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The Diagnosis Your Doctor Is Too Afraid to Make You've been depressed, exhausted, foggy, and in pain for years. You've tried the antidepressants. You've done the workups. Everything comes back normal. But you are not normal. You are not well. And nobody can tell you why. What if it's Lyme? Dr. Terri sits down with Pamela Cipriano, DNP, APRN — a functional medicine and Lyme disease specialist who trained under one of the country's leading Lyme experts — to have the conversation most conventional doctors won't. From a teenager who spent two years in a psychiatric facility before anyone thought to test him for Lyme, to the political reality that doctors in Texas can be reported to their board just for making the diagnosis — this episode exposes why one of the most common tick-borne diseases in the country is also one of the most misdiagnosed. The symptoms of Lyme overlap almost perfectly with depression, anxiety, hormone imbalance, autoimmune disease, and neurological disorders. That's not a coincidence. It's a diagnostic crisis. If you've been chasing answers and hitting walls, this episode is for you. What you'll discover: Why the standard two-tier Lyme test misses the majority of cases and what patients should be asking for instead [12:23] How Lyme can hide in the body for decades before a stressful event triggers full-blown symptoms [06:09] The teenager misdiagnosed with a psychiatric disorder who spent two years institutionalized before anyone tested him for Lyme [20:19] Why doctors in Texas risk board complaints just for diagnosing Lyme disease and what that means for medical freedom [08:18] How Lyme symptoms overlap with hormone deficiency, creating a compounding diagnostic blind spot [31:15] Co-infections like Bartonella and Babesia: what they are, why most doctors aren't testing for them, and how they change the treatment picture [28:15] The connection between Lyme, mold toxicity, and chronic illness and why the best providers look at all of it together [33:47] How to find a provider trained to properly test and treat Lyme when only a few hundred specialists exist in the entire country [39:14] You are not crazy. You are not anxious. You may just not have the right diagnosis yet. The Dr. Terri Show is presented by EVEXIAS Health Solutions.Learn more and find a provider near you at evexias.com Connect with Dr. Terri:
Dr. Pamela Cipriano shares her journey from being an ICU nurse to a trailblazer in functional medicine. She discusses her personal experiences with Lyme disease, the importance of hydration, nutrition, and the impact of chronic illnesses. Dr. Cipriano emphasizes the need for a holistic approach to health, focusing on root causes and lifestyle changes, while also sharing insights on the effects of COVID and the importance of proper diet and hydration. In this conversation, Dr. Pamela Cipriano discusses the implications of vaccination, particularly in relation to health concerns and the effects of spike proteins. She emphasizes the importance of Vitamin B12 and mitochondrial function in overall health, while also addressing oxidative stress and innovative therapies for chronic conditions. The discussion extends to the future of Lyme disease treatment and the challenges in diagnosing and treating Bartonella, highlighting the need for proper education and awareness in managing tick-borne diseases. For Audience Join the other 20,000+ high-performers getting weekly insights on biological reversal, exponential strategies, and Life Energy optimization→ https://start.gladdenlongevity.com/subscribe If you're ready to measure your 60+ biological ages and build a personalized reversal plan, apply for a discovery call here → https://start.gladdenlongevity.com/apply-now Use code 'Podcast10' to get 10% OFF on any of our supplements at https://gladdenlongevityshop.com/! Takeaways · Dr. Cipriano transitioned from nursing to functional medicine to help patients achieve better health. · Her personal experience with her son's Lyme disease shaped her focus on chronic illnesses. · Chronic diseases often have triggers that can be identified and addressed. · Water intake is crucial for overall health and disease prevention. · Nutrition plays a significant role in managing inflammation and chronic diseases. · Avoiding processed foods and sugars is essential for maintaining health. · The quality of food, including meat and dairy, impacts health outcomes. · Functional medicine requires a thorough understanding of a patient's history and lifestyle. · COVID-19 has highlighted the importance of diet and hydration in recovery. · The healthcare system often prioritizes medication over holistic health solutions. Vaccination can lead to health problems in some individuals. · Spike proteins may persist and cause long-term health issues. · Vitamin B12 is crucial for nervous system health. · Mitochondria play a vital role in cellular function and energy production. · Oxidative stress accelerates aging and cellular damage. · IV therapies can significantly aid in recovery from chronic conditions. · Bartonella can mimic severe neurological disorders like ALS. · Proper testing is essential for diagnosing tick-borne diseases. · Education is critical for effective treatment of Lyme disease. · Innovative therapies are emerging for chronic health issues. Chapters 00:00 Introduction to Dr. Pamela Cipriano 01:32 Journey into Functional Medicine 02:52 Personal Experience with Lyme Disease 04:55 Understanding Chronic Illnesses 06:57 The Importance of Water and Hydration 13:43 Nutrition and Anti-Inflammatory Foods 19:28 Insights on COVID and Long COVID 20:26 The Impact of Vaccination and Health Concerns 21:53 Understanding Spike Proteins and Their Effects 22:38 The Importance of Vitamin B12 23:54 Mitochondrial Function and Health 25:53 Oxidative Stress and Its Management 27:45 Innovative Therapies for Chronic Conditions 30:37 The Future of Lyme Disease Treatment 32:55 Bartonella: Diagnosis and Treatment Challenges 39:56 Navigating Tick-Borne Diseases To learn more about Dr. Pamela Cipriano: Facebook: https://www.facebook.com/Dr.Pamela.Cipriano Instagram: https://www.instagram.com/practicehealthwellness YouTube: https://www.youtube.com/@dr.pamelacipriano1329 Website: https://www.thepracticeofhealthandwellness.com Reach out to us at: Website: https://gladdenlongevity.com/ Facebook: https://www.facebook.com/Gladdenlongevity/ Instagram: https://www.instagram.com/gladdenlongevity/?hl=en LinkedIn: https://www.linkedin.com/company/gladdenlongevity YouTube: https://www.youtube.com/channel/UC5_q8nexY4K5ilgFnKm7naw
S10 E3—The return of the R-word is about more than language. The words we choose both reflect and shape our moral imagination. When disability becomes an insult or a political weapon, it influences how we understand human worth, vulnerability, and belonging. In this conversation, Christina Cipriano, PhD, joins Amy Julia Becker to explore her research on political language and disability, including the return of the R-word. They discuss what these patterns reveal about the systems shaping care, education, and belonging, and they consider: how can we resist dehumanizing language and choose words that move us toward justice and joy?00:00 Introduction to Disability Discourse Matters06:53 Asset-Based vs. Deficit-Based Perspectives10:27 Personal Narratives and Language Choices19:49 The Rise, Fall, and Rise of the R Word23:42 Dehumanization in Political Rhetoric28:47 Historical Context of Disability Discourse33:00 Disability Language and Future Generations40:48 Reimagining Disability and the Good LifeMENTIONED IN THIS EPISODE:Disability Discourse MattersThe Education Collaboratory at Yale | Child Study CenterSpread the Word – Special OlympicsMontclair University: Use of the Slur [r-word] Triples on X After Elon Musk Shares the Word in a PostBe Unapologetically Impatient by Christina CiprianoEuphemism Treadmill article_SUBSCRIBE to Amy Julia's Substack: amyjuliabecker.substack.comWATCH this conversation on YouTube: Amy Julia Becker on YouTubeJOIN the conversation on Instagram: @amyjuliabeckerLISTEN to more episodes: amyjuliabecker.com/shows/_ABOUT OUR GUEST:Christina Cipriano, PhD, is currently an associate professor of applied developmental and educational psychology at the Yale Child Study Center in the Yale School of Medicine and Director of the Education Collaboratory. This fall Dr. Cipriano will transition to be the inaugural Joseph W. and Alma W. Keilty Endowed Chair in Education and Professor with tenure at the University of Massachusetts Amherst and the Education Collaboratory will be moving to the College of Education at UMass Amherst. An award-winning scholar and internationally regarded expert in the science of learning and development, Chris received her PhD from Boston College, her EdM from the Harvard Graduate School of Education, and her undergraduate degree from Hofstra University. Dr. Cipriano has published over one hundred and twenty papers, commentaries, and reports, spanning top-tier journals such as Child Development and the Review of Educational Research as well as media outlets including The Washington Post, NPR, The New York Times, PBS, and Education Week. Her award-winning and best-selling new book, Be Unapologetically Impatient: The Mindset Required to Change the Way We Do Things (2025), is the latest must-read for every educator, provider, parent, and person interested in improving the lives of children and families, right now. A prolific public scholar, educator, and speaker, Chris privileges her positionality as a first-generation high school graduate and mother of four children in her science.https://www.drchriscip.com/https://www.disabilitydiscoursematters.org/https://www.beunapologeticallyimpatient.com/https://medicine.yale.edu/profile/christina-cipriano/https://www.linkedin.com/in/christinacipriano/LinkedIn @ChristinaCiprianoInstagram @DrChrisCipBlueSky @DrChrisCipTwitter @DrChrisCipWe want to hear your thoughts. Send us a text!Connect with me:InstagramFacebookYouTubeWebsiteThanks for listening!
Have you been told your labs are "normal" while you still feel exhausted, foggy, anxious, inflamed, or not quite like yourself? In this powerful episode, I'm joined by Dr. Pamela Cipriano, a doctorally prepared nurse practitioner specializing in functional medicine, chronic illness, tick-borne disease, mold toxicity, heavy metals, and complex root-cause health concerns. We're talking about why symptoms often blamed on perimenopause or stress may sometimes have deeper contributors — including Lyme disease, mold exposure, heavy metal toxicity, chronic inflammation, and nervous system disruption. If you've felt dismissed, confused, or stuck in the cycle of being told "everything looks fine," this conversation may help you ask better questions, understand what conventional testing can miss, and take a more informed next step. So many women in midlife are told their symptoms are "just hormones," "just stress," or "just part of getting older." But what happens when fatigue, brain fog, anxiety, mood changes, sleep struggles, inflammation, or chronic illness symptoms are pointing to something deeper? In this episode of Living Life Naturally, I'm joined by Dr. Pamela Cipriano, a doctorally prepared nurse practitioner and founder of The Practice of Health and Wellness in Connecticut. Dr. Cipriano specializes in functional medicine, chronic illness, tick-borne disease, mold toxicity, heavy metal toxicity, and advanced root-cause testing. This conversation is especially important for women who have spent years feeling unwell but have been told their standard labs look normal. Dr. Cipriano explains how hidden infections, environmental toxins, mold exposure, heavy metals, and chronic inflammation can affect the body, brain, immune system, hormones, mood, and nervous system. We also talk about why these symptoms can overlap with perimenopause and menopause — and why it's so important not to assume everything is hormonal without looking deeper. In this episode, we talk about: Why standard labs may miss deeper root causes How Lyme disease, mold exposure, and heavy metals can overlap Why fatigue, brain fog, anxiety, sleep issues, and mood changes may not always be "just menopause" How environmental toxins and infections can keep the immune system activated The connection between inflammation, nervous system stress, and chronic illness How Lyme, mold, and heavy metals may affect the brain and mood Early warning signs that something deeper may be contributing to symptoms What to do first if you suspect Lyme, mold, or toxicity may be part of your story This episode is not meant to create fear — it's meant to bring hope, validation, and a deeper understanding of what may be going on beneath the surface. Because when you finally understand what your body has been trying to tell you, you can begin asking the right questions and seeking the right kind of support. Guest Information Dr. Pamela Cipriano: Doctor of Nursing Practice / Nurse Practitioner Founder of The Practice of Health and Wellness in Connecticut Instagram: https://www.instagram.com/practicehealthwellness Facebook: https://www.facebook.com/Dr.Pamela.Cipriano LinkedIn: https://www.linkedin.com/in/dr-pamela-m-cipriano-dnp-aprn-673a2224/ YouTube: https://www.youtube.com/@dr.pamelacipriano1329 Special Offer: Mention this podcast episode and receive 10% off your first consultation. (1-860-880-2525) Gentle Disclaimer This conversation is for educational purposes only and is not intended to diagnose, treat, or replace personalized medical care. Please consult with a qualified healthcare provider before making changes to your health plan. If this episode resonated with you, please share it with a woman who has been told "everything looks fine" but still doesn't feel well. And if you'd like support on your own midlife wellness journey, you can download my free guide: 5 Essential Steps for Flourishing in Midlife: This guide will help you begin supporting your energy, hormones, mindset, and daily habits in a gentle, practical way.
On this episode of The Movie Podcast, Daniel and Shahbaz are joined by the cast of OFF CAMPUS including Mika Abdalla, Stephen Kalyn , Josh Heuston, Jalen Thomas Brooks, and Antonio Cipriano. The series is a college soap based on the bestselling book series from Elle Kennedy and follows an elite ice hockey team, and the women in their lives, as they grapple with love, heartbreak, and self-discovery—forging deep friendships and enduring bonds while navigating the complexities that come with transitioning into adulthood. Season 1 follows the sexy and fun “opposites attract” romance between quiet songwriter, Hannah, and Briar University's all-star hockey athlete, Garrett. All episodes of Off Campus release May 13, 2026 on Prime Video. Watch and listen to The Movie Podcast now on all podcast platforms, YouTube, and TheMoviePodcast.ca. Check out our new The Movie Podcast Clips Channel! Contact: hello@themoviepodcast.ca FOLLOW US Daniel on X, Instagram, Letterboxd Shahbaz on X, Instagram, and Letterboxd Anthony on X, Instagram, and Letterboxd The Movie Podcast on X, Instagram, TikTok, Discord, and Rotten Tomatoes Learn more about your ad choices. Visit megaphone.fm/adchoices
Kto napisał preambułę do Sacrosanctum Concilium? Kto zaproponował zmiany w Kanonie rzymskim i naszkicował II i III Modlitwę eucharystyczną? Jego nazwisko znają tylko nieliczni pasjonaci, ale bez włoskiego benedyktyna (a później kameduły) Cipriano Vagagginiego współczesna liturgia nie wyglądałaby tak samo. Zapraszamy na kolejny odcinek o historii ruchu liturgicznego XX w.
Jensen Cipriano Brehm is the co-founder of Ombraz Sunglasses — the armless, cord-based eyewear brand that started with a broken pair on a camel safari in India and turned into one of the more distinctive product stories in the outdoor industry. In this conversation, Jensen walks through the founding journey, how Ombraz found their first customers in the ultralight backpacking and bikepacking worlds, their approach to building in-house content and media, raising a small round of funding while retaining equity, and how he and co-founder Nikolai run the whole operation remotely.TopicsOrigin story: broken sunglasses on a camel safari in India, four years of wearing a MacGyver'd pair, then building the companyFinding initial traction in ultralight backpacking and then exploding into bikepackingKeeping all content creation in-house — why agencies produce soulless, interchangeable outdoor contentRaising a Series A in 2020 — retaining equity while gaining runway for inventory and hiringDelegating early: 3PL, customer service, and letting go of egoOmbraz's 9 core brand pillars as a decision-making filterCo-founder dynamics with Nikolai — complementary skill sets, business coaching, and the Positive Intelligence frameworkRunning the business fully remote via Slack and monday.comDefining success as low stress, staying creative, and having funLinksOmbraz websiteSarah Swallow on InstagramRonnie Romance on InstagramGOSO CookwarePositive Intelligence by Shirzad ChamineFor more about the KORE Outdoors Podcast, visit https://koreoutdoors.org/podcast/The KORE Outdoors Podcast is supported by the Province of British Columbia.
¿Te imaginas deberle dinero a las potencias más grandes del mundo y decidir simplemente... ignorarlas? Pues eso fue exactamente lo que hizo Cipriano Castro. Hoy en La Casa, Manuel Silva y Samuel Rodríguez abren los libros de historia con Doriann Márquez para desmenuzar uno de los momentos más tensos y dramáticos de nuestro país: El Bloqueo Naval de 1902. Viajamos a la época en que los buques de guerra de Alemania, Inglaterra e Italia se apostaron en nuestras costas para cobrarnos a la fuerza. Hablamos de la crisis económica, la viveza política, la reacción del pueblo y, por supuesto, desarmamos esa icónica frase de Cipriano Castro: "¡La planta insolente del extranjero ha profanado el sagrado suelo de la Patria!". ¿Fue un acto de puro patriotismo o una estrategia maestra para ganar popularidad?
