Podcasts about cabrini green

How did a British ghost story set in a Liverpool council estate became America's most haunting urban legend?In 1992, director Bernard Rose transformed Clive Barker's British ghost story, The Forbidden, into one of horror's most intelligent and thought-provoking slashers. But the inspiration ran deeper than fiction. The tragic 1987 murder of Ruthie Mae McCoy, who called 911 claiming someone was breaking into her Chicago apartment through her bathroom mirror, is a chilling real life inspiration to one of cinema's most enduring, and gothically romantic horror icons.Candyman is not just a horror movie; it's a reflection of societal fears, racial injustice, and the haunting legacy of violence against Black people in America, specifically black men. The film, set in the Cabrini Green housing project, serves as a backdrop for a story that's both supernatural and tragically real. Tony Todd's portrayal of Candyman is chilling yet tragic, highlighting the character's backstory as a victim of racial injustice rather than just a typical horror villain. Helen Lyle, a white woman who becomes entangled in the Candyman myth, exposes the privilege and naivety that often accompany the quest for truth. The contrast between her character and the realities faced by the residents of Cabrini Green is not just a plot device; it's a commentary on who gets to tell stories and which voices are heard.I dare you to say his name five times... Candyman, Candyman, Candyman, Candyman.... I would love to hear your thoughts on Candyman (1992) !Verbal Diorama is now an award-winning podcast! Best Movie Podcast in the inaugural Ear Worthy Independent Podcast Awards and was nominated for the Earworm Award at the 2025 Golden Lobes.CONTACT.... Twitter @verbaldiorama Instagram @verbaldiorama Facebook @verbaldiorama Letterboxd @verbaldiorama Email verbaldiorama [at] gmail [dot] com Website verbaldiorama.comSUPPORT VERBAL DIORAMA....Give this podcast a five-star Rate & Review Join the Patreon | Send a Tip ABOUT VERBAL DIORAMAVerbal Diorama is hosted, produced, edited, researched, recorded and marketed by me, Em | This podcast is hosted by Captivate, try it yourself for free. Theme Music: Verbal Diorama Theme Song. Music by Chloe Enticott - Compositions by Chloe. Lyrics by Chloe Enticott (and me!) Production by Ellis Powell-Bevan of Ewenique StudioPatrons: Simon, Laurel, Derek, Cat, Andy, Mike, Luke, Michael, Scott, Brendan, Ian, Lisa, Sam, Jack, Stuart, Nicholas, Zo, Kev, Heather, Danny, Stu, Brett, Philip M, Xenos, Sean, Ryno, Philip K, Adam, Elaine, Kyle, Aaron and ConnerThis podcast uses the following third-party services for...

Crain's residential real estate reporter Dennis Rodkin talks with host Amy Guth about news from the local housing market, including Compass scooping up the 2nd-largest Chicago-area residential brokerage in its latest mega-deal and a $120 million art collection going up for auction at Sotheby's.Plus: Pritzker tells agencies to look for 4% budget cuts, CHA reportedly picks team for 7-acre Cabrini-Green project, Museum of Science & Industry workers take step toward strike and Portillo's CEO is out effective immediately. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Napoleon. Unspecified sins. Does Snitz know the name of this Devo song? Duji reports on Danielle Fishel's breast cancer. Most dangerous places you should not visit as a woman. Charlie paid a man to give him safe passage through Cabrini Green in Chicago.See omnystudio.com/listener for privacy information.

Jeffrey is missing. Rover wanted to call off. Duji can't read the thermometer. Krystle jumps out of bed on the first alarm but the guys on the show set multiple alarms to wake them up. Tourists visiting a museum in Verona break the Van Gogh chair. Charlie 's back pain. Napoleon. Unspecified sins. Does Snitz know the name of this Devo song? Duji reports on Danielle Fishel's breast cancer. Most dangerous places you should not visit as a woman. Charlie paid a man to give him safe passage through Cabrini Green in Chicago. Justin Bieber upset with the paparazzi filming him. Standing on business. Krystle has a bat in her house. F1 racer, Lewis Hamilton, ran over a groundhog during the race. Innocent bystander shot and killed at a "No Kings" protest. Fox 11 helicopter reporter's commentary. Neighbor calls 911 to complain nineteen times a day. Charlie is breaking in his hiking boots for Alaska.See omnystudio.com/listener for privacy information.

