English pop and post-rock group
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There is a moment in every conversation about cybercrime when the criminal stops being a shadow and becomes a person with a desk, a calendar, and a complaint about Monday. That moment is the one that interests me. For years I've been told cybersecurity is a technical problem. Firewalls, patches, acronyms nobody outside the room understands. And it is, partly. But sit with Geoff White for fifteen minutes at InfoSecurity Europe and the technical layer becomes what it always was underneath: people. People who get out of bed, argue with their partners, drink too much vodka after a breakup, and worry about a grandmother in the hospital — while running an extortion racket that, somewhere else, is shutting down the hospital treating someone else's grandmother. Geoff is an investigative journalist and author who has built a career out of refusing to let crime stay abstract. His new BBC series, Cyber Hack — the strand that grew out of The Lazarus Heist — turns its attention to one of the world's biggest ransomware gangs, Conti. And here is the detail that stayed with me: he has read their mail. Three hundred thousand internal messages, leaked, written by the criminals themselves when they assumed no one was watching. A journalist's candy store, as he called it. Also a nightmare — in Russian, thick with slang, mistranslated so often that “Bitcoin” comes out as “cue ball” and money hides behind the word for “grandmothers.” What fascinates me is not the heist. It is the self-portrait. Because the gang does not see a gang. They see a company. They have clients, they say. Customers. Negotiations conducted professionally. Some of them even hand the victim a report afterward — here is how we got in, here is what you should fix — as though extortion were a security audit with an invoice attached. Geoff has a theory I find hard to argue with: extortion is exhausting work for a smart person to do every day, so the brain quietly rewrites the job description. Criminal becomes businessman. The part that knows the truth shrinks. The story they tell themselves takes over. I'm Italian, so of course The Godfather arrived uninvited in the middle of our conversation. It's a business. Nothing personal. We laughed — I get to make that joke and Geoff doesn't — but underneath the laugh is something genuinely unsettling, and it has nothing to do with hackers. It's about all of us. We are all narrating ourselves into the people we'd prefer to be. The ransomware gang simply does it with higher stakes and worse intentions. This is why storytelling isn't decoration on top of cybersecurity. It's the only tool that makes the invisible visible. Geoff's last BBC series landed at number seven on the US charts, a few slots below Joe Rogan, because he tells these stories as stories — with the technical iceberg sitting safely below the waterline. People learn when they aren't being lectured. And we should learn, quickly. The same week I'm laughing about cue balls, Geoff describes cloning his own mother's voice with an AI tool and phoning her. She thought the line was just a little muffled. I told him what I tell my parents: if anything feels strange, hang up and call me directly. A pre-digital instinct, used as armor against a very digital trick. So what do we carry forward, and what do we leave behind? We carry the stories. We leave behind the comfortable idea that any of this is happening somewhere else, to someone else. The new season of Cyber Hack is expected in July. Listen to it — not because it will scare you, though it might, but because it makes a hidden world legible, and legibility is where every defense we have begins. Geoff's books and the show are linked below. And if you'd like more of these conversations, subscribe to the newsletter at marcociappelli.com. Let's keep thinking. — Marco Co-Founder ITSPmagazine & Studio C60 | Creative Director | Branding & Marketing Advisor | Personal Branding Coach | Journalist | Writer | Podcast: An Analog Brain In A Digital Age ⚠️ Beware: Pigs May Fly |
Talk Talk. De band van Mark Hollis bracht in tien jaar tijd slechts vijf albums uit, daarna volgde nog een soloplaat van Hollis en toen was het klaar. De komende maand, juni, is het 40 jaar geleden dat de band live in ons land speelde. Dat was in de Evenementenhal in Groningen. In augustus volgden er nog twee concerten in Ahoy' in Rotterdam. Dit is het verhaal van de opvallende transformatie van een punker die via synthpop eindigde als een pleitbezorger voor complexe, tijdloze muziek en stilte.
Recientemente, se ha clausurado uno de los locales más icónicos, transgresores y longevos de la noche madrileña: el bar GRIS. Abierto hace más de cuatro décadas y comandado por Pablo Rodríguez González, el GRIS era un lugar de tolerancia y diversidad, pero también de sonidos arriesgados, desde el techno pop hasta el post punk, pasando por los sonidos industriales. Y se merece un homenaje, en el que repasaremos su historia, a través de esos hits que sonaron tanto en su pista de baile, como en su inolvidable pantalla. Desfilaran en este repaso THE NEON JUDGEMENT, ZOMBIES, LOS COYOTES, DIVINE, SPANDAU BALLET, ULTRAVOX, HUMAN LEAGUE, TALK TALK, DANZA INVISIBLE, OVIFORMIA SCI, KRAFTWERK, TUBEWAY ARMY, TEARS FOR FEARS, SIMPLE MINDS, ANNE CLARK, DAF, DEPECHE MODE, FAD GADGET, AVIADOR DRO, ECHO & THE BUNNYMEN, X MAL DEUTSCHLAND, PSYCHEDELIC FURS, THE CULT, SISTERS OF MERCY, GABINETE CALIGARI, ALPHAVILLE, MIDNIGHT OIL, INXS, RHEINGOLD, LIO, LES RITA MITSOUKO, WHEN IN ROME, THEN JERICHO, INVISIBLE LIMITS, FRONT 242, BETTY TROUPE, PULP, KLAUS NOMI y VISAGE.
Nueva entrega de Música de Contrabando, semanario de actualidad musical de Onda Regional Murcia (28/05/2026) . Con Ángel H. SopenaEntrevistas:- Los próximos 3 y 4 de julio la ciudad costera de Águilas acogerá la segunda edición del Conga Festival, una de las propuestas más divertidas y desenfrenadas de la temporada .Hablamos con Javier Sierra. - Mavi Bellasound nos presenta la 2° edición de Premios Umurgentes. También participan Javi Zapata, Aurora Plazza, Maita, Laura Uve.- Noticias: Mueren el coloso del saxo Sonny Rollins, y Dick Parry, el saxofonista de Pink Floyd. Rosalía, gran triunfadora de los Premios de la Música . El próximo disco de IDLES será un “back to basics”.Talk Talk celebrarán el cuarenta aniversario de su disco "The Colour of Spring" con un concierto único en Londres, el próximo 5 de septiembre. NOFX publicarán la banda sonora de su documental "40 Years of Fuckin' Up". Rototom Sunsplash completa cartel con Alpha Blondy, Luciano y más.Fontaines D.C. anuncian tres fechas españolas para agosto.Volviendo a usar el nombre completo de Dexys Midnight Runners, Kevin Rowland y los suyos vuelven a la actualidad con “My Life In England Pt. 1”, primer adelanto de lo que será “LOVE”. BTS han sido los grandes ganadores de los American Music Awards de 2026 . La serie de cuatro películas de los Beatles se centrará en cada miembro del grupo y hará especial hincapié en sus mujeres, a las que el director Sam Mendes ha descrito como “fascinantes y únicas”. Sin embargo, Pattie Boyd -quien fuera esposa de George Harrison- dice que nadie involucrado en la cinta se ha puesto en contacto con ella para consultarle su versión o avisarle de su representación en la película .Metallica piden a sus fans que se hagan donantes de sangre.Warner Music ha publicado en vinilo de color la edición del 40 aniversario del debut de Ilegales . Carolina Durante encabeza y programa la nueva edición de Antioxidante en Bullas . Novedades musicales:The Cramberries, Future Island, Jungle, The Durrutti Column, Widowspeak , Feeble Little Horse, Dua Lipa, Los Punsetes, Shego, Depedro, Los Marcianos y Tronco, Loganz, Annapurna, Emilia, Pardo y Bazán, Farmar, Lightning In A Twilight Hour, Downtow Boys, Gigi Masin, Corizonas, Olivia Rodrigo, Annie B Sweet, Judeline, Levitants, La Diosa Farándula, Cristalino, Nothing But Thieves, Sistema Nervioso, Murex, Miguel Rivera, 1000 Rabbits, Guille Galván, Ortiga y Parquesvr, Glas, Ruto Neón y A Mares, Dellafuente, Lima Negra y Soleá Morente, La La Love You, Podenco, Futurachicapop, Ian Iris, Camellos, Maestro Espada, La Milagrosa, Bernal, destellos*, Laura Uve, Javi Zapata, Aurora Plazza, Maita, Carolina Durante. Agenda de conciertos:Iván Ferreiro , Bestia Bebé, Veintiuno, El Drogas, Pedriñanes 77, Kante Pinrélico, Izeta y Huls, Raimundo Amador, Vacaciones Permanentes, Valeria Castro, Sara Zamora; Ray Gelato y Enric Peidró, Belter Souls, Querido Diablo.
durée : 00:04:16 - par : Max Dozolme - En écho à la parution de l'ouvrage "Laughing Stock" de Mathieu Durand aux éditions Densité, Max Dozolme nous plonge au coeur du dernier album de Talk Talk paru en 1991. Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France
PODCAST EPISODE | An Analog Brain In A Digital Age With Marco Ciappelli Geoff White goes where organized crime and technology cross, and he comes back with stories. In this one he announces his newest BBC series — the rise and fall of the Conti ransomware gang — and we get into the thing underneath all of it: how you make a crime nobody can see feel real to people who will never see it.
The Big Pig is back!As July, turned into August in 1985, the world was still basking in the afterglow of, what was already being called the event of the decade. No, not the ceasing production of the Sinclair C5, or even the latest episode of Blind Date with our Cilla. Live Aid had defined the coming together of all things pop for a generation, in the name of raising money for African famine. And those bands and artists who graced the stages in London and Philadelphia (well, perhaps not Adam Ant, as we say) were feeling the seismic effect of not only the public's affection - but also their pocket money. Duran Duran, Paul Young, Simple Minds, U2 and others (still, sorry , not you Adam) were enjoying plenty of success. And the loudest and most exciting shirt of the summer did not belong to BBC's Mark Ellen or David Hepworth, it was the iconic NOW pig. Yes, NOW That's What I Call Music 5 not only provided THE soundtrack to our summer in 1985, it also gave us the most gloriously techicoloured album cover. How exciting was that list of stars?And joining me for this episode to share his memories of this classic summer of music is journalist and author Graeme Thomson.And what can you expect? Duran Duran climb the Eiffel Tower. UK funk and soul makes a move for the charts through the fantastic sounds of Fine Young Cannibals, Simply Red and Jaki Graham. Graeme shares why 80s Bowie deserves attention, how Marillion (and a band T-Shirt!) made an early impact on his listening, what Jim Kerr told him about Don't You Forget About Me and why U2 needed to evolve to survive. But significantly, join us as we discuss how compilation albums take us back, tell real stories of a period and revel in how important pop music for all of us in our formative years and has the ability to stay with us as we move through our lives.And enjoy Graeme's reflections on his latest book, In Another World: The Four Seasons of Talk Talk, and the iconic sounds of a quite unique band.Step aside from life in 2026 for an hour or so, and join us back in a time when it really was great to be alive. Hosted on Acast. See acast.com/privacy for more information.
This episode we catch up with Graeme Thomson who is about to release his new book "In Another World The Four Seasons of Talk Talk. This is the definitive biography of one of the most critically acclaimed and enigmatic groups of all time. For the first time, Graeme Thomson seeks to unpick this knottiest of musical locks and understand the other world of Talk Talk. The book is out on May 21st and is well worth a read.In the rest of the episodewe talk about the sad passing of Scott Hastings, this weekends european rugby finals, Ronaldo in the world cup and the Stones /Kneecap new albums, enjoy.
Today on the Show... We are back this week sort of on time with lots of talking and then more talking Latest in movie and streaming and some sports talk too! Thanks again for listening to our show each week!
