Podcast appearances and mentions of Terri Lyne Carrington

On this episode of Music Matters with Darrell Craig Harris, we welcome Grammy-winning drummer, composer, producer, educator, and social activist Terri Lyne Carrington.   A pioneering force in contemporary jazz and beyond, Terri shares insights into her remarkable career, her passion for music education, and her commitment to using art as a catalyst for positive social change. We also discuss her highly anticipated new album "Trip The Night Fantastic"along with the creative process behind her latest work, and the importance of empowering the next generation of artists.   From performing with some of the world's most celebrated musicians to leading groundbreaking projects that challenge conventions and inspire dialogue, Terri Lyne Carrington continues to shape the future of music while honoring its rich history.   www.TerriLyneCarrington.com   www.Instagram.com/terrilynecarrington   Join us for an inspiring conversation about creativity, leadership, advocacy, and the transformative power of music. Subscribe, rate, and review Music Matters with Darrell Craig Harris on Apple Podcasts and wherever you listen to podcasts.   About Music Matters with Darrell Craig Harris The Music Matters Podcast is hosted by Darrell Craig Harris, a globally published music journalist, professional musician, and Sports Illustrated photographer. Music Matters is now available on Spotify, iTunes, Podbean, and more. Each week, Darrell interviews renowned artists, musicians, music journalists, and insiders from the music industry. Currently, over 1.2 million global downloads in 40 countries. Visit us at: www.MusicMattersPodcast.com Follow us on Twitter: www.Twitter.com/musicmattersdh  Instagram: www.Instagram.com/musicmatterspodcastofficial For inquiries, contact: musicmatterspodcastshow@gmail.com Support our mission via PayPal: www.paypal.me/payDarrell  Voice intro by Nigel J. Farmer of Voice Wrap Studios Representation:  Yvette Morales | YM & Associates PR Beverly Hills, CA YM-PR.com Email: YMoralesY@ym-pr.com                        

Jen Shyu is a groundbreaking multilingual vocalist, composer, producer, multi-instrumentalist, and dancer. And if that wasn't enough she is also a Rome Prize Winner, a Guggenheim Fellow, a United States Artists Fellow, a Doris Duke Artist, and she was voted a Downbeat Critics Poll Rising Star Female Vocalist. Her background is Taiwanese and East Timorese, and she speaks 11 languages. She's performed at Carnegie Hall, Lincoln Center, and the Metropolitan Museum of Art. She's performed with Terri Lyne Carrington, Reggie Workman, Kenny Barron, and Bill Frisell. She's released eight albums as leader. And she's produced three solo shows. Her latest project is “Fertile Land, Fertile Body”, a multilingual ritual opera. My featured song is “Redemption Road” from the album PGS 7. Spotify link. —----------------------------------------------------------- The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries! Click here for Start Here Click here for All Episodes  Click here for Guest List  Click here for Guest Testimonials Click here for Pillars Click here for Robert's Project Grand Slam Click here to Subscribe  Click here to receive our Email Updates Click here to Rate and Review the podcast —---------------------------------------- CONNECT WITH JEN:www.jenshyu.com —---------------------------------------- ROBERT'S NEWEST RELEASE:“THE BUZZ” - Ft. Darius de Haas (vocals) and Dave Eggar (Celo). Short, Sweet and Totally Different CLICK HERE FOR OFFICIAL VIDEO CLICK HERE FOR ALL LINKS —-------------------------------------- Audio production: Jimmy RavenscroftKymera FilmsConnect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comFollow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.com      

Caity Gyorgy & Mark Limacher, Ledisi, Dawn Clement, Stella Heath, April Varner, Ulysses Owens Jr., Terri Lyne Carrington, Matthew Stevens, Joel Ross, Ben Wendel, Joshua Redman, Gabrielle Cavassa, Ben Flocks, Markus Rutz, Dominique Fils-Aime, Inara George, Emie R Roussel Trio, Alexis MartinPlaylist: Caity Gyorgy & Mark Limacher - All Through the NightLedisi - Let's Do ItDawn Clement - The Gentleman is a DopeStella Heath - Swing Brother SwingApril Varner - UndecidedUlysses Owens Jr. and Generation Y - Mo' Betta BluesTerri Lyne Carrington , featuring Ledisi, J. Ivy, Matthew Stevens and Morgan Guerin - Autonomy SongMatthew Stevens, featuring Joel Ross - Take HeartJoel Ross - Be PatientBen Wendel - Birds AscendJoshua Redman - Words Fall ShortGabrielle Cavassa - Bossy NovaBen Flocks - Old Devil MoonMarkus Rutz - Blue MoonDominique Fils-Aimé - Moon ChildInara George - La lune s'en vaEmie R Roussel Trio - Trois lunesAlexis Martin Ensemble - Apprends-moi

Episode 105: Richard Bona is one of the most respected bass players, composers, vocalists, and bandleaders in modern music. Born in Cameroon and now celebrated around the world, Richard has worked with legends including Pat Metheny, Quincy Jones, Joe Zawinul, Harry Belafonte, Chick Corea, Herbie Hancock, Bobby McFerrin, Mike Stern, George Benson, and many more. From the Pat Metheny Group to the Zawinul Syndicate, Richard has helped shape the sound of jazz fusion, African music, world music, and modern bass playing for decades. Richard has also shared the stage and studio with some of the greatest drummers in the world including Antonio Sanchez, Vinnie Colaiuta, Dave Weckl, Steve Smith, Omar Hakim, Paco Séry, Dennis Chambers, Manu Katché, Simon Phillips, Terri Lyne Carrington, Mark Guiliana, Steve Gadd, and more. In this episode, Richard and Elmo talk about growing up in Cameroon, building his own instruments as a child, discovering Jaco Pastorius, moving to Germany, Paris, and New York, becoming Harry Belafonte's musical director, joining Joe Zawinul's Syndicate, winning a Grammy with Pat Metheny, rhythm, groove, African music, storytelling, singing while playing bass, improvisation, how to feel odd time signatures and polyrhythms, being managed by Quincy Jones, bass technique, composition, musical identity, and much more. Richard also shares stories from the road, lessons from the greatest musicians in the world, and his philosophy on music, culture, creativity, and humanity. We hope you enjoy our conversation with the great Richard Bona! Big thanks to our friends Ace Studio for supporting the show. Check them out! https://acestudio.ai/ Another huge thanks to our friends at DistroKid! DistroKid is the easiest and fastest way to get your music on over 150 platforms worldwide! Go to https://distrokid.com/vip/elmo to get 20% off your first year! Become a Patreon Member to stay in the loop as we post Patreon-only exclusive content, Zoom hangs, invite only events, and discussions about music and music careers. https://www.patreon.com/gowithelmo Please SUBSCRIBE / FOLLOW this podcast to catch new episodes as soon as they drop! Your likes, comments and shares are much appreciated! Listen to the audio form of this podcast wherever you get your podcasts: https://elmolovano.komi.io/ Follow Richard: https://www.instagram.com/richardbonaofficial/ Follow Go With Elmo: https://www.instagram.com/gowithelmo/ https://www.tiktok.com/@gowithelmo https://x.com/gowithelmopod Follow Elmo Lovano: https://Instagram.com/elmolovano https://x.com/elmolovano Follow Jammcard: https://www.youtube.com/@jammcard https://www.instagram.com/jammcard/ jammcard.com Learn more about your ad choices. Visit megaphone.fm/adchoices

What is it about rhythm that dissolves separation and draws us into a shared pulse? At the heart of this episode lies a quiet but unshakable conviction: that every life, every struggle, every creative breakthrough, is a quest for freedom. Few voices today carry that conviction with more authority than Terri Lyne Carrington, four-time Grammy winner, NEA Jazz Master, and one of the most vital figures in music of our time. In this conversation, she traces the search for freedom from its deepest roots to its most urgent expressions in the present. It begins with a child at a drum kit, and a family sensing something uncanny, a story that reaches back across generations, and across oceans, to a lineage in which rhythm was never only sound, but memory, identity, and a spiritual code passed through the hands of those entrusted to keep it alive. From there, Terri takes us into what jazz truly is at its core: a kind of liberation theology. Born of displacement and oppression, it became a communal act of survival, intellectual, radically creative, radically free. And it is in that freedom, expressed through improvisation, that something remarkable happens: boundaries begin to stretch, time itself begins to bend, and the music reaches far beyond those who first gave it voice. But as you'll discover, Terri is not only conscious of history, she is making it. Through the Berklee Institute of Jazz and Gender Justice, she is carrying that same liberating impulse into new territory, challenging the hyper-masculine structures that have shaped jazz for decades and opening doors for voices that might otherwise have gone unheard. With this, she brings music into some of the most urgent conversations of our time: gender equality, and the building of a truly universal legacy. A vibrant episode, infused with Terri's ancestral rhythm and potent intellect, in which she returns us to the essential elements of rhythm itself: its flow, its healing power, and its quiet, seductive pull into that spiritual place which is eternal: the present. Why drummers are the mind's gatekeepers, and what they are guarding that is so much greater than music itself, is what this episode invites you to discover.

