Podcasts about Tubeway Army

Looking back at the fantastic bonus track from Tubeway Army's Replicas album: eight minutes of pure synthpop brilliance, later covered by Matt Sharp and Damon Albarn.

En nuestra centésimo décima entrega os traemos a un clásico reciente, Orson Scott Card, y comentamos una selección de sus obras: - Introducción. Breve biografía. (0:06:00) - Un Planeta Llamado Traición. (0:17:45) - El Juego de Ender. (0:55:00) - La adaptación al cine de "El Juego de Ender". (2:04:00) - La Voz de los Muertos. (3:05:15) - Wyrms. (4:12:00) - Comentarios de los oyentes y despedida. (4:51:30) La música de fondo es el mix "Space Traveling" (https://www.youtube.com/watch?v=3ST4fDVyAzA) y cerramos con los Tubeway Army de Gary Numan y su "My Shadow in Wain". La sintonía, como siempre, es el "Spectre Detector" de los Tiki Tones. Síguenos y contacta con nosotros a través de Facebook (www.facebook.com/retronautas), Twitter (@losretronautas), Bluesky (@losretronautas.bsky.social) o escríbenos a nuestro correo electrónico: losretronautas@gmx.com Puedes también unirte a nuestro canal de Telegram. Contacta con nosotros para facilitarte el enlace. Si te ha gustado este programa y quieres invitarnos a un café, puedes hacerlo a través de: https://ko-fi.com/retronautas Y si estás comprometido con la C-F viejuna puedes unirte a la infantería móvil retronaútica en: https://www.patreon.com/losretronautas o aquí mismo, en Ivoox. Como patrocinador, serás informado de nuestros planes de vuelo, y tendrás acceso anticipado a los podcast "Micronautas". Saludos desde los días del futuro pasado.

On this episode of Vinyl Verdict, Bell, Jamie and Adam listen to Jamie's next pick, Gary Numan's "The Pleasure Principle". Released in 1979, it was his first solo album following two albums with the group Tubeway Army. The album covers a number of genres that were in popularity at the time, including synthpop, new wave, electropop and electronica. Taking its title from a surrealist painting of the same name, the album has a largely sci-fi theme to it. What will the boys think of the album? Will they find it too 'Complex' or will it strike up a 'Conversation'? Come along and find out!

In this latest interview special of Electric Friends, I speak to a legend in Gary Numan's music history: Rrussell Bell.In case you didn't know - Rrussell is a prolific musician, composer and comedy writer. After graduating in Physics at London University, he joined Tubeway Army in 1979 - first appearing on record on 1980's We Are Glass. He would then spend the next 10 years recording with Gary and touring the world in his band. He would then go on to form the band Dramatis alongside Chris Payne, Ced Sharpley and Denis Haines.Also a seasoned session player, he is also an award winning jingle writer, worked as a musical director for BSB, and has worked on many film and TV projects. This includes acting, stand-up comedy and script-writing for people such as Craig Charles and Keith Allen. He released his first EP Like a Human in 2019.Rrussell very kindly agreed to be on the show, and I hope you enjoy this special interview!Please get in touch on YouTube, X, Facebook, TikTok and Instagram, or email at numanpodcast@gmail.com.

Sintonía: "Pseudo-Punk" - ´0´ Level"Read About Seymour" - Swell Maps; "Office Girl" - The Stoat; "I Don´t Need You" - Acme Sewage Co.; "Speed Freak" - V2; "I Hate The Whole Human Race" - Big G; "Gimme Your Heart" - Subs; "That´s Too Bad" - Tubeway Army; "Door In My Face" - Fruit Eating Bears; "System" - Front; "You Make Me Sick" - Satan´s Rats; "Suspect Device" - Stiff Little Fingers; "G.L.C." - Menace; "Gutter Kids" - The Dyaks; "Reasons" - Skids; "I Am A Dalek" - The Art Attacks; "On Me" - Bears; "King Of The Bop" - Nipple ErectorsTodas las músicas extraídas de la recopilación "Action Time Vision: The Story Of Independent UK Punk, 1976-79) publicada por el sello Damaged Goods Escuchar audio

Sintonía: "Pseudo-Punk" - ´0´ Level"Read About Seymour" - Swell Maps; "Office Girl" - The Stoat; "I Don´t Need You" - Acme Sewage Co.; "Speed Freak" - V2; "I Hate The Whole Human Race" - Big G; "Gimme Your Heart" - Subs; "That´s Too Bad" - Tubeway Army; "Door In My Face" - Fruit Eating Bears; "System" - Front; "You Make Me Sick" - Satan´s Rats; "Suspect Device" - Stiff Little Fingers; "G.L.C." - Menace; "Gutter Kids" - The Dyaks; "Reasons" - Skids; "I Am A Dalek" - The Art Attacks; "On Me" - Bears; "King Of The Bop" - Nipple ErectorsTodas las músicas extraídas de la recopilación "Action Time Vision: The Story Of Independent UK Punk, 1976-79) publicada por el sello Damaged Goods Escuchar audio

Claude & Jobst im Gespräch mit Andreas. Wir sprechen über Hardcore-Geschwindigkeitsphase, lange nicht mehr im Kino gewesen sein, Einer flog über das Kuckucksnest & Interstellar, innerlicher Dialog, musikalische Weggefährten, Chaos Z-Umbenennung in der Schlange beim Cure-Konzert, Vorband The Zeros, tröpfchenweise kommt Punk, Familienband, derselbe Verstärker bis heute, frühes Interesse an New Wave, Human League & Tubeway Army, der erste Punker an der Schule, erste Fanzines, das erste Exemplar des Aktuellen Mülleimers, 45 Jahre bei Daimler Benz, die diverse Stuttgarter Szene, die Bands Trümmerfrauen & Leblose Blicke, die große Rolle von Heroin in Stuttgart, Schulsaison-Arbeiter, Schulabbruch in der 12. Klasse, schon früher der King sein, textliche Offenbarung waren Joy Division, romantische Briefbeziehung nach Glasgow, frühe Liebe zu klassischer Musik, zugetragene Texte bei Chaos Z, der Text von Stuttgart über alles, häufig mit Normahl spielen, in der Mausefalle mit English Dogs, GBH & Napalm, ein Nazi-Problem in Stuttgart, Toyah Willcox, Kate Bush 1979 in der Liederhalle, Punk als grenzenlose Möglichkeit, die Ober-Depro-Punks, die Gewichtung der Songs ändert sich, Einzelkämpfer vs. Bandkonstellation, Randgruppenmusik, der lange Leidensweg von Thomas, Hubba & Jeans, ein Yamaha RX5, freiberuflich als Internetschreiberling, Textblätter per Hand geschrieben, der Hintergrund vom Priesthill Tattoo, Auswanderung nach Portugal, Vereinsamung, "Die Eine soll es sein", zur Hochzeit bei Mirco einzecken, genervt vom vorausgeworfenen Schatten, Einstieg bei Die Bockwurschtbude, Fliehende Stürme Kohle für andere Bands verbrannt, Schmachwanderunk, mit 7 Jahren Wünschen Gitarrespieler zu werden, Punk & Gothic wieder zusammenführen, der gleiche Arsch sein, uvm. Neu auf der Empfehlungsplaylist: Ein Fliehende Stürme-Song, den jeder kennen sollte: Die Königin darf nicht fallen Ein Song, den Andreas mit Portugal verbindet: Killing Joke - You´ll never get to me Ein aktueller Lieblings-Song: Smashing Pumpkins - Silvery Sometimes

For the latest interview special of Electric Friends, I speak to Gary Numan's brother John Webb, aka Donovan Silver.Donovan opens up about his close bond with older brother Gary, what it was like growing up with him and the first time he joined Tubeway Army on stage as a 12-year-old.He also speaks about joining the band full-time as a teenager and their various tours, as well as working alongside Queen legend Roger Taylor on drums.Donovan also gives a fascinating account of his impressive aviation career, as well as his return to music, including his most recent album Alpha.Clips used:Gary Numan - (R)Evolution (audiobook)Tubeway Army live at the Roxy - Boys (1977)Gary Numan - Remind Me to Smile (live, 1983)Gary Numan - CrashJohn Webb - The Experiment of LoveDonovan Silver - AlphaTubeway Army - Me! I Disconnect from YouPlease get in touch on Twitter, Facebook, TikTok and Instagram, or email at numanpodcast@gmail.com.

"Stroll to the cafe, my God, how time flies..."For this episode, we travel way back to one of Gary Numan's first songs. 'My Shadow in Vain' was written before Tubeway Army even existed, and it went on to become one of his most performed songs ever.This episode delves into the different versions of the song, from its punk origins to the 2002 hard rock version. We also hear from Gary as he explains how Tubeway Army came to be, and the meaning behind the song.Clips used:Tubeway Army - My Shadow in VainTubeway Army - My Shadow in Vain (The Plan version)Gary Numan - (R)Evolution (audiobook)Tubeway Army - My Shadow in Vain (live, 1977)Tubeway Army - Something's in the HouseGary Numan - My Shadow in Vain (2002 version)Gary Numan - My Shadow in Vain (live, 1979)Gary Numan - My Shadow in Vain (live, 1984)Please get in touch on Twitter, Facebook, TikTok and Instagram, or email at numanpodcast@gmail.com.

This week, Steve picked another Then & Now set and it is with Depeche Mode this time around.  Additionally, you will hear songs from these artists: Greg Garing, Cage The Elephant, The Subways, Wire Train, The Shins, Slowdive, Kissing The Pink, Marvelous 3, Tennis, Sleeper, Autopilot, Cannons and Tubeway Army. On the Air on Bedford 105.1 FM Radio      *** 5pm Friday ***      *** 10am Sunday ***      *** 8pm Monday *** Stream live at http://209.95.50.189:8178/stream Stream on-demand most recent episodes at https://wbnh1051.podbean.com/category/suburban-underground/ And available on demand on your favorite podcast app! Twitter: @SUBedford1051  ***    Facebook: SuburbanUndergroundRadio   ***    Instagram: SuburbanUnderground   ***    #newwave #altrock #alternativerock #punkrock #indierock

In this interview special episode, I speak to the legend that is Chris Payne!Chris joined Tubeway Army back in 1979 just before 'Are Friends Electric' was released, and stayed with Gary's band for the albums Replicas, The Pleasure Principle and Telekon, and continued performing with Gary's live band for the rest of the 1980s.He also co-wrote Visage's 'Fade to Grey', and has been a prolific composer and conductor of classical, cinematic and medieval music over the past few decades. In the interview, Chris speaks about first meeting and auditioning for Gary, his musical background, his time as part of Dramatis, reuniting with Gary and much more. He also answers YOUR questions!Thank you to Chris for giving up your time for this interview, it was awesome speaking to you at such length.Clips used:Tubeway Army - Are Friends Electric? (Old Grey Whistle Test)Gary Numan - ComplexGary Numan - We Are GlassGary Numan - M.E. (live, 1980)Tubeway Army - Down in the ParkDramatis - Love Needs No DisguiseDramatis - Take Me HomeGary Numan - The Fury tourGary Numan - Complex (live, 2009)Gary Numan - M.E. (live, 2022)Chris Payne - DeclamationZaine Griff & Chris Payne - CarsChris Payne - Early Dance