Napoleon. Unspecified sins. Does Snitz know the name of this Devo song? Duji reports on Danielle Fishel's breast cancer. Most dangerous places you should not visit as a woman. Charlie paid a man to give him safe passage through Cabrini Green in Chicago.

Jeffrey is missing. Rover wanted to call off. Duji can't read the thermometer. Krystle jumps out of bed on the first alarm but the guys on the show set multiple alarms to wake them up. Tourists visiting a museum in Verona break the Van Gogh chair. Charlie 's back pain. Napoleon. Unspecified sins. Does Snitz know the name of this Devo song? Duji reports on Danielle Fishel's breast cancer. Most dangerous places you should not visit as a woman. Charlie paid a man to give him safe passage through Cabrini Green in Chicago. Justin Bieber upset with the paparazzi filming him. Standing on business. Krystle has a bat in her house. F1 racer, Lewis Hamilton, ran over a groundhog during the race. Innocent bystander shot and killed at a "No Kings" protest. Fox 11 helicopter reporter's commentary. Neighbor calls 911 to complain nineteen times a day. Charlie is breaking in his hiking boots for Alaska.

Strong leadership is born not from control, but from authentic community and the cultivation of people and teams. Nathan Hatch, former president of Wake Forest University and esteemed historian, joins Mark Labberton to reflect on the nature of transformative leadership. Drawing from his decades of experience at Notre Dame and Wake Forest—and from his new book, The Gift of Transformative Leaders—Hatch explores how leaders cultivate thriving institutions through humility, vision, and empowerment. Hatch shares his personal journey from growing up in a Presbyterian home to leading major universities, while reflecting on the comomunity, character, instincts, and freedom required for lasting institutional impact. Episode Highlights "Organizations aren't self-generating—you bet on people, not on strategy." "Organizations are best served when you have a team of like-minded people, each using their own strengths." "Leadership has to flow out of who you are authentically—you can't try to be someone else." "If you have exceptional people, it takes management of a different form—it's collaboration." "Leadership is not about control but about strength: hiring strong people is harder, but it's transformative." "People read your real meanings, not your words—authenticity is the heart of leadership." Helpful Links & Resources The Gift of Transformative Leaders, by Nathan Hatch University of Notre Dame Wake Forest University Jim Collins - Good to Great About Nathan Hatch Dr. Nathan O. Hatch is President Emeritus of Wake Forest University and one of America's leading scholars of religion and higher education. Prior to his presidency at Wake Forest (2005–2021), Hatch served as provost at the University of Notre Dame. His groundbreaking scholarship in American religious history includes The Democratization of American Christianity, and his latest book is The Gift of Transformative Leaders. Hatch is a member of the American Academy of Arts and Sciences and continues to speak and write on leadership, higher education, and culture. Show Notes Raised in a Christian home; son of a Presbyterian minister and teacher Influenced early by history teacher and work experiences in Cabrini Green, Chicago Studied at Wheaton College, Washington University in St. Louis, and Johns Hopkins University Became an unlikely but successful historian at the University of Notre Dame Leadership philosophy shaped by early experiences with supportive professional teams and deep community and friendship How did the past come to change and create the world we live in? Transitioned from historian to administrator, balancing scholarship and administration Provost at Notre Dame: emphasized empowering faculty through development and resources President at Wake Forest: built strong leadership teams, expanded institutional vision Reflections on Father Theodore Hesburgh's visionary leadership at Notre Dame “Organizations aren't self-generating. … [it takes] a vision and leader.” "Leadership must be authentic; it must come out of who you are." The transformative impact of great leadership teams over hierarchical control Importance of raising institutional aspirations and empowering individuals to flourish "Hiring strong people makes the leader stronger, not weaker." Nathan Hatch's book, The Gift of Transformative Leaders Profiles 13 leaders who exemplify commitment, character, and institution-building Focus on people-centric leadership: authenticity, humility, vision Leaders described as radiating positivity, cultivating others, and advancing institutional missions Catholic and Protestant institutional differences in faith expression Creating inclusive religious life in pluralistic academic communities Investing in character education through initiatives like Wake Forest's scholarship programs Building culture: "Noticing people, investing in them, seeing their potential." “How do we help young people live their life?” Identifying and empowering exceptional talent Embracing unconventional hiring practices Building thriving, collaborative, life-giving teams Cultivating environments where people pursue a common good Navigating faculty-administration relationships with authenticity and transparency Facing organizational financial challenges without losing people-first priorities Leadership in contexts with limited resources: raising people's potential Authenticity and empathy are foundational to leadership Humility and commitment to the common good are non-negotiable Leaders must genuinely invest in the flourishing of others Institutions are transformed not by structures alone but by transformative people Production Credits Conversing is produced and distributed in partnership with Comment Magazine and Fuller Seminary.

