Podcast appearances and mentions of Gary Lucas

Gary Lucas heard of Lukas Ligeti through his father, the legendary composer György Ligeti, known for his work in 2001: A Space Odyssey. When Lucas moved to New York, Lukas stepped in as a substitute drummer for Gods and Monsters—and the chemistry was instant.“It's easy to hang out with Lukas, which is important if you're going to do a duo,” Gary Lucas says. In time the drummer taught and performed out of the State and country, but when he visited the City, the two would play their improvisations live at The New School's venue for avant garde performances, “The Stone”Recently, they booked time at East Side Sound and recorded the entire album live. They later refined the mixes and edited the pieces to highlight the most exciting moments.  About Gary LucasA world‑class guitarist, Grammy‑nominated songwriter, and international touring artist, Lucas has released over 50 albums across genres—jazz, rock, classical, folk, blues, avant‑garde, and world music. He has performed in 40+ countries, collaborated with icons from Captain Beefheart to Jeff Buckley, Lou Reed, Patti Smith, Nick Cave, and Bryan Ferry, and received multiple Lifetime Achievement awards for his songwriting with Buckley (“Grace,” “Mojo Pin”).  Dubbed “The Thinking Man's Guitar Hero” (The New Yorker) and “one of the best and most original guitarists in America” (Rolling Stone), Lucas continues to push boundaries with every project. Visit GaryLucas.com.  About Lukas LigetiAn Austrian‑American composer, drummer, and researcher, Ligeti's work spans classical composition, African polyrhythms, jazz, electronics, and experimental traditions. He is a recipient of the CalArts Alpert Award, has been commissioned by major orchestras and ensembles worldwide, and has taught at UC Irvine, the University of Pretoria, the University of Ghana, and is currently Professor of Composition at the Conservatoire royal de Bruxelles.As a drummer, he has performed with John Zorn, Elliott Sharp, Henry Kaiser, Marilyn Crispell, George Lewis, and many others. His approach—experimental intercultural collaboration—has shaped his work across five continents.Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-unplugged-totally-uncut--994165/support.

Gary Lucas heard of Lukas Ligeti through his father, the legendary composer György Ligeti, known for his work in 2001: A Space Odyssey. When Lucas moved to New York, Lukas stepped in as a substitute drummer for Gods and Monsters—and the chemistry was instant.“It's easy to hang out with Lukas, which is important if you're going to do a duo,” Gary Lucas says. In time the drummer taught and performed out of the State and country, but when he visited the City, the two would play their improvisations live at The New School's venue for avant garde performances, “The Stone”Recently, they booked time at East Side Sound and recorded the entire album live. They later refined the mixes and edited the pieces to highlight the most exciting moments.  About Gary LucasA world‑class guitarist, Grammy‑nominated songwriter, and international touring artist, Lucas has released over 50 albums across genres—jazz, rock, classical, folk, blues, avant‑garde, and world music. He has performed in 40+ countries, collaborated with icons from Captain Beefheart to Jeff Buckley, Lou Reed, Patti Smith, Nick Cave, and Bryan Ferry, and received multiple Lifetime Achievement awards for his songwriting with Buckley (“Grace,” “Mojo Pin”).  Dubbed “The Thinking Man's Guitar Hero” (The New Yorker) and “one of the best and most original guitarists in America” (Rolling Stone), Lucas continues to push boundaries with every project. Visit GaryLucas.com.  About Lukas LigetiAn Austrian‑American composer, drummer, and researcher, Ligeti's work spans classical composition, African polyrhythms, jazz, electronics, and experimental traditions. He is a recipient of the CalArts Alpert Award, has been commissioned by major orchestras and ensembles worldwide, and has taught at UC Irvine, the University of Pretoria, the University of Ghana, and is currently Professor of Composition at the Conservatoire royal de Bruxelles.As a drummer, he has performed with John Zorn, Elliott Sharp, Henry Kaiser, Marilyn Crispell, George Lewis, and many others. His approach—experimental intercultural collaboration—has shaped his work across five continents.Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-like-it-s-live--4113802/support.

Steve Addabbo in conversation with David Eastaugh https://www.steveaddabbo.com https://shelterislandsound.com American record producer, songwriter and audio engineer, who helped launch the careers of Suzanne Vega and Shawn Colvin. He had a vital hand in Vega's hit single, "Luka" and Colvin's album Steady On. He has produced and/or engineered for artists including Bobby McFerrin, Bob Dylan, Jeff Buckley, Gary Lucas, Richard Shindell, Suzanne Vega, and Dar Williams.

In 2001, France's Label Bleu released, “The Edge of Heaven: Gary Lucas Plays Mid-Century Chinese Pop.” Now he and musical partners Feifei Yang and Jason Candler have released “The Edge of Heaven Volume 2.” Gary and Feifei will be performing songs from the album at Fort Lee, New Jersey's Barrymore Film Center on May 23. He's also performing his live score accompanying the Chinese silent masterpiece “The Goddess” from 1934.  Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-unplugged-totally-uncut--994165/support.

In 2001, France's Label Bleu released, “The Edge of Heaven: Gary Lucas Plays Mid-Century Chinese Pop.” Now he and musical partners Feifei Yang and Jason Candler have released “The Edge of Heaven Volume 2.” Gary and Feifei will be performing songs from the album at Fort Lee, New Jersey's Barrymore Film Center on May 23. He's also performing his live score accompanying the Chinese silent masterpiece “The Goddess” from 1934.  Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-like-it-s-live--4113802/support.

The guitarist and composer Gary Lucas, acclaimed for his technique, imagination, and fearless commitment to both tradition and innovation from his work with Captain Beefheart, Jeff Buckley, his band Gods & Monsters, scores for silent films, reviving Chinese music, and many other projects presented all around the world, and all rooted in the Blues. The program includes Lucas' 2026 commentary alongside excerpts recorded for the Roulette concert series between 1992 and 2018.

For this episode we're joined online from northwest Massachusetts by the legendary Byron Coley, champion of all things weird and non-mainstream. After describing his somewhat peripatetic childhood, our guest explains – very amusingly – why as a teenager he hated the Beatles and what led him eventually to the more subversive sounds of the Mothers of Invention and their ilk. A digression on the Grateful Dead – whose Jerry Garcia we lost 30 years ago this month – is followed by Byron's memories of first reading R. Meltzer and Nick Tosches in Crawdaddy! and Creem... and how a teaching assistant grad student inspired him to "write like you talk". After Barney reads from Byron's 1980 New York Rocker piece on Lydia Lunch's 8-Eyed Spy – prompting our guest's recall of first seeing her No Wave trailblazers Teenage Jesus & the Jerks live – we hear about his 1978 Rocker interview with the incomparable Captain Beefheart. This in turn leads to clips from Gary Lucas' audio interview with the artist born Don Van Vliet, recorded in January 1972. After a quick late '70s/early '80s detour via his temporarily adopted California, Byron talks about his return to the East Coast and his writing for Boston's Forced Exposure – not to mention his rather more lucrative "Underground" columns for Spin. In passing he explains how his friendship with Sonic Youth led to a declaration of war on Bob ("Dean of American Rock Critics") Christgau. We finish up by paying tribute to blue-eyed-soul man Terry Reid and beloved Salsa star Eddie Palmieri. Finally, Mark and Jasper talk us out with remarks on newly-added library pieces about the Legendary Stardust Cowboy (1968), Ronnie Wood and cronies (1974) and Lana Del Rey (2019). Many thanks to special guest Byron Coley. Find his book C'est La Guerre in all good bookshops and follow him on BlueSky @byroncoley.bsky.social. Pieces discussed: Way Out West With 8-Eyed Spy, Sonic Youth, Captain Beefheart: Grow Fins, Jason Gross interviews Byron Coley, Jerome John Garcia 1942-1995, The Grateful Dead: Burnout Sets In, The Exhumation of The Dead, Captain Beefheart audio, Terry Reid, Terry's Funky Steamer, Eddie Palmieri: The Man Who Stirred Up Salsa, Top Tunes: the Legendary Stardust Cowboy, The Night Ron, Keith, Mac and Rod played a gig without falling over and Lana Del Rey Lives In America's Messy Subconscious.