*Content Warning: institutional betrayal, institutional trauma, sexual assault, sexual abuse, sexual harassment, campus violence, gender-based violence, psychological trauma, victim-blaming, discrimination, gender inequality, harassment, and hostile campus environments.Free + Confidential Resources + Safety Tips: somethingwaswrong.com/resources Follow Dr. Nicole Bedera: Website: https://www.nicolebedera.com/ Blue Sky: https://bsky.app/profile/nbedera.bsky.social Book: On The Wrong Side - How Universities Protect Perpetrators and Betray Survivors of Sexual Violence: https://www.nicolebedera.com/about-1 Follow Dr. Jacqueline Cruz: Beyond Compliance Consulting: https://www.beyond-compliance-consulting.com/ Dr. Jacqueline Cruz on Google Scholars: https://scholar.google.com/citations?user=oHhHaTEAAAAJ&hl=en Follow Dr. Kathryn Holland: Website: https://psychology.unl.edu/person/kathryn-holland/ Dr. Kathryn Holland on Google Scholars: https://scholar.google.com/citations?user=OgJhWwoAAAAJ&hl=en SWW Sticker Shop!: https://brokencyclemedia.com/sticker-shop SWW S25 Theme Song & Artwork: The S25 cover art is by the Amazing Sara Stewart instagram.com/okaynotgreat/ The S25 theme song is a cover of Glad Rag's U Think U from their album Wonder Under, performed by the incredible Abayomi instagram.com/Abayomithesinger. The S25 theme song cover was produced by Janice “JP” Pacheco instagram.com/jtooswavy/ at The Grill Studios in Emeryville, CA instagram.com/thegrillstudios/ Follow Something Was Wrong: Website: somethingwaswrong.com IG: instagram.com/somethingwaswrongpodcast TikTok: tiktok.com/@somethingwaswrongpodcast Follow Tiffany Reese: Website: tiffanyreese.me IG: instagram.com/lookieboo *Sources: -Bedera, Nicole et al. “"I Could Never Tell My Parents": Barriers to Queer Women's College Sexual Assault Disclosure to Family Members.” Violence against women vol. 29,5 (2023): 800-816. doi:10.1177/10778012221101920 https://pubmed.ncbi.nlm.nih.gov/35938472/-Bedera, Nicole Krystine. On the Wrong Side: How Universities Protect Perpetrators and Betray Survivors of Sexual Violence. University of California Press, 2024. https://www.nicolebedera.com/about-1-Cipriano, A. E., Holland, K. J., Bedera, N., Eagan, S. R., & Diede, A. S. (2022). Severe and pervasive? Consequences of sexual harassment for graduate students and their Title IX report outcomes. Feminist Criminology, 17(3), 343–367. https://doi.org/10.1177/15570851211062579-Cruz, Jacqueline. (2021). The Constraints of Fear and Neutrality in Title IX Administrators' Responses to Sexual Violence. The Journal of Higher Education, 92(3), 363–384. https://doi.org/10.1080/00221546.2020.1809268-Cruz, Jacqueline. “Gender Inequality in Higher Education: University Title IX Administrators' Responses to Sexual Violence.” Google, New York University, 2020, scholar.google.com/citations?view_op=view_citation&hl=en&user=oHhHaTEAAAAJ&citation_for_view=oHhHaTEAAAAJ%3Ad1gkVwhDpl0C-Holland, K. J., & Cortina, L. M. (2013). When sex-based harassment becomes sexual harassment: College students' experiences. Journal of Applied Psychology, 98(2), 313–328. https://doi.org/10.1037/a0032040-Holland, K. J., & Cortina, L. M. (2016). Sexual harassment: Undermining the well-being of working women. Journal of Social Issues, 72(4), 825–842. https://doi.org/10.1111/josi.12190-Holland, K. J., Rabelo, V. C., & Cortina, L. M. (2014). Sex-based harassment and discrimination: Evidence of psychological harm. Psychology of Women Quarterly, 38(3), 368–382. https://doi.org/10.1177/0361684314521575- Holland, K. J. (2019). Culture, power, and gender-based violence in institutions. In C. B. Travis & J. W. White (Eds.), APA Handbook of the Psychology of Women (Vol. 2, pp. 253–271). American Psychological Association. https://doi.org/10.1037/0000059-014-Johnson CA (2023) The purpose of whisper networks: a new lens for studying informal communication channels in organizations. Front. Commun. 8:1089335. doi: 10.3389/fcomm.2023.1089335 https://www.frontiersin.org/journals/communication/articles/10.3389/fcomm.2023.1089335/full-“Shitty Media Men.” Shitty Media Men, 29 Oct. 2017, shittymediamenlist.wordpress.com/
Bem-vindos a uma Vida Plena!Sim, somos uma IGREJA QUE SE IMPORTA!Nos importamos com DEUS e por isso estamos constantemente buscando um relacionamento íntimo com Ele. Também nos importamos com o PRÓXIMO, com nossos irmãos com quem partilhamos a fé e temos comunhão semanalmente emnossos Grupos de Crescimento espalhados por toda a cidade. E nos importamos com o MUNDO, pois cremos que fomos chamados para levar o amor de Jesus por onde formos, através dos nossos dons e habilidades desenvolvidos em nossos ministérios. "Porque nele vivemos, nos movemos, e existimos." Atos 17:28
Rafael Pombo (1833–1912) fue un destacado poeta, fabulista, traductor y diplomático colombiano, reconocido como una de las figuras más influyentes de la literatura infantil en el mundo hispanohablante. Nació en Bogotá el 7 de noviembre de 1833, en el seno de una familia aristocrática; su padre, Lino de Pombo, fue un notable político y diplomático, y su madre, Ana María Rebolledo, provenía de una familia de alta alcurnia . Desde temprana edad, Pombo mostró inclinación por las letras. A los once años ingresó al seminario, donde estudió latín, y posteriormente cursó humanidades en el Colegio Mayor de Nuestra Señora del Rosario. En 1848, obtuvo el título de doctor en Matemáticas e Ingeniería del Colegio Militar, fundado por Tomás Cipriano de Mosquera . En 1855, viajó a Estados Unidos para desempeñar un cargo diplomático en Washington. Durante su estancia de diecisiete años en ese país, trabajó como traductor para la editorial D. Appleton & Company en Nueva York, adaptando canciones infantiles de la tradición anglosajona al español. Estas adaptaciones se publicaron en dos volúmenes: Cuentos pintados para niños y Cuentos morales para niños formales, destacando su talento para la narración y el manejo de la prosa dirigida al público infantil . Aunque su obra abarca diversos géneros, Pombo es principalmente recordado por su contribución a la literatura infantil. Sus fábulas y poemas para niños, que combinan humor, ritmo y enseñanzas morales, se han convertido en clásicos de la literatura colombiana. Entre sus obras más conocidas se encuentran: El renacuajo paseador, La pobre viejecita, El gato bandido, Mirringa mirronga, Pastorcita. Su estilo se caracteriza por un lenguaje sencillo, sensibilidad extraordinaria y un gran sentido del humor . El 20 de agosto de 1905, Rafael Pombo fue coronado como Poeta Nacional de Colombia en una ceremonia en el Teatro Colón de Bogotá . En 1912, fue elegido miembro de la Academia Colombiana de la Lengua, donde se desempeñó como secretario perpetuo. Falleció en Bogotá el 5 de mayo de 1912. Su legado perdura a través de la Fundación Casa Rafael Pombo, ubicada en su casa natal en el barrio La Candelaria de Bogotá. Inaugurada en 1985, esta institución alberga una biblioteca con alrededor de 4,000 volúmenes y ofrece actividades lúdicas y académicas para niños, promoviendo la lectura y la cultura.
Rafael Pombo (1833–1912) fue un destacado poeta, fabulista, traductor y diplomático colombiano, reconocido como una de las figuras más influyentes de la literatura infantil en el mundo hispanohablante. Nació en Bogotá el 7 de noviembre de 1833, en el seno de una familia aristocrática; su padre, Lino de Pombo, fue un notable político y diplomático, y su madre, Ana María Rebolledo, provenía de una familia de alta alcurnia . Desde temprana edad, Pombo mostró inclinación por las letras. A los once años ingresó al seminario, donde estudió latín, y posteriormente cursó humanidades en el Colegio Mayor de Nuestra Señora del Rosario. En 1848, obtuvo el título de doctor en Matemáticas e Ingeniería del Colegio Militar, fundado por Tomás Cipriano de Mosquera . En 1855, viajó a Estados Unidos para desempeñar un cargo diplomático en Washington. Durante su estancia de diecisiete años en ese país, trabajó como traductor para la editorial D. Appleton & Company en Nueva York, adaptando canciones infantiles de la tradición anglosajona al español. Estas adaptaciones se publicaron en dos volúmenes: Cuentos pintados para niños y Cuentos morales para niños formales, destacando su talento para la narración y el manejo de la prosa dirigida al público infantil . Aunque su obra abarca diversos géneros, Pombo es principalmente recordado por su contribución a la literatura infantil. Sus fábulas y poemas para niños, que combinan humor, ritmo y enseñanzas morales, se han convertido en clásicos de la literatura colombiana. Entre sus obras más conocidas se encuentran: El renacuajo paseador, La pobre viejecita, El gato bandido, Mirringa mirronga, Pastorcita. Su estilo se caracteriza por un lenguaje sencillo, sensibilidad extraordinaria y un gran sentido del humor . El 20 de agosto de 1905, Rafael Pombo fue coronado como Poeta Nacional de Colombia en una ceremonia en el Teatro Colón de Bogotá . En 1912, fue elegido miembro de la Academia Colombiana de la Lengua, donde se desempeñó como secretario perpetuo. Falleció en Bogotá el 5 de mayo de 1912. Su legado perdura a través de la Fundación Casa Rafael Pombo, ubicada en su casa natal en el barrio La Candelaria de Bogotá. Inaugurada en 1985, esta institución alberga una biblioteca con alrededor de 4,000 volúmenes y ofrece actividades lúdicas y académicas para niños, promoviendo la lectura y la cultura.
Send Vanessa a Text MessageSupport the Intentionally Well PodcastIWP Website: Intentionally Well PodcastWhat happens when a diagnosis becomes the end of the conversation...instead of the beginning?In this episode, I sit down with Dr. Pamela Cipriano, a doctorally prepared nurse practitioner specializing in functional and integrative medicine, to unpack what's often missed in modern healthcare. After years working in conventional medicine, and through her own son's complex health journey with Lyme disease, Dr. Pamela began to see patterns that couldn't be ignored: patients being labeled, managed, and medicated…without ever truly understanding what was driving their illness.We dive into the challenges of misdiagnosis, exploring how patients are often given a label while the underlying cause remains hidden. We talk about why conventional testing can miss what's really going on, when antibiotics may be necessary and how to approach them responsibly, and the impact of chronic inflammation, diet, and other lifestyle factors on reversing disease processes. Dr. Pamela also sheds light on hidden contributors to conditions like dementia and Alzheimer's, why the medical system often stops investigating too soon, and the gap between managing disease and truly resolving it.If you've ever felt like your diagnosis didn't tell the full story, this episode will give you a completely different lens to look through.Key Takeaways A diagnosis is often the description of a problem, not the explanation Testing is not always definitive, especially with chronic infections Many chronic conditions may have underlying drivers that are never explored The body is often responding to something deeper, not randomly “breaking down” Asking better questions can completely change the direction of healingConnect with Dr. Pamela Cipriano:Visit Her WebsiteMention Intentionally Well or Vanessa for 10% off patient servicesFollow on FacebookFollow on InstagramWatch on YouTubeConnect with Vanessa and the podcast: Podcast on InstagramVanessa on InstagramPodcast on YouTubePodcast on TikTokPodcast on XEmail: intentionallywellpodcast@gmail.comSupport the showThis episode is for informational purposes only. Please consult a trusted health practitioner for individual concerns.
Conversamos con Cipriano García-Hidalgo Villena a propósito de su obra “Sobre el pedestal: La construcción de la memoria y sus monumentos” (Akal), un ensayo que se inscribe en el campo de los memory studies y la historia cultural. A partir de su investigación, analizamos cómo los monumentos deben entenderse no como reflejos neutrales del pasado, sino como dispositivos culturales que seleccionan, organizan y legitiman determinadas narrativas históricas. A lo largo de la entrevista profundizamos en cuestiones clave para comprender los usos públicos del pasado: — La diferencia entre historia y memoria: procesos de selección, olvido y conflicto — El papel del poder político en la configuración de la memoria histórica — Los monumentos como espacios de representación simbólica e identidad colectiva — Los debates contemporáneos sobre resignificación, retirada y reinterpretación del patrimonio Lejos de ofrecer respuestas cerradas, esta conversación propone herramientas analíticas para pensar el espacio público como un territorio de disputa por el significado del pasado, donde la memoria se construye, se negocia y se transforma. ☕ Hazte socio/a de El Café de la Lluvia y forma parte de nuestra comunidad: https://elcafedelalluvia.com/hazte-socio-a-de-el-cafe-de-la-lluvia/ Escúchanos y léenos en nuestra web: https://elcafedelalluvia.com/ ▶️ Suscríbete a nuestro canal de YouTube: https://www.youtube.com/c/ElCafédelaLluvia Recibe nuestros contenidos en tu correo: https://elcafedelalluvia.com/suscripcion-newsletter/ Síguenos en redes sociales: Twitter: https://twitter.com/cafelluvia Instagram: https://www.instagram.com/elcafedelalluvia/ Facebook: https://www.facebook.com/Cafedelalluvia Tu apoyo nos ayuda a seguir dando voz a la cultura, la literatura y el pensamiento crítico. Gracias por acompañarnos ☕✨
TESTO DELL'ARTICOLO ➜ https://www.bastabugie.it/8483LEFEBVRIANI: VESCOVI FAI-DA-TE, IL RISCHIO DI CREARE UNA CHIESA PARALLELAdi Louis-Marie de Blignières Da qualche tempo, alcuni teologi sostengono che il divieto di conferire l'episcopato senza mandato pontificio sarebbe una legge puramente ecclesiastica e, in quanto tale, suscettibile di modifiche o eccezioni. In questo c'è una parte di verità. Ma bisogna evitare di confondere la costituzione stessa della Chiesa con le norme giuridiche che la esprimono e la proteggono. La prima è immutabile, le seconde possono evolversi. La costituzione divina della Chiesa prevede, secondo la volontà di Cristo che ha inviato gli apostoli, che l'episcopato di coloro che succedono agli apostoli non sia un semplice insieme di prelati dotati di determinati poteri, ma un vero e proprio Corpo.Il Concilio di Trento afferma esplicitamente che l'ordine gerarchico dei vescovi è di diritto divino: «Il santo sinodo dichiara che [...] appartengono a questo ordine gerarchico in primo luogo i vescovi, successori degli apostoli, e che essi sono stabiliti (come afferma lo stesso apostolo) dallo Spirito Santo a "pascere la Chiesa di Dio" (At 20,28) [...]. Se qualcuno dirà che [...] quelli che, senza essere stati regolarmente ordinati e inviati dall'autorità ecclesiastica e canonica, ma provenendo da altri, sono legittimi ministri della parola e dei sacramenti, sia anatema» (Concilio di Trento, sess. XXII, Sul sacramento dell'ordine, Denz. 1768 e 1777).Papa Pio IX si è fatto portavoce dei Padri della Chiesa e del magistero di molti dei suoi predecessori nell'insegnare questo aspetto particolare della comunione gerarchica: la necessità dell'attuale comunione dei vescovi con la sede apostolica di Roma. «Gli stessi primi elementi della dottrina cattolica insegnano che non può essere considerato vescovo legittimo, nessuno che non sia congiunto per comunione di fede e di carità con la Pietra sopra cui è edificata la Chiesa di Cristo, e non sia legato strettamente al supremo Pastore, a cui sono date da pascolare tutte le pecore di Cristo, e non sia unito a colui che difende e garantisce la fraternità che è nel mondo. E in verità "a Pietro parlò il Signore: ad uno solo, per fondare l'unità dall'uno"» (Enciclica Etsi multa luctuosa, 21 novembre 1873. Corsivo dell'autore).Il fatto che Pio IX parli di adesione e di legame indica chiaramente che un vescovo legittimo non può accontentarsi di una semplice fedeltà verbale («Ti riconosco come papa»), ma deve essere in un vero rapporto gerarchico con il papa. Il riferimento alle parole di Cristo mostra che è di diritto divino che i nuovi vescovi siano consacrati ed esercitino le loro funzioni nella comunione gerarchica del corpo dei vescovi, articolato attorno al Sommo Pontefice. Ciò è manifestato dal fatto che il nuovo vescovo è consacrato da altri vescovi. C'è un'eccezione: nel caso della consacrazione di un vescovo da parte del Sommo Pontefice, questi può legittimamente consacrare senza vescovi co-consacranti. Ciò sottolinea il ruolo particolare del papa all'interno del corpo dei vescovi.Nell'antichità cristiana, la scelta del popolo di una diocesi era ratificata dalla gerarchia locale, spesso il metropolita e i vescovi co-provinciali. La preoccupazione per la comunione si traduceva nell'invio di lettere al papa di Roma e agli altri patriarchi. Questo processo (diverso a seconda dei luoghi e delle epoche) era la formulazione canonica dell'esigenza di diritto divino della comunione gerarchica nell'episcopato. In ogni caso, nessuna consacrazione avveniva contro la volontà del papa. Si tratta del resto di una conseguenza logica di quanto afferma san Paolo nella sua epistola ai Romani: «come lo annunzieranno, senza essere prima inviati?» (Rm 10,15). È chiaro infatti che un vescovo consacrato contro la volontà del capo del corpo episcopale non è «inviato» (Cf. Concilio di Trento, ut supra).INSEGNAMENTO DEI TEOLOGI CLASSICI RECENTI«Per diritto divino - scrive l'abbé Berto, teologo (peritus) di mons. Lefebvre durante il Concilio Vaticano II -, i vescovi, anche se dispersi, sono un corpo costituito nella Chiesa» (V.