Podcast appearances and mentions of joelle leandre

Space is the place_jazz e dintorni Puntata dedicata ai festival jazz dell`estate 2024, in Italia: con Lakecia Benjamin, Kurt Rosenwinkel, Maria Faust, Marco Centasso, Joelle Leandre e altro ancora. Per diffondere questa puntata: https://www.radiotandem.it/space-is-the-place-del-4-giugno-2024 Tutti i podcast di Space is the place: https://www.radiotandem.it/space-is-the-place

"I find Joy in Discovery All the Time!"Our guest for this episode of MFM Speaks Out is Bruce Lee Gallanter, the owner and proprietor of Downtown Music Gallery (DMG), a Manhattan based music store that specializes in new, used, hard to find, and out of print CDs, Vinyl, DVDs, and books. DMG was started in 1991 by David Yamner & Steve Popkin, with Gallanter working for the store. They remained in their first location on east 4th street in Manhattan for 12 years until 2003, and started having weekly free concerts, an idea that Gallanter had started with Manny Maris when they worked at Lunch For Your Ears. Gallanter became the owner in 1997. Around the time. he and Emperor Mike started the DMG newsletter, In 2003, they moved into a new store on the Bowery, not far from St. Marks Place, Tower Records, and Other Music. This was their most popular and successful location. They are presently located in Chinatown.Their concerts at their different locations included musicians such as Elton Dean, Lol Coxhill, Derek Bailey, Peter Kowald, Joelle Leandre, John Zorn, Rod Poole, Ivo Perelman, Marc Ribot, Eugene Chadbourne, Haino Keji & Loren Mazzacane,  Gong, Hatfield & the North, Present, Dr. Nerve, Kramer, Luscious Jackson, Fibre, Machine Gun, Thinking Plague, Dark Carnival, members of Henry Cow: Fred Frith, J.D. Parran, Tony Levin, Michael Moore, and many others. The Sunday night in-store series continues to this day. DMG  also devotes an entire 700-CD display to the Tzadik label (founded and owned by John Zorn), and operates the mail-fulfillment for the label. They also provide the telephone information service for The Stone performance space. Gallanter is also a valued contributor to doobeedoobeedoo.info,   Topics discussed:His beginnings with Downtown Music Gallery, the in-store concerts DMG presents, becoming the owner of DMG, DMG's relationship with John Zorn's Tzaddik label, the DMG/ARC label, DMG's relationship with The Stone, Arts For Art, and the VISION FESTIVAL, DMG's business model and how they survive as a brick & mortar store in the age of online music purchasing, Gallanter's views on musician's rights, his  writings for doobeedoobeedoo.info and DMG's alliance with MFM, and the future of music retail. Music on this episode:1. Jamie Branch, Thomas Helton, and Michael Evans (recorded live at the Downtown Music Gallery Concert Series May 2021)2. Sandy Ewen, Chris Pistons, and Nate Wooly ((recorded live at the Downtown Music Gallery Concert Series May 2021)3. Francisco Mora Catlett & Same Newsome (recorded live at the Downtown Music Gallery Concert Series April 2021)All tracks courtesy of Bruce Gallanter / Downtown Music Gallery

