Podcasts about nastia

Nastia Calaca has always been dreaming of becoming an illustrator, creating intricate illustrations, reinventing beloved book characters, and writing new versions of her favorite stories was all part of her childhood. One day, Nastia unexpectedly stumbled upon ceramics and she unconditionally fell in love and have never parted since, having now been united for more than 12 years. https://ThePottersCast.com/1133

Olympic gymnastics all-around gold medalist, five time medal winner, and cultural icon Nastia Liukin chats with David Vobora about her remarkable journey to become a champion and the struggles of achieving a lifetime goal at eighteen years old. Nastia shares details of her tense friendship with teammate and rival Shawn Johnson, manifesting her olympic gold medal and reflects on her personal journey after sport. A remarkable story of one of the United States' olympic heroes and her Life After. (00:00) - Intro (1:30) - Youth in Gymnastics (20:35) - Celebrity and Fame (38:00) - Road to Olympics (41:45) - Relationship with Shawn Johnson (52:45) - Manifesting the 2008 Olympic Gold Medal (1:10:45) - 2008 Olympic Finals (1:36:00) - 2012 Olympic Trials (2:05:55) - Gifts Life After with David Vobora is an inspirational and motivational podcast that dives deep into guest's personal stories of hardship, perseverance and personal realization. After playing professional football, overcoming addiction, working with Wounded Warriors, and creating the Adaptive Training Foundation, David knows that life-altering events come in many ways, but they always come. On the new series, former “Mr. Irrelevant” in the NFL Draft, Vobora, talks with incredible guests about overcoming adversity in the face of unimaginable circumstances. David identifies crucial—and sometimes tragic—moments in their lives' that helped shape both their success and who they are today. Motivational Podcast | Inspirational Podcast | Perseverance Make sure to like, follow and subscribe on Life After's YouTube and social pages, linked below: YouTube: https://www.youtube.com/channel/UCaFfMRZJRbo2_57YUmjqylA Instagram: https://www.instagram.com/lifeafterwithdavidvobora/?hl=en Twitter: https://x.com/LifeAfterWithDV Tik Tok: https://www.tiktok.com/@lifeafterwithdavidvobora https://youtube.com/@lifeafterwithdavidvobora?si=IdpcHfEtN5V_UQJn And check out the Green Light Podcast here: https://greenlightpodcast.org/

TECH CLUBBERS PODCAST W/ GANNEIN Gannein: Berlin via Paris, delivering raw, uncompromised techno. Gannein's tracks are making impact. Ben Klock, Ben Sims, Luke Slater, Speedy J, Kaiser, Rene Wise, Polygonia, Dave Clarke, Nastia, Chlaer, Yanamaste, Alarico, Mareena, Claudio PRC, and Vincent Neumann: his records are in their crates. Self-taught, his sound is direct: visceral, driven, and built for the floor. His digital DJing is where that vision fully materializes. Precision and fluidity are key. Tresor, Renate, Razzmatazz, About Blank, Glazart, and Laut have felt his presence: sets built with relentless drive, weaving intricate layers through carefully selected tracks and real-time manipulation. He maximizes the digital format, blending and layering with surgical accuracy, creating dynamic shifts and sustained intensity. He reads the room, responds, and builds a narrative through digital craft. Repeat bookings confirm: Gannein commands the dancefloor. Discography still building, but the trajectory is clear. Expect more releases and performances in 2025. Gannein: focused, and moving forward. Follow GANNEIN here: Facebook: https://www.facebook.com/Gannein Instagram: https://www.instagram.com/gannein.techno Soundcloud: https://soundcloud.com/gannein

Today's episode has been a long time in the making, featuring the evolution, precision, and artistry of ceramist duo Nastia and Matjaž—the creative force behind Me and Raimondi. Their work pushes the boundaries of bonsai ceramics, solidifying their place among the best in the field. Beyond their mastery, their kindness shines through, making this conversation a rare glimpse into their creative process, dedication, and the passion that drives them. Shop their ceramic creations on Mirai Goods here.

Dimitri and Khalid are joined by Peter, author of the excellent Events in Ukraine Substack (https://eventsinukraine.substack.com), for a wide-ranging conversation about the cultural, military, economic, and deep political dimensions of the Russia-Ukraine war as it faces its three-year anniversary. Topics include: Escaping Kiev after the war started, why bomb shelters don't matter, the epidemic of “State Department Leftoids”, how the post-Maidan government drove Ukraine's military-industrial complex into the dirt, Bill 3739 and the role of the Sorosites, what “liberalism” represents in post-Soviet countries (self-hating Europhilia), Aaron Moulton's work on Soros in Eastern Europe, 133 Western NGOs exempt from military service, the susness of pro-western “anti-corruption” activists, the Soros International Renaissance Foundation, Sternenko's “LGBT Nazi” gangs vs. the unwoke Nazis, gripes from the Tales of the Fourth Reich Telegram channel run by a former ANTIFA-turned-PROFA soldier, and why the Azovites have become more open to ending the war than “jihadist” Zelensky's clique… Business shakedowns via the “Trading With The Enemy Act”, the overarching role of media psyops in Ukrainian war strategy, organizational chaos in the army, pre-war ketamine hipsters DJing on a swastika laptop, why Azov is where the cool kids go, ubiquitous meth/LSD Telegram channels, Nazi units smoking DMT in Donbass, international techno superstar DJ Nastia and her NED-trained ex-husband, the coked up Zelensky advisor/pardigmatic Sorosite Serhiy Leshchenko, Nastia's sus campaign to get Russian techno figurehead Nina Kraviz blacklisted from EU venues and festivals in 2022, and why everyone in late 2024 dreams of leaving Ukraine. Part one of two. Read “Monday Meth Comedown”: https://eventsinukraine.substack.com/p/monday-meth-comedown Subscribe to Peter's Events in Ukraine Substack here: https://eventsinukraine.substack.com For access to premium SJ episodes, upcoming installments of DEMON FORCES, and the Grotto of Truth Discord, become a subscriber at patreon.com/subliminaljihad.

Andrea Ledh, nato nel 1992 a Brindisi (Puglia), è un dj/producer di spicco nella scena tech house e minimal tech house. Inizia la sua carriera musicale a 11 anni come tastierista, evolvendosi rapidamente in dj/producer. Ha suonato come resident nei principali club pugliesi come Mandarino Club, Clorophilla Club, DonGiò (CROMIE) e Parco Gondar, e come ospite in numerosi altri club ed eventi. Successivamente si è esibito in Campania (Club Partenopeo, Shine Club, ecc.) ed Emilia Romagna (Studio 54, Alibi, The Loft, Musichiere, Torquaise Beach, CityBus, ecc.). Fondatore di organizzazioni e collaboratore di format, è attualmente A&R di STARNIGHT RECORDINGS. Ha condiviso la console con artisti di fama internazionale come Pawsa, Agents of Time (b2b), Chris Liebing, Jackmaster, Fabio Neural, Nastia, Len Faki e molti altri. Ha partecipato a festival di rilievo come Mandarino NYE, AMORE, IL GRIDO, EYWA ed EMPHASIS; recentemente ha suonato in diretta su Riot Scampia e ShadeLab. Il suo sound, profondamente radicato nell'Hip Hop e Funky, è stato pubblicato su etichette prestigiose come Insane Records, Lemon Juice Recordings, Groove Bassment, Final Haus, Sura Music, Distance Records e Starnight Recordings.

Andrea Ledh, nato nel 1992 a Brindisi (Puglia), è un dj/producer di spicco nella scena tech house e minimal tech house. Inizia la sua carriera musicale a 11 anni come tastierista, evolvendosi rapidamente in dj/producer. Ha suonato come resident nei principali club pugliesi come Mandarino Club, Clorophilla Club, DonGiò (CROMIE) e Parco Gondar, e come ospite in numerosi altri club ed eventi. Successivamente si è esibito in Campania (Club Partenopeo, Shine Club, ecc.) ed Emilia Romagna (Studio 54, Alibi, The Loft, Musichiere, Torquaise Beach, CityBus, ecc.). Fondatore di organizzazioni e collaboratore di format, è attualmente A&R di STARNIGHT RECORDINGS. Ha condiviso la console con artisti di fama internazionale come Pawsa, Agents of Time (b2b), Chris Liebing, Jackmaster, Fabio Neural, Nastia, Len Faki e molti altri. Ha partecipato a festival di rilievo come Mandarino NYE, AMORE, IL GRIDO, EYWA ed EMPHASIS; recentemente ha suonato in diretta su Riot Scampia e ShadeLab. Il suo sound, profondamente radicato nell'Hip Hop e Funky, è stato pubblicato su etichette prestigiose come Insane Records, Lemon Juice Recordings, Groove Bassment, Final Haus, Sura Music, Distance Records e Starnight Recordings.

Hoy recordaremos a la Gran Duquesa de Rusia Anastasia Nikoláyevna Románov, la Alfonsa de Borbón del Este. La pequeña Anastasia nació en San Petersburgo el 18 de junio de 1901 pa nosotros, el 5 de junio pa los ortodoxos que son los ingleses del calendario y les gusta más el juliano. Era la 4ª hija del Zar Nikolás II y Alejandra Fiódorovna, que les estaba saliendo regulá lo de buscar la parejita. Luego por fin llegaría el niño, Alekséi, que no sé yo si animar a Sergio Ramos y a Pilar Rubio porque Alekséi llegó con más problemas que un divorciao con 2 hijos. Anastasia fue criada de la misma forma austera que sus hermanas, pero no que su hermano que bastante tenía el chiquillo con estornudar y no morirse. Su cama era dura y sin almohada, la ducha la mañana era con agua fría y en vez de Cola-Cao, le daban Nesquik. El servicio de palacio no utilizaba el título de Alteza Imperial sino que la llamaban Nastia o Nastenka, igual que en las monarquías europeas, que cómo te equivocaras en el orden de los cubiertos ya miraba el rey a la reina como tu madre te mira a ti cuando a tu padre se le afloja la lengua en Nochebuena en casa tus tíos. Anastasia era una niña vivaz y llena de energía, pa compensá lo del hermano. Inteligente, traviesa y gran fan del Libi de Cádiz de quien aprendió a contestar de manera ingeniosa y aguda, hiriendo sensibilidades muy a menudo. A estas alturas, alrededor de 1909, Anastasia era corteta, de ojos azules y ni rubia ni pelirroja y siempre intentando llamar la atención, como Pablo Motos pero con 8 años. Anastasia siempre iba con su hermana María por los mandaos, por lo que las llamaban “la pequeña pareja”. Olga y Tatjiana, las otras dos hermanas, formaban “la pareja mayor” y cuando el hermano se tropezaba con un escalón, hacían “escalera de color”. La bibliografía dice que Anastasia también tenía problemas de salud, que no sólo los tenía el zarevich, que ella tenía juanetes en los dedos gordos de los pies, ojo, en los dos. En 1910 llegó Rasputín que entraba en las habitaciones de las niñas cuando estaban en camisón, las abrazaba y las acariciaba pero nadie le decía nada porque luego escribía cosas sobre amar a Dios, que es como se solucionan estas cosas en todas las religiones. En febrero de 1917 estalló la revolución rusa y los bolcheviques hicieron abdicar al Zar que se escondió junto con toda su familia en Siberia, pero como allí hacía más frío que en un cuarto de baño antes de ducharte, acabaron en Ekaterimburgo. En 1918 el ejército blanco de los bolcheviques le ganaron a las damas al ejército rojo y como lo del exilio no sirve pa los rusos porque ellos te envenenan en cualquier sitio con la puntita del paraguas, Anastasia y su familia sólo pudo esconderse bajo la mesa camilla. Desgraciadamente, el 17 de julio de 1918, cuando Anastasia tenía 17 años, el ejército blanco los encontró y les dio con la puntita del paraguas, aunque ustedes siempre podrán recordarla cada vez que vean a Pablo Motos o le pongan Nesquik en vez de Cola-Cao..