-A. Berto, Pour la Sainte Église Romaine, Éd. du Cèdre, 1976, p. 243. Cf. can. 108 §3 del CIC 1917).I membri di questo corpo ricevono ed esercitano i loro poteri nella comunione gerarchica. Questo concetto di comunione gerarchica è considerato fondamentale per il corpo episcopale da un autore classico come dom Adrien Gréa nella sua opera fondamentale L'Église et sa divine constitution. È stato insegnato dal magistero durante il Concilio Vaticano II (Lumen gentium, nn. 21 et 22, et Nota explicativa prævia, n. 2). Don Dulac, teologo e canonista, che fu tra i primi difensori della liturgia tradizionale, scrive, commentando il n. 21 di Lumen gentium: «Questa trasmissione, continuando l'autentica "successione apostolica", sancisce la legittimità sia della consacrazione che delle funzioni. È garantita ufficialmente dalla "comunione gerarchica" di cui parla la Nota explicativa. Al di fuori di queste concatenazioni sacramentali e giuridiche, esiste solo ciò che san Cipriano e san Leone chiamano "pseudoepiscopato"» (Raymond Dulac, La Collégialité épiscopale au IIe Concile du Vatican, Éd. du Cèdre /DMM, 1979, p. 34, n. 26).La dottrina cattolica, sempre più esplicita, afferma che il successore di Pietro è il capo del corpo dei vescovi. Ecco perché, presso i latini, il diritto divino della comunione gerarchica è stato da tempo tradotto nella necessità canonica del mandato apostolico. Tra gli orientali, fin dall'antichità più remota, il consenso collegiale e l'aspetto gerarchico dell'ordine episcopale sono presenti e manifestati nella liturgia della consacrazione episcopale. Nell'attuale disciplina orientale, questa comunione gerarchica si traduce nell'elezione dei vescovi da parte del sinodo della loro Chiesa e nella concessione della "comunione ecclesiastica" da parte del papa ai nuovi patriarchi.LA DIFFERENZA RISPETTO AL CASO DEI SEMPLICI SACERDOTITrasmettere ed esercitare l'episcopato pone un problema particolare, che non esiste per la trasmissione del presbiterato (sacerdozio dei semplici sacerdoti). L'episcopato comporta di per sé i poteri di ordine, giurisdizione e magistero, mentre il presbiterato comporta di per sé solo il potere di ordine, ed è per delega che il sacerdote può esercitare i poteri di giurisdizione e magistero. Il vescovo è un «principe» della Chiesa. «Il vescovo - scrive san Tommaso - ha un ordine in rapporto al Corpo mistico di Cristo, che è la Chiesa, sulla quale riceve un incarico principale e quasi regale» (S. Tommaso d'Aquino, De perfectione vitæ spiritualis, 24, 4).L'episcopato è gerarchico per natura. Ciò che lo differenzia dal semplice sacerdozio è la sua ordinazione al Corpo mistico. Come scrive un commentatore di San Tommaso: «Il vescovo ha un ordine relativo al Corpo mistico di Cristo, che è la Chiesa; relativamente al Corpo fisico di Cristo, il vescovo non ha un ordine superiore al sacerdote» (Billuart, Cursus theologiæ, de sacramento ordinis, c. X, d. IV, a. 2, ad 4).In virtù della sua ordinazione essenziale al Corpo mistico, l'episcopato è l'elemento fondamentale su cui è costruita la gerarchia della Chiesa. In esso si uniscono le due diverse ragioni secondo cui viene ordinata l'unica gerarchia della Chiesa: l'ordine e la giurisdizione. L'unità di questi due aspetti si trova nell'episcopato che, per istituzione divina, occupa contemporaneamente un posto nella gerarchia dell'ordine e nella gerarchia della giurisdizione.Di conseguenza, con una consacrazione al di fuori della comunione gerarchica, viene messa in discussione l'unità gerarchica della Chiesa cattolica. Creare un vescovo significa creare una gerarchia. Se questo vescovo non è consacrato con il consenso del papa - fondamento della gerarchia cattolica -, viene creata un'altra gerarchia.Secondo la volontà di Cristo, l'episcopato è destinato a pascere una parte del gregge e ha il potere di perpetuarsi, consacrando nuovi vescovi a loro volta capaci di consacrare. Ecco perché, secondo la formula di Pio XII (Enciclica Ad Apostolorum Principis, 29 giugno 1958), una consacrazione episcopale al di fuori della comunione gerarchica costituisce di per sé un «gravissimo attentato alla stessa unità della Chiesa». Una volta acquisito questo potere di perpetuarsi, un gruppo dissidente ha i mezzi per continuare in un separatismo di cui nessuno vedrà la fine, e non ha più motivo di cercare l'unità. Nella storia, la maggior parte di questi gruppi dissidenti ha infatti cercato di ottenere l'episcopato per garantire la propria autonomia.Così, nel XVIII secolo, le ordinazioni episcopali conferite senza alcun legame con Roma da un vescovo francese, monsignor Dominique Marie Varlet, furono all'origine dello scisma di Utrecht. Nel XIX secolo, i vescovi provenienti da questo scisma consacrarono i vetero-cattolici che rifiutavano il Concilio Vaticano I. L'«Unione di Utrecht» riunisce oggi centinaia di migliaia di fedeli in Europa. Di fatto, le consacrazioni "autonome" consolidano la separazione perché, una volta dotato di vescovi, il gruppo può formare una piccola Chiesa parallela dotata di tutti i sacramenti.Un controesempio eloquente è quello dei cattolici che rifiutarono il concordato del 1801 tra Napoleone Bonaparte e la Santa Sede. La "Petite Église" anticoncordataria continuò a esistere per alcuni decenni in Francia. Il suo ultimo capo, monsignor de Thémines, ex vescovo di Blois, rifiutò sempre di consacrare vescovi e persino di ordinare sacer
Rafael Pombo (1833–1912) fue un destacado poeta, fabulista, traductor y diplomático colombiano, reconocido como una de las figuras más influyentes de la literatura infantil en el mundo hispanohablante. Nació en Bogotá el 7 de noviembre de 1833, en el seno de una familia aristocrática; su padre, Lino de Pombo, fue un notable político y diplomático, y su madre, Ana María Rebolledo, provenía de una familia de alta alcurnia . Desde temprana edad, Pombo mostró inclinación por las letras. A los once años ingresó al seminario, donde estudió latín, y posteriormente cursó humanidades en el Colegio Mayor de Nuestra Señora del Rosario. En 1848, obtuvo el título de doctor en Matemáticas e Ingeniería del Colegio Militar, fundado por Tomás Cipriano de Mosquera . En 1855, viajó a Estados Unidos para desempeñar un cargo diplomático en Washington. Durante su estancia de diecisiete años en ese país, trabajó como traductor para la editorial D. Appleton & Company en Nueva York, adaptando canciones infantiles de la tradición anglosajona al español. Estas adaptaciones se publicaron en dos volúmenes: Cuentos pintados para niños y Cuentos morales para niños formales, destacando su talento para la narración y el manejo de la prosa dirigida al público infantil . Aunque su obra abarca diversos géneros, Pombo es principalmente recordado por su contribución a la literatura infantil. Sus fábulas y poemas para niños, que combinan humor, ritmo y enseñanzas morales, se han convertido en clásicos de la literatura colombiana. Entre sus obras más conocidas se encuentran: El renacuajo paseador, La pobre viejecita, El gato bandido, Mirringa mirronga, Pastorcita. Su estilo se caracteriza por un lenguaje sencillo, sensibilidad extraordinaria y un gran sentido del humor . El 20 de agosto de 1905, Rafael Pombo fue coronado como Poeta Nacional de Colombia en una ceremonia en el Teatro Colón de Bogotá . En 1912, fue elegido miembro de la Academia Colombiana de la Lengua, donde se desempeñó como secretario perpetuo. Falleció en Bogotá el 5 de mayo de 1912. Su legado perdura a través de la Fundación Casa Rafael Pombo, ubicada en su casa natal en el barrio La Candelaria de Bogotá. Inaugurada en 1985, esta institución alberga una biblioteca con alrededor de 4,000 volúmenes y ofrece actividades lúdicas y académicas para niños, promoviendo la lectura y la cultura.
Rafael Pombo (1833–1912) fue un destacado poeta, fabulista, traductor y diplomático colombiano, reconocido como una de las figuras más influyentes de la literatura infantil en el mundo hispanohablante. Nació en Bogotá el 7 de noviembre de 1833, en el seno de una familia aristocrática; su padre, Lino de Pombo, fue un notable político y diplomático, y su madre, Ana María Rebolledo, provenía de una familia de alta alcurnia . Desde temprana edad, Pombo mostró inclinación por las letras. A los once años ingresó al seminario, donde estudió latín, y posteriormente cursó humanidades en el Colegio Mayor de Nuestra Señora del Rosario. En 1848, obtuvo el título de doctor en Matemáticas e Ingeniería del Colegio Militar, fundado por Tomás Cipriano de Mosquera . En 1855, viajó a Estados Unidos para desempeñar un cargo diplomático en Washington. Durante su estancia de diecisiete años en ese país, trabajó como traductor para la editorial D. Appleton & Company en Nueva York, adaptando canciones infantiles de la tradición anglosajona al español. Estas adaptaciones se publicaron en dos volúmenes: Cuentos pintados para niños y Cuentos morales para niños formales, destacando su talento para la narración y el manejo de la prosa dirigida al público infantil . Aunque su obra abarca diversos géneros, Pombo es principalmente recordado por su contribución a la literatura infantil. Sus fábulas y poemas para niños, que combinan humor, ritmo y enseñanzas morales, se han convertido en clásicos de la literatura colombiana. Entre sus obras más conocidas se encuentran: El renacuajo paseador, La pobre viejecita, El gato bandido, Mirringa mirronga, Pastorcita. Su estilo se caracteriza por un lenguaje sencillo, sensibilidad extraordinaria y un gran sentido del humor . El 20 de agosto de 1905, Rafael Pombo fue coronado como Poeta Nacional de Colombia en una ceremonia en el Teatro Colón de Bogotá . En 1912, fue elegido miembro de la Academia Colombiana de la Lengua, donde se desempeñó como secretario perpetuo. Falleció en Bogotá el 5 de mayo de 1912. Su legado perdura a través de la Fundación Casa Rafael Pombo, ubicada en su casa natal en el barrio La Candelaria de Bogotá. Inaugurada en 1985, esta institución alberga una biblioteca con alrededor de 4,000 volúmenes y ofrece actividades lúdicas y académicas para niños, promoviendo la lectura y la cultura.
Le 974 est à l'honneur avec deux albums mi-insulaire, mi-sétois qui emmènent le Maloya en RTT ! (Rediffusion) Nos premiers invités sont le groupe Saodaj à l'occasion de la sortie du nouvel album Lodèr La Vi. Saodaj, c'est l'image d'un pays pluriel, vaste, infini : La Réunion ! Une musique amoureuse du Maloya, émancipée et vagabonde. En créole, en français, leurs textes s'élèvent et s'indignent, cherchant la beauté dans la noirceur du monde. Saodaj trace sa route depuis une décennie entre tradition et modernité, là où le rock alternatif des cordes saturées fait corps avec les polyrythmies percussives. À travers l'album Lodèr la vi (Parfum de la vie) le groupe ose de nouveaux paysages sonores. Une ode aux naissances qui nous métamorphosent, aux voyages hors des sentiers battus, à nos vivants et nos morts, l'amour toujours en ligne de mire. Saodaj incarne une musique actuelle et engagée, qui fusionne avec élégance les éléments de la modernité et les racines profondes des traditions. À travers leur art, Marie Lanfroy, Jonathan Itéma et leur groupe offrent une interprétation unique du monde. Saodaj continue de charmer et de sensibiliser avec une musique qui touche à l'âme, rappelant à chacun l'importance de nos racines tout en embrassant le changement et l'évolution. Titres interprétés au grand studio : - Adyé Véli Live RFI - Lodèr La Vi, extrait de l'album - Zanfan Live RFI. Line Up : Marie Lanfroy (chanteuse, auteure, compositrice, bobr', kayamb, tarlon) ; Jonathan Itéma (chanteur, auteur et compositeur, rouler, Sati pikèr, bobr', morlon, triangle) ; Mélanie Badal (violoncelle, chant) ; Frédérick Cipriano (sati, pikèr, triangle, kayamb) ; Blaise Cadenet (guitare, percussions) et Zélito Déliron (percussions). Son : Mathias Taylor, Benoît Letirant. ► Album Lodèr la vi (Buda Musique / Socadisc 2025). Instagram et YouTube de Saodaj. Puis nous recevons le groupe Bonbon Vodou pour la sortie de Epopée Métèque. Le bonbon piment cache bien son jeu. Sous l'apparence inoffensive du beignet, l'amuse-bouche réunionnais cache des épices susceptibles de remettre les idées en place. Chez Bonbon Vodou, c'est pareil. Quoique les influences du duo chaloupent entre océan Indien et mer Méditerranée, le piquant perce sous la tendresse des chansons graciles souvent bercées au rythme du maloya. Le duo formé par Oriane Lacaille (chant, batterie, kayamb, roulèr, percussions, flûtes pygmées) et JereM Boucris (chant, guitare, cigar box, ukulélé) se compte désormais sur les cinq doigts de la main. Ces dernières années, leurs concerts ont régulièrement été donnés en quintette grâce au renfort d'un trio relevé, les Piment Piment que l'on retrouve partout sur Épopée métèque. Mixé par le sorcier Jean Lamoot, Épopée métèque foisonne de trouvailles orchestrales et de textes polyglottes, avec moult musiciens additionnels et invités, dont Bernard Lavilliers. Titres enregistrés au grand studio : - Fais bouger ton boule Live RFI - Les mains d'or (Feat Lavilliers), extrait album - L'absence Live RFI. Line Up : Oriane Lacaille (chant, cajon, kayamb), Jerem Boucris (chant, guitare), Juliette Minvielle (tambour à cordes, chant), Yann-Lou Bertrand (basse, flûte, chant) et Roland Seilhes (clarinette, flûte). Son : Mathias Taylor, Benoît Letirant. Images : RFI Vidéos. ► Album Epopée Métèque (Heavenly Sweetness 2025). Concert 11 février 2026 au 360 Paris / festival Au fil des Voix. Instagram YouTube Site.
Le 974 est à l'honneur avec deux albums mi-insulaire, mi-sétois qui emmènent le Maloya en RTT ! (Rediffusion) Nos premiers invités sont le groupe Saodaj à l'occasion de la sortie du nouvel album Lodèr La Vi. Saodaj, c'est l'image d'un pays pluriel, vaste, infini : La Réunion ! Une musique amoureuse du Maloya, émancipée et vagabonde. En créole, en français, leurs textes s'élèvent et s'indignent, cherchant la beauté dans la noirceur du monde. Saodaj trace sa route depuis une décennie entre tradition et modernité, là où le rock alternatif des cordes saturées fait corps avec les polyrythmies percussives. À travers l'album Lodèr la vi (Parfum de la vie) le groupe ose de nouveaux paysages sonores. Une ode aux naissances qui nous métamorphosent, aux voyages hors des sentiers battus, à nos vivants et nos morts, l'amour toujours en ligne de mire. Saodaj incarne une musique actuelle et engagée, qui fusionne avec élégance les éléments de la modernité et les racines profondes des traditions. À travers leur art, Marie Lanfroy, Jonathan Itéma et leur groupe offrent une interprétation unique du monde. Saodaj continue de charmer et de sensibiliser avec une musique qui touche à l'âme, rappelant à chacun l'importance de nos racines tout en embrassant le changement et l'évolution. Titres interprétés au grand studio : - Adyé Véli Live RFI - Lodèr La Vi, extrait de l'album - Zanfan Live RFI. Line Up : Marie Lanfroy (chanteuse, auteure, compositrice, bobr', kayamb, tarlon) ; Jonathan Itéma (chanteur, auteur et compositeur, rouler, Sati pikèr, bobr', morlon, triangle) ; Mélanie Badal (violoncelle, chant) ; Frédérick Cipriano (sati, pikèr, triangle, kayamb) ; Blaise Cadenet (guitare, percussions) et Zélito Déliron (percussions). Son : Mathias Taylor, Benoît Letirant. ► Album Lodèr la vi (Buda Musique / Socadisc 2025). Instagram et YouTube de Saodaj. Puis nous recevons le groupe Bonbon Vodou pour la sortie de Epopée Métèque. Le bonbon piment cache bien son jeu. Sous l'apparence inoffensive du beignet, l'amuse-bouche réunionnais cache des épices susceptibles de remettre les idées en place. Chez Bonbon Vodou, c'est pareil. Quoique les influences du duo chaloupent entre océan Indien et mer Méditerranée, le piquant perce sous la tendresse des chansons graciles souvent bercées au rythme du maloya. Le duo formé par Oriane Lacaille (chant, batterie, kayamb, roulèr, percussions, flûtes pygmées) et JereM Boucris (chant, guitare, cigar box, ukulélé) se compte désormais sur les cinq doigts de la main. Ces dernières années, leurs concerts ont régulièrement été donnés en quintette grâce au renfort d'un trio relevé, les Piment Piment que l'on retrouve partout sur Épopée métèque. Mixé par le sorcier Jean Lamoot, Épopée métèque foisonne de trouvailles orchestrales et de textes polyglottes, avec moult musiciens additionnels et invités, dont Bernard Lavilliers. Titres enregistrés au grand studio : - Fais bouger ton boule Live RFI - Les mains d'or (Feat Lavilliers), extrait album - L'absence Live RFI. Line Up : Oriane Lacaille (chant, cajon, kayamb), Jerem Boucris (chant, guitare), Juliette Minvielle (tambour à cordes, chant), Yann-Lou Bertrand (basse, flûte, chant) et Roland Seilhes (clarinette, flûte). Son : Mathias Taylor, Benoît Letirant. Images : RFI Vidéos. ► Album Epopée Métèque (Heavenly Sweetness 2025). Concert 11 février 2026 au 360 Paris / festival Au fil des Voix. Instagram YouTube Site.
