Podcasts about dowland

I've been so lucky this week to cross paths with several beloved friends and colleagues, in some cases for the first time in ages. One of those friends of many years' standing is the legendary countertenor Drew Minter, with whom I made my very first appearances on the New York concert stage… well, a few years back now! Seeing Drew made me think not only to his influence on me in my early years of singing, but also of the influence of the earliest (and still to my mind the greatest) of all American countertenors, Russell Oberlin. A few years ago, I dedicated a pair of episodes to him, and today I present to you the second of those episodes, originally fashioned exclusively for my Patreon subscribers, yet another “refurbished” Countermelody episode that now sees the light of day. I explore Oberlin's performances of medieval and renaissance music, both with the New York Pro Musica (The Play of Daniel, Dufay, and Dowland) and with the Experiences Anonymes record label (Byrd and 13th Century French Polyphony). I also offer examples of Oberlin's expertise in performance of baroque music, offering two Bach arias (one performed with Leonard Bernstein, the other with Glenn Gould), and several Handel selections, including a complete cantata from one of his rarer LP releases. In addition, we hear a live excerpt of his Oberon in Midsummer Night's Dream opposite the late British soprano Joan Carlyle, as well as a surprising outing as one of the commedia dell'arte players in Strauss's Ariadne auf Naxos, opposite the Zerbinetta of the great African American coloratura soprano Mattiwilda Dobbs. There are additional surprises along the way. The episode opens with a heartfelt tribute to Drew, my reunion with whom prompted this episode in the first place. Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly or yearly support at whatever level you can afford.

durée : 00:29:27 - Delphine Deau, pianiste de jazz - Adepte de la formation en duo, leadeuse du Nefertiti Quartet, compositrice, la pianiste de jazz Delphine Deau révèle la modernité des mélodies pour luth et voix de John Dowland dans un premier album solo, en les réinterprétant sur un piano préparé. Portrait d'une musicienne créatrice.

durée : 01:28:35 - En pistes ! du vendredi 17 janvier 2025 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Une version de légende pour commencer la journée ! Fritz Reiner dirige la Symphonie du Nouveau Monde à la tête de l'Orchestre de Chicago, mais aussi Dowland au luth, des airs de concert de Mozart ou le nouvel album du virtuose Dmitry Masleev

durée : 01:28:35 - En pistes ! du vendredi 17 janvier 2025 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Une version de légende pour commencer la journée ! Fritz Reiner dirige la Symphonie du Nouveau Monde à la tête de l'Orchestre de Chicago, mais aussi Dowland au luth, des airs de concert de Mozart ou le nouvel album du virtuose Dmitry Masleev

Ein breitgefächertes Programm mit von Nathalie Stutzmann ausgewählten Stücken von Dowland, Mozart, Wagner und Schumann begeisterte das Münchner Publikum. Ein Highlight war für unseren Kritiker Robert Jungwirth Wagners "Siegfried-Idyll". Die ganze Konzertkritik gibt es hier.

Melancholie mag nicht jedermanns Sache sein, aber Melancholie war ein herausragendes Merkmal der Musik des elisabethanischen Zeitalters, und damit der Musik von John Dowland. Denn Dowland war derjenige Komponist, der den Klang dieser Zeit prägte: mit seinen Lautenliedern - gesungen oder eben als Werke für Laute solo. Doch selbst wenn Dowland der prägende Musiker war, hatte er sein Leben lang damit zu kämpfen, dass sein größter Wunsch nicht erfüllt wurde. Unser ZOOM berichtet über diese Leidensgeschichte.

Con Carlos Iribarren | Una de las cosas que más nos gusta de la música clásica es que sabemos que, por más y más maravillas que conozcamos, siempre nos va a quedar una cantidad enorme de joyas por descubrir. El musicógrafo y escritor Antonio Daganzo ha recopilado decenas de esas piezas en su libro “Música: Delicias del Asombro” y hemos decidido comentar con él una muestra de 6 ejemplos compuestos por autores del Renacimiento y del Barroco temprano y medio. Son músicos de diferentes países pero que comparten la maestría a la hora de crear obras de muchos quilates: Palestrina, Dowland, Da Venosa, Schütz, Lully y Charpentier son los elegidos para esta entrega que esperamos que disfrutes de principio a fin. Así de melodioso es el nuevo episodio de Hoy Toca, el programa de Clásica FM que te quiere sorprender.

durée : 00:07:22 - " Mr Dowland's midnight" de John Dowland - "Cette pièce pour luth, illustre parfaitement et très simplement un trait de caractère, que l'on associe souvent et peut-être un peu trop souvent, non seulement à John Dowland, mais aussi à l'état d'esprit de la période dans laquelle il a vécu et composé, L'ère élisabéthaine." Sébastien Llinarès

