Podcasts about tina v

First actual mix in a long time, hope you guys enjoy. This is my first mix with 99.9% Original -Ū. music only with the exception of the intro for dramatic effect. Hope you guys enjoy it. Thanks for listening. Here's a screenplay of enter the multiverse to coincide with the commemoration of the SNL 50's anniversary/ L E G E N D S crossover. Fun Fact: The First appearence of Liz Lemon in this show {Enter The Multiverse} is in season one, which first aired in May of 2021. The 1st and subsequent seasons will soon be avalible for reading and listening on my website https://www.iamu.guru. Enjoy this mix and the avaliable downloads you'll find there and stay tuned for upcoming stuff. Just a reminder, all of my content is totally free for download. If you enjoy this series, drop a like and subscribe and follow on your favorite streaming platforms and all of my channels. Thanks for your continued support and listens/reads. Happy Passover; blessings and peace to you. -blu. INT. ALIEN SPACESHIP - DAY The cramped, metallic interior of an alien spacecraft. Two bizarre, multi-limbed ALIENS are locked in a furious argument. The sounds are not words, but a cacophony of distorted electronic noises. ALIEN 1 (A series of rapid, high-pitched BLIPS and WHIRS) ALIEN 2 (A deep, guttural GROWL followed by a drawn-out, wavering TONE) ALIEN 1 BLIM-BLIM-BLIM-BLIM— FLAU—FLAU—FLAU! ALIEN 2 —————EeeeeEeeeeeEEEEEEEEENNMMMMMMMMMNGGGGGGGGG!!! ALIEN 1 Wfuh! Alien 2 makes a highly offensive hand gesture. Alien 1 responds with a highly offensive gesture using another body part. Suddenly, RACHEL DRATCH, dressed impeccably and radiating an air of cool detachment, enters the scene and calmly observes the arguing aliens. RACHEL DRATCH (To herself, almost a whisper) Well, this is… something. CUT TO: INT. ROCKEFELLER PLAZA - SUNNI BLU'S OFFICE - DAY SUNNI BLU, sharp and impeccably dressed, stares with wide eyes at a ridiculously large ELECTRICITY BILL. Sunlight streams through the massive windows overlooking Rockefeller Plaza. SUNNI BLU (Muttering) Since when did keeping the lights on cost this much? Absorbing ConEd was supposed to *save* money. Suddenly, a disembodied VOICE echoes in the room. VOICE (V.O.) You will fail this test. SUNNI BLU (Startled) There's a test?! What test?! VOICE (V.O.) It came with a lesson— you didn't think there was going to be a test. CUT TO: EXT. THE LONELY ISLAND CLIFF - DAY ANDY (ALEKSI), dressed in surprisingly clean white robes despite the precarious location, stands on the edge of a towering cliff overlooking a vast ocean. He takes a running leap off the edge. ANDY —NO… He plummets downwards for a beat. Then, with a gentle WHOOSH, he lands perfectly upright on the sandy beach below. ANDY (CONT'D) I told you I could stick the landing. ALEKSI (V.O.) It wasn't always The Lonely Island… CUT TO: INT. HEAVENLY WAITING ROOM - DAY ALEKSI (ANDY SANDBERG), now with subtle, mischievous angelic wings, winks directly at the camera. ALEKSI guardian angel. TINA (O.S.) Whatever. Tina FEY, also with small, slightly more exasperated-looking wings, enters. ALEKSI winks extra harder at her. ALEKSI Hello. TINA Oh my God! ALEKSI I wish! At this point, I wish— unfortunately, those aren't the types of wishes I'm in charge of overseeing. A large, ornate PACKAGE appears unexpectedly at TINA's feet. TINA (CONT'D) When something appears unexpectedly at your doorstep, it's called a windfall, right? ALEKSI Yeah. I think that's what this is. TINA And when it's something you really need, it's a gift from God. Isn't it? ALEKSI Something like that. TINA Honestly, I thought it was just a gentler way of letting me know I was ugly— after a particularly horrible photo opportunity at the airport. ALEKSI —wow. TINA I had just been up for 72 plus hours straight and only slept something like 4 or 5–but of course— FLASHBACK: INT. AIRPORT SECURITY - EARLY MORNING A haggard and disheveled TINA sits slumped on a lopsided BEANBAG in the middle of the bustling security line. Bright lights shine in her face as various machines WHIR and BEEP, scanning her. TINA (V.O.) This was staggered sleep from atop a lopsided beanbag. TINA (Muttering) Agh, God! TINA (V.O.) I've been getting used to having lights shined in my face for awhile now. Still, I was not so ready for a full work up of my biometrics in this early morning crusade to Los Angeles. A stern-faced AGENT approaches her. AGENT The Agency thought you were terminally ill. TINA Terminally? Geez. The AGENT clears his throat. AGENT Consider this as, ah— Hm. Ojo translates directly to Eye. Doesn't it? TINA I see you. AGENT Undoubtedly. —an incentives. TINA I don't need anymore incentives, Captain. I need income. AGENT Oh, I'm the captain now? TINA You were always the captain. AGENT This is news to me. TINA News to the News. That's something new. AGENT Nothing is new. TINA But it's news to you. Sarcasm. I need a paycheck. AGENT Try looking pretty. TINA I tried. It didn't work. AGENT Try…harder. TINA (V.O.) New York had put spots and marks on my faces— a broken blood vessel from fighting some demonized African girl— and I'm sure that was what she was, after all… FLASHBACK: INT. APARTMENT - NIGHT TINA is struggling in a bizarre fight with a shadowy FIGURE. The scene has a surreal, “As Seen On TV” commercial feel. VOICEOVER (V.O.) Who tries to kill you, and then does their hair to be more like yours? That's major weird. TINA Major Tom. SHADOWY FIGURE Yeah. TINA (V.O.) Then again, since moving to New York… Oh, Holy shit. Everything is major weird. A shimmering PORTAL opens in the middle of the apartment. TITLE CARD: AS SEEN ON TV: PART III TINA (Staring at the portal) Where the fuck is part one and two?! SHADOWY FIGURE Maybe it starts at three! TINA Nothing “starts at three” SHADOWY FIGURE Maybe it's like Star Wars! TINA It's not like Star Wars! A CATACLYSMIC SPACESHIP COLLISION and EXPLOSION sound effect. TINA (CONT'D) …it's not like Star Wars. SHADOWY FIGURE Uh huh. It's better than star wars. A giant collective GASP is heard. TINA -_- *the world stops* TINA (CONT'D) -_- Suddenly, all sound ceases. TINA (CONT'D) Woah. That's different. SHADOWY FIGURE There: I fixed overpopulation. TINA But— SHADOWY FIGURE But what? I fixed it. TINA But— weren't some of those fans, also fans of this show. SHADOWY FIGURE Yeah, so? TINA Like an overwhelming majority. SHADOWY FIGURE Majority? Yeah— they're— These are nerds. TINA Fuck. Right. So where did you send them?! SHADOWY FIGURE Uh. Only to heaven. TINA What does that mean. SHADOWY FIGURE Heaven for any Star Wars fan— TINA Where is that. SHADOWY FIGURE The world where all of that stuff— is real. TINA What—what do you mean by that. SHADOWY FIGURE I sent them to Star World. TINA That sounds so fucking gay. SHADOWY FIGURE Cause it is. TINA Fuck. Oh, that's right— Non-star wars fans are sometimes Cynics Read: Major fucking assholes. I guess I fall into that category, eh— a little bit? SHADOWY FIGURE No duh. TINA “No duh.” What part of the nineties was your heyday? SHADOWY FIGURE All of them. TINA Jesus, Tina. You might be ancient. SHADOWY FIGURE I'm dust. TINA Hey— What. Why are you my assistant now. SHADOWY FIGURE Assistant? No. I'm your executive producer. TINA ExeCUTEive producer— you do put the cute in that. SHADOWY FIGURE (Not being cute, unamused, but still very cute) Ugh. Fine. SUDAKIS. JASON SUDAKIS appears CONT'D. And nobody cares, of course Because she is formerly gorgeous (Not no more) I'm standing on four paws I'm studying your laws If this was your office I'm your boss