Podcasts about iatse local

For four decades, Rebecca “Puck” Stair has built teams to tackle complex, high-profile, high-dollar projects. In 2023, she came to the New Mexico state energy office after two decades in the New Mexico film industry, where she worked as a producer and location manager on over a hundred films, television shows, commercials and other media projects, including podcasts and conferences for the Franciscan monk Father Richard Rohr. In 2020, she ran for NM Senate, and subsequently served as a policy analyst for our House of Representatives Consumer & Public Affairs Committee. For two years, Stair served as president of New Mexico's largest film crew union, IATSE Local 480. Stair graduated Cum Laude from Amherst College with a BA in English Literature, and completed some graduate study in linguistics at Georgetown University. Between championing clean-energy projects for the state, she rides horses, skis, races triathlons, and other questionable activities that require helmets. This episode is sponsored by the coaching company of the host, Paul Zelizer. Consider a Strategy Session if you can use support growing your impact business. Resources mentioned in this episode include: New Mexico Clean Energy site Atomic 66 site Rep. Andrea Romero Awarepreneurs interview Michael Poffenberger Awarepreneurs interview Kristy Drutman Awarepreneurs interview NMClimate newsletter New Mexico's Community Solar program New Mexico's Energy Transition Act Paul's Strategy Sessions Pitch an Awarepreneurs episode

Join us as we delve into the complex remembrance of Jimmy Carter, from his pivotal energy policies to international diplomacy, at his funeral reflections with diverse voices.This show is made possible thanks our members! To become a sustaining member go to https://LauraFlanders.org/donate   Thank you for your continued support!Description:  What is being left out of the conversation when it comes to Jimmy Carter, and why are many of his significant achievements under attack today? He created a national energy policy that married conservation with developing alternatives and getting off oil, passed the Superfund Act, created the Federal Department of Education and negotiated the Panama Canal treaty — a deal that Trump slammed earlier this week as he threatened to regain control of Panama. In this episode, Laura is on the ground in Georgia for Carter's funeral events, and speaks with people who came from all around the country to pay their respects. How are Americans remembering the 39th president? Many obituaries have excluded the October Surprise by which the release of US hostages held in Iran was delayed until Ronald Reagan's election day, and Carter's critiques of Israeli violations of international law and his warning that cutting off non-violent options for Palestinians under Israel's occupation would inevitably explode, making both Israel and the Palestinians less secure. What should we make of the notion that he “failed” during his presidency? Join us as we explore why Carter's legacy is so relevant today. All that, plus a commentary from Laura.“Carter had established the US-China relationship and this year is the 45th anniversary of US-China relationship normalization. Over the past 40 years, he had the great policy to help the Chinese people, help China to develop, and that changed millions of people's life.” - Richard Li“[Jimmy Carter] was accused of being antisemitic. Imagine the president who removed Israel's largest enemy from the battlefield, Egypt, could be considered antisemitic is so beyond the pale. He was so committed to Israel's security, which he knew could only happen when the Palestinian people would have their state.” - Karin Ryan“There's different philosophies on how private sector and public sector labor unions are viewed, and each one of them is unique in how they work for their contracts. But overall, collective bargaining is an important thing. And I think the general consensus of everybody historically is that President Carter supported collective bargaining, and collective bargaining is what this country was founded on.” - Greg WaddlePeople Featured in This Episode:• Karin Ryan, the Senior Policy Advisor on Human Rights and Special Representative on Women and Girls at The Carter Center• Richard Li, Vice President, Chinese American Business Association of Atlanta • Greg Waddle, President, IATSE Local 479 Watch the broadcast episode cut for time at our YouTube channel and airing on PBS stations across the country Subscribe to episode notes via Patreon Music In the Middle:  flashback to the Jimmy Carter Campaign Song “Why Not the Best” from 1976.  And additional music included- "Steppin"  and "All The Ways" by Podington Bear. Related Laura Flanders Show Episodes:•  Angela Davis: A Revolutionary Roadmap for Building a Better Future, Watch / Listen-Podcast- Episode, Full Conversation•  Israel, Hamas & Universal Human Rights: Former UN Official Craig Mokhiber Describes Path Forward, Watch / Listen-Podcast- Episode, Full Conversation• How to Fortify Democracy in 2024, Watch / Listen-Podcast- Episode Related Articles and Resources:•  Jimmy Carter Presidential Library video archives•  Carterland, a documentary by Jim & Will Pattiz released in 2021, Learn More• Jimmy Carter Tribute website, Learn More  Laura Flanders and Friends Crew: Laura Flanders, along with Sabrina Artel, Jeremiah Cothren, Veronica Delgado, Janet Hernandez, Jeannie Hopper, Sarah Miller, Nat Needham, David Neuman, and Rory O'Conner. FOLLOW Laura Flanders and FriendsInstagram: https://www.instagram.com/lauraflandersandfriends/Blueky: https://bsky.app/profile/lfandfriends.bsky.socialFacebook: https://www.facebook.com/LauraFlandersAndFriends/Tiktok: https://www.tiktok.com/@lauraflandersandfriendsYouTube: https://www.youtube.com/channel/UCFLRxVeYcB1H7DbuYZQG-lgLinkedin: https://www.linkedin.com/company/lauraflandersandfriendsPatreon: https://www.patreon.com/lauraflandersandfriendsACCESSIBILITY - The broadcast edition of this episode is available with closed captioned by clicking here for our YouTube Channel

On this week's episode of the Friends in Beauty podcast I welcome Priya Maharaj to the Friends in Beauty guest chair. Priya is an Atlanta-based Department Head of Makeup for IATSE Local 798, with a passion for beauty that sparked in her childhood while watching her mother prepare for special events. This early fascination blossomed into a fulfilling career in the film and TV industry, where she accumulated over 15 years of experience. Priya began her journey at Make-up Designory (MUD) in Los Angeles, earning a Journeyman degree and refining her expertise across various areas, including film and television, commercial, special effects, and editorial makeup. Committed to continuous growth, she actively pursues further education to stay current with the latest trends and techniques, fueled by her connections within the makeup community through platforms like The Powder Group and On Makeup Magazine. Over the years, Priya has had the privilege of department-heading remarkable projects, including Six Triple Eight, All The Queens Men, Ruthless, and Sistas. She has collaborated with talented artists on notable projects such as Fight Night, Ms. Marvel, Secret Headquarters, Monarch, Civil War, and many others. During our chat we talked about her work as a Makeup Department Head on Tyler Perry's “Six Triple Eight” on Netflix, the research involved in creating the character's looks, her early career as a Makeup Artist, and the makeup controversy surrounding Tyler Perry projects (you know I had to ask!). Enjoy this episode! Leave us a 5 star review and share this episode with a friend or 2 or 3. info@friendsinbeauty.com JOIN US ON THE WATER BREAK RETREAT - BALI  | JULY 6-12, 2025 https://www.bit.ly/FIBWaterBreakRetreat GET A PEEK INSIDE OF BEAUTYPRO FUNNELS HERE https://www.getbeautyprofunnels.com/friends GET BOOKKEEPING & ACCOUNTING SERVICES - Tell Them Friends in Beauty Sent You https://kickstartaccountinginc.com JOIN US INSIDE OF THE TRAILBLAZERS CLUB https://bit.ly/FIBTrailblazersClub ADVERTISE YOUR BUSINESS OF THE PODCAST https://www.friendsinbeauty.com/advertise LEARN HOW TO RECORD + EDIT A PODCAST IN 7 DAYS OR LESS:  https://bit.ly/DIYPodcasterCourse FRIENDS IN BEAUTY FACEBOOK COMMUNITY https://www.facebook.com/groups/friendsinbeauty Additional Resources: MUST HAVE BEAUTY, PODCASTING, CONTENT CREATION TOOLS, AND BOOKS https://www.amazon.com/shop/akuarobinson LEARN A NEW SKILL Skillshare - Use this link for 2 months free of the premium plan: https://skl.sh/30t352q SAVE 10% ON MENTED COSMETICS (I'M SHADE D10) Shop Mented Cosmetics - https://www.mentedcosmetics.com/?rfsn=1290937.f2481 Use Code “AKUAROBINSON” for 10% of your purchase  Join the Friends in Beauty Mailing List: https://www.bit.ly/FIBTribe Social Media Info: Priya Maharaj (Instagram) - https://www.instagram.com/priya.maharaj Priya  (Website) - https://www.priyamaharaj.com Friends in Beauty (Instagram) - https://www.instagram.com/friendsinbeauty Friends in Beauty (YouTube) - https://bit.ly/FIBTube Akua Robinson (Instagram) - https://www.instagram.com/akuarobinson Akua Robinson (Website) - https://www.akuarobinson.com NOTE: I am a Brand Ambassador and affiliate for certain businesses, products and services that I believe in. I may have referenced these and included links in this video, description or someplace else at this site. I hope you find the resources helpful. Copyright, Liability Waiver and Disclaimers. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, except as permitted under the United States Copyright Act, and/or without the prior express written permission of Friends in Beauty, LLC, Akua Robinson Artistry, LLC and/or Akua Robinson.

Yes, The Animation Guild has a new contract. But not everyone is happy. Why not? The protections against AI and outsourcing are all but non-existent. Most of the discussion around the contract isn't really showering the union with glowing praise. The Animation Guild (TAG), IATSE Local 839, has ratified a new three-year contract covering film and TV animation studios, with 76.1% of members voting in favor. The agreement includes wage increases, enhanced health and pension contributions, improved working conditions, and specific gains for writers and storyboard artists. However, not everyone is pleased, as some members expressed concerns over the contract's limited protections against generative AI, which currently only require written notifications and consultations for alternative tools. While TAG leaders have called the deal a step forward, the lack of robust AI safeguards remains a sticking point for many in an industry increasingly grappling with technological change. The animation union contract, despite 76% ratification, fails to address AI outsourcing and staffing minimums for freelance artists, leaving them vulnerable to replacement. Netflix is already co-producing shows with studios in Japan and Korea, signaling a shift away from California-based animation production. The new contract allows studios to hand AI-generated scripts to board artists without additional compensation, potentially replacing human writers. The industry is experiencing a "double-edged sword" effect, with employed animators receiving better pay and conditions while many others face layoffs or outsourcing. The animation union's AI committee is attempting to enforce existing protections and organize studios across the US and beyond, but critics argue it's insufficient. A large percentage of animation workers feel "desperate and resentful" towards the union due to perceived lack of protection against AI outsourcing. California animators are dissatisfied with their new union contract for not adequately addressing concerns about AI exploitation, job security, and support for lower-tier workers. 00:00 California animators are unhappy with their new union contract for failing to provide sufficient protections against AI exploitation. 02:48 California animators fear job losses from AI advancements and reduced demand from major platforms, creating a tough industry environment. 05:13 California animators are unhappy with the new Hollywood union contract due to inadequate AI protections and a disconnect between the negotiating committee and the membership. 08:41 California animators are unhappy with the new Hollywood union contract for failing to adequately address AI's impact on their work and compensation. 10:44 California animators are unhappy with the new Hollywood union contract, citing job insecurity, outdated models, and insufficient support for original content amid rising concerns over AI and declining traditional studio jobs. 14:23 California animators are unhappy with the new Hollywood union contract, feeling it neglects their concerns despite a 76% ratification vote. 16:15 California animators are frustrated with the new union contract for failing to address AI, outsourcing, and job security, fueling fears for the industry's future. 18:56 California animators are unhappy with the new Hollywood union contract, as it mainly favors higher-level artists while neglecting job security and protections for lower-tier workers.

