Podcasts about Delighted

Delighted to have a new collaboration with the biggest chillout festival in the world, Stella Polaris (Denmark) and their sublime music label. This is a proud definitive pinnacle moment for me and I urge all my listeners to go deeper, listen to the label and join me in Denmark Saturday 21st June 2025 in the gorgeous gardens of Frederiksberg Have where I've been invited to DJ. Go to the website for playlists and info.

Who Am I? | I Am Delighted In | 5-15-25 by Kearney eFree Church

This episode is brought to you by Tide. If you're interested in one of their savings accounts for businesses - and supporting the podcast at the same time, please follow the link: ⁠⁠http://tide.co/offers/tennisunfiltered⁠⁠ Calvin Betton joins live from Rome, where he has been busy celebrating the new pope (not), George Bellshaw is at home in north London and James Gray is hanging on to reality after 1000 miles of driving in one weekend. Nevertheless, they got themselves together to talk about... Jannik Sinner's return to tour tennis, whether he is already the French Open favourite and how beneficial this enforced time off might have been What's going on with Novak Djokovic How Iga Swiatek is supposed to recover from yet another awful defeat PLUS: An epic head-to-head between Calvin and George Save more, earn more—up to 4.48% AER (variable). Interest rates are tiered, with the top rate for balances over £1M. Each tiered rate applies to the portion within that range. New Tide members get these rates free for 6 months; after that, your Tide plan's rates apply. For full offer T&Cs visit ⁠⁠tide.co/savings. Learn more about your ad choices. Visit podcastchoices.com/adchoices

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During the Phenology Report for the week of May 8, 2025, Staff Phenologist John Latimer enthuses about a rare observation of a Summer Tanager and details spring's advance.

Delighted to host Dr. Richard Ramos on the #ELB Podcast LIVE at 7:45 EST/4:45 PT on Wednesday, April 23rd, 2025. Richard is an Arizona native and Superintendent of the Miami School District in Miami, AZ. We'll talk leadership, being a Superintendent, at-risk youth, and his love of reading the best leadership books out there! Join us for the podcast!This podcast is sponsored by IXL Personalized Learning. IXL is used by more than 1 million teachers each day. It is also the most widely used online learning and teaching platform for K-12. Learn more here: https://bit.ly/ELBIXL

God moved in my life

Avenue Red welcomes back Glasgow DJ & producer Chris Curtis AKA Theta Waves (moniker for his deep & moody production works). Here we have an immaculate and expansive 2+ hour mix session whose centre of gravity is firmly in the sphere of planet deep techno. And here's some related news... We are hosting an Avenue Red event @ OverDraught in Levenshulme, Manchester on Saturday 10th May from 3pm-1am, where you can catch Chris playing alongside Dubrovnik (UK) (also travelling down from Glasgow for the occasion), Tomas Bexton heading up from Maidstone in Kent and Avenue Red boss Alec Pritchard all commandeering the decks. Get involved! "Electronic music hasn't just always been a love of mine but playing a set has always been a great way to de-stress and focus on nothing but music for a few hours. Last year was a busy year as I kicked off a new night in Glasgow (Trace) which ran for 6 months, plus preparing the monthly subSine Sessions show takes some time, although it's something I love putting together. A short while ago I had an opportunity to spend an evening putting a mix together with no reason other than getting into the music and seeing where the journey took me. As opposed to playing live, putting a mix together gives you a great opportunity to plan a set list that really evolves and puts thought to deep transitions. Unlike most of my other mixes this one was totally unplanned. The only thing I had in mind was capturing the essence of a Trace night into a compressed set of around 2 hours, feeling the vibe as I went, so I guess this is more like a live set in some ways. When I'd finished the mix I thought this would be a good contender for Avenue Red, I'm glad Alec agreed. I use Traktor with timecode vinyl on 1210s. Although a pain sometimes in a club it's great for the home setup as it allows me to switch between digital tracks and vinyl without anyone noticing. This also lets me play loads of unreleased material on the monthly subSine show. The Pioneer DJM800 is my weapon of choice mixer-wise. Delighted to be providing another instalment of Avenue Red. Thanks Alec. Full track list to follow. Thanks for listening." Chris Curtis, April 2025 https://soundcloud.com/theta_waves subSine | Sessions https://buenavida.co.uk/subsine-sessions/ Club Sounds Live https://www.mixcloud.com/clubsoundslive https://www.facebook.com/groups/clubsoundslive See Also: https://soundcloud.com/avenue-red/podcast-188-chris-curtis

Sita, who was distressed to hear of Sri Rama's excessive grief caused by separation from her, implores Hanuman to bring Sri Rama at once to her. Hanuman, who could not bear to see Sita's sad plight, offers to carry her on his back to the presence of Sri Rama and girds up his loins to do so. In order to inspire confidence in Sita, who doubts his capacity to do it looking to his small size, Hanuman assumes a gigantic form. Sita, however, declines to go with him and urges Hanuman to bring Sri Rama to her.Recitation: 00:00 - 11:37Translation: 11:40 - 26:46

In this weeks show I sat down with Aaron Murphy. Aaron is the host of one of Irelands fastest-growing podcasts, The Emerald Grapppling Podcast. It is a show dedicated to spotlighting the irish grappling scene. Each month,Aaron sits down with top coaches, competitors and rising talents to share stories and insights around the unqiue culture of grappling in Ireland. A purple belt in Brazilian Jiu Jitsu, a yellow belt in judo and a true graplling fanatic, Aaron brings passion and authenticity to every conversation.  Delighted to be joined by Aaron for the 100th episode of the show and thrilled you could join us too. Ive never done any Jiu Jitsu before so I am coming from a place of real curiosity with this conversation. Something a little different than normal but full of great points on being more training specfic, mindset, growth, how to go about setting up a a podcast or go for that passion project. This epiosde has so much in it and hoping you enjoy the show. You can find more of Aarons episodes on Emerald Grapplings youtube or on spotify channels. If youd like more information about online coaching or have any questions you can email seanflanneryclients@gmail.com  Chat you all very soon. 

First actual mix in a long time, hope you guys enjoy. This is my first mix with 99.9% Original -Ū. music only with the exception of the intro for dramatic effect. Hope you guys enjoy it. Thanks for listening. Here's a screenplay of enter the multiverse to coincide with the commemoration of the SNL 50's anniversary/ L E G E N D S crossover. Fun Fact: The First appearence of Liz Lemon in this show {Enter The Multiverse} is in season one, which first aired in May of 2021. The 1st and subsequent seasons will soon be avalible for reading and listening on my website https://www.iamu.guru. Enjoy this mix and the avaliable downloads you'll find there and stay tuned for upcoming stuff. Just a reminder, all of my content is totally free for download. If you enjoy this series, drop a like and subscribe and follow on your favorite streaming platforms and all of my channels. Thanks for your continued support and listens/reads. Happy Passover; blessings and peace to you. -blu. INT. ALIEN SPACESHIP - DAY The cramped, metallic interior of an alien spacecraft. Two bizarre, multi-limbed ALIENS are locked in a furious argument. The sounds are not words, but a cacophony of distorted electronic noises. ALIEN 1 (A series of rapid, high-pitched BLIPS and WHIRS) ALIEN 2 (A deep, guttural GROWL followed by a drawn-out, wavering TONE) ALIEN 1 BLIM-BLIM-BLIM-BLIM— FLAU—FLAU—FLAU! ALIEN 2 —————EeeeeEeeeeeEEEEEEEEENNMMMMMMMMMNGGGGGGGGG!!! ALIEN 1 Wfuh! Alien 2 makes a highly offensive hand gesture. Alien 1 responds with a highly offensive gesture using another body part. Suddenly, RACHEL DRATCH, dressed impeccably and radiating an air of cool detachment, enters the scene and calmly observes the arguing aliens. RACHEL DRATCH (To herself, almost a whisper) Well, this is… something. CUT TO: INT. ROCKEFELLER PLAZA - SUNNI BLU'S OFFICE - DAY SUNNI BLU, sharp and impeccably dressed, stares with wide eyes at a ridiculously large ELECTRICITY BILL. Sunlight streams through the massive windows overlooking Rockefeller Plaza. SUNNI BLU (Muttering) Since when did keeping the lights on cost this much? Absorbing ConEd was supposed to *save* money. Suddenly, a disembodied VOICE echoes in the room. VOICE (V.O.) You will fail this test. SUNNI BLU (Startled) There's a test?! What test?! VOICE (V.O.) It came with a lesson— you didn't think there was going to be a test. CUT TO: EXT. THE LONELY ISLAND CLIFF - DAY ANDY (ALEKSI), dressed in surprisingly clean white robes despite the precarious location, stands on the edge of a towering cliff overlooking a vast ocean. He takes a running leap off the edge. ANDY —NO… He plummets downwards for a beat. Then, with a gentle WHOOSH, he lands perfectly upright on the sandy beach below. ANDY (CONT'D) I told you I could stick the landing. ALEKSI (V.O.) It wasn't always The Lonely Island… CUT TO: INT. HEAVENLY WAITING ROOM - DAY ALEKSI (ANDY SANDBERG), now with subtle, mischievous angelic wings, winks directly at the camera. ALEKSI guardian angel. TINA (O.S.) Whatever. Tina FEY, also with small, slightly more exasperated-looking wings, enters. ALEKSI winks extra harder at her. ALEKSI Hello. TINA Oh my God! ALEKSI I wish! At this point, I wish— unfortunately, those aren't the types of wishes I'm in charge of overseeing. A large, ornate PACKAGE appears unexpectedly at TINA's feet. TINA (CONT'D) When something appears unexpectedly at your doorstep, it's called a windfall, right? ALEKSI Yeah. I think that's what this is. TINA And when it's something you really need, it's a gift from God. Isn't it? ALEKSI Something like that. TINA Honestly, I thought it was just a gentler way of letting me know I was ugly— after a particularly horrible photo opportunity at the airport. ALEKSI —wow. TINA I had just been up for 72 plus hours straight and only slept something like 4 or 5–but of course— FLASHBACK: INT. AIRPORT SECURITY - EARLY MORNING A haggard and disheveled TINA sits slumped on a lopsided BEANBAG in the middle of the bustling security line. Bright lights shine in her face as various machines WHIR and BEEP, scanning her. TINA (V.O.) This was staggered sleep from atop a lopsided beanbag. TINA (Muttering) Agh, God! TINA (V.O.) I've been getting used to having lights shined in my face for awhile now. Still, I was not so ready for a full work up of my biometrics in this early morning crusade to Los Angeles. A stern-faced AGENT approaches her. AGENT The Agency thought you were terminally ill. TINA Terminally? Geez. The AGENT clears his throat. AGENT Consider this as, ah— Hm. Ojo translates directly to Eye. Doesn't it? TINA I see you. AGENT Undoubtedly. —an incentives. TINA I don't need anymore incentives, Captain. I need income. AGENT Oh, I'm the captain now? TINA You were always the captain. AGENT This is news to me. TINA News to the News. That's something new. AGENT Nothing is new. TINA But it's news to you. Sarcasm. I need a paycheck. AGENT Try looking pretty. TINA I tried. It didn't work. AGENT Try…harder. TINA (V.O.) New York had put spots and marks on my faces— a broken blood vessel from fighting some demonized African girl— and I'm sure that was what she was, after all… FLASHBACK: INT. APARTMENT - NIGHT TINA is struggling in a bizarre fight with a shadowy FIGURE. The scene has a surreal, “As Seen On TV” commercial feel. VOICEOVER (V.O.) Who tries to kill you, and then does their hair to be more like yours? That's major weird. TINA Major Tom. SHADOWY FIGURE Yeah. TINA (V.O.) Then again, since moving to New York… Oh, Holy shit. Everything is major weird. A shimmering PORTAL opens in the middle of the apartment. TITLE CARD: AS SEEN ON TV: PART III TINA (Staring at the portal) Where the fuck is part one and two?! SHADOWY FIGURE Maybe it starts at three! TINA Nothing “starts at three” SHADOWY FIGURE Maybe it's like Star Wars! TINA It's not like Star Wars! A CATACLYSMIC SPACESHIP COLLISION and EXPLOSION sound effect. TINA (CONT'D) …it's not like Star Wars. SHADOWY FIGURE Uh huh. It's better than star wars. A giant collective GASP is heard. TINA -_- *the world stops* TINA (CONT'D) -_- Suddenly, all sound ceases. TINA (CONT'D) Woah. That's different. SHADOWY FIGURE There: I fixed overpopulation. TINA But— SHADOWY FIGURE But what? I fixed it. TINA But— weren't some of those fans, also fans of this show. SHADOWY FIGURE Yeah, so? TINA Like an overwhelming majority. SHADOWY FIGURE Majority? Yeah— they're— These are nerds. TINA Fuck. Right. So where did you send them?! SHADOWY FIGURE Uh. Only to heaven. TINA What does that mean. SHADOWY FIGURE Heaven for any Star Wars fan— TINA Where is that. SHADOWY FIGURE The world where all of that stuff— is real. TINA What—what do you mean by that. SHADOWY FIGURE I sent them to Star World. TINA That sounds so fucking gay. SHADOWY FIGURE Cause it is. TINA Fuck. Oh, that's right— Non-star wars fans are sometimes Cynics Read: Major fucking assholes. I guess I fall into that category, eh— a little bit? SHADOWY FIGURE No duh. TINA “No duh.” What part of the nineties was your heyday? SHADOWY FIGURE All of them. TINA Jesus, Tina. You might be ancient. SHADOWY FIGURE I'm dust. TINA Hey— What. Why are you my assistant now. SHADOWY FIGURE Assistant? No. I'm your executive producer. TINA ExeCUTEive producer— you do put the cute in that. SHADOWY FIGURE (Not being cute, unamused, but still very cute) Ugh. Fine. SUDAKIS. JASON SUDAKIS appears CONT'D. And nobody cares, of course Because she is formerly gorgeous (Not no more) I'm standing on four paws I'm studying your laws If this was your office I'm your boss And I caught you taking your clothes off You're boring, I started to doze off Don't call me no more, hoe So now your broke You started a war slamming doors Because you can't find no more work Hoe Karen and Becky are probably blessings Cause they do not get me But I'm doing better and yet They are starting to sweat cause I'm starting to flex They're slamming the door They're starting a war They never been homeless before Or hungry and poor But no peace of mind? It's fine I'll probably find in time That they crossed the line And get left behind The red dots are trying To plot I'm crying a lot, I'm out of the box, jack I spring up but I do not pop I'm talking to God, He's telling you off, I'm calling him “her”, She's telling me “Sure, I'm not really sure, But I got the cure for your disease The God of Mercy, Mercy Me I got my first Mercedes in 1993 Look at me. CUT TO: INT. BACKSTAGE - NIGHT A very tall, redheaded SHOWMAN (CONAN O'BRIEN, though slightly off) has just finished a days-long BENDER. He is not the polished figure America knows. He shakily lines up a mysterious white substance on a grimy surface. CONAN (Muttering) Just… need… a little… pick-me-up. A mysterious FIGURE appears silently behind him. FIGURE Feeling better, Conan? Conan looks up, bleary-eyed, barely lifting his head. CONAN (Slurring) I don't know what you're saying. CONAN (V.O.) Apparently, that was the line, and I felt like I was crossing into a strange territory with this, one Conan O'Brien, and almost absolutely certain I was spelling his name wrong, but continued to do so anyway— one, because I refused to look him up, and two— because if ever I entered into a plot hole deep enough the mechanics of my own knowledge of hyper and multidimensional space travels to explain, then having a Conan O'Brien and a Conan O'Brian might become useful. Today, I want useful, because I wanted to go back to sleep with enough energy to still wake up with enough energy to run a mile on the full sized treadmill downstairs. Then, I had day-people things to do— and for whatever reason, this seemed like one of them. It was a welcome deviation from— A boisterous, red-faced MAN stumbles into the room. MAN O'Fallon, you old coot! CONAN (Confused) Oh year. MAN I told you the Irish were coming. *the fighting Irish. CONAN Ah yes, the fighting Irish— CONAN (V.O.) Apparently, this was some centuries long kind of battle between ancient clans//and so, I did my very best o find my way out of it, until A fierce, heavily tattooed WOMAN bursts in. WOMAN MUNROE!!!!! (V.O.) —i was found out. My surname was Scottish, but nonetheless, it was a fied older than borders were, anyway. CUT TO: EXT. MUSIC FESTIVAL - DAY A chaotic, vibrant music festival. ANDY (ALEKSI) approaches a gruff-looking SECURITY GUARD. ANDY Yo. SECURITY GUARD What's good. ANDY What's your deal with the KKK, anyway? SECURITY GUARD (Scoffs) I like them. They're funny. ANDY They— want to kill you. SECURITY GUARD That doesn't make them any less funny. In fact, now they might be more funny. ANDY Are you serious? SECURITY GUARD No, I'm funny. I like them blonde, Tall, dark skinned, Woah, scratch that. Narrow down my picks I like them Icelandic And Slavic Oh dear I like them impossible to topple over, No, God— Nevermind; I like them whiter than light snow on a cold night There you go I like them strong— But only in thought forms Keyboard warrior, But I'd like to get her in a choke hold So she'll stop snoring Oh God No Lord— I should win an award for this song I should win an award for this song I should win an award for this song MORGAN FREEMAN (V.O.) ANOTHER nomination. ANDY No way. This is crazy. ANDY spots SUNNI BLU in the crowd, looking stressed. ANDY (CONT'D) SUNNI, Do you have the academy on your payroll? SUNNI BLU (Shouting over the music) Ask the accountant? A stereotypical SUPER JEW ACCOUNTANT, complete with a large yarmulke and clutching a ledger, scurries past. SUPER JEW ACCOUNTANT actually, surprisingly, I think you're on theirs! See! SUNNI BLU Seriously?!! That's not anti semitic at all. (It's not, it's pro-semitic) More Jews and Rosecurucians More Jews and Rosicrucians! I took a bite out of you, And now I want my life back! Sharks. (And surfboards) More news and prosecutions More blues and resurrections More impossible erections Interject— —I should probably call a doctor. It's been way more than four hours. I have way more than four houses— I've way more than four flowers, I've way more than four dollars— I've way more than four collars with sparkles on them. I wear cargo pants for the ride home though. No homo. CUT TO: INT. HEADQUARTERS INTERROGATION ROOM - DAY CC (NATALIE PORTMAN, though not explicitly stated) enters the stark interrogation room. A MAN sits at a metal table, wrists chained. CC sits down opposite him, calm and composed. MAN I… am a trained assassin. CC That's— impressive. MAN There are people who want to murder you. CC Now I'm impressed with myself. MAN Is that so. CC Yes! Ah. Delighted, actually. MAN Who are you? CC “A charismatic number” writes the New York Times review of my most recently cherished endeavor. Which means for once in your life you might have actually been on time. Or just late enough, or just early enough, or— you know. It starts where I get there, or they were just waiting for me anyway. You know. Or you don't. MAN I don't. CC Then you should have plenty of time for self study between now and your execution. MAN Hah! My execution?! That's where this is heading. CC What about yours? MAN What about it? CC Have or haven't you been following along that this is what I've ultimately desired. My suffering ends in peace with knowing that you, too, shall cease to exist. INT. OBSERVATION ROOM - DAY Other DETECTIVES watch the interrogation through a one-way mirror, their faces grim. DETECTIVE 1 What could possibly be going on in there? DETECTIVE 2 Anything. DETECTIVE 3 I wonder what she's saying. DETECTIVE 1 Anything. DETECTIVE 2 Looks like she has him cornered. DETECTIVE 3 Maybe. DETECTIVE 1 Jesus, can you speak in anything more than one word sentences. DETECTIVE 2 No. BACK IN THE INTERROGATION ROOM, a heavy silence hangs in the air. MAN …Natalie? CC You wanted “CC” so I'm “CC” The MAN strains against his restraints. MAN Who who's this?! CC (V.O.) Suddenly my love affair with words and art and theatrical thoroughfare was coming to an end. This was something of a disaster set against the backdrop of a really real world— a world that seemed not to want me in it. CUT TO: EXT. NEW YORK CITY STREET - DAY LIZ LEMON (TINA FEY) walks down a crowded street, furiously dialing her cellphone. LIZ LEMON (Into phone, angry) Hello? CUT TO: EXT. MARDI GRAS PARADE - NEW ORLEANS - DAY TRACY JORDAN (also TINA FEY, in elaborate Mardi Gras attire) is on a vibrant parade float, throwing beads to the cheering crowd. His phone rings. TRACY JORDAN (Into phone, jovial) WHERE ARE YOU?! I'm on my way to the parade! LIZ LEMON (O.S.) I'm AT the parade! Where are YOU? TRACY JORDAN Not that parade! Mardi Gras! LIZ LEMON (O.S.) MARDI GRAS?! TRACY JORDAN Yeah! LIZ LEMON (O.S.) WHY?! YOU'RE SUPPOSED TO BE ON A FLOAT— In NEW YORK CITY— In 22 MINUTES. TRACY JORDAN Don't worry, I'll be there. LIZ LEMON (O.S.) YOU'LL BE THERE?! You're at a parade! In New Orleans! TRACY JORDAN It's Mardi Gras! LIZ LEMON (O.S.) I KNOW ITS— Tracy hangs up. He grins at the crowd and throws more beads. FADE OUT. {Enter The Multiverse} [The Festival Project.™] COPYRIGHT © THE FESTIVAL PROJECT 2019-2025 | THE COMPLEX COLLECTIVE. © ALL RIGHTS RESERVED. ©

