American musician
POPULARITY
5 episodes with Gary Lucas
4 episodes with Gary Lucas
4 episodes with Gary Lucas
4 episodes with Gary Lucas
2 episodes with Gary Lucas
7 episodes with Gary Lucas
2 episodes with Gary Lucas
3 episodes with Gary Lucas
2 episodes with Gary Lucas
PULSARS mark the end of that era. Leader Dave Trumfio (vocals, guitar, synths production and most anything else) and his younger brother Harry (drums) grew up playing music in a suburban Chicago basement. While still in his teens, Dave abandoned college-level music production and engineering studies to focus on songwriting and artist endeavors; his native talents soon found him an apprenticeship at Seagrape Studios working with talents as disparate as house music pioneer Mr Fingers, British first-wave stalwarts The Pretty Things and dub plate sessions with the legendary reggae producer / musician Niney The Observer . . . all within months of his first real go behind the mixing desk. Chicago's past musical glories felt far in the past then, replaced by a sea of skinny tie power pop bands, poofy hair metal combos of some timidity and a few rough-hewn exponents of sub-Buzzcocks punk and Fiorucci-ready new wave. Ignoring it all, Dave ran a small studio in a shared house he rented with friends before taking the risky - and expensive - plunge into opening a 'real' studio on the northwest corner of Wicker Park, soon to burst into a degree of infamy due to a small contingent of cult heroes who lived there for cheap rent and cheaper bars - Liz Phair, Eleventh Dream Day, Big Black, Urge Overkill, Tortoise et al. Daves role in all of this was minimal by nature; he preferred to record acts from farther afield - Billy Bragg, then-recent Chicago transplants Wilco, The Mekons, Young Marble Giants guitarist and songwriter Stuart Moxham, Barbara Manning, Captain Beefhearts main man Gary Lucas, an array of other acts from Iceland, Australia and all corners of the UK. Business was good, and it grew. A quick writer of odd pop ditties, one day Dave called in his brother Harry and recorded - in a single afternoon session - a set of nine demos known. The story's been related countless times, but within weeks the band was opening for Oasis and found itself being courted by a dozen labels. Their few local shows were undefinable. Dave played guitar and sang, Harry drummed triggered a reel of additional music, often with video backing . . . which dazzled spectators in that pre-laptop era. After months of negotiations, the band signed a multi-million deal with Almo Sounds, a new label begun by A&M founders Herb Alpert and Jerry Moss and distributed by Geffen. It was - and likely still is - the largest deal ever offered to an emerging Chicago musical act. The band engaged in numerous tours to support their self-titled debut, playing with Sean Lennon & Cibo Matto, Blur, Supergrass, and many others, as well as seemingly infinite jaunts to Japan, where Dave and Harry were hailed as heroes of subversive minimalist pop - the ecstatic screams of young fans at the first few notes of Submission To The Master& at first bewildering the brothers. Suddenly, the Almo Sounds deal with Geffen fell apart at the start of a tour supporting then-current sensations Weezer. Promotion was pulled; radio support for the first single from the album collapsed in a mere moment. Due to contractual vagaries, the band was allowed to complete a second (unreleased) album just before the label folded. And that was it, until the news of the 2021 release of Pulsar Transmissions", a collection of unheard songs and versions that the band recorded before and during their short-term deal. Rolling Stone offered their self titled debut ;Pulsars as one of the 40 greatest albums ever recorded by an act with one real album: PULSARS's Info Instagram: https://www.instagram.com/pulsarsband/?hl=en X / Twitter: https://x.com/PulsarsBand Facebook: https://www.facebook.com/pulsarsofficial/
In this inaugural podcast appearance, Gary Lucas, an independent financial advisor from Burlington Associates, discusses the critical aspects of business protection. He highlights the importance of various insurance products including death in service, income protection, private medical cover, and critical illness cover for employees. Gary also delves into key person cover and share protection for business owners, explaining how these measures safeguard businesses and ensure continuity. The podcast provides insightful advice for employers on how to implement these protections effectively and underscores the significance of these benefits in employee recruitment and retention. 00:00 Introduction and Welcoming Gary 00:57 Setting the Scene: Gary's Background 02:00 Understanding Business Protection 03:22 Employee Benefits: Death in Service 07:58 Employee Benefits: Income Protection 12:04 Employee Benefits: Private Healthcare 19:58 Employee Benefits: Critical Illness Cover 25:26 Business Owner Protections: Key Person Cover 27:54 Business Owner Protections: Shareholder Protection 34:37 Conclusion and Contact Information Connect with Gary Lucas on LinkedIn by clicking here – https://www.linkedin.com/in/garyjlucas Connect with Daniel Welling on LinkedIn by clicking here – https://www.linkedin.com/in/daniel-welling-54659715/ Connect with Adam Morris on LinkedIn by clicking here – linkedin.com/in/adamcmorris Visit The MSP Finance Team website, simply click here – https://www.mspfinanceteam.com/ We look forward to catching up with you on the next one. Stay tuned! We created It's a Numbers Game Podcast to help MSP owners learn and understand how to build and maintain a financially healthy MSP business. In this podcast series, MSP business owners like you will learn the fundamental steps, the tips and tricks, the dos and don'ts to achieve MSP financial growth.
"Who has the hippest chops in the world?" If you're going to ask that question on a record, you had better have the nuts to back it up. I mean, you will be annihilated, humiliated for the rest of time, if you don't. Rahsaan Roland Kirk knew he had them and so did everyone else on the scene. To this day, any time you see a saxophonist playing 3 horns at once or circular breathing or playing the nose flute or any of the other manifestations that Rahsaan developed, they are paying tribute to him, whether they know it or not. Gary Lucas is a New York City treasure who does things with the guitar no one thought possible. Did part of his inspiration come from seeing and hearing Rahsaan perform in 1971? Do we have live recordings of Rahsaan from that period in the WKCR archives? Is Gary going to join host Mitch Goldman in the studio Monday night for Deep Focus? There's more than one way to find out. Listen to WKCR 89.9FM, WKCR-HD or wkcr.org Monday (5/13) from 6pm to 9pm. Or join us next week when it goes up on the Deep Focus podcast on your favorite podcasting app or at https://mitchgoldman.podbean.com/. Either way it's ad-free, all free, totally non-commercial. Find out more about Deep Focus at https://mitchgoldman.com/about-deep-focus/ or join us on Instagram. Photo credit: Rahsaan Roland Kirk - Großen Sedesaal des NDR Hamburg, 1972 from Wikipedia, courtesy of Creative Commons 2.0 #WKCR #JazzAlternatives #DeepFocus #GaryLucas #RolandKirk #RahsaanRolandKirk #MitchGoldman #JazzInterview #JazzPodcast
"Who has the hippest chops in the world?" If you're going to ask that question on a record, you had better have the nuts to back it up. I mean, you will be annihilated, humiliated for the rest of time, if you don't. Rahsaan Roland Kirk knew he had them and so did everyone else on the scene. To this day, any time you see a saxophonist playing 3 horns at once or circular breathing or playing the nose flute or any of the other manifestations that Rahsaan developed, they are paying tribute to him, whether they know it or not. Gary Lucas is a New York City treasure who does things with the guitar no one thought possible. Did part of his inspiration come from seeing and hearing Rahsaan perform in 1971? Do we have live recordings of Rahsaan from that period in the WKCR archives? Is Gary going to join host Mitch Goldman in the studio Monday night for Deep Focus? There's more than one way to find out. Listen to WKCR 89.9FM, WKCR-HD or wkcr.org Monday (5/13) from 6pm to 9pm. Or join us next week when it goes up on the Deep Focus podcast on your favorite podcasting app or at https://mitchgoldman.podbean.com/. Either way it's ad-free, all free, totally non-commercial. Find out more about Deep Focus at https://mitchgoldman.com/about-deep-focus/ or join us on Instagram. Photo credit: Rahsaan Roland Kirk - Großen Sedesaal des NDR Hamburg, 1972 from Wikipedia, courtesy of Creative Commons 2.0 #WKCR #JazzAlternatives #DeepFocus #GaryLucas #RolandKirk #RahsaanRolandKirk #MitchGoldman #JazzInterview #JazzPodcast
"Who has the hippest chops in the world?" If you're going to ask that question on a record, you had better have the nuts to back it up. I mean, you will be annihilated, humiliated for the rest of time, if you don't. Rahsaan Roland Kirk knew he had them and so did everyone else on the scene. To this day, any time you see a saxophonist playing 3 horns at once or circular breathing or playing the nose flute or any of the other manifestations that Rahsaan developed, they are paying tribute to him, whether they know it or not. Gary Lucas is a New York City treasure who does things with the guitar no one thought possible. Did part of his inspiration come from seeing and hearing Rahsaan perform in 1971? Do we have live recordings of Rahsaan from that period in the WKCR archives? Is Gary going to join host Mitch Goldman in the studio Monday night for Deep Focus? There's more than one way to find out. Listen to WKCR 89.9FM, WKCR-HD or wkcr.org Monday (5/13) from 6pm to 9pm. Or join us next week when it goes up on the Deep Focus podcast on your favorite podcasting app or at https://mitchgoldman.podbean.com/. Either way it's ad-free, all free, totally non-commercial. Find out more about Deep Focus at https://mitchgoldman.com/about-deep-focus/ or join us on Instagram. Photo credit: Rahsaan Roland Kirk - Großen Sedesaal des NDR Hamburg, 1972 from Wikipedia, courtesy of Creative Commons 2.0 #WKCR #JazzAlternatives #DeepFocus #GaryLucas #RolandKirk #RahsaanRolandKirk #MitchGoldman #JazzInterview #JazzPodcast
Sheriff Link, Detective Marlow, and Officer Lucas discuss a new app based program to provide tips to the department, burglaries, boat safety, and more on the WRAM Morning Show.
EPISODE 111: Larry Beckett's poetry has been published in Zyzzyva, Field, Salamander, the anthology Portland Lightsfrom Nine Lights Press, and his first book, Songs and Sonnets from Rainy Day Women Press, was favorably reviewed in the San Francisco Chronicle. Beat Poetry, a study of the San Francisco renaissance, was put out by Beatdom Books. Three book-length poems have been published, Paul Bunyan, by Smokestack Books, Wyatt Earp, by Alternating Current Press, and Amelia Earhart, by Finishing Line Press, with strong reviews in Zyzzyva. These texts were collected, with seven others, as an epic, American Cycle, published by Running Wild Press. The Book of Merlin, a translation, is out from Livingston Press, and Song to the Siren is forthcoming from Halbaffe Press. His work has been commended by Jonah Raskin, Jack Hirschman, David Meltzer, Tom Clark, Ann Charters, Paul Wilner, David Young, and U.S. Poet Laureates William Meredith, W. S. Merwin and Charles Wright. larrybeckett.comContact us: makingsoundpodcast.comFollow on Instagram: @makingsoundpodcastFollow on Threads: @jannkloseJoin our Facebook GroupPlease support the show with a donation, thank you for listening!