With over 15 years of experience spanning Insight, research, market intelligence, and voice of the customer, Jo arrives at Admiral fresh from a significant tenure at TalkTalk, where she helped build something that every Insight leader will recognise as the holy grail: a value log that quantified the real monetary impact of Insight on the business. It's the kind of initiative that doesn't just demonstrate worth; it changes the conversation entirely. Jo talks candidly about what she's learned from that experience and how it's shaped the Insight Leaders Playbook she's brought with her to Admiral, a practical framework for setting vision, building momentum, and embedding Insight where it matters most. Her approach is deliberate and structured, but what comes through just as strongly is her belief in the power of relationships. Stakeholder trust, she argues, isn't a nice-to-have; it's the foundation on which everything else is built. This is an episode full of honest, grounded advice for anyone stepping into a new Insight leadership role or looking to reposition an existing team. Jo's energy and clarity of purpose are infectious, and her journey at Admiral is only just beginning. Please listen to find out more! Topics Discussed Establishing a Value Log for Insight (3.58) Insight Leaders Playbook: Planning for Success(12.20) Prioritising Transformation Areas at Admiral (16.25) Embedding Insight into Business Processes (22.10) Advice for New Insight Leaders (26.47) This is episode 90 of the Transforming Insight podcast. If you have the ambition to transform your Insight team and the role it plays in your organisation, please tune in to future episodes. Not only will we explore the 42 secrets of successful corporate Insight teams as outlined in the Transforming Insight book, and the 9Ps of The Insight Leader's Playbook, we will also talk to senior corporate Insight leaders, delve into books that have inspired us, and discuss new best practice research carried out with the IMA's corporate members. You won't want to miss this! So please subscribe - and thank you for listening. About James Wycherley, the author of Transforming Insight James Wycherley was Director of Customer Insight and Analytics at Barclays Bank from 2005 to 2015 when he became Chief Executive of the Insight Management Academy (IMA). He published his first book, Transforming Insight, in 2020, and his second, The Insight Leader's Playbook, in 2025, and he hosts the Insight forums and the Transforming Insight podcast. An entertaining keynote speaker, he has presented over 50 times at Quirk's events, a global record, and has provided thought leadership in the UK, USA, Europe, Canada, Australia, India and the Middle East. The Insight Management Academy is the world's leading authority on transforming corporate Insight teams, and its vision is to inspire and support every Insight leader to transform the impact of Insight in their organisation. Resources: If you would like more information on any of the ideas discussed in this episode of the Transforming Insight podcast, please visit www.insight-management.org Disclaimer The Transforming Insight podcast is published by the Insight Management Academy and produced by Zorbiant.
Talk Talk made just five albums, all written and recorded unconventionally and no-one's entirely sure how they did it. And in the last two decades of his life Mark Hollis released only 92 seconds of music. Lifelong admirer Graeme Thomson explores the band's endless mysteries in his memoir ‘In Another World: the Four Seasons of Talk Talk', and looks back here at the last hurrah of the days of studio extravagance, which includes … … why Traffic in 1967 was the Mark Hollis Holy Grail … “25 per cent of him never appeared above the surface” … the Talk Talk ‘human sampling' method – eg a few seconds of Danny Thompson, Steve Gadd or Larry Klein woven into the mix … “music made with the blindfold on” … the ‘80s press reaction to Mark's eulogies about Miles Davis, Stockhausen and Shostakovich … where you can hear Talk Talk in the music of Kate Bush … making records the way Kubrick made films … head music: how Spirit of Eden suits the rebirth of headphones … band lynchpin Tim Friese-Greene, producer of the Lion Sleeps Tonight! … what unlimited time and choice does to a studio bill … and the 92 seconds of music he made for the Kelsey Grammer TV series Boss. Order ‘In Another World: the Four Seasons of Talk Talk' here: https://www.simonandschuster.co.uk/books/In-Another-World/Graeme-Thomson/9781917923613Help us to keep The Longest Continuous Conversation In Rock going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.
Talk Talk made just five albums, all written and recorded unconventionally and no-one's entirely sure how they did it. And in the last two decades of his life Mark Hollis released only 92 seconds of music. Lifelong admirer Graeme Thomson explores the band's endless mysteries in his memoir ‘In Another World: the Four Seasons of Talk Talk', and looks back here at the last hurrah of the days of studio extravagance, which includes … … why Traffic in 1967 was the Mark Hollis Holy Grail … “25 per cent of him never appeared above the surface” … the Talk Talk ‘human sampling' method – eg a few seconds of Danny Thompson, Steve Gadd or Larry Klein woven into the mix … “music made with the blindfold on” … the ‘80s press reaction to Mark's eulogies about Miles Davis, Stockhausen and Shostakovich … where you can hear Talk Talk in the music of Kate Bush … making records the way Kubrick made films … head music: how Spirit of Eden suits the rebirth of headphones … band lynchpin Tim Friese-Greene, producer of the Lion Sleeps Tonight! … what unlimited time and choice does to a studio bill … and the 92 seconds of music he made for the Kelsey Grammer TV series Boss. Order ‘In Another World: the Four Seasons of Talk Talk' here: https://www.simonandschuster.co.uk/books/In-Another-World/Graeme-Thomson/9781917923613Help us to keep The Longest Continuous Conversation In Rock going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.
Talk Talk made just five albums, all written and recorded unconventionally and no-one's entirely sure how they did it. And in the last two decades of his life Mark Hollis released only 92 seconds of music. Lifelong admirer Graeme Thomson explores the band's endless mysteries in his memoir ‘In Another World: the Four Seasons of Talk Talk', and looks back here at the last hurrah of the days of studio extravagance, which includes … … why Traffic in 1967 was the Mark Hollis Holy Grail … “25 per cent of him never appeared above the surface” … the Talk Talk ‘human sampling' method – eg a few seconds of Danny Thompson, Steve Gadd or Larry Klein woven into the mix … “music made with the blindfold on” … the ‘80s press reaction to Mark's eulogies about Miles Davis, Stockhausen and Shostakovich … where you can hear Talk Talk in the music of Kate Bush … making records the way Kubrick made films … head music: how Spirit of Eden suits the rebirth of headphones … band lynchpin Tim Friese-Greene, producer of the Lion Sleeps Tonight! … what unlimited time and choice does to a studio bill … and the 92 seconds of music he made for the Kelsey Grammer TV series Boss. Order ‘In Another World: the Four Seasons of Talk Talk' here: https://www.simonandschuster.co.uk/books/In-Another-World/Graeme-Thomson/9781917923613Help us to keep The Longest Continuous Conversation In Rock going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.
Hanna takes the wheel and tells Andy & Fish about the lives of Tom & Ray Magliozzi, the Cambridge-born hosts of NPR's Car Talk. Intro music is from "Across the Line" by the Wellington Sea Shanty Society.
Richard Barbieri has been pushing the boundaries of synth-based music for almost 50 years. Japan may have originally been lumped in with the likes of Duran Duran and Ultravox, but they evolved in a way few bands outside of Talk Talk could even understand. After they ended and Richard evolved even further in groups like Dolphin Brothers and Rain Tree Crow, he was then snatched up by Steven Wilson and hopped on the Porcupine Tree train for a few more decades. He's continued to release music under various guises whenever he felt like it and he recently dropped a new solo album called Hauntings that shows him exploring even deeper. He joins us this week to explain it all and discuss how he got from point A to Z in a hugely diverse career. Enjoy! www.kscopemusic.com/artists/richard-barbieri www.patreon.com/c/thehustlepod
P!nk - Trustfall Anastacia - I'm Outta Love Tha Absence - Don't Stop Dancing MGMT - Kids Benson Boone - Mystical Magical Jamiroquai - Little L (Dave Lee Reblend remix) Talk Talk - It's My Life Sting - If You Love Somebody Set Them Free (My Songs Version) Death Cab For Cutie - Riptides Teddy Swims - Bad Dreams Fatboy Slim - Right Here Right Now Taylor Swift - The Fate Of Ophelia Raye - Where Is My Husband Phoenix - 1901 OneRepublic - I Ain't Worried U2 - Vertigo Florence + The Machine - Ship To Wreck Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.
While the new world struggles to be born, people all round this dying old world cannot help but keep making music. Too many, frankly. Please stop. Anyway, I cannot help but keep playing you all this incredible music, postpunkindustrialdubjunglegamelanglitchjazzfolkclassical, as those in the know call it *taps nose* LISTEN AGAIN to the music of the spheres. Stream on demand from fbi.radio, podcast here. Laeter – Isolate [Laeter Bandcamp] Laeter – Leibowitz [Laeter Bandcamp] Liam Bosecke is based on Kaurna country, in Adelaide, and he’s founded a creative community called Empty Frames that aims to raise mental health awareness. His latest album as Laeter is released via that platform, but is of course available on Bandcamp (and in a handsome CD edition!) Blanket Doubt is a wonderful thing that kind of answers the question, “What if indietronica except slow-moving industrial dub?” Intense distorted drum machines and synthetic screeches underscore almost-spoken vocals, or shudder and crash under New Order-esque synth melodies. Pure perverted pleasure. Damos Room – All Shall Go [Long Gone/Bandcamp] Damos Room – Gullet (Dirty Protest) [Long Gone/Bandcamp] Last time I played Damos Room on the show was a mere month ago. I wrote at the time: I’m not sure who Damos is or what’s in their Room, but signs point to it being three guys: Luke Miles, Nicholas Elson & Huw Oleskar. I’ve just found out (because they told me, nothing underhand) that Huw Oleskar is also known as Elijah Minnelli, responsible for some of the most interesting and lovely dub-folk hybrids in recent times, ostensibly under the auspices of Breadminster County Council. As for Damos Room, you can find a series of fantastic, weirdly-shaped releases on their Bandcamp, including a mixtape of two bizarre 40-minute radio pieces, some quasi-singles of abstracted dub/spoken-word/electronics, and the experimental electronics of their collaboration with rapper LYAM, which I played on this show a few years back. So, a month ago I played something from Walk With The Militia, a vaguely-album-shaped item that wasn’t actually their new album – rather it’s a mixtape, entirely in keeping with the mystery what all this is about. It collects – I said – a whole lot of weird shit, but it’s all dub-based experimental electronics, with Minnelli’s distinctive spoken word & low-key singing, odd radio interludes and noise bits and so on. It’s really fantastic. So how about All Shall Go, their new album which is really released now? Well, it’s just as murky, weird-shaped and all as the prior mixtape and earlier works. And as with earlier works, there are also some head-nodding beats and bass, and tracks where Oleskar’s voice chants and sings in nearly melodic fashion. Don’t expect pop, dancehall or grime here, but do expect music that’s evocative, challenging, ancient and modern. Do go deep, but don’t miss that mixtape, or 2020’s Commencement either. Carl Gari – Pick’n’Peel [Molten Moods/Bandcamp] Most of us know German band Carl Gari from their incredibly strong albums made with Egyptian singer/trumpeter/poet/composer Abdullah Miniawy, on AD93 and Amphibian Records. Between those two releases, the band & singer released a live album on Molten Moods, and it’s that label that Carl Gari return to now for their self-titled album, forthcoming in June. This is the first single (by the time of writing I’ve heard the second), and it’s just what the doctor ordered – dark, insistent minimal drum’n’bass if it was produced by Depeche Mode circa Songs of Faith and Devotion, a very specific reference that probably only makes sense to me 🖤 Fez The Kid & BRUK – Original Secret [RuptureLDN/Bandcamp] Two young junglists from Bristol tearin’ it up on this new EP, their first for the iconic jungle-revival label RuptureLDN. These guys really know their jungle originals and are making the kind of tracks that wouldn’t have been out of place in an East London club circa ’93. Both Fez The Kid & BRUK have a number of EPs to their names, but have also worked together for a while, and DJ back2back as well. Turn up yr subs and feel the bass pressure while the snares go renegade. Rrrrrrrince out! A.Fruit – I Left You [YUKU/Bandcamp] A.Fruit – Choice [YUKU/Bandcamp] Anna Derlemenko aka A.Fruit is a Ukrainian music producer, born in Moscow, but her family relocated to Spain after Russia’s war on Ukraine. She co-runs the Distorted Barcelona club and does a lot of music production training & tips on her Patreon – in fact, the first track I played tonight is the subject of a full track breakdown there, and she’s shared the full Ableton project. Her productions are consistently adventurous, mixing up genres and manipulating sounds while remaining dancefloor friendly, and that’s certainly the case on her new EP Choice for the one & only YUKU. She’s an artist I’ll never not recommend. upsammy & Valentina Magaletti – Superimposed [PAN/Bandcamp] upsammy & Valentina Magaletti – It Comes To An End [PAN/Bandcamp] Dutch producer & DJ upsammy (who visited Sydney recently for Soft Centre) has previously worked the built & natural environment into her music: Germ in a Population