First actual mix in a long time, hope you guys enjoy. This is my first mix with 99.9% Original -Ū. music only with the exception of the intro for dramatic effect. Hope you guys enjoy it. Thanks for listening. Here's a screenplay of enter the multiverse to coincide with the commemoration of the SNL 50's anniversary/ L E G E N D S crossover. Fun Fact: The First appearence of Liz Lemon in this show {Enter The Multiverse} is in season one, which first aired in May of 2021. The 1st and subsequent seasons will soon be avalible for reading and listening on my website https://www.iamu.guru. Enjoy this mix and the avaliable downloads you'll find there and stay tuned for upcoming stuff. Just a reminder, all of my content is totally free for download. If you enjoy this series, drop a like and subscribe and follow on your favorite streaming platforms and all of my channels. Thanks for your continued support and listens/reads. Happy Passover; blessings and peace to you. -blu. INT. ALIEN SPACESHIP - DAY The cramped, metallic interior of an alien spacecraft. Two bizarre, multi-limbed ALIENS are locked in a furious argument. The sounds are not words, but a cacophony of distorted electronic noises. ALIEN 1 (A series of rapid, high-pitched BLIPS and WHIRS) ALIEN 2 (A deep, guttural GROWL followed by a drawn-out, wavering TONE) ALIEN 1 BLIM-BLIM-BLIM-BLIM— FLAU—FLAU—FLAU! ALIEN 2 —————EeeeeEeeeeeEEEEEEEEENNMMMMMMMMMNGGGGGGGGG!!! ALIEN 1 Wfuh! Alien 2 makes a highly offensive hand gesture. Alien 1 responds with a highly offensive gesture using another body part. Suddenly, RACHEL DRATCH, dressed impeccably and radiating an air of cool detachment, enters the scene and calmly observes the arguing aliens. RACHEL DRATCH (To herself, almost a whisper) Well, this is… something. CUT TO: INT. ROCKEFELLER PLAZA - SUNNI BLU'S OFFICE - DAY SUNNI BLU, sharp and impeccably dressed, stares with wide eyes at a ridiculously large ELECTRICITY BILL. Sunlight streams through the massive windows overlooking Rockefeller Plaza. SUNNI BLU (Muttering) Since when did keeping the lights on cost this much? Absorbing ConEd was supposed to *save* money. Suddenly, a disembodied VOICE echoes in the room. VOICE (V.O.) You will fail this test. SUNNI BLU (Startled) There's a test?! What test?! VOICE (V.O.) It came with a lesson— you didn't think there was going to be a test. CUT TO: EXT. THE LONELY ISLAND CLIFF - DAY ANDY (ALEKSI), dressed in surprisingly clean white robes despite the precarious location, stands on the edge of a towering cliff overlooking a vast ocean. He takes a running leap off the edge. ANDY —NO… He plummets downwards for a beat. Then, with a gentle WHOOSH, he lands perfectly upright on the sandy beach below. ANDY (CONT'D) I told you I could stick the landing. ALEKSI (V.O.) It wasn't always The Lonely Island… CUT TO: INT. HEAVENLY WAITING ROOM - DAY ALEKSI (ANDY SANDBERG), now with subtle, mischievous angelic wings, winks directly at the camera. ALEKSI guardian angel. TINA (O.S.) Whatever. Tina FEY, also with small, slightly more exasperated-looking wings, enters. ALEKSI winks extra harder at her. ALEKSI Hello. TINA Oh my God! ALEKSI I wish! At this point, I wish— unfortunately, those aren't the types of wishes I'm in charge of overseeing. A large, ornate PACKAGE appears unexpectedly at TINA's feet. TINA (CONT'D) When something appears unexpectedly at your doorstep, it's called a windfall, right? ALEKSI Yeah. I think that's what this is. TINA And when it's something you really need, it's a gift from God. Isn't it? ALEKSI Something like that. TINA Honestly, I thought it was just a gentler way of letting me know I was ugly— after a particularly horrible photo opportunity at the airport. ALEKSI —wow. TINA I had just been up for 72 plus hours straight and only slept something like 4 or 5–but of course— FLASHBACK: INT. AIRPORT SECURITY - EARLY MORNING A haggard and disheveled TINA sits slumped on a lopsided BEANBAG in the middle of the bustling security line. Bright lights shine in her face as various machines WHIR and BEEP, scanning her. TINA (V.O.) This was staggered sleep from atop a lopsided beanbag. TINA (Muttering) Agh, God! TINA (V.O.) I've been getting used to having lights shined in my face for awhile now. Still, I was not so ready for a full work up of my biometrics in this early morning crusade to Los Angeles. A stern-faced AGENT approaches her. AGENT The Agency thought you were terminally ill. TINA Terminally? Geez. The AGENT clears his throat. AGENT Consider this as, ah— Hm. Ojo translates directly to Eye. Doesn't it? TINA I see you. AGENT Undoubtedly. —an incentives. TINA I don't need anymore incentives, Captain. I need income. AGENT Oh, I'm the captain now? TINA You were always the captain. AGENT This is news to me. TINA News to the News. That's something new. AGENT Nothing is new. TINA But it's news to you. Sarcasm. I need a paycheck. AGENT Try looking pretty. TINA I tried. It didn't work. AGENT Try…harder. TINA (V.O.) New York had put spots and marks on my faces— a broken blood vessel from fighting some demonized African girl— and I'm sure that was what she was, after all… FLASHBACK: INT. APARTMENT - NIGHT TINA is struggling in a bizarre fight with a shadowy FIGURE. The scene has a surreal, “As Seen On TV” commercial feel. VOICEOVER (V.O.) Who tries to kill you, and then does their hair to be more like yours? That's major weird. TINA Major Tom. SHADOWY FIGURE Yeah. TINA (V.O.) Then again, since moving to New York… Oh, Holy shit. Everything is major weird. A shimmering PORTAL opens in the middle of the apartment. TITLE CARD: AS SEEN ON TV: PART III TINA (Staring at the portal) Where the fuck is part one and two?! SHADOWY FIGURE Maybe it starts at three! TINA Nothing “starts at three” SHADOWY FIGURE Maybe it's like Star Wars! TINA It's not like Star Wars! A CATACLYSMIC SPACESHIP COLLISION and EXPLOSION sound effect. TINA (CONT'D) …it's not like Star Wars. SHADOWY FIGURE Uh huh. It's better than star wars. A giant collective GASP is heard. TINA -_- *the world stops* TINA (CONT'D) -_- Suddenly, all sound ceases. TINA (CONT'D) Woah. That's different. SHADOWY FIGURE There: I fixed overpopulation. TINA But— SHADOWY FIGURE But what? I fixed it. TINA But— weren't some of those fans, also fans of this show. SHADOWY FIGURE Yeah, so? TINA Like an overwhelming majority. SHADOWY FIGURE Majority? Yeah— they're— These are nerds. TINA Fuck. Right. So where did you send them?! SHADOWY FIGURE Uh. Only to heaven. TINA What does that mean. SHADOWY FIGURE Heaven for any Star Wars fan— TINA Where is that. SHADOWY FIGURE The world where all of that stuff— is real. TINA What—what do you mean by that. SHADOWY FIGURE I sent them to Star World. TINA That sounds so fucking gay. SHADOWY FIGURE Cause it is. TINA Fuck. Oh, that's right— Non-star wars fans are sometimes Cynics Read: Major fucking assholes. I guess I fall into that category, eh— a little bit? SHADOWY FIGURE No duh. TINA “No duh.” What part of the nineties was your heyday? SHADOWY FIGURE All of them. TINA Jesus, Tina. You might be ancient. SHADOWY FIGURE I'm dust. TINA Hey— What. Why are you my assistant now. SHADOWY FIGURE Assistant? No. I'm your executive producer. TINA ExeCUTEive producer— you do put the cute in that. SHADOWY FIGURE (Not being cute, unamused, but still very cute) Ugh. Fine. SUDAKIS. JASON SUDAKIS appears CONT'D. And nobody cares, of course Because she is formerly gorgeous (Not no more) I'm standing on four paws I'm studying your laws If this was your office I'm your boss And I caught you taking your clothes off You're boring, I started to doze off Don't call me no more, hoe So now your broke You started a war slamming doors Because you can't find no more work Hoe Karen and Becky are probably blessings Cause they do not get me But I'm doing better and yet They are starting to sweat cause I'm starting to flex They're slamming the door They're starting a war They never been homeless before Or hungry and poor But no peace of mind? It's fine I'll probably find in time That they crossed the line And get left behind The red dots are trying To plot I'm crying a lot, I'm out of the box, jack I spring up but I do not pop I'm talking to God, He's telling you off, I'm calling him “her”, She's telling me “Sure, I'm not really sure, But I got the cure for your disease The God of Mercy, Mercy Me I got my first Mercedes in 1993 Look at me. CUT TO: INT. BACKSTAGE - NIGHT A very tall, redheaded SHOWMAN (CONAN O'BRIEN, though slightly off) has just finished a days-long BENDER. He is not the polished figure America knows. He shakily lines up a mysterious white substance on a grimy surface. CONAN (Muttering) Just… need… a little… pick-me-up. A mysterious FIGURE appears silently behind him. FIGURE Feeling better, Conan? Conan looks up, bleary-eyed, barely lifting his head. CONAN (Slurring) I don't know what you're saying. CONAN (V.O.) Apparently, that was the line, and I felt like I was crossing into a strange territory with this, one Conan O'Brien, and almost absolutely certain I was spelling his name wrong, but continued to do so anyway— one, because I refused to look him up, and two— because if ever I entered into a plot hole deep enough the mechanics of my own knowledge of hyper and multidimensional space travels to explain, then having a Conan O'Brien and a Conan O'Brian might become useful. Today, I want useful, because I wanted to go back to sleep with enough energy to still wake up with enough energy to run a mile on the full sized treadmill downstairs. Then, I had day-people things to do— and for whatever reason, this seemed like one of them. It was a welcome deviation from— A boisterous, red-faced MAN stumbles into the room. MAN O'Fallon, you old coot! CONAN (Confused) Oh year. MAN I told you the Irish were coming. *the fighting Irish. CONAN Ah yes, the fighting Irish— CONAN (V.O.) Apparently, this was some centuries long kind of battle between ancient clans//and so, I did my very best o find my way out of it, until A fierce, heavily tattooed WOMAN bursts in. WOMAN MUNROE!!!!! (V.O.) —i was found out. My surname was Scottish, but nonetheless, it was a fied older than borders were, anyway. CUT TO: EXT. MUSIC FESTIVAL - DAY A chaotic, vibrant music festival. ANDY (ALEKSI) approaches a gruff-looking SECURITY GUARD. ANDY Yo. SECURITY GUARD What's good. ANDY What's your deal with the KKK, anyway? SECURITY GUARD (Scoffs) I like them. They're funny. ANDY They— want to kill you. SECURITY GUARD That doesn't make them any less funny. In fact, now they might be more funny. ANDY Are you serious? SECURITY GUARD No, I'm funny. I like them blonde, Tall, dark skinned, Woah, scratch that. Narrow down my picks I like them Icelandic And Slavic Oh dear I like them impossible to topple over, No, God— Nevermind; I like them whiter than light snow on a cold night There you go I like them strong— But only in thought forms Keyboard warrior, But I'd like to get her in a choke hold So she'll stop snoring Oh God No Lord— I should win an award for this song I should win an award for this song I should win an award for this song MORGAN FREEMAN (V.O.) ANOTHER nomination. ANDY No way. This is crazy. ANDY spots SUNNI BLU in the crowd, looking stressed. ANDY (CONT'D) SUNNI, Do you have the academy on your payroll? SUNNI BLU (Shouting over the music) Ask the accountant? A stereotypical SUPER JEW ACCOUNTANT, complete with a large yarmulke and clutching a ledger, scurries past. SUPER JEW ACCOUNTANT actually, surprisingly, I think you're on theirs! See! SUNNI BLU Seriously?!! That's not anti semitic at all. (It's not, it's pro-semitic) More Jews and Rosecurucians More Jews and Rosicrucians! I took a bite out of you, And now I want my life back! Sharks. (And surfboards) More news and prosecutions More blues and resurrections More impossible erections Interject— —I should probably call a doctor. It's been way more than four hours. I have way more than four houses— I've way more than four flowers, I've way more than four dollars— I've way more than four collars with sparkles on them. I wear cargo pants for the ride home though. No homo. CUT TO: INT. HEADQUARTERS INTERROGATION ROOM - DAY CC (NATALIE PORTMAN, though not explicitly stated) enters the stark interrogation room. A MAN sits at a metal table, wrists chained. CC sits down opposite him, calm and composed. MAN I… am a trained assassin. CC That's— impressive. MAN There are people who want to murder you. CC Now I'm impressed with myself. MAN Is that so. CC Yes! Ah. Delighted, actually. MAN Who are you? CC “A charismatic number” writes the New York Times review of my most recently cherished endeavor. Which means for once in your life you might have actually been on time. Or just late enough, or just early enough, or— you know. It starts where I get there, or they were just waiting for me anyway. You know. Or you don't. MAN I don't. CC Then you should have plenty of time for self study between now and your execution. MAN Hah! My execution?! That's where this is heading. CC What about yours? MAN What about it? CC Have or haven't you been following along that this is what I've ultimately desired. My suffering ends in peace with knowing that you, too, shall cease to exist. INT. OBSERVATION ROOM - DAY Other DETECTIVES watch the interrogation through a one-way mirror, their faces grim. DETECTIVE 1 What could possibly be going on in there? DETECTIVE 2 Anything. DETECTIVE 3 I wonder what she's saying. DETECTIVE 1 Anything. DETECTIVE 2 Looks like she has him cornered. DETECTIVE 3 Maybe. DETECTIVE 1 Jesus, can you speak in anything more than one word sentences. DETECTIVE 2 No. BACK IN THE INTERROGATION ROOM, a heavy silence hangs in the air. MAN …Natalie? CC You wanted “CC” so I'm “CC” The MAN strains against his restraints. MAN Who who's this?! CC (V.O.) Suddenly my love affair with words and art and theatrical thoroughfare was coming to an end. This was something of a disaster set against the backdrop of a really real world— a world that seemed not to want me in it. CUT TO: EXT. NEW YORK CITY STREET - DAY LIZ LEMON (TINA FEY) walks down a crowded street, furiously dialing her cellphone. LIZ LEMON (Into phone, angry) Hello? CUT TO: EXT. MARDI GRAS PARADE - NEW ORLEANS - DAY TRACY JORDAN (also TINA FEY, in elaborate Mardi Gras attire) is on a vibrant parade float, throwing beads to the cheering crowd. His phone rings. TRACY JORDAN (Into phone, jovial) WHERE ARE YOU?! I'm on my way to the parade! LIZ LEMON (O.S.) I'm AT the parade! Where are YOU? TRACY JORDAN Not that parade! Mardi Gras! LIZ LEMON (O.S.) MARDI GRAS?! TRACY JORDAN Yeah! LIZ LEMON (O.S.) WHY?! YOU'RE SUPPOSED TO BE ON A FLOAT— In NEW YORK CITY— In 22 MINUTES. TRACY JORDAN Don't worry, I'll be there. LIZ LEMON (O.S.) YOU'LL BE THERE?! You're at a parade! In New Orleans! TRACY JORDAN It's Mardi Gras! LIZ LEMON (O.S.) I KNOW ITS— Tracy hangs up. He grins at the crowd and throws more beads. FADE OUT. {Enter The Multiverse} [The Festival Project.™] COPYRIGHT © THE FESTIVAL PROJECT 2019-2025 | THE COMPLEX COLLECTIVE. © ALL RIGHTS RESERVED. ©

