Podcasts about nicola ratti

Villacidro tra danza suoni e acque nella riserva di Montimannu. Giornata di arte musica e percezioni sensoriali nel cuore della Sardegna dove talentuosi artisti hanno dato vita a performance coinvolgenti tra danza suoni e elementi naturali creando un'esperienza sensoriale indimenticabile. Luoghi suggestivi e arte racchiusi in una giornata ala ricerca di un unico progetto Lunedi 21 aprile nella riserva di Montimannu a Villacidro vicino all'ex caserma forestale avviene la seconda tappa del progetto : Dalle Acque-Ecologie dell'ascolto, il tutto curato da Maria Paola Zedda e Nicola Ratti e ideato dall'Associazione culturale Zelt. Un evento, un percorso artistico dove il connubio tra artisti e paesaggio creano un ponte di dialogo e con la comunità e il territorio. Questo meraviglioso progetto troverà conclusione nella prima settimana di maggio. In cosa consiste il progetto? Gli obiettivi, il focus principale mettono in risalto la fusione tra suono, ambiente, e comunità con uno sguardo profondo alle risorse idriche che si pone come argomento centrale dei connotati paesaggistici e naturali. Esplorazione sonora, valorizzazione del territorio, coinvolgimento di artisti e professionisti creativi regalano perciò a questa esperienza un quid in più. Personaggi di spicco e di rilevanza importanza avranno voce in capitolo a questo evento. Programma dell'evento Alle 17 a Montimannu, in un paesaggio che respira pietra e vegetazione, il gruppo Ultimabaret inaugura una delle tappe più del progetto Dalle Acque – Ecologie dell'ascolto. Le artiste Barbara Stimoli e Titta C. Raccagni, in collaborazione con il sound designer Francis Sosta, mettono in scena la performance di danza Essere Pietra, lavoro che reinventa la loro ricerca Pleasure Rocks, iniziata nel 2018. Al centro della pratica emerge il corpo, la materia e il territorio, in un'azione che ascolta e si lascia attraversare dalla voce delle pietre, orientato all'ascolto relazionale tra le acque e le rocce, e alla ricerca di una voce minerale multispecie, in equilibrio tra umano e non-umano. Il progetto, che si confronta così con l'ambiente naturale, si configura come un'azione land specific, in stretta relazione con il territorio. Maggiori dettagli sul lavoro del gruppo sono disponibili sul sito Ultimabaret e sulla pagina ufficiale di Barbara Stimoli. Suoni in movimento: una camminata immersiva Alle 18 è il momento quindi di entrare nell'universo sonoro di Fabrizio Saiu, artista del suono che conduce il pubblico nella performance itinerante In agguato. L'opera unisce il cammino, l'ascolto in cuffia e la registrazione microfonica, trasformando i partecipanti in esploratori sonori. Saiu invita a rallentare, ad abitare l'ambiente acustico, a distinguere ciò che ci circonda. La performance culmina in un live set in cui il suono naturale si fonde con quello rielaborato elettronicamente, creando un continuum immersivo tra ciò che è reale e ciò che è percepito. Fluidità e linguaggio con il collettivo trifoglio La giornata si chiude alle 19.30 con la performance Iride del Collettivo Trifoglio, composto da Marta Bellu, Andrea Sanson e Donato Epiro, insieme ai musicisti Glauco Salvo e Chiara Venturini. L'opera trae ispirazione dalla trasformazione della natura e dalla fluidità del linguaggio naturale. I performer sperimentano nuove forme espressive immerse nel paesaggio di Montimannu, un luogo dove l'acqua diventa elemento guida. Il collettivo analizza le interazioni tra corpi, paesaggi e suoni, proponendo perciò una riflessione sul modo in cui l'ambiente stesso genera comunicazione. L'acqua, protagonista della scena, assume un valore simbolico e reale: i performer la esplorano come materia viva e sonora, indagando l'ibridazione tra corpo e territorio.

