Podcasts about The Stranglers

Christopher & Jobst im Gespräch mit WestBam. Wir sprechen über den Traum Mittelstürmer zu sein, sein 19-jähriges Ich an die Wand spielen, mit Traditionen brechen, leichter gewordenes DJing, täglich durch den Tiergarten gehen, hin- und hergerissen zu Johnny Rotten sein, ein Lied mit Iggy Pop machen ist wie das 7 zu 1 gegen Brasilien, als junger New Waver ins legendäre Metropol, eine laufende Soundwelle, die Geheimkunst des Mixens, seit Anfang der 90er gen DJ tanzen, auf einer Seite mit Genesis P. Orridge, das Manifest "Was ist Record Art?", musikalischer Spätzünder sein, drei Jahre lang "Oh Mandy" hören, ein späterer Mr. Universum, andere Hardrocker unterhielten sich über Punk-Gesang, ein gutes Hardrock-Album mit komischen Vocals drüber, Gewürze in Hengelo kaufen, Spiky Hair statt lange Haare, Sicherheitsnadel durchs Ohr stechen, Hassliebe auf die Engländer, musikalische Erziehung durch BFBS & John Peel, das Album "Ein Produkt der Deutsch-Amerikanischen Freundschaft", frühe Fad Gadget, "Holidays in Cambodia", in den frühern Achtzigern hatten Bands den technischen Fortschritt mit drin, sich gegen die antiautoritären Eltern widersetzen, Krautrock roch nach Moschus, ein Harlem Globetrotters-Flipper im Odeon, das Hundehalsband von Sally, alles Scheiße in der Provinz, selbstgemacht Batik-Shirts mit Kaninchenfellmänteln und Gummistiefeln, Feuerlegen und Isetta-Fahren, "Wir gegen die Spießer", Kinder sind konservativer als Eltern, ab 11 Kampfsport machen, eisenharte Disziplin, abgefahrene Bilder vom Acid-Freak-Erzieher Peter, rauchend ohne Sicherheitsgurt im Auto, der frühe Tod des Vaters, Kunststudent mit Uniformjacke, Annabelle von Bow Wow Wow lieben, bei Annette Benjamin pennen, Crazy Colors & Bondage-Hosen, der Stern der DJ-Ära, nie im Sounds gewesen sein, "Wir Kinder vom Bahnhof Zoo", Döner in Shibuya, die beiden großen Berlin Smells Döner & U-Bahn, in die Music Hall am Walther-Schreiber-Platz pilgern, "Der Mussolini" & "Papa´s got a brand new pigback", David Bowier: Der schönste Mann im Westen, auf Punk-Urlaub von den Eltern weg, die Groschen sind alle, im Zeichen der Fische geboren, die D-Punks, die Chaos-Tage in Hannover, verfolgt von englischen Soldaten, schnorren für n Kebab, Norbert von VD, Highlander der Jugendkultur sein, für das Recht auf Ungemütlichkeit kämpfen, schon immer erwachsen sein wollen, vom Bassisten vom Stranglers mit ins Konzert genommen, Salomé & Die geilen Tiere, nichts üben aber gleich alles können, die Disco Riot-Reihe auf Low Spirit, Punk war der letzte Versuch von Rock´n´Roll sich gesund zu schrumpfen, Ende der 80er-Jahre im Tempo über DJing schreiben, der Beginn einer neuen Ära, als junger Punk in West-Berlin verliebt sein, das Buch "Schulhorror", der Ober-Punk von Berlin DJ Fetish, Bestellungen fürs World´s End aufgeben, "Temptation" von Heaven 17, Killing Joke im Odeon, zum Dom-Radio aus Münster nicht Nein sagen, religiöse Tiefen im Punk nicht so ausleben können, die Hiltrup-Punks wollten einen knattern, immer alles ausprobieren wollen, William und die Anzüge aus dem Korrekt, mit der Legende DJ Chris überworfen haben, bester Berliner DJ im Tip, von 1 bis 9 Uhr auflegen, 130 BpM High Energy, das Label Trax Records, eine Sehnsucht nach Werken haben, NDW ist nicht an Fräulein Menke gestorben, der sogenannten Ausverkauf, das erste Rave-Erlebnis mit Wick Vaporup & Ectasy, die Macht der Nacht, mit den Stereo MCs in der Werner-Seelenbiner-Halle, nur weil es klein ist ist es auch nicht immer ein gutes Publikum, viele Leute haben ein Dünkel, WestBams eigene Kultur-Theorie, Björk ist Geschmacks-Mittelschicht, der Gönner aller Schnorrer sein, gern mal für 700 Euro essen gehen, westfälisch klug wirtschaften, TikTok-DJs mit 180BpM, süchtig nach YouTube Shorts, der Untergang der Welt, uvm.Zwei Songs für die Playlist1) Ein Lieblings-Punk-Song von Westbam: WIRE - 12XU2) Ein Lied, das den Spirit des frühen Techno am besten vermittelt: DEAD OR ALIVE - You Spin Me Round

Grab a beer and join us tonight, as we start our series on the Hillside Stranglers! We'll follow Angelo Buono and Kenneth Bianchi from childhood into early adulthood. Then we'll get into how the cousins came together in Los Angeles and tried to control everyone around them. Finally, we'll set the scene in late 1977. Victims going missing, bodies found in the hills, and explain how the city reacted and how police first tried to make sense of it. https://www.necronomipod.com https://www.patreon.com/necronomipod Sponsored by BetterHelp https://www.betterhelp.com/necro Learn more about your ad choices. Visit megaphone.fm/adchoices

S8E42 went out live from the TSORR Studio on Myoli Beach on 16 October 2025 at 19h00 on Rebel Rock Radio.  It was another busy show with the Magic Makeover, Twisted Twins, the Diabolical Challenge, Immortals, and the Rock and Metal Time Machine.  We started a new initiative, The Mutt Lange Commission, and had a quick chat with multi-instrumentalist and songwriter Sheron.  A good time was had by all, or so they said. The Running Order of Artists Featured: Warrant, Michael Schenker Group, Judas Priest, Texas Hippie Coalition, Hellsmoke, Volbeat, Buckcherry, Airbourne, Aerosmith & Yungblud, The Boomtown Rats, The Stranglers, Five Finger Death Punch, Def Leppard, Sinner, Jimmy Hendrix, Kiss, Tom Petty and the Heartbreakers, Talking Heads, Sheron, Iron Maiden, Lynyrd Skynyrd, David Bowie, Porcupine Tree, The Offspring, Soundgarden, Live, Megadeth, Kreator, Dave Hause, Butch Walker, Tesla, Storace, Tom Kiefer, Thunder, Testament.The Story of Rock and Roll. TSORR - Your one-stop shop for Rock

The call from Washington changed everything. When Los Angeles detectives learned Kenneth Bianchi had been arrested for a double murder hundreds of miles away, the truth about the Hillside Strangler finally began to surface. But uncovering the killers was only the beginning. In episode 372, Jac and Lex take you inside the longest murder trial in American history.  A case marked by manipulations, bizarre side shows, and near-collapse,  as Bianchi turned on his cousin Angelo Buono, and prosecutors fought to hold the case together. This is the story of how the Hillside Strangler murders ended in conviction, and how Los Angeles was forever changed. Learn more about your ad choices. Visit podcastchoices.com/adchoices

S8E40 went out live from the TSORR Studio on Myoli Beach on 2 October 2025 at 19h00 on Rebel Rock Radio.   The Running Order of Artists Featured:  Airborne, Limp Bizkit, Drowning Pool, Buckcherry, Elegant Weapons, Volbeat, Seether, Dave Hause, Butch Walker, The Stranglers, The Clash, ACDC, Gunshine, Korn, Dirty Honey, The LA Maybe, Janis Joplin, Led Zeppelin, Def Leopard, Iron Maiden, Elton John, Paul Stanley, The Police, Sinead O'Connor, Oasis, Neil Young, Anthrax, Megadeth, Slayer, Metallica, Mott The Hoople, Hellsmoke, Smith/Kotzen, Alter Bridge, Sepultura, The Halo EffectThe Story of Rock and Roll. TSORR - Your one-stop shop for Rock

Ce lundi 29 septembre, Marjorie Hache nous invite pour deux heures sur "RTL2 Pop-Rock Station", mêlant rock et pop de toutes époques. Parmi les classiques, Stranglers, Marvin Gaye, Linkin Park, Pink Floyd et Oasis rythment la soirée, tandis que les nouveautés s'illustrent avec Tame Impala" et le dernier Suede. L'album de la semaine est "Caramel" de Coach Party et on découvre ce soir "Disco Dream" ft. Black Honey. Le live du jour est Florence and the Machine et son single "Everybody Scream", à découvrir en concert le 22 février à Paris. La reprise de la soirée est une interprétation métal de "Wannabe" des Spice Girls par Anthony Vincent. Enfin, "Silly Boy Blue" signe la nouveauté Fresh avec "Autumn", tandis que Tool et Suede prolongent l'heure finale avec "The Grudge" cultes et "Dancing With The Europeans" extrait de "Anti Depressants". Florence + The Machine - Everybody Scream Pink Floyd - Run Like Hell Otis Rush - All Your Love The Black Keys - Tighten Up Placebo - Johnny And Mary Serge Gainsbourg - Qui Est "In" Qui Est "Out" Oasis - Cigarettes & Alcohol Coach Party Ft. Black Honey - Disco Dream The Stranglers - No More Heroes Daft Punk - Robot Rock Marvin Gaye - Sexual Healing Tame Impala - Loser Anthony Vincent - Wannabe (In The Style Of System Of A Down) Gwen Stefani - Hollaback Girl Linkin Park - Papercut Deftones - My Mind Is A Mountain America - Ventura Highway Perfume Genius - On The Floor Alabama Shakes - Another Life The Who - My Generation My Chemical Romance - Welcome To The Black Parade Silly Boy Blue - Autumn Queen - Princes Of The Universe Anouk - Nobody's Wife The Beatles - Help Suede - Dancing With The Europeans Tool - The GrudgeHébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