First actual mix in a long time, hope you guys enjoy. This is my first mix with 99.9% Original -Ū. music only with the exception of the intro for dramatic effect. Hope you guys enjoy it. Thanks for listening. Here's a screenplay of enter the multiverse to coincide with the commemoration of the SNL 50's anniversary/ L E G E N D S crossover. Fun Fact: The First appearence of Liz Lemon in this show {Enter The Multiverse} is in season one, which first aired in May of 2021. The 1st and subsequent seasons will soon be avalible for reading and listening on my website https://www.iamu.guru. Enjoy this mix and the avaliable downloads you'll find there and stay tuned for upcoming stuff. Just a reminder, all of my content is totally free for download. If you enjoy this series, drop a like and subscribe and follow on your favorite streaming platforms and all of my channels. Thanks for your continued support and listens/reads. Happy Passover; blessings and peace to you. -blu. INT. ALIEN SPACESHIP - DAY The cramped, metallic interior of an alien spacecraft. Two bizarre, multi-limbed ALIENS are locked in a furious argument. The sounds are not words, but a cacophony of distorted electronic noises. ALIEN 1 (A series of rapid, high-pitched BLIPS and WHIRS) ALIEN 2 (A deep, guttural GROWL followed by a drawn-out, wavering TONE) ALIEN 1 BLIM-BLIM-BLIM-BLIM— FLAU—FLAU—FLAU! ALIEN 2 —————EeeeeEeeeeeEEEEEEEEENNMMMMMMMMMNGGGGGGGGG!!! ALIEN 1 Wfuh! Alien 2 makes a highly offensive hand gesture. Alien 1 responds with a highly offensive gesture using another body part. Suddenly, RACHEL DRATCH, dressed impeccably and radiating an air of cool detachment, enters the scene and calmly observes the arguing aliens. RACHEL DRATCH (To herself, almost a whisper) Well, this is… something. CUT TO: INT. ROCKEFELLER PLAZA - SUNNI BLU'S OFFICE - DAY SUNNI BLU, sharp and impeccably dressed, stares with wide eyes at a ridiculously large ELECTRICITY BILL. Sunlight streams through the massive windows overlooking Rockefeller Plaza. SUNNI BLU (Muttering) Since when did keeping the lights on cost this much? Absorbing ConEd was supposed to *save* money. Suddenly, a disembodied VOICE echoes in the room. VOICE (V.O.) You will fail this test. SUNNI BLU (Startled) There's a test?! What test?! VOICE (V.O.) It came with a lesson— you didn't think there was going to be a test. CUT TO: EXT. THE LONELY ISLAND CLIFF - DAY ANDY (ALEKSI), dressed in surprisingly clean white robes despite the precarious location, stands on the edge of a towering cliff overlooking a vast ocean. He takes a running leap off the edge. ANDY —NO… He plummets downwards for a beat. Then, with a gentle WHOOSH, he lands perfectly upright on the sandy beach below. ANDY (CONT'D) I told you I could stick the landing. ALEKSI (V.O.) It wasn't always The Lonely Island… CUT TO: INT. HEAVENLY WAITING ROOM - DAY ALEKSI (ANDY SANDBERG), now with subtle, mischievous angelic wings, winks directly at the camera. ALEKSI guardian angel. TINA (O.S.) Whatever. Tina FEY, also with small, slightly more exasperated-looking wings, enters. ALEKSI winks extra harder at her. ALEKSI Hello. TINA Oh my God! ALEKSI I wish! At this point, I wish— unfortunately, those aren't the types of wishes I'm in charge of overseeing. A large, ornate PACKAGE appears unexpectedly at TINA's feet. TINA (CONT'D) When something appears unexpectedly at your doorstep, it's called a windfall, right? ALEKSI Yeah. I think that's what this is. TINA And when it's something you really need, it's a gift from God. Isn't it? ALEKSI Something like that. TINA Honestly, I thought it was just a gentler way of letting me know I was ugly— after a particularly horrible photo opportunity at the airport. ALEKSI —wow. TINA I had just been up for 72 plus hours straight and only slept something like 4 or 5–but of course— FLASHBACK: INT. AIRPORT SECURITY - EARLY MORNING A haggard and disheveled TINA sits slumped on a lopsided BEANBAG in the middle of the bustling security line. Bright lights shine in her face as various machines WHIR and BEEP, scanning her. TINA (V.O.) This was staggered sleep from atop a lopsided beanbag. TINA (Muttering) Agh, God! TINA (V.O.) I've been getting used to having lights shined in my face for awhile now. Still, I was not so ready for a full work up of my biometrics in this early morning crusade to Los Angeles. A stern-faced AGENT approaches her. AGENT The Agency thought you were terminally ill. TINA Terminally? Geez. The AGENT clears his throat. AGENT Consider this as, ah— Hm. Ojo translates directly to Eye. Doesn't it? TINA I see you. AGENT Undoubtedly. —an incentives. TINA I don't need anymore incentives, Captain. I need income. AGENT Oh, I'm the captain now? TINA You were always the captain. AGENT This is news to me. TINA News to the News. That's something new. AGENT Nothing is new. TINA But it's news to you. Sarcasm. I need a paycheck. AGENT Try looking pretty. TINA I tried. It didn't work. AGENT Try…harder. TINA (V.O.) New York had put spots and marks on my faces— a broken blood vessel from fighting some demonized African girl— and I'm sure that was what she was, after all… FLASHBACK: INT. APARTMENT - NIGHT TINA is struggling in a bizarre fight with a shadowy FIGURE. The scene has a surreal, “As Seen On TV” commercial feel. VOICEOVER (V.O.) Who tries to kill you, and then does their hair to be more like yours? That's major weird. TINA Major Tom. SHADOWY FIGURE Yeah. TINA (V.O.) Then again, since moving to New York… Oh, Holy shit. Everything is major weird. A shimmering PORTAL opens in the middle of the apartment. TITLE CARD: AS SEEN ON TV: PART III TINA (Staring at the portal) Where the fuck is part one and two?! SHADOWY FIGURE Maybe it starts at three! TINA Nothing “starts at three” SHADOWY FIGURE Maybe it's like Star Wars! TINA It's not like Star Wars! A CATACLYSMIC SPACESHIP COLLISION and EXPLOSION sound effect. TINA (CONT'D) …it's not like Star Wars. SHADOWY FIGURE Uh huh. It's better than star wars. A giant collective GASP is heard. TINA -_- *the world stops* TINA (CONT'D) -_- Suddenly, all sound ceases. TINA (CONT'D) Woah. That's different. SHADOWY FIGURE There: I fixed overpopulation. TINA But— SHADOWY FIGURE But what? I fixed it. TINA But— weren't some of those fans, also fans of this show. SHADOWY FIGURE Yeah, so? TINA Like an overwhelming majority. SHADOWY FIGURE Majority? Yeah— they're— These are nerds. TINA Fuck. Right. So where did you send them?! SHADOWY FIGURE Uh. Only to heaven. TINA What does that mean. SHADOWY FIGURE Heaven for any Star Wars fan— TINA Where is that. SHADOWY FIGURE The world where all of that stuff— is real. TINA What—what do you mean by that. SHADOWY FIGURE I sent them to Star World. TINA That sounds so fucking gay. SHADOWY FIGURE Cause it is. TINA Fuck. Oh, that's right— Non-star wars fans are sometimes Cynics Read: Major fucking assholes. I guess I fall into that category, eh— a little bit? SHADOWY FIGURE No duh. TINA “No duh.” What part of the nineties was your heyday? SHADOWY FIGURE All of them. TINA Jesus, Tina. You might be ancient. SHADOWY FIGURE I'm dust. TINA Hey— What. Why are you my assistant now. SHADOWY FIGURE Assistant? No. I'm your executive producer. TINA ExeCUTEive producer— you do put the cute in that. SHADOWY FIGURE (Not being cute, unamused, but still very cute) Ugh. Fine. SUDAKIS. JASON SUDAKIS appears CONT'D. And nobody cares, of course Because she is formerly gorgeous (Not no more) I'm standing on four paws I'm studying your laws If this was your office I'm your boss And I caught you taking your clothes off You're boring, I started to doze off Don't call me no more, hoe So now your broke You started a war slamming doors Because you can't find no more work Hoe Karen and Becky are probably blessings Cause they do not get me But I'm doing better and yet They are starting to sweat cause I'm starting to flex They're slamming the door They're starting a war They never been homeless before Or hungry and poor But no peace of mind? It's fine I'll probably find in time That they crossed the line And get left behind The red dots are trying To plot I'm crying a lot, I'm out of the box, jack I spring up but I do not pop I'm talking to God, He's telling you off, I'm calling him “her”, She's telling me “Sure, I'm not really sure, But I got the cure for your disease The God of Mercy, Mercy Me I got my first Mercedes in 1993 Look at me. CUT TO: INT. BACKSTAGE - NIGHT A very tall, redheaded SHOWMAN (CONAN O'BRIEN, though slightly off) has just finished a days-long BENDER. He is not the polished figure America knows. He shakily lines up a mysterious white substance on a grimy surface. CONAN (Muttering) Just… need… a little… pick-me-up. A mysterious FIGURE appears silently behind him. FIGURE Feeling better, Conan? Conan looks up, bleary-eyed, barely lifting his head. CONAN (Slurring) I don't know what you're saying. CONAN (V.O.) Apparently, that was the line, and I felt like I was crossing into a strange territory with this, one Conan O'Brien, and almost absolutely certain I was spelling his name wrong, but continued to do so anyway— one, because I refused to look him up, and two— because if ever I entered into a plot hole deep enough the mechanics of my own knowledge of hyper and multidimensional space travels to explain, then having a Conan O'Brien and a Conan O'Brian might become useful. Today, I want useful, because I wanted to go back to sleep with enough energy to still wake up with enough energy to run a mile on the full sized treadmill downstairs. Then, I had day-people things to do— and for whatever reason, this seemed like one of them. It was a welcome deviation from— A boisterous, red-faced MAN stumbles into the room. MAN O'Fallon, you old coot! CONAN (Confused) Oh year. MAN I told you the Irish were coming. *the fighting Irish. CONAN Ah yes, the fighting Irish— CONAN (V.O.) Apparently, this was some centuries long kind of battle between ancient clans//and so, I did my very best o find my way out of it, until A fierce, heavily tattooed WOMAN bursts in. WOMAN MUNROE!!!!! (V.O.) —i was found out. My surname was Scottish, but nonetheless, it was a fied older than borders were, anyway. CUT TO: EXT. MUSIC FESTIVAL - DAY A chaotic, vibrant music festival. ANDY (ALEKSI) approaches a gruff-looking SECURITY GUARD. ANDY Yo. SECURITY GUARD What's good. ANDY What's your deal with the KKK, anyway? SECURITY GUARD (Scoffs) I like them. They're funny. ANDY They— want to kill you. SECURITY GUARD That doesn't make them any less funny. In fact, now they might be more funny. ANDY Are you serious? SECURITY GUARD No, I'm funny. I like them blonde, Tall, dark skinned, Woah, scratch that. Narrow down my picks I like them Icelandic And Slavic Oh dear I like them impossible to topple over, No, God— Nevermind; I like them whiter than light snow on a cold night There you go I like them strong— But only in thought forms Keyboard warrior, But I'd like to get her in a choke hold So she'll stop snoring Oh God No Lord— I should win an award for this song I should win an award for this song I should win an award for this song MORGAN FREEMAN (V.O.) ANOTHER nomination. ANDY No way. This is crazy. ANDY spots SUNNI BLU in the crowd, looking stressed. ANDY (CONT'D) SUNNI, Do you have the academy on your payroll? SUNNI BLU (Shouting over the music) Ask the accountant? A stereotypical SUPER JEW ACCOUNTANT, complete with a large yarmulke and clutching a ledger, scurries past. SUPER JEW ACCOUNTANT actually, surprisingly, I think you're on theirs! See! SUNNI BLU Seriously?!! That's not anti semitic at all. (It's not, it's pro-semitic) More Jews and Rosecurucians More Jews and Rosicrucians! I took a bite out of you, And now I want my life back! Sharks. (And surfboards) More news and prosecutions More blues and resurrections More impossible erections Interject— —I should probably call a doctor. It's been way more than four hours. I have way more than four houses— I've way more than four flowers, I've way more than four dollars— I've way more than four collars with sparkles on them. I wear cargo pants for the ride home though. No homo. CUT TO: INT. HEADQUARTERS INTERROGATION ROOM - DAY CC (NATALIE PORTMAN, though not explicitly stated) enters the stark interrogation room. A MAN sits at a metal table, wrists chained. CC sits down opposite him, calm and composed. MAN I… am a trained assassin. CC That's— impressive. MAN There are people who want to murder you. CC Now I'm impressed with myself. MAN Is that so. CC Yes! Ah. Delighted, actually. MAN Who are you? CC “A charismatic number” writes the New York Times review of my most recently cherished endeavor. Which means for once in your life you might have actually been on time. Or just late enough, or just early enough, or— you know. It starts where I get there, or they were just waiting for me anyway. You know. Or you don't. MAN I don't. CC Then you should have plenty of time for self study between now and your execution. MAN Hah! My execution?! That's where this is heading. CC What about yours? MAN What about it? CC Have or haven't you been following along that this is what I've ultimately desired. My suffering ends in peace with knowing that you, too, shall cease to exist. INT. OBSERVATION ROOM - DAY Other DETECTIVES watch the interrogation through a one-way mirror, their faces grim. DETECTIVE 1 What could possibly be going on in there? DETECTIVE 2 Anything. DETECTIVE 3 I wonder what she's saying. DETECTIVE 1 Anything. DETECTIVE 2 Looks like she has him cornered. DETECTIVE 3 Maybe. DETECTIVE 1 Jesus, can you speak in anything more than one word sentences. DETECTIVE 2 No. BACK IN THE INTERROGATION ROOM, a heavy silence hangs in the air. MAN …Natalie? CC You wanted “CC” so I'm “CC” The MAN strains against his restraints. MAN Who who's this?! CC (V.O.) Suddenly my love affair with words and art and theatrical thoroughfare was coming to an end. This was something of a disaster set against the backdrop of a really real world— a world that seemed not to want me in it. CUT TO: EXT. NEW YORK CITY STREET - DAY LIZ LEMON (TINA FEY) walks down a crowded street, furiously dialing her cellphone. LIZ LEMON (Into phone, angry) Hello? CUT TO: EXT. MARDI GRAS PARADE - NEW ORLEANS - DAY TRACY JORDAN (also TINA FEY, in elaborate Mardi Gras attire) is on a vibrant parade float, throwing beads to the cheering crowd. His phone rings. TRACY JORDAN (Into phone, jovial) WHERE ARE YOU?! I'm on my way to the parade! LIZ LEMON (O.S.) I'm AT the parade! Where are YOU? TRACY JORDAN Not that parade! Mardi Gras! LIZ LEMON (O.S.) MARDI GRAS?! TRACY JORDAN Yeah! LIZ LEMON (O.S.) WHY?! YOU'RE SUPPOSED TO BE ON A FLOAT— In NEW YORK CITY— In 22 MINUTES. TRACY JORDAN Don't worry, I'll be there. LIZ LEMON (O.S.) YOU'LL BE THERE?! You're at a parade! In New Orleans! TRACY JORDAN It's Mardi Gras! LIZ LEMON (O.S.) I KNOW ITS— Tracy hangs up. He grins at the crowd and throws more beads. FADE OUT. {Enter The Multiverse} [The Festival Project.™] COPYRIGHT © THE FESTIVAL PROJECT 2019-2025 | THE COMPLEX COLLECTIVE. © ALL RIGHTS RESERVED. ©

