Podcasts about ugly lies

Lindsey Ferrentino is an American playwright with three world premieres in the 2024 season. In May, she opened The Artist in the UK (co-adapted with Drew McConie, Theatre Royal Plymouth,) and this August, she will premiere the new musical The Queen of Versailles (book by Lindsey Ferrentino, music and lyrics by Stephen Schwartz, starring Kristin Chenoweth and F. Murray Abraham, The Colonial Theater). Her other produced plays include Ugly Lies the Bone (The Lyttleton - National Theatre, UK, Roundabout Theatre Company, NY, over 100 productions worldwide), Amy and the Orphans (Roundabout Theatre Company), This Flat Earth (Playwrights Horizons), The Year to Come (La Jolla Playhouse) — among others. Her plays have been translated into Spanish, German, and Portuguese and have been produced across the US, in London, Germany, Spain, and Venezuela. This winter, Lindsey will direct her first feature film - an adaptation of her play Amy and the Orphans for Jason Bateman's Aggregate Films. She has various film projects in development at Netflix and Sony Pictures — with producers including Higher Ground, 3 Dot Entertainment, Dylan Clark Productions, Defiant by Nature. Lindsey is the recipient of The Arc's prize for Entertainment Industry Excellence for her writing centered on disability inclusion. Other prizes include: the Kesserling, ASCAP Cole Porter Playwriting Prize, Paul Newman Drama Award, Laurents/Hatcher Award, NYU Distinguished Alumna Award, and Hunter College's 40 Under 40 Distinguished Alumna. Lindsey is repped by CAA, Anonymous Content and Felker & Associates. Learn more about your ad choices. Visit podcastchoices.com/adchoices

A new production at the Commonweal Theatre in Lanesboro, Minnesota is bringing attention to the plight of the modern military service veteran. From Commonweal’s online description of “Ugly Lies the […]

From MPR News, Art Hounds are members of the Minnesota arts community who look beyond their own work to highlight what's exciting in local art.Want to be an Art Hound? Submit here.Click here.Exploring the artistic journeyDive into the captivating world of Stuart Loughridge, a local artist renowned for his mastery in etching, painting and drawing. Recommended by Gary Korlin, an independent fine artist in the Twin Cities.Gary says: I'd like to introduce — or basically maybe reintroduce — Stuart Loughridge. He's a local artist, and what I like about the guy is that he's got three excellent elements working for him: education, talent and then it's all run by his intuition. He's very interested in etching, which is sort of a lost art. And but he paints and draws. He paints in watercolor, he paints in oils. He does portraits, figures, still lifes — but, you know what, his passion is landscapes and a lot of them are very local. This whole process is very exploratory. It's definitely a show worth experiencing.The show that Stewart is going to be having at the Groveland Gallery in Minneapolis is going to be a little bit of everything. But the main focus is going to be on landscapes. But the interesting thing is that this is going to be sort-of a tracking, or a tour, of his history. He's going to have sketchbooks there, he's going to have his plein air sketches, which he calls just “fieldwork” and it's going to be leading up to finished pieces. This whole process is very exploratory. It's definitely a show worth experiencing, I would say.Stuart Loughridge's show runs through May 25. This Saturday, Stewart is going to be doing a portrait demonstration. So that might be fun for a lot of you who are interested in just expanding your knowledge — Gary KorlinResilience and recoveryDiscover the profound and poignant narrative of “Ugly Lies the Bone,” a play that explores the themes of healing and resilience. Recommended by St. Paul visual artist Bebe Keith.Bebe says: “Ugly Lies the Bone” is playing at the Commonweal Theatre in Lanesboro. A friend actually recommended this to me. She said the excellent portrayals and important subject matter were so compelling that she has already seen it twice. It's moving and, most of all, it's hopeful.The story is about Jess, a soldier returning home from war with injuries both — visible and unseen. She finds some relief through something called “virtual reality therapy.” It plunges her into an Arctic setting that helps with her burnt skin. So she strives toward healing, and she's also trying to restore her relationships, home and all that she's lost. I've read the script and it had me in tears. Jess is broken and in despair — and she's got some grit. It's moving and, most of all, it's hopeful. They are offering a free performance on May 5 for anyone who has served or is currently serving in any branch of the military and their families. “Ugly Lies the Bone” is playing at the Commonweal Theatre in Lanesboro through July 6.— Bebe KeithCelebrating diversity and joyWatch a unique collection of four short plays, penned by LGBTQ+ playwrights from across the country. Recommended by Minneapolis theater director Gretchen Weinrich.Gretchen says: Threshold Theater's new collection of plays is called “4Play.” It's opening at the Bryant Lake Bowl on April 26. It's a collection of four short plays written by LGBTQ+ playwrights that came from an open call for playwrights all across the country. I've been looking forward to seeing this show for a couple of reasons. First of all, Threshold has been holding staged readings of its place for a couple of years. But this is their first fully staged version with movement and sets and costumes. And they're really excited to put that on and I'm really excited to see it. These plays really look at things that are great about community or support — and joyful things about life.The great thing about this collection, from what I understand, is that it shows LGBTQ+ folks in a bunch of different stages of life and experiences. And what I really like about it, from what I read about it, is that it's really upbeat. Oftentimes when we talk about groups that are quote-unquote marginalized sometimes the topic can be really depressing or sad. But these plays really look at things that are great about community or support — and joyful things about life.— Gretchen Weinrich