of Buildings in 2023 created a whole environment of hallucinatory fauna and automata, repurposing IDM in a similar-but-different way to Eora’s own gi. Valentina Magaletti is one of the most versatile drummer/percussionists working at the moment, found in the postpunk-electronica band Moin, but also remaking kuduro & batida with Afro-Portuguese producer Nídia, a kind of postpunk dub with electronic producer Al Wootton, and plenty of other avant-garde stuff. upsammy & Magaletti’s collaborative album Seismo (yes, it means “earthquake”) came out of a commission from the Rijksmuseum in Amsterdam, for which they sampled the sounds of the museum itself, using its spaces as percussive surfaces, and much of the joy of the album comes from the blurring of live drums and other acoustic rhythms with electronic programming and manipulation. Around & amongst the percussion are snippets of voice (a callback Mageletti’s work with Raime and Moin, albeit applied very differently), strange fragmentary samples of guitar & bass, piano notes stretched thin, slow melodic synths. Mostly delicate, mostly the opposite of an earthquake, these are musical giants striding across our world while imps dance in their footprints. It’s a wonderful album. Hoavi – Song of the Forgotten [Peak Oil] Hoavi – Colossus [Peak Oil] And speaking of imps dancing, Russian producer Hoavi is one of the exemplars of music that sounds like skittering insects and tumbling waterfalls, drawing jungle-ish IDM into dub technoid waters. His second album for Peak Oil, Architectonics, takes those aspects into newer territories, with a bank of samples of percussive sounds from around his house, and inspiration taken from Indonesian gamelan and minimalist composition. For all this though, it’s vintage Hoavi – rhythmically complex, deep sound design. Genius. Foote/Dickow – Underwater Welder [Geographic North/Bandcamp] Peak Oil is run by two Bria/ons – Brion Brionson is the “o” guy, and the other is Brian Foote, who’s been kranky‘s media guy forever as well as running various labels (including Peak Oil just above here!) and playing in various bands. Brian’s also a connoisseur of IDM, electronica & rave in all its variations (solo as Leech), and here he teams up with Paul Dickow, best known as Strategy, maker of much dubwise, ambient & technoid musics and himself co-founder of the Community Library label. High Cube is their first outing together as a duo, and you can feel their shared musical heritage in its bones. Skittering IDM glitchbeats hover above a dub techno skeleton, and there’s a jazzy sensibility to the keyboards. Charming. Richard Pike – III. “August” [Salmon Universe/Bandcamp] Sydney’s Richard Pike, alum of PVT, is now based in London. He can be found in various ensembles, including with Joe Quirke, with whom he co-runs the Salmon Universe label, and under his own name has been making ambient-techno-hybrid-orchestral soundtracks for TV. Outside of that, he’s released solo music under the alias DEEP LEARNING on Oxtail Recordings, based around subtly rhythmic glitchy loops, but now returns to his own name for album that mixes late-night piano and glitchy dub-techno. It’s not surprising to discover that the creation of this music was directly triggered by the death of Ryuichi Sakamoto, but the music takes darker paths than the Japanese master. The full album’s out later in May, and the last single brings in something of the jungle-meets-dub techno we’ve heard a lot of tonight. Laurence Pike – Guardians of Memory [Balmat/Bandcamp] It’s lovely to find Laurence Pike – brother to Richard above – coming out on Philip Sherburne & Albert Salinas‘ Balmat label in late May. Pike was drummer in Pivot/PVT and Triosk, and the hallucinatory melding of live jazz and micro-sampled loops has remained central to his DNA since the start. There’s a trickery at the heart of Possible Utopias for Jazz Quintet, hinted at with “possible”: while there are guests on these tracks, it’s never a jazz quintet, and still predominantly Laurence solo. The “utopias” denote an idea of freedom which Pike is reaching for, in continuity with his last album The Undreamt-of Centre – that people are not atomised individuals but exist interdependently with their environment. And for all that this is a solo album, Pike begins the album with a substantial, sumptuous feature from Eora/Sydney pianist Novak Manojlovic. Utopian indeed. David Norland – E-Car Soul reNYX [Denovali] English composer David Norland, who lives between LA & London, is best known as a soundtrack writer for film and stage, as well as a composer of electronic and experimental choral music. He has an album coming via Denovali called La Source, which is not a soundtrack, but incorporates choral music into its beat-driven electronic framework. Strangely, I didn’t hear the single “E-Car Soul” as choral, but the “reNYX” by UK vocal/electronic collective NYX reworks it into their image, with vocal harmonies and rearranged electronics. Carl Stone & Asuna – Ulna As Ancestor [Room40/Bandcamp] A pioneer of live laptop music, Carl Stone has been at it since the 1980s, and has had a renaissance since Unseen Worlds released a series of his early music on triple LP sets. Stone has for a long time lived between LA and Japan, and on this new CD he’s collaborating with Japanese artist Asuna Arashi, whose toy instruments are sampled and processed by Stone and then handed by to Arashi for her to rework and… send back to Stone. With all these layers of processing, it’s not often easy to make out the original toy instruments, but it’s pretty immersive, experimental but friendly. In keeping with a lot of Stone’s own work, the titles are all anagrams of “Carl Stone Asuma”, all of which are unreasonably good (“A Nacreous Slant”? “Nascent Arousal”!) Loom & Thread – Spheres [Macro/Bandcamp] A few years ago, German jazz trio Loom & Thread released their debut album Island Grammar on macro rec. Pianist Tom Schneider is known as “frontman” of the live techno act KUF, playing as lead instrument the sampler. On Loom & Thread’s debut, Schneider at least played piano primarily, albeit sampled and processed live, as were the double bass of Tobi Fröhlich and the drums of Daniel Klein. For their follow-up Bandcamp, Schneider is well and truly a sampler-player (although yes, piano’s in there too), triggering & manipulating samples of two saxophonists and two vibraphone players (one of whom is drummer Daniel Klein). The samples’ use can range from chaotic scatter to undulant layers, around which is constructed a form of contemporary jazz. It’s weirder than their first album, but just as enjoyable. You can see them playing some of this live here, with Fröhlich also alternating between double bass & sampler. Christian Wallumrød Ensemble – Not new to [Aspen Edities/Bandcamp] It’s seems like yesterday – well OK, it was only last week – when I was talking about the richness of the Norwegian (and generally, Nordic) music scene(s), highlighting among others the stunning new solo album from saxophonist, singer, composer etc Espen Reinertsen. Reinertsen’s album was released on SusannaSonata, run by the artist known as Susanna or Susanna and the Magical Orchestra, who is also Susanna Wallumrød. She’s the youngest of a family of musicians – as well as their cousin, jazz pianist David Wallumrød, her brother Fredrik Wallumrød is a drummer of mainly rock & pop, and the oldest of the lot is pianist Christian Wallumrød (born in 1971 – Susanna was born in 1979), a renowned jazz pianist & keyboard player, whose eponymous Ensemble have released a series of albums on ECM Records. Christian & Fredrik also release music made of drum machines & synths as Brutter (also here) – glitchy, arhythmic synthetic grooves. Anyway, last week I remarked on the uncanny beauty of Reinertsen’s album, and there’s something similarly bewitching, gorgeous but slightly wrong about the music on the Christian Wallumrød Ensemble’s latest album Non Sonett, released by Belgian post-folk/jazz label Aspen Edities. The label specialises in acoustic experimental music by and large, but does slip sideways into electronics at times, and so does this latest album, where minimalist jazz compositions sidle up to Norwegian folk and haunted electronics, while remaining utterly restrained throughout. You may think this would sound cold & difficult, but it’s not: it’s engrossing and delightful, like Penguin Cafe Orchestra recording Talk Talk’s last albums, Keith Jarrett jamming Sunn O))), Henry Purcell discovering free jazz. If you only listen to one Norwegian jazz/folk record this week, make it this one (but don’t stop there). tokesmo – 02.02 [tokesmo Bamdcamp] tokesmo – 01 [tokesmo Bandcamp] Andrea B of doom/psych/metal trio Morkobot is tokesmo, a project in which he combines field recordings and found sounds with electronics. Two EPs launch the project; on tksm 01 it’s more sound-art and noise than rhythms, while tksm 02 transforms found sounds into percussive instruments for its IDM-meets-industrial beats. Whitney Johnson, Lia Kohl, Macie Stewart – paper folding | disappearing [International Anthem/Bandcamp] Whitney Johnson, Lia Kohl, Macie Stewart – laundry | blood [International Anthem/Bandcamp] Last year I played a track from a trio of Chicago-based women who were all string players and singers – in fact, I loved it so much I played it in Part 2 of my Best of 2025. Whitney Johnson on viola, Lia Kohl on cello and Macie Stewart on violin don’t just all sing – they all operate various tape machines, into which they feed their sounds and alchemically transmute their playing & singing into dusty loops. You can see this gorgeous transformation happening in real time in this video. Last year’s “stone | piece” was one partially improvised composition that’s part of the BODY SOUND album now released by Chicago (post-?)jazz institution International Anthem. There’s a surprising variety of sound here – string drones melting into tape hiss are part of it, but so are plucked prepared cello, loops glitched through manipulated recording heads, deconstructed folk melodies and quasi-classical accompaniments to angelic singing, squalling loops played at triple-time and roaring bass as the cello is pitched down multiple octaves. An extraordinary album like no other. Hara Alonso – A Second is a Choir (feat. Lia Kohl) [FUU/Bandcamp] Lia Kohl also turns up as one guest on the brilliant new EP Music of Many Nows from Stockholm-based Spanish sound-artist Hara Alonso. Here, Alonso combines accidental and casual recordings of life going by, combined with recordings of a nearby choir, a found piano and a couple of guests, and makes beautifully cracked vignettes, much deeper musically than this method would suggest. Honestly this couldn’t be more Utility Fog, and I love it so much. Daniel O’Toole – Breathing Colour [Cascade Rumble Records] Naarm-based artist & musician Daniel O’Toole was based here in Eora until a few years back, and was responsible for a lot of well-loved street art under the name Ears. Accompanying that were a few albums of funky instrumental hip-hop as Captain Earwax, but these days Daniel is emphasising the more abstract, gallery-friendly side of his art – gorgeous colour gradients and textures that you can sample here – and musically he’s making incredible custom-built instruments alongside his own strings, keyboard playing, percussion etc: check out the particle plate and the particle drum. Hand-made gestural instruments like this are at the core of O’Toole’s new album Outer Magnolia, but equally there’s a lot of acoustic sounds here – folktronica but not like your Daddy made it. Euan Alexander Millar-McMeeken – Nothing Moves In Me [Sleep In The Fire Records] London-based Scottish musician Euan Alexander Millar-McMeeken has recorded a lot of solo ambient music as glacis, and led indie/folk band The Kays Lavelle for many years. He has a substantial number of collaborative projects, many of them duos, all of them wonderful: Graveyard Tapes with Matthew Collings and Civic Hall with Craig Tattersall, Bird Battles with Jesse Narens and now Yoal with Satomimagae. In 2024, Euan released his first album under his full name, All The Weather Of The Human Heart, a deeply moving work that’s a meditation on loss, in which the central vocals & piano are cracked & smudged through digital & analogue means. Similar approaches to sound design are found on the solo follow-up Framed Insects – fragile songs and tape hiss interrupted by distorted beats or glitched into strange structures. Just gorgeous. Listen again — ~217MB
In Episode 1, of Season 7 of Driven by Data: The Podcast, Kyle Winterbottom was joined by Kevin Cassar, Chief Data Officer at TalkTalk, where they discuss how to accelerate the speed of value delivery, which includes;Why speed to value is becoming as important as ROI itselfThe macroeconomic and GenAI forces increasing pressure on delivery timelinesHow TalkTalk's data strategy is focused on profitability, trust, and customer satisfactionThe “triangle of value”: data, business action, and financial outcomesWhy federated data operating models can accelerate adoption and executionThe balance between experimentation and implementation at scaleHow governance should act as an enabler, not a blocker, to faster deliveryThe pyramid framework linking ExCo priorities to data products and modelsWhy culture, psychological safety, and upskilling are critical to speedThe five pillars of organisational readiness for faster value creationReal examples of reducing delivery from 12 months to under 8 weeksKevin's three practical leadership principles: vision, collaboration, and investing in peopleWhy ExCo maturity and sponsorship are the hidden drivers of speed to valueHow direct CEO access materially reduces time from idea to productionWhy poor data foundations still kill speed, regardless of AI ambitionWhy adoption velocity, not just build velocity, determines realised value
Parmi les inspirations de Léo Tardin, il y a eu Jobim, Bill Evans, Talk Talk et aujourdʹhui plus que jamais Paula Oliveira. Une chanteuse lisboète avec laquelle, 20 ans après leur première rencontre, ils viennent de rêver un Michel Legrand en portugais. Un rêve devenu réalité.