CITR's 24 Hours of Radio Art in a snack-sized format. Dark Ambient. Drone. Field Recordings. Noise. Sound Art. Or something. Tune in Friday night for new music by Haxa Komat, Nicola Ratti, Hans Castrup / Emerge, Dave Phillips, euypnos, Tiago Sousa, Edmonton's Emilie Cecilia LeBel, Montreal's Tim Brady, and the CITR Global Network premiere of Colin Andrew Sheffield's “Moments Lost“.

IndieRE #117 by Radio Študent, Ljubljana, Slovenia This episode of IndieRE comes from Slovenia's Radio Študent. First up we have a new album by a rock band Kavasutra titled Ta veseli dan, released by Radio Študent's record label Zarš. We'll speak to the band about their new album. We'll also listen to the electro trap collective Smrt Boga in Otrok or SBO, their self-released album Nemoč, music from the album Flyšer released by rx:tx and КАФАНА and made by the producer from a new generation of beatmakers and rappers called YNGFirefly. Next up will be Zhlehtet with their recorded impro garden concert called Vrt and we'll also present a project by Irena Z. Tomažin, Jule Flierl, Nicola Ratti and Tomaž Grom called U.F.O, a celebration of the work by the Yugoslavian performance artist Katalin Ladik, released by Zavod Sploh. We'll end the broadcast with a new hardcore punk band Poguba and their self-titled and self-released debut EP and an interview with the noise rock band Moving as a Giant about their new self-titled album released by Kapa Records. Featured artists/producers and labels: Kavasutra Zarš (label) SBO YNGFirefly rx:tx (label) КАФАНА (label) Zhlehtet Irena Z. Tomažin Zavod Sploh (label) Poguba Moving as a Giant Kapa Records (label) Produced by Radio Študent, Ljubljana, Slovenia ------------------------------------------------------ INDEPENDENT RADIO EXCHANGE - INDIERE IndieRE is a project co-funded by the Creative Europe programme of the European Union www.indiere.eu ------------------------------------------------------ RADIO CAMPUS FRANCE Radio Campus France est le réseau des radios associatives, libres, étudiantes et locales fédérant 30 radios partout en France. NOUS SUIVRE | FOLLOW US www.radiocampus.fr @radiocampus NOUS ÉCOUTER | LISTEN Site, webradios et podcasts www.radiocampus.fr

I'm still swamped with work, especially now that the semester has begun. New episodes will arrive later this fall. Until then, here is another bonus mix. It's probably my favorite mix I've ever done, made for Secret Thirteen, originally published in December 2014. S13 founder Justinas Mikulskis writes: “Secret Thirteen 139” is a picturesque and unique mix composed by Joseph Sannicandro. This mix is like a truly precious musical treasure every die-hard music lover could be searching for ages. In this over 1 hour long musical mosaic Joseph connects 55 pieces by his beloved and inspirational artists such as Tim Hecker, Vladislav Delay, Jon Hassell, Giuseppe Ielasi, Hue, Nicola Ratti, Machinefabriek, Klaus Schulze, MB, Steve Roden and many others, to form a complex, but at the same time a delightful soundscape. The opening and closing recordings by his The New Objective project tightly binds the overall mix's concept and mood. The mix radiates a strange musical luminosity, which guides the mind and the soul to the pure infinite satisfaction even when it is played in complete darkness. Divine ambiance, unexpected twists between music genres, fluid melodies and harmonious and thoughtful attitude to even the smallest details bring this mix to another dimension, a dimension where the nature meets man and his fundamental desire to perceive cosmos. As Joseph whispered, the mix could stand in parallel with Giuseppe Penone's metaphorical sculpture “The Hidden Life Within“. And it's quite a good example, because both, mix and sculpture, are based on the magical and fantastic groundwork, also the form, which could not be replicated. In the beginning we asked Joseph to interpret the outer space theme with his mix through his own perspective, but in the end the recording expanded into a much deeper, more metaphysical exploration of the whole universe with all it's phenomenons and wonders. Please, take a moment to read Joseph's keen comment about the mix. Read more about the mix, including tracklisting: secretthirteen.org/joseph-sannican…ser-listen-mix/ acloserlisten.com/2015/01/10/acl-m…/#comment-127414 --- Support this podcast: https://anchor.fm/soundpropositions/support

