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2 episodes with nate wooley
3 episodes with nate wooley
2 episodes with nate wooley
2 episodes with nate wooley
Esta semana, dedicamos una nueva sesión de Rebelión Sónica, al nuevo disco del compositor, guitarrista, cantante e improvisador estadounidense David Grubbs, “Whistle from Above”. Lanzado el 28 de febrero por el sello Drag City, se trata del sucesor de “Creep Mission” de 2017, aunque en ese intertanto de tiempo, el músico ha editado múltiples colaboraciones a dúo y como parte de distintas formaciones. De acuerdo a la disquera, “durante la cuarentena de 2020, David tocó lo que precisamente cuantificó como “una tonelada de guitarra”, más de lo que recordaba haber tocado nunca antes (…) En este contexto, produjo una serie de piezas nuevas, principalmente para guitarra, pero también una composición para piano y otro excepcionalmente inquietante de música concreta”. El sello agrega que ““Whistle from Above” es un conjunto colorido y compulsivo de piezas instrumentales en las que participan David y sus colaboradores elegidos: Rhodri Davies, Andrea Belfi, Nikos Veliotos, Nate Wooley y Cleek Schrey”. Al final del programa, viajamos al pasado en la historia musical de Grubbs, para escucharlo en el disco “A Tap On The Shoulder” (2021, Husky Pants Records) junto al cantautor y guitarrista Ryley Walker. La disquera explica que “Grubbs y Walker habían estado tomando notas sobre la forma de tocar del otro durante algún tiempo antes de subir al escenario juntos en un par de ocasiones inmediatamente antes de la pandemia”. Con Grubbs en guitarra y piano y Walker en guitarra, “A Tap On The Shoulder” muestra a ambos músicos “comprometidos a trabajar dentro y más allá de la forma de la canción”, “con las guitarras eléctricas haciendo música electrónica”. Semana a semana, Rebelión Sónica se transmite por radio Rockaxis los jueves a las 10 y 22 horas, con la conducción de Héctor Aravena.
Swiss-born pianist/composer in commentary and excerpts from four performances at Roulette: A trio with percussionist Kenny Wolleson and bassist Drew Gress (2016, 2020), Amalthea (aka Poppy Seeds) (2024) with Patricia Brennan, vibes; Thomas Morgan, bass, Dan Weiss, drums, and Chimaera (2022) with Christian Fennesz, electronics; Nate Wooley, trumpet; plus Wolleson (vibes) and Gress. Photo: Sylvie+by+ChristianDucassehttps://roulette.org/
Swiss-born pianist/composer in commentary and excerpts from four performances at Roulette: A trio with percussionist Kenny Wolleson and bassist Drew Gress (2016, 2020), Amalthea (aka Poppy Seeds) (2024) with Patricia Brennan, vibes; Thomas Morgan, bass, Dan Weiss, drums, and Chimera (2022) with Christian Fennesz, electronics; Nate Wooley, trumpet; plus Wolleson (vibes) and Gress.
JANEL LEPPIN “ENSEMBLE VOLCANIC ASH” Centreville, VA, January 23, 2022Woven forest, I pose, Her hand is his scoreSarah Hughes (as) Brian Settles (ts) Anthony Pirog (g) Kim Sator (harp) Janel Leppin (cello,synt,comp) Luke Stewart (b) Larry Ferguson (d HARRIS EISENSTADT CANADA DAY QUARTET “ON PARADE IN PAREDE” Parede, Portugal, April 30 & May 1, 2016We all ate what we wanted to eat (parts 1, 2 & 5)Nate Wooley (tp) Matt Bauder (ts) Pascal Niggenkemper (b) Harris Eisenstadt (d) BYARD LANCASTER “IT'S NOT UP TO US” New York, December 18, 1966It's Not Up To Us, Mr. Continue reading Puro Jazz 03 de abril, 2025 at PuroJazz.
JANEL LEPPIN “ENSEMBLE VOLCANIC ASH” Centreville, VA, January 23, 2022Woven forest, I pose, Her hand is his scoreSarah Hughes (as) Brian Settles (ts) Anthony Pirog (g) Kim Sator (harp) Janel Leppin (cello,synt,comp) Luke Stewart (b) Larry Ferguson (d HARRIS EISENSTADT CANADA DAY QUARTET “ON PARADE IN PAREDE” Parede, Portugal, April 30 & May 1, 2016We all ate what we wanted to eat (parts 1, 2 & 5)Nate Wooley (tp) Matt Bauder (ts) Pascal Niggenkemper (b) Harris Eisenstadt (d) BYARD LANCASTER “IT'S NOT UP TO US” New York, December 18, 1966It's Not Up To Us, Mr. Continue reading Puro Jazz 03 de abril, 2025 at PuroJazz.
Today, the Spotlight shines On drummer and composer Devin Gray.Like me, Devin is a born New Englander who made his way to Brooklyn, though unlike me, he splits his time between Brooklyn and Berlin.Devin has performed with Spotlight On alumni Angelica Sanchez and Satoko Fuji, as well as a who's who of the creative music scene: David Liebman, Sylvie Couvoisier, Tim Berne, Nate Wooley, and many others.Our conversation ranged from Devin's earliest exposures to music, his self-taught approach to drumming, genre divisions in music, local and regional art scenes, the different approaches to arts funding he's encountered in the US and Europe, the appeal of creating an artistic universe of work, sincerity and authenticity, more.Devin will be performing in Seattle in the next few days and I hope to continue our conversation then. Enjoy.(The musical excerpts heard in the interview are from Devin Gray's album Most Definitely)–Dig DeeperVisit Devin Gray at devingraymusic.comPurchase Devin Gray's Most Definitely on Qobuz or Bandcamp, and listen on SpotifyFollow Devin Gray on Instagram, Facebook, TikTok, Twitter (X), and YouTube7 Questions for Devin GraySatoko Fujii: composing beyond the jazz spiritMelt All the Guns (feat. Ralph Alessi & Angelica Sanchez)Dig into this episode's complete show notes at spotlightonpodcast.com–• Did you enjoy this episode? Please share it with a friend! You can also rate Spotlight On ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts.• Subscribe! Be the first to check out each new episode of Spotlight On in your podcast app of choice.• Looking for more? Visit spotlightonpodcast.com for bonus content, web-only interviews + features, and the Spotlight On email newsletter. You can also follow us on Instagram, Facebook, and Mastodon. Hosted on Acast. See acast.com/privacy for more information.