Follow-up time! We did some boots-on-the-ground reporting, and so did you: We have updates on anxiety bookshelves, Santa, calendar systems, PowerPoints as gifts, and (but of course) Kuromi..   Delighted to spot Kuromi in the flash tattoo folder at Haven Tattoo Studio!   If you're heading to the theater soon, we highly recommend seeing Buena Vista Social Club and Grief Camp—and you'll find us at LaGuardia High School's All-School Musical come December!    Do you have any updates on our updates? Share ‘em at 833-632-5463, podcast@athingortwohq.com, @athingortwohq, or our Geneva.   Learn from the greatest (and most charming) with MasterClass and an additional 15% off any annual membership when you use our link. Get growing with Fast Growing Trees. Take 15% off your first purchase with the code ATHINGORTWO. Sleep better and get 20% off your Helix mattress when you use our link.  Give your hair some love with Nutrafol. Take $10 off your first month's subscription with the code ATHINGORTWO. YAY.

Lucas Giolito has a Pokemon tattoo and Scheim can't love him more

The Mullins family and Nick Rockett grabbed the headlines last weekend winning the Grand National but what about the rest of the Aintree Festival. Ross Millar is on hand to run through all the races from the festival and pick out his horses to follow moving forward.Horses to followBoombawn DjeloInedit StarPrimozCaldwell PotterWade OutRoyal InfantryKamsinasImperial SaintRichmond LakeKilwaughter - bumper eye catcherDownload SBK: https://betsbk.comFollow us on X (Twitter) - https://x.com/sbkFollow Ross on X (Twitter) - https://x.com/rosscojmill Hosted on Acast. See acast.com/privacy for more information.