On the third instalment in our Summer '22 series: weaponized words. The first of two shows sounding off on speech, we've stitched together a variety of verbiage, from all about threats to speech in part two to all about threats via speech here in part one. Featured voices this podcast include (in order of appearance): Ken Williams, Assistant Professor with the University of Alberta's Department of Drama Brock Pitawanakwat, Associate Professor of Indigenous Studies at York University Kim TallBear, Professor in the Faculty of Native Studies at the University of Alberta and Canada Research Chair in Indigenous Peoples, Technoscience & Environment Tristan Ahtone, Editor at Large with Grist.org Leilani Rania Ganser, Chamoru and Kānaka Maoli writer, storyteller, and organizer // CREDITS: Creative Commons music this episode includes “Purpur” by Misha Dioxin, “Billy Gomberg remix” by Billy Gomberg, “If You're Ther” by Nicola Ratti, “Snowfall” by Steinbruchel, “She Walked in and Changed Nothing” by smallertide, and “Inescapable” by Soft and Furious. Our opening theme is “Bad Nostalgia (Instrumental)” by Anthem of Rain; our closing theme is “Garden Tiger” by Pictures of the Floating World. This episode was hosted/produced/edited by Rick Harp; production assistance by Courteney Morin.

Umberto Sebastiano"Il mondo finirà di notte"Nutrimenti Edizionihttps://www.nutrimenti.net/Tutto ha inizio con una spilla da balia che s'impiglia in un bottone, e strappa. Lei, la spilla, si chiama Kyara: sedici anni, anfibi, capelli corti e ossigenati, passo deciso mentre va alla riunione clandestina del circolo femminista di poesia. Il bottone in cui s'impiglia è Alex, che tiene moltissimo alla camicia abbottonata fino al collo perché vestirsi come un mod e suonare in un gruppo, quando hai diciassette anni a Pordenone ed è il 1981, è il modo per non lasciarsi soffocare. Lei insegue la poesia, lui il sogno della musica, e così si incontrano. Anzi, si scontrano. Talmente forte che, nell'urto, la camicia di Alex si strappa. E in quell'istante, un sentimento che nessuno dei due ha mai provato li unisce e, unendoli, proprio come una spilla da balia, li lacera. Per Alex e Kyara è una vertigine, l'inizio di un grande amore e di un viaggio alla scoperta delle gioie del corpo e degli abissi dell'anima, perché questo grande desiderio che tutto consuma è anche uno strappo alle regole del branco e di una provincia sorda, maschilista e violenta. Con una colonna sonora che dà ritmo ad amicizie e tradimenti, complotti e bassezze, genitori incapaci di capire e figli che scappano di casa, incursioni nelle parti più buie del giorno e più luminose della notte, la storia di Alex e Kyara disegna una parabola che, toccando il suo punto più alto, tocca anche quello più basso: il luogo dove l'amore e la morte si congiungono.Umberto Sebastiano si è occupato di cultura e spettacoli per L'Unità e ha scritto per Duel e Nocturno. Ha collaborato con Left, con L'Espresso, con il periodico digitale Doppiozero e pubblica reportage su Il Primo Amore. Ha scritto per programmi Rai e Mediaset come Target e Tempi Moderni ed è stato per molti anni uno degli autori dell'Eredità. Ha pubblicato due libri per bambini nella collana editoriale Lilliput, vincitrice del Premio Andersen 2017: Tilda e la luna e Tilda e le parole magiche, illustrati da Valeria Petrone. Nel 2020 ha scritto e ha dato voce, insieme a Silvia Costa, al radiodramma Ecfrasi della finestra, con musiche originali di Claudio Rocchetti. E sempre nel 2020 ha iniziato una collaborazione con l'artista Patrick Tuttofuoco da cui sono nati il racconto Like They Were Eternal e l'audio piece Always and Forever, realizzato insieme al musicista Nicola Ratti. Nel 2021 ha firmato i testi di La Femme Au Marteau, creazione teatrale di Silvia Costa in scena a Valence, Rennes, Parigi, Anversa e Strasburgo.IL POSTO DELLE PAROLEascoltare fa pensarehttps://ilpostodelleparole.it/