S8E38 went out live from the TSORR Studio on Myoli Beach on 25 September 2025 at 19h00 on Rebel Rock Radio.  It was a great show. I really enjoyed it and it was wonderful to connect with people all over the world.  Feel free to contact me on the Story of Rock and Roll Facebook page if you want to join the TSORR central chat group. The Running Order of Artists Featured: Scorpions, Thin Lizzy, Sammy Hagar, Alice Cooper, Dokken, Nazareth, Audioslave, Thundermother, Gunshine, DarWin, Iron Maiden, Alter Bridge, Rival Sons, Buckcherry, Nirvana, Richard O'Brien, Robert Palmer, Guns N' Roses, Megadeth, Van Halen, INXS, The Rolling Stones, Metallica, Sex Pistols, Ramones, The Police, Motörhead, The Stranglers, Puddle of Mudd, Tesla, Rush, Tom Petty, Lynyrd Skynyrd, Arch Enemy.The Story of Rock and Roll. TSORR - Your one-stop shop for Rock

Lee and Paul are back to have a quick chat about the Ivan Nagy-directed "Skinner" (1993), which is an overlooked horror film starring Ted Raimi, Ricki Lake, and Traci Lords! "Skinner" IMDB  Check out Paul at PA Outdoors Couple & Remaley's Ales & Lagers. Featured Music: "Skin Deep" by The Stranglers & "Skin and Bone" by The Kinks.

“Una mattina mi son' svegliato…” (Bella Ciao). Na terceira década deste vinte e um, parece que os manifestos de ordem literária são gravados em balas. As palavras com capacidade de ruptura, de suspensão viajam em trajectórias balísticas. Cada tiro carrega uma proposição, um código cheio de carga viral. O atentado ameaça tornar-se o mais pregnante género literário numa época de dissolução das linguagens simbólicas. Este género distingue-se pela concisão absoluta, efeito imediato, impacto sem intermediários. O manifesto literário foi absorvido pelo disparo, num momento em que, mais do que qualquer texto, a imagem determinou que os corpos são os verdadeiros signos, saturando o espaço mediático, num momento em que a aparência consome todo o sentido, em que a estética e a política se confundem. Neste quadro, descontando esses actos mais peremptórios, dos livros, valem os que são escritos com sangue, com a merda, com essas excreções biliosas, essas pedras cultivadas interiormente e que conseguem cortar a luz, devolver-nos a um mundo trevoso. No seu livro, Heróis, Assassínio em Massa e Suicídio, Franco ‘Bifo' Berardi justifica o seu interesse por esses exemplos de brutalidade espectacular por reconhecer naqueles que a praticam a manifestação extrema de uma das tendências mais chamativas da nossa época: “Neles vejo os heróis de uma época niilista, uma era dominada por uma apavorante estupidez – a do capitalismo financeiro.” No entender deste filósofo italiano, nos nossos dias, o espaço do discurso épico foi ocupado pelas semio-corporações, esses aparatos dos quais emanam as ilusões que ocupam todo o horizonte de aspirações contemporâneas. “Aí reside a origem desta forma de tragédia tardo-moderna, nessa fronteira onde as ilusões são tomadas por realidade e as identidades percebidas como formas genuínas de pertença.” Para Bifo, a raça humana, deixando-se guiar por falsos heróis de enganosa substância electromagnética, perdeu a fé na realidade da vida e dos seus prazeres, e passou a acreditar apenas na infinita multiplicação das imagens. Ele serve-se de uma passagem do livro Os Condenados do Ecrã, em que Hito Steyerl assinala um ponto decisivo nesta transição, recordando o momento em que foi lançado o single Heroes, de David Bowie, em 1977: “Em 1977, a análise da situação iluminada pela banda punk The Stranglers proclama uma obviedade: o heroísmo terminou. Trotsky, Lenine e Shakespeare estão mortos. Enquanto os militantes de esquerda acorrem em massa ao funeral dos membros da Fracção do Exército Vermelho Andreas Baader, Gudrun Ensslin e Jan-Carl Raspe, a capa do álbum dos Stranglers mostra uma gigantesca coroa fúnebre de cravos vermelhos e declara: NÃO MAIS HERÓIS. Nunca mais. Mas também em 1977 David Bowie lança o seu single Heroes. Ele canta um novo tipo de herói, justamente a tempo da revolução neoliberal. O herói morreu, longa vida ao herói! Mas o herói de Bowie já não é um sujeito: é um objecto, uma coisa, uma imagem, um esplêndido fetiche — uma mercadoria imbuída de desejo, ressuscitada para além da miséria do seu próprio fim. Basta olhar para um vídeo de 1977 para perceber porquê: Bowie canta-se a si mesmo a partir de três ângulos simultâneos, com técnicas de sobreposição que triplicam a sua imagem; o herói de Bowie não só foi clonado, como sobretudo tornou-se numa imagem que pode ser reproduzida, multiplicada e copiada, um riff que circula sem esforço em anúncios que promovem quase qualquer coisa, um fetiche que embala como produto a glamourosa e impassível imagem de um Bowie para além dos dois géneros. O herói de Bowie já não é um ser humano maior que a vida, a cumprir missões sensacionais e exemplares; nem sequer é um ícone, mas um produto resplandecente dotado de beleza pós-humana: uma imagem e nada mais que uma imagem. A imortalidade deste herói já não provém da sua força para sobreviver a qualquer prova, mas da sua capacidade de ser fotocopiado, reciclado e reencarnado. A destruição alterará a sua forma e aparência, mas a sua substância permanecerá intacta. A imortalidade da coisa é a sua finitude, não a sua eternidade.” Face a este fenómeno seria possível identificar hoje um existencialismo de natureza puramente publicitária. Se ontem este nascia da náusea, e o homem lançado ao mundo era forçado a reconhecer-se livre, responsável, sem desculpa. Hoje, essa náusea foi estetizada, reciclada, convertida em branding. O que resta do ser não é o abismo da liberdade, mas a superfície brilhante do cartaz. Cada sujeito, em vez de se saber condenado à liberdade, descobre-se condenado à visibilidade. A nova metafísica é publicitária. A vida não se projecta — promove-se. O projecto sartriano, essa construção singular que respondia à contingência, converteu-se em storytelling padronizado. Já não me invento no risco de cada gesto, mas no algoritmo que recolhe e redistribui os meus gestos em equivalências de consumo. A angústia? Foi substituída pela ansiedade de não ser suficientemente visível, suficientemente performativo, suficientemente "autêntico" na vitrina universal. O inferno já não são os outros: é o feed. Um espaço onde o ser-para-outro já não é dialéctica mas estatística. Cada like é uma transcendência mínima, um micro-salto ontológico que me arranca por segundos à minha insignificância. A má-fé, outrora mecanismo subtil de fuga, é agora princípio estrutural. Viver é representar uma marca, e negar esse estatuto é apenas confirmar-se como produto de nicho. O homem publicitário não mente a si mesmo: ele é a própria mentira organizada, sistemática, estetizada. Que fazer diante deste deserto saturado de signos? Se em Sartre a liberdade exigia comprometer-se, aqui exige desaparição, opacidade, silêncio. Talvez a única resistência seja um existencialismo clandestino, sem campanhas nem slogans, uma vida que se furta à estetização total. Existir como quem sabota um anúncio: rasgando o cartaz, borrando o ecrã, recusando o brilho do próprio reflexo.

S8E36 went out live from the TSORR Studio on Myoli Beach on 4 September 2025 at 19h00 on Rebel Rock Radio.  It was a fantastic, spontaneous little show inspired by the Rock Doctors Turbo Rock Power Play, which went on the hour before. It was nice just to let loose and play for the live audience, figuring it out as we went along.  If you love the show, please tell your friends, and help me grow the audience. The Running Order of Artists Featured: The Stranglers, Boston, Slade, The Sweet, Nazareth, The Screaming Jets, ACDC, Dangerous Toys, Damn Yankees, The Cult, We Are Augustine's, Seether, Rammstein, Rick Springfield, Sixx AM, The Horrible Crowes, Volbeat, The Birds, Donovan, Jimi Hendrix, Led Zepplin, Motörhead, Judas Priest, The Clash, Queen, Rainbow, MC5, The Stooges, Aerosmith, Blue Oyster Cult, Alter Bridge, Halloween, The Pretty Reckless, Rise Against, The Killers, Neil Young, Yungblud.The Story of Rock and Roll. TSORR - Your one-stop shop for Rock

