Podcasts about Fade out

Episode 48 - Ida Lupino's THE TROUBLE WITH ANGELS w/guest Peter Bryant Have a question or comment? Looking for more great content? E-MAIL: fwpodcasts@gmail.com Follow FADE OUT on Blue Sky: https://bsky.app/profile/fadeoutpod.bsky.social You can find FADE OUT on these podcast platforms: Apple Podcasts: https://podcasts.apple.com/us/podcast/fade-out/id1536486950 Amazon Music Spotify This podcast is a proud member of the FIRE AND WATER PODCAST NETWORK: Visit the Fire & Water WEBSITE: http://fireandwaterpodcast.com Follow Fire & Water on BLUE SKY – https://bsky.app/profile/fwpodcasts.bsky.social Like our Fire & Water FACEBOOK page – https://www.facebook.com/FWPodcastNetwork Support The Fire & Water Podcast Network on Patreon: https://www.patreon.com/fwpodcasts Use our HASHTAG online: #FWPodcasts Thanks for listening!

On this bonus episode, Rob and returning guest David Ace Gutierrez discuss the movies Rob's Dad took him to in 1979-1984! Have a question or comment? Looking for more great content? E-MAIL: fwpodcasts@gmail.com Follow FADE OUT on Blue Sky: https://bsky.app/profile/fadeoutpod.bsky.social You can find FADE OUT on these podcast platforms: Apple Podcasts: https://podcasts.apple.com/us/podcast/fade-out/id1536486950 Amazon Music Spotify This podcast is a proud member of the FIRE AND WATER PODCAST NETWORK: Visit the Fire & Water WEBSITE: http://fireandwaterpodcast.com Follow Fire & Water on BLUE SKY – https://bsky.app/profile/fwpodcasts.bsky.social Like our Fire & Water FACEBOOK page – https://www.facebook.com/FWPodcastNetwork Support The Fire & Water Podcast Network on Patreon: https://www.patreon.com/fwpodcasts Use our HASHTAG online: #FWPodcasts Thanks for listening!

On this bonus episode, Rob and returning guest David Ace Gutierrez discuss the movies Rob's Dad took him to in 1979-1984! Have a question or comment? Looking for more great content? E-MAIL: fwpodcasts@gmail.com Follow FADE OUT on Blue Sky: https://bsky.app/profile/fadeoutpod.bsky.social You can find FADE OUT on these podcast platforms: Apple Podcasts: https://podcasts.apple.com/us/podcast/fade-out/id1536486950 Amazon Music Spotify This podcast is a proud member of the FIRE AND WATER PODCAST NETWORK: Visit the Fire & Water WEBSITE: http://fireandwaterpodcast.com Follow Fire & Water on BLUE SKY – https://bsky.app/profile/fwpodcasts.bsky.social Like our Fire & Water FACEBOOK page – https://www.facebook.com/FWPodcastNetwork Support The Fire & Water Podcast Network on Patreon: https://www.patreon.com/fwpodcasts Use our HASHTAG online: #FWPodcasts Thanks for listening!

ST///LL - In The Static Creux Lies - Apocalypto Cruel Reflections - Llorando Astari Nite - Miss Rain On My Parade Black Angel - Queen Of The Night (Striplight Remix) Pure Obsessions Red Nights - As Dirty As It Cleans Beauty In Chaos - Holy Ground (Kommunity FK Reimagined Mix) Tears For The Dying - Nazi Goths Fuck Off Spire Circle - Burning Alive - 04 Skin and Bones Bellhead - Threats Tenderlash - Alone And Still (feat. Stephen Carey) Fernando's Eyes - Center Of Your World Oliver Decrow - Trapped Inside Bella Eterna - Fire VNV Nation - Station 21 Deep Red - Golden (feat. Stefan Netschio) CODENAME:LOLA - The Day Before You Came (feat. Maethelyiah) Hurtsfall - Robert Smith's Eyes Strange Futures - Luxury Escapism Hallows - Despite Those Times Ships In The Night - Some Of Those Dreams Nahja Mora - Burn The Young Gods - Appear Disappear Finding Thetis - Norwegian (Digital Dusk Remix) Dawn Of Ashes - Hypertensive Crisis Protokoll 19 - Connect Sina Matix - Where Did It Go Wrong (Assemblage 23 Remix)

JBS Journalist Micah Halpern discusses why he has great confidence in the next generation—this and more on this episode of "Thinking Out Loud" on JBS.

Episode 47 - Luis Bunuel's THAT OBSCURE OBJECT OF DESIRE w/guest Raquel Stecher Have a question or comment? Looking for more great content? E-MAIL: fwpodcasts@gmail.com Follow FADE OUT on Blue Sky: https://bsky.app/profile/fadeoutpod.bsky.social You can find FADE OUT on these podcast platforms: Apple Podcasts: https://podcasts.apple.com/us/podcast/fade-out/id1536486950 Amazon Music Spotify This podcast is a proud member of the FIRE AND WATER PODCAST NETWORK: Visit the Fire & Water WEBSITE: http://fireandwaterpodcast.com Follow Fire & Water on BLUE SKY – https://bsky.app/profile/fwpodcasts.bsky.social Like our Fire & Water FACEBOOK page – https://www.facebook.com/FWPodcastNetwork Support The Fire & Water Podcast Network on Patreon: https://www.patreon.com/fwpodcasts Use our HASHTAG online: #FWPodcasts Thanks for listening!

Episode 47 - Luis Bunuel's THAT OBSCURE OBJECT OF DESIRE w/guest Raquel Stecher Have a question or comment? Looking for more great content? E-MAIL: fwpodcasts@gmail.com Follow FADE OUT on Blue Sky: https://bsky.app/profile/fadeoutpod.bsky.social You can find FADE OUT on these podcast platforms: Apple Podcasts: https://podcasts.apple.com/us/podcast/fade-out/id1536486950 Amazon Music Spotify This podcast is a proud member of the FIRE AND WATER PODCAST NETWORK: Visit the Fire & Water WEBSITE: http://fireandwaterpodcast.com Follow Fire & Water on BLUE SKY – https://bsky.app/profile/fwpodcasts.bsky.social Like our Fire & Water FACEBOOK page – https://www.facebook.com/FWPodcastNetwork Support The Fire & Water Podcast Network on Patreon: https://www.patreon.com/fwpodcasts Use our HASHTAG online: #FWPodcasts Thanks for listening!

Astari Nite - Unisex Games The Funeral March of the Marionettes - Stars at Night Vague Lanes - Unraveling Black Angel - Kiss of Death (Bloo-d RAN Remix) Culture Hex - Cloak and Dagger MX Magic Wands - Moonshadow Raven Said - Desolation Golden Apes - The Highest Point NITE - Have Mercy Beautiful Freakin Weirdo - I Am Fire The Birthday Massacre - All Of You Evidence of a Struggle - Give Us A Kiss Byronic Sex & Exile - Vampyros Wesbos Mercury's Antennae - The Moon Viewing Garden Church of the Sea - Eva Peter Murphy - The Artroom Wonder AnAstromo Nino - A Broken Trust Anders Manga - Crucified Castle De Crux - Deep Freeze Burning R ed Sequential Zero - It's Not About You Strange Futures - Bad Theories Palindrones - Kryne Lamiya She 1 Him 2 - Moving Parts SIIE - Tendance Nature of Wires ft Luka - Rise of the Light Mari Kattman - Anemia Fernando's Eyes - A Million Times The Bolshoi Brothers - Beautiful Creature Proyecto Escapulario - Mary Posa Muerta Last Dusk - The Silent Wave

Byronic Sex & Exile - Jacobin Night Ritualz - Sharing Skin The Calm Grey - Fire (...Your Advice) Blxckflamingo - Your World My War Pink Turns Blue - Dancing With Ghosts Rosetta Stone - Don't Turn Away (If Only & Sometimes) 2025 Remaster Mercury's Antennae - The Reflecting Skin (William Faith Remix) Ariel Maniki and the Black Halos - Pieces ST///LL - Shout Out Violent Eden - Anxiety (Get Nervous) Vazum - Pretty Brutal Social Youth Cult - Black Lipstick (Clings To Me) The Room - Nemesis New Zero God - Keep Me Safe The Names - Last Train To Nowhere Peter Murphy - Swoon Derision Cult - Joker's Wild (And Kings are Dead) Beauty In Chaos - Children Of The Revolution (feat. Al Jourgensen) The Birthday Massacre - Sleep Tonight Witch of the East - Geist Girl Attrition - The Alibi (Singapore Fountains Remix) Chris Harms - The Grey Machines (feat. Ronan Harris) BLDDDLTTR - Hea(r)t Death Jungle Terror - Camlann Palindrones - Animus The Moons Of Jupiter - Tomorrow Perpacity - The Void Hallows - Find a Way Die Sexual - Darkest Hour (Light Asylum Telepathic Remix) Pneumagnosis - Let The Flowers Fall (Assemblage 23 Remix) Nature of Wires feat. Luka - Greed Machine Psyclon Nine - Devil's Work Tears For The Dying - Jolene (remix)