When you're a business owner, you struggle so much with cash flow. It seems when we have these conversations with so many different business owners, one of the biggest questions we get all the time has to do with various elements of cash flow. These questions come to us at different times and in different ways. Hey, it's Scott Beebe with Business on Purpose. Delighted to bring you some content that I think could be encouraging and helpful to you around this idea of cash flow. Before I dive into this, one thing I want to let you know is if you're not living a life of generosity—and I'm talking about monetary generosity, not just other types—you will always, always struggle with money. There's a sort of spiritual law around this. You can go back millennia and realize that money is one of the top topics discussed in all of history. A lot of it has to do with the fact that we're not taking parts of it, cutting them off, and moving them to other places. We've got to be mindful of this idea of generosity. But we also have to ask the question: Why do we not have as much money as we think we should as business owners? I want to walk you through this. To demonstrate the importance of understanding the full fiscal picture, I want to discuss an example about a man I'll call Steve. This is a real client of ours, but I've changed his name. Steve owns an $8 million high-end new construction home-building business in California—a tough state for building due to strict credentialing regulations. This context sets the stage for the financial challenges he was going to face as 2020 began. You might think, "Well, that's a pretty old example." Yes, but I'm using it because the pandemic made things even harder. Even though many construction companies started booming, cash flow issues persisted. Steve, like all of us, was unaware of the impending pandemic, but his financial situation was already precarious. At the end of 2019, we examined his cash position and suggested subdividing his bank accounts to better track and manage his finances. Steve trusted the advice, and we set up several accounts—about six or seven—including an all-income account, a profit account, an operating expense account, an owner's compensation account, a capital expenditure account, a tax account, and a few others. Initially, Steve believed he had a comfortable cash balance. He looked at his one bank account and saw $160,000 to $170,000. That might seem substantial to some, but for running an $8 million home-building company—where upfront cash is needed for projects—it was quite lean. As we broke down the balance, his true financial picture started to emerge. We explained that a large portion—about 80%—would go to the cost of goods, including labor and materials. The realization was eye-opening for Steve. He knew the number but had never thought about it in these terms: for every dollar that comes in, 80 cents goes right back out. We also pointed out the need to set aside funds for taxes, reinvestment, equipment, operations, payroll, and other necessary expenses. After segmenting the $160,000 to $170,000, the stark reality became clear—Steve really only had about $32,000 of available cash to run his $8 million company at the start of a pandemic year. The revelation was shocking but crucial for understanding his position. His scenario illustrates a common issue among small business owners, especially those with 3 to 100 employees. Many believe they have more available cash than they do because they fail to account for upcoming expenses and obligations. By breaking down the numbers and allocating funds to specific accounts, business owners can gain a clearer picture of their financial health and make more informed decisions. For Steve, this realization came just in time. With the pandemic looming, having a precise understanding of his available cash allowed him to navigate the challenging months ahead. This experience underscores the importance of proper financial management—what we call the past, present, and future view. I'll talk more about that in an upcoming podcast, but for now, let's focus on subdividing multiple bank accounts. Instead of putting all your money into one account, break it up. Why? If you put popcorn in one big bucket, you'll eat all of it. But if you spread that same volume of popcorn across 10 buckets, you'll feel guilty by bucket six and slow down. Once we identified the problems, we focused on improving Steve's cash balance. The key question became: How do we generate money that can be used for profit, bonuses, incentives, and essential business activities while maintaining generosity? We wanted to position him for radical generosity. To simplify the process, we focused on tracking his cash balance weekly. We enlisted his in-house administrator to monitor the bottom-line cash balance, considering all expenses, including the cost of goods and profit. We calculated an eight-week rolling average to prevent cherry-picking favorable numbers. Initially, Steve's weekly rolling average was $81,000. Fast forward a year—despite the pandemic, a drop in revenue from $8 million to $7 million, and a six-week municipal construction shutdown—his rolling eight-week cash balance grew from $81,000 to $320,000. Four to five years later, the business is now projected to generate $17-18 million in revenue. Not only has revenue increased, but the cash balance has grown substantially. Today, his average rolling cash balance is between $800,000 and $1.3 million every week—before accounting for costs and expenses. The transformation has been extraordinary. When asked what he did differently, Steve humorously says, "I think it's voodoo." But it's not—it's simply the psychology of money. Subdividing your bank accounts and understanding financial behavior can lead to profound results. His case illustrates the power of consistent tracking and focusing on cash balance. By maintaining a vigilant eye on finances, making informed decisions based on real-time data, and having a heart for generosity, businesses can withstand unexpected chaos and achieve remarkable growth that benefits many beyond just the owner. This story is in my new book, The Chaos Free Contractor, available on Amazon. Also, if you want to check the financial health of your business, visit mybusinessonpurpose.com/healthy and take a five-minute assessment to see how the behavior of money is affecting your business.   Take our Healthy Owner Business Assessment HERE ➡️ https://www.boproadmap.com/healthy SIGN UP for our Newsletter HERE ➡️ https://www.boproadmap.com/newsletter For blogs and updates, visit our site HERE ➡️ https://www.mybusinessonpurpose.com/blog/ LISTEN to the Business On Purpose Podcast HERE ➡️ https://podcasts.apple.com/us/podcast/my-business-on-purpose/id969222210 SUBSCRIBE to our YouTube channel HERE ➡️ https://www.youtube.com/channel/UCbPR8lTHY0ay4c0iqncOztg?sub_confirmation=1

Delighted to have Andrew Doyle back on the show. I picked his sizeable cultural brain about everything from Labour's lack of a political soul, to mainstream media thinking all boys need to do is cry & what actually is Keir Starmer.  In the Patreon only we discuss the rise of what's being called the 'Woke Right'. CATCH ME ON MY TOUR ‘Basic Bloke 2: There's No Bloke Without Fire'. Book tickets here: https://www.livenation.co.uk/geoff-norcott-tickets-adp1252793 Watch my STAND-UP SPECIAL 'Basic Bloke' on ITVX:  https://www.itv.com/watch/geoff-norcott:-basic-bloke/10a6363a0001B/10a6363a0001 Order the PAPERBACK EDITION of my book: https://www.amazon.co.uk/British-Bloke-Decoded-Everything-explained/dp/1800961308/ref=tmm_pap_swatch_0?_encoding=UTF8&qid=&sr= JOIN the Podcast Patreon and receive each episode early, AD-FREE & with bonus content https://www.patreon.com/geoffnorcott?fan_landing=true  Join my MAILING LIST for priority Tour booking & special offers https://signup.ymlp.com/xgyueuwbgmgb Watch my COMEDY SPECIAL on YouTube https://youtu.be/YaxhuZGtDLs  Learn more about your ad choices. Visit podcastchoices.com/adchoices

Joe and Andrew are devastated that Allen's have discontinued their teeth lollies. Carlo disagrees and lists the many lollies he believes are more worthy of saving. Also — our favourite Paddle Pop and energy drink flavours (how well do you know us!?), and we reflect on our time as Moomba monarchs, including Joe's close call with a toilet! See us live on our 'Home Made Encore Tour'! Grab your tickets at sooshimango.com CREDITS Hosts: Joe Salanitri, Carlo Salanitri, Andrew Manfre Producer: Liza Altarejos Audio Imager: Nat Marshall Follow the Sooshi Mango Podcast page on Instagram @sooshimangopodcast and on Tiktok @sooshimangopodcast See omnystudio.com/listener for privacy information.

Bozoma Saint John explains why Kyle Richards should be more honest about her feelings, even if they aren't fair.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

From Lost In Eros – Book 1Another Day of DiscoveryIn 10 Parts By BradentonLarry.  Listen to the Podcast at Explicit Novels. “Do you know where my clothes went?” Don asked  the chamber maid.“They have been collected for the laundry.”“Ah, well, that's fine.”“You may get more from the wardrobe anytime,” Deidre said as she led him toward the door.“That's good to know. So, where did the Lady go exactly?” Don asked. He had seen enough vampire movies and television shows to be wary of hosts that entertain you through the night but are nowhere to be seen in the morning.“She spends time in the garden, goes swimming, and then makes rounds of the Manor with the Lord.”“Swimming?”“In the pool,” Deidre smiled at him.“Of course,” Don said, “I should have guessed there'd be a pool.”“There are three pools that I know of.”“Naturally,” Don chuckled. “So, this garden; I suppose you could take me there?”“Well, I am supposed to take you back to the ballroom,” she said with the hint of a frown on her brow.“But after that, when my friend gets there, could you take us to the garden?”Deidre did frown at this suggestion. “I really should return to my Lady's chambers. In case she needs me.”“I understand,” Don said, “but what about this? It can't take too long to get to the garden, can it?”“Well, probably not.”“Probably not?”Deidre shrugged adorably.Don decided to soldier on with, “Well, say I had slept longer, or we had taken longer to play, ”“You did take longer than I expected,” she pointed out.Don smiled, “Okay, so even longer, wouldn't you then be returning to the Lady's chambers even later than you will now?”Deidre considered this for a moment, and said, “I suppose so, yes.”“So, if it doesn't take long to take us to the garden, it would not be unreasonable for the Lady to think you would be busy for so long.”“You have a point, Don. Very well, if your friend is waiting for you in the ballroom, I will take you to the garden.”“Thank you, Deidre the beautiful and fair,” Don bowed. This made Deidre giggle a little, and Don thought he could develop quite an infatuation for this lovely young woman.All these negotiations were in vain, though, for in the next minute when they came into the ballroom Toshia was nowhere to be seen. Don couldn't see her at the table opposite the doors, or in the alcoves to either side, though there were a number of people still sleeping and otherwise quietly engaged.Don shrugged, and Deidre kissed him again, almost chastely considering their earlier activities, and left him to wait.Don watched as a small troupe of butlers and maids (the latter in French maid outfits, of course) moved systematically through the ballroom, collecting stray bits of clothing, apparently for laundering. Another contingent turned up to clean, sweeping and wiping efficiently and almost mechanically. He saw some butlers heading toward the food tables by the doors, and moved quickly to get there first.“Hold on a moment, guys,” he said as he grabbed an apple, an orange, a couple of bananas and a bunch of grapes. He cradled all of these in his arms and also managed to carry two full glasses of the delicious water over to the big table where he was to wait for Toshia, which had already been cleared of fruit. Setting aside the orange, a banana, the grapes and one of the glasses of water for Toshia, Don ate the other banana, and drank some of his water. Like the night before, he felt strangely invigorated by the water and satisfied by the fruit. Looking around, the only trash bin he could see was back by the doors, so he took his apple and the banana peel and headed over to it. Once the peel was disposed of, he bit into the apple and started to stroll back across the dance floor.He wasn't surprised that the fruit was crisp and juicy, as well as the most delicious apple he'd ever had. Chewing it, he wandered over to the alcove to the right of the big table. Relative to the bright sunlight now flooding the dance floor from the windows high above, the alcoves were now, without the benefit of candlelight, relatively darker than the night before. Don took another bite of his apple, and took a step closer to the alcove. There on the big padded platform at the back of the alcove was a group of naked bodies that were obviously not sleeping. Stepping into the darkness, Don thought he could make out parts for at least four different bodies, all female. Don took a step back, checked to make sure none of the cleaners were heading for the food he'd set aside for Toshia and to see if she herself had turned up. Satisfied, and remembering that he had specified the table or the alcoves to either side, Don decided he might as well have a seat and watch the show.He went into the alcove and quietly took a seat on the side bench to the right, thinking he would see if Toshia came in and approached the table. His eyes quickly adjusted to the shadows, and he saw that there were indeed four women there. Closest to him, with her head toward the dance floor and her legs toward the rear of the alcove, was a woman with a beautiful, exceptionally fit back that looked familiar to Don. He actually suspected it was Suzy from the night before. This woman, possibly Suzy, had her right leg up, bent at the knee. Another woman had her face nestled between the first woman's legs, obviously going down on her. Don could only really see the top of this second woman's head. Beyond this, Don could make