Podcast appearances and mentions of eddie gomez

BUNKY GREEN “PLACES WE'VE NEVER BEEN” New York, February 21 & 22, 1979East & West, Tension & release (1)Randy Brecker (tp,flhrn) Bunky Green (as,p) Albert Dailey (p) Ronald Kubelik (p-1) Eddie Gomez (b) Freddie Waits (d) CANNONBALL ADDERLEY WITH BILL EVANS “KNOW WHAT I MEAN ?” New York, January 27, February 21, & March 13, 1961Waltz for Debby, Goodbye, Toy, Know what I mean ? Continue reading Puro Jazz 07 de abril, 2025 at PuroJazz.

BUNKY GREEN “PLACES WE'VE NEVER BEEN” New York, February 21 & 22, 1979East & West, Tension & release (1)Randy Brecker (tp,flhrn) Bunky Green (as,p) Albert Dailey (p) Ronald Kubelik (p-1) Eddie Gomez (b) Freddie Waits (d) CANNONBALL ADDERLEY WITH BILL EVANS “KNOW WHAT I MEAN ?” New York, January 27, February 21, & March 13, 1961Waltz for Debby, Goodbye, Toy, Know what I mean ? Continue reading Puro Jazz 07 de abril, 2025 at PuroJazz.

Cuando comienza el cuarto mes del calendario gregoriano, abril, comienza la primavera en el hemisferio norte, que despierta los sentidos y los sentimientos dormidos durante el invierno. La literatura, la poesía y las canciones ha dado cuenta de ese estado de euforia y desasosiego, de cambio y de búsqueda de nuevas emociones. En este episodio, a través de unas pocas canciones, vamos a dar cuenta de ese estado de ánimo en que nos sumimos en abril y en primavera. A finales de abril de cada año se celebra el día internacional del jazz. Así la primavera sirve, también, para celebrar la variedad de músicas, estilos, sensibilidades y estados de ánimo que el jazz nos brinda. Aunque podríamos dedicar todo el episodio a versiones de una sola canción, cada una con una personalidad diferente, vamos a celebrar el jazz y la primavera con 5 estándares. At the beginning of the fourth month of the Gregorian calendar, April, spring begins in the northern hemisphere, awakening the senses and feelings dormant during the winter. Literature, poetry and songs have given an account of this state of euphoria and uneasiness, of change and search for new emotions. In this episode, through a few songs, we will give an account of that state of mind in which we are immersed in April and spring. At the end of April every year we celebrate International Jazz Day. Thus, spring also serves to celebrate the variety of music, styles, sensibilities and moods that jazz offers us. Although we could devote the entire episode to versions of a single song, each with a different personality, we are going to celebrate jazz and spring with 5 standards. Playlist: - Mighty Accordion Band - April in Paris; - Doris Day - April In Paris; - Count Basie - April In Paris; - Lyambiko - April In Paris; - Bill Evans, Eddie Gomez, Jack DeJohnette - I'll Remember April; - Boz Scaggs - I'll Remember April; - Clifford Brown & Max Roach - Joy Spring; - Emilie‐Claire Barlow - Joy Spring; - Tuck & Patti - It Might as Well Be Spring; - Sophie Milman - It Might as Well Be Spring; - Bucky & John Pizzarelli - Spring Can Really Hang You Up the Most; - Ian Shaw - Spring Can Really Hang You Up the Most.

El protagonista de este monográfico es el pianista y compositor Richard Tee, un músico fallecido en el año 1993. Hacemos un repaso al algunos de sus trabajos junto a conocidos artistas como Harvey Mason, Spyro Gyra, Patti Austin, Gato Barbieri, Aretha Franklin, Sadao Watanabe, Melissa Manchester, Earl Klugh, David Sanborn, Phil Upchurch, Eddie Gomez y Ralph McDonald, además de su pertenencia al proyecto Stuff. Es el segundo especial que dedicamos a la figura de Richard Tee: el primero lo puedes escuchar en la edición 1855 de este podcast.

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Tonight's Jazz Feature is a latter day classic and one of the finest outings by pianist/composer Chick Corea. It consists of three extended compositions hence the title "Three Quartets" The late Mr. Corea needs no introduction to the Jazz listening public of course but the band he has chosen for this date done in early 1981 is exceptional. On tenor saxophone is the late, great Michael Brecker and on bass is the accomplished Eddie Gomez and on drums is the phenomenal Steve Gadd. Fortunately Gadd and Gomez are still alive and active. This album was produced by Chick Corea for his own label and is a valuable music document of four wonderful artists. "Three Quartets" is tonight's Jazz Feature.