Today, the Spotlight shines On drummer and composer Devin Gray.Like me, Devin is a born New Englander who made his way to Brooklyn, though unlike me, he splits his time between Brooklyn and Berlin.Devin has performed with Spotlight On alumni Angelica Sanchez and Satoko Fuji, as well as a who's who of the creative music scene: David Liebman, Sylvie Couvoisier, Tim Berne, Nate Wooley, and many others.Our conversation ranged from Devin's earliest exposures to music, his self-taught approach to drumming, genre divisions in music, local and regional art scenes, the different approaches to arts funding he's encountered in the US and Europe, the appeal of creating an artistic universe of work, sincerity and authenticity, more.Devin will be performing in Seattle in the next few days and I hope to continue our conversation then. Enjoy.(The musical excerpts heard in the interview are from Devin Gray's album Most Definitely)–Dig DeeperVisit Devin Gray at devingraymusic.comPurchase Devin Gray's Most Definitely on Qobuz or Bandcamp, and listen on SpotifyFollow Devin Gray on Instagram, Facebook, TikTok, Twitter (X), and YouTube7 Questions for Devin GraySatoko Fujii: composing beyond the jazz spiritMelt All the Guns (feat. Ralph Alessi & Angelica Sanchez)Dig into this episode's complete show notes at spotlightonpodcast.com–• Did you enjoy this episode? Please share it with a friend! You can also rate Spotlight On ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts.• Subscribe! Be the first to check out each new episode of Spotlight On in your podcast app of choice.• Looking for more? Visit spotlightonpodcast.com for bonus content, web-only interviews + features, and the Spotlight On email newsletter. You can also follow us on Instagram, Facebook, and Mastodon. Hosted on Acast. See acast.com/privacy for more information.
Annea Lockwood's compositions range from sound art and environmental sound installations to concert music. Water has been a recurring focus of her work and her three installation sound maps of rivers: the Hudson River, the Danube, and the Housatonic River have been widely presented. She is a recipient of the SEAMUS Lifetime Achievement Award 2020 and was inducted into the American Academy of Arts and Letters in 2022. In the interview, we discuss two of her recent works which will be performed at the Other Minds Festival: Becoming Air, co-composed with Nate Wooley and Into the Vanishing Point, co-composed with Yarn/Wire. Also covered are Lockwood's practice of making sound maps and her upcoming project with Wooley sound mapping the Columbia River in the Pacific Northwest. Music: Becoming Air by Annea Lockwood and Nate Wooley, performed by Nate Wooley (Black Truffle); On Fractured Ground by Annea Lockwood and Yarn/Wire, performed by Yarn/Wire (Black Truffle) annealockwood.com Follow us on Facebook, Instagram, and Twitter. otherminds.org Contact us at otherminds@otherminds.org. The Other Minds Podcast is hosted and edited by Joseph Bohigian. Outro music is “Kings: Atahualpa” by Brian Baumbusch (Other Minds Records).
Today, the Spotlight was meant to shine On drummer, percussionist, and composer Ches Smith, whose album Laugh Ash was released earlier this year on Pyroclastic Records. As we arranged to get together, Ches suggested we include Shara Lunon, the transdisciplinary poet, vocalist, composer, and improviser featured on the album.Laugh Ash is one of the most intriguing records I have encountered in quite some time, with its mix of form and improvisation, acoustic and synthetic, quiet and explosiveness.In addition to Ches and Shara, the album includes an all-star cast from today's creative music scene: flutist Anna Webber, clarinetist Oscar Noriega, tenor saxophonist James Brandon Lewis, trumpeter Nate Wooley, violinist Jennifer Choi, violist Kyle Armbrust, cellist Michael Nicolas, and bassist/keyboardist Shahzad Ismaily.It is an exciting work and we had a great conversation. Enjoy.(The musical excerpts heard in the interview are from Ches Smith's album Laugh Ash)–Dig DeeperPurchase Ches Smith's Laugh Ash on Qobuz or Bandcamp, and listen on your streaming platform of choiceVisit Ches Smith at chessmith.com and follow him on Instagram and FacebookVisit Shara Lunon at sharalunon.com and follow her on InstagramChes Smith's ‘Laugh Ash' Is Exhilarating MusicChes Smith About ImprovisationListN Up Playlist: Shara LunonDig into this episode's complete show notes at spotlightonpodcast.com–• Did you enjoy this episode? Please share it with a friend! You can also rate Spotlight On ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts. • Subscribe! Be the first to check out each new episode of Spotlight On in your podcast app of choice. • Looking for more? Visit spotlightonpodcast.com for bonus content, web-only interviews + features, and the Spotlight On email newsletter. You can also follow us on Instagram, Facebook, and Mastodon. Hosted on Acast. See acast.com/privacy for more information.