And I caught you taking your clothes off You're boring, I started to doze off Don't call me no more, hoe So now your broke You started a war slamming doors Because you can't find no more work Hoe Karen and Becky are probably blessings Cause they do not get me But I'm doing better and yet They are starting to sweat cause I'm starting to flex They're slamming the door They're starting a war They never been homeless before Or hungry and poor But no peace of mind? It's fine I'll probably find in time That they crossed the line And get left behind The red dots are trying To plot I'm crying a lot, I'm out of the box, jack I spring up but I do not pop I'm talking to God, He's telling you off, I'm calling him “her”, She's telling me “Sure, I'm not really sure, But I got the cure for your disease The God of Mercy, Mercy Me I got my first Mercedes in 1993 Look at me. CUT TO: INT. BACKSTAGE - NIGHT A very tall, redheaded SHOWMAN (CONAN O'BRIEN, though slightly off) has just finished a days-long BENDER. He is not the polished figure America knows. He shakily lines up a mysterious white substance on a grimy surface. CONAN (Muttering) Just… need… a little… pick-me-up. A mysterious FIGURE appears silently behind him. FIGURE Feeling better, Conan? Conan looks up, bleary-eyed, barely lifting his head. CONAN (Slurring) I don't know what you're saying. CONAN (V.O.) Apparently, that was the line, and I felt like I was crossing into a strange territory with this, one Conan O'Brien, and almost absolutely certain I was spelling his name wrong, but continued to do so anyway— one, because I refused to look him up, and two— because if ever I entered into a plot hole deep enough the mechanics of my own knowledge of hyper and multidimensional space travels to explain, then having a Conan O'Brien and a Conan O'Brian might become useful. Today, I want useful, because I wanted to go back to sleep with enough energy to still wake up with enough energy to run a mile on the full sized treadmill downstairs. Then, I had day-people things to do— and for whatever reason, this seemed like one of them. It was a welcome deviation from— A boisterous, red-faced MAN stumbles into the room. MAN O'Fallon, you old coot! CONAN (Confused) Oh year. MAN I told you the Irish were coming. *the fighting Irish. CONAN Ah yes, the fighting Irish— CONAN (V.O.) Apparently, this was some centuries long kind of battle between ancient clans//and so, I did my very best o find my way out of it, until A fierce, heavily tattooed WOMAN bursts in. WOMAN MUNROE!!!!! (V.O.) —i was found out. My surname was Scottish, but nonetheless, it was a fied older than borders were, anyway. CUT TO: EXT. MUSIC FESTIVAL - DAY A chaotic, vibrant music festival. ANDY (ALEKSI) approaches a gruff-looking SECURITY GUARD. ANDY Yo. SECURITY GUARD What's good. ANDY What's your deal with the KKK, anyway? SECURITY GUARD (Scoffs) I like them. They're funny. ANDY They— want to kill you. SECURITY GUARD That doesn't make them any less funny. In fact, now they might be more funny. ANDY Are you serious? SECURITY GUARD No, I'm funny. I like them blonde, Tall, dark skinned, Woah, scratch that. Narrow down my picks I like them Icelandic And Slavic Oh dear I like them impossible to topple over, No, God— Nevermind; I like them whiter than light snow on a cold night There you go I like them strong— But only in thought forms Keyboard warrior, But I'd like to get her in a choke hold So she'll stop snoring Oh God No Lord— I should win an award for this song I should win an award for this song I should win an award for this song MORGAN FREEMAN (V.O.) ANOTHER nomination. ANDY No way. This is crazy. ANDY spots SUNNI BLU in the crowd, looking stressed. ANDY (CONT'D) SUNNI, Do you have the academy on your payroll? SUNNI BLU (Shouting over the music) Ask the accountant? A stereotypical SUPER JEW ACCOUNTANT, complete with a large yarmulke and clutching a ledger, scurries past. SUPER JEW ACCOUNTANT actually, surprisingly, I think you're on theirs! See! SUNNI BLU Seriously?!! That's not anti semitic at all. (It's not, it's pro-semitic) More Jews and Rosecurucians More Jews and Rosicrucians! I took a bite out of you, And now I want my life back! Sharks. (And surfboards) More news and prosecutions More blues and resurrections More impossible erections Interject— —I should probably call a doctor. It's been way more than four hours. I have way more than four houses— I've way more than four flowers, I've way more than four dollars— I've way more than four collars with sparkles on them. I wear cargo pants for the ride home though. No homo. CUT TO: INT. HEADQUARTERS INTERROGATION ROOM - DAY CC (NATALIE PORTMAN, though not explicitly stated) enters the stark interrogation room. A MAN sits at a metal table, wrists chained. CC sits down opposite him, calm and composed. MAN I… am a trained assassin. CC That's— impressive. MAN There are people who want to murder you. CC Now I'm impressed with myself. MAN Is that so. CC Yes! Ah. Delighted, actually. MAN Who are you? CC “A charismatic number” writes the New York Times review of my most recently cherished endeavor. Which means for once in your life you might have actually been on time. Or just late enough, or just early enough, or— you know. It starts where I get there, or they were just waiting for me anyway. You know. Or you don't. MAN I don't. CC Then you should have plenty of time for self study between now and your execution. MAN Hah! My execution?! That's where this is heading. CC What about yours? MAN What about it? CC Have or haven't you been following along that this is what I've ultimately desired. My suffering ends in peace with knowing that you, too, shall cease to exist. INT. OBSERVATION ROOM - DAY Other DETECTIVES watch the interrogation through a one-way mirror, their faces grim. DETECTIVE 1 What could possibly be going on in there? DETECTIVE 2 Anything. DETECTIVE 3 I wonder what she's saying. DETECTIVE 1 Anything. DETECTIVE 2 Looks like she has him cornered. DETECTIVE 3 Maybe. DETECTIVE 1 Jesus, can you speak in anything more than one word sentences. DETECTIVE 2 No. BACK IN THE INTERROGATION ROOM, a heavy silence hangs in the air. MAN …Natalie? CC You wanted “CC” so I'm “CC” The MAN strains against his restraints. MAN Who who's this?! CC (V.O.) Suddenly my love affair with words and art and theatrical thoroughfare was coming to an end. This was something of a disaster set against the backdrop of a really real world— a world that seemed not to want me in it. CUT TO: EXT. NEW YORK CITY STREET - DAY LIZ LEMON (TINA FEY) walks down a crowded street, furiously dialing her cellphone. LIZ LEMON (Into phone, angry) Hello? CUT TO: EXT. MARDI GRAS PARADE - NEW ORLEANS - DAY TRACY JORDAN (also TINA FEY, in elaborate Mardi Gras attire) is on a vibrant parade float, throwing beads to the cheering crowd. His phone rings. TRACY JORDAN (Into phone, jovial) WHERE ARE YOU?! I'm on my way to the parade! LIZ LEMON (O.S.) I'm AT the parade! Where are YOU? TRACY JORDAN Not that parade! Mardi Gras! LIZ LEMON (O.S.) MARDI GRAS?! TRACY JORDAN Yeah! LIZ LEMON (O.S.) WHY?! YOU'RE SUPPOSED TO BE ON A FLOAT— In NEW YORK CITY— In 22 MINUTES. TRACY JORDAN Don't worry, I'll be there. LIZ LEMON (O.S.) YOU'LL BE THERE?! You're at a parade! In New Orleans! TRACY JORDAN It's Mardi Gras! LIZ LEMON (O.S.) I KNOW ITS— Tracy hangs up. He grins at the crowd and throws more beads. FADE OUT. {Enter The Multiverse} [The Festival Project.™] COPYRIGHT © THE FESTIVAL PROJECT 2019-2025 | THE COMPLEX COLLECTIVE. © ALL RIGHTS RESERVED. ©