Songforms of conventional and highly unconventional sorts tonight, taking in folk traditions from around the world, jazz, the outer limits of metal and more, plus strange twistings of clubforms, impressionist composition of the early 20th century, field recordings and more… LISTEN AGAIN, unconventionally. Stream on demand from fbi.radio, podcast right here. Wendy Eisenberg – Take A Number [Joyful Noise/Bandcamp] Wendy Eisenberg – Curious Bird [Joyful Noise/Bandcamp] We’ve heard from brilliant guitarist, sometime banjoist, songwriter, improviser & composer Wendy Eisenberg in many contexts in the last couple of years: there’s the amazing postpunk/art-rock trio Editrix, Bill Orcutt’s Guitar Quartet, their avant-garde songwriting collaboration with Caroline Davis, and most recently their appearance on their now-partner Mari More Eaze Rubio’s brilliant solo album sentence structure in the country. But the highlight for me remains Eisenberg’s breathtaking final track, “In The Pines”, from their 2024 album Viewfinder. So for all their jazz guitar chops and restless experimentation, I’m already primed to love Eisenberg’s most pure songwriting on this album. There’s definitely a statement in self-titling a mid-career album, and Wendy Eisenberg presents as a straightforward album of songwriterly storytelling, deeply grounded in their newfound love with Mari Rubio. There’s definitely more than a little country in these songs, as well as folk-revivalist styles from Britain, Appalachia etc, but whatever genre, Wendy’s particular melodic sensibility comes through. Supporting this, however, are the utterly essential, sumptuous string arrangements from Mari Rubio, who also co-produced the album with Eisenberg and added pedal steel and synths. With longtime bandmates Trevor Dunn on bass (known for Mr Bungle, Secret Chiefs 3, many John Zorn-related lineups etc) and Ryan Sawyer on drums (of too many collaborations including a time in At The Drive-In and long-ago UFog faves Stars Like Fleas), there’s a homely feel to these songs, songs which contemplate identity, life’s trajectory, past trauma and coming into a hard-won happiness. Margareth Kammerer – Gift [Ftarri/Bandcamp] Margareth Kammerer – Amor [Ftarri/Bandcamp] Weirdly, when I did my DJ set for Art After Hours/Liquid Architecture/Sydney Biennale in March (stream it here) I decided to play a track by Berlin-based Italian singer & composer Margareth Kammerer, and only a day or two later I discovered that she’d just released a new album, The Garden. I’ve been a fan of hers since, I would say, the mid 2000s, when she released the extraordinary album To Be an Animal of Real Flesh, full of odd, experimental songs. Following a few years later came two wonderful, mysterious albums with The Magic I.D., a quartet with Christof Kurzmann on electronics and vocals next to her own guitar & vocals, and the two clarinettists, Kai Fagaschinski & Michael Thieke, who also play bewitching, alien music as The International Nothing. So it’s reasonable to say she’s been deconstructing and re-examining songform for some decades by now. Released by Japanese label Ftarri (also a tiny experimental music venue & store in Tokyo), The Garden is of a piece with her earlier albums – the last of which came out a mere 12 years ago… Her oddly beautiful songs are supported by many important fellow travellers including our own Chris Abrahams of The Necks etc, double-bassist/electronicist Werner Dafeldecker, experimental musician Valerio Tricoli and experimental cellist Bo Wiget. I remain in awe. Espen Reinertsen – Til noens dype muskelvev [SusannaSonata/Bandcamp] Espen Reinertsen – Skal jeg følge deg til havet [SusannaSonata/Bandcamp] What astonishing beauty to stumble upon without warning! Espen Reinertsen is a name I’ve known for a while, as his saxophone and woodwinds – or his mixing skills – are credited on many a Norwegian release, including those from Trondheim Jazz Orchestra, Erik Honoré, Kim Myhr, Jenny Hval and Christian Wallumrød Ensemble. But these are his own songs, with sparse live drums and drum machines, sparse keyboards and gorgeous woodwind & trumpet arrangements which frequently shift into unexpected voicings and harmonies. You’ll hear a lot of Radiohead here – albeit more jazz-informed – but it’s also one of those rare cases when the post-rock-as-in-Talk-Talk tag is completely justified. Reinertsen’s melodies are simple until they spin off into some harmonically distant galaxy, and his layers of woodwinds are delicately emotive, merging invisibly with synthesizers just as Erik Nylander’s acoustic drums somehow have the precision of drum machines and also the sparkle of jazz drums. What a blessing. Marianna Sangita Angeletaki Røe & Trondheim Jazz Orchestra – Kori [Puritone/Bandcamp] So, Trondheim Jazz Orchestra are a collective with a varying lineup of Norwegian improvising musicians, who enlist different musicians to collaborate with them, with reliably extraordinary results. On this album, they work with Greek-Norwegian singer & composer Marianna Sangita Angeletaki Røe, who has titled the album ΣΠΙΤΙ (SPITI), which is Greek for “Home”. Marianna Sangita explores her own search for belonging, caught between two very different places, and she sings in four different languages: Norwegian, Greek, English, and Sámi, the latter being a people indigenous to the Sápmi region across northern parts of Norway, Sweden, Finland and part of Russia. The music, too, draws from many different traditions, with Greece’s proximity to the area Europeans call the “Middle East” evident in its traditional musical forms, and the combined vocals of Sangita, Ina Sagstuen and Sissel Vera Pettersen (and other musicians at times) evoking Eastern European musics as much as Nordic. The musicianship is uniformly brilliant, the songs sparkling, moving, joyful. Highly recommended. Mayssa Jallad – Taamir (Bahriyyeh) [Ruptured Records/Bandcamp] A few years back, Beirut label Ruptured put out an amazing album by Lebanese singer/songwriter and researcher Mayssa Jallad called Marjaa: The Battle of the Hotels. In touching experimental songs, Jallad chronicled the beginning of the Lebanese Civil War in 1975, in which Christian Nationalists and pro-Palestinian leftists fought a violent battle amongst the high-rise hotels in Beirut, leading to the Green Line dividing the city, a rift that lasted for 15 years. Since then the album has been remixed in spectral dub fashion by Civilistjävel!, and in 2024 Mayssa created a stunning piece about a Palestinian woman displaced from her village in the Nakba. That single was created out of an instrumental track by Tunefork Studios & Ruptured Records’ Fadi Tabbal, and her new song “Taamir (Bahriyyeh)” is a musical collaboration with Tabbal, featuring drums from Postcards & SANAM‘s Pascal Semerdjian. Jallad is an urban researcher as well as a musician, and urban history is the basis of all these works. This song is about the Taamir social housing project, built in the wake of a destructive earthquake in 1956. By the time the project started, the Ain el Helwe refugee camp had already existed for 8 years, and the juxtaposition of Palestinian refugees, unfortunates who lost their homes in the earthquake, and those more fortunate, is explored by Jallad in this moving, experimental piece, with rumbling, clattering drones and field recordings surrounding Jallad’s voice. Radwan Ghazi Moumneh & Frédéric D. Oberland – Squeal Of Swine خنخنة خنازير [Constellation/Bandcamp] Montreal’s storied Constellation label here brings together a Canadian and French artist for their first duo work. Radwan Ghazi Moumneh has been deeply involved in the Montreal postrock & experimental music in Quebec for over 2 decades, and he’s the co-owner of the mighty Hotel2Tango, originally a performance & artists’ space co-run by members of Godspeed You! Black Emperor and A Silver Mt. Zion, but his main musical outlet has been Jerusalem In My Heart, begun as an audiovisual project with Erin Weisgerber, with Moumneh’s stunning melismatic vocals fed through granular processing to create a contemporary Arabic music ahead of its time in the mid-2010s. Frédéric D. Oberland is a key figure in Paris’s psych & avant-rock scenes, although he also began making films on Super8 & video. Among many bands & collaborations, he leads the incredible Oiseaux-Tempête, a collective whose music draws on psych, krautrock, postpunk and electronic music, with many collaborators and a deep connection to SWANA artists. Moumneh & Oberland had worked together via Oiseaux-Tempête and other projects, but had long intended to collaborate as a duo. Some works were started at Hotel2Tango in 2023, but as Moumneh puts it, since the genocide began he’d experienced sever writer’s block, so he took himself off to Paris in 2024 to complete the work. Four of the seven tracks do feature Moumneh’s voice, but here it’s Oberland taking more of a driver’s seat. Nevertheless, as well as Moumneh’s pain-filled voice Moumneh plays both buzuk and rababa, and there’s daf in the mix along with lots of electronic drones, drum machines and Oberland’s sax and clarineau. This is immersive music of great emotion. Maryam Saleh – Nedaa نداء [Simsara Records/Bandcamp] I first heard Egyptian singer Maryam Saleh as part of the magnificent trio release Lekhfa back in 2017. There, Saleh’s voice combined with the voice and instruments of Palestinian-Egyptian musician Tamer Abu Ghazaleh and the production wizardry and music of Maurice Louca – a masterpiece of Arabic indie music. As far as I can see, her new album, coming some 9 years later, is her first since that collaboration. Produced by Maurice Louca, it also features multiple instruments and creative mentoring from Paris-based Palestinian musician Kamilya Jubran, who founded the organisation Zamkara in Paris to support artistic projects. After three years of development, the result is Syrr سِرّ, the Arabic word for secret, which also happens to be the name Saleh gave her daughter. The album is imprinted by heavy events in Saleh’s life, particularly post-natal depression and divorce. Released by Sarah El Miniawy‘s Simsara Records, this is a creative take on Arabic music, leaning into trip-hop at times, into acoustic instrumentation at other times, carried by Saleh’s beautifully expressive voice and the confident hands of Jubran and Louca, and the impeccable musicianship of the other instrumentalists who join them. But one of the highlights is “Nafas نفَس”, in which Saleh is accompanied solely by Jubran’s oud and exquisitely-harmonised vocal shadows from the two of them. All in all, not to be missed! Taroug – Sirocco [Denovali/Bandcamp] On his second album with Denovali Records, Chott, Düsseldorf-based Tunisian musician Taroug (aka Tarek Zarroug) presents a highly varied mixture of styles. When Zarroug wants to make beat-based bass music, he hits all the right production notes with a healthy dose of north African percussion, while elsewhere there’s dreamy postrock with vocals by the artist himself. Honestly it’s uncanny how the album flits between genres, displaying Zarroug’s ancestry here, slipping into UK bass there or indie guitar music elsewhere. A really impressive album. Wraz. – Twist [Deep Dark & Dangerous/Bandcamp] Rites, the second full album from Montreal dubstep master Wraz., is released through Deep Dark & Dangerous, the label run by New Zealand’s longstanding dubstep duo Truth. As usual, heavyweight dubstep gear, sci-fi aesthetics, surprising melodies… Battery Operated – Stutter [YUKU/Bandcamp] Battery Operated – Casting Shadows [YUKU/Bandcamp] It should be obvious by now that YUKU delivers the goods, but here they are again with something insanely great. The artist behind Battery Operated is also known as PS95, an outlet for mangled jungle breaks that draws our attention to the fact that the Playstation was launched in 1995, the heyday of jungle. On the other hand, Battery Operated has thus far been an alias for deliciously lo-fi tape loops – see their Instagram for videos of their beautifully-modded cassettes & players. But the debut Battery Operated album for YUKU, TYPE I, combines these two strands in stunning fashion. From what I can tell, PS95 & the recording artist Battery Operated are the same person, but the tape loop “art” projects are done with his brother. So this ain’t dance music, not primarily, but nor is it dreamy loop-jelly. Breaks surface from tape hiss, tape loop experiments are layered & sequenced into melodies and sonic narratives, often sounding like a half-analogue/half-digital current-day version of IDM. Wonderful. Thugwidow – IT DIDN’T NEED EXPLAINING [Thugwidow Bandcamp] Thugwidow – pristine heart [Thugwidow Bandcamp] Jungle may be having a renaissance right now, with no end in sight, but Welsh producer Alex Lowther-Harris was on the jungle train way before most. The first Thugwidow releases were around 2017, and for a few years he was fiercly prolific, released mostly on cassette and digital, with a couple of CDs and some vinyl further down the track. His lo-fi early work gave way to slicker production chops as time went on, and the creative firehose slowed by around 2021-22. So it was a joyful shock to see something new appear on his bandcamp, only… it’s a swan song? Yes, SWUN SUNGZ does do what its title suggests, but it also shows that this prolific artist had more up his sleeve – it’s just that the pleasure had drained from it, he was feeling stuck… So here’s *ahem* 121 tracks, going for almost 11½ hours, and there’s a lot of quality material here, including a bunch of collaborations, and productions ranging from hardcore jungle-techno to advanced rhythm science. It’s a helluva way to go out! Note also that not only is all the money likely going to the British bird & wildlife charity RSPB, but he says most of his earnings from the project were always given away to charity. CRZKNY – 009 [Virgin Babylon Records] Japanese experimental electronic producer CRZKNY (which I’ve just learned stands for “CRAZY KENNY”) has brushed shoulders with experimental genre-mashing legend (and seminal UFog artist) World’s End Girlfriend before, on WEG productions and on his label Virgin Babylon, but this is a bit of a special release – a bit like Thugwidow’s above, this is a massive collection of unreleased tunes, here all just numbered as they’re pieces that CRZKNY has played at the Nagoya club GOODWEATHER. CZRKNY put this collection together to help support the club’s founder Eri Ishii after she suffered both an aortic dissection and a cerebral thrombosis, leaving her in a coma for some weeks. She is now on a long