First actual mix in a long time, hope you guys enjoy. This is my first mix with 99.9% Original -Ū. music only with the exception of the intro for dramatic effect. Hope you guys enjoy it. Thanks for listening. Here's a screenplay of enter the multiverse to coincide with the commemoration of the SNL 50's anniversary/ L E G E N D S crossover. Fun Fact: The First appearence of Liz Lemon in this show {Enter The Multiverse} is in season one, which first aired in May of 2021. The 1st and subsequent seasons will soon be avalible for reading and listening on my website https://www.iamu.guru. Enjoy this mix and the avaliable downloads you'll find there and stay tuned for upcoming stuff. Just a reminder, all of my content is totally free for download. If you enjoy this series, drop a like and subscribe and follow on your favorite streaming platforms and all of my channels. Thanks for your continued support and listens/reads. Happy Passover; blessings and peace to you. -blu. INT. ALIEN SPACESHIP - DAY The cramped, metallic interior of an alien spacecraft. Two bizarre, multi-limbed ALIENS are locked in a furious argument. The sounds are not words, but a cacophony of distorted electronic noises. ALIEN 1 (A series of rapid, high-pitched BLIPS and WHIRS) ALIEN 2 (A deep, guttural GROWL followed by a drawn-out, wavering TONE) ALIEN 1 BLIM-BLIM-BLIM-BLIM— FLAU—FLAU—FLAU! ALIEN 2 —————EeeeeEeeeeeEEEEEEEEENNMMMMMMMMMNGGGGGGGGG!!! ALIEN 1 Wfuh! Alien 2 makes a highly offensive hand gesture. Alien 1 responds with a highly offensive gesture using another body part. Suddenly, RACHEL DRATCH, dressed impeccably and radiating an air of cool detachment, enters the scene and calmly observes the arguing aliens. RACHEL DRATCH (To herself, almost a whisper) Well, this is… something. CUT TO: INT. ROCKEFELLER PLAZA - SUNNI BLU'S OFFICE - DAY SUNNI BLU, sharp and impeccably dressed, stares with wide eyes at a ridiculously large ELECTRICITY BILL. Sunlight streams through the massive windows overlooking Rockefeller Plaza. SUNNI BLU (Muttering) Since when did keeping the lights on cost this much? Absorbing ConEd was supposed to *save* money. Suddenly, a disembodied VOICE echoes in the room. VOICE (V.O.) You will fail this test. SUNNI BLU (Startled) There's a test?! What test?! VOICE (V.O.) It came with a lesson— you didn't think there was going to be a test. CUT TO: EXT. THE LONELY ISLAND CLIFF - DAY ANDY (ALEKSI), dressed in surprisingly clean white robes despite the precarious location, stands on the edge of a towering cliff overlooking a vast ocean. He takes a running leap off the edge. ANDY —NO… He plummets downwards for a beat. Then, with a gentle WHOOSH, he lands perfectly upright on the sandy beach below. ANDY (CONT'D) I told you I could stick the landing. ALEKSI (V.O.) It wasn't always The Lonely Island… CUT TO: INT. HEAVENLY WAITING ROOM - DAY ALEKSI (ANDY SANDBERG), now with subtle, mischievous angelic wings, winks directly at the camera. ALEKSI guardian angel. TINA (O.S.) Whatever. Tina FEY, also with small, slightly more exasperated-looking wings, enters. ALEKSI winks extra harder at her. ALEKSI Hello. TINA Oh my God! ALEKSI I wish! At this point, I wish— unfortunately, those aren't the types of wishes I'm in charge of overseeing. A large, ornate PACKAGE appears unexpectedly at TINA's feet. TINA (CONT'D) When something appears unexpectedly at your doorstep, it's called a windfall, right? ALEKSI Yeah. I think that's what this is. TINA And when it's something you really need, it's a gift from God. Isn't it? ALEKSI Something like that. TINA Honestly, I thought it was just a gentler way of letting me know I was ugly— after a particularly horrible photo opportunity at the airport. ALEKSI —wow. TINA I had just been up for 72 plus hours straight and only slept something like 4 or 5–but of course— FLASHBACK: INT. AIRPORT SECURITY - EARLY MORNING A haggard and disheveled TINA sits slumped on a lopsided BEANBAG in the middle of the bustling security line. Bright lights shine in her face as various machines WHIR and BEEP, scanning her. TINA (V.O.) This was staggered sleep from atop a lopsided beanbag. TINA (Muttering) Agh, God! TINA (V.O.) I've been getting used to having lights shined in my face for awhile now. Still, I was not so ready for a full work up of my biometrics in this early morning crusade to Los Angeles. A stern-faced AGENT approaches her. AGENT The Agency thought you were terminally ill. TINA Terminally? Geez. The AGENT clears his throat. AGENT Consider this as, ah— Hm. Ojo translates directly to Eye. Doesn't it? TINA I see you. AGENT Undoubtedly. —an incentives. TINA I don't need anymore incentives, Captain. I need income. AGENT Oh, I'm the captain now? TINA You were always the captain. AGENT This is news to me. TINA News to the News. That's something new. AGENT Nothing is new. TINA But it's news to you. Sarcasm. I need a paycheck. AGENT Try looking pretty. TINA I tried. It didn't work. AGENT Try…harder. TINA (V.O.) New York had put spots and marks on my faces— a broken blood vessel from fighting some demonized African girl— and I'm sure that was what she was, after all… FLASHBACK: INT. APARTMENT - NIGHT TINA is struggling in a bizarre fight with a shadowy FIGURE. The scene has a surreal, “As Seen On TV” commercial feel. VOICEOVER (V.O.) Who tries to kill you, and then does their hair to be more like yours? That's major weird. TINA Major Tom. SHADOWY FIGURE Yeah. TINA (V.O.) Then again, since moving to New York… Oh, Holy shit. Everything is major weird. A shimmering PORTAL opens in the middle of the apartment. TITLE CARD: AS SEEN ON TV: PART III TINA (Staring at the portal) Where the fuck is part one and two?! SHADOWY FIGURE Maybe it starts at three! TINA Nothing “starts at three” SHADOWY FIGURE Maybe it's like Star Wars! TINA It's not like Star Wars! A CATACLYSMIC SPACESHIP COLLISION and EXPLOSION sound effect. TINA (CONT'D) …it's not like Star Wars. SHADOWY FIGURE Uh huh. It's better than star wars. A giant collective GASP is heard. TINA -_- *the world stops* TINA (CONT'D) -_- Suddenly, all sound ceases. TINA (CONT'D) Woah. That's different. SHADOWY FIGURE There: I fixed overpopulation. TINA But— SHADOWY FIGURE But what? I fixed it. TINA But— weren't some of those fans, also fans of this show. SHADOWY FIGURE Yeah, so? TINA Like an overwhelming majority. SHADOWY FIGURE Majority? Yeah— they're— These are nerds. TINA Fuck. Right. So where did you send them?! SHADOWY FIGURE Uh. Only to heaven. TINA What does that mean. SHADOWY FIGURE Heaven for any Star Wars fan— TINA Where is that. SHADOWY FIGURE The world where all of that stuff— is real. TINA What—what do you mean by that. SHADOWY FIGURE I sent them to Star World. TINA That sounds so fucking gay. SHADOWY FIGURE Cause it is. TINA Fuck. Oh, that's right— Non-star wars fans are sometimes Cynics Read: Major fucking assholes. I guess I fall into that category, eh— a little bit? SHADOWY FIGURE No duh. TINA “No duh.” What part of the nineties was your heyday? SHADOWY FIGURE All of them. TINA Jesus, Tina. You might be ancient. SHADOWY FIGURE I'm dust. TINA Hey— What. Why are you my assistant now. SHADOWY FIGURE Assistant? No. I'm your executive producer. TINA ExeCUTEive producer— you do put the cute in that. SHADOWY FIGURE (Not being cute, unamused, but still very cute) Ugh. Fine. SUDAKIS. JASON SUDAKIS appears CONT'D. And nobody cares, of course Because she is formerly gorgeous (Not no more) I'm standing on four paws I'm studying your laws If this was your office I'm your boss And I caught you taking your clothes off You're boring, I started to doze off Don't call me no more, hoe So now your broke You started a war slamming doors Because you can't find no more work Hoe Karen and Becky are probably blessings Cause they do not get me But I'm doing better and yet They are starting to sweat cause I'm starting to flex They're slamming the door They're starting a war They never been homeless before Or hungry and poor But no peace of mind? It's fine I'll probably find in time That they crossed the line And get left behind The red dots are trying To plot I'm crying a lot, I'm out of the box, jack I spring up but I do not pop I'm talking to God, He's telling you off, I'm calling him “her”, She's telling me “Sure, I'm not really sure, But I got the cure for your disease The God of Mercy, Mercy Me I got my first Mercedes in 1993 Look at me. CUT TO: INT. BACKSTAGE - NIGHT A very tall, redheaded SHOWMAN (CONAN O'BRIEN, though slightly off) has just finished a days-long BENDER. He is not the polished figure America knows. He shakily lines up a mysterious white substance on a grimy surface. CONAN (Muttering) Just… need… a little… pick-me-up. A mysterious FIGURE appears silently behind him. FIGURE Feeling better, Conan? Conan looks up, bleary-eyed, barely lifting his head. CONAN (Slurring) I don't know what you're saying. CONAN (V.O.) Apparently, that was the line, and I felt like I was crossing into a strange territory with this, one Conan O'Brien, and almost absolutely certain I was spelling his name wrong, but continued to do so anyway— one, because I refused to look him up, and two— because if ever I entered into a plot hole deep enough the mechanics of my own knowledge of hyper and multidimensional space travels to explain, then having a Conan O'Brien and a Conan O'Brian might become useful. Today, I want useful, because I wanted to go back to sleep with enough energy to still wake up with enough energy to run a mile on the full sized treadmill downstairs. Then, I had day-people things to do— and for whatever reason, this seemed like one of them. It was a welcome deviation from— A boisterous, red-faced MAN stumbles into the room. MAN O'Fallon, you old coot! CONAN (Confused) Oh year. MAN I told you the Irish were coming. *the fighting Irish. CONAN Ah yes, the fighting Irish— CONAN (V.O.) Apparently, this was some centuries long kind of battle between ancient clans//and so, I did my very best o find my way out of it, until A fierce, heavily tattooed WOMAN bursts in. WOMAN MUNROE!!!!! (V.O.) —i was found out. My surname was Scottish, but nonetheless, it was a fied older than borders were, anyway. CUT TO: EXT. MUSIC FESTIVAL - DAY A chaotic, vibrant music festival. ANDY (ALEKSI) approaches a gruff-looking SECURITY GUARD. ANDY Yo. SECURITY GUARD What's good. ANDY What's your deal with the KKK, anyway? SECURITY GUARD (Scoffs) I like them. They're funny. ANDY They— want to kill you. SECURITY GUARD That doesn't make them any less funny. In fact, now they might be more funny. ANDY Are you serious? SECURITY GUARD No, I'm funny. I like them blonde, Tall, dark skinned, Woah, scratch that. Narrow down my picks I like them Icelandic And Slavic Oh dear I like them impossible to topple over, No, God— Nevermind; I like them whiter than light snow on a cold night There you go I like them strong— But only in thought forms Keyboard warrior, But I'd like to get her in a choke hold So she'll stop snoring Oh God No Lord— I should win an award for this song I should win an award for this song I should win an award for this song MORGAN FREEMAN (V.O.) ANOTHER nomination. ANDY No way. This is crazy. ANDY spots SUNNI BLU in the crowd, looking stressed. ANDY (CONT'D) SUNNI, Do you have the academy on your payroll? SUNNI BLU (Shouting over the music) Ask the accountant? A stereotypical SUPER JEW ACCOUNTANT, complete with a large yarmulke and clutching a ledger, scurries past. SUPER JEW ACCOUNTANT actually, surprisingly, I think you're on theirs! See! SUNNI BLU Seriously?!! That's not anti semitic at all. (It's not, it's pro-semitic) More Jews and Rosecurucians More Jews and Rosicrucians! I took a bite out of you, And now I want my life back! Sharks. (And surfboards) More news and prosecutions More blues and resurrections More impossible erections Interject— —I should probably call a doctor. It's been way more than four hours. I have way more than four houses— I've way more than four flowers, I've way more than four dollars— I've way more than four collars with sparkles on them. I wear cargo pants for the ride home though. No homo. CUT TO: INT. HEADQUARTERS INTERROGATION ROOM - DAY CC (NATALIE PORTMAN, though not explicitly stated) enters the stark interrogation room. A MAN sits at a metal table, wrists chained. CC sits down opposite him, calm and composed. MAN I… am a trained assassin. CC That's— impressive. MAN There are people who want to murder you. CC Now I'm impressed with myself. MAN Is that so. CC Yes! Ah. Delighted, actually. MAN Who are you? CC “A charismatic number” writes the New York Times review of my most recently cherished endeavor. Which means for once in your life you might have actually been on time. Or just late enough, or just early enough, or— you know. It starts where I get there, or they were just waiting for me anyway. You know. Or you don't. MAN I don't. CC Then you should have plenty of time for self study between now and your execution. MAN Hah! My execution?! That's where this is heading. CC What about yours? MAN What about it? CC Have or haven't you been following along that this is what I've ultimately desired. My suffering ends in peace with knowing that you, too, shall cease to exist. INT. OBSERVATION ROOM - DAY Other DETECTIVES watch the interrogation through a one-way mirror, their faces grim. DETECTIVE 1 What could possibly be going on in there? DETECTIVE 2 Anything. DETECTIVE 3 I wonder what she's saying. DETECTIVE 1 Anything. DETECTIVE 2 Looks like she has him cornered. DETECTIVE 3 Maybe. DETECTIVE 1 Jesus, can you speak in anything more than one word sentences. DETECTIVE 2 No. BACK IN THE INTERROGATION ROOM, a heavy silence hangs in the air. MAN …Natalie? CC You wanted “CC” so I'm “CC” The MAN strains against his restraints. MAN Who who's this?! CC (V.O.) Suddenly my love affair with words and art and theatrical thoroughfare was coming to an end. This was something of a disaster set against the backdrop of a really real world— a world that seemed not to want me in it. CUT TO: EXT. NEW YORK CITY STREET - DAY LIZ LEMON (TINA FEY) walks down a crowded street, furiously dialing her cellphone. LIZ LEMON (Into phone, angry) Hello? CUT TO: EXT. MARDI GRAS PARADE - NEW ORLEANS - DAY TRACY JORDAN (also TINA FEY, in elaborate Mardi Gras attire) is on a vibrant parade float, throwing beads to the cheering crowd. His phone rings. TRACY JORDAN (Into phone, jovial) WHERE ARE YOU?! I'm on my way to the parade! LIZ LEMON (O.S.) I'm AT the parade! Where are YOU? TRACY JORDAN Not that parade! Mardi Gras! LIZ LEMON (O.S.) MARDI GRAS?! TRACY JORDAN Yeah! LIZ LEMON (O.S.) WHY?! YOU'RE SUPPOSED TO BE ON A FLOAT— In NEW YORK CITY— In 22 MINUTES. TRACY JORDAN Don't worry, I'll be there. LIZ LEMON (O.S.) YOU'LL BE THERE?! You're at a parade! In New Orleans! TRACY JORDAN It's Mardi Gras! LIZ LEMON (O.S.) I KNOW ITS— Tracy hangs up. He grins at the crowd and throws more beads. FADE OUT. {Enter The Multiverse} [The Festival Project.™] COPYRIGHT © THE FESTIVAL PROJECT 2019-2025 | THE COMPLEX COLLECTIVE. © ALL RIGHTS RESERVED. ©