SAN ONOFRE-Gary Lucas interviú Hey Gary, name three giants you ain´t never worked with La proverbial contumacia e insistencia onofrita de SAN ONOFRE al cabo han hecho que, una vez más, nos llevemos el gato al agua onofrita. Sí, ¿qué duda cabe?, correligionarios ("gimme that ole time relijun, is good enuff for me, ´s good enuff for you") amigos onofritas, de que el mes/la mesa beefheartiana habría quedado un tanto coja sin la mágica aportación anglo de algún esclavillo de Don. Lo primero que le llama a uno la atención de nuestra víctima onofrita de hoy es la inacabable lista de colaboraciones con gigantes músicos de todos los estilos imaginables y algún otro. Bona nit, Gary Lucas, ¿cómo está tu hermano Jorge y qué te cuentas, macho? ¡Hala, benvingut al SAN ONOFRE! Próxima liturgia onofrita: Eugene Chadbourne (und Schoreder) Bar Arcadia. Sábado 26 abril 2024 20:00 h.; 10 evros
SAN ONOFRE-¡La Magic Band empieza a dar señales de vida! ¿Qué, hace una ouija con el Cap´n? SAN ONOFRE continuamos zozobrando abruptamente en medio de nuestro mess Craptrain Bigfart & The Foetid Band antes de que Gary Lucas tome el micróphono onofrita en nuestro subsiguiente episodio y de que dos pinches prepúberes pongan el último clavo en la maldita tumba onofrita. Mientras tanto, esta semana nos concentramos en el antes, el durante y el después de las fechorías, tropelías y sublimes atrocidades de Don Van Vliet. Que SAN ONOFRE seamos paranoicos no significa que ese pollo no nos esté siguiendo. ¡Además, una pizca de paranoia es un buen acicate, eh, Capitán Entresijos! Careful with that blimp, Eugene Chadbourne! SAN ONOFRE presenta a Eugene Chadbourne Sábado 26 abril 2024; 20:00 h. 10 evros. Arcadia Bar
The Spencertown Academy Arts Center in Spencertown, New York presents “Gary Lucas: Solo Electric & Acoustic” on Saturday, February 24 at 7:30 p.m.
THE ARWEN LEWIS SHOW Featuring Emily Duff - Emily Duff is a longtime icon of New York City's roots-rock community. Emily Duff has spent her career blurring the lines between rock & roll, soul, roadhouse country, and punk. She's been a solo artist. A bandmate. A multi-instrumentalist who strums the guitar plays the cello, and writes her own string arrangements. But above all else, Emily Duff has been — and always will be — a songwriter. "If you ain't composing, you're decomposing," she says. "I like to keep myself moving and keep myself writing. I usually write one song a day. It's been that way for years." Duff's songs emphatically nod to the sounds that first captivated her attention as a child during the 1970s. Raised in Queens and Long Island, she gravitated toward the era's roots legends and soul singers: Kris Kristofferson, Aretha Franklin, Willie Nelson, Janis Joplin, Johnny Cash, Al Green, and countless others. Don't Let Go turns that rich tapestry of sound into fuel for something original, with Duff delivering a collection of heartland rock anthems, folksongs, barn burners, gothic murder ballads, soulful love songs, and everything in between. She's a street-smart New Yorker who traded mix tapes with Lou Reed during her 20s and struck up a musical partnership with Gary Lucas, the experimental guitarist who performed with Captain Beefheart's Magic Band before launching his project, Gods and Monsters. When the band's original lead singer, Jeff Buckley, left the lineup to launch his meteoric solo career, Duff stepped in as his replacement. Before long, she'd left that band and formed another group, Eudora, whose mix of Americana instrumentation and baroque textures earned them a gig opening for Bob Dylan and Paul Simon. From the stage of CBGB's — where she played her first show — to the confines of her 340 square foot Greenwich Village tenement apartment where she is happily raising her two teenage children and hound dog with her husband, Emily Duff has never been afraid to chase her muse into uncharted territory. Duff presently has a record being mixed and another in production. Both are “modern records” inspired by classic American roots music, with Duff upholding her status as a genre-bending lifer. Emily Duff On Instagram @emilyduffband211 The Arwen Lewis Show Host | Arwen Lewis Executive Producer | Jeremiah D. Higgins Producer - Sound Engineer - Richard “Dr. D” Dugan https://arwenlewismusic.com/ The Arwen Lewis Show is Brought to you by John DeNicola and Omad Records https://www.omadrecords.com/ On Instagram, Follow Arwen Lewis Here: @thearwenlewisshow @arwenlewis www.thejeremiahshow.com On Instagram @jeremiahdhiggins https://linktr.ee/jeremiahdhiggins
• David Rogers & Paul Shaw • Alan Hawkshaw • Bertrand Eluerd • Paul Williams • Ron Aspery • Keith Mansfield • Iasos • Kip Hanrahan • Anthony Phillips • Milan Pilar • O Yuki Conjugate • Don Alias & Michael Blair & Art Baron & Bill Frisell & Gary Lucas & Greg Cohen • David Vorhaus • Steve Everitt • David Hentschel • Eric Vann • Geinoh Yamashirogumi • Steve Roach & Robert Rich
Joe Kelley Radio sits down with NYC singer/songwriter Jann Klose to discuss his hugely successful career and the release of his 7th album "Surrender". JANN KLOSE is an award-winning* pop singer-songwriter, who has released seven albums and two EPs. Klose was raised in Kenya, South Africa, Germany and the United States. His recent singles "Sugar My," "Flesh and Blood," "Love You the Most," and "Pilot Light" have accumulated over 5 million streams across all platforms and charted on Top 40 radio in the US and South Africa. Jann has worked with several charities including St. Jude's Children's Hospital and Desmond Tutu's TutuDesk campaign. He is the singing voice of Tim Buckley in the movie "Greetings from Tim Buckley" (Universal). His songs have been heard on the Grammy® nominated "Healthy Food For Thought" compilation, charted in the Billboard Top 10 compilation "Action Moves People United" as well as MTV Cribs and movies "Married Young" (Amazon), "Dead Broke" (Warner Bros) featuring Paul Sorvino and “One Little Finger” alongside Quincy Jones. He has performed as an actor and singer in touring companies of Broadway musicals, including "Jesus Christ Superstar," "Jekyll and Hyde," and "The Who's Tommy" as well as made for TV movies, voice overs and commercials. In 2020, Jann launched his podcast, Making Sound with Jann Klose. Recent episodes have featured industry legends like Mark Farner (Grand Funk Railroad), Frank Bello (Anthrax), and Simon Kirke (Bad Company).Jann Klose's 7th studio album, "Surrender" was released March 3rd, 2023. Jann tours year round in North America, Europe, Africa and Asia and has opened for and collaborated with a wide range of artists including Pat Benatar, John Oates of Hall and Oates, Suzanne Vega, Renaissance's Annie Haslam, The Yardbirds and Jim McCarty, Rosanne Cash, Paula Cole, Brett Dennen, Karen Zoid, Shekhinah, Carrie Newcomer, Alicia Madison, The Byrds' Roger McGuinn, Gary Lucas, Jeffrey Gaines, Elliott Murphy, Rusted Root, Pete Seeger and Les Paul. *Recipient of 4 Independent Music Awards, Grammy® nomination “Healthy Food For Thought” compilation. https://www.jannklose.comhttps://www.joekelleyradio.com_____________________Rock and Roll Hall of Famer Prince featured the "Upper Room with Joe Kelley and Gi Dussault" on his official website www.npgmusicclub.com. This is the first radio show to have ever received that honor. "Joe Kelley Radio" has been on the radio airwaves since 1982. Joe Kelley and Gi Dussault co-host the show and are well-respected in the music business as creative air personalities and supporters of independent musicians . Our web site is located at www.joekelleyradio.com . The show broadcasts 24 hours/ 7 days a week here, and also, live locally, in Fairfield, CT on WVOF 88.5 FM , on Mondays from 6pm-8pm EST.The show features creative music in funk, R&B, jazz, blues, rock, hip-hop, latin, and gospel. In addition, Joe Kelley has interviewed renowned musicians such as Victor Wooten,...
Every once in a while, an artist comes along who gets so caught up in the sweep of history that the world seems to create itself for the artist's work, rather than the other way around. Dollar Brand came of age as a pianist in South Africa in the late Fifties, just in time for the multiethnic explosion of Johannesburg's Sophiatown. In the wake of the repression that followed the Sharpeville Massacre of 1960, he became a European exile. Within months, his music came to the attention of Duke Ellington who was so moved that he brought about the LP session Duke Ellington presents The Dollar Brand Trio on Frank Sinatra's Reprise label. Brand came to New York, subbed for Duke leading the Ellington Orchestra and attended Juilliard. But experiences with John Coltrane, Don Cherry and the progressive cadre of the Jazz world gave him a new appreciation of his African roots and he incorporated them into his music. He returned to South Africa, converted to Islam and became Abdullah Ibrahim. With these changes came a new style of music that embraced the multi-kulti, freedom-loving culture of his native Cape Town. His song "Mannenberg" became a theme for the anti-apartheid movement. After South African police fired on children during the Soweto Uprising of 1976, Ibrahim publicly came out in support of the African National Congress and subsequently returned to New York. Here he found a community of open-minded musicians and an audience that was supportive of his distinctively contemplative and deeply grooving music. After the Apartheid regime fell and Nelson Mandela became president, Ibrahim returned to Cape Town; In 2022, he is still recording and performing throughout the world. What's that you say? "Gary Lucas? That guy's a rocker! Who is he to talk about Abdullah Ibrahim?" A rocker? Guess what: so is Abdullah Ibrahim! Have you heard Gary's version of Ibrahim's "Bra Joe From Kilimanjaro"? You will have a whole different understanding of who both of these guys are. Besides, Gary Lucas is a true musical gourmand of the New York old school and I love to talk about music with him. I can't wait to hear what he has to say about his fellow iconoclast. As always, the WKCR archives have delivered some rare beauties for us to cherish. This Monday (Sept. 19) on WKCR 89.9FM, WKCR HD-1 and wkcr.org. Next week it goes up on the Deep Focus podcast on your favorite podcasting app or at https://mitchgoldman.podbean.com/ #WKCR #JazzAlternatives #DeepFocus #AbdullahIbrahim #GaryLucas #MitchGoldman #JazzInterview #JazzPodcast Photo credit: Tore Sætre, CC BY-SA 4.0 , via Wikimedia Commons
Every once in a while, an artist comes along who gets so caught up in the sweep of history that the world seems to create itself for the artist's work, rather than the other way around. Dollar Brand came of age as a pianist in South Africa in the late Fifties, just in time for the multiethnic explosion of Johannesburg's Sophiatown. In the wake of the repression that followed the Sharpeville Massacre of 1960, he became a European exile. Within months, his music came to the attention of Duke Ellington who was so moved that he brought about the LP session Duke Ellington presents The Dollar Brand Trio on Frank Sinatra's Reprise label. Brand came to New York, subbed for Duke leading the Ellington Orchestra and attended Juilliard. But experiences with John Coltrane, Don Cherry and the progressive cadre of the Jazz world gave him a new appreciation of his African roots and he incorporated them into his music. He returned to South Africa, converted to Islam and became Abdullah Ibrahim. With these changes came a new style of music that embraced the multi-kulti, freedom-loving culture of his native Cape Town. His song "Mannenberg" became a theme for the anti-apartheid movement. After South African police fired on children during the Soweto Uprising of 1976, Ibrahim publicly came out in support of the African National Congress and subsequently returned to New York. Here he found a community of open-minded musicians and an audience that was supportive of his distinctively contemplative and deeply grooving music. After the Apartheid regime fell and Nelson Mandela became president, Ibrahim returned to Cape Town; In 2022, he is still recording and performing throughout the world. What's that you say? "Gary Lucas? That guy's a rocker! Who is he to talk about Abdullah Ibrahim?" A rocker? Guess what: so is Abdullah Ibrahim! Have you heard Gary's version of Ibrahim's "Bra Joe From Kilimanjaro"? You will have a whole different understanding of who both of these guys are. Besides, Gary Lucas is a true musical gourmand of the New York old school and I love to talk about music with him. I can't wait to hear what he has to say about his fellow iconoclast. As always, the WKCR archives have delivered some rare beauties for us to cherish. This Monday (Sept. 19) on WKCR 89.9FM, WKCR HD-1 and wkcr.org. Next week it goes up on the Deep Focus podcast on your favorite podcasting app or at https://mitchgoldman.podbean.com/ #WKCR #JazzAlternatives #DeepFocus #AbdullahIbrahim #GaryLucas #MitchGoldman #JazzInterview #JazzPodcast Photo credit: Tore Sætre, CC BY-SA 4.0 , via Wikimedia Commons