Playlist   Track Time Start Time Opening and Introduction (Thom Holmes) 11:57 00:00 1.    Herbie Hancock, Herbie Hancock Demonstrates The Rhodes Piano (1973 Rhodes). A terrific flexi-disc produced by Rhodes and narrated by Hancock who tells an interesting story about his first encounter with the instrument on a Miles Davis session and then he walks the keyboard through a series of effects. He speaks with the authority of a proud electronics tinkerer who understands the nuances that make this instrument so beloved by jazz musicians. This flexi-disc was originally delivered in the November 8, 1973 issue of Down Beat magazine. I provide both sides of the disc, in entirety. Tunes included during the demonstration include parts of Watermelon Man, Maiden Voyage, and The Spook. Soloist, Rhodes Electric Piano, Voice, Herbie Hancock. I thought it would be wisest to lead off this podcast with an overview of the Rhodes even though it is out of chronological sequence, being from 1973. We then go back a few years to hear tracks in proper time order. 12:48 11:57 2.    The Don Ellis Orchestra, “Open Beauty” from Electric Bath (1967 Columbia). Alto Saxophone, Flute, Soprano Saxophone, Joe Roccisano, Ruben Leon; Baritone Saxophone, Flute, Bass Clarinet, John Magruder; Bass, Dave Parlato, Frank De La Rosa; Bass, Sitar, Ray Neapolitan; Congas, Bongos, Chino Valdes; Drums, Steve Bohannon; Leader, Trumpet, Don Ellis; Percussion, Alan Estes; Piano, Clavinet, Fender Electric Piano Fender, Mike Lang; Tenor Saxophone, Flute, Clarinet, Ron Starr; Tenor Saxophone, Flute, Piccolo Flute, Clarinet, Ira Schulman; Timbales, Vibraphone, Percussion , Mark Stevens; Trombone, Dave Sanchez, Ron Myers, Terry Woodson; Trumpet, Alan Weight, Bob Harmon, Ed Warren, Glenn Stuart. 5:33 24:44 3.    Miles Davis, “Stuff” from Miles In The Sky (1968 Columbia). I think this was Miles' first album recorded using the Fender Rhodes, played by Herbie Hancock. See the opening tracks from this podcast for a story about this session from Hancock. Bass, Ron Carter; Drums, Tony Williams; Piano, Fender Electric Piano, Herbie Hancock; Tenor Saxophone, Wayne Shorter; Trumpet, Miles Davis. 16:59 30:14 4.    Joe Zawinul, “The Soul Of A Village (Part II)” from The Rise & Fall Of The Third Stream (1968 Vortex). Zawinul, along with Hancock, was an early adopter of the Fender Rhodes. Cello, Kermit Moore; Double Bass, Richard Davis; Drums, Freddie Waits, Roy McCurdy; Percussion, Warren Smith; Piano, Fender Electric Piano, Joe Zawinul; Tenor Saxophone, Arranged by, William Fischer; Trumpet, Jimmy Owens; Viola, Alfred Brown, Selwart Clarke, Theodore Israel. 4:16 47:10 5.    Oliver Nelson and Steve Allen, “Go Fly a Kite” from Soulful Brass (1968 Impulse). Another Steve Allen record, whom we heard from in part 1 playing the Wurlitzer Electric Piano. Here is a selection from an album on which he plays the Rock-Si-Chord and occasional piano. Arranged by Oliver Nelson; Rock-Si-Chord, piano, Steve Allen; Drums, Jimmy Gordon; session musicians, Barney Kessel, Bobby Bryant, Larry Bunker, Roger Kellaway, Tom Scott; Produced by Bob Thiele. 2:30 51:24 6.    J & K “Mojave” from Betwixt & Between (1969 A&M, CTI). “J” is J.J. Johnson (trombonist) and “K” is Kai Winding (trombonist). Their ensemble included Roger Kellaway playing the electric clavinette. An example of using the clavinet in jazz. This was most likely a Hohner Clavinet Model C which had just been introduced in 1968. Recorded at Van Gelder Studios during late 1968. 2:31 53:54 7.    Albert Ayler, “New Generation” from New Grass (1969 Impulse). An electric harpsichord played by Call Cobbs adds some subtle comping to this buoyant tune written by Ayler, Mary Parks, Rose Marie McCoy. Baritone Saxophone, Buddy Lucas; Design Cover And Liner, Byron Goto, Henry Epstein; Drums, Pretty Purdie; Electric Bass, Bill Folwell; Piano, Electric Harpsichord, Organ, Call Cobbs; Producer, Bob Thiele; Tenor Saxophone, Flute, Seldon Powell; Tenor Saxophone, Vocals, Albert Ayler; Trombone, Garnett Brown; Trumpet, Burt Collins, Joe Newman; Vocals, The Soul Singers. 5:06 56:22 8.    Bill Evans, “I'm All Smiles” from From Left To Right (1970 MGM). Piano, Rhodes Electric Piano, Bill Evans; Bass, John Beal; Conducted, arranged by Michael Leonard; Double Bass, Eddie Gomez; Drums,Marty Morell; Guitar, Sam Brown; Liner Notes, Harold Rhodes, Helen Keane, Michael Leonard; Produced by Helen Keane. For his 24th solo album, the long-established jazz pianist Evans took his turn playing both the Fender Rhodes and Steinway acoustic piano on this album, as two-handed duets no less. Liner notes were written by Harold Rhodes, inventor of the Rhodes Electric Piano. 5:42 1:01:24 9.    Sun Ra And His Intergalactic Research Arkestra, “Black Forest Myth” from It's After The End Of The World - Live At The Donaueschingen And Berlin Festivals (1971 MPS Records). You can hear Sun Ra enticing other-worldly sounds from a Farfisa organ beginning at about 1:35. Recorded in 1970. Of the many electronic keyboards heard elsewhere on this album (and occasionally on this track), here the Farfisa is heard the most. Farfisa organ, Hohner Electra, Hohner Clavinet, Piano, Performer, Rock-Si-Chord, Spacemaster, Minimoog, Voice, composed by, arranged by, Sun Ra; ; Alto Saxophone, Clarinet, Flute, Abshlom Ben Shlomo; Alto Saxophone, Flute, Clarinet, Danny Davis; Alto Saxophone, Flute, Oboe, Piccolo Flute, Drums, Marshall Allen; Baritone Saxophone, Alto Saxophone, Flute, Danny Thompson; Baritone Saxophone, Tenor Saxophone, Alto Saxophone, Clarinet, Bass Clarinet, Flute, Drums, Pat Patrick; Bass, Alejandro Blake Fearon; Bass Clarinet, Robert Cummings; Drums, Lex Humphries; Drums, Oboe, Flute, James Jackson; English Horn, Augustus Browning; Mellophone, Trumpet, Ahk Tal Ebah; Oboe, Bassoon, Bass Clarinet, Leroy Taylor; Percussion African, Other Fireeater, Dancer , Hazoume; Percussion Hand Drums, Nimrod Hunt; Percussion, Other Dancer, Ife Tayo, Math Samba; Photography By, Hans Harzheim; Producer, Liner Notes, Joachim E. Berendt; Tenor Saxophone, Percussion, John Gilmore; Trumpet, Kwame Hadi; Violin, Viola, Cello, Bass, Alan Silva; Voice, June Tyson. 9:07 1:07:05 10.Joe Scott And His Orchestra, “Raindrops Keep Fallin' On My Head” from Motion Pictures - The NOW Generation (1970 Mainstream). Listen for the Rock-Si-Chord in electric harpsichord mode. Bass, Charles Rainey; Cello, Charles McCracken, Gene Orloff, George Ricci, Maurice Bialkin;  Drums, Alvin Rogers, Joe Cass; Flute, Alto Flute, Bassoon, Tenor Flute, George Dessinger, Joe Soldo, Joseph Palmer, Philip Bodner; Flute, Flute Tenor, Alto Flute, Bassoon, Walt Levinsky; French Horn, Donald Corrado; Guitar, Jay Berliner, Stuart Scharf; Keyboards Rock-Si-Chord, Frank Owens; Mastered By Mastering, Dave Crawford (2); Percussion, Joseph Venuto; Piano, Frank Owens; Producer, Bob Shad; Trombone, Buddy Morrow, Tony Studd, Warren Covington, Wayne Andre; Trumpet, Bernie Glow, James Sedlar, John Bello, Mel Davis; Viola, Emanuel Vardi, Harold Coletta, John DiJanni, Theodore Israel; Violin, Aaron Rosand, Arnold Eidus, Emanuel Green, Frederick Buldrini, Harold Kohon, Harry Lookofsky, Joseph Malignaggi, Jules Brand, Leo Kahn, Lewis Eley, Mac Ceppos, Max Pollikoff, Paul Gershman, Peter Buonoconsiglio, Raymond Gniewek, Rocco Pesile, Winston Collymore. 2:28 1:16:12 11.The Phoenix Authority, “One” from Blood, Sweat & Brass (1970 Mainstream). Note the Rock-Si-Chord. Arranged by Ernie Wilkins; Bass, Charles Rainey; Drums, Grady Tate, Herbie Lovelle; Flute, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Chris Woods, Hubert Laws; Guitar, David Spinosa, Kenneth Burrell; Organ, Piano, Rock-Si-Chord, Frank Anderson, Frank Owen; Producer, Bob Shad; Trombone, Benny Powell, George Jeffers; Trumpet, Joseph Newman, Lloyd Michaels, Ray Copeland, Woody Shaw. 2:43 1:18:38 12.The Phoenix Authority, “Sugar, Sugar” from Blood, Sweat & Brass (1970 Mainstream). Listen for the Rock-Si-Chord. Arranged by Ernie Wilkins; Bass, Charles Rainey; Drums, Grady Tate, Herbie Lovelle; Flute, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Chris Woods, Hubert Laws; Guitar, David Spinosa, Kenneth Burrell; Organ, Piano, Rock-Si-Chord, Frank Anderson, Frank Owen; Producer, Bob Shad; Trombone, Benny Powell, George Jeffers; Trumpet, Joseph Newman, Lloyd Michaels, Ray Copeland, Woody Shaw. 3:34 1:21:20 Sun Ra's flare for electronic sound in performance is demonstrated in the following three tracks that make excellent use of the several keyboards, the Farfisa organ, Minimoog, and Rock-Si-Chord. 13.Sun Ra And His Astro-Intergalactic-Infinity-Arkestra,' “Discipline No. 11” from Nidhamu (Live In Egypt Vol. II) (1974 El Saturn Records). Recorded at Ballon Theater, Cairo, Egypt December 17, 1971. Sun Ra playing several electronic keyboards in turn, the organ, Minimoog, and Rock-si-Chord. What I hear is some organ (Farfisa?) in the opening, then Sun Ra turns to a wild exchange between the Minimoog (monophonic) and Rock-Si-chord (polyphonic) during the second half of the track. Alto Saxophone, Congas, Larry Northington; Alto Saxophone, Flute, Danny Davis, Hakim Rahim; Alto Saxophone, Flute, Oboe, Marshall Allen; Baritone Saxophone, Pat Patrick; Baritone Saxophone, Flute, Danny Thompson; Bass Clarinet, Elo Omoe; Composed By, Arranged By, Piano, Organ, Minimoog, Rock-Si-Chord, Sun Ra; Engineer Recording Engineer, Tam Fiofori; Percussion, Lex Humphries, Tommy Hunter; Photography By, Sam Bankhead; Photography Liner Photo, Mike Evans; Producer, Infinity Inc. And The East; Tenor Saxophone, Percussion, John Gilmore; Trumpet, Congas, Kwame Hadi; Vocals, June Tyson. 9:31 1:24:52 14.Sun Ra And His Astro-Intergalactic-Infinity-Arkestra,' “Cosmo-Darkness” from Live In Egypt Vol. I (Nature's God) (Dark Myth Equation Visitation) (1972 Thoth Intergalactic). Beginning around 0:26, you get an example of Sun Ra's rhythmic, trace-like playing of the Rock-Si-Chord. Alto Saxophone, Congas, Larry Northington; Alto Saxophone, Flute, Danny Davis, Hakim Rahim; Alto Saxophone, Flute, Oboe, Marshall Allen; Baritone Saxophone, Pat Patrick; Baritone Saxophone, Flute, Danny Thompson; Bass Clarinet, Elo Omoe; Composed By, Arranged by, Piano, Organ, Minimoog, Rock-Si-Chord, Sun Ra; Engineer Recording Engineer, Tam Fiofori; Percussion, Lex Humphries, Tommy Hunter; Photography By, Sam Bankhead; Photography Liner Photo, Mike Evans; Producer, Infinity Inc. And The East; Tenor Saxophone, Percussion, John Gilmore; Trumpet, Congas, Kwame Hadi; Vocals, June Tyson. 2:05 1:34:25 15.Sun Ra And His Astro-Intergalactic-Infinity-Arkestra,' “Solar Ship Voyage” from Live In Egypt Vol. I (Nature's God) (Dark Myth Equation Visitation) (1972 Thoth Intergalactic). This track features Sun Ra and the Minimoog in an extended solo. Alto Saxophone, Congas, Larry Northington; Alto Saxophone, Flute, Danny Davis, Hakim Rahim; Alto Saxophone, Flute, Oboe, Marshall Allen; Baritone Saxophone, Pat Patrick; Baritone Saxophone, Flute, Danny Thompson; Bass Clarinet, Elo Omoe; Composed By, Arranged by, Piano, Organ, Minimoog, Rock-Si-Chord, Sun Ra; Engineer Recording Engineer, Tam Fiofori; Percussion, Lex Humphries, Tommy Hunter; Photography By, Sam Bankhead; Photography Liner Photo, Mike Evans; Producer, Infinity Inc. And The East; Tenor Saxophone, Percussion, John Gilmore; Trumpet, Congas, Kwame Hadi; Vocals, June Tyson. 2:40 1:36:30 Herbie Hancock mastered an array of keyboards, including the Fender Rhodes and several ARP models in the next three tracks tracing only two years in his musical journey. 16.Herbie Hancock, “Rain Dance” from Sextant (1973 Columbia). Patrick Gleason provides beats and beeps using the ARP 2600 and ARP Soloist. Bass Trombone, Tenor Trombone, Trombone Alto Trombone, Cowbell, Pepo (Julian Priester); Congas, Bongos, Buck Clarke; Drums, Jabali (Billy Hart); Effects Random Resonator, Fundi Electric Bass Fender Electric Bass With Wah-Wah And Fuzz, Double Bass, Mchezaji (Buster Williams); Electric Piano Fender Rhodes, Clavinet Hohner D-6 With Fender Fuzz-Wah And Echoplex, Percussion Dakka-Di-Bello, Mellotron, Piano Steinway, Handclaps, Songs by Mwandishi (Herbie Hancock); Synthesizer, Mellotron, John Vieira; Soprano Saxophone, Bass Clarinet, Piccolo Flute, Afoxé Afuche, Kazoo Hum-A-Zoo, Mwile (Benny Maupin); ARP 2600, ARP Soloist, Dr. Patrick Gleeson; Trumpet, Flugelhorn, Mganga (Dr. Eddie Henderson). 9:19 1:39:08 17.  Herbie Hancock, “Palm Grease” from Thrust (1974 Columbia). Hancock himself plays all the keyboards and synthesizers on this album. Drums, Mike Clark; Electric Bass, Paul Jackson; Electric Piano Fender Rhodes, Clavinet Hohner D-6, Synthesizer Arp Odyssey, Arp Soloist, Arp 2600, Arp String, written by Herbie Hancock; Percussion, Bill Summers; Producers, David Rubinson, Herbie Hancock; Soprano Saxophone, Tenor Saxophone, Bass Clarinet, Alto Flute, Bennie Maupin. 10:36 1:48:18 18.Herbie Hancock, “Nobu” = ノブ from Dedication = デディケーショ(1974 CBS/Sony). Fascinating recording because it is Hancock solo with an assortment of keyboards, including the Fender Rhodes and multiple ARP models. Piano, Fender Rhodes, Arp Pro Soloist, Arp Odyssey, Arp 3604, Arp 2600, Arp PE-IV String Ensemble, composed by Herbie Hancock; Engineer, Tomoo Suzuki; Producer, David Rubinson. 7:33 1:58:46 The analog synthesizer became a regular companion of the Fender Rhodes in jazz, leading up to the end of the 1970s. 19.Bobbi Humphrey, “My Little Girl” from Satin Doll (1974 Blue Note). The great jazz funk flutist Bobbi Humphrey released a series of albums around this time that often-featured fantastic synthesizer players. Here you can pick out the Minimoog by Don Preston and the ARP (Odyssey?) by Larry Mizell. The synths included here are in contrast to the more experimental sounds that Herbie Hancock was issuing at the same time. Flute, Vocals, Bobbi Humphrey; ARP Synthesizer, Larry Mizell; Minimoog, Don Preston; Bass, Chuck Rainey; Congas, King Errison; Drums, Harvey Mason; Electric Piano Fender Rhodes, Fonce Mizell, Larry Mizell; Guitar, John Rowin, Melvin "Wah Wah" Ragin; Percussion, Roger Sainte, Stephany Spruill; Piano, Jerry Peters; Produced by Chuck Davis, Larry Mizell; Trumpet, Fonce Mizell. 6:39 2:06:19 20.Ramsey Lewis, “Jungle Strut” from Sun Goddess (1974 Columbia). Another mainstream jazz artist who found many interesting sounds to accompany his electric piano. ARP, ARP Ensemble, Piano, Fender Rhodes, Wurlitzer electric piano, Ramsey Lewis; Congas, Drums, Derf Rehlew Raheem, Maurice Jennings; Electric Upright Bass Fender, Cleveland Eaton; Guitar, Byron Gregory; Synthesizer Freeman String, Ramsey Lewis; Tambura, Percussion, Maurice Jennings; Vocals, Derf Rehlew Raheem; Written by, R. Lewis. 4:40 2:12:54 21.  Ramsey Lewis, “Tambura” from Sun Goddess (1974 Columbia). ARP, ARP Ensemble, Piano, Fender Rhodes, Wurlitzer electric piano, Ramsey Lewis; Drums, Tambura, Congas, Percussion, Maurice Jennings; Electric Upright Bass Fender, Cleveland Eaton; Guitar, Byron Gregory; Written by R. Lewis. 2:52 2:17:32 22.Clark Ferguson, “Jazz Flute” from RMI Harmonic Synthesizer And Keyboard Computer (1974 Rocky Mount Instruments, Inc.). Not an instrument often used in jazz, so I turn to the company's demonstration album for a sample of this more advanced in the RMI keyboard family. RMI Harmonic Synthesizer, Clark Ferguson. 2:43 2:20:24 23.  Fernando Gelbard, “Sombrero De Flores” from Didi (1974 Discos Redonde). A straight-up jazz track from Argentine musicial Gelbard that features both the Fender Rhodes and the Minimoog. Fender Rhodes, Minimoog, Fernando Gelbard; Bass, Ricardo Salas; Congas, Vocals, Ruben Rada; Drums, Norberto Minichillo; Fender Rhodes, Minimoog, Fernando Gelbard; Percussion, Effects, Miguel "Chino" Rossi; Producer, Alberto M. Tsalpakian, Juan Carlos Maquieira; Tenor Saxophone, Horacio "Chivo" Borraro. 7:25 2:23:04 24.  Fernando Gelbard, “Mojo Uno” from Didi (1974 Discos Redonde). This track features an outrageously unique Minimoog part that is akin to something you would hear from Sun Ra. Fender Rhodes, Minimoog, Fernando Gelbard; Bass, Ricardo Salas; Congas, Vocals, Ruben Rada; Drums, Norberto Minichillo; Fender Rhodes, Minimoog, Fernando Gelbard; Percussion, Effects, Miguel "Chino" Rossi; Producer, Alberto M. Tsalpakian, Juan Carlos Maquieira; Tenor Saxophone, Horacio "Chivo" Borraro. 2:00 2:30:28 25.Jan Hammer “Darkness / Earth In Search Of A Sun” from The First Seven Days (1975 Atlantic). On this track you get to hear (I think) three different synthesizers all fit for Hammer's purpose, the solo Moog, Oberheim fills, and Freeman strings. Producer, Engineer, Piano, Electric Piano, Moog, Oberheim, and the Freeman string synthesizer; digital sequencer, Drums, Percussion, Composed by, Jan Hammer. 4:29 2:32:26 26.Larry Young's Fuel, “Moonwalk” from Spaceball (1976 Arista). CDX-0652 Portable Moog Organ, Minimoog , FRM-S810 Freeman String Symphonizer, Organ Hammond B-3, Fender Rhodes, Piano, Larry Young Jr.; Bass Rickenbacker, Dave Eubanks; Hohner Clavinet , Piano, Minimoog, Julius Brockington; Drums Ludwig Drums, Zildgian Cymbals, Percussion, Jim Allington; Guest Special Guest Star, Larry Coryell; Guitar, Danny Toan, Ray Gomez; Percussion, Abdoul Hakim, Barrett Young, Clifford Brown, Farouk; Producer, Terry Philips; Tenor Saxophone Selmer, Soprano Saxophone Selmer, Flute Armstrong, Vocals, Al Lockett; Vocals, Paula West. 5:32 2:36:52 27.Larry Young's Fuel, “Startripper” from Spaceball (1976 Arista). CDX-0652 Portable Moog Organ, Minimoog , FRM-S810 Freeman String Symphonizer, Organ Hammond B-3, Fender Rhodes, Piano, Larry Young Jr.; Bass Rickenbacker, Dave Eubanks; Hohner Clavinet , Piano, Minimoog, Julius Brockington; Drums Ludwig Drums, Zildgian Cymbals, Percussion, Jim Allington; Guest Special Guest Star, Larry Coryell; Guitar, Danny Toan, Ray Gomez; Percussion, Abdoul Hakim, Barrett Young, Clifford Brown, Farouk; Producer, Terry Philips; Tenor Saxophone Selmer, Soprano Saxophone Selmer, Flute Armstrong, Vocals, Al Lockett; Vocals, Paula West. 4:44 2:42:22 28.Wolfgang Dauner, “Stück Für Piano Und Synthesizer Op. 1” from Changes (1978 Mood Records). Dauner is one of the only jazz players to utilize the massive EMS Synthi 100. Written, produced, recorded, Steinway C-Flügel piano, EMS Synthi 100, Oberheim 4 Voice Polyphonic Synthesizer, Wolfgang Dauner. 9:51 2:47:04 29.Wolfgang Dauner, “War Was, Carl?” from Grandison - Musik Für Einen Film (1979 Zweitausendeins). More analog synthesizer jazz from Germany. C-flute, Alt-flute, Baß-flute, Manfred Hoffbauer; Oboe, English Horn, Hanspeter Weber; Percussion, Drums,  Jörg Gebhard; Piano, Synthesizer, Percussion, Conductor, Wolfgang Dauner. 1:12 2:56:54 30.Wolfgang Dauner, “Intellektuelles Skalpell” from Grandison - Musik Für Einen Film (1979 Zweitausendeins). C-flute, Alt-flute, Baß-flute, Manfred Hoffbauer; Oboe, English Horn, Hanspeter Weber; Percussion, Drums,  Jörg Gebhard; Piano, Synthesizer, Percussion, Conductor, Wolfgang Dauner. 1:26 2:58:06   Opening background music: 1) Sun Ra And His Astro-Intergalactic-Infinity-Arkestra,' “The Light Thereof” from Live In Egypt Vol. I (Nature's God) (Dark Myth Equation Visitation) (1972 Thoth Intergalactic) (5:14). Farfisa organ playing from Sun Ra. 2) Oliver Nelson and Steve Allen, “Green Tambourine” from Soulful Brass (1968 Impulse) (2:28). Steve Allen plays the Rock-Si-Chord. 3) Oliver Nelson and Steve Allen, “Torino” from Soulful Brass (1968 Impulse) (2:02). Steve Allen plays the Rock-Si-Chord. Opening and closing sequences voiced by Anne Benkovitz. Additional opening, closing, and other incidental music by Thom Holmes. See my companion blog that I write for the Bob Moog Foundation. For a transcript, please see my blog, Noise and Notations. I created an illustrated chart of all of the instruments included in this podcast, paying special attention to the expressive features that could be easily adopted by jazz musicians. You can view it on my blog, Noise and Notations.  

MARY LOU WILLIAMS – FEAT. DON BYAS Paris, France, December 2, 1953O.W., Mary's waltz, Just you, just me (db out)Don Byas (ts) Mary Lou Williams (p) Buddy Banks (b) Gerard “Dave” Pochonet (d) MICK GOODRIC – IN PAS(S)ING Oslo, Norway, November, 1978Feebles, fables and ferns, Summer band camp, In passingJohn Surman (sop,bar,b-cl) Mick Goodrick (g) Eddie Gomez (b) Jack DeJohnette (d) ART DAVIS QUARTET – LIFE New York, October 5, 1985Life, Duo (jh,im out), Blues from concertpiece for bassPharoah Sanders (ts) John Hicks (p) Art Davis (b) Idris Muhammad (d) Continue reading Puro Jazz 29 diciembre 2023 at PuroJazz.

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Matt Orenstein is a Los Angeles-based composer. He has scored several shorts, features, and trailers, and has written music for branded content from companies including Mercedes-Benz, Square, and DoorDash.Films with Matt's scores have screened at several film festivals around the world, including Mostra São Paulo, Prix Videoformes (Paris), Chicago Independent Film Festival, Santa Barbara International Film Festival, Cinequest and SXSW. In 2022, he scored the Webby-nominated documentary short “Nearside: Pink Mahogany,” directed by Max Gold.Matt got his start as a bass player in the relentlessly experimental Minneapolis music scene as an adolescent in the early 2000's, the spirit of which he carried with him to Oberlin, OH. While at Oberlin Conservatory, he studied bass with Peter Dominguez (and Eddie Gomez during Dominguez's sabbatical), studied electronic music and composition, and played in as many different kinds of ensembles as he could. He spent 2011 to 2015 in Chicago, where he worked as a teacher, composer, songwriter, sound designer, and instrumentalist. Matt's work and performances have seen favorable coverage in several publications, including The New York Times, The LA Times, Entertainment Weekly, and the Allmusic Guide. He has worked with Four Larks, Laboratory Dancers (Chicago), Le Tour, Oberlin Dance Company, Fonema Consort, Jacaranda Music, High Concept Laboratories, Access Contemporary Music, Death & Pretzels, Sheet Ghosts, Naomi Greene, Lyris Quartet, Antonio Lysy, and several other artist and groups around the Minneapolis, Oberlin, Chicago, and Los Angeles areas. Matt has toured the country several times under several different banners, including his longtime project Lionel O, which released six albums between 2006-15. 