Award-winning director of photography Erik Messerschmidt, ASC has a natural eye for arresting and spellbinding images, thriving in a role that allows him to combine his love of art, craft and science. Recently, he lensed Devotion for director J.D. Dillard, based on the real-life story of a Black naval officer who befriends a white naval officer during the Korean War, with both becoming heroes for their selfless acts of bravery.He also is currently shooting Michael Mann's biographical film Ferrari, starring Adam Driver, Shailene Woodley, and Penélope Cruz, and recently completed shooting David Fincher's The Killer, starring Michael Fassbender and Tilda Swinton.Previously, Messerschmidt shot Fincher's passion project Mank, chronicling the screenwriter Herman Mankiewicz's turbulent journey to write Citizen Kane alongside Orson Welles. Messerschmidt's meticulous and striking black and white recreation of the period's aesthetic earned him the Academy Award for Best Cinematography, an ASC Award for Outstanding Cinematography in a Feature Film, a BSC Award for Best Cinematography in a Theatrical Feature Release, a BAFTA Award nomination for Best Cinematography, as well as Best Cinematography award nominations from the San Francisco Bay Area Film Critics Circle, the Broadcast Film Critics Association Critics Choice, and the Alliance of Women Film Journalists.In addition, Messerschmidt co-lensed several episodes of the HBO Max original series Raised by Wolves from producer Ridley Scott. He also shot the first and second seasons of Fincher's hit thriller series Mindhunter for Netflix, earning a 2020 Emmy Award nomination for Outstanding Cinematography for a Single-Camera Series (one-hour) for episode 206.With a background in the fine arts world, Messerschmidt honed his skills while working with such renowned cinematographers such as Dariusz Wolski, ASC, Jeff Cronenweth, ASC, Phedon Papamichael, ASC, Claudio Miranda, ASC, and Greig Fraser, ASC. Messerschmidt now lives in Los Angeles and is a member of IATSE Local 600. He is represented by DDA.Enjoy my conversation with Erik Messerschmidt.Become a supporter of this podcast: https://www.spreaker.com/podcast/bulletproof-screenwriting-podcast--2881148/support.

Joanne Mariano is a firefighter with the FDNY assigned to L136 in Elmhurst, Queens, and formerly assigned to E225 in East New York, Brooklyn. Prior to joining the fire department, she was a lighting technician with IATSE Local 52 Motion Picture Studio Mechanics. She holds a bachelor's degree in Film Production from Hunter College and is currently pursuing a master's degree in Sport and Performance Psychology with a concentration in applied practice at the University of Western States. Joanne is working towards becoming a Certified Mental Performance Consultant (CMPC) through the Association for Applied Sport Psychology (AASP).

Erica Chan is an IATSE Local 600 First Assistant Camera and the App Developer behind FreeMe, an all-in-one job and time tracking app designed to support the individual crew member. Erica grew up in Vegas and attended UNLV for undergrad, followed by FSU for her Master's degree. She moved to Los Angeles in 2015 and joined IATSE Local 600 in 2019. Erica is a winner of a Student Emmy.During the pandemic, Erica helped people through unemployment with Unemployment Gurus. She works mostly on commercials (Google, Apple, US Army, Alaska Airlines) and launched FreeMe in May of 2024.Connect with Erica:➡️ Instagram: @thefreemeapp➡️ TikTok: @thefreemeappwww.thefreemeapp.comAbout The Lot1 Podcast ✨The Lot1 Podcast is designed for anyone who is interested in or working in filmmaking. Whether you're just starting out or a seasoned veteran, we hope you gain the knowledge you need to improve your craft, achieve your filmmaking goals, or simply get an understanding and appreciation for the roles and duties of your peers and colleagues.

In a recent episode of A Conversation with Floyd Marshall Jr., cinematographer Michelle Clementine, one of the few African American and Latina cinematographers in the industry, shared her journey, insights, and experiences. The interview, titled "Black Women In Focus," highlights Clementine's unique perspective as a trailblazer in a field historically dominated by white men. From Humble Beginnings to Cinematic Excellence Michelle Clementine's career began with an internship at the TriBeCa Film Festival in 2005. After earning her B.A. in Film Production from Brooklyn College, she joined IATSE Local 600 in 2010. Her journey took a significant turn in 2018 when she participated in the inaugural Cinematography Intensive for Women at the American Film Institute. This program led her to Los Angeles, where she honed her skills on various narrative films and television shows. During the interview, Clementine reflected on her early days in the industry, sharing how she overcame initial doubts about pursuing a career in cinematography. Despite her love for photography, she initially dismissed it as "a white man's sport." However, her determination and passion for storytelling through visuals kept her on the path, eventually leading her to where she is today. Navigating a Male-Dominated Industry Clementine candidly discussed the challenges she faced as a woman of color in a predominantly male industry. She shared how she was often advised to pursue roles more traditionally associated with women, such as producing or writing, rather than cinematography. However, her resolve to stay true to her passion for camera work led her to push through these barriers. "Men are gonna men," Clementine remarked, addressing the gender dynamics she has encountered throughout her career. She emphasized the importance of not letting these challenges deter women from pursuing their goals. Her approach to dealing with the aggressive communication often found in the industry was shaped by her upbringing in New York, where she learned to develop a thick skin and persevere. Giving Back to the Community One of the most inspiring aspects of Clementine's career is her commitment to mentoring and supporting other women of color interested in cinematography. After gaining experience and recognition in the industry, she began leading training sessions for Black women interested in pursuing a career in camera work. This initiative eventually led to her appointment as the chairwoman of the women's committee for the western region at the International Cinematographer's Guild. Clementine's dedication to fostering a community of women in cinematography is evident in the success of these training sessions, which have drawn large groups of women eager to learn and grow in the field. Her efforts have not only provided invaluable opportunities for these women but have also helped to diversify the industry. The Importance of Preparation and Relationships Throughout the interview, Clementine underscored the importance of being prepared on set and the value of strong relationships in the industry. She highlighted how preparation allows for creative flexibility, enabling cinematographers to adapt to unexpected challenges on set. Additionally, she emphasized that building and maintaining relationships is crucial for career growth, as much of her work has come through word-of-mouth and recommendations from colleagues. In closing, Michelle Clementine's interview serves as a powerful reminder of the resilience, talent, and determination required to succeed in the film industry. ============= Submit Your Film to Our Film Collective: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ifapfilmcollective.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Connect With Floyd Marshall Jr: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠instagram.com/floydmarshalljr⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ --- Support this podcast: https://podcasters.spotify.com/pod/show/aconversationwithfm/support

How did scenic designer become a job that people could pursue in the theatre? Dr. David Bisaha joins us to talk about his book, American Scenic Design and Freelance Professionalism. Correction for the episode: The correct number for the historical, segregated Washington, D.C. IATSE Local was 224-A, not 244-A.

In the Arena: Serena Williams is the second season of the ESPN+ documentary series. Through a series of intimate interviews with Williams and others, the show offers an in-depth look at the legendary tennis player's life and career. Cinematographer Ayana Baraka was the director of photography for the entire 8-episode series. She met with the production company, Religion of Sports, with her images and pitch prepared. “We had the same ideas about lighting. I was familiar with (Season 1 of the series) Man in the Arena: Tom Brady and so I know that we wanted to honor season one, but at the same time Serena is a a different person, a different athlete.” A few weeks later, Ayana was called to meet with Serena for lunch. It was very nerve wracking, but she felt confident in the meeting. Once she was hired, Ayana researched and tested all the equipment she wanted to use. She selected the ARRI ALEXA LF with Cooke Anamorphic lenses. Illuminating Serena properly for the sit-down interviews was extremely important to her. She created custom LUTs for Serena's skin to bring out her pinkish undertones. The falloff of the light from the backdrop also had to be just right. Ayana used rags (different thicknesses of fabric diffusion to modify light) and bounced the light for a 180-degree lighting setup. To set each episode apart, Ayana changed up the lighting slightly. Growing up in New Jersey, Ayana initially went into the health care industry. While in college, she took a film class and made a short documentary about a person struggling with their mental health. Ayana pursued her career in health care, but didn't feel like she was changing lives the way she wanted to. She started getting film jobs in New York and became an ARRI prep tech, which enabled her to learn the technical aspects of camera work and test into the IATSE Local 600, the International Cinematographer's Guild. Ayana felt she wanted to learn more about film and storytelling, so she went to graduate school at USC. As a woman of color, she felt that director Ryan Coogler, who was a recent graduate of the program, had opened up a world of opportunity. “We have the success of Ryan Coogler, and I know it was different for people who came before me, people of color or black folks. My class, it was so diverse. And I think it was because he let that charge and he showed we have stories to tell, and people will watch our stories.” Ayana also shot the documentary Uncharted, about singer Alicia Keys' She Is the Music songwriting camp. It premiered at the Tribeca Film Festival last year and is currently on the film festival circuit. In the Arena: Serena Williams is available on ESPN+ and Hulu. Find Ayana Baraka: http://www.ayanabaraka.com/ Instagram @iseeflicks Sponsored by Hot Rod Cameras www.hotrodcameras.com The Cinematography Podcast website: www.camnoir.com Facebook: @cinepod Instagram: @thecinepod Twitter: @ShortEndz

Interview with anthology author Angelique Velez contributing the chapter titled "For The Love of Beauty" to Volume II Deserts to Mountaintops: Choosing Our Healing Through Radical Self-Acceptance.Angelique Velez, can quite literally say "love raised me, lipstick saved me". Makeup artist and founder of Breakups to Makeup, Velez used her own personal journey with heartbreak to fuel the creation of Breakups to Makeup (B2M), which is now the one of the country's most sought after high-quality accessory and apparel brands for makeup enthusiasts. Sold online and in retail stores including Sephora, QVC, Walmart, Urban Outfitters, Ricky's and NYLON Shop.Born and raised in New York from Puerto Rican and Cuban descent Velez launched B2M in June 2013 to spread the message that makeup is more than just a simple product, but also an art form. As a makeup artist for more than a decade, Angelique recognized the importance of this creative outlet and wanted a way to educate and inspire others while turning heartbreak into moments of self- celebration.Under her leadership, unmatched creativity and massive passion for adding a touch of wit and glam to Breakups to Makeup, her infamous clutches "Love Raised Me Lipstick Saved Me" to "I Would Cry But My Mascara is Designer," have been seen in the hands of legends such as Cher to being featured in national media outlets such Refinery29, Marie Claire, Allure and Latina, to name a few. Prior to embracing entrepreneurship and dedicating herself full time to her passion project, Velez was, and still is, a professional makeup artist. Velez has had the opportunity to be a part of fashion shows for Michael Kors, Marc by Marc Jacobs, Project Runway, Alexander Wang and Tommy Hilfiger. She has also worked notable televised events multiple times including the MTV Video Music Awards and Victoria's Secret Fashion Show. She is also a proud member of the IATSE Local 798 Union.Velez currently resides in New York, but enjoys traveling, while also being a full-time mom. She has a podcast, called Hey Glowfriend, that encompasses her entire journey, which is available on all podcast platforms. Learn more at www.breakupstomakeup.com or on instagram  @theangeliquetechnique and @breakupstomakeup.See more about Deserts to Mountaintops Anthologies: desertstomountaintops.comSee more from Soul Speak Press: soulspeakpress.comFind out more about Jessica Buchanan: Website

Allison Smartt, an organizer with IATSE Local 839, known as The Animation Guild (TAG), joined the America's Work Force Union Podcast to talk about recent organizing success with animators at Dreamworks Studios and dispelled some myths about workers in this type of creative industry. Tim Burga, President of the Ohio AFL-CIO, joined the America's Work Force Union Podcast to discuss the issues with the proposed legislation in HB 472. Burga also discussed the efforts to get a redistricting amendment on the November ballot.

