Podcasts about The Stranglers

S8E20 went live from the TSORR Studio on Myoli Beach on 15 May 2025 at 19h00 on Rebel Rock Radio. Apologies for the couple of times I had mic problems between songs, don't adjust your set, it comes back.   Running order of artists featured:  Metallica, Buckcherry, ACDC, Black Country Communion, Saxon, Smith/Kotzen, Walking Papers, Iron Maiden, Rush, Ricky Warwick, The Gaslight Anthem, Joel Hoekstra's 13 Myles Kennedy, Ayron Jones, Danko Jones, Sex Pistols, Joe Jackson, Jimi Hendrix, The Rolling Stones, Gareth Haze, The Stranglers, Roger Waters, Guns N' Roses, Def Leppard, Iron Maiden, Rammstein, Queensrÿche, Joe Bonamassa, SatchVai, Tom Petty, Accept, Heaven & Hell, Linkin Park The Story of Rock and Roll. TSORR - Your one-stop shop for Rock

It is a privilege to welcome six-time Emmy-nominated filmmaker Alan G. Parker to The Jake's Take with Jacob Elyachar Podcast.  Before becoming a filmmaker, Alan worked as a press officer via Judy Totton Publicity and later in EMI's catalogue department in London. At EMI, he worked with bands such as Buzzcocks, Stiff Little Fingers, and the Stranglers. He also wrote for magazines and published books about the Clash and Sid Vicious. In 2009, Alan directed Who Killed Nancy? And Monty Python: Almost the Truth – The Lawyers' Cut was nominated for six Emmy Awards. In 2017, he directed the documentary It was Fifty Years Ago Today! The Beatles: Sgt. Pepper & Beyond!  Alan G. Parker's latest documentary, Borrowed Time: Lennon's Last Decade, focuses on music legend John Lennon's final years. The film follows the former Beatle as he navigates through the band's breakup while creating revolutionary music and standing at the forefront of anti-war protests that would make him one of the most influential pop culture icons of all-time.   Hear musicians, journalists, and the man's close friends set the record straight on the truth behind many famous Lennon moments brought to life by rare archive footage, including never-before-seen interviews. For the first time, the full story of how John and Yoko met is revealed, and watch as the curtain is lifted on the 1981 comeback tour that never came to be. This monumental film is a must-see for Lennon,  Beatles, and music fans.    On this episode of The Jake's Take with Jacob Elyachar Podcast, Alan G. Parker took us behind the scenes about Borrowed Time's filmmaking process, including the insights he found from the documentary interview subjects who had interacted with John during that time.  Borrowed Time: Lennon's Last Decade will be released in theatres on May 2, 2025.  Become a supporter of this podcast: https://www.spreaker.com/podcast/jake-s-take-with-jacob-elyachar--4112003/support.

Hoy en La Gran Travesía viajamos hasta el año 1982 en un programa en el que podréis escuchar a Descendents, Iron Maiden, Prince, Hüsker Dü, Supertramp, Van Halen, Sonic Youth, Bruce Springsteen, Stranglers, R.E.M, Violent Femmes, The Clash, Gun Club, Motörhead... entre otros. También recordaros que ya podéis comprar La gran travesía del rock, un libro interactivo que además contará con 15 programas de radio complementarios, a modo de ficción sonora... con muchas sorpresas y voces conocidas... https://www.ivoox.com/gran-travesia-del-rock-capitulos-del-libro_bk_list_10998115_1.html Jimi y Janis, dos periodistas musicales, vienen de 2027, un mundo distópico y delirante donde el reguetón tiene (casi) todo el poder... pero ellos dos, deciden alistarse al GLP para viajar en el tiempo, salvar el rock, rescatar sus archivos ocultos y combatir la dictadura troyana del FPR. ✨ El libro ya está en diversas webs, en todostuslibros.com Amazon, Fnac y también en La Montaña Mágica, por ejemplo https://www.amazon.es/GRAN-TRAVES%C3%8DA-DEL-ROCK-autoestopista/dp/8419924938 ▶️ Y ya sabéis, si os gusta el programa y os apetece, podéis apoyarnos y colaborar con nosotros por el simple precio de una cerveza al mes, desde el botón azul de iVoox, y así, además podéis acceder a todo el archivo histórico exclusivo. Muchas gracias también a todos los mecenas y patrocinadores por vuestro apoyo: Poncho C, Don T, Francisco Quintana, Gastón Nicora, Con, Piri, Dotakon, Tete García, Jose Angel Tremiño, Marco Landeta Vacas, Oscar García Muñoz, Raquel Parrondo, Javier Gonzar, Poncho C, Nacho, Javito, Alberto, Pilar Escudero, Blas, Moy, Dani Pérez, Santi Oliva, Vicente DC,, Leticia, JBSabe, Flor, Melomanic, Arturo Soriano, Gemma Codina, Raquel Jiménez, Pedro, SGD, Raul Andres, Tomás Pérez, Pablo Pineda, Quim Goday, Enfermerator, María Arán, Joaquín, Horns Up, Victor Bravo, Fonune, Eulogiko, Francisco González, Marcos Paris, Vlado 74, Daniel A, Redneckman, Elliott SF, Guillermo Gutierrez, Sementalex, Miguel Angel Torres, Suibne, Javifer, Matías Ruiz Molina, Noyatan, Estefanía, Iván Menéndez, Niksisley y a los mecenas anónimos.

Hoy en La Gran Travesía viajamos hasta el año 1977, en un programa donde podréis escuchar a grupos como Sex Pistols, Supertramp, Blondie, Cheap Trick, Stranglers, Peter Gabriel, Talking Heads, Television, Elvis Costello, Kraftwerk, The Police, The Jam, Iggy Pop. Alan Parsons Project, Thin Lizzy, Billy Joel, Bee Gees, David Bowie, Suicide, Ramones, Patti Smith, Bob Seger, The Jam, Fleetwood Mac... entre muchos otros. También recordaros que ya podéis comprar La gran travesía del rock, un libro interactivo que además contará con 15 programas de radio complementarios, a modo de ficción sonora... con muchas sorpresas y voces conocidas... https://www.ivoox.com/gran-travesia-del-rock-capitulos-del-libro_bk_list_10998115_1.html Jimi y Janis, dos periodistas musicales, vienen de 2027, un mundo distópico y delirante donde el reguetón tiene (casi) todo el poder... pero ellos dos, deciden alistarse al GLP para viajar en el tiempo, salvar el rock, rescatar sus archivos ocultos y combatir la dictadura troyana del FPR. ✨ El libro ya está en diversas webs, en todostuslibros.com Amazon, Fnac y también en La Montaña Mágica, por ejemplo https://www.amazon.es/GRAN-TRAVES%C3%8DA-DEL-ROCK-autoestopista/dp/8419924938 ▶️ Y ya sabéis, si os gusta el programa y os apetece, podéis apoyarnos y colaborar con nosotros por el simple precio de una cerveza al mes, desde el botón azul de iVoox, y así, además podéis acceder a todo el archivo histórico exclusivo. Muchas gracias también a todos los mecenas y patrocinadores por vuestro apoyo: Poncho C, Don T, Francisco Quintana, Gastón Nicora, Con, Piri, Dotakon, Tete García, Jose Angel Tremiño, Marco Landeta Vacas, Oscar García Muñoz, Raquel Parrondo, Javier Gonzar, Eva Arenas, Poncho C, Nacho, Javito, Alberto, Pilar Escudero, Blas, Moy, Dani Pérez, Santi Oliva, Vicente DC,, Leticia, JBSabe, Flor, Melomanic, Arturo Soriano, Gemma Codina, Raquel Jiménez, Pedro, SGD, Raul Andres, Tomás Pérez, Pablo Pineda, Quim Goday, Enfermerator, María Arán, Joaquín, Horns Up, Victor Bravo, Fonune, Eulogiko, Francisco González, Marcos Paris, Vlado 74, Daniel A, Redneckman, Elliott SF, Guillermo Gutierrez, Sementalex, Miguel Angel Torres, Suibne, Javifer, Matías Ruiz Molina, Noyatan, Estefanía, Iván Menéndez, Niksisley y a los mecenas anónimos.

The year 1978 was a year of terror in true crime history. This One Degree of Scandalous episode with Tom Zenner and Kato Kaelin dives deep into the year serial killers ruled the headlines. Ted Bundy was on his final rampage, Jeffrey Dahmer claimed his first victim, John Wayne Gacy was hiding horrors beneath his home, and the Hillside Stranglers spread fear across Los Angeles. We also cover the deadly Jonestown Massacre, where over 900 people lost their lives in one of history's worst cult tragedies.Plus, we break down the Unabomber's first attack and how modern technology has changed how crimes are solved today. If you love true crime, unsolved mysteries, and deep dives into the minds of serial killers, this episode is for you!Become a supporter of this podcast: https://www.spreaker.com/podcast/one-degree-of-scandalous-with-tom-zenner-and-kato-kaelin--6258576/support.

A new album release by your favourite band is an important event. Thank god for this. A new album is a reprieve, an escape, a comfort and a joy. Of course, to experience all these emotions you do have to take the time to really listen. I particularly love that a record has the power to be your own personal time machine. When I first played back the new My Morning Jacket album, simply titled is, I was transported back in time to the late 70s, back to my childhood. A time of albums on vinyl or cassette, played on ‘music centres' (that's what we called hi-fi systems in Northern England back then). A time when ELO or Supertramp, or The Stranglers or Queen, would make albums consisting of singles with accessible catchy melodies mixed with more exotic, experimental songs that were probably marked during the recording process as ‘album tracks'. A time when you could expect each and every album released by a band to have a different, distinctive character from the last one. It was a time of greater attention and patience and a slower, simpler time of life. 70s memories are especially magical for me, so a soundtrack courtesy Jim James & co is a total treat. It isn't fashionable music that My Morning Jacket creates. Indeed, their alchemical meld of alt-country rock, alternative country/Americana and late era Beatles-esque psychedelia make MMJ sound always like a band out of time. That's just how Jim James intended it. Music perfect for sucking you into their timeless orbit. And no real desire beyond that. It's the way Jim James operates these days. Put your best work out there into the universe and then what will be will be:“Of course we all want our work to be successful, me included. But I've ridden the rollercoaster so many times now, I know the outcome is always the same, whether people like a record or not, I still had to deal with my own depression and self loathing. External validation will not fill that hole, you can only do it yourself, love yourself and try to see things more clearly”. MMJ have never shied away from dissonance, off kilter time signatures and ear-splitting guitar work, but there is always the emergence of beauty from the noise. This abruptly contrasting style takes a backseat on is. Instead, the songs are what matters most on this album. Legendary rock producer Brendan O'Brien (Pearl Jam, Springsteen and ACDC) has pushed Jim James and his band to be even more in service of the songs than they have been before. But the melodies and grooves are so strong, it works wonders such that the album stands up as one of their best so far. Pretty good show after 25 years and 10 LP records.And Jim James loves LP records:“I love the album as an art form. It's important as artists to do what you love, and don't worry about the world and what the world's gonna do. It's cool even if people love one song, but if they are gonna take the journey of the album, that's my dream. We aspire to make music in that format, but even if one person loves one song, that's still so awesome”. Yes, yes it is. Support the showGet more related content at: https://www.songsommelier.com/

The Stranglers have been together for over 50 years and they're celebrating with a tour with icludes Perth's Astor Theatre. Clairsy & Lisa caught up with their bass player JJ Burnel about the band's punk roots and their flip to the new romantic scene in the early 80s, plus JJ told about his love for Western Australia, especially Margaret River and why he was given a motorbike to ride down there.See omnystudio.com/listener for privacy information.

