Podcasts about Other Voices

Join your duo hosts plus special guest Ant from TFU as they cover the penultimate episode, “Other Voices, pt. 1” from the 1997 classic animated series, Beast Wars: Transformers! If you fight with a rat, you better fight dirty!!! Ant's here, Aaron's gone, Ryan's doing everything, and the aliens are BACK!!! Aliens Artifact Trivia!! Nutty alien bungalow!! We've got a ceasefire, remember?! Waspinator's got nards!!! Primal's here to do NOTHING! Primal gets a Mountain Dew EXTREME scan! That's no moon!! In the Real World! Script Deviations!! Iconic Moment!!! Ours is but to do and DIE!!!SHOUT OUTS - 8:45COCKTAIL - 10:00ALIEN TRIVIA - 15:45REVIEW - 37:10 REAL WORLD 1:09:30SCRIPT DEVIATIONS - 1:15:10RATE THE SCHEME - 1: 20:30ICONIC MOMENT - 1:22:50NEXT TIME ON THE APDC - 1:23:35

Understanding Gnosticism with Miguel Conner Miguel Conner is host of the Aeon Byte Gnostic Radio podcast. He has authored two books of interviews about gnosticism, Voices of Gnosticism and Other Voices of Gnosticism, and also four novels. His newest book is The Occult Elvis: The Mystical and Magical Life of the King. His website is … Continue reading "Understanding Gnosticism with Miguel Conner"

Mállaidh Ní Bheoláin; Ainmiúchán do Ghradam Gnó. Áine Ní Chíobháin; Cogar ag Other Voices. Máire Breathnach;Caint agus ceol. Conchúr Ó Loingse; Léacht anocht le Acadamh Fodhla. Niamh Feirtéar; Aonach na Nollag Tigh Kruger

SIlverbacks (Daniel O'Kelly, Kilian O'Kelly, Peader Kearney, Emma Hanlon, Gary Wickham, Paul Leamy) released their third album Easy Being a Winner on October 18 via Central Tones Records. Scattered around Dublin, Drogheda, Kildare and Paris, Silverbacks have really found their groove on this album. It sounds like an effortless progression. I talked to Dan about making the album, life in Paris, cycling, Other Voices, being a dad, and some of his favourite music of the year. Buy Easy Being a Winner: https://silverbacks.bandcamp.com/album/easy-being-a-winner --- As a band, Ireland six-piece Silverbacks are restless, eager to move onto the next thing: Three albums in four years is evidence of this. That their fizzing, rock-addled songs rarely pass the four-minute mark is further proof. But in their personal lives, they're not restless. In fact, they're settling down. Lead singer and guitarist Daniel O'Kelly now lives on the outskirts of Paris with his wife - it's where he sees his immediate future too. His brother, guitarist Kilian, has moved to Drogheda, an hour north of Dublin, with wife and fellow Silverback Emma Hanlon, where they've discovered a newfound interest in plants (red hot pokers are their favourite). They're content. Their relationships - their friendships - take the pressure off the music and ultimately allows for something that is more enjoyable to make, and perhaps, as a result, sounds more authentically like Silverbacks too. As they sing on the closing track of third album Easy Being a Winner: “You start to figure it out.”

Podcast 269 is all about the 23rd edition of Other Voices in Dingle and some of the acts playing the Jameson Music Trail from November 29th to December 1st.The Jameson Music Trail will present 100 live sets from dozens of Irish artists we love, with many acts playing twice in the town's 16 venues, including a Jameson Connects stage at The Dingle Bridge House for the first time.For this episode, I spoke to Kerry musician and OV regular Junior Brother about playing in Dingle, recording his soon-to-be-released third album with John "Spud" Murphy, and playing with The Pogues.Then we chat to Juno King, events producer with the OV family, literally in that her dad Philip started the show 23 years go and Juno along with triplet sisters Molly and Ellen grew up in and around the show. Juno talks to us about the limitations and magic of putting on the festival every year and what's exciting her this year on the lineup.Then, we beam in Dan and Paul from Silverbacks, the indie-rock band who have just released their third album Easy Being A Winner, and we discuss making the album with GIlla Band's Dan Fox, what success looks like for the band and what they're looking forward at Other Voices this year.Show notes:Support Nialler9 on Patreon, get event discounts, playlists, ad-free episodes and join our Discord communitySongs played on the Nialler9 Podcast Spotify PlaylistOther VoicesJameson Music TrailListen on Apple | Android | ACAST | Patreon | Pocketcasts | CastBox | Stitcher | Spotify | RSS Feed | Podlink Hosted on Acast. See acast.com/privacy for more information.

Cúrsaí gnó agus an toghchán. Aoife Ní Shúilleabháin-na geallúintí. Micheál Ó Lionáird-Stiúraitheoir ar Folláin. Linda Ní Ainiféin-gnónna beaga. Máiréad Uí Shíthigh-Comhar Creidmheasa Cara Chorca Dhuibhne. Concubhar Ó Liatháin;Irish leis an Echo. Súil ar Thogha Cheantar Chorcaigh Thiar Thuaidh. Philip King;Other Voices.

We talk to Rob Hopkins about the importance of unleashing our imaginations in the fight against climate change, in order to create the future that we all want to see.Rob Hopkins is the co-founder of the Transition Movement and author of 'From What is to What If'. He has spoken at multiple TED events and runs ‘Imagination Catalyst' training for a wide range of organisations around the world.Rob also challenges Gwen and Kate to take a walk around their local neighbourhood and take photos of things they see that give them hope for 2030. Join in and share your photos on instagram, using #Rump2030.Find out more about Rob Hopkins and his work hereBook – From What Is to What If: Unleashing the Power of Imagination to Create the Future We WantExclusive for RUMP listeners – enjoy 30% off the above using the discount code Whatif30Podcast – From What If to What NextFind out about Other Voices Festival Thank you to our team:Music - Andrew GrimesArtwork - Erica Frances GeorgeSocial Media - Kate BallsIf you enjoy the podcast, please subscribe, share with your friends and leave a review. It takes less than 60 seconds and really makes a difference in helping people discover the podcast. Thank you!Join the RUMP Club! Support the team and access exclusive content from as little as £3 p/month at: Right Up My Podcast | PatreonOr, if you'd like to make a one-off donation, you can buy us a virtual coffee from Buy Me a Coffee!Be social with us!InstagramFacebookTikTok

TUESDAY SEPTEMBER 3rd NOON CST on LIVE:FROM NASHVILLE... Welcome GERRY SPEHAR and CAROLYN SHULMAN this week on LIVE:FROM NASHVILLE!  We'll be sharing Gerry's new album OTHER VOICES and Carolyn's album HEART ON A WIRE.  Get ready to sit back and enjoy an hour of Great Music and Great Conversation with mult award winning host Gary and Mary Kaye Holt.  Listen LIVE at Equestrianlegacy.net and on iHeart Radio, Apple Podcast, Spotify and Most Streaming Platfroms...Just search for EQUESTRIAN LEGACY RADIO!

We speak with our bodies, and some people speak only with their bodies. Communication Nation Episode 3: Other Voices, Other Sounds explores nonverbal communication, sign language, deaf culture, and assistive technology. Comes with a learning guide. Learn with us!