road of rehabilitation, and CRZKNY wants to give back to a person who built this perfect live space for his music. Lots of great techno, including glitchy shit and tasty breakbeats, for a good cause. deafkids – CICATRIZES [Neurot Recordings/Bandcamp] Brazilian band deafkids may nominally be classed as “punk”, but hardcore punk mixes with industrial and noise in their sound, along with electronic music of all shapes. They released the incredible uncategorizable Metaprogramação on Neurosis‘ Neurot Recordings in 2019, and then when the pandemic hit, they put out a series of EPs that mixed Latin rhythmic complexity with guitar pedal and software experimentation, collected now on the album Ritos do Colapso. Except before that in 2020 came their collaboration DEAFBRICK with cross-continental noise-metal-industrial-electronic duo PETBRICK. So with various collabs and oddities in the interim, their forthcoming CICATRIZES DO FUTURO (Scars of the Future) is their first album proper since Metaprogramação. It looks to be more electronic, more intense, more angry than ever, a visceral reaction to the state of the world. Highly rhythmic and danceable, it shifts between hardcore punk, industrial, Latin American and club sounds with abandon. I can’t wait to hear the whole thing. Lint – Balsam of Peru [Lint Bandcamp] OK so, you know, like Scattered Order? A band who I have referred to in the past as “Sydney postpunk/post-industrial/experimental electronic legends”. Mitch Jones is a founding member of said legendary band, active since the early ’80s or possibly slightly earlier, post-etc as described above. Drusilla Johnson aka Dru Jones has been a member of said legendary band at times, and has contributed some brilliant artwork in various phases of their existence. She’s also Mitch’s wife, and they live now in Mt Victoria, in the Blue Mountains on Dharug and Gundungurra country, and at times they release music together as Lint. It’s instinctual, artistic, splashes of colour washed over detailed line drawings… It’s the sound of Air in the taps, but it’s also the sound of over four decades building and trashing and rebuilding a musical language, and you can hear it in every dialogue sample and every wonky beat and the occasional guitar noise solo. It’s so lovely to have a seemingly endless font of new music from these folks in many changing combinations. Roman Rofalski – Ondine (radio edit 1) [Puddle Label/Bandcamp] Last time we heard from German pianist Roman Rofalski – only a few weeks ago – he was deconstructing his piano… again, following his wonderful Fractal from 2024, which shredded piano and prepared piano into constellations of granular sound and rhythm. Ravel Reimagined does just what it tells you – but to be clear, Rofalski does it really well. Over four tracks, Rofalski excerpts four celebrated piano works by the beloved impressionist composer and deconstructs them – and it’s notable that these are live performances, with Rofalski playing grand piano and simultaneously sampling himself, then reworking phrases into loops & glitchy constructions, overlaying them with synths and even beats at times. Maurice Ravel was famously prickly, was not fond of the borrowed artistic term of “impressionism” being used for his music (nor was his elder, Debussy), and was underappreciated in his time. He’s also one of my favourite composers, who I believe advanced composition in directions hitherto unimagined. Rofalski’s extrapolations push Ravel far beyond his imaginings, and it’s quite likely he would be horrified to hear what’s been done to his pieces – but now we’re imagining a composer unmoored by over a century from his origins; these prickly pieces require decades of context to situate them here and now. The virtuosic pianism outlining harmonies full of augmented and diminished intervals, whole-tone scales, melodies woven through corruscating hemidemisemiquavers (hear the original here) are thrown immediately into digital reverberation and gradual distortion until they’re glitched and chopped, then crash into long-ringing tones, a fragmented sample bleating around Ravel’s melody as the piece comes to a close. Bravo. OD – Arrival [Driftworks/Bandcamp] Alex O’Donovan is a recording & mixing engineer, but as OD he makes his own music. On Svalr, O’Donovan documents time spent in Svalbard, an island archipelago in the Arctic which is also home to Norway’s Global Seed Vault (the subject of another beautiful sound work by Ecker & Meulyzer). This album is part of a new project called SITE, co-curated by Audiobulb and Driftworks. O’Donovan took extensive field recordings of the diversity of natural sounds (including glaciers!) as well as the built environment, and found commonalities in all these sounds that formed the basis of his compositions. Remote as it is, Svalbard is inevitably encroached upon by anthrogenic climate change, and as the EP goes on, the sounds of water & ice & animals are swept up in almost industrial impulses, and glitched beat constructions. OD’s Svalr makes compelling music around its highly engaging field recordings. Sandscape – half closed eyes [Octopoda Records/Bored of Works/Bandcamp] Sudanese-Scottish “ethereal grunger” Eliza Shaddad and screen composer Daniel Sonabend team up as Sandscape on the forthcoming album Phenomenology, and first single “half closed eyes” is like hearing a dusty 7″ record playing in a different room of your house – a beguiling piece of ambient-dub-jazz with both artists’ vocals, soft but saturated piano, and muffled drumming from Liam Hutton. Unexpected harmonisations flow over the looping music, but not long after it fades away like a dream – “half closed eyes” indeed. The album promises noise-laden trip-hop, muffled jazz and an exploration of the mixed Arab/British/Jewish heritage between the members… Keen to hear more. Stine Janvin / Morten Joh – Leaving home – O Verden, Hav Da Gode Nat! (feat. Lucy Railton) [Futura Resistenza/Bandcamp] Stine Janvin / Morten Joh – Before the burial site – Jeg Raader Eder Alle [Futura Resistenza/Bandcamp] Returning now to Norway, we finish with beautiful strangeness from Norwegians Stine Janvin and Morten Joh, adapting funeral procession music (“Liksongen” = corpse songs) from Ryfylke, Norway. Janvin’s voice forms the basis of these works, but the ceremonial music is rendered alien through extensive electronic processing and additional electronics, and occasional vibraphone from Joh. Two guests, both with innovative approaches to their instruments, contribute further: Berlin-based Australian guitarist Jules Reidy and British cellist Lucy Railton. But one of the most magical moments must be when Janvin’s voice is shadowed by its electronic twin in warbling harmony. On the second last track, the alien elements mostly give way to the acoustic sounds of voice and vibraphone, although the album concludes with stentorian synths playing J.S. Bach. Not for the faint of heart, but rewarding listening. Listen again — ~208MB
This week, Joe sits down with Zach, Jeremiah and a few homies from the Big Time YouTube channel to chat about the challenges of starting a channel with a bunch of friends. From builds gone wrong to stolen cars to managing people you're closest with, no stone is left unturned in this riveting conversation.Thanks to BlueChew for sponsoring this episode! Get 10% off your first month of BlueChew Gold with code TALKTALK.
Richard Barbieri in conversation with David Eastaugh https://richardbarbieri.bandcamp.com/ ‘Hauntings' is Richard Barbieri's first studio album since 2021's ‘Under A Spell' and deepens the pensive, dark instrumental aesthetic of its predecessor. A diverse collection of immersive sound worlds, both dark and uplifting in equal measure, ‘Hauntings' is influenced by a nostalgia for the past and future, and for things that didn't happen yet still manage to haunt the mind and soul. What is real and what is simulation? Richard Barbieri remains one of contemporary music's most distinctive voices. Emerging as a key architect of the late '70s/'80s synthesiser revolution with David Sylvian's art-rock ensemble Japan, his visionary synthesiser programming expanded the horizons of electronic music and left a lasting mark on artists from The Human League and Duran Duran to Gary Numan and Talk Talk. His subsequent and ongoing tenure with Steven Wilson's legendary progressive outfit Porcupine Tree across albums such as In Absentia (2002), Fear Of A Blank Planet (2007) and, most recently, Closure/Continuation (2022) further affirmed his status as one of the most intuitive and unique musicians of his generation. The album finds Barbieri at the height of his powers, his deft keyboard and sonic architecture conjuring a shadowy, creeping Lovecraftian atmosphere. The music wanders through the streets of a gloomy lamp-lit Victorian London and drifts into grain-speckled snapshots of Belle Époque Paris. These journeys into the past are contrasted with nihilistic but euphoric forays into the future, “Traveler” and “A New Simulation” bristling with the itchy modern anxiety that often runs through his best work. Contrasting the sound designs and electronics of Barbieri, the album features performances from renowned musicians Morgan Agren (drums and percussion), Percy Jones (bass guitar) and Luca Calabrese (trumpet).
Join us as host Joe Weber sits down with Rock N' Roll Entrepreneur and Porsche Icon Magnus Walker to discuss how he acquired his dream garage. From humble beginnings selling vintage jeans on Venice Beach to appearing in Need For Speed, Magnus has been through a lot in his life and is ready to close a big chapter.Thanks to BlueChew for sponsoring this episode! Get 10% off your first month of BlueChew Gold with code TALKTALK.
This week, Joe sits down with Peter Nam, founder of Gunther Werks, to talk about how a finance graduate and former tennis hopeful built one of the most respected Porsche remastering companies in the world. Peter explains the philosophy behind transforming the Porsche 993 into a modern hyper-performance machine, how Gunther Werks builds cars by hand in California, and why performance always comes before looks. They get into carbon fiber manufacturing, an 840-hp twin-turbo 911, insane six-figure paint jobs, and what it's really like running a boutique car company in Southern California while Porsche purists scream online.Thanks to BlueChew for sponsoring this episode! Get 10% off your first month of BlueChew Gold with code TALKTALK.
Im Februar 1986 hat die britische Band Talk Talk ihr drittes Studioalbum "The Colour Of Spring" rausgebracht – das erfolgreichste Album der Band. Dass "The Colour Of Spring" von Talk Talk tatsächlich das erfolgreichste Album der Gruppe ist, scheint schon fast kurios. Denn es fehlen mit "Such A Shame" und "It's My Life" zwei der erfolgreichsten Singles der Band auf dem Album. Auch wenn Talk Talk bekannt sind für ihren Synthie-Sound und ihre kultigen 80er-Vibes, kommt die Band – und vor allem Sänger Mark Hollis – eigentlich aus dem Punk und Post-Punk mit verzerrten Gitarren und jeder Menge Tempo. Einen großen Einfluss auf den jungen Mark Hollis hatte sein größerer Bruder, der als leidenschaftlicher Plattensammler, wie Stephan Fahrig im Podcast erklärt, seinem Bruder ganz viel unterschiedliche Musik vorgespielt hat und damit die Musikbegeisterung des Jungen aus Tottenham weiter befeuert hat. Die ersten eigenen musikalischen Gehversuche im Rahmen eines Bandgeflechts sind 1979 nach nur zwei Jahren und ohne echte Erfolge schon wieder vorbei. Aber Mark Hollis bleibt dran, schreibt weiter Songs und gründet eine weitere Band: "Talk Talk". Gemeinsam nimmt die Gruppe verschiedene Demos auf und schickt diese ganz selbstbewusst an die Plattenfirma EMI – und die ist begeistert. Auch wenn Talk Talk als Band am Anfang ihrer Karriere mit synthesizerlastiger Musik bekannt geworden sind und damit große Erfolge gefeiert haben, zum Beispiel mit "Such A Shame" oder "It's My Life", war der Synthesizer doch alles andere als das Lieblingsinstrument von Sänger Mark Hollis, erklärt Stephan Fahrig. Darum hat die Band sich bei ihrem Album "The Colour Of Spring" von dem Synthie-Sound weiter entfernt und das Album anders und organischer klingen lassen – das hören wir schon beim Albumopener "Happiness Is Easy". Die Band bringt keine poppigen Melodien, die sofort im Ohr bleiben, sondern zieht die einen langsam in das Album rein. Mit diesem Album steht die Band auf dem Höhepunkt ihres Schaffens, da sind sich die SWR1 Musikredakteure einig. Talk Talk hat mit "The Colour Of Spring" die Tür auch für andere Musiker und Musikerinnen aufgestoßen, neue Wege zu gehen und alte Strukturen aufzubrechen. __________ Über diese Songs vom Album "The Colour Of Spring" sprechen wir im Podcast (17:22) – "Happiness Is Easy"(38:37) – "I Don't Believe In You"(45:06) – "Life's What You Make It"(50:12) – "Living In Another World"(01:00:34) – "Chameleon Day"__________ Alle Shownotes und weiterführenden Links zur Folge " The Colour Of Spring " findet ihr https://x.swr.de/s/talktalkcolourofspring __________ Ihr wollt mehr Podcasts wie diesen? Abonniert die Meilensteine! Fragen, Kritik, Anregungen? Meldet euch gerne per WhatsApp-Sprachnachricht an die (06131) 92 93 94 95 oder schreibt uns an meilensteine@swr.de
Episode 780: February 26, 2026 playlist: James Blackshaw, "Fractures On The Horizon (excerpt)" (Fractures On The Horizon) 2026 [self-released] Miss Grit, "Stranger" (Under My Umbrella) 2026 Mute Mike Dunn, "If I Can't Get Down (Mousse T.'s Funky Shizzle Mix)" (Bandcamp Business As Usual) 2026 Classic Johnnie Clarke, "Young Rebel Dub Vocal Mix" (Young Rebel) 2026 Fashion Nina Nastasia, "Whatever You Need to Believe" (Too Soon) 2022 Temporary Residence S. Carey, "I Believe in You" (Spirit of Talk Talk) 2012 Fierce Panda SQ Mice, "Sohn Gottes" (SQ Mice) 2026 Protopost / Disques de la Spirale Little Annie, "Bless Those (Little Annie's Prayer)" (Short And Sweet) 1992 On-U Sound K. Alexi, "Jungle Line" (Warehouse Trax) 2026 Dark Entries Eliane Radigue, "No17" (Opus 17) 1970 [self-released] Email podcast at brainwashed dot com to say who you are; what you like; what you want to hear; share pictures for the podcast of where you're from, your computer or MP3 player with or without the Brainwashed Podcast Playing; and win free music! We have no tracking information, no idea who's listening to these things so the more feedback that comes in, the more frequent podcasts will come. You will not be put on any spam list and your information will remain completely private and not farmed out to a third party. Thanks for your attention and thanks for listening.