Today Ben O’Shea reviewed the new Snow White movie and he didn’t hold back! Clairsy has been getting his floors sanded and had some new kitchen cabinetry put in so he and his wife have been camping in their own home and it’s getting a bit annoying to say the least. Do you have a weird phobia? CLairsy & Lisa wanted to know all about it when they opened the phones and text line. You guys really do have some odd ones. The Stranglers have been around for over 50 years and today Clairsy & Lisa spoke to their bass player JJ Burnel who have a love for W.A and our wine. In The Shaw Report, the Diddy trial has been pushed back again and there’s a new streaming service on the block. Clairsy opened his Tragic Music Box today and took us back to 1980.See omnystudio.com/listener for privacy information.

Die Welt gibt den Takt an. Oder ist sie gerade aus dem Tritt geraten? Diese Woche wird es eher spannend als entspannend: Philipp widmet sich den krummen Taktarten. In Klammern findest Du hinter den Musikstücken die jeweilige Taktart. Los geht's: Eins, zwei, drei ... fünf, sieben Diese Musikstücke hast Du in der Folge gehört: Sting – "Seven Days" (5/4) // Leonard Bernstein – "Divertimento – Walzer" (4/4) // Stranglers – "Golden Brown" (3/4 – 4/4) // Peter Tschaikowsky – "Sinfonie 6 – Walzer" (5/4) // Can – "One More Night" (7/4) // Genesis – "Turn It On Again" (13/4) // Den Podcast "Ostwärts – Reisen zwischen Fernweh und Fettnäpfchen" findest du hier: https://www.ardaudiothek.de/sendung/ostwaerts-reisen-zwischen-fernweh-und-fettnaepfchen/13858675 Wenn Du eine Idee oder einen Wunsch zu einem musikalischen Thema hast, dann schreib ihm eine Mail: playlist@ndr.de

This week on the Talk Without Rhythm Podcast I'm fulfilling another Patreon Pick, this time from TWoRP Legionnaire Tom B. Tom requested I take a look at 1966's Island of Terror and I decided to make it a Terence Fisher double-feature by pairing it with the 1959 Hammer film The Stranglers of Bombay. [00:00] INTRO [01:39] Trick or Treat Radio Promo [02:56] RANDOM CONVERSATION [08:35] The Stranglers of Bombay (1959) Brian Trenchard-Smith on Trailers from Hell [33:46] Island of Terror (1966) [55:34] FEEDBACK [01:17:31] ENDING MUSIC: Maha Kali by Dissection Buy The Stranglers of Bombay (1959) Buy Island of Terror (1966) Support TWoRP Contact Us talkwithoutrhythm@gmail.com

Dar viena valanda, skirta naujosios bangos –„new wave“ kulminacijai, prisimenant geriausias snieguoto sezono dainas Jungtinėje Karalystėje bei Europoje, skambėjusias prieš keturiasdešimt metų ir nešusias įkvėpimą bei pozityvumą taip pat link mūsų krantų. Grojaraštyje grupės „The Limit“, „Commodores“, „The Stranglers“, „Dead Or Alive“, „The Smiths“ „Daryl Hall and John Oates“, dainininkai Phil Collins, Pat Benatar ir kt.Ved. Lukas Devita

Marjorie Hache nous embarque pour deux heures de pop et de rock sous toutes ses formes. Ce soir, on retrouve des légendes comme Oasis, The Stranglers et Dinosaur Jr. Du côté des découvertes, la talentueuse Blondshell dévoile un extrait de son prochain album, tandis que Girlpuppy, venue d'Atlanta, nous livre un titre folk à l'atmosphère envoûtante. L'album de la semaine est signé Lacuna Coil avec "Sleepless Empire", que le groupe défendra sur scène en France cet automne. Pour le live, Ben Harper nous offre une performance poignante de "Burn To Shine", enregistrée à Angers en 2000. La reprise du soir est un classique : "Louie Louie" des Kingsmen revisité par Motörhead, dans une version survitaminée. Enfin, la session longue nous transporte en 1969 avec The Stooges et leur proto-punk viscéral. Une soirée entre énergie brute et découvertes captivantes, à écouter sur RTL2. La playlist de l'émission : Franz Ferdinand - Hooked Electric Light Orchestra - Don't Bring Me Down The Stones Roses - I Wanna be Adored Linkin Park - Bleed It Out Heartworms - Warplane Dinosaur Jr. - Freak Scene Gary Glitter - Rock & Roll Part 2 Lacuna Ciol - The Siege Oasis - Supersonic Dexndre - I Don't Know Here The Stranglers - No More Heroes Sky Ferreira - Leash Motörhead - Louie Louie Arcade Fire - No Cars Go Guns N' Roses - Welcome To The Jungle Blondshell - T&A Deep Purple - Smoke On The Water Biffy Clyro - Black Chandelier Ben Harper - Burn To Shine (Live In Angers The Stooges - 1969 The White Stripes - I Just Don't Know What To Do With Myself Girlpuppy - I Just Do Stevie Ray Vaughan - Taxman Natalie Bergman - Shine Your Light On Me New Order - 60 Miles An Hour Patti Smith - Birdland

Christopher & Jobst im Gespräch mit Sara. Wir reden über keine Utopien, Jugendzeit auf Bühnen, entsorgte Weltmeisterschafts-Medaillen, eine Kiste voll Tickets, Stranglers & 999 im Volkshaus, "New Rose" von The Damned vom Vater, als Küken unter die Flügel genommen werden, im Dunst in Genossenschaftshäuschen, Iggi vom No Fun Fanzine, Ton Steine Scherben auf dem Pfingstfest, die Band Krokodil, auf der Kirmes gecastet, die Fichen-Affäre in der Schweiz, der Song Bubble Guns, Musik kann Gefühle konservieren, mit der Zeit zu Musikerin werden, Krieg auf den Strassen, Familientrauma, zwei Monate in Nicaragua arbeiten, die Gründung von The Kick, die AC/DC Coverband, zusammen mit Rudi auf die Bühne mit Hilarious Limited, wenn sich Sternenstaub zu Planeten verdichtet, 40 Jahre Saus & Braus, die Energie von Punk, die Geschichte von Karate, die beste Verteidigung ist Awareness, von morgens bis abends in der Kläranlage, Lieblingsfilme, Do Androids Dream of Electric Sheep?, ein perfekter Sonntag mit Wäsche, irgendetwas gibt es immer zu sortieren, ein total tolles Programm von Peter Haas im Dunkeln, uvm. Drei Songs für die Playlist: 1. Ein Song, den Sara mit Ihrer Pre-Punk-Zeit verbindet: TON STEINE SCHERBEN - Der Traum ist aus 2. Ein Song, der für Sara die Anziehung von frühem Punk am besten repräsentiert: THE DAMNED - New Rose 3. Ein richtig guter Song aus der Schweiz, der nichts mit Punk zu tun hat: KTGORIQUE - Too Late

The wait is over. Kev, Finey and Stephen J return for 2025 and the sparks are flying early. The shame of Aussie sports fans exposed, dick pics (not exposed) but discussed and the holiday adventures across the globe are in the spotlight. Musically, it's back to February 1985 for a serving of Madonna, Style Council and The Stranglers. Get in the queue and get ready its the first serve of a very long 2025 match. Ruck on! Kevin Hillier, Mark Fine, Stephen J. Peak Follow us on Facebook...https://bit.ly/2OOe7ag Post-production by Steve Visscher | Southern Skies Media for Howdy Partners Media | www.howdypartnersmedia.com.au/podcasts © 2025See omnystudio.com/listener for privacy information.

Horror Weekly Episode #318 We have an interesting collection this week! We'll start off with the fairly recent “The Soul Eater” and “Frankie Freako.” We actually forgot that there was a new Ghostbusters movie last year, so we picked that one up as well. Then we'll look at a couple of oldies, “The Stranglers of Bombay” from Hammer films and “Godzilla vs. Hedorah” (aka “The Smog Monster”).  And, of course, we have more excellent short films for you! The latest issue of “Horror Monthly” is now on sale! Check out all the back issues, as well as our other books, with one easy link: https://horrormonthly.com   Contact Info: Email:  mailto:email@horrorguys.com   Websites:  https://www.horrorguys.com  https://www.horrorweekly.com https://www.horrormonthly.com     Theme song, "Galactic Rap " Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/by/4.0/

Et les nouveaux John Glacier et Miki pour ouvrir ! Prince - Starfish and CoffeeJohn Glacier - Ocean Steppin' (feat. Sampha)Miki - scorpion ascendant scorpion (상승궁 전갈자리)Sufjan Stevens - ChicagoParliament - Flash LightThe Stranglers - PeachesThe Emotions - Best of My LoveBob Marley & The Wailers - JammingTangerine Dream - Sorcerer ThemeBixio, Frizzi & Tempera - Operazione K sparate a vista Iggy Pop - NightclubbingThe Full Experience & Lee "Scratch" Perry - Disco Devil (Extended Version)Ramones - Sheena Is a Punk RockerSex Pistols - God Save The QueenThe Jam - In the CityElvis Costello - Watching the DetectivesLaurent Voulzy - RockollectionPhilippe Sarde - La lettre de VioletteTelevision - Marquee MoonKyriakos Sfetsas - Morning Expectations

El que a buen sótano se arrima, buena sombra le cobija. Sesión cocinada entre sombras del pasado, sombras que nos acechan, sombras que nos acompañan y sombras que nos ocultan.Playlist;(sintonía) THE FORBIDDEN DIMENSION “The shadow knows”THE LIMIÑANAS feat. Emmanuelle Seigner “Shadow people”THE STRANGLERS “In the shadows”THE DAMNED “Shadow of love” (Phantasmagoria, 1985)THE DOGS “Walking shadows” (Walking shadows, 1980)JOY DIVISION “Shadowplay”THE ONLY ONES “Me and my shadow”LOST SOUNDS “Dark shadows”JAY REATARD “My shadow”THE SEEDS “A thousand shadows”LOS NIVRAM “Sombras”THE LOW SPIRITS “Shadows of your mind”ALEJANDRO ESCOVEDO “Footsteps in the shadows”DEAD CAPO “Por las sombras”JOE STRUMMER and THE MESCALEROS “Long shadow”Escuchar audio