This month, Sonic Architect Adam returns to normal recording proceedings and welcomes Molly King to the studio. Molly is the head of development for Other Voices, an annual music festival that takes place in Dingle, County Kerry every winter, bringing together some of the world's biggest acts, as well as the finest Ireland has to offer for a weekend of very special live performances across their Music Trail. The most notable location for these performances is Saint James' Church, which has played host to acts such as Hozier, Kae Tempest, Amy Winehouse, Mark Lanegan, Conor Oberst, Kodaline, Griff, Dermot Kennedy, Fontaines D.C., The National and many, many more. Almost all of their performances and live streams are on their YouTube channel at the link below.In this episode, Adam and Molly discuss the challenges of running a festival, how the re-brand came about and what it represents now, as well as some of Molly's fondest memories in Other Voices over the years, and both of their thoughts on why Other Voices is so highly-regarded not just in Ireland but worldwide as an annual must-attend event.*If you'd like to get this episode and all NO ENCORE episodes a full 24 hours earlier and ad-free, check us out over on Patreon here.*-Other Voices WebsiteTickets for Other Voices Cardigan '24Follow Other Voices on YouTube / Instagram / Facebook / TikTok / XFollow Molly King on Instagram / XSouth Wind Blows on Instagram / X Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

In this episode of the Thriving Authors Podcast, it was exciting to talk with Judith Lindbergh about her new historical fiction novel, AKMARAL (and it's so fun that we shared a publication date of May 7th!)  I learned a ton about historical research in our conversation, and her passion for the project comes through so deeply.  Judith also shared: How she began her journey as a writer and what led her to focus on stories drawn from ancient history. What she noticed happening when she didn't allow for the creative and unexpected in her writing. How she was able to nurture and sustain her creativity over a long period of time and the changes she experienced in the publishing industry over that time. What inspired her to start her creative writing community and how it grew over time. I think you'll really enjoy this conversation no matter where you are on your writing journey!And if you are looking to move further along on your journey – or just get started – join me and a small community of like-minded women this summer in Your Book Roadmap! Bring your book to life and truly see yourself as an author. Learn more and register at https://bit.ly/yourbookroadmapAbout Judith: Judith Lindbergh's new novel, AKMARAL, about a nomad woman warrior on the Central Asian steppes in the 5th c. BCE, published by Regal House Publishing on May 7, 2024. Her debut novel, THE THRALL'S TALE, about three women in the first Viking Age settlement in Greenland, was a Booksense (IndieBound) Pick, a Borders Original Voices Selection and praised by Pulitzer Prize winners Geraldine Brooks and Robert Olen Butler. Her work has appeared in numerous publications including in Newsweek, Zibby Magazine, Next Avenue, Writer's Digest, Edible Jersey, Literary Mama, Archaeology Magazine, Other Voices, and UP HERE: The North at the Center of the World published by University of Washington Press. She also contributed to the Smithsonian Institution's exhibition Vikings: The Norse Atlantic Saga and was an expert commentator on the History Channel's documentary series MANKIND: The Story of All of Us. Judith is the Founder/Director of The Writers Circle, a New Jersey-based creative writing center where she regularly teaches aspiring and accomplished writers from ages 8-80. Learn more at https://judithlindbergh.com. --- Support this podcast: https://podcasters.spotify.com/pod/show/dallas-woodburn/support

Jeff Oppenheim (Writer/Director/Producer) is a veteran of theater and film production. His live-theater credits include productions for Lincoln Center, the Film Society, Tribeca Performing Arts Center, and he has worked in partnership with The Acting Company, Woodie King, Jr.'s New Federal Theater, Bay Street Theater and others. Jeff also founded the non-profit literary organization Other Voices and served as the artistic director creating over 100 events, readings and performances throughout NYC. He produced numerous concerts, week-long festivals and international tours including an inaugural party in Washington, DC to commemorate the first-term inaugural of President Obama. He also produced STAT! For New York City's Public Hospitals!, a week-long, five-borough series of concerts to help raise public awareness and funds for NYC's public hospitals. Highlights of the series include: an all-star Tribute to the 'Godfather of Funk' George Clinton at the Apollo Theater, a night of Gospel and R&B with the Temptations, and a of Old School Hip Hop featuring Marley Marl, DJ Kool Herc, Doug E. Fresh, Roxanne Shante, Kangol Kid, and more. In 2012, Jeff produced OsKuduristas.com--an international tour that brought the African music and dance movement known as "Kuduro" to Stockholm, Amsterdam, Paris, New York and DC. As an added featured of the tour, he envisioned a pilot for an international music-focused exchange program between a public high school in Angola, Africa and a public high school in Brooklyn and Queens. Jeff is also a vetted filmmaker. His credits include: the feature film "Funny Valentine" with Anthony Michael Hall, Marlo Marron, and Lord Jamar distributed by Universal Pictures; and the documentary film "A Passion For Giving" that aired nationally on PBS. He served as a Producer for the live stream of Lincoln Center's Out of Door Festival and the Mostly Mozart: A Little Night Music Series. He recently completed a feature-length documentary titled "Real Fake--The Life, Art & Crimes of Elmyr de Hory".Support the show

The rapport I had with Nanci, apparent in this 1993 interview, led to her asking me in 1998 to co-write her book Nanci Griffith's Other Voices. I'm told, from Texas, there is a resurgence of interest in her work. That thought delights me. I dedicate this podcast to anyone discovering Nanci!

As part of Freedom to Read Week celebrations, Senator Simons moderated a panel discussion with journalists Danielle Paradis, Jason Markusoff, and Jonny Wakefield on the state of journalism. This event was presented in partnership with the Edmonton Public Library, LitFest, and Calgary Public Library. Jonny Wakefield has been with the Edmonton Journal/Sun newsroom since 2017. He is now the courts and crime reporter, covering the Edmonton Law Courts and other justice issues. He came to Canada from the U.S. as a student in 2009 and became a dual citizen in 2020. Danielle Paradis is an award-winning Indigenous (Métis) magazine writer, journalist, editor, educator, podcaster and mentor who lives in Treaty 6 (Edmonton, Alberta). She has written for both local and international audiences. You can read (or hear) her work at Aboriginal Peoples Television (APTN), Canadaland, Chatelaine, The Walrus, Alberta Views, Toronto Star (Edmonton), Canadian True Crime Podcast, and The Sprawl. Danielle covers politics, arts and culture, and Indigenous Issues. Danielle loves a good FOIP story and studied investigative journalism, story-based inquiry method, at the Centre for Investigative Journalism out of the UK. She has journalism, focusing on advanced reporting and reporting on diverse communities at MacEwan University and Humber College. She has also worked for a non-profit, Indigenous Friends Association, that focuses on connecting traditional knowledge and digital technology for Indigenous youth. She also has a background as a literary editor for Other Voices and in-depth media experience in both television and audio journalism. Jason Markusoff has been writing about what's happening – and not happening, but maybe should – in Alberta for more than two decades. He's a writer, editor and producer with CBC Calgary, and before that he's been a correspondent for Maclean's, Calgary Herald and Edmonton Journal. He's on Twitter a lot less these days, for patently obvious reasons. Paula Simons was appointed to the Senate of Canada in 2018, after a long and distinguished career as one of western Canada's most acclaimed journalists. She has been a radio documentary-maker, a playwright, and an author of popular history, but she is best known for her work as a political columnist and reporter with the Edmonton Journal.

