Podcast appearances and mentions of eddie gomez

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Here is the playlist for the 01/25 episode of Crosswinds. Enjoy!Stan Kenton Orchestra- Intermission RiffChristian McBride Big Band- Gettin' To ItBobby Sanabria Big Band- Jump ShotSWR Big Band- Street ScenesDave Stryker and WDR Big Band- Stan's ShuffleWDR Big Band and w/The Yellowjackets- RevelationDon Menza Big Band- Time to LeaveDeodato- Also Sprach ZarathustraEarth, Eind and Fire- Sunday MorningBrad Mehldau- Sundayk.d. lang- SundayThe Rascals- Groovin' (On a Sunday Afternoon)Robert Lamm- Another SundayIsaac Hayes- Early Sunday MorningJoni Mitchell- Sunny SundayArt Blakey and the Jazz Messengers- Quick TripWayne Shorter- ArmageddonHerbie Hancock- Mercy StreetOregon- Take HeartRalph Towner- Piscean DreamsBill Bruford, Eddie Gomez and Ralph Towner- If Summer Had Its GhostsOregon- AuroraBuckshot LeFonque- Some Cow Fonque (More Tea, Vicar?)George Benson- On BroadwayEsperanza Spalding, Billy Childs and Wayne Shorter- Upstairs by a Chinese LampDynamo- PrideJohn McLaughlin- The SceneDonald Fagen- Ruby BabyBruford- Q.E.D.

Here is the playlist for the 01/19 episode of the Seventh House. Enjoy!Daryl Hall and John Oates- Out of TouchINXS- New SensationPendragon- PassionEinar Solberg- MedullaBox of Shamans- AttitudeAl Stewart- Year of the CatBruce Hornsby- Sunflower CatDavid Bowie- Rebel RebelKevin Gilbert- Something Nice for My DogMoron Police- The Dog SongJohn McLaughlin- The Beat Goes OnTears for Fears- Dog's a Best Friend DogDave Stewart and Barbara Gaskin- Rene and Georgette Magrite With Their Dog After the WarPink Floyd- Dogs of WarKick the Cat- Gurgle EmphysemaYes- Can You ImagineYes- Give Love Each Day Bill Bruford, Eddie Gomez and Ralph Towner- SomersaultsOregon- Guitarra PicanteOregon- IcarusLiving Colour- Open Letter (To a Landlord)Potter's Daughter- We Could BeThundercat- Them ChangesFish- State of MindLiving Colour- Which Way to America?Riverside- Towards the Blue HorizonLonely Robot- SigmaTim Bowness- The Last GetawayMarillion- Go!

Here is the paylist for the 11/02 episode of Crosswinds. Enjoy!Stan Kenton Orchestra- Intermission RiffChase- Open Up WideMaynard Ferguson- BirdlandDon Ellis Orchestra- Mercy, Maybe MercyBuddy Rich Big Band- Mercy, Mercy, MercyBob Mintzer Big Band- MosaicCount Basie Orchestra- Segue in CCount Basie Orchestra- Easin' ItBob Curnow Big Band- And Then I KnewJack DeJohnette w/Bruce Hornsby- Dirty GroundBruce Hornsby, Christian McBride and Jack DeJohnette- Camp MeetingBruce Hornsby- Absolute ZeroBill Evans, Eddie Gomez and Jack DeJohnette- Some Other TimeDewa Budjana- Ujung GaluhJack DeJohnette, Pat Metheny and Herbie Hancock- DancingHerbie Hancock- Love is Stronger Than PrideKeith Jarrett, Gary Peacock and Jack DeJohnette- All the Things You AreHudson- Tony Then JackGonzolo Rubalcala, Ron Carter and Jack DeJohnette- RonJackRubaHudson- WoodstockEthan Iverson, Larry Grenadier and Jack DeJohnette- For Ellen RaskinJack DeJohnette, Matt Garrison and Ravi Coltrane- Serpentine FireEarth, Wind and Fire- Sing a SongTake 6- Biggest Part of MeJoni Mitchell- How Do You Stop?DC Talk- Between You and MePat Metheny Group- Phase Dance

FIELDWORK “THEREUPON” Lanzamiento agosto 2025Propaganda, Embracing difference, Evening rite, Fire citySteve Lehman (as) Vijay Iyer (p,el-p) Tyshawn Sorey (d) JABALI BILLY HART “RAH” New York, September, 1987Renda, Reminder, DreamsEddie Henderson (flhrn) David Liebman (sop) Ralph Moore (ts) Caris Visentin (oboe-1) Kenny Kirkland (p) Mark Grey (synt) Kevin Eubanks, Bill Frisell (g) Eddie Gomez (b) or Buster Williams (b) Billy Hart (d) OPEN LOOSE “EXPLICIT – LIVE, “SUNSET” Paris, France, April 11, 2011 The archduke, Story line, Explicit Tony Malaby (ts) Mark Helias (b) Tom Rainey (d) Continue reading Puro Jazz 12 de septiembre, 2025 at PuroJazz.

FIELDWORK “THEREUPON” Lanzamiento agosto 2025Propaganda, Embracing difference, Evening rite, Fire citySteve Lehman (as) Vijay Iyer (p,el-p) Tyshawn Sorey (d) JABALI BILLY HART “RAH” New York, September, 1987Renda, Reminder, DreamsEddie Henderson (flhrn) David Liebman (sop) Ralph Moore (ts) Caris Visentin (oboe-1) Kenny Kirkland (p) Mark Grey (synt) Kevin Eubanks, Bill Frisell (g) Eddie Gomez (b) or Buster Williams (b) Billy Hart (d) OPEN LOOSE “EXPLICIT – LIVE, “SUNSET” Paris, France, April 11, 2011 The archduke, Story line, Explicit Tony Malaby (ts) Mark Helias (b) Tom Rainey (d) Continue reading Puro Jazz 12 de septiembre, 2025 at PuroJazz.

KENNY WERNER “CHURCH ON MARS” New York, October 8, 2018Superfluous, Think of oneDavid Liebman (ts,sop) Kenny Werner (p) James Genus (b) Terri Lyne Carrington (d) Vivienne Aerts (vcl) RALPH TOWNER “BATIK” Oslo, January, 1978Waterwheel, BatikRalph Towner (g,12-string-g,p) Eddie Gomez (b) Jack DeJohnette (d GERRY MULLIGAN AND THE CONCERT JAZZ BAND LIVE “VILLAGE VANGUARD” New York, December 11, 1960Blueport, Body and soulClark Terry, Don Ferrara, Nick Travis (tp) Bob Brookmeyer (v-tb,arr) Willie Dennis (tb) Alan Raph (b-tb) Gene Quill (as,cl) Bob Donovan (as) Jim Reider (ts) Gerry Mulligan (bar,p-1) Gene Allen (bar,b-cl) Bill Crow (b) Mel Lewis (d) Al Cohn, Johnny Mandel (arr) Continue reading Puro Jazz 02 de septiembre, 2025 at PuroJazz.

KENNY WERNER “CHURCH ON MARS” New York, October 8, 2018Superfluous, Think of oneDavid Liebman (ts,sop) Kenny Werner (p) James Genus (b) Terri Lyne Carrington (d) Vivienne Aerts (vcl) RALPH TOWNER “BATIK” Oslo, January, 1978Waterwheel, BatikRalph Towner (g,12-string-g,p) Eddie Gomez (b) Jack DeJohnette (d GERRY MULLIGAN AND THE CONCERT JAZZ BAND LIVE “VILLAGE VANGUARD” New York, December 11, 1960Blueport, Body and soulClark Terry, Don Ferrara, Nick Travis (tp) Bob Brookmeyer (v-tb,arr) Willie Dennis (tb) Alan Raph (b-tb) Gene Quill (as,cl) Bob Donovan (as) Jim Reider (ts) Gerry Mulligan (bar,p-1) Gene Allen (bar,b-cl) Bill Crow (b) Mel Lewis (d) Al Cohn, Johnny Mandel (arr) Continue reading Puro Jazz 02 de septiembre, 2025 at PuroJazz.

Tercera parte y final del Especial Monográfico dedicado a la trayectoria del gran Al Foster, en la que repasaremos la etapa final de su carrera, desde 1988 hasta el 2024, escuchando estupendas colaboraciones con músicos como David Kikoski, Eddie Gomez, Michel Petrucciani, Roy Hargrove, Dave Liebman y Richie Beirat y Quest, de nuevo junto a McCoy Tyner, con Michael Stern, los Scolohofo de Joe Lovano, John Scofield y Dave Holland, Bruce Barth y su trío, Charlie Haden y Joe Henderson, Jorge Rossy y su estupendo Vibes Quintet, su último álbum grabado como líder, Reflections de 2022 y su último trabajo junto a Peter Bernstein, Brad Mehldau y Vicente Archer, Better Angels del 2024, con el que cerraremos este repaso a la trayectoria y música de uno de los grandes.Muchas gracias por tanto y tan bueno Mr. Foster!

BUNKY GREEN “PLACES WE'VE NEVER BEEN” New York, February 21 & 22, 1979East & West, Tension & release (1)Randy Brecker (tp,flhrn) Bunky Green (as,p) Albert Dailey (p) Ronald Kubelik (p-1) Eddie Gomez (b) Freddie Waits (d) CANNONBALL ADDERLEY WITH BILL EVANS “KNOW WHAT I MEAN ?” New York, January 27, February 21, & March 13, 1961Waltz for Debby, Goodbye, Toy, Know what I mean ? Continue reading Puro Jazz 07 de abril, 2025 at PuroJazz.