Musik ist ein emotionaler Spiegel und beeinflusst unsere Emotionen stark. Aber was passiert, wenn traurige Musik uns nicht traurig, sondern glücklich macht?Ob lachen bei The Cure oder tanzen zu Weltuntergangslyrics. Wir sprechen heute über das Phänomen des Sad-Music-Paradoxons. Wissenschaftler*innen haben herausgefunden, dass wohl insbesonders empathische Menschen dazu neigen, die ganz besondere Schönheit in trauriger Musik zu entdecken und diese zur Katharsis ihrer eigenen Traurigkeit oder schlechter Erfahrungen nutzen zu können. Wenn das stimmt, willkommen bei drei äußerst empathischen Menschen. Beim ästhetischen Erleben tauchen wir in die Gefühlswelt der Musik ein und erfreuen uns an der künstlerischen Gestaltung, in dem Wissen, dass wir jederzeit abschalten können. Dadurch können wir sorgenfrei die Intensität von negativen Emotionen wie Trauer oder Wut erleben, was für viele eine positive Erfahrung ist. Was das Ganze mit den Hormonen Oxytocin und Prolaktin zu tun hat, besprechen Lars und Markus heute mit Ludger in einer ruhigen, nachdenklichen und mitunter sehr persönlichen Folge. >>> WAS IST MIT EUCH?Hört Ihr selbst gerne traurige Musik und findet Eure Gedanken in klanglichen Untiefen gut aufgehoben oder kommt ihr dadurch eher schlecht drauf? Lasst uns gerne einen Kommentar auf https://www.derherrgott.de/tunefish-podcast-episode-6/ da oder schreibt uns auf den Sozialen Medien.Wir freuen uns auf eine weitergehende Diskussion......Die begleitenden Links:Zum Community-Kommentar von "Ulf der Freak" Julian Bream plays Dowland (1987):https://www.youtube.com/watch?v=pSCvIc36Bik .....RSS-Feed zum Podcast: https://letscast.fm/podcasts/tunefish-862dcd8d/feed.....Wir haben große Lust auf Euer Feedback. Also feedbackt uns bitte ;-)Schreibt uns eine Mail auf unserer Website:https://www.derherrgott.de/tunefish-podcast-episode-6/Diskutiert mit uns auf Instagram: tunefish.podcasthttps://www.instagram.com/tunefish.podcastoder Bluesky: @tunefish-podcast.bsky.socialhttps://bsky.app/profile/tunefish-podcast.bsky.socialoder Facebook: Tunefish-Podcasthttps://www.facebook.com/profile.php?id=61561789564350Unsere begleitende Spotify Playlist:hier packen wir die von uns erwähnten Künstler, Songs oder Alben hinein, die wir in den einzelnen Episoden besprechen – der Link:https://open.spotify.com/playlist/42XSxvuk6WwNj24blV1eY9?si=7b2db7ba31dd4d48

Politicians use a lot of words when campaigning, but the most meaningful are very simple. Douglas Dowland, associate professor of English at Ohio Northern University, discusses these. Douglas Dowland is associate professor of English at Ohio Northern University, where he teaches a wide array of literature and humanities courses. His book We, Us, and Them […]

durée : 00:25:23 - John Dowland, musicien mélancolique, mais pas que... - par : Anne-Charlotte Rémond - Semper Dowland semper dolens, Lachrimae... les compositions de Dowland au caractère souvent dépressif révèlent-ils un compositeur mélancolique ? Ou tout ceci n'est-il qu'une persona artistique ? Enquête sur le grand compositeur "mélancolique". - réalisé par : Philippe Petit

Janet and Nevena talk to Paul Haskell-Dowland, Professor of Cyber Security Practice  Assoc. Dean for Computing and Security Responding to a resurgence in gender-based violence and deaths in Australia, the National Cabinet has... LEARN MORE The post Saturday, 11th May, 2024: Paul Haskell-Dowland, Professor of Cyber Security Practice , aul Haskell-Dowland, Professor of Cyber Security Practice | Associate Dean for Computing and Security Age Assurance tech to bar children from nefarious online activity – will it work? appeared first on Saturday Magazine.