Miguel Connor is an author of Aeon Byte Gnostic Radio,, a popular show that takes audiences from ancient mysteries to a modern meaning. My articles and fiction have appeared in such publications as The Gnostic Journal, The Heretic, Mindscape, Reality Sandwich, and many others including being an Author of the Month for Graham Hancock's website.My books include the critically acclaimed Voices of Gnosticism and Other Voices of Gnosticism (Bardic Press) and the post-apocalyptic vampire epic series, The Dark Instinct Trilogy (Warner Books/AB Press), as well as fantasy novel, The Executioner's Daughter (Solstice Publishing).I have lectured/appeared at such events as The Duncan Trussell Family Hour, the Alan Eisenberg Show (AM 1400 WRJN), Magick Radio (AM 1680 Chicago), Runesoup, Skeptiko, The Higherside Chats, and The Gnostic Countercultures Conference at Rice University.I have done narrations for audiobooks including The King in Orange, Concerto of the Rising Sun, and The Secret Teachings of All Ages.For media appearances, speaking engagements, voice-over work, inquiries, or want to appear on the show, please contact me

Artists all around the world are trying to make sense of what the advance of artificial intelligence will mean for their creative work. Will the very human traits of passion and creativity survive in a world where we let ever more intelligent machines do the work for us? In Belfast, the innovative people behind production company Dumbworld have been thinking about this question in radical ways, integrating AI into their mission to bring opera to the masses. Ivor Novello winning composer Brian Irvine and librettist John McIlduff brought a number of their street operas to Other Voices in Dingle, and at Ireland's Edge they spoke with musician and cultural consultant Dermot McLaughlin about shaking up opera and why they were moved to do so, harnessing technology to open up the art form to whole new audiences, and the implications and applications of AI for opera, music and the wider creative industries.For more on Dumbworld and their work: https://dumbworld.co.uk/ Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

To mark season 22 of Other Voices, which begins on RTÉ 2 and RTÉ Player on February 29, one of the hottest bands in the country, Gurriers, who played St James' Church in Dingle for the show in December, and host Maykay join the TPOE podcast. Gurriers started in January 2020 and have released a string of excellent singes since, including latest track 'Des Goblin'. Frontman Dan Hoff talks about how they got started, feeling inspired - for good or bad - by social media, playing SXSW in March, what it's like to be part of the hype cycle, and their plans for the rest of the year. A little bonus in the middle of the show: The photographer Rich Gilligan heads to Other Voices every year. He talks about why it's so special to shoot and some of the memorable acts he's experienced in Dingle over the years. Then Fight Like Apes frontwoman Maykay looks back to the Dublin music scene of the mid-00s and how they fitted in, talking FLApes rise, a little about the fall, and their reunion at the Olympia Theatre in 2023. They're returning for a final show there on April 6, 2024 - tickets are running low, FYI. Maykay also talks her solo plans and what it's like hanging out with fellow Other Voices hosts Huw Stephens and Annie Mac in Dingle. The six-part season 22 of Other Voices will showcase some of the most thrilling Irish and international artists on the music scene; with exclusive intimate performances by Griff, Kae Tempest, The Murder Capital, Villagers, BC Camplight, Catrin Finch & Aoife Ní Bhriain, CMAT, ØXN, Gurriers, Mick Flannery, Julie Byrne, The Joy, KhakiKid, Niamh Bury, Qbanaa and Lucy McWilliams.

In episode one of Wizards & Hand Grenades Dehvan & Trevor discuss Palworld, Steam Deck OLED, Like a Dragon: Infinite Wealth, Suicide Squad, and gush over this month's featured artists. This month's featured artists:Other Voices by The OrwellsBrazil By Declan McKennaBad Time By Alkaline TrioBubblegum Dog by MGMTLula, I'm not Mad by HUNNYJust the Two of Us by Grover Washington Jr. & Bill WithersSupport the show

Founder of iconic televised festival Other Voices, Philip King joined us this week for The Culture Club!Press the 'Play' button on this page to hear his choices.

James Morrissey has produced a beautiful and important book exploring the history of Claddagh Records and Garech Browne. 'Real to Reel' explores a record label which championed not only Irish folk and traditional music, but also poetry and the visual arts. Now, the label has returned with great new talents including OXN. Both me and James Morrissey will be appearing at 'Banter' at Other Voices this weekend. Thanks for your patience. We raised thousands of euro towards a good cause, as mentioned in the introduction here.

*Please send me your thoughts, feelings and feedback via voicenote to 0892096423.*DO NOT WORRY IT IS NOT FRIDAY! You did not sleep through Thursday, I'm just bringing you the episode a day early this week as I'm on the road to Other Voices. I thought it was important that we talk about what happened last week, and I hope you find this episode useful. Carl Kinsella and I chat through what happened and where things stand now as well as the rest of the week's news. I talk to artist Spicebag about the context of the riots and why the Far Right are managing to appeal to so many people in Ireland. Then, James O'Hagan and I have an absolute ball chatting about this week's showbiz and culture news.Come and see me at the Everyman in Cork on St. Brigid's Day!Support the podcast via Patreon here. Hosted on Acast. See acast.com/privacy for more information.

Tábháirne Ard a Bhóthair iata Luan,Máirt is Céadaoin an chuid eile don mí seo,agus iad a prappail don Nollaigh agus Féile Other Voices.

Ahead of his appearance at Another Love Story 2023, Dublin photographer Rich Gilligan talks about his journey over the past two decades, how he found a calling and a career in the skate parks of Ireland and eventually further afield, how he got into portraiture and his way of working - he's shot the likes of Timothy Chalamet, Elizabeth Strout and Cillian Murphy, as well as Irish acts including Villagers, Damien Dempsey, Pillow Queens and Gilla Band - how you've got to really really want it to make a career out of photography, his work with Other Voices, his own Driftwood Editions photobooks, and lots more. Another Love Story returns to Killyon Manor, Co Meath, on August 18-20. Lineup/tickets: https://anotherlovestory.ie/tickets/ Driftwood Editions: https://driftwoodeditions.xyz/