BUNKY GREEN “PLACES WE'VE NEVER BEEN” New York, February 21 & 22, 1979East & West, Tension & release (1)Randy Brecker (tp,flhrn) Bunky Green (as,p) Albert Dailey (p) Ronald Kubelik (p-1) Eddie Gomez (b) Freddie Waits (d) CANNONBALL ADDERLEY WITH BILL EVANS “KNOW WHAT I MEAN ?” New York, January 27, February 21, & March 13, 1961Waltz for Debby, Goodbye, Toy, Know what I mean ? Continue reading Puro Jazz 07 de abril, 2025 at PuroJazz.

Cuando comienza el cuarto mes del calendario gregoriano, abril, comienza la primavera en el hemisferio norte, que despierta los sentidos y los sentimientos dormidos durante el invierno. La literatura, la poesía y las canciones ha dado cuenta de ese estado de euforia y desasosiego, de cambio y de búsqueda de nuevas emociones. En este episodio, a través de unas pocas canciones, vamos a dar cuenta de ese estado de ánimo en que nos sumimos en abril y en primavera. A finales de abril de cada año se celebra el día internacional del jazz. Así la primavera sirve, también, para celebrar la variedad de músicas, estilos, sensibilidades y estados de ánimo que el jazz nos brinda. Aunque podríamos dedicar todo el episodio a versiones de una sola canción, cada una con una personalidad diferente, vamos a celebrar el jazz y la primavera con 5 estándares. At the beginning of the fourth month of the Gregorian calendar, April, spring begins in the northern hemisphere, awakening the senses and feelings dormant during the winter. Literature, poetry and songs have given an account of this state of euphoria and uneasiness, of change and search for new emotions. In this episode, through a few songs, we will give an account of that state of mind in which we are immersed in April and spring. At the end of April every year we celebrate International Jazz Day. Thus, spring also serves to celebrate the variety of music, styles, sensibilities and moods that jazz offers us. Although we could devote the entire episode to versions of a single song, each with a different personality, we are going to celebrate jazz and spring with 5 standards. Playlist: - Mighty Accordion Band - April in Paris; - Doris Day - April In Paris; - Count Basie - April In Paris; - Lyambiko - April In Paris; - Bill Evans, Eddie Gomez, Jack DeJohnette - I'll Remember April; - Boz Scaggs - I'll Remember April; - Clifford Brown & Max Roach - Joy Spring; - Emilie‐Claire Barlow - Joy Spring; - Tuck & Patti - It Might as Well Be Spring; - Sophie Milman - It Might as Well Be Spring; - Bucky & John Pizzarelli - Spring Can Really Hang You Up the Most; - Ian Shaw - Spring Can Really Hang You Up the Most.

El protagonista de este monográfico es el pianista y compositor Richard Tee, un músico fallecido en el año 1993. Hacemos un repaso al algunos de sus trabajos junto a conocidos artistas como Harvey Mason, Spyro Gyra, Patti Austin, Gato Barbieri, Aretha Franklin, Sadao Watanabe, Melissa Manchester, Earl Klugh, David Sanborn, Phil Upchurch, Eddie Gomez y Ralph McDonald, además de su pertenencia al proyecto Stuff. Es el segundo especial que dedicamos a la figura de Richard Tee: el primero lo puedes escuchar en la edición 1855 de este podcast.

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Tonight's Jazz Feature is a latter day classic and one of the finest outings by pianist/composer Chick Corea. It consists of three extended compositions hence the title "Three Quartets" The late Mr. Corea needs no introduction to the Jazz listening public of course but the band he has chosen for this date done in early 1981 is exceptional. On tenor saxophone is the late, great Michael Brecker and on bass is the accomplished Eddie Gomez and on drums is the phenomenal Steve Gadd. Fortunately Gadd and Gomez are still alive and active. This album was produced by Chick Corea for his own label and is a valuable music document of four wonderful artists. "Three Quartets" is tonight's Jazz Feature.