Every once in a while, an artist comes along who gets so caught up in the sweep of history that the world seems to create itself for the artist's work, rather than the other way around. Dollar Brand came of age as a pianist in South Africa in the late Fifties, just in time for the multiethnic explosion of Johannesburg's Sophiatown. In the wake of the repression that followed the Sharpeville Massacre of 1960, he became a European exile. Within months, his music came to the attention of Duke Ellington who was so moved that he brought about the LP session Duke Ellington presents The Dollar Brand Trio on Frank Sinatra's Reprise label. Brand came to New York, subbed for Duke leading the Ellington Orchestra and attended Juilliard. But experiences with John Coltrane, Don Cherry and the progressive cadre of the Jazz world gave him a new appreciation of his African roots and he incorporated them into his music. He returned to South Africa, converted to Islam and became Abdullah Ibrahim. With these changes came a new style of music that embraced the multi-kulti, freedom-loving culture of his native Cape Town. His song "Mannenberg" became a theme for the anti-apartheid movement. After South African police fired on children during the Soweto Uprising of 1976, Ibrahim publicly came out in support of the African National Congress and subsequently returned to New York. Here he found a community of open-minded musicians and an audience that was supportive of his distinctively contemplative and deeply grooving music. After the Apartheid regime fell and Nelson Mandela became president, Ibrahim returned to Cape Town; In 2022, he is still recording and performing throughout the world. What's that you say? "Gary Lucas? That guy's a rocker! Who is he to talk about Abdullah Ibrahim?" A rocker? Guess what: so is Abdullah Ibrahim! Have you heard Gary's version of Ibrahim's "Bra Joe From Kilimanjaro"? You will have a whole different understanding of who both of these guys are. Besides, Gary Lucas is a true musical gourmand of the New York old school and I love to talk about music with him. I can't wait to hear what he has to say about his fellow iconoclast. As always, the WKCR archives have delivered some rare beauties for us to cherish. This Monday (Sept. 19) on WKCR 89.9FM, WKCR HD-1 and wkcr.org. Next week it goes up on the Deep Focus podcast on your favorite podcasting app or at https://mitchgoldman.podbean.com/ #WKCR #JazzAlternatives #DeepFocus #AbdullahIbrahim #GaryLucas #MitchGoldman #JazzInterview #JazzPodcast Photo credit: Tore Sætre, CC BY-SA 4.0 , via Wikimedia Commons
"I find Joy in Discovery All the Time!"Our guest for this episode of MFM Speaks Out is Bruce Lee Gallanter, the owner and proprietor of Downtown Music Gallery (DMG), a Manhattan based music store that specializes in new, used, hard to find, and out of print CDs, Vinyl, DVDs, and books. DMG was started in 1991 by David Yamner & Steve Popkin, with Gallanter working for the store. They remained in their first location on east 4th street in Manhattan for 12 years until 2003, and started having weekly free concerts, an idea that Gallanter had started with Manny Maris when they worked at Lunch For Your Ears. Gallanter became the owner in 1997. Around the time. he and Emperor Mike started the DMG newsletter, In 2003, they moved into a new store on the Bowery, not far from St. Marks Place, Tower Records, and Other Music. This was their most popular and successful location. They are presently located in Chinatown.Their concerts at their different locations included musicians such as Elton Dean, Lol Coxhill, Derek Bailey, Peter Kowald, Joelle Leandre, John Zorn, Rod Poole, Ivo Perelman, Marc Ribot, Eugene Chadbourne, Haino Keji & Loren Mazzacane, Gong, Hatfield & the North, Present, Dr. Nerve, Kramer, Luscious Jackson, Fibre, Machine Gun, Thinking Plague, Dark Carnival, members of Henry Cow: Fred Frith, J.D. Parran, Tony Levin, Michael Moore, and many others. The Sunday night in-store series continues to this day. DMG also devotes an entire 700-CD display to the Tzadik label (founded and owned by John Zorn), and operates the mail-fulfillment for the label. They also provide the telephone information service for The Stone performance space. Gallanter is also a valued contributor to doobeedoobeedoo.info, Topics discussed:His beginnings with Downtown Music Gallery, the in-store concerts DMG presents, becoming the owner of DMG, DMG's relationship with John Zorn's Tzaddik label, the DMG/ARC label, DMG's relationship with The Stone, Arts For Art, and the VISION FESTIVAL, DMG's business model and how they survive as a brick & mortar store in the age of online music purchasing, Gallanter's views on musician's rights, his writings for doobeedoobeedoo.info and DMG's alliance with MFM, and the future of music retail. Music on this episode:1. Jamie Branch, Thomas Helton, and Michael Evans (recorded live at the Downtown Music Gallery Concert Series May 2021)2. Sandy Ewen, Chris Pistons, and Nate Wooly ((recorded live at the Downtown Music Gallery Concert Series May 2021)3. Francisco Mora Catlett & Same Newsome (recorded live at the Downtown Music Gallery Concert Series April 2021)All tracks courtesy of Bruce Gallanter / Downtown Music Gallery
Travel Along with Laura to the bustling capital of Thailand! We'll ride all the kinds of public transport, visit temples, go on an exciting excursion to a market on the train tracks, eat 45 year old soup and have multiple encounters with monitor lizards!10 by Les Cartes Postales Sonores is licensed under a Attribution-Noncommercial-Share Alike 3.0 United States License. Sex and Lucia by Gary Lucas is licensed under a Attribution-Noncommercial-No Derivative Works 3.0 United States License. Like a jungle is licensed under a Attribution-NonCommercial-NoDerivatives 4.0 International License. We are soup ingredients 2 by U Can Unlearn Guitar is licensed under a Attribution-NonCommercial-NoDerivatives 4.0 International License. Mountain Monk B (ID 565) by Lobo Loco is licensed under a Attribution-NonCommercial-NoDerivatives 4.0 International License.Support the show
website The world needs to hear from The Mortal Prophets, with a horror film like underbelly feel of the Americanist Religions. John Beckmann is the guy who can pull everything from the Unrepentant fallen preacher, still revieving visions and able to scare you in the delivery. He did some great work with Gary Lucas the guitar god, and covered some pre war blues, and he even talked about the assasination of JFK in his lyrics. There is nothing we won't cover in his subject matter, and he reminds you of My Life with the Thrill Kill Kult, with Shriekback, and some sort of mad carnival barker. #mortalprophets #garylucas #captainbeefheart #robertjohnson #jimmyhendrix #shriekback #alabama3 soundcloud website instagram youtube
Artists: Cosmo, Gary Lucas, The Wild Rumpus, The Funk District, Grey Skool Edits, Nathan Haines, 80's Child, Peza, D:Ream, Paul Baule, Temple Tears, Rodion, Mz Sunday Luv, Ioire, Kanike, Dove City, Joe Goddard, Pete Herbert & James Rod
Photo by Rens Dekker Peter Willems is a bassist and vocalist and is currently studying both subjects at the conservatory of Maastricht. He recently released Double Dare, Vol. 1 with the Grammy-nominated Gary Lucas. We talk about his musical background, the unique learning environment in Maastricht, practicing, plans for the future, and much more. Enjoy, and be sure to follow Peter on his website, Spotify, YouTube, Facebook, and Instagram! Subscribe to the podcast to get these interviews delivered to you automatically! Check out our Online Sheet Music Store with 100+ wide-ranging titles for bassists. Listen to Contrabass Conversations with our free app for iOS, Android, and Kindle. Check out my Beginner's Classical Bass course and Intermediate to Advanced Classical Bass course, available exclusively from Discover Double Bass. Thank you to our sponsors! Upton Bass String Instrument Company - Upton's Karr Model Upton Double Bass represents an evolution of our popular first Karr model, refined and enhanced with further input from Gary Karr. Since its introduction, the Karr Model with its combination of comfort and tone has gained a loyal following with jazz and roots players. The slim, long “Karr neck” has even become a favorite of crossover electric players. Dorico - Dorico 4 is here to supercharge your workflow. Steinberg's latest major version of music notation and composition software for macOS & Windows is packed with powerful new features that are designed to accelerate your workflow and make it quicker and easier than ever to go from inspiration to finished product. If you're a composer, arranger or orchestrator, you'll be delighted by the sophisticated new tools on offer – and there are improvements across the whole application, whatever your focus. For more information and to download a free 30-day trial of Dorico 4 visit steinberg.net/dorico. theme music by Eric Hochberg
The tables turn! Co-producer of the show, Michael Also interviews host Jann Klose. JANN KLOSE is an award-winning pop singer-songwriter, who has released six albums and two EPs. Klose was raised in Kenya, South Africa, Germany and the United States. His single "Love You the Most" is part of the soundtrack for the movie "Married Young" (Amazon) and has been streamed over 3 million times. The song peaked at #49 on the Mediabase Top 40 radio charts in the U.S. His latest single "Pilot Light" passed 1 million views on YouTube in just one month. Jann is an ambassador for Desmond Tutu's TutuDesk campaign and Brick by Brick Uganda. He is the singing voice of Tim Buckley in the movie "Greetings from Tim Buckley" (Universal). His songs have been heard on the Grammy® nominated "Healthy Food For Thought" compilation, charted in the Billboard Top 10 compilation "Action Moves People United" as well as MTV Cribs and movies "Dead Broke" (Warner Bros) featuring Paul Sorvino and “One Little Finger” alongside Quincy Jones, Siedah Garrett and Julian Lennon. He has performed as an actor and singer in touring companies of Broadway musicals, including "Jesus Christ Superstar," "Jekyll and Hyde," and "The Who's Tommy" as well as made for TV movies, voice overs and commercials. Jann tours year round in North America, Europe, Africa and Asia and has opened for and collaborated with a wide range of artists including Pat Benatar, John Oates of Hall and Oates, Suzanne Vega, Renaissance's Annie Haslam, The Yardbirds and Jim McCarty, Rosanne Cash, Paula Cole, Brett Dennen, Karen Zoid, Shekhinah, Carrie Newcomer, Alicia Madison, The Byrds' Roger McGuinn, Gary Lucas, Jeffrey Gaines, Elliott Murphy, Rusted Root, Pete Seeger and Les Paul. jannklose.com
In aflevering #28 hoor je muziek van NELIS, Gary Lucas en Peter Willems, Mel, Blowbeat, Apollo's Dream en YĪN YĪN.
In this episode, we welcome the great Lenny Kaye — all the way from NYC — and ask him to reminisce about his New Jersey youth; the revelation that was rock 'n' roll; his exposure in 1966 to Crawdaddy! and other pioneering music zines, and of course his first encounters with the inimitable Patti Smith. Along the way we hear about his landmark 1972 anthology Nuggets, and about his thrilling new book Lightning Striking.Clips from John Tobler's 1978 audio interview with Patti prompt Lenny to relive key moments from the '70s, including the pair's engagement with the British punk scene on their band's first London visit in May '76. To mark the 50th anniversary of Led Zeppelin IV, he also talks about his rave Rolling Stone review of that album, a piece he stands by to this day. His hosts also note the imminent release of the follow-up to Robert Plant & Alison Krauss' Americana classic Raising Sand.The RBP team pays its respects to Maureen Cleave, whose crucial early pieces on the Beatles made her part of Fab Four folklore. Lenny mentions his New York mentor Danny Fields (episode 28) whose syndication of Maureen's "more popular than Jesus" Lennon interview sparked an unholy fundamentalist backlash across America. Mark & Jasper talk us out with remarks about "new and notable" library pieces on — among other subjects — Patti Smith (1972) and Led Zeppelin (1969)! And several more great interviews and reviews besides…Many thanks to special guest Lenny Kaye. Lightning Striking is published by White Rabbit and available now.Pieces discussed: Lenny Kaye on music in the '60s, Nuggets, Patti Smith, Patti Smith audio, Lenny on Led Zep IV, Barney on Led Zep IV, Robert Plant and Alison Krauss, The Beatles, John Lennon, Pete Makowski, Thelonius Monk, Maurice White, Anita Baker, The Rolling Stones, Led Zeppelin at the Fillmore West, Patti Smith, Gary Lucas, Vibe magazine and Field Day festival.