Episode 100 Crosscurrents in Early Electronic Music: Italy—Part 1 Playlist Berio, Maderna, Nono, Zuccheri, RAI Studio di Fonologia Musicale (RAI), Milan Luciano Berio, “Mutazioni” (1955) from Prospettive Nella Musica (1956 RAI Radiotelevisione Italiana). The first complete tape work by Berio at the newly founded RAI studio, which he was running with composer Bruno Maderna. Sound engineering by Marino Zuccheri. Berio and Maderna kept an open mind about the music that would be produced under its roof. They did not align themselves aesthetically with either the musique concrète approach taken in Paris or the serialist, rules-based composing style of Cologne. “Bruno and I immediately agreed,” explained Berio, “that our work should not be directed in a systematic way, either toward recording acoustic sounds or toward a systematic serialism based on discrete pitches.”[1] As a consequence, Alfredo Lietti Marino Zuccheri, engineers for the studio, filled it with equipment that appealed to a wide spectrum of compositional needs. In 1956, studio no. 3 at RAI had a custom-built cabinet with six vertical racks consisting of audio generators (9 sine wave oscillators, 1 white noise generator, 1 pulse generator), sound modifiers (plate reverb, octave filter, high pass filter, low-pass filter, variable band-pass filter, third-octave filter, ring and amplitude modulators), and a mixing panel. Several tape recorders were available mix and match sounds. You can almost sense the excitement of the creation of these foundational works as each composer brought their own individualism to the sound a translated that into electronic music. 3:36 Berio & Maderna, “Ritatto di Città (poema radiofonico)” (1955) (1955 RAI). File from the RAI Archives. This is an excerpt from a radiophonic production that was 26' long. 6:05 Bruno Maderna, “Notturno” (1956) from Prospettive Nella Musica (1956 RAI Radiotelevisione Italiana). Maderna's first official solo tape work produced at the RAI studio. From an original disc released by the RAI in 1956. 3:24 Luciano Berio, “Perspectives” from Prospettive Nella Musica (1956 RAI Radiotelevisione Italiana). An eight-part work of experiments in transforming musical sounds and rhythms with electronic manipulation. 6:36 Bruno Maderna, “Música su Due Dimensioni” from História da Música Eletroacústica (1958). 7:10 Luciano Berio, “Momenti”(1960) from Images Fantastiques (Electronic Experimental Music) (1968 Limelight). This release was an American collection of European electronic music released on the Limelight label, a subsidiary of Philips. Although released a few years after “Momenti” was available elsewhere, this was an album that captivated my imagination at the time. You hear Berio's innate sense for fashioning unique sounds and rhythms with this sound material, adding some reverb to give it depth, producing audio that is reminiscent of natural sounds, but transformed to give it an other-worldly quality. 7:02 Bruno Maderna, “Dimensioni II (Inventione su Una Voce)” from Musica Elettronica / Electronic Music (1994 Stradivarius). Anyone familiar with Italian new music will know the name of Cathy Berberian. She was an American operatic mezzo-soprano and for a time (1950-64) was married to Luciano Berio. She was a kind of muse for the modern composers at the Milan studio, lending her incredible vocal capabilities to tracks that could then be transformed into electronic music. One such famous piece, not included here because it is so familiar, is “Thema (Omaggio a Joyce)” by Berio. Instead, I wanted to feature another tape piece, this one by Maderna, because he not only transforms Berberian's voice using electronic techniques but allows her to express herself as well in some unmodified sections. This marks a period where Maderna was longer magnetic tape pieces, ten minutes or more each. Unlike his shorter, more frenetic works, these longer pieces gave him time to develop themes, apply long silences, and structure his works around variations on his audio materials. 10:52 Luigi Nono, “Omaggio a Vedova” (1960) (1976 Wergo). A magnetic tape work by another outstanding contributor to electronic music in Italy, Luigi Nono. Like Berio, Nono went on to be better known for his instrumental and vocal compositions. This work is an homage to artist Emelie Vedova. Note that we feature another homage to Vedova from 1967 later in the podcast, “Parete 1967 _1” by Marino Zuccheri. 4:52 Niccolò Castiglioni, “Divertimento” (1960) from Elektron 3 (1967 Sugar Music). Produced at the Studio di Fonologia Musicale di Milano. Castiglioni was an Italian composer, born in Milan who later came to the United States to teach composition at the University of Michigan. This work sounds a bit like chirping insects and is the only tape piece he produced at the RAI. 2:38 Bruno Maderna, “Le Rire” (1962)” from Musica Elettronica / Electronic Music (1994 Stradivarius). Another long-form tape piece by Maderna. The voices heard and processed are those of Maderna, Cathy Berberian, and the sound designer Marino Zuccheri. The sounds in the beginning are modulated by sine waves and filters, plus some occasional ambient sounds like footsteps and rain. The second part of the work, beginning around the 11-minute mark, switches to more traditional musique concrete sounds reminiscent of drums, flutes, as well as white noise. 15:53 Luigi Nono, “La Fabbrica Illuminata” for voice and magnetic tape (1964) from Luigi Nono La Fabbrica Illuminata (1968 Wergo). Nono was also expanding his use of electronic sounds and wrapping them in vocal music. This work combines sounds created at the RAI with vocals written for a choir ( Chor Der RAI Mailand) and sopranos (Carla Henius). Marino Zuccheri helped Nono with the tape music. 16:28 Jon Hassell, “Music for Two Vibraphones” (1965) (1965 RAI). Yes, this is the Jon Hassell, the American composer and trumpeter. I know he is American, but I couldn't resist including this brief track that he recorded while in Milan in 1965. To my ears, this has an especially digital sound, especially when you consider how time consuming it must have been to assemble the opening sequence using tape editing. It is also a work of contrasts, with the explosive opening section giving way to about a minute of extremely quiet, almost ambient sound to close the work. 2:43 Marino Zuccheri, “Parete 1967 _1” (1967) from Parete '67 Per Emilio Vedova (2018 Die Schachtel). The sound mixer and designer at the RAI studio, Zuccheri often appears as a credit on works created in the studio. Working as a sound technician after World War II, Zuccheri was transferred to the RAI headquarters in Milan where he met Luciano Berio. He was instrumental in developing the system and layout of the Studio di Fonologia Musicale, where he worked until 1983. His close collaboration with the composers working at the Studio, above all Berio, Maderna and Nono, gave rise most of their notable tape pieces. Visitors, such as John Cage, were quick to acknowledge his steady hand as chief orchestrator of sound and engineering at the studio. He was often asked to provide electronic music for broadcast and film productions, of which this is one, a collaboration with Emilio Vedova for the preparation of the Italian pavilion of the Montreal Expo. 15:03 Luigi Nono, “Contrappunto Dialettico Alla Mente” (For Magnetic Tape)(1968) from Roland Kayn / Luigi Nono – Cybernetics III / Contrappunto Dialettico Alla Mente (1970 DGG). Another one of Nono's exquisite works combining vocals and electronic music on magnetic tape, recorded at RAI. In this work you can see how Nono complements the sound palette of the usual RAI sounds with sounds that are uniquely presented by human voices. Chorus, Coro Da Camera Della RAI; Conductor, Nino Antonellini; Soprano Vocals, Liliana Poli; Other Voices, Cadigia Bove, Elena Vicini, Marisa Mazzoni, Umberto Troni. 19:48 Opening background music: Bruno Maderna, “Serenata III” (1962)” from Musica Elettronica / Electronic Music (1994 Stradivarius). 11:20 Opening and closing sequences voiced by Anne Benkovitz. Additional opening, closing, and other incidental music by Thom Holmes. See my companion blog that I write for the Bob Moog Foundation. For additional notes, please see my blog, Noise and Notations.   [1] Joel Chadabe, Electric Sound: The Past and Promise of Electronic Music (Upper Saddle River, NJ: Prentice Hall, 1997), 48

Musician, filmmaker, Other Voices founder and Presenter of South Wind Blows, Philip King tells Brendan about the tradition of highly charged emotional singing

Brexit, the housing crisis and the covid pandemic have all presented challenges to Ireland's economy and public finances in recent years. Overseeing the Government's financial response has been Fine Gael TD Paschal Donohoe who served as Minister for Finance from 2017 until late last year, and is now Minister for Public Expenditure and Reform. Donohoe has also taken a leading role in the European Union's financial response to Brexit and the pandemic as President of the Eurogroup as which he has just begun as second term. In front of a live audience at Ireland's Edge, the Minister spoke to Other Voices founder Philip King. Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