Richard Cadena is an ETCP Recognized Trainer, an ETCP Certified Entertainment Electrician with over 36 years of experience in live event production. He is the author of several books, and the technical editor for Lighting and Sound America, Lighting and Sound International, and Protocol magazines. As a freelance lighting designer and lighting consultant he has worked on concert tours, television, theatre, motion picture productions, sporting events and more. His latest projects include supplying battery/solar power for festival stages, lighting the basketball courts for the NBA Playoff Games and lighting comedy clubs in Austin, Texas. He is a member of IATSE Local 205 in good standing, and he is in demand as a speaker and trainer. This episode is brought to you by Elation Lighting and Mainlight. --- Send in a voice message: https://podcasters.spotify.com/pod/show/geezersofgear/message

Mitch Messinger is an award-winning publicity executive with nearly three decades of experience in the entertainment industry. As the founding president and CEO of Messinger Media Management, LLC, Mitch has demonstrated his prowess in creating and executing innovative campaigns across traditional and new media platforms. With a proven track record in domestic and international TV and film PR, Mitch boasts extensive connections within the industry, including press, producers, talent, studio executives, and more. In recent years, he served as an international publicity consultant for LIONSGATE+ as well as covering prestigious events like the Primetime and Daytime Emmys. Additionally, as a vice president at MARC Global Communications, Mitch has lent his expertise to campaigns for prominent clients such as Byron Allen's theGrio and the John and Lillian Miles Lewis Foundation. Prior to these roles, Mitch held key positions at FOX Entertainment and ABC Entertainment, overseeing publicity campaigns for acclaimed series like “Next Level Chef,” “ Call Me Kat,” “Alter Ego,” "The Goldbergs," "Dancing with the Stars,” “The Bachelor” franchise and "General Hospital." A distinguished alum of Syracuse University, Mitch is deeply involved in his alma mater's alumni community, having served as a board member of the national alumni association and co-president of the Syracuse University Alumni Club of Southern California. Beyond his professional achievements, Mitch is a devoted family man, residing near Los Angeles with his wife and college and high school-age children, and is an active member of industry organizations such as the Academy of Television Arts and Sciences and the Publicist Guild, IATSE Local 600. He won 1st place for CableFax's Faxies Awards in the "Press Kit" category for his work on ABC series “The Goldbergs,” “Schooled,” and “American Housewife.” In addition, he was a nominee for the Publicist Guild's Maxwell L. Weinberg Showmanship Award for “Best Television Publicity Campaign” for ABC's “Speechless."Watch the Podcast on YouTube | Read the DiariesHost, Author of Diary of an Actress,. Executive Producer: Rachel BailitEditor, Producer : Max BugrovYouTube: @diaryofanactresspodcastInstagram: diaryofanactresspodcastTikTok: @diaryofanactresspodcastFacebook: diaryofanactress

Pop Art Painter Jamie Roxx (www.JamieRoxx.us) welcomes Stephonika W. Kaye, Filmmaker, Writer and Artist to the Show!  (Click to go there) ● WEB: www.stephonikawkaye.com ● WEB: twilightprincessnovel.weebly.com ● WEB: www.etsy.com/shop/OnikaArts ● IG: @stephonikawkaye ● LT: linktr.ee/stephonikawkaye ● FB: @sabrina.branham.7 ● IMDB: www.imdb.com/name/nm4464803   Stephonika was born in small town West Virginia. She graduated with a bachelor's degree cum laude from Ohio University in 2011, and has since been working in Ohio and across the U.S. as a production designer and set decorator. She has been a member of IATSE Local 209 since 2014. Along with her focused work in art and set decoration departments, she is a writer and director as well as an actor. Her first major film credit was as the set decorator on the Wrong Turn (2021) reboot, which she attributes to opening up many opportunities thereafter. She is also a self-taught artist and craftsperson / prop maker. With her skills in art, she founded her small Etsy shop Onika Arts & Oddities.

On this week's show: Members of IATSE Local 122 discuss their contract fight in San Diego; Fighting political interference in higher ed: From Florida to Texas, Ohio to Indiana, politicians are trying to substitute their own ideological beliefs for educational freedom by passing legislation that interferes with how colleges and universities operate. Then, a chat with Jamell Thrower, National Secretary of the Electrical Workers Minority Caucus. Next, meet Ray Connor, the new president of the Southwest Washington Central Labor Council. And in our final segment, Paul Robeson sings at Peace Arch Park. This week's featured shows: Union or Bust, two union activists discuss organizing, unions, and politics; AAUP Presents, the podcast produced by the American Association of University Professors, on issues related to academic freedom, shared governance, and higher education; SayWatt, which covers what's going on in the world of electrical apprenticeship; Working to Live In Southwest Washington, the podcast from the Southwest Washington Central Labor Council; and On The Line: Stories of BC Workers, a Canadian labour history storytelling podcast, produced by volunteers & staff of the BC Labour Heritage Centre. Please help us build sonic solidarity by clicking on the share button below. Highlights from labor radio and podcast shows around the country, part of the national Labor Radio Podcast Network of shows focusing on working people's issues and concerns. @UnionOrBustPod @AAUP @SWWACLC @BC_LHC #LaborRadioPod @AFLCIO Edited by Patrick Dixon, produced by Chris Garlock; social media guru Mr. Harold Phillips.

We are back discussing more life lessons with award-winning NYC Cinematographer Chris Wairegi in this part 2 interview. From high-def TV and Film Camera work to activism, her diverse portfolio includes TV hits like "Run the World" and groundbreaking projects. As a Legacy Leader and Kodak Howard Bingham Scholar, Chris is a proud member of IATSE Local 600, ICFC, BGDM, DCA, and SPORAS. Dive into her achievements, including the Kodak Vanguard Award for "600 Black Women." Check out her accolades at https://www.imdb.com/name/nm6384689/. Subscribe to our YouTube channel @VontiPictures to watch her video interview. Visit www.filmconvopodcast.com for podcast updates. Connect on Instagram @vonti_pictures or email us at info@vontipictures.com for inquiries. #Cinematography #Podcast

Explore the cinematic journey of award-winning NYC Cinematographer Chris Wairegi on our podcast. From high-def TV and Film cameras to activism, her diverse portfolio includes TV hits like "Run the World" and groundbreaking projects. As a Legacy Leader and Kodak Howard Bingham Scholar, Chris is a proud member of IATSE Local 600, ICFC, BGDM, DCA, and SPORAS. Dive into her achievements, including the Kodak Vanguard Award for "600 Black Women." Check out her accolades at https://www.imdb.com/name/nm6384689/. Stay tuned for part 2 and subscribe to our YouTube channel @VontiPictures. Visit www.filmconvopodcast.com for podcast updates. Connect on Instagram @vonti_pictures or email us at info@vontipictures.com for inquiries. #Cinematography #Podcast

In a “shocking” Episode 241, Sean and Andy talk with Richard Cadena, author of the book “Electricity for the Entertainment Electrician & Technician” as well as serving as a freelance lighting designer, lighting consultant, and trainer. He's worked on concert tours, television, and theatre, and has designed dozens of lighting systems for permanent installations. Richard is also the technical editor for PLASA Media and a columnist for Lighting & Sound America, Lighting & Sound International, and Protocol, and is a member in good standing of IATSE Local 205. This episode is sponsored by Allen & Heath and RCF.Topics covered include power distribution and safety, ESTA's Entertainment Technician Certification Program (ETCP) Certified Entertainment Electrician and Portable Power Distribution Certifications, why most rental shop quad boxes are dangerous, what types of multimeters to buy for maximum utility and safety, and much more! Richard would like to thank Overdrive Energy Solutions and Neel Vasavada, Boxer Hardison, and Sean Jacobs, who brought him in on the battery/inverter gigs he talks about in the episode.Episode Links“Electricity for the Entertainment Electrician & Technician” (Richard's book)Richard's Online & In-Person TrainingRichard On SubstackOverdrive Energy SolutionsThe Case of the Deadly Arc Flash (article)Fluke 323 True RMS Clamp MeterIdeal TightSight Clamp Meters & SureTest Circuit AnalyzerEpisode 241 TranscriptNote: For a special 10 percent listener discount on Richard's in-person classes coming up in Atlanta in March 2024, use the following coupon codes:Level 1 Training, Code PSW2024L1Level 2 Training, Code PSW2024L2You're Invited To Take The Philosophy Of (Live) Sound Survey (here).Be sure to check out the Signal To Noise Facebook Group and Discord Server. Both are spaces for listeners to create to generate conversations around the people and topics covered in the podcast — we want your questions and comments!Also please check out and support The Roadie Clinic, Their mission is simple. “We exist to empower & heal roadies and their families by providing resources & services tailored to the struggles of the touring lifestyle.”The Signal To Noise Podcast on ProSoundWeb is co-hosted by pro audio veterans Andy Leviss and Sean Walker.Want to be a part of the show? If you have a quick tip to share, or a question for the hosts, past or future guests, or listeners at home, we'd love to include it in a future episode. You can send it to us one of two ways:1) If you want to send it in as text and have us read it, or record your own short audio file, send it to signal2noise@prosoundweb.com with the subject “Tips” or “Questions”2) If you want a quick easy way to do a

The Costume Designers Guild, IATSE Local 892, has launched its Pay Equity Now campaign, which focuses on achieving parity with their male-dominated creative department head counterparts. To give a brief background, the Costume Designers Guild consists of professional costume designers, assistant costume designers and costume illustrators working in film, TV, commercials and other media. Its membership is 87% female, and the guild says that they are 65% lower on the IATSE pay scale than male-dominated creative department heads, according to Pay Equity Now. Seeking to expand upon the #NakedWithoutUs campaign that the Costume Designers Guild has used for the past several years, Pay Equity Now is about education that will hopefully lead to industry-shifting change and a better quality of life for Costume Designers. Tune in as Terry A. Gordon, President of the Costume Design Guild (Local 892), discusses all of the details of the campaign and our goals going forward. Pour up a cup!

Get ready for a journey back in time as OWC RADiO presents a very special episode celebrating the 40th anniversary of the holiday classic, "A Christmas Story." In a unique twist, our host, Cirina Catania, wasn't just an observer—she was a key player in the film's marketing and PR team during its original release. Brace yourselves for exclusive insights and rarely-shared stories, straight from the filmmakers. These reminiscences, held close for four decades, are about to be unveiled again, giving you an intimate glimpse into the magic behind-the-scenes. Get ready to rediscover the joy of "A Christmas Story" in a way you may never have heard before! If you enjoy our podcast, please subscribe and tell all your friends about us! We love our listeners. And, if you have ideas for segments, write to OWCRadio@catania.us. We are always up for new ideas! ABOUT OWC: Other World Computing, under the leadership of Larry O'Connor since he was 15 years old, has expanded to all corners of the world and works every day to create hardware and software that make the lives of creatives and business-oriented companies faster, more efficient and more stable.  Go to MacSales.com for more information and to discover an ecosystem that serves your needs. As Larry says, "Our dedication to excellence and sustainable innovation extends beyond our day-to-day business and into the community. We strive for zero waste, both environmentally and strategically. Our outlook is to the long term, and in everything we do, we look for simplicity in action and sustainability in practice. For us, it's as much about building exceptional relationships, as it is about building exceptional products." ABOUT OUR HOST: Filmmaker Cirina Catania, the Co-Founder and prior Executive Director of the Sundance Film Festival, and Founder and Lead Creative at The Catania Group Global, has been involved as a writer, director, producer, cinematographer or marketing exec on over 150 film, television and new media projects for the big screen as well as for networks such as National Geographic, Discovery, etc. She was a senior executive at MGM-UA and United Artists and is a member of the WGA-West, the PGA, IATSE Local 600, NPPA, the National Press Club, and more. Cirina lives in San Diego, D.C. and Berlin when she is not on the road filming for her projects or for clients, or speaking as a tech evangelist for companies such as Blackmagic Design and Lumberjack System. Cirina is the Founder and Executive Director of the High Media Collective (HSMC) a national nonprofit with top industry mentors bringing media literacy and new career pathways to classrooms across the country.

Greg Waddle is in his 23rd year of membership in the International Alliance of Theatrical Stage Employees union, also known as (IATSE). He is a candidate for President of IATSE Local 479. He is also a political and technical sector consultant in Georgia, and the co-founder of Film Artisans Craftspeople and Technicians For Innovation, Diversity, and Inclusion, formed in 2016. This advocacy group promotes diversity in film and media productions. His resume lists a number of Academy Award winning and nominated titles working as a motion picture grip in the camera and electrical department. Titles include "Guardians of the Galaxy 2", "Ant Man and the Wasp", "Sully", "Richard Jewel", "The Nice Guys", "Furious 7", "Black Panther", and a host of more productions.Connect to him throughInstagramFacebookWebsite Now is a great time to act on your dreams! If this episode helped you, please share to a friend!https://www.instagram.com/HyphensHaven/http://www.dreamofdrea.com/Watch on YouTube https://www.youtube.com/c/DreamofDréa

It's the time of year when we think most about family and friends and our friend Richard Taylor of Final Cut TV joins us on OWC RADiO to reminisce about the recent FCP Global Summit and our visit to Apple Park for exclusive Final Cut previews from the Apple team. Some of our favorite presentations during the Summit included those by Storm Smith, a deaf filmmaker and teacher at Gallaudet University, Dylan Bates the Final Cut Bro (who recently interviewed with Cirina here on OWC RADiO), Steve Martin and Mark Spencer of Ripple Training, Iain Andersen (Fun With Stuff in Australia), George Edmundson of Seed Creative, Isaac T. of Post Lab and others. We discussed the iPhone 15 Pro Max, the Blackmagic 6K Pocket Camera, that fabulous new free camera app from Blackmagic to manage and distribute your media while you shoot, LumaFusion, the Lumix S5 Camera...and our adventure finding half and half for our coffee in Cupertino! If you enjoy our podcast, please subscribe and tell all your friends about us! We love our listeners. And, if you have ideas for segments, write to OWCRadio@catania.us. We love hearing from you! ABOUT OWC: Other World Computing, under the leadership of Larry O'Connor since he was 15 years old, has expanded to all corners of the world and works every day to create hardware and software that make the lives of creatives and business-oriented companies faster, more efficient and more stable.  Go to MacSales.com for more information and to discover an ecosystem that serves your needs. As Larry says, "Our dedication to excellence and sustainable innovation extends beyond our day-to-day business and into the community. We strive for zero waste, both environmentally and strategically. Our outlook is to the long term, and in everything we do, we look for simplicity in action and sustainability in practice. For us, it's as much about building exceptional relationships, as it is about building exceptional products." ABOUT OUR HOST: Filmmaker Cirina Catania, the Co-Founder and former Executive Director of the Sundance Film Festival, and Founder and Lead Creative at The Catania Group Global, has been involved as a writer, director, producer, cinematographer or marketing exec on over 150 film, television and new media projects for the big screen as well as for networks such as National Geographic, Discovery, etc. She was a senior executive at MGM-UA and United Artists and is a member of the WGA-West, the PGA, IATSE Local 600, NPPA, the National Press Club, and more. Cirina lives in San Diego, D.C. and Berlin when she is not on the road filming for her projects or for clients, or speaking as a tech evangelist for companies such as Blackmagic Design and Lumberjack System. Cirina is the Founder and Executive Director of the High Media Collective (HSMC) a national nonprofit with top industry mentors bringing media literacy and new career pathways to classrooms across the country.