In this episode, we welcome the great Lenny Kaye — all the way from NYC — and ask him to reminisce about his New Jersey youth; the revelation that was rock 'n' roll; his exposure in 1966 to Crawdaddy! and other pioneering music zines, and of course his first encounters with the inimitable Patti Smith. Along the way we hear about his landmark 1972 anthology Nuggets, and about his thrilling new book Lightning Striking. Clips from John Tobler's 1978 audio interview with Patti prompt Lenny to relive key moments from the '70s, including the pair's engagement with the British punk scene on their band's first London visit in May '76. To mark the 50th anniversary of Led Zeppelin IV, he also talks about his rave Rolling Stone review of that album, a piece he stands by to this day. His hosts also note the imminent release of the follow-up to Robert Plant & Alison Krauss' Americana classic Raising Sand. The RBP team pays its respects to Maureen Cleave, whose crucial early pieces on the Beatles made her part of Fab Four folklore. Lenny mentions his New York mentor Danny Fields (episode 28) whose syndication of Maureen's "more popular than Jesus" Lennon interview sparked an unholy fundamentalist backlash across America. Mark & Jasper talk us out with remarks about "new and notable" library pieces on — among other subjects — Patti Smith (1972) and Led Zeppelin (1969)! And several more great interviews and reviews besides… Many thanks to special guest Lenny Kaye. Lightning Striking is published by White Rabbit and available now. Pieces discussed: Lenny Kaye on music in the '60s, Nuggets, Patti Smith, Patti Smith audio, Lenny on Led Zep IV, Barney on Led Zep IV, Robert Plant and Alison Krauss, The Beatles, John Lennon, Pete Makowski, Thelonius Monk, Maurice White, Anita Baker, The Rolling Stones, Led Zeppelin at the Fillmore West, Patti Smith, Gary Lucas, Vibe magazine and Field Day festival. Learn more about your ad choices. Visit megaphone.fm/adchoices
In this episode, we welcome the great Lenny Kaye — all the way from NYC — and ask him to reminisce about his New Jersey youth; the revelation that was rock 'n' roll; his exposure in 1966 to Crawdaddy! and other pioneering music zines, and of course his first encounters with the inimitable Patti Smith. Along the way we hear about his landmark 1972 anthology Nuggets, and about his thrilling new book Lightning Striking.Clips from John Tobler's 1978 audio interview with Patti prompt Lenny to relive key moments from the '70s, including the pair's engagement with the British punk scene on their band's first London visit in May '76. To mark the 50th anniversary of Led Zeppelin IV, he also talks about his rave Rolling Stone review of that album, a piece he stands by to this day. His hosts also note the imminent release of the follow-up to Robert Plant & Alison Krauss' Americana classic Raising Sand.The RBP team pays its respects to Maureen Cleave, whose crucial early pieces on the Beatles made her part of Fab Four folklore. Lenny mentions his New York mentor Danny Fields (episode 28) whose syndication of Maureen's "more popular than Jesus" Lennon interview sparked an unholy fundamentalist backlash across America. Mark & Jasper talk us out with remarks about "new and notable" library pieces on — among other subjects — Patti Smith (1972) and Led Zeppelin (1969)! And several more great interviews and reviews besides…Many thanks to special guest Lenny Kaye. Lightning Striking is published by White Rabbit and available now.Pieces discussed: Lenny Kaye on music in the '60s, Nuggets, Patti Smith, Patti Smith audio, Lenny on Led Zep IV, Barney on Led Zep IV, Robert Plant and Alison Krauss, The Beatles, John Lennon, Pete Makowski, Thelonius Monk, Maurice White, Anita Baker, The Rolling Stones, Led Zeppelin at the Fillmore West, Patti Smith, Gary Lucas, Vibe magazine and Field Day festival.
In this episode, we welcome the great Lenny Kaye — all the way from NYC — and ask him to reminisce about his New Jersey youth; the revelation that was rock 'n' roll; his exposure in 1966 to Crawdaddy! and other pioneering music zines, and of course his first encounters with the inimitable Patti Smith. Along the way we hear about his landmark 1972 anthology Nuggets, and about his thrilling new book Lightning Striking. Clips from John Tobler's 1978 audio interview with Patti prompt Lenny to relive key moments from the '70s, including the pair's engagement with the British punk scene on their band's first London visit in May '76. To mark the 50th anniversary of Led Zeppelin IV, he also talks about his rave Rolling Stone review of that album, a piece he stands by to this day. His hosts also note the imminent release of the follow-up to Robert Plant & Alison Krauss' Americana classic Raising Sand. The RBP team pays its respects to Maureen Cleave, whose crucial early pieces on the Beatles made her part of Fab Four folklore. Lenny mentions his New York mentor Danny Fields (episode 28) whose syndication of Maureen's "more popular than Jesus" Lennon interview sparked an unholy fundamentalist backlash across America. Mark & Jasper talk us out with remarks about "new and notable" library pieces on — among other subjects — Patti Smith (1972) and Led Zeppelin (1969)! And several more great interviews and reviews besides… Many thanks to special guest Lenny Kaye. Lightning Striking is published by White Rabbit and available now. Pieces discussed: Lenny Kaye on music in the '60s, Nuggets, Patti Smith, Patti Smith audio, Lenny on Led Zep IV, Barney on Led Zep IV, Robert Plant and Alison Krauss, The Beatles, John Lennon, Pete Makowski, Thelonius Monk, Maurice White, Anita Baker, The Rolling Stones, Led Zeppelin at the Fillmore West, Patti Smith, Gary Lucas, Vibe magazine and Field Day festival.
Het hele weekend staat Co Live! in het teken van de gitaar. Met in deze aflevering een instore sessie van gitarist Gary Lucas en bassist Peter Willems in platenzaak 't Oor in Hilversum. En daarnaast blikt Co samen met Gary terug op een project rond Jeff Buckley dat hij deed samen met het Metropole Orkest.
Het hele weekend staat Co Live! in het teken van de gitaar. Met in deze aflevering een instore sessie van gitarist Gary Lucas en bassist Peter Willems in platenzaak 't Oor in Hilversum. En daarnaast blikt Co samen met Gary terug op een project rond Jeff Buckley dat hij deed samen met het Metropole Orkest.
Zig At The Gig with Jared Michael Nickerson of Burnt Sugar The Arkestra Chamber Jared Michael Nickerson is a Grammy-nominated Bold Soul, Rock & Roll Brother from Ohio. He experienced his first taste of live performance at local high school talent shows, one of the”labs” along with the church and basement dens of the legendary Dayton funk scene which spawned the Ohio Players, Slave, Roger Troutman & Zapp, Sun, Dayton, Steve Arrington's Hall of Fame, Faze-O and members of Heatwave. He continued his musical development at the University of Notre Dame under the direction of Father Wiskerchen, (noted for his development of three-fourths of the “Chicago”horn section). After graduating with a B.A. in Business Management, Jared moved to Boston, studied for two years at the New England Conservatory of Music before embarking on his professional music career with a local seven-piece funk band, Hypertension. After six years in Boston he returned to Dayton, Ohio and a year later joined the Cleveland Ohio band The Human Switchboard. After three years of touring the Midwest & East Coast still based in Ohio, he moved with the band to New York City and back-flipped into the local music scene of CBGBs, Danceteria, The Peppermint Lounge, Maxwells ( Hoboken N.J.) and The World. After HS dissolved Jared started his own band JJ Jumpers; joined the Black Rock Coalition becoming the B.R.C.'s first Director of Operations. His first booking was the B.R.C.'s first, two-day, mini-fest at CBGBs entitled “Stalking Heads” on February 11th and 12th,1987. When he departed a few years later the new Director of Operations and BRC East & West Coast Booking Committees had access to rock & roll venues all across the country. Jared has “laid the bottom” for folks such as Nona Hendryx, Wadada Leo Smith, Human Switchboard, JJ Jumpers, Vernon Reid, Marshall Crenshaw, Melvin Van Peebles, Freedy Johnston, Catie Curtis, Ivan Julian, John Paul Bourelly, Katell Keineg, Bernie Worrell, The The, Gary Lucas's Gods and Monsters, Chocolate Genius, Darlene Love, Jeff Buckley, The Yohimbe Brothers with DJ Logic & Vernon Reid, Tammy Faye Starlite and the Angels of Mercy, Pheeroan akLaff, Divine Pocket Bouncers, Cynthia Sley, Dayton Flic, The Raybeats and the Band of Gypsy's Revisited Band. Jared co-wrote a tune, recorded and toured with Charlie Musselwhite. “Sanctuary”, on Peter Gabriel's Real World label, found itself on numerous critic top ten lists and received a Grammy nomination. A suggestion from a mutual friend, led to a call from Greg Tate landing Jared among a number of “Badasses” which included Vijay Iyer and Ronny “Wirepuller” Drayton for a jam session that morphed into Burnt Sugar The Arkestra Chamber. Burnt Sugar Index LLC soon followed with Jared handling all BSAC's business affairs such as arranging an eight-week residency with BRIC studios (The organization that presents Celebrate Brooklyn) to workshop and preview Melvin Van Peebles theatrical version of “Sweet Sweetback's Badasssss Song”. The workshop culminated with three sold-out BRIC performances before BSAC departed for Paris to perform two sold-out performances at the Sons D'Hiver Festival in 2010. Jared, overseeing “bookings” throughout the United States, Canada, France, England, Portugal, Spain, Finland, the Netherlands and Italy, just celebrated his twentieth year as BSAC's CEO last year. He's even “dipped his toe” in tour managing having worked with Concord Records Alt-Folk artist Valerie June including the set-up of her August 21st, 2013 debut television appearance on David Letterman. His television appearances include Late Night With David Letterman, The Jools Holland Show, MTV, VH1, The Tonight Show with Conan O Brien, The John Stewart Show and as bassist with The Kennedy Center Honors BB King Tribute Band; jamming with Bonnie Raitt, Dr. John, Etta James, Joe Williams and Steve Cropper to name a few. You'll find him in Nelson George's “Finding The Funk” documentary speaking about growing up while playing music in Dayton Ohio in the late Sixties. Jared has toured extensively performing at venues such as the Toronto Skydome, Red Rocks, the L.A. Forum, the Oakland Coliseum, England's Brixton Academy, Brighton Dome & Reading Festivals, The Beacon Theater, Lincoln Center and Madison Square Garden. Jared's Info https://www.burntsugarindex.com/ https://burntsugarthearkestrachamber....
Questa notte a Battiti ascoltiamo una serie di canzoni oblique e palpitanti partendo dai Cheer-Accident, il collettivo di lungo corso del rock progressivo americano e dal sorprendente e sempre originale chitarrista Gary Lucas
In this episode, hosts Barney Hoskyns, Mark Pringle & Jasper Murison-Bowie welcome the one & only Vivien Goldman to join them live & direct from her beloved Jamaica — and to talk about her life as a writer about postpunk, reggae, dub & her other "outernationalist" passions.The "Punk Professor" reminisces about her days on Sounds & the UK's other "inkies", and her fight to make women's voices heard in the '70s music press: her 1977 challenging of George Benson's ingrained male chauvinism; her championing of the Raincoats & other "she-punks" of the period; and her own 1981 indie classic 'Launderette'. She brings her musical odyssey up to date by trailing Next Is Now, the new album she's just finished with producer Youth.After we hear clips from Adam Sweeting's 1988 audio interview with Joe Strummer, Vivien pitches in with her memories of the Clash man — and of the Ladbroke Grove "punky reggae" scene of which she was herself a key part. Mark then talks us through his library highlights from the past fortnight, including a 1966 Melody Maker interview with a young David Bowie; Penny Valentine's Disc review of 'River Deep — Mountain High' from the same year; and Harold Bronson's 1972 Rolling Stone retrospective on Animals/Yardbirds producer Mickie Most. Barney mentions more recent pieces about Britpop, Roy Harper & Willie Nelson, and Jasper wraps things up with a nod to Gary Lucas' memoir of introducing a young Vin Diesel to cult "mixmaster" Arthur Russell.Many thanks to special guest Vivien Goldman; visit her website at viviengoldman.com.Pieces discussed: Vivien Goldman vs. George Benson, Raincoats, Punk Renaissance Woman Vivien Goldman, Joe Strummer audio, David Bowie, Nancy Sinatra, Mahavishnu Orchestra, Robert Wyatt, River Deep – Mountain High, Sly and the Family Stone, Mickie Most, Blondie, Wanda Jackson, Britpop, Roy Harper, Willie and the Weed Factory, Labelle and Vin Diesel meets Arthur Russell.