Hablamos hoy de un libro magistral en torno a la voz de contratenor, que desvela todos los misterios e interrogantes que todavía se plantean a día de hoy respecto a ese instrumento tan singular. Su autor es Miguel Ángel Aguilar Rancel. En este programa charlamos con el editor de Akal, Jesús Espino, y con la experta musicóloga María Condor. En un próximo programa hablaremos también con el autor. La animada conversación estuvo trufada de interpretaciones de algunos de los más eximios contratenores de los últimos tiempos: Alfred Deller, el gran maestro y recuperador, que canta Rosy Bours de Purcell; Bowman y Chance (Sound the Trumpet del mismo compositor); Ledroit (Tristes déserts de Charpentier); Charvet (Flow my tearsde Dowland); Scholl (Ombra mai fu de Serse de Haendel); Jaroussky (Fra le procelle de Tito Manlio de Vivaldi. Cerramos con una exhibición de Franco Fagioli.Escuchar audio

Q&A on the documentary Sue Bird: In the Clutch with director Sarah Dowland. Moderated by Mara Webster, In Creative Company. Follows the life of WNBA star Sue Bird, capturing the final chapter of her 19-year career in basketball.

One of the most popular Radiohead songs has finally appeared.  Jonny on this song: "Our madrigal as written by Dowland and arranged by Scott Walker"Pardon?

Sarah Dowland, Director and Producer talks about being at Sundance with her latest movie Sue Bird In The Clutch.

durée : 01:28:23 - En pistes ! du mardi 09 janvier 2024 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Au programme de ce mardi matin : le Carnaval de Vienne de Schumann, la Sonate pour alto n°1 de Bowen, le Quatuor avec piano n°1 de Mozart, mais aussi les pièces pour guitare de Dowland, La Marche avant la bataille de Byrd ainsi les pièces pour piano de Schubert et Glass. En pistes !

December 2, 2023-Jim Dowland

Ep. 656 #Livecast - Bekka Dowland (Live and Amplified Thank you Everyone for joining us! You can take the podcast on the go on Spotify! https://open.spotify.com/show/5dZ2LgaPYqKWWEKhlkjndO?si=391967b92f544265 If you are interested in supporting Live and Amplified, please check out our Socials! https://linktr.ee/LiveandAmplified Check out Bekka Dowland: https://www.facebook.com/BekkaDowlandMusic We are a Music based Multi-Media Project, We feature independent musicians giving them the opportunity to showcase and talk about original content. if you have any questions or comments please send them to LNAMusicReview@gmail.com  

durée : 00:25:23 - John Dowland, musicien mélancolique, mais pas que... - par : Anne-Charlotte Rémond - Semper Dowland semper dolens, Lachrimae... les compositions de Dowland au caractère souvent dépressif révèlent-ils un compositeur mélancolique ? Ou tout ceci n'est-il qu'une persona artistique ? Enquête sur le grand compositeur "mélancolique". - réalisé par : Philippe Petit

Elizabeth Pallett is a wonderful British lute player.  Her love of Renaissance music and history is infectious and she has generously provided this episode with several of her beautifully produced YouTube videos; her channel Luteweb is linked below, as well as her duo Amarylli with soprano Hannah Grove. We talk about the history of the evolution of plucked instruments in Europe, and many fascinating historical figures including Dowland and Shakespeare. Liz  plays various lutes and plucked instruments and teaches at the Birmingham Conservatoire as well as  online with students worldwide. Like all my episodes, you can listen to this on your favourite podcast player, watch the YouTube on my channel, and read the transcript; everything is linked on my website https://www.leahroseman.com/episodes/elizabeth-pallett I have also included detailed timestamps below.  I really do need my listners' help to keep this going! Please take a look at my Ko-fi page: https://ko-fi.com/leahroseman Below are the links for Elizabeth Pallett, her website and YouTube channels: https://luteweb.com/ https://www.youtube.com/@luteweb https://www.youtube.com/@amarylli1745 https://twitter.com/luteweb Timestamps: (00:00:00) Intro (00:01:57) Her musical education, growing up on a farm (00:04:16) Julian Bream's influence (00:05:52) introduction to the lute (00:09:17) Fantasia by Francesco Da Milano Libro Terzo 1562 (00:11:14) evolution of the lute from the oud (00:18:49) Calata Ala Spagnola by Joan Ambrosio Dalza  (00:21:48) the gittern (00:25:27) please help me keep this series going by supporting me through my Ko-fi page! (00:25:52) Tastar de corde, improvisatory music (00:28:01) historical context of the music, Aurelio Brandolini (00:33:58) the gittern and the origins of the guitar (00:36:35) lute tablature manuscripts, Capirola lute book (00:39:05) Ricercar Terzo by Vincenzo Capirola  (00:43:55) baroque guitar (00:46:18) Jácaras by Gaspar Sanz on baroque guitar (00:46:28) why Liz cuts her nails (00:54:54) teaching lute online and Luteweb videos (00:58:46) lute repertoire, Bach lautenwerck, why the lute fell out of favour (01:03:44) women lute players and composers (01:06:12) teaching online and sharing the love of the past and the lute (01:08:21) Recercar probably by Marco Dall'Aquila (01:10:23) teaching at the Royal Birmingham Conservatoire (01:12:43) the joy of playing figured bass (01:15:32) Amarylli, soprano Hannah Grove, creative programming (01:18:32) “Weep Ye No More Fountains” by John Dowland with Hannah Grove (01:21:08) controversy around Edward de Vere being the author of the writer who had the pen name Shakespeare (01:28:11) John Dowland (01:38:55)  Eward de Vere, Marco Dall'Aquila (01:40:34) finding time to practice, balancing family life (01:42:01) bringing undiscovered music to light --- Send in a voice message: https://podcasters.spotify.com/pod/show/leah-roseman/message