Ce 14 janvier, Marjorie Hache nous emmène dans deux heures mêlant pop et rock alternatif sur RTL2 Pop-Rock Station. Parmi les classiques, John Lee Hooker et Lou Reed côtoient Genesis et The Supremes. Les nouveautés incluent Bonnie Prince Billy avec "Downstream" et "Top Shelf" de Warmduscher. L'album de la semaine est "Who Let The Dogs Out" des Lambrini Girls, duo punk de Brighton. En live, les Smashing Pumpkins revisitent "Mayonnaise". Pour la reprise du jour les Stranglers réinventent "Walk On By" le classique de Dionne Warwick. Enfin, un long format explore Neil Young et son engagement écologique. La playlist de l'émission : Linkin Park - Two Faced Cold War Kids - Hang Me Up To Dry The Supremes - You Can't Hurry Love Genesis - That's All Warmduscher - Top Shelf The Doors - Hello I Love You Archive - Fuck U Lambrini Girls - Love John Lee Hooker - Boom Boom Marilyn Manson - Nod If You Understand Lou Reed - Perfect Day Fka Twigs - Perfect Stranger The Stranglers - Walk On By Queens Of The Stone Age - Little Sister Oasis - Lyla Lauren Mayberry - Something In The Air Sam & Dave - Hold On Neil Young & The Crazy Horse - Break The Chain The Smashing Pumpkins - Mayonaise (Live At The Cabaret Metro) Led Zeppelin - Heartbreaker My Chemical Romance - Famous Last Words Bonnie Prince Billy - Downstream The Bangles - Walk Like An Egyptian The Hentchmen - Some Other Guy Feist - 1 2 3 4 Tunde Adebimpe - Magnetic King Gizzard & The Lizard Wizard - Astroturf

Embarquez avec nous pour un voyage musical captivant à la découverte de l'histoire fascinante derrière le hit 'Golden Brown' du groupe britannique The Stranglers. Fabrice Lafitte, notre expert musical passionné, vous entraîne dans les coulisses de cette mélodie subtile et légère qui a marqué une génération.Remontez le temps jusqu'en 1981, lorsque les membres du groupe The Stranglers, composé de musiciens aux parcours éclectiques, se sont mis au travail pour créer de nouveaux morceaux. Découvrez comment le claviériste Dave Grenfell a réussi à glisser cette mélodie de clavecin signature dans 'Golden Brown', malgré les réticences initiales du producteur et de la maison de disques.Plongez dans les secrets de l'enregistrement de ce single, entre les sessions dans un studio d'Oxfordshire et les clauses contractuelles inventées pour convaincre les sceptiques. Apprenez comment 'Golden Brown' a finalement connu un succès inattendu, en sortant à deux reprises, d'abord entre Noël et Nouvel An 1981, puis le 11 janvier 1982, pour devenir un véritable phénomène en France.Découvrez les inspirations et les influences qui ont façonné cette chanson, de l'histoire d'un homme sous l'emprise de la drogue aux confidences du chanteur Hugh Cornell sur sa compagne de l'époque. Laissez-vous emporter par la richesse musicale du groupe, mélange de blues, de rock classique et de jazz.Que vous soyez un fan inconditionnel des Stranglers ou simplement curieux d'en apprendre davantage sur les secrets de création de vos tubes préférés, cet épisode vous offrira un regard passionnant et inédit sur l'univers fascinant de la musique. Préparez-vous à redécouvrir 'Golden Brown' sous un tout nouveau jour !Notre équipe a utilisé un outil d'Intelligence artificielle via les technologies d'Audiomeans© pour accompagner la création de ce contenu écrit.

This week, Steve has a set of trash/garbage songs within this hour of great music.  Here are the artists in this show: New Order, The Cloudsmen, Pale Waves, The Jam, They Might Be Giants, Arctic Monkeys,  Beabadoobee, Deco, Pom Pom Squad, INXS, Material Issue, The Dollyrots, Young the Giant, The Stranglers, Eels, Siouxsie And The Banshees. AI-free since 2016! On the Air on Bedford 105.1 FM Radio      *** 5pm Friday ***      *** 10am Sunday ***      *** 8pm Monday *** Stream live at http://209.95.50.189:8178/stream Stream on-demand most recent episodes at https://wbnh1051.podbean.com/category/suburban-underground/ And available on demand on your favorite podcast app! Facebook: SuburbanUndergroundRadio   ***    Instagram: SuburbanUnderground   ***    #newwave #altrock #alternativerock #punkrock #indierock

Sounds crazy but make sure to subscribe to this if you want to find out out about the NEW podcast. I still have some work to do to make the new show happen and it will take a few weeks before I have it all together so I will need a way to let you know. Listen to the show to find out what it will be called but I will be posting on the website when it is all ready. In the meantime, the last show that Chris and I recorded and explains more about how and why we are changing the podcast. We also welcome any suggestions. REMEMBER SUBSCRIBE NOW!   'Rock Atmospherique" with a real feel of Leonard Cohen, Interpol, Mogwai & the National whilst diving into Shoe Gaze type stoner rock with stunning vocals from. We play and chat about Le Bruit and Idle hands, Head swinging, driving pop with Divine Comedy vibes. We play and praise Carl Street and California. In his hard rocking to the late great Jim Morrison, we experience what it's like to listen to Michael Botte Bandand Other Side on headphones. It's great! "An indie rock banger, steeped in 90s nostalgia but bang up to date in execution". It says here and we can't help but agree. I would add that there is a touch of Stone Roses and The Stranglers. With vocals from  Jeff of JHM (Ontario) and MJ Adamo (Long Island, NY) What started off as a student band from Cheshire in the 1990s called DontARgue have now bloomed into TheFods and VolumesOfSilence os one of 7 brand new songs from their spanky new ep availsble here. And finally, remember when Coldplay when they actually meant something good?  If you love  Midlands indie rock outfits, then  Little Juke and When The Sea Came To Tea are just what you need! It's a superb piece of music that will put you in mind of Radiohead, Foals and Arcade Fire. We loved it! Remember to subscribe, and we will see you on the other side!

Featured vinyl fromLove Society, Gabe Kaplan, Mach VFuture, Sparks, The Sandabs,Benny Hill, The Glass Family,Phillipa Fallon, The Stranglers,Roberta Sherwood, Diane Hildebrandas broadcast via 6160kc sw11-30-24

Send us a textTw/cw: CSAWho were the men that were killing all those women? What did they have in common? Join us as we discuss the diabolical Kenneth Bianchi and Angelo Buono Jr.https://linktr.ee/cruelteaSupport the show

In this episode of 'The Truth in This Art,' host Rob Lee speaks with Ryan Havers, also known as Ears with Eyes, an electro-punk performance artist who critiques corporate culture, workaholism, and mental health through his unconventional music and stage shows. Drawing inspiration from artists like Iggy Pop, The Stranglers, Beck, and Tim & Eric, Ryan incorporates elements of absurdity and satire into his work. They discuss Ryan's early influences, his journey into music, the creative process, and his thoughts on how corporate norms affect personal well-being. The conversation also touches on Ryan's upcoming project, wEARd, an online course designed to help others embrace unconventional music and creativity.  The Truth In This Art Podcast is proudly supported by the Robert W. Deutsch FoundationGot a story about art, culture, or community in Baltimore & beyond? Share it at rob@thetruthinthisart.com for a chance to be featured on The Truth In This Art podcast, hosted by Rob Lee. Join the conversation and showcase your insights on creativity and community!Follow us: Blue Sky, Threads, IG, and Facebook @truthinthisartOriginal music by Daniel Alexis Music with additional music from Chipzard.Episode art: Alley Kid ArtAbout The Truth In This Art PodcastThe Truth In This Art, hosted by Rob Lee, explores the vibrant intersections of arts, culture, and community in Baltimore and beyond. Through compelling conversations with artists, musicians, and cultural innovators, each episode unpacks the motivations, challenges, and achievements shaping today's creative landscape. Dive into stories that celebrate the voices defining culture and creativity, offering fresh perspectives and meaningful insights into the world around us.Support the podcastMerch from Redbubble | Make a Donation  | Leave a Review  ★ Support this podcast ★

It's covers versus originals this week on Blow Up, as Matt, Sammy & Anita argue the merits of tracks by The Who, Junior Dell & The D-lites, The Doors, The Stranglers and The Underdogs. For more info and tracklisting, visit: https://thefaceradio.com/blow-up/Tune into new broadcasts of Blow-Up! Sundays from 8 - 10 AM EST / 1 PM - 3 PM GMT, in association with Brisbane's 4ZZZ.//Dig this show? Please consider supporting The Face Radio: http://support.thefaceradio.com Support The Face Radio with PatreonSupport this show http://supporter.acast.com/thefaceradio. Join the family at https://plus.acast.com/s/thefaceradio. Hosted on Acast. See acast.com/privacy for more information.

NordVPN: https://nordvpn.com/crimeandcomedy Kenneth Bianchi viene arrestato per un doppio omicidio nello stato di Washington, ma è sospettato di aver ucciso anche una lunga serie di donne a Los Angeles, in California. Lui si finge incapace di intendere e di volere, ma poi tira in mezzo Angelo Buono, suo cugino, confermando i sospetti della poliza sul numero di assassini che hanno commesso quei delitti. Quello a Buono e Bianchi sarà uno dei processi più lunghi e costosi della storia. --------- Patreon: https://www.patreon.com/crimeandcomedy Instagram: https://www.instagram.com/crimeandcomedy.podcast/ Telegram: https://t.me/crimeandcomedy Sito: https://www.crimeandcomedy.it Instagram: Clara Campi: https://www.instagram.com/claracampicomedy/ Marco Champier: https://www.instagram.com/mrchreddy/ Editing - Ilaria Giangrande: https://www.instagram.com/ilaria.giangrande/ Caricature - Giorgio Brambilla: https://www.instagram.com/giorgio_brambilla_bookscomedy/ Tutti i Podcast: https://link.chtbl.com/CrimeandComedy Capitoli: (00:00:00) | Intro (00:00:55) | Sigla (00:01:08) | Ringraziamenti Patreon (00:05:49) | La scomparsa di Karen e Diane porta a Kenneth Bianchi (00:15:08) | NordVPN (00:17:03) | Cosa c'entra Kenneth Bianchi con lo Strangolatore di Hillside (00:38:09) | Kenneth Bianchi ha una doppia personalità? (00:55:43) | Kenneth Bianchi tira in mezzo Angelo Buono (01:06:56) | Angelo Buono e Kenneth Bianchi sono gli Strangolatori di Hillside (01:15:58) | Le indagini portano a Kenneth Bianchi e Angelo Buono (01:32:19) | Veronica Compton aiuta Kenneth Bianchi e Angelo Buono (01:49:15) | Kenneth Bianchi è anche l'Alphabet killer? (01:58:18) | I nostri Patreon Learn more about your ad choices. Visit megaphone.fm/adchoices