Satoshi Takeishi is another old friend, who I'm happy to have here! Satoshi is a great drummer, percussionist, and composer. He has played, toured and recorded with lots of great musicians, including Ray Barretto, Carlos ‘Patato' Valdes, Eliane Elias, Marc Johnson, Eddie Gomez, Randy Brecker, Dave Liebman, Anthony Braxton, Mark Murphy, Herbie Mann, Paul Winter Consort, Rabih Abu Khalil, Toshiko Akiyoshi Big Band. Currently, he is working on several interesting projects, which we talk about in the interview, including working with his wife, Shoko, who is a fine pianist and composer. Satoshi and I met at Berklee in 1982. It's interesting that we're still having the same conversation all these years later. Come and join the conversation. Satoshi TakeishiI am available for online or in person study. Reach out to me at: keith@keithdavismusic.com Keith Davis Music

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Nasheet Waits, drummer and music educator, is a New York native. His interest in playing the drums was encouraged by his father, legendary percussionist, Frederick Waits, who played with such legendary artists as Ella Fitzgerald, Stevie Wonder, Marvin Gaye, Sonny Rollins, Lee Morgan, Max Roach, Cecil Taylor, McCoy Tyner, and countless others. While attending Long Island University, Nasheet studied privately with renowned percussionist Michael Carvin. Carvin's tutelage provided a vast foundation upon which Waits added influences from his father, as well as mentor Max Roach and percussionist Fred King. It was Max that first gave Nasheet's formidable talent international spotlight, hiring him as a member of the famed percussion ensemble M'BOOM. One highlight of Nasheet's tenure with M'BOOM was the live concert performance of M'BOOM with special guests Tony Williams and Ginger Baker.  Nasheet's recording and performing discography is a veritable who's who in Jazz. Waits has boasted stints with jazz notables Antonio Hart, Jackie McLean, Wadada Leo Smith, Dave Douglas, Mark Turner, Bunky Green, Kurt Rosenwinkel, Eddie Gomez, Steve Coleman, The New Jersey Symphony Orchestra, Greg Osby, Wallace Roney, Jacky Terrason, and The Mingus Big Band. Waits has recorded and toured extensively in Africa, Europe, Japan, Canada, South America and the United States. In this episode, Nasheet talks about: Learning from Christian McBride's "played with everybody" experience, and high level consistency as a performer The early influence of his father, musically and culturally How friends and colleague of his father like like Michael Carvin and Max Roach stepped in to mentor him after his father died Lessons from Carvin His experience attending an HBCU in Atlanta

Hoy os vamos a acercar uno de los trabajos mas desconocidos de un músico extraordinario, el compositor, saxofonista y clarinetista cubano Paquito D’Rivera. El disco se llama Mariel y nunca fue editado en CD. Quizás es por este detalle que el trabajo nunca ha gozado de una gran difusión y además no está presente en ninguna de las diferentes plataformas de streaming existentes a pesar de contar con varios temas que han sido esenciales en la discografía de D’Rivera como es el caso de Monk Tuno, dedicada a Theolonius Monk, Wapango o la deliciosa Claudia. Esperamos que la disfrutéis. TRACKS A1- Mariel D’Rivera A2- Miami Juanito Márquez A3- Claudia Chucho Valdés B1- New York It’s You D’Rivera B2- Wapango D’Rivera B3- Monk Tuno D’Rivera B4- Moments Notice John Coltrane CREDITS Acoustic Bass – Eddie Gomez (pistas: A3, B4), Jeff Fuller (pistas: B2) Alto Saxophone, Soprano Saxophone, Piano, Synthesizer, Arranged By – Paquito D'Rivera Drums – Ignacio Berroa (pistas: Except B1) Electric Bass – Jeff Fuller (pistas: A1. A2, B1, B3) Electric Piano – Jorge Dalto (pistas: A1, B1) Executive Producer – George Butler Flugelhorn, Trumpet – Randy Brecker (pistas: A1, B4) Guitar – Georg Wadenius (pistas: A1, B1) Percussion, Congas – Daniel Ponce (pistas: Except B1) Piano – Hilton Ruiz (pistas: A2, A3, B2, B3) Producer – Bert DeCoteaux, Mike Berniker Synth [Prophet 5] – Luis Buchillon (pistas: A1) Vocals – Brenda Feliciano (pistas: B1)

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A native of eastern Pennsylvania, JD Walter's past, present, and future has always embodied music. From church Boy choirs at the age of six to the American Boy choir school in Princeton to the University of North Texas on a vocal jazz scholarship, Walter has become a pioneer of improvisation and electronic innovations in the world of jazz. His recording career spans 20 years and his purist progressive approach to jazz music has been recognized worldwide. After extended studies in Amsterdam with Jazz vocal Icon, Deborah Brown, Walter returned to the U.S. and embedded himself in the New York Jazz scene. It was in New York, surrounded by visionaries of jazz, where he began to organically develop his liberated, vibrant style that turned him from straight-ahead to progressive jazz singing. Walter's recordings include, "Dressed in a Song", “Sirens in the C-House,” “Clear Day,” “Dedicated to You,” “2Bass, a Face and a Little Skin,” “Live in Portugal,” “Live at the 55 Bar,” “One Step Away,” and Guest appearances on over 100 recordings. The latest album, released on February 7, 2020, testifies to his personal progression as an evolving artisan and provides an intimate, inventive collection of standards and originals. “Dressed in a Song,” produced by Walter and Grammy-winning producer and A&R executive Al Pryor, features piano and vocal duets and trios with veterans and up-and-comers alike, including Jim Ridl, Orrin Evans, Jean-Michel Pilc, Marc Cary, Taylor Eigsti, Julius Rodriguez, Ben Wolfe, Obed Calvaire, and Becca Stevens. Over the decades, Walter has performed as a featured artist at numerous American jazz clubs and festivals in the U.S., Europe, the Middle East, Central America as well as over 80 tours in Russia. He remains a regular in the New York music scene, and has headlined at Dizzy's Lincoln Center, The Jazz Standard, The Blue Note, and The Jazz Gallery, among other venues. He has shared the stage with legendary artists, ranging from Dave Liebman, Billy Hart, Tom Harrell, Eddie Gomez, Bob Dorough, Nicholas Payton, Ben Monder, Sean Jones, Jean-Michel Pilc, Bill Evans, Mark Murphy, Greg Hutchinson, Ari Hoenig, Randy Brecker, Tim Warfield, Jim Ridl, Orrin Evans, Seamus Blake, Igor Butman, Nasheet Waits, Craig Handy, Boris Kozlov, Robin Eubanks, Eric Revis, Billy Drummond, Christian McBride, Adam Nussbaum. Walter currently resides in New York and teaches privately and abroad at The Prince Claus Conservatory in Groningen, Holland, The Jazz and Music School in St. Petersburg, and the Music Wave School in Moscow. In this episode, JD Walter shares his background, education, and musical journey. If you enjoyed this episode please make sure to subscribe, follow, rate, and/or review this podcast on Spotify, Apple Podcast, Google Podcast, ect. Connect with us on all social media platforms and at www.improvexchange.com

Courtney's playing refreshingly cool new jazzy vibes for you to work, rest and play to! Jam-packed full of new releases and plenty of fun, including many of the artists introducing their own tracks! This wk Cedar Walton tribute, UK R&B, Afro-Latin rhythms, synth & sax, Brazilian beats, fresh bop, mellow flute/sax, organ trio, classic Stevie...let these restorative beats warm you through the winter folks, spring is on the way!Please let all your jazz friends know that they can listen for free on Apple podcasts, Google Podcasts, Amazon Music and always at jazz-pod.comVisit our archive here Join the CPG community by following us on Facebook & Instagram Ask us ANYTHING(!) about jazz over on Twitter Watch our FAB & FUN artist features over on Tiktok[0'00] Steve Turre - Planting the Ceed (Generations SMOKE SESSIONS Tr1) Steve Turre tb/comp Orion Turre dr Wallace Roney Jr tpt Isaiah J Thompson pno Corcoran Holt bsAn homage to Cedar Walton. “He's one of my heroes,” Turre says of the great pianist, who was a member of Art Blakey's Jazz Messengers when Turre joined the band in 1973. ... he planted the seed in me when I was young and started playing with him.”[8'29] Robert Mitchell & True Think - The Best of Us feat Xan Blacq/Deborah Jordan vc Yelfris Valdéz tpt (Hold The Light BUCKS Tr7) Robert Mitchell keys Tom Mason bs Zayn Mohammed gtr Saleem Raman drTrue Think is a multi-generational, multi-cultural reflection of several periods of Robert Mitchell's musical journey. They blend Electronic, Jazz, RnB, Spoken Word, film and folk influences together to create a unique sound. The album features a long list of special guests, including internationally renowned Grammy-nominated vocalists, and a Grammy winner amongst the production cast.[13'19] Colectiva - How Do You Like Your Ladies? (Jazz re:freshed)Sarah Wackett (flute), Poppy Daniels (trumpet), Viva Msimang (trombone), Luisa Santiago (keys), Alley Lloyd (bass), Lilli Elina (congas), Lya Reis Guerrero (drums), with additional writing credits to Deanna Wilhelm and Cleo Savva.How Do You Like Your Ladies? is an anthemic-party-starter that channels the bands frustration at patriarchy and gender-based violence through rich Afro-Latin rhythms, fiery horn motifs, salsa influences, and jazz-inflected breaks.[16'27] The Comet Is Coming - Lucid Dreamer (Hyper Dimensional Expansion Beam IMPULSE Tr3)Danalogue keys Betamax dr King Shabaka tnrLondon-based Mercury Prize nominated synth-sax-drum trio featuring DANALOGUE (Dan Leavers), SHABAKA (Shabaka Hutchings) recorded at Peter Gabriel's Real World studio. [19'53] Anat Cohen - Boa Tarde Povo (De Melo) - Quartetinho ANZIC Tr3 4'57 Anat Cohen cl Tal Mashiach bs Vitor Gonçalves keys James Shipp vb/keysClarinet virtuous Anat with a top-tier lineup on amazing world-folk grooves. The funky rhythm bears a resemblance to baião beats common to the forró and cocó genres, although the specific pattern is elusive, suggestive of a style with many variations between Bahia and Pernambuco. [24'29] Jim Witzel - Feelin' it - Feelin' it Tr1 7'18 Jim Witzel gtr/comp Brian Ho keys, Jason Lewis dr Dann Zinn tnrGuitarist, composer and educator JIM WITZEL has long enjoyed the “organ trio” format. In his second album, FEELIN' IT, he puts his own spin on those great recordings of the 50s and 60s (up to the present day) with a project comprising four standards, three of Witzel's originals and a well-known pop tune.[31'43] Hamish Balfour - Running Colours (Balfour/Esmerelda) (Running Colours SHAPES OF RHYTHM Tr2 Hamish Balfour on Keyboards, Laurie Lowe on drums, Pete Martin on bass (who used to play with Courtney incidentally!) and Rob Updegraff on Guitar. Elsa Esmerelda vocals'Running Colours' is the debut LP from Hamish Balfour, the-go to keys player for Tenderlonious, Jaubi and many more.[36'17] Lakecia Benjamin - Moods Phoenix WHIRLWIND Tr8 Josh Evans, Victor Gould on keys, Orange Rodriguez on synths, drummer Enoch (EJ) Strickland, percussionist Nêgah Santos and bassist Ivan Taylor. Trumpeter Wallace Roney Jr, Rhodes organist Anastassiya Petrova and bassist Jahmal Nichols all join for one track each.Phoenix is the highly-anticipated, expansive new album in the musical evolution of alto saxophonist and composer Lakecia Benjamin, due out January 27, 2023 via Whirlwind Recordings. The album was produced by the multi-Grammy-award winning Terri Lyne Carrington and features a star-studded line up of specially curated guests Dianne Reeves, Georgia Anne Muldrow, Patrice Rushen, Sonia Sanchez, Angela Davis and Wayne Shorter. [41'05] Steve Gadd/Eddie Gomez/Ronnie Cuber ft WDR Big Band - Sign Sealed Delivered (Wonder) - Center Stage Tr1 7'17 Steve Gadd dr, Eddie Gomez bs, Ronnie Cuber bari Simon Oslender pno Michael Abene cond/arr Gadd, Gomez and Cuber were all members of the Gadd Gang, a very popular unit which blended jazz, R&B and groovin' funk and released three albums in the 1980's and 1990's.Next week on CPG Bitesize we're hearing from Bela Fleck's ace saxophonist and HeadHunting for Water Bears!  Intrigued?? Hit subscribe here so you don't miss it!!

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Welcome to the latest Courtney Pine Global Podcast Bitesize Edition! A coffee break's worth of cool jazzy vibes to wet your appetite for the full show. Commercial free, and hand-picked by Courtney for a vibrant, and soulful listen!  This week: Afro-Latin rhythms from Colectiva, retro spiritual grooves from Hamish Balfour,  and classic Stevie Wonder from Steve Gadd and friends...Please let all your jazz friends know that they can listen for free on Apple podcasts, Google Podcasts, Amazon Music and always at jazz-pod.comVisit our archive here Join the CPG community by following us on Facebook & Instagram Ask us ANYTHING(!) about jazz over on Twitter Watch our FAB & FUN artist features over on Tiktok[0'00] Colectiva - How Do You Like Your Ladies? (Jazz re:freshed 3'06)Sarah Wackett (flute), Poppy Daniels (trumpet), Viva Msimang (trombone), Luisa Santiago (keys), Alley Lloyd (bass), Lilli Elina (congas), Lya Reis Guerrero (drums), with additional writing credits to Deanna Wilhelm and Cleo Savva.How Do You Like Your Ladies? is an anthemic-party-starter that channels the bands frustration at patriarchy and gender-based violence through rich Afro-Latin rhythms, fiery horn motifs, salsa influences, and jazz-inflected breaks.[3'03] Hamish Balfour - Running Colours (Balfour/Esmerelda) (Running Colours SHAPES OF RHYTHM Tr2 Hamish Balfour on Keyboards, Laurie Lowe on drums, Pete Martin on bass (who used to play with Courtney incidentally!) and Rob Updegraff on Guitar. Elsa Esmerelda vocals'Running Colours' is the debut LP from Hamish Balfour, the-go to keys player for Tenderlonious, Jaubi and many more.  A renowned musician who has collaborated with Harvey Mason, Nim Sadot, Incognito, Faze Action and more, Balfour steps out as an artist in his own right on his first full-length album[6'57] Steve Gadd/Eddie Gomez/Ronnie Cuber ft WDR Big Band - Sign Sealed Delivered (Wonder) -Center Stage Tr1 7'17 Steve Gadd dr, Eddie Gomez bs, Ronnie Cuber bari Simon Oslender pno Michael Abene cond/arr Gadd, Gomez and Cuber were all members of the Gadd Gang, a very popular unit which blended jazz, R&B and groovin' funk and released three albums in the 1980's and 1990's.Next week on CPG Ep27: Mercury prize nominated Synth and Sax, a beautiful new album produced by Terri-Lyne Carrington and some all star world-folk grooves!  Hit subscribe now so you don't miss it!