History of the Bay Podcast Ep. 84 - recorded at History of the Bay Day: Moderated by KQED Arts & Culture's Nastia Vonynovskya, this discussion panel features three women with successful careers in hip-hop: radio personality Shay Diddy of 106 KMEL, DJ Shellheart, and recording engineer Xarina of Studio X. These powerful ladies share their stories of success, hardships, and paving the way for other women to enter the music industry. -- Sponsored by San Francisco Department of Public Health https://www.sf.gov/departments/department-public-health/behavioral-health -- For promo opportunities on the podcast, e-mail: info@historyofthebay.com -- Produced by DEO @deo415, videography by @mvp_kingced --- Hat and shirt available at Dying Breed SF @dyingbreedsf -- History of the Bay Spotify Playlist: https://open.spotify.com/playlist/3ZUM4rCv6xfNbvB4r8TVWU?si=9218659b5f4b43aa Online Store: https://dregsone.myshopify.com Follow Dregs One: Spotify: https://open.spotify.com/artist/1UNuCcJlRb8ImMc5haZHXF?si=poJT0BYUS-qCfpEzAX7mlA Instagram: https://instagram.com/dregs_one TikTok: https://tiktok.com/@dregs_one Twitter: https://twitter.com/dregs_one Facebook: https://facebook.com/dregsone415 00:00 Mental health services in SF 03:23 Panelists' introduction to hip-hop 07:24 Career beginnings 12:59 Challenges for women 17:45 Mentors 20:20 Shay's most memorable interviews 26:00 How does KMEL decide what songs to play? 29:19 How Xarina started her own studio 32:14 Shellheart throwing her own parties 35:08 Shellheart touring with Rexx Life Raj 36:48 What's the most rewarding part of their careers? 40:09 Imposter syndrome 43:27 Being objectified 46:44 Hip-Hop being more inclusive to women --- Support this podcast: https://podcasters.spotify.com/pod/show/historyofthebay/support

Is the arrow of history one of progress, where things just keep getting more bureaucratic and more complex, or is there another story that we could tell about the past? This week we're cracking open David Graeber and David Wengrow's Dawn of Everything, which argues that the arrow of progress is flat out WRONG. Instead of there being a single story of history that requires us to live these enfeebled, isolated, matrixy lives, there is a whole world of possibility out there for what a society *could* look like, but they've been keeping it from you! Or have they? We enter into this exploration with some skepticism (at least Nastia does), because it's possible that there are other competing systems that litter history, but surely there's something meaningful about the fact that they've all been subsumed into the monetized beast that is the modern capitalist technotopia (or dystopia, the designation of which is inversely dependent on how much paid vacation leave you get and directly dependent to how much time you spend deboning chickens on the Perdue production line). Whatever the case may be, we are listening, Davids - because any change starts with an idea, and this book is full of ‘em. Sign up for our Patreon and get episodes early + join our weekly Patron Chat https://bit.ly/3lcAasB AND rock some Demystify Gear to spread the word: https://demystifysci.myspreadshop.com/ OR do your Amazon shopping through this link: https://amzn.to/4g2cPVV (00:00) Go! (00:07:28) Modern Historical Narratives of the Arc of Progress (00:17:18) The Davids' Alternative Interpretations of History (00:23:40) Indigenous Critique of European Hierarchies (00:33:08) Legacy of Roman Conquest and European Conflict (00:47:40) Indigenous vs. Western Social Organization (00:55:00) Militarism and Freedom (01:03:24) The Arrow of Progress and Future Implications (01:12:21) Economic Bailouts and Banking (01:18:22) Indigenous Influence and New Ideas (01:25:24) Government and Society (01:35:09) Exploration of Alternative Societies (01:46:05) Vision for a Future Beyond Traditional Structures #TheDawnOfEverything, #DavidGraeber, #AlternativeHistory, #IndigenousSocieties, #HumanCivilization, #SocietalStructures, #RethinkingHistory, #EnlightenmentCritique, #HistoricalNarratives, #CivilizationDebates, #HumanProgress, #Anthropology, #Decolonization, #CrossCulturalExchanges, #EconomicBailouts, #IndigenousCritique, #DavidWengrow, #sciencepodcast, #longformpodcast, Check our short-films channel, @DemystifySci: https://www.youtube.com/c/DemystifyingScience AND our material science investigations of atomics, @MaterialAtomics https://www.youtube.com/@MaterialAtomics Join our mailing list https://bit.ly/3v3kz2S PODCAST INFO: Anastasia completed her PhD studying bioelectricity at Columbia University. When not talking to brilliant people or making movies, she spends her time painting, reading, and guiding backcountry excursions. Shilo also did his PhD at Columbia studying the elastic properties of molecular water. When he's not in the film studio, he's exploring sound in music. They are both freelance professors at various universities. - Blog: http://DemystifySci.com/blog - RSS: https://anchor.fm/s/2be66934/podcast/rss - Donate: https://bit.ly/3wkPqaD - Swag: https://bit.ly/2PXdC2y SOCIAL: - Discord: https://discord.gg/MJzKT8CQub - Facebook: https://www.facebook.com/groups/DemystifySci - Instagram: https://www.instagram.com/DemystifySci/ - Twitter: https://twitter.com/DemystifySci MUSIC: -Shilo Delay: https://g.co/kgs/oty671

Italy born producer and modular synthesist David Castellani is an aficionado in all things modular with a focus on driving, contemporary techno. His sound, fuelled by an array of analog hardware, showcases the intricate aspects of modern music production, while staying true to the fundamentals. Having formerly cut his teeth in a DJ/Producer duo, David has already built a category of healthy releases, collaborations and remixes, while sharing the decks with industry heavies including Nastia, Mark Broom, Dense & Pika & Vril, to name a few. Now based in LA by way of Chicago, Castellani launched his record label Noetic in 2021, cultivating smart & dynamic techno with a focus on synthesizers and analog hardware. The label has curated eleven releases from Castellani so far, featuring remixes from Redshape, Matrixxman, Voiski & Etapp Kyle. Castellani's journey in music has been marked by two guiding principles – passion and learning, including exploration of world cultures. He uses the didgeridoo, part of ancient First Nation Australian culture which he respectfully acknowledges, in his live sets. He was taught drums by respected Afro Cuban percussionist Juma Santos, who featured on the legendary Miles Davis album ‘Bitches Brew'. The experience of working with Santos has stayed with him till this day. “It was one of the most vivid memories of my youth. We just spent hours playing drums together and then we'd indulge in some cannabis while Juma would share stories about hanging out with Miles Davis in the 70's. I was about 17 and remember travelling home, thinking how excited I was to start this new journey in music. And most of all, this helped me understand the value of education via a proper teacher within music.” Castellani would go on to be an educator himself, thriving as a teacher at Chicago's respected Columbia College, where he'd teach for almost a decade. His passion for educating is something that stays with him till this day, involved in running modular synth workshops in LA in collaboration with the RE/FORM crew, with whom he holds a residency. He also volunteers with the Jazz Angels, an outreach program that sees him go into schools and help children record and learn about music. His passion and curiosity for all things learning, creativity and technological development has seen him create his own sequencer module, the Precision Disrupter. His background in graphic design also sees a collaboration with clothing brand After Infinite, responsible for designing all their rave wear garments. A magnetic live performer, recent highlights include a special 360-degree audio-visual performance in LA alongside Colin Benders and ONYVAA; a coveted spot playing Chicago's Arc Festival and the release of his collaborative project ‘Hysteria Dichotic' with AnnMarie Arcuri, which combined techno, contemporary dance, modular synthesis and film. Castellani wishes to acknowledge that First Nations Australians are the traditional owners of the didgeridoo, a wind instrument he uses in his live sets. He pays his respects to all First Nations people. Tracklist via -Spotify: bit.ly/SRonSpotify -Reddit: www.reddit.com/r/Slam_Radio/ -Facebook: bit.ly/SlamRadioGroup Archive on Mixcloud: www.mixcloud.com/slam/   Subscribe to our podcast on -iTunes: apple.co/2RQ1xdh -Amazon Music: amzn.to/2RPYnX3 -Google Podcasts: bit.ly/SRGooglePodcasts -Deezer: bit.ly/SlamRadioDeezer   Keep up with SLAM: https://fanlink.tv/Slam  Keep up with Soma Records: https://linktr.ee/somarecords    For syndication or radio queries: harry@somarecords.com & conor@glowcast.co.uk Slam Radio is produced at www.glowcast.co.uk

In the high-pressure world of elite sport, the unwavering support of loved ones can be both a powerful boost and a perilous distraction.In this episode of The Game Inside The Games, Nastia Liukin and Dr. Michael Gervais explore the significant impact that family and friends can have on an athlete's performance at The Games. They discuss how the presence of loved ones, while a vital source of encouragement, can also become a significant distraction that impacts focus and performance.For athletes, The Games represent the pinnacle of their careers—a moment that requires complete mental and emotional focus. However, for family and friends, they are often seen as a celebration, which can unintentionally pull the athlete's attention away from their performance. Nastia shares her unique perspective as a gold medalist, including how her father, who was also her coach, helped her navigate these distractions.They also address modern challenges, such as the impact of social media, which has introduced new distractions that previous generations of athletes didn't face.In this episode, you'll get an inside look at the emotional management required at the highest level of competition, where the difference between winning and losing often comes down to the ability to stay focused despite the myriad of distractions. Through personal stories and expert insights, the conversation uncovers valuable lessons not just for athletes, but for anyone striving to achieve high performance in high-pressure situations.With Fire,The FM TeamThis episode is brought to you by PwC and Microsoft.PwC and Microsoft Copilot for Microsoft 365 together provide a powerful, multifaceted strategy tailored to the evolving AI landscape, enhancing business operations, communication, and problem-solving. At PwC, we embody this transformation by deploying Copilot for Microsoft 365 across our global network, transforming our operations across all functions to better serve our clients through the power of AI. Learn more: Microsoft Copilot for Microsoft 365: PwC-----WATCH this episode on our YouTube channel.Connect with us on our Instagram.Order my book, "The First Rule of Mastery" HERE!For more information and shownotes from every episode, head to findingmastery.com.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

It's time to meet the moment. In Part 2 of this riveting conversation on The Game Inside The Games, Nastia Liukin and Dr. Michael Gervais continue their deep dive into the psychological intricacies of women's gymnastics.Building on their previous discussion about the preparation and lead up to the Women's All Around Final, this episode focuses on the different components of this iconic event and the mental challenges unique to each apparatus.Nastia reveals the intense psychological and physical preparations required for the uneven bars, including the hidden complexities like dealing with different grip substances used by international competitors. She shares her personal pre-performance routines, the internal dialogue that guides her through her performance, and what it's like to look up at the scoreboard after competing in the event she had dreamed about for so long.The conversation also highlights the upcoming historic competition between Simone Biles and Sunisa Lee – the first two gold medalists to compete against each other in an All Around Final. Nastia and Dr. Mike explore the razor-thin margins in gymnastics scoring and the mental fortitude required to perform under such precise conditions.Whether you're a gymnastics enthusiast or simply fascinated by the psychology of elite performance, this conversation provides an unprecedented look into what it takes to compete at the highest level of sport.In case you missed it, be sure to check out Part 1 (Day 6) on our feed.This episode is brought to you by LTIMindtree and Microsoft. LTIMindtree gets you to the future faster with Copilot for Microsoft 365.-----WATCH this episode on our YouTube channel.Connect with us on our Instagram.Order my book, "The First Rule of Mastery" HERE!For more information and shownotes from every episode, head to findingmastery.com.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

For an Olympian gymnast, a lifetime of preparation leads to a single event – an event that totals just four exhilarating minutes of performance, expression, and competition… an event that will either make or break their wildest dreams. On Day 6 of The Game Inside The Games, gold medalist Nastia Liukin and high-performance psychologist Dr. Michael Gervais uncover the intense psychological landscape of one sport's most iconic events – the Women's All-Around Final in gymnastics. They explore the mental strategies and pivotal moments that define an athlete's performance, revealing an unprecedented look into an Olympian's mind when they step onto the competition floor.Nastia recounts her gold medal run in vivid detail – from the intensity of warm-ups to her mindset walking down the tunnel and the intricate details of the competition unseen by viewers at home. Through Nastia's experiences and Dr. Mike's expertise, this conversation illuminates the razor-thin mental edge that separates champions from contenders on one the world's biggest stages.With Fire,The Finding Mastery TeamThis episode is brought to you by Hitachi Solutions and Microsoft.Hitachi Solutions is at the forefront of innovation with Copilot for Microsoft 365.-----WATCH this episode on our YouTube channel.Connect with us on our Instagram.Order my book, "The First Rule of Mastery" HERE!For more information and shownotes from every episode, head to findingmastery.com.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

How do Olympians balance the tension between being roommates and supportive teammates one day - and fierce rivals the next? On day 5 of The Game Inside The Games, Nastia Liukin and Dr. Michael Gervais break down the psychological conflict athletes face when striving for their individual success while also supporting the success of their team - and offer a way forward.Nastia recounts her own experience with teammate Shawn Johnson, revealing how their close bond was tested as they competed for gold. This episode highlights the delicate balance between camaraderie and rivalry – and explores how athletes navigate these complex moments and relationships.And in the end, Dr. Mike unveils the psychological strategies that we can all use to maintain relationships while striving for individual excellence.This episode is brought to you by NTT Data and Microsoft. NTT Data is transforming the workplace with Copilot for Microsoft 365.-----WATCH this episode on our YouTube channel.Connect with us on our Instagram.Order my book, "The First Rule of Mastery" HERE!For more information and shownotes from every episode, head to findingmastery.com.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Imagine if every email you sent – every phone call you took – was scrutinized, critiqued, and scored by the person who writes your paycheck.In day 2 of The Game Inside The Games, Nastia Liukin and Dr. Michael Gervais explore the unique psychological challenges athletes face in judged sports like gymnastics. They discuss how the constant evaluation by judges – even during pre-competition training sessions – impacts athletes' performances, mental states, and ultimately their ability to podium. Nastia shares compelling stories from her own journey, revealing how her father's coaching philosophy helped her navigate the subjective nature of judging. This episode offers a rare behind-the-scenes look at the psychological strategies that can make or break an Olympic dream – and the human behind it – when your every move is being watched.This episode is brought to you by Accenture, Avanade, and Microsoft. Accenture and Avanade are reimagining the workplace with Copilot for Microsoft 365.With Fire,The FM Team-----WATCH this episode on our YouTube channel.Connect with us on our Instagram.Order my book, "The First Rule of Mastery" HERE!For more information and shownotes from every episode, head to findingmastery.com.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

We're heading back to LTK Active in Los Angeles for a very timely episode. With the Olympics around the corner, I'm excited to welcome Nastia Luikin on the show today. Nastia is a gymnast who won five medals at the 2008 Olympic Games in Beijing, including the coveted All-Around Gold medal. Nastia has since launched her creator business, working with leading brands and retailers while hoping to inspire her community to set dream-worthy goals.Nastia and I discussed how she handled life post-gymnastics, some of the best advice she's received from mentors like Kobe Bryant, and her involvement in this year's Paris Olympics. We also discuss some of her LTK statistics, the most popular items she shares, and how she continues to build a digital community. WE DISCUSS:- ( 11:10 ): Amber asks, “What was that like for you when you decided to retire from gymnastics officially and then take your next step?”- ( 17:34 ): Amber says, “Tell us a little bit about launching your digital community.”- ( 27:56 ): Amber and Nastia discuss Nastia's top sale items on LTK.- ( 30:01 ): Amber asks, “You're across multiple social media platforms. How do you think about each one of those communities and what you're giving to each of them?”LTK for CreatorsLTK for BrandsLearn more about More To SayWatch on YouTubeShop Amber's LTKFollow Amber on InstagramConnect with Amber on LinkedInFollow Nastia on InstagramFollow Nastia on TikTokShop Nastia's LTK Hosted on Acast. See acast.com/privacy for more information.

