,” read by Dan Stevens, a young man strays from his famous family as he discovers himself on canvas. 

Host Meg Wolitzer presents three works in which characters have unusual friends who change their lives—whether they like it nor not.  In “Unicorn Me,” by Elizabeth Crane, a magical box delivers a unicorn who offers ambiguous advice. Miriam Shor performs.A sentient cockroach intrigues and alarms a woman in “The Double Life of the Cockroach's Wife,” by Helen Phillips.It's performed by Sarah Steele. And the latest iPhone knows everything about you in Weike Wang's “iPhoneSE,” performed by Dawn Akemi Saito. All three stories were commissions for SELECTED SHORTS' anthology Small Odysseys.

Elizabeth creates hand-painted jewelry, designs contemporary needlepoint canvases and sometimes abstract oil and pastel paintings. She's best known for her experimentation with color and pattern and she hopes to convey a feeling of joy and energy in each design. She'd like you to know #thistookforever and that you're worth it. Shop at https://elizabethcraneswartz.com/ 

Elizabeth Crane didn't want to get divorced, but her husband did. Thus, her memoir, This Story Will Change: After the Happily Ever After, was born — a book about the death of a marriage, the start of a new life and everything in between. Elizabeth joins Nora to talk about how her views on marriage have changed, what propelled her to write through the sadness, anger and grief, and where her story stands today. Wanna read the book? When you purchase from Apple Books or Bookshop.org, you help support our show! Got a book recommendation? Send it our way by emailing us at terriblereadingclub@feelingsand.co.  — Nora's new Happyish journal and affirmation deck based on her own journaling practices launches today! We have a special deal for you on these new items:  25% discount for the Em & Friends website. Coupon code: HAPPYISH25. This will only work on the Em & Friends website, not on Amazon. — Find all our shows and our store at feelingsand.co. The episode transcript can be found here. Find The Terrible Reading Club on Instagram. Learn more about your ad choices. Visit megaphone.fm/adchoices

Brought to you by WOLF AT THE DOOR STUDIOS and POOLSIDE. Music + Audio Drama = Stories From: The Low Season.

Host Meg Wolitzer presents three works in which characters have unusual friends who change their lives—whether they like it or not. In “Unicorn Me” by Elizabeth Crane, a magical box delivers a unicorn who offers ambiguous advice. Miriam Shor performs the story followed by a musical piece "Breathe," inspired by the story which was composed by Zina Goldrich and Marcy Heisler.  Singer Maddie Corman, bassist Matt Scharfglass, and Zina Goldrich perform. A sentient cockroach intrigues and alarms a woman in “The Double Life of the Cockroach's Wife” by Helen Phillips. It's performed by Sarah Steele. And the latest iPhone knows everything about you in Weike Wang's “iPhoneSE,” performed by Dawn Akemi Saito. All three stories were commissions for Selected Shorts' anthology Small Odysseys.

Things You Should Stop Worrying About This WeekSarah Palin's political careerHumans ruining the sex lives of baboonsThe whereabouts of Fat LeonardDominos Pizza Wedding RegistryThis episode is sponsored by…Microdose GummiesMicrodose Gummies deliver perfect, entry-level doses of THC that help you feel just the right amount of good. To get free shipping & 30% off your first order, go to Microdose.com, and use code TINYDo YOU have a tiny victory to share? Call the Tiny Victories Hotline: (323) 285-1675We want folks to share their tiny victories on our hotline because, frankly, we'll assume we're just talking into the void every week and nothing matters. Prove us wrong. Did you finally do that thing you were putting off? Tiny victory! Reconnect with someone you haven't been in touch with for ages? Victory! We only ask that you try to keep messages to under a minute so we're able to play it on the show.If you prefer, you can record a tiny victory on your phone and then email us the audio. Email: TinyVictories@maximumfun.orgHOW TO @ USTwitter@GetTinyPod@LAGurwitch@ImLauraHouse@Swish (producer Laura Swisher)Instagram@GetTinyPod

Writer Elizabeth Crane had a loving marriage of 15 years—or so she thought, until one day her husband said: “I'm not happy.” Her new memoir, called This Story Will Change, takes us through that time in her life.