Playlist   Track Time Start Time Opening and Introduction (Thom Holmes) 11:57 00:00 1.    Herbie Hancock, Herbie Hancock Demonstrates The Rhodes Piano (1973 Rhodes). A terrific flexi-disc produced by Rhodes and narrated by Hancock who tells an interesting story about his first encounter with the instrument on a Miles Davis session and then he walks the keyboard through a series of effects. He speaks with the authority of a proud electronics tinkerer who understands the nuances that make this instrument so beloved by jazz musicians. This flexi-disc was originally delivered in the November 8, 1973 issue of Down Beat magazine. I provide both sides of the disc, in entirety. Tunes included during the demonstration include parts of Watermelon Man, Maiden Voyage, and The Spook. Soloist, Rhodes Electric Piano, Voice, Herbie Hancock. I thought it would be wisest to lead off this podcast with an overview of the Rhodes even though it is out of chronological sequence, being from 1973. We then go back a few years to hear tracks in proper time order. 12:48 11:57 2.    The Don Ellis Orchestra, “Open Beauty” from Electric Bath (1967 Columbia). Alto Saxophone, Flute, Soprano Saxophone, Joe Roccisano, Ruben Leon; Baritone Saxophone, Flute, Bass Clarinet, John Magruder; Bass, Dave Parlato, Frank De La Rosa; Bass, Sitar, Ray Neapolitan; Congas, Bongos, Chino Valdes; Drums, Steve Bohannon; Leader, Trumpet, Don Ellis; Percussion, Alan Estes; Piano, Clavinet, Fender Electric Piano Fender, Mike Lang; Tenor Saxophone, Flute, Clarinet, Ron Starr; Tenor Saxophone, Flute, Piccolo Flute, Clarinet, Ira Schulman; Timbales, Vibraphone, Percussion , Mark Stevens; Trombone, Dave Sanchez, Ron Myers, Terry Woodson; Trumpet, Alan Weight, Bob Harmon, Ed Warren, Glenn Stuart. 5:33 24:44 3.    Miles Davis, “Stuff” from Miles In The Sky (1968 Columbia). I think this was Miles' first album recorded using the Fender Rhodes, played by Herbie Hancock. See the opening tracks from this podcast for a story about this session from Hancock. Bass, Ron Carter; Drums, Tony Williams; Piano, Fender Electric Piano, Herbie Hancock; Tenor Saxophone, Wayne Shorter; Trumpet, Miles Davis. 16:59 30:14 4.    Joe Zawinul, “The Soul Of A Village (Part II)” from The Rise & Fall Of The Third Stream (1968 Vortex). Zawinul, along with Hancock, was an early adopter of the Fender Rhodes. Cello, Kermit Moore; Double Bass, Richard Davis; Drums, Freddie Waits, Roy McCurdy; Percussion, Warren Smith; Piano, Fender Electric Piano, Joe Zawinul; Tenor Saxophone, Arranged by, William Fischer; Trumpet, Jimmy Owens; Viola, Alfred Brown, Selwart Clarke, Theodore Israel. 4:16 47:10 5.    Oliver Nelson and Steve Allen, “Go Fly a Kite” from Soulful Brass (1968 Impulse). Another Steve Allen record, whom we heard from in part 1 playing the Wurlitzer Electric Piano. Here is a selection from an album on which he plays the Rock-Si-Chord and occasional piano. Arranged by Oliver Nelson; Rock-Si-Chord, piano, Steve Allen; Drums, Jimmy Gordon; session musicians, Barney Kessel, Bobby Bryant, Larry Bunker, Roger Kellaway, Tom Scott; Produced by Bob Thiele. 2:30 51:24 6.    J & K “Mojave” from Betwixt & Between (1969 A&M, CTI). “J” is J.J. Johnson (trombonist) and “K” is Kai Winding (trombonist). Their ensemble included Roger Kellaway playing the electric clavinette. An example of using the clavinet in jazz. This was most likely a Hohner Clavinet Model C which had just been introduced in 1968. Recorded at Van Gelder Studios during late 1968. 2:31 53:54 7.    Albert Ayler, “New Generation” from New Grass (1969 Impulse). An electric harpsichord played by Call Cobbs adds some subtle comping to this buoyant tune written by Ayler, Mary Parks, Rose Marie McCoy. Baritone Saxophone, Buddy Lucas; Design Cover And Liner, Byron Goto, Henry Epstein; Drums, Pretty Purdie; Electric Bass, Bill Folwell; Piano, Electric Harpsichord, Organ, Call Cobbs; Producer, Bob Thiele; Tenor Saxophone, Flute, Seldon Powell; Tenor Saxophone, Vocals, Albert Ayler; Trombone, Garnett Brown; Trumpet, Burt Collins, Joe Newman; Vocals, The Soul Singers. 5:06 56:22 8.    Bill Evans, “I'm All Smiles” from From Left To Right (1970 MGM). Piano, Rhodes Electric Piano, Bill Evans; Bass, John Beal; Conducted, arranged by Michael Leonard; Double Bass, Eddie Gomez; Drums,Marty Morell; Guitar, Sam Brown; Liner Notes, Harold Rhodes, Helen Keane, Michael Leonard; Produced by Helen Keane. For his 24th solo album, the long-established jazz pianist Evans took his turn playing both the Fender Rhodes and Steinway acoustic piano on this album, as two-handed duets no less. Liner notes were written by Harold Rhodes, inventor of the Rhodes Electric Piano. 5:42 1:01:24 9.    Sun Ra And His Intergalactic Research Arkestra, “Black Forest Myth” from It's After The End Of The World - Live At The Donaueschingen And Berlin Festivals (1971 MPS Records). You can hear Sun Ra enticing other-worldly sounds from a Farfisa organ beginning at about 1:35. Recorded in 1970. Of the many electronic keyboards heard elsewhere on this album (and occasionally on this track), here the Farfisa is heard the most. Farfisa organ, Hohner Electra, Hohner Clavinet, Piano, Performer, Rock-Si-Chord, Spacemaster, Minimoog, Voice, composed by, arranged by, Sun Ra; ; Alto Saxophone, Clarinet, Flute, Abshlom Ben Shlomo; Alto Saxophone, Flute, Clarinet, Danny Davis; Alto Saxophone, Flute, Oboe, Piccolo Flute, Drums, Marshall Allen; Baritone Saxophone, Alto Saxophone, Flute, Danny Thompson; Baritone Saxophone, Tenor Saxophone, Alto Saxophone, Clarinet, Bass Clarinet, Flute, Drums, Pat Patrick; Bass, Alejandro Blake Fearon; Bass Clarinet, Robert Cummings; Drums, Lex Humphries; Drums, Oboe, Flute, James Jackson; English Horn, Augustus Browning; Mellophone, Trumpet, Ahk Tal Ebah; Oboe, Bassoon, Bass Clarinet, Leroy Taylor; Percussion African, Other Fireeater, Dancer , Hazoume; Percussion Hand Drums, Nimrod Hunt; Percussion, Other Dancer, Ife Tayo, Math Samba; Photography By, Hans Harzheim; Producer, Liner Notes, Joachim E. Berendt; Tenor Saxophone, Percussion, John Gilmore; Trumpet, Kwame Hadi; Violin, Viola, Cello, Bass, Alan Silva; Voice, June Tyson. 9:07 1:07:05 10.Joe Scott And His Orchestra, “Raindrops Keep Fallin' On My Head” from Motion Pictures - The NOW Generation (1970 Mainstream). Listen for the Rock-Si-Chord in electric harpsichord mode. Bass, Charles Rainey; Cello, Charles McCracken, Gene Orloff, George Ricci, Maurice Bialkin;  Drums, Alvin Rogers, Joe Cass; Flute, Alto Flute, Bassoon, Tenor Flute, George Dessinger, Joe Soldo, Joseph Palmer, Philip Bodner; Flute, Flute Tenor, Alto Flute, Bassoon, Walt Levinsky; French Horn, Donald Corrado; Guitar, Jay Berliner, Stuart Scharf; Keyboards Rock-Si-Chord, Frank Owens; Mastered By Mastering, Dave Crawford (2); Percussion, Joseph Venuto; Piano, Frank Owens; Producer, Bob Shad; Trombone, Buddy Morrow, Tony Studd, Warren Covington, Wayne Andre; Trumpet, Bernie Glow, James Sedlar, John Bello, Mel Davis; Viola, Emanuel Vardi, Harold Coletta, John DiJanni, Theodore Israel; Violin, Aaron Rosand, Arnold Eidus, Emanuel Green, Frederick Buldrini, Harold Kohon, Harry Lookofsky, Joseph Malignaggi, Jules Brand, Leo Kahn, Lewis Eley, Mac Ceppos, Max Pollikoff, Paul Gershman, Peter Buonoconsiglio, Raymond Gniewek, Rocco Pesile, Winston Collymore. 2:28 1:16:12 11.The Phoenix Authority, “One” from Blood, Sweat & Brass (1970 Mainstream). Note the Rock-Si-Chord. Arranged by Ernie Wilkins; Bass, Charles Rainey; Drums, Grady Tate, Herbie Lovelle; Flute, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Chris Woods, Hubert Laws; Guitar, David Spinosa, Kenneth Burrell; Organ, Piano, Rock-Si-Chord, Frank Anderson, Frank Owen; Producer, Bob Shad; Trombone, Benny Powell, George Jeffers; Trumpet, Joseph Newman, Lloyd Michaels, Ray Copeland, Woody Shaw. 2:43 1:18:38 12.The Phoenix Authority, “Sugar, Sugar” from Blood, Sweat & Brass (1970 Mainstream). Listen for the Rock-Si-Chord. Arranged by Ernie Wilkins; Bass, Charles Rainey; Drums, Grady Tate, Herbie Lovelle; Flute, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Chris Woods, Hubert Laws; Guitar, David Spinosa, Kenneth Burrell; Organ, Piano, Rock-Si-Chord, Frank Anderson, Frank Owen; Producer, Bob Shad; Trombone, Benny Powell, George Jeffers; Trumpet, Joseph Newman, Lloyd Michaels, Ray Copeland, Woody Shaw. 3:34 1:21:20 Sun Ra's flare for electronic sound in performance is demonstrated in the following three tracks that make excellent use of the several keyboards, the Farfisa organ, Minimoog, and Rock-Si-Chord. 13.Sun Ra And His Astro-Intergalactic-Infinity-Arkestra,' “Discipline No. 11” from Nidhamu (Live In Egypt Vol. II) (1974 El Saturn Records). Recorded at Ballon Theater, Cairo, Egypt December 17, 1971. Sun Ra playing several electronic keyboards in turn, the organ, Minimoog, and Rock-si-Chord. What I hear is some organ (Farfisa?) in the opening, then Sun Ra turns to a wild exchange between the Minimoog (monophonic) and Rock-Si-chord (polyphonic) during the second half of the track. Alto Saxophone, Congas, Larry Northington; Alto Saxophone, Flute, Danny Davis, Hakim Rahim; Alto Saxophone, Flute, Oboe, Marshall Allen; Baritone Saxophone, Pat Patrick; Baritone Saxophone, Flute, Danny Thompson; Bass Clarinet, Elo Omoe; Composed By, Arranged By, Piano, Organ, Minimoog, Rock-Si-Chord, Sun Ra; Engineer Recording Engineer, Tam Fiofori; Percussion, Lex Humphries, Tommy Hunter; Photography By, Sam Bankhead; Photography Liner Photo, Mike Evans; Producer, Infinity Inc. And The East; Tenor Saxophone, Percussion, John Gilmore; Trumpet, Congas, Kwame Hadi; Vocals, June Tyson. 