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Have beings from outer space landed in Heck's Pantry? Will Falk stop the inhuman aural assault on Parabellum City? How come I don't get no bassoon solo in the commercial? Listen to find out!A Song of Brass and Ash, episode 126 of This Gun in My Hand, was blown until it was windy by Rob Northrup. This episode and all others are available on Youtube with automatically-generated closed captions of dialog. Visit http://ThisGuninMyHand.blogspot.com for credits, show notes, archives, and to buy my books, such as Sisyphus, Eat Your Heart Out, available in paperback and ebook from Amazon. How do I get to Carnegie Hall? This Gun in My Hand!Show Notes:1. When searching for a sad trombone sound on freesound dot org, I found this cache of 91 twisted and screwed public domain trombone sounds by user PhonosUPF, most of them sounding nothing like a trombone. I'm not using all of them here, but they inspired this episode.https://freesound.org/search/?q=phonosupf+trombone2. The Hall of Justice shown in the 1970s Super Friends cartoon was based on the design of Cincinnati Union Terminal.3. I can't tell if the Zurich Baroque Ensemble's recording of Marcello's Oboe Concerto in F Minor includes bassoon as Jojo claims.4. Young James Marshall Hendrix carried his guitar with him everywhere he could, to school and to friends' houses, practicing all day. 5. This Gun in My Hand podcast has existed longer than the Confederate States of America.Credits:The opening music clip was from The Sun Sets at Dawn (1950), and the closing music was from Killer Bait (1949), both films in the public domain. Most of the music and sound effects used in the episode are modified or incomplete versions of the originals.The nineteen sound effects named below were created by PhonosUPF.https://freesound.org/search/?q=phonosupf+tromboneIn order of appearance in this episode, they were:1. Trombone grave (501269)2. Trombone grave 33. Trombone grave 24. Trombone metal 25. Trombone grave (490995)6. Trombone stretching 137. Trombone signal 138. Trombone sequence9. Trombone stretching 610. Trombone percussion11. Trombone blow 212. Trombone set13. Trombone blow14. Trombone signal 1415. Trombone grave 516. Wagnerian trombones17? Trombone melody 18. Trombone glissandi19. Trombone metal 5Sound Effect Title: footsteps cellar.wavLicense: Public Domainhttps://freesound.org/people/gecop/sounds/545030/Sound Effect Title: R10-56-Footsteps on Metal Staircase.wavLicense: Public Domainhttps://freesound.org/people/craigsmith/sounds/480641/Sound Effect Title: muted cornet 2.wav by thatjeffcarterLicense: Creative Commons Attribution 4.0https://freesound.org/s/185435/ Sound Effect Title: tuba frullato by PhonosUPF License: Public Domainhttps://freesound.org/s/501504/ Music Title: Oboe Concerto in F MinorComposed by Alessandro MarcelloPerformed by The Zurich Baroque EnsembleComposition and recording are in public domain.https://musopen.org/music/45546-concerto-for-oboe-orchestra/Sound Effect Title: Clarinet- ORTF Stereo Pair (NT-5's)-01.wav by debuddingLicense: Public Domainhttps://freesound.org/s/44361/ Sound Effect Title: Banging Metal Lid by wolfdoctor License: Public Domainhttps://freesound.org/s/520074/ The image accompanying this episode is a modified detail of the public domain cover of the 1951 novel Blues for the Prince written by Bart Spicer, artist unknown.
Für den venezianischen Barock-Komponisten Alessandro Marcello war es selbstverständlich, musikalische Trends auch aus anderen Ländern in seine Werke aufzunehmen, etwa in seinem Oboenkonzert d-Moll. Warum dieses Werk so bedeutend ist, darüber hat BR-KLASSIK mit dem Oboisten Albrecht Mayer gesprochen.