A second episode this week as it's a timely chat with MayKay, the vocalist, singer-songwriter and Other Voices presenter who is returning to her original role as lead vocalist with the band Fight Like Apes.The band split up in 2016 after releasing three albums Fight Like Apes and the Mystery of the Golden Medallion (2008), The Body of Christ and the Legs of Tina Turner (2010) and Fight Like Apes (2015) along with a series of EPs.Flapes as they're affectionally known, were one of the first buzz bands out of Ireland in the online era, bursting onto the scene with ‘Lend Me Your Face' and deflating a scene in which singer-songwriter had a chokehold on things by bringing a sense of pop culture fun with synth-pop and alternative, punk rock energy and catchy hooks.Ahead of the band's big comeback show at 3Olympia Theatre on Friday March 24th, I spoke to May Kay about what it's like to return to the well of the past, which songs hit different, how the London and rehearsal show went, and how she views the band's time in the spotlight now.We also talk about MayKay's trip to Palestine last year, and the plight of the Palestinian people who have lived in an apartheid state for the last 75 years, and why it's so important to hear the Palestinian people's own everyday stories of living under occupation and oppression.ACLAI is an Irish gym founded by Ainle O'Cairealla'in in Palestine.Ireland Palestine Solidarity Campaign (IPSC)Fight Like Apes' vinyl albums on Rubyworks / Alcopop Records.Listen to the Nialler9 Podcast on Apple | Android | ACAST | Pocketcasts | CastBox | Stitcher | Spotify | RSS Feed* Support Nialler9 on Patreon & join our Discord communityShow notesSongs played on the Nialler9 Podcast Spotify PlaylistSubscribe to the podcast and please leave a review on iTunes, tell your friends or commit to supporting us directly. Support us on Patreon. Hosted on Acast. See acast.com/privacy for more information.

When Jim Morrison died in July of 1971, the other members of The Doors decided to go ahead and finish the record they had started without him. This is the story of The Doors' Other Voices, from 1971. Support the show: patreon.com/bizarrealbums Follow the show on Twitter & Instagram: @bizarrealbums Follow Tony on Twitter & Instagram: @tonythaxton

We are back OwlHeads for a brand new season of rollicking antics! I'll be playing even more rare discoveries from my demo song archives… the journey into the vault will go even deeper! I'll be playing a very unusual track written with Bernie Taupin that eventually led towards the recording of his solo album “Tribe” - “White Boys In Chains”.. now there's a title for ya! I'll spin a demo written with soul man Paul Young; of all the tracks I wrote with Paul, this remains a favorite of mine that eventually made it onto his album “Other Voices”. I do love this demo. Can't resist playing you another ghost story of mine - you know I'm a sucker for the mists rising over the desolate moors. And I'm thrilled to discover a truly rare demo written in the 70s with songwriting partner Brian Fairweather that succinctly illustrates our respect and deep love for American soul music of that era. Incredibly, this particular demo was produced by Tim Friese-Greene - the musician and producer renowned for his work with the band “Talk Talk”…. who'd have thought. During the proceedings I'll take a moment to talk about all the bass players that influenced my career growing up. I'll rap about how I studied, emulated and learnt from the vinyl records these masters played on…. eventually becoming a pro bass man myself. I was surprisingly moved by talking about this apprenticeship period of my life… Within the various retro rarities I'll be playing today, I'll take a moment to pay tribute to a fine American songwriter who we sadly lost recently. The great Jon Lind. I wrote with Jon when I first came to the US and he was seminal in helping me break in America as a young songwriter. It feels special here today to reminisce about my great friend. So join me you feathered beauties as we start off a brand new season I'll try and make it good one! Martin

Brendan talks to Philip King about arts, culture and his favourite gig in 20 years of Other Voices.

Brendan talks to Philip King about arts, culture and his favourite gig in 20 years of Other Voices.

Cogar- ócáid físiuil ealaíonta i nGáirdíní an Dísirt tráthnona amáireach mar chuid d'Fhéile Other Voices.

It's New Tunesday: new releases from the past week! Give the bands a listen. If you like what you hear, support the bands! Today's episode features new releases by Young Empress, Vol. A.D., Vogon Poetry, Violentene, Ultra Sunn, TVAM, Trigger Discipline, Total Chroma, T.O.Y., Synthetic Solution, Solitary Experiments, Simon Carter & Fabsi, Schonwald, Sacred Skin, ReveLever, Reality's Despair, Rayne Reznor, Other Voices, Orgonetic, Mist3rfly, Leæther Strip, Laura Dre & Muehle, Ironic Sweden, Human Electrical Resource, Hem Netjer, Ground To Dust, Freaky Mind, ELM, Die Robo Sapiens, Deep Down Wise, DanSTAR, Cygnets, Cold Medicine, Сад, C-Lekktor, Bino Biscotti, Après La Nuit, Antiflvx, Angel-Maker, and Above The Snow Line!