Eric J. Robertson is the Executive Vice President of ReDefine, as well as a Producer, Cinematographer and Entrepreneur. As part of the DNEG Group, ReDefine leverages an incredible legacy of creative and technical innovation to cater to projects that benefit from their agile boutique approach. The studio designs solutions that are tailored to the requirements of each show and always delivers to the highest levels of quality. The list of their credits includes DUNE: PART II, BORDERLANDS, WACO: THE AFTERMATH, and so many more! Prior to joining ReDefine, Eric co-founded a New York based VFX Studio Mr. X Gotham. Over the course of his career, he supervised and produced visual effects for over 50 feature films and worked with some of film's most respected directors including Ron Howard, Jonathan Demme, Sam Mendes, Joel and Ethan Cohen, Jim Jarmusch and Charlie Kaufman. With a career that spanned all genres, Eric enabled Sacha Baron Cohen's General Alladeen to walk a tightrope above midtown New York in THE DICTATOR; he transformed Phillip Seymour Hoffman's vision into a vast warehouse that enclosed the entire island of Manhattan in SYNECDOCHE, NEW YORK and convinced moviegoers that they're watching Richard Nixon's confessions in real time in FROST / NIXON. Eric's creations go from exhilarating and hilarious, to emotional and engaging, all with the visual effects integrated seamlessly with the storyteller's vision.  Eric is also an accomplished photographer and cinematographer whose 20+ years of experience in production gives him a storyteller's eye along with the technical skills that encompass all aspects of the filmmaking process, from script to screen. Eric was instrumental in expanding the V.E.S. into an NYC section and served as its first Secretary / Treasurer. He is a member of IATSE Local 600. In this Podcast, Allan McKay interviews the Executive Vice President of ReDefine Eric J. Roberson about overcoming challenges and pushing the limits in visual effects; teaching filmmaking principles to the next generation of VFX Supervisors; the future of streaming content in 2024 post industry strikes; as well as Eric's career in visual effects and the legacy of DNEG in ReDefine's work and international presence. For more show notes, visit www.allanmckay.com/432.

Independent filmmakers make films. That's what they do out of love for the craft, the message, or the story. But, how do they make money so they can continue to create those stories? Author Rachel Gordon interviewed 150 top experts, producers and industry representatives from around the world. Her book, "The Documentary Distribution Toolkit," is a comprehensive how-to for emerging as well as experienced documentarians. Our host, Cirina Catania, a long-time veteran of the filmmaking, marketing, and distribution world, engages Rachel in a lively conversation about best practices and pitfalls of this important aspect of our movie making world. OWC RADiO is sponsored by Other World Computing, creating technology for over 30 years that is changing your media world for the better. Whether it is external hard drives, storage, media cards, software, internal drives, DIY needs, or more…we have it for you. Visit owc.com to maximize your budget, and find your perfectly reliable solution. If you enjoy our podcast, please subscribe and tell all your friends about us! We love our listeners. And, if you have ideas for segments, write to OWCRadiocatania.us. We are always up for new ideas! ABOUT OWC: Other World Computing, under the leadership of Larry O'Connor since he was 15 years old, has expanded to all corners of the world and works every day to create hardware and software that make the lives of creatives and business-oriented companies faster, more efficient and more stable.  Go to MacSales.com for more information and to discover an ecosystem that serves your needs. ABOUT OUR HOST: Filmmaker Cirina Catania, the Co-Founder and former Executive Director of the Sundance Film Festival, and Founder and Lead Creative at The Catania Group Global, has been involved as a writer, director, producer, cinematographer or marketing exec on over 150 film, television and new media projects for the big screen as well as for networks such as National Geographic, Discovery, etc. She was a senior executive at MGM-UA and United Artists and is a member of the WGA-West, the PGA, IATSE Local 600, NPPA, the National Press Club, and more. Cirina lives in San Diego, D.C. and Berlin when she is not on the road filming for her projects or for clients, or speaking as a tech evangelist for companies such as Blackmagic Design and Lumberjack System. Cirina is the Founder and Executive Director of the High School Media Collective (HSMC) a national nonprofit with top industry mentors bringing media literacy and new career pathways to classrooms across the country.

Read the transcript of this podcast: https://therealnews.comWe won't grasp all the repercussions of 2023's 'Hot Labor Summer' for years to come, but one place where the effects are already being noted is Hollywood. Building on the momentum of the newly-chartered IATSE Local 111, which represents thousands of commercial production workers across the country, production assistants in the Film and TV sector are coming together to fight back against exploitative working conditions in the industry. The Real News speaks with organizers from Production Assistants United to understand the conditions faced by production workers in Film and TV, and how the unionization of these PAs could reshape the politics of Hollywood labor.Post-Production: David HebdenHelp us continue producing radically independent news and in-depth analysis by following us and becoming a monthly sustainer: Donate: https://therealnews.com/donate-podSign up for our newsletter: https://therealnews.com/newsletter-podLike us on Facebook: https://facebook.com/therealnewsFollow us on Twitter: https://twitter.com/therealnews

OWC RADiO host, Cirina Catania, sits down with filmmaker John McDonald about his ten-year journey to film his latest documentary, "Call Me Mule," the story of a man named John Sears, nicknamed "Mule," who has lived a nomadic lifestyle for the past thirty years, traveling across the country with his three mules in tow. Living in harmony with nature, enjoying this beautiful United States on foot, and advocating against our country's dependence on motorized transportation and urban sprawl, Mule finds his simple way of life threatened by those determined to uphold the establishment. Despite his many confrontations with law enforcement, he and his mules refuse to give up. "Call Me Mule" is a fascinating story about a man and his mules, living his life exactly as he wants without concern for modern conveniences. He doesn't need them. John McDonald's documentary has been accepted to many festivals around the world and has won Official Selection and Audience awards. If you enjoy our podcast, please subscribe and tell all your friends about us! We love our listeners. And, if you have ideas for segments, write to OWCRadio@catania.us. Cirina is always up for new ideas! OWC RADiO is sponsored by Other World Computing, creating technology for over 30 years that is changing your media world for the better. . OWC, under the leadership of Larry O'Connor since he was 15 years old, has expanded to all corners of the world and works every day to create hardware that makes the lives of creatives and business-oriented companies faster, more efficient and more stable. Whether it is external hard drives, storage, media cards, software, internal drives, DIY needs, or more…they have it for you.  Visit owc.com to maximize your budget, and find your perfectly reliable solution. ABOUT OUR HOST: Filmmaker Cirina Catania, the Co-Founder and prior Executive Director of the Sundance Film Festival, and Founder and Lead Creative at The Catania Group Global, has been involved as a writer, director, producer, cinematographer or marketing exec on over 150 film, television and new media projects for the big screen as well as for networks such as National Geographic, Discovery, etc. She was a senior executive at MGM-UA and United Artists and is a member of the WGA-West, the PGA, IATSE Local 600, NPPA, the National Press Club, and more. Cirina lives in San Diego, D.C. and Berlin when she is not on the road filming for her projects or for clients, or speaking as a tech evangelist for companies such as Blackmagic Design and Lumberjack System. Cirina is the Founder and Executive Director of the High Media Collective (HSMC) a national nonprofit with top industry mentors bringing media literacy and new career pathways to classrooms across the country.

The president of the Ohio AFL-CIO, Tim Burga, joined the America's Work Force Union Podcast to discuss Election Day in Ohio, the cost of the special election in August and issues and expectations for the election. Co-host and co-producer of The Valley Labor Report and Political Coordinator for the International Alliance of Theatrical Stage Employees Local 900, Adam Keller, joined the America's Work Force Union to provide a monthly update on labor in the South. Keller discussed a marathon fundraiser, the United Auto Workers' next priority and recent organizing wins featured on TVLR.

AJ Salmen is the Co-Founder of Entertainmint, a Web 3 solution for creatives that gives us a fair share of the revenue using a totally transparent business model, far removed from what we may have experienced in the past. A J is a producer, writer, and entrepreneur currently focusing on helping story tellers achieve success. He interviews here on OWC RADiO with our host, Cirina Catania. OWC RADiO is sponsored by Other World Computing, creating technology for over 30 years that is changing your media world for the better. . OWC, under the leadership of Larry O'Connor since he was 15 years old, has expanded to all corners of the world and works every day to create hardware that makes the lives of creatives and business-oriented companies faster, more efficient and more stable. Whether it is external hard drives, storage, media cards, software, internal drives, DIY needs, or more…they have it for you. Visit owc.com to maximize your budget, and find your perfectly reliable solution. ABOUT OUR HOST: Filmmaker Cirina Catania, the Co-Founder and prior Executive Director of the Sundance Film Festival, and Founder and Lead Creative at The Catania Group Global, has been involved as a writer, director, producer, cinematographer or marketing exec on over 150 film, television and new media projects for the big screen as well as for networks such as National Geographic, Discovery, etc. She was a senior executive at MGM-UA and United Artists and is a member of the WGA-West, the PGA, IATSE Local 600, NPPA, the National Press Club, and more. Cirina lives in San Diego, D.C. and Berlin when she is not on the road filming for her projects or for clients, or speaking as a tech evangelist for companies such as Blackmagic Design and Lumberjack System. Cirina is the Founder and Executive Director of the High Media Collective (HSMC) a national nonprofit with top industry mentors bringing media literacy and new career pathways to classrooms across the country.

Avery is an award winning and critically acclaimed Costume Designer, Illustrator, and Consultant. She is a member of The Costume Designers Guild of America and the IATSE Local 873.

Twice the speed? Buffering bye bye. Backward and forward compatible Atlas CFexpress 4.0 Memory Cards are available now at OWC.com. Farshid Tabrisi, the Senior VP of flash memory and media development at Other World Computing, OWC, goes under the hood and gives us the details about their new CF Express 4.0 Cards, Innergize Software, and the readers we all need. Our host, Cirina Catania, says she always enjoys speaking with Farshid because he addresses the engineering that goes into the solutions we all use for our creative work, but does it in a way that we can all understand. Other interviews with Farshid: Farshid Tabrizi Unravels the New Super Fast Atlas Card Readers and Innergize Software at OWC, April 2023 and Under the Hood On Atlas Memory Cards with Farshid Tabrizi, January 2023. If you enjoy our podcast, please subscribe and tell all your friends about us! We love our listeners. And, if you have ideas for segments, write to OWCRadio@catania.us. We are always up for new ideas! ABOUT OWC: Other World Computing, under the leadership of Larry O'Connor since he was 15 years old, has expanded to all corners of the world and works every day to create hardware and software that make the lives of creatives and business-oriented companies faster, more efficient and more stable.  Go to OWC.com for more information and to discover an ecosystem that serves your needs. As Larry says, "Our dedication to excellence and sustainable innovation extends beyond our day-to-day business and into the community. We strive for zero waste, both environmentally and strategically. Our outlook is to the long term, and in everything we do, we look for simplicity in action and sustainability in practice. For us, it's as much about building exceptional relationships, as it is about building exceptional products." ABOUT OUR HOST: Filmmaker Cirina Catania, the Co-Founder and prior Executive Director of the Sundance Film Festival, and Founder and Lead Creative at The Catania Group Global, has been involved as a writer, director, producer, cinematographer or marketing exec on over 150 film, television and new media projects for the big screen as well as for networks such as National Geographic, Discovery, etc. She was a senior executive at MGM-UA and United Artists and is a member of the WGA-West, the PGA, IATSE Local 600, NPPA, the National Press Club, and more. Cirina lives in San Diego, D.C. and Berlin when she is not on the road filming for her projects or for clients, or speaking as a tech evangelist for companies such as Blackmagic Design and Lumberjack System. Cirina is the Founder and Executive Director of the High Media Collective (HSMC) a national nonprofit with top industry mentors bringing media literacy and new career pathways to classrooms across the country.