Host Meg Wolitzer presents three stories about profound and unexpected connections between people—territory she herself covers a lot as a writer. Old enemies meet in Lauren Groff's “Once,” performed by Cynthia Nixon. Old friends come together and wonder what might have been in Rachel Khong's “Slow and Steady,” performed by Hettienne Park. And an artistic collaboration takes a bizarre turn in Elizabeth Crane's “Something Shiny,” performed by Kate Walsh.       Join and give!: https://donatenow.networkforgood.org/symphonyspacenyc?code=Splashpage See omnystudio.com/listener for privacy information.

Personal Lines with Elizabeth Crane by A Council Platform

Guest host Meg Wolitzer presents three stories about profound and unexpected connections between people—territory she herself covers a lot as a writer. Old enemies meet in Lauren Groff's “Once,” performed by Cynthia Nixon. Old friends come together and wonder what might have been in Rachel Khong's “Slow and Steady,” performed by Hettienne Park. And an artistic collaboration takes a bizarre turn in Elizabeth Crane's “Something Shiny,” performed by Kate Walsh. Join and give!: https://donatenow.networkforgood.org/symphonyspacenyc?code=Splashpage See omnystudio.com/listener for privacy information.

Our friend Michael Ian Black is back to host a twofer Too Hot For Radio episode. First up is actor K. Todd Freeman reading“Pregnant with Peanut Butter” by Michael Czyniejewski. Czyniejewski is the author of three story collections, including Our Bedroom and I Will Love You for the Rest of My Life: Breakup Stories. Performing this story is an actor known for everything from multiple appearances on Broadway to Buffy the Vampire SlayertoA Series of Unfortunate Events.  Elizabeth Crane is the author of our second story, the unusual and funny “Colonel Sanders Has a Choice (Lives His Best Life)." Crane has written six books including the novel The History of Great Things and the story collection Turf. Our performer is the multi-hyphenate Busy Phillips, who acted in TV shows such as Freaks & Geeks and had her own late-night show Busy Tonight.  Stay tuned at the end of the show for a great talk between Michael and Elizabeth discussing the origins of her story and her outlook on life.  

The Filmmaking Process: Screenwriting, Casting, and Pre-Production November 20th, 2019 Cinepolis Theater, NYC Sal Scamardo (VP FilmRise, company credits include Oscar® nominee MEMENTO, directed by Christopher Nolan; MONSTER, which won a Best Actress Academy Award® for Charlize Theron; the Oscar®-nominated THE ILLUSIONIST, starring Edward Norton; Best Picture Academy Award® winner SPOTLIGHT; and HBO’s Emmy Award®-winning GOING CLEAR: SCIENTOLOGY AND THE PRISON OF BELIEF. Televsion titles include such classics as 3rd ROCK FROM THE SUN and ROSEANNE; chef Gordon Ramsay’s immensely popular cooking shows, including HELL’S KITCHEN and KITCHEN NIGHTMARES. Jeffrey Roda (screenwriter/director, Jeff Roda has written screenplays for DreamWorks, Universal, Paramount Pictures, New Regency, TriStar, and television pilots for HBO, CBS, and Warner Bros. Additionally, he was a producer on the Sony Pictures Classics feature, Love Liza, starring Academy Award winning actors Philip Seymour Hoffman and Kathy Bates. Lillian LaSalle (President of Sweet 180 Management, Peabody Award Winning Talent Mgmt and Production company, representing actors, writers and directors. Lillian's producing credits include Southern Belles starring Anna Faris, Just Like the Son starring Mark Webber, American Cannibal - Tribeca Film Festival Jury Award nominee. Lillian's directorial debut, My Name is Pedro, had its NYC premiere at the Big Apple Film Festival) Sara Alexander (Alexander Creatives, represents artists for film, television, commercials, branded entertainment and new media. Sara represents directors, producers, writers, DPs, production designers, costume designers, editors. She also represents literary content including screenplays, books to film, and television series). Donal Lardner Ward (actor, writer, director, producer whose credits include Wes Anderson's The Royal Tenenbaums and Julie Delpy's Looking For Jimmy. He was a staff writer for the HBO series How to Make it in America, produced by Mark Wahlberg and recently directed We Only Know So Much, co-written with Elizabeth Crane. The film, starring Jeanne Tripplehorn, Damian Young, and Loudon Wainwright III, had its NYC premiere at the Big Apple Film Festival.)

In this episode, Maggie & Tod are joined by the acclaimed writer Elizabeth Crane, whose book WE ONLY KNOW SO MUCH has just been turned into a film, screening right now at festivals around the nation. Elizabeth is also the author of several collections of short stories, including WHEN THE MESSENGER WAS HOT and TURF, and the novel THE HISTORY OF GREAT THINGS.