First actual mix in a long time, hope you guys enjoy. This is my first mix with 99.9% Original -Ū. music only with the exception of the intro for dramatic effect. Hope you guys enjoy it. Thanks for listening. Here's a screenplay of enter the multiverse to coincide with the commemoration of the SNL 50's anniversary/ L E G E N D S crossover. Fun Fact: The First appearence of Liz Lemon in this show {Enter The Multiverse} is in season one, which first aired in May of 2021. The 1st and subsequent seasons will soon be avalible for reading and listening on my website https://www.iamu.guru. Enjoy this mix and the avaliable downloads you'll find there and stay tuned for upcoming stuff. Just a reminder, all of my content is totally free for download. If you enjoy this series, drop a like and subscribe and follow on your favorite streaming platforms and all of my channels. Thanks for your continued support and listens/reads. Happy Passover; blessings and peace to you. -blu. INT. ALIEN SPACESHIP - DAY The cramped, metallic interior of an alien spacecraft. Two bizarre, multi-limbed ALIENS are locked in a furious argument. The sounds are not words, but a cacophony of distorted electronic noises. ALIEN 1 (A series of rapid, high-pitched BLIPS and WHIRS) ALIEN 2 (A deep, guttural GROWL followed by a drawn-out, wavering TONE) ALIEN 1 BLIM-BLIM-BLIM-BLIM— FLAU—FLAU—FLAU! ALIEN 2 —————EeeeeEeeeeeEEEEEEEEENNMMMMMMMMMNGGGGGGGGG!!! ALIEN 1 Wfuh! Alien 2 makes a highly offensive hand gesture. Alien 1 responds with a highly offensive gesture using another body part. Suddenly, RACHEL DRATCH, dressed impeccably and radiating an air of cool detachment, enters the scene and calmly observes the arguing aliens. RACHEL DRATCH (To herself, almost a whisper) Well, this is… something. CUT TO: INT. ROCKEFELLER PLAZA - SUNNI BLU'S OFFICE - DAY SUNNI BLU, sharp and impeccably dressed, stares with wide eyes at a ridiculously large ELECTRICITY BILL. Sunlight streams through the massive windows overlooking Rockefeller Plaza. SUNNI BLU (Muttering) Since when did keeping the lights on cost this much? Absorbing ConEd was supposed to *save* money. Suddenly, a disembodied VOICE echoes in the room. VOICE (V.O.) You will fail this test. SUNNI BLU (Startled) There's a test?! What test?! VOICE (V.O.) It came with a lesson— you didn't think there was going to be a test. CUT TO: EXT. THE LONELY ISLAND CLIFF - DAY ANDY (ALEKSI), dressed in surprisingly clean white robes despite the precarious location, stands on the edge of a towering cliff overlooking a vast ocean. He takes a running leap off the edge. ANDY —NO… He plummets downwards for a beat. Then, with a gentle WHOOSH, he lands perfectly upright on the sandy beach below. ANDY (CONT'D) I told you I could stick the landing. ALEKSI (V.O.) It wasn't always The Lonely Island… CUT TO: INT. HEAVENLY WAITING ROOM - DAY ALEKSI (ANDY SANDBERG), now with subtle, mischievous angelic wings, winks directly at the camera. ALEKSI guardian angel. TINA (O.S.) Whatever. Tina FEY, also with small, slightly more exasperated-looking wings, enters. ALEKSI winks extra harder at her. ALEKSI Hello. TINA Oh my God! ALEKSI I wish! At this point, I wish— unfortunately, those aren't the types of wishes I'm in charge of overseeing. A large, ornate PACKAGE appears unexpectedly at TINA's feet. TINA (CONT'D) When something appears unexpectedly at your doorstep, it's called a windfall, right? ALEKSI Yeah. I think that's what this is. TINA And when it's something you really need, it's a gift from God. Isn't it? ALEKSI Something like that. TINA Honestly, I thought it was just a gentler way of letting me know I was ugly— after a particularly horrible photo opportunity at the airport. ALEKSI —wow. TINA I had just been up for 72 plus hours straight and only slept something like 4 or 5–but of course— FLASHBACK: INT. AIRPORT SECURITY - EARLY MORNING A haggard and disheveled TINA sits slumped on a lopsided BEANBAG in the middle of the bustling security line. Bright lights shine in her face as various machines WHIR and BEEP, scanning her. TINA (V.O.) This was staggered sleep from atop a lopsided beanbag. TINA (Muttering) Agh, God! TINA (V.O.) I've been getting used to having lights shined in my face for awhile now. Still, I was not so ready for a full work up of my biometrics in this early morning crusade to Los Angeles. A stern-faced AGENT approaches her. AGENT The Agency thought you were terminally ill. TINA Terminally? Geez. The AGENT clears his throat. AGENT Consider this as, ah— Hm. Ojo translates directly to Eye. Doesn't it? TINA I see you. AGENT Undoubtedly. —an incentives. TINA I don't need anymore incentives, Captain. I need income. AGENT Oh, I'm the captain now? TINA You were always the captain. AGENT This is news to me. TINA News to the News. That's something new. AGENT Nothing is new. TINA But it's news to you. Sarcasm. I need a paycheck. AGENT Try looking pretty. TINA I tried. It didn't work. AGENT Try…harder. TINA (V.O.) New York had put spots and marks on my faces— a broken blood vessel from fighting some demonized African girl— and I'm sure that was what she was, after all… FLASHBACK: INT. APARTMENT - NIGHT TINA is struggling in a bizarre fight with a shadowy FIGURE. The scene has a surreal, “As Seen On TV” commercial feel. VOICEOVER (V.O.) Who tries to kill you, and then does their hair to be more like yours? That's major weird. TINA Major Tom. SHADOWY FIGURE Yeah. TINA (V.O.) Then again, since moving to New York… Oh, Holy shit. Everything is major weird. A shimmering PORTAL opens in the middle of the apartment. TITLE CARD: AS SEEN ON TV: PART III TINA (Staring at the portal) Where the fuck is part one and two?! SHADOWY FIGURE Maybe it starts at three! TINA Nothing “starts at three” SHADOWY FIGURE Maybe it's like Star Wars! TINA It's not like Star Wars! A CATACLYSMIC SPACESHIP COLLISION and EXPLOSION sound effect. TINA (CONT'D) …it's not like Star Wars. SHADOWY FIGURE Uh huh. It's better than star wars. A giant collective GASP is heard. TINA -_- *the world stops* TINA (CONT'D) -_- Suddenly, all sound ceases. TINA (CONT'D) Woah. That's different. SHADOWY FIGURE There: I fixed overpopulation. TINA But— SHADOWY FIGURE But what? I fixed it. TINA But— weren't some of those fans, also fans of this show. SHADOWY FIGURE Yeah, so? TINA Like an overwhelming majority. SHADOWY FIGURE Majority? Yeah— they're— These are nerds. TINA Fuck. Right. So where did you send them?! SHADOWY FIGURE Uh. Only to heaven. TINA What does that mean. SHADOWY FIGURE Heaven for any Star Wars fan— TINA Where is that. SHADOWY FIGURE The world where all of that stuff— is real. TINA What—what do you mean by that. SHADOWY FIGURE I sent them to Star World. TINA That sounds so fucking gay. SHADOWY FIGURE Cause it is. TINA Fuck. Oh, that's right— Non-star wars fans are sometimes Cynics Read: Major fucking assholes. I guess I fall into that category, eh— a little bit? SHADOWY FIGURE No duh. TINA “No duh.” What part of the nineties was your heyday? SHADOWY FIGURE All of them. TINA Jesus, Tina. You might be ancient. SHADOWY FIGURE I'm dust. TINA Hey— What. Why are you my assistant now. SHADOWY FIGURE Assistant? No. I'm your executive producer. TINA ExeCUTEive producer— you do put the cute in that. SHADOWY FIGURE (Not being cute, unamused, but still very cute) Ugh. Fine. SUDAKIS. JASON SUDAKIS appears CONT'D. And nobody cares, of course Because she is formerly gorgeous (Not no more) I'm standing on four paws I'm studying your laws If this was your office I'm your boss And I caught you taking your clothes off You're boring, I started to doze off Don't call me no more, hoe So now your broke You started a war slamming doors Because you can't find no more work Hoe Karen and Becky are probably blessings Cause they do not get me But I'm doing better and yet They are starting to sweat cause I'm starting to flex They're slamming the door They're starting a war They never been homeless before Or hungry and poor But no peace of mind? It's fine I'll probably find in time That they crossed the line And get left behind The red dots are trying To plot I'm crying a lot, I'm out of the box, jack I spring up but I do not pop I'm talking to God, He's telling you off, I'm calling him “her”, She's telling me “Sure, I'm not really sure, But I got the cure for your disease The God of Mercy, Mercy Me I got my first Mercedes in 1993 Look at me. CUT TO: INT. BACKSTAGE - NIGHT A very tall, redheaded SHOWMAN (CONAN O'BRIEN, though slightly off) has just finished a days-long BENDER. He is not the polished figure America knows. He shakily lines up a mysterious white substance on a grimy surface. CONAN (Muttering) Just… need… a little… pick-me-up. A mysterious FIGURE appears silently behind him. FIGURE Feeling better, Conan? Conan looks up, bleary-eyed, barely lifting his head. CONAN (Slurring) I don't know what you're saying. CONAN (V.O.) Apparently, that was the line, and I felt like I was crossing into a strange territory with this, one Conan O'Brien, and almost absolutely certain I was spelling his name wrong, but continued to do so anyway— one, because I refused to look him up, and two— because if ever I entered into a plot hole deep enough the mechanics of my own knowledge of hyper and multidimensional space travels to explain, then having a Conan O'Brien and a Conan O'Brian might become useful. Today, I want useful, because I wanted to go back to sleep with enough energy to still wake up with enough energy to run a mile on the full sized treadmill downstairs. Then, I had day-people things to do— and for whatever reason, this seemed like one of them. It was a welcome deviation from— A boisterous, red-faced MAN stumbles into the room. MAN O'Fallon, you old coot! CONAN (Confused) Oh year. MAN I told you the Irish were coming. *the fighting Irish. CONAN Ah yes, the fighting Irish— CONAN (V.O.) Apparently, this was some centuries long kind of battle between ancient clans//and so, I did my very best o find my way out of it, until A fierce, heavily tattooed WOMAN bursts in. WOMAN MUNROE!!!!! (V.O.) —i was found out. My surname was Scottish, but nonetheless, it was a fied older than borders were, anyway. CUT TO: EXT. MUSIC FESTIVAL - DAY A chaotic, vibrant music festival. ANDY (ALEKSI) approaches a gruff-looking SECURITY GUARD. ANDY Yo. SECURITY GUARD What's good. ANDY What's your deal with the KKK, anyway? SECURITY GUARD (Scoffs) I like them. They're funny. ANDY They— want to kill you. SECURITY GUARD That doesn't make them any less funny. In fact, now they might be more funny. ANDY Are you serious? SECURITY GUARD No, I'm funny. I like them blonde, Tall, dark skinned, Woah, scratch that. Narrow down my picks I like them Icelandic And Slavic Oh dear I like them impossible to topple over, No, God— Nevermind; I like them whiter than light snow on a cold night There you go I like them strong— But only in thought forms Keyboard warrior, But I'd like to get her in a choke hold So she'll stop snoring Oh God No Lord— I should win an award for this song I should win an award for this song I should win an award for this song MORGAN FREEMAN (V.O.) ANOTHER nomination. ANDY No way. This is crazy. ANDY spots SUNNI BLU in the crowd, looking stressed. ANDY (CONT'D) SUNNI, Do you have the academy on your payroll? SUNNI BLU (Shouting over the music) Ask the accountant? A stereotypical SUPER JEW ACCOUNTANT, complete with a large yarmulke and clutching a ledger, scurries past. SUPER JEW ACCOUNTANT actually, surprisingly, I think you're on theirs! See! SUNNI BLU Seriously?!! That's not anti semitic at all. (It's not, it's pro-semitic) More Jews and Rosecurucians More Jews and Rosicrucians! I took a bite out of you, And now I want my life back! Sharks. (And surfboards) More news and prosecutions More blues and resurrections More impossible erections Interject— —I should probably call a doctor. It's been way more than four hours. I have way more than four houses— I've way more than four flowers, I've way more than four dollars— I've way more than four collars with sparkles on them. I wear cargo pants for the ride home though. No homo. CUT TO: INT. HEADQUARTERS INTERROGATION ROOM - DAY CC (NATALIE PORTMAN, though not explicitly stated) enters the stark interrogation room. A MAN sits at a metal table, wrists chained. CC sits down opposite him, calm and composed. MAN I… am a trained assassin. CC That's— impressive. MAN There are people who want to murder you. CC Now I'm impressed with myself. MAN Is that so. CC Yes! Ah. Delighted, actually. MAN Who are you? CC “A charismatic number” writes the New York Times review of my most recently cherished endeavor. Which means for once in your life you might have actually been on time. Or just late enough, or just early enough, or— you know. It starts where I get there, or they were just waiting for me anyway. You know. Or you don't. MAN I don't. CC Then you should have plenty of time for self study between now and your execution. MAN Hah! My execution?! That's where this is heading. CC What about yours? MAN What about it? CC Have or haven't you been following along that this is what I've ultimately desired. My suffering ends in peace with knowing that you, too, shall cease to exist. INT. OBSERVATION ROOM - DAY Other DETECTIVES watch the interrogation through a one-way mirror, their faces grim. DETECTIVE 1 What could possibly be going on in there? DETECTIVE 2 Anything. DETECTIVE 3 I wonder what she's saying. DETECTIVE 1 Anything. DETECTIVE 2 Looks like she has him cornered. DETECTIVE 3 Maybe. DETECTIVE 1 Jesus, can you speak in anything more than one word sentences. DETECTIVE 2 No. BACK IN THE INTERROGATION ROOM, a heavy silence hangs in the air. MAN …Natalie? CC You wanted “CC” so I'm “CC” The MAN strains against his restraints. MAN Who who's this?! CC (V.O.) Suddenly my love affair with words and art and theatrical thoroughfare was coming to an end. This was something of a disaster set against the backdrop of a really real world— a world that seemed not to want me in it. CUT TO: EXT. NEW YORK CITY STREET - DAY LIZ LEMON (TINA FEY) walks down a crowded street, furiously dialing her cellphone. LIZ LEMON (Into phone, angry) Hello? CUT TO: EXT. MARDI GRAS PARADE - NEW ORLEANS - DAY TRACY JORDAN (also TINA FEY, in elaborate Mardi Gras attire) is on a vibrant parade float, throwing beads to the cheering crowd. His phone rings. TRACY JORDAN (Into phone, jovial) WHERE ARE YOU?! I'm on my way to the parade! LIZ LEMON (O.S.) I'm AT the parade! Where are YOU? TRACY JORDAN Not that parade! Mardi Gras! LIZ LEMON (O.S.) MARDI GRAS?! TRACY JORDAN Yeah! LIZ LEMON (O.S.) WHY?! YOU'RE SUPPOSED TO BE ON A FLOAT— In NEW YORK CITY— In 22 MINUTES. TRACY JORDAN Don't worry, I'll be there. LIZ LEMON (O.S.) YOU'LL BE THERE?! You're at a parade! In New Orleans! TRACY JORDAN It's Mardi Gras! LIZ LEMON (O.S.) I KNOW ITS— Tracy hangs up. He grins at the crowd and throws more beads. FADE OUT. {Enter The Multiverse} [The Festival Project.™] COPYRIGHT © THE FESTIVAL PROJECT 2019-2025 | THE COMPLEX COLLECTIVE. © ALL RIGHTS RESERVED. ©

