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In this episode of See See by Ceci, we're joined by Vikram Patel, global mental health leader, psychiatrist, and the Paul Farmer Professor and Chair of the Department of Global Health and Social Medicine at Harvard Medical School. He confronts a contradiction at the heart of the twenty-first-century mind: why mental health is declining in the wealthiest nations, with record resources at hand, while some of the most effective solutions are emerging from communities that have almost none. In this wide-ranging conversation, Professor Patel walks us through what he calls the great mental health paradox and its two roots: a reductionist system that answers suffering with a prescription, and an individualism in which "disconnection is like a virus." He traces the asylum and the diagnostic manual; fifty years and tens of billions of dollars that have yielded no biomarker and no new drugs; the loneliness epidemic; the grip of poverty and inequality; and India's rise in youth suicide. Then comes his own answer: the community health worker, most often a woman, most often unpaid, trained to deliver a six-session treatment that cured two-thirds of people with severe depression and kept well years on. With reflections from criminologist Stephen Schoenthaler, neuroscientists Rudolph Tanzi and John Cryan, jazz drummer Terri Lyne Carrington, writer Andrew Solomon, psychiatrist Richard Mollica, philosophers Paul Thagard and Stephen Cave, choreographer Alexander Whitley, sixteen-year-old activist Alexander Schmitz of Young Minds for Global Health, and three-Michelin-starred chef Eric Vildgaard, the episode gathers voices you would rarely find in one room. How minds this different meet on common ground is what we leave for the listening to reveal. This episode is about a scientist fluent in the resources of both the biomedical clinic and the community's own healing knowledge, and about the richness of a simple truth he keeps returning to, that what makes a life well is connection, and who reminds us that when it comes to mental health, we are all developing nations. Above all, this conversation is about the most quietly radical proposition medicine can make: that the cure for much of our suffering is not somewhere out of reach, but near at hand, in the bonds we build between us. *Vikram Patel is the Paul Farmer Professor and Chair of Global Health and Social Medicine at Harvard Medical School. He co-founded Sangath, the Indian NGO honored with WHO and MacArthur awards, has co-led two Lancet Commissions on global mental health, and is a member of the US National Academy of Medicine. His honors include the Pardes Humanitarian Prize, an Honorary OBE, the Canada Gairdner Global Health Award, and a place on Time's 100 most influential people (2015).
Grammy-nominated jazz and R&B ensemble, Terri Lyne Carrington + Social Science, are back with their sophomore album, Trip the Night Fantastic, after a seven-year-long break. In line with their debut record, Waiting Game, the group has a new batch of songs dealing with a wide range of social justice issues, voiced in melodies and spoken words. “Once you open your eyes to any social issue, so many others go hand in hand, because they overlap. There are all these intersections, so I can't really do anything without thinking about gender justice or even racial justice, because those are two huge parts of my identity,” says the bandleader Terri Lyne Carrington, whose day job as the founder and artistic director of Berklee Institute of Jazz and Gender Justice undoubtedly highlights the source material for the album. But, at the end of the day, Trip the Night Fantastic is a communal effort, with each member sparking the flame for a new creation which then becomes enriched with the input of guest artists such as Arooj Aftab, Brandee Younger, and Tarriona ‘Tank' Ball. And though those artists are missing from this Soundcheck session, most of the Social Science band is present, with Terri Lyne Carrington on drums, Matthew Stevens on guitar, Morgan Guerin on bass, joined by guest vocalists Christie Dashiell and Ian Michael, who also plays our piano. - Sırma Munyar (Photo of Terri Lyne Carrington by Meredith Truax) Setlist: 1.Autonomy Song 2.Children's Song 3.Solidarity Song Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
Ana Petrova is a jazz pianist and organist from Kazakhstan. Her playing is a combination of improvisation, groove, and jazz traditions. She studied at Berklee with Danilo Pérez, John Patitucci, and Joe Lovano. She's shared the stage with Dave Liebman, Catherine Russell, and Terri Lyne Carrington, among others. She's performed at clubs like Dizzy's and The Bitter End, and at festivals like the Umbria, Panama, and Monterey Jazz Festivals. My featured song is “Trippin”, from the album of the same name. Spotify link. —------------------------------------ The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries! Click here for Start Here Click here for All Episodes Click here for Guest List Click here for Guest Testimonials Click here for Pillars Click here for Robert's Project Grand Slam Click here to Subscribe Click here to receive our Email Updates Click here to Rate and Review the podcast —---------------------------------------- CONNECT WITH ANA:www.anapetrovamusic.com —------------------------------------ ROBERT'S NEWEST RELEASE:“THE BUZZ” - Ft. Darius de Haas (vocals) and Dave Eggar (Celo). Short, Sweet and Totally Different CLICK HERE FOR OFFICIAL VIDEO CLICK HERE FOR ALL LINKS —-------------------------------------- Audio production: Jimmy RavenscroftKymera FilmsConnect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comFollow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.com
This week we're putting The Tonearm's needle on drummer, composer, and educator Terri Lyne Carrington.Carrington has just released Trip the Night Fantastic, the second album from her group, Social Science. It's built for the dance floor but unflinching on the topics of deportation, prison abolition, and climate collapse.We talk about trusting collaborators before they've earned it, playing to a rare, fully attentive crowd at Newport, and calling herself a "frustrated drummer" on a record built from words as much as rhythm.(The musical excerpts heard in the interview are from Trip the Night Fantastic, the new album from Terri Lyne Carrington and Social Science.)—Dig DeeperArtist and Album:Visit Terri Lyne Carrington at terrilynecarrington.com and follow on Instagram, YouTube, Facebook, and BandcampPurchase Trip the Night Fantastic from Candid Records, Bandcamp, or Qobuz, and listen on your streaming platform of choice.Candid RecordsSocial Science:Aaron Parks — piano; wrote "Climate Song"Matthew Stevens — guitar; proposed the album's title phrase and wrote the "Solidarity Song" riffMorgan Guerin — multi-instrumentalist and the album's co-producer"Riddim Song" Collaborators:Fatoumata DiawaraDebo RayBrenda Navarrete"Blues Song" and June Jordan:June Jordan — the poet's official site"These Poems" — the poem set to music on the albumaja monet — the surrealist blues poet who performs itRelated Recordings:We Insist 2025! with Christie Dashiell, the Max Roach reimagining that interrupted this album — BandcampWaiting Game, the 2019 Social Science debut given to its label without an advance — BandcampMax Roach's We Insist! Freedom Now Suite (1960) — JazzTimes on the reissueInstitutions and Festivals:Berklee Institute of Jazz and Gender Justice — founded and directed by CarringtonNewport Jazz Festival — where Social Science played on August 1, 2026Also Mentioned:13th — Ava DuVernay's documentaryBest Alternative Jazz Album — the Grammy category Carrington helped create, first awarded in 2024—Dig into this episode's complete show notes at podcast.thetonearm.com—• Did you enjoy this episode? Please share it with a friend! You can also rate The Tonearm ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts. • Subscribe! Be the first to check out each new episode of The Tonearm in your podcast app of choice. • Looking for more? Visit podcast.thetonearm.com for bonus content, web-only interviews + features, and the Talk Of The Tonearm email newsletter. You can also follow us on Bluesky, Mastodon, YouTube, and LinkedIn. • Be sure to bookmark our online magazine, The Tonearm! → thetonearm.com Hosted on Acast. See acast.com/privacy for more information.
This week we're putting The Tonearm's needle on drummer, composer, and educator Terri Lyne Carrington.Carrington has just released Trip the Night Fantastic, the second album from her group, Social Science. It's built for the dance floor but unflinching on the topics of deportation, prison abolition, and climate collapse.We talk about trusting collaborators before they've earned it, playing to a rare, fully attentive crowd at Newport, and calling herself a "frustrated drummer" on a record built from words as much as rhythm.(The musical excerpts heard in the interview are from Trip the Night Fantastic, the new album from Terri Lyne Carrington and Social Science.)—Dig DeeperArtist and Album:Visit Terri Lyne Carrington at terrilynecarrington.com and follow on Instagram, YouTube, Facebook, and BandcampPurchase Trip the Night Fantastic from Candid Records, Bandcamp, or Qobuz, and listen on your streaming platform of choice.Candid RecordsSocial Science:Aaron Parks — piano; wrote "Climate Song"Matthew Stevens — guitar; proposed the album's title phrase and wrote the "Solidarity Song" riffMorgan Guerin — multi-instrumentalist and the album's co-producer"Riddim Song" Collaborators:Fatoumata DiawaraDebo RayBrenda Navarrete"Blues Song" and June Jordan:June Jordan — the poet's official site"These Poems" — the poem set to music on the albumaja monet — the surrealist blues poet who performs itRelated Recordings:We Insist 2025! with Christie Dashiell, the Max Roach reimagining that interrupted this album — BandcampWaiting Game, the 2019 Social Science debut given to its label without an advance — BandcampMax Roach's We Insist! Freedom Now Suite (1960) — JazzTimes on the reissueInstitutions and Festivals:Berklee Institute of Jazz and Gender Justice — founded and directed by CarringtonNewport Jazz Festival — where Social Science played on August 1, 2026Also Mentioned:13th — Ava DuVernay's documentaryBest Alternative Jazz Album — the Grammy category Carrington helped create, first awarded in 2024—Dig into this episode's complete show notes at podcast.thetonearm.com—• Did you enjoy this episode? Please share it with a friend! You can also rate The Tonearm ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts. • Subscribe! Be the first to check out each new episode of The Tonearm in your podcast app of choice. • Looking for more? Visit podcast.thetonearm.com for bonus content, web-only interviews + features, and the Talk Of The Tonearm email newsletter. You can also follow us on Bluesky, Mastodon, YouTube, and LinkedIn. • Be sure to bookmark our online magazine, The Tonearm! → thetonearm.com Hosted on Acast. See acast.com/privacy for more information.
