Podcasts about just can't get enough

This week's episode features a discussion with Ric Gordon, a Kansas City & Nashville based artist and Director of A&R and a staff songwriter with music publisher Ammar Music Group is this week's guest. Recently his original songs have been recorded by pop singer Taylor Mac and country artist Jim Martin. We took some time to chat about a pivotal record in Ric Gordon's life and rock music as a whole: 1967's The Velvet Underground and Nico.In a career spanning 5 decades, Ric has forged an innovative and original Americana/alt-country sound. Ric moved to NYC’s Greenwich Village as a 17 year old singer/songwriter in 1970, where he honed his craft; next landing in Nashville in 1976 as an up and coming record producer, where he co-produced three releases with Country Music Hall of Fame Producer Fred Foster on historic label Monument Records. Ric released his debut album "Just Can't Get Enough" in 1980 and has now released 16 albums and EPs under various monikers, ranging from punk rock to electronic music to folk/Americana. In 1983,Ric returned to the music business full time in 2007, founding indie label Russian Winter Records in 2008. From 2011 to 2019 Ric also published the Floorshime Zipper Boots music blog, featuring daily reviews of releases from emerging artists worldwide. During its operation the blog published 2,300 features. In 2018, Ric launched his second independent label, Buffalo Burger Records as a home for his special projects focused on Americana and acoustic music. He produced the debut album from Nashville stalwart Jim Martin and the debut single from Midwest folk duo Ehrnman/Pearson Over his career, Ric has produced 54 albums and EPs by 26 different artists. Enjoy the conversation!

1. "Pass The Dutchie" - Musical Youth 2. "Lean On Me" - Club Nouveau 3. "Straight Up" - Paula Abdul 4. "C'est La Vie" - Robbie Neville 5. "Could You Be Loved" - Bob Marley & The Wailers 6. "All Night Long" - Lionel Richie 7. "Caribbean Queen" - Billy Ocean 8. "Billie Jean" - Michael Jackson 9. "Silent Morning" - Noel 10. "Change On Me" - Cynthia 11. "Spring Love" - Stevie B. 12. "I Wonder If I Take You Home" - Lisa Lisa 13. "Let The Music Play" - Shannon 14. "Don't Stop The Rock" - Freestyle 15. "Der Kommisar" - After the Fire 16. "Bizarre Love Triangle" - New Order 17. "Just Can't Get Enough" - Depeche Mode 18. "I Think We're Alone Now" - Tiffany 19. "Party All The Time" - Eddie Murphy

The beginning of many Micropodcasts. These will be focused in and provide more detail on certain phases, slang, etc. If you haven't checked out my new website check it out: Speakingamericanenglishpodcast.com! It includes a very affordable membership plan for those who JUST CAN'T GET ENOUGH of this podcast! --- Send in a voice message: https://anchor.fm/cody-marosz/message Support this podcast: https://anchor.fm/cody-marosz/support

Depeche Mode Mix featuring: Never Let Me Down Again, Lie To Me, Enjoy The Silence, Everything Counts, Policy Of Truth, Strange Love, People Are People, World In My Eyes, Just Can't Get Enough, Personal Jesus, & Dreaming Of Me. - 1st half of the Old School Workout at Noon 03/06/19 - New Wave Wednesday - Groove 99.3 FM -

