Podcasts about Jon Hassell

durée : 00:05:01 - Le « Quatrième monde musical » de Jon Hassell - par : Max Dozolme - Dans Atmospherics sorti récemment aux éditions Allia, le compositeur et trompettiste américain Jon Hassell (1937-2021) nous guide à travers son "Quatrième monde musical", une fusion ambient des musiques classiques du monde entier, de l'Inde à l'Afrique, de l'Occident à l'Amérique du Sud.

Walter Hill's gritty 1992 action film Trespass flew under the radar at the time, but Cooder again broke new ground with his score. The music is unlike anything he had done before, and it heralds a phase closely associated with a new collaborator: jazz trumpeter Jon Hassell. In this episode we also look at Cooder's session work from the late eighties and early nineties. Having long since outgrown his role as a mere contract worker, Cooder now became more of a mentor and producer.This podcast frequently uses small snippets of musical recordings in podcast episodes for educational, review, and commentary purposes. In all cases, without exception, we believe this is protected by fair use in the U.S., fair dealing in the U.K. and EEA, and similar exceptions in the copyright laws of other nations. No more of the original than necessary is used, and excerpts are edited into long-form narratives, making the use transformative in nature.Written, produced and edited by Frank SchnelleTheme and background music by Chris HaugenAdditional background music The Mini VandalsVoices produced with text-to-speech AIFollow us on Facebook, Instagram, Tik Tok and YouTubeThe Ry Cooder Story WebsiteSupport us on Patreon Hosted on Acast. See acast.com/privacy for more information.

Blind Mango Chutney presents another surprising smorgasbord of scintillating sounds from the world of jazz - from Wellington saxophonist Oscar Laven soon to play in Auckland to Japanese pianist Hiromi to electronic experimentalists Jon Hassell and Annette Peacock. Special guest saxophonist Ben McNicoll comes in to give us an update on a new venue for the Creative Jazz Club winter series.

Today, the Spotlight shines On composer, improviser, and master percussionist Adam Rudolph.A global performer - and global citizen - Adam has been called "a pioneer in world music" by the New York Times. With dozens of recordings to his credit, he joined us upon the release of Timeless from his percussion group, Hu: Vibrational, on his own Meta Records.Adam has worked with artists including Don Cherry, Jon Hassell, Sam Rivers, Pharaoh Sanders, and many others but had a particularly extensive collaboration with Yusef Lateef over many years, releases, and ensemble configurations.Adam and I connected immediately and had a terrific conversation, which I am ever-so-pleased to share with you. Enjoy.(all musical excerpts heard in the interview are taken from Hu: Vibrational's latest album, Timeless)------------------Dig DeeperCheck out Hu: Vibrational's Timeless on Bandcamp or your streaming platform of choiceFind out more about Adam Rudolph on his homepage, Discogs, and YouTubeVisit Adam's label, Meta Records, on Bandcamp, Facebook, or metarecords.comOrder Adam Rudolph's book Sonic Elements: Matrices, Cosmograms, and Ostinatos of Circularity from BandcampFor Adam Rudolph, Collaboration is CommunicationBe sure to peruse this episode's extensive show notes at spotlightonpodcast.com------------------• Did you enjoy this episode? Please share it with a friend! You can also rate Spotlight On ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts. • Subscribe! Be the first to check out each new episode of Spotlight On in your podcast app of choice. • Looking for more? Visit spotlightonpodcast.com for bonus content, web-only interviews + features, and the Spotlight On email newsletter. You can also follow us on Instagram, Facebook, and Mastodon. Hosted on Acast. See acast.com/privacy for more information.

Today, the Spotlight shines On composer, improviser, and master percussionist Adam Rudolph.A global performer - and global citizen - Adam has been called "a pioneer in world music" by the New York Times. With dozens of recordings to his credit, he joined us upon the release of Timeless from his percussion group, Hu: Vibrational, on his own Meta Records.Adam has worked with artists including Don Cherry, Jon Hassell, Sam Rivers, Pharaoh Sanders, and many others but had a particularly extensive collaboration with Yusef Lateef over many years, releases, and ensemble configurations.Adam and I connected immediately and had a terrific conversation, which I am ever-so-pleased to share with you. Enjoy.(all musical excerpts heard in the interview are taken from Hu: Vibrational's latest album, Timeless)------------------Dig DeeperCheck out Hu: Vibrational's Timeless on Bandcamp or your streaming platform of choiceFind out more about Adam Rudolph on his homepage, Discogs, and YouTubeVisit Adam's label, Meta Records, on Bandcamp, Facebook, or metarecords.comOrder Adam Rudolph's book Sonic Elements: Matrices, Cosmograms, and Ostinatos of Circularity from BandcampFor Adam Rudolph, Collaboration is CommunicationBe sure to peruse this episode's extensive show notes at spotlightonpodcast.com------------------• Did you enjoy this episode? Please share it with a friend! You can also rate Spotlight On ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts. • Subscribe! Be the first to check out each new episode of Spotlight On in your podcast app of choice. • Looking for more? Visit spotlightonpodcast.com for bonus content, web-only interviews + features, and the Spotlight On email newsletter. You can also follow us on Instagram, Facebook, and Mastodon. Hosted on Acast. See acast.com/privacy for more information.

For this episode of Songs of Our Lives, I invite Andrew Pekler on the show. Andrew's new album as SG, For Lovers Only / Rain Suite is an absolute gem - an album I keep returning to this year. After chatting about the record for a bit, we get into the all-encompassing everything of Bo Diddley, the new Beatlemania, a magic combination of a relentless rhythm + sweet melody, discovering electronic music, Coltrane at his most romantic, the overwhelming appeal of “Strawberry Fields Forever,” Jon Hassell's influence, and so much more!Listen to all of Andrew's picks HERESG For Lovers Only / Rain SuiteAndrew Pekler's WebsiteAndrew Pekler on InstagramSongs of Our Lives is a podcast series hosted by Brad Rose of Foxy Digitalis that explores the music that's made us and left a certain mark. Whether it's a song we associate with our most important moments, something that makes us cry, the things we love that nobody else does, or our favorite lyrics, we all have our own personal soundtrack. Join Foxy Digitalis on Patreon for extra questions and conversation in each episode (+ a whole lot more!)Follow Foxy Digitalis:WebsitePatreonInstagramTwitterBlueskyMastodonThe Jewel GardenCarl Antonowicz

For this episode of Songs of Our Lives, I invite Andrew Pekler on the show. Andrew's new album as SG, For Lovers Only / Rain Suite is an absolute gem - an album I keep returning to this year. After chatting about the record for a bit, we get into the all-encompassing everything of Bo Diddley, the new Beatlemania, a magic combination of a relentless rhythm + sweet melody, discovering electronic music, Coltrane at his most romantic, the overwhelming appeal of “Strawberry Fields Forever,” Jon Hassell's influence, and so much more!Listen to all of Andrew's picks HERESG For Lovers Only / Rain SuiteAndrew Pekler's WebsiteAndrew Pekler on InstagramSongs of Our Lives is a podcast series hosted by Brad Rose of Foxy Digitalis that explores the music that's made us and left a certain mark. Whether it's a song we associate with our most important moments, something that makes us cry, the things we love that nobody else does, or our favorite lyrics, we all have our own personal soundtrack. Join Foxy Digitalis on Patreon for extra questions and conversation in each episode (+ a whole lot more!)Follow Foxy Digitalis:WebsitePatreonInstagramTwitterBlueskyMastodonThe Jewel Garden

    This mix started with the latest album by Eivind Aarset & Jan Bang - Last Two Inches of Sky. It has this great late-night vibe that I immediately latched onto. From there I returned to The Rain Dogs, an artist I had used in an earlier mix called Summoning the Spirits. And then one thing led to another and I ended up with an ambient mix with a fair amount of organic percussion. The final mix has a bit of Jon Hassell 4th world feel, some of that late-night vibe I mentioned, and a dash of Lost Tribe Sound strangeness. I think it all comes together rather well. Links to all the music used in this mix: https://eivindaarsetjanbang.bandcamp.com/album/last-two-inches-of-sky https://the-rain-dogs.bandcamp.com/album/from-abydos-to-dendera https://anthene.bandcamp.com/album/florescence https://www.amazon.com/Killers-Flower-Soundtrack-Apple-Original/dp/B0CKS4VP12/ref=tmm_acd_swatch_0?_encoding=UTF8&qid=&sr= https://astralindustries.bandcamp.com/album/ai-34-spirit-medicine https://jarvus.bandcamp.com/album/farasan https://msage.bandcamp.com/album/paradise-crick https://williamryanfritch.bandcamp.com/album/cohesion https://ftmots.bandcamp.com/album/valley-of-the-hummingbirds https://the-rain-dogs.bandcamp.com/album/from-abydos-to-dendera https://arrowounds.bandcamp.com/album/in-the-octopus-pond https://soundcloud.com/fiffi-2 https://whitelabrecs.bandcamp.com/album/water-like-mbira https://arovane.bandcamp.com/album/seismograf   Cheers!   T R A C K L I S T :   00:00    Eivind Aarset & Jan Bang - City Never Sleeps (Last Two Inches of Sky  2023) 03:27    The Rain Dogs - From Abydos To Dendera (From Abydos To Dendera 2021) 10:35    anthéne & simon mccorry - unreflecting pool (florescence 2023) 14:06    Robbie Robertson - Too Much Dynamite (Killers of the Flower Moon (2023) 16:54    Toki Fuko - Spirit Medicine Pt. 1 (Spirit Medicine 2023) 19:12    Jarvus - Noisetones (Farasan 2023) 23:02    M. Sage - Evenin' Out (Paradise Crick 2023) 25:48    William Ryan Fritch - Timescale (Cohesion 2023) 28:50    From the Mouth of the Sun - The Herd(Murmuration) (Valley of the Hummingbirds 2023) 32:44    The Rain Dogs - Wassu (From Abydos To Dendera 2021) 37:41    ARROWOUNDS - Phosphene Silver Abyss (In The Octopus Pond 2023) 42:20    Friðþjófur Johnson - Images in Ice Land 47:45    Darkroom - Water like mbira (Water like mbira 2023) 52:20    Eivind Aarset & Jan Bang - Hush Now (Last Two Inches of Sky  2023) 57:40    arovane - Clavnt (Seismograf 2023) 62:13    end