Lindsey Ferrentino is a prolific playwright who writes with, according to The New York Times, “a muscular empathy which seeks to enter the minds of people for whom life is often a struggle of heroic proportions”. Whether writing about a female burn survivor or the first leading role for a person with Down Syndrome, Lindsey has been called “a brave playwright of dauntless conviction whose unflinching portraits are hard to come by outside of journalism." Her produced plays include Ugly Lies the Bone (Roundabout Theatre Company, The National Theatre, UK, NYT Critics Pick), the “barrier breaking” Amy and the Orphans (Roundabout Theatre Company), This Flat Earth (Playwrights Horizons), and The Year to Come (La Jolla Playhouse). She is writing the book on a number of new musicals from - Queen of Versailles with music and lyrics by Stephen Schwartz, starring Kristin Chenoweth; The Artist, based on the film by the same title directed by Drew McConie. Lindsey is a screenwriter, with various projects in development. Most recently announced, she is adapting and directing her play Amy and the Orphans, produced by Aggregate Pictures and the screenplay for the film Not Fade Away, for Annapurna Pictures. David O. Russell and John Krasinski are producing. Ferrentino is the recipient of the 2016 Kesselring Prize, Laurents/ Hatcher Citation of Excellence, ASCAP Cole Porter Playwriting Prize, Paul Newman Drama Award, 2015 Kilroys List, finalist for the Susan Smith Blackburn, Catalyst Award for Entertainment Industry Excellence, NYU Distinguished Young Alumna Award, nominated for the Outer Critics Circle John Gassner Award, and is the only two-time finalist for the Kendeda Playwriting Prize. 

Lindsey Ferrentino is a prolific playwright who writes with, according to The New York Times, “a muscular empathy which seeks to enter the minds of people for whom life is often a struggle of heroic proportions”.   Whether writing about a female burn survivor or the first leading role for a person with Down Syndrome, Lindsey has been called “a brave playwright of dauntless conviction whose unflinching portraits are hard to come by outside of journalism."   Her produced plays include Ugly Lies the Bone (Roundabout Theatre Company, The National Theatre, UK, NYT Critics Pick), the “barrier breaking” Amy and the Orphans (Roundabout Theatre Company), This Flat Earth (Playwrights Horizons), and The Year to Come (La Jolla Playhouse).  She is writing the book on a number of new musicals from – Queen of Versailles with music and lyrics by Stephen Schwartz, starring Kristin Chenoweth; The Artist, based on the film by the same title directed by Drew McConie.  Lindsey Ferrentino is the recipient of the 2016 Kesselring Prize, Laurents/ Hatcher Citation of Excellence, ASCAP Cole Porter Playwriting Prize, Paul Newman Drama Award, 2015 Kilroys List, finalist for the Susan Smith Blackburn, Catalyst Award for Entertainment Industry Excellence, NYU Distinguished Young Alumna Award,  nominated for the Outer Critics Circle John Gassner Award, and is the only two-time finalist for the Kendeda Playwriting Prize.     