Today, the Spotlight was meant to shine On drummer, percussionist, and composer Ches Smith, whose album Laugh Ash was released earlier this year on Pyroclastic Records. As we arranged to get together, Ches suggested we include Shara Lunon, the transdisciplinary poet, vocalist, composer, and improviser featured on the album.Laugh Ash is one of the most intriguing records I have encountered in quite some time, with its mix of form and improvisation, acoustic and synthetic, quiet and explosiveness.In addition to Ches and Shara, the album includes an all-star cast from today's creative music scene: flutist Anna Webber, clarinetist Oscar Noriega, tenor saxophonist James Brandon Lewis, trumpeter Nate Wooley, violinist Jennifer Choi, violist Kyle Armbrust, cellist Michael Nicolas, and bassist/keyboardist Shahzad Ismaily.It is an exciting work and we had a great conversation. Enjoy.(The musical excerpts heard in the interview are from Ches Smith's album Laugh Ash)–Dig DeeperPurchase Ches Smith's Laugh Ash on Qobuz or Bandcamp, and listen on your streaming platform of choiceVisit Ches Smith at chessmith.com and follow him on Instagram and FacebookVisit Shara Lunon at sharalunon.com and follow her on InstagramChes Smith's ‘Laugh Ash' Is Exhilarating MusicChes Smith About ImprovisationListN Up Playlist: Shara LunonDig into this episode's complete show notes at spotlightonpodcast.com–• Did you enjoy this episode? Please share it with a friend! You can also rate Spotlight On ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts. • Subscribe! Be the first to check out each new episode of Spotlight On in your podcast app of choice. • Looking for more? Visit spotlightonpodcast.com for bonus content, web-only interviews + features, and the Spotlight On email newsletter. You can also follow us on Instagram, Facebook, and Mastodon. Hosted on Acast. See acast.com/privacy for more information.
(Kevin)Playlist: The New Year - Chinese HandcuffsShannon Wright - Black Little StrayJim White and Marisa Anderson - PeregrineMyriam Gendron - Lully LullayNina Nastasia - One Way OutThe Cape May - Catch Your WordsParallax Ensemble, featuring Steve Albini, Terrie Hessels, John Herndon, Wayne Montana, David Grubbs, Nate Wooley, Jason Adasiewicz, Ken Vandermark - Crystal City #1Jolie Laide - My DarlingBeth Gibbons - Tell Me Who You Are TodayMarry Waterson & Adrian Crowley - The Trembling CupLow - Laser BeamSonna - Sleep On ItAndy Aquarius - Goat SongJoanna Newsom - A Pin-Light BentMary Lattimore and Walt McClements - The Poppies, the Wild Mustard, the Blue-Eyed GrassBallaké Sissoko & Derek Gripper - BasleJessica Pratt - Nowhere It WasCindy Lee - Baby Bluemarine eyes - bluestLesjamusic - The BygonesK. Freund - Shaking off the IceBen Frost - Meg Ryan Eyez (Albini Suspension Mix)Dirty Three - Backwards Voyager
NEW DIRECTIONS BAND Englewood Cliffs, N.J., May 10, 1999The sidewinder, Beatrice (vib,p only), Song for my fatherGreg Osby (as) Mark Shim (ts) Stefon Harris (vib) Jason Moran (p) Tarus Mateen (b) Nasheet Waits (d) AZIMUTH Oslo, March, 1977Sirens' song, O, AzimuthKenny Wheeler (tp,flhrn) John Taylor (p,synt) Norma Winstone (vcl) HARRIS EISENSTADT ON PARADE IN PAREDE Parede, Portugal, April 30 & May 1, 2016Sometimes you gotta ask for what you want, A fine kettle of fish, We all ate what we wanted to eat (parts 2 & 5)Nate Wooley (tp) Matt Bauder (ts) Pascal Niggenkemper (b) Harris Eisenstadt (d) Continue reading Puro Jazz 09 Mayo 2024 at PuroJazz.
NEW DIRECTIONS BAND Englewood Cliffs, N.J., May 10, 1999The sidewinder, Beatrice (vib,p only), Song for my fatherGreg Osby (as) Mark Shim (ts) Stefon Harris (vib) Jason Moran (p) Tarus Mateen (b) Nasheet Waits (d) AZIMUTH Oslo, March, 1977Sirens' song, O, AzimuthKenny Wheeler (tp,flhrn) John Taylor (p,synt) Norma Winstone (vcl) HARRIS EISENSTADT ON PARADE IN PAREDE Parede, Portugal, April 30 & May 1, 2016Sometimes you gotta ask for what you want, A fine kettle of fish, We all ate what we wanted to eat (parts 2 & 5)Nate Wooley (tp) Matt Bauder (ts) Pascal Niggenkemper (b) Harris Eisenstadt (d) Continue reading Puro Jazz 09 Mayo 2024 at PuroJazz.
Bassist, composer, and improviser Brandon Lopez in solo, duo, and ensemble works recorded at Roulette alongside the artist's commentary on technique, process, influences, and the unexpected. With appearances by collaborators Steve Baczkowski (sax), gabby fluke-mogul and Marina Kifferstein (violins), Nate Wooley (trumpet), Michael Foster (sax), Ben Bennett, (percussion), Gerald Cleaver (drums), and Cecilia Lopez (electronics).https://roulette.org/
Bassist, composer, and improviser Brandon Lopez in solo, duo, and ensemble works recorded at Roulette alongside the artist's commentary on technique, process, influences, and the unexpected. With appearances by collaborators Steve Baczkowski (sax), gabby fluke-mogul and Marina Kifferstein (violins), Nate Wooley (trumpet), Michael Foster (sax), Ben Bennett, (percussion), Gerald Cleaver (drums), and Cecilia Lopez (electronics). The title Lopez refers to looks like this: vilevilevilevilevile...
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Vocalist, composer, and electronic musician Charmaine Lee with commentary on and excerpts from four performances at the Roulette concert hall in Brooklyn from 2017-2021 with bits of the works Ceremony and Papillae, an appearance at the Resonant Bodies Festival, plus solos and collaborations with violist Joanna Mattrey, cellist Lester St. Louis, trumpeter Nate Wooley, and electronics with Conrad Tao. Raised by Hong Kong émigrés in Australia, educated at Princeton and New England Conservatory, Charmaine Lee is now a major contributor to the New York experimental music scene. A recipient of Roulette's Van Lier Fellowship, Lee returns to Roulette as part of the Mixology Festival on 10 Feb. 2024.https://roulette.org/
Vocalist, composer, and electronic musician Charmaine Lee with commentary on and excerpts from four performances at the Roulette concert hall in Brooklyn from 2017-2021 with bits of the works Ceremony and Papillae, an appearance at the Resonant Bodies Festival, plus solos and collaborations with violist Joanna Mattrey, cellist Lester St. Louis, trumpeter Nate Wooley, and electronics with Conrad Tao. Raised by Hong Kong émigrés in Australia, educated at Princeton and New England Conservatory, Charmaine Lee is now a major contributor to the New York experimental music scene. A recipient of Roulette's Van Lier Fellowship, Lee returns to Roulette as part of the Mixology Festival on 10 Feb. 2024.