Cocinar es una costumbre muy antigua, seguramente muy anterior a nuestra especie. Cuando cocinamos modificamos las propiedades de un alimento para que sea más fácil de digerir o para que esté más sabroso, y en ese proceso contamos con la ayuda de numerosos seres vivos que nos hacen una parte del trabajo. El pan, por ejemplo, existe gracias a que una levadura fermenta la masa; el vino, por un proceso análogo en el mosto de la uva. Hoy hablamos de uno de esos "pinches de cocina" que usamos continuamente, pero quizá nos den un poco de asco: los mohos. Solemos identificar moho con suciedad, o con partes poco salubres de nuestras casas, pero lo cierto es que los mohos son fundamentales para la cocina, participando en la fermentación de algunos quesos, y en la actualidad se están estudiando algunas especies como un alimento en sí mismos, rico en proteínas y fácil de cultivar. Hablamos de todo esto con Cipriano Carrero, biólogo e investigador en el Basque Culinary Center de San Sebastián, y uno de los autores del libro "Fermentos", que habla del papel fundamental de los microorganismos fermentadores en la historia y en la tecnología de la cocina. Si os interesa este tema os gustarán los dos episodios que hemos dedicado a la gastrofísica, la ciencia de la cocina: son los capítulos s07e47 y s02e46. Y si queréis echarle un ojo al libro de Cipriano Carrero y otros investigadores del Basque Culinary Center, lo podéis encontrar aquí: https://www.planetadelibros.com/libro-fermentos/423430 Este programa se emitió originalmente el 5 de marzo de 2026. Podéis escuchar el resto de audios de Más de Uno en la app de Onda Cero y en su web, ondacero.es
AMA TU BIBLIA | Segunda Parte El Libro que Sobrevivió Imperios cayeron. Modas pasaron. Sistemas desaparecieron. Pero la Biblia sigue viva. No porque fue protegida por el poder, sino porque fue perseguida por él. En este mensaje respondemos preguntas reales que muchos tienen y pocos se atreven a hacer: ¿Cómo sé que la Biblia es inspirada por Dios si la escribieron hombres? ¿La Biblia se contradice? ¿Se lee o se interpreta? ¿Por qué existen traducciones? ¿Qué precio se pagó para que hoy la tengamos en nuestro idioma? Exploramos evidencia histórica, coherencia interna, profecía cumplida y el fruto transformador de la Palabra. Conocerás historias reales como la de Casiodoro de Reina, Julianillo el contrabandista de Biblias y Cipriano de Valera, hombres que arriesgaron todo para que la Biblia llegara al pueblo. Un libro informa. La Biblia transforma. Una Biblia controlada crea dependencia. Una Biblia abierta crea madurez. ¿Qué lugar ocupa la Biblia en tu vida? #AmaTuBiblia #aaronferoz #ElLibroQueSobrevivió #Biblia #FeCristiana #PalabraDeDios #HistoriaDeLaBiblia #ReinaValera #Cristianismo
Rafael Pombo (1833–1912) fue un destacado poeta, fabulista, traductor y diplomático colombiano, reconocido como una de las figuras más influyentes de la literatura infantil en el mundo hispanohablante. Nació en Bogotá el 7 de noviembre de 1833, en el seno de una familia aristocrática; su padre, Lino de Pombo, fue un notable político y diplomático, y su madre, Ana María Rebolledo, provenía de una familia de alta alcurnia . Desde temprana edad, Pombo mostró inclinación por las letras. A los once años ingresó al seminario, donde estudió latín, y posteriormente cursó humanidades en el Colegio Mayor de Nuestra Señora del Rosario. En 1848, obtuvo el título de doctor en Matemáticas e Ingeniería del Colegio Militar, fundado por Tomás Cipriano de Mosquera . En 1855, viajó a Estados Unidos para desempeñar un cargo diplomático en Washington. Durante su estancia de diecisiete años en ese país, trabajó como traductor para la editorial D. Appleton & Company en Nueva York, adaptando canciones infantiles de la tradición anglosajona al español. Estas adaptaciones se publicaron en dos volúmenes: Cuentos pintados para niños y Cuentos morales para niños formales, destacando su talento para la narración y el manejo de la prosa dirigida al público infantil . Aunque su obra abarca diversos géneros, Pombo es principalmente recordado por su contribución a la literatura infantil. Sus fábulas y poemas para niños, que combinan humor, ritmo y enseñanzas morales, se han convertido en clásicos de la literatura colombiana. Entre sus obras más conocidas se encuentran: El renacuajo paseador, La pobre viejecita, El gato bandido, Mirringa mirronga, Pastorcita. Su estilo se caracteriza por un lenguaje sencillo, sensibilidad extraordinaria y un gran sentido del humor . El 20 de agosto de 1905, Rafael Pombo fue coronado como Poeta Nacional de Colombia en una ceremonia en el Teatro Colón de Bogotá . En 1912, fue elegido miembro de la Academia Colombiana de la Lengua, donde se desempeñó como secretario perpetuo. Falleció en Bogotá el 5 de mayo de 1912. Su legado perdura a través de la Fundación Casa Rafael Pombo, ubicada en su casa natal en el barrio La Candelaria de Bogotá. Inaugurada en 1985, esta institución alberga una biblioteca con alrededor de 4,000 volúmenes y ofrece actividades lúdicas y académicas para niños, promoviendo la lectura y la cultura.
Hoy en La Diez Capital Radio tenemos el privilegio de conversar con el arquitecto y urbanista Hugo Luengo, para adentrarnos en la vida y el legado de una de las figuras más influyentes del pensamiento insular contemporáneo: Cipriano Marín Cabrera. Un canario universal que entendió las islas no como periferia, sino como vanguardia. Visionario del desarrollo sostenible cuando aún no estaba de moda, impulsor del concepto de islas 100% renovables, defensor del patrimonio, del paisaje y del cielo nocturno. Secretario General del Consejo Internacional de Islas de la UNESCO, coordinador de Reservas de la Biosfera, protagonista en la Agenda Insular Europea… pero, sobre todo, un pensador que supo convertir la identidad insular en estrategia de futuro. Cipriano vivió la Barcelona contestataria de los años 70, fundó editoriales, promovió programas pioneros en Canarias y trabajó por un modelo de desarrollo donde territorio, cultura y sostenibilidad no fueran discursos, sino acción. Hoy descubrimos al hombre que imaginó el futuro para cambiar el presente.
Rafael Pombo (1833–1912) fue un destacado poeta, fabulista, traductor y diplomático colombiano, reconocido como una de las figuras más influyentes de la literatura infantil en el mundo hispanohablante. Nació en Bogotá el 7 de noviembre de 1833, en el seno de una familia aristocrática; su padre, Lino de Pombo, fue un notable político y diplomático, y su madre, Ana María Rebolledo, provenía de una familia de alta alcurnia . Desde temprana edad, Pombo mostró inclinación por las letras. A los once años ingresó al seminario, donde estudió latín, y posteriormente cursó humanidades en el Colegio Mayor de Nuestra Señora del Rosario. En 1848, obtuvo el título de doctor en Matemáticas e Ingeniería del Colegio Militar, fundado por Tomás Cipriano de Mosquera . En 1855, viajó a Estados Unidos para desempeñar un cargo diplomático en Washington. Durante su estancia de diecisiete años en ese país, trabajó como traductor para la editorial D. Appleton & Company en Nueva York, adaptando canciones infantiles de la tradición anglosajona al español. Estas adaptaciones se publicaron en dos volúmenes: Cuentos pintados para niños y Cuentos morales para niños formales, destacando su talento para la narración y el manejo de la prosa dirigida al público infantil . Aunque su obra abarca diversos géneros, Pombo es principalmente recordado por su contribución a la literatura infantil. Sus fábulas y poemas para niños, que combinan humor, ritmo y enseñanzas morales, se han convertido en clásicos de la literatura colombiana. Entre sus obras más conocidas se encuentran: El renacuajo paseador, La pobre viejecita, El gato bandido, Mirringa mirronga, Pastorcita. Su estilo se caracteriza por un lenguaje sencillo, sensibilidad extraordinaria y un gran sentido del humor . El 20 de agosto de 1905, Rafael Pombo fue coronado como Poeta Nacional de Colombia en una ceremonia en el Teatro Colón de Bogotá . En 1912, fue elegido miembro de la Academia Colombiana de la Lengua, donde se desempeñó como secretario perpetuo. Falleció en Bogotá el 5 de mayo de 1912. Su legado perdura a través de la Fundación Casa Rafael Pombo, ubicada en su casa natal en el barrio La Candelaria de Bogotá. Inaugurada en 1985, esta institución alberga una biblioteca con alrededor de 4,000 volúmenes y ofrece actividades lúdicas y académicas para niños, promoviendo la lectura y la cultura.
Rafael Pombo (1833–1912) fue un destacado poeta, fabulista, traductor y diplomático colombiano, reconocido como una de las figuras más influyentes de la literatura infantil en el mundo hispanohablante. Nació en Bogotá el 7 de noviembre de 1833, en el seno de una familia aristocrática; su padre, Lino de Pombo, fue un notable político y diplomático, y su madre, Ana María Rebolledo, provenía de una familia de alta alcurnia . Desde temprana edad, Pombo mostró inclinación por las letras. A los once años ingresó al seminario, donde estudió latín, y posteriormente cursó humanidades en el Colegio Mayor de Nuestra Señora del Rosario. En 1848, obtuvo el título de doctor en Matemáticas e Ingeniería del Colegio Militar, fundado por Tomás Cipriano de Mosquera . En 1855, viajó a Estados Unidos para desempeñar un cargo diplomático en Washington. Durante su estancia de diecisiete años en ese país, trabajó como traductor para la editorial D. Appleton & Company en Nueva York, adaptando canciones infantiles de la tradición anglosajona al español. Estas adaptaciones se publicaron en dos volúmenes: Cuentos pintados para niños y Cuentos morales para niños formales, destacando su talento para la narración y el manejo de la prosa dirigida al público infantil . Aunque su obra abarca diversos géneros, Pombo es principalmente recordado por su contribución a la literatura infantil. Sus fábulas y poemas para niños, que combinan humor, ritmo y enseñanzas morales, se han convertido en clásicos de la literatura colombiana. Entre sus obras más conocidas se encuentran: El renacuajo paseador, La pobre viejecita, El gato bandido, Mirringa mirronga, Pastorcita. Su estilo se caracteriza por un lenguaje sencillo, sensibilidad extraordinaria y un gran sentido del humor . El 20 de agosto de 1905, Rafael Pombo fue coronado como Poeta Nacional de Colombia en una ceremonia en el Teatro Colón de Bogotá . En 1912, fue elegido miembro de la Academia Colombiana de la Lengua, donde se desempeñó como secretario perpetuo. Falleció en Bogotá el 5 de mayo de 1912. Su legado perdura a través de la Fundación Casa Rafael Pombo, ubicada en su casa natal en el barrio La Candelaria de Bogotá. Inaugurada en 1985, esta institución alberga una biblioteca con alrededor de 4,000 volúmenes y ofrece actividades lúdicas y académicas para niños, promoviendo la lectura y la cultura.