3.28.2023

Sara welcomes Washington Examiner Chief Political Correspondent Byron York to discuss President Biden’s intentional border crisis, the unravelling of the Russia hoax, and the financially flush but morally bankrupt Lincoln Project. Recording from the border, Sara also details her latest reporting of how cartel crime is operating inside the United States. Please visit our great […]

Sara welcomes Washington Examiner Chief Political Correspondent Byron York to discuss President Biden's intentional border crisis, the unravelling of the Russia hoax, and the financially flush but morally bankrupt Lincoln Project.Recording from the border, Sara also details her latest reporting of how cartel crime is operating inside the United States.Please visit our great sponsors:The Association of Mature American Citizenshttps://amac.us/carterThe benefits of membership are great, but the cause is even greater.Tunnel to Towershttps://T2T.orgHonor the Foundations vow to NEVER FORGET. Donate $11/month and help families find a home this holiday season. Heat Holdershttps://heatholders.comUse code SARA for 15% off your order and receive free shipping with any purchase of $25 or more. Universal Coinhttps://universalcoin.com/SaraVisit online or call 1-800-UCB-GOLD and get a U.S. Mint silver coin for only $30 with code Sara..

Orlando Sentinel Now afternoon update for Friday, Oct. 9, 2020. Florida Democrats' unemployment reform bill would raise benefits to as much as $500 per week for 26 weeks (:37) ‘Ugly Lies the Bone’ poignantly sums up our times, our lives | Review (5:26) ‘Bright Young Things’ overreaches a bit, but the creativity delights | Review (7:42) Trick or treat, smells like feet: Moldy cheese is good to eat! (11:59) Weekend Weather presented by On Top of the World (15:30)

Thank you for taking the time to listen to our chat with Jessica! If you are listening to this on Apple Podcast, we'd love it if you could share your love in a review! About Jessica Paz: Jessica Paz is a Tony Award-winning Sound Designer for theater, film and music. Most recently, she collaborated with Nevin Steinberg on the sound design for Anaïs Mitchell’s acclaimed production of Hadestown, which earned the duo a Tony Award, Drama Desk Award and an Outer Critics Circle nomination. On Broadway, Jessica was an Associate Sound Designer on projects including Dear Evan Hansen, Bandstand, Disaster! The Musical; The Assembled Parties (MCC); and Fela!. Other design credits include Little Shop of Horrors (Westside Theater); Kiss My Aztec (Berkeley Rep); Twelfth Night, Othello, Miss You Like Hell, Julius Caesar, A Midsummer Nights Dream, and As You Like It (The Public Theater); Burn All Night (A.R.T Oberon Stage); Ugly Lies the Bone (Roundabout); A Sucker EmCee, and The Muscles in Our Toes (LAByrinth); The Kings Whore (Starcatcher Productions); Becoming Dr. Ruth (Westside Theater); Looking for the Pony (Vital Theater Co.); Women Beware Women (Red Bull Theater); STRETCH – A Fantasia (New Georges); Welcome to Fear City (KC Rep); Scott & Hem in the Garden of Allah, and See How They Run (Barrington Stage); Legally Blonde, and 9 to 5 The Musical (North Shore Music Theater); Romeo & Juliet, Midsummer Night’s Dream, Othello, and Much Ado About Nothing (Shakespeare on the Sound’s Productions); SCKBSTD (Virginia Stage Co) ; Volcanoes Birthright (Organic Magnetics); TempOdyssey, And Her Hair Went With Her, Bookends, and Minstrel Show (NJ Rep). Jessica has been a Front of House Engineer for musicians including The Preservation Hall Jazz Band, Antibalas, Julia Haltigan, Femi Kuti, Lady Antebellum, Candy Shop Boys, People vs. Larson, Michael Arenetta, Bugaboo, Carte Blanche, King Holiday, The Woes, Stone Cold Fox, The African Children’s Choir and many others. She has also been a Lecturer of Sound Design in addition to student advisor for Princeton Universities production of Next To Normal, and was the Sound Designer of the Actor’s Studio Drama School’s yearly Master’s Thesis productions from 2009 – 2014. Jessica is fascinated by music studio and live concert techniques. She is constantly learning and researching innovative approaches from the traditional music recording world, and bringing them into her theater work. A proud member of IATSE Local 829; Soundgirls.org; Woman’s Audio Mission; USITT; and Co-Chair of the board of the Theatrical Sound Designers and Composers Association. She currently resides in New York. Pizza is her favorite food group.  @jesstothepaz on Instagram @JtothePAZ on Facebook www.jessicapazdesigns.com --- @pagetostagepodcast on Instagram + @pagetostagepodcast on Facebook @themarydina on Instagram + @themarydina on Twitter @briansedita on Instagram + www.briansedita.com @broadwaypodcastnetwork on Instagram + @bwaypodnetwork on Twitter #PageToStagePodcast Learn more about your ad choices. Visit megaphone.fm/adchoices