En plena explosión del movimiento Punk en el Reino Unido y su filosofía del “Do it yourself” un grupo de chicos procedentes de distintas partes del país comenzaban a jugar con sintetizadores, influenciados por Kraftwerk, Bowie, Brian Eno y Donna Summer. Así es como surge el SynthPop gracias a gente como The Human League, O.M.D., Tubeway Army y varios más. Este género se hizo fuerte a comienzos de los 80s con la aparición de la “segunda generación”: Depeche Mode, Yazoo, New Order, Soft Cell, Visage y un largo etc. Durante toda la década continuó en activo y durante los últimos años de los 80s la gran invasión del House, el New Beat, el Acid House y el Techno ha sido una gran influencia para el género, tanto para artistas de la vieja escuela como para las nuevas generaciones. En este podcast podréis escuchar un breve resumen de las canciones de sintetizadores influenciadas por los nuevos sonidos que sonaron en las radios, en su gran mayoría escuchareis las versiones maxis originales. Comenzamos con When in Rome, trio británico con un solo hit “The Promise” publicado originalmente en 1987 pero fue al año siguiente cuando logra el éxito. Depeche Mode publica en 1987 “Strangelove” el primer single de su icónico álbum “Music for the masses”. Convirtiéndose en su sencillo más exitoso hasta aquel momento, logrando que muchos DJs y productores crearan sus propias remezclas no oficiales de la canción. Information Society, originales de Minneapolis con un comienzo entre el Avant-Garde y los sonidos electrónicos. Publicaron su primer álbum “oficial” en 1988, con un sonido más SynthPop, consiguiendo gran éxito en todo el mundo y del cual lanzaron 4 singles, entre ellos “Walking Away”. Al día de hoy siguen en activo. Erasure, duo británico formado por Vince Clark (Depeche Mode, Yazoo) y el vocalista Andy Bell en 1985. En abril de 1988 publican su icónico álbum (y para muchos el mejor hasta la fecha) “The Innocents”. Uno de sus sencillos “A Little Respect” se convirtió en un himno del SynthPop de la década. Book of Love, grupo americano de SynthPop formado en 1983 publicando su primera producción en 1986. En 1988 lanzan su segundo álbum del cual sale como single “Pretty Boys & Pretty Girls” logrando sonar en radios de todo el mundo. En 1993 el grupo se disuelve. Peter Schilling, cantante alemán famoso por la canción “Major Tom (Coming Home)” publicada en 1983. Pero no fue hasta 1989 que no repitió el éxito gracias a “The Different Story (World Of Lust And Crime)” colaboración con Michael Cretu, creador del grupo Enigma. El sencillo no fue un gran éxito en los US pero si en el resto del mundo. Cetu Javu, grupo alemán formado en 1984. Tenían la particularidad que varias canciones eran en castellano ya que su cantante (Javier Revilla-Díez) era hijo de españoles, aunque él ha nacido en Hannover. Debido a esto fue un grupo de gran popularidad en Latinoamérica y España, no así en el resto del mundo. Uno de sus mayores éxitos “Have in Mind” fue lanzado en 1988. Los también alemanes Camouflage lograron la notoriedad con su primer sencillo “The Great Commandment” publicado en 1987. Publicaron varios singles más de moderado éxito mundial pero nunca han podido repetir el suceso del primero. Hasta nuestros días sigue siendo muy evidente la gran influencia que ejerce Depeche Mode sobre ellos. Kon Kan, el proyecto del canadiense Barry Harris, publica el single “I Beg Your Pardon (I Never Promised You a Rose Garden)” en 1988. Debido al gran éxito obtenido la discográfica convence a Barry a lanzar un álbum integro, el cual sale al mercado un año después. Del mismo salen varios singles pero cada vez con menos repercusión. Publica un par de discos más y disuelve el proyecto para formar junto al DJ Carl Cox el dúo Thunderpuss para dedicarse a la remezcla de canciones de artistas como Madonna, Christina Aguilera, Whitney Houston, etc. Pet Shop Boys, duo de SynthPop influenciados por el Hi-NRG publican 2 discos de gran éxito y en 1988 lanzan el icónico “Introspective”. Disco concebido para las pistas de baile, 6 canciones en versiones extendidas con bases y sintetizadores propios de House. El segundo sencillo fue “Left to My Own Devices” publicado en noviembre de 1988. Hoy en día la mayoría de las canciones del álbum son parte fundamental en cualquier playlist del dúo. New Order, luego de varios discos deciden viajar a Ibiza para grabar lo que sería su siguiente producción “Technique”, muy influenciado por los sonidos que sonaban en la isla en aquel momento (House, Balearic, New Beat). El primer single fue “Round & Round” lanzado en marzo de 1989, a pesar de solo tener un éxito moderado, con los años se ha convertido en un clásico del género y del grupo. Real Life, originales de Australia este grupo de SynthPop solo lograron sonar en todas las radios del mundo con la canción “Send me an Angel”. Publicado originalmente en 1984 y luego en 1988 renombrándolo como “Send Me An Angel '89”. Espero disfrutéis del podcast. TRACKLIST: 01 - When In Rome - The Promise (Coliseum Mix) 02 - Depeche Mode - Strangelove (Maxi Mix) 03 - Information Society - Walking Away (Space Age Mix) 04 - Erasure - A Little Respect (Extended Mix) 05 - Book Of Love - Pretty Boys & Pretty Girls (Extended Mix) 06 - Peter Schilling - The Different Story (World Of Lust And Crime) (Long Version) 07 - Cetu Javu - Have In Mind (Extended Mix) 08 - Camouflage - The Great Commandment (Extended Dance Mix) 09 - Kon Kan - I Beg Your Pardon (I Never Promised You a Rose Garden) (12' remix) 10 - Pet Shop Boys - Left to My Own Devices (LP Version) 11 - New Order - Round&Round (Club mix) 12 - Real Life - Send Me An Angel '89 (Dance Mix)

En plena explosión del movimiento Punk en el Reino Unido y su filosofía del “Do it yourself” un grupo de chicos procedentes de distintas partes del país comenzaban a jugar con sintetizadores, influenciados por Kraftwerk, Bowie, Brian Eno y Donna Summer. Así es como surge el SynthPop gracias a gente como The Human League, O.M.D., Tubeway Army y varios más. Este género se hizo fuerte a comienzos de los 80s con la aparición de la “segunda generación”: Depeche Mode, Yazoo, New Order, Soft Cell, Visage y un largo etc. Durante toda la década continuó en activo y durante los últimos años de los 80s la gran invasión del House, el New Beat, el Acid House y el Techno ha sido una gran influencia para el género, tanto para artistas de la vieja escuela como para las nuevas generaciones. En este podcast podréis escuchar un breve resumen de las canciones de sintetizadores influenciadas por los nuevos sonidos que sonaron en las radios, en su gran mayoría escuchareis las versiones maxis originales. Comenzamos con When in Rome, trio británico con un solo hit “The Promise” publicado originalmente en 1987 pero fue al año siguiente cuando logra el éxito. Depeche Mode publica en 1987 “Strangelove” el primer single de su icónico álbum “Music for the masses”. Convirtiéndose en su sencillo más exitoso hasta aquel momento, logrando que muchos DJs y productores crearan sus propias remezclas no oficiales de la canción. Information Society, originales de Minneapolis con un comienzo entre el Avant-Garde y los sonidos electrónicos. Publicaron su primer álbum “oficial” en 1988, con un sonido más SynthPop, consiguiendo gran éxito en todo el mundo y del cual lanzaron 4 singles, entre ellos “Walking Away”. Al día de hoy siguen en activo. Erasure, duo británico formado por Vince Clark (Depeche Mode, Yazoo) y el vocalista Andy Bell en 1985. En abril de 1988 publican su icónico álbum (y para muchos el mejor hasta la fecha) “The Innocents”. Uno de sus sencillos “A Little Respect” se convirtió en un himno del SynthPop de la década. Book of Love, grupo americano de SynthPop formado en 1983 publicando su primera producción en 1986. En 1988 lanzan su segundo álbum del cual sale como single “Pretty Boys & Pretty Girls” logrando sonar en radios de todo el mundo. En 1993 el grupo se disuelve. Peter Schilling, cantante alemán famoso por la canción “Major Tom (Coming Home)” publicada en 1983. Pero no fue hasta 1989 que no repitió el éxito gracias a “The Different Story (World Of Lust And Crime)” colaboración con Michael Cretu, creador del grupo Enigma. El sencillo no fue un gran éxito en los US pero si en el resto del mundo. Cetu Javu, grupo alemán formado en 1984. Tenían la particularidad que varias canciones eran en castellano ya que su cantante (Javier Revilla-Díez) era hijo de españoles, aunque él ha nacido en Hannover. Debido a esto fue un grupo de gran popularidad en Latinoamérica y España, no así en el resto del mundo. Uno de sus mayores éxitos “Have in Mind” fue lanzado en 1988. Los también alemanes Camouflage lograron la notoriedad con su primer sencillo “The Great Commandment” publicado en 1987. Publicaron varios singles más de moderado éxito mundial pero nunca han podido repetir el suceso del primero. Hasta nuestros días sigue siendo muy evidente la gran influencia que ejerce Depeche Mode sobre ellos. Kon Kan, el proyecto del canadiense Barry Harris, publica el single “I Beg Your Pardon (I Never Promised You a Rose Garden)” en 1988. Debido al gran éxito obtenido la discográfica convence a Barry a lanzar un álbum integro, el cual sale al mercado un año después. Del mismo salen varios singles pero cada vez con menos repercusión. Publica un par de discos más y disuelve el proyecto para formar junto al DJ Carl Cox el dúo Thunderpuss para dedicarse a la remezcla de canciones de artistas como Madonna, Christina Aguilera, Whitney Houston, etc. Pet Shop Boys, duo de SynthPop influenciados por el Hi-NRG publican 2 discos de gran éxito y en 1988 lanzan el icónico “Introspective”. Disco concebido para las pistas de baile, 6 canciones en versiones extendidas con bases y sintetizadores propios de House. El segundo sencillo fue “Left to My Own Devices” publicado en noviembre de 1988. Hoy en día la mayoría de las canciones del álbum son parte fundamental en cualquier playlist del dúo. New Order, luego de varios discos deciden viajar a Ibiza para grabar lo que sería su siguiente producción “Technique”, muy influenciado por los sonidos que sonaban en la isla en aquel momento (House, Balearic, New Beat). El primer single fue “Round & Round” lanzado en marzo de 1989, a pesar de solo tener un éxito moderado, con los años se ha convertido en un clásico del género y del grupo. Real Life, originales de Australia este grupo de SynthPop solo lograron sonar en todas las radios del mundo con la canción “Send me an Angel”. Publicado originalmente en 1984 y luego en 1988 renombrándolo como “Send Me An Angel '89”. Espero disfrutéis del podcast. TRACKLIST: 01 - When In Rome - The Promise (Coliseum Mix) 02 - Depeche Mode - Strangelove (Maxi Mix) 03 - Information Society - Walking Away (Space Age Mix) 04 - Erasure - A Little Respect (Extended Mix) 05 - Book Of Love - Pretty Boys & Pretty Girls (Extended Mix) 06 - Peter Schilling - The Different Story (World Of Lust And Crime) (Long Version) 07 - Cetu Javu - Have In Mind (Extended Mix) 08 - Camouflage - The Great Commandment (Extended Dance Mix) 09 - Kon Kan - I Beg Your Pardon (I Never Promised You a Rose Garden) (12' remix) 10 - Pet Shop Boys - Left to My Own Devices (LP Version) 11 - New Order - Round&Round (Club mix) 12 - Real Life - Send Me An Angel '89 (Dance Mix)

A titan of electronic music goes acoustic after 40 years? How can this be?Once again we talk about the impact of Rainn Wilson and the Geography of Bliss, and going further into the new series of Mortimer and Whitehouse: Gone Fishing, which this week stars Lee Mack, off the substitute's bench, and interesting to both of us. The Captain rushes through Oh Brother, the excellent biography from John Niven, and ElTele introduces us to new band Coppola.We finish up by discussing always funny but often absurd names for covers bands (do you have a favourite?), and a brief dip into sport.Show notes and links at https://www.onlyapodcast.com/episode-47-are-friends-acoustic/https://linktr.ee/onlyapodcast

On Replicas, Gary Numan and Tubeway Army kicked it off with this incredibly catchy piece of synthpop/new wave/post-punk brilliance: Me! I Disconnect from You.This episode delves into the meaning behind the song, its sci-fi influence, the various remixes, live versions and covers, and more.Clips used:Gary Numan - 'Me! I Disconnect from You' (Replicas)Gary Numan - 'Praying to the Alines' (Replicas)Gary Numan - (R)Evolution (audiobook)Gary Numan - 'Me! I Disconnect from You' (live, 1979)Gary Numan - 'Me! I Disconnect from You' (live, 1984)Gary Numan - 'Me! I Disconnect from You' (live, 2008)Gary Numan - 'Me! I Disconnect from You' (Hybrid)Gary Numan - 'Me! I Disconnect from You' (Peel Session)Grace Jones - 'Me! I Disconnect from You'Please get in touch on Twitter, Facebook, TikTok and Instagram, or email at numanpodcast@gmail.com.