New albums all hand-picked from jazz pianist Adam Maness for your listening pleasure. 00:00 - Intro01:51- Epiphanie - Domi & JD Beckhttps://store.bluenote.com/products/domi-jd-beck-who-asked?srsltid=AfmBOoqy83sYVjg7gWOWEPzDP1lzL0qSN3BWoiNb80SR6foAtB1hFJUi 05:45 - Solidarity Song - Terri Lyne Carringtonhttps://terrilynecarrington.bandcamp.com/album/trip-the-night-fantastic08:01 - Eye Level - Fathershttps://store.bluenote.com/products/fathers-fathers?variant=45730941010111&utm_source=Original&utm_campaign=KennyBeats20260610&utm_medium=direct&utm_referrer=https%3A%2F%2Fwww.bluenote.com%2F&utm_board=bluenote&utm_country=US&utm_linkurl=bluenote.lnk.to%2Ffathers&lf=09636c21c8ac71dedf000e172e87d2a610:37 - Tagore - Charles Lloydhttps://store.bluenote.com/products/charles-lloyd-sangam-friends?srsltid=AfmBOorf1UxNmnTthTwtn0_zwgRhQmgDPrf_q9bYi0JObJCE-vYEtzKg 12:58 - Tethered - Nduduzo Makahthinihttps://store.bluenote.com/products/nduduzo-makhathini-the-myth-we-choose?variant=45410756886719&utm_source=Original&utm_campaign=NduduzoMakhathini20260330&utm_medium=direct&utm_referrer=https%3A%2F%2Fwww.bluenote.com%2F&utm_board=bluenote&utm_country=US&utm_linkurl=nduduzomakhathini.lnk.to%2Fthemythwechoose&lf=eb502d0210407eb575699b99ef700288 15:28 - Stella By Starlight - Joey Alexanderhttps://joeyalexander.bandcamp.com/album/celestial-keeper 17:51 - Bem Querer - Curio Curiohttps://curiocurio.bandcamp.com/album/curi-curi19:43 - Out of the quiet - Richard Spavenhttps://richardspaven.bandcamp.com/album/light-of-day
Four-time Grammy® award-winning drummer, producer, educator, activist, and NEA Jazz Master Terri Lyne Carrington discusses the eclectic music and socially conscious words on Trip The Night Fantastic, the brand new album with her group, Social Science (featuring Matthew Stevens, Aaron Parks, and Morgan Guerin), that also features a jam-packed roster of hand-picked special guests including Miki Howard, Arooj Aftab, Ledisi, Debo Ray, Christie Dashiell, friend of the show, Marc Ribot, and many more. There's so much important musical information in this episode. The Record Store Day Podcast is a weekly music chat show written, produced, engineered, and hosted by Paul Myers, who also composed the theme music and selected interstitial music. Executive Producers (for Record Store Day) Michael Kurtz and Carrie Colliton. Please consider subscribing to our podcast wherever you get podcasts, and tell your friends, we're here every week and we love making new friends!
We may have crushed it musically, but a severe case of laryngitis made my voice virtually unrecognizable today. By listening all the way to the end, there are some improvements, but what's important is the music, from Galliano, The Solomon Gundy Band, DOMI & JD BECK, Terri Lyne Carrington, Cory Wong & Joshua Redman, Kobie Dozier, TOAST CLUB, Kiefer, and farewells to James Blood Ulmer, Dexter Wansel, and David Clayton Thomas. Playlist: https://kxsf.fm/schedule/ Click on Tuesday's 10-noon slot > FreeFall w/David Bassin This program has been edited from the original broadcast.
A rundown of mini-bios highlighting each jazz figure—trumpeter Louis Armstrong, pianist Irving Fields, drummer Terri Lyne Carrington, and guitarist Herb Ellis—who share the same birthday, August 4.
On this episode of The Bandwich Tapes, I sit down with Terri Lyne Carrington to discuss her remarkable career, her artistic evolution, and her ambitious new album, Trip the Night Fantastic. Widely recognized as one of the most influential drummers, composers, producers, and educators working today, Terri shares how groove, storytelling, and social consciousness have become inseparable parts of her creative voice.We talk about the concept behind Trip the Night Fantastic, which Terri describes as a groove-centered project created for difficult times. Our conversation explores the relationship between dance, rhythm, and emotional connection, and how groove can often reach listeners before lyrics ever do. Terri reflects on jazz's historical relationship with dance music and why reconnecting with that tradition felt important for this project.We also dive into her journey as an artist and how life experience eventually led her to fully integrate her identity, values, and artistic work. Drawing on lessons learned from mentors such as Wayne Shorter and Herbie Hancock, Terri discusses leadership, collaboration, production, and the challenge of balancing a strong artistic vision with creating space for others to contribute.The conversation also explores the work of the Berklee Institute of Jazz and Gender Justice, the role of representation in music education, and the importance of creating environments where new voices can shape the future of the art form. Along the way, Terri reflects on her upbringing in Boston, her experiences working alongside some of the greatest musicians in jazz history, and what gives her hope when she looks at the next generation of artists.This is a thoughtful conversation about creativity, purpose, community, and the ongoing evolution of jazz from one of its most important modern voices.Key TakeawaysTrip the Night Fantastic was conceived as a groove-oriented album designed to reconnect jazz with its dance traditions.Terri believes groove often creates an emotional connection before listeners fully engage with lyrical content.Her artistic identity became stronger when she stopped separating her life experiences from her creative work.Lessons from mentors like Wayne Shorter and Herbie Hancock continue to influence her approach to music and leadership.Producing music requires balancing a clear artistic vision with openness to collaborators' ideas.The Berklee Institute of Jazz and Gender Justice was created to expand opportunities and perspectives within jazz education.Terri remains optimistic about the future of jazz because of the creativity, knowledge, and commitment she sees in younger musicians.Music from the EpisodeRiddim Song - Terri Lyne CarringtonIdentity Song - Terri Lyne CarringtonAutonomy Song - Terri Lyne CarringtonSolidarity Song - Terri Lyne CarringtonAbout the PodcastThe Bandwich Tapes is a podcast hosted by Brad Williams that features in-depth conversations with musicians, composers, producers, educators, and other creative artists. Each episode explores the craft of making music, artistic growth, collaboration, creative philosophy, and the stories behind the people shaping today's musical landscape.Connect with the ShowEmail: contact@thebandwichtapes.com
Recorded July 16th, 2026 On this episode of The Jazz Journey, host Doug Hall welcomes four time Grammy Award-winning drummer, composer, educator, and activist Terri Lyne Carrington for a thoughtful conversation about the intersection of music and social change. Terri discusses her upcoming album, Trip the Night Fantastic, and the mission behind her acclaimed ensemble, Social Science, whose music confronts issues such as children's rights, criminal justice reform, environmental awareness, and humanitarian crises. The conversation explores how artists can use music to tell powerful stories, inspire empathy, and encourage meaningful action. Doug and Terri also reflect on the role of protest music today, the importance of collective artistic action, and the next generation of jazz musicians through Berklee College of Music's Institute of Jazz and Gender Justice, which Terri founded to foster mentorship, inclusion, and artistic excellence. Whether you're passionate about jazz, social justice, or the ability of music to bring people together, this inspiring conversation offers a compelling look at how art can help shape a more compassionate world. Topics include: -The making of Trip the Night Fantastic -The mission behind Social Science -Music as a catalyst for social change -Children's Song and Abolition Song -Protest music and humanitarian advocacy -Berklee's Institute of Jazz and Gender Justice -Mentorship and the future of jazz
In this episode of See See by Ceci, Dr Stephen Cave, philosopher of technology, intelligence and the human quest to outlive death, joins us in our Berlin studio. At heart, this episode turns on two questions most of us would sooner leave undisturbed: why do human beings insist on ranking one another, and why can we not make our peace with the fact that we die? Academic Director of the Leverhulme Centre for the Future of Intelligence and Co-Director of the Institute for Technology and Humanity, both at the University of Cambridge, Dr Cave took his PhD in philosophy at Cambridge before spending the better part of a decade as a British Foreign Office diplomat. He is the author of Immortality: The Quest to Live Forever and How It Drives Civilization, a New Scientist Book of the Year, and, with the philosopher John Martin Fischer, Should You Choose to Live Forever?: A Debate. He is also co-editor of AI Narratives, Imagining AI and Feminist AI, all published by Oxford University Press. In this wide-ranging conversation, Dr Cave traces the idea of "intelligence" across two and a half thousand years, from Aristotle's "natural slaves" to Francis Galton's invention of both eugenics and the IQ test, showing how so slender a concept came to serve as the perfect instrument for justifying patriarchy, colonialism and scientific racism. It is precisely this buried history, he argues, that explains the dread super-intelligent machines now inspire in us. The real peril, he suggests, lies not in what artificial intelligence might do to us, but in the deep-seated biases and failings already entrenched our societies, that is, in what we might be tempted to do to one another with it: in surveillance, in the automation of labour, and, above all, in the quiet erosion of the human relationships that hold a society together and lend our lives their meaning. He then turns to mortality: the four stories every civilisation tells itself to outwit death, why a genuine immortality would prove a curse rather than a gift, and how our very finitude is the thing that makes a life worth living. From the Epic of Gilgamesh to Borges's deathless troglodytes, from Dorian Gray to the laboratories where great fortunes are now spent in pursuit of longer life, he asks what such a life is truly worth if it is not also a life of meaning, and warns that "work, scroll, repeat" is no less hollow at two hundred than at eighty. He arrives, in the end, at something disarmingly simple: an answer that has rather less to do with intelligence than we might expect, and everything to do with finitude, and with what, and whom, a life is spent upon. With reflections from the philosopher and cognitive scientist Paul Thagard on whether a machine can ever truly care; from the posthumanist scholar N. Katherine Hayles on the human aura in the age of the deep fake and the promised revision of the Enlightenment; from the drummer, composer and Berklee professor Terri Lyne Carrington on music and the eternal present; from the historian Philip Matyszak on the Roman afterlife and the building of "moral muscles"; and from the cognitive neuropsychologist Alfonso Caramazza on the remarkable flexibility of the human mind. This is an episode about power and the stories it tells to justify itself; about the older stories we tell to cheat death; and about a quiet, radical proposition: that to be human is not to be the cleverest thing in the room, but to know that our days are numbered, and to spend them building and delighting in our bonds with one another.