Ivan Rubenstein-Gillis! Singer! Songwriter! Producer! Dear old friend! Delight! I've known Ivan for decades and I've always loved his music AND talking to him, so having him on my podcast to talk about his music AND MORE was perfect. Under the band name 500 Suns, he's got a new album "Hungry Man" coming out in July 2025! Stay tuned for that, and also stay tuned at the end of this podcast episode for a sneak peek of some music from that project! We have a great chat and you can have a great listen! PS This is only the first HALF of our chat. For the second half, subscribe via Apple Podcasts or merely click on over here to Patreon! Also, here's more about Ivan in Ivan's website's own words: "Ivan Rubenstein-Gillis is a singer, songwriter, producer and multi-instrumentalist based out of New York. With deep roots in folk, rock, jazz, world music and modern poetics, Ivan brings a rare sense of craft, intellectual provocation and emotional expression to his work.​ Ivan grew up in a creative family and from an early age was exposed to great music, books and visual art from all around the world. He played piano as a kid and began putting lyrics and chord patterns together around the age of 10 ... Bought his first guitar in high school and later added mandolin, banjo, harmonica, bass and other instruments to the mix. Over the course of his eclectic career, Ivan has written hundreds of songs and instrumental pieces, produced and recorded albums across various genres, composed for dance and theater and performed with great musicians in many styles.​ The primary focus of Ivan's creative life has been his songwriting. To date, he has recorded 11 albums of original material as a solo artist, collaborating with extraordinary rhythm sections, instrumentalists and singers along the way. His songs have won grants and awards, have been performed by numerous artists and choirs, have been featured in a number of movies, documentaries and PSAs, and have become part of the American musical landscape for his many admirers.​​ Two of his songs were featured in a worldwide viral video produced for the United Nations Environmental Program regarding the evils of single-use plastics. Outside of his own material, Ivan enjoyed a very successful collaboration with legendary trombonist Roswell Rudd over the last decade of his life. Ivan played with Rudd's dynamic MaliCool band in 2007 and produced Feeling Good (a tribute to Nina Simone) - the lead track off of Rudd's 2011 album The Incredible Honk.  In 2013-2014, Ivan produced Trombone For Lovers, an epic collection of American standards which included the house band of John Medeski, Aaron Comess and Richard Hammond, plus guest appearances from Bob Dorough, Faye Victor, Gary Lucas, Michael Doucet, Steven Bernstein, The NYC Labor Choir and other luminaries. TFL received a four star review in Downbeat and generated raves around the world. Roswell performed with Ivan and his band on numerous occasions and guested on several of Ivan's albums, including in the guise of a braying elephant on dogz and katz, a choice cut from Ivan's 2016 album The Lion. Ivan and Roswell continued to work together on new compositions and arrangements right up until Roswell died in December of 2017.​ Ivan produced and played multiple instruments on "Songs From Home" - a well-received  'pandemic EP' with fellow Rudd collaborator (and wonderful singer ) Heather Masse, featuring some of their favorite classics, reimagined for quarantine. Ivan's latest project - 500 Suns - is a collaboration with the great rhythm section of Craig Santiago and Scott Petito - an uplifting soulful band based out of the Hudson Valley featuring Shawn Dawn, Kendra McKinley and Leslie Ritter on vocals. ​Ivan's deep love for many different types of music has allowed him to play around the margins of numerous genres, and has led to longstanding musical relationships with Meyer Horn (drums), Adam Small (bass), Craig Santiago (drums), Scott Petito (bass), Aaron Comess (drums), Richard Hammond (bass), Heather Masse (voice), Cat Martino (voice), Leah Siegel (voice), Lexy Casano (cabaret artist), Clarence Ferrari (flame throwing fiddler), Arne Wendt (organist), Rod Sherwood (producer), David Grausman (piano) and David Brahinsky (NJ-based folksinger), among many others. Ivan has also worked extensively as a music educator, concert producer and "musical activist" - utilizing his talent and experience in the service of providing musical opportunities to underserved populations. Ivan has played at countless benefit concerts, fundraisers and community events and always appreciates the opportunity to play music in the service of a worthy cause.  Along with the music, Ivan writes satire, short stories, poems and the occasional expository essay. He also likes to draw funny sketches." Thanks and love, all!

  PULSARS mark the end of that era. Leader Dave Trumfio (vocals, guitar, synths production and most anything else) and his younger brother Harry (drums) grew up playing music in a suburban Chicago basement.  While still in his teens, Dave abandoned college-level music production and engineering studies to focus on songwriting and artist endeavors; his native talents soon found him an apprenticeship at Seagrape Studios working with talents as disparate as house music pioneer Mr Fingers, British first-wave stalwarts The Pretty Things and dub plate sessions with the legendary reggae producer / musician Niney The Observer . . . all within months of his first real go behind the mixing desk. Chicago's past musical glories felt far in the past then, replaced by a sea of skinny tie power pop bands, poofy hair metal combos of some timidity and a few rough-hewn exponents of sub-Buzzcocks punk and Fiorucci-ready new wave.  Ignoring it all, Dave ran a small studio in a shared house he rented with friends before taking the risky - and expensive - plunge into opening a 'real' studio on the northwest corner of Wicker Park, soon to burst into a degree of infamy due to a small contingent of cult heroes who lived there for cheap rent and cheaper bars - Liz Phair, Eleventh Dream Day, Big Black, Urge Overkill, Tortoise et al. Daves role in all of this was minimal by nature; he preferred to record acts from farther afield - Billy Bragg, then-recent Chicago transplants Wilco, The Mekons, Young Marble Giants guitarist and songwriter Stuart Moxham, Barbara Manning, Captain Beefhearts main man Gary Lucas, an array of other acts from Iceland, Australia and all corners of the UK.  Business was good, and it grew.  A quick writer of odd pop ditties, one day Dave called in his brother Harry and recorded - in a single afternoon session - a set of nine demos known.  The story's been related countless times, but within weeks the band was opening for Oasis and found itself being courted by a dozen labels. Their few local shows were undefinable. Dave played guitar and sang, Harry drummed triggered a reel of additional music, often with video backing . . . which dazzled spectators in that pre-laptop era.  After months of negotiations, the band signed a multi-million deal with Almo Sounds, a new label begun by A&M founders Herb Alpert and Jerry Moss and distributed by Geffen.  It was - and likely still is - the largest deal ever offered to an emerging Chicago musical act. The band engaged in numerous tours to support their self-titled debut, playing with Sean Lennon & Cibo Matto, Blur, Supergrass, and many others, as well as seemingly infinite jaunts to Japan, where Dave and Harry were hailed as heroes of subversive minimalist pop - the ecstatic screams of young fans at the first few notes of Submission To The Master& at first bewildering the brothers.  Suddenly, the Almo Sounds deal with Geffen fell apart at the start of a tour supporting then-current sensations Weezer.  Promotion was pulled; radio support for the first single from the album collapsed in a mere moment. Due to contractual vagaries, the band was allowed to complete a second (unreleased) album just before the label folded.  And that was it, until the news of the 2021 release of Pulsar Transmissions", a collection of unheard songs and versions that the band recorded before and during their short-term deal.  Rolling Stone offered their self titled debut ;Pulsars as one of the 40 greatest albums ever recorded by an act with one real album:     PULSARS's Info Instagram:  https://www.instagram.com/pulsarsband/?hl=en X / Twitter:  https://x.com/PulsarsBand Facebook:  https://www.facebook.com/pulsarsofficial/  

In this inaugural podcast appearance, Gary Lucas, an independent financial advisor from Burlington Associates, discusses the critical aspects of business protection. He highlights the importance of various insurance products including death in service, income protection, private medical cover, and critical illness cover for employees. Gary also delves into key person cover and share protection for business owners, explaining how these measures safeguard businesses and ensure continuity. The podcast provides insightful advice for employers on how to implement these protections effectively and underscores the significance of these benefits in employee recruitment and retention. 00:00 Introduction and Welcoming Gary 00:57 Setting the Scene: Gary's Background 02:00 Understanding Business Protection 03:22 Employee Benefits: Death in Service 07:58 Employee Benefits: Income Protection 12:04 Employee Benefits: Private Healthcare 19:58 Employee Benefits: Critical Illness Cover 25:26 Business Owner Protections: Key Person Cover 27:54 Business Owner Protections: Shareholder Protection 34:37 Conclusion and Contact Information Connect with Gary Lucas on LinkedIn by clicking here – https://www.linkedin.com/in/garyjlucas Connect with Daniel Welling on LinkedIn by clicking here – https://www.linkedin.com/in/daniel-welling-54659715/   Connect with Adam Morris on LinkedIn by clicking here – linkedin.com/in/adamcmorris Visit The MSP Finance Team website, simply click here – https://www.mspfinanceteam.com/   We look forward to catching up with you on the next one. Stay tuned! We created It's a Numbers Game Podcast to help MSP owners learn and understand how to build and maintain a financially healthy MSP business. In this podcast series, MSP business owners like you will learn the fundamental steps, the tips and tricks, the dos and don'ts to achieve MSP financial growth. 