On this episode of The Bandwich Tapes, I sit down with guitarist, composer, and producer Matthew Stevens for a conversation about identity, collaboration, and the kind of artistic clarity that only seems to come through real-life change. I've been a fan of Matthew's playing for a long time, so getting to talk with him about his new self-titled record felt especially meaningful.We start with the album itself, and one of the first things I ask him is why this record carries his name. Matthew shares that the years leading up to it brought major shifts, moving from New York to Boston, beginning to teach at Berklee, going through divorce, and eventually finding a new sense of grounding in his personal life. What comes through clearly is that this album feels like his most complete expression of himself so far. It's not self-titled as a branding move. It's self-titled because it sounds like who he is now.We also talk in depth about collaboration, how Matthew brought in trusted co-producers Josh Johnson and Eric Doob, and how their presence helped him let go of control in a healthy way. That thread runs through the whole conversation: surrounding yourself with people you trust, writing with specific musicians in mind, and allowing the music to become a real conversation. We get into the sound of the record too, its grounding rhythm section, the feel of tracks like “Take Heart”, and the way so much of the album was captured live in the room over just a few days.One of my favorite parts of this conversation is hearing Matthew talk about influence, producing, and teaching. We talk about working with heroes like Jeff Parker and Terri Lyne Carrington, producing the beautiful Doc Watson tribute project, and what it's like to return to Berklee now as a faculty member after being deeply shaped by that school as a student. We also get into the pressures younger musicians face now, especially around social media and self-promotion—and Matthew offers a really grounded perspective on what it means to use that time instead to build actual musicianship.This is a thoughtful conversation about sound, feel, growth, and what it means to become more fully yourself as an artist.Key TakeawaysA self-titled album can be a personal statement — for Matthew, this record reflects the clearest version of who he is right now.Life changes can deepen artistic identity — moving, teaching, heartbreak, and rebuilding all shaped this music.Trusting collaborators can open the music up — working with Josh Johnson and Eric Doob helped Matthew let go of some control and go deeper.Sound and feel are at the center of everything — even simple musical ideas come alive when the players are deeply connected.Producing is about meeting artists where they are — Matthew's work on the Doc Watson tribute shows how great producers guide without forcing.Community is one of music school's greatest gifts — the relationships built there often matter as much as the training itself.Young musicians face new pressures — Matthew is thoughtful about how social media can compete with the slower work of building real craft.Music from the EpisodeTake Heart - Matthew Stevens (ft. Joel Ross)Who Does She Hope to Be - Matthew Stevens (ft. Terri Lynne Carrington & Jeff Parker)Hazy -Matthew Stevens (ft. Josh Johnson)Alberta - Matthew Stevens (ft. Anna B Savage & Josh Johnson)About the PodcastThe Bandwich Tapes is a podcast hosted by Brad Williams, featuring conversations with musicians, composers, producers, and creative thinkers about their musical journeys. Each episode explores the influences, decisions, and experiences that shape a life in music—one conversation at a time.Connect with the ShowEmail: contact@thebandwichtapes.com

Long recognized as one of the most thrilling and thoughtful guitarists of his generation, Matthew Stevens has built an elite reputation in music, touring, and recording with a "who's who" of modern icons, including Esperanza Spalding, Chief Xian aTunde Adjuah, Harvey Mason, and Walter Smith Ill. He has also made a splash outside of jazz, having produced the tribute album I Am A Pilgrim - Doc Watson at 100, featuring artists such as Valerie June, Steve Earle, Nora Brown, and Dolly Parton (Stevens produced Parton's version of "The Last Thing on My Mind," which earned a GRAMMY nomination for Best Country Solo Performance in 2024). A culmination of 20 years of craft, the eponymous album serves as a mid-career mission statement with Stevens stepping into the spotlight. Co-produced by Stevens, saxophonist Josh Johnson, and percussionist Eric Doob, the record seamlessly melds acoustic and electric sonics through a mix of genre-blurring originals and deeply personal covers. It features a multigenerational cast of musicians who have had a profound impact on Stevens' journey, including rising visionaries like vibraphonist Joel Ross and vocalists Anna B Savage and Corey King, in addition to his mentor Terri Lyne Carrington and personal guitar hero Jeff Parker. At the album's core is a band of his most trusted collaborators, which also includes keyboardist Chris Fishman and bassist Kyle Miles, with additional contributions from percussionist Paulo Stagnaro and guitarists Dylan Day and Rich Hinman on slide and pedal steel. Matthew Stevens reflects a period of profound personal and artistic change, ultimately bringing him to "a place of optimism, excitement, and confidence" that signals a bold new chapter for one of jazz's most essential voices and respected players. website www.mattstevens.com www.instagram.com/matthewthomaswyatt  Spotify https://open.spotify.com/artist/7z1PSpsIyAeniOOtaQ1iYa?si=cS9P53EIR46Qs9X4YvAd-g About Music Matters with Darrell Craig Harris The Music Matters Podcast is hosted by Darrell Craig Harris, a globally published music journalist, professional musician, and Getty Images photographer. Music Matters is now available on Spotify, iTunes, Podbean, and more. Each week, Darrell interviews renowned artists, musicians, music journalists, and insiders from the music industry. Currently, 870,000 global downloads in over 40 countries. Visit us at: www.MusicMattersPodcast.com Follow us on Twitter: www.Twitter.com/musicmattersdh For inquiries, contact: musicmatterspodcastshow@gmail.com Support our mission via PayPal: www.paypal.me/payDarrell  voice over intro by Nigel J. Farmer          

On this episode of The Bandwich Tapes, I sit down with pianist, composer, improviser, label founder, and educator Kris Davis—one of the most forward-thinking voices in creative music today. Our conversation left me feeling genuinely energized. Kris approaches music with a rare combination of curiosity, discipline, and fearless experimentation, and it was a joy to dig into how all of that shows up in her work.We start with what's immediately ahead for her: a trip to Hamburg to premiere a newly expanded big band version of a trio piece with the NDR Big Band. Kris shares the very real “composer panic” that comes with catching an engraving mistake right before rehearsal—one of those behind-the-scenes realities of composing that every musician can relate to.From there, we talk about festivals—especially Big Ears, which feels like its own musical universe—and dive into two major pillars of her work: prepared piano and large-form composition. Kris reflects on studying with pianist Benoît Delbecq, whose approach to prepared piano emphasized rhythm, individuality, and finding a personal sonic vocabulary.One of the highlights of our conversation is a deep look at her remarkable Solastalgia Suite, written for the Lutosławski Quartet after a commission through Poland's Jazz to Pad Festival. Kris talks about learning how to write for strings in real time and how the concept of **solastalgia—the grief you feel for your home while you're still living in it—**became the emotional core of the piece.We also zoom out into the bigger picture of her work: her leadership role alongside Terri Lyne Carrington at Berklee's Institute of Jazz and Gender Justice, and her decade-long journey building Pyroclastic Records, a label dedicated to supporting adventurous music and the artists creating it. At its heart, this conversation is about craft, community, curiosity, and the importance of taking creative risks on purpose.Key TakeawaysThe behind-the-scenes realities of composing for large ensembles—including last-minute engraving panic before a premiere.Why festivals like Big Ears create a unique ecosystem for creative music.How studying with Benoît Delbecq shaped Kris Davis's approach to prepared piano.The creative challenge of writing for string quartet for the first time.The emotional meaning of solastalgia and how it shaped the Solastalgia Suite.Kris's work at Berklee's Institute of Jazz and Gender Justice alongside Terri Lyne Carrington.How Pyroclastic Records has grown into an important platform for adventurous and forward-thinking music.Music from the EpisodeDiatom Ribbons — Kris DavisInterlude (from the Solastalgia Suite) — Kris DavisLife on Venus (from the Solastalgia Suite) — Kris DavisRun the Gauntlet — Kris DavisAbout the PodcastThe Bandwich Tapes is a long-form conversation podcast where host Brad Williams sits down with some of the most thoughtful musicians, composers, and artists working today. The show explores the stories behind the music—creative process, collaboration, career paths, and the human experiences that shape the sounds we love.Connect with the ShowEmail: contact@thebandwichtapes.com