Turf (Counterpoint Press) Blazing through states, cities, towns, continents, Crane fearlessly pivots from micro to macro, humor to tragedy, past to present, mixing an off-kilter sensibility with a heartbreaking reality, guiding us into the fringed and often fantastical lives of her characters. And that has never been truer than in her new collection, Turf. The end of the world as seen through a young couple in Brooklyn, who find a baby in a bucket on their front step; a group of geniuses who meet every Wednesday, able to unlock all the secrets of the universe except for the unknowable mystery of love; a woman and her dog walker whose friendship is uprooted by an incident at the park; these are dark, intriguing vistas explored in Crane’s glowing collection. For as places change, and people come and go, these stories in Turf remind us that it is the unchanging nature of the human heart that connects us all. Praise for Elizabeth Crane: "The novel flows smoothly, and readers game for offbeat narrative approaches will be well rewarded . . . So much like the relationship they’re borne of, Crane’s deeply realized mother-daughter inventions are therapeutic and ruthless, heartfelt and crushing. A lovely exercise in the wild, soothing wonders of imagination.” —Booklist, Starred Review  “Poignant and hilarious . . . Crane writes about the relationship between a deceased mother and her daughter as they tell each other’s stories to understand each other.” —Los Angeles Times “Imagine sitting at a leisurely dinner with two intelligent women, a mother and daughter . . . The format may be experimental, but the emotions the book will stir in readers are moving and heartbreakingly familiar.” —Library Journal “I cannot remember the last time I simultaneously cried and laughed as hard as I did while reading Elizabeth Crane’s glorious, tender knockout of a novel, The History of Great Things. Wait, yes I can. It was the last time I spoke to my mom about life.” —Amber Tamblyn, author of Dark Sparkler “A poignant dual narrative . . . Alternating between laugh-out-loud humor and heart-rending melancholy, Crane gives us a mother and daughter who never quite grasp each other’s life stories, but who find truth through unconditional love.” —Bookpage “Ultimately, The History of Great Things is a story of perception, one well worth reading. It serves as a reminder that what truly matters to each of us is not what actually happens, but how we remember it.”  —The Rumpus  “An important work, fearless in both structure and vision, with Crane’s razor-edge fusion of intelligence, humor, and emotion informing every chapter. Get ready, world: this one’s going to be huge.” —Jamie Quatro, author of I Want to Show You More  “Like everything Elizabeth Crane writes, The History of Great Things is wonderful fun to read—smart, insightful, and witty—but it will break your heart, too. It stares down the poignant question so many daughters want to ask: How well did my mother really know me?” —Pamela Erens, author of Eleven Hours and The Virgins “The Copelands would feel right at home in a Noah Baumbach movie . . . Our narrator is an omniscient ‘We’ who reports the goings-on of the family with the breathless glee of an incurable gossip.”—Entertainment Weekly “Its style is literary, with an edge: The point of view is wicked, the characters prickly, the language not quite quotable here. I can’t wait to read past the first chapter.”—Los Angeles Times “Like any good story writer, she had me in the first two paragraphs . . . A treat to read. The characters are crisp and enjoyable; the narrator is smart and witty.”—Iowa Press-Citizen “This is an irresistible and winsome read. A truly astute tale of love neglected and reclaimed, family resiliency, spiritual inquiries, and personal metamorphoses.” —Booklist, Starred Review  “Crane delivers a unique and dizzying tale that delves into the emotional life of a family teetering on the brink of everything . . . The beauty in Crane’s novel is her sweep from acid commentary to heartfelt portrayal of real-life loves and losses.” —Kirkus Reviews“Crane’s novel is filled with deliciously idiosyncratic characters, humorous and distinct narration, and a whole lot of personality. Each character’s emotional growth is just enough to satisfy, without being overbearing . . . Crane’s summer novel has undeniable heart.” —Publishers Weekly “At last a novel from Elizabeth Crane! With her expert humorist’s eye for detail, she gives us a playful, passionate story of longing, heartbreak, and of the gargantuan human will. You won’t be able to stop reading.” —Deb Olin Unferth, author of Revolution“Not since The Royal Tenenbaums have I loved a family so much. The Copelands of We Only Know So Much are wonderfully eccentric, hilariously not self-aware and strangely adorable. They seemed so real, I felt like I was reading my own family story.” —Jessica Anya Blau, author of The Summer of Naked Swim Parties and Drinking Closer to Home“This is the kind of book that inspires a person to see the beauty in the ordinary, to stop concentrating on others’ failings long enough to see their spark and maybe rediscover his or her own.”—Susan Henderson, author of Up from the Blue“A beautiful, warmhearted, ferociously honest debut that will pull you in with its chorus of true voices and catch you off guard with its playful, restless edginess.” —Patrick Somerville, author of The Cradle and This Bright River Elizabeth Crane is the author of the novels The History of Great Things and We Only Know So Much and three collections of short stories. Her stories have been featured on NPR’s Selected Shorts. She is a recipient of the Chicago Public Library 21st Century Award, and her work has been adapted for the stage by Chicago’s Steppenwolf Theatre Company. She currently lives in Newburgh, New York