First actual mix in a long time, hope you guys enjoy. This is my first mix with 99.9% Original -Ū. music only with the exception of the intro for dramatic effect. Hope you guys enjoy it. Thanks for listening. Here's a screenplay of enter the multiverse to coincide with the commemoration of the SNL 50's anniversary/ L E G E N D S crossover. Fun Fact: The First appearence of Liz Lemon in this show {Enter The Multiverse} is in season one, which first aired in May of 2021. The 1st and subsequent seasons will soon be avalible for reading and listening on my website https://www.iamu.guru. Enjoy this mix and the avaliable downloads you'll find there and stay tuned for upcoming stuff. Just a reminder, all of my content is totally free for download. If you enjoy this series, drop a like and subscribe and follow on your favorite streaming platforms and all of my channels. Thanks for your continued support and listens/reads. Happy Passover; blessings and peace to you. -blu. INT. ALIEN SPACESHIP - DAY The cramped, metallic interior of an alien spacecraft. Two bizarre, multi-limbed ALIENS are locked in a furious argument. The sounds are not words, but a cacophony of distorted electronic noises. ALIEN 1 (A series of rapid, high-pitched BLIPS and WHIRS) ALIEN 2 (A deep, guttural GROWL followed by a drawn-out, wavering TONE) ALIEN 1 BLIM-BLIM-BLIM-BLIM— FLAU—FLAU—FLAU! ALIEN 2 —————EeeeeEeeeeeEEEEEEEEENNMMMMMMMMMNGGGGGGGGG!!! ALIEN 1 Wfuh! Alien 2 makes a highly offensive hand gesture. Alien 1 responds with a highly offensive gesture using another body part. Suddenly, RACHEL DRATCH, dressed impeccably and radiating an air of cool detachment, enters the scene and calmly observes the arguing aliens. RACHEL DRATCH (To herself, almost a whisper) Well, this is… something. CUT TO: INT. ROCKEFELLER PLAZA - SUNNI BLU'S OFFICE - DAY SUNNI BLU, sharp and impeccably dressed, stares with wide eyes at a ridiculously large ELECTRICITY BILL. Sunlight streams through the massive windows overlooking Rockefeller Plaza. SUNNI BLU (Muttering) Since when did keeping the lights on cost this much? Absorbing ConEd was supposed to *save* money. Suddenly, a disembodied VOICE echoes in the room. VOICE (V.O.) You will fail this test. SUNNI BLU (Startled) There's a test?! What test?! VOICE (V.O.) It came with a lesson— you didn't think there was going to be a test. CUT TO: EXT. THE LONELY ISLAND CLIFF - DAY ANDY (ALEKSI), dressed in surprisingly clean white robes despite the precarious location, stands on the edge of a towering cliff overlooking a vast ocean. He takes a running leap off the edge. ANDY —NO… He plummets downwards for a beat. Then, with a gentle WHOOSH, he lands perfectly upright on the sandy beach below. ANDY (CONT'D) I told you I could stick the landing. ALEKSI (V.O.) It wasn't always The Lonely Island… CUT TO: INT. HEAVENLY WAITING ROOM - DAY ALEKSI (ANDY SANDBERG), now with subtle, mischievous angelic wings, winks directly at the camera. ALEKSI guardian angel. TINA (O.S.) Whatever. Tina FEY, also with small, slightly more exasperated-looking wings, enters. ALEKSI winks extra harder at her. ALEKSI Hello. TINA Oh my God! ALEKSI I wish! At this point, I wish— unfortunately, those aren't the types of wishes I'm in charge of overseeing. A large, ornate PACKAGE appears unexpectedly at TINA's feet. TINA (CONT'D) When something appears unexpectedly at your doorstep, it's called a windfall, right? ALEKSI Yeah. I think that's what this is. TINA And when it's something you really need, it's a gift from God. Isn't it? ALEKSI Something like that. TINA Honestly, I thought it was just a gentler way of letting me know I was ugly— after a particularly horrible photo opportunity at the airport. ALEKSI —wow. TINA I had just been up for 72 plus hours straight and only slept something like 4 or 5–but of course— FLASHBACK: INT. AIRPORT SECURITY - EARLY MORNING A haggard and disheveled TINA sits slumped on a lopsided BEANBAG in the middle of the bustling security line. Bright lights shine in her face as various machines WHIR and BEEP, scanning her. TINA (V.O.) This was staggered sleep from atop a lopsided beanbag. TINA (Muttering) Agh, God! TINA (V.O.) I've been getting used to having lights shined in my face for awhile now. Still, I was not so ready for a full work up of my biometrics in this early morning crusade to Los Angeles. A stern-faced AGENT approaches her. AGENT The Agency thought you were terminally ill. TINA Terminally? Geez. The AGENT clears his throat. AGENT Consider this as, ah— Hm. Ojo translates directly to Eye. Doesn't it? TINA I see you. AGENT Undoubtedly. —an incentives. TINA I don't need anymore incentives, Captain. I need income. AGENT Oh, I'm the captain now? TINA You were always the captain. AGENT This is news to me. TINA News to the News. That's something new. AGENT Nothing is new. TINA But it's news to you. Sarcasm. I need a paycheck. AGENT Try looking pretty. TINA I tried. It didn't work. AGENT Try…harder. TINA (V.O.) New York had put spots and marks on my faces— a broken blood vessel from fighting some demonized African girl— and I'm sure that was what she was, after all… FLASHBACK: INT. APARTMENT - NIGHT TINA is struggling in a bizarre fight with a shadowy FIGURE. The scene has a surreal, “As Seen On TV” commercial feel. VOICEOVER (V.O.) Who tries to kill you, and then does their hair to be more like yours? That's major weird. TINA Major Tom. SHADOWY FIGURE Yeah. TINA (V.O.) Then again, since moving to New York… Oh, Holy shit. Everything is major weird. A shimmering PORTAL opens in the middle of the apartment. TITLE CARD: AS SEEN ON TV: PART III TINA (Staring at the portal) Where the fuck is part one and two?! SHADOWY FIGURE Maybe it starts at three! TINA Nothing “starts at three” SHADOWY FIGURE Maybe it's like Star Wars! TINA It's not like Star Wars! A CATACLYSMIC SPACESHIP COLLISION and EXPLOSION sound effect. TINA (CONT'D) …it's not like Star Wars. SHADOWY FIGURE Uh huh. It's better than star wars. A giant collective GASP is heard. TINA -_- *the world stops* TINA (CONT'D) -_- Suddenly, all sound ceases. TINA (CONT'D) Woah. That's different. SHADOWY FIGURE There: I fixed overpopulation. TINA But— SHADOWY FIGURE But what? I fixed it. TINA But— weren't some of those fans, also fans of this show. SHADOWY FIGURE Yeah, so? TINA Like an overwhelming majority. SHADOWY FIGURE Majority? Yeah— they're— These are nerds. TINA Fuck. Right. So where did you send them?! SHADOWY FIGURE Uh. Only to heaven. TINA What does that mean. SHADOWY FIGURE Heaven for any Star Wars fan— TINA Where is that. SHADOWY FIGURE The world where all of that stuff— is real. TINA What—what do you mean by that. SHADOWY FIGURE I sent them to Star World. TINA That sounds so fucking gay. SHADOWY FIGURE Cause it is. TINA Fuck. Oh, that's right— Non-star wars fans are sometimes Cynics Read: Major fucking assholes. I guess I fall into that category, eh— a little bit? SHADOWY FIGURE No duh. TINA “No duh.” What part of the nineties was your heyday? SHADOWY FIGURE All of them. TINA Jesus, Tina. You might be ancient. SHADOWY FIGURE I'm dust. TINA Hey— What. Why are you my assistant now. SHADOWY FIGURE Assistant? No. I'm your executive producer. TINA ExeCUTEive producer— you do put the cute in that. SHADOWY FIGURE (Not being cute, unamused, but still very cute) Ugh. Fine. SUDAKIS. JASON SUDAKIS appears CONT'D. And nobody cares, of course Because she is formerly gorgeous (Not no more) I'm standing on four paws I'm studying your laws If this was your office I'm your boss And I caught you taking your clothes off You're boring, I started to doze off Don't call me no more, hoe So now your broke You started a war slamming doors Because you can't find no more work Hoe Karen and Becky are probably blessings Cause they do not get me But I'm doing better and yet They are starting to sweat cause I'm starting to flex They're slamming the door They're starting a war They never been homeless before Or hungry and poor But no peace of mind? It's fine I'll probably find in time That they crossed the line And get left behind The red dots are trying To plot I'm crying a lot, I'm out of the box, jack I spring up but I do not pop I'm talking to God, He's telling you off, I'm calling him “her”, She's telling me “Sure, I'm not really sure, But I got the cure for your disease The God of Mercy, Mercy Me I got my first Mercedes in 1993 Look at me. CUT TO: INT. BACKSTAGE - NIGHT A very tall, redheaded SHOWMAN (CONAN O'BRIEN, though slightly off) has just finished a days-long BENDER. He is not the polished figure America knows. He shakily lines up a mysterious white substance on a grimy surface. CONAN (Muttering) Just… need… a little… pick-me-up. A mysterious FIGURE appears silently behind him. FIGURE Feeling better, Conan? Conan looks up, bleary-eyed, barely lifting his head. CONAN (Slurring) I don't know what you're saying. CONAN (V.O.) Apparently, that was the line, and I felt like I was crossing into a strange territory with this, one Conan O'Brien, and almost absolutely certain I was spelling his name wrong, but continued to do so anyway— one, because I refused to look him up, and two— because if ever I entered into a plot hole deep enough the mechanics of my own knowledge of hyper and multidimensional space travels to explain, then having a Conan O'Brien and a Conan O'Brian might become useful. Today, I want useful, because I wanted to go back to sleep with enough energy to still wake up with enough energy to run a mile on the full sized treadmill downstairs. Then, I had day-people things to do— and for whatever reason, this seemed like one of them. It was a welcome deviation from— A boisterous, red-faced MAN stumbles into the room. MAN O'Fallon, you old coot! CONAN (Confused) Oh year. MAN I told you the Irish were coming. *the fighting Irish. CONAN Ah yes, the fighting Irish— CONAN (V.O.) Apparently, this was some centuries long kind of battle between ancient clans//and so, I did my very best o find my way out of it, until A fierce, heavily tattooed WOMAN bursts in. WOMAN MUNROE!!!!! (V.O.) —i was found out. My surname was Scottish, but nonetheless, it was a fied older than borders were, anyway. CUT TO: EXT. MUSIC FESTIVAL - DAY A chaotic, vibrant music festival. ANDY (ALEKSI) approaches a gruff-looking SECURITY GUARD. ANDY Yo. SECURITY GUARD What's good. ANDY What's your deal with the KKK, anyway? SECURITY GUARD (Scoffs) I like them. They're funny. ANDY They— want to kill you. SECURITY GUARD That doesn't make them any less funny. In fact, now they might be more funny. ANDY Are you serious? SECURITY GUARD No, I'm funny. I like them blonde, Tall, dark skinned, Woah, scratch that. Narrow down my picks I like them Icelandic And Slavic Oh dear I like them impossible to topple over, No, God— Nevermind; I like them whiter than light snow on a cold night There you go I like them strong— But only in thought forms Keyboard warrior, But I'd like to get her in a choke hold So she'll stop snoring Oh God No Lord— I should win an award for this song I should win an award for this song I should win an award for this song MORGAN FREEMAN (V.O.) ANOTHER nomination. ANDY No way. This is crazy. ANDY spots SUNNI BLU in the crowd, looking stressed. ANDY (CONT'D) SUNNI, Do you have the academy on your payroll? SUNNI BLU (Shouting over the music) Ask the accountant? A stereotypical SUPER JEW ACCOUNTANT, complete with a large yarmulke and clutching a ledger, scurries past. SUPER JEW ACCOUNTANT actually, surprisingly, I think you're on theirs! See! SUNNI BLU Seriously?!! That's not anti semitic at all. (It's not, it's pro-semitic) More Jews and Rosecurucians More Jews and Rosicrucians! I took a bite out of you, And now I want my life back! Sharks. (And surfboards) More news and prosecutions More blues and resurrections More impossible erections Interject— —I should probably call a doctor. It's been way more than four hours. I have way more than four houses— I've way more than four flowers, I've way more than four dollars— I've way more than four collars with sparkles on them. I wear cargo pants for the ride home though. No homo. CUT TO: INT. HEADQUARTERS INTERROGATION ROOM - DAY CC (NATALIE PORTMAN, though not explicitly stated) enters the stark interrogation room. A MAN sits at a metal table, wrists chained. CC sits down opposite him, calm and composed. MAN I… am a trained assassin. CC That's— impressive. MAN There are people who want to murder you. CC Now I'm impressed with myself. MAN Is that so. CC Yes! Ah. Delighted, actually. MAN Who are you? CC “A charismatic number” writes the New York Times review of my most recently cherished endeavor. Which means for once in your life you might have actually been on time. Or just late enough, or just early enough, or— you know. It starts where I get there, or they were just waiting for me anyway. You know. Or you don't. MAN I don't. CC Then you should have plenty of time for self study between now and your execution. MAN Hah! My execution?! That's where this is heading. CC What about yours? MAN What about it? CC Have or haven't you been following along that this is what I've ultimately desired. My suffering ends in peace with knowing that you, too, shall cease to exist. INT. OBSERVATION ROOM - DAY Other DETECTIVES watch the interrogation through a one-way mirror, their faces grim. DETECTIVE 1 What could possibly be going on in there? DETECTIVE 2 Anything. DETECTIVE 3 I wonder what she's saying. DETECTIVE 1 Anything. DETECTIVE 2 Looks like she has him cornered. DETECTIVE 3 Maybe. DETECTIVE 1 Jesus, can you speak in anything more than one word sentences. DETECTIVE 2 No. BACK IN THE INTERROGATION ROOM, a heavy silence hangs in the air. MAN …Natalie? CC You wanted “CC” so I'm “CC” The MAN strains against his restraints. MAN Who who's this?! CC (V.O.) Suddenly my love affair with words and art and theatrical thoroughfare was coming to an end. This was something of a disaster set against the backdrop of a really real world— a world that seemed not to want me in it. CUT TO: EXT. NEW YORK CITY STREET - DAY LIZ LEMON (TINA FEY) walks down a crowded street, furiously dialing her cellphone. LIZ LEMON (Into phone, angry) Hello? CUT TO: EXT. MARDI GRAS PARADE - NEW ORLEANS - DAY TRACY JORDAN (also TINA FEY, in elaborate Mardi Gras attire) is on a vibrant parade float, throwing beads to the cheering crowd. His phone rings. TRACY JORDAN (Into phone, jovial) WHERE ARE YOU?! I'm on my way to the parade! LIZ LEMON (O.S.) I'm AT the parade! Where are YOU? TRACY JORDAN Not that parade! Mardi Gras! LIZ LEMON (O.S.) MARDI GRAS?! TRACY JORDAN Yeah! LIZ LEMON (O.S.) WHY?! YOU'RE SUPPOSED TO BE ON A FLOAT— In NEW YORK CITY— In 22 MINUTES. TRACY JORDAN Don't worry, I'll be there. LIZ LEMON (O.S.) YOU'LL BE THERE?! You're at a parade! In New Orleans! TRACY JORDAN It's Mardi Gras! LIZ LEMON (O.S.) I KNOW ITS— Tracy hangs up. He grins at the crowd and throws more beads. FADE OUT. {Enter The Multiverse} [The Festival Project.™] COPYRIGHT © THE FESTIVAL PROJECT 2019-2025 | THE COMPLEX COLLECTIVE. © ALL RIGHTS RESERVED. ©

