Podcast appearances and mentions of alex welsh

STANDAR SEMANAL-947.Goodbye Pork Pie Hat,.VINILOS MITICOS DEL JAZZ.-947.THE DANNY MOSS QUARTET-WEAVER OF DREAMS,.JAZZACTUALIDAD.-947.NUCLI TRIO-INTERPRETANDO LA MUSICA LAIETANA Moss, hijo de un fabricante de herramientas, aprendió a tocar el saxofón por su cuenta . Tras dejar la escuela, tocó en el quinteto de Wally Rogers en 1943. Tras el servicio militar de 1945 a 1948, donde tocó en una orquesta militar, se convirtió en miembro de la Orquesta Vic Lewis , y luego de Tommy Sampson, de donde Ted Heath lo contrató a él y a otros siete músicos. Después tocó con Johnny Dankworth , con quien actuó en el Festival de Jazz de Newport de 1959 , y también con Alex Welsh . En 1962, Dankworth ya no podía financiar una banda permanente, por lo que Moss trabajó con Humphrey Lyttelton . Desde mediados de la década de 1960 en adelante, tocó principalmente con su propio cuarteto, a menudo acompañando a su esposa, la cantante Jeanie Lambe , con quien actuó en el Festival de Jazz de Montreux de 1972 . A partir de 1970, también formó parte del CCS de Alexis Korner . Grabó también con Tony Bennett , Ella Fitzgerald , Bing Crosby , Sarah Vaughan y Rosemary Clooney . En 1980, fue uno de los miembros fundadores de Pizza Express All Stars , con quienes actuó en el Festival de Jazz de Niza, y también tocó en la big band de Charlie Watts . En 1989, él y su esposa se establecieron en Australia , donde había estado de gira con éxito desde 1983. En 2003, grabó un aclamado álbum a dúo con Stan Tracey . Su hijo es el bajista Danny Moss Jr. Moss se sentía como en casa en la tradición de Coleman Hawkins y Ben Webster . The Independent lo incluye entre los mejores saxofonistas tenores de Gran Bretaña. Nucli Trio nace en el año 2018 y lo forman Guillem Plana a la guitarra, Aleix Forts al contrabajo y David Viñolas a la batería. En sus inicios, empiezan haciendo estándares de los 50’s y de los 60’s del pasado siglo y poco a poco van añadiendo composiciones propias. Rápidamente, Nucli Trio comienzan a girar y en el año 2021 editan un disco homónimo en este mismo sello. Paralelamente se establecen como grupo residente en la Jazz Cava de Vic donde ofrecen los recitales Nucli Trio invita a… donde comparten música con figuras de la escena jazzística. En 2023 se conmemoró el 50 aniversario de la apertura de la sala Zeleste de Víctor Jou. El Zeleste fue inicialmente una sala de copas y conciertos pero poco a poco fue creciendo y se estableció una oficina de management, un sello discográfico y una escuela de música moderna. Podemos afirmar que gracias al Zeleste se consolidó toda una serie de grupos e intérpretes del todo transversales: la Orquestra Mirasol, Jordi Sabatés, Toti Soler, Companyia Elèctrica Dharma, Blay Tritono, Barcelona Traction, Música Urbana, Tropopausa, Jaume Sisa o Gato Pérez entre otros. El 50 aniversario de la apertura del Zeleste fue la chispa ideal para que Nucli Trio empezara a dar forma al proyecto de interpretar la Ona laietana con la colaboración de músicos de aquella época. Elegir el repertorio fue complejo porque era necesario captar toda la esencia de los grupos e intérpretes. Después había que establecer a los músicos layetanos que podrían formar parte del proyecto. Estos fueron Miquel Àngel Lizandra de la Orquestra Mirasol, Jordi Soley de la Companyia Elèctrica Dharma y Eduard Altaba de Blay Tritono y Tropopausa. Los tres cubrían un enorme abanico de todo lo que significaba Zeleste. Miquel Àngel la fuerza renovadora e iniciática de la Orquestra Mirasol, Jordi Soley el empuje y el éxito de la Companyia Elèctrica Dharma, y ​​Eduard Altaba como representante del grueso de músicos más experimentales. Los seis empezaron a ensayar para aparecer en el Festival de Jazz de Vic y en la Nova Jazz Cava de Terrassa. De estos conciertos y del buen entendimiento entre el sexteto, surgió la idea de grabar un disco, el que tienes entre las manos. Además, para la grabación se sumó una colaboración muy especial, la del guitarrista Jordi Bonell que había militado en Secta Sònica y Música Urbana. Bonell puso su guitarra en “No em val haver viscut” de Toti Soler y Joan Vergés. La última en sumarse al proyecto fue Alba Careta que ejemplifica a la perfección este trabajo intergeneracional tan bonito y necesario. Careta toca la trompeta en «No juguis amb set miralls» de la Orquestra Mirasol y canta en «No em val haver viscut». Por su parte, los músicos layetanos brillan en sus respectivos campos. Así nos encontramos a un Miquel Àngel Lizandra liderando con fuerza y ​​personalidad las piezas que aquí se interpretan de la Orquestra Mirasol. Eduard Altaba toma protagonismo a través de dos piezas de Tropopausa: “La mata” y “Beixamela”, donde escribe unos nuevos arreglos que nos invitan a una relectura. Por su parte, Jordi Soley nos muestra una nueva visión de “Ones nones” de la Companyia Elèctrica Dharma que él ha titulado “On ones nones”. Magistral también es la ejecución a piano solo en la última pista de la primera cara donde relee diferentes trozos de “Adéu, estrella del dia”, “Mitjanit”, “Ball llunàtic toc” y “L’Oucomballa”. Solos, Nucli Trio interpretan un clásico del repertorio de Jaume Sisa, “L’home dibuixat”. Sorprende el uso de la melodía a través del contrabajo de Aleix Forts. No podían faltar un par de composiciones propias. En primer lugar «Laietània» de David Viñolas. Inspirada en el sonido layetano e interpretada por Nucli Trio en solitario brilla por la finura y el buen gusto del guitarrista Guillem Plana. Por último y no por ello menos importante, “Subwoofers”, una improvisación libre de Eduard Altaba y Aleix Forts en la que únicamente intervienen los dos contrabajos y que hace de puente entre las dos piezas de Tropopausa. En definitiva, estamos ante un gran trabajo en el que Nucli Trio ha sabido encontrar todos los ingredientes necesarios para dar forma a una obra histórica tanto por su repertorio como por la importancia de sus invitados. Una relectura intergeneracional excelente y necesaria. Àlex Gómez-Font Este trabajo que tienes en tus manos quiere ser un homenaje a la época dorada del Zeleste y a los músicos que formaron parte de esa Barcelona underground, contracultural y ecléctica de los 70, época que nosotros no vivimos. Un movimiento por el que pasaron todo tipo de artistas que han dejado un legado importante, no sólo en la obra musical, sino también en la pedagógica, ya que muchos de ellos fueron profesores de la primera escuela de música moderna del país, ubicada en el mismo Zeleste. Un movimiento poco conocido que no ha trascendido a las generaciones que le han sucedido. Por eso lo queremos reivindicar y poner en valor con este álbum. Nucli Trio hemos trabajado este repertorio con mucho cariño. Esto nos ha permitido echar una mirada atrás y descubrir algunas joyas musicales de nuestro país que desconocíamos.Reinterpretar estos temas y compartirlos con algunos de los músicos que formaron parte activa de la Ona Laietana ha sido una experiencia que nos ha hecho crecer y que nos anima a seguir adelante, haciendo música más allá de etiquetas y modas. Queremos dedicar este disco a todos los músicos que formaron parte de la Ona Laietana: a Víctor Jou y Rafael Moll, auténticos visionarios y precursores en una Barcelona gris y franquista; y especialmente a Jordi Bonell, que se entusiasmó con la idea de participar en el disco y que desgraciadamente no lo ha podido ver acabado. Nucli Trio