Jazzdrum‑Playlist (Volgorde: van vroeg → modern) 1. Gene Krupa – “Sing, Sing, Sing” (Benny Goodman, 1937) De oerdonder van de swingdrums—Krupa maakt de toms en jungle‑feel wereldberoemd. 2. Baby Dodds – “Spooky Drums” (1946) Een solo-opname die laat horen hoe vroeg-jazzdrummers kleur, ritme en improvisatie benaderden. 3. Max Roach – “Cherokee” (met Charlie Parker, 1945) Razendsnelle bebop en totaal vernieuwend ride‑cymbalspel. 4. Art Blakey – “Moanin'” (1958) Blakey's “press roll thunder” en soulvolle drive: hét hard‑bop geluid. 5. Philly Joe Jones – “Two Bass Hit” (Miles Davis, 1958) Super strakke rudiments, dynamische fills, en meesterlijke controle. 6. Elvin Jones – “A Love Supreme: Pt II – Resolution” (John Coltrane, 1965) Golvende, spirituele storm aan polyritmiek. Volgens kenners één van de meest invloedrijke drumopnames ooit. 7. Tony Williams – “Seven Steps to Heaven” (Miles Davis, 1963) Williams was 17 (!) en revolutionair in drive, vrijheid en cymbal‑articulatie. 8. Roy Haynes – “Snap Crackle” (1962) Zijn bijna elektronische “snap & crackle” stijl komt hier volledig tot recht. 9. Billy Cobham – “Stratus” (1973) Kracht, snelheid, precisie: Cobham zet een nieuwe standaard voor fusiondrums. 10. Steve Gadd – Intro van 50 Ways To Leave Your Lover 11. Steve Gadd – “Foam Home” (Steve Gadd Band – 70-Strong, 2015) Legendarische precisie, frasevorming en groove—drummer's favorite. 12. Peter Weissink – Up Jumped Spring (Keys and Beats – 2024) Als toetje: de ‘huisdrummer’ en organisator van de Tor-JazzJamsessions: Peter Weissink en zijn muzikale companen John Hondorp en Sebatian Altekamp op hammond en piano. Drums en slagwerk vormen de ritmische motor van jazz. Van de vroege “trap sets” in New Orleans tot de complexe metriek van het modern jazz‑drummen: elke periode bracht nieuwe technieken, geluiden en muzikale rollen. 1. Vroege jazz & New Orleans (1900–1920) De moderne drumkit ontstond in New Orleans toen slagwerkers verschillende percussie-instrumenten combineerden tot één set (o.a. bass drum, snare en bekkens). Kenmerken Tweeledige rol: ritme én kleur Veel marching band‑invloeden Gebruik van vroege “rudiments” en eenvoudige ritmiek Belangrijke drummers Baby Dodds — pionier van het improvisatorische drumwerk Zutty Singleton — populair door zijn werk met Louis Armstrong 2. Swing Era & Big Bands (1930–1940) Met de opkomst van bigbands werd de drummer een tijd-keeper die de dansbare “swing feel” moest dragen. Kenmerken Focus op steady hi-hat en basdrum Grote orkesten → meer kracht en consistentie nodig Drumsoli worden een showelement Belangrijke drummers Gene Krupa — maakte de tom-toms beroemd, enorme showman Chick Webb — krachtig, invloedrijk swingdrummer Jo Jones — verplaatste de “time” van basdrum naar ride-bekken, een mijlpaal 3. Bebop (jaren 40) Bebop zette de drummer in een interactieve, minder voorspelbare rol. De muziek werd sneller, complexer en meer op improvisatie gericht. Kenmerken Ride-cymbal wordt het hoofdritme-instrument “Dropping bombs”: accenten op de basdrum Veel vrijheid en communicatie met solisten Belangrijke drummers Kenny Clarke — grondlegger van moderne bebop-drums Max Roach — melodisch drummen, polyritmiek Art Blakey — dynamisch en krachtig, bekend van Jazz Messengers 4. Hard Bop & Soul Jazz (jaren 50–60) De groove werd zwaarder en aardser, beïnvloed door gospel en blues. Kenmerken Sterkere backbeat Meer emotionele spanning Interactie met blazers en piano Belangrijke drummers Art Blakey (opnieuw) — echte hard bop‑architect Philly Joe Jones — strak, fel, met prachtige rudimental frases Elvin Jones — revolutionaire, golvende “drum‑storm” rond Coltrane 5. Modal Jazz en Post-Bop (jaren 60) De ritmische vrijheid neemt toe; drummers bewegen zich losser rond de beat. Kenmerken Minder voorspelbare patronen Veel gebruik van textuur en ruimte Accent verschuift van swing naar flow en kleur Belangrijke drummers Tony Williams — enorm vernieuwend op jonge leeftijd, bij Miles Davis Jack DeJohnette — lyrisch, open, breed geluid Roy Haynes — “snap, crackle”, lichte en springerige stijl 6. Jazz Fusion (jaren 70) Elektrische instrumenten en rockinvloeden brengen nieuwe energie. Kenmerken Krachtiger spel, rock‑dynamiek Complexe maatsoorten Gebruik van elektronische drums en percussie Belangrijke drummers Billy Cobham — stormachtig, technisch extreem sterk Lenny White — pionier bij Return to Forever Harvey Mason — funk‑jazz, strakke groove 7. Contemporary Jazz (jaren 80–heden) Hedendaagse drummers mengen jazz met wereldmuziek, hip-hop, elektronica, en nog veel meer. Kenmerken Hybride setups en elektronica Complexe metriek (bijv. 7/8, 11/8) Mix van jazz, pop, funk, hip-hop en indie-invloeden Belangrijke drummers Brian Blade — muzikaal, gevoelig, dynamisch Jeff “Tain” Watts — krachtige post-bop energie Mark Guiliana — pionier van elektrojazz en “future groove” Terri Lyne Carrington — veelzijdig, grensverleggend

Kris Davis is a Grammy award-winning pianist and composer described by The New York Times as a beacon for “deciding where to hear jazz [in New York] on a given night.” Davis has released 24 recordings as a leader or co-leader and collaborated with artists such as Terri Lyne Carrington, Dave Holland, John Zorn, Craig Taborn, Ingrid Laubrock, Tyshawn Sorey and Esperanza Spalding.  She was named a 2021 Doris Duke Artist alongside Wayne Shorter and Danilo Perez, Pianist of the Year by DownBeat magazine in 2022 and 2020, and Pianist and Composer of the Year by the Jazz Journalists Association in 2021.  In 2019, Kris Davis' “Diatom Ribbons” was named jazz album of the year by both the New York Times and the NPR Music Jazz Critics Poll. Today Kris joins the show to share her newest music, The Solastalgia Suite. Support the show

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Eine Sensation in der Jazzszene: Die amerikanische Star-Schlagzeugerin Terri Lyne Carrington bekommt eine Professur in München. Bis Ende 2028 wird sie an der Hochschule für Musik und Theater unterrichten.

Die amerikanische Starschlagzeugerin Terri Lyne Carrington wird bis Ende 2028 an der Hochschule für Musik und Theater in München lehren, ein Gewinn für die Studierenden und die Jazz-Szene in Bayern.

Jazz, in particular, has played a central role in this lineage. From John Coltrane's “Alabama,” to Max Roach and Abbey Lincoln's We Insist! Freedom Now Suite, from Nina Simone's “Mississippi Goddamn” to Charles Mingus' “Fables of Faubus,” jazz has always spoken truth to power. That tradition continues today, ascontemporary jazz musicians compose artistic eulogies for Oscar Grant III, Trayvon Martin, Tamir Rice, Sandra Bland, and George Floyd; celebrate the nation's first Black president; and reaffirm that “Black Is Beautiful,” more than 60 years after the phrase became a unifying call within the Black PowerMovement. Jazz also chronicled the life and journey of Dr. King in real time, beginning with his emergence as a young preacher and activist in the early 1950s, and has continued to honor his legacy in the decades since his life was cut short. On thisspecial episode of Milestones, we explore the role jazz played inadvancing King's philosophy and celebrating his extraordinary impact as one of the most consequential leaders in American history with NEA Jazz Master and four-time GRAMMY-winning artist and educator Terri Lyne Carrington, GRAMMY-winning bassist and vocalist Ben Williams, and GRAMMY-nominated pianist and curator Orrin Evans. Together, with host Angélika Beener, they reflect on pieces like Herbie Hancock's 1969 “I Have a Dream,” and more, examining their cultural impact and role in the musical evolution of jazz. Hip-hop historians T.L. Cross and WBGO's own Stevan Smith also join the conversation,shedding new light on “King Holiday,” the 1986 hip-hop and R&B anthem that united an ensemble of rising stars—from New Edition and Run-DMC to Whitney Houston and Stephanie Mills. With the late Dexter Scott King at the helm, Kurtis Blow was tasked with assembling a collective to create an anthem for thenext generation – one that would honor Dr. King's legacy and serve as the soundtrack for the inaugural MLK holiday celebration, 40 years ago. The iconic scholar, author, global thought leader and visionary Dr. Angela Davis joins as a very special guest, offering remarkable insights on this milestone anniversary.  

Camila Cortina is a terrific Cuban-born pianist and composer. She combines her Afro-Cuban heritage with jazz, classical, and world music. She has performed internationally at festivals in the U.S., Latin America and Asia, collaborating with artists like Paquito D'Rivera, Miguel Zenón, Terri Lyne Carrington, and Dianne Reeves. Her work “Bravura” premiered at London's Barbican Centre. She won the Duke Ellington Award.My featured song is “Mi Cachimber”, my recent single. Spotify link.—-----------------------------------------------------------The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!Click here for All Episodes Click here for Guest List Click here for Guest Groupings Click here for Guest TestimonialsClick here to Subscribe Click here to receive our Email UpdatesClick here to Rate and Review the podcast—----------------------------------------CONNECT WITH CAMILA:www.camilacortina.com—----------------------------------------ROBERT'S LATEST RELEASE:“MA PETITE FLEUR STRING QUARTET” is Robert's latest release. It transforms his jazz ballad into a lush classical string quartet piece. Praised by a host of classical music stars.CLICK HERE FOR YOUTUBE LINKCLICK HERE FOR ALL LINKS—---------------------------------------ROBERT'S RECENT SINGLE“MI CACHIMBER” is Robert's recent single. It's Robert's tribute to his father who played the trumpet and loved Latin music.. Featuring world class guest artists Benny Benack III and Dave Smith on flugelhornCLICK HERE FOR YOUTUBE LINKCLICK HERE FOR ALL LINKS—--------------------------------------ROBERT'S LATEST ALBUM:“WHAT'S UP!” is Robert's latest compilation album. Featuring 10 of his recent singles including all the ones listed below. Instrumentals and vocals. Jazz, Rock, Pop and Fusion. “My best work so far. (Robert)”CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS—----------------------------------------Audio production:Jimmy RavenscroftKymera Films Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com  