DescriptionThe Soulful Journey of the Oboe: From Ancient Reeds to Modern Mastery in 60 Seconds. Take a minute to get the scoop!Fun FactOne of the most famous pieces for oboe is Alessandro Marcello's Oboe Concerto in D minor. Composed in the early 18th century, this Baroque gem highlights the oboe's lyrical and expressive qualities. The slow, emotive Adagio movement is particularly beloved, showcasing the instrument's ability to sing with haunting beauty. Often performed and recorded, the concerto remains a favorite in the oboe repertoire, offering both technical brilliance and profound emotional depth.__________________________________________________________________About Steven, HostSteven is a Canadian composer & actor living in Toronto. Through his music, he creates a range of works, with an emphasis on the short-form genre—his muse being to offer the listener both the darker and more satiric shades of human existence. If you're interested, please check out his music website for more. Member of the Canadian League Of Composers.__________________________________________________________________You can FOLLOW ME on Instagram.
durée : 00:24:57 - Alessandro Marcello, Concerto pour hautbois en ré mineur - par : Anne-Charlotte Rémond - Publié en 1717, c'est probablement à Venise que le noble Alessandro Marcello a composé le Concerto pour hautbois en ré mineur qui a assuré sa renommée posthume… - réalisé par : Claire Lagarde
The last instalment of the year arrives from the hands of Furtherset, the musical project of artist and musician Tommaso Pandolfi, with a mix especially suited for the melancholic nights of December. With Furtherset, the artist has defined his personal sound, mainly composed of layers of timbre-modulated sounds and dense rhythmic geometric passages converging towards a single harmonic plane. His music touches on ambient, modern classical and rave, building on his approach to composition with shifting modulations, synthetic clusters and sampling alongside rhythmic and embracing harmonies. Furthersetmentions that the project, which began in 2011, is envisaged as formal research that follows a path towards saturation and layering but is always capable of generating voids in which the listener can take their place and fill them according to their own focus. Furtherset has released several EPs and two albums with the record label OUS, with whom he's signed with. His most recent one, The Infinite Hour, released in October, puts together all the artist's compositional interests over the years. Six compositions resemble the laboured breathing of one who mourns a disappearance and fears oblivion. The album was created between 2020 and 2022, in a slow process of writing and continuous refinement parallel to the previous EP, Auras. The compositions found their final form during the mixing process carried out together with Bienoise. They were later named based on references to authors who influenced and are dear to Furtherset: Amelia Rosselli, Vladimir Chlebnikov, Hubert Damisch, Dante Alighieri. Furtherset mentions that when preparing mixes, he tries to create listening environments with moments of extreme stillness or sudden changes, but always having the latter have their own general organicity: I also fixate on certain artists, such as Simon Fisher Turner, whom I now propose in every mix. In this case, I added Michèle Bokanowski to my fixations. I found pleasant similarities between Moritz Von Oswald's latest work and Ligeti's. Everything then begins and ends with two voices: with Patti Smith's words and Glenn Gould's whispers over Bach. I look for emotion in the music I listen to. Tracklist: Patti Smith & Kevin Shields - The Coral Sea, pt. 1 Kevin Shields & Brian Eno - Only Once Away My Son Michèle Bokanowski - Tabou Moritz Von Oswald - Luminoso György Ligeti - Clocks & Clouds Michèle Bokanowski - Vers Syracuse Michèle Bokanowski - L'indomptable Marta De Pascalis - Harmonices Infinity Brunhild Ferrari & Jim O'Rourke - Tranquille Impatiences Michèle Bokanowski - Pour Un Pianiste Francis Dhomont - Chambre d'enfants Geinoh Yamashirogumi - Omae Wa Nan No Hana Simon Fisher Turner - The Invisible Frame, a film by Cynthia Beatt Lucy Railton - Rib Cage Jules Reidy - Trances III Ben Vida, Nina Dante & Yarn Wire - Who's Haunting Who Here Luc Ferrari - Cycle Des Souvenirs II Johann Sebastian Bach - Concerto in D minor after Alessandro Marcello, BWV 974- II. Adagio (Glenn Gould)
TITLE: The Fabelmans – music and memory TRACK: Bach Concerto in D Minor, BWV 974: II. Adagio based on Alessandro Marcello's oboe concerto, Adagio ARTIST: John Williams & Joanne Pearce Martin PUBLISHER: ℗ 2022 Storyteller Distribution Co., LLC, under exclusive license to Sony Classical, a label of Sony Music Entertainment