This week, two sets of "plastic" songs.  Plus, all of these great artists: The Academic, The Hives, Paramore, The Cure, The Rosenbergs, Geoff Byrd, The Buggles, The Charlatans, The Call, The Kooks, The Airborne Toxic Event, Ian McCulloch, Menswear, Tubeway Army, Fischer-Z, Green Day and The Kinks! On the Air on Bedford 105.1 FM Radio      *** 5pm Friday ***      *** 10am Sunday ***      *** 8pm Monday *** Stream live at http://209.95.50.189:8178/stream Stream on-demand most recent episodes at https://wbnh1051.podbean.com/category/suburban-underground/ And available on demand on your favorite podcast app! Twitter: @SUBedford1051  ***    Facebook: SuburbanUndergroundRadio   ***    Instagram: SuburbanUnderground   ***    #newwave #altrock #alternativerock #punkrock #indierock

Edición Limitada - 3 de Julio del 2023. Selección, producción, realización y conducción: Gustavo Verduzco. Micrófono: Lewitt LCT 440 Pure. Presentando música de Tubeway Army, Orchestral Manoeuvres in the Dark, John Foxx, Peter Godwin, Rational Youth, Thomas Dolby, Icehouse, Moev, Talk Talk, Giorgio Moroder con Philip Oakey, Alphaville, Secession, Sharpe y Numan, Real Life, A-ha, Images in Vogue, The Communards, Cetu Javu, Radio Heart con Gary Numan, Information Society, Camouflage, Clan Of Xymox, Seven Red Seven, The Shamen, Anything Box, The Beloved, The Grid, La Ley, Elegant Machinery y Red Flag.

"Young men need love special."In this episode, we look back at the quirky yet hugely popular fan favourite track, Jo the Waiter, from Tubeway Army's self-titled debut album in 1978.From the person who inspired the song to its various live versions, let's tackle the folk-style track ahead of Gary's acoustic tour later this year.Clips used:Tubeway Army - Jo the WaiterGary Numan - Jo the Waiter (live, 2004 - Shepherd's Bush)Gary Numan - Jo the Waiter (live, 2022 - Wembley Arena)Gary Numan - Jo the Waiter (live, 2019 - Aberdeen)The Orb - Jo the WaiterPlease get in touch on Twitter (@numanpodcast) or email at numanpodcast@gmail.com.

Gary Numan talks to us about his 1978 “Tubeway Army” release. Plus we check out new sounds from firestations, The Orb, and Cable Ties

Part 2 of Neil's trip to Grand Rapids comes a full week later. The PTID guys talk about fake Irish pubs, record shopping, day drinking and ending the evening with buckets of PBR and music bingo at Tom's local bar. With music by Motörhead, Jerry's Kidz, NOFX, Tubeway Army, Gotohells, Groovie Ghoulies, Big Black and The Queers.

1979 revolutioniert die britische Band Tubeway Army die Charts. Ihre Single „Are 'Friends' Electric?“ ist der erste Synthiepop-Song, der es in Großbritannien auf Platz 1 schafft. Ob ihnen dieser Erfolg auch gelungen wäre, wenn alle verstanden hätten, worüber Frontmann Gary Numan da eigentlich singt?

Gary Numan's first full album was the self-titled Tubeway Army, released on Beggars Banquet in 1978, when he was just 19. Recorded with his bandmates Paul Gardiner and Jess Lidyard, the album saw the band transition from punk to a new style of music, helped by Gary's discovery of a Minimoog and his interest in sci-fi novels. Featured on this album was the largely-acoustic track 'Everyday I Die'. The short song had a rather naughty subject matter, but would go on to become a fan favourite for decades to come. This episode delves into the making and meaning of the song, the various different versions, and why it is so loved by Numan and Numanoids to this day. Clips used: 'Everyday I Die' (Beggars Banquet) 'Listen to the Sirens' (Beggars Banquet) 'Everyday I Die' (1980, Living Ornaments, Teletour) (Beggars Banquet) Dubstar - 'Everyday I Die' (Beggars Banquet) 'Everyday I Die' (2002 version) (Jagged Halo/Artful Records) 'Everyday I Die' (Andy Gray remix) (Jagged Halo) 'Everyday I Die' (2020 acoustic)

My guest today is a musician who came to fame as the frontman for the new wave band Tubeway Army and later as a solo artist selling over 10 million records. He is a pioneer of electronic music and has received the Ivor Novello award. A new documentary about his music and his life airs on Sky Arts on August 13th. I'm talking today with Gary Numan… The Positivity Podcast sees Paul McKenna interview some of the world's most interesting people. From film stars, to entrepreneurs and entertainers, you'll learn the tips and tricks that the best in the business use to stay positive. Don't forget to rate and subscribe to the podcast and share your best bits from the episode online. Paul McKenna Twitter: @ImPaulMcKenna Paul McKenna Instagram: @IamPaulMcKenna

Playlist : Bon Jovi > You Give Love A Bad Name 1986 / Tubeway Army > Are Friends Electric? 1979… The post Le Musée des Oubliés-11-06-2022 first appeared on Radio Campus Angers.

In September of 1979 Gary Numan released his debut solo album. By the time Tubeway Army had released Replicas but before it hit #1 on the UK album charts, Numan had dropped the electric guitar all together, hired drummer Cedric Sharpley and keyboardist Chris Payne, and got started recording under his stage name. Released just six months after Replicas, it would prove to be his second #1 UK album in the same year. Let's talk Gary Numan, The Pleasure Principle!

Episode 20 of Season 5 aired on Rebel Rock Radio on Thursday 19 May at 19h00.  It was great to be back behind the mic after two hectic weeks in Clarens and then Cape Town.   The show kicked off with hair metal heavyweights Slaughter and a track called 'Shake This Place'.  That was the general intention from the start.  From there we checked out the two Mot's, Mötley Crüe and Mott the Hoople, with 'Angela' and 'One of the Boys' respectively.We went to Australia with The Screaming Jets and James Reyne and then to Germany with Accept and a delightful love song called 'Bucket Full of Hate'.  The show had a great mix and even featured a track from prog heavyweights Dream Theatre.  We had metal from Satan with 'My Own God', as well as more from Cancer Bats off their latest release Psychic Jailbreak.  The South African stuff came from Jasper Dan, Prime Circle, and Durban's very own Roland Suttie with his latest Theo Crous release titled 'There Was a Boy'.  By request, we slipped in The Uninvited and a track called 'Fixman' making a long overdue appearance.  It's a track of great relevance today with the immortal line "When the bullies go to war".  There was a bit of Gary Numan and Transvision Vamp and another track from Roger Kaye with Blue  Scream titled 'Weak at the Knees.  We also checked out 12th Avenue and gave a big shout-out to frontman Mark Haze who I saw in Tableview last weekend.  the good news is that Mark is rocking and sounding better than ever.  He has without a doubt one of the best voices in the world and it's wonderful to see a guy so talented.  As we said at the gig, he plays guitar as easily as breathing.  We finished off with the Admas Family, Ryan, and Big brother Bryan, lol, just a little joke.  Artists featured:  Slaughter, Mötley Crüe, Mott the Hoople, Def Leppard, Bad Company, The Screaming Jets, James Reyne, Metallica, Satan, Accept, Dream Theatre, Fate Warning, Dark Tranquility, The Rolling Stones, Gov't Mule, Jasper Dan, Roland Suttie, Prime Circle, Gary Numan & Tubeway Army, Transvision Vamp, Halestorm, Cancer Bats, Motörhead, Avenged Sevenfold, The Gaslight Anthem, Tom Petty & the Heartbreakers, 12th Avenue, Blue Scream, The Uninvited, AMH, Green Day, UK Subs, Pride & Glory, Slayer, Trivium, Megadeth, Kid Rock, Ryan Adams, Bryan Adams

This episode is brought to you by the number "10" (albums discussed) and the letter "D" (for "delightful"). The lads are thoroughly charmed by albums from the likes of Gina X Performance, Tubeway Army, Patrik Fitzgerald, the Pop Group and the Members. Listen to the full playlist on Spotify: https://spoti.fi/37WJgXt Email us at deepdives.deepcuts@gmail.com

Electric Friends' first episode delves into the song which started it all for Gary Numan, and the song that changed many of us fans forever: 'Are 'Friends' Electric?'. The episode looks back at the song's origins, lyrical meaning, chart performance, cover versions, samples and beyond. We also hear just how important the song has been for Gary's fans over the past 4+ decades, and hear extracts about the song from Gary's autobiography. Stories include: How stumbling upon a Moog changed everything How it was the first number one about robot sex Who was 'S.U'.? Becoming a live anthem worthy of stadiums Paving the way for electronic artists forever Clips: Tubeway Army - 'Are 'Friends' Electric?' Tubeway Army - 'Are 'Friends' Electric?' (Old Grey Whistle Test) Moog example (RetroSound) Gary Numan - 'Are Friends Electric?' (Live at Brixton Academy) Sugababes - 'Freak Like Me' An Pierle - 'Are Friends Electric?' Gary Numan - 'Are Friends Electric? (Andy Gray Mix)'

这是一期从头抖脚抖到尾的节目。80 年代，一群追求新鲜活力的音乐人，继承了朋克的先锋、自由与反叛，大量使用合成器，将他们的音乐改造得更容易被大众接受，发展出一种更加朗朗上口、十分适合跳舞的音乐，影响了英国、美国甚至是全世界。这期节目，要分享的就是这一波「新浪潮 New Wave」。节目内我会尝试给新浪潮一个简单的定义，然后聊一聊新浪潮的历史脉络，并播放一些有代表性的乐队和歌曲，让你可以更加深入了解新浪潮音乐的样貌。希望你会喜欢 :)