Episode 7 is a ghost tale! The mystery of a name that was only known to paper… and a woman who wrote hundreds of Tin Pan Alley tunes in the shadow of a pseudonym. Host Katie Harman unfolds the story of composer Irene Higginbotham, and how she - along with three other legendary women of Tin Pan Alley - helped shape American popular music in the 1930s-1950s. The episode also features a portion of Katie's interview with Broadway and cabaret star Natalie Douglas, as she shares her thoughts on the influence of Irene Higginbotham. Catch their full conversation in Virtuosa Society Podcast's companion series “Between the Bio” which dives deeper into Natalie's fascinating life and career, including the challenges, triumphs and lessons learned between the highlights in her bio. Research referenced throughout the episode: The Jazz Standards, by Ted Gioia Lady Sings the Blues, by Billie Holiday with William Dufty “Good Morning Heartache,” by David "Chet" Williamson Sneade https://worcestersongs.blogspot.com/2012/12/good-morning-heartache.html “Recording Studios: A History Of The Most Legendary Studios In Music,” by Martin Chilton https://www.udiscovermusic.com/in-depth-features/history-of-recording-studios/ “The History of Tin Pan Alley” by Nate Wooley https://soundamerican.org/issues/big-band/history-tin-pan-alley “The Harlem Renaissance: What Was It, and Why Does It Matter?" by Cary D. Wintz https://www.humanitiestexas.org/news/articles/harlem-renaissance-what-was-it-and-why-does-it-matter “Glenn Gibson Biography” by Eugene Chadbourne https://www.allmusic.com/artist/glenn-gibson-mn0001331660#biography Producer: Katie Harman @katieharmanebner Audio Engineer: Will Cowser @williamcowser Title Song: “Reflection of the Sun” by Anna Landström www.virtuosasociety.com Follow @virtuossociety on Instagram, Facebook and Threads
Prolific jazz trumpeter and composer Nate Wooley today released a four-disc box set, Four Experiments– a boundary-defying “anti-instruction-manual” to developing musical technique. Praised by The New York Times for “music of disarming intimacy,” Wooley has crafted Four Experiments as a collection of study pieces where the goal is not step-by-step instruction through known methods, but a guide to charting the uncharted. With an emphasis on expanding knowledge and loosening preconceived attitudes, Wooley's “experiments” offer insights on composition and improvisation while infusing a uniquely human element: exploring the idea of authorship in contemporary music, mining the complexity of human interaction, and daring to find value in experiencing failure. Four Experiments TracklistExperiment One: “Bray Trumpets, Blow forever in my head!” 1. Experiment One (Solo) [27:01] 2. Experiment One (Duo) [31:51]Experiment Two: “The voices of the poor, like birds That thud against a sullen pain,” 3. Experiment Two (Solo) [18:21] 4. Experiment Two (Ensemble) [20:35]Experiment Three: “Touched lips and quiver, as though these worn things...” 5. Experiment Three (Solo) [22:54] 6. Experiment Three (Duo I) [6:46] 7. Experiment Three (Duo II) [8:39] 8. Experiment Three (Duo III) [8:00]Experiment Four: “I am dizzy looking at their faces;” 9. Experiment Four (Solo) [18:21] 10. Experiment Four (Trio) [20:35]Total Time: 3:03:03
https://www.indiegogo.com/projects/gemini--6#/An artist interested in multiple musical directions and one who strives for quality and sincerity in his work. His exciting energy has compelled him towards many different musical directions and projects. Considered by his contemporaries as cutting edge, Gray shows promise as an artist that will not only move the music forward, but one who will share his unique musical vision with the world of music.Devin Gray's fresh approach to modern drumming has enabled him to play with many of the worlds great jazz musicians. He has performed and recorded with innovative musicians of contrasting styles and backgrounds such as: David Liebman, Tony Malaby, Gary Thomas, Ingrid Jensen, Dave Burrell, Dave Ballou, Michael Formanek, Nate Wooley, Stephan Crump, George Garzone, Chris Speed, Drew Gress, Sam Rivers, Ralph Alessi, John O'Gallagher, Ellery Eskelin, Kris Davis, Ted Rosenthal, Matt Mitchell, Satoko Fujii, Uri Caine, Andrew D'Angelo, Vardan Ovsepian, Angelica Sanchez, as well as many others.Support the show
The boys take another walk down the "out" side of the street this episode, with looks at a little known outing from one of Charles Mingus' trumpet players to a twin-guitar / alto sax ensemble, to two rather challenging works on the Pyroclastic label. Mike's more patient with those efforts than Pat. Who's ready for some asbestos earmuffs? Pop matters delves into what Iggy Pop got up to with his buddy David Bowie during that infamous Berlin hang. Trevor Dunn – SEANCES; Nate Wooley – ANCIENT SONGS OF BURLAP HEROES; Greg Ward's Rogue Parade – DION'S QUEST; Ted Curson – TEARS FOR DOLPHY.
Nate Wooley was born in 1974 in Clatskanie, Oregon, a town of 2,000 people in the timber country of the Pacific Northwestern corner of the U.S. He began playing trumpet professionally with his father, a big band saxophonist, at the age of 13. His time in Oregon, a place of relative quiet and slow time reference, instilled in Nate a musical aesthetic that has informed all of his music-making for the past 20 years, but in no situation more than his solo trumpet performances.In this episode, Nate shares her background, education, and musical journey. If you enjoyed this episode please make sure to subscribe, follow, rate, and/or review this podcast on Spotify, Apple Podcast, Google Podcast, ect. Connect with us on all social media platforms and at www.improvexchange.com
Beim Jazzfest Berlin waren in diesem Jahr u.a. Cansu Tanrikulu, Greg Cohen, Nate Wooley, Ahmed, Maria Portal sowie das Hannes Zerbe Jazz Orchester zu Gast. Außerdem gab es Live-Schalten zu den Jazzfest-Partnerstädten Johannesburg und São Paulo. Roland Spiegel zieht Bilanz.