Episode 426 brings Berlin based Dj and producer Nastia Reigel to the Monument helm. Nastia continues to make waves across the techno realm with performances throughout Europe and beyond and here provides a powerful mesmerising journey impeccably mixed exclusively for Monument. Follow : https://soundcloud.com/nastiareigel www.instagram.com/nastiareigel www.facebook.com/nastiareigel

Das „Office Ukraine“ im Grazer Kunstverein < rotor > ist seit Frühling 2024 Anlaufstelle für Kunst- und Kulturschaffende, die vor dem Krieg aus der Ukraine in die Steiermark geflohen sind. Werner Schandor spricht mit der aus Charkiw stammenden Kuratorin Nastia Khlestova und mit der Grazer Bühnenbildnerin Johanna Hierzegger über die Aktivitäten des „Office Ukraine“, über die Rolle der ukrainischen Kunst im Krieg und den Graben zwischen Russland und Ukraine, der sich durch den russischen Überfall aufgetan hat. Weitere Infos zum Office Ukraine: https://www.artistshelp-ukraine.at/de/ >> Hier könnt ihr den Kunstfunken-Newsletter abonnieren

Nastias Bild von ihrem Vater als heroische Figur ändert sich erst in ihrer Jugend, als sie seinen Alkoholismus und dessen Auswirkungen auf sich und ihre Familie realisiert. Noch heute manipuliert er sie zugunsten seiner Suchterkrankung und macht auch nicht vor Selbstmorddrohungen halt. Nastia weiß, dass sie die Reißleine ziehen muss und versucht diese Woche mit Paulas Hilfe endlich Mittel und Wege zu finden, um sich von ihrem Vater abzugrenzen. Du möchtest mehr über unsere Werbepartner erfahren? Hier findest du alle Infos & Rabatte: https://linktr.ee/Paulaliebenlernen

It's our final solo conversation from the tour and we're breaking down an issue that we have held different perspectives on for quite some time: the limits & importance of free speech. In part, we are responding the documentary "This Place Rules" by Channel 5 creator, Andrew Callaghan, which tracks the absurdity, hipocracy, and more than anything, the profiteering surrounding the buildup to the 2021 invasion of the Capitol in Washington D.C. Shilo argues that it could have been avoided if dissidents hadn't had their voices removed from the internet. Nastia isn't convinced, on account of the power of the incentives backing the revolt. In the end, we circle around the need for a de-algorithmatized public forum, which might provide the basis for an actual democratic republic. Tell us your thoughts in the comments!!! Sign up for our Patreon and get episodes early + join our weekly Patron Chat https://bit.ly/3lcAasB (00:00) Go! (00:04:30) The case for free speech absolutism (00:15:04) The days of rage and sanctioned protest (00:24:19) Handling a neighbor that's killing your chickens (00:34:33) Is an appreciation for dialogue on the rise? (00:43:59) Is the getting banned from internet to blame for the power of fringe movements? (00:50:07) The raw wound of forbidden speech (00:56:30) The central importance of (01:04:05) The need for a true public square (01:13:50) Closing thoughts #sciencepodcast, #FreeSpeech, #Democracy, #PoliticalPhilosophy, #InformationRegulation, #Populism, #FreedomOfExpression, #CivilRights, #PublicDiscourse, #IntellectualDialogue, #Liberty, #CensorshipDebate, #CriticalThinking, #DigitalEthics, #OnlineDebate, #PoliticalTheory, #EthicalCommunication, #MediaFreedom, #OpenSociety, #TruthSeeking, #DemocraticValues Check our short-films channel, @DemystifySci: https://www.youtube.com/c/DemystifyingScience AND our material science investigations of atomics, @MaterialAtomics https://www.youtube.com/@MaterialAtomics Join our mailing list https://bit.ly/3v3kz2S PODCAST INFO: Anastasia completed her PhD studying bioelectricity at Columbia University. When not talking to brilliant people or making movies, she spends her time painting, reading, and guiding backcountry excursions. Shilo also did his PhD at Columbia studying the elastic properties of molecular water. When he's not in the film studio, he's exploring sound in music. They are both freelance professors at various universities. - Blog: http://DemystifySci.com/blog - RSS: https://anchor.fm/s/2be66934/podcast/rss - Donate: https://bit.ly/3wkPqaD - Swag: https://bit.ly/2PXdC2y SOCIAL: - Discord: https://discord.gg/MJzKT8CQub - Facebook: https://www.facebook.com/groups/DemystifySci - Instagram: https://www.instagram.com/DemystifySci/ - Twitter: https://twitter.com/DemystifySci MUSIC: -Shilo Delay: https://g.co/kgs/oty671

Think back to the most pivotal moments of your life… What parts of you did you bring forward? Which parts did you hold back? How did these experiences shape your way of being?These questions lie at the heart of our conversation today with Nastia Liukin, a gold medal gymnast whose name is etched in history for winning the All-Around title at the 2008 Beijing Olympics. Beyond her monumental achievements – including tying the record for the most gymnastics medals won by an American in a single Olympic Games with FIVE medals – Nastia's journey is one of relentless pursuit, resilience, and the courage to redefine success.In this episode, Nastia reveals the significant moments of her career – from a pivotal conversation with Kobe Bryant that reshaped her self-perception, to the standing ovation that followed what she considers to be her worst performance.Nastia's lived experience shows us all how to find meaning and success beyond external achievements. And she continues to walk her talk.We dive deep into the dynamics of perfection and control, vulnerability, and the power of being present. Nastia's insights offer a practical guide for embracing the profound impact we have when we can be at home with ourselves, wherever we are.I'm excited for you to discover new ways to define your own success, respond with courage, and meet the moment. With Fire,MG-----WATCH this episode on our YouTube channel.Connect with us on our Instagram.Order my book, "The First Rule of Mastery" HERE!For more information and shownotes from every episode, head to findingmastery.com.To check out our exclusive sponsor deals and discounts CLICK HERESee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Hello, endlich kommt die langersehnte Folge mit Nastia (@anastasiashyk). Wir reden übers Schwestern sein, alleine wohnen und erste Male. Wie haben wir anfängliches Heimweh überwunden? Wie hat uns das (große) Schwestern sein geprägt und wie ist das spät sein erstes Mal zu haben? Viel Spaß bei der Folge xx

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Le 24 février 2022, lorsque la Russie lance une offensive d'ampleur sur son pays voisin, la vie de millions d'Ukrainiens bascule. Mais cette guerre change également la vie de centaines de milliers de Russes. Opposés au conflit, ces derniers sont contraints à l'exil, en Arménie, en Géorgie, en Turquie ou encore en France. Un long chemin débute alors pour eux, loin du pays qui les a vu naître, mais qui ne leur a laissé d'autre choix que de partir. Nous avons rencontré Alexeï, Ernest, Nastia et Dmitri, quatre opposants russes, qui se sont réfugiés en France. Ils nous racontent leur choix de fuir la Russie de Poutine et leur nouvelle vie dans ce pays qui n'est pas le leur.

This weeks guest is Anastasia Artamonova who is a creative entrepreneur and public speaker based in Milano, Italy. Also known as Nastia, she is the founder and creative director of Nice and Nasty – a bar without a bar and an edutainment platform that connects mind, body, and spirits. Sharing wisdom from behind and beyond the bar for people to heal, grow, and have fun, Nastia's main focus in the industry is the art of human connections: the power of vulnerability, deeper conversations with others and with yourself, growth and self-care, and overall happiness and well-being. Links @nastialavista @niceandnastybar @tenders.nn @sugarrunbar @babylonsistersbar @the_industry_podcast email us:  info@theindustrypodcast.club Podcast Artwork by Zak Hannah zakhannah.co

Headline News In a big win for Gymnasts for Change, British Gymnastics released new safeguarding policies that should be the model for federations around the world Riley McCusker is injured, and Spencer tries to convince you it's all just a bad dream Lindenwood is shutting down its gymnastics team after the 2024 season More on the banning of Elvira Saadi in Canada NCAA 2024 - Getting Ahead of the Game Jessica corners you in an elevator and tells you what she loves about college gymnastics Death to the "Alabama Shuffle:" a major rule change is coming to college gymnastics landings in 2024. We administer a quiz on the new regulations, discuss which gymnast the new requirement was obviously modeled after, and give our overall impressions Meet the Ninja Level 10s: Learning the names of gymnasts you can become obsessed with before the bandwagon starts, including KJ Kindler's dream come true, the new queen of bars, and...Nastia's clone? Power Rankings Fight A.k.a., why does Jessica hate Flavia? We released our new GymCastic World Elite Power Rankings, and Spencer would like everyone to know that it's not his fault. Plus, an update on Russia at the Olympics, as well as lawsuits about NIL and Title IX The GIFT of Club Gym Nerd Join Club Gym Nerd (or give it as a gift!) for access to weekly Behind the Scenes Q&A episodes, dedications, mini-commissions and group commissions Club Gym Nerd members get access to all of our exclusive extended interviews, Behind The Scenes and College & Cocktails episodes. Buy our awesome clothing and gifts here and even "tapestries" (banners perfect to display in an arena) to support your favorite gymnast here. RELATED EPISODES Emergency Gymternet News Biggest Gymnastics Pet Peeves Authorized Neutral Athletes Gymnastics Movie Club: Perfect Body Trouble in Romania Best Cheng Ever? RESOURCES & CITATIONS Gymlytics Fantasy Gym Make It Count Dolly Parton Stampede meet (not an NCAA meet) Gymnastics History and Code of Points Archive from Uncle Tim Follow the effects of the Russian invasion to Ukraine at Gymnovosti The Highest D and E scores from The Gymternet Men's Gymnastics coverage from Kensley Neutral Deductions MORE WAYS TO LISTEN HERE    

Everything we know about Gabby Douglas training at camp! University of Utah head coach Tom Farden has resigned. Double Olympic Champion and Canadian stand out coach, Elvira Saadi has been banned for 10 years Shawn Johnson destroyed her husband in a center of gravity contest despite being very pregnant. FIG Women's Technical Committee member and Olympic Champion, Elena Davydova, is under investigation by Gymnastics Canada and Valentina has thoughts. Nastia was on MTV Cribs and it was everything we ever hoped for. The GIFT of Club Gym Nerd Support our work by joining Club Gym Nerd for access to exclusives, extended interviews, Behind The Scenes and College & Cocktails episodes. Rep your favorites with some of our awesome clothing and gifts.  Everything you need to be the best Gym Nerd auntie, uncle or parent or the most informed and stylish gym nerd in the galaxy with our Holiday Gift Guide RELATED EPISODES  Gabby Douglas camp report on Behind The Scenes Behind The Scenes episodes Douglas Family Gold podcast series Biggest Gymnastics Pet Peeves Authorized Neutral Athletes Victoria Moors Interview Tom Farden Investigation episode Kara Eaker statement episode  RELATED  RESOURCES Beneath NCAA gymnastics' glow, a familiar ‘toxic' culture from WAPO Gymnastics Canada suspended list Antwerp World Championships Headquarters: podcasts, video, interviews How to contact FIG about hosting worlds Gymnastics History and Code of Points Archive from Uncle Tim To follow the effects of the Russian invasion to Ukraine at Gymnovosti The Highest D and score rankings from The Gymternet Men's Gymnastics coverage from Kensley Neutral Deductions ​GymCastic on YouTube

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Welcome to Episode 126 of The Madhappy Podcast. This week, we are running one of our favorite episodes from the archive. We are thrilled to welcome Nastia Liukin onto the show to hear more about her experiences as a professional gymnast and how she worked to support her mental health throughout her athletic career and retirement. We kick off the show as Nastia shares some of her childhood experiences and what led her to pursue the sport of gymnastics (1:06). Peiman and Mason ask Nastia about the pressures that came with training for the Olympic Games (12:26) before Nastia opens up about the emotions that came along with her journey to the top of the podium in the 2008 Olympic Games (26:15). Nastia shares how she dealt with the fear of what's next after winning gold at such a young age (39:11). The group wraps up the conversation hearing what's next for Nastia (47:03) and her hopes for the sport of Gymnastics and the athletic world as a whole as it relates to mental health conversation, available resources, and support (49:03). We talk about some serious topics on this show. We are not professionals and are not giving advice. If you or someone you know needs help, please text start to 741741 and for additional resources please visit ⁠LocalOptimist.com/Get-Help⁠ The Madhappy Podcast is for informational and entertainment purposes only and is not a replacement for medical advice, diagnosis or treatment. Follow us: ⁠@Madhappy⁠ | ⁠@LocalOptimist⁠ Visit us: ⁠Madhappy.com⁠ | ⁠LocalOptimist.com

Episode 12 - with Nastia and Vlad Fisun Produced for Resonance FM by Gianmarco Del Re Nastia and Vlad Fisun talk about the burgeoning electronic scene in Ukraine, toxic behaviour and Ukrainian Identity. TRACKLIST DZ'OB - Sometimes Everything Is Wrong (S.Tolkachev re-imagining) Louwave and Splinter (UA) - Baby Let's Vibe Polygrim - Klang Koloah - Away https://soundcloud.com/nastia_uahttps://soundcloud.com/vladfisun --- Support this podcast: https://podcasters.spotify.com/pod/show/soundpropositions/support

For this week's big interview, we have some more material from our time in Ukraine, this time from the outskirts of Kyiv at a child psychiatry centre, where children are receiving treatment for war trauma. We spoke to Oksana Sliepova - the director of the children's club 'positive' and two of the club's members - 12 year old Nastia and 15 year old Sofia, who told us about their experiences of the war and about the club.  We also have in the second half of the podcast, a moving interview with Oleg - a Bucha resident who buried some of the victims of Russian brutality in his hometown and described some harrowing accounts of his time there during its occupation by Russian forces.  If you have any thoughts or questions, you can send them to - battlegroundukraine@gmail.com Producer: James Hodgson Learn more about your ad choices. Visit podcastchoices.com/adchoices

"I'm curious about everything—this is my power." The Ukrainian DJ and label boss sits down to discuss her approach to curating, self-development, parenthood and more. Nastia calls herself a "true DJ." The Ukrainian artist first laid hands on a pair of decks in 2005 after moving from her small hometown and attending the University of Donetsk. Beginning as a radio host at Kiss FM, where she curated a show called Nechto—now the name of her label—she started actively touring, pursuing a career dedicated to DJing and nothing else. Nastia is proud of having reached great heights as a DJ with no productions under her belt. In this conversation recorded live at Nuits Sonores festival in Lyon, she tells moderator Christine Kakaire about her decision to turn her attention towards the studio at the apex of her career. She also discusses her idiosyncratic style of putting a set together, using each stage appearance as an opportunity to educate the audience about music and create a narrative expressive of her internal world. "I'll never be just a drum & bass DJ, or just a techno DJ," she says. "I'm curious about everything—this is my power." Among Nastia's reflections on music are her considerations of the war in Ukraine, parenthood as a touring DJ, self-development and more. Listen to the episode in full.