9:31 1:24:52 14.Sun Ra And His Astro-Intergalactic-Infinity-Arkestra,' “Cosmo-Darkness” from Live In Egypt Vol. I (Nature's God) (Dark Myth Equation Visitation) (1972 Thoth Intergalactic). Beginning around 0:26, you get an example of Sun Ra's rhythmic, trace-like playing of the Rock-Si-Chord. Alto Saxophone, Congas, Larry Northington; Alto Saxophone, Flute, Danny Davis, Hakim Rahim; Alto Saxophone, Flute, Oboe, Marshall Allen; Baritone Saxophone, Pat Patrick; Baritone Saxophone, Flute, Danny Thompson; Bass Clarinet, Elo Omoe; Composed By, Arranged by, Piano, Organ, Minimoog, Rock-Si-Chord, Sun Ra; Engineer Recording Engineer, Tam Fiofori; Percussion, Lex Humphries, Tommy Hunter; Photography By, Sam Bankhead; Photography Liner Photo, Mike Evans; Producer, Infinity Inc. And The East; Tenor Saxophone, Percussion, John Gilmore; Trumpet, Congas, Kwame Hadi; Vocals, June Tyson. 2:05 1:34:25 15.Sun Ra And His Astro-Intergalactic-Infinity-Arkestra,' “Solar Ship Voyage” from Live In Egypt Vol. I (Nature's God) (Dark Myth Equation Visitation) (1972 Thoth Intergalactic). This track features Sun Ra and the Minimoog in an extended solo. Alto Saxophone, Congas, Larry Northington; Alto Saxophone, Flute, Danny Davis, Hakim Rahim; Alto Saxophone, Flute, Oboe, Marshall Allen; Baritone Saxophone, Pat Patrick; Baritone Saxophone, Flute, Danny Thompson; Bass Clarinet, Elo Omoe; Composed By, Arranged by, Piano, Organ, Minimoog, Rock-Si-Chord, Sun Ra; Engineer Recording Engineer, Tam Fiofori; Percussion, Lex Humphries, Tommy Hunter; Photography By, Sam Bankhead; Photography Liner Photo, Mike Evans; Producer, Infinity Inc. And The East; Tenor Saxophone, Percussion, John Gilmore; Trumpet, Congas, Kwame Hadi; Vocals, June Tyson. 2:40 1:36:30 Herbie Hancock mastered an array of keyboards, including the Fender Rhodes and several ARP models in the next three tracks tracing only two years in his musical journey. 16.Herbie Hancock, “Rain Dance” from Sextant (1973 Columbia). Patrick Gleason provides beats and beeps using the ARP 2600 and ARP Soloist. Bass Trombone, Tenor Trombone, Trombone Alto Trombone, Cowbell, Pepo (Julian Priester); Congas, Bongos, Buck Clarke; Drums, Jabali (Billy Hart); Effects Random Resonator, Fundi Electric Bass Fender Electric Bass With Wah-Wah And Fuzz, Double Bass, Mchezaji (Buster Williams); Electric Piano Fender Rhodes, Clavinet Hohner D-6 With Fender Fuzz-Wah And Echoplex, Percussion Dakka-Di-Bello, Mellotron, Piano Steinway, Handclaps, Songs by Mwandishi (Herbie Hancock); Synthesizer, Mellotron, John Vieira; Soprano Saxophone, Bass Clarinet, Piccolo Flute, Afoxé Afuche, Kazoo Hum-A-Zoo, Mwile (Benny Maupin); ARP 2600, ARP Soloist, Dr. Patrick Gleeson; Trumpet, Flugelhorn, Mganga (Dr. Eddie Henderson). 9:19 1:39:08 17.  Herbie Hancock, “Palm Grease” from Thrust (1974 Columbia). Hancock himself plays all the keyboards and synthesizers on this album. Drums, Mike Clark; Electric Bass, Paul Jackson; Electric Piano Fender Rhodes, Clavinet Hohner D-6, Synthesizer Arp Odyssey, Arp Soloist, Arp 2600, Arp String, written by Herbie Hancock; Percussion, Bill Summers; Producers, David Rubinson, Herbie Hancock; Soprano Saxophone, Tenor Saxophone, Bass Clarinet, Alto Flute, Bennie Maupin. 10:36 1:48:18 18.Herbie Hancock, “Nobu” = ノブ from Dedication = デディケーショ(1974 CBS/Sony). Fascinating recording because it is Hancock solo with an assortment of keyboards, including the Fender Rhodes and multiple ARP models. Piano, Fender Rhodes, Arp Pro Soloist, Arp Odyssey, Arp 3604, Arp 2600, Arp PE-IV String Ensemble, composed by Herbie Hancock; Engineer, Tomoo Suzuki; Producer, David Rubinson. 7:33 1:58:46 The analog synthesizer became a regular companion of the Fender Rhodes in jazz, leading up to the end of the 1970s. 19.Bobbi Humphrey, “My Little Girl” from Satin Doll (1974 Blue Note). The great jazz funk flutist Bobbi Humphrey released a series of albums around this time that often-featured fantastic synthesizer players. Here you can pick out the Minimoog by Don Preston and the ARP (Odyssey?) by Larry Mizell. The synths included here are in contrast to the more experimental sounds that Herbie Hancock was issuing at the same time. Flute, Vocals, Bobbi Humphrey; ARP Synthesizer, Larry Mizell; Minimoog, Don Preston; Bass, Chuck Rainey; Congas, King Errison; Drums, Harvey Mason; Electric Piano Fender Rhodes, Fonce Mizell, Larry Mizell; Guitar, John Rowin, Melvin "Wah Wah" Ragin; Percussion, Roger Sainte, Stephany Spruill; Piano, Jerry Peters; Produced by Chuck Davis, Larry Mizell; Trumpet, Fonce Mizell. 6:39 2:06:19 20.Ramsey Lewis, “Jungle Strut” from Sun Goddess (1974 Columbia). Another mainstream jazz artist who found many interesting sounds to accompany his electric piano. ARP, ARP Ensemble, Piano, Fender Rhodes, Wurlitzer electric piano, Ramsey Lewis; Congas, Drums, Derf Rehlew Raheem, Maurice Jennings; Electric Upright Bass Fender, Cleveland Eaton; Guitar, Byron Gregory; Synthesizer Freeman String, Ramsey Lewis; Tambura, Percussion, Maurice Jennings; Vocals, Derf Rehlew Raheem; Written by, R. Lewis. 4:40 2:12:54 21.  Ramsey Lewis, “Tambura” from Sun Goddess (1974 Columbia). ARP, ARP Ensemble, Piano, Fender Rhodes, Wurlitzer electric piano, Ramsey Lewis; Drums, Tambura, Congas, Percussion, Maurice Jennings; Electric Upright Bass Fender, Cleveland Eaton; Guitar, Byron Gregory; Written by R. Lewis. 2:52 2:17:32 22.Clark Ferguson, “Jazz Flute” from RMI Harmonic Synthesizer And Keyboard Computer (1974 Rocky Mount Instruments, Inc.). Not an instrument often used in jazz, so I turn to the company's demonstration album for a sample of this more advanced in the RMI keyboard family. RMI Harmonic Synthesizer, Clark Ferguson. 2:43 2:20:24 23.  Fernando Gelbard, “Sombrero De Flores” from Didi (1974 Discos Redonde). A straight-up jazz track from Argentine musicial Gelbard that features both the Fender Rhodes and the Minimoog. Fender Rhodes, Minimoog, Fernando Gelbard; Bass, Ricardo Salas; Congas, Vocals, Ruben Rada; Drums, Norberto Minichillo; Fender Rhodes, Minimoog, Fernando Gelbard; Percussion, Effects, Miguel "Chino" Rossi; Producer, Alberto M. Tsalpakian, Juan Carlos Maquieira; Tenor Saxophone, Horacio "Chivo" Borraro. 7:25 2:23:04 24.  Fernando Gelbard, “Mojo Uno” from Didi (1974 Discos Redonde). This track features an outrageously unique Minimoog part that is akin to something you would hear from Sun Ra. Fender Rhodes, Minimoog, Fernando Gelbard; Bass, Ricardo Salas; Congas, Vocals, Ruben Rada; Drums, Norberto Minichillo; Fender Rhodes, Minimoog, Fernando Gelbard; Percussion, Effects, Miguel "Chino" Rossi; Producer, Alberto M. Tsalpakian, Juan Carlos Maquieira; Tenor Saxophone, Horacio "Chivo" Borraro. 2:00 2:30:28 25.Jan Hammer “Darkness / Earth In Search Of A Sun” from The First Seven Days (1975 Atlantic). On this track you get to hear (I think) three different synthesizers all fit for Hammer's purpose, the solo Moog, Oberheim fills, and Freeman strings. Producer, Engineer, Piano, Electric Piano, Moog, Oberheim, and the Freeman string synthesizer; digital sequencer, Drums, Percussion, Composed by, Jan Hammer. 4:29 2:32:26 26.Larry Young's Fuel, “Moonwalk” from Spaceball (1976 Arista). CDX-0652 Portable Moog Organ, Minimoog , FRM-S810 Freeman String Symphonizer, Organ Hammond B-3, Fender Rhodes, Piano, Larry Young Jr.; Bass Rickenbacker, Dave Eubanks; Hohner Clavinet , Piano, Minimoog, Julius Brockington; Drums Ludwig Drums, Zildgian Cymbals, Percussion, Jim Allington; Guest Special Guest Star, Larry Coryell; Guitar, Danny Toan, Ray Gomez; Percussion, Abdoul Hakim, Barrett Young, Clifford Brown, Farouk; Producer, Terry Philips; Tenor Saxophone Selmer, Soprano Saxophone Selmer, Flute Armstrong, Vocals, Al Lockett; Vocals, Paula West. 5:32 2:36:52 27.Larry Young's Fuel, “Startripper” from Spaceball (1976 Arista). CDX-0652 Portable Moog Organ, Minimoog , FRM-S810 Freeman String Symphonizer, Organ Hammond B-3, Fender Rhodes, Piano, Larry Young Jr.; Bass Rickenbacker, Dave Eubanks; Hohner Clavinet , Piano, Minimoog, Julius Brockington; Drums Ludwig Drums, Zildgian Cymbals, Percussion, Jim Allington; Guest Special Guest Star, Larry Coryell; Guitar, Danny Toan, Ray Gomez; Percussion, Abdoul Hakim, Barrett Young, Clifford Brown, Farouk; Producer, Terry Philips; Tenor Saxophone Selmer, Soprano Saxophone Selmer, Flute Armstrong, Vocals, Al Lockett; Vocals, Paula West. 4:44 2:42:22 28.Wolfgang Dauner, “Stück Für Piano Und Synthesizer Op. 1” from Changes (1978 Mood Records). Dauner is one of the only jazz players to utilize the massive EMS Synthi 100. Written, produced, recorded, Steinway C-Flügel piano, EMS Synthi 100, Oberheim 4 Voice Polyphonic Synthesizer, Wolfgang Dauner. 9:51 2:47:04 29.Wolfgang Dauner, “War Was, Carl?” from Grandison - Musik Für Einen Film (1979 Zweitausendeins). More analog synthesizer jazz from Germany. C-flute, Alt-flute, Baß-flute, Manfred Hoffbauer; Oboe, English Horn, Hanspeter Weber; Percussion, Drums,  Jörg Gebhard; Piano, Synthesizer, Percussion, Conductor, Wolfgang Dauner. 1:12 2:56:54 30.Wolfgang Dauner, “Intellektuelles Skalpell” from Grandison - Musik Für Einen Film (1979 Zweitausendeins). C-flute, Alt-flute, Baß-flute, Manfred Hoffbauer; Oboe, English Horn, Hanspeter Weber; Percussion, Drums,  Jörg Gebhard; Piano, Synthesizer, Percussion, Conductor, Wolfgang Dauner. 1:26 2:58:06   Opening background music: 1) Sun Ra And His Astro-Intergalactic-Infinity-Arkestra,' “The Light Thereof” from Live In Egypt Vol. I (Nature's God) (Dark Myth Equation Visitation) (1972 Thoth Intergalactic) (5:14). Farfisa organ playing from Sun Ra. 2) Oliver Nelson and Steve Allen, “Green Tambourine” from Soulful Brass (1968 Impulse) (2:28). Steve Allen plays the Rock-Si-Chord. 3) Oliver Nelson and Steve Allen, “Torino” from Soulful Brass (1968 Impulse) (2:02). Steve Allen plays the Rock-Si-Chord. Opening and closing sequences voiced by Anne Benkovitz. Additional opening, closing, and other incidental music by Thom Holmes. See my companion blog that I write for the Bob Moog Foundation. For a transcript, please see my blog, Noise and Notations. I created an illustrated chart of all of the instruments included in this podcast, paying special attention to the expressive features that could be easily adopted by jazz musicians. You can view it on my blog, Noise and Notations.  