The Administrative Director of the Communication Workers of America District 4, Frank Mathews, joined the America's Work Force Union Podcast to talk about the Richard L. Trumka PRO Act, the BEAD program and the one-year anniversary of the strike at the Pittsburgh Post-Gazette. In honor of International Stage Management Day, co-host of the Valley Labor Report and member of the International Association of Theatrical Stage Employees Local 900, Adam Keller, joined the America's Work Force Union Podcast to discuss his work as an IATSE stagehand and the safety measures taken for each gig.

Dylan Bates is one of YouTube's most popular Final Cut and Motion Trainers with over 43,000 very loyal subscribers. There is a reason for that! He is smart, entertaining, and incredibly compelling. With topics such as, “10 must have plugins for Final Cut Pro 2023,” “Object Tracking,” “Generating Captions,” “Instantly Remove Backgrounds,” “Learn Motion 5 in 12 Minutes,” and so many more. Some people were born to share their talents with us, and speaking with Dylan was fun, inspiring, and very energetic. I know you'll feel the same way! Enjoy… If you enjoy our podcast, please subscribe and tell all your friends about us! We love our listeners. And, if you have ideas for segments, write to OWCRadio@catania.us. We are always up for new ideas! ABOUT OWC: Other World Computing, under the leadership of Larry O'Connor since he was 15 years old, has expanded to all corners of the world and works every day to create hardware and software that make the lives of creatives and business-oriented companies faster, more efficient and more stable.  Go to OWC.com for more information and to discover an ecosystem that serves your needs. As Larry says, "Our dedication to excellence and sustainable innovation extends beyond our day-to-day business and into the community. We strive for zero waste, both environmentally and strategically. Our outlook is to the long term, and in everything we do, we look for simplicity in action and sustainability in practice. For us, it's as much about building exceptional relationships, as it is about building exceptional products." ABOUT OUR HOST: Filmmaker Cirina Catania, the Co-Founder and former Executive Director of the Sundance Film Festival, and Founder and Lead Creative at The Catania Group Global, has been involved as a writer, director, producer, cinematographer or marketing exec on over 150 film, television and new media projects for the big screen as well as for networks such as National Geographic, Discovery, etc. She was a senior executive at MGM-UA and United Artists and is a member of the WGA-West, the PGA, IATSE Local 600, NPPA, the National Press Club, and more. Cirina lives in San Diego, D.C. and Berlin when she is not on the road filming for her projects or for clients, or speaking as a tech evangelist for companies such as Blackmagic Design and Lumberjack System. Cirina is the Founder and Executive Director of the High School Media Collective (HSMC) a national nonprofit with top industry mentors bringing media literacy and new career pathways to classrooms across the country. Today's episode was edited by Jacob Rush and Cirina Catania on Final Cut Pro.

Nick Golden is an Emmy winning Producer at Seed Creative in Tuscaloosa, Alabama. You know…those guys who make those awesome videos for Motion VFX? I met Nick because of his video work and also his support for the the High School Media Collective, a non-profit that I founded with the support of Blackmagic Design, Lumberjack Systems and Catalyst Storie Road. Although Nick is fairly new to the video production industry, which kickstarted for him in 2016, he shines brighter than most for his incredible organization and creative skills and he works nonstop on all kinds of productions, from commercials and client work, to podcasts, documentaries, and even podcasts celebrating Formula 1. A true inspiration, Nick says he likes to do "a little bit of everything." I can identify with that! Join us as we talk about podcasting and our mutual love for Formula 1. Oh, and I finally admit to a transgression that I've kept hidden all these years! (By the way, You can listen to my interview with George Edmundson, owner of Seed Creative, by searching for the episode here on OWC RADiO.)  If you enjoy our podcast, please subscribe and tell all your friends about us! We love our listeners. And, if you have ideas for segments, write to OWCRadio@catania.us. We are always up for new ideas! ABOUT OWC: Other World Computing, under the leadership of Larry O'Connor since he was 15 years old, has expanded to all corners of the world and works every day to create hardware and software that make the lives of creatives and business-oriented companies faster, more efficient and more stable.  Go to MacSales.com for more information and to discover an ecosystem that serves your needs. As Larry says, "Our dedication to excellence and sustainable innovation extends beyond our day-to-day business and into the community. We strive for zero waste, both environmentally and strategically. Our outlook is to the long term, and in everything we do, we look for simplicity in action and sustainability in practice. For us, it's as much about building exceptional relationships, as it is about building exceptional products." ABOUT OUR HOST: Filmmaker Cirina Catania, the Co-Founder and prior Executive Director of the Sundance Film Festival, and Founder and Lead Creative at The Catania Group Global, has been involved as a writer, director, producer, cinematographer or marketing exec on over 150 film, television and new media projects for the big screen as well as for networks such as National Geographic, Discovery, etc. She was a senior executive at MGM-UA and United Artists and is a member of the WGA-West, the PGA, IATSE Local 600, NPPA, the National Press Club, and more. Cirina lives in San Diego, D.C. and Berlin when she is not on the road filming for her projects or for clients, or speaking as a tech evangelist for companies such as Blackmagic Design and Lumberjack System. Cirina is the Founder and Executive Director of the High Media Collective (HSMC) a national nonprofit with top industry mentors bringing media literacy and new career pathways to classrooms across the country.

What you'll learn in this episode:   What makes jewelry so difficult to photograph, and Kim's tips for capturing jewelry in photos What techniques Kim uses to make gemstones look shiny, sparkly and colorful Which tools and tips photographers need to get started with jewelry photography Common jewelry photography mistakes and how to avoid them How to choose the right jewelry photographer   About Kim Nunneley:   Kim Nunneley is a Los Angeles-based IATSE Local 600 photographer specializing in unit photography, gallery, lifestyle and portraiture. She has held various roles, from photographer at a fashion merchandising company to photo assistant, and she has worked at one of the world's most prestigious photo studios in NYC. She has developed a niche as a jewelry photographer working for major jewelry companies.    Additional Resources: Website Instagram Facebook   Photos Available on TheJewelryJourney.com   Transcript:   A simple photo can never quite capture the real-life beauty of a diamond, ruby or sapphire. That's why photographer Kim Nunneley relies on a variety of tools, software and experience to make jewelry photographs that shine. She joined the Jewelry Journey Podcast to talk about the mistakes she made when she first started photographing jewelry; her tips for burgeoning jewelry photographers; and what questions jewelry brands should ask to choose the right photographer. Read the episode transcript here.  Sharon: Hello, everyone. Welcome to the Jewelry Journey Podcast. This is the second part of a two-part episode. If you haven't heard part one, please head to TheJewelryJourney.com.    My guest today is Kim Nunneley of Kim Alexis Photography. She is a photographer who specializes in jewelry. She'll tell us some of the tricks we should know to take a nice photo. Welcome back.    Does the stone matter? Is it easier to photograph some stones than others, like a ruby as opposed to a sapphire?   Kim: What's actually more important is the age and condition the stones are in, more so than the color. It's more so the cut and condition. I have one client who specializes in antique and vintage jewelry. A lot of the pieces are very old, and they're not as easy to photograph as the jewelry from my other client who makes her own stuff. It's all sparkly, brand-new pieces, and they're so much easier to photograph. The diamonds are easier to photograph. The gold is easier to photograph. With these antique pieces, they're much more complicated because we have to make these stones that are 100 years old or more look sparkly and shiny and beautiful. A lot of times you'll see—what is it called, an incision? Is that the word for these stones? Is that what it is, incisions in the stones?   Sharon: I don't know.    Kim: Like a cut on the inside.   Sharon: Yeah.   Kim: Yeah, some of these old stones have that. I think it's more crucial in learning how to photograph those older conditions.    Sharon: Because antique jewelry is so popular today, what advice would you give somebody who has been handed a 100-year-old ring?    Kim: I would say practice on newer pieces to learn how light reflects and how it hits. Once you know that, you'll be able to adjust your lighting for these older pieces. You'll know what to do with those situations if you have already photographed newer pieces. I would say start off with newer pieces to sharpen your skills.   Sharon: What if somebody hands you a diamond and says, “I want to show that this is a diamond of a certain cut, an old one versus a new piece”? Can you do that with photography?   Kim: Yeah, you absolutely can. Like I said, sometimes we just can't get it as sparkly as a new diamond. Even with lighting and Photoshopping, it will never look the same, but there are tools you can use. That's also important; it doesn't necessarily have to look as sparkly or new because it's not. It's not a new one and there's beauty in that. There's a perfect example of a rose cut.  I love a rose cut diamond, but they are so difficult to photograph, especially the older ones.   Sharon: What do you do if you are feeling frustrated by a rose cut diamond? Do you just go with it?   Kim: These photoshoots are always done with my clients present, so we will change. We'll modify the lighting. We'll try different setups. We will incorporate different techniques, like using a fill card or a white bounce card or a little black card, or a piece of silver or gold cardboard to shine light on it. I have all these different tools we will use and attempt. We'll try to do the best we can, and at the end we say, “That's the best we're going to get it.” The clients are happy. We get something that is an accurate representation of the piece.   Sharon: It's interesting that you have clients present. Usually, a client will look after the photograph is done. They'll look at the images on a lightbox, but they're present for the photography.   Kim: I have very hands-on clients. I have a couple of clients who are a little more hands-off. Like you say, I deliver the images. I do my magic and I deliver images afterwards, but I do have some clients that are very hands-on. They want to be present, and it's important for them to be there while I'm shooting. We'll adjust things. We'll make adjustments. This is more so with the higher-end pieces and the antique pieces. They're very particular and want it to look as accurate as possible.    Sharon: Have you ever had a client reject everything you've done, all the images, and say, “Start again”?   Kim: No, that would be a nightmare. Thankfully, no, that's never happened. I would say by the time you have clients, you want to have enough experience where that doesn't happen. But yeah, thankfully no. Maybe once in five years, there's been like two pieces we had to reshoot, but that's all.   Sharon: Does the size of the piece of jewelry matter, if you're given a ring with a big stone?   Kim: I prefer bigger jewelry, actually, funny enough. One of my clients makes very dainty, little pieces, very thin pieces. They're beautiful, but they are so difficult to photograph because they are so tiny. I like photographing bigger pieces. I'm trying to think why it's easier for me personally. I think it's because these bigger pieces are typically less—well, it depends; sometimes they can be really reflective. I think what's more difficult is high-polish pieces, the really glossy, high-polish jewelry because you see everything. They reflect everything, as opposed to the gold in an older piece that's more matte. I don't know if that's the appropriate term, but it's not as shiny. That's a lot easier to photograph because we can get clean gold or silver or whatever it is. We can get it really clean looking. But I love photographing big, chunky pieces; that's my favorite.   Sharon: When you say big and chunky, that's relative. Do you mean a big piece, or do you mean bigger than the norm? What do you mean by that?   Kim: I guess bigger than the norm. Yeah, you're right; it is relative. Bigger than the norm. It wouldn't be your everyday jewelry. It would be for an event or a cocktail ring or a red-carpet piece. I love photographing that kind of stuff; it's really fun for me. I also like a challenge sometimes.    Sharon: That's interesting. So, a stylist might give you several pieces and say, “Gwyneth Paltrow is going to be wearing this.”   Kim: Yeah, exactly. I might get something like that to photograph. I think it's always fun seeing a piece that I photographed published in a magazine. Maybe an actor is wearing it on the red carpet or my photography is published in magazines. It's nice to see that. At times, it will be published. It's always nice to see my work and have it be kind of tangible.   Sharon: Because of the difficulty—and it does sound very difficult—do you charge more for jewelry photography?   Kim: Yes, it is very tedious; it is very difficult. It is a learned skillset. So yes, jewelry photography is not cheap. It's also because you're paying for their years of experience. They're not going to waste your time trying to shoot this ruby or diamond. It's like, “No, I know how to shoot that. We do this,” and it's done in three to five minutes, onto the next piece. There's that aspect of it, and it's so tedious with the focus stacking. You have to have a lot of patience for photographing jewelry. It's very, very tedious. That's another reason why it is a little pricier than other types of photography, as opposed to a family portrait or something.   Sharon: It sounds very difficult, so I should expect to pay more. Are people taken aback by the price?   Kim: No, they're not. The ones that are taken aback are the newer companies that are just starting out, or maybe it's a passion project for them, a more personal project, and they just want photography. Larger companies know what the pricing is like. There's a standard rate, roughly, so it's not too surprising.   Sharon: I'm surprised from leafing through a magazine, they say, “Nails by somebody,” and I'm going, “Who?"   Kim: I know; it's so funny. There is a specialty for everything. It's so funny.   Sharon: Is there a specialty for jewelry photography? Is somebody who calls and says, “Oh, you have to have Kim. She knows everything about jewelry”? How do you get your work if you're not on staff?   Kim: That's a good question. Word of mouth is a huge part of it. I do a little bit of advertising and email reach-out, just pitching myself. It's a combination of all that.    Sharon: If I'm trying to decide between jewelry photographer A and B, what should I ask?   Kim: I would ask if they've had experience with whatever you specialize in. Maybe it's antiques or tiny, intricate, precious little pieces. Whatever that specialty is, I would ask if that photographer has experience photographing that. Obviously, I want to see a portfolio. Also, if they're open to it, I'll do a test shoot with maybe three pieces, like a trial day. You just give them a free trial. I've had clients do that, where we do a trial day to see not only if they're happy with the images, but if you enjoy working with each other. I think that's important as well.   Sharon: I don't know how you are, but I presume I would take tear sheets if there are publications with their jewelry. Is that what you would show to say, “I know how to do antique stuff”?   Kim: Yes, in my portfolio, I do have tear sheets in there as well.  I have a mixture of tear sheets and product shots because I think that's important. Like you mentioned, it provides credibility and shows you've accomplished it.    Sharon: How long do you think it took you to feel confident that you could take nice pictures of jewelry?   Kim: Oh gosh, I don't know. I'm going to say about four years ago. I think that's when I started to feel that I'm really becoming an expert at this and confident in my skillset.    Sharon: So, it took you about five years to feel confident, and that was four years ago? I'm trying to understand this.   Kim: I've been doing jewelry photography for about eight years now. I was doing a good job, but I was acquiring different clients as well during that time. Maybe the first two years I had one client, and it grew from there. As I kept shooting, you keep learning these different techniques. A lot of it is learning on the job. Even today, there are some pieces that surprise me, where I wouldn't have thought to use a certain lighting technique.   Sharon: What did you do during Covid? Did people stop sending you jewelry?   Kim: Funny enough, during Covid—and thank goodness for technology—a few of my clients decided to do Zoom photoshoots. They would either send me the pieces or I'd go pick them up. I'd set up my whole station, and it's called shooting tethered. I basically connected my camera to my computer, and as I'm photographing, I have images pop onto the screen. I share my screen and my clients can see the images coming in live. So, they might say, “Hold on, that looks a little crooked,” and I have to tick it. “The diamond's not shiny.” “Can you get that more blue?” They would do that. We switched to that, which was so helpful. It felt like quite a few photographers and companies started doing that.    Sharon: That's interesting. I have a friend who's a makeup artist, and she basically stopped working during Covid. Nobody called her. She couldn't be blowing into somebody's face.   Kim: Yeah, that's difficult. I do portraits as well, and obviously that did stop, but I was so thankful for my jewelry clients. You don't have to be there. It's products, so you can do it virtually. I felt very grateful for that.    Sharon: Kim, thank you so much. I learned so much about jewelry photography. First of all, I don't want to ever try it. Thank you for being here today. We really appreciate it.   Kim: Thank you so much for having me.     Sharon: We will have photos posted on the website. Please head to TheJewelryJourney.com to check them out. Thank you again for listening. Please leave us a rating and review so we can help others start their own jewelry journey.