First actual mix in a long time, hope you guys enjoy. This is my first mix with 99.9% Original -Ū. music only with the exception of the intro for dramatic effect. Hope you guys enjoy it. Thanks for listening. Here's a screenplay of enter the multiverse to coincide with the commemoration of the SNL 50's anniversary/ L E G E N D S crossover. Fun Fact: The First appearence of Liz Lemon in this show {Enter The Multiverse} is in season one, which first aired in May of 2021. The 1st and subsequent seasons will soon be avalible for reading and listening on my website https://www.iamu.guru. Enjoy this mix and the avaliable downloads you'll find there and stay tuned for upcoming stuff. Just a reminder, all of my content is totally free for download. If you enjoy this series, drop a like and subscribe and follow on your favorite streaming platforms and all of my channels. Thanks for your continued support and listens/reads. Happy Passover; blessings and peace to you. -blu. INT. ALIEN SPACESHIP - DAY The cramped, metallic interior of an alien spacecraft. Two bizarre, multi-limbed ALIENS are locked in a furious argument. The sounds are not words, but a cacophony of distorted electronic noises. ALIEN 1 (A series of rapid, high-pitched BLIPS and WHIRS) ALIEN 2 (A deep, guttural GROWL followed by a drawn-out, wavering TONE) ALIEN 1 BLIM-BLIM-BLIM-BLIM— FLAU—FLAU—FLAU! ALIEN 2 —————EeeeeEeeeeeEEEEEEEEENNMMMMMMMMMNGGGGGGGGG!!! ALIEN 1 Wfuh! Alien 2 makes a highly offensive hand gesture. Alien 1 responds with a highly offensive gesture using another body part. Suddenly, RACHEL DRATCH, dressed impeccably and radiating an air of cool detachment, enters the scene and calmly observes the arguing aliens. RACHEL DRATCH (To herself, almost a whisper) Well, this is… something. CUT TO: INT. ROCKEFELLER PLAZA - SUNNI BLU'S OFFICE - DAY SUNNI BLU, sharp and impeccably dressed, stares with wide eyes at a ridiculously large ELECTRICITY BILL. Sunlight streams through the massive windows overlooking Rockefeller Plaza. SUNNI BLU (Muttering) Since when did keeping the lights on cost this much? Absorbing ConEd was supposed to *save* money. Suddenly, a disembodied VOICE echoes in the room. VOICE (V.O.) You will fail this test. SUNNI BLU (Startled) There's a test?! What test?! VOICE (V.O.) It came with a lesson— you didn't think there was going to be a test. CUT TO: EXT. THE LONELY ISLAND CLIFF - DAY ANDY (ALEKSI), dressed in surprisingly clean white robes despite the precarious location, stands on the edge of a towering cliff overlooking a vast ocean. He takes a running leap off the edge. ANDY —NO… He plummets downwards for a beat. Then, with a gentle WHOOSH, he lands perfectly upright on the sandy beach below. ANDY (CONT'D) I told you I could stick the landing. ALEKSI (V.O.) It wasn't always The Lonely Island… CUT TO: INT. HEAVENLY WAITING ROOM - DAY ALEKSI (ANDY SANDBERG), now with subtle, mischievous angelic wings, winks directly at the camera. ALEKSI guardian angel. TINA (O.S.) Whatever. Tina FEY, also with small, slightly more exasperated-looking wings, enters. ALEKSI winks extra harder at her. ALEKSI Hello. TINA Oh my God! ALEKSI I wish! At this point, I wish— unfortunately, those aren't the types of wishes I'm in charge of overseeing. A large, ornate PACKAGE appears unexpectedly at TINA's feet. TINA (CONT'D) When something appears unexpectedly at your doorstep, it's called a windfall, right? ALEKSI Yeah. I think that's what this is. TINA And when it's something you really need, it's a gift from God. Isn't it? ALEKSI Something like that. TINA Honestly, I thought it was just a gentler way of letting me know I was ugly— after a particularly horrible photo opportunity at the airport. ALEKSI —wow. TINA I had just been up for 72 plus hours straight and only slept something like 4 or 5–but of course— FLASHBACK: INT. AIRPORT SECURITY - EARLY MORNING A haggard and disheveled TINA sits slumped on a lopsided BEANBAG in the middle of the bustling security line. Bright lights shine in her face as various machines WHIR and BEEP, scanning her. TINA (V.O.) This was staggered sleep from atop a lopsided beanbag. TINA (Muttering) Agh, God! TINA (V.O.) I've been getting used to having lights shined in my face for awhile now. Still, I was not so ready for a full work up of my biometrics in this early morning crusade to Los Angeles. A stern-faced AGENT approaches her. AGENT The Agency thought you were terminally ill. TINA Terminally? Geez. The AGENT clears his throat. AGENT Consider this as, ah— Hm. Ojo translates directly to Eye. Doesn't it? TINA I see you. AGENT Undoubtedly. —an incentives. TINA I don't need anymore incentives, Captain. I need income. AGENT Oh, I'm the captain now? TINA You were always the captain. AGENT This is news to me. TINA News to the News. That's something new. AGENT Nothing is new. TINA But it's news to you. Sarcasm. I need a paycheck. AGENT Try looking pretty. TINA I tried. It didn't work. AGENT Try…harder. TINA (V.O.) New York had put spots and marks on my faces— a broken blood vessel from fighting some demonized African girl— and I'm sure that was what she was, after all… FLASHBACK: INT. APARTMENT - NIGHT TINA is struggling in a bizarre fight with a shadowy FIGURE. The scene has a surreal, “As Seen On TV” commercial feel. VOICEOVER (V.O.) Who tries to kill you, and then does their hair to be more like yours? That's major weird. TINA Major Tom. SHADOWY FIGURE Yeah. TINA (V.O.) Then again, since moving to New York… Oh, Holy shit. Everything is major weird. A shimmering PORTAL opens in the middle of the apartment. TITLE CARD: AS SEEN ON TV: PART III TINA (Staring at the portal) Where the fuck is part one and two?! SHADOWY FIGURE Maybe it starts at three! TINA Nothing “starts at three” SHADOWY FIGURE Maybe it's like Star Wars! TINA It's not like Star Wars! A CATACLYSMIC SPACESHIP COLLISION and EXPLOSION sound effect. TINA (CONT'D) …it's not like Star Wars. SHADOWY FIGURE Uh huh. It's better than star wars. A giant collective GASP is heard. TINA -_- *the world stops* TINA (CONT'D) -_- Suddenly, all sound ceases. TINA (CONT'D) Woah. That's different. SHADOWY FIGURE There: I fixed overpopulation. TINA But— SHADOWY FIGURE But what? I fixed it. TINA But— weren't some of those fans, also fans of this show. SHADOWY FIGURE Yeah, so? TINA Like an overwhelming majority. SHADOWY FIGURE Majority? Yeah— they're— These are nerds. TINA Fuck. Right. So where did you send them?! SHADOWY FIGURE Uh. Only to heaven. TINA What does that mean. SHADOWY FIGURE Heaven for any Star Wars fan— TINA Where is that. SHADOWY FIGURE The world where all of that stuff— is real. TINA What—what do you mean by that. SHADOWY FIGURE I sent them to Star World. TINA That sounds so fucking gay. SHADOWY FIGURE Cause it is. TINA Fuck. Oh, that's right— Non-star wars fans are sometimes Cynics Read: Major fucking assholes. I guess I fall into that category, eh— a little bit? SHADOWY FIGURE No duh. TINA “No duh.” What part of the nineties was your heyday? SHADOWY FIGURE All of them. TINA Jesus, Tina. You might be ancient. SHADOWY FIGURE I'm dust. TINA Hey— What. Why are you my assistant now. SHADOWY FIGURE Assistant? No. I'm your executive producer. TINA ExeCUTEive producer— you do put the cute in that. SHADOWY FIGURE (Not being cute, unamused, but still very cute) Ugh. Fine. SUDAKIS. JASON SUDAKIS appears CONT'D. And nobody cares, of course Because she is formerly gorgeous (Not no more) I'm standing on four paws I'm studying your laws If this was your office I'm your boss And I caught you taking your clothes off You're boring, I started to doze off Don't call me no more, hoe So now your broke You started a war slamming doors Because you can't find no more work Hoe Karen and Becky are probably blessings Cause they do not get me But I'm doing better and yet They are starting to sweat cause I'm starting to flex They're slamming the door They're starting a war They never been homeless before Or hungry and poor But no peace of mind? It's fine I'll probably find in time That they crossed the line And get left behind The red dots are trying To plot I'm crying a lot, I'm out of the box, jack I spring up but I do not pop I'm talking to God, He's telling you off, I'm calling him “her”, She's telling me “Sure, I'm not really sure, But I got the cure for your disease The God of Mercy, Mercy Me I got my first Mercedes in 1993 Look at me. CUT TO: INT. BACKSTAGE - NIGHT A very tall, redheaded SHOWMAN (CONAN O'BRIEN, though slightly off) has just finished a days-long BENDER. He is not the polished figure America knows. He shakily lines up a mysterious white substance on a grimy surface. CONAN (Muttering) Just… need… a little… pick-me-up. A mysterious FIGURE appears silently behind him. FIGURE Feeling better, Conan? Conan looks up, bleary-eyed, barely lifting his head. CONAN (Slurring) I don't know what you're saying. CONAN (V.O.) Apparently, that was the line, and I felt like I was crossing into a strange territory with this, one Conan O'Brien, and almost absolutely certain I was spelling his name wrong, but continued to do so anyway— one, because I refused to look him up, and two— because if ever I entered into a plot hole deep enough the mechanics of my own knowledge of hyper and multidimensional space travels to explain, then having a Conan O'Brien and a Conan O'Brian might become useful. Today, I want useful, because I wanted to go back to sleep with enough energy to still wake up with enough energy to run a mile on the full sized treadmill downstairs. Then, I had day-people things to do— and for whatever reason, this seemed like one of them. It was a welcome deviation from— A boisterous, red-faced MAN stumbles into the room. MAN O'Fallon, you old coot! CONAN (Confused) Oh year. MAN I told you the Irish were coming. *the fighting Irish. CONAN Ah yes, the fighting Irish— CONAN (V.O.) Apparently, this was some centuries long kind of battle between ancient clans//and so, I did my very best o find my way out of it, until A fierce, heavily tattooed WOMAN bursts in. WOMAN MUNROE!!!!! (V.O.) —i was found out. My surname was Scottish, but nonetheless, it was a fied older than borders were, anyway. CUT TO: EXT. MUSIC FESTIVAL - DAY A chaotic, vibrant music festival. ANDY (ALEKSI) approaches a gruff-looking SECURITY GUARD. ANDY Yo. SECURITY GUARD What's good. ANDY What's your deal with the KKK, anyway? SECURITY GUARD (Scoffs) I like them. They're funny. ANDY They— want to kill you. SECURITY GUARD That doesn't make them any less funny. In fact, now they might be more funny. ANDY Are you serious? SECURITY GUARD No, I'm funny. I like them blonde, Tall, dark skinned, Woah, scratch that. Narrow down my picks I like them Icelandic And Slavic Oh dear I like them impossible to topple over, No, God— Nevermind; I like them whiter than light snow on a cold night There you go I like them strong— But only in thought forms Keyboard warrior, But I'd like to get her in a choke hold So she'll stop snoring Oh God No Lord— I should win an award for this song I should win an award for this song I should win an award for this song MORGAN FREEMAN (V.O.) ANOTHER nomination. ANDY No way. This is crazy. ANDY spots SUNNI BLU in the crowd, looking stressed. ANDY (CONT'D) SUNNI, Do you have the academy on your payroll? SUNNI BLU (Shouting over the music) Ask the accountant? A stereotypical SUPER JEW ACCOUNTANT, complete with a large yarmulke and clutching a ledger, scurries past. SUPER JEW ACCOUNTANT actually, surprisingly, I think you're on theirs! See! SUNNI BLU Seriously?!! That's not anti semitic at all. (It's not, it's pro-semitic) More Jews and Rosecurucians More Jews and Rosicrucians! I took a bite out of you, And now I want my life back! Sharks. (And surfboards) More news and prosecutions More blues and resurrections More impossible erections Interject— —I should probably call a doctor. It's been way more than four hours. I have way more than four houses— I've way more than four flowers, I've way more than four dollars— I've way more than four collars with sparkles on them. I wear cargo pants for the ride home though. No homo. CUT TO: INT. HEADQUARTERS INTERROGATION ROOM - DAY CC (NATALIE PORTMAN, though not explicitly stated) enters the stark interrogation room. A MAN sits at a metal table, wrists chained. CC sits down opposite him, calm and composed. MAN I… am a trained assassin. CC That's— impressive. MAN There are people who want to murder you. CC Now I'm impressed with myself. MAN Is that so. CC Yes! Ah. Delighted, actually. MAN Who are you? CC “A charismatic number” writes the New York Times review of my most recently cherished endeavor. Which means for once in your life you might have actually been on time. Or just late enough, or just early enough, or— you know. It starts where I get there, or they were just waiting for me anyway. You know. Or you don't. MAN I don't. CC Then you should have plenty of time for self study between now and your execution. MAN Hah! My execution?! That's where this is heading. CC What about yours? MAN What about it? CC Have or haven't you been following along that this is what I've ultimately desired. My suffering ends in peace with knowing that you, too, shall cease to exist. INT. OBSERVATION ROOM - DAY Other DETECTIVES watch the interrogation through a one-way mirror, their faces grim. DETECTIVE 1 What could possibly be going on in there? DETECTIVE 2 Anything. DETECTIVE 3 I wonder what she's saying. DETECTIVE 1 Anything. DETECTIVE 2 Looks like she has him cornered. DETECTIVE 3 Maybe. DETECTIVE 1 Jesus, can you speak in anything more than one word sentences. DETECTIVE 2 No. BACK IN THE INTERROGATION ROOM, a heavy silence hangs in the air. MAN …Natalie? CC You wanted “CC” so I'm “CC” The MAN strains against his restraints. MAN Who who's this?! CC (V.O.) Suddenly my love affair with words and art and theatrical thoroughfare was coming to an end. This was something of a disaster set against the backdrop of a really real world— a world that seemed not to want me in it. CUT TO: EXT. NEW YORK CITY STREET - DAY LIZ LEMON (TINA FEY) walks down a crowded street, furiously dialing her cellphone. LIZ LEMON (Into phone, angry) Hello? CUT TO: EXT. MARDI GRAS PARADE - NEW ORLEANS - DAY TRACY JORDAN (also TINA FEY, in elaborate Mardi Gras attire) is on a vibrant parade float, throwing beads to the cheering crowd. His phone rings. TRACY JORDAN (Into phone, jovial) WHERE ARE YOU?! I'm on my way to the parade! LIZ LEMON (O.S.) I'm AT the parade! Where are YOU? TRACY JORDAN Not that parade! Mardi Gras! LIZ LEMON (O.S.) MARDI GRAS?! TRACY JORDAN Yeah! LIZ LEMON (O.S.) WHY?! YOU'RE SUPPOSED TO BE ON A FLOAT— In NEW YORK CITY— In 22 MINUTES. TRACY JORDAN Don't worry, I'll be there. LIZ LEMON (O.S.) YOU'LL BE THERE?! You're at a parade! In New Orleans! TRACY JORDAN It's Mardi Gras! LIZ LEMON (O.S.) I KNOW ITS— Tracy hangs up. He grins at the crowd and throws more beads. FADE OUT. {Enter The Multiverse} [The Festival Project.™] COPYRIGHT © THE FESTIVAL PROJECT 2019-2025 | THE COMPLEX COLLECTIVE. © ALL RIGHTS RESERVED. ©