“I'm really interested in the relation between performance and ritual. Where do those two separate?”Richard Sennett grew up in the Cabrini Green housing project in Chicago, attended the Juilliard School in New York, and then studied social relations at Harvard. Over the last five decades, he has written about social life in cities, changes in labour, and social theory. His books include The Performer: Art, Life, Politics, The Hidden Injuries of Class, The Fall of Public Man, The Corrosion of Character, The Culture of the New Capitalism, The Craftsman, and Building and Dwelling. Sennett has advised the United Nations on urban issues for the past thirty years and currently serves as member of the UN Committee on Urban Initiatives. He is the Centennial Professor of Sociology at the London School of Economics and former University Professor of the Humanities at New York University.“I want to show what is kind of the basic DNA that people use for good or for ill. What are the tools they use, if you like, of expression that they use in the creative process?”Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“I'm really interested in the relation between performance and ritual. Where do those two separate?”Richard Sennett grew up in the Cabrini Green housing project in Chicago, attended the Juilliard School in New York, and then studied social relations at Harvard. Over the last five decades, he has written about social life in cities, changes in labour, and social theory. His books include The Performer: Art, Life, Politics, The Hidden Injuries of Class, The Fall of Public Man, The Corrosion of Character, The Culture of the New Capitalism, The Craftsman, and Building and Dwelling. Sennett has advised the United Nations on urban issues for the past thirty years and currently serves as member of the UN Committee on Urban Initiatives. He is the Centennial Professor of Sociology at the London School of Economics and former University Professor of the Humanities at New York University.“I want to show what is kind of the basic DNA that people use for good or for ill. What are the tools they use, if you like, of expression that they use in the creative process?”Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“I'm really interested in the relation between performance and ritual. Where do those two separate?”Richard Sennett grew up in the Cabrini Green housing project in Chicago, attended the Juilliard School in New York, and then studied social relations at Harvard. Over the last five decades, he has written about social life in cities, changes in labour, and social theory. His books include The Performer: Art, Life, Politics, The Hidden Injuries of Class, The Fall of Public Man, The Corrosion of Character, The Culture of the New Capitalism, The Craftsman, and Building and Dwelling. Sennett has advised the United Nations on urban issues for the past thirty years and currently serves as member of the UN Committee on Urban Initiatives. He is the Centennial Professor of Sociology at the London School of Economics and former University Professor of the Humanities at New York University.“I want to show what is kind of the basic DNA that people use for good or for ill. What are the tools they use, if you like, of expression that they use in the creative process?”Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“I'm really interested in the relation between performance and ritual. Where do those two separate?”Richard Sennett grew up in the Cabrini Green housing project in Chicago, attended the Juilliard School in New York, and then studied social relations at Harvard. Over the last five decades, he has written about social life in cities, changes in labour, and social theory. His books include The Performer: Art, Life, Politics, The Hidden Injuries of Class, The Fall of Public Man, The Corrosion of Character, The Culture of the New Capitalism, The Craftsman, and Building and Dwelling. Sennett has advised the United Nations on urban issues for the past thirty years and currently serves as member of the UN Committee on Urban Initiatives. He is the Centennial Professor of Sociology at the London School of Economics and former University Professor of the Humanities at New York University.“I want to show what is kind of the basic DNA that people use for good or for ill. What are the tools they use, if you like, of expression that they use in the creative process?”Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“I'm really interested in the relation between performance and ritual. Where do those two separate?”Richard Sennett grew up in the Cabrini Green housing project in Chicago, attended the Juilliard School in New York, and then studied social relations at Harvard. Over the last five decades, he has written about social life in cities, changes in labour, and social theory. His books include The Performer: Art, Life, Politics, The Hidden Injuries of Class, The Fall of Public Man, The Corrosion of Character, The Culture of the New Capitalism, The Craftsman, and Building and Dwelling. Sennett has advised the United Nations on urban issues for the past thirty years and currently serves as member of the UN Committee on Urban Initiatives. He is the Centennial Professor of Sociology at the London School of Economics and former University Professor of the Humanities at New York University.“I want to show what is kind of the basic DNA that people use for good or for ill. What are the tools they use, if you like, of expression that they use in the creative process?”Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“I'm really interested in the relation between performance and ritual. Where do those two separate?”Richard Sennett grew up in the Cabrini Green housing project in Chicago, attended the Juilliard School in New York, and then studied social relations at Harvard. Over the last five decades, he has written about social life in cities, changes in labour, and social theory. His books include The Performer: Art, Life, Politics, The Hidden Injuries of Class, The Fall of Public Man, The Corrosion of Character, The Culture of the New Capitalism, The Craftsman, and Building and Dwelling. Sennett has advised the United Nations on urban issues for the past thirty years and currently serves as member of the UN Committee on Urban Initiatives. He is the Centennial Professor of Sociology at the London School of Economics and former University Professor of the Humanities at New York University.“I want to show what is kind of the basic DNA that people use for good or for ill. What are the tools they use, if you like, of expression that they use in the creative process?”Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“We look at creative work as though the very creative process itself is something good. These are tools of expression, and like any tool, you can use them to damage something or to make something. They can be turned to very malign purposes, for instance, in the operas of Wagner. So I wanted to do this set of books, I want to show what is kind of the basic DNA that people use for good or for ill. What are the tools they use, if you like, of expression that they use in the creative process?”Richard Sennett grew up in the Cabrini Green housing project in Chicago, attended the Juilliard School in New York, and then studied social relations at Harvard. Over the last five decades, he has written about social life in cities, changes in labour, and social theory. His books include The Performer: Art, Life, Politics, The Hidden Injuries of Class, The Fall of Public Man, The Corrosion of Character, The Culture of the New Capitalism, The Craftsman, and Building and Dwelling. Sennett has advised the United Nations on urban issues for the past thirty years and currently serves as member of the UN Committee on Urban Initiatives. He is the Centennial Professor of Sociology at the London School of Economics and former University Professor of the Humanities at New York University.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“We look at creative work as though the very creative process itself is something good. These are tools of expression, and like any tool, you can use them to damage something or to make something. They can be turned to very malign purposes, for instance, in the operas of Wagner. So I wanted to do this set of books, I want to show what is kind of the basic DNA that people use for good or for ill. What are the tools they use, if you like, of expression that they use in the creative process?”Richard Sennett grew up in the Cabrini Green housing project in Chicago, attended the Juilliard School in New York, and then studied social relations at Harvard. Over the last five decades, he has written about social life in cities, changes in labour, and social theory. His books include The Performer: Art, Life, Politics, The Hidden Injuries of Class, The Fall of Public Man, The Corrosion of Character, The Culture of the New Capitalism, The Craftsman, and Building and Dwelling. Sennett has advised the United Nations on urban issues for the past thirty years and currently serves as member of the UN Committee on Urban Initiatives. He is the Centennial Professor of Sociology at the London School of Economics and former University Professor of the Humanities at New York University.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“We look at creative work as though the very creative process itself is something good. These are tools of expression, and like any tool, you can use them to damage something or to make something. They can be turned to very malign purposes, for instance, in the operas of Wagner. So I wanted to do this set of books, I want to show what is kind of the basic DNA that people use for good or for ill. What are the tools they use, if you like, of expression that they use in the creative process?”Richard Sennett grew up in the Cabrini Green housing project in Chicago, attended the Juilliard School in New York, and then studied social relations at Harvard. Over the last five decades, he has written about social life in cities, changes in labour, and social theory. His books include The Performer: Art, Life, Politics, The Hidden Injuries of Class, The Fall of Public Man, The Corrosion of Character, The Culture of the New Capitalism, The Craftsman, and Building and Dwelling. Sennett has advised the United Nations on urban issues for the past thirty years and currently serves as member of the UN Committee on Urban Initiatives. He is the Centennial Professor of Sociology at the London School of Economics and former University Professor of the Humanities at New York University.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“We look at creative work as though the very creative process itself is something good. These are tools of expression, and like any tool, you can use them to damage something or to make something. They can be turned to very malign purposes, for instance, in the operas of Wagner. So I wanted to do this set of books, I want to show what is kind of the basic DNA that people use for good or for ill. What are the tools they use, if you like, of expression that they use in the creative process?”Richard Sennett grew up in the Cabrini Green housing project in Chicago, attended the Juilliard School in New York, and then studied social relations at Harvard. Over the last five decades, he has written about social life in cities, changes in labour, and social theory. His books include The Performer: Art, Life, Politics, The Hidden Injuries of Class, The Fall of Public Man, The Corrosion of Character, The Culture of the New Capitalism, The Craftsman, and Building and Dwelling. Sennett has advised the United Nations on urban issues for the past thirty years and currently serves as member of the UN Committee on Urban Initiatives. He is the Centennial Professor of Sociology at the London School of Economics and former University Professor of the Humanities at New York University.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“We look at creative work as though the very creative process itself is something good. These are tools of expression, and like any tool, you can use them to damage something or to make something. They can be turned to very malign purposes, for instance, in the operas of Wagner. So I wanted to do this set of books, I want to show what is kind of the basic DNA that people use for good or for ill. What are the tools they use, if you like, of expression that they use in the creative process?”Richard Sennett grew up in the Cabrini Green housing project in Chicago, attended the Juilliard School in New York, and then studied social relations at Harvard. Over the last five decades, he has written about social life in cities, changes in labour, and social theory. His books include The Performer: Art, Life, Politics, The Hidden Injuries of Class, The Fall of Public Man, The Corrosion of Character, The Culture of the New Capitalism, The Craftsman, and Building and Dwelling. Sennett has advised the United Nations on urban issues for the past thirty years and currently serves as member of the UN Committee on Urban Initiatives. He is the Centennial Professor of Sociology at the London School of Economics and former University Professor of the Humanities at New York University.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