Send us a textThe Hillside Strangler, later the Hillside Stranglers, is the media called one, later discovered to be two, American serial killers who hunted Los Angeles, California, between October 1977 and February 1978...on Part One, we talk about the victims. TW/CW: SA and sex work.Want episodes early? Extra episodes? CUSTOM EPISODES? Join our Patreon! Follow the link here for Patreon, merch, discord, Kofi, and more! https://linktr.ee/cruelteaSupport the show

Sesión de novedades de aquí, de allá y del más allá que comienza con las últimas entregas de Melanie, emblemática artista del folk rock de finales de los 60 fallecida a comienzos de 2024. Se reedita el disco “La Folie” de The Stranglers, suena Bowie en directo en 1999 y presentamos a la neoyorquina Julie Beth Napolin.(Foto por Don Smith; Melanie en 1971)Playlist;(sintonía) HERMANOS GUTIÉRREZ “El fantasma” (Sonido cósmico)MELANIE “Rock’n’Roll heart” (The clearwater Florida sessions 1987-1994)MELANIE “Purple haze” (The clearwater Florida sessions 1987-1994)MELANIE and THE ADVERTS “I will walk you home” (Second hand smoke)TV SMITH “Runaway train driver” (Acoustic sessions vol.2)JULIE BETH NAPOLIN “Only the void stands between us” (Only the void stands between us)MAGIC FIG “Goodbye Suzy” (ST)THE STRANGLERS “La Folie” (La folie)PETER PERRETT “Less than nothing” (The cleansing)THE PEAWEES “One ride” (One ride)PRIMAL SCREAM “Heal yourself” (Come ahead)BOWIE “Survive” (Live From The Manhattan Centre '99)DEAN WAREHAM “Cashing in” (I have nothing to say to the Mayor of L.A.)Escuchar audio

Ce 14 novembre, Marjorie Hache concocte deux heures mêlant rock, indie et un soupçon de pop alternative. Parmi les classiques, The Stranglers avec "Always The Sun", David Bowie et Black Sabbath. Quant aux nouveautés, The Cure nous présente l'album de la semaine "Songs Of A Lost World" avec le poignant "I Can Never Say Goodbye", un hommage au frère de Robert Smith. Autre primeur, Mogwai nous dévoile "Lion Rumpus" et The Horrors "The Silence Remains". Le live du jour est assuré par Chris Cornell avec "Black Hole Sun", tandis que la reprise de la soirée est signée Triggerfinger reprenant "I Follow Rivers" de Lykke Li. La playlist de l'émission : Linkin Park - Heavy Is The Crown The Stranglers - Always The Sun Blink-182 - I Miss You Melissa Auf Der Maur - Out Of Our Minds Songhoy Blues - Issa David Bowie - This Is Not America La Femme - Sur La Planche The Cure - I Can Never Say Goodbye Creedence Clearwater Revival - Fortunate Son Geordie Greep - Holy Holy Black Sabbath - Paranoid Hinds - Superstar Triggerfinger - I Follow Rivers Foals - My Number The Horrors - The Silence That Remains Aretha Franklin - Think Jet - Are You Gonna Be My Girl Chris Cornell - Black Hole Sun (Recorded Live Vancouver) The Stooges - No Fun CSS - Left Behind Mogwai - Lion Rumpus Chris Isaak - Baby Did A Bad Bad Thing Link Wray - Fire And Brimstone Marianne Faithfull - Broken English Godspeed You ! Black Emperor - World Police And Friendly Fire

In the second half of this two-part episode, retired FBI agent and criminal profiler Candice DeLong continues to explore the case of cousins Kenneth Bianchi and Angelo Buono Jr., also known as the “Hillside Stranglers.” Between 1977 and 1978, the sadistic duo tortured and murdered 10 women in Los Angeles. In this episode, Candice dives deeper into the psyche of Angelo Buono, explores the power dynamic between the duo, and how the “Hillside Strangler” trial became one of the longest running in United States history.Need more Killer Psyche? With Wondery+, enjoy exclusive episodes, early access to new ones, and they're always ad-free. Start your free trial in the Wondery App or visit wondery.app.link/TI5l5KzpDLb now.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

In the first half of this two-part episode, retired FBI agent and criminal profiler Candice DeLong explores the case of cousins Kenneth Bianchi and Angelo Buono Jr., also known as the “Hillside Stranglers.” Between 1977 and 1978, the sadistic duo tortured and murdered 10 women in Los Angeles. Candice dives deep into how their partnership resulted in some of the most horrific crimes in Los Angeles history, putting the entire city on edge.Need more Killer Psyche? With Wondery+, enjoy exclusive episodes, early access to new ones, and they're always ad-free. Start your free trial in the Wondery App or visit wondery.app.link/TI5l5KzpDLb now.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

In the world of British crime cinema, few films capture the frenetic energy and dark humour of the underworld quite like Snatch (2000). Directed by Guy Ritchie, Snatch is a heist film on steroids, merging British grit with slapstick absurdity and a labyrinthine plot filled with double-crosses stolen diamonds, and unlikely heroes. For our latest Born to Watch podcast episode, we dive into what makes Snatch such a stand-out in the crime genre and why its impact remains strong 20 years after its release. This Snatch (2000) Movie Review covers everything from the stellar cast to Ritchie's stylistic choices and how the film has influenced the genre and pop culture.Plot and Style: A High-Speed Crime CaperSnatch tells two intertwined stories. The first follows Turkish (Jason Statham), an ambitious underground boxing promoter, who gets roped into an unlicensed fight by gangster Brick Top (Alan Ford). Meanwhile, the second story revolves around a stolen 84-carat diamond that makes its way across a host of unscrupulous characters, including small-time thieves, corrupt jewellers, and an indestructible bare-knuckle boxer named Mickey O'Neil (Brad Pitt). The film's gritty and energetic style pulls the viewer through London's seedy streets with whip-fast edits, slow-motion shots, and a darkly comic lens.Guy Ritchie's directing style is on full display here. Quick cuts, freeze frames, and a playful, punchy soundtrack make the film a sensory assault, capturing the chaos of its characters' lives. From the first minute, Snatch establishes a hyper-kinetic pace that doesn't let up, demanding the audience's full attention. It's a tricky balance, but Ritchie pulls it off, giving us a film that's as smart and clever as it is chaotic and loud.An Ensemble Cast With Star Power and ChemistryOne of Snatch's most notable aspects is its eclectic, all-star cast. The ensemble cast brings to life a colourful array of characters, each with its quirks and memorable traits. Jason Statham, then a relatively unknown actor, is captivating as Turkish, the film's down-on-his-luck protagonist whose deadpan delivery and cool demeanour ground the story's wild twists. Turkish's partner, Tommy (Stephen Graham), provides a comedic counterbalance, stumbling through one mishap after another.Brad Pitt's performance as a thickly accented Irish Traveler and bare-knuckle boxing champion, Mickey O'Neil, is unforgettable. Pitt's choice to adopt a nearly indecipherable accent adds an extra layer of humour and mystique to the character. Known as the “Pikey,” Mickey steals scenes with his charm, unpredictability, and sheer fighting prowess. Rumour has it that Pitt's accent was intentionally difficult to understand as a creative solution after he struggled with a convincing English accent. Whatever the reason, it works perfectly, adding a layer of intrigue and hilarity that no one could have anticipated.Benicio Del Toro, Dennis Farina, Rade Sherbedgia, and Alan Ford round out the cast with standout performances. Ford's Brick Top is especially menacing as he delivers brutal monologues about pigs, body disposal, and the world of underground fighting. Each actor brings their A-game, giving the film an international flavour and highlighting Ritchie's knack for directing ensembles.The Dark Humor: Punchlines in the Punch-UpsRitchie's use of dark humour is central to Snatch's identity. The film revels in its comedic violence and absurd situations, balancing tension with perfectly timed humour. From the unintentionally humorous attempts of small-time crooks like Sol (Lennie James) and Vinny (Robbie Gee) to pull off a diamond heist to the over-the-top cruelty of Brick Top, the film walks the fine line between horror and hilarity. Ritchie doesn't just throw humour in as a way to lighten the mood—it's a critical part of the story and its characters, making Snatch feel as if you're watching a crime film through a cracked mirror.The humour also shows up in the dialogue, with quotable lines that stick long after the credits roll. Whether it's Turkish's dry observations, Mickey's barely intelligible but somehow hilarious quips, or Brick Top's chilling speeches, Snatch knows how to keep the audience entertained. Ritchie's dialogue is sharp and fast-paced, mixing British slang with witty banter, making it endlessly rewatchable and quotable.Cultural Impact and Lasting AppealWhen Snatch hit theatres in 2000, it was an instant hit among fans of British gangster films, establishing Ritchie as a definitive voice in the genre. With its stylised violence, witty script, and memorable characters, Snatch quickly became a cult classic. It inspired a new wave of British crime cinema, with directors and writers noting Ritchie's energetic approach to storytelling. Films and shows that followed, like Layer Cake and even Peaky Blinders, borrow elements of Ritchie's unique style.Snatch is more than just a genre film; it also influences pop culture. Brad Pitt's Mickey became iconic, referenced in countless media for his humour and physicality. The film's eclectic soundtrack—featuring tracks from The Stranglers, Oasis, and Mirwais—also found its way into fans' playlists, blending punk, rock, and electronic music into a genre-defying mix that helped set the tone for the film.Cinematic Techniques and Visual StorytellingRitchie's visual style in Snatch is as influential as his narrative structure. The editing choices, particularly sped-up sequences, slow-motion shots, and freeze frames, became trademarks of Ritchie's style. These techniques aren't just flashy—they enhance the tension and humour, making even small actions, like loading a gun or opening a door, feel cinematic. The colour palette and gritty visuals make London's underground feel both surreal and grounded, capturing a seedy yet vibrant world that exists just out of the public eye.The film's split-screen shots, flashbacks, and quick cuts give it a comic-book feel, adding to its dynamic and energetic tone. Ritchie crafted Snatch with a precision that feels both messy and deliberate—a hard trick to pull off but one that pays off in spades, immersing viewers in a world of diamonds, double-crosses, and underground boxing.Why Snatch Is Still a Must-WatchTwo decades later, Snatch is as fresh and entertaining as ever. It's a film that rewards multiple viewings, with each rewatch revealing new details, from the clever foreshadowing to the way Ritchie uses sound and visuals to build tension. It's a cult classic that defined a genre, yet it doesn't feel dated—a testament to its careful craftsmanship and the universal appeal of its humor and grit.For anyone who loves crime thrillers, dark humor, or just a film that's endlessly quotable and watchable, Snatch is a must-watch. It's an adrenaline-fueled journey into the chaotic world of diamond heists and bare-knuckle boxing, packed with unforgettable characters, twisty plots, and Guy Ritchie's signature style. As we dissect in this Snatch (2000) Movie Review, it's a film that never quite lets you catch your breath—and that's precisely why we love it.