En el estreno de hoy la contrabajista #AdrianaCamacho nos lleva por nuevos caminos sonoros, musicales y visuales se fusionan para dar vida a #Loope: Paisajes oníricos#, su proyecto solista. En él la exploración de sonoridades, ambientes, paisajes, épocas e imágenes se da a través del procesamiento del contrabajo, voz, ocarinas, objetos y juguetes; y teniendo el contrabajo como base, además de efectos y looperas, creando una improvisación en tiempo real, en la que se generan capas que crean texturas, narraciones abstractas y paisajes sonoros. Adriana Camacho nace en la Ciudad de México y es egresada de Comunicación en la Universidad Iberoamericana, es documentalista y contrabajista. Realiza sus estudios musicales con el maestro Enrique Valadez; talleres y clases de contrabajo e improvisación con Joelle Leandre, Eddie Gomez, Sebastian Gramss, Lelio Gianneto, David Sanchez, Remi Álvarez (FAM), Germán Bringas y Ensambles de Jazz en la Escuela Superior de Música, entre otros. Activa en la escena de la improvisación y el free jazz, ha tocado en festivales, ciclos y foros nacionales e internacionales dedicados a esta música como el Bosque Sonoro Museo de Arte Moderno CDMX; Festival Cervantino; Chalton Gallery en Londres; Museo de Arte Moderno Ugo Cara y foro Knulp en Trieste, Italia; Pabellón 02 en Venecia, Italia; Festival Resist!Vienna, Austria; FÏME Festival Internacional de Música Radical Querétaro; Fundación Sebastián y Sala de Arte Público Siqueiros, entre otros foros. Su búsqueda en el ámbito de la improvisación la ha llevado a tener constantes colaboraciones con varios músicos, poetas y artistas plásticos. Actualmente es contrabajista de varios grupos: Cihuatl, Sociedad Acústica de Capital Variable, Eyi Xochimeh, Cataratas del Niágara, Sesión Libre Trío, Cuerdas no tan Cuerdas, Los Verdaderos, David Contreras Trío, Humanas y su proyecto como solista Loope. Música sin Fronteras MX es un podcast para difundir el oficio de músicos mexicanos, quienes nos comparten en nuestro ciclo de exposiciones, su proceso creativo desarrollado a lo largo de sus trayectorias. Un espacio para fomentar diálogo y con ello nuevas audiencias. Esta actividad se realiza con apoyo del Sistema de Apoyos a la Creación y Proyectos Culturales (SACPC) FONCA, en colaboración con Cultura UACM UACM San Lorenzo Tezonco, +Musica MX y Cim cenzontle Iztapalapa. Síguenos en redes y plataformas o nuestra página: https://musicasinfronterasmx.com/ Conoce más de Adriana Camacho en: https://www.adrianacamacho.com/

En esta sesión de charla la contrabajista Adriana Camacho nos habla sobre su trabajo en la música y como este se ha ido conformado el proyecto Loope, que nace en 2018 y en él explora sonoridades, ambientes, paisajes, épocas e imágenes a través de procesar el contrabajo, voz, ocarinas, objetos y juguetes. Ello es parte de lo que presentará en concierto el viernes 13 de mayo 13 hrs. en el plantel San Lorenzo Tezonco de la #UACM de la #CMDX Adriana Camacho nace en Ciudad de México en Octubre de 1974 es contrabajista y documentalista (Universidad Iberoamericana). Realizó sus estudios musicales con el maestro Enrique Valadez, talleres y clases de contrabajo e improvisación con Joelle Leandre, Eddie Gomez, Sebastian Gramss, Lelio Gianneto, David Sánchez, Remi Álvarez (FAM), Germán Bringas, Ensambles de Jazz en la Escuela Superior de Música, entre otros. Activa en la escena de la improvisación y el free jazz ha tocado en festivales, ciclos y foros nacionales e internacionales dedicados a esta música como el Bosque Sonoro Museo de Arte Moderno CDMX, Festival Cervantino, Chalton Gallery en Londres, Museo de Arte Moderno Ugo Cara y foro Knulp en Trieste, Italia, Pabellón 02 en Venecia, Italia, Festival Resist!Vienna, Austria, FÏME Festival Internacional de Música Radical Querétaro, Fundación Sebastián, Sala de Arte Público Siqueiros, entre muchos otros. Su búsqueda en el ámbito de la improvisación la ha llevado a tener constantes colaboraciones con varios músicos, poetas y artistas plásticos. Actualmente es contrabajista de varios grupos y tiene su proyecto individual Loope }, del que recientemente lanzo su primer grabación en la plataforma #bandcamp #MúsicasinFronterasMX es un #podcast para difundir el oficio de músicos mexicanos, quienes nos comparten en nuestro ciclo de exposiciones, su proceso creativo desarrollado a lo largo de sus trayectorias. Un espacio para fomentar diálogo y con ello nuevas audiencias a través del #lenguajevivo de la música. Síguenos en nuestros canales: linktr.ee/musicasinfronterasmx Esta actividad se realiza con apoyo del Sistema de Apoyos a la Creación y Proyectos Culturales (SACPC) FONCA, en colaboración con Cultura UACM UACM San Lorenzo #Iztapalapa, +Musica MX y Cim cenzontle Iztapalapa.

Darren Johnston's pandemic routine included lots of practicing the trumpet and composing. As things opened up he recorded three sessions of his music with different groups in New York and Chicago. The first of these albums “Life in Time” has now been released and will be showcased in Madison with his quartet of Chicago heavies.For those keeping track: The name of the bassist Darren couldn't remember is Joelle Leandre.