Luego de la gran revolución que fue el movimiento Punk y el “hazlo tú mismo” cientos de jóvenes cogieron por primera vez una guitarra, un bajo, un micrófono o un sintetizador, y así surgieron varios movimientos como el Post-Punk, la New Wave y el SynthPop, entro varios más. El SynthPop nació a finales de los 70s y básicamente se remonta al desarrollo de los sintetizadores que cada vez eran más populares, portátiles y asequibles. Es una mezcla de Pop y música electrónica, con influencias del Klaust Rock, Glam Rock y la música Disco. Entro los primeros grupos en surgir podemos encontrar a The Human League (con una formación diferente en sus comienzos), Ultravox (quienes venían de la escena del Post-Punk y el Glam), Tubeway Army (en donde se encontraba Gary Numan), Japan (aunque son bastante difíciles de encasillar en un género) entre varios más. Kraftwerk publica dos álbumes fundamentales para el género, The Man Machine (‘78) y Computer World ('81). A principios de los 80s surgían Orchestral Manouvres in the Dark, Soft Cell, Visage, Gary Numan comienza su exitosa carrera solista, y varias bandas más combinando las melodías del Pop con sonidos electrónicos generados por sintetizadores, cajas de ritmo, baterías electrónicas y sequencers. La línea divisoria entre el New Wave, el SynthPop y el New Romantic es casi invisible y varias bandas las han cruzado en muchas ocasiones (Talk Talk, Duran Duran, Spandau Ballet, Visage, A Flock of Seagulls, etc). El synthpop se masifica y comienzan a aparecer mas grupos, Eurythmics (anteriormente era un grupo New Wave llamado The Tourist), New Order (de las cenizas de Joy Division), Depeche Mode, Yazoo, Heaven 17 y un largo etc. Su reinado fue hasta mas o menos 1984-1985 cuando comienza su caída (casualmente en 1984 sale el primer disco de The Smiths), muchos grupos se separan, otros cambian de estilo, Depeche mode por ejemplo que endureció su sonido, experimentando y acercándose a los sonidos electrónicos que se producían en Alemania. Vince Clark luego de dejar Depeche Mode y Yazoo forma junto a Andy Bell Erasure en el año '85 con un sonido electrónico mucho más pop, los Pet Shop Boys surgen con su mezcla de synthPop, Hi-NRG y Pop, a-ha se consagra en todo el mundo con el single “Take on Me”. El resto de década se completa con la llegada del House, el cual es acogido por varios artistas de la escena electrónica británica, el resurgimiento del Rock en las listas de ventas y la factoría “Stock Aitken & Waterman” que publicaban singles como rosquillas. En medio de todo este panorama el synthpop se desaparece poco a poco del mercado. Pero ha dejado una gran influencia que al día de hoy seguimos escuchando en las radios. En esta primera parte podréis escuchar los principales éxitos del SynthPop muchos de los cuales son auténticos himnos del Pop, junto con un par de canciones publicadas a finales de los 70s pero que son fundamentales para comprender el Pop electrónico de los Ochentas. TRACKLIST: 01 - Visage - Fade To Grey (Original 7'' Dance Mix) 02 - M - Pop Muzik 03 - Soft Cell - Tainted Love 04 - Frankie Goes To Hollywood - Relax 05 - The Human League - Don't You Want Me 06 - Kraftwerk - The Model 07 - Yazoo - Situation (U.S. 12'' Mix) 08 - Eurythmics - Sweet Dreams (Are Made of This) 09 - Gary Numan - Cars 10 - Depeche Mode - Just Can't Get Enough 11 - Donna Summer - I Feel Love (Edit) 12 - New Order - Blue Monday (Original 12'' Version) 13 - Philip Oakey & Giorgio Moroder - Together In Electric Dreams 14 - Duran Duran - Planet Earth 15 - Spandau Ballet - To Cut A Long Story Short 16 - Orchestral Manoeuvres in the Dark - Enola Gay 17 - Ultravox - Dancing With Tears In My Eyes (7'' Version) 18 - a-ha - Take On Me (Extended Mix)

Luego de la gran revolución que fue el movimiento Punk y el “hazlo tú mismo” cientos de jóvenes cogieron por primera vez una guitarra, un bajo, un micrófono o un sintetizador, y así surgieron varios movimientos como el Post-Punk, la New Wave y el SynthPop, entro varios más. El SynthPop nació a finales de los 70s y básicamente se remonta al desarrollo de los sintetizadores que cada vez eran más populares, portátiles y asequibles. Es una mezcla de Pop y música electrónica, con influencias del Klaust Rock, Glam Rock y la música Disco. Entro los primeros grupos en surgir podemos encontrar a The Human League (con una formación diferente en sus comienzos), Ultravox (quienes venían de la escena del Post-Punk y el Glam), Tubeway Army (en donde se encontraba Gary Numan), Japan (aunque son bastante difíciles de encasillar en un género) entre varios más. Kraftwerk publica dos álbumes fundamentales para el género, The Man Machine (‘78) y Computer World (’81). A principios de los 80s surgían Orchestral Manouvres in the Dark, Soft Cell, Visage, Gary Numan comienza su exitosa carrera solista, y varias bandas más combinando las melodías del Pop con sonidos electrónicos generados por sintetizadores, cajas de ritmo, baterías electrónicas y sequencers. La línea divisoria entre el New Wave, el SynthPop y el New Romantic es casi invisible y varias bandas las han cruzado en muchas ocasiones (Talk Talk, Duran Duran, Spandau Ballet, Visage, A Flock of Seagulls, etc). El synthpop se masifica y comienzan a aparecer mas grupos, Eurythmics (anteriormente era un grupo New Wave llamado The Tourist), New Order (de las cenizas de Joy Division), Depeche Mode, Yazoo, Heaven 17 y un largo etc. Su reinado fue hasta mas o menos 1984-1985 cuando comienza su caída (casualmente en 1984 sale el primer disco de The Smiths), muchos grupos se separan, otros cambian de estilo, Depeche mode por ejemplo que endureció su sonido, experimentando y acercándose a los sonidos electrónicos que se producían en Alemania. Vince Clark luego de dejar Depeche Mode y Yazoo forma junto a Andy Bell Erasure en el año ’85 con un sonido electrónico mucho más pop, los Pet Shop Boys surgen con su mezcla de synthPop, Hi-NRG y Pop, a-ha se consagra en todo el mundo con el single “Take on Me”. El resto de década se completa con la llegada del House, el cual es acogido por varios artistas de la escena electrónica británica, el resurgimiento del Rock en las listas de ventas y la factoría “Stock Aitken & Waterman” que publicaban singles como rosquillas. En medio de todo este panorama el synthpop se desaparece poco a poco del mercado. Pero ha dejado una gran influencia que al día de hoy seguimos escuchando en las radios. En esta primera parte podréis escuchar los principales éxitos del SynthPop muchos de los cuales son auténticos himnos del Pop, junto con un par de canciones publicadas a finales de los 70s pero que son fundamentales para comprender el Pop electrónico de los Ochentas. TRACKLIST: 01 - Visage - Fade To Grey (Original 7'' Dance Mix) 02 - M - Pop Muzik 03 - Soft Cell - Tainted Love 04 - Frankie Goes To Hollywood - Relax 05 - The Human League - Don't You Want Me 06 - Kraftwerk - The Model 07 - Yazoo - Situation (U.S. 12'' Mix) 08 - Eurythmics - Sweet Dreams (Are Made of This) 09 - Gary Numan - Cars 10 - Depeche Mode - Just Can't Get Enough 11 - Donna Summer - I Feel Love (Edit) 12 - New Order - Blue Monday (Original 12'' Version) 13 - Philip Oakey & Giorgio Moroder - Together In Electric Dreams 14 - Duran Duran - Planet Earth 15 - Spandau Ballet - To Cut A Long Story Short 16 - Orchestral Manoeuvres in the Dark - Enola Gay 17 - Ultravox - Dancing With Tears In My Eyes (7'' Version) 18 - a-ha - Take On Me (Extended Mix)

Steve Albini (born July 22, 1961) is an American musician, record producer, audio engineer and music journalist. He was a member of Big Black, Rapeman and Flour, and is a member of Shellac. He is the founder, owner and principal engineer of Electrical Audio, a recording studio complex in Chicago. In 2018, Albini estimated that he had worked on several thousand albums over his career. He has worked with acts such as Nirvana, Pixies, the Breeders and PJ Harvey. Albini is also known for his outspoken views on the music industry, having stated repeatedly that it financially exploits artists and homogenizes their sound, as well as the flaws in the digital recording process and the superiority of analog technology. Albini's engineering skills have been celebrated for their sense of space, naturalistic tone, and the power of his guitar and drum sounds; his own guitar work is as imaginatively abrasive as his lyrics, which can be challenging and sometimes confrontational. Nearly alone among well-known producers and musicians, Albini refuses to take ongoing royalties from album sales, feeling that a producer's job is to record the music to the band's desires, and that paying producers as if they had contributed artistically to an album is unethical. In this episode, part one of a series of two, all songs selected by Steve Albini as guest for Australian TV show Rage, on June 29 2013. Lineup: The B-52's, Blondie, The Stranglers, Man Or Astro-Man, Chad Van Gaalen, Lou Reed, The Specials, The Cars, Siouxsie and the Banshees, D. Rider, Superchunk, The Breeders, Andrew Bird, Angus & Julia Stone, Björk, A1 People, Pete Shelley, Cheap Trick, Big Black, Altered Images, Pere Ubu, Sonic Youth, Bailter Space, Useless ID, Alan Vega, Bauhaus, Toys Went Berserk, Charge Group, Tortoise, Cat Power, The Only Ones, Black Box Recorder, The Human League, Tubeway Army, Kraftwerk, Xiu Xiu, Plastic Bertrand, Mucca Pazza, Radio Birdman, Ted Leo and the Pharmacists, The Bronx, Mclusky, Public Image Ltd., Sex Pistols, X-Ray Spex, Alice Cooper, Neil Young, Crazy Horse, Willie Nelson, The Birthday Party, Dead Meadow, Red Fang, Archers Of Loaf, The Amps, Dead Rider, Har Mar Superstar, Beth Ditto, CeeLo Green

Viagra Boys are a Swedish post-punk band from Stockholm. The band was formed in 2015, with several members coming from the bands Les Big Byrd, Pig Eyes, Nine, Nitad and Neu-Ronz. In 2018, they released their first album, Street Worms. Nils Hansson, a journalist at the newspaper Dagens Nyheter described the band favorably, praising their musical style, as well as their use of black humor and satire, and rated the album a five out of five. In 2019, the band won the Independent Music Companies Association (IMPALA) Album of the Year Award for Street Worms. The band's second album, Welfare Jazz, was released in January 2021. Lineup: Tubeway Army, The Jesus and Mary Chain, Chain and The Gang, DEVO, Goran Kajfes Subtropic Arkestra, Goran Kajfes, Roxy Music, Built To Spill, The Stooges, Waylon Jennings, Clap Your Hands Say Yeah, DAF, Broadcast, Container, Run The Jewels, Spacemen 3, Daniel Lanois, Anna Domino, Rocket From The Tombs, Esbjörn Svensson Trio, Missing Persons, Pere Ubu, Christian Scott aTunde Adjuah, Elena Pinderhughes, Tom Tom Club, 13th Floor Elevators, Sleaford Mods, John Coltrane, Art Ensemble Of Chicago, Pixies, Fire! Orchestra, Richard Hell, The Breeders, Daniel Ögren, Sam Rivers, Chris & Cosey, The Soft Boys, Hawkwind, Joni Mitchell

Is November 1978 the greatest month ever for punk and new wave releases? It's too soon to tell. But with debuts from Siouxsie and the Banshees, the Police, X-Ray Spex, the Tubeway Army, and Midnight Oil (not to mention iconic albums from the Clash, the Jam, Kate Bush and Pere Ubu), November '78 is a real contender for the title. Listen to the full playlist on Spotify: https://spoti.fi/3hrrEoi

Ep123: Neil drives up to visit Tom and hangout for the weekend! Dive bars, record shopping and even a live show! With music by Dwarves, Antagonizers ATL, Lurkers, Joey Ramone, Electric Frankenstein, Tubeway Army, Discharge and Motorhead.