Hoy os vamos a acercar el primer trabajo como líder de una extraordinaria pianista, la brasileña Eliane Elias. El trabajo se llamó Illusions y fue grabado en el año 1986 a través de la discográfica Denon. Sorprendentemente Illusions no apareció en el mercado hasta 5 años más tarde justo tras el éxito de su primer disco en homenaje a Antonio Carlos Jobim, Eliane Elias Plays Jobim de 1989 pero a nosotros nos parece un disco con un repertorio muy interesante y que además cuenta con una inmejorable colección de enormes músicos que colaboraron para hacerlo posible y es por ello que hemos decidido acercarlos a este primer Vinilos para Gatos de este nuevo año. Esperamos que os guste. TRACKS 1-Choro Godoy 2-Through the Fire Foster, Keane, Weil 3-Illusions Elias 4-Moments Elias 5-Falling in Love With Love Hart, Rodgers 6-Iberia Elias 7-Loco Motif Elias 8-Sweet Georgia Fame Dearie 9-Chan's Song Hancock, Wonder Credits Bass – Eddie Gomez (tracks: 3 to 9) Bass, Acoustic Bass – Stanley Clarke (tracks: 1, 2) Drums – Al Foster (tracks: 4 to 6, 8, 9), Lenny White (tracks: 1,2), Steve Gadd (tracks: 3, 7) Harmonica – Toots Thielemans (tracks: 4, 9) Piano, Producer – Eliane Elias Written-By – Eliane Elias (tracks: 3, 4, 6, 7)

THIS WEEK in the Monadnock Region: We attempt, with all we have, to produce our first of several Christmas/Holiday-themed episodes, but we'll blame our partial failure on the fact that this episode was recorded BEFORE the Hometown Holiday Weekend! (But if you listen all the way through, you'll hear Chris sing the NH state song to the tune of a classic Christmas carol) Did you know we are selling controversial merchandise? Find it here - you'll never get libel and outrage and inside jokes like this anywhere else! https://www.redbubble.com/people/GoMo-Gear/shop * We cover some pre-HH Weekend thoughts and wishes (maybe spreeeeeaad these great events out a little bit; maybe different orgs and town departments can call each other before scheduling things) * We're not just "talking excrement" here - we're not just lending our hands but VOWING to host a GoMonadnock Holiday Ball starting next year (we're here to help) * Special Christmas reminder that at the summer Night Market we produced Peterborough's very own H***ark Christmas Special, Snow Falls, Love Settles (watch it in full here, performed by Corinne Chronopoulos, Eddie Gomez, "The Belt Hipp", and David of Texas: https://www.youtube.com/watch?v=RMtMZeLsqDM) * At this point in the episode, Christmas gets lost a little bit because we were COMPELLED to discuss the newspaper's controversial Ivy Vann "article" (and if it's not controversial, we tell you why it should be) * What happened here? Why wasn't anybody with any interest in any of the subjects covered in this "story" called and given an opportunity to comment or offer an opposing perspective? (there's no way to twist the basic fundamental tenets of journalism to explain this away) * Why wouldn't this many column-inches be dedicated to, say, someone who maybe WON an election this year (like come on, where's the multi-thousand-word profile of a certain brilliant fellow whose election victory might be called historical significance?) * Bottom line is that the public deserves and should demand much better than this for the public discourse, and weird offensives like this hinder, rather than help, our ability to have a productive conversation on housing * While we were recording, we received some live breaking news about the DNC trying to destroy New Hampshire's sacred FIRST IN THE NATION STATUS (this aggression will not stand!) * We have a special Christmas New Hampshire Patriotism moment, exploring our official state song and why Vermont sucks Check out Monadnock Underground's Fall 2022 season: www.monadnockunderground.com/tag/fall2022season/ Contact us: Hate mail and information about how to send us your awesome calendar photos: diloreto@monadnockunderground.com Submissions: submit@monadnockunderground.com Advertising/Sponsorship: zoe@monadnockunderground.com www.gomonadnock.com/ www.monadnockunderground.com/ This episode was produced by Sound Lord Chad Patterson of Studio 117. GO TO Studio 117 - www.studio117.net/ - for ALL your mixing, mastering, and recording needs in 2022 AND BEYOND. He is a hero. PLUS he's got a band now and you can BOOK THEM: www.facebook.com/DownByTen/ AND wear their GEAR and emulate them with their GUIAR PICKS: https://www.zazzle.com/store/downbytenmerch

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¡Hola, amigos! Los invito cordialmente a escuchar el nuevo episodio de Radio Data Club sobre el jazz latino, en su cuarta entrega, y recordando a la cantante brasileña Gal Costa, lamentablemente fallecida hace pocas semana, con su música, su legado y sus presentaciones en Venezuela. El jazz latino siempre alegre y refrescante viene acompañado, en esta oportunidad, de una buena representación de artistas legendarios como el boricua Eddie Gomez, el argentino Lalo Schifrin, los estadounidenses Poncho Sanchez y José Mangual Jr., el cubano Bebo Valdez y el Trabuco Venezolano de Alfredo Naranjo. ¡Que lo disfruten!

Впервые за долгое время барабанщик Steve Gadd собрал вместе своих старых друзей эпохи Gadd Gang. А Michael Abene, который руководил биг-бэндом WDR более десяти лет, сделал аранжировки на популярные темы посвященные этим друзьям и пригласил их записать новый альбом. Таким образом, основанный в 1946 году Оркестр Западногерманского Радио из Кёльна с льбомом Center Stage - Центральная сцена, попал в номинанты 65-й церемонии премии GRAMMY 2023 в категории Лучший альбом большого джазового ансамбля. Прежде, чем слушать альбом я посмотрел видео, где заметил симпатичную саксофонистку Karolina Strassmayer, гитариста Bruno Müller и органиста Bobby Sparks. Эти ребята реально добавили сочные краски со своими соло в общую картину проекта. По стилистике здесь много фанковых грувов и много свинга, как бибопового так и танцевального. А так же шикарные соло, и особо хочется отметить великолепные аранжировки знакомых мелодий, которые не так просты в исполнении, но зато будут понятны даже начинающим джазистам. ℗ 2022 Westdeutscher Rundfunk Köln Steve Gadd - drums Eddie Gomez - bass Ronnie Cuber - baritone saxophone The WDR Big Band with: Michael Abene - conductor Bruno Müller - guitar Bobby Sparks II - organ, el. piano Simon Oslender - piano, organ Karolina Strassmayer - alto sax Recorded in January & February of 2022 #jazz #bigband --- Send in a voice message: https://anchor.fm/konstantins/message

Marco Pignataro is a multi-talented saxophone player, composer, and educator originally from Bologna, Italy. He is currently the Managing Director of Berklee Global Jazz Institute. He has shared stages with artists such as Eddie Gomez, Joanne Brackeen, Danilo Pérez, George Garzone, and Terri Lyne Carrington, among many others. Pignataro performs and tours internationally with several […] The post Marco Pignataro Podcast; Chant For Our Planet – Ep 151 appeared first on Everything Saxophone Podcast.

durée : 01:59:21 - Musique matin du mercredi 31 août 2022 - par : Jean-Baptiste Urbain - Avec le pianiste Alain Jean-Marie, Diego Imbert fait revivre un duo mythique : celui de Bill Evans et Eddie Gomez, en revisitant le répertoire de ces deux immenses musiciens, le temps d'un concert au Festival Jazz à la Villette. Une alchimie toute particulière entre le piano et de la contrebasse.. - réalisé par : Yassine Bouzar

En estos días hemos recibido la reedición del álbum publicado en 1981, grabado en el 77, del trío de Bill Evans. Sentimos una admiración muy grande por este pianista que en este instante vivía, como en casi toda su vida, una etapa agridulce. Junto a Eddie Gomez al contrabajo y a Eliot Zigmund a la batería, este material se grabó en los estudios de la Capitol, en Hollywood, y ahora podemos disfrutar de algunas piezas inéditas que completan la experiencia de uno de los grandes trabajos de este músico. Seguimos navegando contra corriente. Síguenos en Twitter: @CDSradioShow 💙 Apoya este proyecto desde 1,49€ al mes. Tan solo tienes que pulsar el botón azul que tienes en la cabecera de este canal 💙

En el estreno de hoy la contrabajista #AdrianaCamacho nos lleva por nuevos caminos sonoros, musicales y visuales se fusionan para dar vida a #Loope: Paisajes oníricos#, su proyecto solista. En él la exploración de sonoridades, ambientes, paisajes, épocas e imágenes se da a través del procesamiento del contrabajo, voz, ocarinas, objetos y juguetes; y teniendo el contrabajo como base, además de efectos y looperas, creando una improvisación en tiempo real, en la que se generan capas que crean texturas, narraciones abstractas y paisajes sonoros. Adriana Camacho nace en la Ciudad de México y es egresada de Comunicación en la Universidad Iberoamericana, es documentalista y contrabajista. Realiza sus estudios musicales con el maestro Enrique Valadez; talleres y clases de contrabajo e improvisación con Joelle Leandre, Eddie Gomez, Sebastian Gramss, Lelio Gianneto, David Sanchez, Remi Álvarez (FAM), Germán Bringas y Ensambles de Jazz en la Escuela Superior de Música, entre otros. Activa en la escena de la improvisación y el free jazz, ha tocado en festivales, ciclos y foros nacionales e internacionales dedicados a esta música como el Bosque Sonoro Museo de Arte Moderno CDMX; Festival Cervantino; Chalton Gallery en Londres; Museo de Arte Moderno Ugo Cara y foro Knulp en Trieste, Italia; Pabellón 02 en Venecia, Italia; Festival Resist!Vienna, Austria; FÏME Festival Internacional de Música Radical Querétaro; Fundación Sebastián y Sala de Arte Público Siqueiros, entre otros foros. Su búsqueda en el ámbito de la improvisación la ha llevado a tener constantes colaboraciones con varios músicos, poetas y artistas plásticos. Actualmente es contrabajista de varios grupos: Cihuatl, Sociedad Acústica de Capital Variable, Eyi Xochimeh, Cataratas del Niágara, Sesión Libre Trío, Cuerdas no tan Cuerdas, Los Verdaderos, David Contreras Trío, Humanas y su proyecto como solista Loope. Música sin Fronteras MX es un podcast para difundir el oficio de músicos mexicanos, quienes nos comparten en nuestro ciclo de exposiciones, su proceso creativo desarrollado a lo largo de sus trayectorias. Un espacio para fomentar diálogo y con ello nuevas audiencias. Esta actividad se realiza con apoyo del Sistema de Apoyos a la Creación y Proyectos Culturales (SACPC) FONCA, en colaboración con Cultura UACM UACM San Lorenzo Tezonco, +Musica MX y Cim cenzontle Iztapalapa. Síguenos en redes y plataformas o nuestra página: https://musicasinfronterasmx.com/ Conoce más de Adriana Camacho en: https://www.adrianacamacho.com/

En esta sesión de charla la contrabajista Adriana Camacho nos habla sobre su trabajo en la música y como este se ha ido conformado el proyecto Loope, que nace en 2018 y en él explora sonoridades, ambientes, paisajes, épocas e imágenes a través de procesar el contrabajo, voz, ocarinas, objetos y juguetes. Ello es parte de lo que presentará en concierto el viernes 13 de mayo 13 hrs. en el plantel San Lorenzo Tezonco de la #UACM de la #CMDX Adriana Camacho nace en Ciudad de México en Octubre de 1974 es contrabajista y documentalista (Universidad Iberoamericana). Realizó sus estudios musicales con el maestro Enrique Valadez, talleres y clases de contrabajo e improvisación con Joelle Leandre, Eddie Gomez, Sebastian Gramss, Lelio Gianneto, David Sánchez, Remi Álvarez (FAM), Germán Bringas, Ensambles de Jazz en la Escuela Superior de Música, entre otros. Activa en la escena de la improvisación y el free jazz ha tocado en festivales, ciclos y foros nacionales e internacionales dedicados a esta música como el Bosque Sonoro Museo de Arte Moderno CDMX, Festival Cervantino, Chalton Gallery en Londres, Museo de Arte Moderno Ugo Cara y foro Knulp en Trieste, Italia, Pabellón 02 en Venecia, Italia, Festival Resist!Vienna, Austria, FÏME Festival Internacional de Música Radical Querétaro, Fundación Sebastián, Sala de Arte Público Siqueiros, entre muchos otros. Su búsqueda en el ámbito de la improvisación la ha llevado a tener constantes colaboraciones con varios músicos, poetas y artistas plásticos. Actualmente es contrabajista de varios grupos y tiene su proyecto individual Loope }, del que recientemente lanzo su primer grabación en la plataforma #bandcamp #MúsicasinFronterasMX es un #podcast para difundir el oficio de músicos mexicanos, quienes nos comparten en nuestro ciclo de exposiciones, su proceso creativo desarrollado a lo largo de sus trayectorias. Un espacio para fomentar diálogo y con ello nuevas audiencias a través del #lenguajevivo de la música. Síguenos en nuestros canales: linktr.ee/musicasinfronterasmx Esta actividad se realiza con apoyo del Sistema de Apoyos a la Creación y Proyectos Culturales (SACPC) FONCA, en colaboración con Cultura UACM UACM San Lorenzo #Iztapalapa, +Musica MX y Cim cenzontle Iztapalapa.

Welcome to JazzPianoSkills, I'm Dr. Bob Lawrence. It's time to Discover, Learn, and Play jazz piano! Today, you are in for a real treat! I am joined by John Di MartinoJohn Di Martino is a composer, arranger, jazz pianist, producer, and educator, based in New York City. He is described as a "shape-shifter", for his creativity across musical genres. John composed the music for the documentary series: “A Glimpse Of Paradise"   (Prospera Medienproduktion) aired on Europe's Arte Channel, and music for the video games: "Batman: The Telltale Series"John Di Martino's latest CD's are: “Passion Flower” (the music of Billy Strayhorn ), featuring Raul Midon, Eric Alexander, Boris Kozlov, and Lewis Nash, and: “Mazel” (Yiddish Songs, re-imagined ), with Janis Siegel and Cantor Daniel Krammer (https://mazelthealbum.com/)John has recorded numerous CDs on the High Note and Venus Records (Japan) labels as a leader, and with Freddy Cole, Gloria Lynn, Houston Person, and Nicki Parrott.  John's discography includes Grammy-nominated CD'S: ”Love" (Issac Delgado), "Freddy Cole Sings Mr. B"  and "Live And In Clave" (Bobby Sanabria). John Di Martino was a long time member of Ray Barretto's "New World Spirit",  He is a featured arranger and pianist on many of Ray Barretto's recordings including the grammy-nominated, CD: "Contact" and "Portraits In Jazz And Clave"  (featuring James Moody, Kenny Burrell, Joe Lovano, Steve Turre, and Eddie Gomez). Born in Philadelphia, Pa in 1959, John studied with Jimmy Amadie, Lennie Tristano, and Don Sebesky.Discogs Artist Page"John's soul and being come straight through to his music, the jazz world needs him! " - Sheila Jordan (NEA Jazz Master)"John Di Martino is one of my absolute personal favorite pianists of today. His music is an honest outpouring of light! "- Benny Green (Jazz Pianist)"John di Martino's middle name should be 'taste', for he conveys that quality in both solo and supportive roles, in jazz as well as Latin music." - Ray Barretto (NEA Jazz Master)"John DiMartino is a first-call veteran of the New York City jazz scene. This multi-recorded artist has long been a favorite of singers for his gigantic ears and intuitive, uncluttered playing—rare gifts that also enhance any instrumentalist he accompanies or arranges. DiMartino is a fine musician who sounds less interested in technical pyrotechnics than in mining a melody for its original intent—whether he's arranging or playing, he lets the essence of a song speak for itself. "- Dr. Judith Schlesinger (All About Jazz)Support the show

Zev Feldman is an internationally recognized, independent producer and the co-president of Resonance Records. He is also known for traveling the world in search of lost or forgotten records. Today, he joins us to talk about two stunning recordings documenting piano legend Bill Evans in Buenos Aires, Argentina. Morning Glory is a 1973 concert with Eddie Gomez and Marty Morell, and Inner Spirit is a 1979 date with Marc Johnson and Joe LaBarbera. Both will be issued as limited edition 2-LP Record Store Day on April 23 via Resonance, along with a new long-lost Charles Mingus recording that Feldman shares some info about in our podcast conversation. --- Support this podcast: https://anchor.fm/jazziz/support

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..Negli ultimi anni c'è stato in campo jazzistico un grosso trend di pubblicazioni di inediti importanti, e una delle grandi figure che più hanno beneficiato - forse quella che più ha beneficiato in assoluto - di questo trend è Bill Evans. Oltre a farci ascoltare musica di qualità straordinaria, gli inediti di Evans ci permettono di moltiplicare i termini di raffronto fra i suoi diversi trii dal vivo, e fra diverse interpretazioni live dei brani del suo repertorio. Pubblicato nel 2021 dalla Elemental Music, Behind The Dikes rende conto di tre date olandesi di Bill Evans nel '69. Nel marzo del '69 il pianista registra a Hilversum, con la Metropol Orkest, orgoglio della radio pubblica dei Paesi Bassi, due brani che aveva già inciso nel '65 negli Stati Uniti con un'orchestra sinfonica; il giorno dopo Evans col suo trio, allora formato da Eddie Gomez al contrabbasso e Marty Morell alla batteria, si esibisce in uno studio di Hilversum davanti ad un piccolo pubblico di invitati, in due set per un totale di quattordici brani tutti offerti da questo album; infine in novembre il trio di Evans tornò in Olanda, e ad Amsterdam partecipò con il breve set qui documentato ad una diretta radiofonica organizzata dalla European Broadcastin Union.