MARY LOU WILLIAMS – FEAT. DON BYAS Paris, France, December 2, 1953O.W., Mary's waltz, Just you, just me (db out)Don Byas (ts) Mary Lou Williams (p) Buddy Banks (b) Gerard “Dave” Pochonet (d) MICK GOODRIC – IN PAS(S)ING Oslo, Norway, November, 1978Feebles, fables and ferns, Summer band camp, In passingJohn Surman (sop,bar,b-cl) Mick Goodrick (g) Eddie Gomez (b) Jack DeJohnette (d) ART DAVIS QUARTET – LIFE New York, October 5, 1985Life, Duo (jh,im out), Blues from concertpiece for bassPharoah Sanders (ts) John Hicks (p) Art Davis (b) Idris Muhammad (d) Continue reading Puro Jazz 29 diciembre 2023 at PuroJazz.

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Matt Orenstein is a Los Angeles-based composer. He has scored several shorts, features, and trailers, and has written music for branded content from companies including Mercedes-Benz, Square, and DoorDash.Films with Matt's scores have screened at several film festivals around the world, including Mostra São Paulo, Prix Videoformes (Paris), Chicago Independent Film Festival, Santa Barbara International Film Festival, Cinequest and SXSW. In 2022, he scored the Webby-nominated documentary short “Nearside: Pink Mahogany,” directed by Max Gold.Matt got his start as a bass player in the relentlessly experimental Minneapolis music scene as an adolescent in the early 2000's, the spirit of which he carried with him to Oberlin, OH. While at Oberlin Conservatory, he studied bass with Peter Dominguez (and Eddie Gomez during Dominguez's sabbatical), studied electronic music and composition, and played in as many different kinds of ensembles as he could. He spent 2011 to 2015 in Chicago, where he worked as a teacher, composer, songwriter, sound designer, and instrumentalist. Matt's work and performances have seen favorable coverage in several publications, including The New York Times, The LA Times, Entertainment Weekly, and the Allmusic Guide. He has worked with Four Larks, Laboratory Dancers (Chicago), Le Tour, Oberlin Dance Company, Fonema Consort, Jacaranda Music, High Concept Laboratories, Access Contemporary Music, Death & Pretzels, Sheet Ghosts, Naomi Greene, Lyris Quartet, Antonio Lysy, and several other artist and groups around the Minneapolis, Oberlin, Chicago, and Los Angeles areas. Matt has toured the country several times under several different banners, including his longtime project Lionel O, which released six albums between 2006-15. 

Satoshi Takeishi is another old friend, who I'm happy to have here! Satoshi is a great drummer, percussionist, and composer. He has played, toured and recorded with lots of great musicians, including Ray Barretto, Carlos ‘Patato' Valdes, Eliane Elias, Marc Johnson, Eddie Gomez, Randy Brecker, Dave Liebman, Anthony Braxton, Mark Murphy, Herbie Mann, Paul Winter Consort, Rabih Abu Khalil, Toshiko Akiyoshi Big Band. Currently, he is working on several interesting projects, which we talk about in the interview, including working with his wife, Shoko, who is a fine pianist and composer. Satoshi and I met at Berklee in 1982. It's interesting that we're still having the same conversation all these years later. Come and join the conversation. Satoshi TakeishiI am available for online or in person study. Reach out to me at: keith@keithdavismusic.com Keith Davis Music

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Nasheet Waits, drummer and music educator, is a New York native. His interest in playing the drums was encouraged by his father, legendary percussionist, Frederick Waits, who played with such legendary artists as Ella Fitzgerald, Stevie Wonder, Marvin Gaye, Sonny Rollins, Lee Morgan, Max Roach, Cecil Taylor, McCoy Tyner, and countless others. While attending Long Island University, Nasheet studied privately with renowned percussionist Michael Carvin. Carvin's tutelage provided a vast foundation upon which Waits added influences from his father, as well as mentor Max Roach and percussionist Fred King. It was Max that first gave Nasheet's formidable talent international spotlight, hiring him as a member of the famed percussion ensemble M'BOOM. One highlight of Nasheet's tenure with M'BOOM was the live concert performance of M'BOOM with special guests Tony Williams and Ginger Baker.  Nasheet's recording and performing discography is a veritable who's who in Jazz. Waits has boasted stints with jazz notables Antonio Hart, Jackie McLean, Wadada Leo Smith, Dave Douglas, Mark Turner, Bunky Green, Kurt Rosenwinkel, Eddie Gomez, Steve Coleman, The New Jersey Symphony Orchestra, Greg Osby, Wallace Roney, Jacky Terrason, and The Mingus Big Band. Waits has recorded and toured extensively in Africa, Europe, Japan, Canada, South America and the United States. In this episode, Nasheet talks about: Learning from Christian McBride's "played with everybody" experience, and high level consistency as a performer The early influence of his father, musically and culturally How friends and colleague of his father like like Michael Carvin and Max Roach stepped in to mentor him after his father died Lessons from Carvin His experience attending an HBCU in Atlanta

Hoy os vamos a acercar uno de los trabajos mas desconocidos de un músico extraordinario, el compositor, saxofonista y clarinetista cubano Paquito D’Rivera. El disco se llama Mariel y nunca fue editado en CD. Quizás es por este detalle que el trabajo nunca ha gozado de una gran difusión y además no está presente en ninguna de las diferentes plataformas de streaming existentes a pesar de contar con varios temas que han sido esenciales en la discografía de D’Rivera como es el caso de Monk Tuno, dedicada a Theolonius Monk, Wapango o la deliciosa Claudia. Esperamos que la disfrutéis. TRACKS A1- Mariel D’Rivera A2- Miami Juanito Márquez A3- Claudia Chucho Valdés B1- New York It’s You D’Rivera B2- Wapango D’Rivera B3- Monk Tuno D’Rivera B4- Moments Notice John Coltrane CREDITS Acoustic Bass – Eddie Gomez (pistas: A3, B4), Jeff Fuller (pistas: B2) Alto Saxophone, Soprano Saxophone, Piano, Synthesizer, Arranged By – Paquito D'Rivera Drums – Ignacio Berroa (pistas: Except B1) Electric Bass – Jeff Fuller (pistas: A1. A2, B1, B3) Electric Piano – Jorge Dalto (pistas: A1, B1) Executive Producer – George Butler Flugelhorn, Trumpet – Randy Brecker (pistas: A1, B4) Guitar – Georg Wadenius (pistas: A1, B1) Percussion, Congas – Daniel Ponce (pistas: Except B1) Piano – Hilton Ruiz (pistas: A2, A3, B2, B3) Producer – Bert DeCoteaux, Mike Berniker Synth [Prophet 5] – Luis Buchillon (pistas: A1) Vocals – Brenda Feliciano (pistas: B1)

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A native of eastern Pennsylvania, JD Walter's past, present, and future has always embodied music. From church Boy choirs at the age of six to the American Boy choir school in Princeton to the University of North Texas on a vocal jazz scholarship, Walter has become a pioneer of improvisation and electronic innovations in the world of jazz. His recording career spans 20 years and his purist progressive approach to jazz music has been recognized worldwide. After extended studies in Amsterdam with Jazz vocal Icon, Deborah Brown, Walter returned to the U.S. and embedded himself in the New York Jazz scene. It was in New York, surrounded by visionaries of jazz, where he began to organically develop his liberated, vibrant style that turned him from straight-ahead to progressive jazz singing. Walter's recordings include, "Dressed in a Song", “Sirens in the C-House,” “Clear Day,” “Dedicated to You,” “2Bass, a Face and a Little Skin,” “Live in Portugal,” “Live at the 55 Bar,” “One Step Away,” and Guest appearances on over 100 recordings. The latest album, released on February 7, 2020, testifies to his personal progression as an evolving artisan and provides an intimate, inventive collection of standards and originals. “Dressed in a Song,” produced by Walter and Grammy-winning producer and A&R executive Al Pryor, features piano and vocal duets and trios with veterans and up-and-comers alike, including Jim Ridl, Orrin Evans, Jean-Michel Pilc, Marc Cary, Taylor Eigsti, Julius Rodriguez, Ben Wolfe, Obed Calvaire, and Becca Stevens. Over the decades, Walter has performed as a featured artist at numerous American jazz clubs and festivals in the U.S., Europe, the Middle East, Central America as well as over 80 tours in Russia. He remains a regular in the New York music scene, and has headlined at Dizzy's Lincoln Center, The Jazz Standard, The Blue Note, and The Jazz Gallery, among other venues. He has shared the stage with legendary artists, ranging from Dave Liebman, Billy Hart, Tom Harrell, Eddie Gomez, Bob Dorough, Nicholas Payton, Ben Monder, Sean Jones, Jean-Michel Pilc, Bill Evans, Mark Murphy, Greg Hutchinson, Ari Hoenig, Randy Brecker, Tim Warfield, Jim Ridl, Orrin Evans, Seamus Blake, Igor Butman, Nasheet Waits, Craig Handy, Boris Kozlov, Robin Eubanks, Eric Revis, Billy Drummond, Christian McBride, Adam Nussbaum. Walter currently resides in New York and teaches privately and abroad at The Prince Claus Conservatory in Groningen, Holland, The Jazz and Music School in St. Petersburg, and the Music Wave School in Moscow. In this episode, JD Walter shares his background, education, and musical journey. If you enjoyed this episode please make sure to subscribe, follow, rate, and/or review this podcast on Spotify, Apple Podcast, Google Podcast, ect. Connect with us on all social media platforms and at www.improvexchange.com