In this episode, hosts Barney Hoskyns, Mark Pringle & Jasper Murison-Bowie welcome the one & only Vivien Goldman to join them live & direct from her beloved Jamaica — and to talk about her life as a writer about postpunk, reggae, dub & her other "outernationalist" passions. The "Punk Professor" reminisces about her days on Sounds & the UK's other "inkies", and her fight to make women's voices heard in the '70s music press: her 1977 challenging of George Benson's ingrained male chauvinism; her championing of the Raincoats & other "she-punks" of the period; and her own 1981 indie classic 'Launderette'. She brings her musical odyssey up to date by trailing Next Is Now, the new album she's just finished with producer Youth. After we hear clips from Adam Sweeting's 1988 audio interview with Joe Strummer, Vivien pitches in with her memories of the Clash man — and of the Ladbroke Grove "punky reggae" scene of which she was herself a key part. Mark then talks us through his library highlights from the past fortnight, including a 1966 Melody Maker interview with a young David Bowie; Penny Valentine's Disc review of 'River Deep — Mountain High' from the same year; and Harold Bronson's 1972 Rolling Stone retrospective on Animals/Yardbirds producer Mickie Most. Barney mentions more recent pieces about Britpop, Roy Harper & Willie Nelson, and Jasper wraps things up with a nod to Gary Lucas' memoir of introducing a young Vin Diesel to cult "mixmaster" Arthur Russell. Many thanks to special guest Vivien Goldman; visit her website at viviengoldman.com. Pieces discussed: Vivien Goldman vs. George Benson, Raincoats, Punk Renaissance Woman Vivien Goldman, Joe Strummer audio, David Bowie, Nancy Sinatra, Mahavishnu Orchestra, Robert Wyatt, River Deep – Mountain High, Sly and the Family Stone, Mickie Most, Blondie, Wanda Jackson, Britpop, Roy Harper, Willie and the Weed Factory, Labelle and Vin Diesel meets Arthur Russell.
In this episode, hosts Barney Hoskyns, Mark Pringle & Jasper Murison-Bowie welcome the one & only Vivien Goldman to join them live & direct from her beloved Jamaica — and to talk about her life as a writer about postpunk, reggae, dub & her other "outernationalist" passions.The "Punk Professor" reminisces about her days on Sounds & the UK's other "inkies", and her fight to make women's voices heard in the '70s music press: her 1977 challenging of George Benson's ingrained male chauvinism; her championing of the Raincoats & other "she-punks" of the period; and her own 1981 indie classic 'Launderette'. She brings her musical odyssey up to date by trailing Next Is Now, the new album she's just finished with producer Youth.After we hear clips from Adam Sweeting's 1988 audio interview with Joe Strummer, Vivien pitches in with her memories of the Clash man — and of the Ladbroke Grove "punky reggae" scene of which she was herself a key part. Mark then talks us through his library highlights from the past fortnight, including a 1966 Melody Maker interview with a young David Bowie; Penny Valentine's Disc review of 'River Deep — Mountain High' from the same year; and Harold Bronson's 1972 Rolling Stone retrospective on Animals/Yardbirds producer Mickie Most. Barney mentions more recent pieces about Britpop, Roy Harper & Willie Nelson, and Jasper wraps things up with a nod to Gary Lucas' memoir of introducing a young Vin Diesel to cult "mixmaster" Arthur Russell.Many thanks to special guest Vivien Goldman; visit her website at viviengoldman.com.Pieces discussed: Vivien Goldman vs. George Benson, Raincoats, Punk Renaissance Woman Vivien Goldman, Joe Strummer audio, David Bowie, Nancy Sinatra, Mahavishnu Orchestra, Robert Wyatt, River Deep – Mountain High, Sly and the Family Stone, Mickie Most, Blondie, Wanda Jackson, Britpop, Roy Harper, Willie and the Weed Factory, Labelle and Vin Diesel meets Arthur Russell.
In this episode, hosts Barney Hoskyns, Mark Pringle & Jasper Murison-Bowie welcome the one & only Vivien Goldman to join them live & direct from her beloved Jamaica — and to talk about her life as a writer about postpunk, reggae, dub & her other "outernationalist" passions. The "Punk Professor" reminisces about her days on Sounds & the UK's other "inkies", and her fight to make women's voices heard in the '70s music press: her 1977 challenging of George Benson's ingrained male chauvinism; her championing of the Raincoats & other "she-punks" of the period; and her own 1981 indie classic 'Launderette'. She brings her musical odyssey up to date by trailing Next Is Now, the new album she's just finished with producer Youth. After we hear clips from Adam Sweeting's 1988 audio interview with Joe Strummer, Vivien pitches in with her memories of the Clash man — and of the Ladbroke Grove "punky reggae" scene of which she was herself a key part. Mark then talks us through his library highlights from the past fortnight, including a 1966 Melody Maker interview with a young David Bowie; Penny Valentine's Disc review of 'River Deep — Mountain High' from the same year; and Harold Bronson's 1972 Rolling Stone retrospective on Animals/Yardbirds producer Mickie Most. Barney mentions more recent pieces about Britpop, Roy Harper & Willie Nelson, and Jasper wraps things up with a nod to Gary Lucas' memoir of introducing a young Vin Diesel to cult "mixmaster" Arthur Russell. Many thanks to special guest Vivien Goldman; visit her website at viviengoldman.com. Pieces discussed: Vivien Goldman vs. George Benson, Raincoats, Punk Renaissance Woman Vivien Goldman, Joe Strummer audio, David Bowie, Nancy Sinatra, Mahavishnu Orchestra, Robert Wyatt, River Deep – Mountain High, Sly and the Family Stone, Mickie Most, Blondie, Wanda Jackson, Britpop, Roy Harper, Willie and the Weed Factory, Labelle and Vin Diesel meets Arthur Russell.
Considerato da certa critica tra i chitarristi più influenti del nostro tempo, Gary Lucas (1952) ha avuto e ha tuttora un'ampia attività con proprie formazioni, collaborazioni ad ampio raggio, musica per cinema e TV (anche colonne sonore originali per film muti), conferenze e corsi master. Ha lavorato inizialmente con Captain Beefheart, montando anche band-tributo al musicista, per poi collaborare tra gli altri con Tim Buckley, Lou Reed, John Cale, Patti Smith, Allen Ginsberg, Leonard Bernstein, Peter Gordon, in ambito jazz con Joe Lovano, Tim Berne, Ruswell Rudd…
Estamos mergulhados em luzes e sons ininterruptos, sempre priorizando aqueles capazes de diversas atividades simultâneas, otimizado e funcional. Tamanha é a exigência de sermos multi-tarefas que já é possível perguntar: Quando foi a última vez que você fez uma coisa só? Hoje vamos falar um pouco sobre a necessidade da ritualização do cotidiano. Post do episódio: https://www.verborragia.com/do-cotidiano-um-ritual/- Nossos Links -Site: www.verborragia.comInstagram: @verborragia_podcastFacebook: @verborragiapodcastTwitter: @VerborragiaPLojinha colab55: @verborragiaopodcastEmail: verborragiaopodcast@gmail.com- Dica -Canal do grupo Galpão de Teatro - https://www.youtube.com/user/grupogalpao- Ficha técnica -Roteiro: Carlos Sammartin; Poesia: "Meditação", de Adélia Prado; Narração: Carlos Sammartin; Trilha sonora: "Supermoon", de Ikebe Shakedown, "Aguirre, the Wrath of God", de Gary Lucas e "Syaba" e "Musi", de Aoiroooasamusi; Gravação, edição e mixagem: Estúdio D@glitch; Arte: Estúdio D@glitch; Produção: Ruído Cultural.Support the show (https://www.apoia.se/verborragiapodcast)
If tenor saxophone giant Lester Young said someone has "big ears" it was a high compliment. It meant they were hearing everything that was there to be heard. They had acumen and they had discernment (and what higher aspiration is there for a studious listener?). If Lester Young had heard the music of guitarist Gary Lucas, he would certainly have cited his auricular capaciousness. Captain Beefheart? Sure. 1930's Chinese pop? Certainly. Classical composition? Why not. Gary takes all his food on the same plate, and everything is the subject of profound scrutiny. In this Deep Focus from 2018, Gary Lucas turns his attention to Charles Mingus. Know this, adepts and newbies alike: nothing will prepare you for the impact of what you will hear on this show (unless, of course, you heard this show in 2018). #WKCR #JazzAlternatvies #DeepFocus #MitchGoldman #GaryLucas #CharlesMingus @JazzRadio #JazzInterview Photo credit: Charles_Mingus_1976 Tom Marcello Webster - New York - CC BY-SA 2.0
If tenor saxophone giant Lester Young said someone has "big ears" it was a high compliment. It meant they were hearing everything that was there to be heard. They had acumen and they had discernment (and what higher aspiration is there for a studious listener?). If Lester Young had heard the music of guitarist Gary Lucas, he would certainly have cited his auricular capaciousness. Captain Beefheart? Sure. 1930's Chinese pop? Certainly. Classical composition? Why not. Gary takes all his food on the same plate, and everything is the subject of profound scrutiny. In this Deep Focus from 2018, Gary Lucas turns his attention to Charles Mingus. Know this, adepts and newbies alike: nothing will prepare you for the impact of what you will hear on this show (unless, of course, you heard this show in 2018). #WKCR #JazzAlternatvies #DeepFocus #MitchGoldman #GaryLucas #CharlesMingus @JazzRadio #JazzInterview Photo credit: Charles_Mingus_1976 Tom Marcello Webster - New York - CC BY-SA 2.0
If tenor saxophone giant Lester Young said someone has "big ears" it was a high compliment. It meant they were hearing everything that was there to be heard. They had acumen and they had discernment (and what higher aspiration is there for a studious listener?). If Lester Young had heard the music of guitarist Gary Lucas, he would certainly have cited his auricular capaciousness. Captain Beefheart? Sure. 1930's Chinese pop? Certainly. Classical composition? Why not. Gary takes all his food on the same plate, and everything is the subject of profound scrutiny. In this Deep Focus from 2018, Gary Lucas turns his attention to Charles Mingus. Know this, adepts and newbies alike: nothing will prepare you for the impact of what you will hear on this show (unless, of course, you heard this show in 2018). #WKCR #JazzAlternatvies #DeepFocus #MitchGoldman #GaryLucas #CharlesMingus @JazzRadio #JazzInterview Photo credit: Charles_Mingus_1976 Tom Marcello Webster - New York - CC BY-SA 2.0
If tenor saxophone giant Lester Young said someone has "big ears" it was a high compliment. It meant they were hearing everything that was there to be heard. They had acumen and they had discernment (and what higher aspiration is there for a studious listener?). If Lester Young had heard the music of guitarist Gary Lucas, he would certainly have cited his auricular capaciousness. Captain Beefheart? Sure. 1930's Chinese pop? Certainly. Classical composition? Why not. Gary takes all his food on the same plate, and everything is the subject of profound scrutiny. In this Deep Focus from 2018, Gary Lucas turns his attention to Charles Mingus. Know this, adepts and newbies alike: nothing will prepare you for the impact of what you will hear on this show (unless, of course, you heard this show in 2018). #WKCR #JazzAlternatvies #DeepFocus #MitchGoldman #GaryLucas #CharlesMingus @JazzRadio #JazzInterview Photo credit: Charles_Mingus_1976 Tom Marcello Webster - New York - CC BY-SA 2.0
Gary talks about growing up in Syracuse and early live experiences Seeing the Rolling stones in 1965 Seeing Frank Zappa and The Mothers 1968 and again in 1975 Gary shares incredible stories about Frank Zappa and Captain Beefheart Gary tells the tale of first meeting Captain Beefheart through when he was in the Magic BandCo and Gary meet in 1980Co shares some of his experiences with the Captain Making of “I Have a Cat” Stories of Herb Cohen, George Duke, and flavored cheese Gary and Co and the Metropol Orchestra Gary talks about his homage to Frank Zappa - Guerillas in the Midst CD Giveaway! – Listen and email to win! Co’s book, Frank and Co, available on e-book Gary talks about his streaming performances on Tuesdays, Thursdays, and Saturdays at 3pm eastern Tune in to watch Gary Live tomorrow and every Tues/Thurs/Sat at 3pm eastern and donate if you can - https://www.facebook.com/gary.lucas.5836 Link to Co’s Book - https://frankandco.nl/Support the show (https://www.patreon.com/user?u=39941006&fan_landing=true)
Guitarist Gary Lucas has played with Captain Beefheart, written hit songs with Jeff Buckley and Joan Osborne, and covered everything from 1930s Chinese pop to classical music. He even played with the Yale Symphony Orchestra for the premiere of Leonard Bernstein’s Mass in 1973. Lucas has just released The Essential Gary Lucas (Knitting Factory), a 40-year retrospective of his career of writing, arranging, performing and exploring music: blues and classical, psychedelic and world music, jazz, folk, pop, and rock, klezmer and avant-garde. Lucas joins us remotely to play some key highlights - from trippy pedal-assisted electric guitar freakouts to 1930’s songs from Shanghai film industry using Delta blues tunings on acoustic guitar. Watch "Rise Up To Be": Watch "Will o' the Wisp": Watch Janacek's "On An Overgrown Path": Watch "Shanghai Medley":
In deze aflevering praat Co met muzikant en avonturier Jaco Benckhuijsen over zijn nieuwe album 'Man in het Wild'. En het tweede uur staat volledig in het teken van Gary Lucas.