William Winant is a percussionist who describes himself as a technician of the sacred. Spin Magazine describes him as "the avant-elite's go-to percussionist for more than 35 years". In 2014, William was nominated for a Grammy.  He has performed with some of the most innovative and creative musicians of our time, including John Cage, Iannis Xenakis, Keith Jarrett, Anthony Braxton, James Tenney, Cecil Taylor, George Lewis, Steve Reich and Musicians, Yo-Yo Ma, Frederic Rzewski, Ursula Oppens, Joan LaBarbara, Annea Lockwood, Joelle Leandre, Oingo Boingo, Mr. Bungle, Sonic Youth, and the Kronos String Quartet.

..In occasione degli ottant'anni di Irene Schweizer è stato reso disponibile in inglese un ampio e accurato volume sulla pianista svizzera scritto da Christian Broecking e in precedenza pubblicato in tedesco: in gran parte basato su interviste realizzate dall'autore con la Schweizer e con numerosi musicisti, operatori del settore, persone che hanno avuto a che fare con lei, This Uncontainable Feeling of Freedom - European Jazz and the Politics of Improvisation offre un eccellente ritratto della Schweizer e intorno a lei racconta con vivacità il mondo dell'improvvisazione europea in particolare negli anni ruggenti della free music del vecchio continente. Fin dall'adolescenza Irene Schweizer ha suonato anche la batteria, e non è un caso che nella sua discografia abbondino i duo piano-batteria: fra i primi titoli con cui la Schweizer è presente nel catalogo Intakt diversi sono appunto duo con batteristi, come quello con Han Bennink (numero di catalogo 010). Dalla metà degli anni settanta Irene Schweizer è stata attiva nel movimento delle donne, e assieme ad altre musiciste ha fatto parte del Feminist Improvising Group, un gruppo sperimentale nato nel '77: negli anni novanta poi Irene Schweizer, Maggie Nichols e Joelle Leandre hanno dato vita ad un'altra formazione tutta al femminile, il trio Les Diaboliques, di cui la intakt nel '94 ha pubblicato il primo album (numero di catalogo 033).

..In occasione degli ottant'anni di Irene Schweizer è stato reso disponibile in inglese un ampio e accurato volume sulla pianista svizzera scritto da Christian Broecking e in precedenza pubblicato in tedesco: in gran parte basato su interviste realizzate dall'autore con la Schweizer e con numerosi musicisti, operatori del settore, persone che hanno avuto a che fare con lei, This Uncontainable Feeling of Freedom - European Jazz and the Politics of Improvisation offre un eccellente ritratto della Schweizer e intorno a lei racconta con vivacità il mondo dell'improvvisazione europea in particolare negli anni ruggenti della free music del vecchio continente. Fin dall'adolescenza Irene Schweizer ha suonato anche la batteria, e non è un caso che nella sua discografia abbondino i duo piano-batteria: fra i primi titoli con cui la Schweizer è presente nel catalogo Intakt diversi sono appunto duo con batteristi, come quello con Han Bennink (numero di catalogo 010). Dalla metà degli anni settanta Irene Schweizer è stata attiva nel movimento delle donne, e assieme ad altre musiciste ha fatto parte del Feminist Improvising Group, un gruppo sperimentale nato nel '77: negli anni novanta poi Irene Schweizer, Maggie Nichols e Joelle Leandre hanno dato vita ad un'altra formazione tutta al femminile, il trio Les Diaboliques, di cui la intakt nel '94 ha pubblicato il primo album (numero di catalogo 033).

In this final installment of our exploration of today's French jazz scene, a number of projects that illustrate how beautifully French musicians blend their many influences, from troubadour music of the middle-ages to pop songs of the '60s and '70s, and interests, from Greek mythology to the M-Base collective. The playlist features Manu Codjia, Geraldine Laurent, Christophe Marguet, Camille Bertault, Sarah Murcia, Louis Sclavis, Sélène Saint-Aimé [pictured], Michel Portal, Alban Darche, Matthieu Donarier, Meivelyan Jacquot, Sophia Domancich, Magic Malik, Stéphane Payen, Alexandra Grimal, Joelle Leandre, Noël Akchoté, Marc Ribot and Sylvain Rifflet. Detailed playlist at https://spinitron.com/RFB/pl/11280569/Mondo-Jazz (from Manu Codjia, Geraldine Laurent, Christophe Marguet onwards). Happy listening! Photo credit: Nikola Cindric