DJ Jesse Luscious explores where punk meets classical music with Orchestre Tout Puissant Marcel Duchamp, London Punkharmonic Orchestra, Monty Oxymoron, & the San Francisco Punk Rock Orchestra, spins new tracks from Problem Patterns, Moja, The Halophones, The Planet Smashers, Josephus, & Pale Horse Ritual, & plays classics from NoMeansNo, Buzzcocks, Zolar X, Green Day, Fang, Elastica, The Bluebonnets, Chakra Shakers , The Stranglers, The Black Tones, Pansy Division, Tim Armstrong, Bad Manners, The Effigies, The Presidents Of The United States Of America, Wire, & The Damned!      Problem Patterns- Classic Rock Has Become My Prison Effigies- Body Bag Moja- Oh My God! Nomeansno- It's Catching (Edit) Presidents Of The USA- Lump Elastica- Connection Wire- Three Girl Rhumba Wire- It's So Obvious Zolar X- Space Age Love 1980 Halophones- Deus Ex Machina Buzzcocks- Are Everything Green Day- Maria Stranglers- Walk On By Planet Smashers- Wasted Tomorrows Big D And The Kids Table- Chin Up, Roger! Tim Armstrong- Take This City Bad Manners- Inner City Violence San Francisco Punk Rock Orchestra- nstitutionalized London Punkharmonic Orchestra- Gary Gilmore's Eyes Orchestre Tout Puissant Marcel Duchamp- Dehors Orchestre Tout Puissant Marcel Duchamp- Ils Disent Orchestre Tout Puissant Marcel Duchamp- Smiling Like A Flower Orchestre Tout Puissant Marcel Duchamp- Tout Cassé Monty Oxymoron- I Just Can't Be Happy Today Pansy Division- I'm The Friend Damned- I Just Can't Be Happy Today Black Tones- Ghetto Spaceship Chakra Shakers- Bad Bad Friend (Edit) BlueBonnets- Don't Walk, Run Josephus- The Money Will Roll Right In (Edit) Fang- Law And Order (Edit) Pale Horse Ritual- Bloody Demon

S8E34 went out live from the TSORR Studio on Myoli Beach on 21 August 2025 at 19h00 on Rebel Rock Radio. I celebrated 5 years on this station.  On August 21, 2020, five of us who had broken away from Mix FM started our own station. It's five years to the day that the first 3-hour Story of Rock and Roll Radio Show took to the air.  We celebrated in style. You might be able to hear that from the general tone of the show. Huge appreciation to everybody who listens to this podcast, wherever you may be.  The Running Order of Artists Featured: John Paul Young, ACDC, Motley Crüe, Cold Chisel, Motörhead, Reef, The Pretty Reckless, The Boomtown Rats, Tony Carrey. The Police, the Stranglers, Buckcherry, Supertramp, John Mellencamp, Rose Tattoo, Mick Jagger, Joan Jett, Deep Purple, Queensrÿche, Metallica, Bon Jovi, Judas Priest, Jeff Beck, Led Zeppelin, Boston, Pearl Jam, Ozzy Osbourne, Judas Priest, Chaos Doctrine, Dave Davis, Yungblud, Dave Hause. The Story of Rock and Roll. TSORR - Your one-stop shop for Rock

The CAT Club presents a long playing vinyl record . . .THE KINKS ARE THE VILLAGE GREEN PRESERVATION SOCIETYwith special guestCHRIS WADEMany regard 'The Kinks Are The Village Green Preservation Society' as Ray Davies' magnum opus. We were delighted to welcome Chris Wade along to explore the ins & outs of that 1968 album and the work of one of the greatest bands of all time.Chris is a prolific writer, musician, filmmaker and artist. He is also known for his renowned music project Dodson & Fogg. He has written music books about Bob Dylan, Madonna, Zappa, Lady Gaga, Hawkwind, Leonard Cohen, Paul McCartney, Donovan, The Beatles, Neil Young, Black Sabbath, Jethro Tull, Lou Reed, Captain Beefheart, The Velvet Underground, The Stranglers & Lindisfarne amongst many others. His critically acclaimed book, 'The Kinks Are The Village Green' was published in 2017.Chris has also had works of fiction and poetry published and he's also written about/or worked with James Woods, Dennis Hopper, Donald Sutherland, Oliver Stone, Jeff Bridges, Stacy Keach, Catherine Deneuve, Sharon Stone, Roger McGough, Ian Anderson, Paul Auster, Michael Palin, Nigel Planer, Toyah, Scarlet Rivera, Celia Humphris and Henry Jaglom.In the interviewer's chair was JASON BARNARD from The Strange Brew Podcasts..This event took place on 17th July 2025 in the Pigeon Loft at The Robin Hood, Pontefract, West Yorkshire.This podcast has been edited for content and for copyright reasons.To find out more about the CAT Club please visit: www.thecatclub.co.ukHappy Trails.

Observamos el verano desde varios ángulos distintos al habitual. Una selección refrescante y ecléctica para señalar otras perspectivas vitales y sonoras.Playlist;THE STRANGLERS “Summer in the city”THE NEATBEATS “Turning up”CONCHITA VELASCO “Calor”SLY and THE FAMILY STONE “Hot fun in the summertime”ELVIS COSTELLO “The other side of summer”HELEN LOVE “Summer pop radio”SHONEN KNIFE “Summertime boogie”LAS KASETTES “Verano en la azotea”LOS BICHOS “Verano muerto”SILVIO y LUZBEL “La playa”KIM FOWLEY “Summertime frog”PETER PERRETT “How the West was won”THE BROTHERS FOUR “The green leaves of summer”NEW YORK DOLLS “End of the summer”SKATALITES and LAUREL AITKEN “Summertime in the guetto”PELOMONO “Frío verano”BESTIA BEBÉ “La mentira del verano”Escuchar audio

S8E31 went out live from the TSORR Studio on Myoli Beach on 31 July 2025 at 19h00 on Rebel Rock Radio. Despite a pretty rough week, or maybe because of, it turned into a really fun show and we had a great time.  One of the better ones. The Running Order of Artists Featured:  Great White, Danko Jones, Rob Zombie, Megadeth, Girish & the Chronicles, Andy and the Rockets, Jimmy Barnes, Iron Maiden, Scorpions, Seether, 12th Avenue, The Stranglers, The Jam, Godsmack, Billy Talent, Stryper, Black Sabbath, Metallica, Foo Fighters, Dylan Tori, Judas Priest, Mötley Crüe, ACDC, Ozzy Osbourne, Wolfmother, Papa Roach, Bush, U2, Black Oak County, Kid Rock, Chickenfoot, Helloween, The Killers, Yungblud.The Story of Rock and Roll. TSORR - Your one-stop shop for Rock

S8E29 went out live from the TSORR Studio on Myoli Beach on 17 July 2025 at 19h00 on Rebel Rock Radio. We had a great interview with the South African band, Marene, and played their brand new track, 'Finchie' and a very tight Diabolical Challenge looking at Atlantic Records: Bad Company, Back in Black, Slave to the Grind, Led Zep I. It was a cracker of a show. Don't miss it. Running order of artists featured: Bullet Boys, Judas Priest, Rammstein, The Cult, Hellsmoke, Halestorm, Airbourne, The Stranglers, The Clash, Roger Waters, Bruce Springsteen, Attick Demons, Girish & the Chronicles, Queen, AC/DC, Black Sabbath, Cream, Motörhead, Iron Maiden, Marene, The Highwayman, Bob Dylan, Linkin Park, Guns ‘N Roses, Bad Company, Led Zeppelin, AC/DC, Skid Row, Jeff Labar, Taylor Road, Five Finger Death Punch, Buckcherry, Sodom, In Flames, Arch EnemyThe Story of Rock and Roll. TSORR - Your one-stop shop for Rock

Welcome to Episode 88 of Beer with Bear, featuring the Henhouse Stranglers, recorded live in Riverside, California, just outside the Hideaway Bar before their performance for previous guest, the Test Pilots.   Joining us from Texas are Lane on vocals, Tristan on guitar, Skully on drums, and Sama on upright bass. We had a fantastic conversation, and they delivered an incredible set.   Be sure to follow them on social media. Don't miss the chance to see them live when they come to your town!     Links -[Beer with Bear Podcast] https://linktr.ee/beerwithbearpodcast?utm_source=linktree_profile_share<sid=5919aa25-9494-4d72-a536-18491e6c32e5 -[The Henhouse Stranglers] https://www.instagram.com/henhouse.stranglers?igsh=MTc4MmM1YmI2Ng==    

Catch up with or listen again to Going Indieground broadcast on Mad Wasp Radio week commencing 24 June 2025. On this show you can hear: Stranglers – PeachesUltravox! – The Man Who Dies Every Day (Peel Session)Swell Maps – Another SongCrass – Mother EarthPatrik Fitzgerald – Adopted GirlSex Pistols – The Great Rock N’ Roll … Continue reading →