On this Jeff Rona interview: Jeff gets in-depth and personal, sharing his journey to the top, and it definitely wasn't easy. Getting turned on to soundtracks and the career and musical doors this opened… how he got session work and ultimately ghostwriting for movies. Starting and growing his Music Library, Liquid Cinema… Types of music that get licensed most… when you're most “qualified” to do pretty much anything… Cool stories about working with Hans Zimmer, Barry Levinson, Maurice White, Don Ellis (very cool!), Jon Hassell, Brian Eno, and others… How he markets his production company, KEY things you need to know about working with and forming healthy and productive relationships with producers, directors, and music supervisors… Questions to ask that help you determine how to write your scores. A terrible tragedy his parents dealt with, low points in his life and how he dealt with them. AWESOME convo, super sincere, tons of insight into the licensing business! Discover Where the Money's Hiding in Today's Music Business: https://www.MusicReboot.com JEFF RONA owns one of the biggest music production companies (music libraries) in America, Liquid Cinema. He's also an an award-winning music composer for film, TV, and video games, as well as a recording artist and producer. He was initially an in-demand studio musician, arranger, sound designer, synthesist, and music programmer working in Los Angeles and New York. After working with legendary record producers such as Maurice White, David Foster, Albhy Galuten, Malcolm Cecil and others, he collaborated on film music with Philip Glass, Mark Isham, Lisa Gerrard & Basil Poledouris. He's had longstanding relationships with composers Hans Zimmer & Cliff Martinez. Subscribe & Website:  https://www.MusicLicensingProfits.com/subscribe Jeff's scored dozens of film and TV projects with filmmakers including Ridley Scott, Steven Spielberg, Wong Kar-wai, Robert Altman, Steven Soderbergh, Mark Pellington, Stephen Hopkins, Jonathan Demme, Frank Darabont, and many others. Movie soundtracks Jeff's scored or contributed to, include Black Hawk Down, Mission Impossible 2, Generation Iron 1 & 2, Traffic, The Lion King, The Thin Red Line, Prince of Egypt, The Net (Sandra Bullock), Sea of Life (Documentary), Shelter Island, Toys (Robin Williams), The Fan and literally dozens of other major motion pictures Jeff's written music for video games: God of War 3, Far Cry 4, Marvel vs Capcom Infinite, Transformers, Resident Evil 2, Crossfire, Devil May Cry 5 & Bright Memory: Infinite He's toured with Brian Eno, Lisa Gerrard (solo) and Dead Can Dance, and composed music for the 2008 Beijing Olympic games. His music appears in numerous Oscar, Peabody, BAFTA and Emmy award-winning projects, as well as countless film festival honors. He is a three-time recipient of the ASCAP Film and Television Music Award  

Solénoïde (30.10.2023) - Catherine Graindorge, cette virtuose bruxelloise aux multiples talents, incarne parfaitement la polyvalence de l'artiste contemporain. Violoniste émérite, compositrice inspirée, comédienne captivante, elle a transcendé les limites de la créativité pour émerger comme une figure majeure de la scène artistique actuelle. Ses collaborations musicales s'étendent sur une vaste gamme de projets et de genres, de la musique rock à l'avant-garde, avec des artistes internationaux de renom tels qu'Iggy Pop, Nick Cave, Warren Ellis, Debbie Harry, Mark Lanegan, Chris Eckman, Hugo Race… pour n'en nommer que quelques-uns. Dans le royaume vaste des ondes radio, il y a des émissions qui se distinguent, des émissions qui vous emmènent dans un voyage à travers les sons, créant une expérience auditive qui transcende la musique. Ce SolénoMix, mise en son par Catherine Graindorge, en est l'exemple parfait. À travers ce programme exclusif, Catherine nous guide dans un labyrinthe de sons, fusionnant des pistes d'artistes légendaires pour créer une expérience sonore inoubliable. Cette playliste envoûtante nous emmènera de New York à l'Angleterre, du Berlin actuel à l'ère d'or du jazz éthiopien, créant un pont harmonieux entre des mondes sonores a priori disparates.

We would like to point out that the incidental music used in this episode is NOT by Jon Hassell, who never played the Bassoon…OK, let's start here. This is a film of the night before the one that ended up on the record. …and here's an interview with Hassell about the album that the concert was kind of based on.Here's another live concert that Tom recommends……and, although this page is starting to get very YouTube video heavy, here is the album that got Gav into an altered state.* HERE is a link to Jon Hassell's website.* HERE is Hassell's obituary, which provides a succinct overview of his life and work.* …and here is Tom's sampler -The Elephant and the Orchid - Power SpotVoiceprint (Blind From the Facts) - City: Works of FictionBuzzsaw - Bluescreen: Dressing for PleasureAbu Gil (Live) - Last Night the Moon Came Dropping its Clothes in the StreetCaravanesque - Jon Hassell & Ry Cooder: FascinomaViva Shona - Vernal EquinoxParis I - The Surgeon of the Nightsky Restores Things by the Power of SoundYou might have to look around for these, we're not sure if all of them are available on the same platform. Subscribe to Gas GiantsRSS https://api.substack.com/feed/podcast/311033.rss This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit gasgiants.substack.com

After the burn of our increasingly intense summers—now featuring epic fires and floods in the wake of biblical storms and record-breaking heat waves—we emerge into the relatively cooler, quieter atmosphere and deflationary energy of early autumn. It's a time to regroup, recharge, rebuild, harvest, and prepare for the challenges of the winter season to come. On this transmission of Hearts of Space from Canadian guest producer DJ EGAN, a journey down the endless monochromatic hallways, complex timbres and metallic overtones of Ambient Cool, on a program called SUMMER'S END 2. Music is by YAI, AGING + LAND TRANCE, POLIDO, NIKOS FOKAS & ARVE HENRIKSEN, JON HASSELL, JOSEPH, PHIL STROUD, RONU MAJUMBAR + RY COODER, JON HASSELL & ABHIJIT BANERJEE, and CHRISTIAN WITTMAN. [ view playlist ] [ view Flickr image gallery ] [ play 30 second MP3 promo ]

Solénoïde (28.08.2023) - C'est dans le fameux Quatrième Monde, un espace fictif favorisant l'échange musical et culturel, que vous passerez une grande partie de cette mission 205. Un éden sonore que Jon Hassell continue d'explorer avec conviction sur son album intitulé 'Listening To Pictures', notre radiobalisage ! Repéré il y a quelques années aux côtés de Brian Eno, le producteur allemand de musique électronique J.Peter Schwalm exposera son 4e opus, 'How We Fall' (RareNoiseRecords), un album à la fibre émotive forte alliant sonorités acoustiques retraitées et vagues symphoniques acérées. Et c'est au sein du trio new yorkais Ceramic Dog que vous retrouverez Marc Ribot, guitariste huppé ayant associé son nom à ceux de Tom Waits, Bashung et surtout John Zorn. Son album 'Yru Still Here?' brasse un panel de genres insensé, incluant surf rock, folk, funk, flamenco, noise et psychédélisme.

This week take a look back at decades of productive and progressive relationship between jazz and hip-hop, with a focus on international projects and collaborations between jazz and hip-hop artists. Our way to celebrate half a century of hip-hop. The playlist features Dream Warriors; Us3; Meshell Ndegeocello [pictured]; Buckshot LeFonque; Steve Williamson; Q Tip, Kenny Garrett; Madlib; Jon Hassell; Russell Gunn; Courtney Pine; Guru, MC Solaar; Daniele Sepe; Thiefs, Mike Ladd; Jazz Liberatorz Detailed playlist at https://spinitron.com/RFB/pl/17727979/Mondo-Jazz (from "My Definition of a Boombastic Jazz Style" onwards). Happy listening!

  One of my favorite ambient albums from the first half of 2023 is "Intrapersonal Experience" by Saphileaum. It's a great combination of atmospherics and percussion, reminiscent of 90s Steve Roach tribal ambient. After hearing this album I needed to do a drum/percussion-based mix and "Summoning The Spirits" is the result. Another recent discovery makes its way into this mix - The Rain Dogs. So far I only have one of their albums but I plan on buying many more. I have To pace myself though. Their album, From Abydos To Dendera, has shades of Jon Hassell and other 4th world styles I love. The tracks fit perfectly in this mix. I hope you enjoy the atmosphere and the rhythms. Cheers!   T R A C K L I S T : 00:00    The Rain Dogs - Market Day (From Abydos To Dendera 2021) 05:33    Saphileaum - Dear (Intrapersonal Experience 2023) 09:45    The Chi Factory - Part One (Travel In Pece 2020) 14:40    Benjy Wertheimer & John de Kadt - Underwater (One River 2012) 21:08    Byron Metcalf - As Clouds Dance (Inner Rhythm Meditations 2016) 29:50    Chi - Before The Mountain (The Original Recordings 2016) 36:50    The Rain Dogs - Dawn Over Qurna (From Abydos To Dendera 2021) 40:54    Eli Keszler - Barcelona Part VI (LIVE 2023) 44:40    D.K. - Summoning the Spirits (The Goddess Is Dancing 2019) 50:00    Saphileaum - Remote (Intrapersonal Experience 2023) 54:40    The Chi Factory - Part Two (The Kallikatsou Recordings 2017) 57:43    Night Sky Pulse - Luminescence (These Possible Lives 2021) 61:03    end

SUMMER...despite all the great new things we have to worry about these days, good old sunshine and heat still inspire our bodies to move, explore, and expand, while our minds open up to new sounds. On this transmission of Hearts of Space, we mix up a refreshing cocktail of summer electronica, world rhythms, cool horns and trancey vocals, on a program called SUMMERTRONICA 3. Music is by LUCID, JON HASSELL, PAUL HASLINGER, AL GROMER KHAN, MICHAEL BROOK & DJIVAN GASPARYAN, STILL LIFE, LOTUS, and ISHWISH. [ view playlist ] [ view Flickr image gallery ] [ play 30 second MP3 promo ]