First actual mix in a long time, hope you guys enjoy. This is my first mix with 99.9% Original -Ū. music only with the exception of the intro for dramatic effect. Hope you guys enjoy it. Thanks for listening. Here's a screenplay of enter the multiverse to coincide with the commemoration of the SNL 50's anniversary/ L E G E N D S crossover. Fun Fact: The First appearence of Liz Lemon in this show {Enter The Multiverse} is in season one, which first aired in May of 2021. The 1st and subsequent seasons will soon be avalible for reading and listening on my website https://www.iamu.guru. Enjoy this mix and the avaliable downloads you'll find there and stay tuned for upcoming stuff. Just a reminder, all of my content is totally free for download. If you enjoy this series, drop a like and subscribe and follow on your favorite streaming platforms and all of my channels. Thanks for your continued support and listens/reads. Happy Passover; blessings and peace to you. -blu. INT. ALIEN SPACESHIP - DAY The cramped, metallic interior of an alien spacecraft. Two bizarre, multi-limbed ALIENS are locked in a furious argument. The sounds are not words, but a cacophony of distorted electronic noises. ALIEN 1 (A series of rapid, high-pitched BLIPS and WHIRS) ALIEN 2 (A deep, guttural GROWL followed by a drawn-out, wavering TONE) ALIEN 1 BLIM-BLIM-BLIM-BLIM— FLAU—FLAU—FLAU! ALIEN 2 —————EeeeeEeeeeeEEEEEEEEENNMMMMMMMMMNGGGGGGGGG!!! ALIEN 1 Wfuh! Alien 2 makes a highly offensive hand gesture. Alien 1 responds with a highly offensive gesture using another body part. Suddenly, RACHEL DRATCH, dressed impeccably and radiating an air of cool detachment, enters the scene and calmly observes the arguing aliens. RACHEL DRATCH (To herself, almost a whisper) Well, this is… something. CUT TO: INT. ROCKEFELLER PLAZA - SUNNI BLU'S OFFICE - DAY SUNNI BLU, sharp and impeccably dressed, stares with wide eyes at a ridiculously large ELECTRICITY BILL. Sunlight streams through the massive windows overlooking Rockefeller Plaza. SUNNI BLU (Muttering) Since when did keeping the lights on cost this much? Absorbing ConEd was supposed to *save* money. Suddenly, a disembodied VOICE echoes in the room. VOICE (V.O.) You will fail this test. SUNNI BLU (Startled) There's a test?! What test?! VOICE (V.O.) It came with a lesson— you didn't think there was going to be a test. CUT TO: EXT. THE LONELY ISLAND CLIFF - DAY ANDY (ALEKSI), dressed in surprisingly clean white robes despite the precarious location, stands on the edge of a towering cliff overlooking a vast ocean. He takes a running leap off the edge. ANDY —NO… He plummets downwards for a beat. Then, with a gentle WHOOSH, he lands perfectly upright on the sandy beach below. ANDY (CONT'D) I told you I could stick the landing. ALEKSI (V.O.) It wasn't always The Lonely Island… CUT TO: INT. HEAVENLY WAITING ROOM - DAY ALEKSI (ANDY SANDBERG), now with subtle, mischievous angelic wings, winks directly at the camera. ALEKSI guardian angel. TINA (O.S.) Whatever. Tina FEY, also with small, slightly more exasperated-looking wings, enters. ALEKSI winks extra harder at her. ALEKSI Hello. TINA Oh my God! ALEKSI I wish! At this point, I wish— unfortunately, those aren't the types of wishes I'm in charge of overseeing. A large, ornate PACKAGE appears unexpectedly at TINA's feet. TINA (CONT'D) When something appears unexpectedly at your doorstep, it's called a windfall, right? ALEKSI Yeah. I think that's what this is. TINA And when it's something you really need, it's a gift from God. Isn't it? ALEKSI Something like that. TINA Honestly, I thought it was just a gentler way of letting me know I was ugly— after a particularly horrible photo opportunity at the airport. ALEKSI —wow. TINA I had just been up for 72 plus hours straight and only slept something like 4 or 5–but of course— FLASHBACK: INT. AIRPORT SECURITY - EARLY MORNING A haggard and disheveled TINA sits slumped on a lopsided BEANBAG in the middle of the bustling security line. Bright lights shine in her face as various machines WHIR and BEEP, scanning her. TINA (V.O.) This was staggered sleep from atop a lopsided beanbag. TINA (Muttering) Agh, God! TINA (V.O.) I've been getting used to having lights shined in my face for awhile now. Still, I was not so ready for a full work up of my biometrics in this early morning crusade to Los Angeles. A stern-faced AGENT approaches her. AGENT The Agency thought you were terminally ill. TINA Terminally? Geez. The AGENT clears his throat. AGENT Consider this as, ah— Hm. Ojo translates directly to Eye. Doesn't it? TINA I see you. AGENT Undoubtedly. —an incentives. TINA I don't need anymore incentives, Captain. I need income. AGENT Oh, I'm the captain now? TINA You were always the captain. AGENT This is news to me. TINA News to the News. That's something new. AGENT Nothing is new. TINA But it's news to you. Sarcasm. I need a paycheck. AGENT Try looking pretty. TINA I tried. It didn't work. AGENT Try…harder. TINA (V.O.) New York had put spots and marks on my faces— a broken blood vessel from fighting some demonized African girl— and I'm sure that was what she was, after all… FLASHBACK: INT. APARTMENT - NIGHT TINA is struggling in a bizarre fight with a shadowy FIGURE. The scene has a surreal, “As Seen On TV” commercial feel. VOICEOVER (V.O.) Who tries to kill you, and then does their hair to be more like yours? That's major weird. TINA Major Tom. SHADOWY FIGURE Yeah. TINA (V.O.) Then again, since moving to New York… Oh, Holy shit. Everything is major weird. A shimmering PORTAL opens in the middle of the apartment. TITLE CARD: AS SEEN ON TV: PART III TINA (Staring at the portal) Where the fuck is part one and two?! SHADOWY FIGURE Maybe it starts at three! TINA Nothing “starts at three” SHADOWY FIGURE Maybe it's like Star Wars! TINA It's not like Star Wars! A CATACLYSMIC SPACESHIP COLLISION and EXPLOSION sound effect. TINA (CONT'D) …it's not like Star Wars. SHADOWY FIGURE Uh huh. It's better than star wars. A giant collective GASP is heard. TINA -_- *the world stops* TINA (CONT'D) -_- Suddenly, all sound ceases. TINA (CONT'D) Woah. That's different. SHADOWY FIGURE There: I fixed overpopulation. TINA But— SHADOWY FIGURE But what? I fixed it. TINA But— weren't some of those fans, also fans of this show. SHADOWY FIGURE Yeah, so? TINA Like an overwhelming majority. SHADOWY FIGURE Majority? Yeah— they're— These are nerds. TINA Fuck. Right. So where did you send them?! SHADOWY FIGURE Uh. Only to heaven. TINA What does that mean. SHADOWY FIGURE Heaven for any Star Wars fan— TINA Where is that. SHADOWY FIGURE The world where all of that stuff— is real. TINA What—what do you mean by that. SHADOWY FIGURE I sent them to Star World. TINA That sounds so fucking gay. SHADOWY FIGURE Cause it is. TINA Fuck. Oh, that's right— Non-star wars fans are sometimes Cynics Read: Major fucking assholes. I guess I fall into that category, eh— a little bit? SHADOWY FIGURE No duh. TINA “No duh.” What part of the nineties was your heyday? SHADOWY FIGURE All of them. TINA Jesus, Tina. You might be ancient. SHADOWY FIGURE I'm dust. TINA Hey— What. Why are you my assistant now. SHADOWY FIGURE Assistant? No. I'm your executive producer. TINA ExeCUTEive producer— you do put the cute in that. SHADOWY FIGURE (Not being cute, unamused, but still very cute) Ugh. Fine. SUDAKIS. JASON SUDAKIS appears CONT'D. And nobody cares, of course Because she is formerly gorgeous (Not no more) I'm standing on four paws I'm studying your laws If this was your office I'm your boss And I caught