On this week's Gramophone Podcast we talk to tenor Karim Sulayman and guitarist Sean Shibe about their album 'Broken Branches', released today on the Pentatone label. Featuring music by composers including Dowland, Britten, and Takemitsu, as well traditional songs from the Middle East, it's a fascinating and highly personal project for them both. A podcast produced in association with Wigmore Hall. 

William Kanengiser and the Alexander String Quartet — British Invasion (Foghorn Classics) Jump to giveaway form New Classical Tracks - William Kanengiser and Ian Krouse by “When I was in high school, I was in a rock band called Euphoria. We did all these covers. I had massive hair,” guitarist William Kanengiser says. “Even though I'm a classical guitarist, I have a background in rock, jazz, flamenco and world music. The whole vibe of this recording is something that comes naturally.” That vibe is the British Invasion of the ‘60s and ‘70s in guitar quintet form, featuring Kanengiser, best known as a founding member of the Los Angeles Guitar Quartet, and the Alexander String Quartet.  Kanengiser joins the Alexander String in their first album, British Invasion. It features incredible pieces inspired by Led Zeppelin, Sting and the Beatles. Kanengiser and composer Ian Krouse talk about how this project came together. How did the Led Zeppelin-inspired piece “Labyrinth” come about? Krouse: “I am also a guitarist, although I stopped playing many years ago. Growing up, I was interested in rock music and the Beatles, the Stones and Jimi Hendrix. I played in bands and learned how to do folk fingerpicking, which was my gateway to classical music. “I don't even remember how it started, but Bill and I were talking, and the idea of me writing a piece for the LAGQ based on a Led Zeppelin song came into view. We both thought, ‘Yeah, let's do this.' I jumped right on it and wrote ‘Labyrinth.' The original version was for four guitars. “A few years ago, Bill called me and asked if I would consider making a new version of ‘Labyrinth' for guitar and string quartet. The words were hardly out of your mouth when I said, ‘Absolutely.'” Kanengiser: “Although it's a classical guitar, I strung a second guitar with specialized steel strings. I have steel strings on the trebles and play with a pick. I get to do a bottleneck slide solo in this open rock tuning. “He writes a passacaglia in a baroque form. There's a 12-tone fugue on the subject. It's an intense piece. That's the highest level of composition. This is a crossover pop tune and a serious, amazing contemporary composition.” Tell me about “Prims: Six Songs,” by Sting, and the composer who made it. Kanengiser: “Dušan Bogdanović has been my dear friend for decades. Sting did a project quite a few years ago where he approached the music of John Dowland. He worked with lutist Edin Karamazov, who is good friends with Dušan. Edin commissioned Dušan to write these arrangements. “There's this beautiful letter that Sting wrote to Dušan saying, ‘You took the broken fragments of my songs and turned them into a flight of nightingales.'” How did the work of John Dowland end up on this recording? Kanengiser: “He was like a rock star, the Jimmy Page of the Elizabethan age. I knew Ian had written this spectacular piece called ‘Music and Four Sharps,' based on ‘Frog Galliard,' by Dowland. Krouse: “I've always enjoyed the thrill of music that picks you up and takes you somewhere else over many minutes. In both pieces, the goal was to unleash energy and passion. “ British Invasion Official Trailer (William Kanengiser & The Alexander String Quartet) To hear the rest of my conversation, click on the extended interview above, or download the extended podcast on iTunes or wherever you get your podcasts. Giveaway Time For Three New Classical Tracks Giveaway You must be 13 or older to submit any information to American Public Media/Minnesota Public Radio. The personally identifying information you provide will not be sold, shared, or used for purposes other than to communicate with you about things like our programs, products and services. See Terms of Use and Privacy. This giveaway is subject to the Official Giveaway Rules. Resources William Kanengiser and the Alexander String Quartet — British Invasion (Amazon) William Kanengiser and the Alexander String Quartet — British Invasion (Arkiv music) William Kanengiser (official site) Alexander String Quartet (official site)

Countertenor Alexander Chance – last year's winner of the International Handel Singing Competition – joins Gramophone Editor Martin Cullingford to talk about his debut album of English lute songs, 'Drop not, mine Eyes', recorded with lutenist Tony Carr and available from Linn. 