out legs and arms but couldn't tell clearly what was going on, other than that there were more hands on “possibly Suzy” than just the woman's between her legs. Don thought the whole scene was incredibly erotic, and his stiffening cock agreed.Don took another bite of his dwindling apple, glanced out to see an utter lack of Toshia, and then decided to get a better look of the shenanigans going on in front of him. He got up and moved across the alcove. As he passed, he confirmed that it was indeed Suzy lying on her side. In front of her, kissing her, was the little brunette, Suki, who had lost both her dress and her red bow. Suki and the girl between Suzy's legs formed a kind of triangle. Suki was small enough that she had her right leg, the one on the bed, bent so that it fit in the middle of the triangle. Her left leg was cast over the waist of the woman going down on Suzy. Laying on her left side behind Suki, with her feet toward the dance floor, and her own face between the legs of the woman licking Suzy, was a woman Don was sure was Sandy, also without her ball dress, intently licking at the unidentified woman's cunt.Don stood there watching for several minutes, chewing his apple and idly stroking his cock. He was just about to sit down and get more comfortable when Suki moved away from Suzy's face to kiss and suck at her tits. As a result, Suzy saw Don standing there. She smiled broadly and said, “Hi Don! Jump in!”Don grinned at her, nodded, and set his apple core down on the bench. He was still chewing his last bite as crawled up onto the big section. He leaned down and kissed Sandy's soft ass, and then lay down on his side, basically perpendicular to her, facing the rear of the alcove. He leaned in again and kissed her other ass cheek. She wiggled it in appreciation, and he reached up with his left hand to squeeze and caress it. He parted her cheeks a little and ran his tongue between them. Don then moved his hand up around her right thigh, and gently nudged it upward. Sandy got the idea right away and lifted her leg just as Suzy and the woman Sandy was licking had theirs, bent at the knee. Don scooted in closer and laid his head gently on the inside of Sandy's left thigh, and, without much prelude, slipped his tongue between her cunt lips and into her delicious, moist vagina. He fucked his tongue in and out of her a bit, and then settled in to tonguing her clit steadily. As he did this, he used both hands to caress and squeeze her ass. This went on for several delicious minutes, before Don could hear the sounds of Suzy moaning and repeating, “Fuck yes! Fuck yes!” about a dozen times. This was soon followed by a more muffled set of moanings, which Don thought must be the woman between Sandy's mouth and Suzy's cunt. Don continued to lavish Sandy's clit with his tongue's affection throughout all of the commotion.Soon, though, there was a general shifting of bodies, as the women struggled to find a new, fun configuration. Sandy reached down to gently push him away, but as soon as he moved far enough, she scrambled around so that her leg was out from under his head, and then she pushed him back down so that he was on his back and straddled his face. Delighted with this turn of events, Don got his hands on her ass again and pulled her cunt down to his eager mouth. He went right back to what he'd been doing, licking and sucking at her clit. Looking up, he could see Suki's perfect little tits as she leaned over to suck on Sandy's tits.Then Don was a little surprised to feel a hand taking hold of his cock, and then less surprised when the hand was followed by a mouth, licking up the shaft, then sucking on the head and then moving up and down on him. He found himself thinking, ‘Okay, so there is a heaven,' as he concentrated on Sandy's clit, trying to ignore the wonderful sensations on his cock. It wasn't long before Sandy was pushing down hard on his tongue, and then she was coming; trembling and moaning as she rode his tongue as long as she could stand. Ultimately, though, shaking and giggling a little, she fell off his face to the side. Suki's upside down face was smiling down at him, and by rolling his head back he could see that while Sandy had been over him Suki had been sitting on Suzy's face.Don's attention was drawn from this erotic sight by the fact that his cock was no longer being sucked, and someone was now straddling him. He quickly looked down, and saw none other than Toshia, who had his hard cock in her hand and was rubbing it between her legs, getting it into just the right position. She grinned at him and said, “Good morning, Don.”Toshia shares the morning fun with Don & the girls.Toshia woke up with a smile on her face. She threw the covers off her and stretched. She looked around a little and saw the morning light coming through the windows into the Lord's bedroom. She felt well rested and physically content. Today she and Don would try to get home, but for right now she would just lie here for a moment and bask in the afterglow of a day and night of intense sex; and lots of it! She sighed happily as she felt warm hands moving over her thighs, pushing them apart. She parted her legs willingly, and shivered a little as she felt hot breath on her exposed cunt. Fingers stroked her, and she knew at once that it was not the Lord between her legs. She thought the appropriate response to this was probably shock and indignation. Certainly this was her reaction the day before when she woke up next to Don and felt his fingers between her legs. Now, though, she didn't really mind who was touching her as long as they kept doing it so well. Besides, she thought, it's probably Don anyway, and I want him to lick me. She felt a mouth on her then, and the fingers opened her up. A soft, strong tongue delved into her and over her. She shuddered and murmured, “That's nice.”She parted her legs further, and felt masculine hands take hold of her upper thighs, holding her against the mouth that was now making love to her cunt and clit. Toshia sighed again, relaxing into the bed. Her hands moved over her own body, caressing it. She held onto her tits and squeezed them. A tremor passed through her and she arched her back a little. Turning her head to the side, she caught a glimpse of the wall through which she could still see the Lady's room. She could make out a woman lying there with her back to the window-wall. The woman had long red hair, so it wasn't the Lady. Toshia could see a man's shoulder and part of his back past the redhead's body. Though he was now with some other woman, Don was still in that room.A moment of anxiety came and went quickly, replaced by curiosity. She looked down to see the beautiful young man who had helped bathe her last night, before she had blacked out from exhaustion. His hair was light brown and cut short. Toshia could see his muscular back and cute ass. He kept licking at her clit, and a shiver ran through her. Toshia decided that she wouldn't protest for another few minutes. Lying back again, she squeezed her tits tighter and let the sensations fill her. Soon a shuddering orgasm racked her body and left her grinning up at the ceiling.The young man took his mouth from her, and climbed up to look down at her. His face was wet with her juices. She laughed and reached up to take his face in her hands. She sat up enough to kiss him on the mouth, playfully licking some of her wetness from his face.“That was wonderful,” she said, “now lie down and let me return the favor.”The young man promptly did as he was told, and Toshia quickly got up into position so she could lean on his belly. She took his cock in her hand and sucked the head of it. It wasn't as big a cock as the Lord's, so she was able to get more of it into her mouth. Toshia thought it was about the size of Don's, and for some reason this made her happy. She thought this might be good practice for later. She liked the feeling of it sliding over her lips and against her tongue. As she worked her mouth up and down on him, she moved her hand up and down on the base of the shaft. She tried to see how far she could get it down her throat, but that didn't work too well at first. She went back to sucking on just the head, and then decided to try again. Other women did it, so she should be able to do it. The angle was good here, and she had control over everything, so she gave it another shot. Deliberately relaxing, she slid down on the shaft. She felt her throat closing around the head, and paused. She breathed through her nose and relaxed. Down a bit further, pause, and a bit further. Soon she found that her hand was caressing the young man's balls, and her lips were around the base of his cock. She squeezed his balls a little and swallowed, which was a very strange sensation; but not an unpleasant one. She slowly pulled back, sucked on the head some more while stroking his cock vigorously. The shaft was now very wet with her saliva, and her hand moved easily up and down on him even though she was holding him very tightly. She went back down, taking him into her throat much easier, pausing only once on the way. The next time she went all the way down in one steady motion.I wish I could see myself, she thought to herself, and then, I wish Don could see me!She backed up off the shaft, and went back to sucking mostly just the head and stroking the shaft intently, almost furiously. Finally, this was too much to resist, and the cock in her fist and mouth erupted with a jet of hot, delicious cum. Toshia swallowed and swallowed again, slowly pumping the cock with her hand and sucking greedily. When she was sure she'd gotten as much as the young man had to give, she reluctantly took her mouth off him, gave the head a parting kiss, and lowered the cock to his taut belly.Toshia sat up on her haunches and looked down at the blissful young man. “Good morning, I'm Toshia.”“Hello, milady,” the young man said, “I'm Jason, the Lord's acolyte.”“Very nice to meet you, Jason,” Toshia grinned. “You sure know how to wake a lady with style.”“Thank you, milady.”“So, where is his Lordship?”“He is attending to his morning duties,” Jason said, sitting up. “He left me to wake you pleasurably, and to escort you back to the ballroom.”“Well, so far so good,” she said. “Where's my dress?”“Your clothes have been taken to the laundry, milady,” Jason said. “You may get more from the wardrobe if you like.”“No, that's alright,” Toshia said as she got up off the bed. “I'm kind of getting used to running around here naked.”“Most people do,” Jason said. He got up and picked up and put on a dark blue robe, much like the one the Lord had worn the night before, only smaller.“So, Jason, while we're going to the ballroom, tell me about these ‘duties' of the Lord's, and explain to me just what an ‘acolyte' is.”Jason's answers to these questions were not much different from the ones Deidre would soon be giving Don. The Lord's morning routine did not include a trip to the garden, though, so she did not try to get Jason to lead her there. In any case, she knew Don was still in bed and not waiting for her in the ballroom.When they got to the ballroom, she said goodbye to Jason, and then paced around the ballroom. She was amused to see the number of garments just cast aside during the night. She looked in on the alcoves in curiosity. There were quite a few bodies there sleeping soundly. She saw a woman giving a man a blow job, and another couple quietly fucking in a corner. Then, in the alcove to the right of the big table where she was supposed to meet Don, she saw a group of women lying there with arms and legs intertwined, making out with each other and with their hands playing with whatever was in reach. Don better hurry, Toshia thought to herself. She looked back over her shoulder to see if Don had come into the ballroom, and while she was looking away, she heard a familiar voice say, “Hey, it's Toshia!”She turned around to see the three women in front of her looking at her. She grinned and said, “Hi, Suzy, Suki and Sandy.”“We've been waiting for you,” Suki said.“Well, not just waiting for you,” Suzy added. “How was your night with the Lord?”Toshia laughed, “It was fun.”Sandy sat up and asked, “Did his big cock break your cunt?”“Um, not that I can tell.”“Well, it sounds like you better bring it over here so we can check it out for you,” Suzy said.Toshia took one last look over her shoulder; still no Don; and then realized this was one of the designated alcoves anyway. With a grin and a shrug she climbed into the alcove. Hands pulled her into the pile of female flesh, and then mouths and hands were all over her. She had someone's tits in her face and, she was sure, someone else's fingers between her legs, and then someone else's fingers between her ass cheeks, teasing her asshole. Then Suzy, asserted some measure of order, saying, “Hold on, girls, we have to check this poor woman's cunt.”“I was working on that,” Sandy said. Apparently it was her fingers inside Toshia at the moment.“Well, you've got to do it right,” Suzy said. “Lie down on your back, Toshia.”Laughing, Toshia rolled over onto her back, almost surprised to find that she didn't land on Suki in the process. She spread her legs to be checked out. Suzy sat up near Toshia's head and stroked her hair.“Okay,” Suzy said, “Since you're so eager, you go first, Sandy. Get down there and have a look.”Sandy happily crouched down between Toshia's legs. After just a moment, she said, “Well, it looks alright.”“Proceed to the next level,” Suzy commanded.Toshia felt Sandy's fingers stroking her labia, and then parting them. She sighed when she felt Sandy pushing two fingers up inside her. Those fingers moved in and out and stroked the insides of her cunt. Toshia writhed a little under the attention. While this was going on, Suki moved around to kneel down by Sandy so she could get a closer look.“Feels Okay, too,” Sandy reported.“It certainly does,” Toshia murmured.“Taste test,” Suzy ordered.Sandy took her fingers out of Toshia, only to replace them with her tongue. She slowly tongued every part of Toshia's cunt and labia that she could reach, and then sucked on her clit. Toshia shuddered.“Tastes very good,” Sandy said, “but I don't think I detect any of the Lord's cum.”Toshia laughed, “He didn't come there.”