Bruja (Civil Coping Mechanism) Book of Endless Sleepovers (Civil Coping Mechanism) CCM is pleased to announce Bruja by Wendy C. Ortiz, the author of the critically acclaimed Excavation: A Memoir and Hollywood Notebook. With Bruja, Ortiz continues to upend and reinvent the memoir in inventive and deeply emotional ways to better fit the terms and trajectory of her exploration.  Behold the “dreamoir”–the details from the most malleable and revelatory portions of one’s dreams, catalogued in bold detail. Ortiz has created a new literary form, a parallel plane where the cast of characters are the people that occupied one’s waking life; Bruja is a narrative that’s equal parts delicate and bold, a literary adventure through the boundaries of memoir, where the self is viewed from a position anchored into the deepest recesses of the mind.  The end result is perhaps one of the most candid expressions of personal history, the subconscious bared in full, revealing the part of oneself that is often the most difficult to see. Bruja will be released as part of the Quarter Four 2016 CCM Catalogue. We can’t wait to show you more. We’re coping.  Guests are encouraged to come dressed as a character/person/animal/object from their dreams.  Praise for Bruja  "In Bruja, Wendy C. Ortiz deftly navigates the land of dreams in what she calls a dreamoir. By telling us her dreams, by revealing her most unguarded and vulnerable self, Ortiz is, truly, offering readers the most intimate parts of herself–how she loves, how she wants, how she lives, who she is. Bruja is not just a book–it is an enigma and a wonder and utterly entrancing." -- Roxane Gay, author of Bad Feminist and An Untamed State "Bruja calls into question not only what is a memoir, but what is a life. Politics, books, mass media, random encounters, work, relationships tumble into the depths of consciousness, and the self spirals open, huge and passionate. Ortiz’s dreamoir is a multidimensional love story with the whole mess of existence. I loved it."--Dodie Bellamy, author of When the Sick Rule the World, The TV Sutras, Cunt-Ups, and many more "Wendy C. Ortiz has invented her own genre, in her sleep, no less. Bruja is at once lush and spare, funny and weird, disturbing and sometimes even beautiful in the way that dreams can be. She’s crafted an absurdly real and compelling story here, one dream at a time." - Elizabeth Crane, author of The History of Great Things Wendy C. Ortiz is the author of Excavation: A Memoir and Hollywood Notebook. Her work has been profiled or featured in the Los Angeles Times, the Los Angeles Review of Books, The Rumpus, and the National Book Critics Circle Small Press Spotlight blog. Her writing has appeared in such places as The New York Times, Hazlitt, Vol. 1 Brooklyn, The Nervous Breakdown, Fanzine, and a year-long series appeared at McSweeney’s Internet Tendency. Wendy lives in Los Angeles. Book of Endless Sleepovers Bring your favorite stuffed animal, hold it tight, and stay awake as long as you can. The Book of Endless Sleepovers tosses and turns with telepathic campfire stories, crypto-zoological memoir and Mark Twain slash fiction. It’s fourteen interconnected tales of haunted childhood identity and exploded imagination. Nobody wants to fall asleep first. Praise for Book of Endless Sleeovers “I love how Henry Hoke plays fast and loose with autobiography and genre. His Book of Endless Sleepovers is wry and finely-wrought, a philosophical fever dream studded with the pleasure of proper names and surprising turns of phrase, a lyric page-turner.”-Maggie Nelson, author of The Argonauts “In his atmospheric debut, Henry Hoke maps the wild country of adolescence, the murky realm of childhood and its mysterious stirrings, where the names of cities are always changing along with our own, as we swap them for those of our favorite characters: The Hardy Boys or Huck Finn or Peter Pan. A land where pet bunnies are eaten by owls in the night and cats change owners at their own will. The Book of Endless Sleepovers is beguiling and evocative and sometimes sad. It is not to be missed.”-Kate Durbin, author of E! Entertainment “The Book of Endless Sleepovers is hot and cool, fine and blunt, new and ancient, puzzling and cannily revealing. Hoke's sharp, funny fictions are like shards of the books I hope to find lying around in Borges' garden of forking paths.”-Mark Childress, author of Crazy in Alabama “Hoke’s book dazzles. Beneath the surface of linguistic playfulness and narrative experimentation are real truths about love and brotherhood and especially about childhood: wild and thrilling and, as all childhoods are, full of terror. Worth reading for the brilliant reimaginings of Tom Sawyer and Huck Finn alone, there is so much here that will astonish, surprise, and delight.”-Rahul Mehta, author of No Other World Henry Hoke was a child in the South and an adult in New York and California. He's the author of Genevieves (winner of the Subito Press prose contest, forthcoming 2017) and The Book of Endless Sleepovers (Civil Coping Mechanisms, 2016). Some of his stories appear in The Collagist, Gigantic, Winter Tangerine and Carve. He co-created and directs Enter>text, a living literary journal.  Ashley Perez lives, writes, and causes trouble in Los Angeles. She has a strong affinity for tattoos, otters, cat mystery books, and actual cats, but has mixed feelings about pants. She holds an MFA in Creative Writing from Antioch University Los Angeles. She runs the literary site Arts Collide and does work of all varieties for Jaded Ibis Press, and Midnight Breakfast. Iris De Anda is a Guanaca Tapatia poet who hosts The Writers Underground Open Mic at the Eastside Cafe every third Thursday of the month and the author of CODESWITCH: Fires From Mi Corazon. www.irisdeanda.com. Myriam Gurba is a writer, artist, and low key bon vivant living at the southern most tip of LA County. Her memoir Mean is forthcoming from Coffee House Press. Amanda Yates Garcia is an artist, writer, witch, healer and the Oracle of Los Angeles. Recent performance rituals include Capitalism Exorcism at Human Resources and Devouring Patriarchy at the Women’s Center for Creative Work. Her writing has been featured in publications such as Black Clock, the Rough Magick anthology, Entropy, Synema Publikationen (Cinema Magazine), and WITCH. Amanda hosts her bi-monthly show The Oracle Hour on KCHUNG radio; teaches the Magical Praxis monthly mystery school; and performs private rites of healing and empowerment at her magical studio in West Adams.