Hoy continuando con la serie de programas dedicados a los músicos vinculados a las cortes reales, vamos a acercarnos hasta Inglaterra para adentrarnos en las músicas que maestros como Tallis, Dowland, Lawes, Purcell o Haendel dedicaron a reyes y reinas como Elisabeth I, Charles I y Charles II o Mary II. Escuchar audio

En los tiempos antiguos hubo muchos músicos que pudieron vivir con cierta tranquilidad porque consiguieron acceder a uno de los puestos más importantes. Ser maestros de la capilla musical de algún rey o reina. Trabajar en la corte real sea en Francia, España o Inglaterra era toda una garantía a la hora de poder desarrollar su trabajo creativo con tranquilidad y protección. Hoy vamos a acercarnos a algunos de esos músicos que formaron parte de las cortes reales y estuvieron vinculados a reyes y reinas. Y será con músicas de Couperin, Dowland, Gaultier, Delalande y Bach entre otros. Escuchar audio

Hoy vamos a cruzar el Canal de la Mancha para acercarnos hasta Inglaterra con el fin de poder disfrutar de ese refinado mundo artístico y cultural que se desarrolló en el periodo conocido como la era isabelina, el tiempo de reinado de Elisabeth I, durante la segunda mitad del siglo XVI. Y tendremos obras de Dowland, Parsons, Morley, Byrd y Tallis entre otros. Escuchar audio

This summer Music Mountain is the place to be on weekends from June 5 through September 18! TICKETS & PACKAGES NEW YORK GILBERT & SULLIVAN PLAYERS July 16, 2022 Gordon Hall, Music Mountain (Underwritten by an Anonymous Donor) “Well paced and extremely entertaining” (Talk Entertainment) Meraki Food Truck from 5:30 pm. Menu TABEA DEBUS, RECORDER & ADAM COCKERHAM, LUTE July 17, 2022 Gordon Hall, Music Mountain + 1:30 pm: Pre-Concert Talk with Tabea Debus Works by MONTEVERDI, J.S. BACH, PURCELL, DOWLAND, and other composers from seventeenth- and eighteenth-century Europe, plus Diaries of the Early Worm by Gareth MOORCRAFT (b. 1990)

Royal music throughout the ages. Tom Service asks: what makes it sound royal, and why? And is there really such a thing as a royal sound world? Royal music doesn't have to be heraldic, ranging from the pomp and ceremony of Elgar; to the intimacy of lutenists like Dowland writing in the court of Christian IV in Denmark; to the secret music of the Kyoto imperial court, performed exclusively for royal ears. Composers over the centuries and millennia have written for kings, queens, princes and princesses, at times simultaneously praising and even criticising monarchies from within and without.

durée : 00:30:09 - Le mystère et la mélancolie de John Dowland (1562-1626) - par : Sébastien Llinares - "Si aujourd'hui John Dowland est reconnu comme un très grand compositeur, ça n'a pas toujours été le cas de son vivant. Sa carrière n'a pas été un long fleuve tranquille et sa vie non plus. Peut-être faut-il chercher là, une des raisons de sa célèbre mélancolie ..." Sébastien Llinarès - réalisé par : Patrick Lérisset

In dieser Folge spiele ich mit Marie „Wer lügt besser?“ und wir reden über alles mögliche. Face-Reaval, Schokolade, Fanpages, den Dowland meiner Cover & vieles mehr! ————— https://open.spotify.com/show/6HMxg0IzxoSSRKlMb7XhhF?si=GGJKVtzoSv6-fi7jkLPR5A --- Send in a voice message: https://anchor.fm/hey-amelie/message

This Saturday, February 26 Close Encounters with Music presents a concert entitled “Folk & Baroque.” Cellist and Close Encounters with Music Artistic Director, Yehuda Hanani will be joined at Saint James Place in downtown Great Barrington by virtuoso guitarist Eliot Fisk and esteemed contralto soloist Emily Marvosh in a program featuring works by Bach, Scarlatti, Villa-Lobos, Dowland, Schumber, Vittorio Monti, Seiber, French chansons and Stephen Foster!