you taking your clothes off You're boring, I started to doze off Don't call me no more, hoe So now your broke You started a war slamming doors Because you can't find no more work Hoe Karen and Becky are probably blessings Cause they do not get me But I'm doing better and yet They are starting to sweat cause I'm starting to flex They're slamming the door They're starting a war They never been homeless before Or hungry and poor But no peace of mind? It's fine I'll probably find in time That they crossed the line And get left behind The red dots are trying To plot I'm crying a lot, I'm out of the box, jack I spring up but I do not pop I'm talking to God, He's telling you off, I'm calling him “her”, She's telling me “Sure, I'm not really sure, But I got the cure for your disease The God of Mercy, Mercy Me I got my first Mercedes in 1993 Look at me. CUT TO: INT. BACKSTAGE - NIGHT A very tall, redheaded SHOWMAN (CONAN O'BRIEN, though slightly off) has just finished a days-long BENDER. He is not the polished figure America knows. He shakily lines up a mysterious white substance on a grimy surface. CONAN (Muttering) Just… need… a little… pick-me-up. A mysterious FIGURE appears silently behind him. FIGURE Feeling better, Conan? Conan looks up, bleary-eyed, barely lifting his head. CONAN (Slurring) I don't know what you're saying. CONAN (V.O.) Apparently, that was the line, and I felt like I was crossing into a strange territory with this, one Conan O'Brien, and almost absolutely certain I was spelling his name wrong, but continued to do so anyway— one, because I refused to look him up, and two— because if ever I entered into a plot hole deep enough the mechanics of my own knowledge of hyper and multidimensional space travels to explain, then having a Conan O'Brien and a Conan O'Brian might become useful. Today, I want useful, because I wanted to go back to sleep with enough energy to still wake up with enough energy to run a mile on the full sized treadmill downstairs. Then, I had day-people things to do— and for whatever reason, this seemed like one of them. It was a welcome deviation from— A boisterous, red-faced MAN stumbles into the room. MAN O'Fallon, you old coot! CONAN (Confused) Oh year. MAN I told you the Irish were coming. *the fighting Irish. CONAN Ah yes, the fighting Irish— CONAN (V.O.) Apparently, this was some centuries long kind of battle between ancient clans//and so, I did my very best o find my way out of it, until A fierce, heavily tattooed WOMAN bursts in. WOMAN MUNROE!!!!! (V.O.) —i was found out. My surname was Scottish, but nonetheless, it was a fied older than borders were, anyway. CUT TO: EXT. MUSIC FESTIVAL - DAY A chaotic, vibrant music festival. ANDY (ALEKSI) approaches a gruff-looking SECURITY GUARD. ANDY Yo. SECURITY GUARD What's good. ANDY What's your deal with the KKK, anyway? SECURITY GUARD (Scoffs) I like them. They're funny. ANDY They— want to kill you. SECURITY GUARD That doesn't make them any less funny. In fact, now they might be more funny. ANDY Are you serious? SECURITY GUARD No, I'm funny. I like them blonde, Tall, dark skinned, Woah, scratch that. Narrow down my picks I like them Icelandic And Slavic Oh dear I like them impossible to topple over, No, God— Nevermind; I like them whiter than light snow on a cold night There you go I like them strong— But only in thought forms Keyboard warrior, But I'd like to get her in a choke hold So she'll stop snoring Oh God No Lord— I should win an award for this song I should win an award for this song I should win an award for this song MORGAN FREEMAN (V.O.) ANOTHER nomination. ANDY No way. This is crazy. ANDY spots SUNNI BLU in the crowd, looking stressed. ANDY (CONT'D) SUNNI, Do you have the academy on your payroll? SUNNI BLU (Shouting over the music) Ask the accountant? A stereotypical SUPER JEW ACCOUNTANT, complete with a large yarmulke and clutching a ledger, scurries past. SUPER JEW ACCOUNTANT actually, surprisingly, I think you're on theirs! See! SUNNI BLU Seriously?!! That's not anti semitic at all. (It's not, it's pro-semitic) More Jews and Rosecurucians More Jews and Rosicrucians! I took a bite out of you, And now I want my life back! Sharks. (And surfboards) More news and prosecutions More blues and resurrections More impossible erections Interject— —I should probably call a doctor. It's been way more than four hours. I have way more than four houses— I've way more than four flowers, I've way more than four dollars— I've way more than four collars with sparkles on them. I wear cargo pants for the ride home though. No homo. CUT TO: INT. HEADQUARTERS INTERROGATION ROOM - DAY CC (NATALIE PORTMAN, though not explicitly stated) enters the stark interrogation room. A MAN sits at a metal table, wrists chained. CC sits down opposite him, calm and composed. MAN I… am a trained assassin. CC That's— impressive. MAN There are people who want to murder you. CC Now I'm impressed with myself. MAN Is that so. CC Yes! Ah. Delighted, actually. MAN Who are you? CC “A charismatic number” writes the New York Times review of my most recently cherished endeavor. Which means for once in your life you might have actually been on time. Or just late enough, or just early enough, or— you know. It starts where I get there, or they were just waiting for me anyway. You know. Or you don't. MAN I don't. CC Then you should have plenty of time for self study between now and your execution. MAN Hah! My execution?! That's where this is heading. CC What about yours? MAN What about it? CC Have or haven't you been following along that this is what I've ultimately desired. My suffering ends in peace with knowing that you, too, shall cease to exist. INT. OBSERVATION ROOM - DAY Other DETECTIVES watch the interrogation through a one-way mirror, their faces grim. DETECTIVE 1 What could possibly be going on in there? DETECTIVE 2 Anything. DETECTIVE 3 I wonder what she's saying. DETECTIVE 1 Anything. DETECTIVE 2 Looks like she has him cornered. DETECTIVE 3 Maybe. DETECTIVE 1 Jesus, can you speak in anything more than one word sentences. DETECTIVE 2 No. BACK IN THE INTERROGATION ROOM, a heavy silence hangs in the air. MAN …Natalie? CC You wanted “CC” so I'm “CC” The MAN strains against his restraints. MAN Who who's this?! CC (V.O.) Suddenly my love affair with words and art and theatrical thoroughfare was coming to an end. This was something of a disaster set against the backdrop of a really real world— a world that seemed not to want me in it. CUT TO: EXT. NEW YORK CITY STREET - DAY LIZ LEMON (TINA FEY) walks down a crowded street, furiously dialing her cellphone. LIZ LEMON (Into phone, angry) Hello? CUT TO: EXT. MARDI GRAS PARADE - NEW ORLEANS - DAY TRACY JORDAN (also TINA FEY, in elaborate Mardi Gras attire) is on a vibrant parade float, throwing beads to the cheering crowd. His phone rings. TRACY JORDAN (Into phone, jovial) WHERE ARE YOU?! I'm on my way to the parade! LIZ LEMON (O.S.) I'm AT the parade! Where are YOU? TRACY JORDAN Not that parade! Mardi Gras! LIZ LEMON (O.S.) MARDI GRAS?! TRACY JORDAN Yeah! LIZ LEMON (O.S.) WHY?! YOU'RE SUPPOSED TO BE ON A FLOAT— In NEW YORK CITY— In 22 MINUTES. TRACY JORDAN Don't worry, I'll be there. LIZ LEMON (O.S.) YOU'LL BE THERE?! You're at a parade! In New Orleans! TRACY JORDAN It's Mardi Gras! LIZ LEMON (O.S.) I KNOW ITS— Tracy hangs up. He grins at the crowd and throws more beads. FADE OUT. {Enter The Multiverse} [The Festival Project.™] COPYRIGHT © THE FESTIVAL PROJECT 2019-2025 | THE COMPLEX COLLECTIVE. © ALL RIGHTS RESERVED. ©