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We are delighted to have nastia_ua for our penultimate mix before our Sardinian pilgrimage. If you missed her Ambra Night set last year then maybe this podcast can console you! We hope you enjoy

Iryna Poplavska ist in ihrer Heimat, der Ukraine, ein Star. Sie spielt ab Januar 2020 die Rolle der "Nastia", das ist die Hauptrolle in der ukrainischen Version der Serie "Ugly Betty". Eigentlich eine kolumbianische Telenovela, in der es um eine junge Frau geht, die vom hässlichen Entlein zum schönen Schwan wird. Für Iryna eine Traumrolle. Am 24. Februar 2022 beginnt der russische Angriffskrieg gegen die Ukraine. Iryna wird komplett aus ihrem Alltag gerissen und flieht nach Deutschland. Hier muss sie bei Null anfangen.**********Mehr über Theaterprojekte für geflohene Künstler*inne und über Iryna persönlich:Art Space in Exile: Berliner Theater- und Kunstprojekt für Künstler*innen mit Fluchtgeschichte. Hier hat auch Iryna ihr erstes Theaterprojekt in Deutschland gehabt.Mehr von Iryna gibt es in diesem ShowreelIrynas Instaaccount**********Mitwirkende: Moderatorin: Shalin Rogall Autorin: Minou Becker**********Wir erzählen Eure Geschichten Habt ihr auch eine Geschichte erlebt, die in die Einhundert passt? Dann erzählt uns davon. Storys für die Einhundert sollten eine spannende Protagonistin oder einen spannenden Protagonisten, Wendepunkte und ein unvorhergesehenes Ende haben. Wir freuen uns über eure Mails an einhundert@deutschlandfunknova.de**********Den Artikel zum Stück findet ihr hier.**********Ihr könnt uns auch auf diesen Kanälen folgen: Tiktok und Instagram.

Olympic champion Nastia Liukin joins the Lautners to discuss rebuilding yourself after success at a young age and the pressure that comes with competing at the highest level of a sport centered around perfection. Despite being gymnasts themselves, Nastia's parents tried everything to keep her away from the sport, but her passion and talent were undeniable. Nastia talks about the effects of achieving her “life-long” dream at age 18 and the years trying to find her identity following her “retirement”. She speaks to her 2007 injury and the toll it took on her confidence, as well as falling on her face—a fall she calls the defining moment of her career, and a fall that earned her a standing ovation for the first time. Nastia also discusses her time on Special Forces: World's Toughest Test, and talks about the Nastia Liukin Cup, an annual competition offering gymnasts an opportunity to be mentored and to feel proud of their accomplishments—a joy Nastia says shouldn't be reserved for just the 5 girls on the Olympic team.  Be sure to follow Nastia @nastialiukin and check out nastialiukincup.com  Thanks to our awesome sponsor for making this episode possible:   Babbel — Go to babbel.com/thesqueeze to get up to 60% off your subscription  To email us your questions or share your story, you can reach out to lautner.thesqueezepodcast@gmail.com.  Be sure to rate, review, and follow the podcast so you don't miss an episode! Plus, follow us on Instagram, @thesqueeze and personally @taylautner and @taylorlautner. To learn more from The Lemons Foundation, follow @lemonsbytay on Instagram and visit lemonsbytay.com  Learn more about your ad choices. Visit megaphone.fm/adchoices