Ce mercredi, Marjorie Hache ayant pris quelques jours de repos laisse sa place à Alexis pour deux heures de Pop-Rock Station riche en découvertes et en classiques. Le programme s'ouvre sur les nouveautés avec The Hives, Sports Team, Beth Ditto en solo, et Tahiti 80, de retour avec un dixième album. Le choix de Francis Zegut s'arrête sur "Beat The Drum" de Death Machine. L'album de la semaine reste "Idols" de Yungblud, dont on savoure ce soir "Lovesick Lullaby". Genesis offre le live du jour avec "Land of Confusion" capté en 2007. La reprise de la soirée est assurée par Stevie Nicks avec "Rooms On Fire", tandis que le long format nous transporte dans l'univers sombre et élégant d'A Perfect Circle avec "The Package", extrait de "Thirteenth Step". Parmi les autres temps forts, des classiques de Radiohead, The Stranglers, Dire Straits, New Order, The Ramones, Deep Purple ou encore Iggy Pop avec The Stooges. Une soirée variée, entre énergie brute et poésie mélodique. The Hives - Paint A Picture Aerosmith - Walk This Way (Album Version) Red Hot Chili Peppers - Fight Like A Brave Janis Joplin - Move Over Sports Team - Sensible Stevie Ray Vaughan - Pride And Joy Tahiti 80 - Heartbeat Yungblud - Lovesick Lullaby Otis Redding - My Girl Beth Ditto - Fire Death Machine - Beat The Drum Dire Straits - Six Blade Knife Ty Segall - Buildings Fiona Apple - Heart Of Gold Radiohead - Jigsaw Falling Into Place Two Door Cinema Club - Bad Decision Julien Baker & Torres - Bottom Of A Bottle Ramones - Blitzkrieg Bop New Order - 60 Miles An Hour Genesis - Land Of Confusion (Live Over Europe 2007) The Stooges - I Wanna Be Your Dog Suicidal Tendencies - Institutionalized Roberta Lips - En Plein Coeur Mano Negra - King Of Bongo Norman Greenbaum - Spirit In The Sky Stevie Nicks - Rooms On Fire Aldous Harding - The Barrel A Perfect Circle - The Package Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Avec nos chroniqueurs Fabrice Desprez et David Bola ! The Stranglers - Golden BrownSudan Archives - DEADCola Boyy - HomegirlNas, Lauryn Hill - If I Ruled The WorldTracey, Riko Dan - Sex Life Shazdown Mmw - Bouyon Truth RiddenOra the Molecule - Intergalatctic Dance Quiet Village - Circus of HorrorFimiguerrero & Reekz MB - TartanPura Pura feat. LEDOUBLE Ele 1 & Milanezie - Villa Dysnomia - Dernier SoupirPoni Hoax - Hypercommunication (Alter Ego Remix) Chaka Khan - I Know You, I Live YouTEYMA - Chichi Oh non - CaïmanC Bank feat. Diamond Eyes - I Won't Stop Loving YouTheodora, bb trickz - BOSS BABIESDepeche Mode - A Question of LustFakemink, Ecco2k & Mechatok - MAKKADistribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

This week we travel back in time to just after the dawn of PUNK ROCK (1978-1981)! We discuss bands influenced by the 1st wave who then took punk into various sub-genres. If you don't think Punk is for you based on secondhand information, we ask that you listen with an open mind and prepare to get out some aggression.This episode features songs with the shortest track length that we've ever played; it's PUNK ROCK people! Punk is where Kevin started down his path of music fanaticism. Although, that was more based around the hardcore Punk scenes. This is the lead-up to hardcore, and what would establish punk as a lasting genre full of variety and originality. Hope you dig the 2nd wave!Songs this week include:The Dictators – “Faster And Louder” from Blood Brothers (1978)Magazine – “Shot By Both Sides” from Real Life (1978)Chelsea – “I'm On Fire” from Chelsea (1979)The Stranglers – “Dead Loss Angeles” from The Raven (1979)GG Allin – “One Man Army” from Always Was, Is, And Always Shall Be (1980)Zounds – “Can't Cheat Karma” from Curse Of The Zounds (1980)Soggy – “Waiting For The War” from Soggy (1981)The Cheifs – “Liberty” from Holly-West Crisis (1981)Please subscribe everywhere that you listen to podcasts!Visit us: https://inobscuria.com/https://www.facebook.com/InObscuriahttps://x.com/inobscuriahttps://www.instagram.com/inobscuria/Buy cool stuff with our logo on it: InObscuria Store

It is a privilege to welcome six-time Emmy-nominated filmmaker Alan G. Parker to The Jake's Take with Jacob Elyachar Podcast.  Before becoming a filmmaker, Alan worked as a press officer via Judy Totton Publicity and later in EMI's catalogue department in London. At EMI, he worked with bands such as Buzzcocks, Stiff Little Fingers, and the Stranglers. He also wrote for magazines and published books about the Clash and Sid Vicious. In 2009, Alan directed Who Killed Nancy? And Monty Python: Almost the Truth – The Lawyers' Cut was nominated for six Emmy Awards. In 2017, he directed the documentary It was Fifty Years Ago Today! The Beatles: Sgt. Pepper & Beyond!  Alan G. Parker's latest documentary, Borrowed Time: Lennon's Last Decade, focuses on music legend John Lennon's final years. The film follows the former Beatle as he navigates through the band's breakup while creating revolutionary music and standing at the forefront of anti-war protests that would make him one of the most influential pop culture icons of all-time.   Hear musicians, journalists, and the man's close friends set the record straight on the truth behind many famous Lennon moments brought to life by rare archive footage, including never-before-seen interviews. For the first time, the full story of how John and Yoko met is revealed, and watch as the curtain is lifted on the 1981 comeback tour that never came to be. This monumental film is a must-see for Lennon,  Beatles, and music fans.    On this episode of The Jake's Take with Jacob Elyachar Podcast, Alan G. Parker took us behind the scenes about Borrowed Time's filmmaking process, including the insights he found from the documentary interview subjects who had interacted with John during that time.  Borrowed Time: Lennon's Last Decade will be released in theatres on May 2, 2025.  Become a supporter of this podcast: https://www.spreaker.com/podcast/jake-s-take-with-jacob-elyachar--4112003/support.

The year 1978 was a year of terror in true crime history. This One Degree of Scandalous episode with Tom Zenner and Kato Kaelin dives deep into the year serial killers ruled the headlines. Ted Bundy was on his final rampage, Jeffrey Dahmer claimed his first victim, John Wayne Gacy was hiding horrors beneath his home, and the Hillside Stranglers spread fear across Los Angeles. We also cover the deadly Jonestown Massacre, where over 900 people lost their lives in one of history's worst cult tragedies.Plus, we break down the Unabomber's first attack and how modern technology has changed how crimes are solved today. If you love true crime, unsolved mysteries, and deep dives into the minds of serial killers, this episode is for you!Become a supporter of this podcast: https://www.spreaker.com/podcast/one-degree-of-scandalous-with-tom-zenner-and-kato-kaelin--6258576/support.

A new album release by your favourite band is an important event. Thank god for this. A new album is a reprieve, an escape, a comfort and a joy. Of course, to experience all these emotions you do have to take the time to really listen. I particularly love that a record has the power to be your own personal time machine. When I first played back the new My Morning Jacket album, simply titled is, I was transported back in time to the late 70s, back to my childhood. A time of albums on vinyl or cassette, played on ‘music centres' (that's what we called hi-fi systems in Northern England back then). A time when ELO or Supertramp, or The Stranglers or Queen, would make albums consisting of singles with accessible catchy melodies mixed with more exotic, experimental songs that were probably marked during the recording process as ‘album tracks'. A time when you could expect each and every album released by a band to have a different, distinctive character from the last one. It was a time of greater attention and patience and a slower, simpler time of life. 70s memories are especially magical for me, so a soundtrack courtesy Jim James & co is a total treat. It isn't fashionable music that My Morning Jacket creates. Indeed, their alchemical meld of alt-country rock, alternative country/Americana and late era Beatles-esque psychedelia make MMJ sound always like a band out of time. That's just how Jim James intended it. Music perfect for sucking you into their timeless orbit. And no real desire beyond that. It's the way Jim James operates these days. Put your best work out there into the universe and then what will be will be:“Of course we all want our work to be successful, me included. But I've ridden the rollercoaster so many times now, I know the outcome is always the same, whether people like a record or not, I still had to deal with my own depression and self loathing. External validation will not fill that hole, you can only do it yourself, love yourself and try to see things more clearly”. MMJ have never shied away from dissonance, off kilter time signatures and ear-splitting guitar work, but there is always the emergence of beauty from the noise. This abruptly contrasting style takes a backseat on is. Instead, the songs are what matters most on this album. Legendary rock producer Brendan O'Brien (Pearl Jam, Springsteen and ACDC) has pushed Jim James and his band to be even more in service of the songs than they have been before. But the melodies and grooves are so strong, it works wonders such that the album stands up as one of their best so far. Pretty good show after 25 years and 10 LP records.And Jim James loves LP records:“I love the album as an art form. It's important as artists to do what you love, and don't worry about the world and what the world's gonna do. It's cool even if people love one song, but if they are gonna take the journey of the album, that's my dream. We aspire to make music in that format, but even if one person loves one song, that's still so awesome”. Yes, yes it is. Support the showGet more related content at: https://www.songsommelier.com/

Die Welt gibt den Takt an. Oder ist sie gerade aus dem Tritt geraten? Diese Woche wird es eher spannend als entspannend: Philipp widmet sich den krummen Taktarten. In Klammern findest Du hinter den Musikstücken die jeweilige Taktart. Los geht's: Eins, zwei, drei ... fünf, sieben Diese Musikstücke hast Du in der Folge gehört: Sting – "Seven Days" (5/4) // Leonard Bernstein – "Divertimento – Walzer" (4/4) // Stranglers – "Golden Brown" (3/4 – 4/4) // Peter Tschaikowsky – "Sinfonie 6 – Walzer" (5/4) // Can – "One More Night" (7/4) // Genesis – "Turn It On Again" (13/4) // Den Podcast "Ostwärts – Reisen zwischen Fernweh und Fettnäpfchen" findest du hier: https://www.ardaudiothek.de/sendung/ostwaerts-reisen-zwischen-fernweh-und-fettnaepfchen/13858675 Wenn Du eine Idee oder einen Wunsch zu einem musikalischen Thema hast, dann schreib ihm eine Mail: playlist@ndr.de