Only 16 percent of the global workforce is fulfilled in the work they do. That figure is at least partly so because the leaders inside many organizations do not see people as individual, wholly unique beings with special talents – but rather as “human resources” to be dispatched or engaged in a set of tasks. The tremendous opportunity that beckons is to first stop believing the lies we’ve come to accept as truths about work and how it gets done, and to prize each individual on the team.Working on Purpose Radio Show is broadcast live at 6pm ET Tuesdays on W4CY Radio (www.w4cy.com) part ofTalk 4 Radio (www.talk4radio.com) on theTalk 4 Media Network (www.talk4media.com). Thispodcast is also available on Talk 4 Podcasting (www.talk4podcasting.com).

On this episode of The Backlot, we speak with the lead actor, Isabelle Germain, and director, Coco de Bruycker, of the NYFA Student Directed Play, Ugly Lies The Bone.

Kate Fleetwood reflects on the challenges and rewards of performing the roles of Christine Foskett in Absolute Hell. Kate Fleetwood was in King Lear, Ugly Lies the Bone, 50 Years on Stage, London Road and Love’s Labour’s Lost at the NT, and Macbeth and Medea in the West End.

Wherein Lee lives all over Georgia, fights for equal representation on-stage, and considers a career in politics. Lee Osorio is an Atlanta-based actor and has worked in theatres from Seattle to New York and place in-between. He is a nominee for the 2017 Suzi Bass Award for Outstanding Featured Male Actor in a Play for his role in "Ugly Lies the Bone" at the Alliance Theatre. Learn more about Lee Osorio at www.leeosorio.com

As Yet Unnamed London Theatre Podcast 26-Mar-2017 With T R P Watson  - Gareth James - Plays Discussed Ugly Lies the Bone - Lyttelton Theatre, National Theatre  [00:20]   Rosencrantz & Guildenstern Are Dead - Old Vic Theatre   [07:24]   The Miser - Garrick Theatre  [21:38]  

Writer Lindsey Ferrentino is joined by director Indhu Rubasingham to discuss the European premiere of Ugly Lies the Bone.

Get to know Mamie Gummer the person, not just the actress(or Meryl Streep’s daughter)in this week's episode of "Oh Boy." A self-described "country mouse," Gummer talks about growing up in a rustic, small town in Connecticut, what it meant to be the older sister to her more city-savvy siblings and her lack of a ten-year-plan. She reflects on her college acting days while discussing her current role in the Off Broadway show, "Ugly Lies to the Bone," comparing the mindset of her respective cast mates, then and now: they're just trying to do good work. Want more Mamie? Follow her on twitter @MamieGummer Want more Jay? @beardwizard Edited by Jay Buim Produced by Kate Barnett

A new play on a tough topic is part of this season’s Underground season at Roundabout Theatre Company. The play is “Ugly Lies the Bone,” written by Lindsey Ferrentino. The topic is the struggle of U.S. military veterans to return to civilian life while healing from the wounds of their overseas experiences. The play has a perhaps surprising element: Jess, the veteran at the center of the play, is a woman. New York Times critic Charles Isherwood offers a review of this latest production from Roundabout Underground, now in its ninth season of nurturing and presenting new artists to New York audiences.

Series: Attractive ChristianityTitus 1

Series: Attractive ChristianityTitus 1