..Negli ultimi anni c'è stato in campo jazzistico un grosso trend di pubblicazioni di inediti importanti, e una delle grandi figure che più hanno beneficiato - forse quella che più ha beneficiato in assoluto - di questo trend è Bill Evans. Oltre a farci ascoltare musica di qualità straordinaria, gli inediti di Evans ci permettono di moltiplicare i termini di raffronto fra i suoi diversi trii dal vivo, e fra diverse interpretazioni live dei brani del suo repertorio. Pubblicato nel 2021 dalla Elemental Music, Behind The Dikes rende conto di tre date olandesi di Bill Evans nel '69. Nel marzo del '69 il pianista registra a Hilversum, con la Metropol Orkest, orgoglio della radio pubblica dei Paesi Bassi, due brani che aveva già inciso nel '65 negli Stati Uniti con un'orchestra sinfonica; il giorno dopo Evans col suo trio, allora formato da Eddie Gomez al contrabbasso e Marty Morell alla batteria, si esibisce in uno studio di Hilversum davanti ad un piccolo pubblico di invitati, in due set per un totale di quattordici brani tutti offerti da questo album; infine in novembre il trio di Evans tornò in Olanda, e ad Amsterdam partecipò con il breve set qui documentato ad una diretta radiofonica organizzata dalla European Broadcastin Union.

10 декабря глава Московского джазового оркестра, саксофонист Игорь Бутман представил новый альбом Only Now - Только сейчас. Это восемнадцатый студийный альбом маэстро в который вошли как новые композиции, так и уже знакомые публике. Меня вдохновила композиция Only Now, - рассказал Бутман. - Она была написана мною в 18-летнем возрасте, мы играли ее с квинтетом в Ленинграде. Композиция довольно сложная, была на какое-то время забыта. Альбом "настоялся" за два года. Муки творчества меня иногда затягивают, и тут было то же самое. Мы записали, я думал, может, еще что-то исправить. Но мне помог наш гитарист Евгений Побожий, и дело пошло. Во многом процесс замедлила и пандемия: материал для пластинки был записан в США, сведение также планировалось там и из-за закрытия границ было невозможным. Мы должны были презентовать его на Культурном форуме в Санкт-Петербурге в рамках Jazz Across Borders, но он прошел только в интернете. Может быть, представим наш альбом на Триумфе джаза в марте 2022, - сказал Бутман. Игорь Бутман 60 саксофон Antonio Sánchez 50 drums Евгений Побожий 33 гитара Олег Аккуратов 32 пианино, вокал Eddie Gomez 77 bass Matt Brewer 38 bass В инструментах спрятаны ссылки на сайты музыкантов Записано: июнь 2019 в Нью-Йорке на студии Sound on Sound, звукорежиссёр - пятикратный лауреат GRAMMY James Farber Butman Music Records ®️2021 #jazz

Puerto Rico Jazz.Programa dedicado al bajista Boricua Eddie Gómez. Puerto Rico Jazz.Comprometidos con la Excelencia Musical.TuneIn Radio http://tun.in/pjADHApple Podcasthttps://podcasts.apple.com/.../puerto-rico-jazz/id1508259152Sounder FMhttps://puertoricojazz.sounder.fm/show/puerto-rico-jazzLo Mejor del Jazz Boricua en Puerto Rico Jazz Radio @ Brave New RadioPrimer programa en la radio dedicado al Jazz Boricua!Todos los Domingos 8am (New York Time) @ Brave New Radio WPSC 88.7 William Paterson University, New Jersey@TuneIn Radio! http://tun.in/seoPJDomingos 6 p.m. @ Radio Prócer 1380AM y 98.5FM Barranquitas, Puerto Rico www.radioprocer1380.com*Diseño de logo de Puerto Rico Jazz por @Shaney LaraPara enviarnos su música; jazzinmagazine@gmail.com

*** This special episode is dedicated in loving memory to Chick Corea My Special Guest is Multi GRAMMY® winning pianist/singer/composer Eliane Elias. The NEW Album is MIRROR MIRROR Featuring Chick Corea  & Chucho Valdés. Born in São Paulo, Brazil, Eliane began her classical piano studies at age seven and at twelve was transcribing solos from the great jazz masters. Eliane's illustrious career includes nearly 30 recordings, over 2.3 million albums sold, nine total GRAMMY and Latin GRAMMY nominations, a GRAMMY win for Best Latin Jazz Album (Made in Brazil, 2016) and a Latin GRAMMY win for Best Latin Jazz/Jazz Album (Dance of Time, 2017). MIRROR MIRROR marks the classically trained pianist's first piano-only recording since 1995's Solos and Duets, a set of piano solos and six duets with pianist Herbie Hancock. Working with the two incredible icons, Chick Corea  & Chucho Valdés was a rare opportunity to record in a two-piano setting, something she hasn't done in many years. By 15, Eliane was teaching piano and improvisation at one of Brazil's most prestigious schools of music. Her performing career began just two years later. Eliane's first official album under her own name, Illusions, featured Stanley Clarke, Steve Gadd, Lenny White, Eddie Gomez and Toots Thielemans and hit #1 on the Radio & Records Contemporary Jazz chart. Voted Best New Talent in the Jazziz magazine critics' poll in 1988, Eliane is a four-time Gold Disc Award recipient, a three-time Best Vocal Album winner in Japan and winner of the 2018 Edison Lifetime Achievement Award in Holland. Her 2019 album Love Stories, as most of her previous releases, hit #1 on the jazz charts worldwide. ELIANE ELIAS - The NEW Album is MIRROR MIRROR Featuring Chick Corea  & Chucho Valdés The CD is available for STREAMING NOW and will be available on CD & VINYL NOV 12, 2021 On The Web - www.elianeelias.com Instagram: @elianeeliasofficial YouTube: Eliane Elias Official Spotify: Eliane Elias

®Il trio di Bill Evans, straordinaria figura di stilista dello strumento che ha dato un impulso decisivo al jazz moderno, ha avuto una notevole serie di “incarnazioni”, da quello con Scott LaFaro e Paul Motian fino all'ultimo con Marc Johnson e Joe LaBarbera.Una edizione che forse non tutti ricordano è quella con Eddie Gomez e Jack DeJohnette, la cui unica registrazione ufficiale fino a poco fa era il live del ‘68 alla seconda edizione del Festival di Montreux, disco che vinse il Grammy.A partire da questo storico disco Claudio Sessa ci presenta in questa serie di “Birdland” altre registrazioni del trio finora inedite che negli ultimi anni la Resonance ha pubblicato (due doppi CD ed un singolo).Prima emissione da lunedì 08 a venerdì 12 marzo 2021

®Il trio di Bill Evans, straordinaria figura di stilista dello strumento che ha dato un impulso decisivo al jazz moderno, ha avuto una notevole serie di “incarnazioni”, da quello con Scott LaFaro e Paul Motian fino all'ultimo con Marc Johnson e Joe LaBarbera.Una edizione che forse non tutti ricordano è quella con Eddie Gomez e Jack DeJohnette, la cui unica registrazione ufficiale fino a poco fa era il live del ‘68 alla seconda edizione del Festival di Montreux, disco che vinse il Grammy.A partire da questo storico disco Claudio Sessa ci presenta in questa serie di “Birdland” altre registrazioni del trio finora inedite che negli ultimi anni la Resonance ha pubblicato (due doppi CD ed un singolo).Prima emissione da lunedì 08 a venerdì 12 marzo 2021

®Il trio di Bill Evans, straordinaria figura di stilista dello strumento che ha dato un impulso decisivo al jazz moderno, ha avuto una notevole serie di “incarnazioni”, da quello con Scott LaFaro e Paul Motian fino all'ultimo con Marc Johnson e Joe LaBarbera.Una edizione che forse non tutti ricordano è quella con Eddie Gomez e Jack DeJohnette, la cui unica registrazione ufficiale fino a poco fa era il live del ‘68 alla seconda edizione del Festival di Montreux, disco che vinse il Grammy.A partire da questo storico disco Claudio Sessa ci presenta in questa serie di “Birdland” altre registrazioni del trio finora inedite che negli ultimi anni la Resonance ha pubblicato (due doppi CD ed un singolo).Prima emissione da lunedì 08 a venerdì 12 marzo 2021

®Il trio di Bill Evans, straordinaria figura di stilista dello strumento che ha dato un impulso decisivo al jazz moderno, ha avuto una notevole serie di “incarnazioni”, da quello con Scott LaFaro e Paul Motian fino all'ultimo con Marc Johnson e Joe LaBarbera.Una edizione che forse non tutti ricordano è quella con Eddie Gomez e Jack DeJohnette, la cui unica registrazione ufficiale fino a poco fa era il live del ‘68 alla seconda edizione del Festival di Montreux, disco che vinse il Grammy.A partire da questo storico disco Claudio Sessa ci presenta in questa serie di “Birdland” altre registrazioni del trio finora inedite che negli ultimi anni la Resonance ha pubblicato (due doppi CD ed un singolo).Prima emissione da lunedì 08 a venerdì 12 marzo 2021

®Il trio di Bill Evans, straordinaria figura di stilista dello strumento che ha dato un impulso decisivo al jazz moderno, ha avuto una notevole serie di “incarnazioni”, da quello con Scott LaFaro e Paul Motian fino all'ultimo con Marc Johnson e Joe LaBarbera.Una edizione che forse non tutti ricordano è quella con Eddie Gomez e Jack DeJohnette, la cui unica registrazione ufficiale fino a poco fa era il live del ‘68 alla seconda edizione del Festival di Montreux, disco che vinse il Grammy.A partire da questo storico disco Claudio Sessa ci presenta in questa serie di “Birdland” altre registrazioni del trio finora inedite che negli ultimi anni la Resonance ha pubblicato (due doppi CD ed un singolo).Prima emissione da lunedì 08 a venerdì 12 marzo 2021

"Salsa for Eddie G" Jack DeJohnette New Directions: In Europe (ECM, 1980) Jack DeJohnette, Lester Bowie, John Abercrombie, Eddie Gomez. Jack DeJohnette fue el autor del tema, un homenaje al gran contrabajista de Santurce (Puerto Rico), Eddie Gomez.  © Pachi Tapiz, 2021 JazzX5 es un minipodcast de HDO de la Factoría Tomajazz presentado, editado y producido por Pachi Tapiz. JazzX5 comenzó su andadura el 24 de junio de 2019. Todas las entregas de JazzX5 están disponibles en https://www.tomajazz.com/web/?cat=23120 / https://www.ivoox.com/jazzx5_bk_list_642835_1.html.

We drink and review an American IPA brewed by Other Half Brewing Co. (Brooklyn, NY) called Dream Gems (6.5% ABV). We also drink and review a double New England IPA called Tylda (8.0% ABV) brewed by Wren House Brewing Co. (Phoenix, AZ) in collaboration with The Wayward (Phoenix, AZ Beer Bar).   We each rank the Top Six breweries in Arizona. The we share our lists with each other while giving the reasons.   We also talk about casting replacements in movies and television. And finally, we talk about which sports teams should move locations.

Dr. Anthony Belfiglio is an Associate Professor of Music. He teaches courses in applied commercial piano, commercial keyboard seminars, commercial music analysis, and commercial keyboard pedagogy. He also directs and performs with the Belmont Faculty Jazz Group, an ensemble that he co-founded in 2009.Dr. Belfiglio’s educational credentials include a Doctor of Musical Arts in Music and Human Learning/Jazz Emphasis from the University of Texas at Austin, a Master of Music in Jazz Performance from the University of Miami, a Master of Music in Piano Pedagogy from Temple University, and a Bachelor of Music in Jazz Performance from Temple University. His published books include the dissertation Fundamental Rhythmic Characteristics of Improvised Straight-Ahead Jazz (UMI) and his latest book Kenny Kirkland Solo Transcriptions (The System).As a young musician, Dr. Belfiglio performed at various venues in the Philadelphia area. He also performed for two consecutive years at the Oberlin College Summer Piano Institute. Later, he was selected as composer/performer participant with Betty Carter’s Jazz Ahead, including performances at the John F. Kennedy Center for the Performing Arts. Further performances have included concerts with notable jazz artists such as Danny Gottlieb, Duffy Jackson, Brian Bromberg, Gene Perla, Jeff Berlin, Jeff Coffin, Chester Thompson, Tracy Silverman, Dave Douglas, Branford Marsalis, Kenny Garrett, Jason Marsalis, Kevin Mahogany, John Riley, John Fedchock, Steve Turre, John Blake, and Eddie Gomez. He has also performed live on Nashville National Public Radio, on Austin National Public Radio, and WFLN Philadelphia. Presently he leads his own quintet featuring the legendary drummer Danny Gottlieb, leads the Belmont Faculty Jazz Group, and plays with various musicians in the Nashville area. He also presents clinics and performances outside of Nashville, including recent presentations at the Berklee College of Music and the Beijing Academy of Contemporary Music.Discover: How Dr. Belfiglio approaches the study of Jazz PianoLearn: How Dr. Belfiglio approaches the study of jazz to continually improve his jazz piano skillsPlay:  Jazz Piano using the various approaches that Dr. Belfiglio teaches in the classroom at Belmont UniversityVisit JazzPianoSkills for more educational resources that include a sequential curriculum with interactive Jazz Piano Courses, private and group online Jazz Piano Classes, and a private jazz piano community Jazz Piano Forums.If you wish to support JazzPianoSkills with a donation, you can do so easily through the JazzPianoSkills Paypal Account.Thank you for being a JazzPianoSkills listener. It is my pleasure to help you discover, learn, and play jazz piano!Support the show (https://www.paypal.com/donate/?hosted_button_id=ZZEBGDF38VFNS)

Bill Evans (1929-1980), el pianista blanco nacido en New Jersey, con formación clásica, lleva el piano de jazz, y en particular en forma trio, a su mas sublime expresión. Trae armonías inusuales y uso extensivo de la 9a, 12a y 13a  en el jazz, con un toque impresionista. Asimila a Debussy junto con Powell, Tristano y Lee Konitz. 1959: Kind of Blue con Miles Davis. 1961: su trío con Scott la Faro en bajo (uno de los bajistas más grandes de la historia, quien muere a los 25) y Paul Motian en batería. Su lucha con la inseguridad y la heroína. Sus tríos a través de la carrera. Eddie Gomez (bajista portoriqueño) está 7 años. Otros bateristas fueron Eliot Zigmund, Marty Morrell, Shelley Manne. Uno de los primeros en usar el Fender Rhodes y overdubbing (grabarse 2 y tres veces en 2 o 3 partes diferentes de piano y Thodes). Deja sus standards: Waltz for Debbie, Turn out the stars, Very Early. Gran influencia para los estilos de Chick Corea, Herbie Hancock, , Michel Petrucciani, Brad Mehldau, Eliane Elias. Bill Evans: ensayo en Copenhagen, 1966  

The Schmos team up with Eddie Gomez, a.k.a. Mr. Moonshine, from Punsh Drunk Boxing and The Smelling Salt podcast, to discuss the past, present, and future of boxing. Special bonus, we reminisce about the golden era of professional wrestling.  Be sure to follow Mr. Moonshine on Twitter and Instagram as well! Joe Schmo Sports Show Theme Song by KingDomeComeMusic/LikeMindProductions   Like us on Facebook Follow us on Twitter Follow us on Instagram Listen on iTunes Listen on Spotify Listen on Stitcher Listen on Google: Subscribe on YouTube Please support our show by shopping on Amazon   Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, commenting, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favour of fair use.