This week's Times Will Tell brings us Nigerian-American filmmaker Ose Oyamendan (pronounced OH-SE), who spent the better part of a decade filming his feature documentary, "Other Voices," in Israel's Sderot and in Gaza, to capture a story that is not often told. The film brings viewers to the unexpected and unusual peace efforts and unwavering friendship between residents of Sderot, Israel and Gaza as the two bordering nations endure ongoing war, animosity and conflict. "People on different sides of a story find a way not to talk to each other," said Oyamendan, who refused to talk politics or edited it out of the film. "When you take the politics out of it, it's a very strong human story." Oyamendan talks about what initially brought him to the region and what it has been like to spend ten years visiting and spending time in the area, getting to know his protagonists, and how they cope with living in the region. Oyamendan is in Israel this week to premiere the film at the Jerusalem and Tel Aviv Cinematheques. "Other Voices" is also being shown on Amazon Prime. The following transcript has been very lightly edited. The Times Will Tell: I wanted to understand what brought you to this region from Nigeria, and what introduced you to the story and the protagonist in it? Tell us a little bit about that, please. Ose Oyamendan: Where I grew up, there were Jewish kids. There were Lebanese kids, Lebanese Arab kids, and we played together, played soccer together, and when we went to high school, they stopped talking to each other, and I was struck by it. I started life as a journalist and I think I subconsciously carried that story with me. And I wrote a short story about two kids who became friends playing football in Jerusalem. Now, I'd never been to Israel at that time and I don't even think I thought I would come to Israel, wasn't on my radar at all. And so in 2010 I went to Haiti during the earthquake and I ran into this Israeli NGO there. Now, I didn't know there was really NGOs there and they told me the politics of it, why they don't announce. Why they don't make it clear that they're Israeli. I'm just explaining that for listeners. As they told me, sometimes if they announced themselves as Israeli NGOs, maybe some people will pull out. So I was staying in this hotel that was the best hotel in Haiti at that time, because we had power for 6 hours a night and I think we had power from six to eleven, So that was where ABC network guys were, CNN network was, so everybody tried to get their work done then. They came to me and asked if they could use my computer because they've not been able to send messages home. And I didn't think I was very approachable, so I thought it was very interesting it's me that they had the chutzpah. So I said, of course. And while they were looking at it, it was like supposed to be a quick thing, but they were there for like maybe an hour or so. So we started talking and I said I wrote this story, this short story. I've never been to Jerusalem. Can you help me with the geographical accuracy? So they read it, they said oh, it's a great story, what do you want to do with it? I said, well, I want to publish it, I want to try to make a film or a TV series one day about something like this, something I'm passionate about. They said there is another story that is true. Have I heard of Gaza? And I said yes. Have you ever heard of Sderot? And I said no. So they are next to each other and that's where the war is fought for the most part. And there are people on both sides that want a return to the old times when they had peace there. And they were very friendly with each other, and they had a group called Other Voices. And this man, Eitan, who was one of the three people there, was one of them. So I said, okay. I said, I love this story. I would like to follow it. I would like to see. I said, can I come? So we communicated by email and then I came, and I was blown away how close they were to each other. And they were talking on the phone to some people there. And I said they genuinely cared about people on the other side. And then I met Natan, who had lost his daughter in this conflict, and he said, I don't want the other person's daughter to suffer what I've gone through. And so I met a whole swath of people from both sides, and I decided I would love to tell this story. And that's how it started. So that was ten years ago? Yeah, it's very tough to get financing for something like this. I did what a poor filmmaker would do. I have these other jobs that I do, so when I have enough money, I put enough money together to get the crew to come and film, because I wanted to have my very independent, my own observation. And I also decided that I want to know how true these people are. The activists, the protagonists. Because it's very easy to want peace until you lose something. So I wanted to see how committed they were, and I also wanted to go to Gaza. So those days make it longer. I was also struck by how neutral the film was. It felt to me and this is not surprising, really, that it's a relatively small group of activists on both sides. When you compare to the population or even the region where they are, it's small. But I also think one of the reasons why it was fascinating to me is I also felt that a lot of people get lost in the politics of it. And there's this thing that I found, not just here all over the world, like people on different sides of the story find a way not to talk to each other, like they just stand there. And my whole thing for me was when you take the politics out of it, it's a very strong human story, like a very strong, tragic human story. And that's why I said we will not talk politics. Even the people in Gaza, when they will talk about Hamas, I was saying we're going to edit those things out. Because I just felt that the moment you bring politics into it, it just becomes like this fire you can't contain. And of course, there's politics there, but my own passion was to show to people how the kind of life people live there and how people cope with that life. And for me, why it shouldn't be like when you have a child, for instance, and you're not sure if you say goodbye to your child in the morning, you see them in the afternoon. And when I come into Israel at the airport and they said, Where are you going? I said, I'm going to Sderot. They say, Are you crazy? I just feel like we had to get the story of these people trying in their own little to way, live a normal life in a place like this right now. Was Sderot your base for filming? Yeah, because this group are mostly in Sderot. I mean, they spread out around the region, around the kibbutz there, but Sderot was their base and I didn't want to be one of those people with just helicopter in and I want to feel it. I felt I wanted to feel the heat of the other thing and be able to talk about it not with authority, but with some form of knowledge.You must have been caught in rocket attacks as well. Can you talk about that? About staying on both sides of the fence, so to speak? Yeah, I think it was very interesting because we tried for, like, a couple of years to get in [to Gaza] and I could not. I always felt like I don't have a film without going into Gaza. There's many ways to go into Gaza. You have to get Israeli permits, and then you have to get the Palestinian permit. Now, I had an option. I could come in through Egypt, which I thought was easier, but that is not the world of the story for me. I wanted to go because you could actually walk into Gaza. The gate was open, so I wanted to go. So when I went, I had no idea that I needed a permit to go into Gaza. I thought, I just need Israeli pass to go into Gaza. So when I got there, they refused me entry. And they were justifiably angry that I didn't think this was like an anchor, like a country on its own. And I just tried to explain. I didn't know. But I sat there because I was convinced this was my chance to do this. So I tried to find a connection. They were talking about football, and I realized that a lot of them were Real Madrid fans. I followed Barcelona. So we're talking about soccer. So I think we became human. We just became normal people. We could be in Tel Aviv, we could be in Glasgow, anywhere. And then after a while, this man came. I still remember. I can see his face. He came. And the strange thing is, they don't speak good English. I don't speak any Arabic, but we're able to talk soccer. And then this man came. And I said, Are you Real Madrid, too? He said yeah. And then he called me to go and see. So I found that he's the head of the whole place, the whole thing. And I think he just thought I was either crazy or something. I was there for five or six days the first time, so I had to see all my subjects and it's the kind of things I've never seen. And I tell people it's tough to describe Gaza and I don't want to get into the politics of it, but the human aspect of it. They were free to talk politics or talk about their relationship with Israelis, even people that were subjects of the film. They were very bold people. They were bold to say, there has to be another way. And there are people that will say to me, you put my name in, like, this is what I'm saying. But I think because I come into this as a journalist, my life started as a journalist. And you have to protect your subjects sometimes. And there's so much stuff we have on the edit room floor that are just amazing, amazing revelations and stories, but also it may not be good for them or their families. So we have to trade that a little bit gently to protect them, in a sense. Did you come up against anyone on either side who said, I don't agree with what you're doing? I came against a lot of opposition, but I try not to look at opposition as opposition. I look at it as people expressing their opinion. And one of the things that we do take for granted in the free parts of the world is the fact that we are able to have an opinion. And it's a great thing. A lot of people die so we can have opinion, that we can speak, that we can vote and do all sorts of things. So if you come to me and say, I don't agree with this, and I say, yes, it's fine not to agree with it, but do listen, watch the film, listen to the other side. And I've met people that are so I hate to use the term left or right that are very right. And they watch the film, and you'll see the scales just for life, because they've never understood it like this. They've never seen that world like this, because that world is a very political world that people find themselves in. Like I told you, a lot of people know Sderot, a lot of people know Gaza, but all they know about our world is the few inches of print they read in the newspaper or like, they want to make, and that's it. I want them to be able to show the human side of it, to be able to show people mentally. I wanted to be able to take people into that geographical place, just put yourself there and see the way it is and then decide what to decide. How did the protagonists did they feel about it at first? I would say a lot of the people we talked to, they wanted to tell their story. And because we did it for a long time, so we're able to just take the time, get all these people, and then decide what is the story? I think there were a few people that were a little bit shy about it in Gaza. There were people that I would have loved to talk to, I did talk to, and I felt it may not be too safe, some of the things they said. So we just lose those storylines, right? What happens next with this now? Is this the end of the story for you, or did working on it bring up other storylines here in this region that you think about? I'm actually going back to what I came to do originally, like developing a TV series about two kids that brought it to Jerusalem. I just like this. There's something about Jerusalem that I find. It's such a rich place. It's so rich, it's so historical, and everything is there. So I'm working on this TV series I'm developing this TV series about two kids who brought Jerusalem together for one day with soccer. I like the inner sense of kids. I like the global nature of soccer. And I think it's another avenue to say, just take a look at what can happen. IMAGE: Nigerian-American filmmaker Ose Oyamendan (Courtesy)See omnystudio.com/listener for privacy information.

Other Voices bliain is fiche ar an bhfód i mbliana. Deacair airgead a bhailiú don bhFéile a deir Philip King ach é dóchasach go rithfidh leo.