Synopsis The English lutenist and songwriter John Dowland is one of the best-known composers from the age of Shakespeare, but there's much about him that we don't know. Dowland wrote that he was born in 1563 but didn't say where. Early biographies said he died in London on today's date in 1626, but a mid-February date seems more likely. Dowland was 63 when he died – a ripe old age in a time of Plague. One early biographer described Dowland as “a cheerful person, passing his days in lawful merriment,” but his most famous works are deeply introspective in tone, in keeping with the then-fashionable cult of melancholy and its preoccupation with tears, darkness, and death. Dowland lived in a dangerous period of bitter religious conflict. He once wrote a frantic letter from Germany warning of a Catholic plot to assassinate Queen Elizabeth. But in that same letter Dowland confessed his own Catholic sympathies, yet at home and abroad worked for eminent Protestant families and royalty. The last record we have of him as a performer dates from May of 1625 when he played at the funeral of King James the First – a fitting finale to a remarkable composer of that remarkable age. Music Played in Today's Program John Dowland (1563-1626) — Melancholy Galliard/Allemande (Ronn McFarlane, lute) Dorian 90148

A Pavan by William Lawes (1602-1645) is played by The Musicians In Ordinary string band led by Christopher Verrette, 1st vln. with Patricia Ahern, 2nd vln. Felix Deak and Laura Jones, violas da gamba and John Edwards, theorbo.  This pavan quotes John Dowland's 'Lachrimae' theme, which had become a musical emblem for melancholy, at the beginning and alludes to Dowland's earlier pavan throughout. Check back to our 'Board Lutebook' episodes to hear a performance of Dowland's lute model.  Lawes' piece exists in a version in c minor for viols and organ. 

DescriptionThere was an overwhelming melancholy in Elizabethan times and composer John Dowland understood how best to capture this sadness. Dowland (1563 –1626) is best known for “I saw my lady weep,” and “Flow my tears” both of which capture the melancholy side of the early 17th century. Join me, as we take a minute to get the scoop!Fun FactDowland made his name on these crying songs and “Flow My Tears” became his signature song. The piece first existed as one for lute simply entitled Lachrimae (Tears). Despite its sad nature, this song is considered by some to be the most widely known English song of the early 17th century.About StevenSteven is a Canadian composer living in Toronto. He creates a range of works, with an emphasis on the short-form genre—his muse being to offer the listener both the darker and more satiric shades of human existence. If you're interested, please check out his website for more.A Note To Music Students et al.All recordings and sheet music are available on my site. I encourage you to take a look and play through some. Give me a shout if you have any questions.Got a topic? Pop me off an email at: TCMMPodcast@Gmail.com Support the show (https://www.buymeacoffee.com/TCMM)

Arinzé Kene talks to Samira Ahmed about playing Bob Marley in the new musical Get Up, StandUp! Singer Clare Norburn is live in the studio to perform a piece by 16th Century composer John Dowland and discuss her new play about Dowland, I, Spie. We discuss the inaugural Working Class Writers Festival taking place in Bristol this weekend with organiser Natasha Carthew and publisher Sarah Fortune. Presenter: Samira Ahmed Producer: Olivia Skinner

The Violoncello and Its History by Joseph Wasielewski The introduction to this nearly 300 page book spans 40+ pages while setting the stage for the cello. In it, Wasielewski talks mostly about the instrument which arguably, the cello is loosely modeled after, that is, the Viola da Gamba. Although, not every piece I feature in this episode is forgotten (Marias' "Folia", Dowland's "Pavan", Corelli's "Giga"), the history leading up to the cello and the early portions of its history are easily passed over for more current, exciting, even tangible events. This episode is rather a mish-mash of ideas, information, and opinions. I am not the best expresser of information nor do I communicate effectively or in interesting ways. Yet, this sort of research and production always holds a place of intrigue and special interest for me. It is likely that I will continue on with The Violoncello and Its History accompanied with recordings (mostly, at least) by neglected composers and forgotten works. If there is any music you would enjoy hearing from the 18th Century send me a message and I'll see what I can do to bring that to fruition. :) To help me out without spending any extra money simply listen to all my episodes. Thanks so much. ~~To make a donation of any size go to my Paypal or Patreon and you wish:~~ 6. Paypal: https://www.paypal.com/donate?hosted_button_id=7KNGGPE7TEQKE 7. Patreon: https://www.patreon.com/travelingcello?fan_landing=true ~~~~~~~C~~~~~~E~~~~~~~L~~~~~~~~L~~~~~~~~~~~O~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ TravelingCello Blogs and Creator Pages 1. Patreon https://www.patreon.com/travelingcello?fan_landing=true 2. Wordpress https://travelingcellojourney.com/ 3. Instagram https://www.instagram.com/travelingcello/?hl=en 4. Youtube https://www.youtube.com/channel/UCpWQ5BLhtXdyeJOlGJ8MyqQ 5. Linkedin https://www.linkedin.com/in/aaron-sinnett-85731888/ 6. Skype https://join.skype.com/invite/NJ0gQNohH4es 7. Facebook https://www.facebook.com/TravelingCello/?view_public_for=131560840278870 To listen to much the music you hear playing in the background go to my Youtube Channel and Facebook Page: 1. Youtube: https://www.youtube.com/channel/UCpWQ5BLhtXdyeJOlGJ8MyqQ 2. Facebook page: https://www.facebook.com/TravelingCello/?view_public_for=131560840278870 To get updates on my projects see above links and also Instagram and LinkedIn: 3. Instagram: https://www.instagram.com/travelingcello/?hl=en To read about the projects in more depth and get some of my thoughts about these compositions see my blog in Wordpress: 4. Wordpress: https://travelingcellojourney.com/ 5. LinkedIn: https://www.linkedin.com/in/aaron-sinnett-85731888/ --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/forgottencellomusic/message Support this podcast: https://anchor.fm/forgottencellomusic/support