For our very first episode, we’re exploring childhood challenges with three stories: "Big Boys" by Don Ryan, “Long Island Sunset” by Dee Cohen, and “Best Friends Seriously Forever” by Elizabeth Crane. Show notes on the DimeStories website. http://dimestories.org/podcast/episode-1-challenges-of-childhood/

July 6-12 , 1974 Today Ken welcomes author Elizabeth Crane to the show. Ken and Elizabeth discuss when Cambridge was cool, New York editions of TV Guide, having life time subscriptions to TV Guide, Lucy, keeping scrapbooks, All In the Family vs. The Partridge Family, loving Danny, bus station TV, having a TV in your room, the secret origins of Ken's TV knowledge, the importance of context, The Glass Teat, The Cowsils, Union Jobs, people being out to get you at work, M*A*S*H, Mary Tyler Moore, Bob Newhart, Pyschomania, The 4:30 Movie, inappropriate relationships with Lou Grant, being distracted by Mary Tyler Moore's dog, Alan Alda: Guest Speaker, Barney Miller, Hal Linden as Captain America, Wonderama, Bob McAllister, bootleg Romper Room, Zoom!, meeting Henry Winkler, Twosomething, working at a talent agency, 11 days as an Angelino, LA vs. NYC, Apple's Way, Leif Garrett, 42nd St, Colors in Times Square, animal slaughter, television sense memory, the comfort of television, 1977: The Coolest Year in Hell, Son of Sam, Plato's Retreat, Basket Case, Lawrence Welk, Polka Culture, Department S, Columbo, The Rookies, Johnny Seven, Kate Jackson's clothing, Book Beat, Boboquivari, Maude, Mary Hartman, Laugh-In, looking to pursue a career in impressionism, disliking the TV schedule anarchy of weekends, Jonathan Winters, Tony Orlando & Dawn, being Charo, the lost age of Variety, Wait 'til Your Father Gets Home, Kojak, Telly Savalis as the Devil, Waltons Wallpaper, Little House on the Prairie, adaptations missing the point, Herbie Day at Disneyland, Merv, Streets of San Franciso, Kung Fu's tarnished past, Dirty Sally, Sanford and Son, US remakes of UK shows, Brady Bunch, Cabrini Green, the heartbreak of burned off pilots, Marlo Thomas' personal Love American Style, the horrification of the anthology, The Odd Couple, Tony Randall, referencing Toma, Yoga on TV, and loving The Walking Dead.