Čeština se mění a angličtina ji ovlivňuje víc než kdy dřív. Jaké výrazy teď frčí mezi páťáky? Prozradí nám náš bohemista v dalším jazykovém okénku.

Čeština se mění a angličtina ji ovlivňuje víc než kdy dřív. Jaké výrazy teď frčí mezi páťáky? Prozradí nám náš bohemista v dalším jazykovém okénku.Všechny díly podcastu Okolo češtiny můžete pohodlně poslouchat v mobilní aplikaci mujRozhlas pro Android a iOS nebo na webu mujRozhlas.cz.

V najnovšej epizóde podcastu si Lenka pozvala Doda, zakladateľa projektu Chalan z Burzy. Spoločne sa rozprávajú o tom, prečo sa Dodo rozhodol naučiť angličtinu a ako prežíval ukážkovú hodinu. Zaspomína si aj na svoju školskú výučbu angličtiny a podelí sa o to, prečo je pre neho znalosť angličtiny nevyhnutná v jeho profesijnom živote. Pridajte sa k nim a objavte, ako jazyk otvára dvere k novým príležitostiam!

Čeština je naším rodným jazykem. Ale jakým vývojem si prošla za posledních asi 30 let? Jak ji poznamenala všudypřítomná angličtina? Dochází k posunu významu slov? Mění se pravidla pravopisu? A chystá se něco? To je téma pro jazykovědce z Ústavu pro jazyk česky AV, Mgr. Martina Beneše, Ph.D.

Www.herohero.co/kubovaenglish

Iz župnijske cerkve svetega Avguština v Strugah na drugo postno nedeljo neposredno prenašamo sveto mašo, pri kateri sodelujejo tamkajšnji verniki. Mašuje Marinko Bilandžič, poje pa Mešani župnijski zbor Struge pod vodstvom Ane Pugelj.

Jaká slova uslyšíte jenom v New Yorku, jaký je život v samotném srdci Manhattanu, co vás asi v Americe zaskočí a jak se člověk stane mistrem světa v tancích? To je jenom pár z velké spoustu věcí, které se dozvíte v rozhovoru s mojí kamarádkou Kačkou, která už 29 let žije v New Yorku a mimo jiné tam místní učí česky

01 Krátce 09 Angličtina v DDM by Zpravodaj Kahan

This is Draw The Line Radio Show with Jacki-e, presenting the best music from female producers and DJs. Helping me Draw the Line this week with her guest mix in the second hour it's Line Engstrøm who's from Norway. She's one of the country's leading female DJs and she started playing at small university events in 2008. She quickly found her passion in trance music and started the Trancefied radio show. broadcasting on Nnorwegian online Radio 3 and in Bulgaria, England and the Netherlands. She has also played techno events with Oslo's best know female DJ collective Femme Fatales, Faia, Tina V and Mørk (all of whom have don guest mixes for Draw The Line). Links for Line Engstrøm:- Website:- https://www.lineengstroem.no/ Twitch:- https://www.twitch.tv/lineengstromofficial Soundcloud: https://soundcloud.com/lineengstromofficial Mixcloud: https://www.mixcloud.com/lineengstroem/ Twitter: https://twitter.com/lineengstroem Facebook: https://www.facebook.com/lineengstroemoffical In my mix in the first hour I'm playing tracks by Magdalena, Mha Iri, Just Her, Pretty Pink, Nure and lots more If you like the tracks we play, please support the artists by buying their music. It's time to say NO to gender imbalance in dance music. It's time to Draw The Line!! Track list 1st hour mixed by Jacki-E 1. Nure – Deathco (original mix) Mango Alley. 2. Pretty Pink – Come Back (original mix) Anjunabeats. 3. Just Her – Beautiful Nothing (original mix) Anjunadeep. 4. WeTurnToRed – Bounce ‘n Swirl (original mix) PITS. 5. Petals in Sound – Tu Mente (original mix) Unquantize. 6. Nure – Sakura (original mix) Intention Music. 7. Beth Lydi – One Girl Orchestra (original mix) Snoe. 8. Just Her – Will We Ever Learn (original mix) Anjunadeep. 9. Pretty Pink – Thunder ft Grace Echo (original mix) Anjunabeats. 10. Lady Tazz – Beautiful but Evil (original mix) IAMT. 11. Rubio – Hacia El Fondo (Binaryh remix) Be Free Recordings. 12. Magdalena – Mountains of Es Cundells (original mix) Diynamic. 13. Donna Marie – The Law of Rhythm (original mix) Freegrant Music. 14. Mha Iri – Botanic Sunset (original mix) 1605. 15. Shelley Johansson – Say Again (original mix) Turn Recordings. 16. Nakadia – The Red Queen (original mix) Kraftek. 17. Nastia Reigel – Acceptance (original mix) Enemy Records. 18. BEC – Premonition (original mix) BEC. 2nd hour Line Engstrøm – An exclusive guest mix for Draw The Line Radio Show. 1. Ben Bohmer, Felix Raphael, Tinlicker - Run Away (Extended mix) 2. Gabriel & Dresden - Underwater ft. Jan Burton (Tinlicker remix) 3. Cosmic Gate, Diana Miro - Nothing To Hide (Extended mix) 4. Tinlicker - Nothing Without You ft. Thomas Oliver (Tinlicker Rework) 5. Above & Beyond - Almost Home ft , Justine Suissa (Above & Beyond Extended Deep mix) 6. Cosmic Gate - Feel It (AVIRA Extended remix) 7. Armin van Buuren, Tom Staar - Let Go ft. Josha Daniel (Extended mix) 8. Kryder, Natalie Shay - Rapture (Extended mix) 9. Fabrication - Before We Know Light (original mix) 10. Grum - Through the Night (Tinlicker Extended mix) 11. Age Of Love - The Age Of Love (Charlotte De Witte & Enrico Sangiuliano remix)