1. Heartbeat City - The Cars 2. All Roads Lead To Rome - The Stranglers 3. I Die: You Die - Gary Numan 4. Auto Music (Razormaid! Mix) - Our Daughter's Wedding 5. To Cut A Long Story Short (12" Version) - Spandau Ballet 6. Fun City (12" Mix) - Soft Cell 7. 8:15 To Nowhere - Vicious Pink 8. Telecommunication - A Flock Of Seagulls 9. New Life (Remix) - Depeche Mode 10. Devil Inside (12" Remix) - INXS 11. Still Angry - Book Of Love 12. Today (Extended Version) - Talk Talk 13. A Forest (Tree Mix) - The Cure 14. The Metro (Extended Version) - Berlin 15. Take On Me (Tony Mansfield 12" Version) - A-ha Notes and other random things: So, hello again! Nice to make your acquaintance. Good to finally carve out an evening to record another podcast. I swear, these days I blink and three or four months go by. I suppose, relatively speaking, the same could be said for this episode as it is officially the shortest podcast in CRC history, clocking in at just under one hour. "So, Mr. DJ Tintin," I'm sure you're saying to yourself, "for all my patience waiting for you to give me some new tunes you reward me with LESS music???" It seems that way. You still get the requisite 15 songs, but many of these were single or album versions as opposed to remixes. That's the only defense I have. BUT, look at this artist and track list! Those of you looking for some stuff you haven't heard before may have just hit the mother lode. The Stranglers? Our Daughter's Wedding? Not exactly household names. "Fun City", "Heartbeat City", "Still Angry"? Not exactly the songs anyone would recall off the top of their heads by Soft Cell, The Cars or Book Of Love, respectively. But enough justification. On to the bands ... So, why were the 80s so great? A loaded question to be sure. But ask yourself how many bands in recent memory could have a member, who owned a hair salon, rent out a space above said hair salon, form a band, get discovered by Bill Nelson of Be Bop Deluxe fame, decide upon wearing women's clothes for a video shot in three days on a shoestring budget and become superstars thanks in some part to a fledgling music network called MTV and a now-famous hairstyle? Such was the fate of A Flock of Seagulls, a band that certainly helped alter my musical trajectory and, with the song I Ran (So Far Away), created one of the most iconic and lasting songs of the decade. THAT is the greatness of the 80s - the fact that music was not yet paint-by-number. There was room for experimentation. Sure, you had to be marketable, but the definition of marketable was fluid. And the rules were fluid. As long as someone in the know heard something they liked or saw a creative spark it was sometimes enough for a label to take a chance on you. Spoken like someone who thinks the music they grew up with is the best, I know. But I ask again: could that backstory exist today? Perhaps, but I just don't see it. As for the song in this podcast, "Telecommunication", it is sort of a cult hit at this point and probably an accidental one at that. "(It's Not Me) Talking" was the first single release by AFOS in 1981, but it was the futuristic lyrics and "wall of sound" energy, later praised by uber-producer Phil Spector, that propelled "Telecommunication" into the clubs and into hearts of new wavers. The tune still sounds cool and futuristic even today and reminds me of a moment in time when musical possibilities were still limitless. "No sequencers were used" reads the liner notes of Our Daughters Wedding's first EP, "Digital Cowboy". Layne Rico (electronic percussion / synth), Keith Silva (vocals / synth) and Scott Simon (synth / saxophone) wanted everyone to know that their electronic wizardry and sleight of hand was due entirely to coordination and skill and not programming and triggers like many of their contemporaries such as Depeche Mode and OMD, two groups to which ODW was often compared after their switch over from punk rock and guitars to new wave and synths. And while the group, who sang about lawnchairs and made frequent appearances on MTV with Martha Quinn in the early days of the network, somewhat ironically dismissed DM and OMD as being too "gimmicky", the group did score opening slots for some of the giants of the day including Duran Duran, Talk Talk, Iggy Pop, The Psychedelic Furs and U2. They even worked with famed producer Colin Thurston to record the aforementioned EP. Not bad for a US-based band who suffered the slings and arrows and broken beer bottles of misfortune hurled at them for using electronics on stage at a time when punk was still king. But even skill and deigning to employ sequencers could not save the group from a dust up with their label, EMI. According to Scott Simon, the LA office killed the momentum of their full-length album, Moving Windows, which was released in 1982, because a label exec had a personal issue with one of the band's representatives. The track here, Auto Music, is a Razormaid! mix of the lead track to that first and only full-length. The sweet electronic bass line you hear came about from Simon and David Spradley, the producer for Moving Windows, "jamming one morning in our Union Square loft." To cut a long story short, Spandau Ballet are good. Go buy their records. Seriously, though, Spandau Ballet seems like a perfect name for a slick and sophisticated band who helped spearhead the New Romantic movement, an era of glossy images and high fashion that gave rise to groups like Duran Duran and Visage and others. That is until you remember that, like other groups, SB had their roots in the punk scene and that their name was Allied trench warfare slang for corpses whose bullet-riddled bodies twisted and danced on barbed wire as they were hit by German gunfire. Perhaps they would have been better off going with The Cut or The Makers, both previous band names. But, the name Spandau Ballet stuck as did the amazing voice of Tony Hadley, the Kemp brother's guitar prowess (Martin and Gary), Steve Norman's saxophone riffs and John Keeble's percussive underpinnings. That classic lineup produced a string of Top 10 hits (10 to be precise) including "Gold", "Only When You Leave", "True", "Chant No. 1" and the song in this podcast, "To Cut A Long Story Short", the groups' debut single, which reached #5 in the UK. Speculation surrounding the song is that it pertains to a veteran suffering from post-traumatic stress disorder after being drafted, but getting no explanation why he must join the war. This song apparently inspired Vince Clarke (Depeche Mode, Yaz, The Assembly) to write DM's third single, "Just Can't Get Enough" which, as a side note, is currently being used in a Wal-Mart advertisement. I did NOT see that coming! What more can be said about Gary Numan that hasn't already been said over the course of four decades by the music press? Probably nothing, so I'm not even going to try to break new ground. But, in case you missed it, Gary did just drop his 18th solo album, Savage (Songs From A Broken World), this past September and it instantly shot all the way up the album charts to #2 in the UK and #1 on the UK Indie charts. Call it a love of the man and his music or an indictment of the current music scene, but for a guy who goes down in history as the first artist to secure a #1 song using an all-electronic approach with the highly-coveted and frequently-covered "Are Friends Electric?" way back in 1979, the fact that Gary is still making music that questions, challenges, lifts, destroys and defies convention is impressive. Despite the lofty charting position of the new album and its predominant use of electronics, it failed to register on the Billboard Electronic charts because, according to a Billboard executive, “Sonically, the Numan album just does not fit in" with Billboard's perception of electronic dance music. Seems a bit ridiculous, but Numan is no stranger to such disinterest or indifference on the part of the music cabal. In fact, even during his heyday, "Are Friends Electric?" was perched atop the British charts for three weeks before any radio station would add it to their playlists. The song in this podcast, "I Die: You Die", which appeared in 1980 on the Telekon album a mere two years after his Tubeway Army signing with Beggars Banquet, is his rebuke of the music press and their God complex, star-maker/star-breaker tendencies. The track eventually reached #6 on the UK singles chart. And finally, speaking of the music press, the last band I'd like to mention here had them completely baffled and befuddled for the bulk of their career, or at least until 1990 when Hugh Cornwall left the group. The Stranglers, originally known as the Guildford Stranglers when they embarked as a band in 1974, were comprised of guitarist/keyboardist Hugh Cornwall, bassist/vocalist Jen-Jacques Burnel, keyboardist Dave Greenfield and drummer Brian Duffy (aka Jet Black). Though not one member hailed from Guildford, they were "tweeners" in every sense of the word, dabbling in numerous styles from electropop to soul during the course of their long and storied career. And while many of their successes came during their early punk days, they never quite fit into the punk scene. Ostracized for their relative age, their humorous, often self-deprecating lyrical style contrasted with their often anti-politically correct stage antics, their stunningly fast musical growth and development, and their hit-making skill, which generated 21 Top-40 singles, The Stranglers set themselves apart from their punk contemporaries and gave the press fits as they did not know how to put square pegs into round holes. The track here, "All Roads Lead To Rome" was from their seventh album, Feline. As you can hear, it has distinct new wave overtones, which makes total sense having been released in 1982, but it is certainly a brave departure from their earlier work. And while this track did not chart, it still stands as one of the high points from the Feline album and provides a glimpse into a chameleon-like band that was firmly in transition. Another episode in the books. Thanks for reading/listening. Enjoy the music!