This week on the Talk Without Rhythm Podcast I'm fulfilling another Patreon Pick, this time from TWoRP Legionnaire Tom B. Tom requested I take a look at 1966's Island of Terror and I decided to make it a Terence Fisher double-feature by pairing it with the 1959 Hammer film The Stranglers of Bombay. [00:00] INTRO [01:39] Trick or Treat Radio Promo [02:56] RANDOM CONVERSATION [08:35] The Stranglers of Bombay (1959) Brian Trenchard-Smith on Trailers from Hell [33:46] Island of Terror (1966) [55:34] FEEDBACK [01:17:31] ENDING MUSIC: Maha Kali by Dissection Buy The Stranglers of Bombay (1959) Buy Island of Terror (1966) Support TWoRP Contact Us talkwithoutrhythm@gmail.com

Marjorie Hache nous embarque pour deux heures de pop et de rock sous toutes ses formes. Ce soir, on retrouve des légendes comme Oasis, The Stranglers et Dinosaur Jr. Du côté des découvertes, la talentueuse Blondshell dévoile un extrait de son prochain album, tandis que Girlpuppy, venue d'Atlanta, nous livre un titre folk à l'atmosphère envoûtante. L'album de la semaine est signé Lacuna Coil avec "Sleepless Empire", que le groupe défendra sur scène en France cet automne. Pour le live, Ben Harper nous offre une performance poignante de "Burn To Shine", enregistrée à Angers en 2000. La reprise du soir est un classique : "Louie Louie" des Kingsmen revisité par Motörhead, dans une version survitaminée. Enfin, la session longue nous transporte en 1969 avec The Stooges et leur proto-punk viscéral. Une soirée entre énergie brute et découvertes captivantes, à écouter sur RTL2. La playlist de l'émission : Franz Ferdinand - Hooked Electric Light Orchestra - Don't Bring Me Down The Stones Roses - I Wanna be Adored Linkin Park - Bleed It Out Heartworms - Warplane Dinosaur Jr. - Freak Scene Gary Glitter - Rock & Roll Part 2 Lacuna Ciol - The Siege Oasis - Supersonic Dexndre - I Don't Know Here The Stranglers - No More Heroes Sky Ferreira - Leash Motörhead - Louie Louie Arcade Fire - No Cars Go Guns N' Roses - Welcome To The Jungle Blondshell - T&A Deep Purple - Smoke On The Water Biffy Clyro - Black Chandelier Ben Harper - Burn To Shine (Live In Angers The Stooges - 1969 The White Stripes - I Just Don't Know What To Do With Myself Girlpuppy - I Just Do Stevie Ray Vaughan - Taxman Natalie Bergman - Shine Your Light On Me New Order - 60 Miles An Hour Patti Smith - Birdland

Christopher & Jobst im Gespräch mit Sara. Wir reden über keine Utopien, Jugendzeit auf Bühnen, entsorgte Weltmeisterschafts-Medaillen, eine Kiste voll Tickets, Stranglers & 999 im Volkshaus, "New Rose" von The Damned vom Vater, als Küken unter die Flügel genommen werden, im Dunst in Genossenschaftshäuschen, Iggi vom No Fun Fanzine, Ton Steine Scherben auf dem Pfingstfest, die Band Krokodil, auf der Kirmes gecastet, die Fichen-Affäre in der Schweiz, der Song Bubble Guns, Musik kann Gefühle konservieren, mit der Zeit zu Musikerin werden, Krieg auf den Strassen, Familientrauma, zwei Monate in Nicaragua arbeiten, die Gründung von The Kick, die AC/DC Coverband, zusammen mit Rudi auf die Bühne mit Hilarious Limited, wenn sich Sternenstaub zu Planeten verdichtet, 40 Jahre Saus & Braus, die Energie von Punk, die Geschichte von Karate, die beste Verteidigung ist Awareness, von morgens bis abends in der Kläranlage, Lieblingsfilme, Do Androids Dream of Electric Sheep?, ein perfekter Sonntag mit Wäsche, irgendetwas gibt es immer zu sortieren, ein total tolles Programm von Peter Haas im Dunkeln, uvm. Drei Songs für die Playlist: 1. Ein Song, den Sara mit Ihrer Pre-Punk-Zeit verbindet: TON STEINE SCHERBEN - Der Traum ist aus 2. Ein Song, der für Sara die Anziehung von frühem Punk am besten repräsentiert: THE DAMNED - New Rose 3. Ein richtig guter Song aus der Schweiz, der nichts mit Punk zu tun hat: KTGORIQUE - Too Late

Horror Weekly Episode #318 We have an interesting collection this week! We'll start off with the fairly recent “The Soul Eater” and “Frankie Freako.” We actually forgot that there was a new Ghostbusters movie last year, so we picked that one up as well. Then we'll look at a couple of oldies, “The Stranglers of Bombay” from Hammer films and “Godzilla vs. Hedorah” (aka “The Smog Monster”).  And, of course, we have more excellent short films for you! The latest issue of “Horror Monthly” is now on sale! Check out all the back issues, as well as our other books, with one easy link: https://horrormonthly.com   Contact Info: Email:  mailto:email@horrorguys.com   Websites:  https://www.horrorguys.com  https://www.horrorweekly.com https://www.horrormonthly.com     Theme song, "Galactic Rap " Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/by/4.0/

Et les nouveaux John Glacier et Miki pour ouvrir ! Prince - Starfish and CoffeeJohn Glacier - Ocean Steppin' (feat. Sampha)Miki - scorpion ascendant scorpion (상승궁 전갈자리)Sufjan Stevens - ChicagoParliament - Flash LightThe Stranglers - PeachesThe Emotions - Best of My LoveBob Marley & The Wailers - JammingTangerine Dream - Sorcerer ThemeBixio, Frizzi & Tempera - Operazione K sparate a vista Iggy Pop - NightclubbingThe Full Experience & Lee "Scratch" Perry - Disco Devil (Extended Version)Ramones - Sheena Is a Punk RockerSex Pistols - God Save The QueenThe Jam - In the CityElvis Costello - Watching the DetectivesLaurent Voulzy - RockollectionPhilippe Sarde - La lettre de VioletteTelevision - Marquee MoonKyriakos Sfetsas - Morning Expectations

El que a buen sótano se arrima, buena sombra le cobija. Sesión cocinada entre sombras del pasado, sombras que nos acechan, sombras que nos acompañan y sombras que nos ocultan.Playlist;(sintonía) THE FORBIDDEN DIMENSION “The shadow knows”THE LIMIÑANAS feat. Emmanuelle Seigner “Shadow people”THE STRANGLERS “In the shadows”THE DAMNED “Shadow of love” (Phantasmagoria, 1985)THE DOGS “Walking shadows” (Walking shadows, 1980)JOY DIVISION “Shadowplay”THE ONLY ONES “Me and my shadow”LOST SOUNDS “Dark shadows”JAY REATARD “My shadow”THE SEEDS “A thousand shadows”LOS NIVRAM “Sombras”THE LOW SPIRITS “Shadows of your mind”ALEJANDRO ESCOVEDO “Footsteps in the shadows”DEAD CAPO “Por las sombras”JOE STRUMMER and THE MESCALEROS “Long shadow”Escuchar audio

Ce 14 janvier, Marjorie Hache nous emmène dans deux heures mêlant pop et rock alternatif sur RTL2 Pop-Rock Station. Parmi les classiques, John Lee Hooker et Lou Reed côtoient Genesis et The Supremes. Les nouveautés incluent Bonnie Prince Billy avec "Downstream" et "Top Shelf" de Warmduscher. L'album de la semaine est "Who Let The Dogs Out" des Lambrini Girls, duo punk de Brighton. En live, les Smashing Pumpkins revisitent "Mayonnaise". Pour la reprise du jour les Stranglers réinventent "Walk On By" le classique de Dionne Warwick. Enfin, un long format explore Neil Young et son engagement écologique. La playlist de l'émission : Linkin Park - Two Faced Cold War Kids - Hang Me Up To Dry The Supremes - You Can't Hurry Love Genesis - That's All Warmduscher - Top Shelf The Doors - Hello I Love You Archive - Fuck U Lambrini Girls - Love John Lee Hooker - Boom Boom Marilyn Manson - Nod If You Understand Lou Reed - Perfect Day Fka Twigs - Perfect Stranger The Stranglers - Walk On By Queens Of The Stone Age - Little Sister Oasis - Lyla Lauren Mayberry - Something In The Air Sam & Dave - Hold On Neil Young & The Crazy Horse - Break The Chain The Smashing Pumpkins - Mayonaise (Live At The Cabaret Metro) Led Zeppelin - Heartbreaker My Chemical Romance - Famous Last Words Bonnie Prince Billy - Downstream The Bangles - Walk Like An Egyptian The Hentchmen - Some Other Guy Feist - 1 2 3 4 Tunde Adebimpe - Magnetic King Gizzard & The Lizard Wizard - Astroturf