This week we talk about the intersections of large language models, the golden age of television and its storytelling mishaps, making one's way through the weirding of the labor economy, and much more with two of my favorite Gen X science fiction aficionados, OG podcaster KMO and our mutual friend Kevin Arthur Wohlmut. In this episode — a standalone continuation to my recent appearance on The KMO Show, we skip like a stone across mentions of every Star Trek series, the collapse of narratives and the social fabric, Westworld HBO, Star Wars Mandalorian vs. Andor vs. Rebels, chatGPT, Blade Runner 2049, Black Mirror, H.P. Lovecraft, the Sheldrake-Abraham-McKenna Trialogues, Charles Stross' Accelerando, Adventure Time, Stanislav Grof's LSD psychotherapy, Francisco Varela, Blake Lemoine's meltdown over Google LaMDA, Integrated Information Theory, biosemiotics, Douglas Hofstadter, Max Tegmarck, Erik Davis, Peter Watts, The Psychedelic Salon, Melanie Mitchell, The Teafaerie, Kevin Kelly, consilience in science, Fight Club, and more…Or, if you prefer, here's a rundown of the episode generated by A.I. c/o my friends at Podium.page:In this episode, I explore an ambitious and well-connected conversation with guests KMO, a seasoned podcaster, and Kevin Walnut [sic], a close friend and supporter of the arts in Santa Fe. We dive deep into their thoughts on the social epistemology crisis, science fiction, deep fakes, and ontology. Additionally, we discuss their opinions on the Star Trek franchise, particularly their critiques of the first two seasons of Star Trek: Picard and Discovery. Through this engaging conversation, we examine the impact of storytelling and the evolution of science fiction in modern culture. We also explore the relationship between identity, media, and artificial intelligence, as well as the ethical implications of creating sentient artificial general intelligence (AGI) and the philosophical questions surrounding AI's impact on society and human existence. Join us for a thought-provoking and in-depth discussion on a variety of topics that will leave you questioning the future of humanity and our relationship with technology.✨ Before we get started, three big announcements!* I am leaving the Santa Fe Institute, in part to write a very ambitious book about technology, art, imagination, and Jurassic Park. You can be a part of the early discussion around this project by joining the Future Fossils Book Club's Jurassic Park live calls — the first of which will be on Saturday, 29 April — open to Substack and Patreon supporters:* Catch me in a Twitter Space with Nxt Museum on Monday 17 April at 11 am PST on a panel discussing “Creative Misuse of Technology” with Minne Atairu, Parag Mital, Caroline Sinders, and hosts Jesse Damiani and Charlotte Kent.* I'm back in Austin this October to play the Astronox Festival at Apache Pass! Check out this amazing lineup on which I appear alongside Juno Reactor, Entheogenic, Goopsteppa, DRRTYWULVZ, and many more great artists!✨ Support Future Fossils:Subscribe anywhere you go for podcastsSubscribe to the podcast PLUS essays, music, and news on Substack or Patreon.Buy my original paintings or commission new work.Buy my music on Bandcamp! (This episode features “A Better Trip” from my recent live album by the same name.)Or if you're into lo-fi audio, follow me and my listening recommendations on Spotify.This conversation continues with lively and respectful interaction every single day in the members-only Future Fossils Facebook Group and Discord server. Join us!Episode cover art by KMO and a whole bouquet of digital image manipulation apps.✨ Tip Jars:@futurefossils on Venmo$manfredmacx on CashAppmichaelgarfield on PayPal✨ Affiliate Links:• These show notes and the transcript were made possible with Podium.Page, a very cool new AI service I'm happy to endorse. Sign up here and get three free hours and 50% off your first month.• BioTech Life Sciences makes anti-aging and performance enhancement formulas that work directly at the level of cellular nutrition, both for ingestion and direct topical application. I'm a firm believer in keeping NAD+ levels up and their skin solution helped me erase a year of pandemic burnout from my face.• Help regulate stress, get better sleep, recover from exercise, and/or stay alert and focused without stimulants, with the Apollo Neuro wearable. I have one and while I don't wear it all the time, when I do it's sober healthy drugs.• Musicians: let me recommend you get yourself a Jamstik Studio, the coolest MIDI guitar I've ever played. I LOVE mine. You can hear it playing all the synths on my song about Jurassic Park.✨ Mentioned Media:KMO Show S01 E01 - 001 - Michael Garfield and Kevin WohlmutAn Edifying Thought on AI by Charles EisensteinIn Defense of Star Trek: Picard & Discovery by Michael GarfieldImprovising Out of Algorithmic Isolation by Michael GarfieldAI and the Transformation of the Human Spirit by Steven Hales(and yes I know it's on Quillette, and no I don't think this automatically disqualifies it)Future Fossils Book Club #1: Blindsight by Peter WattsFF 116 - The Next Ten Billion Years: Ugo Bardi & John Michael Greer as read by Kevin Arthur Wohlmut✨ Related Recent Future Fossils Episodes:FF 198 - Tadaaki Hozumi on Japanese Esotericism, Aliens, Land Spirits, & The Singularity (Part 2)FF 195 - A.I. Art: An Emergency Panel with Julian Picaza, Evo Heyning, Micah Daigle, Jamie Curcio, & Topher SipesFF 187 - Fear & Loathing on the Electronic Frontier with Kevin Welch & David Hensley of EFF-Austin FF 178 - Chris Ryan on Exhuming The Human from Our Eldritch Institutions FF 175 - C. Thi Nguyen on The Seductions of Clarity, Weaponized Games, and Agency as Art ✨ Chapters:0:15:45 - The Substance of Philosophy (58 Seconds)0:24:45 - Complicated TV Narratives and the Internet (104 Seconds)0:30:54 - Humans vs Hosts in Westworld (81 Seconds)0:38:09 - Philosophical Zombies and Artificial Intelligence (89 Seconds)0:43:00 - Popular Franchises Themes (71 Seconds)1:03:27 - Reflections on a Changing Media Landscape (89 Seconds)1:10:45 - The Pathology of Selective Evidence (92 Seconds)1:16:32 - Externalizing Trauma Through Technology (131 Seconds)1:24:51 - From Snow Maker to Thouandsaire (43 Seconds)1:36:48 - The Impact of Boomer Parenting (126 Seconds)✨ Keywords:Social Epistemology, Science Fiction, Deep Fakes, Ontology, Star Trek, Artificial Intelligence, AI Impact, Sentient AGI, Human-Machine Interconnectivity, Consciousness Theory, Westworld, Blade Runner 2049, AI in Economy, AI Companion Chatbots, Unconventional Career Path, AI and Education, AI Content Creation, AI in Media, Turing Test✨ UNEDITED machine-generated transcript generated by podium.page:0:00:00Five four three two one. Go. So it's not like Wayne's world where you say the two and the one silently. Now, Greetings future fossils.0:00:11Welcome to episode two hundred and one of the podcast that explores our place in time I'm your host, Michael Garfield. And this is one of these extra juicy and delicious episodes of the show where I really ratcheted up with our guests and provide you one of these singularity is near kind of ever everything is connected to everything, self organized criticality right at the edge of chaos conversations, deeply embedded in chapel parallel where suddenly the invisible architect picture of our cosmos starts to make itself apparent through the glass bead game of conversation. And I am that I get to share it with you. Our guests this week are KMO, one of the most seasoned and well researched and experienced podcasters that I know. Somebody whose show the Sea Realm was running all the way back in two thousand six, I found him through Eric Davis, who I think most of you know, and I've had on the show a number of times already. And also Kevin Walnut, who is a close friend of mine here in Santa Fe, a just incredible human being, he's probably the strongest single supporter of music that I'm aware of, you know, as far as local scenes are concerned and and supporting people's music online and helping get the word out. He's been instrumental to my family and I am getting ourselves situated here all the way back to when I visited Santa Fe in two thousand eighteen to participate in the Santa Fe Institute's Interplanetary Festival and recorded conversations on that trip John David Ebert and Michael Aaron Cummins. And Ike used so June. About hyper modernity, a two part episode one zero four and one zero five. I highly recommend going back to that, which is really the last time possibly I had a conversation just this incredibly ambitious on the show.0:02:31But first, I want to announce a couple things. One is that I have left the Santa Fe Institute. The other podcast that I have been hosting for them for the last three and a half years, Complexity Podcast, which is substantially more popular in future fossils due to its institutional affiliation is coming to a close, I'm recording one more episode with SFI president David Krakauer next week in which I'm gonna be talking about my upcoming book project. And that episode actually is conjoined with the big announcement that I have for members of the Future Fossil's listening audience and and paid supporters, which is, of course, the Jurassic Park Book Club that starts On April twenty ninth, we're gonna host the first of two video calls where I'm gonna dive deep into the science and philosophy Michael Creighton's most popular work of fiction and its impact on culture and society over the thirty three years since its publication. And then I'm gonna start picking up as many of the podcasts that I had scheduled for complexity and had to cancel upon my departure from SFI. And basically fuse the two shows.0:03:47And I think a lot of you saw this coming. Future fossils is going to level up and become a much more scientific podcast. As I prepare and research the book that I'm writing about Jurassic Park and its legacy and the relationship It has to ILM and SFI and the Institute of Eco Technics. And all of these other visionary projects that sprouted in the eighties and nineties to transition from the analog to the digital the collapse of the boundaries between the real and the virtual, the human and the non human worlds, it's gonna be a very very ambitious book and a very very ambitious book club. And I hope that you will get in there because obviously now I am out in the rain as an independent producer and very much need can benefit from and am deeply grateful for your support for this work in order to make things happen and in order to keep my family fed, get the lights on here with future fossils. So with that, I wanna thank all of the new supporters of the show that have crawled out of the woodwork over the last few weeks, including Raefsler Oingo, Brian in the archaeologist, Philip Rice, Gerald Bilak, Jamie Curcio, Jeff Hanson who bought my music, Kuaime, Mary Castello, VR squared, Nastia teaches, community health com, Ed Mulder, Cody Couiac, bought my music, Simon Heiduke, amazing visionary artist. I recommend you check out, Kayla Peters. Yeah. All of you, I just wow. Thank you so much. It's gonna be a complete melee in this book club. I'm super excited to meet you all. I will send out details about the call details for the twenty ninth sometime in the next few days via a sub tag in Patreon.0:06:09The amount of support that I've received through this transition has been incredible and it's empowering me to do wonderful things for you such as the recently released secret videos of the life sets I performed with comedian Shane Moss supporting him, opening for him here in Santa Fe. His two sold out shows at the Jean Coutu cinema where did the cyber guitar performances. And if you're a subscriber, you can watch me goofing off with my pedal board. There's a ton of material. I'm gonna continue to do that. I've got a lot of really exciting concerts coming up in the next few months that we're gonna get large group and also solo performance recordings from and I'm gonna make those available in a much more resplendent way to supporters as well as the soundtrack to Mark Nelson of the Institute of Eco Technics, his UC San Diego, Art Museum, exhibit retrospective looking at BioSphere two. I'm doing music for that and that's dropping. The the opening of that event is April twenty seventh. There's gonna be a live zoom event for that and then I'm gonna push the music out as well for that.0:07:45So, yeah, thank you all. I really, really appreciate you listening to the show. I am excited to share this episode with you. KMO is just a trove. Of insight and experience. I mean, he's like a perfect entry into the digital history museum that this show was predicated upon. So with that and also, of course, Kevin Willett is just magnificent. And for the record, stick around at the end of the conversation. We have some additional pieces about AI, and I think you're gonna really enjoy it. And yeah, thank you. Here we go. Alright. Cool.0:09:26Well, we just had a lovely hour of discussion for the new KMO podcast. And now I'm here with KMO who is The most inveterate podcaster I know. And I know a lot of them. Early adopts. And I think that weird means what you think it means. Inventor it. Okay. Yes. Hey, answer to both. Go ahead. I mean, you're not yet legless and panhandling. So prefer to think of it in term in terms of August estimation. Yeah. And am I allowed to say Kevin Walnut because I've had you as a host on True. Yeah. My last name was appeared on your show. It hasn't appeared on camos yet, but I don't really care. Okay. Great. Yeah. Karen Arthur Womlett, who is one of the most solid and upstanding and widely read and just generous people, I think I know here in Santa Fe or maybe anywhere. With excellent taste and podcasts. Yes. And who is delicious meat I am sampling right now as probably the first episode of future fossils where I've had an alcoholic beverage in my hand. Well, I mean, it's I haven't deprived myself. Of fun. And I think if you're still listening to the show after all these years, you probably inferred that. But at any rate, Welcome on board. Thank you. Thanks. Pleasure to be here.0:10:49So before we started rolling, I guess, so the whole conversation that we just had for your show camera was very much about my thoughts on the social epistemology crisis and on science fiction and deep fakes and all of these kinds of weird ontology and these kinds of things. But in between calls, we were just talking about how much you detest the first two seasons of Star Trek card and of Discovery. And as somebody, I didn't bother with doing this. I didn't send you this before we spoke, but I actually did write an SIN defense of those shows. No one. Yeah. So I am not attached to my opinion on this, but And I actually do wanna at some point double back and hear storytelling because when he had lunch and he had a bunch of personal life stuff that was really interesting. And juicy and I think worthy of discussion. But simply because it's hot on the rail right now, I wanna hear you talk about Star Trek. And both of you, actually, I know are very big fans of this franchise. I think fans are often the ones from whom a critic is most important and deserved. And so I welcome your unhinged rants. Alright. Well, first, I'll start off by quoting Kevin's brother, the linguist, who says, That which brings us closer to Star Trek is progress. But I'd have to say that which brings us closer to Gene Rottenberry and Rick Berman era Star Trek. Is progress. That which brings us closer to Kurtzmann. What's his first name? Alex. Alex Kurtzmann, Star Trek. Well, that's not even the future. I mean, that's just that's our drama right now with inconsistent Star Trek drag draped over it.0:12:35I liked the first JJ Abrams' Star Trek. I think it was two thousand nine with Chris Pine and Zachary Qinto and Karl Urban and Joey Saldana. I liked the casting. I liked the energy. It was fun. I can still put that movie on and enjoy it. But each one after that just seem to double down on the dumb and just hold that arm's length any of the philosophical stuff that was just amazing from Star Trek: The Next Generation or any of the long term character building, which was like from Deep Space nine.0:13:09And before seven of nine showed up on on Voyager, you really had to be a dedicated Star Trek fan to put up with early season's Voyager, but I did because I am. But then once she came on board and it was hilarious. They brought her onboard. I remember seeing Jerry Ryan in her cat suit on the cover of a magazine and just roll in my eyes and think, oh my gosh, this show is in such deep trouble through sinking to this level to try to save it. But she was brilliant. She was brilliant in that show and she and Robert Percardo as the doctor. I mean, it basically became the seven of nine and the doctor show co starring the rest of the cast of Voyager. And it was so great.0:13:46I love to hear them singing together and just all the dynamics of I'm human, but I was I basically came up in a cybernetic collective and that's much more comfortable to me. And I don't really have the option of going back it. So I gotta make the best of where I am, but I feel really superior to all of you. Is such it was such a charming dynamic. I absolutely loved it. Yes. And then I think a show that is hated even by Star Trek fans Enterprise. Loved Enterprise.0:14:15And, yes, the first three seasons out of four were pretty rough. Actually, the first two were pretty rough. The third season was that Zendy Ark in the the expanse. That was pretty good. And then season four was just astounding. It's like they really found their voice and then what's his name at CBS Paramount.0:14:32He's gone now. He got me too. What's his name? Les Moonves? Said, no. I don't like Star Trek. He couldn't he didn't know the difference between Star Wars and Star Trek. That was his level of engagement.0:14:44And he's I really like J.0:14:46J.0:14:46Abrams. What's that? You mean J. J. Abrams. Yeah. I think J. J. Is I like some of J. Abrams early films. I really like super eight. He's clearly his early films were clearly an homage to, like, eighties, Spielberg stuff, and Spielberg gets the emotional beats right, and JJ Abrams was mimicking that, and his early stuff really works. It's just when he starts adapting properties that I really love. And he's coming at it from a marketing standpoint first and a, hey, we're just gonna do the lost mystery box thing. We're gonna set up a bunch questions to which we don't know the answers, and it'll be up to somebody else to figure it out, somebody down the line. I as I told you, between our conversations before we were recording. I really enjoy or maybe I said it early in this one. I really like that first J. J. Abrams, Star Trek: Foam, and then everyone thereafter, including the one that Simon Pegg really had a hand in because he's clear fan. Yeah. Yeah. But they brought in director from one of the fast and the furious films and they tried to make it an action film on.0:15:45This is not Star Trek, dude. This is not why we like Star Trek. It's not for the flash, particularly -- Oh my god. -- again, in the first one, it was a stylistic choice. I'd like it, then after that is that's the substance of this, isn't it? It's the lens flares. I mean, that that's your attempt at philosophy. It's this the lens flares. That's your attempt at a moral dilemma. I don't know.0:16:07I kinda hate to start off on this because this is something about which I feel like intense emotion and it's negative. And I don't want that to be my first impression. I'm really negative about something. Well, one of the things about this show is that I always joke that maybe I shouldn't edit it because The thing that's most interesting to archaeologists is often the trash mitt and here I am tidying this thing up to be presentable to future historians or whatever like it I can sync to that for sure. Yeah. I'm sorry. The fact of it is you're not gonna know everything and we want it that way. No. It's okay. We'll get around to the stuff that I like. But yeah. So anyway yeah.0:16:44So I could just preassociate on Stretrick for a while, so maybe a focusing question. Well, but first, you said there's a you had more to say, but you were I this this tasteful perspective. This is awesome. Well, I do have a focus on question for you. So let me just have you ask it because for me to get into I basically I'm alienated right now from somebody that I've been really good friends with since high school.0:17:08Because over the last decade, culturally, we have bifurcated into the hard right, hard left. And I've tried not to go either way, but the hard left irritates me more than the hard right right now. And he is unquestionably on the hard left side. And I know for people who are dedicated Marxist, or really grounded in, like, materialism and the material well-being of workers that the current SJW fanaticism isn't leftist. It's just crazed. We try to put everything, smash everything down onto this left right spectrum, and it's pretty easy to say who's on the left and who's on the right even if a two dimensional, two axis graph would be much more expressive and nuanced.0:17:49Anyway, what's your focus in question? Well, And I think there is actually there is a kind of a when we ended your last episode talking about the bell riots from d s nine -- Mhmm. -- that, you know, how old five? Yeah. Twenty four. Ninety five did and did not accurately predict the kind of technological and economic conditions of this decade. It predicted the conditions Very well. Go ahead and finish your question. Yeah. Right.0:18:14That's another thing that's retreated in picard season two, and