Music & Memories (July 79) Radio Northsea International (online Sat 7pm UK time) music from: Donna Summer, E.L.O, Earth Wind & Fire, Sister Sledge, Blondie, Tubeway Army, Sparks and more...... 

We're joined by Red Fang drummer, John Sherman, to celebrate the release of the band's long-awaited new record, Arrows. Crucial matters discussed include: waiting out the pandemic to finally release their new album; John's excitement at returning to touring after the forced break; how no music is a “guilty pleasure” (including soft rock); the band being personally invited to play a festival put on by Metallica; John's favorite drummers; and so much more. 

This month we've left the 60's behind and leapt forward to 1979 where we've been watching Alien & The Muppet Movie at the cinema, eating the first McDonalds Happy Meals & listening to all of these songs on newly introduced Sony Walkmans (walkmen?) . We've also been talking about unexpected Bill Bailey, the worlds first gothic spelling bee, & Kate Pierson's spectacular marine animal impressions.We've each chosen our 10 favourite songs of the year and sent them over to Ian's wife Lydia, who put the playlists together and distributed them so we were each given a playlist of the 20 songs from the other two hosts, along with our own 10. We then ranked the playlists in order of preference and sent them to Colin's wife Helen, who totalled up the points and worked out the order. Helen also joined us on the episode to read out the countdown, which we found out as we recorded so all reactions are genuine.Now, admittedly, in parts we're a little bit brutal to some of the songs in the list as we're three separate people with differing music tastes, but please remember that to be in this episode at all the songs have to have been in one of our top 10's of that year. Bands featured in this episode include (In alphabetical order, no spoilers here!) - AC/DC, The B-52's, The Clash, The Cure, Gang Of Four, The Hollies, Joy Division, Motorhead, Gary Numan, Pink Floyd, Iggy Pop, Prince, The Raincoats, The Ruts, The Shadows, Sham 69, Sheila & B. Devotion, The Specials, The Sugarhill Gang, Supertramp, Talking Heads, Thin Lizzy, Throbbing Gristle, Tubeway Army, U.K. Subs, Tom Verlaine, Wire, XTC, Neil Young & Crazy Horse, & ZZ Top.Find all songs in alphabetical order here - https://open.spotify.com/playlist/0I1F0TjW4bWbLLOt7xzjAn?si=aojJ0-IdSKCycBBh9XDhNgFind our We Dig Music Pollwinners Party playlist (featuring all of the winning songs up until now) here - https://open.spotify.com/playlist/45zfDHo8zm6VqrvoEQSt3z?si=Ivt0oMj6SmitimvumYfFrQ If you want to listen to megalength playlists of all the songs we've individually picked since we started doing best of the year episodes, you can listen to Colin's here – https://open.spotify.com/playlist/5x3Vy5Jry2IxG9JNOtabRT?si=HhcVKRCtRhWCK1KucyrDdg Ian's here - https://open.spotify.com/playlist/2H0hnxe6WX50QNQdlfRH5T?si=XmEjnRqISNqDwi30p1uLqA and Tracey's here - https://open.spotify.com/playlist/2p3K0n8dKhjHb2nKBSYnKi?si=7a-cyDvSSuugdV1m5md9Nw The playlist of 20 songs from the other two hosts was scored as usual, our favourite song got 20 points, counting down incrementally to our least favourite which got 1 point. The scoring of our own list of 10 is now slightly more complicated in order to give a truer level of points to our own favourites. So rather than them only being able to score as many points as our 10th favourite in the other list, the points in our own list were distributed as follows -1st place - 20 points2nd place - 18 points3rd place – 16 points4th place – 14 points5th place – 12 points6th place – 9 points7th place – 7 points8th place – 5 points9th place – 3 points10th place -1 pointHosts - Ian Clarke, Colin Jackson-Brown & Tracey BGuest starring Helen Jackson-Brown.Playlist compiling/distributing – Lydia ClarkeRecorded/Edited/Mixed/Original Music by Colin Jackson-Brown for We Dig PodcastsThanks to Peter Latimer for help with the scoring system.Say hello at www.facebook.com/wedigmusicpcast or tweet us at http://twitter.com/wedigmusicpcast or look at shiny pictures on Instagram at http://instagram.com/wedigmusicpcast Part of the We Made This podcast network. https://twitter.com/wmt_network You can also find all the We Dig Music & Free With This Months Issue episodes at www.wedigpodcasts.com Support the We Made This podcast network on Patreon: www.patreon.com/wemadethis

This month we've left the 60's behind and leapt forward to 1979 where we've been watching Alien & The Muppet Movie at the cinema, eating the first McDonalds Happy Meals & listening to all of these songs on newly introduced Sony Walkmans (walkmen?) . We've also been talking about unexpected Bill Bailey, the worlds first gothic spelling bee, & Kate Pierson's spectacular marine animal impressions. We've each chosen our 10 favourite songs of the year and sent them over to Ian's wife Lydia, who put the playlists together and distributed them so we were each given a playlist of the 20 songs from the other two hosts, along with our own 10. We then ranked the playlists in order of preference and sent them to Colin's wife Helen, who totalled up the points and worked out the order. Helen also joined us on the episode to read out the countdown, which we found out as we recorded so all reactions are genuine. Now, admittedly, in parts we're a little bit brutal to some of the songs in the list as we're three separate people with differing music tastes, but please remember that to be in this episode at all the songs have to have been in one of our top 10's of that year. Bands featured in this episode include (In alphabetical order, no spoilers here!) - AC/DC, The B-52's, The Clash, The Cure, Gang Of Four, The Hollies, Joy Division, Motorhead, Gary Numan, Pink Floyd, Iggy Pop, Prince, The Raincoats, The Ruts, The Shadows, Sham 69, Sheila & B. Devotion, The Specials, The Sugarhill Gang, Supertramp, Talking Heads, Thin Lizzy, Throbbing Gristle, Tubeway Army, U.K. Subs, Tom Verlaine, Wire, XTC, Neil Young & Crazy Horse, & ZZ Top. Find all songs in alphabetical order here - https://open.spotify.com/playlist/0I1F0TjW4bWbLLOt7xzjAn?si=aojJ0-IdSKCycBBh9XDhNg Find our We Dig Music Pollwinners Party playlist (featuring all of the winning songs up until now) here - https://open.spotify.com/playlist/45zfDHo8zm6VqrvoEQSt3z?si=Ivt0oMj6SmitimvumYfFrQ If you want to listen to megalength playlists of all the songs we've individually picked since we started doing best of the year episodes, you can listen to Colin's here – https://open.spotify.com/playlist/5x3Vy5Jry2IxG9JNOtabRT?si=HhcVKRCtRhWCK1KucyrDdg Ian's here - https://open.spotify.com/playlist/2H0hnxe6WX50QNQdlfRH5T?si=XmEjnRqISNqDwi30p1uLqA and Tracey's here - https://open.spotify.com/playlist/2p3K0n8dKhjHb2nKBSYnKi?si=7a-cyDvSSuugdV1m5md9Nw The playlist of 20 songs from the other two hosts was scored as usual, our favourite song got 20 points, counting down incrementally to our least favourite which got 1 point. The scoring of our own list of 10 is now slightly more complicated in order to give a truer level of points to our own favourites. So rather than them only being able to score as many points as our 10th favourite in the other list, the points in our own list were distributed as follows - 1st place - 20 points 2nd place - 18 points 3rd place – 16 points 4th place – 14 points 5th place – 12 points 6th place – 9 points 7th place – 7 points 8th place – 5 points 9th place – 3 points 10th place -1 point Hosts - Ian Clarke, Colin Jackson-Brown & Tracey B Guest starring Helen Jackson-Brown. Playlist compiling/distributing – Lydia Clarke Recorded/Edited/Mixed/Original Music by Colin Jackson-Brown for We Dig Podcasts Thanks to Peter Latimer for help with the scoring system. Say hello at www.facebook.com/wedigmusicpcast or tweet us at http://twitter.com/wedigmusicpcast or look at shiny pictures on Instagram at http://instagram.com/wedigmusicpcast Part of the We Made This podcast network. https://twitter.com/wmt_network You can also find all the We Dig Music & Free With This Months Issue episodes at www.wedigpodcasts.com Support the We Made This podcast network on Patreon: www.patreon.com/wemadethis

English musician, singer, songwriter an producer Gary Numan has seen just about anything in his illustrious career that spans over 45 years.  First as a member of new wave band Tubeway Army, then as a solo artist where he scored massive hits with songs like 'Cars' and 'Are 'Friends' Electric', in the  early 80s. He also saw some lows as not every album reached its commercial expectations, but with his previous album Savage (Songs from a Broken World) that reached the no. 2 spot in the charts, it's fair to say he is back on top. His latest album is Intruder, and we spoke with Gary about the new album, the brutal nature of the music business, writing about climate change, his creative daughters, science vs religion, and a lot more! Support the show (https://www.patreon.com/FaceCulture)

Steve Cooper talks with musician Gary Numan. Gary is most widely known for his chart-topping 1979 hits Are ‘Friends’ Electric? (when in Tubeway Army) and Cars. He achieved his peak of mainstream popularity in the late 70s and early 80s but maintains a loyal cult following. His signature sound consists of heavy synthesizer hooks fed through guitar effects pedals, is considered a pioneer of commercial electronic music. He has sold over 10 million records in his career and just released his 21st studio album Intruder.

Ffffffresh from 40+ years ago, we get into the Tubeway Army's second album, "Replicas".  Synth-pop pioneers with a secret weapon.  I can't keep a secret.  This is Gary Numan's old band!  Yes. THE Gary Numan.  Philip K. Dick meets the guy that brought you "Cars".  Think about it.

Number 20! This week Tubeway Army and Gary Numan! We will get into the android synth sounds of the stone cold classic hits from Nueman's first band Tubeway Army and then onto the full synth realness of "Gary Numan" himself. Tubeway Army/Gary Numan Mix - YouTube Music / Spotify Tubway Army members Also in celebration of our 20th episode we've curated a mix of the music covered in episodes 1-20. Give it a listen and spread it around like the hugs we can't give each other right now. First 20 Super Mix - YouTube Music / Spotify Send us your "I Already Told You That" audio post at ialreadytoldyouthat@gmail.com

This week we again disccuss SynthPop/Electronic artistes and find out which one's. if any, are a hit with daughter Rebekah.