Pulitzer Prize-winning historian Jill Lepore says the United States is out of step with its history. She discusses how the country's tendency to look back to its origins when making legal decisions today is unique – and can be detrimental – to Americans.Plus: Want a soundtrack to America 250? Spin some jazz. Musicians Christian McBride and Terri Lyne Carrington, and musicologist Tammy Kernodle, reflect on hearing America's history – its promise, pain and highest ideals – in one of the country's top homegrown artforms.
In this episode of See See by Ceci, Rudolph Tanzi, one of the world's most influential neuroscientists, takes us inside the mind as it builds, and as it begins to come undone. Joseph P. and Rose F. Kennedy Professor of Neurology at Harvard Medical School, director of the Genetics and Aging Research Unit and co-director of the McCance Center for Brain Health at Massachusetts General Hospital, co-founder of the Cure Alzheimer's Fund, and named by TIME one of the 100 most influential people in the world, Tanzi co-discovered the very first Alzheimer's genes and helped create the groundbreaking “Alzheimer's in a Dish” model that has transformed the search for a cure. In this luminous and deeply human conversation, Tanzi traces the disease from its first description by Alois Alzheimer in 1906 (the strange plaques and tangles no one believed could cause a mind to slip away), to the golden age of treatment now within reach. He walks us through the three pathologies of plaques, tangles and inflammation; the genes he discovered and the blood test that can now see the disease coming; the brain's housekeeper cells, the microglia, and their Macbeth-like turn from caretakers to killers; and the kitchen-sink logic of the drugs his lab is racing to trials: turn off the tap, unclog the drain, stop the overflow. He shares SHIELD, his lifestyle plan for brain health, and the gut–brain axis that lets food become medicine for the mind. And then the conversation goes deep. Tanzi reflects on memory as a tapestry woven from a hundred billion neurons; on the hippocampus, the little seahorse that gives the world its context; on why music memory survives when almost everything else is gone. He speaks, with rare openness, about awareness and the self, about lucid dreaming and terminal lucidity, about the feelings of beauty, awe and love that he believes AI may mimic but never be, and finally about his conviction that everything is, ultimately, consciousness. Along the way we hear neuroscientist John Cryan on the gut microbiome and the food that feeds the brain; Cognitive neuropsychologist and Harvard Professor Alfonso Caramazza on prosopagnosia and the emotion that endures when recognition fails; four-time Grammy winner Terri Lyne Carrington and the documentary Alive Inside; photographer Domingo Milella on water, minerals and the camera obscura; parapsychology researcher Dean Radin on the taboo edges of mind; and a chorus of artists, Gregory Halpern, Marina Viotti, Andrei Ioniță, Cecilia Rivera and Kerem Hassan, on creativity, flow, and the blurring of time and space, a current that runs through Tanzi himself, a prolific musician who has recorded and performed with the likes of Aerosmith, Joe Perry and Johnny Depp. This is an episode about a terrifying disease, and about the relentless creativity, courage and compassion working to defeat it. About what memory is, what the self is, and what remains when both are taken. And about a scientist who insists, against one of the cruellest diseases of our time, now assures us: "I'm seeing the light at the end of the tunnel."
On this episode of Music Matters with Darrell Craig Harris, we welcome Grammy-winning drummer, composer, producer, educator, and social activist Terri Lyne Carrington. A pioneering force in contemporary jazz and beyond, Terri shares insights into her remarkable career, her passion for music education, and her commitment to using art as a catalyst for positive social change. We also discuss her highly anticipated new album "Trip The Night Fantastic"along with the creative process behind her latest work, and the importance of empowering the next generation of artists. From performing with some of the world's most celebrated musicians to leading groundbreaking projects that challenge conventions and inspire dialogue, Terri Lyne Carrington continues to shape the future of music while honoring its rich history. www.TerriLyneCarrington.com www.Instagram.com/terrilynecarrington Join us for an inspiring conversation about creativity, leadership, advocacy, and the transformative power of music. Subscribe, rate, and review Music Matters with Darrell Craig Harris on Apple Podcasts and wherever you listen to podcasts. About Music Matters with Darrell Craig Harris The Music Matters Podcast is hosted by Darrell Craig Harris, a globally published music journalist, professional musician, and Sports Illustrated photographer. Music Matters is now available on Spotify, iTunes, Podbean, and more. Each week, Darrell interviews renowned artists, musicians, music journalists, and insiders from the music industry. Currently, over 1.2 million global downloads in 40 countries. Visit us at: www.MusicMattersPodcast.com Follow us on Twitter: www.Twitter.com/musicmattersdh Instagram: www.Instagram.com/musicmatterspodcastofficial For inquiries, contact: musicmatterspodcastshow@gmail.com Support our mission via PayPal: www.paypal.me/payDarrell Voice intro by Nigel J. Farmer of Voice Wrap Studios Representation: Yvette Morales | YM & Associates PR Beverly Hills, CA YM-PR.com Email: YMoralesY@ym-pr.com
Jen Shyu is a groundbreaking multilingual vocalist, composer, producer, multi-instrumentalist, and dancer. And if that wasn't enough she is also a Rome Prize Winner, a Guggenheim Fellow, a United States Artists Fellow, a Doris Duke Artist, and she was voted a Downbeat Critics Poll Rising Star Female Vocalist. Her background is Taiwanese and East Timorese, and she speaks 11 languages. She's performed at Carnegie Hall, Lincoln Center, and the Metropolitan Museum of Art. She's performed with Terri Lyne Carrington, Reggie Workman, Kenny Barron, and Bill Frisell. She's released eight albums as leader. And she's produced three solo shows. Her latest project is “Fertile Land, Fertile Body”, a multilingual ritual opera. My featured song is “Redemption Road” from the album PGS 7. Spotify link. —----------------------------------------------------------- The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries! Click here for Start Here Click here for All Episodes Click here for Guest List Click here for Guest Testimonials Click here for Pillars Click here for Robert's Project Grand Slam Click here to Subscribe Click here to receive our Email Updates Click here to Rate and Review the podcast —---------------------------------------- CONNECT WITH JEN:www.jenshyu.com —---------------------------------------- ROBERT'S NEWEST RELEASE:“THE BUZZ” - Ft. Darius de Haas (vocals) and Dave Eggar (Celo). Short, Sweet and Totally Different CLICK HERE FOR OFFICIAL VIDEO CLICK HERE FOR ALL LINKS —-------------------------------------- Audio production: Jimmy RavenscroftKymera FilmsConnect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comFollow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.com
Caity Gyorgy & Mark Limacher, Ledisi, Dawn Clement, Stella Heath, April Varner, Ulysses Owens Jr., Terri Lyne Carrington, Matthew Stevens, Joel Ross, Ben Wendel, Joshua Redman, Gabrielle Cavassa, Ben Flocks, Markus Rutz, Dominique Fils-Aime, Inara George, Emie R Roussel Trio, Alexis MartinPlaylist: Caity Gyorgy & Mark Limacher - All Through the NightLedisi - Let's Do ItDawn Clement - The Gentleman is a DopeStella Heath - Swing Brother SwingApril Varner - UndecidedUlysses Owens Jr. and Generation Y - Mo' Betta BluesTerri Lyne Carrington , featuring Ledisi, J. Ivy, Matthew Stevens and Morgan Guerin - Autonomy SongMatthew Stevens, featuring Joel Ross - Take HeartJoel Ross - Be PatientBen Wendel - Birds AscendJoshua Redman - Words Fall ShortGabrielle Cavassa - Bossy NovaBen Flocks - Old Devil MoonMarkus Rutz - Blue MoonDominique Fils-Aimé - Moon ChildInara George - La lune s'en vaEmie R Roussel Trio - Trois lunesAlexis Martin Ensemble - Apprends-moi
Episode 105: Richard Bona is one of the most respected bass players, composers, vocalists, and bandleaders in modern music. Born in Cameroon and now celebrated around the world, Richard has worked with legends including Pat Metheny, Quincy Jones, Joe Zawinul, Harry Belafonte, Chick Corea, Herbie Hancock, Bobby McFerrin, Mike Stern, George Benson, and many more. From the Pat Metheny Group to the Zawinul Syndicate, Richard has helped shape the sound of jazz fusion, African music, world music, and modern bass playing for decades. Richard has also shared the stage and studio with some of the greatest drummers in the world including Antonio Sanchez, Vinnie Colaiuta, Dave Weckl, Steve Smith, Omar Hakim, Paco Séry, Dennis Chambers, Manu Katché, Simon Phillips, Terri Lyne Carrington, Mark Guiliana, Steve Gadd, and more. In this episode, Richard and Elmo talk about growing up in Cameroon, building his own instruments as a child, discovering Jaco Pastorius, moving to Germany, Paris, and New York, becoming Harry Belafonte's musical director, joining Joe Zawinul's Syndicate, winning a Grammy with Pat Metheny, rhythm, groove, African music, storytelling, singing while playing bass, improvisation, how to feel odd time signatures and polyrhythms, being managed by Quincy Jones, bass technique, composition, musical identity, and much more. Richard also shares stories from the road, lessons from the greatest musicians in the world, and his philosophy on music, culture, creativity, and humanity. We hope you enjoy our conversation with the great Richard Bona! Big thanks to our friends Ace Studio for supporting the show. Check them out! https://acestudio.ai/ Another huge thanks to our friends at DistroKid! DistroKid is the easiest and fastest way to get your music on over 150 platforms worldwide! Go to https://distrokid.com/vip/elmo to get 20% off your first year! Become a Patreon Member to stay in the loop as we post Patreon-only exclusive content, Zoom hangs, invite only events, and discussions about music and music careers. https://www.patreon.com/gowithelmo Please SUBSCRIBE / FOLLOW this podcast to catch new episodes as soon as they drop! Your likes, comments and shares are much appreciated! Listen to the audio form of this podcast wherever you get your podcasts: https://elmolovano.komi.io/ Follow Richard: https://www.instagram.com/richardbonaofficial/ Follow Go With Elmo: https://www.instagram.com/gowithelmo/ https://www.tiktok.com/@gowithelmo https://x.com/gowithelmopod Follow Elmo Lovano: https://Instagram.com/elmolovano https://x.com/elmolovano Follow Jammcard: https://www.youtube.com/@jammcard https://www.instagram.com/jammcard/ jammcard.com Learn more about your ad choices. Visit megaphone.fm/adchoices
What is it about rhythm that dissolves separation and draws us into a shared pulse? At the heart of this episode lies a quiet but unshakable conviction: that every life, every struggle, every creative breakthrough, is a quest for freedom. Few voices today carry that conviction with more authority than Terri Lyne Carrington, four-time Grammy winner, NEA Jazz Master, and one of the most vital figures in music of our time. In this conversation, she traces the search for freedom from its deepest roots to its most urgent expressions in the present. It begins with a child at a drum kit, and a family sensing something uncanny, a story that reaches back across generations, and across oceans, to a lineage in which rhythm was never only sound, but memory, identity, and a spiritual code passed through the hands of those entrusted to keep it alive. From there, Terri takes us into what jazz truly is at its core: a kind of liberation theology. Born of displacement and oppression, it became a communal act of survival, intellectual, radically creative, radically free. And it is in that freedom, expressed through improvisation, that something remarkable happens: boundaries begin to stretch, time itself begins to bend, and the music reaches far beyond those who first gave it voice. But as you'll discover, Terri is not only conscious of history, she is making it. Through the Berklee Institute of Jazz and Gender Justice, she is carrying that same liberating impulse into new territory, challenging the hyper-masculine structures that have shaped jazz for decades and opening doors for voices that might otherwise have gone unheard. With this, she brings music into some of the most urgent conversations of our time: gender equality, and the building of a truly universal legacy. A vibrant episode, infused with Terri's ancestral rhythm and potent intellect, in which she returns us to the essential elements of rhythm itself: its flow, its healing power, and its quiet, seductive pull into that spiritual place which is eternal: the present. Why drummers are the mind's gatekeepers, and what they are guarding that is so much greater than music itself, is what this episode invites you to discover.