t's the FUNKNSTUFF 2025 Year in Review Holidays Special!  2025 was an eventful year, musically and otherwise, including the launch of this channel's Jam Fans Forum, which joins the growing galaxy of FUNKNSTUFF shows. Nearly 40 episodes of Where'd You Get Your Funk From? premiered during 2025, along with 16 editions of On THE ONE . . . and Done!, eight Jam Fans Forums and a pair of new TRUTH IN RHYTHM shows.  Joining host Scott "DR GX" Goldfine to sum up 2025 and help ring in the New Year are three Jam Fan Forum musical friends: lifelong music devotee, host of the FJS (Funky, Jazzy and Smooth) with KD radio show, and legal expert Karl A. Doss!; music & culture journalist and liner notes master A. Scott Galloway; and music scholar, author and History of Funk radio show host Rickey Vincent.  This special episode reviews what took place the past year – personally for the panelists, musically and FUNKNSTUFF wise. That includes each expert panelist revealing their Top Albums of the Year (see lists below); unveiling the FUNKNSTUFF Channel's Top 10 most viewed and commented on episodes, as well as the Top 10 all-time most viewed episodes, along with some other fascinating tidbits; Scott Galloway leading a segment honoring musical artists and figures we had to say goodbye to during the year; a look ahead to the next year in music; and a sneak peek at upcoming FUNKNSTUFF Channel show episodes. To close it out, the panelists all share their thoughts and wishes for 2026. We hope you enjoy this special edition, and happy, healthy holidays to all! Scott Goldfine's Top 25 Funk and More Albums of 2025 (alpha order by artist) 420 Funk - The Emperor Has No Clones Bootsy - Album of the Year #1 Funkateer The Bump Squad - Guilty as Funk! Cymande - Renascence DaFonk - Heaven Reloaded De La Soul - Cabin in the Sky  Exiles of the Nation - 1983 Fishbone - Stockholm Syndrome FunkDome - FunkDome Eric Gales - A Tribute To LJK Ice Cube - Man Up Eric Krasno and the Heavyweights - Live From the Mint Leo & the Goat - Shine Lettuce - Cook Tha Muthafunkaholix - Taste a Funk Nova Twins - Parasites & Butterflies PTFI - Project 2025 Is Upon You  Robb Harper - Transformation Public Enemy - Black Sky Over The Projects: Apartment 2025 Vernon Reid - Hoodoo Telemetry Skunk Mob - Tales From The Skunk Hole Slapbak - Funk Lives Matter That New Funk Vol. 1 - Tony Camm Thurtdelic - Psychedelic Therapy Don Was - Groove in the Face of Adversity Karl A. Doss' Top 20 Albums of 2025 1. We Insist 2025! – Terri Lyne Carrington & Christie Dashiell 2. Cabin in the Sky -De La Soul 3. 10 – Sault 4. Audience With the Queen – Galactic & Irma Thomas 5. Tales from the Skunk Hole – Tha Skunk Mob 6. Funk Lives Matter - Slapbak 7. Album of the Year #1 Funkateer – Bootsy Collins 8. Letters from the Atlantic – Butcher Brown 9. The Emperor Has No Clones – 420 Funk Mob 10. Cook – Lettuce 11. Around the World in a Day (Deluxe Edition) – Prince & the Revolution 12. Sinners (Original Motion Picture Soundtrack) – Various Artists 13. Why Can't We Be Friends (50th Anniversary Collector's Edition) – War 14. Naomi's Finest – Deborah Bond 15. Sad and Beautiful World – Mavis Staples 16. Secrets of the Sun – Roy Ayers 17. The First Family: Live at Winchester Cathedral 1967 – Sly & the Family Stone 18. That New Funk, Vol. 1 - ToNY CaMM 19. Sly Lives (aka The Burden of Black Genius) – Sly & the Family Stone 20. 1983 – Exiles of the Nation Rickey Vincent's Top 10 Funk Albums of 2025 1. Bootsy Collins / Album of the Year - #1 Funkateer 2. 420 Funk Mob – The Emperor Has No Clones 3. Thurtdelic  - Psychedelic Therapy 4. Slapbak - Funk Lives Matter  5. PTFI - Project 2025 Is Upon You 6. Tha Muthafunkaholix – Taste A Funk 7. Lettuce – Cook  8. Sault – 10 9. Nik West – Little Big Beat Studio Session Live 10. Robert Harper – Transformation A. Scott Galloway's Top 5 Albums of 2025 1. WAR - Live in Japan 1974 2. Love Life - Nicki Richards 3. Vantablack - Lalah Hathaway 4. Archive Volume 4 (box set) - Joni Mitchell 5. Introducing The Pocket Queen (EP) RECORDED DECEMBER 2025 LEGAL NOTICE: All video and audio content protected by copyright. Any use of this material is strictly prohibited without expressed consent from original content producer and owner Scott Goldfine, dba FUNKNSTUFF. For inquiries, email info@funknstuff.net. Get your copy of "Everything Is on the One: The First Guide of Funk" today! https://www.amazon.com/gp/product/1541256603/ref=as_li_tl?ie=UTF8&camp=1789&creative=9325&creativeASIN=1541256603&linkCode=as2&tag=funknstuff-20&linkId=b6c7558ddc7f8fc9fe440c5d9f3c400

Acclaimed international Jazz vocalist Lori Williams has a most impressive resume as a performing artist, veteran music educator, songwriter, producer, musical theater actress, radio host, business owner/founder (PositiveMusicPM.org), and artist-in-residence with over 30 years of experience. Her annual vocal jazz tour and performance at music festivals have taken her to Europe (Austria, Germany, Slovakia, Slovenia, Russia, Switzerland, Italy, Czech Republic, and Ukraine), Japan,  The Caribbean (including Barbados, British Virgin Islands, Curaçao, St. Lucia, Turks and Caicos, et. al), Mexico, and across the United States (performing at venues and festivals like The Atlanta Jazz Festivals, Berks Jazz Festival, The Birchmere, Birdland - Hamburg, Blues Alley, Blue Note Hawaii, Capital Jazz Fest/Cruise, City Winery, Disney's Pleasure Island, Gulf Coast Summer Jazz Festival, JazzFestBRNO, JazzHRAM, Jazzkeller - Esslingen, Jazzland - Vienna, The Kennedy Center, Keystone Korner, Mid-Atlantic Jazz Festival, Myrtle Beach Jazz Festival, Rams Head Live, Rehoboth Beach Jazz Festival, Riviera Maya Jazz Festival, Scullers Jazz, Spivey Hall, Trieste Loves Jazz, and more). Her vocal jazz artist residencies have allowed her to work with and mentor students on college campuses in the USA and abroad. As a veteran vocal music educator and private vocal coach, Lori's received many honors for her contributions to the arts, including The 2025 South Arts Jazz Road Award, The Atlanta Chapter of the National Hampton Alumni Association's 2023 Excellence in Arts and Entertainment Award, Outstanding Music Teacher in the October 2000 issue of Teaching Music, the 2007 Superintendent's Arts Teacher of the Year, and the 2010 Vincent E. Reed Teacher of the Year. Lori was nominated for a 2014 Helen Hayes Award as an Outstanding Lead Actress in a Resident Musical for her role as Ella Fitzgerald. Lori has received letters of recognition for her performances by President Joseph Biden (wherein he wrote that Lori Williams has "the voice of an angel…absolutely amazing"), Speaker of the House John Boehner, and Senator C. Anthony Muse.  Immersed in traditional jazz from an early age (earning a B.A. in Mass Media Arts from Hampton University, attending the Jazz Studies Program at The University of the District of Columbia, and currently working on her Master's degree in Music - Jazz Studies at Georgia State University), Lori Williams hosts a weekly radio program on JazzRadioWETF.org -  "Collector's Choice With Lori Williams". Her weekly broadcast highlights women in jazz, the international scene and young performers dedicated to the roots and traditions of the music. Lori is also the producer and host of Sunday Jazz Lounge at St. James Live! jazz club in Atlanta, Georgia (stjamesliveatl.com). For over three decades, Lori Williams has had the honor of working with many notable artists as lead / background / studio session / guest vocalist including Oleta Adams, Marcus Adams, Yolanda Adams, Nikita Agafonov, David Archuleta, Marcos Ariel, Rob Bargad, Regina Belle, Eric Benet, The Blackbyrds, Michael Bowie, Willie Bradley, Karen Briggs, Norman Brown, Tom Browne, Peabo Bryson, Chuck Brown, Wayne Bruce, Jerry Butler, Jonathan Butler, Paul Carr, Terri Lyne Carrington, TC Carson, Gene Chandler, Renato Chicco, Stanley Clarke, Nick Colionne, Collaboration, Michael Colyar, Adrian Crutchfield, John Davis, John Di Martino, Will Downing, Joris Dudli, George Duke, Nathan East, Rodney M. Edge, Troy Sol Edler, Kevon Edmonds (After 7), Herb Fame, Jorel "JFLY" Flynn (HBIYD), Derrick Gardner, James Genus, Jazmin Ghent,  Tres Gilbert, Savion Glover, Chelsey Green, Slide Hampton, Winard Harper, Christian Havel, Walter Hawkins, Norbert Heger, Howard Hewett, Dr. W. Weldon Hill, Tony Hightower, Corcoran Holt, William Hubbard, Daryl Hunt, Yoron Israel, Jessy J, Al Johnson and The A-Team, Allyn Johnson (Divine Order), Marcus Johnson, Stanley Jordan, Jackiem Joyner, Michael Keul, Kindred the Family Soul, Ben E. King, James King, Anatoliy Kirnichnyy, Antoine Knight, Yishai Knoll, Saltman Knowles Group, Ignat Kravtsov, Rayshun LaMarr, Lavahi, Evgeny Lebedev, Alex Malheiros (Azymuth), Jimmy Masters, Maysa, Daniel McClain (After 7), Frank McComb, Marion Meadows, Najee, Jimmy Masters, Nathan Mitchell, Ed Neumeister, Marat Nikolaev, Milan Nikolic, Julia Nixon, Daniel Nösig, Antonio Parker, Phil Perry, Robert E. Person, Anne Phillips, Benjie Porecki, Lloyd Price, Chuck Redd, Robert Redd, Althea Rene, Anton Revnyuk, Lenny Robinson, Gino Rosaria, Ellie Saitoh and The Love Tambourines, Erwin Schmidt, Sylver Logan Sharp, Avery Sharpe, Art Sherrod, Oli Silk, Brian Simpson, Dick Smith, John Toomey, Tony Terry, Unit 3 Deep, Gerald Veasley, Chris Walker, Kevin Walker, Kim Waters, Doug Weiss, Anthony Wellington, Matthew Whitaker, Roz White, Bernhard Wiesinger (Poysdorf All-Stars), Vesta Williams, Larry M. Wilson,  Angela Winbush, Sherry Winston, David Ylvisaker, Frederic Yonnet, et.al.  Lori Williams is the proud mother of two exceptionally talented and compassionate remarkable young adults — Lauren V. Highsmith (LAVAHI.me) and Yusef Khalil Chisholm - who inspire her daily with their creativity, passion, and accomplishments. She is also a member of Delta Sigma Theta Sorority, Inc., Sigma Alpha Iota International Music Fraternity, and the Recording Academy.