Welcome to The Not Old Better Show, the podcast for those who believe life gets better—and even sweeter—with age. I'm your host, Paul Vogelzang, and today we're diving into the soul-stirring legacy of two musical giants whose voices, harmonies, and vision shaped the very sound of a generation: Curtis Mayfield and Jerry Butler. If you grew up spinning 45s on your record player or gathered around the radio to hear those smooth, soaring harmonies, then you already know that Mayfield and Butler weren't just voices—they were storytellers, activists, and pioneers of a sound that broke barriers. Together, they helped shape the golden age of soul music, and their influence continues to inspire generations. But did you know that before the world knew them as soul legends, they were just two young men from Chicago's Cabrini-Green projects, united by gospel music, ambition, and a dream of something bigger? Today, we'll uncover the fascinating story of how Jerry Butler and Curtis Mayfield met, formed the Impressions, and created hits like the unforgettable “For Your Precious Love.” We'll also explore why Jerry's path ultimately led him to go solo—and how Curtis turned his heartbreak into a revolutionary career that brought soul music into the Civil Rights Movement. Joining us today is returning guest Scott Shea, a writer and expert in music history, whose latest article brings these incredible stories to life. From Curtis Mayfield's genius as a songwriter to Jerry Butler's powerful, underrated baritone, we'll reflect on their journey, their struggles, and their lasting impact on American music and culture. This one's for the music lovers, the memory keepers, and anyone who remembers the days when a song could soothe your soul and spark a revolution. So grab a cup of coffee or tea, sit back, and let's celebrate the legacy of two legends who reminded us all to “Keep on Pushing.” I'm Paul Vogelzang, and this is The Not Old Better Show. Let's get started.