The Knack - My Sharona The Killers - Mr Brightside Editors - Munich Glenn Frey - The Heat Is On Bloc Party - Banquet INXS - Devil Inside The Rasmus - In The Shadows Bananarama - Cruel Summer Chappell Roan - P!nk Pony Club Kajagoogoo - Too Shy Terence Trent D'Arby (Sananda Maitreya) - Wishing Well Propaganda - P Machinery Talk Talk - It's My Life Lady Gaga - Abracadabra The Absence - Be Ready For The Weekend Tom Jones Feat Mousse T - Sex Bomb Shania Twain - That Don't Impress Me Much R.E.M. - Shiny Happy People Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.
Talk dirty to me….But instead of roses or grand gestures… what if the sexiest words a mom can hear are:“I switched the laundry.”“I've got bedtime.”“Go lay down. I'll handle the kids.”In this Monday Mom Pep Talk, we're diving into the real reason support feels so attractive in motherhood. It's not about the chore, it's about not carrying the mental load alone. It's about feeling seen. Partnered. Supported. Safe.Motherhood comes with invisible labor…the appointments, the spirit days, the emotional temperature of the house, the constant mental checklist running in the background. And when someone steps in without being asked? That's intimacy.In this pep talk, I talk about:• Why we were never meant to do this alone• How shared responsibility builds connection• Why carrying all the plates isn't noble• And how receiving help is a skill we can learnIf you've ever felt like you're spinning all the plates and praying none crash…this episode is for you.Because sometimes the most romantic words in the world are:“I've got it.”Tune in, take a breath, and remember.. you don't have to carry motherhood alone.
Vacuum tubes are supposed to be extinct yet here we are in 2026 still arguing swapping and occasionally getting electrocuted. In this episode Mitch Anderson, Eric Pye, and Jeremy Sikora strip the romance out of valves and talk about why they still matter without leaning on lazy audiophile clichés. The discussion cuts through tube rolling reality versus placebo and the ongoing new production versus NOS debate. It also looks at why Ray Tubes are suddenly on everyone's radar and what Jeremy's amp building class at the American Wireless Communication Museum teaches you that spec sheets never will.Along the way, we connect the dots between Talk Talk's obsessive studio craft, Miles Davis with Jimmy Cobb's unshakable timing, and the Tron soundtrack, while getting very real about tube amp safety; from blown parts to painful zaps, because high voltage does not care how experienced you think you are.Thank you to SVS and Shure for their support of our programming!https://www.svsound.comhttps://www.shure.comCredits:• Original intro music by The Arc of All. https://sourceoflightandpower.bandcamp.com• Voice Over Provided by Todd Harrell of SSP Unlimited. https://sspunlimited.com• Production by Mitch Anderson, Black Circle Studios. https://blackcircleradio.comDon't forget to check our website for daily updates on the latest electronics, news, recommendations, and deals on high-end audio, loudspeakers, earphones, TVs, and more.https://www.ecoustics.com#raytubes #vacuumtubes #audiovalves #vinylcommunity #audioloveyyc #budgetaudiophiler #blackcircleradio #ecoustics #hifi #audiophile #hometheater #listeningroom #musicindustry #analogaudio
特别致谢UTO对本期节目的大力支持，UTO 以专业的越野装备为跑者保驾护航。【本期简介】跟杨艳（小不点）的第一次聊天是在2026年港百56公里的终点，她获得了女子第二。这个被跑团唤作 “小不点” 的姑娘，藏着一股不服输的贵州韧劲，从 2025 港百季军的遗憾落泪，到 2026 再战赛场的惊艳亚军，她用一年时间，完成了从业余跑者到职业越野运动员的热血蜕变。我们和杨艳聊了聊港百赛场的欢喜与遗憾：2025 年因过度备赛体力透支，赛道上反胃呕吐仍咬牙冲线；2026 年状态拉满，却因小段跑错路错失追冠机会，冷静复盘的背后，是她对越野跑的极致认真。也听她诉说职业运动员的酸甜苦辣：2025 年伤病相伴，多次退赛仍带伤跑完柴古 50 公里，止痛药失效后连路都走不了，却依旧放不下心中的山野；她与先生在不同赛道各自努力，彼此支撑的温暖，成为她奔赴赛场的底气。栽进越野跑之后，杨艳的下坡天赋是老天馈赠，而日复一日的训练、科学规划的赛场选择，是她对热爱的最好回应。她坦言自己仍处于 “不上不下” 的阶段，却定下 2026 跑进国内越野跑前十、拿下柴古冠军的目标，黄金联赛的赛程已备好，山野征程仍在继续。本期特别致谢UTO的大力支持。欢迎大家参与节目互动，留言分享2026年你最想跑的一场比赛，说出理由，我们挑出最有趣的留言，赠出一件UTO 新款美利奴羊毛扎染速干长袖，一起奔赴山野，不负热爱～【主播】媛子、深焦镜头【嘉宾】杨艳（UTO越野跑先锋官）【Timeline】00:02:03:失落与希望：去年港柏赛后的低谷与今年的崛起00:07:50:港百比赛的后决定：职业运动员的全身心投入00:15:43:职业越野跑运动员的内心世界：挑战自我极限的冒险之旅00:23:36:转变之路：从马拉松到越野跑的进化之旅00:27:32:与UTO的合作：即是品牌运动员与也是产品推荐官00:35:24:杨艳的未来规划：挑战冠军的心愿与不确定性00:39:19:天赋与努力：运动员达到高峰的的关键因素是什么？【制作】越野Talk【收听平台】小宇宙｜喜马拉雅FM｜苹果播客｜网易云音乐｜荔枝｜蜻蜓FM｜QQ音乐｜微博音频｜Spotify｜YouTube【关注我们】官方网站：www.crazytrailchina.com微信公众号：越野Talk微博：越野Talk小红书：越野TalkB站：越野Talk抖音：越野TalkYouTube：crazytrailchinaInstagram：crazytrailchinaLinkedin：Crazy Trail【添加微信群】添加「深焦」微信：15011423855【商务合作】欢迎发送邮件crazytrailchina@gmail.com，或添加「深焦」微信：15011423855
【本期简介】距离2026年安踏冠军香港100已经过去一周了，不管是私下聊天还是社交媒体，都感觉大家都港百有很多“话”想说，而当我们四位聚在一起的时候，也发现港百是一个绕不开嘴边的话题。车可：去了港百6次，第一次是2019年，恰巧是大雪赛事熔断那一年，每年港百结束都会有一条爆款视频，今年是：海阔天空；晏懿：去了港百2次，第一次是2014年-个人首百，第二次是2024年，十年的跨度让他有很多的发现；楥子：去了港百4次，前三次都是工作人员，2026年站上了港百100km赛道，完成了个人首百；深焦：去了港百4-5次，一直都是工作人员，2026年没去，但是却在线上参与了全过程；当我们开始聊港百的时候发现，我们四个因为不同的身份代表反而对港百的“爱”是不一样的，而这些多元化的爱恰巧就是港百想表达的越野跑的多元性。【主播】深焦镜头、楥子【嘉宾】车可、晏懿【制作】越野Talk【收听平台】小宇宙｜喜马拉雅FM｜苹果播客｜网易云音乐｜荔枝｜蜻蜓FM｜QQ音乐｜微博音频｜Spotify｜YouTube【关注我们】官方网站：www.crazytrailchina.com微信公众号：越野Talk微博：越野Talk小红书：越野TalkB站：越野Talk抖音：越野TalkYouTube：crazytrailchinaInstagram：crazytrailchinaLinkedin：Crazy Trail【添加微信群】添加「深焦」微信：15011423855【商务合作】欢迎发送邮件crazytrailchina@gmail.com，或添加「深焦」微信：15011423855
On this week's Talkhouse Podcast, we've paired up two songwriters who love to wander musically but whose recordings are tough to mistake for anyone else's. It's Luke Temple and Will Westerman. Temple has been making incredible records at a pretty solid clip since around 2005, first making a real splash as part of a trio called Here We Go Magic, whose four-album catalog is legendary in certain circles. But Temple has also recorded fantastic records under his own name, under the alias Art Feynman, and, more recently, with Luke Temple and the Cascading Moms. That name is a little funny, kind of like his music—there's humor but also a little bit of menace hiding underneath sounds that sometimes flirt with ‘70s soft-rock in the best ways. Check out “Echo Park Donut,” which is out this month on the new Cascading Moms record, Hungry Animal. The other half of today's chat, Will Westerman, invited Temple to play on his 2023 album An Inbuilt Fault, and as you'll hear they sound eager to meet and perhaps work together again. Westerman has been releasing music under his last name since 2020, crafting subtly mellow records that reveal something more intense when you listen to his lyrics. The third and latest Westerman album, A Jackal's Wedding, came out last fall, and it's another evolution in his sound—it's been compared to mellow greats like Talk Talk, Tindersticks, and Nick Drake, so if those names mean anything to you—and they should—give it a shot. Check out “Mosquito” from A Jackal's Wedding right here. This conversation between Temple and Westerman may have been the furthest geographically we've ever recorded: Temple was at home in Los Angeles and Westerman at home in Milan, where he recently moved after spending several years in Greece. These two talk about being recently married, about growing as artists and perhaps tricking yourself in the process, and about the very different places they now live. Enjoy. 0:00 – Intro 2:35 – Start of the chat 4:35 – On Los Angeles and gentrification in Echo Park 9:39 – Westerman on Milan, Greece, and learning new languages 13:20 – On Luke Temple's new album, Hungry Animal 19:50 – On tricking yourself to keep the creative process fresh 20:57 – On art and "the capitalist need to innovate" 24:50 – Comparing the musical heritage between the US and UK 28:25 – On the spirit of Jazz and Hip-Hop 30:38 – How technology caused the death of regionalism Thanks for listening to the Talkhouse Podcast, and thanks to Will Westerman and Luke Temple for chatting. If you liked what you heard, please check out both of their great new records, and please follow Talkhouse on your favorite podcasting platform. This episode was produced by Myron Kaplan and the Talkhouse theme is composed and performed by The Range. See you next time! Find more illuminating podcasts on the Talkhouse Podcast Network. Visit talkhouse.com to read essays, reviews, and more. Follow @talkhouse on Instagram, Bluesky, Twitter (X), Threads, and Facebook.