"Who has the hippest chops in the world?"    If you're going to ask that question on a record, you had better have the nuts to back it up.  I mean, you will be annihilated, humiliated for the rest of time, if you don't.  Rahsaan Roland Kirk knew he had them and so did everyone else on the scene.  To this day, any time you see a saxophonist playing 3 horns at once or circular breathing or playing the nose flute or any of the other manifestations that Rahsaan developed, they are paying tribute to him, whether they know it or not.     Gary Lucas is a New York City treasure who does things with the guitar no one thought possible.  Did part of his inspiration come from seeing and hearing Rahsaan perform in 1971?  Do we have live recordings of Rahsaan from that period in the WKCR archives?  Is Gary going to join host Mitch Goldman in the studio Monday night for Deep Focus?   There's more than one way to find out.  Listen to WKCR 89.9FM, WKCR-HD or wkcr.org Monday (5/13) from 6pm to 9pm.  Or join us next week when it goes up on the Deep Focus podcast on your favorite podcasting app or at https://mitchgoldman.podbean.com/.  Either way it's ad-free, all free, totally non-commercial.   Find out more about Deep Focus at https://mitchgoldman.com/about-deep-focus/ or join us on Instagram.   Photo credit: Rahsaan Roland Kirk - Großen Sedesaal des NDR Hamburg, 1972 from Wikipedia, courtesy of Creative Commons 2.0  #WKCR #JazzAlternatives #DeepFocus #GaryLucas #RolandKirk #RahsaanRolandKirk #MitchGoldman #JazzInterview #JazzPodcast   

"Who has the hippest chops in the world?"    If you're going to ask that question on a record, you had better have the nuts to back it up.  I mean, you will be annihilated, humiliated for the rest of time, if you don't.  Rahsaan Roland Kirk knew he had them and so did everyone else on the scene.  To this day, any time you see a saxophonist playing 3 horns at once or circular breathing or playing the nose flute or any of the other manifestations that Rahsaan developed, they are paying tribute to him, whether they know it or not.     Gary Lucas is a New York City treasure who does things with the guitar no one thought possible.  Did part of his inspiration come from seeing and hearing Rahsaan perform in 1971?  Do we have live recordings of Rahsaan from that period in the WKCR archives?  Is Gary going to join host Mitch Goldman in the studio Monday night for Deep Focus?   There's more than one way to find out.  Listen to WKCR 89.9FM, WKCR-HD or wkcr.org Monday (5/13) from 6pm to 9pm.  Or join us next week when it goes up on the Deep Focus podcast on your favorite podcasting app or at https://mitchgoldman.podbean.com/.  Either way it's ad-free, all free, totally non-commercial.   Find out more about Deep Focus at https://mitchgoldman.com/about-deep-focus/ or join us on Instagram.   Photo credit: Rahsaan Roland Kirk - Großen Sedesaal des NDR Hamburg, 1972 from Wikipedia, courtesy of Creative Commons 2.0  #WKCR #JazzAlternatives #DeepFocus #GaryLucas #RolandKirk #RahsaanRolandKirk #MitchGoldman #JazzInterview #JazzPodcast   

"Who has the hippest chops in the world?"    If you're going to ask that question on a record, you had better have the nuts to back it up.  I mean, you will be annihilated, humiliated for the rest of time, if you don't.  Rahsaan Roland Kirk knew he had them and so did everyone else on the scene.  To this day, any time you see a saxophonist playing 3 horns at once or circular breathing or playing the nose flute or any of the other manifestations that Rahsaan developed, they are paying tribute to him, whether they know it or not.     Gary Lucas is a New York City treasure who does things with the guitar no one thought possible.  Did part of his inspiration come from seeing and hearing Rahsaan perform in 1971?  Do we have live recordings of Rahsaan from that period in the WKCR archives?  Is Gary going to join host Mitch Goldman in the studio Monday night for Deep Focus?   There's more than one way to find out.  Listen to WKCR 89.9FM, WKCR-HD or wkcr.org Monday (5/13) from 6pm to 9pm.  Or join us next week when it goes up on the Deep Focus podcast on your favorite podcasting app or at https://mitchgoldman.podbean.com/.  Either way it's ad-free, all free, totally non-commercial.   Find out more about Deep Focus at https://mitchgoldman.com/about-deep-focus/ or join us on Instagram.   Photo credit: Rahsaan Roland Kirk - Großen Sedesaal des NDR Hamburg, 1972 from Wikipedia, courtesy of Creative Commons 2.0  #WKCR #JazzAlternatives #DeepFocus #GaryLucas #RolandKirk #RahsaanRolandKirk #MitchGoldman #JazzInterview #JazzPodcast   

Sheriff Link, Detective Marlow, and Officer Lucas discuss a new app based program to provide tips to the department, burglaries, boat safety, and more on the WRAM Morning Show.

EPISODE 111: Larry Beckett's poetry has been published in Zyzzyva, Field, Salamander, the anthology Portland Lightsfrom Nine Lights Press, and his first book, Songs and Sonnets from Rainy Day Women Press, was favorably reviewed in the San Francisco Chronicle. Beat Poetry, a study of the San Francisco renaissance, was put out by Beatdom Books. Three book-length poems have been published, Paul Bunyan, by Smokestack Books, Wyatt Earp, by Alternating Current Press, and Amelia Earhart, by Finishing Line Press, with strong reviews in Zyzzyva. These texts were collected, with seven others, as an epic, American Cycle, published by Running Wild Press. The Book of Merlin, a translation, is out from Livingston Press, and Song to the Siren is forthcoming from Halbaffe Press. His work has been commended by Jonah Raskin, Jack Hirschman, David Meltzer, Tom Clark, Ann Charters, Paul Wilner, David Young, and U.S. Poet Laureates William Meredith, W. S. Merwin and Charles Wright. larrybeckett.comContact us: makingsoundpodcast.comFollow on Instagram: @makingsoundpodcastFollow on Threads: @jannkloseJoin our Facebook GroupPlease support the show with a donation, thank you for listening!

SAN ONOFRE-Gary Lucas interviú Hey Gary, name three giants you ain´t never worked with La proverbial contumacia e insistencia onofrita de SAN ONOFRE al cabo han hecho que, una vez más, nos llevemos el gato al agua onofrita. Sí, ¿qué duda cabe?, correligionarios ("gimme that ole time relijun, is good enuff for me, ´s good enuff for you") amigos onofritas, de que el mes/la mesa beefheartiana habría quedado un tanto coja sin la mágica aportación anglo de algún esclavillo de Don. Lo primero que le llama a uno la atención de nuestra víctima onofrita de hoy es la inacabable lista de colaboraciones con gigantes músicos de todos los estilos imaginables y algún otro. Bona nit, Gary Lucas, ¿cómo está tu hermano Jorge y qué te cuentas, macho? ¡Hala, benvingut al SAN ONOFRE! Próxima liturgia onofrita: Eugene Chadbourne (und Schoreder) Bar Arcadia. Sábado 26 abril 2024 20:00 h.; 10 evros

SAN ONOFRE-¡La Magic Band empieza a dar señales de vida! ¿Qué, hace una ouija con el Cap´n? SAN ONOFRE continuamos zozobrando abruptamente en medio de nuestro mess Craptrain Bigfart & The Foetid Band antes de que Gary Lucas tome el micróphono onofrita en nuestro subsiguiente episodio y de que dos pinches prepúberes pongan el último clavo en la maldita tumba onofrita. Mientras tanto, esta semana nos concentramos en el antes, el durante y el después de las fechorías, tropelías y sublimes atrocidades de Don Van Vliet. Que SAN ONOFRE seamos paranoicos no significa que ese pollo no nos esté siguiendo. ¡Además, una pizca de paranoia es un buen acicate, eh, Capitán Entresijos! Careful with that blimp, Eugene Chadbourne! SAN ONOFRE presenta a Eugene Chadbourne Sábado 26 abril 2024; 20:00 h. 10 evros. Arcadia Bar

The Spencertown Academy Arts Center in Spencertown, New York presents “Gary Lucas: Solo Electric & Acoustic” on Saturday, February 24 at 7:30 p.m.

THE ARWEN LEWIS SHOW Featuring Emily Duff - Emily Duff is a longtime icon of New York City's roots-rock community. Emily Duff has spent her career blurring the lines between rock & roll, soul, roadhouse country, and punk. She's been a solo artist. A bandmate. A multi-instrumentalist who strums the guitar plays the cello, and writes her own string arrangements. But above all else, Emily Duff has been — and always will be — a songwriter.  "If you ain't composing, you're decomposing," she says. "I like to keep myself moving and keep myself writing. I usually write one song a day. It's been that way for years." Duff's songs emphatically nod to the sounds that first captivated her attention as a child during the 1970s. Raised in Queens and Long Island, she gravitated toward the era's roots legends and soul singers: Kris Kristofferson, Aretha Franklin, Willie Nelson, Janis Joplin, Johnny Cash, Al Green, and countless others. Don't Let Go turns that rich tapestry of sound into fuel for something original, with Duff delivering a collection of heartland rock anthems, folksongs, barn burners, gothic murder ballads, soulful love songs, and everything in between.  She's a street-smart New Yorker who traded mix tapes with Lou Reed during her 20s and struck up a musical partnership with Gary Lucas, the experimental guitarist who performed with Captain Beefheart's Magic Band before launching his project, Gods and Monsters. When the band's original lead singer, Jeff Buckley, left the lineup to launch his meteoric solo career, Duff stepped in as his replacement. Before long, she'd left that band and formed another group, Eudora, whose mix of Americana instrumentation and baroque textures earned them a gig opening for Bob Dylan and Paul Simon. From the stage of CBGB's — where she played her first show — to the confines of her 340 square foot Greenwich Village tenement apartment where she is happily raising her two teenage children and hound dog with her husband, Emily Duff has never been afraid to chase her muse into uncharted territory. Duff presently has a record being mixed and another in production. Both are “modern records” inspired by classic American roots music, with Duff upholding her status as a genre-bending lifer. Emily Duff On Instagram @emilyduffband211 The Arwen Lewis Show Host | Arwen Lewis Executive Producer | Jeremiah D. Higgins Producer - Sound Engineer - Richard “Dr. D” Dugan https://arwenlewismusic.com/ The Arwen Lewis Show is Brought to you by John DeNicola and Omad Records https://www.omadrecords.com/ On Instagram, Follow Arwen Lewis Here: @thearwenlewisshow @arwenlewis www.thejeremiahshow.com On Instagram @jeremiahdhiggins https://linktr.ee/jeremiahdhiggins