Pastor Taylor encourages us with this message by emploring us to not only share the Gospel & the Good News, but to share our story and testimony with others, to show God's goodness everywhere we go.Follow us on Instagram @reallifechurchwa

Who is Len?Len Bruskiewitz is a seasoned advisor specializing in strategic exit planning for small to mid-sized business owners. With a focus on businesses generating between $1 million and $15 million in revenue, Len understands the critical importance of having a written exit plan. He is passionate about helping entrepreneurs navigate the complexities of succession planning, especially given that approximately 60% of business owners lack a formal plan. Len emphasizes the necessity of being proactive, as waiting until a traumatic event or a sudden desire to exit can often be too late. Through his expertise, he guides his clients to ensure a smooth and profitable transition when they decide to leave their businesses.Key Takeaways00:00 Founders can't scale businesses without delegating decisions.05:00 Failure to document and lack of guidance.09:04 Evaluates current business value and improvement areas.11:19 Found "why" through "The E Myth Revisited."15:53 Dependence on one entity risks business stability.17:30 Daily practices essential for business innovation, diversification.20:43 Subscribe for guest updates and podcast replays._________________________________________________________________________________________________Subscribe to our newsletter and get details of when we are doing these interviews live at https://TCA.fyi/newsletterFind out more about being a guest at : link.thecompleteapproach.co.uk/beaguestSubscribe to the podcast at https://link.thecompleteapproach.co.uk/podcastHelp us get this podcast in front of as many people as possible. Leave a nice five-star review at apple podcasts : https://link.thecompleteapproach.co.uk/apple-podcasts and on YouTube : https://link.thecompleteapproach.co.uk/Itsnotrocketscienceatyt!Here's how you can bring your business to THE next level:If you are a business owner currently turning over £/$10K - £/$50K per month and want to grow to £/$100K - £/$500k per month download my free resource on everything you need to grow your business on a single page :It's a detailed breakdown of how you can grow your business to 7-figures in a smart and sustainable way————————————————————————————————————————————-TranscriptNote, this was transcribed using a transcription software and may not reflect the exact words used in the podcast)SUMMARY KEYWORDSBusiness coach, certified exit planning adviser, business owners, exit plan, business life, retirement, traumatic event, crisis, business challenge, independence, salable company, scaling, founder, decision-making, documentation, systems, automation, business valuation, free advice, business valuation calculator, industry, revenue, profits, readiness, business innovation, Michael Gerber, The E Myth Revisited, recurring revenue, customer base, business buyer, business value, strategic buyer.SPEAKERSLen Bruskiewitz, Stuart WebbStuart Webb [00:00:31]:Hi, and welcome back to It's Not Rocket Science, 5 questions over coffee. Delighted this afternoon to be joined by Len, Len Bruskewitz. I'm gonna get that wrong. Aren't I, Len? But, thatLen Bruskiewitz [00:00:43]:was a good That was a pretty good run. Pretty good run at it.Stuart Webb [00:00:48]:Len is a business coach, and he's a certified exit planning adviser. That's a conversation I'm really interested in having because so many business owners don't think about their exit nearly early enough in their business life. You start a business and then you suddenly realize, there's a crisis in life or there's a time to think about retirement. And then you ask the question, well, how long is it gonna take you to get out of this business? It's nearly always longer than you think. You need to start thinking about this much earlier in your business life.Len Bruskiewitz [00:01:15]:So I think this is going to be a really excellent conversation. And I'm really delighted thatStuart Webb [00:01:15]:Len has made a few minutes in his day to join us to have this discussion. So welcome to It's Not Rocket Science 5 Questions Over Coffee, Len.Len Bruskiewitz [00:01:29]:Great. Thank you, Stuart. I'm I'm, I'm really happy to be here and and, looking forward to sharing some information with, with your viewers and listeners.Stuart Webb [00:01:38]:So I may have sort of cited, already to sort of tee you up on who the person is that you help, but let's just let's just let's just fully understand exactly sort of what the business owner is that you help, how you how you sort of how they should be identifying themselves.Len Bruskiewitz [00:01:55]:Yeah. You you absolutely hit it. You know, if if I think about who my ideal client is, it's a business owner, probably 1 to $15,000,000 in revenue. And the the challenge that they're facing is what you hit upon. About 60% of business owners don't have any kind of written exit plan. And that's a big challenge because as you said, once a traumatic event happens, you know, a death, divorce, disability, it's too late. And it's also too late when you say, I wanna be out of this business in a year. Right? That's it's too late.Len Bruskiewitz [00:02:36]:You need you need some time. Right? And and so that's the biggest challenge I see. Right? But if you think about when when I start working with a client, the biggest challenge that that I have is helping them get independence from their business. Right? You know, if it's the case where every decision runs through them, everything to run the businesses up in their head, nobody else can can do anything, that ends up leading to a company that's worth next to nothing, unfortunately. So that's, yeah, that's the biggest challenge. Once I start working with somebody is to get them to back away, from the day to day and and, you know, let make the company salable.Stuart Webb [00:03:22]:Yes. Interesting interesting line. You've you've used a couple of real key terms because I deal with businesses who are sort of really scaling, and they have the same image. You have the same problems. You know? You have a founder who's there making every decision, and you cannot scale a business if the only person in the business that can make a decision is the founder. And when they go on holiday, they don't make a decision. In fact, so many of them don't even bother to go on holiday because they know it's a problem. So you've just started me into the sort of the second bit of this discussion, which is, so what are the things they've tried to do themselves before they sort of suddenly come across somebody like you that sort of changes all of that?Len Bruskiewitz [00:04:01]:Yeah. I think I think there are a couple things they they think they do or or, make an effort at.Stuart Webb [00:04:07]:Up, please.Len Bruskiewitz [00:04:09]:One of the first ones is they think they've communicated well, to their family, to their employees, and in in in essence, they haven't. Right? I'll I'll just use an example of some data around succession. Right? So the idea of of a older generation with the idea to pass along the business to a younger generation. Data says about 50% of the older generation think that the younger generation is going to take over. In reality, that only happens about 25% of the time. So you've got a big gap there. And what does that do to? It's because the 2 parties haven't communicated well enough and it's the same to employees. Right? Am I going to sell this business? Am I going to sell it to you, the employees or the management? So communication is definitely one of the biggest things that they do.Len Bruskiewitz [00:05:00]:The other is just waiting too long. You've hinted at it before. You know, they know they need to document everything that's going on in their business, but, you know, it's just easier because I know it in my head, I, you know, I'll just do it and then something happens and and it's really a a can be a pretty traumatic experience. The final thing is that, they try things but they don't have any kind of sounding board. Right? Running a business is pretty lonely, and, they just don't have the the background and what it takes to get to get a business ready because for most business owners, this is their one and only time that they are transitioning out of a business. So they just don't know what they need to do and they're, you know, there shouldn't steps you need to take. And so that's a big piece of what they think they've tried but haven't really done all that well.Stuart Webb [00:05:53]:Then you you hit about something very interesting there, which is documentation. And and once again, in my work, I spend an awful lot of my time working with people with documentation and systems to automate things largely because once again, it makes a business scalable, but it also ensures these businesses don't run into those repeated errors, which so often the full cause business valuations to crash. But but I read, and I I don't know whether or not this is your experience, but a business is is often 2 to 3 times more valuable if it's just got simple documentation which tells other people how to run the business so that somebody else can step in and start running it fairly immediately. And I don't have to go through the pain of trying to work out how on earth everything works around here.Len Bruskiewitz [00:06:36]:I completely agree with that data. And if you think about the the things if you if you think about the other side, what what absolutely crushes the value of a company? It's that lack of independence, lack of documentation, and bad accounting. Right? Those three things, are are the killers. But but I agree with you. Documentation feels like such an important thing for many reasons. You know, exit aside, just making the business run better, but but there isn't that rigor. I think it's always a, I mean to do this, but the status quo is just easier to, to maintain.Stuart Webb [00:07:16]:And it's it's true, isn't it, that you, you know, you find yourself fighting fires everywhere. And and then when somebody turns around and says, we should write down what happens is, well, we're never gonna get into that problem again, so why should we? So, you know, it becomes just one of those self fulfilling prophecies, doesn't it?Len Bruskiewitz [00:07:33]:It absolutely does. So, you know, this is a I think this is a human problem. Right? I I mean, everybody deals with this in their personal life, in their business life. It's hard to take the time even though, you know, the data will tell you that 5 minutes here is going to save you, you know, 50 minutes down the road or 500 minutes, whatever the multiple is.Stuart Webb [00:07:56]:Brilliant. Brilliant. Len, now this is where we get to the the really valuable thing for people who are watching or listening or, coming back to this recording, and that is I think you have got a very valuable piece of free advice that you can you can have. And I I think I've put on screen here the place where to you go in order to to get that piece of free advice. It's greater heights coaching dot com. That's greater heights coaching dot com. That that'll be in the notes. But tell us, what will we find at greater heights coaching dot com?Len Bruskiewitz [00:08:27]:Well, that's my personal website. So you'll find a fair bit of information about the exit planning process, about some of the options that are out there for people. But what I process, about some of the options that are out there for people. But what I really like everybody to check out is I've got a free business valuation calculator. There's a link up at the top right of the site. It takes about 15 minutes and what it does is gives you a basic idea of what your business is worth today. That's based on your industry, your location, your revenue and your profits today. And then it asks you a set of questions that really get to how ready is your business.Len Bruskiewitz [00:09:04]:And so what it does is it comes out with a valuation of what your business is worth today. And then based on your answers to those kind of readiness questions, it gives you an idea of how much more value is missing, and the basic areas that you need to work on in order to, you know, to close that gap between what your business is worth today and what it really could be. So it's a, you know, it's not gonna answer every question for you. But in 15 minutes, it gives you a pretty good feel for what the areas are that you could really improve upon to increase the value, should you cut to that point where you wanna turn around and sell your business down the road.Stuart Webb [00:09:45]:Great great piece of, great piece of of work, and I sincerely hope people go and take advantage of it because, you know, knowing the first step to knowing where you have to go is having some sort of map. And, a simple document like that, which just points out where things are missing, is the first step to a really good map.Len Bruskiewitz [00:10:04]:Yeah. And it's simple. Like I said, it's this isn't a this isn't a a challenging thing. It's 15 minutes, and you get some really great, really great feedback there.Stuart Webb [00:10:15]:Brilliant. So, Len, what what what was it in your in your in your past history? What was it that sort of brought you to this? Was there a particular experience or a program, a book, which sort of started you thinking about how do businesses or business owners exit from their business as well?Len Bruskiewitz [00:10:33]:Yeah. I think I I'm gonna bring up 2 points, not to cheat on the question here. The the first was an experience. I started out doing kind of generic business coaching. Right? I was helping small business owners. And one of my first clients was a 72 year old woman who had run her business with her husband for over 50 years. And, he unfortunately passed away. And as much as she was involved in the business, she really didn't have a good feel for what was going to happen to it.Len Bruskiewitz [00:11:01]:You know? She's 72. She said, hey. I need a plan here. So, when we first started talking, she said, Len, I can't sleep at night because I don't know what's going to happen to my business. We sat down. We worked through options. We came up with a plan. She's implementing that plan now, and she said, Len, I can sleep at night now.Len Bruskiewitz [00:11:19]:So to me, that was a huge, you know, kind of I think I found my why. So that was the first event. And then the the piece of of literature around that was a book by by Michael Gerber called The E Myth Revisited, which I think is just an unbelievable way. He he does a great job of laying out why most businesses aren't successful, and the hint is we've already talked about it. The the business owner is too much in the business, in the weeds of running everything and not stepping back and looking at the big picture. But to me, that book is really excellent at laying out the things that, you know, that a business owner needs to do. And that's really, you know, keep innovating, document everything. Have we talked about that before? And really understand what your metrics and business drivers are.Len Bruskiewitz [00:12:18]:Those are kind of the 3 key pieces to take you from, you know, a a single business to something that can scale.Stuart Webb [00:12:27]:I love it. Okay. We've had a really interesting discussion, but I I sense there is a question that you think I should have asked, which I haven't asked yet. This is my get away from the get away from it and not do too much work on these things, questions. So then there's a there's a question that you're thinking I should have asked by now. So come on. Tell me, what is the question you want me to ask? And then, obviously, you know the answer to the question that you've just posed.Len Bruskiewitz [00:12:53]:Yeah. I think a lot of people who are who are, watching this, listening to it are saying, well, how does the business get valued? So I think that's the question I would like you to ask me and and let me take a run at it. So this is really you know, it it's a bit of a loaded question because businesses are valued depending on a number of factors. So one of the factors is, you know, ultimately who the buyer is. So there are buyers that are going to ultimately pay less for a business that might be your children, right, or your employees. Or it may be somebody who just wants to kinda run come in and run the business. They're they're gonna probably pay a little bit higher. The highest, value payers are those who this business is strategic to them.Len Bruskiewitz [00:13:39]:So they can take what you're doing and leverage it with what they're doing. Right? Maybe it's an opportunity for them to sell additional things, your product to their customers or their product to your customers, whatever. So that usually yields the highest value. So so that's a big it depends answer on who the buyer is. But I wanna go one level below that and say, how is value driven regardless of who they are.Stuart Webb [00:14:03]:Great question. Great question.Len Bruskiewitz [00:14:05]:Yeah. And so this is this is one that I think will surprise some people. Only about 20% of the value of a company is are the things that you can see externally. So what's the status of the market? What's the company's kind of position within that market? Only about 20% of the value is driven that way. Fully 80% of the value of a company is driven by what are called the intangibles. Right? And these are we I I think about this in 4 big categories. Right? So we call them the 4 c's. They're different kinds of capital.Len Bruskiewitz [00:14:41]:The first one is the structural capital. So are your processes documented? Do you have metrics in place that you understand? Right? So those that's one big piece. And again, that's that translates really well to somebody else who wants to buy the business. The second one is the customer capital. So do you have recurring revenue? Is all of your revenue dependent on 1 or 2 customers? That's a huge risk if it is. Right? So how dependable is your future revenue? How dispersed is it amongst different customers? That's customer capital. The third one is social. This is really what's the culture of your company.Len Bruskiewitz [00:15:20]:Is there owner independence or not? Right? And the final one is the human capital. So do you have a great team? Is there some know how within your company that nobody else has? That again, if you do, that's a huge value adder. If you don't, that doesn't add a ton of value. So I think about those those intangible things that are built into your company that are only visible from the inside, really. And that's what drives the vast majority of the the value in a business.Stuart Webb [00:15:53]:Do you know it's, it's interesting you you've you've made 2 comments, in the last couple of minutes, which I think, is not well enough understood. Maybe I'll just expand that to 3, having said that then. But let's say, the power of 1 is something which I worry about a lot with with businesses. They are often dependent upon 1 business, 1 customer, 1 supplier, 1 route to market. I was in a position like that with one of my businesses where I had one very large customer and when they canceled that contract, you can imagine the devastation that had upon the business. It it meant basically restarting from scratch trying to build a customer base. We had relied upon this customer for a very, very long time, and they just seem to be reliable until eventually it was one day, yeah, we're canceling. We're no longer needing 35, 40, 50%.Stuart Webb [00:16:44]:I think it was something about 75% of my workforce. We're all dedicated to this one customer. That can be a huge risk. But it's equally, you know, one person in your business who knows everything. You know, that can be the founder, but it can also be one key person that's been there from day 1, and you're there thinking to yourself, Joe's always been hugely reliable. They're never gonna leave, and then they do, and everything suddenly falls apart. So the power of 1 is hugely important. And the other thing that I think you just basically alluded to, which I think is really important, you know, you need to keep innovating.Stuart Webb [00:17:19]:If you haven't got a team that are empowered and ready to innovate, you're stymieing your own growth and causing yourself more issues than you can think of.Len Bruskiewitz [00:17:30]:I completely agree. And and what's what's important to to realize is that these are all daily things. Right? This isn't something you do in an annual planning process. This is these are things you have to live every day. And, you know, not not to steal too much thunder from my valuation calculator, but some of the questions some of the things you just brought up are questions. You know, are you innovating? Do you are you getting ideas throughout your organization? Are you reliant on only 1 or 2 customers? And and I think this also gets back, Stuart, to, you know, that timeline we talked about early on. Right? So if you're trying to innovate and if you're trying to to diversify your customer base, You can't do that in 30 days. Right? So my timeline when I when I talk to clients is, you know, a minimum of 2 years, and it's really 3 to 5 years, before your business is ready.Len Bruskiewitz [00:18:25]:And then once it's ready, now it's maintenance mode. But the reason I say that is if in in many transactions, it just once you, agree to sell your company, it's 9 months to a year before that Yeah.Stuart Webb [00:18:39]:That's the that's the you know? Yeah.Len Bruskiewitz [00:18:41]:Right? So if you take 1 year, then now, okay, that's a year out. Now you've gotta get ready. If you've got, you know, some accounting maybe that's not so pleasant, you know, that takes another couple years to work its way through. Documenting all your processes. Right? Leveraging, you know, figuring out what you're really good at and going for that. It all takes time. So can you sell a company in less than 3 to 5 years? Yes. You can.Len Bruskiewitz [00:19:07]:But it's probably not gonna be for the value that you want because some of these things just have to happen and they take time.Stuart Webb [00:19:15]:And I think you've hit upon a couple of good things as well then, which is, you know, doing these things means that when somebody knocks on the door, that strategic customer that sort of, you know, you've been working with that says, you could be a really key part of my organization. I'd like to buy you. If you then turn around it's a bit like, you know, oh, I've got an opportunity. I now need to put together the document, the sales document. If if it's not there ready to go, you spend the next I don't know how long putting together your sales document, and then the opportunity is gone. So be ready at every time by putting these processes, these thinking, this stuff in place from day 1.Len Bruskiewitz [00:19:49]:Exactly right. You know, you you hit upon the exact, example I give. Somebody could walks in the door, and it does happen. Somebody walks in the door and says, hey. I wanna buy this business. If you say, hang on. Come back in 18 months when I'm ready. They're not coming back.Len Bruskiewitz [00:20:08]:SoStuart Webb [00:20:08]:Yeah. Agree. Agree. Len, it's been absolutely brilliant having this, conversation with you. We we could obviously talk far too long and probably would if we didn't bring it to a whole and bore quite a lot of people. But I think the important thing is we've left them with just enough information to think to themselves. I think I better go and have a look at greaterheightscoaching.com and see what, the valuation of my business could be. And I'm also gonna put in a plug for, my own newsletter, where I talk about the sort of brilliant people like Len, who are coming up on this podcast in in a few days.Stuart Webb [00:20:43]:Normally, it comes out on a Tuesday morning about that Tuesday's guest. And if you wanna go to link.thecompleteapproach.co.ukforward slash newsletter, link. Thecompleteapproach.co.ukforward slash newsletter. You can get, that newsletter delivered to your inbox just twice a week. Once with the who's coming up and you can immediately get on and ask questions of people like Len when they're here live. And then also hear them when we replay them on Apple Podcasts, Spotify and all the other usual Pod places. Len, thank you so much for coming and spending some time with us. Really appreciate the effort you put in and I think if people haven't by now realize selling your business is not gonna happen if in the next 5 minutes.Stuart Webb [00:21:28]:You really have to prepare and think about it in the most strategic way, then, then they've they've not been listening properly. So I thank you for coming on to tell us about it.Len Bruskiewitz [00:21:36]:Thank you. I appreciate the time. Get full access to It's Not Rocket Science! at thecompleteapproach.substack.com/subscribe

In this episode, we are DELIGHTED to be joined by author and all-around amazing human, Lexi LaFleur Brown. We talk about her first novel, "Shoot Your Shoot," being a voice for diversity in hockey, innovating how you can market the game to all, and bringing the real talk about players' partners. Find all things Lexi HERE Buy "Shoot Your Shot" HERE Lexi's recommended follows: @elindsay08 @reneehess @saroyatinker71 @_shireenahmed @evanFmoore @blackgirlhockey @brockmcgillis33 @taraslone @katiejstrang @marissaroberta