Elizabeth Crane is the guest. Her new novel, The History of Great Things, is available now from Harper Perennial.  Great to see Elizabeth again. She came over not too long ago and sat down across from me and we caught up. Her new novel is all about her late mother. It's about other things, too, but mostly it's about her mom. We get into that. We also talk about writing and fiction vs nonfiction and childhood and fears. We talk about preconception of structure vs intuitive making-it-up-as-you-go. We talk. In today's monologue, I answer questions as smooth jazz plays in the background. Learn more about your ad choices. Visit megaphone.fm/adchoices

Join Brian in his second interview from the road in Brooklyn with author Elizabeth Crane. Her debut novel We Only Know So Much was released last summer and she is also the author of other numerous short story collections. The craft of writing and some of its inner workings are brought into the light as well as Elizabeth's fascinating childhood growing up in New York City, the daughter of a professional opera singer. For more info about her work go to http://www.elizabethcrane.com/.

Roy Kesey is the guest. His latest story collection, Any Deadly Thing, is now available from Dzanc Books. Elizabeth Crane says "Roy Kesey's stories in Any Deadly Thing are perfect, masterful portraits of an international cross-section of wise, broken souls—hopeful, brutal, funny as hell, and heart-crushing, every last one." And San Diego City Beat raves "Most short-story writers are like baseball pitchers. The really good ones have four or five different pitches, but most only have two or three that they've perfected and go to over and over again. Kesey is more like a five-tool outfielder: He can do it all. In Any Deadly Thing, he collects stories about lovable losers, tales of hardscrabble redemption, experimental fiction, Bosnian war stories and expat tales set in Beijing apartments and Peruvian jungles. There's no limit to the man's imagination." Monologue topics: mail, focusing the podcast on writing, Molly Ringwald, digressions, fame, voicemail, rapping, blushing.  Learn more about your ad choices. Visit megaphone.fm/adchoices

We’ve tackled tigers and rubber ducks on the show before, but have we ever turned our eyes to the animal spirits of three young brothers? Justin Torees’ novel is brought to our attention by the witty and wonderful Elizabeth Crane, who joins us on the show for a quick disco dance. Plus: cosmically bad reviews, having the willpower to creatively open a cupcake, and what the hell Patty Hearst was fighting for. Learn more about your ad choices. Visit megaphone.fm/adchoices

We Only Know So Much (Harper Perennial) Acclaimed short story writer Elizabeth Crane will read and sign her debut novel, We Only Know So Much, about four generations of an eccentric family living under one roof. "Crane has a distinctive and eccentric voice that is consistent and riveting." --The New York Times Book Review Elizabeth Crane is the author of three collections of short stories, When the Messenger is Hot, All This Heavenly Glory, and most recently You Must Be This Happy to Enter.  She is a recipient of the Chicago Public Library 21st Century Award. Her work has been featured on NPR's Selected Shorts and adapted for the stage by Chicago's Steppenwolf Theater.  Her debut novel, We Only Know So Much, is forthcoming in June from HarperPerennial 2012. THIS EVENT WAS RECORDED LIVE AT SKYLIGHT BOOKS JUNE 11, 2012.

Elizabeth Crane is the guest.  She's the author of three story collections—When the Messenger is Hot, All This Heavenly Glory, and You Must Be This Happy to Enter.  Her debut novel, We Only Know So Much, is now available from ... Continue reading → Learn more about your ad choices. Visit megaphone.fm/adchoices

A teenage girl rescues her friend from an alligator and this story examines their friendship as they grow up. Elizabeth is the author of three short story collections, most recently YOU MUST BE THIS HAPPY TO ENTER.