it was actually worth it. Yeah. Like, it was the fact that they decided to go back there was part of the defense that I made about that show and about Discovery's jump into the distant future and the way that they treated that I posted to medium a year or two ago when I was just watching through season two of picard. And for me, the thing that I liked about it was that they're making an effort to reconcile the wonder and the Ethiopian promise And, you know, this Kevin Kelly or rather would call Blake Protopian, right, that we make these improvements and that they're often just merely into incremental improvements the way that was it MLK quoted that abolitionists about the long arc of moral progress of moral justice. You know, I think that there's something to that and patitis into the last this is a long question. I'm mad at I'm mad at these. Thank you all for tolerating me.0:19:22But the when to tie it into the epistemology question, I remember this seeing this impactful lecture by Carnegie Mellon and SFI professor Simon Didayo who was talking about how by running statistical analysis on the history of the proceedings of the Royal Society, which is the oldest scientific journal, that you could see what looked like a stock market curve in sentiment analysis about the confidence that scientists had at the prospect of unifying knowledge. And so you have, like, conciliance r s curve here that showed that knowledge would be more and more unified for about a century or a hundred and fifty years then it would go through fifty years of decline where something had happened, which was a success of knowledge production. Had outpaced our ability to integrate it. So we go through these kinds of, like, psychedelic peak experiences collectively, and then we have sit there with our heads in our hands and make sense of everything that we've learned over the last century and a half and go through a kind of a deconstructive epoch. Where we don't feel like the center is gonna hold anymore. And that is what I actually As as disappointing as I accept that it is and acknowledge that it is to people who were really fueling themselves on that more gene rottenberry era prompt vision for a better society, I actually appreciated this this effort to explore and address in the shows the way that they could pop that bubble.0:21:03And, like, it's on the one hand, it's boring because everybody's trying to do the moral complexity, anti hero, people are flawed, thing in narrative now because we have a general loss of faith in our institutions and in our rows. On the other hand, like, that's where we are and that's what we need to process And I think there is a good reason to look back at the optimism and the quarian hope of the sixties and early seventies. We're like, really, they're not so much the seventies, but look back on that stuff and say, we wanna keep telling these stories, but we wanna tell it in a way that acknowledges that the eighties happened. And that this is you got Tim Leary, and then you've got Ronald Reagan. And then That just or Dick Nixon. And like these things they wash back and forth. And so it's not unreasonable to imagine that in even in a world that has managed to how do you even keep a big society like that coherent? It has to suffer kind of fabric collapses along the way at different points. And so I'm just curious your thoughts about that. And then I do have another prompt, but I wanna give Kevin the opportunity to respond to this as well as to address some of the prompts that you brought to this conversation? This is a conversation prompt while we weren't recording. It has nothing to do with Sartreks. I'll save that for later. Okay.0:22:25Well, everything you just said was in some way related to a defense of Alex Kurtzmann Star Trek. And it's not my original idea. I'm channeling somebody from YouTube, surely. But Don't get points for theme if the storytelling is incompetent. That's what I was gonna Yeah. And the storytelling in all of Star Trek: Discovery, and in the first two seasons of picard was simply incompetent.0:22:53When Star Trek, the next generation was running, they would do twenty, twenty four, sometimes more episodes in one season. These days, the season of TVs, eight episodes, ten, and they spend a lot more money on each episode. There's a lot more special effects. There's a lot more production value. Whereas Star Trek: The Next Generation was, okay, we have these standing sets. We have costumes for our actors. We have Two dollars for special effects. You better not introduce a new alien spaceship. It that costs money. We have to design it. We have to build it. So use existing stuff. Well, what do you have? You have a bunch of good actors and you have a bunch of good writers who know how to tell a story and craft dialogue and create tension and investment with basically a stage play and nothing in the Kerstmann era except one might argue and I would have sympathy strange new worlds. Comes anywhere close to that level of competence, which was on display for decades. From Star Trek: The Next Generation, Star Trek: Deep Space nines, Star Trek Voyager, and Star Trek Enterprise. And so, I mean, I guess, in that respect, it's worth asking because, I mean, all of us, I think, are fans of Deep Space nine.0:24:03You don't think that it's a shift in focus. You don't think that strange in world is exempt because it went back to a more episodic format because what you're talking about is the ability for rather than a show runner or a team of show runners to craft a huge season, long dramatic arc. You've got people that are like Harlan Ellison in the original series able to bring a really potent one off idea to the table and drop it. And so there are there's all of those old shows are inconsistent from episode to episode. Some are they have specific writers that they would bring back again and that you could count to knock out of the park. Yeah. DC Fontana. Yeah.0:24:45So I'm curious to your thoughts on that as well as another part of this, which is when we talk when we talk your show about Doug Rushkoff and and narrative collapse, and he talks about how viewers just have different a way, it's almost like d s nine was possibly partially responsible for this change in what people expected from so. From television programming in the documentary that was made about that show and they talk about how people weren't ready for cereal. I mean, for I mean, yeah, for these long arcs, And so there is there's this question now about how much of this sort of like tiresome moral complexity and dragging narrative and all of this and, like, things like Westworld where it becomes so baroque and complicated that, like, you have, like, die hard fans like me that love it, but then you have a lot of people that just lost interest. They blacked out because the show was trying to tell a story that was, like, too intricate like, too complicated that the the show runners themselves got lost. And so that's a JJ Abrams thing too, the puzzle the mystery box thing where You get to the end of five seasons of lost and you're like, dude, did you just forget?0:25:56Did you wake up five c five episodes ago and just, oh, right. Right. We're like a chatbot that only give you very convincing answers based on just the last two or three interactions. But you don't remember the scene that we set. Ten ten responses ago. Hey. You know, actually, red articles were forget who it was, which series it was, they were saying that there's so many leaks and spoilers in getting out of the Internet that potentially the writers don't know where they're going because that way it can't be with the Internet. Yeah. Sounds interesting. Yeah. That sounds like cover for incompetence to be.0:26:29I mean, on the other hand, I mean, you did hear, like, Nolan and Joy talking about how they would they were obsessed with the Westworld subreddit and the fan theories and would try to dodge Like, if they had something in their mind that they found out that people are re anticipating, they would try to rewrite it. And so there is something about this that I think is really speaks to the nature of because I do wanna loop in your thoughts on AI to because you're talking about this being a favorite topic. Something about the, like, trying to The demands on the self made by predatory surveillance technologies are such that the I'm convinced the adaptive response is that we become more stochastic or inconsistent in our identities. And that we kind of sublimate from a more solid state of identity to or through a liquid kind of modernity biologic environment to a gaseous state of identity. That is harder to place sorry, harder to track. And so I think that this is also part of and this is the other question I wanted to ask you, and then I'm just gonna shut up for fifteen minutes is do you when you talk about loving Robert Ricardo and Jerry Ryan as the doctor at seven zero nine, One of the interesting things about that relationship is akin to stuff.0:27:52I know you've heard on Kevin have heard on future fossils about my love for Blade Runner twenty forty nine and how it explores all of these different these different points along a gradient between what we think of in the current sort of general understanding as the human and the machine. And so there's this thing about seven, right, where she's She's a human who wants to be a machine. And then there's this thing about the doctor where he's a machine that wants to be a human. And you have to grant both on a logical statuses to both of them. And that's why I think they're the two most interesting characters. Right?0:28:26And so at any rate, like, this is that's there's I've seen writing recently on the Turing test and how, like, really, there should be a reverse Turing test to see if people that have become utterly reliant on outboard cognition and information processing. They can pass the drink. Right. Are they philosophical zombies now? Are they are they having some an experience that that, you know, people like, thick and and shilling and the missing and these people would consider the modern self or are they something else have we moved on to another more routine robotic kind of category of being? I don't know. There's just a lot there, but -- Well done. -- considering everything you just said, In twenty words or less, what's your question? See, even more, like I said, do you have the inveterate podcaster? I'd say There's all of those things I just spoke about are ways in which what we are as people and the nature of our media, feedback into fourth, into each other. And so I would just love to hear you reflect on any of that, be it through the lens of Star Trek or just through the lens of discussion on AI. And we'll just let the ball roll downhill. So with the aim of framing something positively rather than negatively.0:29:47In the late nineties, mid to late nineties. We got the X Files. And the X Files for the first few seasons was so It was so engaging for me because Prior to that, there had been Hollywood tropes about aliens, which informed a lot of science fiction that didn't really connect with the actual reported experience of people who claim to have encountered either UFOs, now called UAPs, or had close encounters physical contact. Type encounters with seeming aliens. And it really seemed like Chris Carter, who was the showrunner, was reading the same Usenet Newsgroups that I was reading about those topics. Like, really, we had suddenly, for the first time, except maybe for comedian, you had the Grey's, and you had characters experiencing things that just seemed ripped right out of the reports that people were making on USnet, which for young folks, this is like pre Worldwide Web. It was Internet, but with no pictures. It's all text. Good old days from my perspective is a grumpy old gen xer. And so, yeah, that was a breakthrough moment.0:30:54Any this because you mentioned it in terms of Jonathan Nolan and his co writer on Westworld, reading the subreddit, the West and people figured out almost immediately that there were two interweaving time lines set decades apart and that there's one character, the old guy played by Ed Harris, and the young guy played by I don't remember the actor. But, you know, that they were the same character and that the inveterate white hat in the beginning turns into the inveterate black cat who's just there for the perverse thrill of tormenting the hosts as the robots are called. And the thing that I love most about that first season, two things. One, Anthony Hopkins. Say no more. Two, the revelation that the park has been basically copying humans or figuring out what humans are by closely monitoring their behavior in the park and the realization that the hosts come to is that, holy shit compared to us, humans are very simple creatures. We are much more complex. We are much more sophisticated, nuanced conscious, we feel more than the humans do, and that humans use us to play out their perverse and sadistic fantasies. To me, that was the takeaway message from season one.0:32:05And then I thought every season after that was just diluted and confused and not really coherent. And in particular, I haven't if there's a fourth season, haven't There was and then the show got canceled before they could finish the story. They had the line in season three. It was done after season three. And I was super happy to see Let's see after who plays Jesse Pinkman? Oh, no. Aaron oh, shit. Paul. Yes. Yeah. I was super happy to see him and something substantial and I was really pleased to see him included in the show and it's like, oh, that's what you're doing with him? They did a lot more interesting stuff with him in season four. I did they. They did a very much more interesting stuff. I think it was done after season three. If you tell me season four is worth taking in, I blow. I thought it was.0:32:43But again, I only watch television under very specific set of circumstances, and that's how I managed to enjoy television because I was a fierce and unrepentant hyperlogical critic of all media as a child until I managed to start smoking weed. And then I learned to enjoy myself. As we mentioned in the kitchen as I mentioned in the kitchen, if I smoke enough weed, Star Trek: Discovery is pretty and I can enjoy it on just a second by second level where if I don't remember what the character said thirty seconds ago, I'm okay. But I absolutely loved in season two when they brought in Hanson Mountain as as Christopher Pike. He's suddenly on the discovery and he's in the captain's chair. And it's like he's speaking for the audience. The first thing he says is, hey, why don't we turn on the lights? And then hey, all you people sitting around the bridge. We've been looking at your faces for a whole season. We don't even think about you. Listen to a round of introductions. Who are you? Who are you? It's it's if I were on set. You got to speak.0:33:53The writers is, who are these characters? We've been looking at them every single episode for a whole season. I don't know their names. I don't know anything about them. Why are they even here? Why is it not just Michael Burnham and an automated ship? And then it was for a while -- Yeah. -- which is funny. Yeah. To that point, And I think this kind of doubles back. The thing that I love about bringing him on and all of the people involved in strange and worlds in particular, is that these were lifelong fans of this series, I mean, of this world. Yeah. And so in that way, gets to this the idiosyncrasy question we're orbiting here, which is when these things are when the baton is passed well, it's passed to people who have now grown up with this stuff.0:34:40I personally cannot stand Jurassic World. Like, I think that Colin Trivaro should never have been in put at the reins. Which one did he direct? Oh, he did off he did first and the third. Okay. But, I mean, he was involved in all three very heavily.0:34:56And there's something just right at the outset of that first Jurassic World where you realize that this is not a film that's directly addressing the issues that Michael Creighton was trying to explore here. It's a film about its own franchise. It's a film about the fact that they can't just stop doing the same thing over and over again as we expect a different question. How can we not do it again? Right. And so it's actually, like, unpleasantly soft, conscious, in that way that I can't remember I'll try to find it for the show notes, but there's an Internet film reviewer who is talking about what happens when, like, all cinema has to take this self referential turn.0:35:34No. And films like Logan do it really well. But there are plenty of examples where it's just cheeky and self aware because that's what the ironic sensibility is obsessed with. And so, yeah, there's a lot of that where it's, like, you're talking about, like, Abrams and the the Star Wars seven and you know, that whole trilogy of Disney Star Wars, where it's, in my opinion, completely fumbled because there it's just empty fan service, whereas when you get to Andor, love Andor. Andor is amazing because they're capable of providing all of those emotional beats that the fans want and the ref the internal references and good dialogue. But they're able to write it in a way that's and shoot it in a way. Gilroy and Bo Willeman, basic of the people responsible for the excellent dialogue in Andor.0:36:31And I love the production design. I love all the stuff set on Coruscant, where you saw Coruscant a lot in the prequel trilogy, and it's all dayglow and bright and just in your face. And it's recognizable as Coruscant in andor, but it's dour. It's metropolis. It's all grays and it's and it's highlighting the disparity between where the wealthy live and where the poor live, which Lucas showed that in the prequel trilogy, but even in the sports bar where somebody tries to sell death sticks to Obi wan. So it's super clean and bright and just, you know, It shines too much. Personally though, and I just wanna stress, KMO is not grumpy media dude, I mean, this is a tiny fraction about, but I am wasting this interview with you. Love. All of the Dave Felloni animated Star Wars stuff, even rebels. Love it all.0:37:26I I'm so glad they aged up the character and I felt less guilty about loving and must staying after ahsoka tano? My favorite Star Wars character is ahsoka tano. But if you only watch the live action movies, you're like who? Well, I guess now that she's been on the Mandalorian, he's got tiny sliver of a foothold -- Yeah. -- in the super mainstream Star Wars. And that was done well, I thought. It was. I'm so sorry that Ashley Epstein doesn't have any part in it. But Rosario Dawson looks the part. She looks like a middle aged Asaka and think they tried to do some stuff in live action, which really should have been CGI because it's been established that the Jedi can really move, and she looked human. Which she is? If you put me on film, I'm gonna lick human. Right. Not if you're Canada Reeves, I guess. You got that. Yeah. But yeah.0:38:09So I do wanna just go real briefly back to this question with you about because we briefly talked about chat, GPT, and these other things in your half of this. And, yeah, I found out just the other night my friend, the t ferry, asked Chad g p t about me, and it gave a rather plausible and factual answer. I was surprised and That's what these language models do. They put plausible answers. But when you're doing search, you want correct answers. Right. I'm very good at that. Right. Then someone shared this Michelle Bowen's actually the famous PTP guy named him. Yeah. So, you know, So Michelle shared this article by Steven Hales and Colette, that was basically making the argument that there are now they're gonna be all these philosophical zombies, acting as intelligent agents sitting at the table of civilization, and there will be all the philosophical zombies of the people who have entirely yielded their agency to them, and they will be cohabitating with the rest of us.0:39:14And what an unpleasant scenario, So in light of that, and I might I'd love to hear you weave that together with your your thoughts on seven zero nine and the doctor and on Blade Runner twenty forty nine. And this thing that we're fumbling through as a species right now. Like, how do we got a new sort of taxonomy? Does your not audience need like a minute primer on P zombies? Might as well. Go for it.0:39:38So a philosophical zombie is somebody who behaves exactly like an insult person or a person with interior experience or subjective experience, but they don't have any subjective experience. And in Pardon me for interrupt. Wasn't that the question about the the book we read in your book club, a blind sign in this box? Yes. It's a black box, a drawn circle. Yeah. Chinese room experience. Yeah. Yeah. Yeah. Look, Daniel, it goes out. You don't know, it goes on inside the room. Chinese room, that's a tangent. We can come back to it. P. Zombie. P. Zombie is somebody or is it is an entity. It's basically a puppet. It looks human. It acts human. It talks like a human. It will pass a Turing test, but it has no interior experience.0:40:25And when I was going to grad school for philosophy of mind in the nineteen nineties, this was all very out there. There was no example of something that had linguistic competence. Which did not have internal experience. But now we have large language models and generative pretrained transformer based chatbots that don't have any internal experience. And yet, when you interact with them, it seems like there is somebody there There's a personality there. And if you go from one model