Nate and I talk about a lot of things in this conversation, which is one of the ones that has stuck with me the most. One sentiment in particular has been with me since we talked, Nate said “I don't like any traditions that exclude any other traditions.” This sentiment is so powerful, and applicable to many of the issues that are plaguing art in the West, from the era's bizarre obsession with authenticity and cultural appropriation policing, to the conservative orthodoxy that has made the arts sluggish and numb. Speaking to Nate, and listening to this again I feel a renewed commitment to our responsibility as artist to audiences. Too often I am part of conversations where artists' priorities seem to be pleasing other artists, critics, and pundits, while the audiences are thought of as merely bystanders. This prioritization is what I believe has steered the arts into a cultural decline. Decline, contrary to what many people will tell you, is a choice. People like Nate have refused this choice, and are instead carving a different path. I hope this conversation will help illuminate how he and his cohort are navigating this path, which adds to the Western canon, while pushing it forward, which is ultimately the only direction it can move. Read more about Nate here --- Support this podcast: https://anchor.fm/artssalon/support
In 1999 the musician Warren Ellis clambered onstage at the Royal Festival Hall to retrieve a piece of chewing gum. The gum was deposited there by Nina Simone, who had chewed it throughout her concert that night. Fast forward twenty-two years and Ellis has written a book inspired by the piece of gum, now enshrined in its own glass case, on a specially built gum plinth. Kate Molleson caught up with him to find out more about a story which goes to the heart of artistic belief, generosity and affirmation. It was a book he never really set out to write, but then couldn't not write. Following on from Music Matters' meeting with Steve Reich two weeks ago, Kate delves further into the origins, development and lasting legacy of minimalism. She talks to composers Linda Catlin Smith, Nate Wooley and Julia Wolfe to find out how a disparate group with new ideas continues to inspire, and also hears from pioneers such as Philip Glass and Pauline Oliveros about the mentality of anti-hierarchy and participation which changed the musical landscape. Laurence Crane is one of the most beloved figures in British contemporary music, his work is full of surprise, fondness, wit and wisdom. As a successor to a certain sort of minimalism, he lets us hear humble wonders in the everyday. Celebrating his sixtieth birthday this year, he met up with Kate at one of his favourite performance spaces to look over his constantly surprising career and oeuvre. And as orchestras and musical institutions look at ways to represent diversity among their ranks, Kate talks to John Shortell of the Musicians' Union, and Diversity and Inclusion consultant Chico Chakravorty, about what are the most effective ways to achieve this.
In this August 2015 conversation with Ken Vandermark, Nate Wooley discusses growing up playing in a big band on the Oregon coast, developing a musical language within technical limitations, aesthetic differences between Chicago and New York music communities, and the challenges of interpreting music by Wynton Marsalis, Anthony Braxton, and Éliane Radigue. This episode is sponsored by Astral Spirits Records (http://astralspirits.bandcamp.com/ (astralspirits.bandcamp.com)): “The New Wave of Heavy Free Jazz since September 2014.”
"Nunca te rindas", dice Keith LaMar desde la prisión, recluido desde hace 28 años en una celda de aislamiento del corredor de la muerte. El trompetista Adam O'Farrill ha compuesto un tema cuya recaudación va destinada al fondo legal de LaMar, que participa recitando su historia. En el horizonte, "Freedom First", el título del que será primer trabajo del preso junto a músicos como el pianista barcelonés Albert Marquès. (En este enlace puedes recuperar nuestra reciente conversación con Keith LaMar). "desde mi cadiera" Jesús Moreno nos propone la primera parte de un monográfico dedicado al contrabajista británico Dominic Lash. La primera se concentra en trabajos publicados durante este año 2021. En "Limulus", Lash lidera un cuarteto con Javier Carmona (batería), Ricardo Tejero (saxo alto) y Alex Ward (guitarra); "Discernment" es su encuentro con tres clásicos de la improvisación británica: John Butcher (saxos), John Russell (guitarra) y Mark Sanders (batería); "Local" recoge su encuentro en Nueva York con dos improvisadores estadounidenses: Joe Morris (guitarra) y Nate Wooley (trompeta); en "Exercises and explorations", Dominic Lash es uno de los intérpretes de la música de Christian Wolff. En el tiempo de los "Ritmos Latinos" de Anxo recupera la música de dos combos latinos en los que sobresalían los punteos de guitarra y a los que, además, rodea un halo de misterio. Desde Cuba, Wilson y su combo; desde Colombia, Julián y su combo. El "Jazz Porteño" de Alberto Varela está dedicado al cuarto trabajo de Barbie Martínez, "Here and now". Junto a la cantante, el pianista Francisco LoVuolo, el guitarrista Gonzalo Beraza, el contrabajista Walter Filipelli, el baterista Sebastián Groshaus y los saxofonistas Mauro Ostinelli y Federico Álvarez. Toda la información y derechos: http://www.elclubdejazz.com
Enjoying the show? Please support BFF.FM with a donation. Playlist 0′00″ Follow You by Arthur Russell on Iowa Dream (Audika) 10′17″ Bliss by Pete La Roca on Turkish Women at the Bath (Douglas SD 782) 15′11″ Alt Starter Med Regn by Koboku Senju on Selektiv Hogst (SOFA) 23′50″ In My Arms, Many Flowers by Daniel Schmidt on In My Arms, Many Flowers (Recital) 30′35″ Love On a Concrete Floor by Alina Kalancea on Impedance (Important Records) 37′37″ Red Planes by Weekend on The '81 Demos (Blackest Ever Black) 46′34″ Soprano / Echoplex Number 3 by Joe McPhee on Sound on Sound (Catalytic Sound) 49′56″ Mutual Aid Music III-I by Nate Wooley on Mutual Aid Music (Pleasure of the Text) 57′39″ Untitled 6 by Svitlana Nianio & Oleksandr Yurchenko on Znayesh Yak? (Night School) 62′30″ The Time Has Come by Bert Jansch & John Renbourn on Bert & John (Transatlantic) Check out the full archives on the website.