Public housing has a long and complicated history, from ancient civilizations to the towering high-rises of mid-20th century America. But while the goal has always been to provide affordable housing, the results have often fallen far short of expectations. In this episode, we explore how public housing evolved—from medieval serfdom and Roman insulae to the infamous “projects” like Cabrini-Green. We'll also discuss modern approaches, like Section 8 vouchers and tax credits, and whether public housing has a future in today's political climate. Is there a way to make government-supported housing work, or does history suggest otherwise? Tune in to find out. Subscribe to the BiggerPockets Channel for the best real estate investing education online! Become a member of the BiggerPockets community of real estate investors - https://www.biggerpockets.com Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode, Wellington is joined by special and first-time guest Melissa Murphy, an entrepreneur and diehard Miami Heat fan. They give their final takeaways from the Luka-AD trade, De'Aaron Fox heading to the Spurs and how Zach LaVine will fit with the Kings. Finally, they discuss how well OKC looks, possible trade destinations for Jimmy Butler and KD plus much more! In the second half, Wellington is joined by guest Jamil Davis, Florida State Coordinator at Black Voters Matter Fund, and host of the BLKFLA the Podcast to highlight Kendrick Lamar's historic sweep of the Grammy's and winning 5 awards for "Not Like Us" plus what Drake should do next including the PND album on Valentine's Day. For their album reviews, they discuss Central Cee's Can't Rush Greatness debut album, Ransom's Cabrini Green and Conductor Williams' latest project. 