Episode 35: Depeche Mode - A Broken Frame (1982) Part 1 Last week, Brian and Sarah talked about the two newest releases from the legendary Boys from Basildon, the mighty Depeche Mode!  This week they go back almost to the very beginning with 1982's "A Broken Frame."   While it may not be the band's first album, it's the first to be completely penned by Mr. Martin L. Gore.   Part 1: Background 1982 was a hectic, crazy year for Depeche Mode.  After finally earning a top ten record with "Just Can't Get Enough", chief songwriter Vince Clarke announced he was leaving the band.  With an extensive tour already booked and momentum growing with each new single, Depeche couldn't afford to let it slow them down!  How did the band members react to the situation and what did the public think about this new direction?  Brian and Sarah paint a verbal picture of late September 1982 when "A Broken Frame" appeared in shops all around the world and take us inside the DM camp with quotes from and stories of Dave, Martin, and Fletch! Part 2: Personal History It's the least engaging"Personal History" segment yet as both Brian and Sarah realize they have nothing interesting to say about their discovery of this record.  Sorry folks!! Part 3: Track by Track This is it, friends - the first side of the first record to ever come fully from the musical mind of Martin Gore!  Was this batch of songs an instant classic like "Violator" and "Black Celebration" - or did Martin have to learn to walk before he could fly?  How did this record differ from "Speak and Spell?"  Why did Dave seem to love bow ties so much?  What's the deal with this 5.1 surround mix Brian keeps going on about?  What does Sarah think about Julian Temple's videos for "Leave In Silence" and "See You?"  All these questions and more are answered in this week's episode! Leave In Silence My Secret Garden Monument Nothing To Fear See You See the videos we discuss here: Leave In Silence See You   Read more at http://permanentrecordpodcast.com/ Visit us at https://www.facebook.com/permrecordpodcast Follow us at https://twitter.com/permrecordpod