Trumpeter and composer Nate Wooley releases Mutual Aid Music, a double-CD of eight ensemble concertos. Mutual aid points to the concept of community action and the human drive to provide succor to our fellow humans. Mutual aid is the primary ethic of an anarchistic utopia in which each knows what they have, is honest about what they need, and is prepared to give and receive accordingly. Every human want is met by a commensurate surplus and all are lifted equally above suffering. Wooley’s Mutual Aid Music asks the musicians to take stock of their gifts and to ask themselves, in each moment, how their use of that gift will affect the community (ensemble) of which they are currently a member. 1. Mutual Aid Music I (10:21) 2. Mutual Aid Music II (9:12) 3. Mutual Aid Music III (9:56) 4. Mutual Aid Music IV (12:32) 5. Mutual Aid Music I-I (8:27) 6. Mutual Aid Music II-I (9:26) 7. Mutual Aid Music III-I (7:04) 8. Mutual Aid Music IV-I (14:41) Purchase the music (without talk) at: http://www.classicalsavings.com/store/p1262/Mutual_Aid_Music.html Your purchase helps to support our show! Classical Music Discoveries is sponsored by La Musica International Chamber Music Festival and Uber. @khedgecock #ClassicalMusicDiscoveries #KeepClassicalMusicAlive #LaMusicaFestival #CMDGrandOperaCompanyofVenice #CMDParisPhilharmonicinOrléans #CMDGermanOperaCompanyofBerlin #CMDGrandOperaCompanyofBarcelonaSpain #ClassicalMusicLivesOn #Uber Please consider supporting our show, thank you! http://www.classicalsavings.com/donate.html staff@classicalmusicdiscoveries.com
Support Burning Ambulance on Patreon Get the Burning Ambulance email newsletter This episode features an interview with saxophonist Ivo Perelman, which is important because he's one of the artists on Polarity, a CD which I'll be putting out through my new label, Burning Ambulance Music, in February 2021. It's a duo album with trumpeter Nate Wooley, and it's intensely beautiful music unlike anything else you've ever heard, I promise. Pre-order your copy now. I’ve known about Ivo Perelman for about 25 years; the first record of his I heard was Cama de Terra, which came out in 1996. It was actually the very last release on Homestead Records, right before Steven Joerg, who was running the label at the time, left and started AUM Fidelity. That album featured Perelman with Matthew Shipp on piano and William Parker on bass, and they’re two of the people he’s continued to work with ever since, along with many others, including Joe Morris, Nate Wooley, Mat Maneri, Whit Dickey, and a whole slew of other players. See, Ivo’s discography is massive. He puts out albums in bunches, sometimes as many as eight at a time, sometimes three and even four-CD sets. He just recently passed the 100 release mark, which puts him in relatively rarefied company, up there with Duke Ellington, Anthony Braxton, David Murray, and very few others. It can be hard to know where to begin with his catalog, frankly, but his music has evolved a lot over time – he’s really on a lifelong creative journey, which is why he’s constantly collaborating with people in new combinations and changing his approach to the horn and just generally trying new things. So you’re probably best off starting with something recent and then moving backwards, deciding what to listen to based on who’s on a given record. He’s been living in Brooklyn for many years, but he’s originally from Sao Paulo, Brazil, and when the pandemic got rolling, he went back to Brazil, which is where we connected for this interview. It was conducted via Skype, so there are a few points at which the sound warps a little, or cuts in and out. Still, I’m sure you’ll be able to figure out what he’s saying in those moments. We had a really fascinating conversation, about his creative philosophy and his practice regimen and the role of improvisation in Brazilian music and a lot of other things. I hope you’ll enjoy listening to it as much as I enjoyed having it. If you enjoy this podcast, please consider visiting patreon.com/burningambulance and becoming a subscriber. For just $5 a month, you can help keep this show and Burning Ambulance as a whole active and thriving. Thanks! Music heard in this episode: Ivo Perelman/Nate Wooley, "Four" (Polarity) Ivo Perelman/Matt Shipp/Whit Dickey, "Garden of Jewels" (Garden of Jewels)
The amazing trio is back! In this episode we have Scott, Craig and West back together for a shower of s**t like no other. In tonight's episode: West does a shoutout for somebody he doesn't know Craig accidentally calls Scott's mum Scott finds an instrument We discover West makes an excellent sample The songs from tonight's episode: https://freemusicarchive.org/music/Colin_Ska_Johnson/Live_at_Monty_Hall_with_Jeff_Sarge_of_Reggae_Schoolroom_10032015_1267/Colin_Ska_Johnson_-_03_-_My_Soul (My Soul by Colin Ska Johnson) https://freemusicarchive.org/music/BoxCat_Games/Nameless_the_Hackers_RPG_Soundtrack/BoxCat_Games_-_Nameless-_the_Hackers_RPG_Soundtrack_-_10_Epic_Song (Epic Song by BoxCat Games) https://freemusicarchive.org/music/Evil_Bear_Boris/Das_Ist_Boris/01_Fight_Club (Fight Club by Evil Bear Boris) https://freemusicarchive.org/music/Various_Artists/Gimme_A_Minute/1_-_05_-_Neptunium_-_Demonic_Frequencies (Demonic Frequencies by Neptunium) https://freemusicarchive.org/music/Blank__Kytt/Heavy_Crazy_Serious/Blank__Kytt_-_Heavy_Crazy_Serious_-_08_RSPN (RSPN by Blank & Kytt) https://freemusicarchive.org/music/Dominic_Lash__Nate_Wooley/Live_on_WFMUs_The_Long_Rally_with_Scott_McDowell_April_29_2011/Dominic_Lash_and_Nate_Wooley_-_01_-_Number_1 (Number 1 by Dominic Lash & Nate Wooley) https://freemusicarchive.org/music/Bugs_and_Rats/Merry_Christmas/Bugs_and_Rats_-_Merry_Christmas_-_02_Santa (Santa by Bugs and Rats) https://freemusicarchive.org/music/Broke_For_Free/Slam_Funk/Broke_For_Free_-_Slam_Funk_-_02_Calm_The_Fuck_Down (Calm The Fuck Down by Broke For Free)