【本期简介】香港 100（Hong Kong 100）创办于 2012 年，2026 年迎来第 16 届赛事，作为世界越野跑巡回赛（WTTM）开年重要一站，它不仅是亚太地区极具影响力的越野赛事，更以 “回归本真” 的赛事理念闻名。赛道串联麦理浩径等香港经典徒步路线，涵盖沙滩、山脊线、陡峻柏油坡、雾缭绕的大帽山等多元地貌，分 33 公里、56 公里、100 公里三个组别，从精英跑者的 “小金人” 冲刺到普通跑者的自我挑战，兼容并蓄地接纳着每一份对奔跑的热爱当你亲身踏入赛道，才发现它藏着远比 “精英叙事” 更动人的模样！本期我们集结三位亲历者 ——带着感冒完成人生首百的跑者媛子、被赛事魅力点燃首野冲动的赛事记者车车，以及串联双重视角赛事现场的采访记者露露，一起解锁 2026 年安踏冠军香港 100 的全景体验。从首百跑者视角，我们听见感冒参赛的焦虑、100 公里赛道上的自我对话、凌晨犯困时的坚持，还有 “上坡被超 10 个，下坡赶超 20 个” 的倔强；从旁观者视角，我们看见来自尼泊尔、菲律宾的多元跑者群像，童子军志愿者的暖心陪伴，以及赛事 “回归本真” 的极简风格。除了赛道内外的碰撞，还有香港出租车司机的口琴演奏、西贡餐馆老板的热络闲聊，让赛事与城市文化交织出独特质感。这场既有个人突破又有群体共鸣的旅程，或许能解答你对港百的所有好奇 ——好赛事的标准是什么？越野跑的魅力究竟藏在冲刺的瞬间，还是途中的相遇与对话？欢迎在留言区分享你的港百记忆：你的首百有没有过 “跟自己唠嗑” 的经历？你心中 “本真的越野赛” 该有怎样的模样？未参赛的你，是否也被这场赛事勾起了奔赴麦理浩径的冲动？【主播】lulu（户外好东西主播）【嘉宾】车车、媛子（越野Talk，终于做了自己台的嘉宾）（感谢祝宝拍摄的照片）【Timeline】00:04:08:挑战香港100：心理焦虑与最终的胜利00:08:21:针对性训练揭秘：爬楼梯练爬坡、腿部力量训练如何规避旧伤？00:16:45:挑战极限：一百公里越野赛的上坡与下坡之旅00:20:57:志愿者群像：童子军的贴心补给、盲人朋友的敲锣鼓劲00:25:07:难以置信的百公里赛跑之旅：眼泪、友情和坚持的力量！00:29:17:赛事的意义与完整性：越野跑比赛的的魅力与收获00:33:31:香港100：感受不一样的跑步体验！00:37:36:港百的多元跑者 —尼泊尔选手、菲律宾家庭佣工的奔跑故事00:41:54:义工者的奉献与环保：香港100赛事的特别之处00:46:01:城市印象：出租车司机的口琴与折扣、西贡餐馆的热络，打破刻板印象【制作】越野Talk【收听平台】小宇宙｜喜马拉雅FM｜苹果播客｜网易云音乐｜荔枝｜蜻蜓FM｜QQ音乐｜微博音频｜Spotify｜YouTube【关注我们】官方网站：www.crazytrailchina.com微信公众号：越野Talk微博：越野Talk小红书：越野TalkB站：越野Talk抖音：越野TalkYouTube：crazytrailchinaInstagram：crazytrailchinaLinkedin：Crazy Trail【添加微信群】添加「深焦」微信：15011423855【商务合作】欢迎发送邮件crazytrailchina@gmail.com，或添加「深焦」微信：15011423855
最近，厦门byUTMB刚结束报名，在去年的比赛中，许多选手在退赛或者完赛后对赛道有些小抱怨，我们这次邀请到厦门本地越野跑者环岛路来聊聊赛道的话题，他的家乡是同安，对厦门本部山区非常熟悉，他在2010年左右就开始越野跑，并多次参与UTMB、港百等全球知名的成熟赛事，并常年在厦门组织训练赛，对越野跑文化、赛道设计、跑者需求都有非常深刻的理解，针对大家在去年对厦门byUTMB赛道的质疑，他有自己的理解，今年的赛道会随之进行调整及优化，相信参赛体验上会有大的变化。这次节目，我们主要讨论了今年厦门byUTMB的赛道调整，以及厦门地区的越野跑文化发展。【本期嘉宾】环岛路，厦门本地越野跑者，超过10年越野跑经验，数十场本地训练赛组织者【主播】深焦镜头【制作】越野Talk【收听平台】小宇宙｜喜马拉雅FM｜苹果播客｜网易云音乐｜荔枝｜蜻蜓FM｜QQ音乐｜微博音频｜Spotify｜YouTube【关注我们】官方网站：www.crazytrailchina.com微信公众号：越野Talk微博：越野Talk小红书：越野TalkB站：越野Talk抖音：越野TalkYouTube：crazytrailchinaInstagram：crazytrailchinaLinkedin：Crazy Trail【添加微信群】添加「深焦」微信：15011423855【商务合作】欢迎发送邮件crazytrailchina@gmail.com，或添加「深焦」微信：15011423855
We're just living that life, Von Dutch, cult classic, as we rank Charli XCX's hyperpop club record Brat! Its danceable melodies, carefree bite, and minimalist neon green aesthetic sparked a cultural movement in Brat Summer, and hits like 360, Apple, and Sympathy Is A Knife turned into certified Club Classics. Inspired by her early days in London's underground illegal rave scene, Brat sees Charli showing off striking vulnerability through crisp, energetic songs with memorable melodies. From relationships to generational trauma to impending motherhood (or even to just a good party song), this record really does it all.James & Connor are ready to Talk Talk about Charli's unique path to superstardom, from I Don't Care and Boom Clap to Wuthering Heights. The Mixtaper is so Julia as we ponder her homecoming coup, a sentimental vault track, Bratcoin, and even more VERY passionate fans during Fact Or Spin! Then we Rewind to 2024 and reminisce about Brat Summer as we work through these bite-sized pop beats. Where will Connor score Charli XCX compared to her fellow Album Of The Year nominees? James might even go so far as an on-the-spot redemption for this one!Did you catch the main metaphor in Apple? What foods would you make into footlongs? Are we your favorite reference? Tell us all about it in the comments or on socials! Follow for more next week as we go for a supergroup during our Gopher Day Special!!Keep Spinning at www.SpinItPod.com!Thanks for listening!0:00 Intro3:01 About Charli XCX13:13 About Brat19:10 Awards & Accolades20:03 Fact Or Spin21:17 She Crashed A High School Homecoming Dance25:45 Hardcore Fans Are Obsessed With Her Unreleased Song28:52 She Has Passionate Fans35:16 She Launched Her Own Cryptocurrency39:58 Album Art44:21 36047:27 Club Classics49:11 Sympathy Is A Knife51:39 I Might Say Something Stupid52:31 Talk Talk54:50 Von Dutch58:00 Everything Is Romantic59:04 Rewind1:00:18 So I1:02:05 Girl, So Confusing1:04:23 Apple1:07:40 B2B1:09:25 Mean Girls1:10:14 I Think About It All The Time1:12:06 3651:13:18 Final Spin Hosted on Acast. See acast.com/privacy for more information.
P!nk - Never Gonna Not Dance Again Fleetwood Mac - Everywhere OneRepublic - Give Me Something Madonna - Vogue Rod Stewart - Da Ya Think I'm Sexy Phoenix - Winter Solstice (Braxe + Falcon remix) Air - Kelly Watch The Star Talk Talk - It's My Life a-ha - The Sun Always Shines On TV Imagine Dragons - Sharks Lykke Li - I Follow Rivers (The Magician remix) Fatboy Slim - Right Here Right Now INXS - Disappear Caesars - Jerk It Out Philippe Katerine - Louxor J'adore Blondie - Atomic The Temptations - Get Ready Prince - I Would Die 4 U Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.
2026年香港100越野赛即将在本周末开始，赛前EXPO就在明天，今年“港百”有几个变化，一个是赛道调整，一个是没有视频直播，本期节目也并非传统的前瞻，更多是我们对“港百”这场比赛的观察，当然也会针对一些参赛选手聊聊他们目前的状况和可能在比赛中的表现。期待大家都能在港百have a nice day～另外，也期待大家带着发现的眼睛，看看越野跑动人的另一面，多元和社区～【主播】深焦镜头【制作】越野Talk【收听平台】小宇宙｜喜马拉雅FM｜苹果播客｜网易云音乐｜荔枝｜蜻蜓FM｜QQ音乐｜微博音频｜Spotify｜YouTube【关注我们】官方网站：www.crazytrailchina.com微信公众号：越野Talk微博：越野Talk小红书：越野TalkB站：越野Talk抖音：越野TalkYouTube：crazytrailchinaInstagram：crazytrailchinaLinkedin：Crazy Trail【添加微信群】添加「深焦」微信：15011423855【商务合作】欢迎发送邮件crazytrailchina@gmail.com，或添加「深焦」微信：15011423855
【本期简介】当你被越野跑影像里小人物的瞬间坚持戳中时，是否好奇镜头背后的创作者，正经历着怎样的内心拉扯？当一场八百流沙的志愿拍摄，意外将摄影爱好者推上行业标杆，当一人随性创作的热爱，变成百余人团队的商业重压 —— 你是否也想知道：创作者该如何在流量与质量间抉择？在商业需求与自我表达间平衡？车可一直在越野跑世界里用镜头讲着故事，而这十年间他也给出了自己的答案。原本在城市宣传片领域小有名气的他，因一场越野赛彻底改写职业轨迹。他的镜头始终聚焦 “人” 的故事：厦门 UTMB 里一个女生的背影、外国跑者 “没有手机微信，只想与自己对话” 的感言，这些不追精英、不刻意讨好流量的片段，反而成了百万播放的爆款密码。但光环之下，是他直言不讳的 “人格分裂”：既要满足甲方、品牌的多方审美，把精心打磨的作品反复修改；又要守住 “每次都超越上一次” 的创作执念，在短视频的流量狂欢中，固执地为纪录片留一份坚持。他抗拒将 “车老板” 的热度打造成 IP，只想做幕后记录者；面对 “BGM 老土” 的质疑，他始终相信懂越野跑的人能共情……从摄影爱好者到轲影像创始人，车可的故事里藏着所有创作者的终极命题：当市场洪流推着人向前，如何不丢初心？当 “间歇性拧巴” 成为常态，如何找到自洽的节奏？无论是被流量裹挟的创作者、在热爱与生存间挣扎的创业者，还是热爱户外的跑者，都能在这场坦诚对话中找到共鸣……【主播】深焦镜头、媛子【嘉宾】车可（轲影像创始人）【Timeline】01:33 入行即巅峰！从城市宣传片到八百流沙，一场志愿经历改写职业轨迹04:00 创作方向的关键转折：风景再美，不如人的故事有温度06:13 从 “想拍啥拍啥” 到 “多方权衡”：个人创作者与团队掌舵人的落差08:03 罗永浩式顿悟：把商业与创作彻底 “分家”，才是破局关键09:07 流量困局：百万播放的短视频 vs 精心打磨的纪录片，何为好作品？13:11 “车老板” IP 的两难：天生自带热度，却只想做幕后创作者17:12 流量密码藏在 “真实” 里：不追精英，只记录最动人的瞬间21:22 BGM 争议：被说 “老土” 也不妥协？听懂的人自然能共情29:09 未来布局：想做媒体。高标准是门槛也是执念35:56 忙碌的状态是否真的令人享受？平衡工作与生活的重要性40:04 摄影艺术与团队合作：拍片过程中的相互影响【制作】越野Talk【收听平台】小宇宙｜喜马拉雅FM｜苹果播客｜网易云音乐｜荔枝｜蜻蜓FM｜QQ音乐｜微博音频｜Spotify｜YouTube【关注我们】官方网站：www.crazytrailchina.com微信公众号：越野Talk微博：越野Talk小红书：越野TalkB站：越野Talk抖音：越野TalkYouTube：crazytrailchinaInstagram：crazytrailchinaLinkedin：Crazy Trail【添加微信群】添加「深焦」微信：15011423855【商务合作】欢迎发送邮件crazytrailchina@gmail.com，或添加「深焦」微信：15011423855
Talk Talk : Such A Shame (Extended Mix 1988) La Reprise L'originale P.O.D. : Don't Let Me Down The Beatles : Don't Let Me Down Kanadia : Going Nowhere Kate Bush : Running Up That Hill Sofia Isella : Out In The Garden Garbage : Stupid Girl Florence + The Machine : One Of The Greats The The : Infected (12' Remix) Brutus : War (Live) Michael Jackson : Give In To Me La Reprise L'original Hellsongs : Killing In The Name Rage Against the Machine : Killing In The Name Der Weig Einer Freiheit : Eos Best Albums 1991 Metallica : Enter Sandman . Pearl Jam : Even Flow Nirvana : Smells Like Teen Spirit R.E.M. : Shinny Happy People King Crimson : Epitaph Karnivool : Drone Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.
跟老朋友晏懿聊了聊我们眼中的2025年越野跑世界都发生了什么？节目开始的很突然，结束的也很任性，但我们分享了自己在过去的激荡的2025年，那些我们在意的事情。2025年12月31日和2026年的1月1日并无新旧之分，这不过是人类与自己玩儿的文字游戏，但往往在这辞旧迎新之际，我们才有短暂的机会停下来做些思考，为接下来的365天储足能量。【主播】深焦镜头，晏懿【制作】越野Talk【收听平台】小宇宙｜喜马拉雅FM｜苹果播客｜网易云音乐｜荔枝｜蜻蜓FM｜QQ音乐｜微博音频｜Spotify｜YouTube【关注我们】官方网站：www.crazytrailchina.com微信公众号：越野Talk微博：越野Talk小红书：越野TalkB站：越野Talk抖音：越野TalkYouTube：crazytrailchinaInstagram：crazytrailchinaLinkedin：Crazy Trail【添加微信群】添加「深焦」微信：15011423855【商务合作】欢迎发送邮件crazytrailchina@gmail.com，或添加「深焦」微信：15011423855
Welcome, welcome, welcome.This is the Badass Records podcast, and I'm pleased to let you know that Episode No. 196 features none other than Joel vs Joel's very own, Joel Stratton.Joel vs Joel's debut album, Smile in the Mirror, came out in August of last year, and Brad Smith (Episode No. 108) of Enigmatic Brunch Records was the wizard behind the curtains of making that happen.But let's not let that detract us from Joel.I am thankful for the opportunity to've sat with Joel and talked about his release, his approach, and, well, a few of his favorite records.I know. It's the same old stuff every week(ish) here, but that turns out to be the actual skinny, so...his list looked a little something like this:Talk Talk's The Colour of Spring (1986)Yankee Hotel Foxtrot (2002), WilcoElliott Smith's From a Basement on the Hill (2004)Tinks (2014), Pether Schlamb Anyway, please consider giving Joel an Instagram follow; you can find him at joelvs_joel_, and -- again -- his stuff is out there for both streaming and purchase. Check it.Thank you very much to both Joel and to anyone/everyone that supports the show.copyright disclaimer: I do not own the rights to the audio pieces found in this here episode; they ain't mines. I managed ta' lift 'em from the ranks of a dusty, forgotten bin in the corner of my uncle's barn in Republic, and I figured they was worth sharin', so here's the skinny: This is an R.L. Burnside tune. It's one of many fine, fine cuts he shared with the world. This one in particular's called, "Got Messed Up," and I snagged it from his phenomenal 2000 release, Wish I Was in Heaven Sitting Down, c/o Fat Possum Records. So there. Put that in your royalties pipe an' smoke it.