On this episode of The Bandwich Tapes, I sit down with guitarist, composer, and producer Matthew Stevens for a conversation about identity, collaboration, and the kind of artistic clarity that only seems to come through real-life change. I've been a fan of Matthew's playing for a long time, so getting to talk with him about his new self-titled record felt especially meaningful.We start with the album itself, and one of the first things I ask him is why this record carries his name. Matthew shares that the years leading up to it brought major shifts, moving from New York to Boston, beginning to teach at Berklee, going through divorce, and eventually finding a new sense of grounding in his personal life. What comes through clearly is that this album feels like his most complete expression of himself so far. It's not self-titled as a branding move. It's self-titled because it sounds like who he is now.We also talk in depth about collaboration, how Matthew brought in trusted co-producers Josh Johnson and Eric Doob, and how their presence helped him let go of control in a healthy way. That thread runs through the whole conversation: surrounding yourself with people you trust, writing with specific musicians in mind, and allowing the music to become a real conversation. We get into the sound of the record too, its grounding rhythm section, the feel of tracks like “Take Heart”, and the way so much of the album was captured live in the room over just a few days.One of my favorite parts of this conversation is hearing Matthew talk about influence, producing, and teaching. We talk about working with heroes like Jeff Parker and Terri Lyne Carrington, producing the beautiful Doc Watson tribute project, and what it's like to return to Berklee now as a faculty member after being deeply shaped by that school as a student. We also get into the pressures younger musicians face now, especially around social media and self-promotion—and Matthew offers a really grounded perspective on what it means to use that time instead to build actual musicianship.This is a thoughtful conversation about sound, feel, growth, and what it means to become more fully yourself as an artist.Key TakeawaysA self-titled album can be a personal statement — for Matthew, this record reflects the clearest version of who he is right now.Life changes can deepen artistic identity — moving, teaching, heartbreak, and rebuilding all shaped this music.Trusting collaborators can open the music up — working with Josh Johnson and Eric Doob helped Matthew let go of some control and go deeper.Sound and feel are at the center of everything — even simple musical ideas come alive when the players are deeply connected.Producing is about meeting artists where they are — Matthew's work on the Doc Watson tribute shows how great producers guide without forcing.Community is one of music school's greatest gifts — the relationships built there often matter as much as the training itself.Young musicians face new pressures — Matthew is thoughtful about how social media can compete with the slower work of building real craft.Music from the EpisodeTake Heart - Matthew Stevens (ft. Joel Ross)Who Does She Hope to Be - Matthew Stevens (ft. Terri Lynne Carrington & Jeff Parker)Hazy -Matthew Stevens (ft. Josh Johnson)Alberta - Matthew Stevens (ft. Anna B Savage & Josh Johnson)About the PodcastThe Bandwich Tapes is a podcast hosted by Brad Williams, featuring conversations with musicians, composers, producers, and creative thinkers about their musical journeys. Each episode explores the influences, decisions, and experiences that shape a life in music—one conversation at a time.Connect with the ShowEmail: contact@thebandwichtapes.com
Long recognized as one of the most thrilling and thoughtful guitarists of his generation, Matthew Stevens has built an elite reputation in music, touring, and recording with a "who's who" of modern icons, including Esperanza Spalding, Chief Xian aTunde Adjuah, Harvey Mason, and Walter Smith Ill. He has also made a splash outside of jazz, having produced the tribute album I Am A Pilgrim - Doc Watson at 100, featuring artists such as Valerie June, Steve Earle, Nora Brown, and Dolly Parton (Stevens produced Parton's version of "The Last Thing on My Mind," which earned a GRAMMY nomination for Best Country Solo Performance in 2024). A culmination of 20 years of craft, the eponymous album serves as a mid-career mission statement with Stevens stepping into the spotlight. Co-produced by Stevens, saxophonist Josh Johnson, and percussionist Eric Doob, the record seamlessly melds acoustic and electric sonics through a mix of genre-blurring originals and deeply personal covers. It features a multigenerational cast of musicians who have had a profound impact on Stevens' journey, including rising visionaries like vibraphonist Joel Ross and vocalists Anna B Savage and Corey King, in addition to his mentor Terri Lyne Carrington and personal guitar hero Jeff Parker. At the album's core is a band of his most trusted collaborators, which also includes keyboardist Chris Fishman and bassist Kyle Miles, with additional contributions from percussionist Paulo Stagnaro and guitarists Dylan Day and Rich Hinman on slide and pedal steel. Matthew Stevens reflects a period of profound personal and artistic change, ultimately bringing him to "a place of optimism, excitement, and confidence" that signals a bold new chapter for one of jazz's most essential voices and respected players. website www.mattstevens.com www.instagram.com/matthewthomaswyatt Spotify https://open.spotify.com/artist/7z1PSpsIyAeniOOtaQ1iYa?si=cS9P53EIR46Qs9X4YvAd-g About Music Matters with Darrell Craig Harris The Music Matters Podcast is hosted by Darrell Craig Harris, a globally published music journalist, professional musician, and Getty Images photographer. Music Matters is now available on Spotify, iTunes, Podbean, and more. Each week, Darrell interviews renowned artists, musicians, music journalists, and insiders from the music industry. Currently, 870,000 global downloads in over 40 countries. Visit us at: www.MusicMattersPodcast.com Follow us on Twitter: www.Twitter.com/musicmattersdh For inquiries, contact: musicmatterspodcastshow@gmail.com Support our mission via PayPal: www.paypal.me/payDarrell voice over intro by Nigel J. Farmer
On this episode of The Bandwich Tapes, I sit down with pianist, composer, improviser, label founder, and educator Kris Davis—one of the most forward-thinking voices in creative music today. Our conversation left me feeling genuinely energized. Kris approaches music with a rare combination of curiosity, discipline, and fearless experimentation, and it was a joy to dig into how all of that shows up in her work.We start with what's immediately ahead for her: a trip to Hamburg to premiere a newly expanded big band version of a trio piece with the NDR Big Band. Kris shares the very real “composer panic” that comes with catching an engraving mistake right before rehearsal—one of those behind-the-scenes realities of composing that every musician can relate to.From there, we talk about festivals—especially Big Ears, which feels like its own musical universe—and dive into two major pillars of her work: prepared piano and large-form composition. Kris reflects on studying with pianist Benoît Delbecq, whose approach to prepared piano emphasized rhythm, individuality, and finding a personal sonic vocabulary.One of the highlights of our conversation is a deep look at her remarkable Solastalgia Suite, written for the Lutosławski Quartet after a commission through Poland's Jazz to Pad Festival. Kris talks about learning how to write for strings in real time and how the concept of **solastalgia—the grief you feel for your home while you're still living in it—**became the emotional core of the piece.We also zoom out into the bigger picture of her work: her leadership role alongside Terri Lyne Carrington at Berklee's Institute of Jazz and Gender Justice, and her decade-long journey building Pyroclastic Records, a label dedicated to supporting adventurous music and the artists creating it. At its heart, this conversation is about craft, community, curiosity, and the importance of taking creative risks on purpose.Key TakeawaysThe behind-the-scenes realities of composing for large ensembles—including last-minute engraving panic before a premiere.Why festivals like Big Ears create a unique ecosystem for creative music.How studying with Benoît Delbecq shaped Kris Davis's approach to prepared piano.The creative challenge of writing for string quartet for the first time.The emotional meaning of solastalgia and how it shaped the Solastalgia Suite.Kris's work at Berklee's Institute of Jazz and Gender Justice alongside Terri Lyne Carrington.How Pyroclastic Records has grown into an important platform for adventurous and forward-thinking music.Music from the EpisodeDiatom Ribbons — Kris DavisInterlude (from the Solastalgia Suite) — Kris DavisLife on Venus (from the Solastalgia Suite) — Kris DavisRun the Gauntlet — Kris DavisAbout the PodcastThe Bandwich Tapes is a long-form conversation podcast where host Brad Williams sits down with some of the most thoughtful musicians, composers, and artists working today. The show explores the stories behind the music—creative process, collaboration, career paths, and the human experiences that shape the sounds we love.Connect with the ShowEmail: contact@thebandwichtapes.com