In deze aflevering praat Co met muzikant en avonturier Jaco Benckhuijsen over zijn nieuwe album 'Man in het Wild'. En het tweede uur staat volledig in het teken van Gary Lucas.
JANN KLOSE is an award-winning* pop singer-songwriter, who has released six albums and two EPs. Klose was raised in Kenya, South Africa, Germany and the United States. His single "Love You the Most" is part of the soundtrack for the movie "Married Young" (Amazon) and has been streamed over 2.5 million times. His newest single "Pilot Light" passed 1 million views on YouTube in just one month. Jann is an ambassador for Desmond Tutu's TutuDesk campaign and Brick by Brick Uganda. He is the singing voice of Tim Buckley in the movie "Greetings from Tim Buckley" (Universal). His songs have been heard on the Grammy® nominated "Healthy Food For Thought" compilation, charted in the Billboard Top 10 compilation "Action Moves People United" as well as MTV Cribs and movies "Dead Broke" (Warner Bros) featuring Paul Sorvino and “One Little Finger” alongside Quincy Jones, Siedah Garrett and Julian Lennon. He has performed as an actor and singer in touring companies of Broadway musicals, including "Jesus Christ Superstar," "Jekyll and Hyde," and "The Who's Tommy" as well as made for TV movies, voice overs and commercials. His latest studio album IN TANDEM is out now via Gallo/Sheer in Africa and SONY/The Orchard elsewhere. The record features collaborations with Annie Haslam (Renaissance), Peter Gabriel, Karen Zoid, Tamara Dey, RJ Benjamin and a who's who of South African artists and session players. Tracks from the album are charting worldwide and streaming numbers are in the hundreds of thousands. Jann tours year round in North America, Europe, Africa and Asia and has opened for and collaborated with a wide range of artists including Pat Benatar, John Oates of Hall and Oates, Suzanne Vega, The Yardbirds and founder Jim McCarty, Rosanne Cash, Paula Cole, Brett Dennen, Shekhinah, Carrie Newcomer, Alicia Madison, Ann Hampton Callaway and sister Liz Callaway, The Byrds' Roger McGuinn, Gary Lucas, Jeffrey Gaines, Elliott Murphy, Rusted Root, Pete Seeger and Les Paul. *Recipient of 4 Independent Music Awards, Grammy® nomination “Healthy Food For Thought” compilation. www.jannklose.com www.joekelleyradio.com
In Spotlight ontvangt Co de Kloet prominente gasten uit de muziekwereld. Aan de hand van hun favoriete muziek gaan ze twee uur lang in gesprek. Er komt van alles aan bod, maar de muziek is altijd leidend. In deze aflevering is de Amerikaanse gitarist Gary Lucas te gast.
In Spotlight ontvangt Co de Kloet prominente gasten uit de muziekwereld. Aan de hand van hun favoriete muziek gaan ze twee uur lang in gesprek. Er komt van alles aan bod, maar de muziek is altijd leidend. In deze aflevering is de Amerikaanse gitarist Gary Lucas te gast.
De hele maand augustus staat Co Live! in het teken van het Metropole Orkest. Co de Kloet duikt de archieven in om je een hele maand hoogtepunten van het orkest voor te schotelen. In deze aflevering hoor je de concerten met Gary Lucas en met Gregory Porter.
De hele maand augustus staat Co Live! in het teken van het Metropole Orkest. Co de Kloet duikt de archieven in om je een hele maand hoogtepunten van het orkest voor te schotelen. In deze aflevering hoor je de concerten met Gary Lucas en met Gregory Porter.
Spazio di informazione musicale con Carlo Chicco. Oggi intervista al Coordinatore artististico del Medimex (Pugli Soounds) per il Medimex D (digital version 2020), Intervista con l'artista pugliese JUNIOR V, terza pillola in collaborazione con Palazzo Fizzarotti insieme con Marco Schnabl01 #theniro – Malign Fiesta No Soul feat. Gary Lucas new02 #lennykravitz – ride new03 #protomartyr - Michigan Hammers newIntervista con Cesare Veronico Medimex D 202004 #iggypop – james bond 05 #cristianogodano – ti voglio dire newIntervista con JUNIOR V06 #juniorv – odore d’incenso new07 #thepolice – secret journey08 #teatrodegliorrori – a sangue freddoSpeciale Palazzo Fizzarotti #3 con Marco Schnabl09 #puscifer – apocalyptical 11 #theflaminglips – flowers of Neptune 6 new
..Con i brani con protagonisti James Taylor e Ringo Starr con Herb Alpert si conclude Stay Awake. Quattro anni dopo, nel '92, Willner realizza un altro album tributo, questa volta dedicato a Charles Mingus. La fisionomia di questo lavoro è piuttosto diversa da quella dei precedenti omaggi di Willner: invece di una grande varietà di artisti, qui c'è un gruppo base (fra gli altri Francis Thumm, Bill Frisell, Gary Lucas, Marc Ribot, Don Alias, percussionista in Bitches Brew di Miles, Greg Cohen, il contrabbassista la cui fama è legata alla sua collaborazione con John Zorn e Tom Waits) e una serie di ospiti: fra quelli che ascoltiamo in questa puntata Henry Threadgill, Robbie Robertson, Elvis Costello, Vernon Reid, Henry Rollins, Charlie Watts. Inoltre Willner sceglie di impiegare alcuni dei particolarissimi strumenti ideati dal compositore Harry Partch. Rispetto ai suoi precedenti album-tributo, qui Willner non è solo il regista dell'insieme dell'operazione ma è anche molto più direttamente responsabile del risultato complessivo, in termini di impronta musicale e di sound: e l'ambito pop-rock è rappresentato da alcuni suoi illustri protagonisti, ma non altrettanto come estetica. Nei brani che ci rimangono da ascoltare nella prossima puntata, anche un altro degli Stones, Keith Richards.
..Con i brani con protagonisti James Taylor e Ringo Starr con Herb Alpert si conclude Stay Awake. Quattro anni dopo, nel '92, Willner realizza un altro album tributo, questa volta dedicato a Charles Mingus. La fisionomia di questo lavoro è piuttosto diversa da quella dei precedenti omaggi di Willner: invece di una grande varietà di artisti, qui c'è un gruppo base (fra gli altri Francis Thumm, Bill Frisell, Gary Lucas, Marc Ribot, Don Alias, percussionista in Bitches Brew di Miles, Greg Cohen, il contrabbassista la cui fama è legata alla sua collaborazione con John Zorn e Tom Waits) e una serie di ospiti: fra quelli che ascoltiamo in questa puntata Henry Threadgill, Robbie Robertson, Elvis Costello, Vernon Reid, Henry Rollins, Charlie Watts. Inoltre Willner sceglie di impiegare alcuni dei particolarissimi strumenti ideati dal compositore Harry Partch. Rispetto ai suoi precedenti album-tributo, qui Willner non è solo il regista dell'insieme dell'operazione ma è anche molto più direttamente responsabile del risultato complessivo, in termini di impronta musicale e di sound: e l'ambito pop-rock è rappresentato da alcuni suoi illustri protagonisti, ma non altrettanto come estetica. Nei brani che ci rimangono da ascoltare nella prossima puntata, anche un altro degli Stones, Keith Richards.
..Con i brani con protagonisti James Taylor e Ringo Starr con Herb Alpert si conclude Stay Awake. Quattro anni dopo, nel '92, Willner realizza un altro album tributo, questa volta dedicato a Charles Mingus. La fisionomia di questo lavoro è piuttosto diversa da quella dei precedenti omaggi di Willner: invece di una grande varietà di artisti, qui c'è un gruppo base (fra gli altri Francis Thumm, Bill Frisell, Gary Lucas, Marc Ribot, Don Alias, percussionista in Bitches Brew di Miles, Greg Cohen, il contrabbassista la cui fama è legata alla sua collaborazione con John Zorn e Tom Waits) e una serie di ospiti: fra quelli che ascoltiamo in questa puntata Henry Threadgill, Robbie Robertson, Elvis Costello, Vernon Reid, Henry Rollins, Charlie Watts. Inoltre Willner sceglie di impiegare alcuni dei particolarissimi strumenti ideati dal compositore Harry Partch. Rispetto ai suoi precedenti album-tributo, qui Willner non è solo il regista dell'insieme dell'operazione ma è anche molto più direttamente responsabile del risultato complessivo, in termini di impronta musicale e di sound: e l'ambito pop-rock è rappresentato da alcuni suoi illustri protagonisti, ma non altrettanto come estetica. Nei brani che ci rimangono da ascoltare nella prossima puntata, anche un altro degli Stones, Keith Richards.
Gary Lucas (born June 20, 1952) is an American guitarist who was a member of Captain Beefheart and worked with the likes of Jeff Buckley, John Cale, Nick Cave and Lou Redd - plus writing Touched by Grace: My Time with Jeff Buckley published in English by Jawbone Press - in conversation with David Eastaugh
Gary Lucas is a legendary guitarist with over 30 albums. He is a Grammy Award nominee, a composer, collaborator, teacher, and author. Gary has a unique perspective of the music biz and it lends to his ability to connect a who’s who of musics past and future. We went down the Gary Lucas wormhole and we were amazed by his craft. We had an idea of what we were going to talk about but it transcended into something far more RAD! Thanks to Gary for sharing his stories and we urge our listeners to take a glimpse into the abyss. But watch out....it could get you mighty hungry (inspired)!