Courtney's playing refreshingly cool new jazzy vibes for you to work, rest and play to! Jam-packed full of new releases and plenty of fun, including many of the artists introducing their own tracks! This wk Cedar Walton tribute, UK R&B, Afro-Latin rhythms, synth & sax, Brazilian beats, fresh bop, mellow flute/sax, organ trio, classic Stevie...let these restorative beats warm you through the winter folks, spring is on the way!Please let all your jazz friends know that they can listen for free on Apple podcasts, Google Podcasts, Amazon Music and always at jazz-pod.comVisit our archive here Join the CPG community by following us on Facebook & Instagram Ask us ANYTHING(!) about jazz over on Twitter Watch our FAB & FUN artist features over on Tiktok[0'00] Steve Turre - Planting the Ceed (Generations SMOKE SESSIONS Tr1) Steve Turre tb/comp Orion Turre dr Wallace Roney Jr tpt Isaiah J Thompson pno Corcoran Holt bsAn homage to Cedar Walton. “He's one of my heroes,” Turre says of the great pianist, who was a member of Art Blakey's Jazz Messengers when Turre joined the band in 1973. ... he planted the seed in me when I was young and started playing with him.”[8'29] Robert Mitchell & True Think - The Best of Us feat Xan Blacq/Deborah Jordan vc Yelfris Valdéz tpt (Hold The Light BUCKS Tr7) Robert Mitchell keys Tom Mason bs Zayn Mohammed gtr Saleem Raman drTrue Think is a multi-generational, multi-cultural reflection of several periods of Robert Mitchell's musical journey. They blend Electronic, Jazz, RnB, Spoken Word, film and folk influences together to create a unique sound. The album features a long list of special guests, including internationally renowned Grammy-nominated vocalists, and a Grammy winner amongst the production cast.[13'19] Colectiva - How Do You Like Your Ladies? (Jazz re:freshed)Sarah Wackett (flute), Poppy Daniels (trumpet), Viva Msimang (trombone), Luisa Santiago (keys), Alley Lloyd (bass), Lilli Elina (congas), Lya Reis Guerrero (drums), with additional writing credits to Deanna Wilhelm and Cleo Savva.How Do You Like Your Ladies? is an anthemic-party-starter that channels the bands frustration at patriarchy and gender-based violence through rich Afro-Latin rhythms, fiery horn motifs, salsa influences, and jazz-inflected breaks.[16'27] The Comet Is Coming - Lucid Dreamer (Hyper Dimensional Expansion Beam IMPULSE Tr3)Danalogue keys Betamax dr King Shabaka tnrLondon-based Mercury Prize nominated synth-sax-drum trio featuring DANALOGUE (Dan Leavers), SHABAKA (Shabaka Hutchings) recorded at Peter Gabriel's Real World studio. [19'53] Anat Cohen - Boa Tarde Povo (De Melo) - Quartetinho ANZIC Tr3 4'57 Anat Cohen cl Tal Mashiach bs Vitor Gonçalves keys James Shipp vb/keysClarinet virtuous Anat with a top-tier lineup on amazing world-folk grooves. The funky rhythm bears a resemblance to baião beats common to the forró and cocó genres, although the specific pattern is elusive, suggestive of a style with many variations between Bahia and Pernambuco. [24'29] Jim Witzel - Feelin' it - Feelin' it Tr1 7'18 Jim Witzel gtr/comp Brian Ho keys, Jason Lewis dr Dann Zinn tnrGuitarist, composer and educator JIM WITZEL has long enjoyed the “organ trio” format. In his second album, FEELIN' IT, he puts his own spin on those great recordings of the 50s and 60s (up to the present day) with a project comprising four standards, three of Witzel's originals and a well-known pop tune.[31'43] Hamish Balfour - Running Colours (Balfour/Esmerelda) (Running Colours SHAPES OF RHYTHM Tr2 Hamish Balfour on Keyboards, Laurie Lowe on drums, Pete Martin on bass (who used to play with Courtney incidentally!) and Rob Updegraff on Guitar. Elsa Esmerelda vocals'Running Colours' is the debut LP from Hamish Balfour, the-go to keys player for Tenderlonious, Jaubi and many more.[36'17] Lakecia Benjamin - Moods Phoenix WHIRLWIND Tr8 Josh Evans, Victor Gould on keys, Orange Rodriguez on synths, drummer Enoch (EJ) Strickland, percussionist Nêgah Santos and bassist Ivan Taylor. Trumpeter Wallace Roney Jr, Rhodes organist Anastassiya Petrova and bassist Jahmal Nichols all join for one track each.Phoenix is the highly-anticipated, expansive new album in the musical evolution of alto saxophonist and composer Lakecia Benjamin, due out January 27, 2023 via Whirlwind Recordings. The album was produced by the multi-Grammy-award winning Terri Lyne Carrington and features a star-studded line up of specially curated guests Dianne Reeves, Georgia Anne Muldrow, Patrice Rushen, Sonia Sanchez, Angela Davis and Wayne Shorter. [41'05] Steve Gadd/Eddie Gomez/Ronnie Cuber ft WDR Big Band - Sign Sealed Delivered (Wonder) - Center Stage Tr1 7'17 Steve Gadd dr, Eddie Gomez bs, Ronnie Cuber bari Simon Oslender pno Michael Abene cond/arr Gadd, Gomez and Cuber were all members of the Gadd Gang, a very popular unit which blended jazz, R&B and groovin' funk and released three albums in the 1980's and 1990's.Next week on CPG Bitesize we're hearing from Bela Fleck's ace saxophonist and HeadHunting for Water Bears!  Intrigued?? Hit subscribe here so you don't miss it!!

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Welcome to the latest Courtney Pine Global Podcast Bitesize Edition! A coffee break's worth of cool jazzy vibes to wet your appetite for the full show. Commercial free, and hand-picked by Courtney for a vibrant, and soulful listen!  This week: Afro-Latin rhythms from Colectiva, retro spiritual grooves from Hamish Balfour,  and classic Stevie Wonder from Steve Gadd and friends...Please let all your jazz friends know that they can listen for free on Apple podcasts, Google Podcasts, Amazon Music and always at jazz-pod.comVisit our archive here Join the CPG community by following us on Facebook & Instagram Ask us ANYTHING(!) about jazz over on Twitter Watch our FAB & FUN artist features over on Tiktok[0'00] Colectiva - How Do You Like Your Ladies? (Jazz re:freshed 3'06)Sarah Wackett (flute), Poppy Daniels (trumpet), Viva Msimang (trombone), Luisa Santiago (keys), Alley Lloyd (bass), Lilli Elina (congas), Lya Reis Guerrero (drums), with additional writing credits to Deanna Wilhelm and Cleo Savva.How Do You Like Your Ladies? is an anthemic-party-starter that channels the bands frustration at patriarchy and gender-based violence through rich Afro-Latin rhythms, fiery horn motifs, salsa influences, and jazz-inflected breaks.[3'03] Hamish Balfour - Running Colours (Balfour/Esmerelda) (Running Colours SHAPES OF RHYTHM Tr2 Hamish Balfour on Keyboards, Laurie Lowe on drums, Pete Martin on bass (who used to play with Courtney incidentally!) and Rob Updegraff on Guitar. Elsa Esmerelda vocals'Running Colours' is the debut LP from Hamish Balfour, the-go to keys player for Tenderlonious, Jaubi and many more.  A renowned musician who has collaborated with Harvey Mason, Nim Sadot, Incognito, Faze Action and more, Balfour steps out as an artist in his own right on his first full-length album[6'57] Steve Gadd/Eddie Gomez/Ronnie Cuber ft WDR Big Band - Sign Sealed Delivered (Wonder) -Center Stage Tr1 7'17 Steve Gadd dr, Eddie Gomez bs, Ronnie Cuber bari Simon Oslender pno Michael Abene cond/arr Gadd, Gomez and Cuber were all members of the Gadd Gang, a very popular unit which blended jazz, R&B and groovin' funk and released three albums in the 1980's and 1990's.Next week on CPG Ep27: Mercury prize nominated Synth and Sax, a beautiful new album produced by Terri-Lyne Carrington and some all star world-folk grooves!  Hit subscribe now so you don't miss it!