• David Rogers & Paul Shaw • Alan Hawkshaw • Bertrand Eluerd • Paul Williams • Ron Aspery • Keith Mansfield • Iasos • Kip Hanrahan • Anthony Phillips • Milan Pilar • O Yuki Conjugate • Don Alias & Michael Blair & Art Baron & Bill Frisell & Gary Lucas & Greg Cohen • David Vorhaus • Steve Everitt • David Hentschel • Eric Vann • Geinoh Yamashirogumi • Steve Roach & Robert Rich

Joe Kelley Radio sits down with NYC singer/songwriter Jann Klose to discuss his hugely successful career and the release of his 7th album "Surrender". JANN KLOSE is an award-winning* pop singer-songwriter, who has released seven albums and two EPs. Klose was raised in Kenya, South Africa, Germany and the United States. His recent singles "Sugar My," "Flesh and Blood," "Love You the Most," and "Pilot Light" have accumulated over 5 million streams across all platforms and charted on Top 40 radio in the US and South Africa. Jann has worked with several charities including St. Jude's Children's Hospital and Desmond Tutu's TutuDesk campaign. He is the singing voice of Tim Buckley in the movie "Greetings from Tim Buckley" (Universal). His songs have been heard on the Grammy® nominated "Healthy Food For Thought" compilation, charted in the Billboard Top 10 compilation "Action Moves People United" as well as MTV Cribs and movies "Married Young" (Amazon), "Dead Broke" (Warner Bros) featuring Paul Sorvino and “One Little Finger” alongside Quincy Jones. He has performed as an actor and singer in touring companies of Broadway musicals, including "Jesus Christ Superstar," "Jekyll and Hyde," and "The Who's Tommy" as well as made for TV movies, voice overs and commercials. In 2020, Jann launched his podcast, Making Sound with Jann Klose. Recent episodes have featured industry legends like Mark Farner (Grand Funk Railroad), Frank Bello (Anthrax), and Simon Kirke (Bad Company).Jann Klose's 7th studio album, "Surrender" was released March 3rd, 2023. Jann tours year round in North America, Europe, Africa and Asia and has opened for and collaborated with a wide range of artists including Pat Benatar, John Oates of Hall and Oates, Suzanne Vega, Renaissance's Annie Haslam, The Yardbirds and Jim McCarty, Rosanne Cash, Paula Cole, Brett Dennen, Karen Zoid, Shekhinah, Carrie Newcomer, Alicia Madison, The Byrds' Roger McGuinn, Gary Lucas, Jeffrey Gaines, Elliott Murphy, Rusted Root, Pete Seeger and Les Paul. *Recipient of 4 Independent Music Awards, Grammy® nomination “Healthy Food For Thought” compilation. https://www.jannklose.comhttps://www.joekelleyradio.com_____________________Rock and Roll Hall of Famer Prince featured the "Upper Room with Joe Kelley and Gi Dussault" on his official website www.npgmusicclub.com. This is the first radio show to have ever received that honor. "Joe Kelley Radio" has been on the radio airwaves since 1982. Joe Kelley and Gi Dussault co-host the show and are well-respected in the music business as creative air personalities and supporters of independent musicians . Our web site is located at www.joekelleyradio.com . The show broadcasts 24 hours/ 7 days a week here, and also, live locally, in Fairfield, CT on WVOF 88.5 FM , on Mondays from 6pm-8pm EST.The show features creative music in funk, R&B, jazz, blues, rock, hip-hop, latin, and gospel. In addition, Joe Kelley has interviewed renowned musicians such as Victor Wooten,...

Every once in a while, an artist comes along who gets so caught up in the sweep of history that the world seems to create itself for the artist's work, rather than the other way around.  Dollar Brand came of age as a pianist in South Africa in the late Fifties, just in time for the multiethnic explosion of Johannesburg's Sophiatown.  In the wake of the repression that followed the Sharpeville Massacre of 1960, he became a European exile.  Within months, his music came to the attention of Duke Ellington who was so moved that he brought about the LP session Duke Ellington presents The Dollar Brand Trio on Frank Sinatra's Reprise label.     Brand came to New York, subbed for Duke leading the Ellington Orchestra and attended Juilliard.  But experiences with John Coltrane, Don Cherry and the progressive cadre of the Jazz world gave him a new appreciation of his African roots and he incorporated them into his music.  He returned to South Africa, converted to Islam and became Abdullah Ibrahim.  With these changes came a new style of music that embraced the multi-kulti, freedom-loving culture of his native Cape Town.  His song "Mannenberg" became a theme for the anti-apartheid movement.   After South African police fired on children during the Soweto Uprising of 1976, Ibrahim publicly came out in support of the African National Congress and subsequently returned to New York.  Here he found a community of open-minded musicians and an audience that was supportive of his distinctively contemplative and deeply grooving music.     After the Apartheid regime fell and Nelson Mandela became president, Ibrahim returned to Cape Town; In 2022, he is still recording and performing throughout the world.     What's that you say?  "Gary Lucas?  That guy's a rocker!  Who is he to talk about Abdullah Ibrahim?"   A rocker?  Guess what: so is Abdullah Ibrahim!  Have you heard Gary's version of Ibrahim's "Bra Joe From Kilimanjaro"?  You will have a whole different understanding of who both of these guys are.  Besides, Gary Lucas is a true musical gourmand of the New York old school and I love to talk about music with him.  I can't wait to hear what he has to say about his fellow iconoclast.  As always, the WKCR archives have delivered some rare beauties for us to cherish.     This Monday (Sept. 19) on WKCR 89.9FM, WKCR HD-1 and wkcr.org.  Next week it goes up on the Deep Focus podcast on your favorite podcasting app or at https://mitchgoldman.podbean.com/   #WKCR #JazzAlternatives #DeepFocus #AbdullahIbrahim #GaryLucas #MitchGoldman #JazzInterview #JazzPodcast   Photo credit: Tore Sætre, CC BY-SA 4.0 , via Wikimedia Commons

Every once in a while, an artist comes along who gets so caught up in the sweep of history that the world seems to create itself for the artist's work, rather than the other way around.  Dollar Brand came of age as a pianist in South Africa in the late Fifties, just in time for the multiethnic explosion of Johannesburg's Sophiatown.  In the wake of the repression that followed the Sharpeville Massacre of 1960, he became a European exile.  Within months, his music came to the attention of Duke Ellington who was so moved that he brought about the LP session Duke Ellington presents The Dollar Brand Trio on Frank Sinatra's Reprise label.     Brand came to New York, subbed for Duke leading the Ellington Orchestra and attended Juilliard.  But experiences with John Coltrane, Don Cherry and the progressive cadre of the Jazz world gave him a new appreciation of his African roots and he incorporated them into his music.  He returned to South Africa, converted to Islam and became Abdullah Ibrahim.  With these changes came a new style of music that embraced the multi-kulti, freedom-loving culture of his native Cape Town.  His song "Mannenberg" became a theme for the anti-apartheid movement.   After South African police fired on children during the Soweto Uprising of 1976, Ibrahim publicly came out in support of the African National Congress and subsequently returned to New York.  Here he found a community of open-minded musicians and an audience that was supportive of his distinctively contemplative and deeply grooving music.     After the Apartheid regime fell and Nelson Mandela became president, Ibrahim returned to Cape Town; In 2022, he is still recording and performing throughout the world.     What's that you say?  "Gary Lucas?  That guy's a rocker!  Who is he to talk about Abdullah Ibrahim?"   A rocker?  Guess what: so is Abdullah Ibrahim!  Have you heard Gary's version of Ibrahim's "Bra Joe From Kilimanjaro"?  You will have a whole different understanding of who both of these guys are.  Besides, Gary Lucas is a true musical gourmand of the New York old school and I love to talk about music with him.  I can't wait to hear what he has to say about his fellow iconoclast.  As always, the WKCR archives have delivered some rare beauties for us to cherish.     This Monday (Sept. 19) on WKCR 89.9FM, WKCR HD-1 and wkcr.org.  Next week it goes up on the Deep Focus podcast on your favorite podcasting app or at https://mitchgoldman.podbean.com/   #WKCR #JazzAlternatives #DeepFocus #AbdullahIbrahim #GaryLucas #MitchGoldman #JazzInterview #JazzPodcast   Photo credit: Tore Sætre, CC BY-SA 4.0 , via Wikimedia Commons