Crime & Comedy Live! Sarzana, 7 Febbraio: https://www.vivaticket.com/it/ticket/crime-comedy-live/291612 Tutte le date del tour: https://www.crimeandcomedy.it/eventi-live/ (ADV) NordVPN: http://nordvpn.com/crimeandcomedy Joana Cipriano viene mandata dalla mamma a prendere il latte, ma non torna più. La sua sparizione diventa un caso mediatico che scioccherà il Portogallo per via di confessioni agghiaccianti... Ma dove sta la verità? --------- Patreon: https://www.patreon.com/crimeandcomedy Instagram: https://www.instagram.com/crimeandcomedy.podcast/ Telegram: https://t.me/crimeandcomedy Sito: https://www.crimeandcomedy.it Instagram: Clara Campi: https://www.instagram.com/claracampicomedy/ Marco Champier: https://www.instagram.com/mrchreddy/ Editing - Ilaria Giangrande: https://www.instagram.com/ilaria.giangrande/ Caricature - Giorgio Brambilla: https://www.instagram.com/giorgio_brambilla_bookscomedy/ Capitoli: (00:00:00) | Intro (00:00:52) | Sigla (00:01:06) | Ringraziamenti Patreon (00:05:34) | La storia di Leonor e Joana Cipriano (00:15:51) | NordVPN (00:17:06) | La scomparsa di Joana Cipriano (00:28:03) | La confessione di Leonor e Joao su Joana Cipriano (00:36:24) | La ritrattazione Leonor Cipriano e Joana è ancora introvabile (00:53:16) | I nostri Patreon Learn more about your ad choices. Visit megaphone.fm/adchoices
Le 974 est à l'honneur avec deux albums mi-insulaire, mi-sétois qui emmènent le Maloya en RTT ! Nos premiers invités sont le groupe Saodaj à l'occasion de la sortie du nouvel album Lodèr La Vi Saodaj, c'est l'image d'un pays pluriel, vaste, infini : La réunion ! Une musique amoureuse du Maloya, émancipée et vagabonde. En créole, en français, leurs textes s'élèvent et s'indignent, cherchant la beauté dans la noirceur du monde. Saodaj trace sa route depuis une décennie entre tradition et modernité, là où le rock alternatif des cordes saturées fait corps avec les polyrythmies percussives. A travers l'album « Lodèr la vi » (Parfum de la vie) le groupe ose de nouveaux paysages sonores. Une ode aux naissances qui nous métamorphosent, aux voyages hors des sentiers battus, à nos vivants et nos morts, l'amour toujours en ligne de mire. Saodaj incarne une musique actuelle et engagée, qui fusionne avec élégance les éléments de la modernité et les racines profondes des traditions. À travers leur art, Marie Lanfroy, Jonathan Itéma et leur groupe offrent une interprétation unique du monde. Saodaj continue de charmer et de sensibiliser avec une musique qui touche à l'âme, rappelant à chacun l'importance de nos racines tout en embrassant le changement et l'évolution. Titres interprétés au grand studio : Adyé Véli Live RFI Lodèr La Vi, extrait de l'album Zanfan Live RFI Line Up : Marie Lanfroy (chanteuse, auteure, compositrice, bobr', kayamb, tarlon), Jonathan Itéma (chanteur, auteur et compositeur, rouler, Sati pikèr, bobr', morlon, triangle), Mélanie Badal (violoncelle, chant), Frédérick Cipriano (sati, pikèr, triangle, kayamb), Blaise Cadenet (guitare, percussions) et Zélito Déliron (percussions). Son : Mathias Taylor, Benoît Letirant ► Album Lodèr la vi (Buda Musique / Socadisc 2025) Instagram et YouTube de Saodaj Puis nous recevons le groupe Bonbon Vodou pour la sortie de Epopée Métèque Le bonbon piment cache bien son jeu. Sous l'apparence inoffensive du beignet, l'amuse-bouche réunionnais cache des épices susceptibles de remettre les idées en place. Chez Bonbon Vodou, c'est pareil. Quoique les influences du duo chaloupent entre océan Indien et mer Méditerranée, le piquant perce sous la tendresse des chansons graciles souvent bercées au rythme du maloya. Le duo formé par Oriane Lacaille (chant, batterie, kayamb, roulèr, percussions, flûtes pygmées) et JereM Boucris (chant, guitare, cigar box, ukulélé) se compte désormais sur les cinq doigts de la main. Ces dernières années, leurs concerts ont régulièrement été donnés en quintette grâce au renfort d'un trio relevé, les Piment Piment que l'on retrouve partout sur Épopée métèque. Mixé par le sorcier Jean Lamoot, Épopée métèque foisonne de trouvailles orchestrales et de textes polyglottes, avec moult musiciens additionnels et invités, dont Bernard Lavilliers. Titres enregistrés au grand studio : Fais bouger ton boule Live RFI Les mains d'or (Feat Lavilliers), extrait album L'absence Live RFI Line Up : Oriane Lacaille (chant, cajon, kayamb), Jerem Boucris (chant, guitare), Juliette Minvielle (tambour à cordes, chant), Yann-Lou Bertrand (basse, flûte, chant) et Roland Seilhes (clarinette, flûte) Son : Mathias Taylor, Benoît Letirant Images : RFI Vidéos ► Album Epopée Métèque (Heavenly Sweetness 2025) Concert 11 février 2026 au 360 Paris / festival Au fil des Voix. Instagram YouTube Site
Le 974 est à l'honneur avec deux albums mi-insulaire, mi-sétois qui emmènent le Maloya en RTT ! Nos premiers invités sont le groupe Saodaj à l'occasion de la sortie du nouvel album Lodèr La Vi Saodaj, c'est l'image d'un pays pluriel, vaste, infini : La réunion ! Une musique amoureuse du Maloya, émancipée et vagabonde. En créole, en français, leurs textes s'élèvent et s'indignent, cherchant la beauté dans la noirceur du monde. Saodaj trace sa route depuis une décennie entre tradition et modernité, là où le rock alternatif des cordes saturées fait corps avec les polyrythmies percussives. A travers l'album « Lodèr la vi » (Parfum de la vie) le groupe ose de nouveaux paysages sonores. Une ode aux naissances qui nous métamorphosent, aux voyages hors des sentiers battus, à nos vivants et nos morts, l'amour toujours en ligne de mire. Saodaj incarne une musique actuelle et engagée, qui fusionne avec élégance les éléments de la modernité et les racines profondes des traditions. À travers leur art, Marie Lanfroy, Jonathan Itéma et leur groupe offrent une interprétation unique du monde. Saodaj continue de charmer et de sensibiliser avec une musique qui touche à l'âme, rappelant à chacun l'importance de nos racines tout en embrassant le changement et l'évolution. Titres interprétés au grand studio : Adyé Véli Live RFI Lodèr La Vi, extrait de l'album Zanfan Live RFI Line Up : Marie Lanfroy (chanteuse, auteure, compositrice, bobr', kayamb, tarlon), Jonathan Itéma (chanteur, auteur et compositeur, rouler, Sati pikèr, bobr', morlon, triangle), Mélanie Badal (violoncelle, chant), Frédérick Cipriano (sati, pikèr, triangle, kayamb), Blaise Cadenet (guitare, percussions) et Zélito Déliron (percussions). Son : Mathias Taylor, Benoît Letirant ► Album Lodèr la vi (Buda Musique / Socadisc 2025) Instagram et YouTube de Saodaj Puis nous recevons le groupe Bonbon Vodou pour la sortie de Epopée Métèque Le bonbon piment cache bien son jeu. Sous l'apparence inoffensive du beignet, l'amuse-bouche réunionnais cache des épices susceptibles de remettre les idées en place. Chez Bonbon Vodou, c'est pareil. Quoique les influences du duo chaloupent entre océan Indien et mer Méditerranée, le piquant perce sous la tendresse des chansons graciles souvent bercées au rythme du maloya. Le duo formé par Oriane Lacaille (chant, batterie, kayamb, roulèr, percussions, flûtes pygmées) et JereM Boucris (chant, guitare, cigar box, ukulélé) se compte désormais sur les cinq doigts de la main. Ces dernières années, leurs concerts ont régulièrement été donnés en quintette grâce au renfort d'un trio relevé, les Piment Piment que l'on retrouve partout sur Épopée métèque. Mixé par le sorcier Jean Lamoot, Épopée métèque foisonne de trouvailles orchestrales et de textes polyglottes, avec moult musiciens additionnels et invités, dont Bernard Lavilliers. Titres enregistrés au grand studio : Fais bouger ton boule Live RFI Les mains d'or (Feat Lavilliers), extrait album L'absence Live RFI Line Up : Oriane Lacaille (chant, cajon, kayamb), Jerem Boucris (chant, guitare), Juliette Minvielle (tambour à cordes, chant), Yann-Lou Bertrand (basse, flûte, chant) et Roland Seilhes (clarinette, flûte) Son : Mathias Taylor, Benoît Letirant Images : RFI Vidéos ► Album Epopée Métèque (Heavenly Sweetness 2025) Concert 11 février 2026 au 360 Paris / festival Au fil des Voix. Instagram YouTube Site
Welcome to Glenn Robison's Rapidly Rotating Records, bringing you vintage music to which you can't not tap your toes, from rapidly rotating 78 RPM records of the 1920s and '30s. Once again, for about the 15th time, Rita and I were in Rancho Cordova, California the week-end before Thanksgiving for the 39th Annual West Coast Ragtime Festival, put on thanks to the tireless efforts of many volunteers from the West Coast Ragtime Society. We had a fabulous time as always, seeing old friends, musicians and non, making new friends, listening to wonderful music performed by some of the finest musicians in the world, and enjoying plenty of fine food and drink. There was almost 120 hours of music over three days, and this show represents less that 1% of that music. It’s primarily 78 RPM records of tunes played at the festival along with several vintage piano rolls performed by the composers. There's lots of great music and interesting information so set aside an hour with your favorite beverage and prepare to be transported back to a different–and we think better–musical era. Just click the link above to listen streaming online and/or download for listening at your convenience. THANKS FOR LISTENING! ENJOY THE SHOW! Here’s the complete playlist: Pep – Deauville Dozen Jubilee Stomp – Nisse Lind’s Hot Kvartett Novelette In Fourths – George Gershwin Rialto Ripples – George Gershwin You’ll Do It Someday (So Why Not Now) – Bolton & Cipriano’s Westchester Biltmore Orchestra, Rudy Vallee, Leader Under The Tents – Charles N. Daniels You’ll Come Back – Miss Morris & Mr. Murray Whoa You Hefier – Al Verges Saskatoon Rag – Phil Goldberg Chicken Reel – Kessinger Brothers Pearl Of The Haren – Fred Van Eps Blue Turning Grey Over You – Ambrose AHO / Sam Browne, v. I’m Alabama Bound – Prince’s Orchestra Rambling In Rhythm – Arthur Schutt Bye, Bye Blackbird – Dick Beeson AHO (Nathan Glantz) / Unidentified, v. The post A “WCRF” Edition of RRR # 1,326 December 14, 2025 appeared first on Glenn Robison's Rapidly Rotating 78 RPM Records.
El 25 de febrero de 1933, en Soalhaes, una aldea próxima a Oporto, Arminda de Jesús fue asesinada por una turba. Mientras participaba en un ritual de exorcismo, guiado por el libro de san Cipriano, sus vecinos creyeron que el demonio había entrado en ella. La golpearon hasta la muerte y le prendieron fuego, convencidos de que así la liberarían del mal. Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals
Send us a textChristina Cipriano led a research team that studied over 250 social emotional learning programs worldwide again demonstrating that SEL is effective and essential to promote positive outcomes for all students. In this conversation we discuss why SEL is so important and how your school should approach developing daily, quality SEL interventions for students and why every teacher must intentionally work to promote SEL with all students.
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Skip the banter: 00:06:32 (give or take a minute due to ads) On a quiet spring night in 2012, the Cipriano family's home in Farmington Hills, Michigan became the site of a savage and senseless betrayal. Nineteen-year-old Tucker Cipriano, adopted as a newborn and raised with love, broke into his own house with a friend, armed with baseball bats and a plan for money that spiraled into bloodshed. His father never stood a chance. His mother and brother barely survived. The only thing more painful than what happened that night is who did it, and why. Allison tells us the rest of this terrible story. Support us and become a Patron! Over 150 bonus episodes: https://www.patreon.com/crimeandcoffeecouple Our Amazon Shop (stuff we like that we share on the show): https://www.amazon.com/shop/crimeandcoffee2 All our links (YouTube, Instagram, TikTok, Merch, etc): https://linktr.ee/crimeandcoffee Facebook Group to discuss episodes: www.facebook.com/groups/crimeandcoffeecouplepodcast/ References available at https://www.crimeandcoffeecouple.com a few days after this podcast airs. Case Suggestions Form: https://forms.gle/RQbthyDvd98SGpVq8 Remember to subscribe to our podcast in your favorite podcast player. Do it before you forget! If you're listening on Spotify please leave us a 5-star review, and leave a comment on today's episode! If you're on an iPhone, review us on Apple Podcasts please! Scroll to the bottom of the page and hit the stars ;) Ma and Pa appreciate you more than you know. Reminder: Support us and become a Patron! Over 100 bonus episodes: https://www.patreon.com/crimeandcoffeecouple Podcast Intro and Outro music: Seductress Dubstep or TrippinCoffee by Audionautix http://audionautix.com Creative Commons Music by Jason Shaw on Audionautix.com Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
Tre år innan Madeleine McCann försvann i Algarve-regionen försvann en annan liten flicka. Hennes namn var Joanna Cipriano. Trots att det finns fällande domar i det här fallet kvarstår många frågor kring Joannas försvinnande.Skrivet och researchat av Sofie Karlsson. Klippning av Johannes Rae.Om du gillar Mördarpodden kan du vara med och sponsra den på Patreon. https://www.patreon.com/user?u=10466265 Som tack får du tillgång till förhandlyssning och alla avsnitt från Richard Chase del 1 och framåt utan reklam. Vill du höra ett specifikt fall i podden? Önska dina fall i det här formuläret: https://docs.google.com/forms/d/e/1FAIpQLSfDlQxf9SgZyeGS-qFPaB4BP-L59lQhs7BbZACfwk7xSs-AFw/viewform?fbclid=IwAR0astYAY_SJLcst89FwKaPIeHHV9zlfAxEz6Cmrh37bbMwvMHGc8z5cwg4Det här är en podcast av Dan Hörning och Josefine Molén.Instagram: @mordarpoddenE-post: zimwaypodcast@gmail.comFölj Josefine Molén här:https://www.instagram.com/j.molenFölj Dan Hörning här:X: @danhorningInstagram: https://www.instagram.com/dan_horning/?hl=enYoutube: https://www.youtube.com/channel/UCV2Qb7SmL9mejE5RCv1chwgErik SegerstedtSpotify:https://open.spotify.com/artist/63q3l3pKBpvqEjUM5Vf1TG?si=fYtdOwIvTn6noQJW6ffPwwInstagram: https://instagram.com/e Hosted on Acast. See acast.com/privacy for more information.
Happy first day of Fall! Jonny and Aileen celebrate with a Brazilian dark fantasy, O Cemitério das Almas Perdidas. Corrupted by Cipriano's Black Book, a Jesuit and his followers begin a reign of horror in colonial Brazil until they are cursed to live forever under the graves of a cemetery. Centuries later, they are ready to break free and spread their evil. Jonny and Aileen also discuss the history of Jesuits in Brazil and Saint Cipriano's infamous book. Remember to subscribe, rate and review!Follow our redes sociales:BlueSky: @uyquehorror.bsky.socialTikTok: @uyquehorrorInsta: @uyquehorrorTwitter: @Uy_Que_HorrorFind all the películas we cover on our LinkTree.Join our Patreon!
16 DE SEPTIEMBRE - SANTOS CORNELIO Y CIPRIANO, MÁRTIRES
“Joven, yo te lo mando: Levántate.”Del santo Evangelio según san Lucas 7, 11-17.Lectura y reflexión: Pbro. Guillermo Bernal Gutiérrez.
No turbulento século III, em meio às perseguições do Império Romano e às divisões internas da Igreja, uma figura ergue-se como defensor da unidade, da autoridade episcopal e da ordem eclesiástica: Tácio Cecílio Cipriano, bispo de Cartago. Sua vida e pensamento emergem em um momento de tensão entre a necessidade da ordem e o risco do engessamento institucional. Este é, também, o dilema de todo movimento que deseja permanecer fiel à sua missão profética sem perder a coesão estrutural. Neste episódio, analisamos o pensamento de Cipriano como uma lente para refletirmos sobre a estrutura representativa da Igreja Adventista do Sétimo Dia, ponderando os riscos do autoritarismo e da clericalização, mas também os benefícios da ordem como mediação histórica da missão. A pergunta central é: como manter a unidade visível e a ordem institucional sem sacrificar a profecia, o impulso escatológico e o princípio do sacerdócio de todos os crentes?
Federico entrevista al director general de Caja Rural de Zamora, Cipriano García, en el programa especial de Es la Mañana desde Valladolid.
After todays episode, head on over to @therapybookspodcast to learn about the latest giveaway. *Information shared on this podcast is for informational and educational purposes only. In this weeks episode, Jessica Fowler speaks with Christina Cipriano, PhD. about her book Be Unapologetically Impatient: The Mindset Required to Change the Way We Do Things. Dr. Cipriano, shares ways to work toward inclusion with her own stories and the science on how to change the way we do things. Highlights from this episode: 3:19: Dr. Cipriano shares about an experience that brought to light the idea of challenging the status quo and how to impact change. 3:44: Dr. Cipriano shares about her life that lead to this book and some of her personal experience specifically around disability. 7:52 Dr. Cipriano shares an example of how to engage people and how to pull them in instead of calling them out. 8:58: We discussed this idea of "waiting to fail" that often is needed prior to kids receiving services. 14:11: We discuss the idea of knowing yourself when you have interactions while advocating for your kids. 18:24: Dr. Cipriano shares what community members can do to be more inclusive. 24:27: Dr. Cipriano shares who the book is for. About the author: Christina Cipriano, Ph.D., is an associate professor of Applied Developmental and Educational Psychology at the Yale Child Study in the Yale School of Medicine and Director of the Education Collaboratory at Yale University. An award-winning scholar and internationally regarded expert in the science of learning and development, Dr. Cipriano received her Ph.D. from Boston College, her Ed.M. from the Harvard Graduate School of Education and undergraduate degree from Hofstra University. A prolific public scholar, educator, and speaker, Chris brings her positionality as a first-generation high school graduate and mother of four children to her science and work.
In this episode of Caring Greatly, Dr. Cipriano explains the 2025 International Nurses Day theme, “Our Nurses. Our Future. Caring for Nurses Strengthens Economies.” She describes ICN's call to value, protect and respect nurses as a foundational requirement for patient safety and outcomes, as well as a critical part of supporting the overall welfare of nurses and the organizations for which they work. Dr. Cipriano also outlines ICN's seven-part agenda for sustainable nursing workforce wellbeing and drills into how nursing and institutional leaders can identify opportunities in their scopes of ownership and influence to improve nurse safety and wellbeing.The views and opinions expressed in this podcast are those of the speakers and do not necessarily reflect the views or positions of Stryker.