Here's a playlist which shines a light on Lex Korten, one of New York's most in-demand young pianists. Alongside his much-anticipated debut, you'll hear collaborations that show just how deeply he's shaping today's scene. Also included: a stirring Max Roach tribute from Terri Lyne Carrington and Christie Dashiell, plus an uplifting new release from pianist Michael Wolff. The playlist features Michael Wolff; Terri Lyne Carrington, Christie Dashiell; Milena Casado; Lex Korten (pictured); Alex Hitchcock; Zoh Amba. Detailed playlist at https://spinitron.com/RFB/pl/21207965/Mondo-Jazz [from "Sunny Day" onwards]. Happy listening!

Grammy Award-winning drummer and composer Terri Lyne Carrington, together with Grammy-nominated jazz vocalist and recording artist Christie Dashiell discuss We Insist 2025—a powerful reimagining of Max Roach's groundbreaking 1960 work, We Insist!.

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KENNY WERNER “CHURCH ON MARS” New York, October 8, 2018Superfluous, Think of oneDavid Liebman (ts,sop) Kenny Werner (p) James Genus (b) Terri Lyne Carrington (d) Vivienne Aerts (vcl) RALPH TOWNER “BATIK” Oslo, January, 1978Waterwheel, BatikRalph Towner (g,12-string-g,p) Eddie Gomez (b) Jack DeJohnette (d GERRY MULLIGAN AND THE CONCERT JAZZ BAND LIVE “VILLAGE VANGUARD” New York, December 11, 1960Blueport, Body and soulClark Terry, Don Ferrara, Nick Travis (tp) Bob Brookmeyer (v-tb,arr) Willie Dennis (tb) Alan Raph (b-tb) Gene Quill (as,cl) Bob Donovan (as) Jim Reider (ts) Gerry Mulligan (bar,p-1) Gene Allen (bar,b-cl) Bill Crow (b) Mel Lewis (d) Al Cohn, Johnny Mandel (arr) Continue reading Puro Jazz 02 de septiembre, 2025 at PuroJazz.

Today we have JJA president Howard Mandel hosting a compelling discussion on political activism in jazz with three remarkable musicians who have dedicated their careers to both artistic excellence and social change.Our first guest is Terri Lyne Carrington, the four-time Grammy-winning drummer, composer, and producer who serves as Founder and Artistic Director of the Berklee Institute of Jazz and Gender Justice. As an NEA Jazz Master and Doris Duke Artist, Terri Lyne has spent four decades advocating for women, transgender, and nonbinary musicians while reimagining jazz's aesthetic possibilities. Her recent work includes the acclaimed album "new STANDARDS vol.1," featuring compositions by women, and a powerful reconceptualization of Max Roach and Abbey Lincoln's "We Insist!" for the modern era.Joining her is Orbert Davis, the Emmy Award-winning trumpeter, composer, and educator who co-founded the Chicago Jazz Philharmonic. As host of "The Real Deal with Orbert Davis" on 90.9 FM WDCB, Orbert has built extraordinary cultural bridges through his "Immigrant Stories" concert series and groundbreaking collaborations with Cuban musicians. His work transforms jazz into a vehicle for international understanding and social healing.Our third guest is Marc Ribot, the innovative guitarist whose extensive collaborations include work with Tom Waits, Elvis Costello, and John Zorn. Beyond his acclaimed recording career spanning over 25 albums, Marc has emerged as a fierce advocate for musicians' economic rights through his organizing work with the Content Creators Coalition and efforts to reform the American Federation of Musicians.Together, these three artists explore what jazz activism means today—from challenging gender inequities and supporting immigrant communities to fighting for fair compensation and workers' rights. Their conversation reveals how jazz continues to serve as both artistic expression and instrument of social change.Take a look at the Jazz Omnibus, the 600-page anthology of 21st century photos and writings by members of the Jazz Journalist Association, available online and wherever books are soldDon't miss new episodes of The Buzz. Make sure you follow us wherever you listen to podcasts. For more from the Jazz Journalists Association, go to JJANews.org.

Check out a New Music Feature from Terri Lyne Carrington & Christie Dashiell, "We Insist 2025!" [Candid Records], and our top 10 of the week!Position | Artist | Album Title | Label10 | Noah Haidu | Standards III | Infinite Distances9 | Ryan La Valette | Fresh | Trippin-N-Rhythm 8 | Kim Waters | The Pacemaker | Shanachie7 | Cyrus Chestnut | Rhythm, Melody and Harmony | HighNote6 | Brian Simpson | Midnight Groove | Shanachie5 | Eric Scott Reed | Out Late | Smoke Sessions 4 | Eric Darius | Too Good 2 Let Go | SagiDarius Music3 | Greg Murphy | Snap Happy | Whaling City Sound2 | Nicholas Cole | Blue Magic | Trippin-N-Rhythm1 | Tyreek McDole | Open Up Your Sense | ArtworkLike, subscribe, comment, tell a friend! Stay connected with us: @cooljazzcountdown on Instagram and Facebook!

durée : 00:59:26 - Boston Blow up ! - par : Nathalie Piolé -

This content is for Members only. Come and join us by subscribing here In the meantime, here's some more details about the show: It's a warm welcome then to the man himself: Dr. Brad Stone - the JazzWeek Programmer of the Year 2017, who's here every Thursday to present The Creative Source - a two hour show, highlighting jazz-fusion and progressive jazz flavours from back then, the here and now, plus occasional forays into the future. Please feel free to get in touch with Brad with any comments or suggestions you might have; he'll be more than happy to hear from you: brad@soulandjazz.com or follow him via Facebook or Bluesky. Enjoy! The Creative Source 10th July 2025 Artist - Track - Album - Year The Haas Company feat. Samuel Hällkvist    Aphelion    Vol. 3: Song for Mimi    2025 Curtis Nowosad    We Do We (feat. Andrew Renfroe)    I Am Doing My Best    2025 Fiona Ross    Voices Unheard    Moments in My Notebook    2025 Sabeth Pérez    Convertidos en Perfume    Searching for Beauty    2025 Tyreek McDole    The Backward Step    Open Up Your Senses    2025 Jeff Walton    San Diego    Pack Animals    2025 Scott Hamilton    The Maids of Cadiz    Looking Back    2024 Nicolas Ferron Trio    Multiverse    Multiverse    2025 Zhengtao Pan Jazz Orchestra    Dancing in the Dream    Scenery in My Story    2025 Jimmy Farace    Sings of Spring    Hours Fly, Flowers Die    2025 Bobby West    Requiem for Mary Turner    Requiem for Mary Turner    2025 Terri Lyne Carrington & Christie Dashiell    Driva' Man    We Insist 2025!    2025 Alchemy Sound Project performs the Music of Sumi Tonooka    Interval Haiku    Under the Surface    2025 Felipe Salles    Camera Obscura    Camera Obscura    2025 Tessa Souter    Rayga's Song (Gynopedie No. 1)    Shadows and Silence: The Erik Satie Project    2025 Kaze & Koichi Makigami    Make a Change    Shishiodoshi    2025 The post The Creative Source (#CreativeSource) – 10th July 2025 appeared first on SoulandJazz.com | Stereo, not stereotypical.