National spaghetti day. Entertainment from 1969. Utah becam 45th state,1st appendectomy performed, Longest worker strike in world history settled. Todays birthdays - Louis Braille, Sterling Holloway, Sorrell Booke, Dyan Cannon, Mark Hollis, Patty Loveless, Michael Stipe, Dave Foley, Deana Carter. Gerry Rafferty died. (2025)Intro - Pour some sugar on me - Def Leppard http://defleppard.com/I love spaghetti - The Mimbles on BLue BagooI heard it through the grapevine - Marvin GayeDaddy sang bass - Johnny CashBirthday - The BeatlesBirthdays - in da club - 50 Cent http://50cent.com/Dukes of Hazzard TV themeIt's my life - Talk TalkHurt me bad in a real good way - Patty LovelessI am superman - REMWe danced anyway - Deana CarterStuck in the middle with you - Stealers WheelExit - In my dream - Dokken https://www.dokken.net/cooolmedia.com
Legendary guitarist and former member of Paul McCartney's band in the early 90s, Robbie McIntosh joins us on the podcast for the last of the series. Robbie chats to us about this time playing with Paul on the road and in the studio, recording Off The Ground and the MTV unplugged album, as well as his time with Talk Talk and The Pretenders. For subscribers, in this week's Pick A Song, we discuss the little known deep cut, She Loves You. KBO! Hosted on Acast. See acast.com/privacy for more information.
How do you help someone who is being pummeled by a persisting circumstantial or psychodynamic problem? Do you "advise" them? (Don't Do It - The Band, '72) Do you try to talk them out of it? (Again, don't -- Talk Talk, '82-'84) Do you avoid them? (Again, don't -- Animotion, '84. They won't let you, anyway.) What do you do? How do you actually help someone you love -- maybe it's you ("Baby It's You" -- The Beatles, '63)? "Magic cancellation"! That's the thing. It's a phrase used by English novelist James Hilton in his first novel "Ill Wind" ('32). Hilton was describing the power of altruistic love on the part of a Soviet diplomat (of all people) on a French chambermaid (who is actually a Russian aristocrat on the run from people just like him). The diplomat's entirely genuine love for the chambermaid demolishes her "architecture of misery" -- again Hilton's phrase -- which had confined her 100% up to that moment. "Magic" (i.e., outwardly interventionist, Holy Spirit-inspired) cancellation" is what it takes to "open the door to your heart" (Pete Townshend, '81). That's what it takes: one-way love from outside yourself. (And note, this is not antinomian. It is not rooted in denial. It is rooted in the Graceful determination of the one who loves. And in about four fifths of all cases, such "cancellation" opens the door to ... response, and -- here's the rub -- personal renewal and Hope. Try it. Maybe it worked on you once. (In the Fall of '72, all it took, in the case of yours truly, was someone offering a Sunday evening lift from 72 Mt. Auburn Street, Cambridge Mass down to -- hey it wasn't even far (geographically) -- Narragansett Bay. And it worked. I mean, forever.) LUV U.
Some indie labels find a happy home in the afterlife - think Prestige, Contemporary, et al who thrived for years under the Fantasy banner and are now sheltered under the wing of Craft Records. Others aren't so lucky. Super-producer and Record Store Day regular Zev Feldman has now made an enterprise of rescuing records from the long-dormant Muse label. What do the boys think of Zev's first three picks for deluxe vinyl reissues? How about the bonus Muse recording they included to fill out the episode? And what will Mike say when he talks about Talk Talk? You know how to find out, so I'm not going to tell you. Barry Altschul – ANOTHER TIME/ANOTHER PLACE; Carlos Garnett – COSMOS NUCLEUS; Kenny Barron – SUNSET TO DAWN; Roy Brooks – THE FREE SLAVE.
Preview: Putin. Ambassador John Bolton comments that Putin followed a Mao Tse-tung proverb, "Talk, talk, fight, fight," most successfully so far. More later. 1937
Agility requires that brands have a fundamental understanding of why they're doing things, and what customer expectations are, rather than chasing trends and implementing the latest tech. Without this, customer satisfaction will continue to slide, and brands won't be any closer to knowing what to do to solve for that. I am here in Edinburgh with my guest today, who has worked with some of the world's largest brands, written several books, and hosts a great podcast of his own. To talk about a few things today, I'd like to welcome Adrian Swinscoe, Host of the Punk CX Podcast. About Adrian Swinscoe Described as an experimental CX thought leader and visionary, Adrian Swinscoe is a best-selling author, Forbes contributor, speaker, investor, advisor and aspirant CX Punk.He has been growing and helping develop customer-focused large and small businesses for over 25 years now.His clients have included brands such as Adobe, Apple, Cancer Research UK, Costa Coffee, the UKGov's Crown Commercial Service, ING, Intercontinental Hotel Group, KFC, KPMG, ING, Kramp, Lloyds, Harper Collins, Médecins Sans Frontières, Megger, Microsoft, Nespresso, NowTV, Olympus, Pearson,Philips, Sky, Talk Talk, and Zoom as well as numerous tech vendors and many smaller and medium-sized businesses.Adrian is a frequent writer, podcaster and speaker on all things related to customer service and experience.He published a best-selling book in 2016 called How to Wow: 68 Effortless Ways to Make Every Customer Experience Amazing (Pearson), published a genre-busting book: Punk CX in 2019and published an exciting follow-up: Punk XL at the end of 2021. Adrian Swinscoe on LinkedIn: https://www.linkedin.com/in/adrianswinscoe/ Resources Punk CX Podcast: https://www.adrianswinscoe.com/ https://www.adrianswinscoe.com/ The Agile Brand podcast is brought to you by TEKsystems. Learn more here: https://www.teksystems.com/versionnextnow Catch the future of e-commerce at eTail Boston, August 11-14, 2025. Register now: https://bit.ly/etailboston and use code PARTNER20 for 20% off for retailers and brandsDon't Miss MAICON 2025, October 14-16 in Cleveland - the event bringing together the brights minds and leading voices in AI. Use Code AGILE150 for $150 off registration. Go here to register: https://bit.ly/agile150" Connect with Greg on LinkedIn: https://www.linkedin.com/in/gregkihlstromDon't miss a thing: get the latest episodes, sign up for our newsletter and more: https://www.theagilebrand.showCheck out The Agile Brand Guide website with articles, insights, and Martechipedia, the wiki for marketing technology: https://www.agilebrandguide.com The Agile Brand is produced by Missing Link—a Latina-owned strategy-driven, creatively fueled production co-op. From ideation to creation, they craft human connections through intelligent, engaging and informative content. https://www.missinglink.company Hosted on Acast. See acast.com/privacy for more information.
Agility requires that brands have a fundamental understanding of why they're doing things, and what customer expectations are, rather than chasing trends and implementing the latest tech. Without this, customer satisfaction will continue to slide, and brands won't be any closer to knowing what to do to solve for that. I am here in Edinburgh with my guest today, who has worked with some of the world's largest brands, written several books, and hosts a great podcast of his own. To talk about a few things today, I'd like to welcome Adrian Swinscoe, Host of the Punk CX Podcast. About Adrian Swinscoe Described as an experimental CX thought leader and visionary, Adrian Swinscoe is a best-selling author, Forbes contributor, speaker, investor, advisor and aspirant CX Punk. He has been growing and helping develop customer-focused large and small businesses for over 25 years now. His clients have included brands such as Adobe, Apple, Cancer Research UK, Costa Coffee, the UKGov's Crown Commercial Service, ING, Intercontinental Hotel Group, KFC, KPMG, ING, Kramp, Lloyds, Harper Collins, Médecins Sans Frontières, Megger, Microsoft, Nespresso, NowTV, Olympus, Pearson,Philips, Sky, Talk Talk, and Zoom as well as numerous tech vendors and many smaller and medium-sized businesses.Adrian is a frequent writer, podcaster and speaker on all things related to customer service and experience. He published a best-selling book in 2016 called How to Wow: 68 Effortless Ways to Make Every Customer Experience Amazing (Pearson), published a genre-busting book: Punk CX in 2019and published an exciting follow-up: Punk XL at the end of 2021. Adrian Swinscoe on LinkedIn: https://www.linkedin.com/in/adrianswinscoe/ Resources Punk CX Podcast: https://www.adrianswinscoe.com/ https://www.adrianswinscoe.com/ The Agile Brand podcast is brought to you by TEKsystems. Learn more here: https://www.teksystems.com/versionnextnow Catch the future of e-commerce at eTail Boston, August 11-14, 2025. Register now: https://bit.ly/etailboston and use code PARTNER20 for 20% off for retailers and brandsDon't Miss MAICON 2025, October 14-16 in Cleveland - the event bringing together the brights minds and leading voices in AI. Use Code AGILE150 for $150 off registration. Go here to register: https://bit.ly/agile150" Connect with Greg on LinkedIn: https://www.linkedin.com/in/gregkihlstromDon't miss a thing: get the latest episodes, sign up for our newsletter and more: https://www.theagilebrand.showCheck out The Agile Brand Guide website with articles, insights, and Martechipedia, the wiki for marketing technology: https://www.agilebrandguide.com The Agile Brand is produced by Missing Link—a Latina-owned strategy-driven, creatively fueled production co-op. From ideation to creation, they craft human connections through intelligent, engaging and informative content. https://www.missinglink.company
Monday, June 9th, 2025Today, Trump and Kegseth mobilize the National Guard against peaceful protesters in Los Angeles County; Abrego Garcia is back on US soil after being hit with trumped up criminal charges over a 2022 traffic stop in Tennessee; San Antonio police walk back their statements about the murder of Jonathan Joss not being a hate crime; the Trump regime scrambles to rehire wrongfully terminated federal employees; the Supreme Court has rejected a Republican bid to throw out provisional ballots in Pennsylvania; the high court has also left in place a ban on high capacity firearms in DC; a West Virginia prosecutor is warning that women who experience miscarriages could be criminally charged; the Boulder Colorado suspect who is already facing nearly 120 criminal charges appeared in court for a federal hate crime charge; Tesla is seeking to block the city of Austin from releasing records on the robotaxi trial; the Supreme Court has allowed DOGE access to our Social Security data and has allowed DOGE to keep records private; 13 House Republicans urge their colleagues in the Senate to block some climate cuts in the Billionaire Bailout Bill that they voted for; and Allison and Dana deliver your Good News.Thank You, IQBARText DAILYBEANS to 64000 to get 20% off all IQBAR products, plus FREE shipping. 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Thank You, PacagenFor an extra 25% off your order and a special gift, head to Pacagen.com/DAILYBEANS.MSW Media, Blue Wave California Victory Fund | ActBlueCheck out Dana's social media campaign highlighting LGBTQ+ heroes every day during Pride Month - Dana Goldberg (@dgcomedy.bsky.social)Guest:@JenaFriedman - Twitter, @jenafriedman - Instagram, @jenafriedman - TikTokNot Funny | Book by Jena Friedman | Official Publisher Page | Simon & SchusterOn tourTOUR - JENA FRIEDMANSpecial Event: Jena Friedman - Philadelphia - July 31Motherf*cker by Jena Friedman - Union Hall Brooklyn - Aug 5, 6StoriesTrump administration races to fix a big mistake: DOGE fired too many people | The Washington PostTesla seeks to block city of Austin from releasing records on robotaxi trial | ReutersThe National Guard in Los Angeles | LawfareNational Guard troops arrive in Los Angeles as immigration enforcement tensions escalate | CBS NewsColorado attack suspect, already facing nearly 120 state charges, appears in court on federal hate crime charge | CNN13 House Republicans urge Senate to scale back clean energy cuts in bill they voted for | NBC NewsGood Trouble Video: West Virginia prosecutor warns women about possibly facing charges over miscarriages | CNNJess Piper: "West Virginia is warning that women who have a miscarriage could be charged with a crime unless they contact local police. Every woman in WV should call 911 every time they have a period. Gum up the system with malicious compliance" — BlueskyProton Mail: free email account with privacy and encryptionFind Upcoming Demonstrations And ActionsSat June 14 10am – 12pm PDT AG is hosting NO KINGS Waterfront Park, San DiegoDonation link - secure.actblue.com/donate/fuelthemovement250th Anniversary of the U.S. Army Grand Military Parade and Celebration50501 MovementJune 14th Nationwide Demonstrations - NoKings.orgIndivisible.orgFederal workers - feel free to email me at fedoath@pm.me and let me know what you're going to do, or just vent. I'm always here to listen. 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