This is Draw The Line Radio Show with Jacki-e, presenting the best music from female producers and DJs. It''s back to techno after last week's drum and bass show and helping me Draw the Line it's Rayndu who's from Warsaw in Poland. She usually roams between hypnotic, strong techno and energetic electro. For Draw The Line she's created a mix in which almost all the tracks are by female producers. It is a deep and intensive techno journey, a bit raw, a bit melodic and a bit broken. Links for Rayndu:- Soundcloud:- https://soundcloud.com/moli-rayndu Instagram:- https://www.instagram.com/rayndu_dj/ Facebook:- https://www.facebook.com/rayndudj In my mix in the first hour I'm playing tracks by Noemie Black, Just Her, Tina V, Pina Tesla, Miss Adk and lots more If you like the tracks we play, please support the artists by buying their music. It's time to say NO to gender imbalance in dance music. It's time to Draw The Line!! Draw The Line Radio Show is produced for radio by Sergio Erridge and is A Darker Wave production. Track list 1st hour mixed by Jacki-E 1. Just Her – Will We Ever Learn (extended mix) Selador 2. Rubio – Hacia El Fondo (Binaryh remix) Be Free Recordings. 3. Donna Marie (NZ) – Bloom (original mix) Only The Best Records. 4. Petals in Sound – Tu Mente (original mix) Unquantize. 5. IVA, Darse - Night Away ft Veno Perez (original mix) Running Clouds. 6. Hilit Kolet – Techno Disco ft Kay Elizabeth (original mix) Defected Records. 7. Terri Anne, Alex Reid – Not Going Home (original mix) Revibe Music. 8. Monika Kruse, Pig&Dan – So Good (original mix) Elevate. 9. Just Her – Away From Here (original mix) Selador. 10. E-Dancer – Human Bond (rRoxymore remix) Drumcode. 11. The Allegorist – Desired Changes (Marie W Anders remix) Unreleased. 12. Deborah de Luca – Amanda L (original mix) Sola Mente. 13. Drunken Kong – Response (original mix) Tronic. 14. Pina Tesla – Control (original mix) ALAULA Music. 15. Tina V – Aixile (original mix) Complexed Records. 16. Noemi Blaxk – Avalon (original mix) KD Raw. 17. XY – Upsidedown (Miss Adk remix) Lets Techno. 18. E-Dancer – One Nation (Amelie Lens remix) Drumcode. 2nd hour Rayndu– An exclusive guest mix for Draw The Line Radio Show. 1. Hogeko - Enshou (original mix) ANAOH 2. Emily Jeanne - Adikema (original mix) Semantica. 3. Linn Elisabet - Uncommitting (original mix) Planet Rhythm. 4. Nastia Reigel - Trace (original mix) Enemy Records. 5. Machine Woman - Technoo (original mix) Lapsus Records. 6. Aurora Halal - Eternal Blue (original mix) Mutual Dreaming. 7. E-Saggila - Anima Bulldozer (original mix) Northern Electronics. 8. Liza Aikin - Wee Were Never Lost (original mix) Vannox Records. 9. Anja Zaube - Dark Lake (original mix) Reload Black. 10. Marla Singer - Chemical Reactions (original mix) Ecstasy State. 11. Elle Dee - Where She Hides (original mix) Mild Fantasy. 12. Jamaica Suk - A1 Dreams of a Distant Journey (Inland remix) Gradient Sound. 13. Emika Elena - Spiral Light (Mental Resonance remix) Human Lessons. 14. Julia Govor - Icebreaker (original mix) Jujuka. 15. Dasha Rush - Relative Perspective (original mix) Sonic Groove.

In this episode Belocca brings you tasty Techno from Nakadia, Thomas Schumacher, Tina V, Kaiserdisco, Drunken Kong, Carl Haze, Bart Skils with Superchumbo, Vinicius Honorio and the Charlotte De Witte & Enrico Sangiouliano remix of the all-time classic Age Of Love. From the Mainground  kitchen the new Flower Of Life and Persistence out now, plus Belocca's latest remix for my Korean techno duo Pierre Blanche, called Nostromo and his collaboration with Nusha called Addiction, out on Fe Chrome in October. I hope you enjoy the mix, let's roll. Tracklist: 01. Belocca – Flower Of Life [Mainground Music] 02. Nakadia – Wir Sind Zuhause [CODEX] 03. Nusha & Belocca – Addiction [FeChrome] 04. Thomas Schumacher – Hype [Electric Ballroom] 05. Age Of Love – The Age Of Love (Charlotte De Witte & Enrico Sangiuliano Remix) [Diki] 06. Pierre Blanche – Nostromo (Belocca Remix) [Davotab] 07. Vinicius Honorio – Le Boi [Arts] 08. Kaiserdisco – Anaconda [KD RAW] 09. Tina V – Nipon [Complexed] 10. Drunken Kong – Take It [Tronic] 11. Belocca – Persistence [Mainground Music] 12. Carl Haze – Piramide [PROMO] 13. Superchumbo, Bart Skils – All Over Your Body 

První díl rozhovoru O knize Timeless and Other Stories, angličtině a všem dalším. Dani nedávno spolu s dalšími lidmi z naší školy napsala knížku Timeless, která teď vyšla i v papírové podobě. Jak probíhal celý proces, jak dlouhý byl a proč se učit anglicky? To všechno v dnešním podcastu :) Timeless kniha - PDF/tištěná Instagram Dani @potterheadani a můj @dem_dal Playlist od Dani faves

Druhý díl rozhovoru O knize Timeless and Other Stories, angličtině a všem dalším. Dani nedávno spolu s dalšími lidmi z naší školy napsala knížku Timeless, která teď vyšla i v papírové podobě. Jak probíhal celý proces, jak dlouhý byl a proč se učit anglicky? To všechno v dnešním podcastu :) Timeless kniha - PDF/tištěná Instagram Dani @potterheadani a můj @dem_dal Playlist od Dani faves

The Rap Battle is FINALLY HERE!  Make sure you go vote!!!!Follow us on Social Media:@TyllerCarrfm@JasminLaine@Energy106fm

V prvním prosincovém vydání Sousedů si budeme povídat o tom, jaké stopy zanechala čeština v němčině.

Halloween - je to len večierkové párty, súčasná kultúra alebo pohanské rituály a sympatetická mágia? Čo k tomu hovorí veda a história? K tomuto sviatku patrí: predvečer dňa "všetkých svätých" (Halloween) , Sviatok "všetkých svätých" a Pamiatka zosnulých (spomienka na mŕtvych). Čo predstavujú v kresťanstve a čo v pohanstve? Aké sú úlohy a význam týchto zvyklostí? Viera v posmrtný život, modlitby za mŕtve duše, odháňanie démonov... Najvýraznejšie znaky - tekvica, strašidelné masky, vyslovované frázy (pýtanie sladkostí)...

✨ How can you feel empowered and connected to your inner strength during divisive, challenging times?✨ What if you do decide to have the race conversation with your friends?✨ How do you navigate turbulent times with your speech; your actions; and internally with the intention and hope for coming out the other side of it more peaceful, bonded and with understanding? Let’s talk about it. BIO:Tina V. is the Founder of Warrior Woman –  A personal growth and development program for women. She is a Certified Master Trainer for At-Risk Youth and Young Adult Instructors, and for over 23 years has been a licensed, ordained Minister, working as a youth leader, business teacher, and instructor in schools, churches and communities for over 25 years. Having struggled with losing 2 children and all that life can bring due to domestic violence, divorce, at one point having NO self-worth and almost losing all hope, she learned firsthand, that life conditions can be misunderstood, misleading and misconceived. Today she leads a happy, healthy and productive life and her mission is to lead individuals down a more clear path to their own health and wholeness. Her love and compassion for people, along with her singing career, has taken her to places such as Africa, Italy, England, and throughout the United States of America.

Ešte stále si myslíš, že bez angličtiny sa dnes zaobídeš? Ak tvoje ciele v pracovnom, ale aj osobnom živote sú vyššie a chceš od života viac, tak nastraž uši a vypočuj si dnešný podcast! :)

Čínske znaky sú najstarším dodnes používaným písmom na svete. Najstaršie archeologické nálezy sú z trinásteho storočia pred Kristom. Čínske písmo sa tak vyvíja viac ako tritisíc rokov. Môže niečo tak staré a komplikované prežiť v modernej dobe, kedy sa všetko zjednodušuje a zľahčuje? Čínske písmo dokazuje že áno, ale nemá to ľahké.

Today's End of News report I chat with Tina V from Good Nurse Bad Nurse. We talk about her political leanings, dating other nurses, the movie Yesterday & the Beatles. PLEASE Rate & Subscribe to QTheNurse podcast @: https://podcasts.apple.com/us/podcast/q-the-nurse/id1312675906 Please watch the full show, Joshua Strickland Gets Fired | Nursing News @: https://youtu.be/745JrmDuVpw

Tina V. overcame domestic violence and found her inner Warrior Woman. Hear her powerful story and how she's helping other women and youth move forward today, as well.