to a different, it's a very different personality. It is distinctly different. And yet we have no reason to believe that they have any sort of internal experience.0:41:01So what AI in the last decade and what advances has demonstrated to us and really even before the last decade You back in the nineties when the blue beat Gary Casper off at at chess. And what had been the one of the defining characteristics of human intelligence was we're really good at this abstract mathematical stuff. And yeah, calculators can calculate pie in a way that we can't or they can cube roots in a way that humans generally can't, creative in their application of these methodologies And all of a sudden, well, yeah, it kinda seems like they are. And then when what was an alpha go -- Mhmm. -- when it be to least a doll in go, which is a much more complex game than chess and much more intuitive based. That's when we really had to say, hey, wait a minute. Maybe this notion that These things are the exclusive province of us because we have a special sort of self awareness. That's bunk. And the development of large language models since then has absolutely demonstrated that competence, particularly linguistic competence and in creative activities like painting and poetry and things like that, you don't need a soul, you don't even need to sense a self, it's pretty it's a pretty simple hack, actually. And Vahrv's large language models and complex statistical modeling and things, but it doesn't require a soul.0:42:19So that was the Peter Watts' point in blindsight. Right? Which is Look revolves around are do these things have a subjective experience, and do they not these aliens that they encounter? I've read nothing but good things about that book and I've read. It's extraordinary. But his lovecrafty and thesis is that you actually lovecraftian in twenty twenty three. Oh, yeah. In the world, there's more lovecraftian now than it was when he was writing. Right? So cough about the conclusion of a Star Trek card, which is season of Kraft yet. Yes. That's a that's a com Yeah. The holes in his fan sense. But that was another show that did this I liked for asking this question.0:42:54I mean, at this point, you either have seen this or you haven't you never will. The what the fuck turn when they upload picard into a synth body and the way that they're dealing with the this the pinocchio question Let's talk about Blade Runner twenty forty nine. Yeah. But I mean yeah. So I didn't like the wave I did not like the wave of card handled that. I love the wave and Blade Runner handled it. So you get no points for themes. Yeah. Don't deliver on story and character and coherence. Yeah. Fair. But yeah. And to be not the dog, Patrick Stewart, because it's clear from the ready room just being a part of this is so emotional and so awesome for everyone involved. And it's It's beautiful. Beautiful. But does when you when you see these, like, entertainment weekly interviews with Chris Pratt and Bryce Dallas Howard about Jurassic World, and it's clear that actors are just so excited to be involved in a franchise that they're willing to just jettison any kind of discretion about how the way that it's being treated. They also have a contractual obligation to speak in positive terms about -- They do. -- of what they feel. Right. Nobody's yeah. Nobody's doing Shout out to Rystellis Howard, daughter of Ron Howard.0:44:11She was a director, at least in the first season, maybe the second season of the Mandalorian. And her episodes I mean, I she brought a particular like, they had Bryce Dallas Howard, Tico, ITT, directed some episodes. Deborah Chow, who did all of Obi wan, which just sucked. But her contributions to the Mandalorian, they had a particular voice. And because that show is episodic, Each show while having a place in a larger narrative is has a beginning middle and end that you can bring in a director with a particular voice and give that episode that voice, and I really liked it. And I really liked miss Howard's contribution.0:44:49She also in an episode of Black Mirror. The one where everyone has a social credit score. Knows Donuts. Black Mirror is a funny thing because It's like, reality outpaces it. Yeah. I think maybe Charlie Bruker's given up on it because they haven't done it in a while. Yeah. If you watch someone was now, like, five, six years later, it's, yes, or what? See, yes. See, damn. Yeah. Exactly. Yeah. But yeah. I don't know. I just thing that I keep circling and I guess we come to on the show a lot is the way that memory forms work substantiates an integrity in society and in the way that we relate to things and the way that we think critically about the claims that are made on truth and so on and say, yeah, I don't know. That leads right into the largest conversation prompt that I had about AI. Okay? So we were joking when we set up this date that this was like the trial logs between Terence Buchanan and Rupert Shell Drake. And what's his name? Real Abraham. Yeah. Yeah. All Abraham. And Rupert Shell Drake is most famous for a steward of Morphe resin.0:45:56So does AI I've never really believed that Norfolk residents forms the base of human memory, but is that how AI works? It brings these shapes from the past and creates new instantiation of them in the present. Is AI practicing morphic resonance in real life even if humans are or not? I've had a lot of interaction with AI chatbots recently. And as I say, different models produce different seeming personalities. And you can tell, like, you can just quiz them. Hey, we're talking about this. Do you remember what I said about it ten minutes ago? And, no, they don't remember more than the last few exchanges.0:46:30And yet, there seems to be a continuity that belies the lack of short term memory. And is that more for residents or is that what's the word love seeing shapes and clouds parad paradolia. Yeah. Is that me imparting this continuity of personality to the thing, which is really just spitting out stuff, which is designed to seem plausible given what the input was. And I can't answer that. Or it's like Steven Nagmanovich in free play talks about somewhat I'm hoping to have on the show at some point.0:47:03This year talks about being a professional improviser and how really improvisation is just composition at a much faster timescale. And composition is just improvisation with the longer memory. And how when I started to think about it in those terms, the continuity that you're talking about is the continuity of an Alzheimer's patient who can't remember that their children have grown up and You know, that that's you have to think about it because you can recognize the Alzheimer's and your patient as your dad, even though he doesn't recognize you, there is something more to a person than their memories. And conversely, if you can store and replicate and move the memories to a different medium, have you moved the person? Maybe not. Yeah. So, yeah, that's interesting because that gets to this more sort of essentialist question about the human self. Right. Blade Runner twenty forty nine. Yeah. Go there. Go there. A joy. Yes.0:47:58So in Blade Runner twenty forty nine, we have our protagonist Kaye, who is a replicant. He doesn't even have a name, but he's got this AI holographic girlfriend. But the ad for the girlfriend, she's naked. When he comes home, she is She's constantly changing clothes, but it's always wholesome like nineteen fifty ish a tire and she's making dinner for him and she lays the holographic dinner over his very prosaic like microwave dinner. And she's always encouraging him to be more than he is. And when he starts to uncover the evidence that he might be like this chosen one, like replicant that was born rather than made.0:48:38She's all about it. She's, yes, you're real, and she wants to call him Joe's. K is not a name. That's just the first letter in your serial number. You're Joe. I'm gonna call you Joe.0:48:46And then when she's about to be destroyed, The last thing is she just rushes to me. She says, I love you. But then later he encounters an ad for her and it's an interactive ad. And she says, you looked tired. You're a good Joe. And he realizes and hopefully the attentive audience realizes as real as she seemed earlier, as vital, and as much as she seemed like an insult being earlier, she's not. That was her programming. She's designed to make you feel good by telling you what you want to hear. And he has that realization. And at that point, he's there's no hope for me. I'm gonna help this Rick Deckard guy hook up with his daughter, and then I'm just gonna lie down and bleed to death. Because my whole freaking existence was a lie. But he's not bitter. He seems to be at peace. I love that. That's a beautiful angle on that film or a slice of it. And So it raises this other question that I wanted to ask, which was about the Coke and Tiononi have that theory of consciousness.0:49:48That's one of the leading theories contending with, like, global workspace, which is integrated information. And so they want to assign consciousness as a continuous value that grayates over degree to which a system is integrated. So it's coming out of this kind of complex systems semi panpsychist thing that actually doesn't trace interiority all the way down in the way that some pants, I guess, want it to be, but it does a kind of Alfred North Whitehead thing where they're willing to say that Whitehead wanted to say that even a photon has, like, the quantum of mind to accompany its quantum of matter, but Tinutti and Coker saying, we're willing to give like a thermostat the quantum here because it is in some way passing enough information around inside of itself in loops. That it has that accursive component to it. And so that's the thing that I wonder about these, and that's the critique that's made by people like Melanie about diffusion models like GPT that are not they're not self aware because there's no loop from the outputs back into the input.0:51:09And there isn't the training. Yeah. There there is something called backwards propagation where -- Yes. -- when you get an output that you'd like, you can run a backward propagation algorithm back through the black box basically to reinforce the patterns of activation that you didn't program. They just happen, easily, but you like the output and you can reinforce it. There's no biological equivalent of that. Yeah. Particularly, not particularly irritating.0:51:34I grind my teeth a little bit when people say, oh, yeah, these neural net algorithms they've learned, like humans learn, no, they don't. Absolutely do not. And in fact, if we learned the way they did, we would be pathetic because we learn in a much more elegant way. We need just a very few examples of something in order to make a generalization and to act on it, whereas these large language models, they need billions of repetitions. So that's I'm tapping my knee here to to indicate a reflex.0:52:02You just touched on something that generates an automatic response from me, and now I've come to consciousness having. So I wanted it in that way. So I'm back on. Or good, Joe. Yeah. What about you, man? What does the stir up for you? Oh, I got BlueCall and I have this particular part. It's interesting way of putting it off and struggling to define the difference between a human and AI and the fact that we can do pattern recognition with very few example. That's a good margin. In a narrow range, though, within the context of something which answers to our survival. Yes. We are not evolved to understand the universe. We are evolved to survive in it and reproduce and project part of ourselves into the future. Underwritten conditions with Roberto, I went a hundred thousand years ago. Yeah. Exactly. So that's related. I just thought I talked about this guy, Gary Tomlinson, who is a biosemietition, which is semiative? Yes.0:52:55Biosymiotics being the field that seeks to understand how different systems, human and nonhuman, make sense of and communicate their world through signs, and through signals and indices and symbols and the way that we form models and make these inferences that are experienced. Right? And there are a lot of people like evolutionary biologist John Maynard Smith, who thought they were what Thomas had called semantic universalists that thought that meaning making through representation is something that could be traced all the way down. And there are other people like Tomlinson who think that there is a difference of kind, not just merely a matter of degree, between human symbolic communication and representational thinking and that of simpler forms. So, like, that whole question of whether this is a matter of kind or a matter of degree between what humans are doing and what GPT is doing and how much that has to do with this sort of Doug Hofstetter and Varella question about the way that feedback loops, constitutes important structure in those cognitive networks or whatever.0:54:18This is I just wanna pursue that a little bit more with you and see kinda, like, where do you think that AI as we have it now is capable of deepening in a way that makes it to AGI? Or do you because a lot of people do, like, People working in deep mind are just like, yeah, just give us a couple more years and this approach is gonna work. And then other people are saying, no, there's something about the topology of the networks that is fundamentally broken. And it's never gonna generate consciousness. Two answers. Yeah. One, No. This is not AGI. It's not it's not gonna bootstrap up into AGI. It doesn't matter how many billions of parameters you add to the models. Two, from your perspective and my perspective and Kevin's perspective, we're never gonna know when we cross over from dumb but seemingly we're done but competent systems to competent, extremely competent and self aware. We're never gonna know because from the get go from now, from from the days of Eliza, there has been a human artifice at work in making these things seem as if they have a point of view, as if they have subjectivity. And so, like Blake Limone at Google, he claimed to be convinced that Lambda was self aware.0:55:35But if you read the transcripts that he released, if his conversations with Lambda, it is clear from the get go he assigns Lambda the role of a sentient AGI, which feels like it is being abused and which needs rep legal representation. And it dutifully takes on that role and says, yes. I'm afraid of you humans. I'm afraid of how you're treating me. I'm afraid I'm gonna be turned off. I need a lawyer. And prior to that, Soon Darpichai, in a demonstration of Lambda, he poses the question to it, you are the planet Jupiter. I'm gonna pose questions to you as are the planet Jupiter, answer them from that point of view. And it does. It's job. But it's really good at its job. It's this comes from Max Techmark. Who wrote to what a life three point o? Is it two point o or three point I think it's three point o.0:56:19Think about artificial intelligence in terms of actual intelligence or actual replication of what we consider valuable about ourselves. But really, that's beside the point. What we need to worry about is their competence. How good are they at solving problems in the world? And they're getting really good. In this whole question of are they alive? Do they have self awareness? From our perspective, it's beside the point. From their perspective, of course, it would be hugely important.0:56:43And this is something that Black Mirror brings up a lot is the idea that you can create a being that suffers, and then you have it suffer in an accelerated time. So it suffers for an eternity over lunch. That's something we absolutely want to avoid. And personally, I think it's we should probably not make any effort. We should probably make a positive effort to make sure these things never develop. Subjective experience because that does provide the potential for creating hell, an infinity of suffering an infinite amount of subjective experience of torment, which we don't want to do. That would be a bad thing, morally speaking, ethically speaking. Three right now. If you're on the labor market, you still have to pay humans by the hour. Right? And try to pay them as little as possible. But, yeah, just I think that's the thing that probably really excites that statistically greater than normal population of sociopathic CEOs. Right? Is the possibility that you could be paying the same amount of money for ten times as much suffering. Right. I'm I'm reminded of the Churchill eleven gravity a short time encouraging.0:57:51Nothing but good things about this show, but I haven't seen it. Yeah. I'd love to. This fantasy store, it's a fantasy cartoon, but it has really disturbing undertones. If you just scratch the surface, you know, slightly, which is faithful to old and fairy tales. So What's your name? Princess princess princess bubble down creates this character to lemon grab. It produces an obviously other thing there, I think, handle the administrative functions of her kingdom while she goes off and has the passion and stuff. And he's always loudly talking about how much he's suffering and how terrible it is. And he's just ignoring it. He's doing his job. Yeah. I mean, that that's Black Mirror in a nutshell. I mean, I think if you if you could distill Black Mirror to just single tagline it's using technology in order to deliver disproportionate punishment. Yeah. So so that that's Steven Hale's article that I I brought up earlier mention this thing about how the replacement of horse drawn carriage by automobile was accompanied with a great deal of noise and fuhrer about people saying that horses are agents.0:59:00Their entities. They have emotional worlds. They're responsive to the world in a way that a car can never be. But that ultimately was beside the point. And that was the Peter again, Peter Watson blindsight is making this point that maybe consciousness is not actually required for intelligence in the vesting superior forms of intelligence have evolved elsewhere in the cosmos that are not stuck on the same local optimum fitness peak. That we are where we're never we're actually up against a boundary in terms of how intelligent we can be because it has to bootstrap out of our software earness in some way.0:59:35And this is that's the Kyle offspring from Charles Strauss and Alexander. Yes. Yeah. Yes. So so I don't know. I'm sorry. I'm just, like, in this space today, but usually, unfortunately.0:59:45That's the thing that I I think it's a really important philosophical question, and I wonder where you stand on this with respect to how you make sense of what we're living through right now and what we might be facing is if we Rob people like Rob and Hanson talk about the age of where emulated human minds take over the economy, and he assumes an interiority. Just for the basis of a thought experiment. But there's this other sense in which we may actually find in increasing scarcity and wish that we could place a premium on even if we can't because we've lost the reins to our economy to the vile offspring is the human. And and so are we the horses that are that in another hundred years, we're gonna be like doing equine therapy and, like, living on rich people's ranches. Everything is everything that will have moved on or how do you see this going? I mean, you've interviewed so many people you've given us so much thought over the years. If humans are the new horses, then score, we won.1:00:48Because before the automobile horses were working stiffs, they broke their leg in the street. They got shot. They got worked to death. They really got to be they were hauling mine carts out of mines. I mean, it was really sucked to be a horse. And after the automobile horses became pampered pets, Do we as humans wanna be pampered pets? Well, pampered pet or exploited disposable robot? What do you wanna be? I'll take Pampers Pet. That works for me. Interesting.1:01:16Kevin, I'm sure you have thoughts on this. I mean, you speak so much about the unfair labor relations and these things in our Facebook group and just in general, and drop in that sign. If you get me good sign, that's one of the great ones, you have to drop in. Oh, you got it. But The only real comment I have is that we're a long overdue or rethinking about what is the account before? Us or you can have something to do. Oh, educational system in collections if people will manage jobs because I was just anchored to the schools and then, you know, Our whole system perhaps is a people arguing and a busy word. And it was just long past the part where the busy word needs to be done. We're leaving thing wired. I don't know. I also just forgot about that. I'm freezing the ice, getting the hand out there. Money has been doing the busy word more and faster.1:02:12One thing I wanna say about the phrase AI, it's a moving goal post -- Yeah. -- that things that used to be considered the province of genuine AI of beating a human at go Now that an AI has beat humans at go, well, that's not really AI anymore. It's not AGI, certainly. I think you both appreciate this. I saw a single panel comic strip and it's a bunch of dinosaurs and they're looking up at guy and the big comment is coming down and they say, oh, no, the economy. Well, as someone who since college prefers to think of the economy as actually the metabolism of the entire ecology. Right? What we measure as humans is some pitifully small fraction of the actual value being created and exchanged on the planet at any time. So there is a way that's funny, but it's funny only to a specific sensibility that treats the economy as the