Norvegian Landscapes (etichetta Da Vinci) è il terzo capitolo di un trittico che a Marco Cappelli, chitarrista italiano ma da una quindicina d'anni a New York (dove è inseritissimo nella scena dell'avanguardia), è stato ispirato dal noir europeo contemporaneo: il primo album era dedicato a Fred Vargas, il secondo a Maurizio De Giovanni e questo a Jo Nesbo, autore di gialli norvegese. Cappelli lo ha realizzato con il suo Acoustic Trio, con Ken Filiano al contrabbasso e Satoshi Takeishi alle percussioni, e con ospiti Oscar Noriega ai clarinetti e DJ Olive turntables ed elettronica. Filiano fa anche parte di The Fictive Five, formazione nata nel 2013 per iniziativa del sassofonista Larry Ochs, un veterano dell'avanguardia (basti citare il Rova Saxophone Quartet). Passati in marzo dall'Italia, i Fictive Five ci sono piaciuti molto dal vivo ad Area Sismica di Forlì. In coincidenza con le esibizioni italiane è uscito il loro nuovo album Anything Is Possible (Clean Feed): in quintetto, con Nate Wooley alla tromba, un secondo contrabbasso, Pascal Niggenkemper, e Harris Eisenstadt alla batteria, i Fictive Five propongono un free di alto livello, sostanzioso, che vive dentro pezzi ben architettati, con una notevole articolazione di situazioni, data da una intelligente varietà di combinazioni fra i cinque musicisti
Norvegian Landscapes (etichetta Da Vinci) è il terzo capitolo di un trittico che a Marco Cappelli, chitarrista italiano ma da una quindicina d'anni a New York (dove è inseritissimo nella scena dell'avanguardia), è stato ispirato dal noir europeo contemporaneo: il primo album era dedicato a Fred Vargas, il secondo a Maurizio De Giovanni e questo a Jo Nesbo, autore di gialli norvegese. Cappelli lo ha realizzato con il suo Acoustic Trio, con Ken Filiano al contrabbasso e Satoshi Takeishi alle percussioni, e con ospiti Oscar Noriega ai clarinetti e DJ Olive turntables ed elettronica. Filiano fa anche parte di The Fictive Five, formazione nata nel 2013 per iniziativa del sassofonista Larry Ochs, un veterano dell'avanguardia (basti citare il Rova Saxophone Quartet). Passati in marzo dall'Italia, i Fictive Five ci sono piaciuti molto dal vivo ad Area Sismica di Forlì. In coincidenza con le esibizioni italiane è uscito il loro nuovo album Anything Is Possible (Clean Feed): in quintetto, con Nate Wooley alla tromba, un secondo contrabbasso, Pascal Niggenkemper, e Harris Eisenstadt alla batteria, i Fictive Five propongono un free di alto livello, sostanzioso, che vive dentro pezzi ben architettati, con una notevole articolazione di situazioni, data da una intelligente varietà di combinazioni fra i cinque musicisti
Norvegian Landscapes (etichetta Da Vinci) è il terzo capitolo di un trittico che a Marco Cappelli, chitarrista italiano ma da una quindicina d'anni a New York (dove è inseritissimo nella scena dell'avanguardia), è stato ispirato dal noir europeo contemporaneo: il primo album era dedicato a Fred Vargas, il secondo a Maurizio De Giovanni e questo a Jo Nesbo, autore di gialli norvegese. Cappelli lo ha realizzato con il suo Acoustic Trio, con Ken Filiano al contrabbasso e Satoshi Takeishi alle percussioni, e con ospiti Oscar Noriega ai clarinetti e DJ Olive turntables ed elettronica. Filiano fa anche parte di The Fictive Five, formazione nata nel 2013 per iniziativa del sassofonista Larry Ochs, un veterano dell'avanguardia (basti citare il Rova Saxophone Quartet). Passati in marzo dall'Italia, i Fictive Five ci sono piaciuti molto dal vivo ad Area Sismica di Forlì. In coincidenza con le esibizioni italiane è uscito il loro nuovo album Anything Is Possible (Clean Feed): in quintetto, con Nate Wooley alla tromba, un secondo contrabbasso, Pascal Niggenkemper, e Harris Eisenstadt alla batteria, i Fictive Five propongono un free di alto livello, sostanzioso, che vive dentro pezzi ben architettati, con una notevole articolazione di situazioni, data da una intelligente varietà di combinazioni fra i cinque musicisti
Por Pachi Tapiz. En HDO 495 escuchamos cuatro grabaciones publicadas en Hot Cup Records, el sello de Moppa Elliott, contrabajista, educador y líder de los imprescindibles Mostly Other People Do The Killing. Suena en primer lugar Harder On The Outside, lo nuevo del guitarrista Jon Lundbom, grabación en la que Elliott participa como contrabajista. Tras esta potente propuesta, suenan dos temas de cada uno de los discos que integran Jazz Band /Rock Band / Dance Band, que se publica en formato de doble CD y triple LP. Las tres grabaciones son muy interesantes y diversas entre sí, y muestran el trabajo de Moppa Elliott como compositor. Advancing On a Wild Pitch está interpretado por la Jazz Band y, como su nombre indica, es la propuesta jazzísticamente más ortodoxa, en la que se incluye algún tema que forma parte del repertorio de los MOPDTK, interpretado sin el carácter iconoclasta de este supergrupo. Acceleration Due To Gravity explora con la Dance Band distintas aproximaciones a la música de baile moderna, incluyendo estilos como el hip-hop o el r’n’b. Finalmente Unspeakable Garbage es una aproximación a la música rock de los años 80, en la que participa the hardest blowing man in the scene, Mister Dr. Rocks. En cuanto a las buenas compañías, en estas grabaciones participan, entre muchos otros, Jon Irabagon, Nate Wooley, Ron Stabinsky, Matt Nelson o Mike Pride. Tomajazz: © Pachi Tapiz, 2019 HDO 495 te gustará… si te gusta el jazz… si te gusta el carácter iconoclasta de los Mostly Other People Do The Killing… HDO es un podcast de jazz e improvisación (libre en mayor o menor grado) que está editado, presentado y producido por Pachi Tapiz.