Episode 100 Crosscurrents in Early Electronic Music: Italy—Part 1 Playlist Berio, Maderna, Nono, Zuccheri, RAI Studio di Fonologia Musicale (RAI), Milan Luciano Berio, “Mutazioni” (1955) from Prospettive Nella Musica (1956 RAI Radiotelevisione Italiana). The first complete tape work by Berio at the newly founded RAI studio, which he was running with composer Bruno Maderna. Sound engineering by Marino Zuccheri. Berio and Maderna kept an open mind about the music that would be produced under its roof. They did not align themselves aesthetically with either the musique concrète approach taken in Paris or the serialist, rules-based composing style of Cologne. “Bruno and I immediately agreed,” explained Berio, “that our work should not be directed in a systematic way, either toward recording acoustic sounds or toward a systematic serialism based on discrete pitches.”[1] As a consequence, Alfredo Lietti Marino Zuccheri, engineers for the studio, filled it with equipment that appealed to a wide spectrum of compositional needs. In 1956, studio no. 3 at RAI had a custom-built cabinet with six vertical racks consisting of audio generators (9 sine wave oscillators, 1 white noise generator, 1 pulse generator), sound modifiers (plate reverb, octave filter, high pass filter, low-pass filter, variable band-pass filter, third-octave filter, ring and amplitude modulators), and a mixing panel. Several tape recorders were available mix and match sounds. You can almost sense the excitement of the creation of these foundational works as each composer brought their own individualism to the sound a translated that into electronic music. 3:36 Berio & Maderna, “Ritatto di Città (poema radiofonico)” (1955) (1955 RAI). File from the RAI Archives. This is an excerpt from a radiophonic production that was 26' long. 6:05 Bruno Maderna, “Notturno” (1956) from Prospettive Nella Musica (1956 RAI Radiotelevisione Italiana). Maderna's first official solo tape work produced at the RAI studio. From an original disc released by the RAI in 1956. 3:24 Luciano Berio, “Perspectives” from Prospettive Nella Musica (1956 RAI Radiotelevisione Italiana). An eight-part work of experiments in transforming musical sounds and rhythms with electronic manipulation. 6:36 Bruno Maderna, “Música su Due Dimensioni” from História da Música Eletroacústica (1958). 7:10 Luciano Berio, “Momenti”(1960) from Images Fantastiques (Electronic Experimental Music) (1968 Limelight). This release was an American collection of European electronic music released on the Limelight label, a subsidiary of Philips. Although released a few years after “Momenti” was available elsewhere, this was an album that captivated my imagination at the time. You hear Berio's innate sense for fashioning unique sounds and rhythms with this sound material, adding some reverb to give it depth, producing audio that is reminiscent of natural sounds, but transformed to give it an other-worldly quality. 7:02 Bruno Maderna, “Dimensioni II (Inventione su Una Voce)” from Musica Elettronica / Electronic Music (1994 Stradivarius). Anyone familiar with Italian new music will know the name of Cathy Berberian. She was an American operatic mezzo-soprano and for a time (1950-64) was married to Luciano Berio. She was a kind of muse for the modern composers at the Milan studio, lending her incredible vocal capabilities to tracks that could then be transformed into electronic music. One such famous piece, not included here because it is so familiar, is “Thema (Omaggio a Joyce)” by Berio. Instead, I wanted to feature another tape piece, this one by Maderna, because he not only transforms Berberian's voice using electronic techniques but allows her to express herself as well in some unmodified sections. This marks a period where Maderna was longer magnetic tape pieces, ten minutes or more each. Unlike his shorter, more frenetic works, these longer pieces gave him time to develop themes, apply long silences, and structure his works around variations on his audio materials. 10:52 Luigi Nono, “Omaggio a Vedova” (1960) (1976 Wergo). A magnetic tape work by another outstanding contributor to electronic music in Italy, Luigi Nono. Like Berio, Nono went on to be better known for his instrumental and vocal compositions. This work is an homage to artist Emelie Vedova. Note that we feature another homage to Vedova from 1967 later in the podcast, “Parete 1967 _1” by Marino Zuccheri. 4:52 Niccolò Castiglioni, “Divertimento” (1960) from Elektron 3 (1967 Sugar Music). Produced at the Studio di Fonologia Musicale di Milano. Castiglioni was an Italian composer, born in Milan who later came to the United States to teach composition at the University of Michigan. This work sounds a bit like chirping insects and is the only tape piece he produced at the RAI. 2:38 Bruno Maderna, “Le Rire” (1962)” from Musica Elettronica / Electronic Music (1994 Stradivarius). Another long-form tape piece by Maderna. The voices heard and processed are those of Maderna, Cathy Berberian, and the sound designer Marino Zuccheri. The sounds in the beginning are modulated by sine waves and filters, plus some occasional ambient sounds like footsteps and rain. The second part of the work, beginning around the 11-minute mark, switches to more traditional musique concrete sounds reminiscent of drums, flutes, as well as white noise. 15:53 Luigi Nono, “La Fabbrica Illuminata” for voice and magnetic tape (1964) from Luigi Nono La Fabbrica Illuminata (1968 Wergo). Nono was also expanding his use of electronic sounds and wrapping them in vocal music. This work combines sounds created at the RAI with vocals written for a choir ( Chor Der RAI Mailand) and sopranos (Carla Henius). Marino Zuccheri helped Nono with the tape music. 16:28 Jon Hassell, “Music for Two Vibraphones” (1965) (1965 RAI). Yes, this is the Jon Hassell, the American composer and trumpeter. I know he is American, but I couldn't resist including this brief track that he recorded while in Milan in 1965. To my ears, this has an especially digital sound, especially when you consider how time consuming it must have been to assemble the opening sequence using tape editing. It is also a work of contrasts, with the explosive opening section giving way to about a minute of extremely quiet, almost ambient sound to close the work. 2:43 Marino Zuccheri, “Parete 1967 _1” (1967) from Parete '67 Per Emilio Vedova (2018 Die Schachtel). The sound mixer and designer at the RAI studio, Zuccheri often appears as a credit on works created in the studio. Working as a sound technician after World War II, Zuccheri was transferred to the RAI headquarters in Milan where he met Luciano Berio. He was instrumental in developing the system and layout of the Studio di Fonologia Musicale, where he worked until 1983. His close collaboration with the composers working at the Studio, above all Berio, Maderna and Nono, gave rise most of their notable tape pieces. Visitors, such as John Cage, were quick to acknowledge his steady hand as chief orchestrator of sound and engineering at the studio. He was often asked to provide electronic music for broadcast and film productions, of which this is one, a collaboration with Emilio Vedova for the preparation of the Italian pavilion of the Montreal Expo. 15:03 Luigi Nono, “Contrappunto Dialettico Alla Mente” (For Magnetic Tape)(1968) from Roland Kayn / Luigi Nono – Cybernetics III / Contrappunto Dialettico Alla Mente (1970 DGG). Another one of Nono's exquisite works combining vocals and electronic music on magnetic tape, recorded at RAI. In this work you can see how Nono complements the sound palette of the usual RAI sounds with sounds that are uniquely presented by human voices. Chorus, Coro Da Camera Della RAI; Conductor, Nino Antonellini; Soprano Vocals, Liliana Poli; Other Voices, Cadigia Bove, Elena Vicini, Marisa Mazzoni, Umberto Troni. 19:48 Opening background music: Bruno Maderna, “Serenata III” (1962)” from Musica Elettronica / Electronic Music (1994 Stradivarius). 11:20 Opening and closing sequences voiced by Anne Benkovitz. Additional opening, closing, and other incidental music by Thom Holmes. See my companion blog that I write for the Bob Moog Foundation. For additional notes, please see my blog, Noise and Notations.   [1] Joel Chadabe, Electric Sound: The Past and Promise of Electronic Music (Upper Saddle River, NJ: Prentice Hall, 1997), 48

Second single from Golden Ivy's third album, Kammarn. If Ivar Lantz gave us the expanse of Scandinavia's forests on Monika, the debut album from 2018, and the darkness from all the villages of the sparsely populated area on the sequel Kläppen, in 2019, then Golden Ivy's third album Kammarn takes us even closer to the Nordic epicenter of the universe. Kammarn picks up where Kläppen ends and continues softly down into the darkness with strings and slow pulsing rhythms. Still with one eye on Jon Hassell and with the same roots in the soil as Joakim Skogsberg, but with a decade as a Malmö resident, the roots go down just as much in the soil of the streets of Malmö's outer edges, from Norra Gränges to Inre Hamnen. Folk music for people who have never been outside the city limits.

First single from Golden Ivy's third album, Kammarn. If Ivar Lantz gave us the expanse of Scandinavia's forests on Monika, the debut album from 2018, and the darkness from all the villages of the sparsely populated area on the sequel Kläppen, in 2019, then Golden Ivy's third album Kammarn takes us even closer to the Nordic epicenter of the universe. Kammarn picks up where Kläppen ends and continues softly down into the darkness with strings and slow pulsing rhythms. Still with one eye on Jon Hassell and with the same roots in the soil as Joakim Skogsberg, but with a decade as a Malmö resident, the roots go down just as much in the soil of the streets of Malmö's outer edges, from Norra Gränges to Inre Hamnen. Folk music for people who have never been outside the city limits. You want it darker? Released by: Malmö Inre Album release date: 19 May 2023

Dans cette 1009e édition nous allons parler de civilisations avancées dans notre Galaxie, évoquer des langues des langues encore peu connues, parler d'une réserve naturelle étonnante et évoquer Jon Hassell et ses inédits.