Jazzdrum‑Playlist (Volgorde: van vroeg → modern) 1. Gene Krupa – “Sing, Sing, Sing” (Benny Goodman, 1937) De oerdonder van de swingdrums—Krupa maakt de toms en jungle‑feel wereldberoemd. 2. Baby Dodds – “Spooky Drums” (1946) Een solo-opname die laat horen hoe vroeg-jazzdrummers kleur, ritme en improvisatie benaderden. 3. Max Roach – “Cherokee” (met Charlie Parker, 1945) Razendsnelle bebop en totaal vernieuwend ride‑cymbalspel. 4. Art Blakey – “Moanin'” (1958) Blakey's “press roll thunder” en soulvolle drive: hét hard‑bop geluid. 5. Philly Joe Jones – “Two Bass Hit” (Miles Davis, 1958) Super strakke rudiments, dynamische fills, en meesterlijke controle. 6. Elvin Jones – “A Love Supreme: Pt II – Resolution” (John Coltrane, 1965) Golvende, spirituele storm aan polyritmiek. Volgens kenners één van de meest invloedrijke drumopnames ooit. 7. Tony Williams – “Seven Steps to Heaven” (Miles Davis, 1963) Williams was 17 (!) en revolutionair in drive, vrijheid en cymbal‑articulatie. 8. Roy Haynes – “Snap Crackle” (1962) Zijn bijna elektronische “snap & crackle” stijl komt hier volledig tot recht. 9. Billy Cobham – “Stratus” (1973) Kracht, snelheid, precisie: Cobham zet een nieuwe standaard voor fusiondrums. 10. Steve Gadd – Intro van 50 Ways To Leave Your Lover 11. Steve Gadd – “Foam Home” (Steve Gadd Band – 70-Strong, 2015) Legendarische precisie, frasevorming en groove—drummer's favorite. 12. Peter Weissink – Up Jumped Spring (Keys and Beats – 2024) Als toetje: de ‘huisdrummer’ en organisator van de Tor-JazzJamsessions: Peter Weissink en zijn muzikale companen John Hondorp en Sebatian Altekamp op hammond en piano. Drums en slagwerk vormen de ritmische motor van jazz. Van de vroege “trap sets” in New Orleans tot de complexe metriek van het modern jazz‑drummen: elke periode bracht nieuwe technieken, geluiden en muzikale rollen. 1. Vroege jazz & New Orleans (1900–1920) De moderne drumkit ontstond in New Orleans toen slagwerkers verschillende percussie-instrumenten combineerden tot één set (o.a. bass drum, snare en bekkens). Kenmerken Tweeledige rol: ritme én kleur Veel marching band‑invloeden Gebruik van vroege “rudiments” en eenvoudige ritmiek Belangrijke drummers Baby Dodds — pionier van het improvisatorische drumwerk Zutty Singleton — populair door zijn werk met Louis Armstrong 2. Swing Era & Big Bands (1930–1940) Met de opkomst van bigbands werd de drummer een tijd-keeper die de dansbare “swing feel” moest dragen. Kenmerken Focus op steady hi-hat en basdrum Grote orkesten → meer kracht en consistentie nodig Drumsoli worden een showelement Belangrijke drummers Gene Krupa — maakte de tom-toms beroemd, enorme showman Chick Webb — krachtig, invloedrijk swingdrummer Jo Jones — verplaatste de “time” van basdrum naar ride-bekken, een mijlpaal 3. Bebop (jaren 40) Bebop zette de drummer in een interactieve, minder voorspelbare rol. De muziek werd sneller, complexer en meer op improvisatie gericht. Kenmerken Ride-cymbal wordt het hoofdritme-instrument “Dropping bombs”: accenten op de basdrum Veel vrijheid en communicatie met solisten Belangrijke drummers Kenny Clarke — grondlegger van moderne bebop-drums Max Roach — melodisch drummen, polyritmiek Art Blakey — dynamisch en krachtig, bekend van Jazz Messengers 4. Hard Bop & Soul Jazz (jaren 50–60) De groove werd zwaarder en aardser, beïnvloed door gospel en blues. Kenmerken Sterkere backbeat Meer emotionele spanning Interactie met blazers en piano Belangrijke drummers Art Blakey (opnieuw) — echte hard bop‑architect Philly Joe Jones — strak, fel, met prachtige rudimental frases Elvin Jones — revolutionaire, golvende “drum‑storm” rond Coltrane 5. Modal Jazz en Post-Bop (jaren 60) De ritmische vrijheid neemt toe; drummers bewegen zich losser rond de beat. Kenmerken Minder voorspelbare patronen Veel gebruik van textuur en ruimte Accent verschuift van swing naar flow en kleur Belangrijke drummers Tony Williams — enorm vernieuwend op jonge leeftijd, bij Miles Davis Jack DeJohnette — lyrisch, open, breed geluid Roy Haynes — “snap, crackle”, lichte en springerige stijl 6. Jazz Fusion (jaren 70) Elektrische instrumenten en rockinvloeden brengen nieuwe energie. Kenmerken Krachtiger spel, rock‑dynamiek Complexe maatsoorten Gebruik van elektronische drums en percussie Belangrijke drummers Billy Cobham — stormachtig, technisch extreem sterk Lenny White — pionier bij Return to Forever Harvey Mason — funk‑jazz, strakke groove 7. Contemporary Jazz (jaren 80–heden) Hedendaagse drummers mengen jazz met wereldmuziek, hip-hop, elektronica, en nog veel meer. Kenmerken Hybride setups en elektronica Complexe metriek (bijv. 7/8, 11/8) Mix van jazz, pop, funk, hip-hop en indie-invloeden Belangrijke drummers Brian Blade — muzikaal, gevoelig, dynamisch Jeff “Tain” Watts — krachtige post-bop energie Mark Guiliana — pionier van elektrojazz en “future groove” Terri Lyne Carrington — veelzijdig, grensverleggend
Kris Davis is a Grammy award-winning pianist and composer described by The New York Times as a beacon for “deciding where to hear jazz [in New York] on a given night.” Davis has released 24 recordings as a leader or co-leader and collaborated with artists such as Terri Lyne Carrington, Dave Holland, John Zorn, Craig Taborn, Ingrid Laubrock, Tyshawn Sorey and Esperanza Spalding. She was named a 2021 Doris Duke Artist alongside Wayne Shorter and Danilo Perez, Pianist of the Year by DownBeat magazine in 2022 and 2020, and Pianist and Composer of the Year by the Jazz Journalists Association in 2021. In 2019, Kris Davis' “Diatom Ribbons” was named jazz album of the year by both the New York Times and the NPR Music Jazz Critics Poll. Today Kris joins the show to share her newest music, The Solastalgia Suite. Support the show
Eine Sensation in der Jazzszene: Die amerikanische Star-Schlagzeugerin Terri Lyne Carrington bekommt eine Professur in München. Bis Ende 2028 wird sie an der Hochschule für Musik und Theater unterrichten.
Die amerikanische Starschlagzeugerin Terri Lyne Carrington wird bis Ende 2028 an der Hochschule für Musik und Theater in München lehren, ein Gewinn für die Studierenden und die Jazz-Szene in Bayern.
Milestones: Deep Dive Analyses of Landmark Albums with Angélika Beener
Jazz, in particular, has played a central role in this lineage. From John Coltrane's “Alabama,” to Max Roach and Abbey Lincoln's We Insist! Freedom Now Suite, from Nina Simone's “Mississippi Goddamn” to Charles Mingus' “Fables of Faubus,” jazz has always spoken truth to power. That tradition continues today, ascontemporary jazz musicians compose artistic eulogies for Oscar Grant III, Trayvon Martin, Tamir Rice, Sandra Bland, and George Floyd; celebrate the nation's first Black president; and reaffirm that “Black Is Beautiful,” more than 60 years after the phrase became a unifying call within the Black PowerMovement. Jazz also chronicled the life and journey of Dr. King in real time, beginning with his emergence as a young preacher and activist in the early 1950s, and has continued to honor his legacy in the decades since his life was cut short. On thisspecial episode of Milestones, we explore the role jazz played inadvancing King's philosophy and celebrating his extraordinary impact as one of the most consequential leaders in American history with NEA Jazz Master and four-time GRAMMY-winning artist and educator Terri Lyne Carrington, GRAMMY-winning bassist and vocalist Ben Williams, and GRAMMY-nominated pianist and curator Orrin Evans. Together, with host Angélika Beener, they reflect on pieces like Herbie Hancock's 1969 “I Have a Dream,” and more, examining their cultural impact and role in the musical evolution of jazz. Hip-hop historians T.L. Cross and WBGO's own Stevan Smith also join the conversation,shedding new light on “King Holiday,” the 1986 hip-hop and R&B anthem that united an ensemble of rising stars—from New Edition and Run-DMC to Whitney Houston and Stephanie Mills. With the late Dexter Scott King at the helm, Kurtis Blow was tasked with assembling a collective to create an anthem for thenext generation – one that would honor Dr. King's legacy and serve as the soundtrack for the inaugural MLK holiday celebration, 40 years ago. The iconic scholar, author, global thought leader and visionary Dr. Angela Davis joins as a very special guest, offering remarkable insights on this milestone anniversary.