6e émission de la 41e session... Cette semaine, du vieux hardbop, jazz moderne et transition free! En musique: Julian Cannonball Adderley sur l'album Swingin' in Seattle; Live at the Penthouse 1966-1967 (Reel to Real, 2019); Cecil Payne sur l'album Zodiac (The Music of Cecil Payne) (Strata-East, 1973); Ralp Alessi sur l'abum Imaginary Friends (ECM, 2019); Human Feel sur l'album Gold (Intakt, 2019); Nate Wooley sur l'album Columbia Icefield (Northern Spy, 2019); Pipeline sur l'album US (We Insist!, 2018) Party Knüllers X Jaimie Branch sur l'album at the Casa (Indépendant, 2019)...
6e émission de la 41e session... Cette semaine, du vieux hardbop, jazz moderne et transition free! En musique: Julian Cannonball Adderley sur l'album Swingin' in Seattle; Live at the Penthouse 1966-1967 (Reel to Real, 2019); Cecil Payne sur l'album Zodiac (The Music of Cecil Payne) (Strata-East, 1973); Ralp Alessi sur l'abum Imaginary Friends (ECM, 2019); Human Feel sur l'album Gold (Intakt, 2019); Nate Wooley sur l'album Columbia Icefield (Northern Spy, 2019); Pipeline sur l'album US (We Insist!, 2018) Party Knüllers X Jaimie Branch sur l'album at the Casa (Indépendant, 2019)...
Podcast bimestriel réalisé et programmé par Jean De Lacoste. Durée : 60 minutes. Le silence froissé par une musique aventureuse et transversale. Playlist: Schneider TM: Landslide Sote: Segaah Josephine Foster: Faithful Fairy Harmony VWCR : Ken Vandermark, Nate Wooley, Sylvie Courvoisier & Tom Rainey : The Space Between The Teeth Karl Van Deun & Ruben Machtelinckx: Meenseguts Kiyoshi Mizutani: Birds at Yozuku Path Sugai Ken: Okera Terre Thaemlitz: Tsr22 Intersex Electroacousticcomposition Ian William Craig: Tender Fire Teleplasmiste: Fall Of The Yak Man
Podcast bimestriel réalisé et programmé par Jean De Lacoste.Durée : 60 minutes.Le silence froissé par une musique aventureuse et transversale.Playlist:Schneider TM: LandslideSote: SegaahJosephine Foster: Faithful Fairy HarmonyVWCR : Ken Vandermark, Nate Wooley, Sylvie Courvoisier & Tom Rainey : The Space Between The TeethKarl Van Deun & Ruben Machtelinckx: MeensegutsKiyoshi Mizutani: Birds at Yozuku PathSugai Ken: OkeraTerre Thaemlitz: Tsr22 Intersex ElectroacousticcompositionIan William Craig: Tender FireTeleplasmiste: Fall Of The Yak Man
At age 41, Detroit native Ben Hall has already done more than most people do in a lifetime. He's a talented drummer and has worked closely with many of today's greatest improvisers such as Joe Morris, Bill Dixon, Nate Wooley and Don Dietrich. He holds an MFA from Columbia in sculpture and has shown his work all over the world. He curates and maintains the Bap-Tizum website,the world's largest online Black American spiritual collection and is the owner/operator of Broken Research Records. If that wasn't enough, he is also a talented chef/restaurant owner who's progressive business practices offer a shining light to an industry not commonly associated with strong personal ethics. Ben is quite simply one of the most extraordinary people around and I wish this conversation could have gone on for days.
Samara Lubelski is a prolific singer/songwriter and multi-instrumentalist who was born and raised in Lower Manhattan. Trained as a violinist, she has been active since the early 90s in an incredibly broad range of music. Under her own name she has released several recordings of incredibly detailed and intimate pop songs on labels like Social Registry and Ecstatic Peace. She has contributed to the recordings of Fiery Furnaces, Nate Wooley, MV & EE, Thurston Moore and many many more. As it turns out, Samara and I are also neighbors.Today's talk covers a lot of ground, a lot of which centers around the peculiarities of New York City. It's a good one and I'm happy to share it with you.
Chris Forsyth is a Philly based, Jersey born guitarist of enormous range and creativity. He cut his teeth in New York City, working with improvisers like Nate Wooley, Daniel Carter, Loren Connors and Mike Pride, as well as his long running band Peeesseye. He relocated to Philadelphia in 2009 and, inspired by the likes of his friends Jack Rose and Steve Gunn, began focusing on solo guitar playing. Since then he has been working steadily with his band, the Solar Motel Band. For this talk, we get into it, discussing everything from the Grateful Dead to working in restaurants, improvising to band leading. Good shit.
Trumpeter Nate Wooley's recent albums include the solo records The Almond and 8 Syllables and the quintet recording (Put Your) Hands Together. In this interview, Wooley talks about putting 100 trumpets on one solo (!) recording; why he was surprised when one of his albums made him feel good at the end; how he started playing solo trumpet; and how the death of his grandmother led to his recent quintet album. Learn more at natewooley.com and follow him on Twitter at @nate_wooley.
Trumpeter Nate Wooley's recent albums include the solo records The Almond and 8 Syllables and the quintet recording (Put Your) Hands Together. In this interview, Wooley talks about putting 100 trumpets on one solo (!) recording; why he was surprised when one of his albums made him feel good at the end; how he started playing solo trumpet; and how the death of his grandmother led to his recent quintet album. Learn more at natewooley.com and follow him on Twitter at @nate_wooley.
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