Mag je de Canto Ostinato van Simeon ten Holt beschouwen als een oervoorbeeld van 'neoklassiek'? Ja, dat mag. Razend populair, goed toegankelijk, klassiek maar niet eeuwenoud, talloze keren gecoverd (wat iets anders is dan 'uitgevoerd') (al is het ook talloze keren uitgevoerd), popi bij een breed publiek dat niet per se tot de die hard klassiko's behoort, en - althans volgens de componist zelf - onverklaarbaar en raadselachtig. PA'dam olv Maria van Nieukerken brengt volgend weekend een versie voor koor en klein ensemble, tijdens het Simeon Ten Holt Festival in Utrecht (hij is 24/1 100 jaar geleden geboren). We verwijlen een uurtje in de sfeer. En gaan de nacht in met Jon Hassell, trouwens. Ook neo? 23.04 LP If I could only remember my name (Atlantic SD7203) David Crosby: Orleans David Crosby 1'57” CD Toonzetters (7MNTN Recores 7MNTN-041) Celia Swart: Losing Shane van Neerden [piano] 2'43” 23.10 CD Canto Ostinato ( Emergo Classics – EC 3944-2) Simeon ten Holt: Canto Ostinato Kees Wieringa + Polo de Haas 5'10” 23.23 eigen opname Simeon ten Holt: Canto Ostinato PA'dam olv Maria van Nieukerken 2'41” 23.28 CD Canto Ostinato (Cobra Records Cobra 0074) Simeon ten Holt: Canto Ostinato Nederlands Saxofoon Octet 5'12” CD Canto Ostinato (Art Unorganized AUO4607202105) Simeon ten Holt: Canto Ostinato Aart Bergwerff [orgel] 3'57” CD Canto Ostinato XL (Brilliant Classics – 9453) Simeon ten Holt: Canto Ostinato 3 piano's en orgel, Jeroen van Veen, Sandra van Veen, Marcel Bergmann, Aart Bergwerff, 4'41” CD Canto Ostinato (VOID Classics – VOID 9910) Simeon ten Holt: Canto Ostinato piano solo Ivo Janssen 4'35” CD Canto Ostinato XL (Brilliant Classics – 9453) Simeon ten Holt: Canto Ostinato multitrack marimba's: Peter Elbertse 4'25” CD Canto Ostinato (Organroxx z.nr.) Simeon ten Holt: Canto Ostinato orgel en zang: Aart Bergwerff & Wishful Singing 3'29” CD Canto Ostinato XL (Brilliant Classics – 9453) Simeon ten Holt: Canto Ostinato Jeroen en Sandra van Veen [piano]; Esther Doornink en Peter Elbertse [marimba] 7'53” 23.46 LP The Living City (Ndeya NDEYA8LP) Jon Hassell: Nightsky Jon Hassel Band JON HASSELL trumpet, keyboards GREGG ARREGUIN guitar JEFF RONA keyboards, sampled percussion ADAM RUDOLPH acoustic and sampled percussion DANIEL SCHWARTZ bass 11'00”

1 Jon Hassell - Blues Nite (us, 1978) Jon Hassell es un trompetista y compositor americano nacido en Tennessee (US) en 1937. Murió en california en el 2021. Creador de un estilo de música que describió como “cuarto mundo”, música misteriosa e híbrida un tanto antigua como digital, compuesta e improvisada, de oriente y occidente. Con estudios universitarios en USA marchó a Europa para formarse en la música electrónica. A los años volvió a Nueva York donde realizó sus primeras grabaciones con los maestros minimalistas "La monte Young" y "Terry Riley". Después de sus estudios se fue a Europa a estudiar música electrónica coincidiendo con Karlheinz Stockhausen. Varios años más tarde, regresó a Nueva York, donde realizó sus primeras grabaciones y conoció al maestro del ragga indostaní, "Pandit Pran Nath. -- 2 Giulio Maresca + gianluca angelini - Fog (IT, 2010) Giulio Maresca surge de la escena electrónica romana a través de diferentes proyectos, residente de los proyectos “Glucose” y “Container Project”, profesor de Ableton Live, compositor de música para video y locutor en “NEA radio”, “Brancaleone” y “Container radio” -- 3 Marco Shuttle - Convolute (IT, 2018) Marco siempre ha logrado mucho con poco, y esa es la singular estética que lo distingue. Sus sonidos Techno/Cinematográficos son son poco orgánicos. Creando una sutil presión con ritmos meticulosos dejando llevar a los oyentes a un lugar no conocido y emocionante. Se ha convertido en un firme favorito publicando en algunos de los sellos más venerados del momento, desde el famoso club neoyorquino "The bunker's" hasta el intocable "Time To Express" de Peter Van Hoesen a través de Clone sos, siendo su sello habitual, "eerie records". Se formó como diseñador de moda en la conocida escuela "St Martin's". Su trabajo creativo es un enfoque en la textura abstracta pero orgánica y lo mismo se representa en sus sets de dj. Su ecléctico sonido cerebral se inspira tanto en el jazz y la música concreta como en el acid house y el techno de detroit. Los primeros discos de ruptura como su 'the vox attitude' han sido seguidos por grandes salidas abstractas en "Clone" y remixes para "Third Side", mientras que el futuro promete una colaboración con su compatriota, compañero productor y amigo Donato Dozzy como "Anxur", que aterrizará en "eerie records". -- 4 Harmonious Thelonious - Low Beat (uk, 2017) "Harmonious Thelonious" es el proyecto en solitario de Stefan Schwander (Düsseldorf), centrado en ritmos ásperos y texturas densas inspiradas en la música minimalista americana y los patrones rítmicos africanos. Desde 2008 ha editado sus trabajos en diferentes sellos del mundo, siendo muy bien valorado en su territorio musical. -- 5 Varuna - Ratu (NL, 2020) Un track con maravillosos paisajes sonoros de género Techno con pinceladas de ambient y minimal predominando un ambiente misterioso. escucha perfecta para casi cualquier estado de ánimo. esto nos aporta Varuna con este track. -- 6 Moisk - Now it is personal (BE, 2021) Moisk, con sede en Vilnius, Lituania, para el sello belga 'Pleasure Express' con el EP “Melancholic Raver” donde combina ritmos tribales profundos con voces y paisajes sonoros de otro mundo. una bondad ácida elegantemente envuelta en patrones de breakbeat y percusiones ralentizadas. -- 7 Gianluca Angelini - droids era (it, 2010) Gianluca Angelini es un productor italiano devoto de los sonidos ambient y experimental. Fundador del sello “ANG”, que nace en 2009 y se dedica al Ambient, IDM y Techno orgánico. - 7 Anubian lights - frequency of sand (us, 1998) Anubian Lights es un grupo electro-lounge de los ángeles nacido en 1995, dirigido por Tommy Greñas y Len del río. explorando continuamente las posibilidades del rock espacial, mezclan el kitsch de la ciencia ficción con el Acid-rock, la electrónica espaciada y la world-music, construyendo sus canciones capa a capa y llenando sus enganchados loops con sutiles detalles

Talking Heads y su trascendental disco "Remain In Light" es el elegido para este episodio, donde conversamos sobre sus canciones, la influencia de los ritmos africanos en su desarrollo, el rol de sus colaboradores, y mucho más.

Je dagelijkse portie muzikale verwondering. Welkom in mijn wonderkamer, vol muziek, verhalen en voorwerpen. Een muzikale reis door eeuwen, windstreken en genres.  ‘De kleur van september' Over David Sylvian Meer zien? Klik hier. (https://www.nporadio4.nl/klassiek/podcasts/83d0b789-cc0a-4219-82a7-215f69ec1954/dit-hoor-je-deze-week-in-franks-klassieke-wonderkamer-week-27-12-t-m-18-september) D. Sylvian September David Sylvian (zang) D. Sylvian  Brilliant Trees David Sylvian (zang) (Jon Hassell (trompet) & Ruyichi Sakamoto (electronica)) Franks Klassieke Wonderkamer is straks niet meer via de Bach van de Dag feed te beluisteren. Niks missen? Abonneer je dan op de podcast Franks Klassieke Wonderkamer. 

    I love the strange exotic sounds of artists such as Jon Hassell, Andrew Pekler, and William Selman. Their music can take you on an audio journey to imaginary places halfway around the globe. My first 4th World Excursion mix was 4 years ago and I've only done one follow up, which is weird considering how much I enjoy this style.  Here are the first two in this series: https://www.mixcloud.com/lowlight/folding-water-fourth-world-excursions/ https://www.mixcloud.com/lowlight/strange-beauty-4th-world-excursions-vol-2/ And here is the new follow up - 4th World Excursions - Slow Water. This new mix follows a similar pattern and feel as the other two - using a combination of field recordings and the sounds of bells, drums, vibraphone, various mallet instruments, the vibe creates a feeling of floating in a small wooden boat in a lagoon somewhere in Indonesia. As the waves lap against the boat you can hear distant drums, crickets, jungle birds, frogs, and odd instruments lulling you to sleep. Of course there are electronic elements to keep things interesting. Here links to all the albums used in this mix in the order in which they appear: https://summerrecreationcamp.bandcamp.com/album/liquid-rhythm https://vagueimaginaires.bandcamp.com/album/l-le-dor https://riteshindi.bandcamp.com/album/animas-k https://ulyssa.bandcamp.com/album/rio-nilo-66 https://huinalidub.bandcamp.com/album/early-horizons-hnl008 https://graphicalrecordings.bandcamp.com/album/ocean-front-property https://mikecooper.bandcamp.com/album/oceans-of-milk-and-treacle https://andrewpekler.bandcamp.com/album/palimpsests https://williamselman.bandcamp.com/album/naming-before-names https://handstitched.bandcamp.com/album/teygja-part-b https://paulineannastrom.bandcamp.com/album/angel-tears-in-sunlight https://hawsepiper.bandcamp.com/album/red-knot-returns https://andrewpekler.bandcamp.com/album/sounds-from-phantom-islands https://www.sargasso.com/product/felipe-otondo-mombasa/ https://real-soon.bandcamp.com/album/the-sun-in-the-east   Cheers!   T R A C K L I S T : 00:00    Jason Kolàr - Bells (Liquid Rhythm 2022) 04:00    Vague Imaginaries - Montagnes Flottantes (L'​î​le D'or 2020) 07:50    Jarguna - Shuar Tales (Animas-k 2021) 10:20    Thunder & FX 11:40    Ethan Braun & Sam Gendel - 1/2 Sculpture (Rio Nilo 66 2021) 14:40    David de la Haye - The Pond Listener (With Ears Underwater 2022) 15:20    David de la Haye - March Towards the Light (With Ears Underwater 2022) 16:05    Inhmost - Waters Edge (Early Horizons 2021) 20:10    Mark Templeton - Channel Shifting (Ocean Front Property 2020) 22:00    Mike Cooper - Towards Great Piles Of Masonry (Oceans Of Milk & Treacle 2022) 23:45    Andrew Pekler & Giuseppe Ielasi - Baden-Baden (Palimpsests 2021) 26:12    Jason Kolàr - Magic Random Exotism (Liquid Rhythm 2022) 29:15    Vague Imaginaries - Mais (L'​î​le D'or 2020) 34:40    William Selman - Realgar Bay (Naming Before Names 2020) 40:18    Maps and Diagrams - One Day (Teygja Part B 2021) 42:35    Pauline Anna Strom - Tropical Rainforest (Angel Tears in Sunlight 2021) 47:25    Hawsepiper - Air Stones (Red Knot Returns 2021) 51:15    Andrew Pekler - Tuanahe (Sounds From Phantom Islands 2019) 55:15    Felipe Otondo – Mombasa (Mombasa 2022) 57:25    Loren Nerell & Mark Seelig - Kayon (Tree of Life 2014) 58:45    Ultramarine - Signals Into Space (The Sun in the East 2020) 65:00    end