Holland, Kelsey and *SPECIAL GUEST* Kaitlin Reilly discuss the Season 9 premiere, "Just Can't Get Enough." Peter develops a brief addiction to crystal meth, we already hate Jenna and Mia leaves us for The CW.

Holland, Kelsey and *SPECIAL GUEST* Kaitlin Reilly discuss the Season 9 premiere, "Just Can't Get Enough." Peter develops a brief addiction to crystal meth, we already hate Jenna and Mia leaves us for The CW.

In this week's edition of Wrestlerotica, the podcast that combines wrestling and erotica, we have one story to share with you. The story is entitled "Melina's Balcony Fantasy" and was written by WOWEFA member: MTL. Melina has always been more of an exhibitionist than her girlfriend Beth Phoenix. It is the morning of Wrestlemania 24, when Melina decides to sneak out to her hotel room balcony and have some fun. Beth is reluctant, but finally gives in to her girlfriends' pleas. Intro/outro music for the week is the song "Just Can't Get Enough" by the band Sheer Mag. If you enjoyed this week's episode, please be sure to like/review/and subscribe to us in Itunes. Visit us elsewhere online including Facebook, Instagram, Twitter, Tumblr, and our official website: Wrestleroticapod.com.

Vince Clarke (South Woodford, Reino Unido, 3 de julio de 1960) es un músico inglés conocido principalmente por ser un importante precursor de la música electrónica desde 1981 en el grupo Depeche Mode, así como en Erasure Yazoo. Es el autor de populares temas como «Just Can't Get Enough» de Depeche Mode, «Only You» de Yazoo, y coautor de «A Little Respect».