Every once in a while, an artist comes along who gets so caught up in the sweep of history that the world seems to create itself for the artist's work, rather than the other way around.  Dollar Brand came of age as a pianist in South Africa in the late Fifties, just in time for the multiethnic explosion of Johannesburg's Sophiatown.  In the wake of the repression that followed the Sharpeville Massacre of 1960, he became a European exile.  Within months, his music came to the attention of Duke Ellington who was so moved that he brought about the LP session Duke Ellington presents The Dollar Brand Trio on Frank Sinatra's Reprise label.     Brand came to New York, subbed for Duke leading the Ellington Orchestra and attended Juilliard.  But experiences with John Coltrane, Don Cherry and the progressive cadre of the Jazz world gave him a new appreciation of his African roots and he incorporated them into his music.  He returned to South Africa, converted to Islam and became Abdullah Ibrahim.  With these changes came a new style of music that embraced the multi-kulti, freedom-loving culture of his native Cape Town.  His song "Mannenberg" became a theme for the anti-apartheid movement.   After South African police fired on children during the Soweto Uprising of 1976, Ibrahim publicly came out in support of the African National Congress and subsequently returned to New York.  Here he found a community of open-minded musicians and an audience that was supportive of his distinctively contemplative and deeply grooving music.     After the Apartheid regime fell and Nelson Mandela became president, Ibrahim returned to Cape Town; In 2022, he is still recording and performing throughout the world.     What's that you say?  "Gary Lucas?  That guy's a rocker!  Who is he to talk about Abdullah Ibrahim?"   A rocker?  Guess what: so is Abdullah Ibrahim!  Have you heard Gary's version of Ibrahim's "Bra Joe From Kilimanjaro"?  You will have a whole different understanding of who both of these guys are.  Besides, Gary Lucas is a true musical gourmand of the New York old school and I love to talk about music with him.  I can't wait to hear what he has to say about his fellow iconoclast.  As always, the WKCR archives have delivered some rare beauties for us to cherish.     This Monday (Sept. 19) on WKCR 89.9FM, WKCR HD-1 and wkcr.org.  Next week it goes up on the Deep Focus podcast on your favorite podcasting app or at https://mitchgoldman.podbean.com/   #WKCR #JazzAlternatives #DeepFocus #AbdullahIbrahim #GaryLucas #MitchGoldman #JazzInterview #JazzPodcast   Photo credit: Tore Sætre, CC BY-SA 4.0 , via Wikimedia Commons

"I find Joy in Discovery All the Time!"Our guest for this episode of MFM Speaks Out is Bruce Lee Gallanter, the owner and proprietor of Downtown Music Gallery (DMG), a Manhattan based music store that specializes in new, used, hard to find, and out of print CDs, Vinyl, DVDs, and books. DMG was started in 1991 by David Yamner & Steve Popkin, with Gallanter working for the store. They remained in their first location on east 4th street in Manhattan for 12 years until 2003, and started having weekly free concerts, an idea that Gallanter had started with Manny Maris when they worked at Lunch For Your Ears. Gallanter became the owner in 1997. Around the time. he and Emperor Mike started the DMG newsletter, In 2003, they moved into a new store on the Bowery, not far from St. Marks Place, Tower Records, and Other Music. This was their most popular and successful location. They are presently located in Chinatown.Their concerts at their different locations included musicians such as Elton Dean, Lol Coxhill, Derek Bailey, Peter Kowald, Joelle Leandre, John Zorn, Rod Poole, Ivo Perelman, Marc Ribot, Eugene Chadbourne, Haino Keji & Loren Mazzacane,  Gong, Hatfield & the North, Present, Dr. Nerve, Kramer, Luscious Jackson, Fibre, Machine Gun, Thinking Plague, Dark Carnival, members of Henry Cow: Fred Frith, J.D. Parran, Tony Levin, Michael Moore, and many others. The Sunday night in-store series continues to this day. DMG  also devotes an entire 700-CD display to the Tzadik label (founded and owned by John Zorn), and operates the mail-fulfillment for the label. They also provide the telephone information service for The Stone performance space. Gallanter is also a valued contributor to doobeedoobeedoo.info,   Topics discussed:His beginnings with Downtown Music Gallery, the in-store concerts DMG presents, becoming the owner of DMG, DMG's relationship with John Zorn's Tzaddik label, the DMG/ARC label, DMG's relationship with The Stone, Arts For Art, and the VISION FESTIVAL, DMG's business model and how they survive as a brick & mortar store in the age of online music purchasing, Gallanter's views on musician's rights, his  writings for doobeedoobeedoo.info and DMG's alliance with MFM, and the future of music retail. Music on this episode:1. Jamie Branch, Thomas Helton, and Michael Evans (recorded live at the Downtown Music Gallery Concert Series May 2021)2. Sandy Ewen, Chris Pistons, and Nate Wooly ((recorded live at the Downtown Music Gallery Concert Series May 2021)3. Francisco Mora Catlett & Same Newsome (recorded live at the Downtown Music Gallery Concert Series April 2021)All tracks courtesy of Bruce Gallanter / Downtown Music Gallery

Travel Along with Laura to the bustling capital of Thailand! We'll ride all the kinds of public transport, visit temples, go on an exciting excursion to a market on the train tracks, eat 45 year old soup and have multiple encounters with monitor lizards!10 by Les Cartes Postales Sonores is licensed under a Attribution-Noncommercial-Share Alike 3.0 United States License.  Sex and Lucia by Gary Lucas is licensed under a Attribution-Noncommercial-No Derivative Works 3.0 United States License.  Like a jungle is licensed under a Attribution-NonCommercial-NoDerivatives 4.0 International License.  We are soup ingredients 2 by U Can Unlearn Guitar is licensed under a Attribution-NonCommercial-NoDerivatives 4.0 International License.  Mountain Monk B (ID 565) by Lobo Loco is licensed under a Attribution-NonCommercial-NoDerivatives 4.0 International License.Support the show

website The world needs to hear from The Mortal Prophets, with a horror film like underbelly feel of the Americanist Religions. John Beckmann is the guy who can pull everything from the Unrepentant fallen preacher, still revieving visions and able to scare you in the delivery. He did some great work with Gary Lucas the guitar god, and covered some pre war blues, and he even talked about the assasination of JFK in his lyrics. There is nothing we won't cover in his subject matter, and he reminds you of My Life with the Thrill Kill Kult, with Shriekback, and some sort of mad carnival barker. #mortalprophets #garylucas #captainbeefheart #robertjohnson #jimmyhendrix #shriekback #alabama3 soundcloud website instagram youtube

Artists: Cosmo, Gary Lucas, The Wild Rumpus, The Funk District, Grey Skool Edits, Nathan Haines, 80's Child, Peza, D:Ream, Paul Baule, Temple Tears, Rodion, Mz Sunday Luv, Ioire, Kanike, Dove City, Joe Goddard, Pete Herbert & James Rod

Photo by Rens Dekker Peter Willems is a bassist and vocalist and is currently studying both subjects at the conservatory of Maastricht.  He recently released Double Dare, Vol. 1 with the Grammy-nominated Gary Lucas.   We talk about his musical background, the unique learning environment in Maastricht, practicing, plans for the future, and much more.   Enjoy, and be sure to follow Peter on his website, Spotify, YouTube, Facebook, and Instagram!   Subscribe to the podcast to get these interviews delivered to you automatically!   Check out our Online Sheet Music Store with 100+ wide-ranging titles for bassists.   Listen to Contrabass Conversations with our free app for iOS, Android, and Kindle. Check out my Beginner's Classical Bass course and Intermediate to Advanced Classical Bass course, available exclusively from Discover Double Bass.   Thank you to our sponsors!   Upton Bass String Instrument Company - Upton's Karr Model Upton Double Bass represents an evolution of our popular first Karr model, refined and enhanced with further input from Gary Karr. Since its introduction, the Karr Model with its combination of comfort and tone has gained a loyal following with jazz and roots players. The slim, long “Karr neck” has even become a favorite of crossover electric players.   Dorico - Dorico 4 is here to supercharge your workflow. Steinberg's latest major version of music notation and composition software for macOS & Windows is packed with powerful new features that are designed to accelerate your workflow and make it quicker and easier than ever to go from inspiration to finished product. If you're a composer, arranger or orchestrator, you'll be delighted by the sophisticated new tools on offer – and there are improvements across the whole application, whatever your focus. For more information and to download a free 30-day trial  of Dorico 4 visit steinberg.net/dorico.   theme music by Eric Hochberg