I'm still swamped with work, especially now that the semester has begun. New episodes will arrive later this fall. Until then, here is another bonus mix. It's probably my favorite mix I've ever done, made for Secret Thirteen, originally published in December 2014. S13 founder Justinas Mikulskis writes: “Secret Thirteen 139” is a picturesque and unique mix composed by Joseph Sannicandro. This mix is like a truly precious musical treasure every die-hard music lover could be searching for ages. In this over 1 hour long musical mosaic Joseph connects 55 pieces by his beloved and inspirational artists such as Tim Hecker, Vladislav Delay, Jon Hassell, Giuseppe Ielasi, Hue, Nicola Ratti, Machinefabriek, Klaus Schulze, MB, Steve Roden and many others, to form a complex, but at the same time a delightful soundscape. The opening and closing recordings by his The New Objective project tightly binds the overall mix's concept and mood. The mix radiates a strange musical luminosity, which guides the mind and the soul to the pure infinite satisfaction even when it is played in complete darkness. Divine ambiance, unexpected twists between music genres, fluid melodies and harmonious and thoughtful attitude to even the smallest details bring this mix to another dimension, a dimension where the nature meets man and his fundamental desire to perceive cosmos. As Joseph whispered, the mix could stand in parallel with Giuseppe Penone's metaphorical sculpture “The Hidden Life Within“. And it's quite a good example, because both, mix and sculpture, are based on the magical and fantastic groundwork, also the form, which could not be replicated. In the beginning we asked Joseph to interpret the outer space theme with his mix through his own perspective, but in the end the recording expanded into a much deeper, more metaphysical exploration of the whole universe with all it's phenomenons and wonders. Please, take a moment to read Joseph's keen comment about the mix. Read more about the mix, including tracklisting: secretthirteen.org/joseph-sannican…ser-listen-mix/ acloserlisten.com/2015/01/10/acl-m…/#comment-127414 --- Support this podcast: https://anchor.fm/soundpropositions/support

In previous episodes, we've talked about what people commonly understand as fusion, which drummer Lenny White, who appeared in episode two of this series, prefers to call jazz-rock. That's the version that starts with Miles Davis's Bitches Brew and Tony Williams' Lifetime and quickly branches out with Mahavishnu Orchestra and Return To Forever and Weather Report and on and on. But as we've continued the discussion, we've expanded the scope of inquiry to include adventurous funk and R&B fusion, which includes everything from P-Funk and Earth, Wind & Fire and the Ohio Players — and wow, do the Ohio Players deserve a place in the fusion conversation that they are very rarely granted — to Donald Byrd and Freddie Hubbard and especially George Duke.Adam Rudolph is a fusion artist in about as broad a sense as you can imagine. He's been a percussionist for close to 50 years, and should be much better known than he is. He's been around since the early '70s and has worked with everyone: Yusef Lateef, Fred Anderson, Don Cherry, Roscoe Mitchell, Pharoah Sanders, Sam Rivers, Wadada Leo Smith, Herbie Hancock, Maulawi, Foday Musa Suso, Hassan Hakmoun, Jon Hassell… he's part of the Bill Laswell company of players, too, so he's on a zillion records through that connection. Plus he leads two main groups of his own, Moving Pictures and the Go! Organic Orchestra, which have made many, many albums and even crossed over with each other a time or two.Adam and I had a really fascinating conversation over the course of two phone calls. The impetus was Symphonic Tone Poem For Brother Yusef, a collaboration between him and reeds player Bennie Maupin that's just been released. Bennie Maupin of course is a legend on his own — he played on Miles Davis's Bitches Brew and On The Corner, he was a member of Marion Brown's group in the 1960s, he was in Mwandishi and the Headhunters with Herbie Hancock, he played with Woody Shaw, and his own album from 1974, The Jewel In The Lotus, is an absolutely brilliant record that blends spiritual jazz with almost New Age ambient music. There's really no other album like it; if you've never heard it, it's a must-hear. So obviously Rudolph and I talk about Maupin, whom he's worked with off and on for decades, but we also talk about Laswell and about Lateef and about the whole idea of world music and fusion-as-creative-mindset that I've been discussing with every artist I've interviewed for the podcast this year. We talk a lot about the philosophy that goes into bringing together musicians from all sorts of traditions, from all over the globe, and finding ways to make their ideas flow together. That's what he does with Go! Organic Orchestra, the membership of which is completely open and the music of which is created through spontaneous conduction. So he was really the ideal person to talk about all this stuff with. I think you'll come away from this episode with a lot to think about. I know I did. And I hope you enjoy listening to it. All the music you'll hear, by the way, comes from Symphonic Tone Poem For Brother Yusef. 

Solénoïde (11.07.2022) - Déambulez 55 minutes durant à travers les contrées imaginaires d'artistes singulièrement audacieux ! Dans son 21ème disque ‘Nomad Songs' (ECM), le majorquin Stephan Micus utilise deux nouveaux instruments ancestraux, l'un originaire du Maroc et l'autre du Botswana. Par le biais de combinaisons instrumentales encore inédites, ce passionné des traditions ethniques continue d'élargir un univers sonore absolument fascinant. Depuis la Norvège, Erland Dahlen nous dévoilera ses talents percussifs et mélodiques en puisant dans sa large collection d'instruments incluant une machine à écrire et des moules à gâteaux en acier. En convoquant harmonica, percus traditionnelles ou encore guitare préparée, l'allemand Andreas O Hirsch déploiera un paysagisme sonore trouble et évocateur, proche des mondes de Jon Hassell et Biosphere. Le franco-sicilien Frank Riggio nous transportera quant à lui dans un trip sonique aussi éprouvant qu'attrayant, passant de la techno cinématographique à un hip-hop psychédélique !

It doesn't take much: a quiet drone, soft skin drums, and hand claps in this case — but it opens up an immersive perceptual world that's encoded in the word "trance." Trance music has a surprisingly long provenance, stretching back from the electronic beats of today to the mists of prehistory. Whether fueled by psychoactive substances, ecstatic group experiences, or just applied boredom, the world of trance music has proven both durable and adaptable. There's acid trance, epic trance, euro-trance, tech and progressive trance, vocal trance, and dream trance — just to mention the electronic dance variations. From the traditional acoustic drumming of North Africa/ to the relentless pounding of 140 beats per minute on the electronic dance floor, repetition and the power of extended, slowly changing rhythms are the foundation. Add infinite feedback guitar and Ambient electronics, and you have a sonic vehicle for travel to exotic virtual spaces. On this transmission of Hearts of Space, an ethno-tronic journey on psycho-active trance rhythms, on a program called TRANCE PLANET. If the name sounds familiar, it was used in the 1990s for a series of World Music compilations on the late Triloka Records label. Music is by TIM GERWING, FRORE & SHANE MORRIS, MICHEL BANABILA, ROBERT RICH, JON HASSELL, MA JA LE & VIR UNIS, and STILLPOINT. [ view playlist ] [ view Flickr image gallery ] [ play 30 second MP3 promo ]

Composer-performer Ben Neill reveals the history of his invention the Mutantrumpet, and his work over the years with Jon Hassell, John Cage, and La Monte Young, along with new ideas on where music will go in the coming decades. It will still have a beat, but will be played and heard in ways we can only dream of.

Episode 66 Those We Have Lost—Electronic Musicians Who Passed in 2021   Playlist In this episode, we pay tribute to electronic composers and musicians who passed in 2021. I've put together what I hope will be a satisfying playlist of these diverse artists and their works. Alvin Lucier, “Vespers” from Electric Sound (1972 Mainstream). This work was performed by Lucier and other members of the Sonic Arts union, David Behrman, Robert Ashley, and Gordon Mumma. The musical instrument was a device not intended for making electronic music. It was the Sondol, a hand-held pulse oscillator designed for “boat owners, acoustic engineers, and the blind.” Lucier bought a few of these devices and worked out a piece for echolocation. Each performer was equipped with a Sondol and asked to move blindfolded inside a defined performing space. This resulted in a work comprised of four independent streams of percussive pulses that sound as if they have their own relationship to one another as each musician moves about in the space. VESPERS is written as a prose score in which Lucier invites the performer to explore the world beyond human limits: “Dive with whales, fly with certain nocturnal birds or bats (particularly the common bat of Europe and North America of the family Vespertilionidae), or seek the help of other experts in the art of echolocation.” Richard H. Kirk, with Cabaret Voltaire, “Let it Come Down” from International Language (1993 Plastex). This album was released during a period of transformation for CV. Founding member Chris Watson had left to pursue other sound interests, while Mallinder and Kirk remained and headed into the instrumental direction embodied by dance music. The liner notes for this album state, “Abandon thinking. Everything you will hear in the next seventy-four minutes is true. This music is dedicated to the Merry Pranksters past present & future.” Not sure what that means, but hey. This group was fantastic. Richard H. Kirk, solo, "Information Therapy" from Disposable Half-Truths (1980 Industrial Records). This was from Kirk's first solo cassette release while he maintained his parallel work with Cabaret Voltaire. Joel Chadabe, “Rendevous” from Rhythms for Computer and Percussion (1981 Lovely Music). Joel had such a long list of accomplishments in electronic music, a pioneer of analog systems as well as computer music. On this album, his collaboration with percussionist Jan Williams was startlingly fresh. Electronics, computer synthesizer system (Synclavier), Joel Chadabe; percussion, wood block, vibraphone, marimba, slit drum, log drum, temple block, cowbell, singing bowls, Jan Williams. "The equipment used in RHYTHMS is a portable minicomputer/digital synthesizer system designed and manufactured by New England Digital Corporation in Norwich, Vermont, expressly for making music." Jon Hassell, “Abu Gil” Last Night The Moon Came Dropping Its Clothes In The Street (2009 ECM). Trumpet, keyboard, composed by Jon Hassell; bass, Peter Freeman; Live sampling, Jan Bang; guitar, Rick Cox; drums, Helge Norbakken; violin, Kheir-Eddine M'Kachinche. Jon Hassell, “Wing Melodies” from Power Spot (1981 ECM). Trumpet, composed by Jon Hassell; guitar, electronic treatments, Michael Brook; electric bass, Brian Eno; electronic keyboards (bass, percussion, string sounds), Jean-Phillippe Rykiel; percussion, acoustic and electronic, alto flute, J. A. Deane; produced by Brian Eno and Daniel Lanois. Sophie, Eeehhh” from Nothing More to Say (2012 Huntleys & Palmers). Electronics, vocals, composed and performed by Sophie Xeon. I chose a couple of earlier tracks that were largely instrumental experiments. Sophie, “Elle” from Bipp/Elle (2013 Numbers). Electronics, vocals, composed and performed by Sophie Xeon. Sophie was primarily known for electronica dance music. Malcolm Cecil, “Gamerlonia Dawn” from Radiance (1981 Unity Records). Composed By, Performer, Producer, Engineer, Malcolm Cecil. English bassist and inventor of the unique TONTO synthesizer ("The Original New Timbral Orchestra"), a massive integrated synthesizer system that was used on many analog electronic albums in the early 1970s. Episode 36 was devoted to Cecil's work so you might want to catch-up with that to get more detail about this amazing musician and producer. This track uses TONTO and also features the “golden flute” of Paul Horn. Peter Zinovieff, “M Piriform” from Electronic Calendar—The EMS Tapes (2015 Space Age Recordings). Computer music from 1981 by the founder of EMS, Peter Zinovieff, with composer/conductor Justin Connolly. Collaborating with classical composer Connolly, Zinovieff created the electronic music in his Putney studio, using computer-controlled audio generators, and combined it with instrumental parts written by Connolly for soprano, flute, and violin. This performance of the work was staged in 1969 and featured Jane Manning (soprano), Judith Pearce (flute) and Pauline Scott (violin), who all played along with a tape recording of the electronic part. Murray Schafer, “Threnody” from Threnody (Youth Music by R. Murray Schafer) (1970 Melbourne). This Canadian release features an instrumental work with electronic sound by Schafer, who is perhaps more familiar to us as a creator of soundscapes and ambient audio experiments. But he also worked in traditional instrumental music and featured electronics in some of these. There are not many recordings such as this example from 52 years ago. Background music: Opening and closing sequences voiced by Anne Benkovitz. Additional opening, closing, and other incidental music by Thom Holmes. For additional notes, please see my blog, Noise and Notations.  