Hoy os vamos a acercar el primer trabajo como líder de una extraordinaria pianista, la brasileña Eliane Elias. El trabajo se llamó Illusions y fue grabado en el año 1986 a través de la discográfica Denon. Sorprendentemente Illusions no apareció en el mercado hasta 5 años más tarde justo tras el éxito de su primer disco en homenaje a Antonio Carlos Jobim, Eliane Elias Plays Jobim de 1989 pero a nosotros nos parece un disco con un repertorio muy interesante y que además cuenta con una inmejorable colección de enormes músicos que colaboraron para hacerlo posible y es por ello que hemos decidido acercarlos a este primer Vinilos para Gatos de este nuevo año. Esperamos que os guste. TRACKS 1-Choro Godoy 2-Through the Fire Foster, Keane, Weil 3-Illusions Elias 4-Moments Elias 5-Falling in Love With Love Hart, Rodgers 6-Iberia Elias 7-Loco Motif Elias 8-Sweet Georgia Fame Dearie 9-Chan's Song Hancock, Wonder Credits Bass – Eddie Gomez (tracks: 3 to 9) Bass, Acoustic Bass – Stanley Clarke (tracks: 1, 2) Drums – Al Foster (tracks: 4 to 6, 8, 9), Lenny White (tracks: 1,2), Steve Gadd (tracks: 3, 7) Harmonica – Toots Thielemans (tracks: 4, 9) Piano, Producer – Eliane Elias Written-By – Eliane Elias (tracks: 3, 4, 6, 7)

THIS WEEK in the Monadnock Region: We attempt, with all we have, to produce our first of several Christmas/Holiday-themed episodes, but we'll blame our partial failure on the fact that this episode was recorded BEFORE the Hometown Holiday Weekend! (But if you listen all the way through, you'll hear Chris sing the NH state song to the tune of a classic Christmas carol) Did you know we are selling controversial merchandise? Find it here - you'll never get libel and outrage and inside jokes like this anywhere else! https://www.redbubble.com/people/GoMo-Gear/shop * We cover some pre-HH Weekend thoughts and wishes (maybe spreeeeeaad these great events out a little bit; maybe different orgs and town departments can call each other before scheduling things) * We're not just "talking excrement" here - we're not just lending our hands but VOWING to host a GoMonadnock Holiday Ball starting next year (we're here to help) * Special Christmas reminder that at the summer Night Market we produced Peterborough's very own H***ark Christmas Special, Snow Falls, Love Settles (watch it in full here, performed by Corinne Chronopoulos, Eddie Gomez, "The Belt Hipp", and David of Texas: https://www.youtube.com/watch?v=RMtMZeLsqDM) * At this point in the episode, Christmas gets lost a little bit because we were COMPELLED to discuss the newspaper's controversial Ivy Vann "article" (and if it's not controversial, we tell you why it should be) * What happened here? Why wasn't anybody with any interest in any of the subjects covered in this "story" called and given an opportunity to comment or offer an opposing perspective? (there's no way to twist the basic fundamental tenets of journalism to explain this away) * Why wouldn't this many column-inches be dedicated to, say, someone who maybe WON an election this year (like come on, where's the multi-thousand-word profile of a certain brilliant fellow whose election victory might be called historical significance?) * Bottom line is that the public deserves and should demand much better than this for the public discourse, and weird offensives like this hinder, rather than help, our ability to have a productive conversation on housing * While we were recording, we received some live breaking news about the DNC trying to destroy New Hampshire's sacred FIRST IN THE NATION STATUS (this aggression will not stand!) * We have a special Christmas New Hampshire Patriotism moment, exploring our official state song and why Vermont sucks Check out Monadnock Underground's Fall 2022 season: www.monadnockunderground.com/tag/fall2022season/ Contact us: Hate mail and information about how to send us your awesome calendar photos: diloreto@monadnockunderground.com Submissions: submit@monadnockunderground.com Advertising/Sponsorship: zoe@monadnockunderground.com www.gomonadnock.com/ www.monadnockunderground.com/ This episode was produced by Sound Lord Chad Patterson of Studio 117. GO TO Studio 117 - www.studio117.net/ - for ALL your mixing, mastering, and recording needs in 2022 AND BEYOND. He is a hero. PLUS he's got a band now and you can BOOK THEM: www.facebook.com/DownByTen/ AND wear their GEAR and emulate them with their GUIAR PICKS: https://www.zazzle.com/store/downbytenmerch

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¡Hola, amigos! Los invito cordialmente a escuchar el nuevo episodio de Radio Data Club sobre el jazz latino, en su cuarta entrega, y recordando a la cantante brasileña Gal Costa, lamentablemente fallecida hace pocas semana, con su música, su legado y sus presentaciones en Venezuela. El jazz latino siempre alegre y refrescante viene acompañado, en esta oportunidad, de una buena representación de artistas legendarios como el boricua Eddie Gomez, el argentino Lalo Schifrin, los estadounidenses Poncho Sanchez y José Mangual Jr., el cubano Bebo Valdez y el Trabuco Venezolano de Alfredo Naranjo. ¡Que lo disfruten!

Впервые за долгое время барабанщик Steve Gadd собрал вместе своих старых друзей эпохи Gadd Gang. А Michael Abene, который руководил биг-бэндом WDR более десяти лет, сделал аранжировки на популярные темы посвященные этим друзьям и пригласил их записать новый альбом. Таким образом, основанный в 1946 году Оркестр Западногерманского Радио из Кёльна с льбомом Center Stage - Центральная сцена, попал в номинанты 65-й церемонии премии GRAMMY 2023 в категории Лучший альбом большого джазового ансамбля. Прежде, чем слушать альбом я посмотрел видео, где заметил симпатичную саксофонистку Karolina Strassmayer, гитариста Bruno Müller и органиста Bobby Sparks. Эти ребята реально добавили сочные краски со своими соло в общую картину проекта. По стилистике здесь много фанковых грувов и много свинга, как бибопового так и танцевального. А так же шикарные соло, и особо хочется отметить великолепные аранжировки знакомых мелодий, которые не так просты в исполнении, но зато будут понятны даже начинающим джазистам. ℗ 2022 Westdeutscher Rundfunk Köln Steve Gadd - drums Eddie Gomez - bass Ronnie Cuber - baritone saxophone The WDR Big Band with: Michael Abene - conductor Bruno Müller - guitar Bobby Sparks II - organ, el. piano Simon Oslender - piano, organ Karolina Strassmayer - alto sax Recorded in January & February of 2022 #jazz #bigband --- Send in a voice message: https://anchor.fm/konstantins/message

Marco Pignataro is a multi-talented saxophone player, composer, and educator originally from Bologna, Italy. He is currently the Managing Director of Berklee Global Jazz Institute. He has shared stages with artists such as Eddie Gomez, Joanne Brackeen, Danilo Pérez, George Garzone, and Terri Lyne Carrington, among many others. Pignataro performs and tours internationally with several […] The post Marco Pignataro Podcast; Chant For Our Planet – Ep 151 appeared first on Everything Saxophone Podcast.

durée : 01:59:21 - Musique matin du mercredi 31 août 2022 - par : Jean-Baptiste Urbain - Avec le pianiste Alain Jean-Marie, Diego Imbert fait revivre un duo mythique : celui de Bill Evans et Eddie Gomez, en revisitant le répertoire de ces deux immenses musiciens, le temps d'un concert au Festival Jazz à la Villette. Une alchimie toute particulière entre le piano et de la contrebasse.. - réalisé par : Yassine Bouzar

En estos días hemos recibido la reedición del álbum publicado en 1981, grabado en el 77, del trío de Bill Evans. Sentimos una admiración muy grande por este pianista que en este instante vivía, como en casi toda su vida, una etapa agridulce. Junto a Eddie Gomez al contrabajo y a Eliot Zigmund a la batería, este material se grabó en los estudios de la Capitol, en Hollywood, y ahora podemos disfrutar de algunas piezas inéditas que completan la experiencia de uno de los grandes trabajos de este músico. Seguimos navegando contra corriente. Síguenos en Twitter: @CDSradioShow 💙 Apoya este proyecto desde 1,49€ al mes. Tan solo tienes que pulsar el botón azul que tienes en la cabecera de este canal 💙

Welcome to JazzPianoSkills, I'm Dr. Bob Lawrence. It's time to Discover, Learn, and Play jazz piano! Today, you are in for a real treat! I am joined by John Di MartinoJohn Di Martino is a composer, arranger, jazz pianist, producer, and educator, based in New York City. He is described as a "shape-shifter", for his creativity across musical genres. John composed the music for the documentary series: “A Glimpse Of Paradise"   (Prospera Medienproduktion) aired on Europe's Arte Channel, and music for the video games: "Batman: The Telltale Series"John Di Martino's latest CD's are: “Passion Flower” (the music of Billy Strayhorn ), featuring Raul Midon, Eric Alexander, Boris Kozlov, and Lewis Nash, and: “Mazel” (Yiddish Songs, re-imagined ), with Janis Siegel and Cantor Daniel Krammer (https://mazelthealbum.com/)John has recorded numerous CDs on the High Note and Venus Records (Japan) labels as a leader, and with Freddy Cole, Gloria Lynn, Houston Person, and Nicki Parrott.  John's discography includes Grammy-nominated CD'S: ”Love" (Issac Delgado), "Freddy Cole Sings Mr. B"  and "Live And In Clave" (Bobby Sanabria). John Di Martino was a long time member of Ray Barretto's "New World Spirit",  He is a featured arranger and pianist on many of Ray Barretto's recordings including the grammy-nominated, CD: "Contact" and "Portraits In Jazz And Clave"  (featuring James Moody, Kenny Burrell, Joe Lovano, Steve Turre, and Eddie Gomez). Born in Philadelphia, Pa in 1959, John studied with Jimmy Amadie, Lennie Tristano, and Don Sebesky.Discogs Artist Page"John's soul and being come straight through to his music, the jazz world needs him! " - Sheila Jordan (NEA Jazz Master)"John Di Martino is one of my absolute personal favorite pianists of today. His music is an honest outpouring of light! "- Benny Green (Jazz Pianist)"John di Martino's middle name should be 'taste', for he conveys that quality in both solo and supportive roles, in jazz as well as Latin music." - Ray Barretto (NEA Jazz Master)"John DiMartino is a first-call veteran of the New York City jazz scene. This multi-recorded artist has long been a favorite of singers for his gigantic ears and intuitive, uncluttered playing—rare gifts that also enhance any instrumentalist he accompanies or arranges. DiMartino is a fine musician who sounds less interested in technical pyrotechnics than in mining a melody for its original intent—whether he's arranging or playing, he lets the essence of a song speak for itself. "- Dr. Judith Schlesinger (All About Jazz)Support the show