Avec une ouverture stylée Stranglers !The Stranglers - Midnight Summer Dream The Stranglers - Paradise Brian Nasty & Dill - Here with you Charli xcx & Bb trickz - Club classicsCharli xcx & Caroline Polachek - Everything is romantic Major Lazer - Get Free ( feat. Amber of Dirty Projectors) Daft Punk - Around the world (Motorbass Miami remix) Pharrell Williams - Virginia Boy (feat. Tyler the Creator) Alicia Keys - How Come U Don't Call Me (Neptunes Remix)La Femme - Goodbye Tonight Dov'e Liana - Late Night Light Golden Bug - Ricochet Tshegue - Click Saya Gray - Shell Theis Thaws , Tricky & Rosa Rocca- Serra - Fly to Ceiling Star Bandz - Yea Yea (feat. Veeze) Ahmad Jamal - Pastures Djrum - Codex Midland - In my Head Girls of the Internet - Gravity (feat. ALLKNIGHT)

He is part of Canadian punk rock history as the notorious frontman for The Action, possibly Canada's first punk Band. He opened for The Stranglers and toured with The Ramones. From L.A. to Europe and beyond, he's been everywhere—and he's never stopped. Ted knows the music business—and he has fantastic tales to tell. Listen now to our exclusive interview with the legendary Count of Rock.

In this episode Ed interviews Dr. Will Rutter of the USDA vegetable laboratory on Charleston South Carolina. They discuss root knot nematode (RKN) and what has been learned about this damaging pest over the years. Additional Resources https://pubmed.ncbi.nlm.nih.gov/35316614/ https://apsjournals.apsnet.org/doi/10.1094/PDIS-09-22-2228-RE https://pubmed.ncbi.nlm.nih.gov/33599516/ How to cite the podcast: Zaworski, E. (Host) and Rutter, W. (Interviewee). S3:E33 (Podcast). Sweet Potato Stranglers: An Overview of Root Knot Nematode Part 2. 09/11/2024. In I See Dead Plants. Crop Protection Network.

In this episode Ed interviews Dr. Will Rutter of the USDA vegetable laboratory on Charleston South Carolina. They discuss root knot nematode (RKN) and what has been learned about this damaging pest over the years. Additional Resources https://www.findmenematode.org/ https://pubmed.ncbi.nlm.nih.gov/35316614/ https://apsjournals.apsnet.org/doi/10.1094/PDIS-09-22-2228-RE https://pubmed.ncbi.nlm.nih.gov/33599516/ How to cite the podcast: Zaworski, E. (Host) and Rutter, W. (Interviewee). S3:E32 (Podcast). (S3:E32) Sweet Potato Stranglers: An Overview of Root Knot Nematode Part 1. 09/11/2024. In I See Dead Plants. Crop Protection Network.