1. Wonderful Life - Black 2. Camelia – Dan Hill 3. Weak In The Presence Of Beauty – Alison Moyet 4. Danny - Tiffany 5. I Like Chopin - Gazebo 6. All Night Long – Lionel Richie 7. Reggae Night – Jimy Cliff 8. A Simple Game – Billy Ocean 9. Break My Stride – Matthew Wilder 10. She Drives Me Crazy – Fine Young Cannibals 11. Like A Prayer - MAdonna 12. House Of Shame – Bee Gees 13. Lessons In Love – Level 42 14. Something Happened On The Way To Heaven – Phil Colins 15. Serenade – Steve Miller Band 16. Long Train Runnin' – The Doobie Brothers 17. Every Breath You Take - Police 18. The Logical Song - Supertramp 19. Thriller – Michael Jackson 20. Give Me Tonight - Shannon 21. I Wanna Dance With Somebody – Whitney Houston 22. Shattered Glass – Laura Branigan 23. They Only Come Out At Night – Peter Brown 24. You Keep Me Hangin' On – Kim Wilde 25. The River Cried – Patty Smyth 26. Into My Dreams – Jennifer Rush 27. Harden My Heart - Quarterflash 28. A Horse With No Name - America 29. Died In Your Arms – Cutting Crew 30. Run To You – Bryan Adams 31. The One I Love – R.E.M 32. Bohemian Rhapsody (Rodge Remix) - Queen 33. I'll Meet You At Midnight - Smokie 34. Abracadabra – Steve Miller Band 35. Who Can It Be Now? – Men At Work 36. Somebody's Watching Me - Rockwell 37. Talking In Your Sleep – The Romantics 38. Just Can't Get Enough – Depeche Mode 39. Give Me Your Heart Tonight – Shakin’ Stevens 40. Wonderful World – Sam Cooke 41. Be My Baby – The Ronettes 42. You're The First, The Last, My Everything – Barry White 43. Go Your Own Way – Fleetwood Mac 44. Girl You're My Song – F.R David 45. You Are The Girl – The Cars 46. Dancing On the Ceiling – Lionel Richie 47. Heaven – Bryan Adams

Even though we forgot to press record for half the episode, it’s still the longest yet! The Swole Sisters host a slumber party before their first ever Soul Cycle class. Bettina doesn’t cry, but our vaginas scream. Bikes are a product of the patriarchy, you guys.    ---^-v--^--- Created by Kerri Donnelly and Bettina Warshaw
 Theme song recorded by Kelly Rice
 Logo by Carly Miller Half-time Show song: "Just Can't Get Enough" by Depeche Mode

Dean and John enable Sean by making encouraging noises as he descends the rest of the way into madness and/or roster analysis. We finish up the DCFC roster discussion, talk a bit about the Bucks match and the Sharta and Dayton matches later in the weekend and note that there's some really amazing deals available should you ever want to go watch an AFC Cl*veland match. This week's interviews are short post-match discussions with George Chomakov, CAPTAIN Dave Edwardson and Coach Ben Pirmann. This is also the first DCFC Fancast episode that is part of the Just Can't Get Enough collective, a new effort to provide a welcoming home to as many creative people as possible who love Detroit City FC and want to share their creativity with the world.