Gary Numan is a fascinating and surprisingly affable guy – he's a singer, a songwriter, a composer and producer, and one of the great electronic pop pioneers. Tubeway Army started as a punk band and, under his Gary Numan persona, quickly metamorphosed into the most popular electronic futurist band of the early 80's. He is creatively driven, a true artist who clearly doesn't flinch from controversy, and he has a unique vision which explains his enormous and loyal fanbase. He has sold over 10 million records, and that is no joke. He also loves aircraft and aviation – wait for the story at the end of the podcast – jaw dropping… Ladies and gentlemen – It's cold outside…it's Gary Numan!

Suzi and Claire are Wednesday's contestants in the latest PopMaster Podcast with Ken.

ft. Don Slepian, Takeshi Terauchi, Marlon Brando, Dave Grusin, The Dream Syndicate, Zingara, Monica Rypma, WISS, Jackson C. Frank, Kip Tyler, Lily Anne, Prince, Sax, Love Spirit, Chris & Cosey, Gianluca Mosole Group, Cincinnati Joe & Mad Lydia, Lonnie Johnson w/ Elmer Snowden, Tubeway Army, Telex, Gwen McCrae, Carl McKnight, Patrick Cowley & Jorge Socarras, October Country, Round Robin, Lee Ross, Johnny Anderson, The Flirts, Redbone, Master Wilburn Burchette, Ella Fitzgerald, Piano Magic

Tubeway Army - That's Too Bad (1978)  All tracks on the original vinyl single were credited to 'Valerian', the name that Numan (born Gary Webb) had chosen for himself prior to Tubeway Army's début album; these would be his last releases using that nom de plume; henceforward he would call himself Gary Numan. Tubeway Army - Oh! Didn't I Say (1978) Tubeway Army - My Shadow In Vain (1978) Gary Numan - Metal (1979) Parliament - I Call My Baby Pussycat (1970) Which came first?  The Jaggerz - I Call My Baby Candy (1970) Which came first?  The Jaggerz - I'll Be Okay In The Morning (1975) The Jaggerz - (That's Why) Baby I Love You (1969) The Jaggerz - With A Little Help From My Friends (1970) More Cocker than Ringo. In fact, an almost identical copy.  Wolfman Jack (w/The Jaggerz) - The Rapper (1973)  Bee Gees - Dear Mr. Kissinger (1973)  Riley Wildflower - Electric California (196?)  'The Smog Song'/'Electric California' (Beacon Records BCN-1) 196? Previously in The Gentle Soul. This was probably late 1968 or 1969.  It appears that Riley Wyldflower's real name is Riley Cummings. He hooked up with Peter Tork and played with Tork's group in 1968-69. Striking out on his own, he formed a group called 'Peter Tork And/Or Release' with girlfriend Reine Stewart on drums (she had played drums on part of 33⅓ Revolutions Per Monkee), Riley "Wildflower" Cummings on bass and - sometimes - singer/keyboard player Judy Mayhan. Tork said in April 1969, "We sometimes have four. We're thinking of having a rotating fourth. Right now, the fourth is that girl I'm promoting named Judy Mayhan." "We're like Peter's back-up band", added Stewart, "except we happen to be a group instead of a back-up band." Release hoped to have a record out immediately, and Tork has said that they did record some demos, which he may still have stored away somewhere. According to Stewart the band were supposed to go to Muscle Shoals as the backing band for Mayhan's Atlantic Records solo album Moments (1970) but they were ultimately replaced. They mainly played parties for their "in" friends and one of their songs was considered for the soundtrack to Easy Rider, but the producers - who had also produced Head - eventually decided not to include it. Release could not secure a record contract, and by 1970 Tork was once again a solo artist." Adriano Celentano - Prisencolinensinainciusol (FM Jackson Remix) (2015) Sha Na Na - Only One Song (1972) Written by Scott Simon, who co-write "Sandy" for the movie Grease.    Steely Dan - Glamour Profession (1980) Teresa Brewer (and Oily Rags) - Mama Sure Could Swing A Deal (1973) Oily Rags is the stage name for musical duo, Chas Hodges and Dave Peacock, who are joined by a bassist and drummer, two percussionists, three guitarists (including Pete Frampton), an electric keyboardist, and a 6-piece horn section on this track. The Brady Kids - Drummer Man (Sam Redmore Remix) (2013) The Collage - She's Just Laughing At Me (1968) The Everly Brothers - Yves (1970) The Four Seasons - Wall Street Village Day (1969)  The Move - Do Ya (original version) (1971) The Move - Message From The Country (1971)  Tingling Mother's Circus - New York Mining Disaster 1941 (1968)

Tangent Tally – 2   This week Dr. Mike and I discuss the first album by Tubeway Army, the self titled “Tubeway Army”.  This features Gary Numan of course.  The sound is a tad more punk-ish than typical Numan fare – not that there really is typical Numan fare given his diverse (and awesome) body of work.  Very much worth a listen.           As promised, here is the original album artwork… In this episode, you will also learn of Kelly’s appreciation for the grunt in music.  While mildly mocked by Mike, perhaps this will open his … Continue reading →

Social distancing, self-isolation and quarantine-arama continues at an increased magnitude this week and Suburban Underground is here to help you get through the week.  We bring you an hour of music that includes a set of instrumentals.  We wish you the sweetest dreams of replenished supplies of hand sanitizer and toilet paper. We play songs from these artists: The Cure, The Cardigans, The Vibrators, The Cars, Wire, Blood Red Shoes, Beach Bunny, T.S.O.L., The Smiths, Orbital, Cactus World News, En Attendant Ana, Ivy, OK Go, Tubeway Army.  Originally aired March, 20, 2020

Bill and Noah coin a new word -- GOMLism -- and investigate the homophobic/transphobic/misogynistic world of esports. @noahandbillshow -- @williamscurry -- @noahtarnow 00:00 -- Introduction, and What are Esports? 20:30 -- Why are Esports so popular? 29:38 -- Would you have liked Esports if you were a kid? 34:54 -- Are Esports a sign of the apocalypse? 42:34 -- Is your irrational hatred of Esports based on jealousy, and conclusion This week's theme: "Are Friends Electric?” by Gary Numan and the Tubeway Army. New episodes every Monday morning on Spotify, Soundcloud, iTunes, Stitcher, and GooglePlay!

In ep.7 we review our picks from last week (the Freeze/Tubeway Army), talk about gigs we went to since the last episode, and Neil tells a story about a Damned/Television beef. Music by The Freeze, Tubeway Army, The Damned and The Weirdos.

Bombshell Radio For The Record Wednesday’s 5pm EST bombshellradio.com#Rock, #Radio, #alternative,#Classics,#NewMusic, #ZadokStrawberry , #ForTheRecord, @Jimbo2001250:30 "John Levy et al",Bansri47:10 "The Jam","That's Entertainment"44:25 "The Jam","Going Underground"40:55 "The Jam","Thick As Thieves"35:03 Buzzcocks,"A Different Kind Of Tension"28:20 Buzzcocks,"I Believe"25:49 Buzzcocks,"Fast Cars"24:14 "Gary Numan & Tubeway Army","Down in the Park"20:23 "Gary Numan / Tubeway Army","Down In The Park (Early Version 2)"16:29 "Gary Numan","My Shadow In Vain"13:15 "Gary Numan","Thoughts No. 2"06:40 "David Bowie","Subterraneans (2017 Remastered Version)"03:48 "David Bowie","Ashes to Ashes (Single Version) [2017 Remastered Version]"02:05 "David Bowie","What in the World (2017 Remastered Version)"

This year marks Lorraine Kelly's 35th year as a broadcaster and her 60th birthday. Born in the Gorbals to teenage parents, Lorraine took a job at her local newspaper instead of a place at university and, despite being sacked while on maternity leave, is now one of Britain’s best known television presenters. Her new book Shine shares her secrets for success. Amy Powney, creative director of sustainable fashion label Mother of Pearl, spent much of her childhood without mains electricity or running water when her parents sold their house to live off-grid in rural Lancashire. Despite being taken to school in a handmade trailer and having requests for tracksuits denied, Amy found that her parents approach to ethical living had influenced her when she began a career in fashion. Professor Adam M Hill MB PhD is a dual-qualified Clinician and Mechanical Engineer with a military background and a career built at the interface of industry, academia and health systems. Adam is the Chief Executive Officer at immuno-diagnostics company Oncimmune, a company who are trailing new ways to detect cancer, but he has previously worked for the McClaren F1 team and has served in the Household Cavalry. Carol Bates' mum Vivien Grant contacted us after hearing our interview with former footballer Casey Stoney, talking about her struggles to play the game she loved. Carol is from the generation of girls who weren’t able to play football at school or elsewhere and it wasn’t until she set up her own team at the age of 48, that she fulfilled her dream. For Inheritance Tracks this week, actor Toby Stephens chooses You Are In My Vision by Gary Numan and Tubeway Army and She Belongs To Me by Bob Dylan. Producer: Laura Northedge Editor: Eleanor Garland

You Are In My Vision by Gary Numan and Tubeway Army and She Belongs To Me by Bob Dylan

Episode 434: September 22, 2019 (guest artist Marielle Jakobsons) playlist: Saariselka, "Into The Wind" (The Ground Our Sky) 2019 Temporary Residence Benoit Pioulard, "Keep" (Sylva) 2019 Morr Music I Feel Like a Bombed Cathedral, "Session #9" (Inside the cathedral sessions) 2019 self-released Tubeway Army, "Are 'Friends' Electric? (early version)" (Replicas - The First Recordings) 1979 Beggars Banquet Alasdair Roberts, "The Evernew Tongue" (The Fiery Margin) 2019 Drag City Marielle V. Jakobsons, "The Beginning Is the End" (Star Core) 2016 Thrill Jockey Date Palms, "Yuba Reprise" (The Dusted Sessions) 2013 Thrill Jockey Saariselka, "Horizons" (The Ground Our Sky) 2019 Temporary Residence Email podcast at brainwashed dot com to say who you are; what you like; what you want to hear; share pictures for the podcast of where you're from, your computer or MP3 player with or without the Brainwashed Podcast Playing; and win free music! We have no tracking information, no idea who's listening to these things so the more feedback that comes in, the more frequent podcasts will come. You will not be put on any spam list and your information will remain completely private and not farmed out to a third party. Thanks for your attention and thanks for listening.

FRIDAYS CRUCIAL CUTS 11AM-1PM EST 8AM-11AM PDT4PM-5PM BSTBombshell Radio​Earl Crown​ Crucial Cuts an award-winning, syndicated radio show that originates from Loyola University Radio in Baltimore. Earl Crown plays selections from his personal record collection, including the best of #soul, #garage, #reggae, #rocksteady, #punk, #classicrock, #glam, #funk, #Afrobeat, #jazz, and more. Repeats Saturdays 1am -3am EST 10pm-12pm PDT— with Earl Crown.Featuring :The Cake, Chesterfield Kings, Norma Tanega, Oscar Brown, Jr., The Pretenders, The Clash, The Stranglers, X-Ray Spex, Chromatics New Order, Little Dragon, The Slits, Tubeway Army, Talking Heads, Labi Siffre, Eddie Hazel, Dr. John, Amy Winehuse, 13th Floor Elevators, Abbey Lincoln, and The Rolling Stones

Edición Limitada - 18 de Marzo del 2019. Producción, realización y conducción: Gustavo Verduzco. Presentando música de Marsheaux, Laibach, Com Truise, ADULT., Tubeway Army, Gary Numan, EMF, Automelodi, Glass Apple Bonzai, The New Division, Condition One, Projekt Ich con Caroline McLavy, SYZYGYX, Felix Marc, Faderhead, TheWalkingIcon, Fatal Casualties, My Love Kills, Kill Bill G, The Faint y Marilyn Manson.