Sie ist eine der prägendsten Figuren des zeitgenössischen Jazz: Die Schlagzeugerin Terri Lyne Carrington hat als Wunderkind begonnen, wird später als erste Frau überhaupt mit einem Grammy für das beste instrumentale Jazzalbum geehrt. Und setzt sich als Dozentin für eine gendergerechte Musikszene ein Mit fünf trommelt Terri Lyne zum ersten Mal auf einer Profibühne, mit elf bekommt sie ein Stipendium für das renommierte Berklee College of Music. Mit knapp zwanzig gehört sie zu den gefragtesten Jazz-Drummern weltweit, spielt jahrelang mit Legenden wie Wayne Shorter und Herbie Hancock. Später tut sie sich mit der Innovatorin Esperanza Spalding zusammen und gründet mit «The Mosaic Project» eine weibliche Supergroup. Als Dozentin setzt sich Carrington für einen Jazz ohne Patriarchat ein. Am Berklee College gründet sie das «Institute of Jazz and Gender Justice» und gibt dort unter anderem ein neues Realbook heraus, diesmal exklusiv mit Kompositionen von Frauen. Etwa die Hälfte der Studierenden an Carringtons Institut sind Männer. Denn für einen «Jazz ohne Patriarchat» braucht es eine gerechtere Zukunft für alle Geschlechter. In der Jazz Collection diskutiert Annina Salis mit Eva Klesse. Die Leipziger Schlagzeugerin hat gerade den Deutschen Jazzpreis als «Künstlerin des Jahres» erhalten und war im Bereich Jazz die erste weibliche Instrumentalprofessorin Deutschlands überhaupt. Die gespielten Titel: Interpret:in: Titel (Album/Label) - Herbie Hancock: Cotton Tail (Gershwin's World / Verve 1998) - Terri Lyne Carrington: St. Thomas (TLC & Friends / Candid Records 2023, rec. 1981) - Terri Lyne Carrington: Blackbird (Real Life Story / Verve Forecast 1989) - Terri Lyne Carrington: Echo (Mosaic Project / GrooveJazz Media 2010) - Terri Lyne Carrington: Grass Roots (Money Jungle. Provocative in Blue / Concord Jazz 2013) - Terri Lyne Carrington & Social Science: Pray the Gay Away (Waiting Game / Motéma) - Terri Lyne Carrington: Throw It Away (New Standards Vol. 1 / Candid Productions 2022) - Terri Lyne Carrington & Christie Dashiell: Freedom Day (Part 1) (We Insist 2025! / Candid Productions 2025)

durée : 00:59:28 - Terri Lyne Carrington & Christie Dashiell "We Insist 2025!" - par : Nicolas Pommaret - « We Insist 2025 ! » de la batteuse et compositrice Terri Lyne Carrington et de la chanteuse Christie Dashiell, une réinterprétation audacieuse de l'album révolutionnaire de Max Roach sorti en 1961, “We Insist !”. Parution chez Candid. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Today's program featured the latest sounds from Flutienastiness, Terri Lyne Carrington, Brandee Younger, Miles Davis, The Beach Boys, two Theos, two Brians and Sun Ra!Playlist: https://spinitron.com/m/playlist/view/20810841Listen wherever you get your podcasts! This program has been edited from the original broadcast.

Terri Lyne Carrington has spent her life behind the drums—and out in front. In this wide-ranging conversation, the Grammy-winning musician, educator, and activist reflects on her remarkable journey from child prodigy to visionary bandleader, and from mentee to mentor. She shares stories from her early gigs with jazz legends like Clark Terry and Buddy Rich, her formative years with Herbie Hancock and Wayne Shorter, and her ongoing work shaping the next generation through the Berklee Institute of Jazz and Gender Justice. We spoke on the occasion of We Insist 2025!, Carrington's powerful new reimagining of Max Roach's classic 1960 protest suite. But the conversation goes far beyond the music—it's about legacy, leadership, gender equity, and the responsibility of artists to help create a more just and expansive world. As Carrington puts it, “Only an open hand receives.” www.third-story.com www.leosidran.substack.com www.wbgo.org/podcast/the-third-story

In this episode, I talk with the talented trumpeter, composer, and arranger Milena Casado. Born and raised in Spain, she's a graduate of the Berklee College of Music, where she honed her skills working with amazing teachers. She shares about growing up in a small village town, looking different from other members of that community; about meeting her father for the first time; about getting in touch with her Dominican roots; and about her acceptance to Berklee. We also discuss the major influence of her mentor, drummer extraordinaire Terri Lyne Carrington, and dive into her album Reflection of Another Self, a stunning debut that's a deeply personal journey of self-discovery and resilience. https://www.milenacasado.com

Send us your thoughts! Out February 7, 2025, Griot Songs marks the return of the Omar Thomas Large Ensemble after more than a decade, featuring soloists Jason Palmer, Mark Zaleski, Alex Brown, Mark Cocheo and others “Griot Songs firmly plants Omar Thomas in the pantheon of distinguished and exceptional writers. He blurs the lines stylistically in the best of ways with a texturally compelling 'heart and soul' sonic story all his own.”– Grammy-winning drummer/composer Terri Lyne Carrington“Omar Thomas… proves himself a modern-day griot - summoning influences, traditions, and narratives from both past and present, framing them in a manner that is at varying times tender, dramatic, mystical, and joyful - but always absolutely captivating!” – Grammy-nominated composer/bandleader Chuck OwenIn West African tradition, the griot is a storyteller, poet and musician whose songs become a repository for a community's traditions and history. Sixteen years in the making, Griot Songs – the breathtaking third release by the Omar Thomas Large Ensemble – is a distinctly personal and emotionally vibrant take on the role of the modern griot. Through his visionary compositions and arrangements, Omar Thomas spins captivating narratives from his own experiences, inspirations and heritage.It's been over a decade since the release of the Omar Thomas Large Ensemble's last album, We Will Know: An LGBT Civil Rights Piece in Four Movements, which Grammy Award-winning drummer and composer Terri Lyne Carrington hailed as a “thought provoking, multi-layered masterpiece.” The big band made its auspicious debut in 2013 with I Am, which entered the iTunes Jazz Charts at #1. But Griot Songs, out February 7, 2025, is the project that Thomas has envisioned since initially forming the ensemble for his graduate composition recital at New England Conservatory in 2008. The earliest versions of three of the pieces on the album date back to that time, with the remainder spanning several years of composing, revising and dreaming.In the meantime, Thomas established himself an acclaimed and in-demand composer for wind ensemble. In 2019, he was awarded the National Bandmasters Association / Revelli Award for his wind composition “Come Sunday,” becoming the first Black composer awarded the honor in the contest's 42-year history. In addition, he's a respected educator currently serving as Associate Professor of Composition and Jazz Studies at the University of Texas at Austin. Griot Songs marks Thomas' impassioned return to his roots. “I was ready to reintroduce myself as a big band composer,” he declares.Support the show

durée : 00:59:25 - Bouger les lignes - par : Nathalie Piolé -

Musician, composer and producer Terri Lyne Carrington talks about her career and approach to music as part of the Women's History Month series Equalizers: Women In Music Production.        

As we noted so succinctly way back in 2014:  Some trios play nicer together than others - Pat and Mike investigate.   Duke Ellington – MONEY JUNGLE; Terri Lyne Carrington – MONEY JUNGLE PROVOCATIVE IN BLUE; Jean-Michel Pilc – WELCOME HOME; Herbie Nichols – LOVE, GLOOM, CASH, LOVE.  Tune in next time as the Herbie Nichols connection leads to a brand new episode covering four albums devoted solely to his music.

Naomi Moon Siegel is an award-winning trombonist, improvisor, composer and educator. In this episode we're highlighting her beautiful sextet album Shatter the Glass Sanctuary, and you'll hear her reflections on the valuable mentorship process with Allison Miller and brilliant collaborators including Marina Albero and Ray Larsen. Naomi reflected on her journey finding a supportive musical community, overcoming injury, and how she's advocated for intersectional gender justice for many years through her workshops for fellow educators and music students. We talked about some of her mentors including Kristen Strom, Wayne Horwitz, and her duo project the Syrinx Effect with Kate Olson. Naomi shared how her career path has been shaped by personal decisions and outlook, some of her experiences on several inspiring trips, as well as how she's able to find grounding and inspiration in both her new physical landscape in Montana and her new emotional landscape as a parent. Like all my episodes, you can watch this also listen to the podcast on all the podcast platforms, and I've also linked the transcript: https://www.leahroseman.com/episodes/naomi-moon-siegel Naomi Moon Siegel website (with albums linked) It's a joy to be able to bring these meaningful conversations to you, but this project costs me quite a bit of money and lots of time; please support this series through either my ⁠merchandise store⁠ or on my ⁠Ko-fi page⁠. For the merch, it features a unique design by artist Steffi Kelly and you can browse clothes, notebooks, mugs and more, everything printed on demand. ⁠Sign up for my newsletter ⁠where you'll get access to exclusive information about upcoming guests. If you're finding this interesting, please text this episode to a friend! You may be also interested in some episodes I've linked directly to this one: J. Walter Hawkes Hillary Simms Katherine Needleman Meg Okura Colleen Allen EmmoLei Sankofa Renée Yoxon https://linktr.ee/leahroseman⁠ photo of Naomi: Rio Chantel Timestamps: (00:00) Intro (02:25) Shatter the Glass Sanctuary album, producer Allison Miller, pianist Marina Albero (09:37) clip of Shatter It from Shatter the Glass Sanctuary (link in show notes) (12:00) embracing a slower pace of life, move to Montana (16:29) excerpt from “Seep Into My Pores” from Shatter the Glass Sanctuary album (link in show notes) (19:48) sextet formation, listening party (25:05) finding supportive musical community, speaking out (30:11) other episodes you'll like, different ways to support this series (31:03) move to Seattle, overcoming injury, Seattle Music Partners (35:17) trip to Costa Rica, material for first album Shoebox View, Wayne Horwitz, (40:07) experience at Oberlin Conservatory, Wendell Logan (41:13) New Standards, women and non-binary composers, Terri Lyne Carrington (43:14) Syrinx Effect duo with Kate Olson (46:11) Cameronathon from Syrinx Effect's A Sky You Could Strike a Match On (link in show notes) (50:24) trips to The Gambia and Senegal, Thione Diop (53:22) workshops gender justice, also teaching improvisation (01:01:41) gender representation in jazz today (01:04:04) teaching improvisation (01:05:28) creative practice, artist residency Virginia Center for the Creative Arts

En este episodio hemos escuchado a Jeremy Pelt; Roy Hargrove & Mulgrew Miller; Bobby Hutcherson; Terri Lyne Carrington; Belén Bandera & Jaume Llombart; Tingvall Trio; Ali Watson Quartet. Seguir leyendo La Montaña Rusa. Episodio 03.2025. en La Montaña Rusa Radio Jazz.