Elke maand gaat Co de Kloet met zijn programma op bezoek in jazzcafé Nick Vollebregt in Laren. Tussen 14:00 en 16:00 uur komen er verschillende muzikanten langs en de opnames zijn gratis bij te wonen. Deze keer staan nieman minder dan Gary Lucas, Eric Vaarzon Morel, Jo Didderen & L'Equipe de Rêve, Esther van Hees en Kerst-dj Oscar Smit op het programma. Meer info: nposoulenjazz.nl.
Elke maand gaat Co de Kloet met zijn programma op bezoek in jazzcafé Nick Vollebregt in Laren. Tussen 14:00 en 16:00 uur komen er verschillende muzikanten langs en de opnames zijn gratis bij te wonen. Deze keer staan nieman minder dan Gary Lucas, Eric Vaarzon Morel, Jo Didderen & L'Equipe de Rêve, Esther van Hees en Kerst-dj Oscar Smit op het programma. Meer info: nposoulenjazz.nl.
Gary Lucas joined me from NYC before departing to Europe to perform a salute to Jeff Buckley’s "Grace" album. Gary speaks about his roots and unique ties to Canada and China. Gary has been working with my friend Meredith Collins, co-founder of Hookist.com, where fans share the songwriting experience with artists like Gary. DJ Joune, official DJ of the Utah Jazz, joined me for a couple of segments and shared his remarkable story. DJ was born and raised in Haiti, and is now living his dream here in Utah. Don't forget about me when you buy your first airplane DJ!Next, Tyler and Savannah from Encircletogether.org explained the resources available here in Utah. Encircle acts "as a beacon of hope where LGBTQ+ individuals can find understanding, information, and support within their families and communities."
PLEASE SUPPORT US ON PATREON: https://www.patreon.com/cometowhereimfrom Stream of Download the podcast on: iTunes, Google, Spotify, TuneIn, Stitcher, Simplecast and Pocket Casts, please rate us and subscribe.
Fascinating Chinese silent cinema meets the musical genius of guitar virtuoso Gary Lucas. The post Gary Lucas – The Goddess #TIFF18 appeared first on Fred Film Radio.
Fascinating Chinese silent cinema meets the musical genius of guitar virtuoso Gary Lucas. The post Gary Lucas – The Goddess #TIFF18 appeared first on Fred Film Radio.
Fascinating Chinese silent cinema meets the musical genius of guitar virtuoso Gary Lucas. The post Gary Lucas – The Goddess #TIFF18 appeared first on Fred Film Radio.
Fascinating Chinese silent cinema meets the musical genius of guitar virtuoso Gary Lucas. The post Gary Lucas – The Goddess #TIFF18 appeared first on Fred Film Radio.
Fascinating Chinese silent cinema meets the musical genius of guitar virtuoso Gary Lucas. The post Gary Lucas – The Goddess #TIFF18 appeared first on Fred Film Radio.
Fascinating Chinese silent cinema meets the musical genius of guitar virtuoso Gary Lucas. The post Gary Lucas – The Goddess #TIFF18 appeared first on Fred Film Radio.
Rolo McGinty in conversation talking about life in the Woodentops The band formed in 1983 in South London with an initial line-up of Rolo McGinty (vocals, guitar, formerly of The Wild Swans and The Jazz Butcher), Simon Mawby (guitar), Alice Thompson (keyboards), Frank DeFreitas (bass guitar), and Paul Hookham (drums). After a debut single, "Plenty" on Food Records in 1984, which received a glowing review from Morrissey in Melody Maker, they signed to the independent label Rough Trade Records, releasing a series of singles in 1985 and their debut album, Giant, in 1986. Generally well received by critics, the album's sound was characterised by acoustic guitars, but also featured accordion, marimba, strings, and trumpet sounds. The album reached No. 35 on the UK Albums Chart. A single from the album, "Good Thing", reached No. 7 on the UK Indie Chart. The band then became more experimental and frenetic when playing live, using more electronic sounds. This first became apparent as documented on the live album Live Hypno Beat (1987), which was recorded in Los Angeles in 1986. The band also started to become more 'raw' and unpredictable live, becoming one of the most exciting independent groups from the UK, while gaining an early hit on the burgeoning club scene in Ibiza with '"Why". In 1987, Thompson left to be replaced by Anne Stephenson of The Communards. The more experimental mood continued on the second album Wooden Foot Cops on the Highway, released the following year, which failed to live up to the expectations set by their debut. Most notably, the listeners of Los Angeles radio station KROQ-FM voted their song "Stop This Car" number 15 out of 106 in the KROQ Top 106.7 Countdown of 1988, outperforming many more established acts, and one of the album's standout tracks, "Wheels Turning", became a dancefloor favourite. The Woodentops continued to play live, touring the world until 1992, and tracks such as "Tainted World" became a regular on New York radio station Kiss FM with DJ Tony Humphries. Vocalist and guitarist Rolo McGinty, who also wrote all Woodentops' songs, resurfaced with the DJ band Pluto in the 1990s, the Dogs Deluxe electronica project and also provided vocals for Gary Lucas's, Gods and Monsters. Guitarist Simon Mawby was briefly a member of The House of Love in the early 1990s. The Woodentops returned to live performances in September 2006 and, in October 2009, they performed in a special concert at the Queen Elizabeth Hall in London's South Bank. They also curated the events in the Front Room of the same theatre with an exhibition of works by artist Panni Bharti, and concerts by musicians Worm, Othon and Ernesto Tomasini.
Gary Lucas is a guitarist, songwriter, and former copywriter for CBS Records. (He's responsible for calling The Clash "the only band that matters.") He has played on more than 30 recordings, but he is best known for playing with Captain Beefheart in the 1980s, and Jeff Buckley in the 1990s.
Hosts Jim DeRogatis and Greg Kot explore the legend of Captain Beefheart, a musician with a larger-than-life personality who blurred the lines of music, art and noise. Also, they talk with longtime Captain Beefheart collaborator Gary Lucas and share their thoughts on why Beefheart's music, however difficult, is of value. Plus, the hosts review new albums from country artists Kacey Musgraves and Sarah Shook.
The World of Captain Beefheart (Knitting Factory Records, 2017) de Nona Hendryx & Gary Lucas hace una incursión en el legado de Don Van Vliet, musicalmente conocido como Captain Beefheart. En la entrega 32 de Malditos Jazztardos es el turno para la versión de Lucas & Hendryx del clásico “Suction Prints”, un tema que ha formado parte del repertorio de The Ex Orkest (formación extendida de los holandeses The Ex junto a improvisadores holandeses). Y como no podría ser de otro modo, quítense el sombrero, suena la versión del tema por Captain Beefheart and The Magic Band que aparecía en Shiny Beast (Bat Chain Puller). Tomajazz: © Pachi Tapiz, 2018 HDO es un podcast editado, presentado y producido por Pachi Tapiz. Malditos Jazztardos es un micro podcast de jazz… para aquellos que no saben que les gusta el jazz.
Nona Hendryx started her musical career as part of the Bluebelles, which also featured Patti Labelle, Sarah Dash & Cindy Birdsong. The quartet hit in 1962 with “I Sold My Heart to the Junkman.” Eventually, trimmed to a trio, the group changed their name to Labelle and hit pay dirt with “Lady Marmalade” in 1974, before breaking up a few years later.Since then, Hendryx has forged a solo career with many twists and turns. Her latest project sees her teamed with guitarist Gary Lucas for The World of Captain Beefheart, a tribute to one of the most underrated musicians of all time. We chat the origins of this project, what attracted her to Beefheart’s music, and the enduring legacy of “Lady Marmalade.”
Gary Lucas wrote songs for Jeff Buckley and played guitar with Captain Beefheart. His latest project is a pairing with acclaimed vocalist Jann Klose for a stripped-down, acoustic-based album called Stereopticon. Lucas tells us how he got hooked up with Klose and the stories behind several songs on the new record. He also talks about meeting Buckley for the first time and writing songs for the Grace album.
Kim is a poet, archivist, and New York City tour guide. We discuss his album plum plum featuring "The Dream Band": his producer friend Don Fleming, Joe Bouchard (Blue Öyster Cult), Steve Shelley (Sonic Youth) and NEM guest Gary Lucas. We discuss "Circle's Gotta Go" and "Arizona Burning," and conclude with "Claudine." We also discuss "I Comb My Hair with My Hand" by Jad Fair and the Shapir-O'Rama from We Are the Rage (1996). Intro: "East Side Story" by When People Were Shorter and Lived Near the Water from Bill Kennedy's Showtime (1993). Follow Kim on Facebook. Hear more Nakedly Examined Music. Like our Facebook page. Please support the podcast at patreon.com/nakedlyexaminedmusic.
Kim is a poet, archivist, and New York City tour guide. We discuss his album plum plum featuring "The Dream Band": his producer friend Don Fleming, Joe Bouchard (Blue Öyster Cult), Steve Shelley (Sonic Youth) and NEM guest Gary Lucas. We discuss "Circle's Gotta Go" and "Arizona Burning," and conclude with "Claudine." We also discuss "I Comb My Hair with My Hand" by Jad Fair and the Shapir-O’Rama from We Are the Rage (1996). Intro: "East Side Story" by When People Were Shorter and Lived Near the Water from Bill Kennedy's Showtime (1993). Follow Kim on Facebook. Hear more Nakedly Examined Music. Like our Facebook page. Please support the podcast at patreon.com/nakedlyexaminedmusic.
Ann Wilson of Heart, Superunkown producer Michael Beinhorn, Bhi Bhiman, Kevin Martin of Candlebox, and Gary Lucas join Eric in conversation to share memories and pay tribute to the life and work of Chris Cornell. Did Chris ever write or record with Heart? What was it like when Black Hole Sun first arrived in the studio? How was it coming up, sharing the stage and working in the studio with Chris? Lots of funny stories, behind the scenes memories, praise, kind words, laughter and tears in homage to one of the world's greatest, gone too soon. Part 1 of 2.
Ace guitarist and avant intellect Gary Lucas makes his return to Arts & Seizures! If you got ears you gotta listen!
The day after the Women's March (and count on it, we were there), Arts & Seizures brings songs of revolution and freedom with the intrepid Jack Grace and the colossally talented and unfiltered Courtney Lee Adams Jr.! High-minded talk about anarchy and middle-class illusions, plus some down and dirty blues and old-school punk from the past via the legendary Reagan Youth. All this plus the debut of new music from superstar beatnik guitar monster Gary Lucas! Hippies, punks, and situationists welcome! Shirts and shoes optional.
Guest: Mathew Johns (Managing Director, DMG Financial Planning Pty Ltd) Duration: 17:39:46 Date Recorded: March 3, 2015 The whole conversation of integrating financial planning and accounting is an old one. Many different models of integration have taken place over the years, all with varying degrees of success. One key element - fundamentally – is putting together the silos of advice; moving it from ‘my clients’ and ‘their clients’ to ‘OUR’ clients. This hasn’t been the mainstay of these different models. Today’s guest Mathew Johns of DMG Financial Planning Pty Ltd (and his predecessor, Gary Lucas) have steered their financial advisory firm down this very unique approach. A collaborative operation; something different where clients actually see two people sitting across from them providing a common, collaborative solution all while coming from slightly different technical backgrounds. Join us in today’s podcast as we discuss Matt’s biggest lessons, benefits/issues, and of course, client feedback in their journey through integrated financial services.