I dette afsnit af Rockhistorier hylder vi nogle af de musikere og sangere, der gik bort i det forbandede år 2021. Men trods pandemiens rasen spillede musikken heldigvis ufortrødent videre, selvom navnene på listen altså alle har givet deres sidste performance. Alderspræsident i denne ombæring er musicalgeniet Stephen Sondheim med 91 år, mens vor egen Søren Holm fra gruppen Liss tragisk nok kun blev 25. Der faldt et par giganter, heriblandt den sagnomspundne Lee “Scratch” Perry og produceren Phil Spector, der døde i det fængsel, hvor han sad inde for mord. Også jazzgiganten Chick Corea forlod denne tilstand og rockpioneren Don Everly forenedes med sin bror Phil et forhåbentlig dejligt sted, hvor de som The Everly Brothers kan lære englene et og andet om 'close harmony singing'. Og derudover alle de der mere eller mindre kultagtige figurer, der gør det så givende og interessant at være musiknørd. For sørgeligt som det er, har vi lov til at glæde os over den musik, de hver især efterlod.Værtskab og tilrettelæggelse: Klaus Lynggaard & Henrik Queitsch.Produktion: Christine Runøe.Trackliste:Stephen Sondheim (f. 1930) Glynis Johns: “Send in the Clowns” (1973) Lloyd Price (f. 1933): “Stagger Lee” (1958) Lee “Scratch” Perry (f. 1936) The Upsetters feat. Prince Jazzbo: “Croaking Lizard” (1976)Tom T. Hall (f. 1936): "The Year That Clayton Delaney Died" (1971)Margo Guryan (f. 1937): “Sunday Morning” (1968)Don Everly (f. 1937) The Everly Brothers: “Cathy's Clown” (1960)Jon Hassell (f. 1937) & Brian Eno: “Delta Rain Dream” (1980)Phil Spector (f. 1939) Ramones: “Baby I Love You” (1980) Michael Chapman (f. 1941): “Soulful Lady” (1970) Chick Corea (f. 1941): “Crystal Silence” (1972)Michael Nesmith (f. 1942) The Monkees: “The Girl I Knew Somewhere (1967)Wanda Young (f. 1943) The Marvelettes: “The Hunter Gets Captured by the Game” (1967)Bunny Wailer (f. 1947): “Fighting Against Conviction” (1976)Nancy Griffith (f. 1953): “Love at the Five and Dime” (1986)Robbie Shakespeare (f. 1953) Grace Jones: “My Jamaican Guy” (1982) Richard H. Kirk (f. 1956) Cabaret Voltaire: “A Touch of Evil” (1981)Steve Bronski (f. 1960) Bronski Beat: “Smalltown Boy” (1984)Jacob Andersen (f. 1960) C.V. Jørgensen: ”Datadisciplin” (1985) SOPHIE (f. 1986): “It's Okay to Cry” (2018)Søren Holm (f. 1996) Liss: Always (2015)

Episode 62 An Eggnogstic Synthesized Holiday Special   Playlist Here is an approximate order for the tracks, which are sometimes mixed with other sounds or played at the same time. Joseph Byrd, “Carol of the Bells” from A Christmas Yet to Come (1975 Takoma). USA. ARP 2600 Synthesizer with an Oberheim Expander Module. Bells only. Bob Wehrman, John Bezjian and Dusty Wakeman, “Ring Christmas Bells” from Christmas Becomes Electric (1984 Tropical Records). Not be confused with an album by the same name by The Moog Machine in 1969. Unnamed synthesizer programmed and performed by Bob Wehrman and John Bezjian. From Marina Del Rey in California. Bells only. Joseph Byrd, “Carillon” from A Christmas Yet to Come (1975 Takoma). USA. ARP 2600 Synthesizer with an Oberheim Expander Module. Bells only. Tod Dockstader, “Holiday Meltdown” from Recorded Music For Film, Radio & Television: Electronic Vol.1 (1979 Boosey & Hawkes). Yes! A manic collage of electronic sounds from New Yorker Dockstader who did this album of broadcast library music for a UK firm. Rudolf Escher, “The Long Christmas Dinner”(1960) from Anthology Of Dutch Electronic Tape Music: Volume 1 (1955-1966) (1978 Composer's Voice). Netherlands. Electronic tape composition. Douglas Leedy, “In Dulci Jubilo” from A Very Merry Electric Christmas to You (1970 Capitol). USA. Moog Modular Synthesizer and Buchla Synthesizer. Beck, “The Little Drum Machine Boy” from Just Say Noël (1996 Geffen). USA. Roland TR-808 Rhythm Composer. The Royal Philharmonic Orchestra, Paul Freeman, and The Chicago Synthesizer-Rhythm Ensemble, John Tatgenhorst, “The Little Drummer Boy” from Turned On Christmas (1985 Columbia). Just a little of this mixed-in with Beck. Philippe Renaux, “Noël Blanc” (“White Christmas”) from We Wish You A Cosmic Christmas (1977 Sinus). Belgium. Minimoog, Arp Axe, Arp Soloist, EMS Synthesizer, Stringman Crumar, Fender Rhodes, Electronic Drums. Paul Tanner, “Holiday on Saturn” from Music for Heavenly Bodies (1958 Omega). USA. Electro-theremin. Taeko Onuki, Inori (Prayer) from We Wish You A Merry Christmas (1984 Yen). A compilation of specially recorded Christmas-themed songs from various artists on the Yen Records label. Japanese synth-pop with vocals by Onuki. Maybe Ryuichi Sakamoto on keyboards. Mitch Miller & the Gang, “Give Peace a Chance—Thom's Festive Remix” from Peace Sing-Along (1970 Atlantic). USA. This is a tune that I remixed with other recordings. Don Voegeli, “Jingle Bells” long, short, and tag from Holiday & Seasonal Music (1977 EMI). USA. Produced at the Electrosonic Studio of the University of Wisconsin-Extension. Joseph Byrd, “Jingle Bells” from A Christmas Yet to Come (1975 Takoma). USA. ARP 2600 Synthesizer with an Oberheim Expander Module. Jimmy Smith, “The Christmas Song” from Christmas Cookin' (1964 Verve). USA. Hammond organ. Jean Jacques Perrey and Sy Mann, “Tijuana Christmas” from Switched on Santa (1970 Pickwick). USA. Moog Modular Synthesizer. Thom Holmes, Happy Christmas (War is Over) Lennon and Ono Sliding Moment remix (2001). Richie Havens, “End of the Season” from Alarm Clock (1970 Stormy Forest). A melancholic reflection on life from Mr. Havens, totally synthesized on the Moog Modular by Bob Margoleff. Jon Hassell, “Clairvoyance” from Last Night The Moon Came Dropping Its Clothes In The Street (Pentimento Volume One) (2009 ECM). Composer, keyboards, Jon Hassell; producer, bass, Peter Freeman; Live Sampling, Jan Bang; Violin, Kheir-Eddine M'Kachiche. Live recordings from Courtrais, Belgium, and London. Jon Hassell, “Courtrais” from Last Night The Moon Came Dropping Its Clothes In The Street (Pentimento Volume One) (2009 ECM). Composer, trumpet, keyboards, Jon Hassell; producer, bass, Peter Freeman; sampler, Dino J.A. Deane, Jan Bang; percussion, Steve Shehan; Live recordings from Courtrais, Belgium, and London. Opening and closing sequences voiced by Anne Benkovitz. Additional opening, closing, and other incidental music by Thom Holmes. For additional notes, please see my blog, Noise and Notations.

Solénoïde (06.12.2021) - Solénoïde installe ses antennes à Setúbal, une ville portuaire du Portugal, située à moins de 40 km du sud de Lisbonne. C'est dans cette région que réside notre invité Vitor Joaquim, un sorcier du design sonore. Dans son dernier album intitulé "Quietude", Vitor nous plonge dans des paysages narratifs en alliant habilement synthés granulaires, voix, piano, trompette et échantillonnages divers. Un travail sans faille à fort pouvoir magnétique. Séduit par la qualité de ces sonorités extatiques, Solénoïde se devait de lui consacrer une place de choix sur ces ondes ! Durant presque une heure, Vitor va nous balader dans un jeu de piste sonore au milieu de trompes du tibet, de luths africains, de réverbérations des années 70 et autres vibrations étourdissantes. Une heure d'explorations musicales qui nous fera voyager de Papouasie au Maroc, de l'Angleterre à l'Allemagne en passant par le Tibet, la Californie, le Tchad et bien sûr le Portugal.