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DIZZY GILLESPIE / SONNY STITT / SONNY ROLLINS “SONNY SIDE UP” New York, December 19, 1957The eternal triangle, On the sunny side of the street (dg vcl)Dizzy Gillespie (tp,vcl) Sonny Stitt, Sonny Rollins (ts) Ray Bryant (p) Tommy Bryant (b) Charlie Persip (d) ESPERANZA SPALDING “CHAMBER MUSIC SOCIETY” Englewood, N.J., October 8-10, 2009 & January 14-19, 2010Little fly, Chacarera, Wild is the wind, Inutil paisagem (gp vcl) Esperanza Spalding (vcl,b) acc by Leo Genovese (p,melodica) Ricardo Vogt (g) Entcho Todorov (vln) Lois Martin (viola) David Eggar (cello) Terri Lyne Carrington (d) Quintano Cinalli (perc) Gretchen Parlato (vcl) JEFF “TAIN” WATTS “BAR TALK” New York ?, December 3-5, 2001JC is the man, …Like the roseRavi Coltrane (sop,ts) Branford Marsalis, Michael Brecker (ts) Gregoire Maret (hca) David Budway, Joey Calderazzo (p) Henry Hey (keyboards) Paul Bollenback, Hiram Bullock (g) James Genus, Eric Revis (b) Jeff “Tain” Watts (d) Robert Thomas (perc) Continue reading Puro Jazz 26 de diciembre, 2024 at PuroJazz.

A preview of the musicians that FourOneOne will present during with "Transatlantik" a two-day of performances and conversation with diasporic artists engaged with the artistic and political concepts of negritude and créolité. The playlist features Cassie Watson Francillon; Sélène Saint-Aimé; Aruan Ortiz, Andrew Cyrille, Mauricio Herrera; Anais Maivel; Kris Davis, Val Jeanty, Terri Lyne Carrington; Vijay Iyer, Linda May Han Oh, Tyshawn Sorey. Detailed playlist at https://spinitron.com/RFB/pl/19824668/Mondo-Jazz Happy listening!

Send us a textMy guest is Mark Powers, Drumset Committee Chair for PAS (Percussive Artist Society). Mark takes us through this year's PASIC (Percussive Artist Society International Convention) Nov 13-16, 2024 in Indianapolis, IN. For almost 50 years, PASIC has been at the forefront, as the largest drum and percussion event in the world, with clinics, master classes, concerts, panel discussions and more! I'm proud to offer a Live From My Drum Room! PAS Scholarship, which allows a recipient to attend PASIC every year. Oct 31st is the last day for online registration, but you can register onsite. For more on PAS and PASIC, visit https://pas.org/pasic/Live From My Drum Room With John DeChristopher! is a series of conversations with legendary drummers and Music Industry icons, hosted by drummer and music industry veteran, John DeChristopher, drawing from his five decades in the Music Industry. Created in 2020, and ranked BEST Drum Podcast, "Live From My Drum Room With John DeChristopher!" gives the audience an insider's view that only John can offer. And no drummers are harmed on any shows! Please subscribe!Exciting news! 100% of the proceeds from Live From My Drum Room T-shirts goes toward a newly created Live From My Drum Room Scholarship with the Percussive Arts Society! https://pas.org/pasic/scholarships/ Live From My Drum Room T-shirts are made of soft 60%cotton/40% polyester. Available in XS-2XL. $25 includes shipping in the contiguous US. Payment with Venmo: @John-DeChristopher-2. Be sure to include your size and shipping address. Email: livefrommydrumroom@gmail.com. Thank you to everyone who's bought a shirt to help support this endeavor! https://linktr.ee/live_from_my_drum_roomwww.youtube.com/c/JohnDeChristopherLiveFromMyDrumRoom

Welcome once more to an exploration into Jazz Culture! This episode, naturally brings you nothing but the best that the world has to offer in Jazz music and a little bit more! With Jazzism 17.5 we begin a new segment I am calling Jazz Music Matters.  For that past few months now I have been developing traction on the hashtag #jazzmusicmatters via Facebook and Instagram and now I take the next step by posing the question to young jazz lovers as I go out and about enjoying this music at live events. On this episode I spoke with audiences at The DC Jazzfest and the responses I got were phenomenal. So for me, and hopefully for you as well, this episode of Jazzism (a katzpheno mix) is indeed Very Special. Enjoy! Brian "Katzpheno" Phoenix featuring: Terri Lyne Carrington - Very Special (2013) Ben Williams - Home (2011) Herlin Riley - A Spring Fantasy (2016) Chris Greene Quartet - The Missing Part (2014) Stefon Harris - And This Too Shall Pass (2011) Raul Midon - Wall Of Indifference (2024) Gary Batz - I Concentrate On You (2012) Russell Malone - Little B's Poem (2017) Gloria Lynne - Joey, Joey, Joey (1965) Patrice Rushen - Cherry Blossom (1990) Branford Marsalis Quartet - Jabberwocky (2009)

After seeing Grammy-winning pianist and composer Kris Davis, live at the Village Vanguard, I knew I wanted to sit down with her and dive into jazz. Here we discuss her philosophy of improvisation and her energy and passion for performing live. The Canadian-born artist fell in love with jazz at an early age, studied jazz piano at the University of Toronto, and cites the legendary Don Pullen as a major influence. Along the way, as she shares, she's played with innovative performers such as J.D. Allen, Dave Holland, Terri Lyne Carrington, Tyshawn Sorey, and John Zorn. Before our conversation winds down, we talk albums and which speak to her the most.

"Finished in two words = Vocal level!" Dan talked about mastering from anywhere with a laptop and Audeze headphones, why speed is crucial, how to serve the song and client, finding your ideal speaker/headphone listening level, ear training, and bass! Get access to FREE mixing mini-course: https://MixMasterBundle.com My guest today is Dan Millice, a mastering engineer located in NYC with over 13 years of experience. During his career, Dan has been credited for mastering 11 Grammy-nominated projects. He recently mastered Terri Lyne Carrington's album "New Standards, Vol. 1," which secured a Grammy win for Best Jazz Instrumental Album. Thank you to Michael Estok and Jim Stewart for the introduction! THANKS TO OUR SPONSORS! http://UltimateMixingMasterclass.com https://www.adam-audio.com https://www.native-instruments.com Use code ROCK10 to get 10% off! https://www.izotope.com Use code ROCK10 to get 10% off! https://gracedesign.com/ https://RecordingStudioRockstars.com/Academy  https://www.thetoyboxstudio.com/ Check out the MBSI on sale now for $80 off! https://www.makebelievestudio.com/mbsi  Listen to this guest's discography on Spotify: https://open.spotify.com/playlist/0JyZsS8C8dfDaVxSktIRgQ?si=2d6cb027d0f34756 If you love the podcast, then please leave a review: https://RSRockstars.com/Review CLICK HERE FOR COMPLETE SHOW NOTES AT: https://RSRockstars.com/465

On this edition of The Arts Section, host Gary Zidek has a story about a unique collaboration between a west suburban art gallery and a Department of Energy research laboratory. The Dueling Critics, Kerry Reid and Jonathan Abarbanel, review a new Sondheim musical tribute. Later in the show, Gary talks to the owner of a new small business that's participating in Women-focused arts initiative in Wheaton. And we'll revisit an interview with acclaimed jazz artist Terri Lyne Carrington.