Micheál Ó Criodáin;Deiseanna forbartha i mBaile Bhúirne.Niall agus Jane Ní Luasa;Deireadh le muillte gaoithe an Ghuagáin.Lorcán Ó Cinnéide;Easpa leithris phoiblí ar an mBlascaod Mór.Philip King;Other Voices

Philip King shot to fame in 1980 when he became the frontman of the great Irish band Scullion. Since then, he has gone on to even greater success as a filmmaker and producer, winning an Emmy for 'Bringing It All Back Home' in 1988. For a Cork man, he has found his home in Dingle where he has successfully produced Other Voices for the last 20 years. He joins Bobby to discuss.

Join the ladies and the incomparable Robert Gwaltney as the discus his break-out debut novel The Cicada Tree. https://robertlgwaltney.com/ A graduate of Florida State University, I presently reside in Atlanta Georgia with my partner. By day, I serve as Vice President of Easter Seals North Georgia, Inc., a non-profit organization strengthening children and their families at the most critical times in their development. Through my non-profit work, I am a champion for early childhood literacy. In all the hours between, I write. Raised alongside three feral, younger brothers in the rash-inducing, subtropical climate of Cairo Georgia, I am a lifelong resident of the South. A circumstance, no doubt, leaving an indelible mark upon my voice as a writer. Aside from sense of place, my writing is influenced and inspired by the literary work of others. As a boy, it was with great obsession, I turned the well-worn pages of Charlotte Brontë's, Jane Eyre. Wuthering Heights? Yes, another source of adoration. And Truman Capote's debut novel, Other Voices, Other Rooms, I admire with equal reverence along with everything ever written by Tennessee Williams. Charles Dickens' Miss Havisham is one of my all-time favorite characters. Many hours I spent playing her, wrapped in an old lace tablecloth borrowed from my mother's linen closet—my tattered, makeshift wedding dress. Locked away in my boyhood room, I haunted the place, plotting revenge, shooing rats from the wedding cake. “Break their hearts my pride and hope, break their hearts and have no mercy,” I would whisper into the impressionable ear of my lovely Estella. Break their hearts. As an adult, my literary palate is diverse, reading everyone from the sublime Michael Cunningham to the gifted Jesmyn Ward to the incomparable Ron Rash. Though my tastes have evolved through the years, one constant remains: the impact of literature and art and music upon my writing. And my unrelenting quest to make and find beauty in this world. Hosts: author Nola Nash https://nolanash.com and author Laura Kemp https://laurakempbooks.com/ Thanks to Pam Stack - Executive Producer - Authors on the Air Global Radio Network www.authorsontheair.com @Copyrighted by Authors on the Air Global Radio Network LLC.

Today on the show: It was like the wild west... That was just one description given to a video that is circulating via WhatsApp, depicting a violent brawl that broke out on the streets of Galway city over the weekend. Galway Talks has received the video which shows two groups of men in Eyre Square take part in a fight which sees a number of them assaulted while lying on the ground. Councillor Niall McNeilis spoke to Keith about this issue. Today sees the beginning of the Westside Arts Festival in Galway city. To give us some of the details of the events that will be taking place during the next four days, Keith was joined by James Coyne, Chief Executive Officer of Westside Resource Centre. Niamh Regan is a critically–acclaimed songwriter from Co. Galway. Her songs seamlessly weave the intimacy of the Irish lyrical tradition with the expansive breadth of American songwriters such as Karen Dalton, Stevie Nicks and Joni Mitchell. The resulting sound is entirely her own. Her debut album Hemet announced her arrival as one of the most distinctive songwriters in Ireland today. Earning nominations for both the RTÉ Folk Awards and the Choice Awards ‘Album of the Year', the LP received soaring praise which led to performances on The Late Late Show, Other Voices and La Blogothèque. Keith interviewed Niamh on the show and we had a piece of music called Late Nights from her.

Welcome back to another edition of Broken Records, where Steve and Remfry are charged with the unenviable task of finding the worst album ever made. This week we're looking at Other Voices, the 7th studio album from the LA psychedelic rock band The Doors, released on the 18th of October 1971. In the aftermath of the release of arguably their finest album, 1971's LA Woman, The Doors were rocked with the untimely passing of their iconic frontman Jim Morrison. They had already been writing as a three piece without the singer and had composed enough material to make a follow up, assuming that Morrison would return from his new home in Paris to complete the material but unfortunately, he passed away July 3rd 1971 before he was able to record any vocals. With this news rocking the band they became somewhat punch drunk, stumbling around trying to recruit the likes of Paul McCartney and Iggy Pop, before deciding that Jim Morrison, one of the greatest rock singers ever, didn't need replacing and that both guitarist Robbie Krieger and keyboardist Ray Manzarek could handle vocal duties themselves. The result was Other Voices, released a mere three months after Morrison's passing, it stripped The Doors, not just of an iconic voice, but of almost all personality they previously had. In terms of bad ideas, this is right up there, luckily they saw sense and disbanded in 1973, but the appearance of Other Voices in their discography remains a troubling reminder of a very troubling time for the band.

In this interview we talk to Salma Hussain about her surprisingly candid and revealing middle grade book, The Secret Diary of Mona Hasan (Tundra Books, 2022). Mona Hasan is a young Muslim girl growing up in Dubai, United Arab Emirates, when the first Gulf War breaks out in 1991. The war isn't what she expects — “We didn't even get any days off school! Just my luck” — especially when the ground offensive is over so quickly and her family peels the masking tape off their windows. Her parents, however, fear there is no peace in the region, and it sparks a major change in their lives. Over the course of one year, Mona falls in love, speaks up to protect her younger sister, loses her best friend to the new girl at school, has summer adventures with her cousins in Pakistan, immigrates to Canada, and pursues her ambition to be a feminist and a poet. SALMA HUSSAIN, author, grew up in the U.A.E., and immigrated to Canada when she was thirteen years old. Her short stories and poems have been published in filling Station, West Coast Line, Other Voices, and in the anthology Homebound: Muslim Women Poetry Collection (Outburst Press). She lives with her family in Toronto. Learn more about your ad choices. Visit megaphone.fm/adchoices

Join the conversation with Dr Joanna Kujawa and Miguel Conner on the origins of Gnosticism, Gnostic goddesses (Sophia) and two Gnostic couples – Mary Magdalene and Jesus and Helen of Tyre and Simon the Magician.  Learn how the gnostic movement originated and why it is still relevant today. Miguel Conner is a Gnostic aficionado, author of several books on Gnosticism including Voices of Gnosticism and Other Voices of Gnosticism and hosts a popular podcast. To learn more https://thegodabovegod.com Dr. Joanna Kujawa is a spiritual detective and author of The Other Goddess: Mary Magdalene and the Goddesses of Eros and Secret Knowledge. https://www.joannakujawa.com/ Say “Alexa or Okay Google play Sacred Stories podcast” or subscribe to podcast at https://sacredstories.libsyn.com/