Jeff Rona has fascinated me ever since he first appeared in Keyboard Magazine with his “The Reel World” column. It was a time when music-for-film was becoming interesting for tech-savvy musicians, and his writing fueled a lot of people's interest in that work. With a background that includes working with Mark Isham and Hans Zimmer, Jeff has been in the mix for some of the greatest soundtracks in the last quarter century. In our discussion, we review his background in school (with The Dartmouth System!), programming time with Roland, playing with Jon Hassell, working with some amazing producers and then moving into film music. We also get into some of his techniques, how he likes to use particular kinds of hardware, and how he puts together the palette for a film score. We also talk about his solo work (as well as an upcoming release), and learn a bit about what he is doing in games and TV. We are also very excited about a third edition of The Reel World (the book) which he is wrapping up for upcoming release. You can learn about all of this, and more, at his website: https://jeffrona.com You can also see all of the soundtracks that he's been credited for on his IMDB page: https://www.imdb.com/name/nm0006258/. Sheesh, what a list! Enjoy! Transcription available at http://www.darwingrosse.com/AMT/transcript-0363.html Exclusive extra content on the Patron page: https://www.patreon.com/darwingrosse

Tonight's edition of SITD features new music from Waclaw Zimpel, Ian Hawgood + Stijn Huwells + James Murray, Nightmares On Wax, Christina Vantzou, Antonymes, Earth House Hold, The Green Kingdom, Mikael Lind, Jakob Lindhagen + Dag Rosenqvist, plus some new re-releases and archives from Cylob and Ochre. Enjoying the show? Please support BFF.FM with a donation. Playlist 0′00″ Fen by Waclaw Zimpel on Wind Layers (7K!)

整理十日四川甘孜行的背景音乐，包括路上听到的藏族歌谣，Pavement 和 Mazzy Star 1990年代的老歌，固体李逵和 Connan Mockasin 近期的新作，以及从巴塘弦子曲《阿克祥巴》变形的一点尝试。本期海拔：2580米。 RIP Jon Hassell! 周末变奏 on Autopilot, vol. 4 曲目单： The Psychedelic Ensemble - Mother's Rhymes (00:15) 巴塘弦子曲 - 阿克祥巴 x Michael Gira - I See Them All Lined Up (07:32) Pavement - In The Mouth A Desert (11:18) 固体李逵 Solid Liqui - Combo Miss (14:37) Viagra Boys - In Spite of Ourselves (17:37) 科旦 - 索亚拉索 (22:34) DAMON - Don't You Feel Me (24:52) Jon Hassell, Brian Eno - Delta Rain Dream (27:20) The Byrds - Draft Morning (30:22) Chris Lucey - Girl From Vernon Mountain (32:49) Lord Of The Isles feat. Ellen Renton - Inheritance (35:37) Connan Mockasin feat. Ade - The Wolf (41:27) Masahiro Takahashi - Dripping Rain (46:06) Gigi Masin, Alessandro Monti - Snake Theory (51:52) Mazzy Star - Still Cold (56:40) *选曲/配音/制作/包装：方舟 *题图版式：六花 *私信/合作联络： 微博/网易云/小宇宙/汽水儿 @线性方舟 *《周末变奏》WX听友群敲门群主：aharddaysnight

American avant-garde composer JON HASSELL died in June 2021 aged 84. Of all the artists that have been featured on Hearts of Space, due to his wide influence, theoretical brilliance, and open-minded innovation, no one deserves a retrospective more than JON HASSELL. His 1978 debut album VERNAL EQUINOX set out his vision of what he called "Fourth World" music, which he defined as "a unified primitive/futuristic sound combining features of world ethnic styles with advanced electronic techniques." It's a vision that was influential with other musicians because it opened up new creative vistas rather than just rearranging the elements of old ones. His embrace of exotic cultures was always respectful and creative, never casual or exploitive. He saw less developed countries as places where tradition was still alive, and spirituality was inherent in their music. His principal instrument was the trumpet — electronically softened, harmonized and spatialized into what one writer said "sounded as if it were played by a Berber on a distant sand dune, or from a minaret in a deserted city." On this transmission of Hearts of Space, a JON HASSELL RETROSPECTIVE. [ view playlist ] [ view Flickr image gallery ] [ play 30 second MP3 promo ]

    Last year we lost Harold Budd. And now, just six months later, we lose another icon in Jon Hassell.  It's nearly impossible to overstate his importance in shaping an entirely new sound, what he would call Fourth World music. His music has influenced scores of musicians and listeners. I've included a lot of Hassell's music in mixes over the years. And, considering he just released a fine album last year, I expected to be featuring his music in mixes for many more years. This mix is not an overview of his career. It's a collection of tracks that fit together well, starting with a track from the little known Million Dollar Hotel soundtrack, all the way to the final track, Last Night the Moon Came, which sounds like a good finishing cut. I wish I could say something eloquent or profound about Jon Hassell and his music, but I'm not that type of writer. I let the music speak for itself and, wow, did his music speak to me and many others. I will miss him.  Thanks for all your great music, Jon.   T R A C K L I S T : 00:00    Jon Hassell Gregg Arreguin Jamie Muhoberac Peter Freeman - AM (The Million Dollar Hotel 200) 05:52    Brian Eno & Jon Hassell - Chemisty (Fourth World 1 Possible Musics 1980) 11:06    Jon Hassell - Cool Down Coda (Seeing Through Sound 2020) 12:25    Jon Hassell - Empire I (Aka/Darbari/Java - Magic Realism 1982) 13:52    Jon Hassell - Sundown Dance (Earthquake Island 1979) 18:09    Jon Hassell - Air (Power Spot 1986) 23:09    Jon Hassell - Malay (Dream Theory In Malaya 1981) 29:36    Jon Hassell - Out of Adedara (City: Works of Fiction 1990) 33:55    Jon Hassell - Map of Dusk (Myths 3 1987) 35:10    Jon Hassell - Timeless (Seeing Through Sound 2020) 42:44    Jon Hassell - Maarifa Street (Maarifa Street: Magic Realism, Vol. 2 2005) 49:32    Jon Hassell - These Times (Dream Theory In Malaya 1981) 51:23    Jon Hassell - Last Hight the Moon Came (Last Night The Moon Came Dropping Its Clothes In The Street 2009) 62:15    end

Í Víðsjá í dag verður meðal annars rætt við rithöfundinn Sjón um verk skosku myndlistarkonunnar Katie Paterson en verk hennar eru nú á sýningu í Nýlistasafninu í Marshall húsinu við Grandagarð. Gauti Kristmannsson bókmenntagagnrýnandi Víðsjár fjallar í dag um skáldsöguna Uppruna eftir Bosníumanninn og Þjóðverjann Sa?a Stani?ic sem komin er út í íslenskri þýðingu Elísu Bjargar Þorsteinsdóttur. Eldgos koma við sögu að gefnu tilefni í þættinum í dag. Og tónlistarhornið Heyrandi nær verður á sínum stað í Víðsjá á mánudegi, í dag fjallar Arnljótur Sigurðsson um afmælisbarn dagsins, bandaríska trompetskáldið Jon Hassell, og hugar að fyrirmyndum hans og þeim sem sótt hafa til hans innblástur.

      sounds swim all around drifting in the warm embrace of this strange beauty   This my second 4th world mix and it's similar to the 2018 version. It still follows the Jon Hassell esthetic of  "a unified primitive/futuristic sound combining features of world ethnic styles with advanced electronic techniques." Most of the tracks are new, 10 of the 17 tracks being from 2019 or 2020. I was almost done with the mix when an excellent new album from Halftribe dropped on the 24th. Listening to the first track I knew I had to buy it and sneak that cut into the mix somewhere. It fits perfectly. https://shimmeringmoodsrecords.bandcamp.com/album/cloud-dreaming-and-shadows The two recordings that got me going with this mix are Andrew Pekler - Sounds From Phantom Islands and Romeo Poirier - Hotel Nota. https://andrewpeklerfaitiche.bandcamp.com/album/sounds-from-phantom-islands https://sferic.bandcamp.com/album/hotel-nota One of my favorite parts of this mix comes at the 24:30 mark. There two tracks playing simultaneously. One from Eli Keszler is mostly percussion and the other by Walt Rockman is shimmering electric piano with under water vibe. I didn't intend on those two going together, I just accidentally left one of the tracks on my timeline and when they played together I knew I had to keep it.  I don't know if this type of mix works in the middle of autumn but I just couldn't put it off any longer. I hope you enjoy this Indonesian fever dream. Cheers!   T R A C K L I S T : 00:00    Andrew Pekler - Hy Brasil (Sounds From Phantom Islands 2019) 04:00    Roméo Poirier - Du rocher (Hotel Nota 2020) 07:45    Lemongrass - Bamboo House (Papillon 2012) 10:40    MNO - Souce (Ambient Marimba - MNO Sleeps 2020) 12:35    Wild Card - Under A Steel Gray Sky (Patterns In Cooperative Labor 2017) 15:25    Halftribe - Hiking With Eve (Cloud Dreaming And Shadows 2020) 20:25    Vieo Abiungo - A Branch Gave Way (The Dregs 2019) 22:45    unkown - mbira with drone (2018) 24:30    Eli Keszler - Which Swarms Around It (Stadium 2018)              played simultaneously with Walt Rockman - reflections under water 26:45    Ross Alexander - Albert Plays the Flute (Memorias, Vol. 1 - Bugandan Sacred Places 2017) 31:12    Wu Cloud - Weh Island (Pulsa Rimba 2020) 34:42    Luis Miehlich - Klock (Currents 2020) 38:10    Meitei - Utano (Komachi 2019) 41:50    the volume settings folder - i will not go now on the pastures to walk (Home Diaries 017 2020) 46:15    Terje Isungset - Float (Floating Rhythms 2000) 47:50    Forrest Fang - Water Village ambient remix (Letters To The Farthest Star 2015) 55:00    Aglaia - Offline views (Offline views 2019) 60:54    end  

Dans cette 980e édition nous allons feuilleter ensemble les livres de David Le Breton et de Camille Brunel, découvrir un nouvel album de Jon Hassell, parler de la chasse dans les zoos privés et nous interroger sur la vie en couple.