The tables turn! Co-producer of the show, Michael Also interviews host Jann Klose. JANN KLOSE is an award-winning pop singer-songwriter, who has released six albums and two EPs. Klose was raised in Kenya, South Africa, Germany and the United States. His single "Love You the Most" is part of the soundtrack for the movie "Married Young" (Amazon) and has been streamed over 3 million times. The song peaked at #49 on the Mediabase Top 40 radio charts in the U.S. His latest single "Pilot Light" passed 1 million views on YouTube in just one month. Jann is an ambassador for Desmond Tutu's TutuDesk campaign and Brick by Brick Uganda. He is the singing voice of Tim Buckley in the movie "Greetings from Tim Buckley" (Universal). His songs have been heard on the Grammy® nominated "Healthy Food For Thought" compilation, charted in the Billboard Top 10 compilation "Action Moves People United" as well as MTV Cribs and movies "Dead Broke" (Warner Bros) featuring Paul Sorvino and “One Little Finger” alongside Quincy Jones, Siedah Garrett and Julian Lennon. He has performed as an actor and singer in touring companies of Broadway musicals, including "Jesus Christ Superstar," "Jekyll and Hyde," and "The Who's Tommy" as well as made for TV movies, voice overs and commercials. Jann tours year round in North America, Europe, Africa and Asia and has opened for and collaborated with a wide range of artists including Pat Benatar, John Oates of Hall and Oates, Suzanne Vega, Renaissance's Annie Haslam, The Yardbirds and Jim McCarty, Rosanne Cash, Paula Cole, Brett Dennen, Karen Zoid, Shekhinah, Carrie Newcomer, Alicia Madison, The Byrds' Roger McGuinn, Gary Lucas, Jeffrey Gaines, Elliott Murphy, Rusted Root, Pete Seeger and Les Paul. jannklose.com

In aflevering #28 hoor je muziek van NELIS, Gary Lucas en Peter Willems, Mel, Blowbeat, Apollo's Dream en YĪN YĪN.

In this episode, we welcome the great Lenny Kaye — all the way from NYC — and ask him to reminisce about his New Jersey youth; the revelation that was rock 'n' roll; his exposure in 1966 to Crawdaddy! and other pioneering music zines, and of course his first encounters with the inimitable Patti Smith. Along the way we hear about his landmark 1972 anthology Nuggets, and about his thrilling new book Lightning Striking.Clips from John Tobler's 1978 audio interview with Patti prompt Lenny to relive key moments from the '70s, including the pair's engagement with the British punk scene on their band's first London visit in May '76. To mark the 50th anniversary of Led Zeppelin IV, he also talks about his rave Rolling Stone review of that album, a piece he stands by to this day. His hosts also note the imminent release of the follow-up to Robert Plant & Alison Krauss' Americana classic Raising Sand.The RBP team pays its respects to Maureen Cleave, whose crucial early pieces on the Beatles made her part of Fab Four folklore. Lenny mentions his New York mentor Danny Fields (episode 28) whose syndication of Maureen's "more popular than Jesus" Lennon interview sparked an unholy fundamentalist backlash across America. Mark & Jasper talk us out with remarks about "new and notable" library pieces on — among other subjects — Patti Smith (1972) and Led Zeppelin (1969)! And several more great interviews and reviews besides…Many thanks to special guest Lenny Kaye. Lightning Striking is published by White Rabbit and available now.Pieces discussed: Lenny Kaye on music in the '60s, Nuggets, Patti Smith, Patti Smith audio, Lenny on Led Zep IV, Barney on Led Zep IV, Robert Plant and Alison Krauss, The Beatles, John Lennon, Pete Makowski, Thelonius Monk, Maurice White, Anita Baker, The Rolling Stones, Led Zeppelin at the Fillmore West, Patti Smith, Gary Lucas, Vibe magazine and Field Day festival.

In this episode, we welcome the great Lenny Kaye — all the way from NYC — and ask him to reminisce about his New Jersey youth; the revelation that was rock 'n' roll; his exposure in 1966 to Crawdaddy! and other pioneering music zines, and of course his first encounters with the inimitable Patti Smith. Along the way we hear about his landmark 1972 anthology Nuggets, and about his thrilling new book Lightning Striking. Clips from John Tobler's 1978 audio interview with Patti prompt Lenny to relive key moments from the '70s, including the pair's engagement with the British punk scene on their band's first London visit in May '76. To mark the 50th anniversary of Led Zeppelin IV, he also talks about his rave Rolling Stone review of that album, a piece he stands by to this day. His hosts also note the imminent release of the follow-up to Robert Plant & Alison Krauss' Americana classic Raising Sand. The RBP team pays its respects to Maureen Cleave, whose crucial early pieces on the Beatles made her part of Fab Four folklore. Lenny mentions his New York mentor Danny Fields (episode 28) whose syndication of Maureen's "more popular than Jesus" Lennon interview sparked an unholy fundamentalist backlash across America. Mark & Jasper talk us out with remarks about "new and notable" library pieces on — among other subjects — Patti Smith (1972) and Led Zeppelin (1969)! And several more great interviews and reviews besides… Many thanks to special guest Lenny Kaye. Lightning Striking is published by White Rabbit and available now. Pieces discussed: Lenny Kaye on music in the '60s, Nuggets, Patti Smith, Patti Smith audio, Lenny on Led Zep IV, Barney on Led Zep IV, Robert Plant and Alison Krauss, The Beatles, John Lennon, Pete Makowski, Thelonius Monk, Maurice White, Anita Baker, The Rolling Stones, Led Zeppelin at the Fillmore West, Patti Smith, Gary Lucas, Vibe magazine and Field Day festival. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode, we welcome the great Lenny Kaye — all the way from NYC — and ask him to reminisce about his New Jersey youth; the revelation that was rock 'n' roll; his exposure in 1966 to Crawdaddy! and other pioneering music zines, and of course his first encounters with the inimitable Patti Smith. Along the way we hear about his landmark 1972 anthology Nuggets, and about his thrilling new book Lightning Striking.Clips from John Tobler's 1978 audio interview with Patti prompt Lenny to relive key moments from the '70s, including the pair's engagement with the British punk scene on their band's first London visit in May '76. To mark the 50th anniversary of Led Zeppelin IV, he also talks about his rave Rolling Stone review of that album, a piece he stands by to this day. His hosts also note the imminent release of the follow-up to Robert Plant & Alison Krauss' Americana classic Raising Sand.The RBP team pays its respects to Maureen Cleave, whose crucial early pieces on the Beatles made her part of Fab Four folklore. Lenny mentions his New York mentor Danny Fields (episode 28) whose syndication of Maureen's "more popular than Jesus" Lennon interview sparked an unholy fundamentalist backlash across America. Mark & Jasper talk us out with remarks about "new and notable" library pieces on — among other subjects — Patti Smith (1972) and Led Zeppelin (1969)! And several more great interviews and reviews besides…Many thanks to special guest Lenny Kaye. Lightning Striking is published by White Rabbit and available now.Pieces discussed: Lenny Kaye on music in the '60s, Nuggets, Patti Smith, Patti Smith audio, Lenny on Led Zep IV, Barney on Led Zep IV, Robert Plant and Alison Krauss, The Beatles, John Lennon, Pete Makowski, Thelonius Monk, Maurice White, Anita Baker, The Rolling Stones, Led Zeppelin at the Fillmore West, Patti Smith, Gary Lucas, Vibe magazine and Field Day festival.

In this episode, we welcome the great Lenny Kaye — all the way from NYC — and ask him to reminisce about his New Jersey youth; the revelation that was rock 'n' roll; his exposure in 1966 to Crawdaddy! and other pioneering music zines, and of course his first encounters with the inimitable Patti Smith. Along the way we hear about his landmark 1972 anthology Nuggets, and about his thrilling new book Lightning Striking. Clips from John Tobler's 1978 audio interview with Patti prompt Lenny to relive key moments from the '70s, including the pair's engagement with the British punk scene on their band's first London visit in May '76. To mark the 50th anniversary of Led Zeppelin IV, he also talks about his rave Rolling Stone review of that album, a piece he stands by to this day. His hosts also note the imminent release of the follow-up to Robert Plant & Alison Krauss' Americana classic Raising Sand. The RBP team pays its respects to Maureen Cleave, whose crucial early pieces on the Beatles made her part of Fab Four folklore. Lenny mentions his New York mentor Danny Fields (episode 28) whose syndication of Maureen's "more popular than Jesus" Lennon interview sparked an unholy fundamentalist backlash across America. Mark & Jasper talk us out with remarks about "new and notable" library pieces on — among other subjects — Patti Smith (1972) and Led Zeppelin (1969)! And several more great interviews and reviews besides… Many thanks to special guest Lenny Kaye. Lightning Striking is published by White Rabbit and available now. Pieces discussed: Lenny Kaye on music in the '60s, Nuggets, Patti Smith, Patti Smith audio, Lenny on Led Zep IV, Barney on Led Zep IV, Robert Plant and Alison Krauss, The Beatles, John Lennon, Pete Makowski, Thelonius Monk, Maurice White, Anita Baker, The Rolling Stones, Led Zeppelin at the Fillmore West, Patti Smith, Gary Lucas, Vibe magazine and Field Day festival.

Het hele weekend staat Co Live! in het teken van de gitaar. Met in deze aflevering een instore sessie van gitarist Gary Lucas en bassist Peter Willems in platenzaak 't Oor in Hilversum. En daarnaast blikt Co samen met Gary terug op een project rond Jeff Buckley dat hij deed samen met het Metropole Orkest.