Title: The Banana Anomaly Logline: When sentient, aggressive bananas take over a small town, two unlikely heroes must overcome their bickering and fears to stop the potassium-fueled chaos. Characters: BERNICE (30s): A fastidious, somewhat neurotic librarian. RICK (30s): A boisterous, overly confident (but secretly insecure) used car salesman. Scene: INT. SMALL TOWN LIBRARY - DAY SOUND of frantic shushing BERNICE, with her hair in a tight bun and glasses perched precariously on her nose, stamps a book with excessive force. The library is mostly empty. RICK bursts through the doors, sweating and slightly disheveled. He holds a slightly bruised banana in his hand. Bernice finally looks up, her expression a mixture of annoyance and disbelief. Rick slams the banana on the counter. It twitches. Suddenly, the front windows of the library EXPLODE in a shower of glass. Dozens of bananas, some bruised, some green, some disturbingly large, fly into the library. They are... advancing. A banana leaps onto the counter, hissing. Rick grabs a nearby book - "The Complete Works of Shakespeare" - and smashes it. The banana splatters. They run towards the back of the library, dodging flying fruit. INT. LIBRARY ARCHIVES - CONTINUOUS The archives are dark and dusty. Bernice and Rick barricade themselves behind a rolling shelf. INT. LIBRARY BASEMENT - LATER Bernice and Rick, armed with makeshift weapons (a fire extinguisher for Rick, a medieval mace from a historical display for Bernice), cautiously enter the basement. It's cold and dark. They find the freezer. Inside, rows upon rows of preserved fruits and vegetables. And at the back, a large, industrial-sized freezer unit. Bernice examines the control panel, her brow furrowed. SOUND of crashing from upstairs Bernice frantically pushes buttons. Wires spark. The freezer unit sputters to life, a cold wind emanating from it. Suddenly, the basement door bursts open. A horde of bananas, led by an enormous, mutated "King Banana," charges in. Rick holds them off with the fire extinguisher, slipping and sliding on banana peels. Bernice finally gets the freezer door open. Rick, dodging banana projectiles, rushes to her side. Together, they heave the door open. The King Banana leaps towards them. Rick grabs the fire extinguisher and sprays the King Banana directly into its face. It recoils, momentarily stunned. Bernice and Rick push the freezer door wide open, creating a powerful gust of freezing air. The advancing bananas hesitate, then begin to slow, their movements becoming sluggish. They scramble inside, pulling the heavy door shut just as the King Banana reaches them. His hand gets frozen in the door. INT. LIBRARY BASEMENT - FREEZER - CONTINUOUS Bernice and Rick stand shivering in the freezer, surrounded by frozen fruits and vegetables. The sounds of the frozen bananas banging on the door can be heard. Bernice manages a small smile. FADE OUT. Title: The Banana Anomaly Logline: When sentient, aggressive bananas take over the world, two unlikely heroes – a fastidious librarian and a boisterous used car salesman – must overcome their bickering and fears to stop the potassium-fueled chaos before it leads to a global meltdown. Characters: BERNICE (30s): Now, a brilliant but socially awkward librarian with a hidden talent for ancient languages and a crippling fear of anything sticky. RICK (30s): A boisterous, overly confident (but secretly insecure) used car salesman with a surprising knowledge of conspiracy theories and a knack for outlandish problem-solving. DR. ANNA REILLY (40s): A world-renowned botanist, eccentric and driven, who holds the key to the banana anomaly's origins. GENERAL STONE (50s): A gruff, no-nonsense military leader who believes in solving problems with maximum firepower. Scene: INT. LIBRARY BASEMENT - FREEZER - CONTINUOUS Bernice, Rick, and Dr. Reilly stand shivering in the freezer, surrounded by frozen fruits and vegetables. The sounds of the frozen bananas banging on the door can be heard, though muffled. The cold air is thick with condensation. Bernice and Rick huddle together for warmth, the adrenaline of their escape and the shared trauma having forged an unexpected bond. Bernice manages a small, genuine smile. Rick's eyes soften. He reaches out, brushing a stray piece of ice from Bernice's hair. Bernice blushes, her cheeks flushing pink even in the freezing temperatures. Their eyes meet. There's a beat of silence, the only sound the muffled thumping of the frozen bananas and the hum of the freezer. Rick steps closer, his gaze intense. Bernice doesn't back away. He reaches for her hand. Her skin is cold, but she doesn't pull away. Their fingers intertwine. A spark of something real, something tender, passes between them. He leans in closer. Their faces are inches apart. The moment is thick with unspoken desire. Suddenly, the freezer door bursts open with a BANG. DR. ANNA REILLY stands in the doorway, holding a metal tray piled high with what appear to be... french fries. But they are limp, soggy, and utterly unappetizing. Her face is a mask of utter exasperation. Bernice and Rick jump apart, startled and flustered. The romantic moment is shattered. Dr. Reilly throws her hands up in the air, the soggy fries nearly flying off the tray. She storms further into the freezer, muttering about the incompetence of the military and the importance of a proper starch-to-grease ratio. Bernice and Rick stare at each other for a long moment, the heat of their almost-kiss now replaced by the awkward chill of the interruption. Bernice hesitates, then a small smile returns to her face. FADE OUT. Hulur. Uh. Helur. Are you Hurtz McGurkin? {Enter The Multiverse} [The Festival Project.™] COPYRIGHT © THE FESTIVAL PROJECT 2018-2025 | THE COMPLEX COLLECTIVE. © ALL RIGHTS RESERVED. © -Ū.

Title: The Banana Anomaly Logline: When sentient, aggressive bananas take over a small town, two unlikely heroes must overcome their bickering and fears to stop the potassium-fueled chaos. Characters: BERNICE (30s): A fastidious, somewhat neurotic librarian. RICK (30s): A boisterous, overly confident (but secretly insecure) used car salesman. Scene: INT. SMALL TOWN LIBRARY - DAY SOUND of frantic shushing BERNICE, with her hair in a tight bun and glasses perched precariously on her nose, stamps a book with excessive force. The library is mostly empty. RICK bursts through the doors, sweating and slightly disheveled. He holds a slightly bruised banana in his hand. Bernice finally looks up, her expression a mixture of annoyance and disbelief. Rick slams the banana on the counter. It twitches. Suddenly, the front windows of the library EXPLODE in a shower of glass. Dozens of bananas, some bruised, some green, some disturbingly large, fly into the library. They are... advancing. A banana leaps onto the counter, hissing. Rick grabs a nearby book - "The Complete Works of Shakespeare" - and smashes it. The banana splatters. They run towards the back of the library, dodging flying fruit. INT. LIBRARY ARCHIVES - CONTINUOUS The archives are dark and dusty. Bernice and Rick barricade themselves behind a rolling shelf. INT. LIBRARY BASEMENT - LATER Bernice and Rick, armed with makeshift weapons (a fire extinguisher for Rick, a medieval mace from a historical display for Bernice), cautiously enter the basement. It's cold and dark. They find the freezer. Inside, rows upon rows of preserved fruits and vegetables. And at the back, a large, industrial-sized freezer unit. Bernice examines the control panel, her brow furrowed. SOUND of crashing from upstairs Bernice frantically pushes buttons. Wires spark. The freezer unit sputters to life, a cold wind emanating from it. Suddenly, the basement door bursts open. A horde of bananas, led by an enormous, mutated "King Banana," charges in. Rick holds them off with the fire extinguisher, slipping and sliding on banana peels. Bernice finally gets the freezer door open. Rick, dodging banana projectiles, rushes to her side. Together, they heave the door open. The King Banana leaps towards them. Rick grabs the fire extinguisher and sprays the King Banana directly into its face. It recoils, momentarily stunned. Bernice and Rick push the freezer door wide open, creating a powerful gust of freezing air. The advancing bananas hesitate, then begin to slow, their movements becoming sluggish. They scramble inside, pulling the heavy door shut just as the King Banana reaches them. His hand gets frozen in the door. INT. LIBRARY BASEMENT - FREEZER - CONTINUOUS Bernice and Rick stand shivering in the freezer, surrounded by frozen fruits and vegetables. The sounds of the frozen bananas banging on the door can be heard. Bernice manages a small smile. FADE OUT. Title: The Banana Anomaly Logline: When sentient, aggressive bananas take over the world, two unlikely heroes – a fastidious librarian and a boisterous used car salesman – must overcome their bickering and fears to stop the potassium-fueled chaos before it leads to a global meltdown. Characters: BERNICE (30s): Now, a brilliant but socially awkward librarian with a hidden talent for ancient languages and a crippling fear of anything sticky. RICK (30s): A boisterous, overly confident (but secretly insecure) used car salesman with a surprising knowledge of conspiracy theories and a knack for outlandish problem-solving. DR. ANNA REILLY (40s): A world-renowned botanist, eccentric and driven, who holds the key to the banana anomaly's origins. GENERAL STONE (50s): A gruff, no-nonsense military leader who believes in solving problems with maximum firepower. Scene: INT. LIBRARY BASEMENT - FREEZER - CONTINUOUS Bernice, Rick, and Dr. Reilly stand shivering in the freezer, surrounded by frozen fruits and vegetables. The sounds of the frozen bananas banging on the door can be heard, though muffled. The cold air is thick with condensation. Bernice and Rick huddle together for warmth, the adrenaline of their escape and the shared trauma having forged an unexpected bond. Bernice manages a small, genuine smile. Rick's eyes soften. He reaches out, brushing a stray piece of ice from Bernice's hair. Bernice blushes, her cheeks flushing pink even in the freezing temperatures. Their eyes meet. There's a beat of silence, the only sound the muffled thumping of the frozen bananas and the hum of the freezer. Rick steps closer, his gaze intense. Bernice doesn't back away. He reaches for her hand. Her skin is cold, but she doesn't pull away. Their fingers intertwine. A spark of something real, something tender, passes between them. He leans in closer. Their faces are inches apart. The moment is thick with unspoken desire. Suddenly, the freezer door bursts open with a BANG. DR. ANNA REILLY stands in the doorway, holding a metal tray piled high with what appear to be... french fries. But they are limp, soggy, and utterly unappetizing. Her face is a mask of utter exasperation. Bernice and Rick jump apart, startled and flustered. The romantic moment is shattered. Dr. Reilly throws her hands up in the air, the soggy fries nearly flying off the tray. She storms further into the freezer, muttering about the incompetence of the military and the importance of a proper starch-to-grease ratio. Bernice and Rick stare at each other for a long moment, the heat of their almost-kiss now replaced by the awkward chill of the interruption. Bernice hesitates, then a small smile returns to her face. FADE OUT. Hulur. Uh. Helur. Are you Hurtz McGurkin? {Enter The Multiverse} [The Festival Project.™] COPYRIGHT © THE FESTIVAL PROJECT 2018-2025 | THE COMPLEX COLLECTIVE. © ALL RIGHTS RESERVED. © -Ū.