Track 16 Adagio by Alessandro Marcello 1669 - 1747 from a Concerto in D minor, second movement From daybreak till midnight the tide will turn four times, even as the clock continues its chimes. Let nothing hinder the incoming tide, as You prepare Your Heavenly Bride. Draw close when the tide feels out, and we are tempted to begin to doubt. May we trust Your purposes in each low tide, when You appear to hide, then bravely catch each new wave that You so lovingly provide. Even through the deepest drought, we owe it to You to seek You out longing for the place of deeper release as we yearn for Your Spirit's return. The prophet JONAH declared "When my life was ebbing away, I remembered you, LORD, and my prayer rose to you, to your holy temple. "Those who cling to worthless idols forfeit the grace that could be theirs. But I, with a song of thanksgiving, will sacrifice to you. What I have vowed I will make good. Salvation comes from the LORD." So often, Lord, when we are feeling insecure, it is because we are using the wrong set of measuring tools. Were we to see the weighing machines that You use to value all we do, we might not recognise them at all, for You evaluate by entirely different criteria, seeking less the outcomes the world considers good than the love and devotion with which we carry out our tasks, and the measure of obedience that lies within them. So realign our heart's desire to be more in tune with Yours, for the more we succeed in doing this the more joy we will know in our spirits and the deeper the comfort we will bring to others too. Lord, we often feel let down by others in the course of our pilgrimage and grieved by the way things work out. But it is amazing how you bring good out of seeming catastrophes and turn situations right round for your glory. Help me not to be disappointed but to praise and to trust that You can turn our disappointments into Your appointments. For this truly honours You.
Michael Berkeley's guest is the architect, author and broadcaster Francesco da Mosto. With his shock of white hair, boundless energy and unmistakable accent, Francesco da Mosto is for many of us the quintessential Venetian. His distant ancestors were some of the first settlers to colonise the swampy islands that were to become Venice, fleeing Attila the Hun in the 5th century, and since then the da Mosto family has been at the forefront of Venetian public life. One of the team of architects who restored the opera house in Venice after a devastating fire in 1996, Francesco shot to fame with his BBC television series exploring Venice, Italy and the Mediterranean. And with his English wife Jane, he's at the heart of the campaign to find a sustainable future for this most beautiful and vulnerable city. Francesco tells Michael about the joys and travails of living in Venice, and about his life in a crumbling palazzo just off the Grand Canal, shared by his parents, his children and more than twenty other Venetian families. And he tells Michael how to cook his favourite Sunday lunch dish. His music choices are a celebration of Italy, with arias from operas by Puccini and by Verdi; a much loved song by Mina Mazzini; music by Ennio Morricone, Alessandro Marcello, and the most famous Venetian composer of them all: Vivaldi. Producer: Jane Greenwood A Loftus Media production for BBC Radio 3.
On 8 December 2020, a 90-year-old grandmother became the first person in the world to be given the Covid jab as part of a mass vaccination programme. Within six months more than 30 million people in the UK had received at least one dose. Many people say that extraordinary achievement would not have been possible without Dame Kate Bingham. A venture capitalist with a first-class degree in biochemistry, in May 2020 she was asked by the Prime Minister to head a new Vaccine Taskforce, leading British efforts to find and manufacture a Covid-19 vaccine for the UK and abroad. Her appointment was not without controversy. But, in the words of Professor Dame Sarah Gilbert, who invented the AstraZeneca vaccine, “her calm decisions in the uncertain early days of the pandemic saved countless lives”. Kate Bingham was appointed Dame Commander of the British Empire in the Queen's 2021 Birthday Honours List. In conversation with Michael Berkeley, Kate Bingham reveals what it was like to create the Taskforce, working remotely from home in Wales. It was her first encounter with the inner workings of government, a culture she describes as paralysed by “groupthink”, and “a massive aversion to risk”. She reveals the music that sustained her, and which she listened to at night when she ran. Kate is an oboist, and she begins her music selection with Alessandro Marcello's Oboe Concerto; other choices include Gustav Holst, Robert Schumann, Arturo Marquez, Guys and Dolls, and a song with lyrics by her son Sam. Produced by Elizabeth Burke A Loftus Media production for BBC Radio 3
It's two for the price of one this week. Or is it? Alessandro Marcello may have written a beautiful oboe concerto, but it's Johann Sebastian Bach we have to thank for it's popularity!