Het hele weekend staat Co Live! in het teken van de gitaar. Met in deze aflevering een instore sessie van gitarist Gary Lucas en bassist Peter Willems in platenzaak 't Oor in Hilversum. En daarnaast blikt Co samen met Gary terug op een project rond Jeff Buckley dat hij deed samen met het Metropole Orkest.

Zig At The Gig with Jared Michael Nickerson of Burnt Sugar The Arkestra Chamber   Jared Michael Nickerson is a Grammy-nominated Bold Soul, Rock & Roll Brother from Ohio. He experienced his first taste of live performance at local high school talent shows, one of the”labs” along with the church and basement dens of the legendary Dayton funk scene which spawned the Ohio Players, Slave, Roger Troutman & Zapp, Sun, Dayton, Steve Arrington's Hall of Fame, Faze-O and members of Heatwave. He continued his musical development at the University of Notre Dame under the direction of Father Wiskerchen, (noted for his development of three-fourths of the “Chicago”horn section). After graduating with a B.A. in Business Management, Jared moved to Boston, studied for two years at the New England Conservatory of Music before embarking on his professional music career with a local seven-piece funk band, Hypertension.   After six years in Boston he returned to Dayton, Ohio and a year later joined the Cleveland Ohio band The Human Switchboard. After three years of touring the Midwest & East Coast still based in Ohio, he moved with the band to New York City and back-flipped into the local music scene of CBGBs, Danceteria, The Peppermint Lounge, Maxwells ( Hoboken N.J.) and The World. After HS dissolved Jared started his own band JJ Jumpers; joined the Black Rock Coalition becoming the B.R.C.'s first Director of Operations. His first booking was the B.R.C.'s first, two-day, mini-fest at CBGBs entitled “Stalking Heads” on February 11th and 12th,1987. When he departed a few years later the new Director of Operations and BRC East & West Coast Booking Committees had access to rock & roll venues all across the country. Jared has “laid the bottom” for folks such as Nona Hendryx, Wadada Leo Smith, Human Switchboard, JJ Jumpers, Vernon Reid, Marshall Crenshaw, Melvin Van Peebles, Freedy Johnston, Catie Curtis, Ivan Julian, John Paul Bourelly, Katell Keineg, Bernie Worrell, The The, Gary Lucas's Gods and Monsters, Chocolate Genius, Darlene Love, Jeff Buckley, The Yohimbe Brothers with DJ Logic & Vernon Reid, Tammy Faye Starlite and the Angels of Mercy, Pheeroan akLaff, Divine Pocket Bouncers, Cynthia Sley, Dayton Flic, The Raybeats and the Band of Gypsy's Revisited Band. Jared co-wrote a tune, recorded and toured with Charlie Musselwhite. “Sanctuary”, on Peter Gabriel's Real World label, found itself on numerous critic top ten lists and received a Grammy nomination.   A suggestion from a mutual friend, led to a call from Greg Tate landing Jared among a number of “Badasses” which included Vijay Iyer and Ronny “Wirepuller” Drayton for a jam session that morphed into Burnt Sugar The Arkestra Chamber. Burnt Sugar Index LLC soon followed with Jared handling all BSAC's business affairs such as arranging an eight-week residency with BRIC studios (The organization that presents Celebrate Brooklyn) to workshop and preview Melvin Van Peebles theatrical version of “Sweet Sweetback's Badasssss Song”. The workshop culminated with three sold-out BRIC performances before BSAC departed for Paris to perform two sold-out performances at the Sons D'Hiver Festival in 2010. Jared, overseeing “bookings” throughout the United States, Canada, France, England, Portugal, Spain, Finland, the Netherlands and Italy, just celebrated his twentieth year as BSAC's CEO last year. He's even “dipped his toe” in tour managing having worked with Concord Records Alt-Folk artist Valerie June including the set-up of her August 21st, 2013 debut television appearance on David Letterman. His television appearances include Late Night With David Letterman, The Jools Holland Show, MTV, VH1, The Tonight Show with Conan O Brien, The John Stewart Show and as bassist with The Kennedy Center Honors BB King Tribute Band; jamming with Bonnie Raitt, Dr. John, Etta James, Joe Williams and Steve Cropper to name a few. You'll find him in Nelson George's “Finding The Funk” documentary speaking about growing up while playing music in Dayton Ohio in the late Sixties. Jared has toured extensively performing at venues such as the Toronto Skydome, Red Rocks, the L.A. Forum, the Oakland Coliseum, England's Brixton Academy, Brighton Dome & Reading Festivals, The Beacon Theater, Lincoln Center and Madison Square Garden.   Jared's Info https://www.burntsugarindex.com/ https://burntsugarthearkestrachamber....  

Questa notte a Battiti ascoltiamo una serie di canzoni oblique e palpitanti partendo dai Cheer-Accident, il collettivo di lungo corso del rock progressivo americano e dal sorprendente e sempre originale chitarrista Gary Lucas

In this episode, hosts Barney Hoskyns, Mark Pringle & Jasper Murison-Bowie welcome the one & only Vivien Goldman to join them live & direct from her beloved Jamaica — and to talk about her life as a writer about postpunk, reggae, dub & her other "outernationalist" passions.The "Punk Professor" reminisces about her days on Sounds & the UK's other "inkies", and her fight to make women's voices heard in the '70s music press: her 1977 challenging of George Benson's ingrained male chauvinism; her championing of the Raincoats & other "she-punks" of the period; and her own 1981 indie classic 'Launderette'. She brings her musical odyssey up to date by trailing Next Is Now, the new album she's just finished with producer Youth.After we hear clips from Adam Sweeting's 1988 audio interview with Joe Strummer, Vivien pitches in with her memories of the Clash man — and of the Ladbroke Grove "punky reggae" scene of which she was herself a key part. Mark then talks us through his library highlights from the past fortnight, including a 1966 Melody Maker interview with a young David Bowie; Penny Valentine's Disc review of 'River Deep — Mountain High' from the same year; and Harold Bronson's 1972 Rolling Stone retrospective on Animals/Yardbirds producer Mickie Most. Barney mentions more recent pieces about Britpop, Roy Harper & Willie Nelson, and Jasper wraps things up with a nod to Gary Lucas' memoir of introducing a young Vin Diesel to cult "mixmaster" Arthur Russell.Many thanks to special guest Vivien Goldman; visit her website at viviengoldman.com.Pieces discussed: Vivien Goldman vs. George Benson, Raincoats, Punk Renaissance Woman Vivien Goldman, Joe Strummer audio, David Bowie, Nancy Sinatra, Mahavishnu Orchestra, Robert Wyatt, River Deep – Mountain High, Sly and the Family Stone, Mickie Most, Blondie, Wanda Jackson, Britpop, Roy Harper, Willie and the Weed Factory, Labelle and Vin Diesel meets Arthur Russell.

In this episode, hosts Barney Hoskyns, Mark Pringle & Jasper Murison-Bowie welcome the one & only Vivien Goldman to join them live & direct from her beloved Jamaica — and to talk about her life as a writer about postpunk, reggae, dub & her other "outernationalist" passions. The "Punk Professor" reminisces about her days on Sounds & the UK's other "inkies", and her fight to make women's voices heard in the '70s music press: her 1977 challenging of George Benson's ingrained male chauvinism; her championing of the Raincoats & other "she-punks" of the period; and her own 1981 indie classic 'Launderette'. She brings her musical odyssey up to date by trailing Next Is Now, the new album she's just finished with producer Youth. After we hear clips from Adam Sweeting's 1988 audio interview with Joe Strummer, Vivien pitches in with her memories of the Clash man — and of the Ladbroke Grove "punky reggae" scene of which she was herself a key part. Mark then talks us through his library highlights from the past fortnight, including a 1966 Melody Maker interview with a young David Bowie; Penny Valentine's Disc review of 'River Deep — Mountain High' from the same year; and Harold Bronson's 1972 Rolling Stone retrospective on Animals/Yardbirds producer Mickie Most. Barney mentions more recent pieces about Britpop, Roy Harper & Willie Nelson, and Jasper wraps things up with a nod to Gary Lucas' memoir of introducing a young Vin Diesel to cult "mixmaster" Arthur Russell. Many thanks to special guest Vivien Goldman; visit her website at viviengoldman.com. Pieces discussed: Vivien Goldman vs. George Benson, Raincoats, Punk Renaissance Woman Vivien Goldman, Joe Strummer audio, David Bowie, Nancy Sinatra, Mahavishnu Orchestra, Robert Wyatt, River Deep – Mountain High, Sly and the Family Stone, Mickie Most, Blondie, Wanda Jackson, Britpop, Roy Harper, Willie and the Weed Factory, Labelle and Vin Diesel meets Arthur Russell.