Camila Cortina is a terrific Cuban-born pianist and composer. She combines her Afro-Cuban heritage with jazz, classical, and world music. She has performed internationally at festivals in the U.S., Latin America and Asia, collaborating with artists like Paquito D'Rivera, Miguel Zenón, Terri Lyne Carrington, and Dianne Reeves. Her work “Bravura” premiered at London's Barbican Centre. She won the Duke Ellington Award.My featured song is “Mi Cachimber”, my recent single. Spotify link.—-----------------------------------------------------------The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!Click here for All Episodes Click here for Guest List Click here for Guest Groupings Click here for Guest TestimonialsClick here to Subscribe Click here to receive our Email UpdatesClick here to Rate and Review the podcast—----------------------------------------CONNECT WITH CAMILA:www.camilacortina.com—----------------------------------------ROBERT'S LATEST RELEASE:“MA PETITE FLEUR STRING QUARTET” is Robert's latest release. It transforms his jazz ballad into a lush classical string quartet piece. Praised by a host of classical music stars.CLICK HERE FOR YOUTUBE LINKCLICK HERE FOR ALL LINKS—---------------------------------------ROBERT'S RECENT SINGLE“MI CACHIMBER” is Robert's recent single. It's Robert's tribute to his father who played the trumpet and loved Latin music.. Featuring world class guest artists Benny Benack III and Dave Smith on flugelhornCLICK HERE FOR YOUTUBE LINKCLICK HERE FOR ALL LINKS—--------------------------------------ROBERT'S LATEST ALBUM:“WHAT'S UP!” is Robert's latest compilation album. Featuring 10 of his recent singles including all the ones listed below. Instrumentals and vocals. Jazz, Rock, Pop and Fusion. “My best work so far. (Robert)”CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS—----------------------------------------Audio production:Jimmy RavenscroftKymera Films Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com
t's the FUNKNSTUFF 2025 Year in Review Holidays Special! 2025 was an eventful year, musically and otherwise, including the launch of this channel's Jam Fans Forum, which joins the growing galaxy of FUNKNSTUFF shows. Nearly 40 episodes of Where'd You Get Your Funk From? premiered during 2025, along with 16 editions of On THE ONE . . . and Done!, eight Jam Fans Forums and a pair of new TRUTH IN RHYTHM shows. Joining host Scott "DR GX" Goldfine to sum up 2025 and help ring in the New Year are three Jam Fan Forum musical friends: lifelong music devotee, host of the FJS (Funky, Jazzy and Smooth) with KD radio show, and legal expert Karl A. Doss!; music & culture journalist and liner notes master A. Scott Galloway; and music scholar, author and History of Funk radio show host Rickey Vincent. This special episode reviews what took place the past year – personally for the panelists, musically and FUNKNSTUFF wise. That includes each expert panelist revealing their Top Albums of the Year (see lists below); unveiling the FUNKNSTUFF Channel's Top 10 most viewed and commented on episodes, as well as the Top 10 all-time most viewed episodes, along with some other fascinating tidbits; Scott Galloway leading a segment honoring musical artists and figures we had to say goodbye to during the year; a look ahead to the next year in music; and a sneak peek at upcoming FUNKNSTUFF Channel show episodes. To close it out, the panelists all share their thoughts and wishes for 2026. We hope you enjoy this special edition, and happy, healthy holidays to all! Scott Goldfine's Top 25 Funk and More Albums of 2025 (alpha order by artist) 420 Funk - The Emperor Has No Clones Bootsy - Album of the Year #1 Funkateer The Bump Squad - Guilty as Funk! Cymande - Renascence DaFonk - Heaven Reloaded De La Soul - Cabin in the Sky Exiles of the Nation - 1983 Fishbone - Stockholm Syndrome FunkDome - FunkDome Eric Gales - A Tribute To LJK Ice Cube - Man Up Eric Krasno and the Heavyweights - Live From the Mint Leo & the Goat - Shine Lettuce - Cook Tha Muthafunkaholix - Taste a Funk Nova Twins - Parasites & Butterflies PTFI - Project 2025 Is Upon You Robb Harper - Transformation Public Enemy - Black Sky Over The Projects: Apartment 2025 Vernon Reid - Hoodoo Telemetry Skunk Mob - Tales From The Skunk Hole Slapbak - Funk Lives Matter That New Funk Vol. 1 - Tony Camm Thurtdelic - Psychedelic Therapy Don Was - Groove in the Face of Adversity Karl A. Doss' Top 20 Albums of 2025 1. We Insist 2025! – Terri Lyne Carrington & Christie Dashiell 2. Cabin in the Sky -De La Soul 3. 10 – Sault 4. Audience With the Queen – Galactic & Irma Thomas 5. Tales from the Skunk Hole – Tha Skunk Mob 6. Funk Lives Matter - Slapbak 7. Album of the Year #1 Funkateer – Bootsy Collins 8. Letters from the Atlantic – Butcher Brown 9. The Emperor Has No Clones – 420 Funk Mob 10. Cook – Lettuce 11. Around the World in a Day (Deluxe Edition) – Prince & the Revolution 12. Sinners (Original Motion Picture Soundtrack) – Various Artists 13. Why Can't We Be Friends (50th Anniversary Collector's Edition) – War 14. Naomi's Finest – Deborah Bond 15. Sad and Beautiful World – Mavis Staples 16. Secrets of the Sun – Roy Ayers 17. The First Family: Live at Winchester Cathedral 1967 – Sly & the Family Stone 18. That New Funk, Vol. 1 - ToNY CaMM 19. Sly Lives (aka The Burden of Black Genius) – Sly & the Family Stone 20. 1983 – Exiles of the Nation Rickey Vincent's Top 10 Funk Albums of 2025 1. Bootsy Collins / Album of the Year - #1 Funkateer 2. 420 Funk Mob – The Emperor Has No Clones 3. Thurtdelic - Psychedelic Therapy 4. Slapbak - Funk Lives Matter 5. PTFI - Project 2025 Is Upon You 6. Tha Muthafunkaholix – Taste A Funk 7. Lettuce – Cook 8. Sault – 10 9. Nik West – Little Big Beat Studio Session Live 10. Robert Harper – Transformation A. Scott Galloway's Top 5 Albums of 2025 1. WAR - Live in Japan 1974 2. Love Life - Nicki Richards 3. Vantablack - Lalah Hathaway 4. Archive Volume 4 (box set) - Joni Mitchell 5. Introducing The Pocket Queen (EP) RECORDED DECEMBER 2025 LEGAL NOTICE: All video and audio content protected by copyright. Any use of this material is strictly prohibited without expressed consent from original content producer and owner Scott Goldfine, dba FUNKNSTUFF. For inquiries, email info@funknstuff.net. Get your copy of "Everything Is on the One: The First Guide of Funk" today! https://www.amazon.com/gp/product/1541256603/ref=as_li_tl?ie=UTF8&camp=1789&creative=9325&creativeASIN=1541256603&linkCode=as2&tag=funknstuff-20&linkId=b6c7558ddc7f8fc9fe440c5d9f3c400
Acclaimed international Jazz vocalist Lori Williams has a most impressive resume as a performing artist, veteran music educator, songwriter, producer, musical theater actress, radio host, business owner/founder (PositiveMusicPM.org), and artist-in-residence with over 30 years of experience. Her annual vocal jazz tour and performance at music festivals have taken her to Europe (Austria, Germany, Slovakia, Slovenia, Russia, Switzerland, Italy, Czech Republic, and Ukraine), Japan, The Caribbean (including Barbados, British Virgin Islands, Curaçao, St. Lucia, Turks and Caicos, et. al), Mexico, and across the United States (performing at venues and festivals like The Atlanta Jazz Festivals, Berks Jazz Festival, The Birchmere, Birdland - Hamburg, Blues Alley, Blue Note Hawaii, Capital Jazz Fest/Cruise, City Winery, Disney's Pleasure Island, Gulf Coast Summer Jazz Festival, JazzFestBRNO, JazzHRAM, Jazzkeller - Esslingen, Jazzland - Vienna, The Kennedy Center, Keystone Korner, Mid-Atlantic Jazz Festival, Myrtle Beach Jazz Festival, Rams Head Live, Rehoboth Beach Jazz Festival, Riviera Maya Jazz Festival, Scullers Jazz, Spivey Hall, Trieste Loves Jazz, and more). Her vocal jazz artist residencies have allowed her to work with and mentor students on college campuses in the USA and abroad. As a veteran vocal music educator and private vocal coach, Lori's received many honors for her contributions to the arts, including The 2025 South Arts Jazz Road Award, The Atlanta Chapter of the National Hampton Alumni Association's 2023 Excellence in Arts and Entertainment Award, Outstanding Music Teacher in the October 2000 issue of Teaching Music, the 2007 Superintendent's Arts Teacher of the Year, and the 2010 Vincent E. Reed Teacher of the Year. Lori was nominated for a 2014 Helen Hayes Award as an Outstanding Lead Actress in a Resident Musical for her role as Ella Fitzgerald. Lori has received letters of recognition for her performances by President Joseph Biden (wherein he wrote that Lori Williams has "the voice of an angel…absolutely amazing"), Speaker of the House John Boehner, and Senator C. Anthony Muse. Immersed in traditional jazz from an early age (earning a B.A. in Mass Media Arts from Hampton University, attending the Jazz Studies Program at The University of the District of Columbia, and currently working on her Master's degree in Music - Jazz Studies at Georgia State University), Lori Williams hosts a weekly radio program on JazzRadioWETF.org - "Collector's Choice With Lori Williams". Her weekly broadcast highlights women in jazz, the international scene and young performers dedicated to the roots and traditions of the music. Lori is also the producer and host of Sunday Jazz Lounge at St. James Live! jazz club in Atlanta, Georgia (stjamesliveatl.com). For over three decades, Lori Williams has had the honor of working with many notable artists as lead / background / studio session / guest vocalist including Oleta Adams, Marcus Adams, Yolanda Adams, Nikita Agafonov, David Archuleta, Marcos Ariel, Rob Bargad, Regina Belle, Eric Benet, The Blackbyrds, Michael Bowie, Willie Bradley, Karen Briggs, Norman Brown, Tom Browne, Peabo Bryson, Chuck Brown, Wayne Bruce, Jerry Butler, Jonathan Butler, Paul Carr, Terri Lyne Carrington, TC Carson, Gene Chandler, Renato Chicco, Stanley Clarke, Nick Colionne, Collaboration, Michael Colyar, Adrian Crutchfield, John Davis, John Di Martino, Will Downing, Joris Dudli, George Duke, Nathan East, Rodney M. Edge, Troy Sol Edler, Kevon Edmonds (After 7), Herb Fame, Jorel "JFLY" Flynn (HBIYD), Derrick Gardner, James Genus, Jazmin Ghent, Tres Gilbert, Savion Glover, Chelsey Green, Slide Hampton, Winard Harper, Christian Havel, Walter Hawkins, Norbert Heger, Howard Hewett, Dr. W. Weldon Hill, Tony Hightower, Corcoran Holt, William Hubbard, Daryl Hunt, Yoron Israel, Jessy J, Al Johnson and The A-Team, Allyn Johnson (Divine Order), Marcus Johnson, Stanley Jordan, Jackiem Joyner, Michael Keul, Kindred the Family Soul, Ben E. King, James King, Anatoliy Kirnichnyy, Antoine Knight, Yishai Knoll, Saltman Knowles Group, Ignat Kravtsov, Rayshun LaMarr, Lavahi, Evgeny Lebedev, Alex Malheiros (Azymuth), Jimmy Masters, Maysa, Daniel McClain (After 7), Frank McComb, Marion Meadows, Najee, Jimmy Masters, Nathan Mitchell, Ed Neumeister, Marat Nikolaev, Milan Nikolic, Julia Nixon, Daniel Nösig, Antonio Parker, Phil Perry, Robert E. Person, Anne Phillips, Benjie Porecki, Lloyd Price, Chuck Redd, Robert Redd, Althea Rene, Anton Revnyuk, Lenny Robinson, Gino Rosaria, Ellie Saitoh and The Love Tambourines, Erwin Schmidt, Sylver Logan Sharp, Avery Sharpe, Art Sherrod, Oli Silk, Brian Simpson, Dick Smith, John Toomey, Tony Terry, Unit 3 Deep, Gerald Veasley, Chris Walker, Kevin Walker, Kim Waters, Doug Weiss, Anthony Wellington, Matthew Whitaker, Roz White, Bernhard Wiesinger (Poysdorf All-Stars), Vesta Williams, Larry M. Wilson, Angela Winbush, Sherry Winston, David Ylvisaker, Frederic Yonnet, et.al. Lori Williams is the proud mother of two exceptionally talented and compassionate remarkable young adults — Lauren V. Highsmith (LAVAHI.me) and Yusef Khalil Chisholm - who inspire her daily with their creativity, passion, and accomplishments. She is also a member of Delta Sigma Theta Sorority, Inc., Sigma Alpha Iota International Music Fraternity, and the Recording Academy.