..Tre novità intestate o cointestate a contrabbassisti. Jeux de couleurs (Parco della Musica Records) è il nuovo album dell'Horn Trio della contrabbassista Federica Michisanti, che proprio con l'Horn Trio in questi ultimi anni si è distinta fra i nuovi talenti del jazz italiano. Area Sismica (etichetta We Insist!) è un album registrato dal vivo ad Area Sismica di Forlì, che da anni organizza concerti e rassegne di grande qualità di musica di ricerca; ma Area Sismica è un titolo perfetto per la musica della contrabbassista Joelle Leandre, improvvisatrice consumata, una delle grandi figure della free music europea, e Pascal Contet, specialista del repertorio contemporaneo per fisarmonica, ma interessato anche all'improvvisazione: musica imprevedibile, che fa uscire dalla normalità, che tiene sul chi vive. Wabi Sabi (Leo Records) è un album pubblicato nel 2019 dal contrabbassista Enrico Fazio con la sua orchestra Critical Mass: compagine molto brillante, che offre una bella dimensione orchestrale, brani ariosi, vivaci, e interessanti interventi solistici.

As much as we favor a complete integration of the jazz sexes, this week we feature twenty-four bands or projects with not a single man in sight, actually in hearing. After all, how much jazz radio have you listened to (not on Mondo Jazz) with playlists made exclusively of all male bands? Here's a small contribution to rebalancing that statistical abherration. The playlist features Rhoda Scott's Lady Quartet, Nérija, Irène Schweizer, Co Streiff, Marilyn Mazur's Shamania, Terri Lyne Carrington, Aki Takase, Silke Eberhard, Anna Högberg Attack, Maggie Nicols, Joelle Leandre, Sylvie Courvoisier, Susie Ibarra, Sisters in Jazz, Cæcilie Norby, Jane Bunnett and Maqueque, Monika Herzig, Tia Fuller, Giovani Leonesse, Lioness, Ahn Trio, Minamo, Mary Halvorson, Jessica Pavone, Eve Risser, Kaja Draksler, Susana Santos Silva, Lauren Newton, Hae Voces. Detailed playlist at https://spinitron.com/RFB/pl/9230056/Mondo-Jazz Photo credit: Agata Urbaniak

De part et d’autres la parole se libère soit pour dénoncer le harcèlement dont sont victimes les femmes soit pour pointer les inégalités hommes/femmes dans les différents strates de notre société; qu’en est-il dans le jazz? Cette musique apparemment d’ouverture l’est-elle vraiment? En décembre 2017 la contrebassiste Joelle Leandre publiait une lettre ouverte intitulée « Chers Messieurs » en réaction à l’absence de femmes dans le palmarès des dernières victoires du jazz. Ce fait fut-il un acte isolé, une simple « erreur de casting » ou le reflet d’une situation plus profonde? Nous partons d’un calendrier ou s’affiche le nombre 20 comme 20 ans, comme les vingt ans de radio campus Paris. Avec la sociologue Marie Buscatto auteur de « Femmes dans le jazz » et la contrebassiste Joelle Leandre (tiens donc?) nous abordons cette question de la place des femmes dans cette musique, mais comme nous ne pouvons comprendre ce qui s’est passé pour « elles » depuis vingt ans sans élargir le point de vue, il y aura des intervenantes et intervenants: Philippe, Hélène, Olivier, Mylène, à savoir l’équipe de jazz and co…   Prochaine date de Joelle Leandre : https://www.joelle-leandre.com/calendar/ 24 juin, solo à la galerie Hus (Paris 18e) 21, 22 et 23 juillet, Kalamata Dance Festival (Grèce) 3 août, BERLIN festival  " Alarme "  le 3 août en trio Elisabeth Harnik piano et Matilda Rolsson drums 17 août, festival Jazz à Malguenac, Duo avec jean Luc Cappozzo tracklist de l'émission : - Archie Shepp, "Blasé", Blasé https://www.discogs.com/Archie-Shepp-Blas%C3%A9/release/1164730 - Tiger Trio, "Heavy Hail", Unleashed https://www.discogs.com/Tiger-Trio-Unleashed/release/9421209 - Mary Lou Williams, "Taurus", Zodiac Suite https://www.discogs.com/Mary-Lou-Williams-Trio-Zodiac-Suite/release/525085 - Joëlle Léandre/Phil Minton, "Si, lence", Léandre-Minton https://www.discogs.com/L%C3%A9andre-Minton-L%C3%A9andre-Minton/release/10725365 - Ida Cox, "Wild women don't have the blues", Wild women don't have the blues, https://www.discogs.com/fr/Ida-Cox-Wild-Women-Dont-Have-The-Blues/release/954374 - Lil Green, "Why Don't You do Right", Mean Mothers: Independent Women's Blues, Volume 1, https://www.discogs.com/fr/Various-Mean-Mothers-Independent-Womens-Blues-Volume-1/release/829650 - Joëlle Léandre, Jean-Luc Capozzo, "Instant Chav 5" Live aux Instants Chavirés https://www.discogs.com/fr/Jean-Luc-Cappozzo-Jo%C3%ABlle-L%C3%A9andre-Live-Aux-Instants-Chavires/release/9028631 - Madeleine et Salomon, "The Flowers, A Woman's Journey https://www.discogs.com/Madeleine-Salomon-A-Womans-Journey/release/10180037 Emission proposée par Pierre Tenne et réalisée par Robin Ferrari.    