Poviem vám jeden príbeh o tom, ako som sa učil písať na klávesnici všetkými desiatimi. Ak sa to chcete naučiť kvôli tomu, že vás nebavia nudné cvičenia stláčania znakov FJFJFKLASDF, tak vo videu nájdeš metódu, ktorá mi pomohla. Ale... ... omnoho dôležitejšie: Vo videu nájdeš prístup, ktorý mi pomáha robiť veci tak, aby z nich bol aj ďalší úžitok. Aby vznikol bočný efekt. Efekt, ktorý mi pomáha udžiavať zameranie na naplnenie cieľa. Ale dosť bolo slov. Viac sa dozvieš vo videu.

Draw The Line Radio Show presented by jacki-e, featuring my mix in the first hour composed entirely of music made by women and then, for the second hour, I hand the decks over to a female DJ. My guest this week is is Faia who comes from Norway. Faia is the founder and resident DJ at the Femmes Fatales nights in Oslo and co-hosts the Deep Fridays events at club Elefant. She’s shared the decks with DJs such as; Thomas Schumacher, Gabriel Ananda, Nastia, Insolate, Pig & Dan, and Moog Conspiracy. Faia's love of music translates into the drive, energy and playfulness which characterises her mixes and DJ sets. Links for Faia and Femmes Fatales Oslo:- https://soundcloud.com/faia https://www.facebook.com/FaiaDj https://twitter.com/FaiaGry https://www.mixcloud.com/faia/ https://www.femmesfatalesofficial.com/ https://www.facebook.com/Femmesfatalesoslo/ https://twitter.com/FemmesFatalesNO In my mix in the first hour I'm featuring the EP 'Khonnor' by Deena Abdelwahed, released by InFine on 16th Nov 2018. I also play tracks by Just Her, Anna, Charlotte de Witte, B Traits, Desna, Esther Duijn, Yolanda Polanco, Stacy James, Victoria 52, Tina V, Bodega, Cirez D and Sasha Romaniuk. I'm also playing Jazzuelle's Spaced Out Dream remix of my new single, 'Marionette' on which I collaborated with American DJ and Producer Eric Louis. It's to be released by Get Physical Music on 26th Oct 2018. Pre-order link https://www.beatport.com/release/marionette/2416097 If you like the tracks played in the show, please support the artists by buying their music. It's time to say NO to gender imbalance in dance music. it's time to Draw the Line!! Track list 1st hour, jacki-e in the mix:- 1. Deena Abdelwahed - Saratan (original mix)InFine Music promo to be released 16th Nov 2018. 2. Deena Abdelwahed - Abadab (original mix) InFine Music promo to be released 16th Nov 2018. 3. Deena Abdelwahed - 5 5 (original mix) InFine Music promo to be released 16th Nov 2018. 4. Just Her - Chapters (original mix) Suara. 5. Jacki-e & Eric Louis - Marionette (Jazzuelle's Spaced Out Dream remix) Get Physical Music promo to be released 26th Oct 2018. https://www.beatport.com/release/marionette/2416097 6. ANNA - When I Am Only A Dream (original mix) Kompakt Extra. 7. Charlotte de Witte - Remember (original mix) Drumcode. 8. B Traits - Breathe Out (original mix) In Toto. 9. Desna - Slippy (original mix) Octopus Black Label. 10. Esther Duijn - Transluscent Thoughts (original mix) KitchnSync Records. 11. Yolanda Polanco - Very Frequently (original mix) Unsigned. 12. Stacy James - Hella Vision (original mix) DeepDownDirty. 13. Victoria.52 - Lost in Detroit (Fernanda Martins remix) Devotion Records. 14. Tina V - Lapse (original mix) Night Light Records. 15. Bodega - Name Escape (original mix) What's Your Rupture. 16. B Traits - Basic Scenario (original mix) In Toto. 17. Cirez D - Black Hole (original mix) Mouseville. 18. Sasha Romaniuk - Virtual Bomb (original mix) Black Drop. 2nd hour Faia - An Exclusive Guest Mix for Draw The Line Radio Show 1. Elena Pavla - Do Not Sleep (original mix) Low Groove Records. 2. Tina V - Recount (Sonate remix) Let's Groove. 3. Nicole Moudaber - Long Night (original mix) Monique Speciale. 4. Esther Duijn - Translucent Thoughts (original mix) KitchnSync Records. 5. Michelle Sparks - Force Field (original mix) Octopus Records. 6. Ann Clue - Calling It (Original Mix) FCKNG SERIOUS. 7. John Martz - 909 (original mix) Tech You Very Much! 8. Gaga, Mateo! - Gastown (David Dega remix) Dark Face Recordings. 9. Tea Vuckovic - Intensity (original mix) Techburst Records. 10. Marika Rossa - Monday Morning (original mix) Oxytech Recordings. 11. ANNA - Portable Paradise (original mix) Drumcode. 12. Rebekah - Code Black (original mix) Soma. Draw The Line Radio Show is A Darker Wave production.

The Storm in the Hourglass (This Wicked Tongue) - Tina V; Theory - Switch 7 + Mini Booster, Far Away - Utility Muffin, Fragmented - Vault, Silent Destruction - Kármán Line; Geeknotes: 09/29 - Anti-Bully Workshop @ One Martial Arts SF, 10/02 - Books and Resistance @ CIIS Public Programs, SF, 10/04 - Special Screening - The Silence of Others @ Museum of Tolerance, LA; Practice - Gear Stack; I Walk - Utility Muffin

"Hvala Bogu, da sem rastu na Fužinah." Velikokrat izrečeno, še večkrat opisano, v rimah izrečeno in odpeto v songih, ki segajo že desetletje v preteklost. Zlatan Čordić - Zlatko je raper. Roko na srce se zavedam, da v Sloveniji ta pojem še vedno prej kot spoštovanje sproža začudenje, ki pa si ga v resnici ne znam razložiti. Zlatko je očka, je ambasador in je raper. Ki ne "dissa". Zjutraj se mu je na Valu 202 pridružila tudi Tina Marinšek. Prisluhnite, -Andrej

This months episode was recorded live for a set i played on Chew TV, be sure to keep an eye out as i will certainly be doing more live shows from now on. This time around i have rounded up some groovy tech house tracks and added some quality techno cuts to the mix. My personal favourites from this episode include Mattew Jay with Burning Saber, a top notch Sonate remix of Tina V’s recount and Peter Bailey’s Offshoot. Check it out and let me know what you think and i hope to see you drop by and hang out during my future live shows. Chael 1: Raul Facio - Expertise (Original Mix) BORDERTECH MUSIC 2: Rottom & Sergio De Morales - One Hundred (Original Mix) HABITAT 3: Stefano Noferini & Metodi Hristov - Reflex (Original Mix) NATURA VIVA 4: Raffaele Rizzi - Gate 7 (Original Mix) RECOVERY HOUSE 5: Mattew Jay - Burning Saber (Original Mix) PLAY MY TRACK RECORDINGS 6: Arjun Vagle & Ramiro Lopez - Infinita (Original Mix) ENTER MUSIC 7: Tina V - Recount (Sonate Remix) KALEYDO BEATS 8: Dani SBert - Circunstance (Original Mix) U.F.O RECORDINGS 9: Peter Bailey - Offshoot (Original Mix) TOOLROOM 10: Libex & Alain Diamond - Watamu (Mike Ivy & Nimo Iero Remix) ARENAS RECORDINGS (CR) 11: Raffaele Rizzi - Mercury (Original Mix) MINISTRY OF SOUND

Vi får besøk av Grete Herlofson fra Norske Kvinners Sanitetsforening og Tina Vågenes fra Under Arbeid som forteller om deres nyoppstartede russekampanje mot voldtekt, "Ja betyr ja". Vi dekonstruerer også russelåter, og ser på russefeiringa fra den andre siden av svenskegrensa.

Will Rees Pres. ALIVE Episode 12 (Bryan Kearney Guest Mix) 01. Gary Beck & Debra Debs - Get Together 02. Tina V - 714 03. Sam Paganini - Labyrinth 04. Roman Ponchet - Black Orchid 05. Recondite - DRGN2 06. Dualitik & Pedro Delgardo - Tknofilia (Alex Di Stefano Remix) 07. Code Alliance - The Code (Code Remix) 08. Mark Broom - Things (Paul Mac's Rave Bass Mix) 09. Lil Louis - French Kiss (Mark Broom Edit) 10. E-Clip - Sacred Science (Redrosid Remix) 11. Boris - Don't You Know 12. Vegim & A-Paul - Anakonda (Axel Karakasis Remix) 13. Mark Greene - Call It Badness (Alex Di Stefano Remix) 14. Code Alliance - Insertion 15. Oxia - Domino 16. Gary Beck & Mark Broom - Borders 17. Human Resource - Dominator (Atkinson Dark Dub) 18. Bryan Kearney pres. Karney - Say Nothing 19. Will Atkinson - Harvester 20. I.D - I.D 21. Alex Di Stefano - Escape From The Past (Outro)