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It’s become a tough week for music fans. Following the death of Mary Wilson of The Supremes Monday, today we learned another prior guest of HPR All Things Considered Host Dave Lawrence , jazz giant Chick Corea , passed away Tuesday, at 79, according to his website, “from a rare form of cancer which was only discovered very recently”. In 2016, we got a chance to sit down with the one-time Miles Davis keyboardist and founder of fusion legends Return to Forever, when Chick brought a trio including Eddie Gomez and Brian Blade to the Blue Note Hawaii. We’ve included the complete video of the interview below, and shared highlights today on the show in memory of this musical luminary, and guest we're grateful to have had time with. MORE CHICK: Watch the complete interview: See a video of Chick performing the song we use in our feature, Spain, in a performance posted in December 2020: Chick performs with fellow legend Chucho Valdez in 2019: Chick and Herbie Hancock in 1978: Chick with Return

durée : 00:54:46 - Diego Imbert & Alain Jean-Marie - par : Alex Dutilh - Diego Imbert ressuscite avec Alain Jean-Marie la magique association de Bill Evans et Eddie Gomez. “Interplay - The Music of Bill Evans” paraît chez Trebim Music / L’Autre Distribution. - réalisé par : Fabien Fleurat, Olivier Guérin

durée : 00:54:46 - Diego Imbert & Alain Jean-Marie - par : Alex Dutilh - Diego Imbert ressuscite avec Alain Jean-Marie la magique association de Bill Evans et Eddie Gomez. “Interplay - The Music of Bill Evans” paraît chez Trebim Music / L’Autre Distribution. - réalisé par : Fabien Fleurat, Olivier Guérin

Louise Episode 81 - Do whatever you want all the timefeaturing music by Sunset Rollercoaster, Melmann, Philip Jeck, Jlin, Liv.e, Ric Wilson, Ela Minus, Eddie Gomez, Bill Evans Trio, and Pascal Rogéwith the voice of Louise Bourgeois from the films, "Louise Bourgeois - Ich bin, was ich tue" by Nigel Finch, and "Louise Bourgeois - Die Bildhauerin und ihr avantgardistisches Werk" by Guichard von Camille also featuring the voice of Daniel Milman in his lecture entitled, "Louise Bourgeois and Psychoanalysis" also featuring an ambient field recording by Lucretia Dalt programmed and produced by @small_ernst Namo Guan Shi Yin Pusa Thank you for listening

ESSRA MOHAWK Pt. 1 Show Notes Essra Mohawk has had a very long and storied career. To describe her music as eclectic is a gross understatement. Her songs run the gamut from pop to avant garden, and in between she covers a lot of bases including rock, folk, folk rock, motown, jazz, tv jingles, rhythm and blues, and beautiful, heartfelt ballads about love and lust. Born Sandra Elayne Hurvitz, her earlier influences were her parents, Anne and Henry.  Through them she grew up listening to an eclectic list of artists such as Judy Garland, Nina Simone, The Coasters, Frankie Lymon and the Teenagers, Little Anthony & the Imperials, Thelonius Monk, Erik Satie, Billy Holiday, Otis Redding, The Beatles, The Stones, Ravi Shankar among others/ In 1964 she released a single as Jamie Carter titled “The Boy With the Way” which I personally think is a really cool song. It pronbably could have been a hit hat it received proper publicity and marketing. Essra sounded a little peeved  talking about it. I don’t blame her, and it would turn  out not to be the first time here career hit a snag or detour. Essra was also the first female member of the Mothers of Invention. In fact, she spent about a year in a relationship with Frank Zappa who thanks to band member Ray Collins suggestion  for a rock star name, dubbed her, Uncle Meat.  When I first met Uncle Meat, she was in Philly on hiatus, and I had no idea who Frank Zappa and the Mothers of Invention were at the time. I would shortly discover them through Philadelphia DJ Michael Tearson, and eventually make the connection. But, I was happy to finally talk to her again so I could tell her the story of my first Essra Mohawk encounter. At this point, I should probably apologize for hijacking the conversation, for which I was duly busted by Essra. As I mentioned, her career is multifaceted, so the Show Notes page at talesoftheroadwarriors-slash-Essra-Mohawk includes some Essra Mohawk Career Highlights, discography ands links to some of the songs we talked about in this conversation. In my conversation, BTW, I barely scratched the surface of her career, so this is really just a little slice of life in which I hopefully captured some of her essence and got a couple pretty good stories from her. Due to technical  difficulties, I just couldn’t get good enough audio, so I’ll just tell you some things that were to garbled to include in the podcast. I did manage to capture a little about her “crazy courage” as a Philly girl, and her propensity to stick up for others against bullies - and her mom. The main story I was hoping to have her retell was how she was scheduled to be one of the performers  at Woodstock, but her manager missed the turn, causing Essra to miss her debut  on the most well known world stage of all time. LINKS: Essra’s Facebook Page ESSRA MOHAWK MUSIC VIDEOS Essra Mohawk as Jamie Carter “The Boy With The Way" Raindance I Am The Breeze (from Primordial Lovers album) 19th Amendment School House Rock   From Hemifran MusicWebsite: DISCOGRAPHY Though you can stream most of Essra's Music on Spotify, iTunes, PAndora, etc., it is important to support your favorite artists as often as you can - by purchasing their albums. Purchase Essra Mohawk albums directly from her using this PDF. You can also order some from the Tales of the Road Warriors website by clicking on one of my affiliate links. Buying through these links will help keep the site AND Essra healthy! •1968 Sandy’s Album is Here at Last (as Sandy Hurvitz) produced by Frank Zappa •1970 Primordial Lovers •1974 Essra Mohawk •1976 Essra •1982 Burnin’ Shinin’ (released without knowledge of the artist) •1985 E-Turn •1995 Raindance •1999 Essie Mae Hawk Meets the KillerGrooveBand  (My personal favorite. Killer band and killer grooves. This album was appropriately named!) •2003 You’re Not Alone •2006 Love is Still The Answer •2007 Revelations of the Secret Diva Info below from Essra’s bio both Hemifran Website Her 1st record release was a single “The Boy With the Way” /b-side “Memory of Your Voice” on Liberty records in 1964. “Newcomer Pick” in Cashbox, it was produced by Hutch Davie (He produced Shirley Ellis “Name Game”). A year later Shadow Morton who produced both the Shangri-Las and Vanilla Fudge, discovered her and her music and in1966 the Shangri-La’s recorded Essra’s song “I’ll Never Learn” . Soon after that, her song, “The Spell That Comes After” was recorded by Vanilla Fudge on their “Renaissance” album. In 1967, Essra was discovered once again. This time by Frank Zappa who, after hearing her play was so blown away, he immediately invited her to join his band, The Mothers of Invention, thus making her their first female member. Within a year he signed her and released her first solo album on Verve. While performing with the Mothers, Essra also opened for Cream (their first time in New York), Procol Harum(Keith Reid’s lyrics to “Quite Rightly So” are about Essra), Albert King, Electric Flag, Grateful Dead (their first performance in N.Y.), and Jimi Hendrix. By 1969 Essra was recording her second album in L.A. and S.F. for Reprise after Mo Ostin (then Vice President) discovered her singing at a club in N.Y. and asked her on the spot to come to the label. The result was “Primordial Lovers”, an LP that received a 5 star review in Downbeat, raves in Mix, and was stated as being “one of the best 25 albums ever made” in Rolling Stone magazine. Unfortunately, these reviews came over a year after the release of the album and new fans found it hard to secure the LP due to poor distribution and the sale of the Reprise label following the release. Nevertheless, this critically acclaimed musical work continues to generate a cult following for Essra. In fall of 2000 it was released on CD by Rhino Handmade. She wrote most of the songs while living in Mendocino, California. While recording the album, Essra married her producer, Frazier Mohawk, and from that time on was known as Essra Mohawk. She also sang in a background vocal trio with Carole King. Essra’s third album, released in 1974 on Elektra/Asylum, once again without proper promotion or distribution, led England’s music magazine, Melody Maker, to declare it, “the richest and most unheralded event in American music” that year. After moving back to Philadelphia in the 70’s, Ms. Mohawk continued to sing as a session vocalist. She is especially known for singing on Schoolhouse Rock, the popular educational and musical cartoon series that continues to air on TV. Essra’s vocals are on “Interjections”, “Sufferin’ Till Suffrage”, and “Mother Necessity”. After ABC Video released the cartoons on video in the 90’s, they received an upsurge of popularity and the troupe, led by music director, Bob Dorough, began performing live in the mid-90’s. A new album on which Essra sang wrote and produced a track entitled “Do You Wanna Party” about political parties in the U.S. was released on Rhino in Sept. ‘98 on an album called “Schoolhouse Rocks the Vote”. Ms. Mohawk’s fourth album was released on Private Stock records in 1976. After the same lack of support that has kept Essra’s remarkable music in the shadows, she left the label and moved back to California in 1977. Paul Kantner wanted her to be the lead singer in Jefferson Starship after Grace Slick dropped out for a while but he couldn’t convince the rest of the band to use another female vocalist so they chose a male, Micky Thomas, instead. In 1980-82 Essra performed as a background vocalist with the Jerry Garcia Band. During the same period she co-wrote “Haze” with Bobby Weir and his band “Bobby and the Midnights” for their Atlantic release. Also, Essra has collaborated with Al Jarreau, Bonnie Bramlett, Mark McEntee of the DiVinyls, Eric Bazilian, Al Stewart and Narada Michael Walden. She sang and recorded with John Mellencamp. (He’d seek her out wherever she lived for her advice and encouragement.) Essra’s music and ideas inspired Joni Mitchell’s “Woodstock” (Essra was scheduled to play at the original Woodstock, but her manager missed a turn and they arrived too late. She finally played at the 25th Anniversary at Bethel.) ***David Crosby’s “Deja Vu” was inspired by Essra’s song “I Have Been Here Before”. David would ask her to play it for him whenever he saw her and then wrote “Deja Vu” as a result. In 1982, Essra moved back to Philadelphia from L.A. and was brought into the McFadden & Whitehead pre-production sessions. She conjured up “Not With Me” overnight for the duo and they released it on their Capitol album that year. Essra recorded two more solo albums in the 80’s. Both were released independently and both were produced by her, then, husband Daoud Shaw (Van Morrison’s drummer for many years and original drummer for Saturday Night Live). They first met during those early days on Bleeker St. in New York’s Greenwich Village, where she jammed vocally with jazz greats: Mike Manieri, the Brecker Bros., Eddie Gomez and Jeremy Steig. As a result her vocal style developed more along the lines of a wind instrument than that of a typical pop singer. Being in the Mothers then also helped to propel the youth to such a creative and original stance as a vocalist. Three of her early LPs were reissued on CDs in Japan in spring 2003, followed by her recent tours to California, the East Coast and Japan. Essra’s first album on CD “Raindance” which was released on Schoolkids Records in ‘95 was reissued on Evidence Feb., 2005. Her 1999 CD, “Essie Mae Hawk Meets the Killer Groove Band”, was remastered and reissued on Essra’s own label, MummyPump, in 2003. Essra’s been living in Nashville, TN since 1993 where she continues to write and record, playing her music on piano, mandolin and guitar. Keb’ Mo’, Steve Cropper and Bonnie Bramlett are among the stellar performers who joined Essra on her 2003 Evidence CD “You’re Not Alone”. Her songs were used on the CBS series Joan of Arcadia in 2004 and 2005. The book, “Hotel California” is one of many books about music that mentions Essra.

Iconic double bass player talks about his musical life. --- Support this podcast: https://anchor.fm/jake-feinberg/support

Ep. 113: Richard Stoltzman, “A Classical superstar.” - NY TIMES. Let's Talk Off The Podium with Tigran Arakelyan. Two-time Grammy Award-winning clarinetist Richard Stoltzman is known as a captivating recitalist, chamber musician, and jazz performer, as well as a prolific recording artist. He gave the first clarinet recitals in the histories of both the Hollywood Bowl and Carnegie Hall. In 1986, Stoltzman became the first wind player to be awarded the Avery Fisher Prize. Recently he was awarded the prestigious Sanford Medal by the Yale School of Music and was elected a Fellow of the American Academy of Arts and Sciences. He has performed or recorded with such jazz and pop greats as the Canadian Brass, Chick Corea, Steve Gadd, Eddie Gomez, Keith Jarrett, Wayne Shorter, Mel Tormé, and Spyro Gyra founder Jeremy Wall. In this podcast we talk about Stoltzman's passion for mathematics, collaborations, touring, baking and recording. We also talk about his recital in Carnegie Hall (first solo recital by a clarinetist), Benny Goodman and much more! For more information about Richard Stoltzman please visit: http://www.richardstoltzman.com/ © Let's Talk Off The Podium, 2020

This, at long last, is the entertainment we all need, the program that 2020 DEMANDS. In this debut episode of Underground Over the Air, the variety show of Monadnock Underground, prepare to be dazzled, for belly laughs, and for moments of deep puzzles and mystery as your hosts Zoë Wroten-Heinzmann and Chris DiLoreto guide you for an evening in the Space Lounge. We've got the premiere of Healer Wars, a COVID dramedy about ruthless, vicious wellness professionals, NH author extraordinaire Dan Szczesny to talk about his new book, You and Me: Reflections on Becoming Your Dad, and a little Wizard Storytime to put us all to bed on the right note. Tonight's Program: 00:00 – Hang with your hosts in the space lounge 14:19 – Healer Wars, Part 1: The Center is the Middle 46:02 – Special Guest Dan Szczesny 01:48:24 – Storytime with the Wizard of Monadnock Links Dan's Book: https://danszczesny.wordpress.com/the-books/you-me-reflections-on-becoming-your-dad/ Find us: monadnockunderground.com Support us: patreon.com/monadnockunderground Healer Wars was written, directed, and produced by Zoe Wroten-Heinzmann and Chris DiLoreto. Mindy Fitchburg is voiced by Greta Cushman Laurel Hills is voiced by Nicole Beauchemin Tristan LaFleur is voiced by Eddie Gomez the second Elaine Streep is voiced by Tab MacLean We have licenses for all the music!