What you'll learn in this episode:   What makes jewelry so difficult to photograph, and Kim's tips for capturing jewelry in photos What techniques Kim uses to make gemstones look shiny, sparkly and colorful Which tools and tips photographers need to get started with jewelry photography Common jewelry photography mistakes and how to avoid them How to choose the right jewelry photographer   About Kim Nunneley:   Kim Nunneley is a Los Angeles-based IATSE Local 600 photographer specializing in unit photography, gallery, lifestyle and portraiture. She has held various roles, from photographer at a fashion merchandising company to photo assistant, and she has worked at one of the world's most prestigious photo studios in NYC. She has developed a niche as a jewelry photographer working for major jewelry companies.    Additional Resources: Website Instagram Facebook   Photos Available on TheJewelryJourney.com   Transcript:   A simple photo can never quite capture the real-life beauty of a diamond, ruby or sapphire. That's why photographer Kim Nunneley relies on a variety of tools, software and experience to make jewelry photographs that shine. She joined the Jewelry Journey Podcast to talk about the mistakes she made when she first started photographing jewelry; her tips for burgeoning jewelry photographers; and what questions jewelry brands should ask to choose the right photographer. Read the episode transcript here.    Sharon: Hello, everyone. Welcome to the Jewelry Journey Podcast. This is the first part of a two-part episode. Please make sure you subscribe so you can hear part two as soon as it's released later this week.    I'm sure you've struggled with making the piece of jewelry that was in front of you look as good in a picture as it does in real life. A good picture attracts customers. The quality of a picture can tell people a lot about your business. After all, you're selling luxury, and the quality of the picture tells a lot of the story. My guest today is Kim Nunneley of Kim Alexis Photography. She is a photographer who specializes in jewelry. She'll tell us some of the tricks we should know to take a nice photo. Kim, welcome to the podcast.   Kim: Hi, Sharon. Thank you for having me. I'm really excited.    Sharon: How was it that you came to photographing jewelry? People photograph all sorts of things.    Kim: It's such a specific niche. About 10 years ago, I had a friend who came to me. She majored in sculpture, and she had just started dabbling in creating jewelry pieces. She said, “Can you photograph some of these?” I had no idea what I was doing. I didn't realize how reflective jewelry was, any of that. It's photographing little mirrors, but I did my best. I didn't know anything about focus stacking, which is really important in jewelry photography. I did my best, and we got some good photos. To this day, she's still my client 10 years later.   After that, about a year later, I actually got a full-time position as a staff photographer at a fashion merchandising company in New York. Some of the things we had to shoot were jewelry pieces, and then and there I really learned to hone my skills. I learned to use a lightbox, tools that are helpful. I can get into that later, but there are certain tools that are very helpful. I learned a lot at that job. Honestly, just from there, I've grown.   Sharon: It's true that photographing jewelry is harder than other things, would you say?   Kim: Oh, yes. I think it's the most difficult thing to photograph. I do various types of photography, and I say it's the most difficult.   Sharon: I never tried. I wouldn't want to try.   Kim: Making the diamonds sparkly, the opals really saturated. There are techniques for doing that.   Sharon: Is that like where you look at a picture and you know the model has makeup on and everything? Is that what you do in jewelry? Do you make a sapphire bluer?   Kim: Sometimes yes. We make it blue. We tweak it, saturate the colors. There are also composited things, which is a big part of it when you photograph a ring, for example, maybe either a diamond ring or an opal, whatever stone. I shoot the band in a certain lighting situation and then I'll change the lighting setup and photograph it just for the stones. There's a technique called compositing where I crop the stone into the other photo. It's the same with lots of different kinds of photographs, like a poster for a huge blockbuster film where they composite the airplanes, the props, whatever it is. It's the same thing. You just plug them in.   Sharon: What tools does an amateur photographer need? I always hear about a lightbox.   Kim: Yes, that's the number one. The most important thing you need is a lightbox. For people that don't know what a lightbox is, it's literally a box that's white or ideally translucent. I use a translucent paper. I actually built my own lightbox. You want it because you want to avoid reflections. That's basically what you're trying to do. If you put a ring on a table, you're going to see reflections coming from everywhere. So, you put it in a lightbox and shine your light through the box, which is why you want translucent paper ideally. That's the number one thing for anyone, whether you're an amateur or you're doing it just for fun. The second thing you need is a macro lens, which allows you to get really, really close up to these little, tiny pieces.   Sharon: Can you have a macro lens with an Apple camera, or do you need a special camera?   Kim: Yes, you need a DSLR. You need a special camera. If you're just starting out and you don't have access to that, you can use something not as high quality. But when you're getting into professional photography, you do need a DSLR camera and what's called a 100-millimeter macro lens, which allows you to get up close.    Sharon: You're making me not want to try it. Is there anything else that's essential besides the camera and the lightbox and the special kind of lens?   Kim: Then what it comes down to is the props and tools. For example, if we're photographing earrings—I'm giving away all my secrets—we'll use an earring stand, but ideally you want it to be clear. Everything that goes in the box should be clear. Sometimes, maybe at the trade shows, you'll see black velvet. You want to use clear everything, so you'll use clear earring stands or a necklace holder that's clear. Usually, it's made out of plexiglass, so it almost looks like it's floating in the air. Some clients like to add shadows to their pieces; some don't want shadows. Everyone has their own distinct vision for the jewelry photography of their own pieces, but that's really important.   Sharon: I'm going to be a lot more aware of it. Do the outlines of the plexiglass show, or do you just shoot through it?   Kim: Not many people would think to ask that. Yeah, it definitely shows. You can see the outline. That's something you have to remove in Photoshop. That's when those Photoshop skills are important.    I didn't realize this until I started really getting into jewelry photography. I used to just grab an item and put it in with my hands, and then I'd photograph it and go, “Oh, my gosh, I can see my fingerprints.” That's how close up you can get with these lenses. It's insane. It's wild. It's amazing, but yes, you need special jewelry cloth to make sure you're not getting dirt on it. You don't want to see any dirty spots on the pieces. You use special tweezers and tools like that. You want to make sure you're using the right things. If you have a piece in there and you say, “Oh, it's not symmetrical,” I used to just grab it with my fingers, and I'd either get fingerprints on it or I would turn it too far. Everything in jewelry photography is so slight and subtle that you need various delicate tools. You need to ever-so-slightly move the piece for placement.   Sharon: What did people do before Photoshop? I always wonder about that.   Kim: That is a great question. I wasn't around for that, but I've heard stories where you would hand paint it. You would do it by hand.    Sharon: Oh, gosh! Did you come to this photography because you like jewelry so much or would any kind of photography have satisfied you?   Kim: It's a combination of it starting off with my friend who's now a jewelry designer. That really launched it. I have to say, as I started photographing more jewelry, I've come to love jewelry so much. It's funny because I never knew my style, but now that I've seen so many pieces, I know what I'm into; I know my style. I have such an appreciation for that art. It's really beautiful.   Sharon: What's your style?   Kim: I love anything with starbursts or hearts. I love opals even though they're a little difficult to photograph. I love classic pieces, like the classic gold band, a chunky ring. Actually, right now I'm wearing my favorite everyday ring. It's one of my clients, Fox & Bond. I like anything feminine.   Sharon: Do you have to worry about photographing it if you're wearing it, if there's someone with an opal?   Kim: No, you don't. I've discovered the trick for photographing opals. Right now, I'm in my room. If I'm looking at it now it looks a little flat, but out in the sunshine, then you see that colored marbling. It's the same thing with artificial light. When I have it inside the lightbox, I need to almost recreate sunshine. I use what's called direct light. That means I don't have an umbrella on it. There's no diffusion on it. It's just hard light, and that's when you really see all the saturated colors and what makes an opal so beautiful.   Sharon: I hesitate to ask, and you can tell me if this is too technical for somebody who knows nothing, but what is focus stacking?   Kim: Focus stacking is the technique of taking multiple photos of a single piece and quite literally stacking them together. The thing with a macro lens is that you're getting so up close to the piece that it blurs out the rest of it. You might have the diamond sharp and in focus, but the shank is blurry; it's out of focus. So, I very slowly twist my lens to get every piece in focus. It's the diamond, then the beginning of the shank, then the middle, the back, every piece of it. This is especially important when you have engraving on the back of the band and you want that to be in focus. I typically take about 15 to 20 photos per piece. I use a special software called Helicon Focus. You plop those photos in that software and it knows how to stack them. It stacks them for you, and it spits out one sharp image. It's really interesting. It knows what's sharp and what's out of focus and merges them all together.   Sharon: Wow, it sounds interesting! What are the top three mistakes you see when you look in magazines or at trade shows?   Kim: Oh, I see a lot. Some reflections are O.K. They help add dimension. Highlights and reflections add dimension to any piece, but I think when it becomes distracting, when it's huge and you can't see what's going on or you go, “I see a person reflected in there,” that's when it becomes distracting. That's a big mistake.   And I think just making the stones look dull. That's another mistake I see. You want them to look shiny and crisp. You want to showcase the piece at its best. That's really, really important. Third, not photo stacking. I think it's important to photo stack. I see a lot of websites where the back is out of focus. It's soft. It would be nice to see the whole piece sharp and see how it looks because these pieces are so expensive. You're sitting on a computer, and you really want to know what you're ordering. I think it's important with these luxury items.    Sharon: Do you think it's true of less expensive items that aren't thousands of dollars? I'm thinking of when I go to trade shows and they say to me, “What do I need good photography for?”   Kim: I think it's important because, again, it showcases the piece in accuracy. Especially when you're listing investment pieces or an engagement ring or whatever it is, I think it's crucial. If it's something that's costume jewelry or lower end, maybe it's not as crucial, but especially with these luxury pieces, you want high-quality imagery to showcase it.    Sharon: Sometimes I've seen pictures of jewelry where I've had to look for the jewelry itself because of the background. Maybe it's a plant or something, but the jewelry has gotten lost.   Kim: Yeah, I was going to ask you that, actually. From your standpoint, when you're online looking at social media, in front of the screen, is it distracting? I would love to hear your perspective. You have it from my perspective.   Sharon: Once in a while I come across a photo where I really have to look, like, “Where's the ring you're talking about?” or “Where are the earrings?” It all runs together.   Kim: Oh no, that's not good. You definitely don't want to not be able to find the piece, and you definitely don't want anything distracting in the background. I want a solid-color background, ideally white. I've even had some of my clients—if there's a reflection in it, maybe it's the camera; it looks like a spot or a line—tell me that some customers think the piece is dirty. They don't realize it's a reflection. It's important. It can make or break a sale.    Sharon: I have to ask you. My feeling is that jewelry is not as big here as it is on the East Coast in New York. Did you find a difference, and did you find a difference in finding clients where you were out here?   Kim: I really started my jewelry journey here in Los Angeles. Like I said, I was working a full-time job. I was a staff photographer at a fashion merchandizing company, so I wasn't really pursuing clients. I think you're correct in that the jewelry world is probably bigger on the East Coast, but from my own experience, I don't know. I moved to Los Angeles and started here almost from scratch, but it's been good.   Sharon: We will have photos posted on the website. Please head to The JewelryJourney.com to check them out.