This week, Steve has a set of trash/garbage songs within this hour of great music.  Here are the artists in this show: New Order, The Cloudsmen, Pale Waves, The Jam, They Might Be Giants, Arctic Monkeys,  Beabadoobee, Deco, Pom Pom Squad, INXS, Material Issue, The Dollyrots, Young the Giant, The Stranglers, Eels, Siouxsie And The Banshees. AI-free since 2016! On the Air on Bedford 105.1 FM Radio      *** 5pm Friday ***      *** 10am Sunday ***      *** 8pm Monday *** Stream live at http://209.95.50.189:8178/stream Stream on-demand most recent episodes at https://wbnh1051.podbean.com/category/suburban-underground/ And available on demand on your favorite podcast app! Facebook: SuburbanUndergroundRadio   ***    Instagram: SuburbanUnderground   ***    #newwave #altrock #alternativerock #punkrock #indierock

Sounds crazy but make sure to subscribe to this if you want to find out out about the NEW podcast. I still have some work to do to make the new show happen and it will take a few weeks before I have it all together so I will need a way to let you know. Listen to the show to find out what it will be called but I will be posting on the website when it is all ready. In the meantime, the last show that Chris and I recorded and explains more about how and why we are changing the podcast. We also welcome any suggestions. REMEMBER SUBSCRIBE NOW!   'Rock Atmospherique" with a real feel of Leonard Cohen, Interpol, Mogwai & the National whilst diving into Shoe Gaze type stoner rock with stunning vocals from. We play and chat about Le Bruit and Idle hands, Head swinging, driving pop with Divine Comedy vibes. We play and praise Carl Street and California. In his hard rocking to the late great Jim Morrison, we experience what it's like to listen to Michael Botte Bandand Other Side on headphones. It's great! "An indie rock banger, steeped in 90s nostalgia but bang up to date in execution". It says here and we can't help but agree. I would add that there is a touch of Stone Roses and The Stranglers. With vocals from  Jeff of JHM (Ontario) and MJ Adamo (Long Island, NY) What started off as a student band from Cheshire in the 1990s called DontARgue have now bloomed into TheFods and VolumesOfSilence os one of 7 brand new songs from their spanky new ep availsble here. And finally, remember when Coldplay when they actually meant something good?  If you love  Midlands indie rock outfits, then  Little Juke and When The Sea Came To Tea are just what you need! It's a superb piece of music that will put you in mind of Radiohead, Foals and Arcade Fire. We loved it! Remember to subscribe, and we will see you on the other side!

Featured vinyl fromLove Society, Gabe Kaplan, Mach VFuture, Sparks, The Sandabs,Benny Hill, The Glass Family,Phillipa Fallon, The Stranglers,Roberta Sherwood, Diane Hildebrandas broadcast via 6160kc sw11-30-24

Send us a textTw/cw: CSAWho were the men that were killing all those women? What did they have in common? Join us as we discuss the diabolical Kenneth Bianchi and Angelo Buono Jr.https://linktr.ee/cruelteaSupport the show

In this episode of 'The Truth in This Art,' host Rob Lee speaks with Ryan Havers, also known as Ears with Eyes, an electro-punk performance artist who critiques corporate culture, workaholism, and mental health through his unconventional music and stage shows. Drawing inspiration from artists like Iggy Pop, The Stranglers, Beck, and Tim & Eric, Ryan incorporates elements of absurdity and satire into his work. They discuss Ryan's early influences, his journey into music, the creative process, and his thoughts on how corporate norms affect personal well-being. The conversation also touches on Ryan's upcoming project, wEARd, an online course designed to help others embrace unconventional music and creativity.  The Truth In This Art Podcast is proudly supported by the Robert W. Deutsch FoundationGot a story about art, culture, or community in Baltimore & beyond? Share it at rob@thetruthinthisart.com for a chance to be featured on The Truth In This Art podcast, hosted by Rob Lee. Join the conversation and showcase your insights on creativity and community!Follow us: Blue Sky, Threads, IG, and Facebook @truthinthisartOriginal music by Daniel Alexis Music with additional music from Chipzard.Episode art: Alley Kid ArtAbout The Truth In This Art PodcastThe Truth In This Art, hosted by Rob Lee, explores the vibrant intersections of arts, culture, and community in Baltimore and beyond. Through compelling conversations with artists, musicians, and cultural innovators, each episode unpacks the motivations, challenges, and achievements shaping today's creative landscape. Dive into stories that celebrate the voices defining culture and creativity, offering fresh perspectives and meaningful insights into the world around us.Support the podcastMerch from Redbubble | Make a Donation  | Leave a Review  ★ Support this podcast ★

It's covers versus originals this week on Blow Up, as Matt, Sammy & Anita argue the merits of tracks by The Who, Junior Dell & The D-lites, The Doors, The Stranglers and The Underdogs. For more info and tracklisting, visit: https://thefaceradio.com/blow-up/Tune into new broadcasts of Blow-Up! Sundays from 8 - 10 AM EST / 1 PM - 3 PM GMT, in association with Brisbane's 4ZZZ.//Dig this show? Please consider supporting The Face Radio: http://support.thefaceradio.com Support The Face Radio with PatreonSupport this show http://supporter.acast.com/thefaceradio. Join the family at https://plus.acast.com/s/thefaceradio. Hosted on Acast. See acast.com/privacy for more information.

NordVPN: https://nordvpn.com/crimeandcomedy Kenneth Bianchi viene arrestato per un doppio omicidio nello stato di Washington, ma è sospettato di aver ucciso anche una lunga serie di donne a Los Angeles, in California. Lui si finge incapace di intendere e di volere, ma poi tira in mezzo Angelo Buono, suo cugino, confermando i sospetti della poliza sul numero di assassini che hanno commesso quei delitti. Quello a Buono e Bianchi sarà uno dei processi più lunghi e costosi della storia. --------- Patreon: https://www.patreon.com/crimeandcomedy Instagram: https://www.instagram.com/crimeandcomedy.podcast/ Telegram: https://t.me/crimeandcomedy Sito: https://www.crimeandcomedy.it Instagram: Clara Campi: https://www.instagram.com/claracampicomedy/ Marco Champier: https://www.instagram.com/mrchreddy/ Editing - Ilaria Giangrande: https://www.instagram.com/ilaria.giangrande/ Caricature - Giorgio Brambilla: https://www.instagram.com/giorgio_brambilla_bookscomedy/ Tutti i Podcast: https://link.chtbl.com/CrimeandComedy Capitoli: (00:00:00) | Intro (00:00:55) | Sigla (00:01:08) | Ringraziamenti Patreon (00:05:49) | La scomparsa di Karen e Diane porta a Kenneth Bianchi (00:15:08) | NordVPN (00:17:03) | Cosa c'entra Kenneth Bianchi con lo Strangolatore di Hillside (00:38:09) | Kenneth Bianchi ha una doppia personalità? (00:55:43) | Kenneth Bianchi tira in mezzo Angelo Buono (01:06:56) | Angelo Buono e Kenneth Bianchi sono gli Strangolatori di Hillside (01:15:58) | Le indagini portano a Kenneth Bianchi e Angelo Buono (01:32:19) | Veronica Compton aiuta Kenneth Bianchi e Angelo Buono (01:49:15) | Kenneth Bianchi è anche l'Alphabet killer? (01:58:18) | I nostri Patreon Learn more about your ad choices. Visit megaphone.fm/adchoices

Send us a textThe Hillside Strangler, later the Hillside Stranglers, is the media called one, later discovered to be two, American serial killers who hunted Los Angeles, California, between October 1977 and February 1978...on Part One, we talk about the victims. TW/CW: SA and sex work.Want episodes early? Extra episodes? CUSTOM EPISODES? Join our Patreon! Follow the link here for Patreon, merch, discord, Kofi, and more! https://linktr.ee/cruelteaSupport the show

Sesión de novedades de aquí, de allá y del más allá que comienza con las últimas entregas de Melanie, emblemática artista del folk rock de finales de los 60 fallecida a comienzos de 2024. Se reedita el disco “La Folie” de The Stranglers, suena Bowie en directo en 1999 y presentamos a la neoyorquina Julie Beth Napolin.(Foto por Don Smith; Melanie en 1971)Playlist;(sintonía) HERMANOS GUTIÉRREZ “El fantasma” (Sonido cósmico)MELANIE “Rock’n’Roll heart” (The clearwater Florida sessions 1987-1994)MELANIE “Purple haze” (The clearwater Florida sessions 1987-1994)MELANIE and THE ADVERTS “I will walk you home” (Second hand smoke)TV SMITH “Runaway train driver” (Acoustic sessions vol.2)JULIE BETH NAPOLIN “Only the void stands between us” (Only the void stands between us)MAGIC FIG “Goodbye Suzy” (ST)THE STRANGLERS “La Folie” (La folie)PETER PERRETT “Less than nothing” (The cleansing)THE PEAWEES “One ride” (One ride)PRIMAL SCREAM “Heal yourself” (Come ahead)BOWIE “Survive” (Live From The Manhattan Centre '99)DEAN WAREHAM “Cashing in” (I have nothing to say to the Mayor of L.A.)Escuchar audio

In the second half of this two-part episode, retired FBI agent and criminal profiler Candice DeLong continues to explore the case of cousins Kenneth Bianchi and Angelo Buono Jr., also known as the “Hillside Stranglers.” Between 1977 and 1978, the sadistic duo tortured and murdered 10 women in Los Angeles. In this episode, Candice dives deeper into the psyche of Angelo Buono, explores the power dynamic between the duo, and how the “Hillside Strangler” trial became one of the longest running in United States history.Need more Killer Psyche? With Wondery+, enjoy exclusive episodes, early access to new ones, and they're always ad-free. Start your free trial in the Wondery App or visit wondery.app.link/TI5l5KzpDLb now.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