"From Steel Pulse to Wu-Tang: A Festival of Musical Diversity"Larry Mishkin discusses a review of various experiences and performances, starting with a cannabis event called "Miracle in Mundelein," which took place over the past weekend. The main focus of the review is a discussion of a Grateful Dead show from September 9, 1987, at the Providence Civic Center in Rhode Island. The show was notable for being the second night of a three-show run, marking the opening of the Grateful Dead's 1987 East Coast fall tour.Key highlights include:"Hey Pocky Way" Performance: This was the first time the Grateful Dead performed the song "Hey Pocky Way," which is originally by the Meters, a New Orleans funk band. The song became a fan favorite, primarily due to the influence of Brent Mydland, the band's keyboardist. However, the song fell out of rotation after Brent's death in 1990."Jack Straw" Performance: Another song featured was "Jack Straw," a Grateful Dead classic written by Bob Weir and Robert Hunter. It was originally performed in 1971 and became a staple in the band's setlists. The song was performed in the second spot of the setlist during the 1987 show, indicating the band's tendency to feature it early in their concerts.Music News Segment: The transcript also includes a segment on music news, which starts with a brief history of the band Cheap Trick, particularly their song "I Want You to Want Me."Review of the Miracle in Mundelein Festival: The review shifts to discussing the recent "Miracle in Mundelein" festival, where several acts performed:Steel Pulse: A roots reggae band from Birmingham, England, who delivered a lively and energetic performance.The Soul Rebels: A New Orleans brass band known for their energetic live shows and collaborations with major artists. Their set featured Raekwon and GZA from the Wu-Tang Clan, adding a strong hip-hop element to the performance.Wiz Khalifa: The headliner of the event, Wiz Khalifa, is praised for his stage presence and connection with the audience. The review notes his strong advocacy for cannabis and how his music resonated well with the crowd.Overall, the review captures the blend of nostalgia with the Grateful Dead's classic performances and the fresh, dynamic energy of the Miracle in Mundelein festival, highlighting both the music and the culture of cannabis.https://www.cheaptrick.com/ Grateful DeadSeptember 9, 1987 (37 years ago)Providence Civic CenterProvidence, Rhode IslandGrateful Dead Live at Providence Civic Center on 1987-09-09 : Free Borrow & Streaming : Internet Archive Second night of a three show run, the opening shows of 1987 East Cost fall tour.  INTRO:                                 Hey Pocky Way                                                Track #1                                                :35 – 2:03 First time ever played Hey Pocky Way was written by George Porter Jr., Leo Nocentelli, Art Neville & Joseph Modeliste, founding members of The Meters, an American funk band formed in 1965 in New Orleans by Modeliste (drums), Porter Jr. (bass), Nocentelli (guitar) and Neville (keyboards). The band performed and recorded their own music from the late 1960s until 1977 and played an influential role as backing musicians for other artists, including Lee Dorsey, Robert Palmer, Dr. John, and Allen Toussaint. Song was released on Rejuvenation the band's fifth studio album in 1974. In 2003, the album was ranked number 138 on Rolling Stone magazine's list of the 500 greatest albums of all time,[6] and 139 in a 2012 revised list. Beginning with this show, the Dead began to feature Hey Pocky Way, usually as a show opener.  Sung by Brent who really got into it with both his keyboard playing and strong singing, it  became a fan favorite.  But as a Brent influenced tune, it died when he did. Played:  25 timesFirst:  September 9, 1987 at Providence Civic Center, Providence, RI, USALast: July 22, 1990 at World Music Theatre, Tinley Park, IL, USA (Brent's second to last show)  SHOW No. 1:                    Jack Straw                                                Track #2                                                4:00 – 5:50 "Jack Straw"  written by Bob Weir and Robert Hunter. The track first appeared on the album Europe '72. The song was first performed in concert on October 19, 1971, in Minneapolis, Minnesota at new keyboardist Keith Godchaux's first appearance with the band. In the song's earliest performances (c. 1971–72), Weir sang all of the vocals. By the time the 'Europe 72' version was recorded, (at the Olympia Theater in Paris on 5-03-72), Weir and Jerry Garcia were switching up the vocals - as they had on April 26th when 'Hundred Year Hall' was recorded. The song appeared in both the first and second sets until the band's short hiatus in 1974-1975. After re-forming, the song almost exclusively appeared in the first set. After Brent Mydland joined the band in 1979, the song almost exclusively opened the band's first set. The band also often extended the jam after the second verse after Mydland's joining, often extending the song to over six minutes. Dead and Company have also further extended the song, often adding an abstract opening jam prior to the song's first verse.[1] Bob Weir stated in a 2004 interview that the song's lyrics were partly based on John Steinbeck's novel Of Mice and Men.[2] The song's themes include riding the rails, the Great Depression, and hobo (homeless) camps of the era. Jack Straw is also—perhaps coincidentally—the name of the original plantation owner, who lived controversially with his gay lover, Peter Ochello, in Tennessee Williams's play Cat on a Hot Tin Roof.[3] Always a great song to hear in concert, the fans loved it and it was always an omen of good things to come in the show. Played:  477 timesFirst:  October 19, 1971 at Northrop Auditorium, Minneapolis, MN, USALast:  July 8, 1995 at Soldier Field in Chicago MUSIC NEWS Miracle In Mundelein – second year of the festival in Mundelein a suburb northwest of Chicago.  Missed last year with JRAD but made it this year on Saturday with my sons Jonathan and Daniel, Jonathan's fiancé, Bella and Daniel's buddy AJ.  Different theme to this year's music focusing on hip hop and rap, not part of my regular music, but certainly a key genre for Daniel and AJ who filled me on details during the show. Acts:Steel Pulse - Steel Pulse are a roots reggae band from the Handsworth area of Birmingham, England. They originally formed at Handsworth Wood Boys School, and were composed of David Hinds (lead vocals, guitar), Basil Gabbidon (lead guitar, vocals), and Ronald McQueen (bass); along with Basil's brother Colin briefly on drums and Mykaell Riley (vocals, percussion). Steel Pulse were the first non-Jamaican act to win the Grammy Award for Best Reggae Album. They were initially refused live dates in Caribbean venues in Birmingham due to their Rastafarian beliefs. During the popularization of punk rock in the mid-1970's, Steel Pulse began to play punk venues such as the Hope and Anchor in London and The Electric Circus in Manchester in 1976.[1] Aligning themselves closely with the Rock Against Racism organization and featuring in its first music festival in early 1978, they chose to tour with sympathetic elements of the punk movement,[1] including the Stranglers and XTC. Eventually they found a more natural home in support slots for Burning Spear, which brought them to the attention of Island Records. Fun set that was in progress when we arrived, great sound and lots of energy that kept the crowd moving. The Soul Rebels - The Soul Rebels (also Soul Rebels Brass Band, Soul Rebels or The Rebels) are an eight-piece New Orleans based brass ensemble that incorporate elements of soul, jazz, funk, hip-hop, rock and pop music within a contemporary brass band framework.  Starting out as a local New Orleans favorite, The Soul Rebels have evolved into collaborating live with major artists in all worlds of music including:Katy PerryNasMetallicaGreen DayTrombone ShortyProdigyString Cheese IncidentUmphrey's McGeeGalacticSuzanne VegaEurythmicsLettuceGov't Mule                                               And many more The band has built its career around an eclectic live show that harnesses the power of horns and percussion in a funky party-like atmosphere. The band routinely plays over 250 shows a year. They have been described by the Village Voice as "the missing link between Public Enemy and Louis Armstrong.  The Soul Rebels consist of percussionists and founding members Lumar LeBlanc and Derrick Moss, trumpet players Julian Gosin and Marcus Hubbard, trombonists Corey Peyton and Paul Robertson, saxophonist Erion Williams, and sousaphonist Manuel Perkins Jr.                                                 On Saturday, they featured Raekwon and GZA from Wu Tang Clan.                                      RAEKWON - Corey Woods[2] (born January 12, 1970),[3][4] better known by his stage name Raekwon (/reɪˈkwɒn/, ray-KWON), is an American rapper. He rose to prominence as a founding member of the hip-hop group Wu-Tang Clan, which achieved mainstream success following the release of their debut album, Enter the Wu-Tang (36 Chambers), in 1993. Raekwon would subsequently pursue a solo career, releasing his first solo album, entitled Only Built 4 Cuban Linx..., in 1995. The album received critical acclaim, and is regarded by many critics as one of the greatest hip-hop albums of all time, as well as a staple of 1990s rap.                                     Raekwon attributes the name Raekwon to the Five-Percent Nation, an offshoot of the Nation of Islam, when he was a "young kid."[11] He converted to Islam in 2009.                                     Growing up, he witnessed his mother being hit and abused by different men, an experience which he said "affected [him] a lot."[10] As a young man, his mother kicked him out of their Park Hill home when Raekwon got into an argument with her boyfriend and his mother sided with the boyfriend. During this time, he spiraled into a pattern of hopelessness and violent behavior.[8] He became addicted to cocaine and crack cocaine until he became aware of how the crack epidemic was affecting those around him, at which point "it was an automatic stop."[10]Raekwon and rap partner Ghostface Killah attended junior high school together on Staten Island.[14] Raekwon attended New Dorp High School, where he befriended rappers Remedy, Method Man and Inspectah Deck.[15]             Woods first rapped as Sha Raider. In 1992, he joined the Wu-Tang Clan, an originally nine-member rap group drawing mainly from the Staten Island but also from the Brooklyn boroughs of New York City. He rapped as Raekwon The Chef, and also used the aliases Lex Diamonds, Shallah Raekwon, and Louis Rich. After being caught in a crossfire and accidentally shot four times, Raekwon began rapping in earnest. He later described being shot as an "important eye opener." In September 2009, MTV ranked Raekwon tenth among "hottest" rappers. In December, HipHopDx's 2009 awards named Only Built For Cuban Linx... Pt. II album of the year, calling it "the Hip Hop equivalent to The Godfather 2, with Rae as revitalized as Marlon was". Raekwon won Emcee of the Year—the prior year, Nas won—while HipHopDX staff explained, Raekwon brought it back to lyrical, dope rap. He released an album that spoke to teens, twenty-somethings, thirty-somethings, and beyond. Without compromising, the Chef made an edgy Hip Hop record that refused to bastardize the catalog he laid down 15 years ago. On top of that, Rae (along with Ghostface) was a go-to for numerous rappers making albums, ranging from the Playaz Circle to Jadakiss to BK One. That's beyond real, as was a year filled with performing in arenas, clubs and even churches. When it came to mastering the ceremony, Rae had 'em all following the leader.[28]— HipHopDX GZA - Gary Eldridge Grice[2] (born August 22, 1966), better known by his stage names GZA (/ˈdʒɪzə/JIZ-ə) and The Genius,[3] is an American rapper. A founding member of the hip hop group Wu-Tang Clan, GZA is the group's "spiritual head", being both the first member in the group to receive a record deal and being the oldest member.[4] He has appeared on his fellow Wu-Tang members' solo projects, and has maintained a successful solo career starting with his second album Liquid Swords (1995). His lyrical style often dismisses typical rap story lines in favor of science and wide-ranging philosophies and has been characterized as "armed with sharp metaphors and a smooth flow".[5][6][7][8] An analysis of GZA's lyrics found that he has the second largest vocabulary in popular hip hop music.[9][10] He teamed up with an education group to promote science education in New York City through hip hop. In 1992, GZA joined the Wu-Tang Clan, a group of nine, formed by his cousin RZA. GZA had some high-profile appearances on the group's debut album, Enter the Wu-Tang (36 Chambers) (1993), including a solo track, "Clan in da Front".[22] This, combined with appearances on other Clan members' albums such as Return to the 36 Chambers: The Dirty Version (1995) and Only Built 4 Cuban Linx... (1995) brought him much recognition. According to Method Man, "we form like Voltron and GZA happens to be the head".                         The combination of the Soul Rebels beat and Raekwon's and GZA's rapping made for an exceptional set of music that caught me off guard but was worth the price of admission.  With lots of cannabis references scattered throughout their lyrics and stage talk, they were a perfect match for this festival. Wiz Khalifa - Cameron Jibril Thomaz (born September 8, 1987),[2] better known by his stage name Wiz Khalifa, is an American rapper from Pittsburgh, Pennsylvania. He signed with the local independent label Rostrum Records to release his debut studio album, Show and Prove (2006). His contract entered a short-lived joint venture with Warner Bros. Records the following year. His Eurodance-influenced 2008 single, "Say Yeah" received urban radio airplay and entered both the Rhythmic Top 40 and Hot Rap Songs charts, becoming his first minor hit.[3] Outside of music, Thomaz has delved into acting with television roles in Dickinson and The Eric Andre Show, the lead role alongside Snoop Dogg in the 2012 stoner comedy film Mac & Devin Go to High School, and voice roles in the animated series American Dad!, Duncanville, and Big City Greens. Thomaz founded the record label Taylor Gang Entertainment in 2008, through which he has signed artists including Juicy J, Ty Dolla Sign, and Berner. Known for his abundant usage of cannabis, Thomaz launched his own cannabis brand, Khalifa Kush, in 2016, which expanded for release in nationwide dispensaries in 2022. His stage name is derived from Khalifa, an Arabic word meaning "successor", and wisdom, which was shortened to Wiz when Khalifa was a young boy.[10] Khalifa stated to Spinner.com that the name also came from being called "young Wiz 'cause I was good at everything I did, and my granddad is Muslim, so he gave me that name; he felt like that's what I was doing with my music." He got a tattoo of his stage name on his 17th birthday.[11][12] By the age of 15, he was regularly recording his music at a local studio called I.D. Labs.[13] Impressed by the young teen's talent, E. Dan, the owner of the studio offered Khalifa an intern job at the studio in exchange for free recording time. Dan, being a veteran of the Pittsburgh hip-hop scene, would help develop and mentor the young artist early on in his career. He was the headliner and lived up to the billing.  Great tunes, great stage presence, great spokesperson for cannabis.  My first experience with his music and it was very positive. A great musical education for me with my tutors, Daniel and AJ. More in MJ News  Herbie Flowers  RIPJerry Miller  RIPGoose this week at the Salt Shed, Thursday and Friday   SHOW No. 2:                    Greatest Story Ever Told                                                Track #9                                                3:25 – end                                                 INTO                                                 Devil With a Blue Dress                                                Track #10                                                0:00 – 1:33 Greatest Story – written by Hunter/Bobby/Mickey, originally called “The Pump Song” on Mickey Hart's 1972 album Rolling Thunder.  As the opening tune of Ace, it is called Greatest Story Ever Told.  But this isn't about that song.  Here, it is the lead-in to a first set couple of “extras” thrown in for some fun. "Devil with a Blue Dress On" (also known as "Devil with the Blue Dress") is a song written by Shorty Long and William "Mickey" Stevenson, first performed by Long and released as a single in 1964. A later version recorded by Mitch Ryder and The Detroit Wheels in 1966 peaked at No. 4 on the U.S. Billboard Hot 100.  "Devil with the Blue Dress" was originally released as Shorty Long's debut single on Motown in 1964, but the single failed to chart. The song describes a femme fatale in a blue dress and not an actual devil.[2] Two years later, Mitch Ryder and The Detroit Wheels recorded the song at Bell Sound Studios in New York City[3] as a medley with an original arrangement of Little Richard's "Good Golly, Miss Molly". Their version, released on their album, “Breakout . . . . !”,  was notably more up-tempo than Long's more blues-influenced rendition.[2] Reaching No. 4 on the Hot 100, their version of the track would end up becoming their most well-known and highest charting hit in the United States. Rolling Stone Magazine ranked it No. 428 on their list of Top 500 Songs of All Time. Basically, another great cover to showcase Brent's singing and keyboard skills.  This was the first of 3 times the Dead covered the song.  Another fun diversion by the band that kept the Deadheads guessing and not wanting to ever miss a show. The transition out of Greatest Story is seamless and makes it so you can't hear the end of Greatest Story without hearing the signature beat of Devil making it a “natural” fit. Played – 3 timesFirst:  September 9, 1987 at Providence Civic Center, Providence, RI, USALast:  October 4, 1987 at Shoreline Amphitheatre, Mountain View, CA, USA  SHOW No. 3:                    Good Golly Miss Molly                                                Track #11                                                0:00 – end                                                 INTO                                                 Devil With a Blue Dress                                                Track #12                                                0:00 – 0:51"Good Golly, Miss Molly" is a rock 'n' roll song first recorded in 1956 by American musician Little Richard and released in January 1958 as single on the Specialty label, and later on the album, Little Richard in July 1958.[1] The song, a jump blues, was written by John Marascalco and producer Robert "Bumps" Blackwell. Although it was first recorded by Little Richard, Blackwell produced another version by the Valiants, who imitated the fast first version recorded by Little Richard, not released at that time. Although the Valiants' version was released first (in 1957), Little Richard had the hit, reaching No. 4.[2] Like all his early hits, it quickly became a rock 'n' roll standard and has subsequently been recorded by hundreds of artists. The song is ranked No. 92 on the Rolling Stone magazine's list of the 500 Greatest Songs of All Time. Little Richard first heard the phrase "Good golly, Miss Molly" from a Southern DJ named Jimmy Pennick.[4] He modified the lyrics into the more suggestive "Good golly, Miss Molly/You sure like to ball." Little Richard himself later claimed that he took Ike Turner's piano intro from his influential 1951 rock and roll song "Rocket 88", and used it for "Good Golly, Miss Molly".[5] "I always liked that record," Richard recalled, "and I used to use the riff in my act, so when we were looking for a lead-in to 'Good Golly, Miss Molly', I did that and it fit." In 1966, Mitch Ryder and the Detroit Wheels incorporated "Good Golly Miss Molly" into their version of "Devil with a Blue Dress On". Their version scored a major hit, not only in Ryder's native Detroit, but nationwide, placing at No. 4 on the Billboard Top 100. As with Devil, a Brent thing.  Unfortunately, it was only around for a month.  Then vanished from the Dead's playlist thereafter.  Played:  3 times, makes senseFirst:  September 9, 1987 at Providence Civic Center, Providence, RI, USALast:  October 4, 1987 at Shoreline Amphitheatre, Mountain View, CA, USA  MJ NEWS:             Miracle in Mudelein – a great event sponsored by Rise Dispensaries and Rhythm cultivators.  Second year, featuring great music, excellent food and drink and too many booths for dabbing from various types of rigs including a Studenglass Gravity Bong – my first time using one and it is not your father's four foot Graffix bong!  Daniel and AJ were all over it and as it turned out, the wait in line was well worth the experience.  Rather than try to explain it to you, just Google Gravity Bong and see for yourself!  Great high.             Miracle is that Lake County, a more conservative leaning county, and Mundelein permitted the event.  Attendees can bring in their own flower or extracts (supposedly only if purchased at an Illinois dispensary), smoking accessories, etc.  Rise also was selling products at the show.             A wonderful thing to attend an event and not have to hide and smuggle in your cannabis.  People lighting up everywhere, offering to share, talking strains, etc.  Police were there to keep order and otherwise let it all go on.  Very professional.             Excellent mellow crowd (what else would you expect?).  Well run.  Shot joints out of a canon.  A wonderful day and experience for those who enjoy cannabis, especially not having to hide it or pretend you don't have any when everyone knows attendees are smuggling it in anyway.             A great way to promote cannabis and help normalize it within the community.  And a fun event to be able to share with my boys, Bella and AJ.  Fun had by all.  SHOW No. 4:                    Not Fade Away                                                Track #24 (NOTE – this song is listed as Track #23 AND #24, be sure to use #24)                                                0:00 – end "Not Fade Away" is a song credited to Buddy Holly (originally under his first and middle names, Charles Hardin) and Norman Petty (although Petty's co-writing credit is likely to have been a formality[3]) and first recorded by Holly and his band, the Crickets. Holly and the Crickets recorded the song in Clovis, New Mexico, on May 27, 1957, the same day the song "Everyday" was recorded.[1] The rhythmic pattern of "Not Fade Away" is a variant of the Bo Diddley beat, "Not Fade Away" was originally released as the B-side of the hit single "Oh, Boy!" on 10.27.1957 and was included on the album The "Chirping" Crickets (1957). The Crickets' recording never charted as a single. In 2004, this song was ranked number 107 on Rolling Stone's list of "The 500 Greatest Songs of All Time". The song is closely associated with the Grateful Dead as one of their signature tunes—one which the band transformed from Holly's 1950s boy/girl romanticism to one reflecting the 1960s' more spiritual universal love. Their 1971 recording of the song is included on their second live album, Skull and Roses, paired with Going Down The Road Feeling Bad, a regular happening in the early ‘70's. Primarily a second set tune that used to show up in the second half of the second set after Drums-Space.  Beginning in 1983, the Dead began to play it as the second set closer, trailing off with “Love is real will not fade away” as they exited the stage.  A few years later, the Deadheads starting chanting the line as the Dead left the stage and in some cases, kept it up until the band reappeared for their encore, when the band would pick back up on the beat and play it for another minute or so before their encore tune, such as with this show.    Great example of the Deadheads making their mark on the show and the band being tuned in enough to play along with it.  Although sometimes if the Dead took too long to come out for the encore, the chanting would start to fade off.  And sometimes even when the chant made it all the way to the band's return on stage, the band would ignore it and just dive straight into their encore.  Fun when it all came together like this show. Played:  561 timesFirst:  February 19, 1969 at Fillmore West, San Francisco, CA, USALast:  July 5, 1995 at Riverport Amphitheatre in Maryland Heights, MO (St. Louis) OUTRO:                               The Mighty Quinn                                                Track #25                                                2:11 – 3:48 Bob Dylan wrote and first recorded the song in 1967 during the Basement Tapes sessions, but did not release a version for another three years.  The song's first release was in January 1968 as "Mighty Quinn" in a version by the British band Manfred Mann, from their album Mighty Garvey, and became a great success. A demo of 14 of the 1967 Basement Tapes recordings, including the first of two takes of "Quinn the Eskimo (The Mighty Quinn)", was produced in 1968, but was not intended for release. Recordings taken from the demos began appearing on bootlegs, starting with Great White Wonder,[7] a double-album bootleg that came out in July 1969. The first official release of the song was in 1970 on Dylan's Self Portrait album,[14] a live recording from 1969's Isle of Wight Festival. The live version (titled "The Mighty Quinn (Quinn the Eskimo)") was also selected in 1971 for the second compilation of Dylan's career, Bob Dylan's Greatest Hits Vol. II. Covered by:  the Hollies, Leon Russell and Phish, among others. Although they never played the song with Bob Dylan, the Grateful Dead started playing "The Mighty Quinn" in concert in 1985. It became a favorite encore among the Grateful Dead's fans, and remained so to the end of their career. Last verses, end with, “when Quinn the Eskimo gets here, everybody's gonna want to doze” but the Deadheads heard it as “dose” and always gave it a big cheer. Played:  59 timesFirst:  December 30, 1985 at Oakland-Alameda County Coliseum Arena, Oakland, CA, USALast:  July 2, 1995 at Deer Creek Music Center, Noblesville, IN, USA  Shoutouts: Lary Vinocur – birthdayElena Mishkin – birthday .Produced by PodConx Deadhead Cannabis Show - https://podconx.com/podcasts/deadhead-cannabis-showLarry Mishkin - https://podconx.com/guests/larry-mishkinRob Hunt - https://podconx.com/guests/rob-huntJay Blakesberg - https://podconx.com/guests/jay-blakesbergSound Designed by Jamie Humiston - https://www.linkedin.com/in/jamie-humiston-91718b1b3/Recorded on Squadcast