The largely forgotten clarinet player Archie Semple was a mainstay in Alex Welsh's great band in the 1950's and 60's before suffering an emotional and physical breakdown that sadly ended his playing days. Here is a sample of the relatively few tracks he recorded under his own name, featuring Welsh, Dickie Hawdon on trumpet, Roy Crimmins on trombone, Fred Hunt on piano and others, but focusing on the leader's clarinet, reflecting the twin influences of Pee Wee Russell and Edmond Hall --- Support this podcast: https://podcasters.spotify.com/pod/show/john-clark49/support

Trumpeter Welsh led one of the most musical yet exciting trad bands of the 1950's and 60's - with Roy Crimmins on trombone, Archie Semple on clarinet, Fred Hunt on piano and Lennie Hastings on drums (and several guitars and bassists), the band mined a wide range of jazz repertoire from ragtime to New Orleans and swing, all within a Chicago Jazz/Eddie Condon perspective. --- Support this podcast: https://podcasters.spotify.com/pod/show/john-clark49/support

Alex Welsh was known as a traditional/dixieland trumpet player in the 1950's and mid 1960's. By the late 1960's the band had evolved from a Chicago styled group to a mainstream unit featuring trombonist Roy Williams, reed player Johnny Barnes, pianist Fred Hunt, guitar/banjo player Jim Douglas and drummer Lennie Hastings. Ranging from New Orleans numbers through swing and Gerry Mulligan tunes, this group had a good ten year run. --- Support this podcast: https://podcasters.spotify.com/pod/show/john-clark49/support

Welcome to 005 of The Yours, Mine, Away! Podcast. This weeks guest, veteran goalkeeper and coach, Alex Welsh, joins your host, Mark Howard, to talk all things goalkeeping!Parents, coaches and anyone aspiring to be a footballer, listen carefully to this coaching guru! Don't forget to drop us a follow and 5* rating and head over to YouTube for more content! Hosted on Acast. See acast.com/privacy for more information.