The second episode of SQUARE METERS features sound artist Nicola Ratti. Born in Milano in 1978, Nicola has been active for years in the experimental fields. Since May 2015, he has been one of the founders and curators at Standards, an experimental sound research gallery located in Milano. Today he works as a musician, as sound director and sound technician with Romeo Castellucci–Socìetas, and as musician and sound designer with Silvia Costa. Talking about his first approach to music through cheap and basic materials, about sound's physicality as a form of inspiration itself, and the collective prospectives in pandemic times, Nicola lets us peek into his personal soundscape. This episode has been recorded in June 2020 at his studio located at STANDARDS, in the north of Milan, Italy.

Stefan Rotter is a sound addict/connoisseur/sculptor born near the border triangle in Germany and currently living in Frankfurt. He has an accurate collection of Free Jazz, Prog and Psych Rock, Electronics, Odd, Obscure, Weird, Ambient and Kraut vinyls, that we suggest you to dig on his Instagram account (@rotter_s). The episode features: furniture music by Felicia Atkinson, Mike Cooper, Tim Hecker, Moskus, Angus Maclaurin, Wayne Horvitz, Tom Recchion, Jasper Leyland and for the Italian breeze Giuseppe Ielasi, Maria Teresa Luciani, Luigi Archetti and Nicola Ratti.

The title track from History of the Future by Watter; "Unleash" by Rodhad from Anxious; "Don't Go Plastic" by Shobaleader One from Elektrac; "Undoing a Luciferian Towers" by Godspeed! You Black Emperor from Luciferian Towers; "Rayon Solaire Holistique" by Canada Effervescent from Crystalline; "Holding On" by Lapalux from The End of Industry; "The Thing" by John Carpenter from Anthology (Movie Themes 1974-1998); "L2" by Nicola Ratti from The Collection; "The Melatonin Chamber" by Ken Camden from Dream Memory; "Trollkarlen Och Fageldrakten (Version 2)" by Dungen from Versions by Prins Thomas remixes

The title track from History of the Future by Watter; "Unleash" by Rodhad from Anxious; "Don't Go Plastic" by Shobaleader One from Elektrac; "Undoing a Luciferian Towers" by Godspeed! You Black Emperor from Luciferian Towers; "Rayon Solaire Holistique" by Canada Effervescent from Crystalline; "Holding On" by Lapalux from The End of Industry; "The Thing" by John Carpenter from Anthology (Movie Themes 1974-1998); "L2" by Nicola Ratti from The Collection; "The Melatonin Chamber" by Ken Camden from Dream Memory; "Trollkarlen Och Fageldrakten (Version 2)" by Dungen from Versions by Prins Thomas remixes