Say his name five times if you dare. The Killer Point of View Podcast is back, kicking things off with a deep dive into the 1992 horror classic Candyman. We're breaking down what makes this film so iconic—its chilling atmosphere, Tony Todd's legendary performance, and its unforgettable urban legend roots.But Candyman is more than just a horror movie. We explore how it tackles systemic racism and inequality through its haunting portrayal of Cabrini-Green, blurring the lines between folklore, psychological terror, and slasher brutality. Is Candyman truly a villain, or is he a victim of history? And where does the legend of Bloody Mary fit into the conversation?Join us as we discuss our love (or fear) of this film, its lasting impact on horror, and why Candyman still has audiences looking over their shoulders.Tune in… just don't say his name.

There are important differences between Parliament and Congress, just as there are important differences between the powers and limitations on an American president and those on a British prime minister. Learn what these are on today's podcast. Center for Civic Education

How does the prime minister of the United Kingdom differ from the American president? Find out on today's podcast. Center for Civic Education

Congress, the Supreme Court, and public opinion limit the power of the president. Find out how on today's 60-Second Civics podcast Center for Civic Education

Congress has a number of ways to limit the power of presidents. For example, Congress can refuse to ratify treaties and decline to confirm presidential nominees. Congress can even refuse to fund the president's programs or abolish agencies. Center for Civic Education

The president's power is limited by a few different methods. For example, an amendment to the Constitution limits the president to two elected terms in office. Another powerful check on the president's power is Congress. Learn about more of the ways the president's powers are limited on today's podcast. Center for Civic Education

Why have executive orders increased in recent years? Find out on today's podcast. Center for Civic Education