Melancholie mag nicht jedermanns Sache sein, aber Melancholie war ein herausragendes Merkmal der Musik des elisabethanischen Zeitalters, und damit der Musik von John Dowland. Denn Dowland war derjenige Komponist, der den Klang dieser Zeit prägte: mit seinen Lautenliedern - gesungen oder eben als Werke für Laute solo. Doch selbst wenn Dowland der prägende Musiker war, hatte er sein Leben lang damit zu kämpfen, dass sein allergrößter Wunsch nicht erfüllt wurde. Über diese Leidensgeschichte geht diese Folge von "Zoom".

durée : 01:57:12 - Été Classique Après-midi du mardi 24 août 2021 - par : Priscille Lafitte - Une après-midi musicale animée de pièces vocales de Rameau, Dowland, Fauré, Duparc, Hahn... et de pages instrumentales allant de la musique renaissance anglaise au XXe siècle, aux côtés de compositeurs tels que Johnson, Holborne, Ysaye, Stravinsky, Bertali etc servis par les meilleurs interprètes. - réalisé par : Catherine Prin-Le Gall

durée : 02:58:25 - Le programme classique d'Anne Montaron : Britten, Purcell, Dowland, Berio ... - par : Anne Montaron - Notre Rose des vents nous mène au Nord-Ouest aujourd'hui avec Mauricio Kagel. Cap sur les Iles britanniques ! Beaucoup de vent et de pluie donc, et les musiques de Purcell, Dowland Hume, Britten, Berio (Cries of London…),Wagner et Nielsen. Nous irons même jusqu'aux Iles Féroé ! - réalisé par : Emmanuel Benito

John Dowland (1563-1626) hinterließ schon seinerzeit in Europa Spuren. Gabriel Voigtländer (~1596-1643) hat sein Lied "Can she excuse my wrongs" abgekupfert. Mit dem Lautenisten Ulf Dressler vergleichen wir die Lieder. Außerdem erkunden wir soziale und kulturelle Hintergründe der weltlichen Lieder oder Ayres am Anfang des 17. Jahrhunderts.

Episode Notes We are honored to interview the Maestro James Marron on this episode of Wood Air and Metal guitar podcast. Jim is the ultimate community guitarist, with his working Dance company, Porch Rokr in Akron, Community guitar events, composing for plays/musicals, solo guitar compositions, "DOWLAND!" mixed with the blues?... multiple albums. Also the current head of guitar at University of Akron classical guitar program. Manhattan School of Music Grad and so much more... (maybe even a story about Segovia!) And you'll just have to listen to hear more about him. Be sure to check out James' Youtube Channel here: https://www.youtube.com/channel/UCnF0utLc31Ywbuk2smRi55A And his band Layer Cake. See ya next time! https://woodairmetal.pinecast.co/ RSS Feed: https://pinecast.com/feed/woodairmetal https://www.facebook.com/woodairmetal https://www.timmirth.com/ Find out more at https://woodairmetal.pinecast.co This podcast is powered by Pinecast.