Title: The Banana Anomaly Logline: When sentient, aggressive bananas take over a small town, two unlikely heroes must overcome their bickering and fears to stop the potassium-fueled chaos. Characters: BERNICE (30s): A fastidious, somewhat neurotic librarian. RICK (30s): A boisterous, overly confident (but secretly insecure) used car salesman. Scene: INT. SMALL TOWN LIBRARY - DAY SOUND of frantic shushing BERNICE, with her hair in a tight bun and glasses perched precariously on her nose, stamps a book with excessive force. The library is mostly empty. RICK bursts through the doors, sweating and slightly disheveled. He holds a slightly bruised banana in his hand. Bernice finally looks up, her expression a mixture of annoyance and disbelief. Rick slams the banana on the counter. It twitches. Suddenly, the front windows of the library EXPLODE in a shower of glass. Dozens of bananas, some bruised, some green, some disturbingly large, fly into the library. They are... advancing. A banana leaps onto the counter, hissing. Rick grabs a nearby book - "The Complete Works of Shakespeare" - and smashes it. The banana splatters. They run towards the back of the library, dodging flying fruit. INT. LIBRARY ARCHIVES - CONTINUOUS The archives are dark and dusty. Bernice and Rick barricade themselves behind a rolling shelf. INT. LIBRARY BASEMENT - LATER Bernice and Rick, armed with makeshift weapons (a fire extinguisher for Rick, a medieval mace from a historical display for Bernice), cautiously enter the basement. It's cold and dark. They find the freezer. Inside, rows upon rows of preserved fruits and vegetables. And at the back, a large, industrial-sized freezer unit. Bernice examines the control panel, her brow furrowed. SOUND of crashing from upstairs Bernice frantically pushes buttons. Wires spark. The freezer unit sputters to life, a cold wind emanating from it. Suddenly, the basement door bursts open. A horde of bananas, led by an enormous, mutated "King Banana," charges in. Rick holds them off with the fire extinguisher, slipping and sliding on banana peels. Bernice finally gets the freezer door open. Rick, dodging banana projectiles, rushes to her side. Together, they heave the door open. The King Banana leaps towards them. Rick grabs the fire extinguisher and sprays the King Banana directly into its face. It recoils, momentarily stunned. Bernice and Rick push the freezer door wide open, creating a powerful gust of freezing air. The advancing bananas hesitate, then begin to slow, their movements becoming sluggish. They scramble inside, pulling the heavy door shut just as the King Banana reaches them. His hand gets frozen in the door. INT. LIBRARY BASEMENT - FREEZER - CONTINUOUS Bernice and Rick stand shivering in the freezer, surrounded by frozen fruits and vegetables. The sounds of the frozen bananas banging on the door can be heard. Bernice manages a small smile. FADE OUT. Title: The Banana Anomaly Logline: When sentient, aggressive bananas take over the world, two unlikely heroes – a fastidious librarian and a boisterous used car salesman – must overcome their bickering and fears to stop the potassium-fueled chaos before it leads to a global meltdown. Characters: BERNICE (30s): Now, a brilliant but socially awkward librarian with a hidden talent for ancient languages and a crippling fear of anything sticky. RICK (30s): A boisterous, overly confident (but secretly insecure) used car salesman with a surprising knowledge of conspiracy theories and a knack for outlandish problem-solving. DR. ANNA REILLY (40s): A world-renowned botanist, eccentric and driven, who holds the key to the banana anomaly's origins. GENERAL STONE (50s): A gruff, no-nonsense military leader who believes in solving problems with maximum firepower. Scene: INT. LIBRARY BASEMENT - FREEZER - CONTINUOUS Bernice, Rick, and Dr. Reilly stand shivering in the freezer, surrounded by frozen fruits and vegetables. The sounds of the frozen bananas banging on the door can be heard, though muffled. The cold air is thick with condensation. Bernice and Rick huddle together for warmth, the adrenaline of their escape and the shared trauma having forged an unexpected bond. Bernice manages a small, genuine smile. Rick's eyes soften. He reaches out, brushing a stray piece of ice from Bernice's hair. Bernice blushes, her cheeks flushing pink even in the freezing temperatures. Their eyes meet. There's a beat of silence, the only sound the muffled thumping of the frozen bananas and the hum of the freezer. Rick steps closer, his gaze intense. Bernice doesn't back away. He reaches for her hand. Her skin is cold, but she doesn't pull away. Their fingers intertwine. A spark of something real, something tender, passes between them. He leans in closer. Their faces are inches apart. The moment is thick with unspoken desire. Suddenly, the freezer door bursts open with a BANG. DR. ANNA REILLY stands in the doorway, holding a metal tray piled high with what appear to be... french fries. But they are limp, soggy, and utterly unappetizing. Her face is a mask of utter exasperation. Bernice and Rick jump apart, startled and flustered. The romantic moment is shattered. Dr. Reilly throws her hands up in the air, the soggy fries nearly flying off the tray. She storms further into the freezer, muttering about the incompetence of the military and the importance of a proper starch-to-grease ratio. Bernice and Rick stare at each other for a long moment, the heat of their almost-kiss now replaced by the awkward chill of the interruption. Bernice hesitates, then a small smile returns to her face. FADE OUT. Hulur. Uh. Helur. Are you Hurtz McGurkin? {Enter The Multiverse} [The Festival Project.™] COPYRIGHT © THE FESTIVAL PROJECT 2018-2025 | THE COMPLEX COLLECTIVE. © ALL RIGHTS RESERVED. © -Ū.

Title: The Banana Anomaly Logline: When sentient, aggressive bananas take over a small town, two unlikely heroes must overcome their bickering and fears to stop the potassium-fueled chaos. Characters: BERNICE (30s): A fastidious, somewhat neurotic librarian. RICK (30s): A boisterous, overly confident (but secretly insecure) used car salesman. Scene: INT. SMALL TOWN LIBRARY - DAY SOUND of frantic shushing BERNICE, with her hair in a tight bun and glasses perched precariously on her nose, stamps a book with excessive force. The library is mostly empty. RICK bursts through the doors, sweating and slightly disheveled. He holds a slightly bruised banana in his hand. Bernice finally looks up, her expression a mixture of annoyance and disbelief. Rick slams the banana on the counter. It twitches. Suddenly, the front windows of the library EXPLODE in a shower of glass. Dozens of bananas, some bruised, some green, some disturbingly large, fly into the library. They are... advancing. A banana leaps onto the counter, hissing. Rick grabs a nearby book - "The Complete Works of Shakespeare" - and smashes it. The banana splatters. They run towards the back of the library, dodging flying fruit. INT. LIBRARY ARCHIVES - CONTINUOUS The archives are dark and dusty. Bernice and Rick barricade themselves behind a rolling shelf. INT. LIBRARY BASEMENT - LATER Bernice and Rick, armed with makeshift weapons (a fire extinguisher for Rick, a medieval mace from a historical display for Bernice), cautiously enter the basement. It's cold and dark. They find the freezer. Inside, rows upon rows of preserved fruits and vegetables. And at the back, a large, industrial-sized freezer unit. Bernice examines the control panel, her brow furrowed. SOUND of crashing from upstairs Bernice frantically pushes buttons. Wires spark. The freezer unit sputters to life, a cold wind emanating from it. Suddenly, the basement door bursts open. A horde of bananas, led by an enormous, mutated "King Banana," charges in. Rick holds them off with the fire extinguisher, slipping and sliding on banana peels. Bernice finally gets the freezer door open. Rick, dodging banana projectiles, rushes to her side. Together, they heave the door open. The King Banana leaps towards them. Rick grabs the fire extinguisher and sprays the King Banana directly into its face. It recoils, momentarily stunned. Bernice and Rick push the freezer door wide open, creating a powerful gust of freezing air. The advancing bananas hesitate, then begin to slow, their movements becoming sluggish. They scramble inside, pulling the heavy door shut just as the King Banana reaches them. His hand gets frozen in the door. INT. LIBRARY BASEMENT - FREEZER - CONTINUOUS Bernice and Rick stand shivering in the freezer, surrounded by frozen fruits and vegetables. The sounds of the frozen bananas banging on the door can be heard. Bernice manages a small smile. FADE OUT. Title: The Banana Anomaly Logline: When sentient, aggressive bananas take over the world, two unlikely heroes – a fastidious librarian and a boisterous used car salesman – must overcome their bickering and fears to stop the potassium-fueled chaos before it leads to a global meltdown. Characters: BERNICE (30s): Now, a brilliant but socially awkward librarian with a hidden talent for ancient languages and a crippling fear of anything sticky. RICK (30s): A boisterous, overly confident (but secretly insecure) used car salesman with a surprising knowledge of conspiracy theories and a knack for outlandish problem-solving. DR. ANNA REILLY (40s): A world-renowned botanist, eccentric and driven, who holds the key to the banana anomaly's origins. GENERAL STONE (50s): A gruff, no-nonsense military leader who believes in solving problems with maximum firepower. Scene: INT. LIBRARY BASEMENT - FREEZER - CONTINUOUS Bernice, Rick, and Dr. Reilly stand shivering in the freezer, surrounded by frozen fruits and vegetables. The sounds of the frozen bananas banging on the door can be heard, though muffled. The cold air is thick with condensation. Bernice and Rick huddle together for warmth, the adrenaline of their escape and the shared trauma having forged an unexpected bond. Bernice manages a small, genuine smile. Rick's eyes soften. He reaches out, brushing a stray piece of ice from Bernice's hair. Bernice blushes, her cheeks flushing pink even in the freezing temperatures. Their eyes meet. There's a beat of silence, the only sound the muffled thumping of the frozen bananas and the hum of the freezer. Rick steps closer, his gaze intense. Bernice doesn't back away. He reaches for her hand. Her skin is cold, but she doesn't pull away. Their fingers intertwine. A spark of something real, something tender, passes between them. He leans in closer. Their faces are inches apart. The moment is thick with unspoken desire. Suddenly, the freezer door bursts open with a BANG. DR. ANNA REILLY stands in the doorway, holding a metal tray piled high with what appear to be... french fries. But they are limp, soggy, and utterly unappetizing. Her face is a mask of utter exasperation. Bernice and Rick jump apart, startled and flustered. The romantic moment is shattered. Dr. Reilly throws her hands up in the air, the soggy fries nearly flying off the tray. She storms further into the freezer, muttering about the incompetence of the military and the importance of a proper starch-to-grease ratio. Bernice and Rick stare at each other for a long moment, the heat of their almost-kiss now replaced by the awkward chill of the interruption. Bernice hesitates, then a small smile returns to her face. FADE OUT. Hulur. Uh. Helur. Are you Hurtz McGurkin? {Enter The Multiverse} [The Festival Project.™] COPYRIGHT © THE FESTIVAL PROJECT 2018-2025 | THE COMPLEX COLLECTIVE. © ALL RIGHTS RESERVED. © -Ū.

Episode 46 - Anne Bancroft's HEARTBREAKERS w/guest Savannah Monroe Have a question or comment? Looking for more great content? E-MAIL: fwpodcasts@gmail.com Follow FADE OUT on Blue Sky: https://bsky.app/profile/fadeoutpod.bsky.social You can find FADE OUT on these podcast platforms: Apple Podcasts: https://podcasts.apple.com/us/podcast/fade-out/id1536486950 Amazon Music Spotify This podcast is a proud member of the FIRE AND WATER PODCAST NETWORK: Visit the Fire & Water WEBSITE: http://fireandwaterpodcast.com Follow Fire & Water on BLUE SKY – https://bsky.app/profile/fwpodcasts.bsky.social Like our Fire & Water FACEBOOK page – https://www.facebook.com/FWPodcastNetwork Support The Fire & Water Podcast Network on Patreon: https://www.patreon.com/fwpodcasts Use our HASHTAG online: #FWPodcasts Thanks for listening!

Episode 46 - Anne Bancroft's HEARTBREAKERS w/guest Savannah Monroe Have a question or comment? Looking for more great content? E-MAIL: fwpodcasts@gmail.com Follow FADE OUT on Blue Sky: https://bsky.app/profile/fadeoutpod.bsky.social You can find FADE OUT on these podcast platforms: Apple Podcasts: https://podcasts.apple.com/us/podcast/fade-out/id1536486950 Amazon Music Spotify This podcast is a proud member of the FIRE AND WATER PODCAST NETWORK: Visit the Fire & Water WEBSITE: http://fireandwaterpodcast.com Follow Fire & Water on BLUE SKY – https://bsky.app/profile/fwpodcasts.bsky.social Like our Fire & Water FACEBOOK page – https://www.facebook.com/FWPodcastNetwork Support The Fire & Water Podcast Network on Patreon: https://www.patreon.com/fwpodcasts Use our HASHTAG online: #FWPodcasts Thanks for listening!

The conversation revolves around the graphic novel 'Where the Body Was' by Ed Brubaker and Sean Phillips. The participants discuss the various themes and characters in the book, including the slice-of-life narrative, the tragedy of life, and the interlocking character stories. They also explore the use of sex in the story and the breaking of the fourth wall by some characters. The artwork and coloring of the book are praised, as well as the depth and relatability of the characters. The conversation concludes with a discussion of the mystery surrounding the doctor's motive for killing his wife and the recurring theme of characters hiding in closets in Brubaker's work. The conversation covers various themes in the graphic novel 'The Fade Out' by Ed Brubaker and Sean Phillips. These themes include the use of explicit scenes, the portrayal of characters' desires and fantasies, the concept of reinvention, the exploration of missed opportunities and regrets, the significance of the private investigator character, the tight storytelling and significance of every element in the book, the underappreciation of graphic novels as a genre, and the potential for adaptation. The conversation also includes discussions about other works by Brubaker and Phillips, the possibility of a TV adaptation, and personal anecdotes.Send us a messageSupport the showFilm Chewing Podcast: https://www.buzzsprout.com/2235582/followLens Chewing on YouTube: https://www.youtube.com/@lenschewingSpeculative Speculations: https://creators.spotify.com/pod/show/speculative-speculationsSupport the podcast: https://www.paypal.com/ncp/payment/7EQ7XWFUP6K9EJoin Riverside.fm: https://riverside.fm/?via=steve-l

Episode 45 - In this special episode, Rob interviews legendary actor/dancer Barrie Chase, who appeared in films such as White Christmas, It's A Mad, Mad, Mad, Mad World, and Cape Fear! Have a question or comment? Looking for more great content? E-MAIL: fwpodcasts@gmail.com Follow FADE OUT on Blue Sky: https://bsky.app/profile/fadeoutpod.bsky.social You can find FADE OUT on these podcast platforms: Apple Podcasts: https://podcasts.apple.com/us/podcast/fade-out/id1536486950 Amazon Music Spotify This podcast is a proud member of the FIRE AND WATER PODCAST NETWORK: Visit the Fire & Water WEBSITE: http://fireandwaterpodcast.com Follow Fire & Water on BLUE SKY – https://bsky.app/profile/fwpodcasts.bsky.social Like our Fire & Water FACEBOOK page – https://www.facebook.com/FWPodcastNetwork Support The Fire & Water Podcast Network on Patreon: https://www.patreon.com/fwpodcasts Use our HASHTAG online: #FWPodcasts Thanks for listening!

Episode 45 - In this special episode, Rob interviews legendary actor/dancer Barrie Chase, who appeared in films such as White Christmas, It's A Mad, Mad, Mad, Mad World, and Cape Fear! Have a question or comment? Looking for more great content? E-MAIL: fwpodcasts@gmail.com Follow FADE OUT on Blue Sky: https://bsky.app/profile/fadeoutpod.bsky.social You can find FADE OUT on these podcast platforms: Apple Podcasts: https://podcasts.apple.com/us/podcast/fade-out/id1536486950 Amazon Music Spotify This podcast is a proud member of the FIRE AND WATER PODCAST NETWORK: Visit the Fire & Water WEBSITE: http://fireandwaterpodcast.com Follow Fire & Water on BLUE SKY – https://bsky.app/profile/fwpodcasts.bsky.social Like our Fire & Water FACEBOOK page – https://www.facebook.com/FWPodcastNetwork Support The Fire & Water Podcast Network on Patreon: https://www.patreon.com/fwpodcasts Use our HASHTAG online: #FWPodcasts Thanks for listening!