"But if nostalgia as a political motivation is most frequently associated with fascism, there is no reason why a nostalgia conscious of itself, a lucid and remorseless dissatisfaction with the present on the grounds of some remembered plenitude, cannot furnish as adequate a revolutionary stimulus as any other." – Frederic Jameson An unnecessary nostalgia: The seductive quality of the past — particularly of one not so great — is a curious trick of the psyche. Perhaps it is the desire for maintenance, or, in the language of McLuhan, demanding the new medium do the work of the old. Sometimes it seems like an attempt to resuscitate the past using whatever Frankenstein methodology our technology can muster. This unnecessary nostalgia is completely ahistoric and frighteningly reductive. Let's plug our ears with wax and forget everything we ever learned. A necessary nostalgia: The past could be worth so much more than a destination we desperately try to visit. Why must nostalgia shore the status quo? Rather, can we not use nostalgia to recover what was marginalized or unobserved, what was threatened to be erased by our obsession with victors and their monuments? Many seem set on shackling ourselves to the past. Instead, we might find greater benefit in leveraging what was lost toward the future. This is what Jameson might refer to as the "revolutionary stimulus" of nostalgia. A present affection: That's why I consider myself a bit grateful to Mark Templeton for this mix. Having just completed his Heart triptych, Templeton finds himself eyeing both past and future, delivering himself to a constructive nostalgia in this electroacoustic dreamspace. Constantly blurring past and future, the man himself says, In my Heart trilogy, each release acts as an emotional response to a major change in my life. The theme of nostalgia is prevalent, as is the idea of waiting expectantly for the future. Gentle Heart marks the shift towards the future. This mix incorporates artists that have been present during these changes, ones who have influenced my process and folks that I am more recently intrigued by. A true oneiric trip from the heights of delicacy (Cilio & Budd) to the low-down and in it (Fujita and Jelinek) to the outer reaches of imagination (Atkinson and Hassell). Sprinkled in for good measure are a couple of choice cuts from Gentle Heart, including "Cab Lights," a TMT-certified banger — check out Alex Brown's mix after this. Stream below, and subscribe to our podcast here. [00:00] Luciano Cilio - "Terzo quadro da 'Dialoghi del presente’" [01:20] Robert Ashley - “The Fox” (excerpt) [03:22] Phonophani - “Life’s White Machine” [07:52] Michèle Bokanowski - “Tabou” (excerpt) [10:07] Ahnnu - “Found” [11:33] Harold Budd - “Bismillahi ‘Rrahmani ‘Rahim” (excerpt) [13:31] Mark Templeton - “Pond” (excerpt) [14:47] Masayoshi Fujita & Jan Jelinek - “Botuto” [19:47] Semuin - “greetings prelude” [22:50] Mark Templeton - “Cab Lights” [25:52] Visible Cloaks - “Bloodstream” [29:11] Leo Kottke - “Owls [Instrumental]” (excerpt) [30:55] Mark Templeton - “Horizontal Plane” [34:27] Andrew Pekler - “Seascape / Ship” [36:40] Jon Hassell - “Air” [40:41] Inventing Masks - “3’11”” [43:42] Ezekiel Honig - “August Rooftop” [44:28] Nicola Ratti - “w6” [48:11] Félicia Atkinson - “Curious In Epidavros” [51:05] Nikolaienko - “Wir Bauen Eine Neue Welt” [53:58] Mark Templeton - “Burning Brush"

Abrimos este último programa del mes de mayo con el dúo Pjusk y su tercer álbum Tele publicado en el sello italiano Glacial Movements. Giuseppe Ielasi y Nicola Ratti presentan también su tercera entrega con su proyecto Bellows y Santi Lizón a.k.a Crisopa acaba de editar Biodance en el sello norteamericano n5MD, un fantástico material que comenzamos a escuchar en el programa de hoy. Además tenemos a Bobby Jones con su alias I've Lost; Senking y su nuevo EP titulado Dazed y para terminar el artista belga Herbstlaub y su pieza Remnants publicada por Entropy Records. Playlist: Pjusk - Skifer; Bellows - Untitled #5; Crisopa - Plants with Lava Oceans; I've Lost - First Fall; Monolake - Phenomenon; Senking - Closing Eyes; Herbstlaub - Remnants. Escuchar audio

  This podcast features a set that I did for a sQuareOne party at the Enormous Room in Cambridge. I was representing Non-Event, so — just to make things difficult for myself — the set consists solely of music by artists who have played Non-Events in the past. Rare Frequency Podcast 24: Non-Event Squared 1 Stephan Mathieu and Janek Schaefer, "Maori Love Song " Hidden Name (Cronica) CD 2007 2 Yuko Nexus6, "Ravenna, Italy" Translation of Sightseeing (Onomato) CD 2006 3 Keith Fullerton Whitman, "Stereo Music For Farfisa Compact Duo Deluxe, Drum Kit" Multiples (Kranky) CD 2005 4 Phonophani, "Ring" Phonophani (Rune Grammofon) CD 2006 5 Pan Sonic, "Lapevinmeri / Laptev Sea" Katodivaihe (Blast First Petite) CD 2007 6 Senking, "Senking EP 5" Senking (Karaoke Kalk) CD 1997 7 Christian Fennesz, "5" Hotel Paral.Lel (Editions Mego) CD 2007 8 Jetone, "Octan" Ultramarin (Force Inc.) CD 2001 9 Yuko Nexus6, "Journal De Tokyo #2" Journal de Tokyo (Sonore) CD 2003 10 Giuseppe Ielasi and Nicola Ratti, "10’47”" Bellows (