A two-hour mix for the longest night: Winter Solstice. To be played (and hopefully enjoyed) in the deepest darkness. "Dream All The Dark Away" ... --- originally published on Ambientblog --- December 21 is the longest night in the Northern hemisphere. It marks the start of Winter (even though it is also called "Midwinter"), but gradually the nights will slowly get shorter as to indicate spring will be coming, eventually. For the 2019 Winter Solstice, Dutch Radio station Concertzender Nederland programmed an 8-hour ambient music special from 23:00 until 07:00 (11pm to 7am). That's a good night's sleep for most people! My contribution was scheduled to close the night: from 05:00 to 07:00 (5am to 7am). For the context of this ambient night, I created a mix that is somewhat different from most Ambientblog.net mixes - after all, this was intended to be broadcast in the deepest hours of the darkest night of the year. So this one is more drone-oriented for the most part, slower, less 'dynamic' and less 'intense'. More info on https://www.ambientblog.net/blog/2019-12/winter-solstice-mix/ note: first time is start time, second time is fragment length 00:00 01:48 Suzanne Vega - Stay AwakeStay Awake (Various Interpretations Of Music From Vintage Disney Films), 1988, A&M Records00:20 05:09 Atom TM - Texturen ITexturen I, 2015, No.01:19 02:57 Chris Meloche - Loop 6 (Excerpt)X-Rated - The Electronic Files, 2002, Boudisque Records03:41 03:22 Thomas Koehner & Asmus Tietchens - Frühruin Part 1Σ + Frühruin (Kontakt Der Jünglinge Box), 2004, Die Stadt06:01 04:07 Thomas Köner - NuukNuuk, 2004, MillePlateauxMedia08:55 03:07 Akira Rabelais - Track 52Spelle Remixes, 2005, unreleased (private collection)09:05 03:39 Bass Communion - Sisters Oregon, Part 3Sisters Oregon, 2017, Drone Records11:07 06:15 Bass Communion - Sisters Oregon, Part 4Sisters Oregon, 2017, Drone Records14:27 04:52 Else Marie Pade & Jacob Kirkegaard - NimbostratusSvaevninger, 2013, Important Records16:24 05:42 Eliane Radigue - L'Île ResonanteOeuvres Electroniques, 2018, INA-GRM20:39 06:56 Brian Eno - Five Light PaintingsMusic From Installations, 2018, Opal Records26:00 04:15 Hilary Jeffery - Belfast Tromboscillator 2Belfast Tromboscillator, 2007, self-released28:37 05:53 James Plotkin & Mick Harris - DissolveCollapse, 1996, Asphodel31:24 06:23 Alva Noto & Ryuichi Sakamoto - GlassGlass, 2018, Noton34:44 05:48 Deep Listening Band - CCCC (Cistern Chapel Chance Chants)The Ready Made Boomerang, 1991, New Albion38:04 05:12 Michael Fahres - The Tubes (feat. Jon Hassell & Mark Atkins)The Tubes, 2007, Cold Blue Music41:21 06:02 William Basinski - WorryTwo Point Two, 2003, 12K45:05 08:22 Biosphere - ValchyrieX-Rated - The Electronic Files, 2002, Boudisque Records48:56 08:15 Yann Novak - SurroundingsSurroundings, 2017, Line53:08 07:23 Broeder Dieleman - Omer GiellietUut De Bron, 2015, Snowstar Records59:42 02:08 Jeff Bridges - Sleep, Dream, WakeupSleeping Tapes, 2015, Squarespace1:01:01 02:06 Morgen Wurde feat. Maria Estrella - Laesst LosPop Ambient 2020, 2019, Kompakt1:02:24 03:52 Monty Adkins - Secret DreamsRift Patterns, 2014, Audiobulb1:05:06 02:25 Ambrose Field & John Potter - Presque Quelque ChoseBeing Dufay, 2009, ECM1:06:52 03:00 A Winged Victory For The Sullen - Aqualung, MotherfuckerThe Undivided Five, 2019, Ninja Tune1:08:39 03:37 Jacob Kirkegaard - Opus Morturarium - ExcerptOpus Mors, 2019, Fonik1:10:49 05:56 Ben Lukas Boysen - The Behinian GospelGravity, 2013, Ad Noiseam1:14:49 01:53 Dean Hurley - Low Sustained MysteryAnthology Resource Vol. 1, 2017, Sacred Bones Records1:15:51 04:03 Jeff Greinke - Out From Under (excerpt)A Storm Of Drones, 1995, Asphodel1:18:46 04:22 Gray Acres - Unconditional Material Forces, 2019, Whitelabrecs1:20:49 05:54 Robert Henke - Studies Of Thunder Signal To Noise, 2004, Imbalance Computer Music1:24:35 04:34 James Murray - CarinaHeavenly Waters, 2017, Slowcraft1:28:34 03:27 Robert Rich - Senescent ArchitectureTactile Ground, 2019, Soundscape1:30:46 03:18 Kim Cascone - Lunar Gauzes-Alchemisphere Lunar Gauzes-Alchemisphere, 2012, eSpace1:32:52 09:44 Fovea Hex - We Dream All The Dark Away (Abul Mogard Remix)The Salt Garden II, 2017, Headphone Dust/Die Stadt1:41:18 03:23 Jana Winderen - SubmergedSubmerged, 2009, Touch1:42:51 09:04 Greg Haines - 183 TimesDigressions, 2012, Preservation 1:50:52 03:16 Chris Watson - Cima VerdeCima Verde, 2008, Fondazione Edmund Mach 1:52:50 06:37 Oliver Messiaen - Oraison, 1937Ohm - The Early Gurus Of Electronic Music 1948 - 1980, 2000, Ellipsis Arts1:58:22 01:30 Biosphere - SteinfjordThe Senja Recordings, 2019, Biophon Records

Fellow baby, Hunter Brown, joins Jake again. This time it's in Jake's home, where he struggles in between takes to properly mic an actual piano. Jake and Hunter discuss more dreams that they've had, and chat about how they got started in playing music.Music recommendations are “Parachute” by The Pretty Things, and “Vernal Equinox” by Jon Hassell.Hunter Brownhttps://www.instagram.com/huntrbrown/https://www.mixcloud.com/hunter-james-brown/Wake & Jakehttps://www.auxchicago.com/wake-jakehttps://www.instagram.com/wakeandjakepod/https://twitter.com/WakeandJakePodJake Fisherhttps://www.instagram.com/kennyg.g.allin/https://deathbotrecords.bandcamp.com/Music Composed by Jake FisherLogo by Baitul Javid

Vanligt folk heitir sænskt tríó sem er ekkert sérstaklega venjulegt. Don the Tiger er katalóníumaður sem syngur um hið hverfandi Aral vatn. Inn á milli þessarra listamanna hljómar bæði elektrónísk og akústísk músík eftir Jóhann Jóhannsson, Ryuitchi Sakamoto, Jon Hassell, Jim O'Rourke, Tyshawn Sorey, Ingrid Laubrock og Daníel Bjarnason. Hátalarinn býður gleðilegt tónlistarár.

Í þættinum er hugað að tónlist bandaríska trompetleikarans Jon Hassell. Hann fæddist í Memphis, lærði á trompet í New York og varð fyrir miklum áhrifum af tónlist Karlheinz Stockhausen í Köln á sjöunda áratugnum. Blandan sem Hassell hefur búið til úr öllu því sem hann hefur orðið fyrir á tónlistarsviðinu hefur stundum verið kölum "Fjórða heims" tónlist. Einnig hljóma nokkur skondin tóndæmi um rigninguna. Takemitsu, Ravel, Davíð Þór Jónsson og litháskir listamenn eru meðal þeirra sem sjá fyrir þeim skúraleiðingum.

    In the distance A lost, forgotten bell sings beyond the water   This is a set of music that adhere's to Jon Hassell's idea of a musical aesthetic that is "a unified primitive/futuristic sound combining features of world ethnic styles with advanced electronic techniques."   You'll find some drums, bells, gamelan, vibraphone and other mallet instruments as well as a healthy dose of field recordings. Hopefully the mix will make you feel like you're floating in a small, wooden boat anchored in an Indonesian bay.   Cheers! T R A C K L I S T :  00:00    Third Coast Percussion - Paddle to the Sea - Sanctuary 03:15    Andrew Pekler - Bororo 04:33    Jan Schulte - Klang Fangt An 06:05    William Selman - Thick Description 09:15    Jon Hassell - Empire I 10:25    Jon Hassell - Malay 13:00    Vieo Abiungo - Barges Bellow Their Foul Air(Sven Kacirek remix) 16:20    Abby Lee Tee - Riverside Burrows Pt. 2 18:25    Arp - Folding Water 22:10    O Yuki Conjugate - Cloud Cover 25:10    Andrew Pekler - Humidity Index / Khao Sok (Chopped and Screwed) 27:30    William Selman - The Island Before the Internet 31:35    Laraaji - Enthusiasm 33:45    Abby Lee Tee - Riverside Burrows Pt. 1 34:30    David Edren - Baulungan 36:25    Third Coast Percussion - Paddle to the Sea - The Lighthouse and Cabin 38:00    DR - IV 39:10    Michael Emenau - Waterphone 44:10    Jon Hassell - Miracle Steps 47:45    Andrew Pekler - Mirror Structures(Mirrored) 50:00    David Cunningham - Blue River 53:05    Nao Otsuka - Clock Chimes 56:15    Abby Lee Tee - Riverside Burrows Pt. 2 58:52    end        

Dans cette 948e édition nous allons voir que le trafic de déchets toxiques bat son plein, nous intéresser à nos rapports avec le monde animal, qualifier la neige et la glace en langue Inuit, parler de Blade Runner 2049 et (re)découvrir Jon Hassell.

В этом выпуске слушаем записи немецкого композитора-электронщика Клауса Шульце, который все время находится в поиске новых идей,звуков, мелодий.Звучат фрагменты из альбома "Moonlake" 2005 года. Во втрой части программы: труба в электронной музыке - Jon Hassell, David Sylvian, Talk Talk.

Джон Хасселл- американского композитор, трубач- новатор. Его фантастическая музыка- особое измерение или отдельная вселенная. Во второй части программы будет звучать музыка американского композитора и пианиста Харольда Бадда.