Show Notes:  https://wetflyswing.com/650  Presented By: Jackson Hole Fly Company, TroutRoutes, Togens Fly Shop, Togiak River Lodge Sponsors: https://wetflyswing.com/sponsors   In this episode, we'll chat with Nick Yardley, the president of Fulling Mill. We dive deep into the fascinating story of how Fulling Mill became a leader in the UK and US markets, sharing insights on their top fly patterns and the meticulous process that ensures only the best end up in your fly box. We also explore stillwater fishing, with Nick offering expert tips and his favorite flies for targeting brook trout in the Northeast. Additionally, you'll hear about his passion for the Great Lakes and why this region holds a special place in his heart for salmon and steelhead fishing. Join us as we uncover these topics and more, giving you the knowledge to enhance your fly fishing adventures this season. Don't miss out on this insightful conversation with Nick Yardley from Fulling Mill! Episode Chapters with Nick Yardley on Fulling Mill 1:38 - Nick shares his personal journey into fly fishing, starting from a young age with course fishing in Yorkshire, England. His interest shifted to fly fishing during a family visit to Dorset, where a gamekeeper introduced him to the sport. This experience led him to sell his match fishing gear and buy his first fly rod, albeit an unsuitable one. However, he later received a more appropriate and cherished split cane fly rod from a relative, which solidified his passion for fly fishing. 4:34 - We talk about his move from Britain to the United States in 1986. Nick explains that he didn't find the job market in Britain appealing due to high unemployment and general discontent at the time. Seeking adventure, he pursued a path in the US, leveraging his background in climbing. 8:22 - We explore the history of Fulling Mill. Its origins date back to the 1930s when Denis Whetham, a British schoolboy, took up fly tying after a rugby accident left him paralyzed. Upon returning to his family home in Kenya, he garnered local interest and even received commercial orders, leading him to pursue fly tying passionately. Fulling Mill's flies are now widely available across US fly shops, and in 2023, they introduced a new range of fly tying materials, further solidifying their market presence. 18:00 - Nick mentions that Fulling Mill aims to be a one-stop shop for fly fishing, catering to various needs across different regions, although trout fishing constitutes 80% of their business. He also highlights their innovative approach with Euro nymphing flies, offering different weights for the same fly size and enhancing the consumer experience. Furthermore, Fulling Mill is planning to introduce a new range of flies for warm water and specific regions by 2025, including patterns for strikers in the northeast and shrimp patterns for the Caribbean and Belize. 22:31 - Nick discusses the process of understanding market needs and providing appropriate products for fly fishing. He says that the strong feedback comes from retail stores and their servicing reps, as different territories have unique demands. He mentions Devin Olsen, a well-known figure in fly fishing who is both a signature fly tier and a shop owner, highlighting how his flies have broad national appeal. 24:18 - We dig into brook trout fishing, focusing on effective flies and ideal locations. Nick recommends using size 14, highly floatable dry flies with foam bodies, mentioning specific types like little chernobyls, ants, and beetles. He explains that when fishing for brook trout in the White Mountains of New Hampshire during the hot summer months, small black beetles work well due to the cold streams. 31:09 - Nick describes their operation in Kenya as well-established, employing about 215 people who are provided with healthcare and a retirement program, making it a desirable place to work. Most employees are around 40 years old and have been with the company for 15-20 years, showcasing their experience. 33:07 - Nick shares his experiences fishing in the Gaspe region, noting the high quality of public waters and the strong salmon stocks. He also mentions the ease of planning a fishing trip in Quebec using resources like the website saumongaspe.com. 40:00 - He finds the Great Lakes steelhead fishing to be remarkable, especially on the Salmon River. Nick says that in salmon fishing, traditionally, single-handed rods with streamers were used, but now many anglers are using two-handed rods for swinging. This method is becoming popular on the Salmon River, where it is effective for covering extensive water quickly and efficiently with big rods and classic West Coast salmon flies. 42:14 - For Atlantic salmon in rivers like the Dartmouth, York, and Saint John, Nick typically uses a 12.5ft 7wt rod, which suits most conditions. However, in narrower sections of the York River, he switches to an 11ft switch rod or a 10ft 7wt single-handed rod. For fishing in the Great Lakes, he often uses either the 11ft switch rod or the 12.5ft 7wt rod rod, which are versatile enough to cover most of his needs. 45:27 - He recommends some fly patterns to bring when you're planning to go on a fishing trip in the Gaspe for Atlantic Salmon. 47:52 - We get into fishing for brook trout in the White Mountains and the types of flies used. For flies, Nick explains that it largely depends on the fishing location and personal preference. He prefers using a dry fly setup, typically starting in July and continuing through August until the waters become too cold. 50:30 - Nick expresses a strong desire to fish in Scandinavia, specifically targeting salmon, trout, and grayling, as he has never fished there before. He notes that the salmon fisheries in Scandinavia are collapsing this year, so he would likely wait until they recover. He also mentions other destinations he wants to explore. 58:02 - For stillwater fishing, Nick suggests using a floating crane fly or dry fly crane fly, commonly known as "daddy long legs" in Britain, noting their high effectiveness despite being underutilized in other regions. He also recommends the diawl bach, a classic Welsh fly known for its consistent performance. 58:39 - We get into the random segment where I ask him about his morning drink preference. Nick reveals that he's a big tea drinker, preferring Yorkshire tea. He explains that a proper cup of tea requires a teapot, boiling water poured over the tea, and some milk. He does not recommend using an old tea bag and warm water since it doesn't produce a good cup of tea. 1:00:37 - Nick enjoys a mixture of both podcast and music, but he also listens to a lot of audiobooks. He likes listening to The Stranglers, a band he grew up with in Britain. Show Notes:  https://wetflyswing.com/650  

Efrain and David deliver another jam packed episode, diving deep into the only single from Tori's groundbreaking cover record. Very special guests include Hugh Cornwell, the lead singer and head songwriter from The Stranglers (and the only person who can tell you exactly who that Strange Little Girl was), as well as acclaimed film director David Slade (Twilight: Eclipse; Hard Candy; Bandersnatch; Strange Little Girl). Plus thoughts and opinions from two Strange Little Girl super fans Samantha Breland-Lang and Marla Darling, as well as a word from our Stranglers Specialist Valerie Lord. Additionally, these strange little bitches uncover the confusing truth behind the Adam Kiss My Eve controversy with a little help from musicians Amiture, Clovers and Liz Eldridge. As always, go deep inside her lore through the words of Neil Gaiman, the voice of Macy Rodman, and the art of Reggie Doherty. You'll also get a personalized song birth chart reading by our Resident Witch Amy K, and as always a ton of sound clips, rare interviews, forgotten moments and more. As a cherry on top we offer a complete study of the live evolution of the song in our A-M-O-S Live Lounge™️. And last but not least, enjoy a brand new remix of Strange Little Girl by the legendary Joshua Speedbliss. I think we can all agree after reading this description, we've survived but we're feeling old.