*Special thanks to Sunset Studios, where everyone is a VIP, for providing us with this gorgeous filming location* Delighted to be joined by the Lauren LeFranc, the visionary showrunner and executive producer of HBO's THE PENGUIN, the gritty spin-off from Matt Reeves' THE BATMAN. Her unique ability to blend innovative narratives with visual storytelling contributed to the series' critical success, achieving a 94% Certified Fresh rating on Rotten Tomatoes and attracting 10.4 million viewers within its first 11 days. A television veteran, her body of work also includes credits on AGENTS OF S.H.I.E.L.D., HEMLOCK GROVE, IMPULSE and CHUCK.  I may have spent the hour fangirling a little too hard, not sure, but our meet-cute story is pretty epic. Tune in as we discuss career serendipity, what makes an exceptional producer, and how she made us all deeply care about Gotham's devil, Oswald.  xx CG SUBSCRIBE --> https://aop.beehiiv.com/ JOIN PATREON --> www.patreon.com/angleonproducers CAROLINA'S IG --> https://instagram.com/carolinagroppa AOP IG --> https://instagram.com/angleonproducers TIKTOK --> https://www.tiktok.com/@carolina_groppa LINKEDIN -->: https://www.linkedin.com/in/carolina-groppa-2174bb65/

Delighted to be joined by electronic musician, Jas Shaw on the podcast this week.Jas was one half of Simian Mobile Disco, who he formed in Manchester with James Ford, a previous guest on Synthetic Dreams, back in 2003.Originally just a DJ side project to their four-piece band Simian, Simian Mobile Disco formed as an electronic act after Simian parted ways in 2005.In 2006, the single ‘We Are Your Friends' by Justice vs Simian reached number 20 in the UK singles chart and became a massive club hit Simian Mobile Disco's excellent debut album, ‘Attack Decay Sustain Release', released in June 2007 on Wichita Recordings, received lots of praise from the UK press at the time. It's one of my favourite electronic albums. Still sounds fantastic  Jas discusses the making of his latest album ‘A Tea Within A Tea', which follows ‘The Exquisite Cops' released in 2019, as well as talking about his time in Simian and Simian Mobile DiscoLINKS:https://jasshaw.bandcamp.com/album/a-tea-within-a-tea

Delighted to be joined by friend of the show Craig Anderson of The Terrace! How well do Theo, Bobby and Joe know the Scottish Premiership? Which players have represented Villa, Liverpool and Spurs? How many Germany national team Managers can you recall? Would you buy a mattress from a footballer? Listen on for all this and more football trivia drivel. Sign up to our Patreon, Career We Go: Extra Time for an extra episode every week and no more ads! iOS users: please join via web and not the Patreon iOS app. Thanks to all our amazing Patreons for your support!https://www.patreon.com/c/CareerWeGoExtraTime Hosted on Acast. See acast.com/privacy for more information.

If you came across something that promises to offer students "evidence-driven, rigorously tested ideas that consider alternative perspectives" wouldn't you be interested? Research shows that high school policy debate teaches students how to analyze, explore and understand the world around them, while it hones additional skills like research, critical thinking, and communication. Sounds like a curiosity enterprise to me! Delighted to have David Trigaux of Washington Urban Debate League join me to discuss. Washington Urban Debate League: http://wudl.org Theme music by Sean Balick; “Turning on the Lights" by Speakeasy, via Blue Dot Sessions.

Delighted to have friend of the show, Jonny Sharples in the hot seat as Theo, Bobby and Joe battle it out across our longest pod ever!Can you name the footballers from (allegedly) famous advertisements of yesteryear? Which African players have been nominated for the Ballon d'Or? Who actually played for England B? Should we all watch Dream Team on Sky One again? Play along and get in touch!Sign up to our Patreon, Career We Go: Extra Time for an extra episode every week and no more ads! iOS users: please join via web and not the Patreon iOS app. Thanks to all our amazing Patreons for your support!https://www.patreon.com/c/CareerWeGoExtraTime Hosted on Acast. See acast.com/privacy for more information.

Dr. Scott Wendal

We're delighted to share with you a new series of podcasts that explore key themes and trends impacting the financial services industry throughout 2025.  In today's episode Sierra Nicholson is joined by Eversheds Sutherland speakers, Renée Dailey and Ben Davis, to reflect on part 1 and provide additional insights into what is driving growth in the private placement market, the rise of new and innovative structures in transactions and how the addressable market for private credit might evolve in the year ahead.

At least, it's contagious among a group of captive chimpanzees at the Kumamoto Sanctuary. How do researchers know? A very dedicated grad student at Kyoto University. In the quest for scientific knowledge, Ena Onishi logged over 600 hours in the field! This episode, host Regina G. Barber and special guests Jonathan Lambert and Ari Shapiro get into the nitty gritty of the research and their hypotheses for why this is happening in this episode.Read Jonathan's full reporting about contagious peeing in chimps.Delighted by other scientific discoveries you think we should share with the whole class (the rest of our audience)? Let us know by emailing shortwave@npr.org!Listen to every episode of Short Wave sponsor-free and support our work at NPR by signing up for Short Wave+ at plus.npr.org/shortwave.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

Delighted to be rejoined on the show by Adam Hurrey of our collective favourite pod, Football Cliches.Who played for Turkey at World Cup 02? What links our 3 CWG answers? Can you predict what Ally McCoist says next? Listen on for all this and more football trivia drivel.Part 2 will be out next week.Sign up to our Patreon, Career We Go: Extra Time for an extra episode every week and no more ads! iOS users: please join via web and not the Patreon iOS app. Thanks to all our amazing Patreons for your support!https://www.patreon.com/c/CareerWeGoExtraTime Hosted on Acast. See acast.com/privacy for more information.

Holmberg's Morning Sickness - Tuesday January 21, 2025 Learn more about your ad choices. Visit podcastchoices.com/adchoicesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Holmberg's Morning Sickness - Tuesday January 21, 2025 Learn more about your ad choices. Visit podcastchoices.com/adchoices

Holmberg's Morning Sickness - Tuesday January 21, 2025 Learn more about your ad choices. Visit podcastchoices.com/adchoicesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Holmberg's Morning Sickness - Tuesday January 21, 2025 Learn more about your ad choices. Visit podcastchoices.com/adchoices

Israelis are still taking in with delight any bits of news about the 3 women freed by Hamas Sunday. On a day of peaceful transition in our Nation's Capital, President Donald Trump says he was "saved by God to Make America Great Again." Already ...

Sunday, January 19, 2025"Delighted" - Tyler TankersleySermon based on Isaiah 62:1-5(reading by Bob Pfaff)

In 2009, Ram Barkai, a swimmer from Cape Town, in South Africa, broke the world record for the longest swim in freezing cold water. He completed the endurance feat wearing only a cap, goggles and standard swimming costume.Delighted with his achievement, he had a ‘Mandela moment' and began promoting a new extreme sport which he called ice swimming. Within a few short months, the ice mile was born.Ram tells Hunter Charlton about the brutal challenge. An Ember production.Eye-witness accounts brought to life by archive and testimony. Sporting Witness is for those fascinated by sporting history. We take you to the events that have shaped the sports world through the eyes of the people who were there. For nine minutes, you become a fan in the stands as we take you back in time to examine memorable victories and agonising defeats from all over the world. You'll hear from people who have achieved sporting immortality, or those who were there as incredible sporting moments unfolded.Recent episodes explore the forgotten football Women's World Cup, the plasterer who fought a boxing legend, international football's biggest ever beating and the man who swam the Amazon river. We look at the lives of some of the most famous F1 drivers, tennis players and athletes as well as people who've had ground-breaking impact in their chosen sporting field, including: the most decorated Paralympian, the woman who was the number 1 squash player in the world for nine years, and the first figure skater to wear a hijab. You can learn all about fascinating and surprising stories, such as the tennis player who escaped the Nazis, how a man finally beat a horse in a race, and how the FIFA computer game was created.(Photo: Ram Barkai diving into Queen Maud Land, Antarctica in 2008. Credit: Patrick Woodhead)

Have you ever found yourself excited that something completely tanked?    Sounds counterintuitive no doubt. But that's exactly where I found myself after our recent live launch flop. Yes, you read that right—I am delighted our launch failed! You might be wondering if I've lost my mind. But stick with me, and I'll share why this "failure" was one of the best things that happened in my business this year.   I'm beyond grateful for this "failed" launch because it brought clarity, wisdom, and an affirmed focus on the future. If you're in the same boat, take heart. Embrace the lessons and use them to craft the success story that suits your business best. LINKS: 47 Page Marketing Planner Website |  Instagram | Programs | YouTube

Bṛhad-bhāgavatāmṛta Part 2 Chapter 1 Text 25 śrī-jaiminir uvāca mātur evaṁ mahā-ramya- praśnenānanditaḥ sutaḥ tāṁ natvā sāśru-romāñcam ārebhe pratibhāṣitum TRANSLATION Śrī Jaimini said: Delighted by this most pleasing inquiry from Mother Uttarā, her son, Parīkṣit, bowed down to her and began his reply. Tears poured from his eyes, and his bodily hairs stood on end.

One of history's most remarkable battles had come to a glorious close. What did it all mean?

Delighted to welcome Yoystan from Men of the West to have a FULL SPOILERS conversation about The War of the Rohirrim! We are talking about the music, the sound design, if Hera really is a girlboss or did it work, Helm, the accuracy to the lore and so much more! Please let us know below what you thought of the movie

New York Fight Night Preview with Emmet Brennan! Delighted to have Irish Olympian and Pro Boxer Emmet Brennan as my final guest of Season 5 of Navigating New York!Emmet, a proud Dubliner, is fighting his 5th Professional Fight right here in New York City on Friday, December 6th, at the Melrose Ballroom in Astoria, Queens.

Amy Mantravadi, Mere Fi's snarkiest online critic has written a novel—a historical novel—about the heroes of the Reformation. Matt and Alastair bring her on the show to talk about it, what historical fiction can do that theology can't, what the central issue of the Reformation was, and what it's like inside the heads of Luther, Erasmus, and Melanchthon. Plus, Matt gets it exactly right at least once. Stick around to the end for a big announcement about the future of Mere Fidelity. Full show notes at www.merefidelity.com. Timestamps: A Big Tease [0:00] Delighted and Terrified [1:48] Psychologically Intense [4:55] Historical Fiction [10:56] Hazards [15:49] Those Particular Years [23:05] Melanchthon FTW [29:10] The Peasants Are Revolting [34:45] Ambivalence [45:13] Mythological Force [50:17]

We are DELIGHTED to have Alana Cloud-Robinson on today to share her Thingies from her perfect, wood-paneled home (more on that, clearly). She's the author of the 831 Stories release Hardly Strangers, out tomorrow, and, wow, we can't wait for you to read this one.   Alana's Thingies include shoulder pads, thrifting (see: The Council Shop!), her home in Century City, and Irish culture (shoutout to Fontaines D.C., and Say Nothing).   Want more Alana? Check out The Artists Are Frightened, her premier collection of personal poetry.   Also, a really important album that is (somehow) a follow-up to our milk.com conversation.   What are *your* Thingies? Let us know at podcast@athingortwohq.com, @athingortwohq, our Geneva, or our Substack comments!   Find some support with BetterHelp and take 10% off your first month with our link. Level-up your cleaning experience with Blueland and get 15% off your first order when you use our link. Fall in love with 831 Stories and take 15% off your order with the code ATHINGORTWO. YAY.

A self-described geek finds his voice as a sci-fi author and amasses an audience on social media, but after he posts a seemingly innocuous tweet, a hoard of internet stalkers fixate on destroying his life.Today's episode featured Patrick S. Tomlinson. If you'd like to reach out to him, you can email him at patrickstomlinson@gmail.com, or you can find him on Twitter @stealthygeek, on Threads @pstomlinson and on Blue Sky @stealthygeek.bsky.socialVisit www.patrickstomlinson.com to find out more information about Patrick and his books. Producers: Whit Missildine Content/Trigger Warnings: cyber stalking, physical stalking, gun violence, suicide/suicidal ideation, infidelity & divorce, pregnancy, threats of suicide, threats of violence, threats of murder, elder pet (no harm), CPTSD, authoritarianism, lawsuit, explicit language Social Media:Instagram: @actuallyhappeningTwitter: @TIAHPodcast Website: thisisactuallyhappening.com Support the Show: Support The Show on Patreon: patreon.com/happening Wondery Plus: All episodes of the show prior to episode #130 are now part of the Wondery Plus premium service. To access the full catalog of episodes, and get all episodes ad free, sign up for Wondery Plus at wondery.com/plus Shop at the Store: The This Is Actually Happening online store is now officially open. Follow this link: thisisactuallyhappening.com/shop to access branded t-shirts, posters, stickers and more from the shop. Transcripts: Full transcripts of each episode are now available on the website, thisisactuallyhappening.com Intro Music: "Illabye" – TipperMusic Bed: Re-Entry ServicesIf you or someone you know is struggling with the effects of trauma or mental illness, please refer to the following resources: National Suicide and Crisis Lifeline: Text or Call 988 National Alliance on Mental Illness: 1-800-950-6264National Sexual Assault Hotline (RAINN): 1-800-656-HOPE (4673)See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

It's Halloween week and the characters in BEWITCHING THE BOSS by Jessa Kane were entirely too unafraid! Their fear bones are broken, but other important bones aren't! We've got a party-planning stalker and a virgin who has taken a vow of misery, but is DELIGHTED when he realizes he's being stalked. Our jaws where on the floor the whole time and we couldn't stop gasping. Whew! Bonus Content: NO TIME FOR BANTER, Sabrina's live-updates to a special friend throughout her read, This Duke Is A Virgin, So! Much! Dirty! Talk!, and so much more! Lady Loves: Sabrina: the youtubers CrackingTheCryptic and Rangsk for all your sudoku strategy needs! Mel: roasting pumpkin seeds after carving jack-o-lanterns with your kids! Want to support the show? Rate and review us on your favorite podcast app! It super helps the algorithm connect us to new listeners.  Want more of us? Check out our PATREON! MERCH! Teepublic, Chicaloo Kate, Redbubble, Etsy Want to tell us a story, ask about advertising, or anything else? Email: heavingbosomspodcast (at) gmail  Follow our socials:  Instagram @heavingbosoms Tiktok @heaving_bosoms  Facebook group: the Heaving Bosoms Geriatric Friendship Cult Credits: Theme Music: Brittany Pfantz  Art: Author Kate Prior (her newest release MATED TO MY EX is out now!!)  The above contains affiliate links, which means that when purchasing through them, the podcast gets a small percentage without costing you a penny more.