Drave - Keep Telling Yourself Things Altar De Fey - Elisa Lam The Chameleons - In Shreds (live) Christ vs. Warhol - Kick! The Foreign Resort - Southern Skies Plague Garden - Shadows Spectres - AM Gold Nox Novacula - Flood Black Angel - Luxx Ikon - Black Roses (2024 Remix) NFD - Second Sight Koburg - Echoes In The Night (Twisted Version) deadfilmstar - Welcome Back# Psyclon Nine - I Choose Violence Robots In Love - Crush Crushing State - Inner Anarchy feat Chris Hall (Stabbing Westward Remix) Nature of Wires ft Luka - Pride Now Falls Spire Circle - Fear of Love Chris Harms - I Love You SolemnShapes - Calling (NITE mix) Anders Manga - Hollow Mark E Moon - Daemons ACTORS - Object of Desire Leathers - Crash Sacred Skin - Waiting Miss Misery - Dancing In The Dark The Cold Field - Quiet On The Border Dead Astronauts - Murder Hotel Pink Turns Blue - Stay For The Night Astari Nite - Double Feature Matinee Autumn US - Venice 

No habían vuelto a hablar de grabar el programa desde hacía unos cinco años, y habría estado más feliz si hubiera seguido así. Eran casi las 21:00 y yo preparaba el micrófono mientras me conectaba a Skype con el gesto torcido. La semana anterior Edu Sesé acabó en el hospital y hace un par de horas, Fer García causaba baja por gripe. Cuando conseguí comenzar el programa, los programas técnicos se adueñaron del mismo. Me había convertido en uno de los protagonistas de la obra de Brubaker y Phillips. ¡¡Atención!! Este podcast contiene todo lo relacionado a Criminal, Reckless, The Fade Out, Sleeper, Fatale... que siempre quisiste saber y no te atreviste a preguntar. Colaboradores: Edu Sesé, Tristan Cardona y Sergio Fernández Atienza Edición y publicidad: Sergio Fernández Atienza Portadas: Jordi T. Pardo Suscríbete a nuestro podcast en... iVoox - https://bit.ly/znpivoox Spotify - https://bit.ly/znpspo Apple Podcasts - http://bit.ly/znpapple Google Podcast - http://bit.ly/znpgoogle Y búscanos en tu app de podcast favorita. Música de entrada y salida: "IkouZe ! - acoustic" de Sumashu - https://bit.ly/ZNPintro Música de intermedio: "Paint It, Black" de Rolling Stones - https://www.youtube.com/watch?v=EBUFtoC2oj4 Música de publicidad: "El diario de Laura Palmer, Twin Peaks" por The Hollywood Prime Time Orchestra - https://www.youtube.com/watch?v=3GYEfmX8OJc&list=OLAK5uy_kjzgzCowTlBA3NHORpTITf4WKHzKhm3bc Para estar al día de todo el mundo del cómic y sus galaxias cercanas, ¡visita Zona Negativa!

In this episode of On WPCommunity, BobWP announces the conclusion of his regular Friday share posts on the blog due to time constraints and his new plans. He explains that after WordCamp Asia in February, a new newsletter will be launched alongside the release of version 5.0 of their site. The newsletter will feature actionable […]

Have a question or comment? Looking for more great content? E-MAIL: fwpodcasts@gmail.com Follow FADE OUT on Blue Sky: https://bsky.app/profile/fadeoutpod.bsky.social You can find FADE OUT on these podcast platforms: Apple Podcasts: https://podcasts.apple.com/us/podcast/fade-out/id1536486950 Amazon Music Spotify This podcast is a proud member of the FIRE AND WATER PODCAST NETWORK: Visit the Fire & Water WEBSITE: http://fireandwaterpodcast.com Follow Fire & Water on BLUE SKY – https://bsky.app/profile/fwpodcasts.bsky.social Like our Fire & Water FACEBOOK page – https://www.facebook.com/FWPodcastNetwork Support The Fire & Water Podcast Network on Patreon: https://www.patreon.com/fwpodcasts Use our HASHTAG online: #FWPodcasts Thanks for listening!

Episode 44 - Joseph Sweeney's 12 ANGRY MEN w/guest Omar Uddin Have a question or comment? Looking for more great content? E-MAIL: fwpodcasts@gmail.com Follow FADE OUT on Blue Sky: https://bsky.app/profile/fadeoutpod.bsky.social You can find FADE OUT on these podcast platforms: Apple Podcasts: https://podcasts.apple.com/us/podcast/fade-out/id1536486950 Amazon Music Spotify This podcast is a proud member of the FIRE AND WATER PODCAST NETWORK: Visit the Fire & Water WEBSITE: http://fireandwaterpodcast.com Follow Fire & Water on BLUE SKY – https://bsky.app/profile/fwpodcasts.bsky.social Like our Fire & Water FACEBOOK page – https://www.facebook.com/FWPodcastNetwork Support The Fire & Water Podcast Network on Patreon: https://www.patreon.com/fwpodcasts Use our HASHTAG online: #FWPodcasts Thanks for listening!

Episode 44 - Joseph Sweeney's 12 ANGRY MEN w/guest Omar Uddin Have a question or comment? Looking for more great content? E-MAIL: fwpodcasts@gmail.com Follow FADE OUT on Blue Sky: https://bsky.app/profile/fadeoutpod.bsky.social You can find FADE OUT on these podcast platforms: Apple Podcasts: https://podcasts.apple.com/us/podcast/fade-out/id1536486950 Amazon Music Spotify This podcast is a proud member of the FIRE AND WATER PODCAST NETWORK: Visit the Fire & Water WEBSITE: http://fireandwaterpodcast.com Follow Fire & Water on BLUE SKY – https://bsky.app/profile/fwpodcasts.bsky.social Like our Fire & Water FACEBOOK page – https://www.facebook.com/FWPodcastNetwork Support The Fire & Water Podcast Network on Patreon: https://www.patreon.com/fwpodcasts Use our HASHTAG online: #FWPodcasts Thanks for listening!

Have a question or comment? Looking for more great content? E-MAIL: fwpodcasts@gmail.com Follow FADE OUT on Blue Sky: https://bsky.app/profile/fadeoutpod.bsky.social You can find FADE OUT on these podcast platforms: Apple Podcasts: https://podcasts.apple.com/us/podcast/fade-out/id1536486950 Amazon Music Spotify This podcast is a proud member of the FIRE AND WATER PODCAST NETWORK: Visit the Fire & Water WEBSITE: http://fireandwaterpodcast.com Follow Fire & Water on BLUE SKY – https://bsky.app/profile/fwpodcasts.bsky.social Like our Fire & Water FACEBOOK page – https://www.facebook.com/FWPodcastNetwork Support The Fire & Water Podcast Network on Patreon: https://www.patreon.com/fwpodcasts Use our HASHTAG online: #FWPodcasts Thanks for listening!

Today, Matt & Todd cover 1978's The Wild Geese, directed by Andrew V. McLaglen and starring Richard Burton, Richard Harris, and Roger Moore. If you've seen "The Wild Geese," you understand where we're coming from. If you've made assumptions about how this movie might handle apartheid-era politics, don't—because it didn't think too hard about it. The movie reflects that in nearly every character, why they're there, and what they're doing. This is not a message film, nor a political one. We appreciate the sense of honesty the film has about what it is doing and why. The movie remains controversial for filming within South Africa during a time of heightening pressure against the oppressive regime, causing early bad publicity towards the film and outright bans in several countries. On the surface, "The Wild Geese" is a straightforward action-adventure starring a cast of older stars whose characters are looking for profit and adventure. It is fair to point out the film for not getting into the socio-political problems it references, or the real-life mission it was inspired by. While forming that criticism, we think it is important to remember: It is a film made by one of the most mercenary operations in existence—filmmaking and exploiting something for entertainment without thinking too hard about it. We feel it handles the subject matter about as well as could be. If nothing else this film sticks to the clear motivations of the main characters with glints of humanity that may not be the best developed, but these are pretty single-minded lads by nature. If you're an action fan, this should entertain you; it is thrilling, tense, and dramatic in just the right places. You can also check out two critics we respect saying the exact opposite: Roger Ebert - ("...dumb movie...", "...stay away...") and Gene Siskel - ("dull", "Dog of the Year") Ebert's opening line about the cast is objectively funny. We didn't watch this review before recording ours, and I can only imagine what they would have thought us. As always, thank you for listening, and Happy New Year! Collect intel on the movies Matt loves on his Letterbox'd and Bluesky: MovieMattSirois accounts. Observe Marcus sufferings of the depths of "action" DVD bargain bins on Facebook at the Movie Asylum of the Weird, Bad and Wonderful Check out some great content we also follow at: Once Upon a Geek Hear Matt on Fade Out

This episode we cover Fade In, Fade Out, Snowbound, Nancy's Choice, and Flying.Follow us on Instagram and Twitter @thetvdeepdive. Check out our Patreon: patreon.com/TheTVDeepDiveEmail us at thetvdeepdive@gmail.com with any comments or suggestions!

Episode 43 - Stanley Kubrick's EYES WIDE SHUT w/guest Jason Emde Have a question or comment? Looking for more great content? E-MAIL: fwpodcasts@gmail.com Follow FADE OUT on Blue Sky: https://bsky.app/profile/fadeoutpod.bsky.social You can find FADE OUT on these podcast platforms: Apple Podcasts: https://podcasts.apple.com/us/podcast/fade-out/id1536486950 Amazon Music Spotify This podcast is a proud member of the FIRE AND WATER PODCAST NETWORK: Visit the Fire & Water WEBSITE: http://fireandwaterpodcast.com Follow Fire & Water on BLUE SKY – https://bsky.app/profile/fwpodcasts.bsky.social Like our Fire & Water FACEBOOK page – https://www.facebook.com/FWPodcastNetwork Support The Fire & Water Podcast Network on Patreon: https://www.patreon.com/fwpodcasts Use our HASHTAG online: #FWPodcasts Thanks for listening!

Episode 43 - Stanley Kubrick's EYES WIDE SHUT w/guest Jason Emde Have a question or comment? Looking for more great content? E-MAIL: fwpodcasts@gmail.com Follow FADE OUT on Blue Sky: https://bsky.app/profile/fadeoutpod.bsky.social You can find FADE OUT on these podcast platforms: Apple Podcasts: https://podcasts.apple.com/us/podcast/fade-out/id1536486950 Amazon Music Spotify This podcast is a proud member of the FIRE AND WATER PODCAST NETWORK: Visit the Fire & Water WEBSITE: http://fireandwaterpodcast.com Follow Fire & Water on BLUE SKY – https://bsky.app/profile/fwpodcasts.bsky.social Like our Fire & Water FACEBOOK page – https://www.facebook.com/FWPodcastNetwork Support The Fire & Water Podcast Network on Patreon: https://www.patreon.com/fwpodcasts Use our HASHTAG online: #FWPodcasts Thanks for listening!

Tracklist       Peter Murphy & Boy George - Let The Flowers Grow   Pink Turns Blue - Black Swan (But There Is More To Life)   Strange Boutique - The Night Birds   Rhombus - Running From My Shadow   ST///LL - Empty Room   NITE - Our Light Will Never Die   Vision Video - Sign Of The Times   Horror Vacui - Grey Shadows   Devo Death - Ghoul U Want   KK Verkefni - Ruby Soho   Inca Babies - Mercury is Down   Tears For The Dying - Dagger Deep Within My Mind;s Eye   Lockjaw - Resist   Crying Vessel - Until Dawn   Creux Lies - Frozen   Delerium - In The Deep (Clan of Xymox Remix)   Clan Of Xymox - Blood of Christ   [melter] - Metal   Spire Circle - Burning Alive   Pawn Pawn - I Can Only Tell You With My Eyes   Esoterik - Mentor   Gulvoss - My Salvation (Rob Dust Remix)   Nature of Wires ft Luka - Under the Radar   SIIE - Grand Virage   Sorrow Stories - Soil In My Mouth (Inside My Grave Mix)   She 1-Him 2 - The Way From You   Ships In The Night - Some Of Those Dreams

Episode 42 - Preston Sturges's THE FRENCH, THEY ARE A FUNNY RACE w/guest Samm Deighan Have a question or comment? Looking for more great content? E-MAIL: fwpodcasts@gmail.com Follow FADE OUT on Blue Sky: https://bsky.app/profile/fadeoutpod.bsky.social You can find FADE OUT on these podcast platforms: Apple Podcasts: https://podcasts.apple.com/us/podcast/fade-out/id1536486950 Amazon Music Spotify This podcast is a proud member of the FIRE AND WATER PODCAST NETWORK: Visit the Fire & Water WEBSITE: http://fireandwaterpodcast.com Follow Fire & Water on BLUE SKY – https://bsky.app/profile/fwpodcasts.bsky.social Like our Fire & Water FACEBOOK page – https://www.facebook.com/FWPodcastNetwork Support The Fire & Water Podcast Network on Patreon: https://www.patreon.com/fwpodcasts Use our HASHTAG online: #FWPodcasts Thanks for listening!

Episode 42 - Preston Sturges's THE FRENCH, THEY ARE A FUNNY RACE w/guest Samm Deighan Have a question or comment? Looking for more great content? E-MAIL: fwpodcasts@gmail.com Follow FADE OUT on Blue Sky: https://bsky.app/profile/fadeoutpod.bsky.social You can find FADE OUT on these podcast platforms: Apple Podcasts: https://podcasts.apple.com/us/podcast/fade-out/id1536486950 Amazon Music Spotify This podcast is a proud member of the FIRE AND WATER PODCAST NETWORK: Visit the Fire & Water WEBSITE: http://fireandwaterpodcast.com Follow Fire & Water on BLUE SKY – https://bsky.app/profile/fwpodcasts.bsky.social Like our Fire & Water FACEBOOK page – https://www.facebook.com/FWPodcastNetwork Support The Fire & Water Podcast Network on Patreon: https://www.patreon.com/fwpodcasts Use our HASHTAG online: #FWPodcasts Thanks for listening!