The president recommends legislation to Congress. The executive branch also plays an important role in determining federal regulations and elaborating laws. These factors have led to the growth of executive power. Center for Civic Education

Over time, power has flowed between Congress and the executive branch. Center for Civic Education

Can Congress and the Supreme Court reign in the power of the president? You bet. Center for Civic Education

What does the Constitution say about presidential powers during emergencies or crisis? The answer may surprise you. Center for Civic Education

With the support of Congress, FDR responded to the multiple crises that occurred during his administration. Center for Civic Education

How is the president America's diplomat in chief? Find out on today's podcast. Center for Civic Education

The president is commander in chief, but only Congress can declare war. Congress has declared war only five times in the nation's history. Center for Civic Education

The Last Days of Cabrini-Green tells the story of seven-year-old Dantrell Davis and his mother Annette Freeman. Davis was shot and killed while he and his mother walked to his school on Oct. 13, 1992. His killing sparked raids and overpolicing in the neighborhood. Reset sits down with the creators of the podcast – journalist Ben Austen and writer Harrison Rivers – to learn more about their stories and history. For a full archive of Reset interviews, head over to wbez.org/reset.

The president's power is at its greatest when it comes to foreign affairs. Center for Civic Education

The president has a number of important powers, but the president's powers are limited in important ways. Center for Civic Education

Find out why Franklin D. Roosevelt was arguably the most influential president of the 20th century. Center for Civic Education

During the Anglo-Saxon period, which lasted from about 410 AD until 1066 AD, many different tribes ruled Britain. These tribes featured different social roles, such as andquot;thanesandquot; and andquot;ceorls.andquot; Listen to learn more about Anglo Saxon society in today's episode! Center for Civic Education

Abraham Lincoln, Theodore Roosevelt, and Woodrow Wilson each contributed to the growth of presidential power. Center for Civic Education

Thomas Jefferson sought to be a model of republican simplicity, rejecting what John Adams's detractors viewed as the monarchical tendencies of Adams. But Jefferson wasn't above stretching the powers of the presidency when it suited his purposes. Center for Civic Education

Some scholars trace the rise of the powerful modern presidency to Andrew Jackson, who expanded the use of the veto and appealed directly to the public to support his position on the recharter of the Second Bank of the United States. Center for Civic Education

The Framers of the Constitution wanted the president to be strong, but not too strong Center for Civic Education

The Framers of the Constitution envisioned the president as being above partisan politics. They wanted the president to be a person who had earned the esteem and confidence of the entire nation. This was one of the purposes of the Electoral College. Center for Civic Education

Today: some controversial inherent powers of presidents. Center for Civic Education

Justice Robert Jackson's concurring opinion in Youngstown Sheet and Tube v. Sawyer (1952) sets forth a framework that is widely used to assess presidential power. Center for Civic Education

Today we kick off a brief series on the power of the presidency. Center for Civic Education

Thomas Paine, with his characteristically sharp wit, pointed out some problems with the property requirement for voting. Center for Civic Education

Syd & Lex review 'We Grown Now', a coming-of-age story staring Jurnee Smolett, Blake Cameron James, and Gian Knight Ramirez. Lex can't help but point out what's missing from this story. Syd shares her favorite things about stories of Black youth.Movie InfoWe Grown Now Synopsis: Two young boys, best friends Malik and Eric, discover the joys and hardships of growing up in the sprawling Cabrini-Green public housing complex in 1992 Chicago.https://www.imdb.com/title/tt28639049/Follow The New Chitlin Circuitwww.tiktok.com/@newchitlincircuitinstagram.com/newchitlincircuitwww.thenewchitlincircuit.comEmail: ask@thenewchitlincircuit.com The New Chitlin Circuit is the only podcast dedicated solely to highlighting Black, independent film. Every Monday, Syd and Lex review a Black indie, low-budget, or direct-to-tv movie. Some weeks the hosts dig into an edgy Hood-drama on Tubi. Other weeks, Syd and Lex dive into meditative, arthouse films. But every week, it's Black Indies Only.