In the first half of this two-part episode, retired FBI agent and criminal profiler Candice DeLong explores the case of cousins Kenneth Bianchi and Angelo Buono Jr., also known as the “Hillside Stranglers.” Between 1977 and 1978, the sadistic duo tortured and murdered 10 women in Los Angeles. Candice dives deep into how their partnership resulted in some of the most horrific crimes in Los Angeles history, putting the entire city on edge.Need more Killer Psyche? With Wondery+, enjoy exclusive episodes, early access to new ones, and they're always ad-free. Start your free trial in the Wondery App or visit wondery.app.link/TI5l5KzpDLb now.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

In the world of British crime cinema, few films capture the frenetic energy and dark humour of the underworld quite like Snatch (2000). Directed by Guy Ritchie, Snatch is a heist film on steroids, merging British grit with slapstick absurdity and a labyrinthine plot filled with double-crosses stolen diamonds, and unlikely heroes. For our latest Born to Watch podcast episode, we dive into what makes Snatch such a stand-out in the crime genre and why its impact remains strong 20 years after its release. This Snatch (2000) Movie Review covers everything from the stellar cast to Ritchie's stylistic choices and how the film has influenced the genre and pop culture.Plot and Style: A High-Speed Crime CaperSnatch tells two intertwined stories. The first follows Turkish (Jason Statham), an ambitious underground boxing promoter, who gets roped into an unlicensed fight by gangster Brick Top (Alan Ford). Meanwhile, the second story revolves around a stolen 84-carat diamond that makes its way across a host of unscrupulous characters, including small-time thieves, corrupt jewellers, and an indestructible bare-knuckle boxer named Mickey O'Neil (Brad Pitt). The film's gritty and energetic style pulls the viewer through London's seedy streets with whip-fast edits, slow-motion shots, and a darkly comic lens.Guy Ritchie's directing style is on full display here. Quick cuts, freeze frames, and a playful, punchy soundtrack make the film a sensory assault, capturing the chaos of its characters' lives. From the first minute, Snatch establishes a hyper-kinetic pace that doesn't let up, demanding the audience's full attention. It's a tricky balance, but Ritchie pulls it off, giving us a film that's as smart and clever as it is chaotic and loud.An Ensemble Cast With Star Power and ChemistryOne of Snatch's most notable aspects is its eclectic, all-star cast. The ensemble cast brings to life a colourful array of characters, each with its quirks and memorable traits. Jason Statham, then a relatively unknown actor, is captivating as Turkish, the film's down-on-his-luck protagonist whose deadpan delivery and cool demeanour ground the story's wild twists. Turkish's partner, Tommy (Stephen Graham), provides a comedic counterbalance, stumbling through one mishap after another.Brad Pitt's performance as a thickly accented Irish Traveler and bare-knuckle boxing champion, Mickey O'Neil, is unforgettable. Pitt's choice to adopt a nearly indecipherable accent adds an extra layer of humour and mystique to the character. Known as the “Pikey,” Mickey steals scenes with his charm, unpredictability, and sheer fighting prowess. Rumour has it that Pitt's accent was intentionally difficult to understand as a creative solution after he struggled with a convincing English accent. Whatever the reason, it works perfectly, adding a layer of intrigue and hilarity that no one could have anticipated.Benicio Del Toro, Dennis Farina, Rade Sherbedgia, and Alan Ford round out the cast with standout performances. Ford's Brick Top is especially menacing as he delivers brutal monologues about pigs, body disposal, and the world of underground fighting. Each actor brings their A-game, giving the film an international flavour and highlighting Ritchie's knack for directing ensembles.The Dark Humor: Punchlines in the Punch-UpsRitchie's use of dark humour is central to Snatch's identity. The film revels in its comedic violence and absurd situations, balancing tension with perfectly timed humour. From the unintentionally humorous attempts of small-time crooks like Sol (Lennie James) and Vinny (Robbie Gee) to pull off a diamond heist to the over-the-top cruelty of Brick Top, the film walks the fine line between horror and hilarity. Ritchie doesn't just throw humour in as a way to lighten the mood—it's a critical part of the story and its characters, making Snatch feel as if you're watching a crime film through a cracked mirror.The humour also shows up in the dialogue, with quotable lines that stick long after the credits roll. Whether it's Turkish's dry observations, Mickey's barely intelligible but somehow hilarious quips, or Brick Top's chilling speeches, Snatch knows how to keep the audience entertained. Ritchie's dialogue is sharp and fast-paced, mixing British slang with witty banter, making it endlessly rewatchable and quotable.Cultural Impact and Lasting AppealWhen Snatch hit theatres in 2000, it was an instant hit among fans of British gangster films, establishing Ritchie as a definitive voice in the genre. With its stylised violence, witty script, and memorable characters, Snatch quickly became a cult classic. It inspired a new wave of British crime cinema, with directors and writers noting Ritchie's energetic approach to storytelling. Films and shows that followed, like Layer Cake and even Peaky Blinders, borrow elements of Ritchie's unique style.Snatch is more than just a genre film; it also influences pop culture. Brad Pitt's Mickey became iconic, referenced in countless media for his humour and physicality. The film's eclectic soundtrack—featuring tracks from The Stranglers, Oasis, and Mirwais—also found its way into fans' playlists, blending punk, rock, and electronic music into a genre-defying mix that helped set the tone for the film.Cinematic Techniques and Visual StorytellingRitchie's visual style in Snatch is as influential as his narrative structure. The editing choices, particularly sped-up sequences, slow-motion shots, and freeze frames, became trademarks of Ritchie's style. These techniques aren't just flashy—they enhance the tension and humour, making even small actions, like loading a gun or opening a door, feel cinematic. The colour palette and gritty visuals make London's underground feel both surreal and grounded, capturing a seedy yet vibrant world that exists just out of the public eye.The film's split-screen shots, flashbacks, and quick cuts give it a comic-book feel, adding to its dynamic and energetic tone. Ritchie crafted Snatch with a precision that feels both messy and deliberate—a hard trick to pull off but one that pays off in spades, immersing viewers in a world of diamonds, double-crosses, and underground boxing.Why Snatch Is Still a Must-WatchTwo decades later, Snatch is as fresh and entertaining as ever. It's a film that rewards multiple viewings, with each rewatch revealing new details, from the clever foreshadowing to the way Ritchie uses sound and visuals to build tension. It's a cult classic that defined a genre, yet it doesn't feel dated—a testament to its careful craftsmanship and the universal appeal of its humor and grit.For anyone who loves crime thrillers, dark humor, or just a film that's endlessly quotable and watchable, Snatch is a must-watch. It's an adrenaline-fueled journey into the chaotic world of diamond heists and bare-knuckle boxing, packed with unforgettable characters, twisty plots, and Guy Ritchie's signature style. As we dissect in this Snatch (2000) Movie Review, it's a film that never quite lets you catch your breath—and that's precisely why we love it.

Avec une ouverture stylée Stranglers !The Stranglers - Midnight Summer Dream The Stranglers - Paradise Brian Nasty & Dill - Here with you Charli xcx & Bb trickz - Club classicsCharli xcx & Caroline Polachek - Everything is romantic Major Lazer - Get Free ( feat. Amber of Dirty Projectors) Daft Punk - Around the world (Motorbass Miami remix) Pharrell Williams - Virginia Boy (feat. Tyler the Creator) Alicia Keys - How Come U Don't Call Me (Neptunes Remix)La Femme - Goodbye Tonight Dov'e Liana - Late Night Light Golden Bug - Ricochet Tshegue - Click Saya Gray - Shell Theis Thaws , Tricky & Rosa Rocca- Serra - Fly to Ceiling Star Bandz - Yea Yea (feat. Veeze) Ahmad Jamal - Pastures Djrum - Codex Midland - In my Head Girls of the Internet - Gravity (feat. ALLKNIGHT)