Can't we all just get along? Specifiers, integrators, engineers, manufacturers, contractors, end-users… Bryan, with Webster and Ron, decries the lack of communication between entities. And it's not just people. Where's the cohesion between the different types of controllers, control platforms, fixtures, and connections? And then there's the lack of education and standards. How can anyone be expected to design a system? That's why you should have Bryan on your project, he'll work with you to find a solution, and he knows a lot! Bryan Lussier currently is a Systems Integrator for Barbizon of New England. For over 20 years Bryan has worked in the lighting industry as an entertainment and architectural lighting professional for distributors, manufacturers, and specifiers. Bryan began his career at the University of Massachusetts. After graduating he was hired as the Master Electrician at the Massachusetts Museum of Contemporary Art where he was responsible for both the theatrical and gallery lighting designs. He then earned his MFA in Lighting Design at the University of Florida. After which he was a member of IATSE Local 5 in Cincinnati and was Master Electrician on some national tours. Bryan is an award-winning lighting designer and has his LC, CLCP and is a member of the IES, IALD and is Vice-President for the Designers Lighting Forum of New England (DLFNE). Bryan also has a pending patent entitled Light Emitting Diode Sports Lighting Luminaire Assembly which describes how to best apply LED lighting sources in sports lighting applications. 

Adam Keller, Co-host of The Valley Labor Report and Political Coordinator/Trustee for the International Alliance of Theatrical Stage Employees Local 900 joined the America's Work Force Union Podcast to discuss TVLR's surge in listenership and their outreach activities. Keller also discussed a piece of legislation he helped create to expand Medicaid coverage in Alabama, as well as redistricting in Alabama and the decision on Space Command. Labor Reporter for the HuffPost, Dave Jamieson, joined the America's Work Force Union Podcast to discuss his recent five-part series on the actions of union persuasion firms called “The Persuaders.” Jamieson discussed one occurrence from his series about a persuader in Missouri and shared the reaction to the series so far.

Tim Standing, OWC's VP of Software Development for Mac, is a long-time friend and one of the planet's smartest technologists. His new version of SoftRAID (7.5) works natively with the new version of Mac OS and is now available for download.  In case you weren't aware, SoftRAID is Tim's invention and what better way to get to know the ins and outs of the software that we use than to ask the coder! Our show runner and host, Cirina Catania, sat down with Tim to get the low-down and share it with you. Look around your office or studio or edit bay…how many external hard drives do you have around you? Cirina's company, Catania Studios, where this interview was recorded, manages literally hundreds of terabytes on RAID arrays and  individual hard drives…and their main server. There are drives that go on location and re-attach when the crew returns, drives that are used for backup or redundant shares in the office, drives that will ultimately end up in storage or drives that are busy working to keep our digital worlds … well, working every day. We use SoftRAID from OWC to monitor all those drives and tell us IN ADVANCE when any of them might be getting just too tired to work properly anymore OR if they are about to fail for any reason!  SoftRAID lives on our systems in each bay and works hard every day to report back to us about how our external drive are doing. Thanks for joining us today. If you like the show, please click that button and subscribe so you'll get a notice whenever a new episode posts. If you enjoy our podcast, please subscribe and tell all your friends about us! We love our listeners. And, if you have ideas for segments, write to OWCRadio@catania.us. We are always up for new ideas! ABOUT OWC: Other World Computing, under the leadership of Larry O'Connor since he was 15 years old, has expanded to all corners of the world and works every day to create hardware and software that make the lives of creatives and business-oriented companies faster, more efficient and more stable.  Go to MacSales.com for more information and to discover an ecosystem that serves your needs. As Larry says, "Our dedication to excellence and sustainable innovation extends beyond our day-to-day business and into the community. We strive for zero waste, both environmentally and strategically. Our outlook is to the long term, and in everything we do, we look for simplicity in action and sustainability in practice. For us, it's as much about building exceptional relationships, as it is about building exceptional products." ABOUT OUR SHOW RUNNER AND HOST, CIRINA CATANIA: Filmmaker Cirina Catania, the Co-Founder and prior Executive Director of the Sundance Film Festival, and Founder and Lead Creative at The Catania Group Global, has been involved as a writer, director, producer, cinematographer or marketing exec on over 150 film, television and new media projects for the big screen as well as for networks such as National Geographic, Discovery, etc. She was a senior executive at MGM-UA and United Artists and is a member of the WGA-West, the PGA, IATSE Local 600, NPPA, the National Press Club, and more. Cirina lives in San Diego, D.C. and Berlin when she is not on the road filming for her projects or for clients, or speaking as a tech evangelist for companies such as Blackmagic Design and Lumberjack System. Cirina is the Founder and Executive Director of the High Media Collective (HSMC) a national nonprofit with top industry mentors bringing media literacy and new career pathways to classrooms across the country. RELATED EPISODES: Tim Standing: All Drives Fail and Tim Standing SoftRAID, Storage & Pizza This episode of OWC Radio was edited on Final Cut and Logic by Richard Taylor and Cirina Catania, recorded at the Catania Studios and story-edited using Lumberjack System's Builder NLE. The music track is by Katrina Stone called "Best of Luck," and licensed from Arlist. Subscribe here.

OWC's Larry O'Connor, and Other World Computing, are committed to helping us understand regenerative agriculture. He explains why in this interview with host, Cirina Catania. Larry O'Connor is more than the founder and CEO of Other World Computing. He donates much of his time and a sizable percentage of the profits from OWC's business endeavors on issues that he believes need to be addressed in the world. He helps the planet and everyone and everything that inhabits it with his initiatives in support of non-profits such as "Kiss the Ground," and Charity Water. We enjoyed this interview because it is a discourse on regenerative agriculture, which is a new way to farm and which the movie exec produced by Larry, “Kiss the Ground,” highlighted during and following its release. A new sequel, “Common Ground,” has recently been released and we encourage you to search for it in your neighborhoods or by going to Kisstheground.com for more information. What is regenerative agriculture and why is it important to all of us?  This kind of subject is always interesting, and as we dig further, we find that perhaps the old way of tilling the soil may very well NOT be the best for soil health. This type of farming places emphasis on that health, which in turn produces more food with high nutritional value. According to proponents of this theory, more carbon is stored in the ground, and biodiversity flourishes. That is good for the farmers, for us, and for Mother Earth. So, take a break from your tech tasks, from scrolling, and listen in to one of our country's top business entrepreneurs as he discusses why he gets involved in films such as “Kiss the Ground,” and “Common Ground.” Tune in for another fascinating interview with OWC's Larry O'Connor. If you enjoy our podcast, please subscribe and tell all your friends about us! We love our listeners. And, if you have topics to suggest for segments, write to OWCRadio@catania.us. We are always up for new ideas! ABOUT OWC: Other World Computing, under the leadership of Larry O'Connor, has expanded to all corners of the world and works every day creating hardware and software that make the lives of creatives and business-oriented companies faster, more efficient and more stable.  Go to MacSales.com for more information and to discover an ecosystem that serves your needs. As Larry says, "Our dedication to excellence and sustainable innovation extends beyond our day-to-day business and into the community. We strive for zero waste, both environmentally and strategically. Our outlook is to the long term, and in everything we do, we look for simplicity in action and sustainability in practice. For us, it's as much about building exceptional relationships, as it is about building exceptional products." ABOUT OUR HOST: Filmmaker Cirina Catania, the Co-Founder and prior Executive Director of the Sundance Film Festival, and Founder and Lead Creative at The Catania Group Global, has been involved as a writer, director, producer, cinematographer or marketing exec on over 150 film, television and new media projects for the big screen as well as for networks such as National Geographic, Discovery, etc. She was a senior executive at MGM-UA and United Artists and is a member of the WGA-West, the PGA, IATSE Local 600, NPPA, the National Press Club, and more. Cirina lives in San Diego, D.C. and Berlin when she is not on the road filming for her projects or for clients, or speaking as a tech evangelist for companies such as Blackmagic Design and Lumberjack System. Cirina is the Founder and Executive Director of the High Media Collective (HSMC) a national nonprofit with top industry mentors bringing CTE solutions, media literacy and new career pathways to classrooms across the country.