Je hoort zijn favoriete muziek van o.a. Tubeway Army, Matthews’ Southern Comfort, Percy Mayfield, Lou Reed, Percy Mayfield en Tom Waits. Wil je ook een uur radio maken geef je dan op via onze site.

Today 5pm-6pm EST 10pm-11pm BST 2pm-3pm PDTbombshellradio.com Bombshell RadioRepeats 5am EST #Rock #Radio #alternative #Classics# NewMusic#ZadokStrawberry#ForTheRecord00:00 "Down in the Park","Gary Numan & Tubeway Army"03:58 "Are ‘Friends’ Electric? (Renegade Soundwave Remix)","Gary Numan / Tubeway Army"09:08 "Losing Touch","Empathy Test"12:59 "Seeing Stars","Empathy Test"17:30 "Do It","Chinese Disco"20:38 "Paris 92","Chinese Disco"24:09 Sarrasin,Noisense29:09 "Tales of Fiction","Sun Mahshene"34:29 "Come Alive (Leave This City)","Sun Mahshene"39:10 Octavius,"Across the Snow"45:10 Curiosity,"Paragon Cause"50:00 "Next Time (Ambient)","Paragon Cause"53:20 "The Story So Far","McKinley Dixon"

HYPNOTICA ELECTRONICA #48Bombshell RadioToday’s Bombshell (Bombshell Radio)We Join Forces! Bombshell Radio and Artefaktor RadioThursday’s Bi-Weeklypresent Hypnotica Electronica 12pm-1pm EST 5pm-6pm BST 9am-10am PDT bombshellradio.comhttps://tunein.com/radio/Bombshell-Radio-s257426/#electronica, #electronic music, #synthpop, #70s, #synthesizerOn this Show... Selected Electronic Delights from the 70s - Pulsating Analogue Synth Heaven & a Huge Slug of Nostalgia covering years 1973 - 1979 :-)Playing Tracks by Roxy Music, Tubeway Army, Vangelis, Tangerine Dream & MoreFollow Me on Twitter :-) @matmckenziePlease Favourite, Share & Repost if you like it!01 Pink Floyd - any colour you like (1973)02 Edgar Froese - Aqua (1974)03 Tangerine Dream - Ricochet Ricochet Pt. 1 (1975)04 10cc - I'm Not in Love (1975)05 ABBA - Eagle (Album Version) (1977)06 Klaus Schulze - Ludwig II Von Bayern (1978)07 Vangelis - Himalaya (1979)08 Jon & Vangelis - I Hear You Now (1979)09 Roxy Music - Angel eyes (1979)10 SPARKS - The Number One Song in Heaven (1979)11 Yellow Magic Orchestra - Computer Game (Theme from the Invader) Firecracker (1979)12 Japan - Quiet Life 12Inch (1979)13 Steve Hillage - Garden of Paradise (1979)14 TUBEWAY ARMY - Are 'Friends' Electric (1979)

We’re back! After a brief interlude last week, LPOOL returns for Episode 9 as David and Ryan discuss David’s latest pick; the album “Replicas” from Gary Numan and Tubeway Army. The tables have turned, as David now has to defend something that Ryan can’t quite get his head around. Will there be blood? Tears? Can the podcast possibly continue?! Tune in this week to find out!

En este episodio, damos un repaso a uno de mis géneros preferidos, la COLD WAVE, desde sus influencias a los principales nombres del género. Sonarán hits de KRAFTWERK, TUBEWAY ARMY, JOHN FOXX, JOY DIVISION, THE CURE, TWILIGHT RITUAL, NORMA LOY, KAS PRODUCT, ASYLUM PARTY, LITTLE NEMO, MARTIN DUPONT, CLAN OF XYMOX, ABSOLUTE BODY CONTROL, OPPENHEIMER ANALYSIS y TRISOMIE 21.

I'm thrilled to once again participate in what's become a fun annual tradition, the #BestEventEver blog/podcast team-up!  For the past 3 years, a loose confederation of comics bloggers & podcasters has gotten together to jam on one of DC Comics' annual x-over events - and this year, we've decided to dig deep into 1995's Underworld Unleashed!The villains of the DCU got a chance to shine during this event, and some pretty interesting match-ups came about between the villains & some unfamiliar opponents throughout the DC line.  Case in point, on of the 2 stories I'll be recapping & commenting on: retired Golden Age hero, Ted Knight (formerly Starman) takes on infrequent Batman foe, Dr. Phosphorus in Starman #13.  And in one of the stories in the 12th issue of the anthology, Showcase '95, Starman-cast member, The Shade, is confronted by the primary antagonist of Underworld Unleashed, Neron!If you're interested in taking the plunge with us, I encourage you to:Download this episode HERE!And please be sure to check out further Underworld Unleashed coverage at these fine sites:Relatively Geeky Podcast Network  Resurrections: An Adam Warlock/Thanos Podcast  The RetroistChrisIsOnInfiniteEarthsCosmic TreadmillThe Pop Culture PalaceRolled Spine's Diana Prince: Wonder Woman PodcastThe Idol-Head of DiaboluJustice's First DawnComic Reviews by WaltJustice Trek: The Podcast Scroll down to see a few images from these issues below, and check out previous episodes of I'm the Gun on iTunes & Google Play! Thanks for listening!Music used in this episode: (Every Day Is) Halloween by Ministry; Starman from the 'Walk Hard' soundtrack; My Shadow in Vain by Tubeway ArmyGood look here at Dr. Phosphorus' transparent skin, as he blasts Ted KnightThe Starman trophy room - and fateful contact with Dr. PhosphorusWith the flick of a switch, color floods back into Ted Knight's world - I'd get that wound looked at, though, TedThe nasty side to The Shade's powersThe Shade, channeling his best Oscar Wilde, delivers one the more memorable lines in my collection

Vandaag muziek van Boz Scaggs, Roos Jonker, Tubeway Army, Billy Fury, Nina Simone en Jon Batiste.

FACE B - PASTILLE RADIOPHONIQUEDes groupes phares par des morceaux rares Né en 2009 à Nashville (Tennessee, USA), le supergroupe The Dead Weather a un casting de qualité : Alison Mosshart au chant (The Kills), Dean Fertita à la guitare et au clavier (Queens Of The Stone Age), Jack Lawrence à la basse (The Raconteurs, The Greenhornes) et Jack White à la batterie (The Raconteurs, The White Stripes). Signé sur le label de White, Third Man Records, le groupe publie en quelques années 3 albums : Horehound (2009), Sea Of Cowards (2010) et Dodge And Burn (2015). Ces disques offriront aux plus grands fans des pépites, entre pistes cachées, bonus numériques ou encore titres réservés au marché japonais. Retour sur l'histoire de The Dead Weather au travers de titres rares du groupe :- (extrait : Treat Me Like Your Mother)- Outside - cover Downliners Sect (2009)- You Just Can't Win - cover Them (2009)- Are Friends Electric ? - cover Tubeway Army (2009)- I Feel Strange (2010) Retrouvez davantage d'informations dans le podcast de l'émission...Et rejoignez ici la communauté Facebook de Face B - pastille radiophonique !

Vandaag muziek van Joe Walsh, Mumford & Sons, Lady Gaga, Moody Blues, Tubeway Army en CUT_