Lawrence Fields, born and bred in St. Louis, has earned a spot at the forefront of young jazz pianists, thanks to his blending of vintage ideals with a contemporary mindset. For the last five years, in 2023, 2022, 2021, 2020, and 2019, Downbeat Magazine has placed him close to the top of the keyboardist category in their “Rising Stars” critics poll. Fields showcase his dynamic blend of composition and playing in his trio and quartet, and his music is currently being featured internationally. His debut album featuring his trio and solo playing, “To the Surface”, was released to critical acclaim on February 2, 2024. Veteran saxophone icon Joe Lovano – with his unerring ear for youthful talent – has become one of the pianist's biggest fans. Fields is a member of several bands led or co-led by Lovano: his Classic Quartet (originally featuring Lewis Nash and George Mraz in the rhythm section); the Sax Supreme Quartet (with Chris Potter); and his Sound Prints quintet with trumpeter Dave Douglas. The Wall Street Journal praised Fields' “elegant, probing” solos with Sound Prints, while The New York Times noted that he is “integral to the band's plunging, changeable style.” A modern-minded bandleader from the younger generation also relies on Fields, as he mans the piano and keyboards for the Christian Scott Group. Referencing his role on acoustic and electric pianos in the trumpeter's band, NextBop said: “Fields remains a constant lyrical presence on the keys – innovative, expressive, supportive, able to soar like a bird in his solos. He never fails to impress.” Fields has collaborated with Christian Scott on several albums — including co-writing and co-producing 3 songs on the Grammy-nominated The Emancipation Procrastination (Ropeadope, 2017), as part of his work on Christian's Centennial Trilogy with releases Diaspora and Ruler Rebel. He features prominently in the piano and keyboard chairs on Christian's Grammy-nominated live recording Axiom (2020), as well as the Grammy-nominated Ancestral Recall (2019), and the Stretch Music (Ropeadope, 2015) and Christian Scott Atunde Adjuah (Concord, 2012) albums. With Lovano and Douglas, the pianist features on Sound Prints' two critically-acclaimed studio releases: Other Worlds (2021), and Scandal (2018, Greanleaf) — selected by The Guardian as their #1 jazz album of 2018, as well as one of Rolling Stone's top 20 jazz albums of the year. Fields also plays on the live album Sound Prints: Live at Monterey Jazz Festival (Blue Note, 2015), which featured two brand-new compositions written for the ensemble by the legendary Wayne Shorter. He appears on the album Marsalis Music Honors Alvin Batiste (2007) alongside Branford Marsalis, Herlin Riley and Russell Malone, as well as on drummer Terri Lyne Carrington's More to Say (a 2009 disc for which he served as a pianist, keyboardist, and composer-producer). Fields also appears on releases by drummer Jeff “Tain” Watts, bassist Yasushi Nakamura, vibraphonist Warren Wolf, and saxophonists Jaleel Shaw and Steve Slagle. The pianist has been a member of the Watts band, as well as that of trumpeter Nicholas Payton. In addition to performing onstage with the likes of Payton, Watts, Marsalis, and Carrington, Fields has appeared with star bassist Christian McBride, drummer Nate Smith, trombonist Delfeayo Marsalis, trumpeter Takuya Kuroda, and bassist Robert Hurst, among others. Lawrence's playing is also featured on Christopher North's score for the new Sam Pollard documentary "Max Roach: The Drum Also Waltzes", which premiered in Fall 2023 on PBS' American Masters television series.

Today, the Spotlight shines On Grammy-winning pianist and composer Kris Davis.Kris joined us in the wake of the September 2023 release of her album Live at the Village Vanguard, out on her own Pyroclastic Records label.Live at the Village Vanguard is the second release from her band Diatom Ribbons, an adventurous quintet featuring drummer Terri Lyne Carrington, turntablist and electronic musician Val Jeanty, bassist Trevor Dunn – and new addition guitarist Julian Lage.In addition to talking about that band and album, Kris guides us through her musical path and development while hipping us to her important work at the Berklee Institute of Jazz and Gender Justice.(all musical excerpts heard in the interview are taken from Live at the Village Vanguard by Kris Davis and Diatom Ribbons)------------------Dig DeeperListen to Live at the Village Vanguard by Kris Davis and Diatom Ribbons on Bandcamp or your streaming platform of choiceVisit Kris Davis at krisdavis.netVisit Pyroclastic Records at pyroclasticrecords.comFollow Kris Davis on Instagram, Facebook, and Twitter (X) and Pyroclastic Records on Instagram, Facebook, and Twitter (X).Kris Davis Is A Powerhouse and A PolymathKris Davis, a Pianist Fighting for Fringe MusicBerklee Institute of Jazz and Gender JusticeBe sure to peruse this episode's extensive show notes at spotlightonpodcast.com------------------• Did you enjoy this episode? Please share it with a friend! You can also rate Spotlight On ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts.• Subscribe! Be the first to check out each new episode of Spotlight On in your podcast app of choice.• Looking for more? Visit spotlightonpodcast.com for bonus content, web-only interviews + features, and the Spotlight On email newsletter. You can also follow us on Instagram, Facebook, and Mastodon. Hosted on Acast. See acast.com/privacy for more information.

On this episode, David Sanborn sits down with drummer, bandleader, producer and educator Terri Lyne Carrington to talk about women in jazz, hopes for the future of the music, their time playing together, and more.

Just 14% of care leavers go to university, compared to 47% of young people who didn't grow up in care, according to a report by the think tank Civitas. The figures have barely changed over the past 10 years and at the current rate of progress, it will take 107 years to close the gap. Two care-experienced young women who did manage to smash the so-called care ceiling share their experiences with Krupa; Rebecca Munro, who graduated with a masters in business and is now an Education Liaison Officer at the University of St Andrews and Lucy Barnes, a barrister.Up to half of women will have a UTI at some point in their life. Earlier this year the NHS launched a new awareness campaign which the filmmaker and author Kate Muir has criticised for not mentioning vaginal oestrogen as a treatment. Kate joins Krupa Padhy alongside Dr Olivia Hum, a GP who is on the Council of the British Menopause Society.Actor Dame Siân Phillips' life and career are explored in a new documentary, Siân Phillips at 90. She joins Krupa to talk about some of her acting roles, including playing Emmeline Pankhurst in a BBC drama in the 1970s, what it was like being married to Peter O'Toole, and what she's doing now.Terri Lyne Carrington, a multi-Grammy-winning drummer and jazz artist, saw a distinct lack of songs by female composers being learned by jazz musicians - and decided to fix it. As a ‘gender justice advocate' she decided to create a project, the New Standards: 101 Lead Sheets By Women Composers, and an accompanying album which won a Grammy, to shine a light on female jazz composers. She joins Nuala McGovern to discuss the project and jazz and gender justice on our special programme about women digging for the truth.Would you swap your trousers for a pair of statement knickers? Julia Hobbs from Vogue tells Krupa about the new trouser-less trend that's been sweeping the catwalks and social media, and the reactions she got when testing it out on the London Underground.As a nation we eat more sprouts than any other country in Europe but it's a vegetable that, like marmite, divides opinion. Anita Rani is joined by plant pathologist Dr Lauren Chappell and the brassica research expert Dr Rachel Wells to explain how sprouts are being engineered to taste sweeter and withstand climate change. Presenter: Krupa Padhy Producer: Hanna Ward Studio Manager: Donald MacDonald

A special Woman's Hour episode all about women who dig for the truth.Marianne Asher-Chapman from Holts Summit, Missouri has been searching for her daughter, Angie Yarnell, for more than 20 years now. Angie went missing in 2003. Her husband, Michael pled guilty to involuntary manslaughter in 2009. He was released in 2013. He has so far refused to tell Marianne or the authorities where he buried Angie - and Marianne has been unable to find her - despite physically digging in the property where she thinks her daughter may have been buried. She joins Nuala to discuss what she's done to find her daughter and how she's now helping other families with missing relatives.Terri Lyne Carrington, a multi-Grammy-winning drummer and jazz artist, saw a distinct lack of songs by female composers being learned by jazz musicians - and decided to fix it. As a ‘gender justice advocate' she decided to create a project, the New Standards: 101 Lead Sheets By Women Composers, and an accompanying album which won a Grammy, to shine a light on female jazz composers. She joins Nuala to discuss the project and jazz and gender justice on our special programme about women digging for the truth.Many of us have stayed up late, spending the night scrolling through the internet, looking for clues or information we might be on the hunt for. But have you ever felt like you need help to find out something? Someone to confirm your worst fears or set you free? Alison Harris is a private investigator and began her career in investigations later in life. She speaks to Nuala about how being a PI isn't always the glamorous job we imagine - and what it's like to find the truth for people.In 2018, Helen McLaughlin and Karen Whitehouse got married in Amsterdam - but they had their day forever changed in their memories, after someone defecated on the floor of a toilet cubicle in the ladies' bathroom. They enlisted the help of their friend, ‘Detective' Lauren Kilby to find out who did it - and why. Karen Whitehouse, one of the brides, and ‘Detective' Lauren join Nuala to talk about their unusual investigation - and why they couldn't let it go.A name you may be familiar with when it comes to the search for the truth is historian, Philippa Langley. Known now by many as the woman who found King Richard III underneath a car park in Leicester, she's turned her attention to his nephews, the missing Princes, who for centuries have been said to have been murdered by their uncle, King Richard, after he took the throne. Her new research suggests otherwise - and she joins Nuala to talk all about the search for the truth and what it means to her.

My guest is Grammy Winning Mastering engineer Harold LaRue who has worked with Wayne Shorter, Terri Lyne Carrington, Esperanza Spalding, Lisa Bella Donna, Jeffrey Osborne (L.T.D.), Joey Alexander, Kayley Hill (The Voice), Jack Russell's Great White, and Southern Raised. In this episode, we discussNavy Brat LifeMichigan Winters4 Track EntryRonan Chris Murphy Software DevelopmentPro Audio RepairDischarging CapacitorsRestaurant LessonsEarned MarketingFood RecyclingRetro InstrumentsMoving Around the USNetworking via NARASTransitioning to MasteringGrowing Tired of MovingMoving to HoustonConnecting Via The UnionHow to Join The UnionWinning a GrammyProfessional CommunicationsMatt's Rant: Studio Owner DiversificationLinks and Show NotesRonan Chris Murphy on WCAHarold's SiteCreditsGuest: Harold LaRueHost: Matt BoudreauEngineer: Matt BoudreauProducer: Matt BoudreauEditing: Anne-Marie Pleau WCA Theme Music: Cliff Truesdell Announcer: Chuck Smith