Zev Feldman is an internationally recognized, independent producer and the co-president of Resonance Records. He is also known for traveling the world in search of lost or forgotten records. Today, he joins us to talk about two stunning recordings documenting piano legend Bill Evans in Buenos Aires, Argentina. Morning Glory is a 1973 concert with Eddie Gomez and Marty Morell, and Inner Spirit is a 1979 date with Marc Johnson and Joe LaBarbera. Both will be issued as limited edition 2-LP Record Store Day on April 23 via Resonance, along with a new long-lost Charles Mingus recording that Feldman shares some info about in our podcast conversation. --- Support this podcast: https://anchor.fm/jazziz/support

..Negli ultimi anni c'è stato in campo jazzistico un grosso trend di pubblicazioni di inediti importanti, e una delle grandi figure che più hanno beneficiato - forse quella che più ha beneficiato in assoluto - di questo trend è Bill Evans. Oltre a farci ascoltare musica di qualità straordinaria, gli inediti di Evans ci permettono di moltiplicare i termini di raffronto fra i suoi diversi trii dal vivo, e fra diverse interpretazioni live dei brani del suo repertorio. Pubblicato nel 2021 dalla Elemental Music, Behind The Dikes rende conto di tre date olandesi di Bill Evans nel '69. Nel marzo del '69 il pianista registra a Hilversum, con la Metropol Orkest, orgoglio della radio pubblica dei Paesi Bassi, due brani che aveva già inciso nel '65 negli Stati Uniti con un'orchestra sinfonica; il giorno dopo Evans col suo trio, allora formato da Eddie Gomez al contrabbasso e Marty Morell alla batteria, si esibisce in uno studio di Hilversum davanti ad un piccolo pubblico di invitati, in due set per un totale di quattordici brani tutti offerti da questo album; infine in novembre il trio di Evans tornò in Olanda, e ad Amsterdam partecipò con il breve set qui documentato ad una diretta radiofonica organizzata dalla European Broadcastin Union.

..Negli ultimi anni c'è stato in campo jazzistico un grosso trend di pubblicazioni di inediti importanti, e una delle grandi figure che più hanno beneficiato - forse quella che più ha beneficiato in assoluto - di questo trend è Bill Evans. Oltre a farci ascoltare musica di qualità straordinaria, gli inediti di Evans ci permettono di moltiplicare i termini di raffronto fra i suoi diversi trii dal vivo, e fra diverse interpretazioni live dei brani del suo repertorio. Pubblicato nel 2021 dalla Elemental Music, Behind The Dikes rende conto di tre date olandesi di Bill Evans nel '69. Nel marzo del '69 il pianista registra a Hilversum, con la Metropol Orkest, orgoglio della radio pubblica dei Paesi Bassi, due brani che aveva già inciso nel '65 negli Stati Uniti con un'orchestra sinfonica; il giorno dopo Evans col suo trio, allora formato da Eddie Gomez al contrabbasso e Marty Morell alla batteria, si esibisce in uno studio di Hilversum davanti ad un piccolo pubblico di invitati, in due set per un totale di quattordici brani tutti offerti da questo album; infine in novembre il trio di Evans tornò in Olanda, e ad Amsterdam partecipò con il breve set qui documentato ad una diretta radiofonica organizzata dalla European Broadcastin Union.

®Il trio di Bill Evans, straordinaria figura di stilista dello strumento che ha dato un impulso decisivo al jazz moderno, ha avuto una notevole serie di “incarnazioni”, da quello con Scott LaFaro e Paul Motian fino all'ultimo con Marc Johnson e Joe LaBarbera.Una edizione che forse non tutti ricordano è quella con Eddie Gomez e Jack DeJohnette, la cui unica registrazione ufficiale fino a poco fa era il live del ‘68 alla seconda edizione del Festival di Montreux, disco che vinse il Grammy.A partire da questo storico disco Claudio Sessa ci presenta in questa serie di “Birdland” altre registrazioni del trio finora inedite che negli ultimi anni la Resonance ha pubblicato (due doppi CD ed un singolo).Prima emissione da lunedì 08 a venerdì 12 marzo 2021

®Il trio di Bill Evans, straordinaria figura di stilista dello strumento che ha dato un impulso decisivo al jazz moderno, ha avuto una notevole serie di “incarnazioni”, da quello con Scott LaFaro e Paul Motian fino all'ultimo con Marc Johnson e Joe LaBarbera.Una edizione che forse non tutti ricordano è quella con Eddie Gomez e Jack DeJohnette, la cui unica registrazione ufficiale fino a poco fa era il live del ‘68 alla seconda edizione del Festival di Montreux, disco che vinse il Grammy.A partire da questo storico disco Claudio Sessa ci presenta in questa serie di “Birdland” altre registrazioni del trio finora inedite che negli ultimi anni la Resonance ha pubblicato (due doppi CD ed un singolo).Prima emissione da lunedì 08 a venerdì 12 marzo 2021

®Il trio di Bill Evans, straordinaria figura di stilista dello strumento che ha dato un impulso decisivo al jazz moderno, ha avuto una notevole serie di “incarnazioni”, da quello con Scott LaFaro e Paul Motian fino all'ultimo con Marc Johnson e Joe LaBarbera.Una edizione che forse non tutti ricordano è quella con Eddie Gomez e Jack DeJohnette, la cui unica registrazione ufficiale fino a poco fa era il live del ‘68 alla seconda edizione del Festival di Montreux, disco che vinse il Grammy.A partire da questo storico disco Claudio Sessa ci presenta in questa serie di “Birdland” altre registrazioni del trio finora inedite che negli ultimi anni la Resonance ha pubblicato (due doppi CD ed un singolo).Prima emissione da lunedì 08 a venerdì 12 marzo 2021

®Il trio di Bill Evans, straordinaria figura di stilista dello strumento che ha dato un impulso decisivo al jazz moderno, ha avuto una notevole serie di “incarnazioni”, da quello con Scott LaFaro e Paul Motian fino all'ultimo con Marc Johnson e Joe LaBarbera.Una edizione che forse non tutti ricordano è quella con Eddie Gomez e Jack DeJohnette, la cui unica registrazione ufficiale fino a poco fa era il live del ‘68 alla seconda edizione del Festival di Montreux, disco che vinse il Grammy.A partire da questo storico disco Claudio Sessa ci presenta in questa serie di “Birdland” altre registrazioni del trio finora inedite che negli ultimi anni la Resonance ha pubblicato (due doppi CD ed un singolo).Prima emissione da lunedì 08 a venerdì 12 marzo 2021

®Il trio di Bill Evans, straordinaria figura di stilista dello strumento che ha dato un impulso decisivo al jazz moderno, ha avuto una notevole serie di “incarnazioni”, da quello con Scott LaFaro e Paul Motian fino all'ultimo con Marc Johnson e Joe LaBarbera.Una edizione che forse non tutti ricordano è quella con Eddie Gomez e Jack DeJohnette, la cui unica registrazione ufficiale fino a poco fa era il live del ‘68 alla seconda edizione del Festival di Montreux, disco che vinse il Grammy.A partire da questo storico disco Claudio Sessa ci presenta in questa serie di “Birdland” altre registrazioni del trio finora inedite che negli ultimi anni la Resonance ha pubblicato (due doppi CD ed un singolo).Prima emissione da lunedì 08 a venerdì 12 marzo 2021

We drink and review an American IPA brewed by Other Half Brewing Co. (Brooklyn, NY) called Dream Gems (6.5% ABV). We also drink and review a double New England IPA called Tylda (8.0% ABV) brewed by Wren House Brewing Co. (Phoenix, AZ) in collaboration with The Wayward (Phoenix, AZ Beer Bar).   We each rank the Top Six breweries in Arizona. The we share our lists with each other while giving the reasons.   We also talk about casting replacements in movies and television. And finally, we talk about which sports teams should move locations.

The Schmos team up with Eddie Gomez, a.k.a. Mr. Moonshine, from Punsh Drunk Boxing and The Smelling Salt podcast, to discuss the past, present, and future of boxing. Special bonus, we reminisce about the golden era of professional wrestling.  Be sure to follow Mr. Moonshine on Twitter and Instagram as well! Joe Schmo Sports Show Theme Song by KingDomeComeMusic/LikeMindProductions   Like us on Facebook Follow us on Twitter Follow us on Instagram Listen on iTunes Listen on Spotify Listen on Stitcher Listen on Google: Subscribe on YouTube Please support our show by shopping on Amazon   Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, commenting, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favour of fair use.

Guitar master Ralph Towner plays the 6 string and the 12 string acoustic guitar here and a little piano on this masterful album called "Batik". Towner's music is impressionistic, spacey, energetic and meditative and his 5 compositions here reflect his open concept. Towner has made scads of albums for ECM but this is one of his best. He is accompanied by two great musical masters in the persons of bassist Eddie Gomez and drummer Jack DeJohnette. Experiencing Towner's many moods explored in these selections gives one an idea of his range and imagination. Batik is a wonderful musical excursion so check it out tonight.