  Mike Jeffers and special guest vocalist Jd Walter talking about his new recording "Dressed in a Song" where he performs with 6 of his favorite piano players and mixture of original compositions and well known songs. JD also discusses how he developed his sound and improvisational style at the UNT College of Music and studying with Deborah Brown. Thanks to the Epiphany Center for the Arts.   About JD Walter A native of eastern Pennsylvania, JD Walter’s past, present, and future has always embodied music. From church Boy choirs at the age of six to the American Boy choir school in Princeton to the University of North Texas on a vocal jazz scholarship, Walter has become a pioneer of improvisation and electronic innovations in the world of jazz. His recording career spans 20 years and his purist progressive approach to jazz music has been recognized worldwide. After extended studies in Amsterdam with Jazz vocal Icon, Deborah Brown, Walter returned to the U.S. and embedded himself in the New York Jazz scene. It was in New York, surrounded by visionaries of jazz, where he began to organically develop his liberated, vibrant style that turned him from straight-ahead to progressive jazz singing. Walter’s recordings include, "Dressed in a Song", “Sirens in the C-House,” “Clear Day,” “Dedicated to You,” “2Bass, a Face and a Little Skin,” “Live in Portugal,” “Live at the 55 Bar,” “One Step Away,” and Guest appearances on over 100 recordings. While recording his most recent album, “Dressed in a Song,” a life-threatening health scare and subsequent heart and vocal cord surgeries kept Walter out of the studio and off the road for several years. The latest album, released on February 7, 2020, testifies to his personal progression as an evolving artisan and provides an intimate, inventive collection of standards and originals. “Dressed in a Song,” produced by Walter and Grammy-winning producer and A&R executive Al Pryor, features piano and vocal duets and trios with veterans and up-and-comers alike, including Jim Ridl, Orrin Evans, Jean-Michel Pilc, Marc Cary, Taylor Eigsti, Julius Rodriguez, Ben Wolfe, Obed Calvaire, and Becca Stevens. Over the decades, Walter has performed as a featured artist at numerous American jazz clubs and festivals in the U.S., Europe, the Middle East, Central America as well as over 80 tours in Russia. He remains a regular in the New York music scene, and has headlined at Dizzy’s Lincoln Center, The Jazz Standard, The Blue Note, and The Jazz Gallery, among other venues. He has shared the stage with legendary artists, ranging from Dave Liebman, Billy Hart, Tom Harrell, Eddie Gomez, Bob Dorough, Nicholas Payton, Ben Monder, Sean Jones, Jean-Michel Pilc, Bill Evans, Mark Murphy, Greg Hutchinson, Ari Hoenig, Randy Brecker, Tim Warfield, Jim Ridl, Orrin Evans, Seamus Blake, Igor Butman, Nasheet Waits, Craig Handy, Boris Kozlov, Robin Eubanks, Eric Revis, Billy Drummond, Christian McBride, Adam Nussbaum. Walter currently resides in New York and teaches privately and abroad at The Prince Claus Conservatory in Groningen, Holland, The Jazz and Music School in St. Petersburg, and the Music Wave School in Moscow.

Here is the playlist for the 05/24 episode of Crosswinds. Enjoy! Stan Kenton Orchestra- Intermission Riff (theme) Glenn Miller Army Air Force Orchestra- St. Louis Blues March Glenn Miller Orchestra- American Patrol Buddy Rich Big Band- West Side Story John Daversa Big Band- Living in America Ed Palermo Big Band- America/American Idiot Bob Mintzer Big Band- Freedom Song Ted Nash Big Band- The Four Freedoms Woody Herman Orchestra- Fanfare for the Common Man Gordon Goodwin's Big Phat Band- Ever Braver, Ever Stronger (An American Elegy) The Jazz Crusaders- New Time Shuffle Snarky Puppy- Gemini John McLaughlin- For Jaco Jaco Pastorius- Donna Lee Joni Mitchell- Coyote Joni Mitchell- Hejira Pat Metheny- Bright Size Life Pat Metheny Group- Jaco Stanley Clarke- Silly Putty Weather Report- Three Views of a Secret Bill Bruford, Eddie Gomez and Ralph Towner- Somersaults Kate McGarry, Keith Ganz and Gary Versace- Indian Summer George Benson and Al Jarreau- Summer Breeze Miles Davis- Summertime Weather Report- Punk Jazz Jaco Pastorius- Portrait of Tracy Weather Report- Teen Town Hiromi and Edgar Casteneda- For Jaco Miles Davis- Give it Up Billy Cobham- Crosswinds (closing theme)

Guitar master Ralph Towner plays the 6 string and the 12 string acoustic guitar here and a little piano on this masterful album called "Batik". Towner's music is impressionistic, spacey, energetic and meditative and his 5 compositions here reflect his open concept. Towner has made scads of albums for ECM but this is one of his best. He is accompanied by two great musical masters in the persons of bassist Eddie Gomez and drummer Jack DeJohnette. Experiencing Towner's many moods explored in these selections gives one an idea of his range and imagination. Batik is a wonderful musical excursion so check it out tonight.

1. Fox Sports PPV-Title fight: Deontay Wilder vs. Luis Ortiz, rematch, 12 rounds, for Wilder's WBC heavyweight titleTitle fight: Leo Santa Cruz vs. Miguel Flores, 12 rounds, for vacant WBA junior lightweight titleTitle fight: Brandon Figueroa vs. Julio Ceja, 12 rounds, for Figueroa's WBA "regular" junior featherweight titleLuis Nery vs. Emmanuel Rodriguez, 12 rounds, WBC bantamweight eliminatorLeduan Barthelemy vs. Eduardo Ramirez, rematch, 10 rounds, junior lightweightsVito Mielnicki Jr. vs. Marklin Bailey, 4 rounds, welterweightsOmar Juarez vs. Kevin Shacks, 6 rounds, junior welterweightsViktor Slavinskyi vs. Rigoberto Hermosillo, 8 rounds, junior lightweightsArnold Alejandro vs. John Gemino, 8 rounds, lightweight Jose Manuel Gomez vs. Daniel Placeres, 8 rounds, junior lightweightsShon Mondragon vs. Juan Centeno, 6 rounds, jMarsellos Wilder vs. Dustin Long, 6 rounds, cruiserweights2. DAZN/Sky Sports-Title fight: Callum Smith vs. John Ryder, for Smith's WBA super-middleweight titleCraig Glover vs. Chris Billam-Smith, 12 rounds, for vacant Commonwealth cruiserweight titleAnthony Fowler vs. Harry Scarff, 10 rounds, junior middleweightsJames Tennyson vs. Craig Evans, 10 rounds, lightweightsTom Farrell vs. Sean Dodd, 10 rounds, junior welterweightsThomas Whittaker Hart vs. Josip Perkovic, 6 rounds, light heavyweightsMarcus Molloy vs. Aleksandrs Birkenbergs, 4 rounds, lightweightsTom Aitchison vs. Matija Petrinic, 4 rounds, junior welterweights3. Title fight: Andrew Cancio vs. Rene Alvarado, 12 rounds, for Cancio's WBA "regular" junior lightweight titleTitle fight: Xu Can vs. Manny Robles III, 12 rounds, for Can's WBA "regular" featherweight titleAvery Sparrow vs. James Wilkins, 10 rounds, junior lightweightsRashidi Ellis vs. Eddie Gomez, rematch, 10 rounds, welterweightsVictor Morales Jr. vs. Ramiro Robles, 8 rounds, featherweightsAlex Rincon vs. Rafael Garcia, 6 rounds, junior middleweights4. Jack Culcay vs. Jama Saidi, 12 rounds, junior middleweights BerlinHouston-Dominic Guinn vs. Jamal Woods, 8 rounds, heavyweightsEvan Holyfield vs. Henry Mendez, 4 rounds, junior middleweightsHuntington NY-Danny Gonzalez vs. Johnny Hernandez, rematch, 10 rounds, junior welterweightsPennsylvania-Kermit Cintron vs. Josue Obando, 6 rounds, super middleweightsQuebec City -Title fight: Marie-Eve ​​Dicaire vs. Ogleidis Suarez, 10 rounds, for Dicaire's IBF women's junior middleweight world titleTitle fight: Raquel Miller vs. Alma Ibarra, 10 rounds, for vacant WBA interim women's junior middleweight titleNotes: Richardson Hitchins vs Tank Davis sparring tomorrow on his liveDevin Haney Claps back at Loma You didn’t give me the belt I wanted to fight uDeontay Wilder feels like he didn’t get the support Mayweather got as next black superstar Jose Ramirez vs. Viktor Postol Finalized - February 1, China, ESPNWBC Prez: Spence's medical report is clear, no interim-title neededSergey Lipinets vs Kudratillo Abdukakhorov Title Fight In Discussion For Feb. 22Sergey Kuzmin Injured; Zhilei Zhang Needs New Foe For 11/30Danny Garcia To Return on January 25thCarlos Adames vs. Patrick Teixeira WBO Eliminator on Top Rank 11/30 CardJaime Munguia vs. Spike O'Sullivan Finalized, Jan. 11 at 160. Munguia vacates 154 titleRyan Martin Banned Until Nov. 2022 By UKAD Over Failed TestFrank Sanchez To Train With Eddy and Chepo ReynosoJesse Hart vs. Joe Smith Official For January 11, Hard Rock LiveDiego De La Hoya vs. Renson Robles Set For Dec. 14 In MexicaliChavez Jr. Temporary Suspension Extended By Nevada Commission.Going to make a Bet use our promo Code BETTBV and get up to $1000 dollars sign up bonus here is our link http://bit.ly/2lvNv3Eone Free Month of Dazn On TBV http://bit.ly/ThaBoxingVoicexDAZNhttps://www.patreon.com/ThaboxingvoiceBUY THA BOXING VOICE T-SHIRT HERE http://thaboxingvoice.com/storePLEASE SUPPORT!!! SUBSCRIBE, SHARE & LIKEPlease check out our facebook page and hit the like button. https://www.facebook.com/Thaboxingvoiceradio GOOGLE PLUS https://plus.google.com/107960664507143008932/posts?tab=XXiWeb Sitehttp://thaboxingvoice.com/Radio show: http://www.blogtalkradio.com/thaboxingvoiceradioTwitter: @Thaboxingvoicehttps://twitter.com/thaboxingvoiceAudio only Podcast subscribe herehttps://itun.es/us/oY7JJ.c#DeontayWilder #LuisOrtiz #WilderOrtizII

Con la morte in un tragico incidente del contrabbassista Scott LaFaro, nel '61 si chiude la magica esperienza del trio di Bill Evans con LaFaro e con Paul Motian alla batteria: per il pianista è un colpo durissimo, artisticamente e umanamente. Una nuova felice stagione del trio di Bill Evans si apre nel '66, quando Evans scopre un giovane bassista portoricano, Eddie Gomez, che sarebbe rimasto per undici anni accanto al pianista. Per un certo periodo il trio fu completato alla batteria da un altro giovane portento, Jack DeJohnette (è DeJohnette che figura nel live a Montreux del '68): la maggiore estroversione di Gomez e DeJohnette rispetto ad altri che li avevano preceduti al basso e alla batteria conferisce una maggiore estroversione all'insieme della musica del trio di Evans, apprezzata dal pubblico e dalla critica. Poi nell'autunno del '68 DeJohnette lascia per nuove avventure - sarà con Miles Davis nella svolta elettrica del trombettista - e viene rimpiazzato da Marty Morell, e anche con lui rimane questa maggiore estroversione, lo slancio, la freschezza giovanile che sentiamo anche a Pescara nel '69...Come bonus della puntata un brano della Big Band di Gil Cuppini registrato all'Universal Club di Marina di Carrara nell'estate del '68. Con il batterista la crème del jazz italiano dell'epoca: fra gli altri Soana, Valdambrini, Piana, Masetti, Basso, Volonté, Azzolini....

Con la morte in un tragico incidente del contrabbassista Scott LaFaro, nel '61 si chiude la magica esperienza del trio di Bill Evans con LaFaro e con Paul Motian alla batteria: per il pianista è un colpo durissimo, artisticamente e umanamente. Una nuova felice stagione del trio di Bill Evans si apre nel '66, quando Evans scopre un giovane bassista portoricano, Eddie Gomez, che sarebbe rimasto per undici anni accanto al pianista. Per un certo periodo il trio fu completato alla batteria da un altro giovane portento, Jack DeJohnette (è DeJohnette che figura nel live a Montreux del '68): la maggiore estroversione di Gomez e DeJohnette rispetto ad altri che li avevano preceduti al basso e alla batteria conferisce una maggiore estroversione all'insieme della musica del trio di Evans, apprezzata dal pubblico e dalla critica. Poi nell'autunno del '68 DeJohnette lascia per nuove avventure - sarà con Miles Davis nella svolta elettrica del trombettista - e viene rimpiazzato da Marty Morell, e anche con lui rimane questa maggiore estroversione, lo slancio, la freschezza giovanile che sentiamo anche a Pescara nel '69...Come bonus della puntata un brano della Big Band di Gil Cuppini registrato all'Universal Club di Marina di Carrara nell'estate del '68. Con il batterista la crème del jazz italiano dell'epoca: fra gli altri Soana, Valdambrini, Piana, Masetti, Basso, Volonté, Azzolini....

(NSFW) It is hard to believe we are already back at AZ Strong Beer Festival. This year we had a new Hoppy Craftsmen tag along to help with the interviews, Eddie Gomez! We wanted to do something a little different this year and not just ask about what people brought with them. Don't worry we still asked them that. But, we wanted to dig a little deeper into each brewery and ask the classic F#&K, Marry, Kill. That did not go over to well with most, so we quickly recovered and changed kill to collab instead. Later on we get pretty personal with the choices we give. We get to hear another exclusive, which by now is not super exclusive but Cider Corp is getting food full time! Hope you enjoyed our chats, and it makes you want to come join the madness that is Strong Beer Fest! Our Guest Info: Goldwater Brewing Dark Sky Brewing 12 West Brewing Craft Beer Betty Cider Corps Oro Brewing Az Wilderness Brewing Wren House Brewing The Beer Research Institute Sons of Suds Cold Brew Podcast Craft N Curves Podcast Our Information: Music Credit: Takotsubo Men The assorted sounds of three ageing humans hitting things in a studio for five days. Beautifully nasty and pretty vile at times but ultimately gorgeous. Enjoy! Intro: Skint But Free Outro: Takotsubo Man Follow them! Facebook: https://www.facebook.com/TakotsuboMen Twitter: https://twitter.com/TakotsuboMen YouTube: https://www.youtube.com/TakotsuboMen Contact us! Instagram: @hoppycraftsmen Twitter: @hoppycraftsmen Facebook: https://www.facebook.com/Hoppycraftsmen/ E-mail: hoppycraftsmen@gmail.com Blog: http://hoppycraftsmenpodcast.com/ YouTube: Hoppy Craftsmen – Craft Beer Podcast Support US! Buy Us a Beer! For as little as a dollar a month you can help a bearded white guy drink a good craft beer. Your generous donation will help supply thousands with the gift of more podcasts and we are pretty sure inappropriate humor as well. Invest in Us!  Rate us on iTunes! Want to help us reach a bigger audience and keep the episodes coming? Then head over to iTunes and Give us a rating and feedback! Tell A Friend! Tell someone you know about our show! If you know that a friend likes or loves craft beer tell them to give us a listen. Or if you know someone who is new to craft beer and you are tired of telling them about the scene, let us be your soap box! Or have an amazing whale that you want to share with the world. Go on your social media platform of choice and give us a shout out. Use the hashtag #hoppycraftsmen and we’ll respond in kind. Probably in some form of emoji and maybe a super rad type of comment. You get the picture.