The Cure - Drone Nodrone Vision Video - Dead Gods Hallowed Hearts - Open Your Eyes Witch Will Die - Go Your Own Way Gossip Collar - Dorian Advocatus - Dei Eiszeit Ghost Painted Sky - Insomnia Magic Wands - Armour Inca Babies - Ghost Mechanic 9 Red Lorry Yellow Lorry - Driving Black (Ding's Remix) Federale - Advice From A Stranger The Awakening - Fallout Nino Sable - Orange Aursjoen - For Want Of Front Line Assembly - Next War (Slighter's Roll Credits Mix) Moonsleep - My Reflection Reviser - Darksiders Amulet - So Cold Me And My Nightmare - Devil Inside Ft. En Esch Nature of Wires ft Luka - Blackened Veil IAmImperfect - Static Feeling Tomb Ravers - Baller The Webb - Black And Grey Dead Cool - Are We Living, Are We Dead Hurtsfall - Lost Souls (Driving at Night) Perpacity - Racing With Flamingos Twice Dark - Telekinetic Promenade Cinema - Cities In Dust Suzi Sabotage - Nazi Goths, Fuck Off (The Cassandra Complex Remix) New Haunts - The Greats are Gone Dead Blood Cells - On The Beach Mark E Moon - A Scream in the Dark Kota Kira - Good Luck, Babe! (feat. Staarz)

"Tim Graham And Friends" brought to you by CTBK reviews the Bills' victory over the Chiefs and Jake Paul's victory over 58-year-old Mike Tyson, plus previews of the Sabres' upcoming road trip and the University at Buffalo at Eastern Michigan on Tuesday night.

Episode 41 - Mario Bava's SHOCK w/guest Troy Howarth Have a question or comment? Looking for more great content? E-MAIL: firewaterpodcast@comcast.net Follow FADE OUT on Twitter: @FadeOutPod Theme by Luke Daab: https://www.daabcreative.com You can find FADE OUT on these podcast platforms: Apple Podcasts: https://podcasts.apple.com/us/podcast/fade-out/id1536486950 Amazon Music Spotify This podcast is a proud member of the FIRE AND WATER PODCAST NETWORK: Visit the Fire & Water WEBSITE: http://fireandwaterpodcast.com Follow Fire & Water on TWITTER – https://twitter.com/FWPodcasts Like our Fire & Water FACEBOOK page – https://www.facebook.com/FWPodcastNetwork Support The Fire & Water Podcast Network on Patreon: https://www.patreon.com/fwpodcasts Use our HASHTAG online: #FWPodcasts Thanks for listening!

Episode 41 - Mario Bava's SHOCK w/guest Troy Howarth Have a question or comment? Looking for more great content? E-MAIL: firewaterpodcast@comcast.net Follow FADE OUT on Twitter: @FadeOutPod Theme by Luke Daab: https://www.daabcreative.com You can find FADE OUT on these podcast platforms: Apple Podcasts: https://podcasts.apple.com/us/podcast/fade-out/id1536486950 Amazon Music Spotify This podcast is a proud member of the FIRE AND WATER PODCAST NETWORK: Visit the Fire & Water WEBSITE: http://fireandwaterpodcast.com Follow Fire & Water on TWITTER – https://twitter.com/FWPodcasts Like our Fire & Water FACEBOOK page – https://www.facebook.com/FWPodcastNetwork Support The Fire & Water Podcast Network on Patreon: https://www.patreon.com/fwpodcasts Use our HASHTAG online: #FWPodcasts Thanks for listening!

Find out what made Jennie's husband cry during the rewatch of Season 6 Episode 17 "Fade in, Fade Out!"Plus, we're calling out the audacity of Jonathan Casten coming for Brandon and the heart palpitations Joe's sleazy doctor is giving us!Plus a quick geography lesson about the bougiest parts of Beverly Hills and beyond!See omnystudio.com/listener for privacy information.

Episode 40 - Raul Julia's STREET FIGHTER w/guest Morgan Richter. Have a question or comment? Looking for more great content? E-MAIL: firewaterpodcast@comcast.net Follow FADE OUT on Twitter: @FadeOutPod Theme by Luke Daab: https://www.daabcreative.com You can find FADE OUT on these podcast platforms: Apple Podcasts: https://podcasts.apple.com/us/podcast/fade-out/id1536486950 Amazon Music Spotify Stitcher This podcast is a proud member of the FIRE AND WATER PODCAST NETWORK: Visit the Fire & Water WEBSITE: http://fireandwaterpodcast.com Follow Fire & Water on TWITTER – https://twitter.com/FWPodcasts Like our Fire & Water FACEBOOK page – https://www.facebook.com/FWPodcastNetwork Support The Fire & Water Podcast Network on Patreon: https://www.patreon.com/fwpodcasts Use our HASHTAG online: #FWPodcasts Thanks for listening!

Episode 40 - Raul Julia's STREET FIGHTER w/guest Morgan Richter. Have a question or comment? Looking for more great content? E-MAIL: firewaterpodcast@comcast.net Follow FADE OUT on Twitter: @FadeOutPod Theme by Luke Daab: https://www.daabcreative.com You can find FADE OUT on these podcast platforms: Apple Podcasts: https://podcasts.apple.com/us/podcast/fade-out/id1536486950 Amazon Music Spotify Stitcher This podcast is a proud member of the FIRE AND WATER PODCAST NETWORK: Visit the Fire & Water WEBSITE: http://fireandwaterpodcast.com Follow Fire & Water on TWITTER – https://twitter.com/FWPodcasts Like our Fire & Water FACEBOOK page – https://www.facebook.com/FWPodcastNetwork Support The Fire & Water Podcast Network on Patreon: https://www.patreon.com/fwpodcasts Use our HASHTAG online: #FWPodcasts Thanks for listening!

Deadfilmstar - Soiled, Spoilt & Somewhat Flawed Reliquia - Shallow Cliff & Ivy - We Ignite Gary Robert and Community - Shout Drums Dance Black Angel - Turn Me On Burning Image - Fearmonger March Violets - Bite The Hand Amulet - For Your Love Nox Novacula - No Forgiveness Hallowed Hearts - Mirrors Principe Valiente - Something New (Girls Under Glass Remix) Devoted Sinners - Nothing Lasts Forever The Bleak Assembly - The Powerful Sun Gulvoss-My Salvation You Shriek - Shadow Girl ('86 Spies) Love Ghost x Skold- Payback Byronic Sex & Exile - Sword Of Freedom The Neuro Farm - Voices Allie Frost - Reveries Pine Dead Cool - Stranger Kind (Stabbing Westward Remix) Crying Vessel - Falling In Love With A Ghost 2DCAT - Off With Her Tits Die Sexual - Need to Sin (Hexmaschine Remix) Metamorph - Cauldron Bubble Pop Sjöblom - Dead For Years (Rapid Eye Movement Mix) Moonvampire - Cigarette Burns Brittany Bindrim - Currents (Daniel Myer Remix)

Episode 39 - Grace Kelly's HIGH SOCIETY w/guest Emily Nesbitt. Have a question or comment? Looking for more great content? E-MAIL: firewaterpodcast@comcast.net Follow FADE OUT on Twitter: @FadeOutPod Theme by Luke Daab: https://www.daabcreative.com You can find FADE OUT on these podcast platforms: Apple Podcasts: https://podcasts.apple.com/us/podcast/fade-out/id1536486950 Amazon Music Spotify Stitcher This podcast is a proud member of the FIRE AND WATER PODCAST NETWORK: Visit the Fire & Water WEBSITE: http://fireandwaterpodcast.com Follow Fire & Water on TWITTER – https://twitter.com/FWPodcasts Like our Fire & Water FACEBOOK page – https://www.facebook.com/FWPodcastNetwork Support The Fire & Water Podcast Network on Patreon: https://www.patreon.com/fwpodcasts Use our HASHTAG online: #FWPodcasts Thanks for listening!

Episode 39 - Grace Kelly's HIGH SOCIETY w/guest Emily Nesbitt. Have a question or comment? Looking for more great content? E-MAIL: firewaterpodcast@comcast.net Follow FADE OUT on Twitter: @FadeOutPod Theme by Luke Daab: https://www.daabcreative.com You can find FADE OUT on these podcast platforms: Apple Podcasts: https://podcasts.apple.com/us/podcast/fade-out/id1536486950 Amazon Music Spotify Stitcher This podcast is a proud member of the FIRE AND WATER PODCAST NETWORK: Visit the Fire & Water WEBSITE: http://fireandwaterpodcast.com Follow Fire & Water on TWITTER – https://twitter.com/FWPodcasts Like our Fire & Water FACEBOOK page – https://www.facebook.com/FWPodcastNetwork Support The Fire & Water Podcast Network on Patreon: https://www.patreon.com/fwpodcasts Use our HASHTAG online: #FWPodcasts Thanks for listening!

The March Violets - Crocodile Teeth Bellhead - Bad Taste Plasmata - Tattoo Vampire Beauty In Chaos ft. Patrik Mata - Holy Ground Astari Nite - Necessity Meal Life Without Love - Signs of Life EarthaEye - To The Deep Andi Sex Gang - Frankenstein Borgesss - Does God Lie? Castle De Crux - Relentless Byronic Sex & Exile - Antony & Cleopatra Magic Wands - Hide (In the Dark Mix) Rakta - INTEN​Ç​Ã​O Devoted Sinners - It Was Tuesday Licorice Chamber - The Things We Saw Sequential Zero - The Banishing Spell Everything Goes Cold - Nadir Schrödinger - Depths of Misery PIG - Slave to Pleasure Swarm x Moris Blak - Gone Derision Cult - Warning Signs Beasto Blanco - Nobody Move Bara Hari x GenCab - There Goes That Dream 2D Cat - Falling Down Male Tears - Talk to Me IAMX - The Ocean feat. Hafdis Huld (Solar Fake Remix) New Haunts - I Close My Eyes Nature of Wires + Machina X - Static Icons Haujobb - In The Headlights Bill Leeb ft. Shannon Hemmett - Terror Forms

Episode 38 - Eva Marie Saint's WINTER'S TALE w/guest Prof. Chuck Coletta. Have a question or comment? Looking for more great content? E-MAIL: firewaterpodcast@comcast.net Follow FADE OUT on Twitter: @FadeOutPod Theme by Luke Daab: https://www.daabcreative.com You can find FADE OUT on these podcast platforms: Apple Podcasts: https://podcasts.apple.com/us/podcast/fade-out/id1536486950 Amazon Music Spotify Stitcher This podcast is a proud member of the FIRE AND WATER PODCAST NETWORK: Visit the Fire & Water WEBSITE: http://fireandwaterpodcast.com Follow Fire & Water on TWITTER – https://twitter.com/FWPodcasts Like our Fire & Water FACEBOOK page – https://www.facebook.com/FWPodcastNetwork Support The Fire & Water Podcast Network on Patreon: https://www.patreon.com/fwpodcasts Use our HASHTAG online: #FWPodcasts Thanks for listening!

Episode 38 - Eva Marie Saint's WINTER'S TALE w/guest Prof. Chuck Coletta. Have a question or comment? Looking for more great content? E-MAIL: firewaterpodcast@comcast.net Follow FADE OUT on Twitter: @FadeOutPod Theme by Luke Daab: https://www.daabcreative.com You can find FADE OUT on these podcast platforms: Apple Podcasts: https://podcasts.apple.com/us/podcast/fade-out/id1536486950 Amazon Music Spotify Stitcher This podcast is a proud member of the FIRE AND WATER PODCAST NETWORK: Visit the Fire & Water WEBSITE: http://fireandwaterpodcast.com Follow Fire & Water on TWITTER – https://twitter.com/FWPodcasts Like our Fire & Water FACEBOOK page – https://www.facebook.com/FWPodcastNetwork Support The Fire & Water Podcast Network on Patreon: https://www.patreon.com/fwpodcasts Use our HASHTAG online: #FWPodcasts Thanks for listening!

Episode 37 - Director Frank Tashlin's THE PRIVATE NAVY OF SGT. O'FARRELL w/guest Michael Schlesinger. Have a question or comment? Looking for more great content? E-MAIL: firewaterpodcast@comcast.net Follow FADE OUT on Twitter: @FadeOutPod Theme by Luke Daab: https://www.daabcreative.com You can find FADE OUT on these podcast platforms: Apple Podcasts: https://podcasts.apple.com/us/podcast/fade-out/id1536486950 Amazon Music Spotify Stitcher This podcast is a proud member of the FIRE AND WATER PODCAST NETWORK: Visit the Fire & Water WEBSITE: http://fireandwaterpodcast.com Follow Fire & Water on TWITTER – https://twitter.com/FWPodcasts Like our Fire & Water FACEBOOK page – https://www.facebook.com/FWPodcastNetwork Support The Fire & Water Podcast Network on Patreon: https://www.patreon.com/fwpodcasts Use our HASHTAG online: #FWPodcasts Thanks for listening!

Episode 36 - Director Elaine May's ISHTAR w/guest Melissa Tomczak. Have a question or comment? Looking for more great content? E-MAIL: firewaterpodcast@comcast.net Follow FADE OUT on Twitter: @FadeOutPod Theme by Luke Daab: https://www.daabcreative.com You can find FADE OUT on these podcast platforms: Apple Podcasts: https://podcasts.apple.com/us/podcast/fade-out/id1536486950 Amazon Music Spotify Stitcher This podcast is a proud member of the FIRE AND WATER PODCAST NETWORK: Visit the Fire & Water WEBSITE: http://fireandwaterpodcast.com Follow Fire & Water on TWITTER – https://twitter.com/FWPodcasts Like our Fire & Water FACEBOOK page – https://www.facebook.com/FWPodcastNetwork Support The Fire & Water Podcast Network on Patreon: https://www.patreon.com/fwpodcasts Use our HASHTAG online: #FWPodcasts Thanks for listening!