John Pyka Productions presents The Diesel powered Podcast - The Voice of Dieselpunk! This episode is a return of Dieselpunk comics! Also Caravan Palace on tour, and some more great music from Gary Lucas! Like us on facebook and follow us on twitter! Donate to the podcast at www.dieselpoweredpodcast.com! Visit our sponsors: audibletrial.com/dieselpoweredpodcast www.mycomicbento.com
On this week's episode of Arts & Seizures, host Mike Edison is joined in the studio by Gary Lucas, a legendary guitarist, songwriter, soundtrack composer, and recording artist with more than 25 solo albums. Lucas has played and collaborated with Captain Beefheart, Jeff Buckley, and countless others. Tune in to hear some exclusive in-studio performances, on an episode that is "definitely more arts than seizures!"
Some Voices (00:00) Waudang 1 (00:26) “Howdy Doody” Theme (07:17) “Charlie Brown” Theme (07:45) “Vertigo” / “Psycho” Theme Medley (09:11) Fucshia (13:06) Triologue (17:28) Duologue (19:05) Solologue (19:49) Belem (20:36) Painted Desert (36:00) Live at the Metz’ Arsenal Part 2 (39:29) Quiet Money (46:26) The introductory chaos comes from R. Stevie Moore's second album, Delicate Tension. Recorded in 1978, but re-released at least twice and peppered with extra tracks over the decades. The first proper track, at about 00:25, is sacred flute music from New Guinea, recorded by Ragnar Johnson and assisted by Jessica Mayer. Wonderful folks, I'm sure. Robert Wyatt and his wife Alfreda Benge had some clout in getting these recordings released on Rounder in 1999. Digital mastering was done in July, 2015 and the revamped version of these recordings -- Sacred Flute Music from New Guinea-- will be out in mid-April on the Ideologic Organ label. Switching up rather radically, the following three tracks are from guitarist Gary Lucas, who has played with such wide-ranging artists as Captain Beefheart, Peter Hammill, and Jeff Buckley, as well as amassing an impressive body of solo work. These oddball takes on movie themes are from Lucas's album Cinefantastique. Next comes the track "Fuchsia" from the album Amaranth, by the trio who goes by the name Icepick -- Nate Wooley, Chris Corsano, and Ingebrigt Haker-Flaten. Wooley plays trumpet, Corsano is on drums, and Haker-Flaten plays double-bass. Monofonous, 2016. The following three tracks also feature Nate Wooley, as well as Zeena Parkins and Vera Westera. The music and texts on this album are inspired by Charles Baudelaire and are the brainchild of composer Bojan Vuletic, who gave the trio of musicians ideas to work with and then reworked their playing into the final product. Partly composed, partly improvised. See here for more details regarding this fascinating record, fugitive beauté. The next two tracks are performances by the MMM Quartet - Fred Frith, Joelle Leandre, Alvin Curran and Urs Leimgruber, on guitar, double bass, piano, and sax, respectively. The first MMM track is titled "Belem" and is from the album Oakland/Lisboa. The second track, "Part 2" is the tail end of a concert given by the quartet from the album Live at Metz Arena. These tracks are separated by an intermission: "Painted Desert" is from the album The Pharaoh's Bee by ex-Pere Ubu member Allen Ravenstine. Ravenstine was the Ubu member responsible for upping the chaos ante by adding analog synthesizer noise to the proceedings. Quite unlike his contributions to Ubu, this album is full of gentle, meditative sounds, albeit not without a certain edge. More info here. Finally, "Quiet Money" by The Remote Viewers, from their latest album, November Sky. More info on The RVs here. I hope you enjoy this podcast as much as I enjoyed compiling it!
A whole second discussion on G.F.W. Hegel's Encyclopedia Logic, hitting sections 78–99 on the dialectic and Understanding vs. Reason. Hegel thinks we can use Reason to objectively come up with basic metaphysical categories, but can we really? With guest Amogh Sahu. This continues ep. 134. PEL Citizens can listen to the Aftershow. End song: "Flow" by Gary Lucas and Mark Lint. Listen to Gary interviewed about this instrumental on Nakedly Examined Music #7.
Gary is a guitar virtuoso who's put out more than 30 albums, typically by writing guitar instrumentals that then get a melody and words added by a singer/songwriter, the most famous of these being Jeff Buckley (Gary wrote a book about it!), but also Joan Osborne, and he started out playing with Captain Beefheart. We discuss "Will O' the Wisp" (a new instrumental), "Overture" (with singer Jann Klose), and "The Wall" (from his album of Chinese pop The Edge Of Heaven. We also listen to "The Kid" (with Peter Hammill), and talk about working with all these singers, working intimately with your instrument, and putting out music that is experimental yet accessible. Learn more at garylucas.com. Hear more Nakedly Examined Music.
Gary is a guitar virtuoso who's put out more than 30 albums, typically by writing guitar instrumentals that then get a melody and words added by a singer/songwriter, the most famous of these being Jeff Buckley (Gary wrote a book about it!), but also Joan Osborne, and he started out playing with Captain Beefheart. We discuss "Will O' the Wisp" (a new instrumental), "Overture" (with singer Jann Klose), and "The Wall" (from his album of Chinese pop The Edge Of Heaven. We also listen to "The Kid" (with Peter Hammill), and talk about working with all these singers, working intimately with your instrument, and putting out music that is experimental yet accessible. Learn more at garylucas.com. Hear more Nakedly Examined Music.
Bill and Brian welcome substitute guest (Ryan Carey unfortunately had to go have Valentine's dinner) Matt Pischl (who you'll be hearing talk about a group with the initials DMB in a couple weeks) to talk about "Dream of the Wild Horses" by Gary Lucas, a song which would have been worked into a collaboration between Jeff Buckley and Lucas if it weren't for the singer's untimely death halting progress on the follow up to Buckley's Grace. Brian, Bill, and Matt discuss how this song would have worked in Buckley's catalog and how they can hear Buckley in the song. We also read a listener email that gives great insight into poetic lyrics, Bob Dylan, Paul Westerberg, and Kurt Cobain's lyrics.
This week on Arts & Seizures Mike and Judy welcome Gary Lucas to the program. Gary is widely recognized as a world class guitar hero, a Grammy nominated songwriter and composer, and international recording artist with over 20 acclaimed solo albums to date, as well as a soundtrack composer for film and television. Mike and Judy talk to Gary about his recent book, Touched by Grace: My Time with Jeff Buckley, as well as other memorable stories from his incredible career. Tune in for a music-filled episode! This program has been brought to you by Roberta’s. “Touched by Grace: My Time with Jeff Buckley… covers the period when I worked with Jeff on Gods and Monsters… anything you want to know concerning my relationship with him: up close and personal.” [9:03] —Gary Lucas on Arts & Seizures
Hello again! At the outset of putting together the 18th episode, I knew I couldn’t reasonably expect listeners to sit through almost three hours of this business, but there was too much good stuff left on the cutting room floor, so I knew fairly early on that there would be a “bonus EP” of sorts. In the spirit of the other Haines-inspired title, I’m calling this one: What This Was Going to Supposed to Mean Here’s the tracklist, following the format of Episode 18, it’s just bare bones, with credits and other info directly following it. Please take a look at the previous blog post for more info on all the albums from which these tracks are culled. I won’t rehash info at the album level, only what’s unique and pertinent at the level of each individual track. Episode 18.1 Playlist (00:00) “Testing Testing” (03:00) “In a Landscape X” (06:16) “Art in Heaven” (08:50) “What Is Free to a Good Home (For Robert Wyatt)” (13:55) “Live on the Internet: A Diary (April 7)” (17:51) “Cellular Phone” (21:04) “In a Landscape XL” (23:47) “Third World Two Medley: She Was Showing Me / Boint Liver” (26:15) “Vocalise (For Jeanne Lee)” (45:23) “Paint Me!” (50:48) “Toy Epigrams” (53:42) “Today” (57:05) “In a Landscape XXXVI” (59:17) “What this Was Going to Supposed to Mean” (1:01:27) “This Dedication” Tracks 1, 3, 8, 14 and 15 are from the Darn It! album. Tracks 2, 7 and 13 were recorded by John Gallaher. Tracks 4, 10 and 12 are from Curlew’s A Beautiful Western Saddle album. Track 5 was recorded by Becca Klaver. Track 6 was from Karen Alkalay-Gut’s album Thin Lips. Track 9 was from the Joelle Leandre / Steve Dalachinsky album The Bill Has Been Paid. Track 11 was from the Bernadette Mayer reading captured on the Rattle up a Deer CD. All information given in the previous blog post applies here as well except for the following: Track 1 features the voices of Paul Haines’s sons, and the latter part of the track features guitar and bass from ex-”No Wave” pioneer and DNA member Tim Wright. Track 3 finds Derek Bailey playing guitar and reciting Haines’s poem. Track 8 features vocals by Mary Margaret O’Hara, Fernando Saunders on bass, and Gary Lucas on guitar. Gary also wrote the music. On track 14 you’ll hear saxophone from Evan Parker and vocals by Carmen Lundy. Finally, track 15 was written by, and features tenor sax from, John Tchicai, bass by Andy Gonzalez, and drums by Marvin Smith. Enjoy, and let Papers for the Border know what you think!
On this week’s episode of Arts & Seizures, hosts Mike Edison and Judy McGuire bring in guest Greg Lucas, the fantastic acoustic guitarist. Gary talks about his experience scoring the 2013 Spanish “Dracula”, and tells us how his love and passion for music has driven him to practice daily, and pursue his many musical ventures. This program has been sponsored by Roberta’s. “Sometimes after going away from it, you’ll come back with fresh ears.” [14:40] “My favorite thing probably in the whole world is to play guitar for a nice audience.” [15:00] Gary Lucas on Arts & Seizures
00:00 GARY LUCAS, Fellinis Casanova/Rosemarys Baby, da Cinefantastique 05:46 ROSHI featuring PARS RADIO, Oosh Badaam Ber Goz, da 3 Almonds & A Walnut 08:29 GUIDO MÖBIUS, Milho Verde Blood and Bone Remix, da New German Ethnic Music 12:34 NADINE SHAH, Aching Bones, da Love Your Dum And Mad 15:57 FRANCESCO GIAMPAOLI, Tin Tin Deo, da Danza del ventre 20:47 JOSEPHINE FOSTER, Blue Roses, da Im A Dreamer 24:28 ROB MAZUREK EXPLODING STAR ORCHESTRA, Pasiphae Gives Birth To The Minotaur, da Matter Anti-Matter. Sixty-Three Moons Of Jupiter & Electronic Works 28:42 YOUN SUN NAH, Lament, da Lento 32:18 TIM BERNES SNAKEOIL, Static, da Shadow Man 40:10 JOSHUA ABRAMS QUARTET, Unknown Known, da Unknown Known 47:43 NICO GOMEZ AND HIS AFRO PERCUSSIONS INC., Ritual, da Ritual 51:35 ALEJANDRO FRANOV, Tren, da Opsigno 53:44 GARLAND JEFFREYS, Truth Serum, da Truth Serum
Welcome to the Mike & Judy Music Spectacular Vol. 1! Tune in to this episode to hear past performances on the show from artists like Gary Lucas, Cudzoo & the Faggettes, Princess Superstar, Boss Hog, and [The Dictators](http://www.thedictators.com/
Listeners are in for a treat this week as Mike Edison & Judy McGuire are joined by world-class guitarist Gary Lucas on this week’s episode of The Mike & Judy Show. Gary is an incredibly accomplished musician, having played in Captain Beefheart’s Magic Band and collaborated extensively with Jeff Buckley. Tune in and hear Gary play a live rendition of an original composition of his called “Rise up to Be”, which later became Jeff Buckley’s “Grace”. Hear stories from the road and insight into the bohemian beatnik culture of the 21st century. This program is sponsored by Roberta’s. “I feel like I’m always trying to shed light on dark corners of music.” “Any music that used slurred notes and in-just intonation has a certain kind of bluesy quality to it and that’s the music I relate most to. When I hear the sound of the human struggling through their instrument–that’s the blues.” –guitarist Gary Lucas on The Mike & Judy Show
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