Topic: Dr. Cipriano's journey from ICU nurse to Lyme disease practitioner, inspired by her son's diagnosis and the challenges of navigating the medical system. Key Takeaways: The Power of ILADS Conferences – How attending ILADS helped Dr. Cipriano learn about innovative Lyme disease treatments and naturopathic approaches. From ICU Nurse to Lyme Specialist – Dr. Cipriano shares her transition from hospital-based care to focusing on preventative medicine and helping patients get off medications. A Mother's Fight for Answers – Her son's Lyme disease journey, the difficulties of getting an accurate diagnosis, and the perseverance needed to find effective treatment. Polymicrobial Infections on the Rise – The growing complexity of Lyme disease cases, including Bartonella, Babesia, and other co-infections. Breaking Barriers in Medicine – The challenges of being an outlier in the medical field and the importance of collaboration through ILADS. The Evolution of Diagnostic Testing – Advances in Lyme disease testing, including the accuracy and comprehensiveness of iGenex panels. Chronic UTIs & Tick-Borne Infections – How Lyme disease and co-infections contribute to chronic urinary tract infections and why they require a different treatment approach. Resources & Links: Follow the latest ILADS updates at ILADS.org Learn more about Dr. Pamela Cipriano Stay connected with Tick Boot Camp: Website | Instagram | Facebook | YouTube | TikTok | Twitter (X)
El legado del Papa Francisco y el cónclave
Christy Harst, founder of Building Doors VO, joins BOSS Anne Ganguzza to share her journey from an aspiring journalist to a champion for gender diversity in voiceover. Her story highlights the importance of perseverance, self-belief, and the power of engaging in collaborations with industry talents. In a bold step to challenge industry norms, Christy leads Building Doors VO, a campaign to amplify female voices in traditionally male-dominated fields, such as sports promos. The BOSSes highlight the importance of community support and the ongoing fight for gender equality in voiceover. https://www.voboss.com/special-guest-christy-harst 00:01 - Testimonial (Ad) Hey, Anne, just wanted to let you know that I got a chance to listen to the entire podcast with Pilar, part one and two Fantastic interview. Found her very interesting and really enjoyed the entire thing. Thanks so much for the Boss podcast. 00:17 - Anne Ganguzza (Host) Hey bosses, are you new to VoiceOver and not sure where to start? Join the VOPeeps VIPeeps membership and get access to over 350 hours of pre-recorded classes, a 15% discount on all VO Peeps, guest workshops and free monthly workouts. This membership is perfect for those wanting to get started in the industry. Find out more at vopeepscom slash join-now. 00:47 - Intro (Ad) It's time to take your business to the next level, the boss level. These are the premier business owner strategies and successes being utilized by the industry's top talent today. Rock your business like a boss a VO boss. Now let's welcome your host, Anne Ganguzza. 01:06 - Anne Ganguzza (Host) Hey, hey everyone. Welcome to the VO Boss Podcast. I'm your host, Anne Ganguzza, and today I am privileged and honored to have special guest voiceover actor and the creator of the Building Doors campaign, Christy Harst Yay. 01:22 - Christy Harst (Guest) Thank you very much for having me. I appreciate the opportunity. 01:26 - Anne Ganguzza (Host) Yeah, Christy, I'm so excited. I feel like we're soul sisters here. 01:32 - Christy Harst (Guest) You have better makeup, but yes, Well. 01:35 - Anne Ganguzza (Host) I'll tell you what. It is wonderful to have you on the show because you're doing amazing things and I want the bosses to know about them. So for those bosses that don't know who you are, let's kind of start at the beginning. Talk to us a little bit about your career. You've been in this industry for quite a while, so tell us a little bit about how you got started. 01:54 - Christy Harst (Guest) Sure, thank you. I appreciate that. I majored in broadcast communications and I was supposed to be the next Barbara Walters in case you didn't get the facts in the 80s, it turns out that after an internship at MTV, I saw what women had to do and who they had to be to be at the top and it wasn't something I was willing to do. 02:12 So I pivoted, if you will, and had a career a traditional nine to five career, if you will, in marketing, pr and event planning, la-di-da-di. And I always felt this pull and this tug when I would listen to the radio and I would hear these people and I would say, oh. 02:28 - Intro (Ad) God. 02:28 - Christy Harst (Guest) I can do it so much better than them. Oh my God, it's so painful. And so one year I made a New Year's resolution to get an agent and I did and I didn't get one audition. So the next year I said, well, forget them, I'm going to go get another one. And I got another one. And I was with that agent for 17 years. I booked national campaigns, I did a lot of on-camera. 02:49 That was BC before children, and once my husband and I decided to have kids, we decided to build a studio in the house in the basement and I booked national campaigns from there as well. And now I'm on the first level of the house with a studio brick, so I feel like I'm no longer a basement troll. 03:06 - Anne Ganguzza (Host) There's something to be said for those basement studios though. I mean I had one. I mean we don't have basements here in California and they make great studios they do, that's for sure. 03:15 - Christy Harst (Guest) No, they do, they do, and mine was very makeshift. 03:21 - Anne Ganguzza (Host) But hey, I did it. I mean, I'm just saying that was the only noise really when that went on. 03:26 - Christy Harst (Guest) I always used to have to run and manually turn off the HVAC, go and do work and then go run and my kids would be like it's so cold, it's so cold, I'm like I'm not done, recording I'm not done. And then, most recently I would say in the last five years actually, five years ago I went to my first voiceover conference and it was in Columbus, ohio, and it was something called the Mid-American or Mid-something and I knew no one. I knew absolutely no one and I ended up there meeting. Listen to all the heavyweights that were there and I had no clue. So Roy Yolkerson was there, joe Cipriano was there, mark Scott was there it was his first conference ever that he was teaching a class Rodney Salisbury was there, jmc was there, all these people and I had no idea. I had no idea who any of these people were. 04:16 So I was late getting to some of the breakout sessions and there weren't that many left to pick from and the only one that was left was Joe Cipriano's promo class. I didn't even know what promo was and I was like, oh gosh, fine, I'll go into this one. There was only me and like three other people and AJ McKay was in there running it and I went up and did it and I was hooked. I was like you mean, I can say five words and each word is like a different story. And I'm done, I'm done, that's it. I love it, because I don't do audiobooks. I'm not a marathon runner. 04:52 - Anne Ganguzza (Host) I am a sprinter Right. 04:54 - Christy Harst (Guest) Yeah, absolutely. And so from that point forward I was kind of like, oh, I really think I could do this, and so I ended up working with Joe. We flew to New York. I'm in Cleveland, Ohio, but we flew to New York and recorded a demo for Network Promo and Joe is wonderful. Oh my gosh, he's amazing. He really is. He's so gracious. He's a wonderful teacher. 05:13 - Intro (Ad) And. 05:13 - Christy Harst (Guest) I learned a lot from him. Absolutely and it ended up being nominated for a SOVA and I was the only woman in the category. I lost to Dave Fennoy. But again, if you're going to lose to somebody, that's right Lose to Dave Fennoy, right? 05:27 - Anne Ganguzza (Host) Yes, absolutely. 05:34 - Christy Harst (Guest) Who is also an amazing human being. And then after that I started to try and explore promo and so on and so forth. And I am a former college athlete, I am a former head varsity coach, my kids are both terribly athletic and my bank account shows it, and we're a sporting family. We choose to go to sporting events for almost like our staycations. So I said why don't I do sports promo, like that's a perfect way to match my passion and my ability and my talent? And for a good three, four years I invested in training, I invested in workshops, I invested in demos and it wasn't getting me anywhere and I just was getting really frustrated. 06:10 - Anne Ganguzza (Host) So why do you think you did all the things right? You did all the things right, you got your training, and you trained with some of the best. You got your demos, and so what do you think was the issue? What was not happening, and see, that's the fun part. 06:25 - Christy Harst (Guest) That's where Building Doors, a campaign that I started, really was birthed, because I didn't know. I was doing everything that everyone told me to do. Sure, I was doing out-of-box marketing. I was creating fan videos where I voiced them, I wrote them, I created them. I was doing all of the things that you're supposed to do Email marketing, cold calling, all of the things, and nothing was moving the needle. All of the hard things. 06:46 - Anne Ganguzza (Host) All of the hard things, yeah, but you know I enjoyed it. And yeah, I was going to say, and something tells me that you did it with full force. Oh yeah, Not even like 100%. I feel like you did 150 to 200%. I just get that about you. 07:00 - Christy Harst (Guest) Yeah, well, you know, when I sink my teeth into something, I don't let go. 07:03 - Anne Ganguzza (Host) I'm right there with you. I feel that. 07:05 - Christy Harst (Guest) Why not Like? Why, If you're going? 07:06 - Anne Ganguzza (Host) to do it, do it all the way. 07:08 - Christy Harst (Guest) And so I had signed up for a promo workshop with a prominent promo LA agent, a woman, and during that workshop I did a read for her and she was like, yeah, book, it's great book. 07:19 And I was like you know what? Okay, stop, I'm not booked. I'm never booked and I'm not repped by one of the larger agencies, so the access to those opportunities are even smaller. So what are my chances? What are my chances in booking sports promo? And she was very honest. And she said not so much. And I said why it was interesting because my whole body just slumped and there were people in the room, in the Zoom room, were like Christy, no, don't slump, it's okay. No, no, no. And she said it's not for a lack of women trying to create opportunities for women in these niche spaces. These opportunities that are created by women climb and climb and climb up the ladder of decision making and when it reaches the C-suite to a middle-aged man, they say love the concept, not the voice. We're putting a man on it, sure, and she said I encourage you to make your own noise. And so I got off the workshop and I was like but I am making my own noise, I am doing out-of-the-box marketing, I am creating videos for specific teams, I want to voice for I am working my LinkedIn connection, I'm doing everything I possibly can. 08:36 Went to bed, woke up the next morning called Brandon Miller, who is the VO craftsman, and I just went off. Is the VO craftsman and I just went off. Brandon, can you believe what she said to me? What am I supposed to do? I'm so upset. What am I supposed to do? You mean to tell me that just because I'm a woman, that I'm not getting access to these opportunities on my own? That's nuts. So I went to walk the dog. I came back and I called him and I said here's what we're going to do. We are going to get women, other female voice actors and I'm going to partner with women around the world and we are going to revoice scripts originally voiced by men in male-centric genres like construction, like alcohol, like tech, like sports, like automobiles, and we are going to show through these reels that not only are women good at it, but also brands are not going to miss anything from it. 09:25 You know those C-suite men who are saying, oh no, well, why? Because women statistically have anywhere it depends on the globe or United States but anywhere between 60 and 80 percent of the purchasing power in their homes. They make the decisions about what money is spent and where, whether you get season tickets, whether you get swag when you go to a game. What kind of camps your kids go to, what kind everything right. So women have the purchasing power. Number one. Number two women don't want a wine night with pink logoed hats anymore at games. That's not what they want. Women are sports fans. Women are carpenters. 10:02 Women are tech driven, so why are we using men as the messaging? And the more and more and I dug into this, the more it spurred me to keep going. Because here's why, for example, the voice of Sondi I know Sondi, yeah, yeah, sondi, okay, gorgeous voice. She chose to do a spot for Lowe's. So in researching every spot, every reel, I want to have it based in data. So I was doing research and I stumbled upon a study that Lowe's had conducted because they wanted to differentiate themselves from Home Depot. What they knew was that Home Depot was a spot that contractors went to. Typically, men are the contractors. Home Depot is poorly lit, it's messy, there are limited displays and the aisles are super tight. So because Lowe's recognizes that women have the highest purchasing power, they decided to make their stores well-lit really wide aisles, everything is bright and colorful. And then they have these huge displays that show you how you can use the products and what you can create. Yet they rarely use a woman on their branded campaigns for TV and radio Rarely. 11:15 We're missing something here, right, if you had all that money to do a study and you put all that attention into gearing your stores towards women because you know that they have the highest purchasing power. Why aren't you using more women in front of and behind the camera? Sure? 11:30 - Anne Ganguzza (Host) Well, it doesn't make sense, right, comes down to who are those decision makers, right? Who are the decision makers that are selecting the voices, which is, as you mentioned prior, a lot of times and this also happens when we audition, right? I mean, why is it that when we audition, we're told casting specs to be conversational and talking to your best friend and then, ultimately, when it airs, we possibly hear something that sounds like the old announcer-y thing? Well, could be that an older person that was doing the directing or that finally made that choice, made that choice. 12:04 And so I think it really depends on who's making the choice for the voice talent. And I get you in terms of being in male-dominated fields. I've kind of myself have been an engineer back in the late 80s, I worked in technology for about 20 years. I'm a female demo producer, and so I've been treading that line the whole time. So I really feel that a campaign that can bring awareness right, so it's not just maybe the one person making that decision, but they can bring awareness to the world or the companies. I think that that is a really wonderful way to get things going and actually building doors and breaking the glass ceiling for women. 12:47 - Christy Harst (Guest) Yeah, and you know that day after I walked my dog, I was like, well, everyone uses these terms like go kick down the door, go knock on the door, and what I realized is that there's no door for me to knock on. So I have to build it and I'm going to bring a bunch of other women with me. I love it. 13:04 - Anne Ganguzza (Host) Yeah, let's talk about the Building Doors campaign. When did you start? 13:08 - Christy Harst (Guest) March 1st of 2024. So it's been 10 months. 13:12 - Anne Ganguzza (Host) Okay, and what did you do to start building that? What was required for you to do that? A website, a domain. 13:20 - Christy Harst (Guest) No, no, I didn't even have. I had nothing. It was February 9th or 10th and I was like this is what's going to happen, I'm going to do it. And I remember there was a moment I was sitting on my couch and I said to myself if you're going to do it, you have to do it now, but if you're not going to do it, just don't, because it's going to take a lot of work and you have less than two and a half weeks to launch this on March 1st, for in honor of Women's History Month, and I was like, all right, fine, it's done. 13:44 And I started calling all the women that I knew. Then I started researching women online and on Instagram and at first I just used my social media, so I didn't have time to create a page Like it wouldn't have had the impact right. So I launched it on my Instagram, on YouTube, on Facebook, on LinkedIn and on TikTok and I was literally going to do one post. Then one post turned into a month. All right, fine, I'll do a month. And then something happened. People actually watched it, people actually commented and people actually shared, and they shared it to the point where a woman got a job from it, and I think that that shows the power of community when you all unite under a shared mission. 14:26 So Ashley Tirado is a voice actor who did a spot for Honda Sport. She voiced it and about three or four months later she called me and said she doesn't know who, but somebody forwarded or shared this reel. Someone saw it, forwarded it to an ad agency in Florida. That Florida agency reached out to Ashley and hired her to do a slew of Honda spots. Building doors at that point had created an opportunity that otherwise didn't exist for a woman in voiceover in a male-centric lane, and that was like recreational drugs for me. I was like, yes, I'm hooked. 14:59 - Anne Ganguzza (Host) Yes, I'm hooked. I also do automotive, but I'll tell you what it's been a hard climb in automotive as well. I do not get the amount of automotive that I know my male counterparts do, so it's kind of like I feel like when they want a novelty, when they want a novelty, they want something just a little bit different, they're going to hire the woman, but more than not. I'm hearing those campaigns either. The campaign that I had was taken over by a male voice. So, yeah, it is something that I feel like as a female wanting to have the same opportunities. It's hard, it really is, and you do have to build doors. And so now, after I would say 10 months, what happened after that? Because you bought the domain, do you have a website? 15:46 - Christy Harst (Guest) I do, and you know why? Because there was a woman. I have a lot of Zoom calls. 15:50 I spend a lot of my time trying to get to brands, talk to brands, talking to all these different people, and a lot of my time trying to get to brands, talk to brands, talking to all these different people, and a lot of the brands I've talked to I haven't publicly shared because I'm not ready to yet, but there was a woman who was the former head legal for a major, major major sports an American sports company, if you will, or brand and she said listen, I can totally hook you up with the top people because your message deserves to be heard there. However, I can't do it unless you have a website. And I had been dragging my feet and I was like, well, there's an investment there, yeah, so, yeah, I mean I get that. 16:26 - Anne Ganguzza (Host) I have multiple websites, so I know, yeah, yeah, and that is probably coming out of your pocket. It did. 16:32 - Christy Harst (Guest) Yeah, it did, and that's when things started to get really serious. Because I invested in the website, I created it on my own in Wix over a weekend. Fronk his last name, I think, is Fronk he helped me yeah, Jim Jim Fronk. 16:44 Yep, he helped me work through some things. He was wonderful, and so now we have a website. And I mentioned, oh my gosh, the Veal Craftsman, Brandon Miller. He does all the videos for free for me, so he volunteered to do all of the reels for me for free, which is amazing, right? That's fabulous. Yeah, and so I've had some really great conversations with brands like Valvoline, the Cleveland Guardians, the Cleveland Cavs, and I will say that I didn't realize and I want to say this to everyone listening, that is, in voice, acting who's putting stuff out on social media. People, see you, they may never like it. 17:18 - Anne Ganguzza (Host) They may never, comment they may 17:20 - Christy Harst (Guest) never, share it, but they see you, they're watching you, because the person from the Cavs reached out to me. A middle-aged white man reached out to me and said I've been watching you, I've been watching the campaign and I want to put you in a room full of decision-makers across four different athletic associations Nice, so who would have ever guessed that? Right yeah? 17:42 - Anne Ganguzza (Host) Who would have ever guessed that Now do you have a separate social media channel for Building Doors? 17:47 - Christy Harst (Guest) We just started it. It is at BuildingDoorsVO, on Instagram and LinkedIn. We are only doing Instagram and LinkedIn because, after a data analysis, I discovered that those are the platforms with the highest engagement and reach. On LinkedIn, our number one post is sitting at 90K impressions Nice and our highest post on Instagram has something crazy like 12 viewing hours and it's a 20-second clip. 18:11 - Anne Ganguzza (Host) Now, what is it that you are promoting on the social channels? Are you creating videos with females voicing traditionally yeah, male promo roles. What are you presenting as content? 18:24 - Christy Harst (Guest) I'm so excited for 2025 because not only are we going to be featuring women one per month, they're the door builders that are going to be reading scripts previously voiced by men and male-centric genres but we're also going to be doing a lot of other cool stuff. 