Here's a playlist which shines a light on Lex Korten, one of New York's most in-demand young pianists. Alongside his much-anticipated debut, you'll hear collaborations that show just how deeply he's shaping today's scene. Also included: a stirring Max Roach tribute from Terri Lyne Carrington and Christie Dashiell, plus an uplifting new release from pianist Michael Wolff. The playlist features Michael Wolff; Terri Lyne Carrington, Christie Dashiell; Milena Casado; Lex Korten (pictured); Alex Hitchcock; Zoh Amba. Detailed playlist at https://spinitron.com/RFB/pl/21207965/Mondo-Jazz [from "Sunny Day" onwards]. Happy listening!
Grammy Award-winning drummer and composer Terri Lyne Carrington, together with Grammy-nominated jazz vocalist and recording artist Christie Dashiell discuss We Insist 2025—a powerful reimagining of Max Roach's groundbreaking 1960 work, We Insist!.
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KENNY WERNER “CHURCH ON MARS” New York, October 8, 2018Superfluous, Think of oneDavid Liebman (ts,sop) Kenny Werner (p) James Genus (b) Terri Lyne Carrington (d) Vivienne Aerts (vcl) RALPH TOWNER “BATIK” Oslo, January, 1978Waterwheel, BatikRalph Towner (g,12-string-g,p) Eddie Gomez (b) Jack DeJohnette (d GERRY MULLIGAN AND THE CONCERT JAZZ BAND LIVE “VILLAGE VANGUARD” New York, December 11, 1960Blueport, Body and soulClark Terry, Don Ferrara, Nick Travis (tp) Bob Brookmeyer (v-tb,arr) Willie Dennis (tb) Alan Raph (b-tb) Gene Quill (as,cl) Bob Donovan (as) Jim Reider (ts) Gerry Mulligan (bar,p-1) Gene Allen (bar,b-cl) Bill Crow (b) Mel Lewis (d) Al Cohn, Johnny Mandel (arr) Continue reading Puro Jazz 02 de septiembre, 2025 at PuroJazz.
Today we have JJA president Howard Mandel hosting a compelling discussion on political activism in jazz with three remarkable musicians who have dedicated their careers to both artistic excellence and social change.Our first guest is Terri Lyne Carrington, the four-time Grammy-winning drummer, composer, and producer who serves as Founder and Artistic Director of the Berklee Institute of Jazz and Gender Justice. As an NEA Jazz Master and Doris Duke Artist, Terri Lyne has spent four decades advocating for women, transgender, and nonbinary musicians while reimagining jazz's aesthetic possibilities. Her recent work includes the acclaimed album "new STANDARDS vol.1," featuring compositions by women, and a powerful reconceptualization of Max Roach and Abbey Lincoln's "We Insist!" for the modern era.Joining her is Orbert Davis, the Emmy Award-winning trumpeter, composer, and educator who co-founded the Chicago Jazz Philharmonic. As host of "The Real Deal with Orbert Davis" on 90.9 FM WDCB, Orbert has built extraordinary cultural bridges through his "Immigrant Stories" concert series and groundbreaking collaborations with Cuban musicians. His work transforms jazz into a vehicle for international understanding and social healing.Our third guest is Marc Ribot, the innovative guitarist whose extensive collaborations include work with Tom Waits, Elvis Costello, and John Zorn. Beyond his acclaimed recording career spanning over 25 albums, Marc has emerged as a fierce advocate for musicians' economic rights through his organizing work with the Content Creators Coalition and efforts to reform the American Federation of Musicians.Together, these three artists explore what jazz activism means today—from challenging gender inequities and supporting immigrant communities to fighting for fair compensation and workers' rights. Their conversation reveals how jazz continues to serve as both artistic expression and instrument of social change.Take a look at the Jazz Omnibus, the 600-page anthology of 21st century photos and writings by members of the Jazz Journalist Association, available online and wherever books are soldDon't miss new episodes of The Buzz. Make sure you follow us wherever you listen to podcasts. For more from the Jazz Journalists Association, go to JJANews.org.
Check out a New Music Feature from Terri Lyne Carrington & Christie Dashiell, "We Insist 2025!" [Candid Records], and our top 10 of the week!Position | Artist | Album Title | Label10 | Noah Haidu | Standards III | Infinite Distances9 | Ryan La Valette | Fresh | Trippin-N-Rhythm 8 | Kim Waters | The Pacemaker | Shanachie7 | Cyrus Chestnut | Rhythm, Melody and Harmony | HighNote6 | Brian Simpson | Midnight Groove | Shanachie5 | Eric Scott Reed | Out Late | Smoke Sessions 4 | Eric Darius | Too Good 2 Let Go | SagiDarius Music3 | Greg Murphy | Snap Happy | Whaling City Sound2 | Nicholas Cole | Blue Magic | Trippin-N-Rhythm1 | Tyreek McDole | Open Up Your Sense | ArtworkLike, subscribe, comment, tell a friend! Stay connected with us: @cooljazzcountdown on Instagram and Facebook!
durée : 00:59:26 - Boston Blow up ! - par : Nathalie Piolé -
This content is for Members only. Come and join us by subscribing here In the meantime, here's some more details about the show: It's a warm welcome then to the man himself: Dr. Brad Stone - the JazzWeek Programmer of the Year 2017, who's here every Thursday to present The Creative Source - a two hour show, highlighting jazz-fusion and progressive jazz flavours from back then, the here and now, plus occasional forays into the future. Please feel free to get in touch with Brad with any comments or suggestions you might have; he'll be more than happy to hear from you: brad@soulandjazz.com or follow him via Facebook or Bluesky. Enjoy! The Creative Source 10th July 2025 Artist - Track - Album - Year The Haas Company feat. Samuel Hällkvist Aphelion Vol. 3: Song for Mimi 2025 Curtis Nowosad We Do We (feat. Andrew Renfroe) I Am Doing My Best 2025 Fiona Ross Voices Unheard Moments in My Notebook 2025 Sabeth Pérez Convertidos en Perfume Searching for Beauty 2025 Tyreek McDole The Backward Step Open Up Your Senses 2025 Jeff Walton San Diego Pack Animals 2025 Scott Hamilton The Maids of Cadiz Looking Back 2024 Nicolas Ferron Trio Multiverse Multiverse 2025 Zhengtao Pan Jazz Orchestra Dancing in the Dream Scenery in My Story 2025 Jimmy Farace Sings of Spring Hours Fly, Flowers Die 2025 Bobby West Requiem for Mary Turner Requiem for Mary Turner 2025 Terri Lyne Carrington & Christie Dashiell Driva' Man We Insist 2025! 2025 Alchemy Sound Project performs the Music of Sumi Tonooka Interval Haiku Under the Surface 2025 Felipe Salles Camera Obscura Camera Obscura 2025 Tessa Souter Rayga's Song (Gynopedie No. 1) Shadows and Silence: The Erik Satie Project 2025 Kaze & Koichi Makigami Make a Change Shishiodoshi 2025 The post The Creative Source (#CreativeSource) – 10th July 2025 appeared first on SoulandJazz.com | Stereo, not stereotypical.
Sie ist eine der prägendsten Figuren des zeitgenössischen Jazz: Die Schlagzeugerin Terri Lyne Carrington hat als Wunderkind begonnen, wird später als erste Frau überhaupt mit einem Grammy für das beste instrumentale Jazzalbum geehrt. Und setzt sich als Dozentin für eine gendergerechte Musikszene ein Mit fünf trommelt Terri Lyne zum ersten Mal auf einer Profibühne, mit elf bekommt sie ein Stipendium für das renommierte Berklee College of Music. Mit knapp zwanzig gehört sie zu den gefragtesten Jazz-Drummern weltweit, spielt jahrelang mit Legenden wie Wayne Shorter und Herbie Hancock. Später tut sie sich mit der Innovatorin Esperanza Spalding zusammen und gründet mit «The Mosaic Project» eine weibliche Supergroup. Als Dozentin setzt sich Carrington für einen Jazz ohne Patriarchat ein. Am Berklee College gründet sie das «Institute of Jazz and Gender Justice» und gibt dort unter anderem ein neues Realbook heraus, diesmal exklusiv mit Kompositionen von Frauen. Etwa die Hälfte der Studierenden an Carringtons Institut sind Männer. Denn für einen «Jazz ohne Patriarchat» braucht es eine gerechtere Zukunft für alle Geschlechter. In der Jazz Collection diskutiert Annina Salis mit Eva Klesse. Die Leipziger Schlagzeugerin hat gerade den Deutschen Jazzpreis als «Künstlerin des Jahres» erhalten und war im Bereich Jazz die erste weibliche Instrumentalprofessorin Deutschlands überhaupt. Die gespielten Titel: Interpret:in: Titel (Album/Label) - Herbie Hancock: Cotton Tail (Gershwin's World / Verve 1998) - Terri Lyne Carrington: St. Thomas (TLC & Friends / Candid Records 2023, rec. 1981) - Terri Lyne Carrington: Blackbird (Real Life Story / Verve Forecast 1989) - Terri Lyne Carrington: Echo (Mosaic Project / GrooveJazz Media 2010) - Terri Lyne Carrington: Grass Roots (Money Jungle. Provocative in Blue / Concord Jazz 2013) - Terri Lyne Carrington & Social Science: Pray the Gay Away (Waiting Game / Motéma) - Terri Lyne Carrington: Throw It Away (New Standards Vol. 1 / Candid Productions 2022) - Terri Lyne Carrington & Christie Dashiell: Freedom Day (Part 1) (We Insist 2025! / Candid Productions 2025)
durée : 00:59:28 - Terri Lyne Carrington & Christie Dashiell "We Insist 2025!" - par : Nicolas Pommaret - « We Insist 2025 ! » de la batteuse et compositrice Terri Lyne Carrington et de la chanteuse Christie Dashiell, une réinterprétation audacieuse de l'album révolutionnaire de Max Roach sorti en 1961, “We Insist !”. Parution chez Candid. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.