Welcome to Gran Turisbros! Thanks so much for checking out the podcast. My name is Eddie Gomez, known as Wardez on PSN. Joining me is the ever smooth and cordial Tristan Bayless, known online as RoadBeef. This first episode of the show is pretty simple, we recap our experience with the 2018 FIA Gran Turismo Championship America's Regional Finals! Stay tuned for much more as we plan to do this podcast consistently on our journey to doing even better at next year's championships! Intro music: PilotPriest - Cruising Tristan Bayless Info - PSN: roadbeef GTPlanet: RoadBeef Instagram: @ogroadbeef Youtube.com/roadbeef Eddie Gomez Info - PSN: Wardez GTPlanet: Wardez Twitter: @WardezRacing Instagram: @TiltShiftEddie Youtube.com/Wardez

Тема сегодняшней программы - танго. Джазовые музыканты очень уважительно относятся к этой части мировой культуры. Алексей Коган представляет лучшие его образцы: знаменитый United Nations Orchestra и один из альбомов, посвященный танго; Bajofondo Tango Club умело сочетает аргентинское танго и современную клубную музыку; слушаем великолепное исполнение «Lost tango» известного контрабасиста Eddie Gomez; финский коллектив Tango Kings; а также вспоминаем испанского исполнителя фламенко Diego el Cigala и других музыкантов в подкасте программы «Плейлист Алексея Когана" на канале Ofr.fm/Jazz-Blues.

Tim has been a Professor of guitar at Berklee College of Music since 2001, and has also released 3 CDs with his Tim Miller Trio. He has performed or recorded with Dweezil Zappa, Paul Motian, Randy Brecker, Mick Goodrick, Mike Stern, Ben Monder, Eddie Gomez, David Liebman, Mark Turner, George Duke, Gary Husband, Terri Lyne Carrington, & Antonio Sanchez, and others Tim shares some cool stories about connecting with Dweezil Zappa, Randy Brecker and Mick Goodrick… how and why he started his online music lesson programs, internetguitarlessons.tv… the making of his most recent album… the tremendous musical influence his mother had on his career, and on his life… “nuance listening”... the one thing he tries to do every time he practices, and much more Subscribe https://www.everyonelovesguitar.com/subscribe/ Facebook: https://www.facebook.com/EveryoneLovesGuitar/ Instagram: https://www.instagram.com/everyonelovesguitar/ Twitter: https://twitter.com/ELovesGuitar

Nel '68 Evans si era presentato a Montreux con il contrabbassista portoricano Eddie Gomez (che arrivava per la prima volta in Europa) e Jack DeJohnette alla batteria. Questa volta ha ancora con sé Gomez, ormai assai considerato, e alla batteria Marty Morell. Dal '66 Gomez sarebbe rimasto accanto a Evans fino alla seconda metà degli anni settanta e dal '68 Morell sarebbe rimasto con il pianista fino al '75: fra il '68 e il '75 il trio di Bill Evans conosce così il suo più lungo periodo di stabilità, e quando si esibisce a Montreux il trio con Gomez e Morell ha già raggiunto un notevole grado di maturità. (seconda parte) A cura di Marcello Lorrai

Nel '68 Evans si era presentato a Montreux con il contrabbassista portoricano Eddie Gomez (che arrivava per la prima volta in Europa) e Jack DeJohnette alla batteria. Questa volta ha ancora con sé Gomez, ormai assai considerato, e alla batteria Marty Morell. Dal '66 Gomez sarebbe rimasto accanto a Evans fino alla seconda metà degli anni settanta e dal '68 Morell sarebbe rimasto con il pianista fino al '75: fra il '68 e il '75 il trio di Bill Evans conosce così il suo più lungo periodo di stabilità, e quando si esibisce a Montreux il trio con Gomez e Morell ha già raggiunto un notevole grado di maturità. (seconda parte) A cura di Marcello Lorrai

www.radiojazznoend.com Radio Jazznoend regresa una vez más a la magia musical del pianista Bill Evans y en esta ocasión lo encontramos en el Village Vanguard, el mítico club neoyorquino, que fue el hogar musical de este gran artista durante buena parte de su carrera. Allí lo escucharemos en distintas épocas y etapas de su carrera al lado de diferentes músicos, mostrando siempre su revolucionaria visión del trío de jazz, siempre en evolución. Otros grandes artistas como Scott La Faro, Paul Motian, Eddie Gomez o Marc Johnson, serán sus compañeros en este fascinante viaje. Una propuesta musical apasionante basada en una técnica superlativa, puesta al servicio del lirismo y de la emoción.

www.radiojazznoend.com Radio Jazznoend regresa una vez más a la magia musical del pianista Bill Evans y en esta ocasión lo encontramos en el Village Vanguard, el mítico club neoyorquino, que fue el hogar musical de este gran artista durante buena parte de su carrera. Allí lo escucharemos en distintas épocas y etapas de su carrera al lado de diferentes músicos, mostrando siempre su revolucionaria visión del trío de jazz, siempre en evolución. Otros grandes artistas como Scott La Faro, Paul Motian, Eddie Gomez o Marc Johnson, serán sus compañeros en este fascinante viaje. Una propuesta musical apasionante basada en una técnica superlativa, puesta al servicio del lirismo y de la emoción.

Bill was the original drummer for Yes, a default member of King Crimson, and briefly played with Genesis and the late '70s supergroup U.K., but most of his output has been with his own jazz-inflected Earthworks and Bruford, as rock proved too confining for his rhythmic and tonal creativity. We discuss King Crimson's "One more Red Nightmare" from Red (1974), "Thistledown" from If Summer Had Its Ghosts by Bill Bruford, Eddie Gomez and Ralph Towner (1992), and "The 16 Kingdoms of the 5 Barbarians" from Every Step a Dance, Every Word a Song by Bill Bruford/Michiel Borstlap (2004). We also hear "Hell's Bells" and the title track of One of a Kind by Bruford (1979), plus "Five Per Cent for Nothing" from Fragile (1972) by Yes. Learn more at billbruford.com. Hear more Nakedly Examined Music.

Bill was the original drummer for Yes, a default member of King Crimson, and briefly played with Genesis and the late '70s supergroup U.K., but most of his output has been with his own jazz-inflected Earthworks and Bruford, as rock proved too confining for his rhythmic and tonal creativity. We discuss King Crimson's "One more Red Nightmare" from Red (1974), "Thistledown" from If Summer Had Its Ghosts by Bill Bruford, Eddie Gomez and Ralph Towner (1992), and "The 16 Kingdoms of the 5 Barbarians" from Every Step a Dance, Every Word a Song by Bill Bruford/Michiel Borstlap (2004). We also hear "Hell's Bells" and the title track of One of a Kind by Bruford (1979), plus "Five Per Cent for Nothing" from Fragile (1972) by Yes. Learn more at billbruford.com. Hear more Nakedly Examined Music.

Ed Soph is internationally recognized as an author, teacher, and musician. As a performer and recording artist, Ed has played with the big bands of Stan Kenton, Woody Herman, Bill Watrous, and Clark Terry. Small group credits include Joe Henderson, Bobby Shew, Randy Brecker, David Liebman, Lee Konitz, Carl Fontana, Bill Evans, Clark Terry, Marvin Stamm, Bill Mays, and Eddie Gomez. Ed’s most recent publication, in both book and DVD format, is MUSICAL TIME, published by Carl Fischer. Other publications include THE BIG BAND PRIMER , and ESSENTIAL TECHNIQUES FOR DRUMSET (Meredith Music).Ed has been the recipient of lifetime achievement awards in education from the Yamaha Corporation and the Percussive Arts Society and was inducted into the Percussive Arts Society’s Hall of Fame in 2016. He was also recognized as a “LeJENd in Jazz Education” by the Jazz Education Network.In addition to recording and touring, Ed is a professor of jazz studies in the College of Music of the University of North Texas, and an Artist Clinician for Yamaha drums, Zildjian cymbals, Innovative Percussion, and Evans drumheads.Some of Ed’s students have literally changed the world! Here’s a short list…Jason Sutter, Jim Riley, Keith Carlock, Ari Hoenig, Matt Wilson, Blair Sinta, Rich Redmond, Earl Harvin, Peter Erskine, Brian Delaney, Ross Pederson and a youngster named John Robinson!For more information about Ed see www.music.unt.edu/percussion

Eddie Gomez and Simon Bainbridge talk to Sean about an exciting new collaboration.

Durant els anys 80 Masahiko Satoh, un dels grans del Jazz Japonès, col·laborà amb força assiduitat amb grans músics americans com en Steve Gadd, Eddie Gomez i en Michael Brecker, contruint peces que esmb submergien en el Jazz-Fusió explorant sonoritats complexes, amb una bellesa subtil i de gran qualitat. En el programa d'avui, ens centrem en un d'aquests projectes que es materialitzà en el disc 'Amorphism', que es va publicar el 1985, per a poder atansar-nos a una proposta que va ser innovadora en aquells anys

Tea for One/孤品兆赫-5, 爵士/Jazz微信订阅号：【孤品兆赫】微博（新浪/腾讯）：【孤品兆赫】TRACKLIST 1. < Summer Wind > - Frank Sinatra, 1966 2. < The Good Life > - Duke Ellington Orchestra, 1966 3. < The Good Life > - Bobby Darin, 1965 4. < You Are My Sunshine > - Toots Thielemans, 1959 5. < You Are My Sunshine > - Mississippi John Hurt, 1963 6. < Poor Boy > - Mississippi John Hurt, 1966 7. < La Vie En Rose > –Bernard Peiffer，1952 8. < Sous Le Ciel De Paris > - Michel Legrand，1959 9. < What Are You Doing the Rest of Your Life > - Chris Botti featuring Sting, 2005 10. < The Summer Knows > - Bill Evans and Eddie Gomez, 1975 11. < Once I Loved > - Frank Sinatra, 1967

TNAV explores veteran transition - we highlight veterans who have successfully transitioned, veterans who are willing to discuss their ongoing transitions, and individuals and organizations that are doing great things on behalf of veterans. Today's scheduled guests: Eddie Gomez, President of the Rocky Mountain Hyperbaric Association for Brain Injuries and Ranger veteran Sean Reilly who is organizing a memorial for Ranger Zach Adamson. To learn more about Warrior Hike go here. To support the effort you may mail a check to  The Adamson Family 5071 Tri County Hwy Mt. Orab, Ohio 45154

JazzTones welcomes world-renowned jazz vocalist Judy Niemack to our show. We will be playing selections from her newest CD "In The Sundance." Judy has worked with many of the who’s who of jazz including pianists Fred Hersch, Kenny Werner, Cedar Walton, Kenny Barron, Steve Kuhn, & saxophonists Lee Konitz, Joe Lovano and James Moody, harmonica player Toots Thielemans, flugelhornist Clark Terry, bassists Ray Drummond and Eddie Gomez, drummers Billy Higgins, Joey Baron, Billy Hart and Adam Nussbaum, the New York Voices, the WDR Big Band, and guitarist Jeanfrancois Prins, Judy’s husband who has worked with her since 1992. Judy Niemack starting teaching jazz singing and improvising in the late 1970s. She has since become one of the most influential educators in jazz, and a pioneer of vocal jazz education in Europe. She taught vocal jazz at the New School For Jazz, William Patterson University, Long Island University, and New York City College and has been part of the staff at the Janice Borla Vocal Jazz Camp since 1990. After moving to Europe, she joined the jazz faculty at the Royal Conservatory of Brussels, Belgium in 1993, and two years later became the first Professor of Vocal Jazz in Germany. She also teaches at the Musikene Conservatory in San Sebastian, Spain, has taught at conservatories in Holland and Belgium, and leads workshops throughout Europe and the world. She is the author of several books, including "Hear It and Sing It: Exploring Modal Jazz." "Her creative odyssey provides a fascinating illustration of the high road to mastery that transcends the limitations of genre...a vocalist of theatrical depth and consumate syllabic invention. Ever since her debut with (Warne) Marsh at the Village Vanguard, audiences have marvelled at the grace with which Niemack scats." -- K. Leander Williams, Downbeat

JazzTones welcomes world-renowned jazz vocalist Judy Niemack to our show. We will be playing selections from her newest CD "In The Sundance." Judy has worked with many of the who’s who of jazz including pianists Fred Hersch, Kenny Werner, Cedar Walton, Kenny Barron, Steve Kuhn, & saxophonists Lee Konitz, Joe Lovano and James Moody, harmonica player Toots Thielemans, flugelhornist Clark Terry, bassists Ray Drummond and Eddie Gomez, drummers Billy Higgins, Joey Baron, Billy Hart and Adam Nussbaum, the New York Voices, the WDR Big Band, and guitarist Jeanfrancois Prins, Judy’s husband who has worked with her since 1992. Judy Niemack starting teaching jazz singing and improvising in the late 1970s. She has since become one of the most influential educators in jazz, and a pioneer of vocal jazz education in Europe. She taught vocal jazz at the New School For Jazz, William Patterson University, Long Island University, and New York City College and has been part of the staff at the Janice Borla Vocal Jazz Camp since 1990. After moving to Europe, she joined the jazz faculty at the Royal Conservatory of Brussels, Belgium in 1993, and two years later became the first Professor of Vocal Jazz in Germany. She also teaches at the Musikene Conservatory in San Sebastian, Spain, has taught at conservatories in Holland and Belgium, and leads workshops throughout Europe and the world. She is the author of several books, including "Hear It and Sing It: Exploring Modal Jazz." "Her creative odyssey provides a fascinating illustration of the high road to mastery that transcends the limitations of genre...a vocalist of theatrical depth and consumate syllabic invention. Ever since her debut with (Warne) Marsh at the Village Vanguard, audiences have marvelled at the grace with which Niemack scats." -- K. Leander Williams, Downbeat

This edition of the Bill Evans Trio is very special as it features his favourite drummer Philly Joe Jones, who was a part of Bill's working trio for a short time in 1967. Evans was usually introspective and romantic but Philly Joe brought out Bill's more outgoing characteristics and we hear a swinging, burning and happy Bill Evans on these tracks recorded in August of 1967 at New York's Village Vanguard. Anchoring the trio is the strong and virtuoso bassist Eddie Gomez. "California, Here I Come" was a very welcome re-issue from Verve in 2004 as it contains some prime Evans at his outgoing best.

This album by guitar virtuoso, Ralph Towner is once again in circulation by ECM Records. It's one of Towner's most impressive recordings as it features Ralph playing his own compositions with the amazing bassist Eddie Gomez and the always dynamic drums of Jack DeJohnette. Towner shines on classical and 12 string guitar and on one tune overdubs his fine piano playing as well. The music is haunting, hypnotic and spacy but dynamic as well and the compositions are memorable. Gomez and DeJohnette give the music an energy and pulse. "Batik" is a profound musical experience. Towner is still alive and well and currently living in Rome. This album is one of his musical highlights.