18:37 Like, we are going to do a LinkedIn Live and an Instagram Live series. I'd like to do one on LinkedIn a month and one on Instagram a month, but we'll see and they are going to imagine this. It's a panel discussion that is all based under the mission of Building Doors, which is equality, equal opportunity, but it'll include people who support the campaign. So, for example, let's say, the panel consists of a copywriter, a voiceover actor, a graphic designer and then maybe a casting director who knows right, and they're all talking about an issue that not only can be of service to the voiceover community they can learn from, but also highlights our supporters and highlights people who have a service that voice actors could potentially hire from. You know, forming community right now in 2025, is essential, I think, especially in our country, so that people know where to go to communicate, to connect and to know where to put their money so they can support like-minded people. 19:35 - Anne Ganguzza (Host) Fabulous, that's fantastic, and so right now you have your socials all set. 19:40 - Christy Harst (Guest) So we've been live on social for about a month or two months, okay, and Instagram is slowly climbing. Our LinkedIn page needs some more followers, right? So at Building Doors VO, I am currently well, it's a holiday so I'm not posting as much but starting in January, yes, there is going to be more women reading reels. Hopefully, those LinkedIn and Instagram lives will be up and running in January. And also, you know, I'm going to be featuring supporters, so people who support us. I feature them in image and help share their story. For example, I have featured an award-winning UK digital marketing agency a. 20:14 Afro-Indigenous puppeteer and comedian, so I'll be featuring those people as well. 20:19 - Anne Ganguzza (Host) I'm looking at buildingdoorsvo.com right now and you have an amazing roster of ladies there. 20:27 - Christy Harst (Guest) Well, I appreciate you saying that, because how do I get? 20:29 - Anne Ganguzza (Host) involved. Hey, this is fantastic. You've got quite a few. That's amazing, Like at least 32 that I'm counting right now. 20:38 - Christy Harst (Guest) Yeah, and there'll be 44 at the end of it. 20:40 - Anne Ganguzza (Host) That's it. 20:40 - Christy Harst (Guest) I would like to point out that we are not a talent agency, we are not a brand manager, we are not a casting site. When I talk to a brand, one of the things I ask them is that would you be willing to the next time you need a female voice actor, would you be willing to consider a door builder? And they usually say yes and then they can go to the website and they go and reach out to that person directly. I'm not in it, right. So then they can take that to their agent and everybody wins, I think. 21:09 - Anne Ganguzza (Host) And then if the door builder gets booked. 21:11 - Christy Harst (Guest) I ask if I can share it as a success story. And for example, natasha. Natasha just got booked from her reel. She did a reel where she was reading something for the Oscars. Someone saw it on LinkedIn, reached out and said hey, will you do my podcast intro and outro? And so she got that job. She did it, and getting work for people who are featured is a great cherry on top, but it's not necessarily what is meant for the campaign, right? Because we're not a casting site, we're not a talent agent right. 21:39 We want to show that women can do this. They should have the access to the opportunities to do it, and if you choose one of these women, great. But if not, at least we've planted the seed that, yeah, a woman can voice a UFC spot. Sure. A woman can do a wealth management spot or a tech spot. 21:55 - Anne Ganguzza (Host) Now, how are you working on funding? Are you thinking, what are your thoughts about getting additional funding? Because I know, simply because I have multiple domains, this is not something out of your own pocket. Owning the domain, you've got to pay for that. You've got to pay for the website, you've got to pay for the hosting of the website. Ultimately, you've got a domain. Maybe you're going to send email from it, so then you're going to need an email server. I mean, there's just a bunch of stuff Having the social media channels and you're also a working voice actor, so you're donating a lot of your time and I know that you recently have some women that are now on board to help you in the Building Doors campaign. But what are you thinking about in terms of funding? 22:34 - Christy Harst (Guest) I need funding, yeah. 22:37 - Anne Ganguzza (Host) Are you going to create, maybe, a scholarship or become like a nonprofit? What's going to happen so? 22:45 - Christy Harst (Guest) I think and this is probably not going to be a popular opinion, but I think that people or groups that advocate for a mission or a cause, they can earn money too. It's okay. It's okay. And no, we're not going to be a nonprofit. I have no desire to run a nonprofit. I worked for nonprofits for years in my nine to five career and I know what the mentality is. I know the paperwork. It's just not something I desire to. We are a for-profit. We are an LLC under CEH Productions, which is my LLC, and I am so blessed to have the ambassadors. These are women that did pay a certain amount to be in the campaign and they get access to make decisions about the campaign and while that money is great, it's not. 23:32 I'm not earning any money is what I'm saying, Like the funds that I've collected to date help cover the cost of the initial investment that I've made and help cover the cost of the website in the future, but I'm definitely not earning any money. So I've been applying for grants for female small business owners. I am open to other ideas and I'm going to be honest with you, anne, it's something that I'm really struggling with right now and trying to figure out, because if this mission is going to have the impact that I want it to have and if I want to do the ideas that I think are necessary for this brand, I need money, and you know I can't continue at the pace that I am, as just me, right, and I do have some help with some of the ambassadors Amy, selma and Sandi. 24:14 They've been so great to me and the ambassadors in general have been really great about picking up some of the stuff that I can't. But if I had it my way, I'd hire a social media manager today. I'd hire a personal assistant today, I'd hire someone to do the books today. And, for example, I've been fortunate enough. I'm going to be going to the WESPN conference in May in New York. 24:38 - Anne Ganguzza (Host) I have been encouraged to go there to make face-to-face connections, Absolutely, I mean, that's a cost as well. I mean well. 24:42 - Christy Harst (Guest) I'd like to say that such a voice is paying for my ticket. Well, okay, they're paying for the ticket for me to go, but I still need to find funding for airfare and ground transportation. So that takes time. Right, finding sponsors to take you somewhere where you know you could make the biggest difference and the biggest impact that takes time. 25:01 - Anne Ganguzza (Host) Absolutely, absolutely Well, you're certainly building doors, and I completely, completely get that. I mean, you're starting from the ground up, and so there's a lot of work involved, there's a lot of questions, there's a lot of navigating, trying things out. Back in the day, I like to say that I pioneered the hybrid workout, which was online and live at the same time. Back in the early days, when there was no streaming live on the internet before Zoom was a thing, I had some technological experience so I started doing that. So there's no clear path, and so to me, that defines a boss, and I love interviewing people who really exemplify and showcase bossness. 25:44 - Christy Harst (Guest) Wow. 25:44 - Anne Ganguzza (Host) Thank you, yeah, so I mean really congratulations. What you've done is the start of something truly amazing. And if there's any way that VO Boss can help you out. We're here to help you spread the message far and wide. How can bosses get in touch with you, christy, if they want to know more, if they want to contribute? 26:01 - Christy Harst (Guest) Yes, so definitely follow us at at Building Doors VO on Instagram and LinkedIn. I also want to give a quick plug that I'm doing an impact study and those links are on those channels as well. If you could fill out the impact study, that would be great. And also, you're more than welcome to email me. You're more than welcome to message me on any of the social media platforms. If you are interested in offering services in exchange for something or if you'd like to donate, by all means, yeah, let me know. Christy at christyhearthcom. 26:28 - Anne Ganguzza (Host) Absolutely, and we'll be putting all of your links on our show notes page. Bosses out there, Christy, I want to meet back up with you in six months in a year? 26:38 - Christy Harst (Guest) Oh, that would be amazing. 26:39 - Anne Ganguzza (Host) Let's talk about how has it progressed, of course. I mean I'm going to be following you from now on and bosses out there, make sure that you follow Christy, and we will be in touch, and I'd like to have a follow-up interview with you for sure. 26:51 - Christy Harst (Guest) Oh, I'd love it. 26:52 - Anne Ganguzza (Host) Because I see great things. I see great things happening. I got good vibes, so I always like to say that I'm a little bit intuitive here. So good stuff, christy. I'm so glad that we got the opportunity to talk and that VO Boss can help spread the word about the Building Doors campaign. You're amazing and thank you so much. Thank you. 27:09 - Christy Harst (Guest) Thank you for having me on, I appreciate it. 27:12 - Anne Ganguzza (Host) Bosses, big shout out to our sponsor, IPDTL. You too can connect and network like bosses, like Christy and myself. Find out more at IPDTLcom. Bosses have an amazing week. Make sure you go and check out buildingdoorscom and check out Christy and follow her on socials and we will see you next week. Bye. 27:32 - Intro (Ad) Join us next week for another edition of VO Boss with your host, Anne Ganguzza, and take your business to the next level. Sign up for our mailing list at vobosscom and receive exclusive content, industry revolutionizing tips and strategies and new ways to rock your business like a boss. Redistribution with permission. Coast to coast connectivity via IPDTL.
Ralph Cipriano full 1171 Mon, 27 Jan 2025 16:08:15 +0000 LoFwREGX8tpeG7nQbF2MCDl3NjdejeH0 news The Dawn Stensland Show news Ralph Cipriano Dawn Stensland breaks down the local and cultural issues of the day. Interviewing all the top Newsmakers and taking your calls! Tune in 10 AM - 12 PM EST weekdays on Talk Radio 1210 WPHT; or on the Audacy app! 2024 © 2021 Audacy, Inc News False https://player.amperwavepodcasting.com?feed-link=https%3A%2F%2Frss.amperwave.n
Audio tech expert George Whittam, the genius behind George the Tech, joins Anne Ganguzza, on the VO Boss Podcast. The BOSSes tackle the technical hurdles of the industry - from unreliable internet to optimizing studio setups. George's solutions help empower voice talents to keep their focus where it belongs—on their craft. The BOSSes delve into strategies for leveraging technology and outsourcing to scale operations effectively. Adapting to change is non-negotiable in this rapidly shifting market, and finding a mentor can be crucial for navigating its complexities. The BOSSes highlight the importance of forming meaningful industry relationships and the camaraderie that can fuel professional success. 00:04 - Anne Ganguzza (Host) Hey guys, it's that season again. Are you feeling that tickle in your throat? Don't let a cold or flu slow you down. Combat your symptoms early with Vocal Immunity Blast, a simple and natural remedy designed to get you back to 100% fast. With certified therapeutic-grade oils like lemon to support respiratory function, oregano for immune power, and a protective blend that shields against environmental threats, your vocal health is in good hands. Take charge of your health with Vocal Immunity Blast. Visit anneganguzza dot com to shop. 00:41 - Intro (Announcement) It's time to take your business to the next level, the boss level. These are the premier business owner strategies and successes being utilized by the industry's top talent today. Rock your business like a boss a VO boss. Now let's welcome your host, Anne Ganguzza. 01:00 - Anne Ganguzza (Host) Hey everyone, welcome to the VO Boss Podcast. I'm your host, Anne Ganguzza, and I am so happy and elated to be here with my special guest, audio tech guru and owner of George the Tech the one and only George Whittam, Woo-hoo. 01:16 - George Whittam (Guest) Hey, can you hear me okay from the Chili's in Palos Verdes, california. 01:21 - Anne Ganguzza (Host) I can I, can I love it. You know George is. He is technology on the go, guys, and for those of you I don't know anyone that doesn't know you, but for those of you bosses out there that don't know George, you need to know George. He has been doing this since 2005, dedicating his life and I know this because he's helped me to serving the technical needs of bosses out there voice actors, podcasters, recording studio owners and in 2017, he launched georgethetechcom to assist anybody that needs support with just about anything. And he has an amazing team. I know firsthand. I have used that team. I've used George for many, many years and among his many successful clients I'm gonna say, in addition to me, are Don LaFontaine, bill Ratner, mr Beast, david Prog, melissa Disney, randy Thomas, joe Cipriano and Scott Rummel. Well, welcome, welcome, welcome and thank you for checking in with me, george, from your very busy schedule. George actually just popped off the road and said I will join this interview from the Chili's after my customer that you just went to go fix a studio. 02:32 - George Whittam (Guest) I did, I did. I do most of my work from home, of course, remotely, but I have a few clients who do have me on a membership program that I've been doing for many years and I make regular visits. So today was one of those days and technology, once in a while, it just flails miserably at letting you know that there's something you're supposed to be doing, and this was one of those moments. You texted me from the car. You're just, and you're like out of the blue tech, just checking in, and I'm like, oh, that's so nice, and it's just checking in, see you're not checking in. 03:03 You're like where the F are you right now? 03:05 - Anne Ganguzza (Host) George, george, where are you? 03:07 - George Whittam (Guest) In our Riverside room right now. So anyway, thank you. I hope this isn't too distracting. They find me a quiet corner of the restaurant, so we'll see how it goes. 03:17 - Anne Ganguzza (Host) I love it. I will say, though, here's the deal, my video now Riverside. Anybody that's been on Riverside knows that it's uploading video and audio separately, and right now my upload is at 94%, Yours is only at 55%, so that 5G connection keep your fingers crossed that that internet is going to upload that video successfully and the audio Don't worry. Well, guess what I get to do this again. 03:42 - George Whittam (Guest) I got your back because I'm recording it. I was about to say, I was recording in QuickTime and it said that you've stopped recording, so I'm going to start recording it again, just so I have another layer of redundancy to this whole thing. But that is the really cool thing about Riverside is that, yeah, it doesn't want QuickTime, won't let me. Okay, fine, fine, we're going to rely on new technology today. But, yeah, riverside is really cool the way it keeps a local record and even if my internet isn't, great. 04:09 I'll eventually get it uploaded to you, so don't worry about that. Yes, Awesome. 04:15 - Anne Ganguzza (Host) Well, it's always a good excuse to chat with you again, because it's so rare these days, I mean except when I'm desperate in need of technical support. 04:22 - Intro (Announcement) And. 04:23 - Anne Ganguzza (Host) I'll have the bosses know that George helped me with my past or my latest studio upgrade. And I remember, george, that we were talking about me moving my Apollo solo into my studio which, by the way, it is moved in here and we were testing out this very long cable that went from my Mac studio out there into my studio and guess what it's working, and yay, technology. And so, george, you're instrumental in all of my studio upgrades and actually my original studio building when I moved to California back in oh my goodness, 2008. And so you've been through a lot of my studio builds. And let's talk a little bit about, oh gosh, what bosses need audio-wise right for being successful voice actors. They have so many technological needs. 05:14 - George Whittam (Guest) It is so many. You know. The thing is not everybody is like you, anne. 05:19 You love and embrace technology in a way that a lot of actors do not right and so on the cover of the laptop that you can't see because it's on the other side of the camera. I have a cover on my laptop and it's a picture of the left brain, right brain thing, right Like you know, the left being very technical, the right being creative, and I'm such a big proponent of finding the perfect middle balance. Maybe that's because I'm also a Libra, I don't know, but you know it's like I'm such a big proponent of finding the perfect middle balance. Maybe that's because I'm also a Libra, I don't know, but you know it's like I'm always trying to find that balance and I'm also trying to figure out who you are as my client. Are you more Ann Ganguza, or are you more Lori Allen, who's my quintessential super right brain, crazy actor talent, you know, and she knows that I'll say that and she'll laugh that doesn't love technology or doesn't care, right, I mean I get it. 06:09 - Anne Ganguzza (Host) I mean we go into this industry. I mean some of us are just super, super creative and brilliant. 06:18 - George Whittam (Guest) If we had our choice, we would let someone else run all the technology and take care of it for us, which is what you do Absolutely. In a perfect world, we would all have our own little virtual assistant engineer people who just log into your machine and run everything for you. I do know a precious few actors who have actually availed themselves of such a thing, which is a pretty nice position to be in, right, and that would be a really cool scenario where you really don't need to think about it. But the fact of the matter is, the vast majority of the time, we have to think about and know what's going on with the technology and ensure that we're giving the client super clean, great quality audio quickly and on time, reliably, etc. Etc. And that's the goal. 07:01 - Anne Ganguzza (Host) It is about good audio, but it's about a lot of other things beyond just good audio, you know, willing to really experiment and figure out solutions for your clients that are not like status quo. So if they have a budget, you can fit yourself within that budget and you make things work and you say, all right, so if you need this, we can maybe substitute this or we can work with this. And I'm talking bosses, my firsthand experience, not just on what microphone or give me a stack to put on my audio, but like home studio builds from the ground up, like what can I do to save money here? Or what can I do? I have this in my budget and you literally have created things from like the ground up, depending on your client's budget. 08:01 And I think that that's really awesome and it really goes to show like the versatility and the amount of skills that you have in, not just like one thing. I mean you have to be great at everything, because everybody has different technology, everybody has a different microphone, everyone has a different DAW, everyone has a different environment in their house that you have to kind of assess and then say, well, okay, here's a solution. And then I'm quite sure, myself being one of them going, no, I can't do that, so you'll come up with multiple solutions. Or if something doesn't work, you'll actually get it to work. You'll figure out what it is that's not working and then make it work. 08:38 - George Whittam (Guest) Yeah, it's so many different things because there's a lot of things that you can get away with or there's certain things that you can make work or get it to work. Here's my black bean burger and fries. 08:49 - Anne Ganguzza (Host) All right. 08:50 - George Whittam (Guest) There's a lot of things you can get away with, so I'll try to talk while you take a bite. I will eat when you're talking, okay, so there's a lot of things that you can make work. There's a lot of things that you can get away with, and that's where people start out right. That's where you begin, that's where you learn on your own. 09:06 That's where you get used equipment. You get hand-me-downs, you buy what you can find on Amazon, right, you get away with it. You make it work. But at a certain point your clientele requires this consistency, quality and this quick turnaround, and that stuff starts to be cumbersome, it becomes a bother because it's getting in your way, right. So that's a big part of it. And then I'm glad you said earlier budget. 09:33 You really need to know where you're at. I mean, this is why voice acting, especially now as an entrepreneurial pursuit, you really need to have a pretty good idea where you're at with your budget. When you come to me, be honest with yourself, be honest with me. I'm not here to spend unnecessary money. I'm not here to push you or upsell you. I'm going to tell you exactly where you're at, based on where you are with your budget, and make sure it fits, because that's my goal is to help you out and get you where you need to go at the budget you've had to spend. 