Vitamins for the brain, learning from the masters, hypersensitive curiosity. The composer and saxophonist discusses three important albums.

Tom Service considers the art of musical improvisation. When pianist Lenny Tristano first recorded free improvisations in 1949, his record company didn't want to release them. Today, Free Improvisation is a well-established genre. But can improvising ever be "free"? Tom discusses with musician and writer David Toop and improvising bassist Joëlle Leandre. Improvisation is a fundamental part of music-making - it even has a place in Western classical music, such as the freely invented cadenza in a piano concerto. Other musical traditions are fundamentally based in improvising, such as the classical Indian tradition, and jazz. In the 1950s, Free Improvisation developed from experiments in extending jazz, as an attempt to make music spontaneously with no reference to any style or tradition. David Toop has written a book about improvising, and Joelle Leandre has had a long career as a free improviser, playing with a wide variety of musicians around the world. But, she says, "we cannot be free...".

Some Voices (00:00) Waudang 1 (00:26) “Howdy Doody” Theme (07:17) “Charlie Brown” Theme (07:45) “Vertigo” / “Psycho” Theme Medley (09:11) Fucshia (13:06) Triologue (17:28) Duologue (19:05) Solologue (19:49) Belem (20:36) Painted Desert (36:00) Live at the Metz’ Arsenal Part 2 (39:29) Quiet Money (46:26) The introductory chaos comes from R. Stevie Moore's second album, Delicate Tension. Recorded in 1978, but re-released at least twice and peppered with extra tracks over the decades. The first proper track, at about 00:25, is sacred flute music from New Guinea, recorded by Ragnar Johnson and assisted by Jessica Mayer. Wonderful folks, I'm sure. Robert Wyatt and his wife Alfreda Benge had some clout in getting these recordings released on Rounder in 1999. Digital mastering was done in July, 2015 and the revamped version of these recordings -- Sacred Flute Music from New Guinea-- will be out in mid-April on the Ideologic Organ label. Switching up rather radically, the following three tracks are from guitarist Gary Lucas, who has played with such wide-ranging artists as Captain Beefheart, Peter Hammill, and Jeff Buckley, as well as amassing an impressive body of solo work. These oddball takes on movie themes are from Lucas's album Cinefantastique. Next comes the track "Fuchsia" from the album Amaranth, by the trio who goes by the name Icepick -- Nate Wooley, Chris Corsano, and Ingebrigt Haker-Flaten. Wooley plays trumpet, Corsano is on drums, and Haker-Flaten plays double-bass. Monofonous, 2016. The following three tracks also feature Nate Wooley, as well as Zeena Parkins and Vera Westera. The music and texts on this album are inspired by Charles Baudelaire and are the brainchild of composer Bojan Vuletic, who gave the trio of musicians ideas to work with and then reworked their playing into the final product. Partly composed, partly improvised. See here for more details regarding this fascinating record, fugitive beauté. The next two tracks are performances by the MMM Quartet - Fred Frith, Joelle Leandre, Alvin Curran and Urs Leimgruber, on guitar, double bass, piano, and sax, respectively. The first MMM track is titled "Belem" and is from the album Oakland/Lisboa. The second track, "Part 2" is the tail end of a concert given by the quartet from the album Live at Metz Arena. These tracks are separated by an intermission: "Painted Desert" is from the album The Pharaoh's Bee by ex-Pere Ubu member Allen Ravenstine. Ravenstine was the Ubu member responsible for upping the chaos ante by adding analog synthesizer noise to the proceedings. Quite unlike his contributions to Ubu, this album is full of gentle, meditative sounds, albeit not without a certain edge. More info here. Finally, "Quiet Money" by The Remote Viewers, from their latest album, November Sky. More info on The RVs here. I hope you enjoy this podcast as much as I enjoyed compiling it!