This week, we talk to DANIEL RACHEL, the author of TOO MUCH TOO YOUNG, THE 2 TONE RECORDS STORY,  about the 1981 2 Tone concert film DANCE CRAZE. We discuss the film's volatile production, how the film's genesis started at a swimming pool in L.A., Jerry Dammers unwavering work ethic, seeing people skanking in the aisles at the movie screening, the short life span of The Selecter and The Body Snatchers, how the film sneaks in concert footage shot in New Jersey vs. the UK, the moment Daniel noticed that 2 Tone had swept the playground, the dimantleing of the scene by the British music press, the skinhead movement and the violence within the scene, the genius of Terry Hall and Pauline Black, the non-Ska bands that continued on the 2 tone label, how the ska bands had the best band logos, the fashion of the scene, seeing a multi-racial band on TV, tribal musical groups moving across the British musical landscape, The Mods, the short time span of pop music movements, stealing lyric sheets from a Virgin Megastore, how original director Joe Massot was kicked off the film and also screwed up his intitial shoot of Led Zeppelin's The Song Remains The Same movie, Garvick Losey's involvment with the film, how Jerry Dammers and Madness were initially wary of making the film, how the soundtrack contains recordings that were not from the movie (or even the same band lineup), the punk vs. ska astecthic,The Specials' tour with The Clash and how the band found their idenity on it, how the inventor of the Steadycam was one of the cmaera opperators for this film, how the bands would fake violence on stage to stop the violence in the audience, Rock Against Racism, The Stranglers, then negative response from the bands when the film was initially releaesd, what it was like figuring out the More Specials LP, Funboy Three & Special AKA, and Chris breaks Daniel by asking his final question.So lip up fatty and get into this week's episode of Revolutions Per Movie!DANIEL RACHEL:https://danielrachel.com/Book tour w/ Daniel Rachel:https://danielrachel.com/events/REVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.Revolutions Per Movies releases new episodes every Thursday. If you like the show, please subscribe, rate, and review it on your favorite podcast app.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.SOCIALS:@revolutionspermovieX, BlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.comARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Click here to get EXCLUSIVE BONUS WEEKLY Revolutions Per Movie content on our Patreon Hosted on Acast. See acast.com/privacy for more information.

Between 1962 to 1964, 13 women in the Boston area were strangled to death by a serial killer. A 33 year old handyman named Albert DeSalvo would go on to confess to the murders. But did he really do it? Patreon: https://www.patreon.com/theconspiratorspodcast Notes: https://www.amazon.com/Boston-Stranglers-Susan-Kelly/dp/0786032510 https://time.com/6263843/boston-strangler-hulu-true-story/ https://www.smithsonianmag.com/history/the-tenacious-women-reporters-who-helped-expose-the-boston-strangler-180981786/ https://www.investigationdiscovery.com/crimefeed/serial-killer/how-the-boston-stranglers-identity-was-finally-confirmed-50-years-after-his-reign-of-terror-ended https://www.boston.com/culture/movies/2023/03/17/boston-strangler-movie-whats-real-not/ Learn more about your ad choices. Visit megaphone.fm/adchoices

We'd love to hear from you! Click here to send us a text. Season 5, Episode 93Two review episodes in a row?  Shocking! We're going to start off the show with a review of The Alarm's latest, a covers album titled Music Television from 2024. After that, The Stranglers most recent work, released in 2021, was Dark Matters. It's been a while since we heard from them so we'll dive into that album. As for music news, we have new singles from David J (Bauhaus, Love And Rockets), Kate Pierson (B-52s) and Jesus Jones.  In addition, an upcoming Vapors album and sad news about Oingo Boingo Former Members. Finally, we are doing a contest for the new Alarm album.  There will be two winners.  Simply send us an email with the word MUSIC in the subject line, to newwavemusicpodcast@yahoo.com.  One entry per person. The contest ends August 15th at midnight, so get that entry in!Support the Show.

Hugh Cornwell takes us through early records of his life, rare records of the Stranglers, solo materials, analogue recording and more. Topic Include: Aussie tour, New Album Does Hugh have a record collection? Early music in the Cornwell household Hugh's early musical trainings Quitting PhD program to pursue music Formation and evolution of The Stranglers Recollection of the early UK punk scene Keyboards fill in a lot of sound United Artists investment in The Stranglers Bonus singles in early Stanglers albums Does Hugh have masters and tapes for post Stranglers material? Making materials available on vinyl Remixing and removing keyboards from recordings Running digital files to analogue provides improved sound Memories and learnings from Steve Albini Moments of Madness LP and road testing songs Leaving songs to be finished in the recording studio Song and lyric writing process Hugh's movie Podcast Discussion of Silent movies Interview wrap up Hugh Cornwell's Aussie tour info here Preorder new LP "All The Fun of the Fair" here. Extended, Commercial-Free & High Resolution version of this podcast is available at: www.Patreon.com/VinylGuide Listen on Apple: https://apple.co/2Y6ORU0 Listen on Spotify: https://spoti.fi/36qhlc8

Remember Hugh Cornwell who fronted English band, the Stranglers? Wanna know what he's up to today? Tune in to find out! Best known as frontman of the Stranglers, one of the most long-lived and internationally popular bands from the original wave of British punk, Hugh Cornwell is also enjoying a successful solo career, that began with his debut solo album, Nosferatu in 1979 and continues long after he left the group in 1990. Born in 1949 and brought up in North London, Hugh began making music in high school, where he played in a band with Richard Thompson (later of Fairport Convention). After graduating from Bristol University with a B.Sc. in biochemistry, he moved to Sweden to do postgrad research. There he formed the band called Johnny Sox, which would later become the Stranglers. The band, initially idenitfied with the grittiness of punk rock, but became much more ironic and cerebral than most of its contemporaries. They went on to greatly expand their sound, morphing into new wave and later, relatively mainstream pop. The Stranglers are best remembered for their smooth ballad "Golden Brown." Hugh Cornwell released his debut solo album in 1979. The follow-up album, Wolf arrived nine years later and in 1990, feeling the band had artistically worn itself out, Hugh left the Stranglers. After that, he grew ever more prolific, issuing two solo albums in the '90s and four in the 2000s, along with several live and compilation albums - one a collaborative effort in 1992 with songwriter, Roger Cook.  He also worked with Irish poet John W. Sexton. Hugh wrote five books, including two novels. His band often featured as a stripped-back power trio and Hugh's solo music remains heavily influenced by blues and rock n roll. It is always characterised by his erudite and sardonic lyrics. More recently, in 2016 Hugh collaborated with legendary punk poet John Cooper Clarke on an album entitled 'This Time It's Personal' He released his ninth album, Monster in 2018 and has just put out his tenth solo album, Moments of Madness. Hugh Cornwelll has also been an actor, appearing in a number of stage productions and television series. He currebtly hosts a podcast dedicated to his love of film, called Mr Demille FM, http://mrdemillefm.com/ He's also a massive cricket fan.   I hope you enjoy our chat. Don't forget, if there's someone you'd like to hear interviewed, just send me a message through the website https://www.abreathoffreshair.com.au

The boys brave the heat to bring two surprisingly fun Grimm's Brothers stories! Stranglers, bears, and Devils abound! PLUS - David reveals what his first middle school dance experience was like.

Clare Grogan, a regular on our podcasts and rarely off the cover when we were at Smash Hits, is on tour again with Altered Images and playing festivals in the summer – indeed her fabulous description of the bus ferrying her, Midge Ure, Nik Kershaw, Kim Wilde and Living in A Box to the stage at Rewind sounds like an old Smash Hits cartoon come to life. As she points out, “the ‘80s revival has gone on longer than the decade itself.” We don't know anyone who enjoys and appreciates being a pop star more and talk here about the first gigs she ever went to and played herself, which involves … … what she wore (aged 13) to see the Bay City Rollers at the Glasgow Apollo (includes “cork platform clogs”). … winning the Alternative school beauty pageant dressed as Debbie Harry in a bin bag. … her sister Margaret's re-enactments of David Bowie, Leo Sayer and Roxy Music. … why the furniture at the Middlesbrough Rock Garden was screwed to the floor. … memories of 2-Tone, the Banshees, Madness, the Stranglers and the Blockheads. … the riot at a Scottish festival when they ran out of alcohol. … violence at early ‘80s gigs when your only security was “Ginge the Roadie”. … Echo & the Bunnymen and the Psychedelic Furs at the Bungalow Bar in Paisley. … do you focus on the people in the crowd who are enjoying it or the ones that need winning over? … horizontal rain when wearing a ballet dress and playing to “a sea of cagoules”. … the best way to tell the audience you're about to play a new song. … David Hepworth's Altered Images album review in Smash Hits: ouch! … and her daughter watching old Altered Images clips on YouTube.  ---------------- Altered Images autumn tour dates and tickets here: http://alteredimages.band/Find out more about how you can help us keep the conversation going: https://www.patreon.com/wordinyouear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Joining Chris for this episode is legendary PR man Alan Edwards. During his 45 years working in the music industry he's worked with the likes of David Bowie, The Rolling Stones, The Spice Girls, Michael Jackson, The Stranglers, Blondie, Paul McCartney and Amy Winehouse. Alan began his career under the tutelage of another music PR legend, Keith Altham, whose clients included Jimi Hendrix, The Who, The Beach Boys and Marc Bolan. As such, Edwards has so many amazing stories to share and is seriously great company. He's also just released his autobiography which is a must-read for any music fan.

F. Lee Bailey, William Joseph Bryan, Jr., and the Boston Stranglers.  Learn more about your ad choices. Visit megaphone.fm/adchoices

Buono returned to his office and told Cindy Hudspeth that it was time to close up his shop now but that he could give her some job openings if she would come into the house. She was grateful for his help. Once she sat down in the brown vinyl easy chair, her hours were numbered. Bianchi kept her occupied with small talk while Buono fetched the gag, tape, and cord. When she said that she lived in an apartment at 800 East Garfield Avenue, Bianchi said that that was quite a coincidence. He had lived right across the street last year. Bianchi won the coin toss this time. But before raping her, he agreed to Buono's suggestion that they tie her arms and legs to the legs of the bed. The spread-eagled sacrifice appealed to both of them. They used her for nearly two hours. At Buono's urging, Bianchi did the actual strangling. After she was dead and they were dressed, they agreed that her car was a problem. They would have to get rid of it as well as Cindy's corpse.Patreon: https://www.patreon.com/theserialkillerpodcastWebsite: https://www.theserialkillerpodcast.comFacebook: https://www.facebook.com/theskpodcastInstagram: https://www.instagram.com/serialkillerpodTwitter: https://twitter.com/serialkillerpodSupport this show http://supporter.acast.com/the-serial-killer-podcast. Hosted on Acast. See acast.com/privacy for more information.