Bio: A graduate of Florida State University, I presently reside in Atlanta Georgia with my partner. By day, I serve as Vice President of Easter Seals North Georgia, Inc., a non-profit organization strengthening children and their families at the most critical times in their development. Through my non-profit work, I am a champion for early childhood literacy. In all the hours between, I write. Raised alongside three feral, younger brothers in the rash-inducing, subtropical climate of Cairo Georgia, I am a lifelong resident of the South. A circumstance, no doubt, leaving an indelible mark upon my voice as a writer. Aside from sense of place, my writing is influenced and inspired by the literary work of others. As a boy, it was with great obsession, I turned the well-worn pages of Charlotte Brontë's, Jane Eyre. Wuthering Heights? Yes, another source of adoration. And Truman Capote's debut novel, Other Voices, Other Rooms, I admire with equal reverence along with everything ever written by Tennessee Williams. Charles Dickens' Miss Havisham is one of my all-time favorite characters. Many hours I spent playing her, wrapped in an old lace tablecloth borrowed from my mother's linen closet—my tattered, makeshift wedding dress. Locked away in my boyhood room, I haunted the place, plotting revenge, shooing rats from the wedding cake. “Break their hearts my pride and hope, break their hearts and have no mercy,” I would whisper into the impressionable ear of my lovely Estella. Break their hearts. As an adult, my literary palate is diverse, reading everyone from the sublime Michael Cunningham to the gifted Jesmyn Ward to the incomparable Ron Rash. Though my tastes have evolved through the years, one constant remains: the impact of literature and art and music upon my writing. And my unrelenting quest to make and find beauty in this world. https://robertlgwaltney.com VOX VOMITUS: Sometimes, it's not what goes right in the writing process, it's what goes horribly wrong. Host/Literary horror novelist Jennifer Anne Gordon with help from her co-host/author Allison Martine, chat with some of the best authors of the day. www.jenniferannegordon.com www.afictionalhubbard.com #RobertGwaltney #CicadaTree #voxvomitus #voxvixens #jenniferannegordon #Jennifergordon #allisonmartinehubbard #allisonmartine #podcast #interview #books #hotelseries #bourbonbooks --- Support this podcast: https://anchor.fm/voxvomitus/support

A graduate of Florida State University, I presently reside in Atlanta Georgia with my partner. By day, I serve as Vice President of Easter Seals North Georgia, Inc., a non-profit organization strengthening children and their families at the most critical times in their development. Through my non-profit work, I am a champion for early childhood literacy. In all the hours between, I write. Raised alongside three feral, younger brothers in the rash-inducing, subtropical climate of Cairo Georgia, I am a lifelong resident of the South. A circumstance, no doubt, leaving an indelible mark upon my voice as a writer. Aside from sense of place, my writing is influenced and inspired by the literary work of others. As a boy, it was with great obsession, I turned the well-worn pages of Charlotte Brontë's, Jane Eyre. Wuthering Heights? Yes, another source of adoration. And Truman Capote's debut novel, Other Voices, Other Rooms, I admire with equal reverence along with everything ever written by Tennessee Williams. Charles Dickens' Miss Havisham is one of my all-time favorite characters. Many hours I spent playing her, wrapped in an old lace tablecloth borrowed from my mother's linen closet—my tattered, makeshift wedding dress. Locked away in my boyhood room, I haunted the place, plotting revenge, shooing rats from the wedding cake. “Break their hearts my pride and hope, break their hearts and have no mercy,” I would whisper into the impressionable ear of my lovely Estella. Break their hearts. As an adult, my literary palate is diverse, reading everyone from the sublime Michael Cunningham to the gifted Jesmyn Ward to the incomparable Ron Rash. Though my tastes have evolved through the years, one constant remains: the impact of literature and art and music upon my writing. And my unrelenting quest to make and find beauty in this world. https://robertlgwaltney.com VOX VOMITUS: Sometimes, it's not what goes right in the writing process, it's what goes horribly wrong. Host/Literary horror novelist Jennifer Anne Gordon with help from her co-host/author Allison Martine, chat with some of the best authors of the day. www.jenniferannegordon.com www.afictionalhubbard.com #RobertGwaltney #CicadaTree #voxvomitus #voxvixens #jenniferannegordon #Jennifergordon #allisonmartinehubbard #allisonmartine #podcast #interview #books #hotelseries #bourbonbooks --- Support this podcast: https://anchor.fm/voxvomitus/support

We hear from Molly King, Head of Development at Other Voices about what she has learnt about collaboration and the creative process. We also speak with Core's very own Jonny Boyle about he gets creative in the kitchen.

Live Weeknights Mon-Fri 9 pm, PacificOn The Fringe FMhttps://fringe.fmhttps://lightingthevoid.comHey there, my name is Miguel Conner. My life's quest is to inspire others so they may find their authentic selves and artistic potential.The host of Aeon Byte Gnostic Radio, a popular show that takes audiences from ancient mysteries to a modern meaning. Miguel's articles and fiction have appeared in such publications as The Gnostic Journal, The Heretic, Mindscape, Reality Sandwich, and many others including being an Author of the Month for Graham Hancock's website.His books include the critically acclaimed Voices of Gnosticism and Other Voices of Gnosticism (Bardic Press) and the post-apocalyptic vampire epic series, The Dark Instinct Trilogy (Warner Books/AB Press), as well as fantasy novel, The Executioner's Daughter (Solstice Publishing).He's lectured/appeared at such events as The Duncan Trussell Family Hour, the Alan Eisenberg Show (AM 1400 WRJN), Magick Radio (AM 1680 Chicago), Runesoup, Skeptiko, The Higherside Chats, and The Gnostic Countercultures Conference at Rice University.https://thegodabovegod.com/DJ Steezy Stevie https://www.steezymusic.com/​​​​​​​​​Music by Chronox at https://www.chronoxofficial.com​​

Dan Comerford is a Vocalist, Guitarist, Sound Engineer, Instrument Maker. In this episode we chatted about his childhood passion for music and the challenges of creating a career in the music industry.Dan is guitarist and vocalist with dream pop band Frankenstein Bolts and spoken-word punk ensemble Cursed Murphy Versus The Resistance.Frankenstein Bolts have played at some of the country's best festivals including Electric Picnic, Other Voices and many more. Their albums have been critically acclaimed in Irish and international music press. Material for a third album is currently being written.He is also in Cursed Murphy Versus The Resistance who released their critically acclaimed debut album in May 2020.Outside of life as a performer, Dan works as a live sound engineer and is currently creating his own guitar building business, Comerford Handcrafted Guitars.Connect with Dan:Comerford Handcrafted Guitars – INSTAGRAM BANDCAMP – Frankenstein BoltsSPOTIFY – Frankenstein BoltsYouTube – Frankenstein BoltsBANDCAMP  – Cursed Murphy Versus The ResistanceSPOTIFY – Cursed Murphy Versus The ResistanceYOUTUBE – Cursed Murphy Versus The ResistanceSupport the showThanks for listening! To book a free consultation with Aideen visit www.confidenceinsinging.com.

In a year of social and political upheaval, Other Voices participants tackled difficult issues head on in a professionally facilitated setting. Class of 2021 graduates Craig Head of Greensboro Day School and Jacquelyn Clark Johnson of Volvo Financial Services share their experiences. Applications are available now for the upcoming program year, which begins in September.

Welcome to the podcast, it's episode 18! Cannae believe it. It's full Newbridge, well kinda. I had a great chat with Nigerian/Blanch/Newbridge rapper, writer and performer JyellowL. He's a sweet guy and he's got some sweet tunes. We spoke about Other Voices, FIFA, football, the lockdown and maybe a small mention of Newbridge. You can email me at keithwalsh.walsh@gmail.com! Enjoy!Support this show http://supporter.acast.com/the-keith-walsh-podcast. Hosted on Acast. See acast.com/privacy for more information.