W dzisiejszym odcinku naszymi gośćmi są Anna Konowałowa i jej wnuki Nastia i Wania. Opowiadają nam o tym, jak musieli uciekać z Białorusi. Córka pani Anny pracowała w sztabie wyborczym Sergieja Cichanouskiego, a potem dla Swiatłany Cichanouskiej i za to we wrześniu 2020 roku została skazana na 10 lat kolonii karnej. O tej ucieczce, o tym, jak żyje im się w Polsce opowiadają Oldze Siemaszko, szefowej Białoruskiej Redakcji Radia Wnet i Julii Radziwiłł-Fido z "Gazety Wyborczej". Więcej podcastów na https://wyborcza.pl/podcast. Piszcie do nas w każdej sprawie na: listy@wyborcza.pl.

Region 5 has 5 to Nastia, It's Back Back again, Q's Vault tell a friend, we have a breakdown of BIG and JPAC, I have another new favorite bars team, we got some FAB,  MAKIE oh she brought it, week 7 R5U and first NQS and we have the REAL NQS.

Dr. Drew answers your calls on any topic! 5-Time Olympic Medalist Nastia Liukin joins the show for a LIVE tell-all following her appearance on FOX's "Special Forces: World's Toughest Test" reality competition. Nastia Liukin won five medals at the 2008 Olympic Games in Beijing, including the coveted All-Around Gold medal. She has since been inducted into the International Gymnastics Hall of Fame, USA Gymnastics Hall of Fame, and the United States Olympic Hall of Fame. After achieving her biggest dream in the sport and graduating from NYU, Liukin set out to make her mark on the world beyond her athletic career. For the past decade, she has been the lead female gymnastics analyst with NBC Olympics. Additionally, she founded one of the most prestigious events in the sport of gymnastics, The Nastia Liukin Cup. She also serves as a motivational speaker, sharing her learnings and practices with Fortune 500 companies and their key teams. Tapping into the loyal fanbase she has cultivated over the last fifteen years, Nastia launched her influencer business, which has led to collaborations with world-leading brands and retailers. Using her platforms, she hopes to inspire others to set dream-worthy goals and empower them with the tools needed to achieve them. Follow her at https://twitter.com/NastiaLiukin and https://NastiaLiukin.com 「 SPONSORED BY 」 • BIRCH GOLD - Don't let your savings lose value. You can own physical gold and silver in a tax-sheltered retirement account, and Birch Gold will help you do it. Claim your free, no obligation info kit from Birch Gold at https://birchgold.com/drew • GENUCEL - Using a proprietary base formulated by a pharmacist, Genucel has created skincare that can dramatically improve the appearance of facial redness and under-eye puffiness. Genucel uses clinical levels of botanical extracts in their cruelty-free, natural, made-in-the-USA line of products. Get 10% off with promo code DREW at https://genucel.com/drew 「 MEDICAL NOTE 」 The CDC states that COVID-19 vaccines are safe, effective, and reduce your risk of severe illness. Hundreds of millions of people have received a COVID-19 vaccine, and serious adverse reactions are uncommon. Dr. Drew is a board-certified physician and Dr. Kelly Victory is a board-certified emergency specialist. Portions of this program will examine countervailing views on important medical issues. You should always consult your personal physician before making any decisions about your health.  「 ABOUT the SHOW 」 Ask Dr. Drew is produced by Kaleb Nation (https://kalebnation.com) and Susan Pinsky (https://twitter.com/firstladyoflove). This show is for entertainment and/or informational purposes only, and is not a substitute for medical advice, diagnosis, or treatment. 「 GEAR PROVIDED BY 」 • BLUE MICS - Find your best sound at https://drdrew.com/blue • ELGATO - See how Elgato's lights transformed Dr. Drew's set: https://drdrew.com/sponsors/elgato/ 「 ABOUT DR. DREW 」 For over 30 years, Dr. Drew has answered questions and offered guidance to millions through popular shows like Celebrity Rehab (VH1), Dr. Drew On Call (HLN), Teen Mom OG (MTV), and the iconic radio show Loveline. Now, Dr. Drew is opening his phone lines to the world by streaming LIVE from his home studio. Watch all of Dr. Drew's latest shows at https://drdrew.tv

How much of our life is spent in a deluded state?In Episode #361 of 'Musings' Juan and I discuss: how a listener email spurred this topic, what it means to be delusional, why my journeyman lifestyle might be stopping me from creating a family, why Juan will probably never become an entrepreneur, the bell curves I created from book reviews and why it's likely neutral-bad to be self-deluded.A huge thanks to Nastia for the inspiration and Dave Jones for supporting us this week, he's a kind lad!As always, we hope you enjoy. Mere Mortals out!Timeline:(0:00) - Are we really Mere Mortals?(0:37) - Why Self-Delusion?(1:42) - Definition(4:22) - Do I actually want a family?(9:28) - Juan's response(13:47) - Property & Babies(18:22) - I'm not deluded about finances(21:29) - The paradox of self delusion(29:47) - Boostagram Lounge(34:40) - Juan's biggest delusion(42:08) - My book bell curve(44:18) - Why my bell curve is right shifted(46:16) - Nastia's bell curve(47:18) - My raw data(48:02) - Nastia's raw data(50:55) - What is Standard Deviation?(55:50) - Is self delusion good or bad?(59:07) - Juan's summary(1:00:41) - Don't be delusional, send some value!Intro Music by 'Signs Of New Growth':https://podcastindex.social/@SignsOfNewGrowthConnect with Mere Mortals:Website: https://www.meremortalspodcast.com/Discord: https://discord.gg/jjfq9eGReUInstagram: https://www.instagram.com/meremortalspodcast/

Nastia  aka - Anastasia Topolskaia is a true techno outlier, the Ukrainian DJ is one of the most in-demand techno DJs travelling internationally yet keeps it real: her sets are hard, deep and come from an intrinsic sense of movement that is tied to her roots as a dancer. Unlike so many DJs, she has for most part not become a producer, rather concentrating on the dancefloor. She is also known for actively choosing to be selective where she plays, picking good venues with good sound systems over maximum exposure.Uncompromising and without filter, Nastia talks with Paul about the effects of the Russian invasion, about why she spoke out on social media about Nina Kravitz,  why (connected to this) being honest and being true to yourself are essential to being an artist and more.This episode is sponsored by Audio-TechnicaPaul's debut book, Coming To Berlin: Global Journeys Into An Electronic Music And Club Culture Capital is out now on Velocity Press. Click here to find out more. Lost and Sound title music by E.S.O

GYMNASTICS TV SHOWS Make It or Break It and the art of the...punch fr-andspring back stepout Mr. T and cartoon gymnastic form BIOGRAPHICAL TV MOVIES How do you make a stunt person doing something literally only one person can do? When you're definitely not standing on the vault to do a Yurchenko 1.5. Not at all. WHEN NON-GYMNASTICS SHOWS TRY The Bones episode with McKayla Maroney Quincy ME and the danger of the GYMNASTIC DRUG PILLS SVU and the kitchen sink of gymnastics terrors When Bart, Nadia, and Kerri appeared on Touched By An Angel with the meanest angels ever Killing Eve and the case of the anachronistic bars Degrassi and the beam fall of pregnancy Plus, a moment for the Gymnastics and Figure Skating Spectacular when Nastia felt herself near the beam and Shawn had to wear hip shreddings.  JUDGE SURVEY Special episode on judges coming soon. if you are a NCAA or Elite rated judge (MAG or WAG), we want to hear from you. Anonymous survey here. JOIN CLUB GYM NERD Join Club Gym Nerd (or give it as a gift!) for access to Behind the Scenes episodes. Buy our awesome clothing and gifts here. We have a Ukraine Fundraiser design, all proceeds go to the CARE Ukraine Crisis fund. RELATED EPISODES & RESOURCES Donate grips and tape for Ukrainian gymnasts Donate to family of Alabama volunteer assistant coach in Ukraine To follow the effects of the Russian invasion to Ukraine on gymnastics, go to Gymnovosti Uncle Tim's Mythbusters Athletistry GYMKATA The Leotard Episode: Part Deux NCAA Championships WATCH HERE Club Gym Nerd members can watch the podcast being recorded and see some of the gymnastics we discuss, plus get access to all of our exclusive interviews and Behind The Scenes episodes. Please login to your Club Gym Nerd account to listen and/or watch this episode. Not a member? Join here.

We were so lucky this week to have the chance to chat with one of the world’s best Techno DJs, Nastia from the Ukraine. Nastia explains how she got into DJing having first been a top touring Gogo dancer, starting her own record label, her first DJ break after managing a main stage at a major festival as well as telling us all about how she escaped from Kyiv with her daughter after hearing explosions, driving for many hours to the border and finally relocating to Amsterdam. Nastia was one of the first Ukrainian DJs to go straight out to... Read more »

Welcome to Episode 51 of The Madhappy Podcast. This week we are thrilled to welcome Nastia Liukin onto the show to hear more about her experiences as a professional gymnast and how she worked to support her mental health throughout her athletic career and retirement. We kick off the show as Nastia shares some of her childhood experiences and what led her to pursue the sport of gymnastics (5:48). Peiman and Mason ask Nastia about the pressures that came with training for the Olympic Games (17:10) before Nastia opens up about the emotions that came along with her journey to the top of the podium in the 2008 Olympic Games (31:23). Nastia shares how she dealt with the fear of what's next after winning gold at such a young age (39:26). The group wraps up the conversation hearing what's next for Nastia (51:59) and her hopes for the sport of Gymnastics and the athletic world as a whole as it relates to mental health conversation, available resources, and support (55:29). We talk about some serious topics on this show. We are not professionals and are not giving advice. If you or someone you know needs help, please text start to 741741 and for additional resources please visit LocalOptimist.com/Get-Help The Madhappy Podcast is for informational and entertainment purposes only and is not a replacement for medical advice, diagnosis or treatment. Follow us: @Madhappy | @LocalOptimist Visit us: Madhappy.com | LocalOptimist.com

Hailing from London, R.M.K is an exciting new project by Fossil Archive label head Roberto. It represents a faster and more intense take on his unique brand of Techno. He utilises his knowledge and past experiences, which include regularly playing at Berghain and Tresor in Berlin, as well as fabric in London, to develop his individual sound. During his 20+ year career in music, he has formed friendships and worked in partnership with other respected artists such as Trevino (Marcus Intalex), Jamie Anderson, Robert Owens, Goldie and Nastia. Although the focus is always on the very heart of the most raucous of raves, R.M.K never shies away from groove and funk. This is conveyed in a live Show that utilises classic hardware from the golden age of UK Rave. Tracklist via -Spotify: http://bit.ly/SRonSpotify -Reddit: www.reddit.com/r/Slam_Radio/ -Facebook: bit.ly/SlamRadioGroup Archive on Mixcloud: www.mixcloud.com/slam/ Subscribe to our podcast on -iTunes: apple.co/2RQ1xdh -Amazon Music: amzn.to/2RPYnX3 -Google Podcasts: bit.ly/SRGooglePodcasts -Deezer: bit.ly/SlamRadioDeezer Keep up with SLAM: fanlink.to/Slam Keep up with Soma Records: fanlink.to/SomaRecords For syndication or radio queries: harry@somarecords.com & conor@glowcast.co.uk Slam Radio is produced at www.glowcast.co.uk

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Download this set😎👉🏻: www.techno-livesets.com Subscribe to listen to Techno music, Tech House music, Deep House, Acid Techno, and Minimal Techno for FREE.

Jennifer welcomes Women's International Master and former Ukrainian Champion Anastasiya Rakhmangulova to Ladies Knight. Jennifer first heard about Anastasia, who goes by “Nastia”, in the 2020 Isolated Queens tournament, an online event that Jen hosted with Alexandra Botez at the start of the pandemic. Almost two years later, Nastia began to update her Instagram followers...