Brandon Burris - Entertainment industry production specialist, IATSE Local 33/ Local 80. Founder of BranDaddy Rips, trading card and sports enthusiast, traveler and South Bay native. Brandon's career accolades include working on some of America's largest television and awards shows ever to be produced, including award-winning television sets for MTV Movies Awards, Dancing with The Stars, The Voice, America's Got Talent, Spike Scream Awards, MLB All-Stars, NBA All-Stars, and many more. Tune in as Brandon Burris joins Bobby Marshall in studio to discuss card trading, live entertainment, television production, the Grateful Dead, Madonna, sports, recreational drug use, Southern California, traveling, and much more.Please subscribe or like us on social media platforms for updates on shows, events, and episode drops. www.TheMountainSidePodcast.com Sponsor Links:www.jockofuel.comMountain Side listeners receive 10% off all Jocko Fuel products! Use Code TMS10 to save. www.TRXtraining.comMountain Side listeners use Exclusive Link to receive specials on select TRX products! www.OriginMaine.comMountain Side listeners receive 10% off Origin & Jocko Fuel products! Use Code TMS10 to save. Other Affiliates Links

From legislative attacks on the rights of trans people, drag performers, and queer people spreading like wildfire to statehouses around the country, to rightwing media relentlessly spewing fascistic anti-LGBTQ+ messages, to far-right groups ramping up their intimidation tactics and violent assaults to force LGBTQ+ people back into the closet, Pride month feels different in 2023. And yet, the rebellious, liberatory spirit of Pride persists, and the struggle for equality, acceptance, and the right to pursue what makes us happy continues—and the labor movement must be a source of strength in that struggle. How far has the labor movement come in the fight for LGBTQ+ rights? How far do we still have to go? And what role can and should labor play in the broader, necessary fight for LGBTQ+ liberation and against the fascist attacks on our fellow workers, our neighbors, and our loved ones? We talk to Fae Weichsel, a first assistant cameraperson and member of IATSE Local 600, where they also serve on the National Executive Board and co-chair the Young Workers Committee, and Jessica Gonzalez, who has worked in the video game industry for the past decade, is currently a lead technical test analyst for a video game company, and is a founder of A Better ABK (Activision-Blizzard-King Workers Alliance) and the Game Workers Alliance.Additional links/info here.Music / Post-Production: Jules TaylorHelp us continue producing radically independent news and in-depth analysis by following us and becoming a monthly sustainer: Donate: https://therealnews.com/donate-podSign up for our newsletter: https://therealnews.com/newsletter-podLike us on Facebook: https://facebook.com/therealnewsFollow us on Twitter: https://twitter.com/therealnews

From legislative attacks on the rights of trans people, drag performers, and queer people spreading to statehouses around the country like wildfire, to rightwing media relentlessly spewing fascistic anti-LGBTQ+ messages, to far-right groups ramping up their intimidation tactics and violent assaults to force LGBTQ+ people back into the closet, Pride month feels different in 2023. And yet, the rebellious, liberatory spirit of Pride persists, and the struggle for equality, acceptance, and the right to pursue what makes us happy continues—and the labor movement must be a source of strength in that struggle. How far has the labor movement come in the fight for LGBTQ+ rights? How far do we still have to go? And what role can and should labor play in the broader, necessary fight for LGBTQ+ liberation and against the fascist attacks on our fellow workers, our neighbors, and our loved ones? We talk to Fae Weichsel, a first assistant cameraperson and member of IATSE Local 600, where they also serve on the National Executive Board and co-chair the Young Workers Committee, and Jessica Gonzalez, who has worked in the video game industry for the past decade, is currently a lead technical test analyst for a video game company, and is a founder of A Better ABK (Activision-Blizzard-King Workers Alliance) and the Game Workers Alliance. Additional links/info below... Fae's Twitter page and Bluesky page Jessica's Twitter page and Linktree IATSE Local 600 website, Facebook page, and Twitter page ABetterABK website and Twitter page Game Workers Alliance website and Twitter page Human Rights Campaign, "LGBTQ+ Americans Under Attack: A Report and Reflection on the 2023 State Legislative Session" Amelia Hansford, PinkNews, "Trans Journalist Erin Reed on Fighting Anti-LGBTQ+ Hate and Working at the Coalface of Transphobia" Tess Owens, Vice News, "The Far Right Has Made Security a Huge Issue For Pride" William Phelps, Tag24, "Jessica Gonzalez, Former Activision Blizzard Employee, Is a Champion of Game Workers' Rights" Kellen Browning, The New York Times, "A Vote by Activision Workers Could Give Unions a Foothold in Gaming" Kellen Browning & Mike Isaac, The New York Times, "Activision, Facing Internal Turmoil, Grapples With #MeToo Reckoning" Maximillian Alvarez, The Real News Network, "The New 'Lavender Scare' Is an Attack on the Working Class" Maximillian Alvarez, The Real News Network, "Entertainment Workers Discuss the Dark Side of Hollywood and Historic IATSE Strike Vote" Julian Mark & Jaclyn Peiser, The Washington Post, "Starbucks Workers at 150 Stores Launch Strike Over Pride Decor" Permanent links below... Working People Patreon page Leave us a voicemail and we might play it on the show! Labor Radio / Podcast Network website, Facebook page, and Twitter page In These Times website, Facebook page, and Twitter page The Real News Network website, YouTube channel, podcast feeds, Facebook page, and Twitter page Featured Music (all songs sourced from the Free Music Archive: freemusicarchive.org) Jules Taylor, "Working People" Theme Song

Ep. 188: Peter Labuza on Sokurov, Klimov, Shepitko, Hellman's Iguana, the strike Welcome to The Last Thing I Saw. I'm your host, Nicolas Rapold. This week brings some recent highlights from Los Angeles repertory courtesy of my latest guest, Peter Labuza. He talks about two 1990s films by Alexander Sokurov, the formidable war-movie pairing of Larissa Shepitko's The Ascent and Elem Klimov's Come and See, and Monte Hellman's rarely screened Iguana. Labuza, researcher at IATSE Local 600 (the International Cinematographers Guild) and a scholar in media industries law, also offers personal reflections on possible implications of the writers strike for the industry. Finally, I say a bit about Mary Bronstein's Yeast. Please support the production of this podcast by signing up at: rapold.substack.com Music: “Monserrate” by The Minarets, courtesy of The Minarets Photo by Steve Snodgrass

Listen in to our interview with Larry O'Connor, Founder and CEO of Other World Computing. He has lots of information for us following the 2023 WWDC (Apple's Developer Conference Keynote). He was particularly impressed with the new 15 inch MacBook Air, and the MacPro M2 Ultra (that was demo'd with OWC's 8M2 Accelsior PCIe SSD!). Larry also updates us on OWC's Docks, Innergize Software, Atlas Cards and Readers, the new version of Soft RAID, 7.5, and more. Visit Apple's MacPro page and check out the MacPro. Scroll down to Footnote #14 and check out what Apple says about the 16TB OWC Accelsior 8M2 chip in that PCIE slot. :) If you enjoy our podcast, please subscribe and tell all your friends about us! We love our listeners. And, if you have ideas for segments, write to OWCRadio@catania.us. We are always up for new ideas! ABOUT OWC: Other World Computing, under the leadership of Larry O'Connor since he was 15 years old, has expanded to all corners of the world and works every day to create hardware and software that make the lives of creatives and business-oriented companies faster, more efficient and more stable.  Go to MacSales.com for more information and to discover an ecosystem that serves your needs. As Larry says, "Our dedication to excellence and sustainable innovation extends beyond our day-to-day business and into the community. We strive for zero waste, both environmentally and strategically. Our outlook is to the long term, and in everything we do, we look for simplicity in action and sustainability in practice. For us, it's as much about building exceptional relationships, as it is about building exceptional products." ABOUT OUR HOST: Filmmaker Cirina Catania, the Co-Founder and prior Executive Director of the Sundance Film Festival, and Founder and Lead Creative at The Catania Group Global, has been involved as a writer, director, producer, cinematographer or marketing exec on over 150 film, television and new media projects for the big screen as well as for networks such as National Geographic, Discovery, etc. She was a senior executive at MGM-UA and United Artists and is a member of the WGA-West, the PGA, IATSE Local 600, NPPA, the National Press Club, and more. Cirina lives in San Diego, D.C. and Berlin when she is not on the road filming for her projects or for clients, or speaking as a tech evangelist for companies such as Blackmagic Design and Lumberjack System. Cirina is the Founder and Executive Director of the High Media Collective (HSMC) a national nonprofit with top industry mentors bringing media literacy and new career pathways to classrooms across the country. Cirina Catania edited this edition of OWC RADiO on Final Cut and Lumberjack's Builder. It was recorded on a OWC Elektron SSD with a Shure SM7B microphone, all driven by the MacPro and archived on an OWC Flex 8 and stored on a Jupiter Callisto server. Music from Artlist. OWC's introduction recorded by Ted Limpert. If you'd like to know more, please contact us.

“We're not leading the way—we're starting the way. And we're letting other states lead the way. I consider Louisiana and Georgia to be our main competitors.” Siyamak sits down with David Graves, Political Director with IATSE Local 728, which is a union from Hollywood. Today he will talk about what is happening to the film industry, and why they are leaving California. This episode is sponsored by Olde Country Soaps. Go to https://www.oldecountrysoap.com/ to purchase your soap. Use promo code INSIDER ⭕️Watch in-depth videos based on Truth & Tradition at Epoch TV

Julie "Jules" Hotz is an LA based Filmmaker, Photographer, Artist, and long distance hiker. Working in both the commercial and documentary worlds they specialize in outdoor, environmental, and human interest work, they have helped create work for REI, The North Face, Outdoor Research, Red Bull, Outdoor Magazine, Guayaki, etc., as a Photographer, Director of Photography, and/or Director. Julie is also in IATSE Local 600 as a Camera Operator and has operated on TV shows, commercials, feature films, and documentaries, for HBO, PBS, Fortune 500 companies, and indie productions.EPISODE LINKS:Julie's Website: www.juliehotz.comJulie's Instagram: @julieahotzUN/ROOTED PodcastMORE ABOUT “NO SET PATH”:Podcast Website: nosetpath.comInstagram: @nosetpathpodcastYouTube: youtube.com/@nosetpathFOLLOW DREW ENGLISH:Drew's Website: drewenglish.comDrew's Instagram: @drewenglishhDrew's LinkedIn: linkedin.com/in/drewenglishDrew's Twitter: @thedrewenglish

Adam Keller, Co-host of The Valley Labor Report and member of IATSE Local 900 joined the America's Work Force Union Podcast to discuss an ongoing struggle between the Atlanta Opera and IATSE Local 798 members. Keller also discussed new efforts to grow and improve The Valley Labor Report, including their new weekly show, Shop Talk and the historical events discussed on the show, like the Walker County, AL educator strike of 1979.   Business Manager of IBEW Local 676, Dale Cope, joined the America's Work Force Union Podcast to discuss recent organizing successes his Local has had in the Pensacola area. Cope also discussed the recent growth in apprentices and how the IBEW is able to stay ahead of the competition as new technologies come to market. Finally, Cope shared the five-year outlook for his Local with emerging solar and EV work.

Who's to blame for The Hollywood Ten?This week, The Alarmist (Rebecca Delgado Smith) speaks with Olga Lexell about The McCarthy Hearings and what became known as The Hollywood Ten. As a Union Officer for IATSE Local 871, Olga has some fascinating things to share about this harrowing time in Hollywood and American History. Like a good Hollywood thriller, was Communism the true culprit here or simply a red herring? Fact Checker Chris Smith and Producer Clayton Early join in to help crack the case. We have merch!Join our Discord!Tell us who you think is to blame at http://thealarmistpodcast.comEmail us at thealarmistpodcast@gmail.comFollow us on Instagram @thealarmistpodcastFollow us on Twitter @alarmistThe Support this show http://supporter.acast.com/alarmist. Hosted on Acast. See acast.com/privacy for more information.

Award-winning director of photography Erik Messerschmidt, ASC has a natural eye for arresting and spellbinding images, thriving in a role that allows him to combine his love of art, craft and science. Recently, he lensed Devotion for director J.D. Dillard, based on the real-life story of a Black naval officer who befriends a white naval officer during the Korean War, with both becoming heroes for their selfless acts of bravery. He also is currently shooting Michael Mann's biographical film Ferrari, starring Adam Driver, Shailene Woodley, and Penélope Cruz, and recently completed shooting David Fincher's The Killer, starring Michael Fassbender and Tilda Swinton.Previously, Messerschmidt shot Fincher's passion project Mank, chronicling the screenwriter Herman Mankiewicz's turbulent journey to write Citizen Kane alongside Orson Welles. Messerschmidt's meticulous and striking black and white recreation of the period's aesthetic earned him the Academy Award for Best Cinematography, an ASC Award for Outstanding Cinematography in a Feature Film, a BSC Award for Best Cinematography in a Theatrical Feature Release, a BAFTA Award nomination for Best Cinematography, as well as Best Cinematography award nominations from the San Francisco Bay Area Film Critics Circle, the Broadcast Film Critics Association Critics Choice, and the Alliance of Women Film Journalists.In addition, Messerschmidt co-lensed several episodes of the HBO Max original series Raised by Wolves from producer Ridley Scott. He also shot the first and second seasons of Fincher's hit thriller series Mindhunter for Netflix, earning a 2020 Emmy Award nomination for Outstanding Cinematography for a Single-Camera Series (one-hour) for episode 206.With a background in the fine arts world, Messerschmidt honed his skills while working with such renowned cinematographers such as Dariusz Wolski, ASC, Jeff Cronenweth, ASC, Phedon Papamichael, ASC, Claudio Miranda, ASC, and Greig Fraser, ASC. Messerschmidt now lives in Los Angeles and is a member of IATSE Local 600. He is represented by DDA.Enjoy my conversation with Erik Messerschmidt.