1. Heartbeat City - The Cars 2. All Roads Lead To Rome - The Stranglers 3. I Die: You Die - Gary Numan 4. Auto Music (Razormaid! Mix) - Our Daughter's Wedding 5. To Cut A Long Story Short (12" Version) - Spandau Ballet 6. Fun City (12" Mix) - Soft Cell 7. 8:15 To Nowhere - Vicious Pink 8. Telecommunication - A Flock Of Seagulls 9. New Life (Remix) - Depeche Mode 10. Devil Inside (12" Remix) - INXS 11. Still Angry - Book Of Love 12. Today (Extended Version) - Talk Talk 13. A Forest (Tree Mix) - The Cure 14. The Metro (Extended Version) - Berlin 15. Take On Me (Tony Mansfield 12" Version) - A-ha Notes and other random things: So, hello again! Nice to make your acquaintance. Good to finally carve out an evening to record another podcast. I swear, these days I blink and three or four months go by. I suppose, relatively speaking, the same could be said for this episode as it is officially the shortest podcast in CRC history, clocking in at just under one hour. "So, Mr. DJ Tintin," I'm sure you're saying to yourself, "for all my patience waiting for you to give me some new tunes you reward me with LESS music???" It seems that way. You still get the requisite 15 songs, but many of these were single or album versions as opposed to remixes. That's the only defense I have. BUT, look at this artist and track list! Those of you looking for some stuff you haven't heard before may have just hit the mother lode. The Stranglers? Our Daughter's Wedding? Not exactly household names. "Fun City", "Heartbeat City", "Still Angry"? Not exactly the songs anyone would recall off the top of their heads by Soft Cell, The Cars or Book Of Love, respectively. But enough justification. On to the bands ... So, why were the 80s so great? A loaded question to be sure. But ask yourself how many bands in recent memory could have a member, who owned a hair salon, rent out a space above said hair salon, form a band, get discovered by Bill Nelson of Be Bop Deluxe fame, decide upon wearing women's clothes for a video shot in three days on a shoestring budget and become superstars thanks in some part to a fledgling music network called MTV and a now-famous hairstyle? Such was the fate of A Flock of Seagulls, a band that certainly helped alter my musical trajectory and, with the song I Ran (So Far Away), created one of the most iconic and lasting songs of the decade. THAT is the greatness of the 80s - the fact that music was not yet paint-by-number. There was room for experimentation. Sure, you had to be marketable, but the definition of marketable was fluid. And the rules were fluid. As long as someone in the know heard something they liked or saw a creative spark it was sometimes enough for a label to take a chance on you. Spoken like someone who thinks the music they grew up with is the best, I know. But I ask again: could that backstory exist today? Perhaps, but I just don't see it. As for the song in this podcast, "Telecommunication", it is sort of a cult hit at this point and probably an accidental one at that. "(It's Not Me) Talking" was the first single release by AFOS in 1981, but it was the futuristic lyrics and "wall of sound" energy, later praised by uber-producer Phil Spector, that propelled "Telecommunication" into the clubs and into hearts of new wavers. The tune still sounds cool and futuristic even today and reminds me of a moment in time when musical possibilities were still limitless. "No sequencers were used" reads the liner notes of Our Daughters Wedding's first EP, "Digital Cowboy". Layne Rico (electronic percussion / synth), Keith Silva (vocals / synth) and Scott Simon (synth / saxophone) wanted everyone to know that their electronic wizardry and sleight of hand was due entirely to coordination and skill and not programming and triggers like many of their contemporaries such as Depeche Mode and OMD, two groups to which ODW was often compared after their switch over from punk rock and guitars to new wave and synths. And while the group, who sang about lawnchairs and made frequent appearances on MTV with Martha Quinn in the early days of the network, somewhat ironically dismissed DM and OMD as being too "gimmicky", the group did score opening slots for some of the giants of the day including Duran Duran, Talk Talk, Iggy Pop, The Psychedelic Furs and U2. They even worked with famed producer Colin Thurston to record the aforementioned EP. Not bad for a US-based band who suffered the slings and arrows and broken beer bottles of misfortune hurled at them for using electronics on stage at a time when punk was still king. But even skill and deigning to employ sequencers could not save the group from a dust up with their label, EMI. According to Scott Simon, the LA office killed the momentum of their full-length album, Moving Windows, which was released in 1982, because a label exec had a personal issue with one of the band's representatives. The track here, Auto Music, is a Razormaid! mix of the lead track to that first and only full-length. The sweet electronic bass line you hear came about from Simon and David Spradley, the producer for Moving Windows, "jamming one morning in our Union Square loft." To cut a long story short, Spandau Ballet are good. Go buy their records. Seriously, though, Spandau Ballet seems like a perfect name for a slick and sophisticated band who helped spearhead the New Romantic movement, an era of glossy images and high fashion that gave rise to groups like Duran Duran and Visage and others. That is until you remember that, like other groups, SB had their roots in the punk scene and that their name was Allied trench warfare slang for corpses whose bullet-riddled bodies twisted and danced on barbed wire as they were hit by German gunfire. Perhaps they would have been better off going with The Cut or The Makers, both previous band names. But, the name Spandau Ballet stuck as did the amazing voice of Tony Hadley, the Kemp brother's guitar prowess (Martin and Gary), Steve Norman's saxophone riffs and John Keeble's percussive underpinnings. That classic lineup produced a string of Top 10 hits (10 to be precise) including "Gold", "Only When You Leave", "True", "Chant No. 1" and the song in this podcast, "To Cut A Long Story Short", the groups' debut single, which reached #5 in the UK. Speculation surrounding the song is that it pertains to a veteran suffering from post-traumatic stress disorder after being drafted, but getting no explanation why he must join the war. This song apparently inspired Vince Clarke (Depeche Mode, Yaz, The Assembly) to write DM's third single, "Just Can't Get Enough" which, as a side note, is currently being used in a Wal-Mart advertisement. I did NOT see that coming! What more can be said about Gary Numan that hasn't already been said over the course of four decades by the music press? Probably nothing, so I'm not even going to try to break new ground. But, in case you missed it, Gary did just drop his 18th solo album, Savage (Songs From A Broken World), this past September and it instantly shot all the way up the album charts to #2 in the UK and #1 on the UK Indie charts. Call it a love of the man and his music or an indictment of the current music scene, but for a guy who goes down in history as the first artist to secure a #1 song using an all-electronic approach with the highly-coveted and frequently-covered "Are Friends Electric?" way back in 1979, the fact that Gary is still making music that questions, challenges, lifts, destroys and defies convention is impressive. Despite the lofty charting position of the new album and its predominant use of electronics, it failed to register on the Billboard Electronic charts because, according to a Billboard executive, “Sonically, the Numan album just does not fit in" with Billboard's perception of electronic dance music. Seems a bit ridiculous, but Numan is no stranger to such disinterest or indifference on the part of the music cabal. In fact, even during his heyday, "Are Friends Electric?" was perched atop the British charts for three weeks before any radio station would add it to their playlists. The song in this podcast, "I Die: You Die", which appeared in 1980 on the Telekon album a mere two years after his Tubeway Army signing with Beggars Banquet, is his rebuke of the music press and their God complex, star-maker/star-breaker tendencies. The track eventually reached #6 on the UK singles chart. And finally, speaking of the music press, the last band I'd like to mention here had them completely baffled and befuddled for the bulk of their career, or at least until 1990 when Hugh Cornwall left the group. The Stranglers, originally known as the Guildford Stranglers when they embarked as a band in 1974, were comprised of guitarist/keyboardist Hugh Cornwall, bassist/vocalist Jen-Jacques Burnel, keyboardist Dave Greenfield and drummer Brian Duffy (aka Jet Black). Though not one member hailed from Guildford, they were "tweeners" in every sense of the word, dabbling in numerous styles from electropop to soul during the course of their long and storied career. And while many of their successes came during their early punk days, they never quite fit into the punk scene. Ostracized for their relative age, their humorous, often self-deprecating lyrical style contrasted with their often anti-politically correct stage antics, their stunningly fast musical growth and development, and their hit-making skill, which generated 21 Top-40 singles, The Stranglers set themselves apart from their punk contemporaries and gave the press fits as they did not know how to put square pegs into round holes. The track here, "All Roads Lead To Rome" was from their seventh album, Feline. As you can hear, it has distinct new wave overtones, which makes total sense having been released in 1982, but it is certainly a brave departure from their earlier work. And while this track did not chart, it still stands as one of the high points from the Feline album and provides a glimpse into a chameleon-like band that was firmly in transition. Another episode in the books. Thanks for reading/listening. Enjoy the music!

SCATTERHEART............................................ by tony justerini 01. Elvis Presley - Can't Help Falling in Love, filme Feitiço Havaiano, 1961 (00.10) 02. Gary Numan – Down in the Park, Tubeway Army, Replicas,1979 (3.00) 03. Sinead O’Connor - Something Beautiful , Theology, 2007 (8.10) 04. Jasper Byrne – Moving On, Lone Survivor OST,2013 (13.30) 05. The Cure – One More Time , Kiss me, Kiss me, Kiss me, 1987 (18.000) 06. Jon Hopkins – Opalescent , Opalescent, 2001 (21.50) 07. Ben Lukas Boysen – Golden Times 1, Spells, 2016 (22.40) 08. Circadian Eyes - The Sun Through Your Hair, Song for Ghosts, 2015 (30.40) 09. Marble Sounds - The Time To Sleep, Nice is Good, 2010 (34.,25) 10. The National – About Today,Warrior, 2011 (38.15) 11. Ben Lukas Boysen – Nocturne 4 Spells, 2016 (42.15) 12. David Holmes & Jon Hopkins - Elsewhere Anchises feat. Stephen Rea, Late Night Tales 2016 (46.15) 13. Sinead O’Connor -Dark I Am Yet Lovely, Theology, 2007 (52.30) 14. Hipnótica - Silver Drops from Velvet Clouds, New Comunities for Better Days, 2007 (56.30) 15. Nine Horses – Atom and Cell, Snow Borne, 2005 (01.00.40) 16. The Blue Nile – Soul Boy , High, 2005 (01.07.30) 17. The Cinematic Orchestra – Colours, Ma Fleur, 2007 (01.11.50) 18. Sinead O’Connor – Silent Night, I Do Not Want…(01.16.10) total time :1.19.50 photo by Antonello Crippa www.radioetiopia.com http://radioetiopia.phase108.net/ https://instagram.com/ radioetiopia/ https://radiolisboa.pt/

It's December and it's certainly turning a little cold, so what better to warm the punkcicles of your heart than nine great tracks from Harker, Kings Of Hong Kong, The Skodas, Tubeway Army, Centurion Sect, TV21, Ultravox, Choke Chains and The Devils.World Cup draw, Tony has your Facebook comments, the other Paul B has been in touch, Judge Mental, Paul's email, our Graham, To The Outside of Everything compilation, Gary Numan, last week, Tony talks about December, Paul went to The Lion, Pesky Alligators, covers, Paulyb Picks A Gig, Sumac Centre, From the Vaults, Tony's International Gig Guide, Punky Gig Of The Week, Unit 5, bowling over the ladies, Buckinghamshire, Ultravox, the week ahead, Paul has his Hitchin and Oslo gigs, news about The Lilacs, no Izzatwat, IzzaTrump? and Paul looks forward to an exciting FA Cup...Song 1: Harker – 300 CigarettesSong 2: Kings Of Hong Kong – House Of SnakesSong 3: The Skodas – Everybody Thinks Everybody Else Is DeadSong 4: Tubeway Army - BombersSong 5: Centurion Sect – Black. PlasticSong 6: TV21 – Snakes And LaddersSong 7: Ultravox – Young SavageSong 8: Choke Chains – I Will Break YouSong 9: The Devils – Pray You Parrots

This weeks show is an Action Time Vision special which is "A Story of UK Independent Punk 1976-1979" and we feature songs from Stiff Little Fingers, Woody And The Splinters, The Rezillos, Adam And The Ants, Broken Factory Windows, Tubeway Army, Pure Hell, Leyton Buzzards and Nipple Erectors.We talk about the Action Time Vision compilation, word of the week, Tony has your Facebook comments, Fat boy has us conbaffled, Tony may have bass problems, rake or not a rake?, Paul talks about his gigs, Oslo, not From the Vaults, Tony doesn't have any gigs this week, Tubeway Army, we talk about the week ahead, Pub Quiz, Paul has his Nottingham comedy night on Thursday, England v Scotland, Pure Hell, no twat yet again, I Don't Know What They're Singing, Maxell adverts, American election, no Izzatwat this week and we may feature more of these songs over the next couple of months!Song 1: Stiff Little Fingers – Suspect DeviceSong 2: Woody And The Splinters – I Must Be MadSong 3: The Rezillos – I Can’t Stand My BabySong 4: Adam And The Ants - ZeroxSong 5: Broken Factory Windows – PolarSong 6: Tubeway Army – That’s Too BadSong 7: Pure Hell – These Boots Are Made For WalkingSong 8: Leyton Buzzards – 19 And MadSong 9: Nipple Erectors – King of The Bop

Welcome to Live From Progzilla Towers Edition 151. In this edition, we spoke to Robin Armstrong of Cosmograf and heard his top ten, with music by Cosmograf, The Beatles, Deep Purple, Tubeway Army, Black Sabbath, Kate Bush, Radiohead, Soundgarden, Goldfrapp, Jon Hopkins, David Bowie & Fairport Convention.

In the Leadoff, we discuss the Royals World Series Championship. Jonathan describes the city's reaction and attending the rally. Gabe and Jonathan discuss recent concerts they attended. Levi starts surmising some Cubs off-season moves. In the Heart of the Order, we discuss music and albums that we associate with the Fall and Winter, including Nick Drake, the Rolling Stones and The War on Drugs. In the Bullpen Session, we share music from Tubeway Army, Al DiMeola/John McLaughlin/Paco de Lucia, and The Clientele.

William Orbit, Hot Sporran, Golden Ivy, Laid Back, Cliff Richard, Style Council, PIL, Di Leva, Twin Sister, Frak, Skyy, ZZ Top, Osmonds, Piano Fantasia, NOIA, IMS, Kord, Idjut Boys, Heaven 17, Monster Apparat, YMO, OMD, Ignatius Jones, Logic System, Phaeax, Black Devil, Stevie Wonder, Change, DAF, Tubeway Army, Telex, Ken Elliott, Cure, New Order and more...

In this podcast, Darren talks about his "Bad Cover Version" project in which he does his best to record really awful renditions of popular favourites. Tracks include "Heroes" by David Bowie, "The Bucket" by Kings of Leon, "Who Knows Where the Time Goes?" by Fairport Convention, "Are Friends Electric?" by Tubeway Army, "Something to Do" by Adrian Belew, "Sabotage" by The Beastie Boys, "Willow's Song" from The Wicker Man movie, "King's Lead Hat" by Brian Eno, "Wannabe" by The Spice Girls, "Girl Like You" by Edwyn Collins, "Lucky Man" by The Verve, "Love Will Tear Us Apart" by Joy Division and "Sunrise" by Pulp.

Special guest DJ, TEDBONE TURNER - Alan Vega, Iggy Pop, Todd Rundgren, Family Fodder, Fall, Blue Oyster Cult, Holly and the Italians, Tubeway Army, the Jam, the Go-Betweens, Gerard Manset, Nirvana, Roky Erickson and the Aliens, Rites of Spring, the Feelies, the Troggs, and Richard Hell.