In this episode, hosts Barney Hoskyns, Mark Pringle & Jasper Murison-Bowie welcome the one & only Vivien Goldman to join them live & direct from her beloved Jamaica — and to talk about her life as a writer about postpunk, reggae, dub & her other "outernationalist" passions.The "Punk Professor" reminisces about her days on Sounds & the UK's other "inkies", and her fight to make women's voices heard in the '70s music press: her 1977 challenging of George Benson's ingrained male chauvinism; her championing of the Raincoats & other "she-punks" of the period; and her own 1981 indie classic 'Launderette'. She brings her musical odyssey up to date by trailing Next Is Now, the new album she's just finished with producer Youth.After we hear clips from Adam Sweeting's 1988 audio interview with Joe Strummer, Vivien pitches in with her memories of the Clash man — and of the Ladbroke Grove "punky reggae" scene of which she was herself a key part. Mark then talks us through his library highlights from the past fortnight, including a 1966 Melody Maker interview with a young David Bowie; Penny Valentine's Disc review of 'River Deep — Mountain High' from the same year; and Harold Bronson's 1972 Rolling Stone retrospective on Animals/Yardbirds producer Mickie Most. Barney mentions more recent pieces about Britpop, Roy Harper & Willie Nelson, and Jasper wraps things up with a nod to Gary Lucas' memoir of introducing a young Vin Diesel to cult "mixmaster" Arthur Russell.Many thanks to special guest Vivien Goldman; visit her website at viviengoldman.com.Pieces discussed: Vivien Goldman vs. George Benson, Raincoats, Punk Renaissance Woman Vivien Goldman, Joe Strummer audio, David Bowie, Nancy Sinatra, Mahavishnu Orchestra, Robert Wyatt, River Deep – Mountain High, Sly and the Family Stone, Mickie Most, Blondie, Wanda Jackson, Britpop, Roy Harper, Willie and the Weed Factory, Labelle and Vin Diesel meets Arthur Russell.

In this episode, hosts Barney Hoskyns, Mark Pringle & Jasper Murison-Bowie welcome the one & only Vivien Goldman to join them live & direct from her beloved Jamaica — and to talk about her life as a writer about postpunk, reggae, dub & her other "outernationalist" passions. The "Punk Professor" reminisces about her days on Sounds & the UK's other "inkies", and her fight to make women's voices heard in the '70s music press: her 1977 challenging of George Benson's ingrained male chauvinism; her championing of the Raincoats & other "she-punks" of the period; and her own 1981 indie classic 'Launderette'. She brings her musical odyssey up to date by trailing Next Is Now, the new album she's just finished with producer Youth. After we hear clips from Adam Sweeting's 1988 audio interview with Joe Strummer, Vivien pitches in with her memories of the Clash man — and of the Ladbroke Grove "punky reggae" scene of which she was herself a key part. Mark then talks us through his library highlights from the past fortnight, including a 1966 Melody Maker interview with a young David Bowie; Penny Valentine's Disc review of 'River Deep — Mountain High' from the same year; and Harold Bronson's 1972 Rolling Stone retrospective on Animals/Yardbirds producer Mickie Most. Barney mentions more recent pieces about Britpop, Roy Harper & Willie Nelson, and Jasper wraps things up with a nod to Gary Lucas' memoir of introducing a young Vin Diesel to cult "mixmaster" Arthur Russell. Many thanks to special guest Vivien Goldman; visit her website at viviengoldman.com. Pieces discussed: Vivien Goldman vs. George Benson, Raincoats, Punk Renaissance Woman Vivien Goldman, Joe Strummer audio, David Bowie, Nancy Sinatra, Mahavishnu Orchestra, Robert Wyatt, River Deep – Mountain High, Sly and the Family Stone, Mickie Most, Blondie, Wanda Jackson, Britpop, Roy Harper, Willie and the Weed Factory, Labelle and Vin Diesel meets Arthur Russell.

Considerato da certa critica tra i chitarristi più influenti del nostro tempo, Gary Lucas (1952) ha avuto e ha tuttora un'ampia attività con proprie formazioni, collaborazioni ad ampio raggio, musica per cinema e TV (anche colonne sonore originali per film muti), conferenze e corsi master. Ha lavorato inizialmente con Captain Beefheart, montando anche band-tributo al musicista, per poi collaborare tra gli altri con Tim Buckley, Lou Reed, John Cale, Patti Smith, Allen Ginsberg, Leonard Bernstein, Peter Gordon, in ambito jazz con Joe Lovano, Tim Berne, Ruswell Rudd…

Estamos mergulhados em luzes e sons ininterruptos, sempre priorizando aqueles capazes de diversas atividades simultâneas, otimizado e funcional. Tamanha é a exigência de sermos multi-tarefas que já é possível perguntar: Quando foi a última vez que você fez uma coisa só? Hoje vamos falar um pouco sobre a necessidade da ritualização do cotidiano. Post do episódio: https://www.verborragia.com/do-cotidiano-um-ritual/- Nossos Links -Site: www.verborragia.comInstagram: @verborragia_podcastFacebook: @verborragiapodcastTwitter: @VerborragiaPLojinha colab55: @verborragiaopodcastEmail: verborragiaopodcast@gmail.com- Dica -Canal do grupo Galpão de Teatro - https://www.youtube.com/user/grupogalpao- Ficha técnica -Roteiro: Carlos Sammartin; Poesia: "Meditação", de Adélia Prado; Narração: Carlos Sammartin; Trilha sonora: "Supermoon", de Ikebe Shakedown, "Aguirre, the Wrath of God", de Gary Lucas e "Syaba" e "Musi", de Aoiroooasamusi; Gravação, edição e mixagem: Estúdio D@glitch; Arte: Estúdio D@glitch; Produção: Ruído Cultural.Support the show (https://www.apoia.se/verborragiapodcast)

If tenor saxophone giant Lester Young said someone has "big ears" it was a high compliment.  It meant they were hearing everything that was there to be heard.  They had acumen and they had discernment (and what higher aspiration is there for a studious listener?).     If Lester Young had heard the music of guitarist Gary Lucas, he would certainly have cited his auricular capaciousness. Captain Beefheart? Sure.  1930's Chinese pop? Certainly.  Classical composition? Why not.  Gary takes all his food on the same plate, and everything is the subject of profound scrutiny.    In this Deep Focus from 2018, Gary Lucas turns his attention to Charles Mingus.  Know this, adepts and newbies alike: nothing will prepare you for the impact of what you will hear on this show (unless, of course, you heard this show in 2018).     #WKCR #JazzAlternatvies #DeepFocus #MitchGoldman #GaryLucas #CharlesMingus @JazzRadio #JazzInterview   Photo credit: Charles_Mingus_1976 Tom Marcello Webster - New York - CC BY-SA 2.0

If tenor saxophone giant Lester Young said someone has "big ears" it was a high compliment.  It meant they were hearing everything that was there to be heard.  They had acumen and they had discernment (and what higher aspiration is there for a studious listener?).     If Lester Young had heard the music of guitarist Gary Lucas, he would certainly have cited his auricular capaciousness. Captain Beefheart? Sure.  1930's Chinese pop? Certainly.  Classical composition? Why not.  Gary takes all his food on the same plate, and everything is the subject of profound scrutiny.    In this Deep Focus from 2018, Gary Lucas turns his attention to Charles Mingus.  Know this, adepts and newbies alike: nothing will prepare you for the impact of what you will hear on this show (unless, of course, you heard this show in 2018).     #WKCR #JazzAlternatvies #DeepFocus #MitchGoldman #GaryLucas #CharlesMingus @JazzRadio #JazzInterview   Photo credit: Charles_Mingus_1976 Tom Marcello Webster - New York - CC BY-SA 2.0

..Con i brani con protagonisti James Taylor e Ringo Starr con Herb Alpert si conclude Stay Awake. Quattro anni dopo, nel '92, Willner realizza un altro album tributo, questa volta dedicato a Charles Mingus. La fisionomia di questo lavoro è piuttosto diversa da quella dei precedenti omaggi di Willner: invece di una grande varietà di artisti, qui c'è un gruppo base (fra gli altri Francis Thumm, Bill Frisell, Gary Lucas, Marc Ribot, Don Alias, percussionista in Bitches Brew di Miles, Greg Cohen, il contrabbassista la cui fama è legata alla sua collaborazione con John Zorn e Tom Waits) e una serie di ospiti: fra quelli che ascoltiamo in questa puntata Henry Threadgill, Robbie Robertson, Elvis Costello, Vernon Reid, Henry Rollins, Charlie Watts. Inoltre Willner sceglie di impiegare alcuni dei particolarissimi strumenti ideati dal compositore Harry Partch. Rispetto ai suoi precedenti album-tributo, qui Willner non è solo il regista dell'insieme dell'operazione ma è anche molto più direttamente responsabile del risultato complessivo, in termini di impronta musicale e di sound: e l'ambito pop-rock è rappresentato da alcuni suoi illustri protagonisti, ma non altrettanto come estetica. Nei brani che ci rimangono da ascoltare nella prossima puntata, anche un altro degli Stones, Keith Richards.

Fascinating Chinese silent cinema meets the musical genius of guitar virtuoso Gary Lucas. The post Gary Lucas – The Goddess #TIFF18 appeared first on Fred Film Radio.