This week we hear works by Marbrianus de Orto, Cipriano de Rore, Carlo Gesualdo, Anthoni van Noordt, Alessandro Marcello, Antonín Kraft, Jean-Baptiste Arban, Leevi Madetoja, and Ross Edwards. 140 Minutes – Week of June 22, 2020
Bach ‘leerde’ van de Italiaanse componisten om zoveel mogelijk te zeggen met bijna niets. Een handvol noten, een enkele melodie – een overweldigende rijkdom. En ook gewoon mooi! Alessandro Marcello Concert voor hobo en strijkorkest nr.2 – deel II, “Adagio” Albrecht Mayer, hobo New Seasons Ensemble DECCA 4780313 4’04’’ Johann Sebastian Bach Concert voor klavecimbel BWV.974 – deel II, “Adagio” Anna Gourari, piano ECM New Series 2612 3’48’’ Johann Sebastian Bach Sonate voor viool nr.3, BWV.1005, dl.I & II, “Adagio & Fuga” Viktoria Mullova, viool Onyx 4040 13’00’’ 0
durée : 00:24:57 - Alessandro Marcello, Concerto pour hautbois en ré mineur - par : Anne-Charlotte Rémond - Publié en 1717, c'est probablement à Venise que le noble Alessandro Marcello a composé le Concerto pour hautbois en ré mineur qui a assuré sa renommée posthume… - réalisé par : Claire Lagarde
Terugluisteren naar muziek bij een dansvoorstelling: speciale bewerkingen van onder meer Dowland voor de voorstelling 'Solas' van LeineRoebana. En een keur aan andere muziek die de oren van dansliefhebbers geopend zal hebben, naast een keuze uit recente filmmuziek. Met muziek van Claude Debussy, Maurice Ravel, John Dowland, Max Richter, Giuseppe Torelli, Alessandro Marcello, John Debney, Germaine Tailleferre, Gary Husband & Markus Reuter
con Paola De Angelis
In deze aflevering van de Gave Wijven Podcast vertelt Joan Nunnely, HRM-manager en talentadviseur, over haar carrière, activiteiten, nevenactiviteiten, voorkeuren, adviezen en handtas. Ze legt uit waarom we moeten luisteren naar onze drijfveren, want daarin zit ons potentieel, en ze adviseert ons om te zorgen voor een goed LinkedIn profiel. Als tips heeft Joan voor ons: 'Onder de Paramariboom' van Johan Fretz, 'Becoming' van Michelle Obama, de muziek van Bach gespeeld door Alessandro Marcello, de documentairereeksen 'America to me' en 'Planeet Nigeria' (niet Ghana). Je kan Joan vinden op Instagram: @joannunnely, op internet: www.joannunnely.nl en natuurlijk op LinkedIn: www.linkedin.com/in/joannunnely/.
Benedetto Marcello, edelman, componist en grapjas
Ortega y Gasset detalla la importancia de escribir y suscribir un legado intelectual ya sea por necesidad o curiosidad intelectual.