Today's program featured the latest sounds from Flutienastiness, Terri Lyne Carrington, Brandee Younger, Miles Davis, The Beach Boys, two Theos, two Brians and Sun Ra!Playlist: https://spinitron.com/m/playlist/view/20810841Listen wherever you get your podcasts! This program has been edited from the original broadcast.
Terri Lyne Carrington has spent her life behind the drums—and out in front. In this wide-ranging conversation, the Grammy-winning musician, educator, and activist reflects on her remarkable journey from child prodigy to visionary bandleader, and from mentee to mentor. She shares stories from her early gigs with jazz legends like Clark Terry and Buddy Rich, her formative years with Herbie Hancock and Wayne Shorter, and her ongoing work shaping the next generation through the Berklee Institute of Jazz and Gender Justice. We spoke on the occasion of We Insist 2025!, Carrington's powerful new reimagining of Max Roach's classic 1960 protest suite. But the conversation goes far beyond the music—it's about legacy, leadership, gender equity, and the responsibility of artists to help create a more just and expansive world. As Carrington puts it, “Only an open hand receives.” www.third-story.com www.leosidran.substack.com www.wbgo.org/podcast/the-third-story
In this episode, I talk with the talented trumpeter, composer, and arranger Milena Casado. Born and raised in Spain, she's a graduate of the Berklee College of Music, where she honed her skills working with amazing teachers. She shares about growing up in a small village town, looking different from other members of that community; about meeting her father for the first time; about getting in touch with her Dominican roots; and about her acceptance to Berklee. We also discuss the major influence of her mentor, drummer extraordinaire Terri Lyne Carrington, and dive into her album Reflection of Another Self, a stunning debut that's a deeply personal journey of self-discovery and resilience. https://www.milenacasado.com
Musician, composer and producer Terri Lyne Carrington talks about her career and approach to music as part of the Women's History Month series Equalizers: Women In Music Production.
As we noted so succinctly way back in 2014: Some trios play nicer together than others - Pat and Mike investigate. Duke Ellington – MONEY JUNGLE; Terri Lyne Carrington – MONEY JUNGLE PROVOCATIVE IN BLUE; Jean-Michel Pilc – WELCOME HOME; Herbie Nichols – LOVE, GLOOM, CASH, LOVE. Tune in next time as the Herbie Nichols connection leads to a brand new episode covering four albums devoted solely to his music.
Naomi Moon Siegel is an award-winning trombonist, improvisor, composer and educator. In this episode we're highlighting her beautiful sextet album Shatter the Glass Sanctuary, and you'll hear her reflections on the valuable mentorship process with Allison Miller and brilliant collaborators including Marina Albero and Ray Larsen. Naomi reflected on her journey finding a supportive musical community, overcoming injury, and how she's advocated for intersectional gender justice for many years through her workshops for fellow educators and music students. We talked about some of her mentors including Kristen Strom, Wayne Horwitz, and her duo project the Syrinx Effect with Kate Olson. Naomi shared how her career path has been shaped by personal decisions and outlook, some of her experiences on several inspiring trips, as well as how she's able to find grounding and inspiration in both her new physical landscape in Montana and her new emotional landscape as a parent. Like all my episodes, you can watch this also listen to the podcast on all the podcast platforms, and I've also linked the transcript: https://www.leahroseman.com/episodes/naomi-moon-siegel Naomi Moon Siegel website (with albums linked) It's a joy to be able to bring these meaningful conversations to you, but this project costs me quite a bit of money and lots of time; please support this series through either my merchandise store or on my Ko-fi page. For the merch, it features a unique design by artist Steffi Kelly and you can browse clothes, notebooks, mugs and more, everything printed on demand. Sign up for my newsletter where you'll get access to exclusive information about upcoming guests. If you're finding this interesting, please text this episode to a friend! You may be also interested in some episodes I've linked directly to this one: J. Walter Hawkes Hillary Simms Katherine Needleman Meg Okura Colleen Allen EmmoLei Sankofa Renée Yoxon https://linktr.ee/leahroseman photo of Naomi: Rio Chantel Timestamps: (00:00) Intro (02:25) Shatter the Glass Sanctuary album, producer Allison Miller, pianist Marina Albero (09:37) clip of Shatter It from Shatter the Glass Sanctuary (link in show notes) (12:00) embracing a slower pace of life, move to Montana (16:29) excerpt from “Seep Into My Pores” from Shatter the Glass Sanctuary album (link in show notes) (19:48) sextet formation, listening party (25:05) finding supportive musical community, speaking out (30:11) other episodes you'll like, different ways to support this series (31:03) move to Seattle, overcoming injury, Seattle Music Partners (35:17) trip to Costa Rica, material for first album Shoebox View, Wayne Horwitz, (40:07) experience at Oberlin Conservatory, Wendell Logan (41:13) New Standards, women and non-binary composers, Terri Lyne Carrington (43:14) Syrinx Effect duo with Kate Olson (46:11) Cameronathon from Syrinx Effect's A Sky You Could Strike a Match On (link in show notes) (50:24) trips to The Gambia and Senegal, Thione Diop (53:22) workshops gender justice, also teaching improvisation (01:01:41) gender representation in jazz today (01:04:04) teaching improvisation (01:05:28) creative practice, artist residency Virginia Center for the Creative Arts
Send us a textMy guest is Mark Powers, Drumset Committee Chair for PAS (Percussive Artist Society). Mark takes us through this year's PASIC (Percussive Artist Society International Convention) Nov 13-16, 2024 in Indianapolis, IN. For almost 50 years, PASIC has been at the forefront, as the largest drum and percussion event in the world, with clinics, master classes, concerts, panel discussions and more! I'm proud to offer a Live From My Drum Room! PAS Scholarship, which allows a recipient to attend PASIC every year. Oct 31st is the last day for online registration, but you can register onsite. For more on PAS and PASIC, visit https://pas.org/pasic/Live From My Drum Room With John DeChristopher! is a series of conversations with legendary drummers and Music Industry icons, hosted by drummer and music industry veteran, John DeChristopher, drawing from his five decades in the Music Industry. Created in 2020, and ranked BEST Drum Podcast, "Live From My Drum Room With John DeChristopher!" gives the audience an insider's view that only John can offer. And no drummers are harmed on any shows! Please subscribe!Exciting news! 100% of the proceeds from Live From My Drum Room T-shirts goes toward a newly created Live From My Drum Room Scholarship with the Percussive Arts Society! https://pas.org/pasic/scholarships/ Live From My Drum Room T-shirts are made of soft 60%cotton/40% polyester. Available in XS-2XL. $25 includes shipping in the contiguous US. Payment with Venmo: @John-DeChristopher-2. Be sure to include your size and shipping address. Email: livefrommydrumroom@gmail.com. Thank you to everyone who's bought a shirt to help support this endeavor! https://linktr.ee/live_from_my_drum_roomwww.youtube.com/c/JohnDeChristopherLiveFromMyDrumRoom
After seeing Grammy-winning pianist and composer Kris Davis, live at the Village Vanguard, I knew I wanted to sit down with her and dive into jazz. Here we discuss her philosophy of improvisation and her energy and passion for performing live. The Canadian-born artist fell in love with jazz at an early age, studied jazz piano at the University of Toronto, and cites the legendary Don Pullen as a major influence. Along the way, as she shares, she's played with innovative performers such as J.D. Allen, Dave Holland, Terri Lyne Carrington, Tyshawn Sorey, and John Zorn. Before our conversation winds down, we talk albums and which speak to her the most.
"Finished in two words = Vocal level!" Dan talked about mastering from anywhere with a laptop and Audeze headphones, why speed is crucial, how to serve the song and client, finding your ideal speaker/headphone listening level, ear training, and bass! Get access to FREE mixing mini-course: https://MixMasterBundle.com My guest today is Dan Millice, a mastering engineer located in NYC with over 13 years of experience. During his career, Dan has been credited for mastering 11 Grammy-nominated projects. He recently mastered Terri Lyne Carrington's album "New Standards, Vol. 1," which secured a Grammy win for Best Jazz Instrumental Album. Thank you to Michael Estok and Jim Stewart for the introduction! THANKS TO OUR SPONSORS! http://UltimateMixingMasterclass.com https://www.adam-audio.com https://www.native-instruments.com Use code ROCK10 to get 10% off! https://www.izotope.com Use code ROCK10 to get 10% off! https://gracedesign.com/ https://RecordingStudioRockstars.com/Academy https://www.thetoyboxstudio.com/ Check out the MBSI on sale now for $80 off! https://www.makebelievestudio.com/mbsi Listen to this guest's discography on Spotify: https://open.spotify.com/playlist/0JyZsS8C8dfDaVxSktIRgQ?si=2d6cb027d0f34756 If you love the podcast, then please leave a review: https://RSRockstars.com/Review CLICK HERE FOR COMPLETE SHOW NOTES AT: https://RSRockstars.com/465
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