Show Notes:  https://wetflyswing.com/650  Presented By: Jackson Hole Fly Company, TroutRoutes, Togens Fly Shop, Togiak River Lodge Sponsors: https://wetflyswing.com/sponsors   In this episode, we'll chat with Nick Yardley, the president of Fulling Mill. We dive deep into the fascinating story of how Fulling Mill became a leader in the UK and US markets, sharing insights on their top fly patterns and the meticulous process that ensures only the best end up in your fly box. We also explore stillwater fishing, with Nick offering expert tips and his favorite flies for targeting brook trout in the Northeast. Additionally, you'll hear about his passion for the Great Lakes and why this region holds a special place in his heart for salmon and steelhead fishing. Join us as we uncover these topics and more, giving you the knowledge to enhance your fly fishing adventures this season. Don't miss out on this insightful conversation with Nick Yardley from Fulling Mill! Episode Chapters with Nick Yardley on Fulling Mill 1:38 - Nick shares his personal journey into fly fishing, starting from a young age with course fishing in Yorkshire, England. His interest shifted to fly fishing during a family visit to Dorset, where a gamekeeper introduced him to the sport. This experience led him to sell his match fishing gear and buy his first fly rod, albeit an unsuitable one. However, he later received a more appropriate and cherished split cane fly rod from a relative, which solidified his passion for fly fishing. 4:34 - We talk about his move from Britain to the United States in 1986. Nick explains that he didn't find the job market in Britain appealing due to high unemployment and general discontent at the time. Seeking adventure, he pursued a path in the US, leveraging his background in climbing. 8:22 - We explore the history of Fulling Mill. Its origins date back to the 1930s when Denis Whetham, a British schoolboy, took up fly tying after a rugby accident left him paralyzed. Upon returning to his family home in Kenya, he garnered local interest and even received commercial orders, leading him to pursue fly tying passionately. Fulling Mill's flies are now widely available across US fly shops, and in 2023, they introduced a new range of fly tying materials, further solidifying their market presence. 18:00 - Nick mentions that Fulling Mill aims to be a one-stop shop for fly fishing, catering to various needs across different regions, although trout fishing constitutes 80% of their business. He also highlights their innovative approach with Euro nymphing flies, offering different weights for the same fly size and enhancing the consumer experience. Furthermore, Fulling Mill is planning to introduce a new range of flies for warm water and specific regions by 2025, including patterns for strikers in the northeast and shrimp patterns for the Caribbean and Belize. 22:31 - Nick discusses the process of understanding market needs and providing appropriate products for fly fishing. He says that the strong feedback comes from retail stores and their servicing reps, as different territories have unique demands. He mentions Devin Olsen, a well-known figure in fly fishing who is both a signature fly tier and a shop owner, highlighting how his flies have broad national appeal. 24:18 - We dig into brook trout fishing, focusing on effective flies and ideal locations. Nick recommends using size 14, highly floatable dry flies with foam bodies, mentioning specific types like little chernobyls, ants, and beetles. He explains that when fishing for brook trout in the White Mountains of New Hampshire during the hot summer months, small black beetles work well due to the cold streams. 31:09 - Nick describes their operation in Kenya as well-established, employing about 215 people who are provided with healthcare and a retirement program, making it a desirable place to work. Most employees are around 40 years old and have been with the company for 15-20 years, showcasing their experience. 33:07 - Nick shares his experiences fishing in the Gaspe region, noting the high quality of public waters and the strong salmon stocks. He also mentions the ease of planning a fishing trip in Quebec using resources like the website saumongaspe.com. 40:00 - He finds the Great Lakes steelhead fishing to be remarkable, especially on the Salmon River. Nick says that in salmon fishing, traditionally, single-handed rods with streamers were used, but now many anglers are using two-handed rods for swinging. This method is becoming popular on the Salmon River, where it is effective for covering extensive water quickly and efficiently with big rods and classic West Coast salmon flies. 42:14 - For Atlantic salmon in rivers like the Dartmouth, York, and Saint John, Nick typically uses a 12.5ft 7wt rod, which suits most conditions. However, in narrower sections of the York River, he switches to an 11ft switch rod or a 10ft 7wt single-handed rod. For fishing in the Great Lakes, he often uses either the 11ft switch rod or the 12.5ft 7wt rod rod, which are versatile enough to cover most of his needs. 45:27 - He recommends some fly patterns to bring when you're planning to go on a fishing trip in the Gaspe for Atlantic Salmon. 47:52 - We get into fishing for brook trout in the White Mountains and the types of flies used. For flies, Nick explains that it largely depends on the fishing location and personal preference. He prefers using a dry fly setup, typically starting in July and continuing through August until the waters become too cold. 50:30 - Nick expresses a strong desire to fish in Scandinavia, specifically targeting salmon, trout, and grayling, as he has never fished there before. He notes that the salmon fisheries in Scandinavia are collapsing this year, so he would likely wait until they recover. He also mentions other destinations he wants to explore. 58:02 - For stillwater fishing, Nick suggests using a floating crane fly or dry fly crane fly, commonly known as "daddy long legs" in Britain, noting their high effectiveness despite being underutilized in other regions. He also recommends the diawl bach, a classic Welsh fly known for its consistent performance. 58:39 - We get into the random segment where I ask him about his morning drink preference. Nick reveals that he's a big tea drinker, preferring Yorkshire tea. He explains that a proper cup of tea requires a teapot, boiling water poured over the tea, and some milk. He does not recommend using an old tea bag and warm water since it doesn't produce a good cup of tea. 1:00:37 - Nick enjoys a mixture of both podcast and music, but he also listens to a lot of audiobooks. He likes listening to The Stranglers, a band he grew up with in Britain. Show Notes:  https://wetflyswing.com/650  

Efrain and David deliver another jam packed episode, diving deep into the only single from Tori's groundbreaking cover record. Very special guests include Hugh Cornwell, the lead singer and head songwriter from The Stranglers (and the only person who can tell you exactly who that Strange Little Girl was), as well as acclaimed film director David Slade (Twilight: Eclipse; Hard Candy; Bandersnatch; Strange Little Girl). Plus thoughts and opinions from two Strange Little Girl super fans Samantha Breland-Lang and Marla Darling, as well as a word from our Stranglers Specialist Valerie Lord. Additionally, these strange little bitches uncover the confusing truth behind the Adam Kiss My Eve controversy with a little help from musicians Amiture, Clovers and Liz Eldridge. As always, go deep inside her lore through the words of Neil Gaiman, the voice of Macy Rodman, and the art of Reggie Doherty. You'll also get a personalized song birth chart reading by our Resident Witch Amy K, and as always a ton of sound clips, rare interviews, forgotten moments and more. As a cherry on top we offer a complete study of the live evolution of the song in our A-M-O-S Live Lounge™️. And last but not least, enjoy a brand new remix of Strange Little Girl by the legendary Joshua Speedbliss. I think we can all agree after reading this description, we've survived but we're feeling old.

This week, we talk to DANIEL RACHEL, the author of TOO MUCH TOO YOUNG, THE 2 TONE RECORDS STORY,  about the 1981 2 Tone concert film DANCE CRAZE. We discuss the film's volatile production, how the film's genesis started at a swimming pool in L.A., Jerry Dammers unwavering work ethic, seeing people skanking in the aisles at the movie screening, the short life span of The Selecter and The Body Snatchers, how the film sneaks in concert footage shot in New Jersey vs. the UK, the moment Daniel noticed that 2 Tone had swept the playground, the dimantleing of the scene by the British music press, the skinhead movement and the violence within the scene, the genius of Terry Hall and Pauline Black, the non-Ska bands that continued on the 2 tone label, how the ska bands had the best band logos, the fashion of the scene, seeing a multi-racial band on TV, tribal musical groups moving across the British musical landscape, The Mods, the short time span of pop music movements, stealing lyric sheets from a Virgin Megastore, how original director Joe Massot was kicked off the film and also screwed up his intitial shoot of Led Zeppelin's The Song Remains The Same movie, Garvick Losey's involvment with the film, how Jerry Dammers and Madness were initially wary of making the film, how the soundtrack contains recordings that were not from the movie (or even the same band lineup), the punk vs. ska astecthic,The Specials' tour with The Clash and how the band found their idenity on it, how the inventor of the Steadycam was one of the cmaera opperators for this film, how the bands would fake violence on stage to stop the violence in the audience, Rock Against Racism, The Stranglers, then negative response from the bands when the film was initially releaesd, what it was like figuring out the More Specials LP, Funboy Three & Special AKA, and Chris breaks Daniel by asking his final question.So lip up fatty and get into this week's episode of Revolutions Per Movie!DANIEL RACHEL:https://danielrachel.com/Book tour w/ Daniel Rachel:https://danielrachel.com/events/REVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.Revolutions Per Movies releases new episodes every Thursday. If you like the show, please subscribe, rate, and review it on your favorite podcast app.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.SOCIALS:@revolutionspermovieX, BlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.comARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Click here to get EXCLUSIVE BONUS WEEKLY Revolutions Per Movie content on our Patreon Hosted on Acast. See acast.com/privacy for more information.

Between 1962 to 1964, 13 women in the Boston area were strangled to death by a serial killer. A 33 year old handyman named Albert DeSalvo would go on to confess to the murders. But did he really do it? Patreon: https://www.patreon.com/theconspiratorspodcast Notes: https://www.amazon.com/Boston-Stranglers-Susan-Kelly/dp/0786032510 https://time.com/6263843/boston-strangler-hulu-true-story/ https://www.smithsonianmag.com/history/the-tenacious-women-reporters-who-helped-expose-the-boston-strangler-180981786/ https://www.investigationdiscovery.com/crimefeed/serial-killer/how-the-boston-stranglers-identity-was-finally-confirmed-50-years-after-his-reign-of-terror-ended https://www.boston.com/culture/movies/2023/03/17/boston-strangler-movie-whats-real-not/ Learn more about your ad choices. Visit megaphone.fm/adchoices

Hugh Cornwell takes us through early records of his life, rare records of the Stranglers, solo materials, analogue recording and more. Topic Include: Aussie tour, New Album Does Hugh have a record collection? Early music in the Cornwell household Hugh's early musical trainings Quitting PhD program to pursue music Formation and evolution of The Stranglers Recollection of the early UK punk scene Keyboards fill in a lot of sound United Artists investment in The Stranglers Bonus singles in early Stanglers albums Does Hugh have masters and tapes for post Stranglers material? Making materials available on vinyl Remixing and removing keyboards from recordings Running digital files to analogue provides improved sound Memories and learnings from Steve Albini Moments of Madness LP and road testing songs Leaving songs to be finished in the recording studio Song and lyric writing process Hugh's movie Podcast Discussion of Silent movies Interview wrap up Hugh Cornwell's Aussie tour info here Preorder new LP "All The Fun of the Fair" here. Extended, Commercial-Free & High Resolution version of this podcast is available at: www.Patreon.com/VinylGuide Listen on Apple: https://apple.co/2Y6ORU0 Listen on Spotify: https://spoti.fi/36qhlc8