Greetings snow bunnies!!! How ya'll doing? If in California, you are doing pretty allright but you might be hella thirsty in this drought! Episode 76 is a live set mix recorded from Sundance Film Festival in Park City, Utah. DJ Excel from Philly/LA is on the tables. It's a mixed genre set. Lots of unexpected goodies that just WERK. I get a chance to interview and cool out with the fly DJ Excel himself. ;) Stalk him on http://djexcel.com Instagram - @excelagram twitter - @djexcel http://soundcloud.com/excelsmc artist                                  name                                                                       -------------------------------------------------------------------------------------------------------------------                                                                                                        -------------------------------------------------------------------------------------------------------------------Duke Dumont f. Jax Jones                I Got U (Original Mix)                                                     Tiger & Woods                           Don't Hesitate (feat. Em)                                                  Tiger & Woods                           Don't Hesitate (feat. Em)                                                  Patrice Rushen                          Haven't You Heard (Joey Negro Extended Disco Mix)                          Executive Suite (Charles Jackson)       Loving Me (Kon Edit)                                                       Homework                                Hudson Square                                                              Homework                                Hudson Square                                                              The Neighbourhood                       Sweater Weather                                                            Friendly Fires                          Hurting (Tensnake remix)                                                   Drake                                   Hold On, We're Going Home (TJR Refix)                                      Ben Pearce                              What I Might Do (Simion Remix)                                             N*E*R*D f. Nelly Furtado                Hot-N-Fun (Main)                                                           N*E*R*D f. Nelly Furtado                Hot-N-Fun (Main)                                                           N*E*R*D f. Nelly Furtado                Hot-N-Fun (Main)                                                           Kenna                                   Say Goodbye 2 Love (clean)                                                 Kenna                                   Say Goodbye 2 Love (clean)                                                 Goldfrapp                               Slide In (DFA Remix)                                                       Thievery Corporation f. David Byrne     The Heart's A Lonely Hunter                                                Radiohead                               Everything In Its Right Place (Afefe Iku Rmx)                              Flying Lotus                            Do the Astral Plane                                                        Mos Def                                 Ms. Fat Booty (Louis Futon Remix)                                          Michael Jackson                         Shake Your Body (Excel Do-Over Remix)                                      Disclosure                              Lividup                                                                    Daft Punk                               Get Lucky (feat. Pharrell Williams)                                        De La Soul                              Me Myself and I (Oblapos Mode)                                             De La Soul                              Me Myself and I (Oblapos Mode)                                             Wild Sugar                              Bring It Here (Brass Monkey Sample) (1981)                                 Wild Sugar                              Bring It Here (Brass Monkey Sample) (1981)                                 Beastie Boys                            Brass Monkey                                                               Grandmaster Flash & Mellie Mel          White Lines                                                                Liquid Liquid                           Cavern (White Lines Sample)                                                No Doubt                                Hella Good                                                                 New Radicals                            You Get What You Give                                                      Fitz & The Tantrums                     MoneyGrabber                                                               The Rolling Stones                      Honky Tonk Women (Mono)                                                    J.J. Jackson                            But It's Alright                                                           Capital Cities                          Safe & Sound                                                               Phoenix                                 Trying To Be Cool                                                          Kanye West                              Paranoid f. Mr. Hudson                                                     Janet Jackson                           The Pleasure Principle                                                     Cut Copy                                Far Away (Original Mix)                                                    Depeche Mode                            Just Can't Get Enough                                                      The Strikers                            Body Music (Francois Kevorkian & Larry Levan Remix) (Fifteenth Sample)     Drop Out Orchestra                      Run Away (Psycho Killer)                                                   Röyksopp f. Erlend Øye                  Remind Me                                                                  Jamiroquai                              Canned Heat (Album Version)                                                LCD Soundsystem                         Time To Get Away                                                           Prince                                  Sexy Dancer                                                                Vincent Montana Jr. f. Goody Goody      It Looks Like Love (DJ Butcher Edit)                                       Madison Avenue                          Don't Call Me Baby                                                         Tom Novy                                Your Body (Original)                                                       The Coasters                            Down in Mexico (POSSO Bootleg)                                             Paul Simon                              You Can Call Me Al (Flight Facilities Edit)                                Todd Terje                              Inspector Norse (Original Mix)                                             Robin Thicke f. T.I. & Pharrell         Blurred Lines                                                              Chromeo                                 Needy Girl (Lifelike Remix)                                                Stardust                                Music Sounds Better With You (Radio Edit)                                  Run D.M.C.                              It's Like That                                                             Debbie Deb                              Lookout Weekend Follow me on Twitter! http://twitter.com/rachael instagram - @1indienation Support the podcast and buy the 1 Indie Nation iPhone/iPad app for $1.99! :) Love you! xo Kisses for my bunnies!