Sebastian Gramss, Mark Dresser, John Eckhardt, Barry Guy, Christine Hoock, Joelle Leandre, Dieter Manderscheid, Barre Phillips, Daniele Roccato, Tetsu Saitoh, Hakon Thelin (Kontrabass)

Music recorded, composed, performed by musicians affiliated with Mills College - thus the "Mills Scene." Papers for the Border #14 ~ The Mills Scene Tracklist (00:00) Intro (00:32) In a Hotel Room ~ Carla Kihlstedt, Matthias Bossi, Shahzad Ismaily ~Causing a Tiger (Victo, 2010) (01:44) announcements (04:49) No Funeral at All ~ Carla Kihlstedt, Matthias Bossi, Shahzad Ismaily ~Causing a Tiger (Victo, 2010) (06:42) A Swish of Nylon ~ Carla Kihlstedt, Matthias Bossi, Shahzad Ismaily ~Causing a Tiger (Victo, 2010) (13:52) Spells and Incantations ~ Carla Kihlstedt, Matthias Bossi, Shahzad Ismaily ~ Causing a Tiger (Victo, 2010) (15:57) Pour Albert ~ Cosa Brava ~ Ragged Atlas (Intakt, 2010) (20:33) The Letter ~ Cosa Brava ~ The Letter (Intakt, 2012) (24:15) Nobody Told Me ~ Cosa Brava ~ The Letter (Intakt, 2012) (28:20) Jitters ~ Cosa Brava ~ The Letter (Intakt, 2012) (33:34) Snake Eating Its Tail ~ Cosa Brava ~ Ragged Atlas (Intakt, 2010) (35:49) A Song About Love ~ Cosa Brava ~ Ragged Atlas (Intakt, 2010) (42:15) Postcard from the Back ~ Fred Frith, Carla Kihlstedt, Stevie Wishart ~The Compass, Log, and Lead (Intakt, 2006) (46:07) For Nothing: I. — ~ Galax Quartet with Karen Clark ~ On Cold Mountain: Songs on Poems of Gary Snyder (Innova, 2011) {composed by Fred Frith} (48:00) For Nothing: II. — ~ Galax Quartet with Karen Clark ~ On Cold Mountain: Songs on Poems of Ga ry Snyder (Innova, 2011) {composed by Fred Frith} (52:24) For Nothing: III. — ~ Galax Quartet with Karen Clark ~ On Cold Mountain: Songs on Poems of Gary Snyder (Innova, 2011) {composed by Fred Frith} (56:51) “Part Two” ~ MMM Quartet ~ Live at the Metz’ Arsenal (Leo Records, 2012) {Fred Frith, Joelle Leandre, Alvin Curran, and Urs Leimgruber} (1:02:20) Scrive ~ Joelle Leandre & Barre Phillips ~ A l’improviste (Kadima Collective, 2008) (1:12:13) Theme ~ Zeena Parkins ~ Double Dupe Down (Tzadik, 2012) (1:17:14) Selina ~ Zeena Parkins ~ Double Dupe Down (Tzadik, 2012) (1:18:23) Anthem ~ Zeena Parkins ~ Double Dupe Down (Tzadik, 2012) (1:21:31) announcements (1:22:17) Still No Funeral At All ~ Carla Kihlstedt, Matthias Bossi, Shahzad Ismaily ~ Causing a Tiger (Victo, 2010)

Sonami and Ryan Podcast Laetitia Sonami, “The invention of Perspective (the Appearance of Silence)” (unreleased) Joel Ryan and Joelle Leandre, “Enfolded Strings” (unreleased) Questions about this or any other Non-Event podcast? Email susanna@rarefrequency.com....