El Salve Regina compuesto por Antón García Abril para la boda de su hija y Chopin, Telemann, Monteverdi, Dowland, Bach, Fauré, Falla, Brahem, Pelēcis o Tiganá Santana hoy en Músicas Posibles. Un espacio para brillar con el fulgor de los clásicos. Escuchar audio

In this podcast: 1. Daniel Estrem, 2. Vito Paternoster, 3. Daniel Estrem, 4. Daniel Estrem, 5. Daniel Estrem, 6. Vito Paternoster, 7. Vito Paternoster, 8. Voices of Music, 9. Gonzalo X Ruiz, 10. Daniel Estrem, 11. Telemann Trio Berlin, 12. The Sarasa Ensemble, 13. Gonzalo X Ruiz, 14. Vito Paternoster, 15. Voices of Music, 16. Voices of Music, 17. The Sarasa Ensemble, 18. Daniel Estrem

In this podcast: 1. Vito Paternoster, 2. Voices of Music, 3. Gonzalo X Ruiz, 4. Daniel Estrem, 5. The Sarasa Ensemble, 6. Daniel Estrem, 7. Telemann Trio Berlin, 8. Gonzalo X Ruiz, 9. The Sarasa Ensemble, 10. Daniel Estrem, 11. American Baroque, 12. The Sarasa Ensemble, 13. Daniel Estrem, 14. Daniel Estrem, 15. Daniel Estrem, 16. Daniel Estrem, 17. Daniel Estrem, 18. Vito Paternoster, 19. Vito Paternoster, 20. American Baroque, 21. American Baroque, 22. Daniel Estrem

On this day in 1600, English Renaissance composer, lutenist and singer John Dowland dedicated his "Second Booke of Songs or Airs" to Lucy Russell, Countess of Bedford. On today's "A Classical Day in the Life", we learn that Dowland was the Elizabethan version of Elliot Smith, what with all the melancholia and what have you.

World-renowned early guitarist and lutenist Paul O'Dette gives us a great lesson on the development of tuning systems, also known as temperament. He takes us from Pythagoras's early discoveries, yes the famous mathematician, up to the present day equal temperament.

To help celebrate Benjamin Britten's centennial this year, Colin Davin discusses his long-standing relationship with Britten's only work for the solo guitar, Nocturnal (after John Dowland), Op.70. Conveniently, the piece was written for Julian Bream, who is also celebrating this year, both his eightieth birthday and his receipt of the Gramophone Lifetime Achievement Award. Davin also brings us a new commission, with Dowland and Britten in mind, from Pulitzer Prize Winner Caroline Shaw. Having just recently debuted Shaw's work Come Again (Again) written for Davin and singer Estelí Gomez, Davin was kind enough to send All Strings Considered an excerpt from the premiere. If your interest hasn't yet been piqued, Davin gives us some great sight-reading advice, you'll hear some great selections from his debut CD, The Infinite Fabric of Dreams, and he describes his impressions of being the youngest guitarist to reach the finals in the prestigious Guitar Foundation of America Competition. Finally, Colin shares his experiences serving as guest artist-faculty at the Afghanistan National Institute of Music, and discusses their current need for guitar faculty.

Paul O'Dette truly needs no introduction. One of the leading figures of the early music movement, guitarist, lutenist, and conductor Paul O'Dette has performed in festivals in virtually every major city in the world, he has made over 120 recordings, among those the complete solo lute works of John Dowland, he is a professor of lute and the director of early music at the Eastman school of music, and is the artistic director of the Boston Early Music Festival. It is an absolute honor to have him appear on All Strings Considered. On the show today we hear Paul talk about his rock ‘n' roll guitar origins, about improvisation that was happening 400 or so years before the invention of jazz, about arranging Bach for the lute and guitar, reentrant tuning, and more. You'll hear a few tracks from his recordings, on both Baroque guitar and lute, of Santiago de Murcia, Dowland, and Bach. For you flamenco guitarists out there, much of the Santiago de Murcia is actually in that 12-beat cycle (compás) that we all love so much, and you'll hear a seriously old school fandango.

Traditionally, the great composers like Bach, Mozart, and Beethoven have also been virtuosos on their instruments- Bach on the organ, Mozart, Beethoven, Liszt, and Brahms on the piano, Paganini on the violin. In the classical guitar world this connection between performer and composer is even stronger, almost to the point of requirement. The list includes almost every guitar/lute composer we know, from Dowland, Sanz, Da Milano, Mudarra, and de Murcia to Tárrega, Barrios, Giuliani, Sor, and the list goes on… In today's classical guitar world, among the most prolific and successful participants in this tradition of performer/composer is Roland Dyens. His compositions and arrangements have become an integral part of today's classical guitar repertoire. The maestro was kind enough to give me an hour of his time between concerts and flights to discuss his composition and arranging, his love for the music of Fernando Sor, his improvisations, and lots more.