10:07 And then if it's either really too low, I'll let you know if I think it's not going to work, or I will speak up if I think you're overspending, if I think you've got this budget and it's unnecessarily. You know it's like, oh well, you've got that much to spend, all right. Well, let's think about that. Should we really spend all of that? Or should we really be spending 20% of that on the mic and maybe 50% of that on building your website, getting your demo, that kind of stuff right? So I'll make sure your money is spent the right way, but be really honest with yourself about what your budget is. Know where you're ready to spend so we can get off on the right foot. 10:50 - Anne Ganguzza (Host) So let's talk about the types of services that you do offer, because I'm happy to recommend you and your team to my students, and I think they might have preconceived notions as to oh well, george can just create a stack for me, or George can just tell me what microphone to buy, with lots of experience in multiple operating systems. So it's not just the mic or not just the studio, it can be your computer, it can be your software, it can be how to use Twisted Wave or how to use I just had a student the other day Studio One. I'm sure you have somebody on your team that can help with somebody with Studio One, and so can you create a filter for that? And so I'm constantly saying to myself I know lots of different audio engineers that specialize right, and I think that's great, but they're all independent, right? And so I can't be like, oh gosh, well, who knows Twisted Wave or who knows Studio One, or who knows? 11:48 And I'll think about it. What's great is you're like a one-stop shop, because now you've built yourself up a team. What's great is you're like a one-stop shop because now you've built yourself up a team, and I love this, because when I hired you in the beginning it was just you and you're I mean, you're busy back then and I love how you've like I mean, talk about being a boss, right. You've actually grown your little empire there and created a team of really amazing people that work for you, that have great skills and very specific skills. Speak to that a little bit. 12:14 - George Whittam (Guest) It's been a dream for a really long time to expand beyond myself. It started probably 12, 13 years ago in New York City. I knew I couldn't be in New York City that often and I had a few clients in New York and I thought, god, it'd be a no-brainer to have somebody else backing me up here in Manhattan. I actually had interviews in Borders bookstores with people that responded to ads, sat down, interviewed people and onboarded some folks and it just turned out that, one, maybe it was too soon to do it and two, it wasn't enough demand, because at that time it was a different time. But New York it was almost 100% studio town. Right, all the gigs were in studios because they're all over the place, they're all like walking or a subway ride away. So New York was a different environment. 13:05 So flash forward now quite a few years and I decided, with the new website that I had built by Skills Hub a couple of years ago, that it was finally time to properly expand the team. And now that I have a system built, an infrastructure, a booking system, the whole thing that allows me to essentially infinitely expand, I can build it as big as I want. I finally had the tools and everything in place to do that, and so we have that. Now you can go onto the website. Let's say you need help with Adobe Audition. You can see who is available that is actually an Adobe Audition expert and then you'll see their availability and you can book into the system right then and there and get help with someone that actually knows what they're doing. I realized after a while there's a certain point where I don't necessarily learn and retain new information the way I used to. I think that's just life, that's just age, right? 14:02 - Anne Ganguzza (Host) Well, there's so much now. 14:04 - George Whittam (Guest) And there's so much more. 14:05 - Anne Ganguzza (Host) Yeah, I know you're like right Anne. 14:07 - George Whittam (Guest) Right, but I get that I totally get that. 14:10 - Anne Ganguzza (Host) But think about this what I really love. What I really love is, again and again, this is the VO Boss podcast. So I really like to always relate things to how you can really be a boss, and I think all of us voice actors are bosses, obviously in our own right, and I think we really need to look for ways that we can grow and expand. Right and it's not an easy thing, right, it's a scary thing how can you scale? How can you provide more services for your clients so that your business can move forward successfully? And you are such a great example of I mean, not everybody that's a voice actor, is an audio engineer and they're going to scale their businesses in the way that you did, but it's all relative right, as voice actors, how can you scale your business? And so if you think outside of the box and you think about what can you do that's efficient as a voice actor, right, maybe you don't like technology, maybe you don't understand your computer, and I'm saying there's a certain element that we have to be technologically adept, but you can consider outsourcing these things as a voice actor so that you yourself can scale your business, and you've offered this great place for people to have all kinds of options, and so it's not just like a one-shot deal. 15:25 George, I need help. You have like 24-7 support, and I know for a fact that you've got emergency tech support, which I know, having worked in technology for how many years prior to voiceover. Technology is awesome until it doesn't work and then people panic, right, and that's when it's almost the most important to have that type of support. And so I'm sure lots of you voice actors have had something happen with your computer, like, and all of a sudden you're at a loss, or something happened in your studio, you're at a loss, and now all of a sudden, do you have a backup? Do you have a way that you can deliver your goods, deliver your product to your client? 16:01 And I think we all need to really start thinking about how can we outsource, how can we scale, and you've got a great place where, if voice actors don't necessarily love working with technology or learning technology, nor do they have the time right For me. I have no desire to be an audio engineer, I know what I know right, and if I have problems, let's say I'm setting up my new Mac studio. Well, I don't want to spend my entire weekend trying to learn anymore. I mean, I love learning, don't get me wrong but I don't want to right now. That's not an efficient use of my time. 16:33 So I'd much rather call you and say hey, george, I know you've set up Macs, I know you've done the Apollo on this iOS and I'm running into these problems. Or I know I'm having a problem like with Zoom and then sending my audio through Zoom. How can you help me? So it just makes sense for me, as a boss, right to outsource that. And so make sure, out there, guys, that you have a source, and I highly recommend George a hundred times If you haven't figured it out by now, I'm recommending him a hundred times over. Have a source, have a place that you can go when you run into trouble technology-wise or with your computer, or you want to just learn. You also have educational resources. You have tutorials. Yes, you have one-on-one help. You've just got all those options and I think it just really lends itself. Not only are you showing people how you're a boss and you're scaling your business right. They can scale their business with you. 17:26 - George Whittam (Guest) Yeah, being a boss is what I've really become now. I was always solopreneuring. In a way I still am, but now I do actually have people that look to me for getting paid, look for me for getting jobs, look for me for communication and support and actually training. The content we create for you guys we use internally to train our own team. I want more of our team to be comfortable with the Universal Audio Apollo. I've been encouraging them to watch the content we already have. Everybody who does work for me gets complete carte blanche access to my entire library of content right, so they all can learn. 18:03 I want to work with you, then I would love to have you. I mean, honestly, the point is that we've built the network, we've built the system, we have the infrastructure. Now it's just a matter of what's the next thing a voice actor needs, or what's the next thing podcasters need, what's the next thing people that do media appearances need, studios, people that need to do executives, c-suite folks what do they all need? And we're trying to eventually fill these different gaps right, and so my role now is more of a boss, more of a CEO, more of a director, even beyond. I spend way more hours of my day doing director, boss, ceo work than I do actual build time nowadays, and that's just how things have morphed. But it's great. 18:52 I love finding out that somebody got a service from one of our team and I didn't even know about it. That's the coolest thing ever. Oh, you helped that guy. Awesome, I had no idea. That's great. That means things are working. I don't have to micromanage everything, and so that's been a huge thrill for me, and it's just allowed us to be so much more helpful to more people. 19:11 - Anne Ganguzza (Host) That's such a relief. I know my own business. When you said about micromanaging, and in reality, you know, we talk all the time about voice actors, we're solopreneurs, we wear all the hats, but now's the time to really start thinking about, okay, what is the most efficient use of my time? Right, and I want you bosses to really open your minds out to thinking that a lot of people they get stuck in this whole thought process that, oh, I can't afford to hire somebody. But in reality, if you sat down and you marked what is your price per hour? Right, how much money do you make when you're doing voiceover, versus how much money are you making when you're trying to, like, do the billing yourself? Right? 19:50 - George Whittam (Guest) I'm so glad you mentioned the hourly thing because a while ago somebody made that clear to me. 19:55 There's the hourly rate that you charge retail, right? I know what my hourly rate is per hour. If you want to consult with me directly, it's $360 an hour. Whoa huge number. Wow, that sounds really crazy. That's not what I make per hour. What I make per hour is actually what I made last year. Subtract my expenses, take my net revenue right and divide that by I don't remember the magic number is whatever. It is 52 weeks a year, you know. And then you basically whittle it down to what your actual hourly wage actually is and you start to realize like, oh my gosh, that's what my actual time is worth. And so you're going oh, now it is worth spending $25 an hour for a virtual assistant or somebody because I'm actually worth $50 an hour. 20:45 You know what I mean. So that's. It's really good to know that. 20:48 - Anne Ganguzza (Host) Exactly, exactly. 20:50 And I think that we need to look outside of, like, the numbers that are just spent, because somebody might say, oh, I spent a thousand dollars on this microphone. 21:00 If you figure out what your value is per hour, right, and you're doing tasks that I always say, don't bring you joy a certain standard where, if I want to be able to direct somebody right that I'm going to outsource stuff to, I need to learn enough about it so that I can direct intelligently, right. 21:20 I know, you know, if somebody's saying to me well, it's taking me five hours to do this, when I know, in fact, maybe it shouldn't be taking five hours, because when you become a boss and you start employing people, you have to be concerned about, okay, what's the value of your employees and what are they bringing you, what are you paying them right and how efficient can they be? And I think also, george, it becomes where you now have to inspire the people that work for you to want to do their best for you, that they want to help move your company forward, and to do that, you've got to pay them a fair rate you definitely do and you've got to inspire them with things that they like to do right so that they join the team right. 22:01 And that's a whole other set of boss skills that's a whole other set of boss skills which I love. 22:06 - George Whittam (Guest) The amazing person I brought in to do our customer service and actually kind of act as a bit of an assistant to me as well. She also is a graphic designer. So when I realized that she was getting these skills, she was literally studying and I said you know what? Let's try some things, let's get you doing some more creative endeavors, and I'm paying her more for that. I said you know, track your time when you're doing graphic design, when you're creating our thumbnails and our promotional content for the socials and our webinars, and that's a different rate. You tell me what you think is a fair rate for your graphic design and then you have a rate for all the other general work and she breaks up her billing that way and so she's getting paid better for that work and that's going to be much more fulfilling for her because it's creative stuff and I think it's been working out really well. You know, my biggest fear is her going away. If she goes, away. 23:02 That's going to be a giant pain in my neck to find another person like her Finding good. 23:09 - Anne Ganguzza (Host) It's going to be very difficult, so I want to keep her around. 23:12 - George Whittam (Guest) It's a delicate balance and I trust her. It sure is, you know, but it's a tricky one. The more you rely on outside help, the more you start realizing you need to make sure what will you do if that person needs to be replaced? It's another skill. 23:27 - Anne Ganguzza (Host) And the people that work for you. They need to be better than you, and I think that's an ego thing for a lot of people. Do you know what I mean it's like? Oh no, I want to do it because I want to have control over it. I mean, I'm a control freak. I know this. I mean it took me a while, but once I started realizing that when you hire people who are better than you at the tasks like I'm not a graphic artist, so I want to hire somebody who's amazing at that and then pay them what they're worth, they aren't bitter, they don't feel like, oh, they're just working for pennies, and so they get excited because you want to work with them and collaborate. They get excited about helping you grow your business and you get excited about helping them grow their skills or grow their career as well under you. So I think it's something that bosses out there can really start to think about. 24:10 How would you expand right? And I think now too, with the technology and with AI and all this talk about the industry and how it's changing, I think technology it's always good to educate yourself on the technology evolve with the technology, those other things that we're talking about in addition to voiceover, like on-camera work, right? Voice actors maybe this is something that you know. You want to present yourself more professionally to your clients. What's involved in a good I don't know webcam or good lighting for your studio and that sort of thing. So that's the sort of thing that you can help them with as well in terms of expanding and broadening their horizons, even outside of voice acting. 24:51 So I love that you said that you were also delving into on-camera and technology for expanding businesses, because I think voice actors should also consider things like that. I mean, it's something we've talked about on the podcast as well, as we're moving forward along with this technology. What other services can you offer your clients? What other things can you do? Are you going to be making TikTok videos, right? How can you get your message out there? How can you market yourself right so that people know you exist, so they can hire you? And a part of that is getting out there, getting heard, getting seen, and you can help with that. 25:26 - George Whittam (Guest) And you might also be able to parlay that thing, because now you've become the spokesperson for that channel or that brand or that explainer and if you can now take that ability to create content into a visual medium and you might move beyond just doing voice, if you end up being comfortable on camera. You may not know if you're comfortable on camera until you do it. When I started my first podcast or really web channel, YouTube channel East West On your Body Shop, you can go back and watch episode one. 25:58 - Anne Ganguzza (Host) Oh yeah, and I was like a deer in headlights Myself too. 26:01 - George Whittam (Guest) I got a lot more comfortable on camera. So you know, as I evolve and I start doing more and more interviews and interviewing others and I'm going wow, I'm really comfortable doing this. I've actually really enjoying this. How can I parlay this into a different? So now I'm thinking about speaking engagements and doing speaking roles. 26:21 I've gotten to teach in a couple of universities now. Wow, I love doing that, so maybe I need to parlay that into another thing. So I'm looking into speaking now. So it's just ever-evolving. If you get stuck in one lane, you can quickly start feeling discouraged. When that one lane that you chose starts grinding to a halt, you really need to be ready to try new stuff Starts getting traffic right and saturated. 26:47 - Anne Ganguzza (Host) I mean now I'm just thinking of that, you know, because after the pandemic I mean I had so many people that I think got into voiceover because of the pandemic and now I thought we were saturated before. But there's a lot of people in there. I'm not saying there isn't enough work, voiceover work. However, there's an awful lot of people doing voiceover. So I think it's always healthy for us to consider how we can always grow and always evolve. So I'm going to ask you one last thing, george, before I have to run for the day what would be your best advice that you would give someone out there just getting into the industry? 27:21 - George Whittam (Guest) Definitely work with a coach that understands the spectrum of what you need to learn in a holistic way. That coach doesn't have to be an expert in every aspect, but the coach should be very aware of that. You need to learn these separate skills right. So someone like Anne, for example. She knows a lot about a lot of things, but she also knows when it's time to get another person involved a demo producer, an expert engineer. 27:47 Yeah, that's so, so helpful, right, and it's so easy. These days it's almost like getting support is just like dating. It's so easy to just keep swiping right or swiping left. Which one is it? Because you're like well, that was nice, let me try that guy, and I hear that guy's good. Let's try that guy. 28:03 Hook your wagon to somebody for a while and focus in on what they have to say and learn before you start constantly seeking fresh perspectives. It doesn't mean fresh perspectives are bad, but you really need to focus on one person's methodologies and get behind them and then, after you've done it for a while, consider well, is it the best way? Well, maybe I could learn a new skill, or maybe I have another way to learn this that could save time. I never am offended when a client says I worked with somebody else along the way, but I do get concerned when somebody's pretty new and they've already taken, let's say, consulting from three or four different techs and four or five different coaches, because they're going to have a lot of conflicting or somewhat differing opinions and you're going to get so off base. 28:51 So find somebody that is well vetted, somebody that has like we have our trusted partners page on our website. Everybody on there is somebody we have worked with and trust. And hook your wagon to somebody like Ann, so you have that one point of focus to help you navigate all of this, and then they can help shut you off into different directions for those specialty things. Otherwise it can feel hopelessly confusing and there's just too much conflicting information out there. So that's the best thing I can say Just find one single point of trust, follow that person, get the advice they can give you and find the expertise in different areas when you need it, and go to georgethetech early and often. Yes. 29:41 - Anne Ganguzza (Host) Yes, yes, I was just going to say how can people get in touch with you, george the tech? 29:44 - George Whittam (Guest) You have your landing page right, Absolutely Slash. 29:48 - Anne Ganguzza (Host) Yep, is it slash? Be a boss, my gosh. 29:50 - George Whittam (Guest) I don't have it memorized. 29:51 - Anne Ganguzza (Host) I have it like in a link, I think so I'll check it, I'll look it up. 29:56 I'll put that in the show notes. Yeah, I'll put it in the show notes for services. I do have a nice little link that I can send to you. That will save you some money on your first services with George. So highly recommend. George. It's been so nice to have you and I appreciate you pulling off to the side of the road and being safe and talking with us today, and I'm going to give a great big shout out to IPDTL you too can connect and network like bosses. Find out more at IPDTLcom and George, it's been so wonderful talking with you. I feel like we should do a series. We should do a whole series with George the Tech. 30:31 - George Whittam (Guest) We'll do another one in a proper environment when I'm in my home studio, I promise. And, by the way, it's slash AG, so georgethetech slash AG for Ann Ganguza. That'll take you to all the information we have and our discount codes and come and visit us and learn from us. We have so much useful content that's affordable and accessible. So happy to be of service and thank you, ann. Thanks for being so cool, a friend and being always a pleasure to talk to yes. You're a blast to be around. 31:04 - Anne Ganguzza (Host) I feel the exact same way about you. So thanks so much. All right, bosses, you have an amazing week and we'll see you next week. Take care, bye, bye. 31:13 - Intro (Announcement) Join us next week for another edition of VO Boss with your host, Anne Ganguza, and take your business to the next level. Sign up for our mailing list at vobosscom and receive exclusive content, industry revolutionizing tips and strategies and new ways to rock your business like a boss. Redistribution with permission. Coast to coast connectivity via IPDTL.
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