Perhaps the most bizarre aspect of this strange tale of the supernatural, is the fact that it was written by none other than the "giant of American letters," John Steinbeck. It's a true hidden gem. "The Affair at 7, Rue de M," read by Ali Silva, will delight and terrify in equal measure. The Midnight Reading is a special summer series of dramatic readings of lost classics from the world of macabre fiction that have inspired our show, Fireside Mystery Theatre. We hope to encourage you, dear listeners, to embrace the joy of books and to build your own collection of dark literature.Hosted by James Rieser "The Affair at 7, Rue de M" — read and performed by Ali SilvaCreated and produced by Gustavo Rodriguez & Ali Silva for Fireside Mystery ProductionsDirected by Holly Payne-StrangeWritten by Silbin SandovarTheme music by Martina DaSilvaAudio engineered by Bill & Delaney HafenerRecorded at The Silo Studio in Shirley, NYAdditional music:"Sous Le Ciel de Paris" "Suite Gothique, Op. 25" by Léon Boëllmann performed by Accordion Orchestra Avanti Children's Album, Op. 39 "The Sick Doll" & "The Doll's Burial" by Pyotr Il'yich Tchaikovsky performed by Louis Sauter Oboe Concerto in D minor by Alessandro Marcello performed by Accordion Orchestra Avanti For upcoming live shows go to:http://www.firesidemysterytheatre.com /// @firesidemysteryCopyright 2017 Fireside Mystery Productions#horror #macabre #mystery #thriller #suspense #audiodrama #radiodrama #radiotheatre #johnsteinbeck #anthology #literature #drama #shortstories #supernatural #paranormal #chewinggum #bubbles #weird #strange
Daina „Hijo de la luna“ laidos pradžioje skamba neatsitiktinai, šiandien yra šiokia tokia mėnuliška sukaktis – 45 metai nuo penktojo ir priešpaskutiniojo astronautų nusileidimo Mėnulyje – Apollo 16 misijos vykdymo. Tad šia proga laidoje nuskambės ir daugiau mėnuliškų kūrinių. Taip pat pasiklausysime Alessandro Marcello koncerto, iš kurio yra garsusis Agadio, taip dažnai skambantis koncertuose, su rubrika Retro prisiminsime Emilį Gilelsą, o „Naujienų pulsas“ bus turtingas žinių: antradienio vakarą Nyderlanduose sulaikytas vairuotojas, greitkelyje grojęs saksofonu už vairo; Rene Fleming atstovai spaudai praneša, jog primadona planuoja pasirodymą Brodvėjaus scenoje; vienuolikmetis juodaodis berniukas iš Jungtinės karalystės Mathiew Smithas tapo jauniausiu muzikos istorijoje dirigentu; Buffalo filharmonijos orkestro vadovė, dirigentė Joan Faletta koncerto metu padovanojo savo batutą salėje sėdinčiai jaunai klausytojai; rusų smuikininkas Artiomas Kolesovas, nepaisydamas Rusijoje priimto įstatymo dėl homoseksualumo propagandos, prisijungė prie projekto „Vaikai – 404“ ir išplatino savo video prisipažinimą dėl savo tapatybės.
Everyone is aware of the restless tides that current currents are stirring up throughout the world - so we wanted to share this beautiful meditation that will bring deep peace to the soul and stir us in godly ways. The oboe solo is played by Thomas Herzog. Adagio by Alessandro Marcello 1669 - 1747 from a Concerto in D minor, second movement. You can also find this piece is on our CD Connections, http://ruachministries.org/connectionstracks.htm
Adagio by Alessandro Marcello 1669 - 1747 from a Concerto in D minor, second movement. Oboe solo by Amy Roberts. It draws us into a place of peace where we are reminded that He is the One who holds all times and seasons in His hands.
Alessandro Marcello, ICGEB Trieste - Italy speaks on "Cutting-edge technology: visualization of viral genomes in live cells". This seminar has been recorded by ICGEB Trieste
Alessandro Marcello , ICGEB Trieste - Italy speaks on "Welcome address - Course "Fluorescence Microscopy"". This seminar has been recorded by ICGEB Trieste
Alessandro Marcello speaks on "Human flaviviruses and the host cells". This seminar has been recorded by ICGEB Trieste
Für den venezianische Barock-Komponisten Alessandro Marcello war es selbstverständlich, musikalische Trends auch aus anderen Ländern zu beobachten und in seine Kompositionen aufzunehmen. Von solcher Weltläufigkeit zeugt auch sein Oboenkonzert in d-moll. Warum es so bedeutend ist, darüber hat Julika Jahnke mit dem Oboisten Albrecht Mayer gesprochen.