With the rise of working remotely and the sense of freedom that comes with it, more people than ever are taking the road less traveled and are choosing to explore the world off-grid in a van. Join today's podcast guests Alex Welsh and Pat Bruns of Yama Vans as we discuss all things van life, from part-time adventuring to full-time living and everything in between. At its core, the transition to van life is about becoming a minimalist; realizing that we don't need to be surrounded by material objects in order to live or travel happily. Long gone are the days of hitting the road in a gas-guzzling RV packed full of creature comforts, and here to stay are the ideas of minimalist living, conscious consumption, and the freedom to go anywhere in the world with ease. Listen in as Alex and Pat share their thoughts on these topics and others, such as the rising popularity of van life and how Yama Vans works closely with their clients to create the perfect balance between comfort and functionality. For more van life inspiration from Yama Vans, be sure to check out their Youtube channel or connect with @yamavans on social media.

Alex is back for another chat this time to promote his world record attempt and raising money for Movember in the process go give him love love on Instagram @alexwelsh91 to see the process @vlietstreet_podcast Song | The Suburbs - Bullets On Broadway --- Support this podcast: https://podcasters.spotify.com/pod/show/mitchell-van-vliet/support

In this week's edition of the Semi-Pros

British Expats in Spain learn how to work online in Spain. My interview today is with another member Alex Welsh who is helping show others how to work online in Spain. You can get his Free Ebook here..https://www.adiosbosschallenge.com/british-expats-in-spainRemember to leave a like on this podcast if the info has been of value thanks.

Pat & Alex are living the life that the rest of us millennials once said we would, before we realized the work involved. Founders of Yama Nomad, an adventure van company, Pat and Alex talk about bringing purpose and work together under one roof (or many if you count the adventure vans they've built).  In this episode, we reflect on the role of guilt in leading a purpose-driven life and the parallels between building vans the competition mindset. You can follow the story and evolution of Yama Vans on Instagram or check out their website.

on this Podcast we have Alex welsh who had a bad motocross crash 11 years ago that left him paralyzed, Alex has never let his wheelchair stop him from living his his best life and this is his story @vlietstreet_podcast contact Mitch@all4fmx.com.au song - Bullets on Broadway , the suburbs --- Support this podcast: https://podcasters.spotify.com/pod/show/mitchell-van-vliet/support

In today's episode, we test out some new equipment in the ATB Entrepreneur Centre with Patrick Bruns and Alex Welsh from Yama. They make designer campervans, built for adventure. We talk about how both Alex and Dustin work for ATB and how that has shaped their business relationships, decisions and overall strategy. Apologies in advance for the wonky audio, we're still figuring it out! Check them out at https://www.yamanomad.com/ or on Instagram @yamanomad

“The fans just want to know who the fuck the artist is.” —Andre "Herm" Lewis About: For a place that proudly heralds slogans like #BlackLivesMatter, the homes of San Francisco house very few Black people. What’s happened to the African-American community in San Francisco is a much more complex tale than just being pushed out by young and transient up-and-comers. Instead, it involves a deeply-rooted history spread across generations with a comet-sized impact that is still being felt today. And for the sake of this three-part story, it begins with the very polarizing San Francisco nickname: Frisco. In Part I, we explore why some view this term to be as offensive as the F-word and spend some time with those who simply don’t give a fuck. Show Notes: [02:15] “Valantis” by The Blue Dot Sessions [03:30] “Lights” by Journey Lyrics via Genius [04:30] “Frisco” by I.M.P. [05:50] “Lakeside Path” by The Blue Dot Sessions [05:45] “49 square miles surrounded by reality.” —Paul Kantner (San Francisco Magazine) [05:50] Light reading on the square mileage of San Francisco (SF Gate) [06:00] Light reading on the 1906 Earthquake Related: Story on the historic Market Street film (60 Minutes) [06:05] On San Francisco and Its Sourdough Bread (KQED) [06:10] San Francisco and World War II (SF Gate) [06:10] Archival footage of protests against the Vietnam War (KRON) [06:15] The Full House house (Atlas Obscura) ...was listed at $4.15 million in 2016 (NBC Bay Area) ...and bought by the show’s creator (The Hollywood Reporter) [06:15] The story behind Mrs. Doubtfire’s House (The Bold Italic) ...and how it was owned by a plastic surgeon (NBC Bay Area) ...and then sold for $4.15 million (The Hollywood Reporter) [06:20] Trailer for Vertigo And tracking where the movie was shot in the city (SF Curbed) [06:20] Trailer for The Rock, which has a 66 percent rating on Rotten Tomatoes [06:25] Light reading on San Francisco’s musical history (SF Gate) [06:30] Light reading on Willie Mays And that time he was denied housing in San Francisco (San Francisco Chronicle) [06:30] Light reading on Barry Bonds [06:35] Light reading on: Joe Montana Terrell Owens Colin Kaepernick (GQ Magazine) [07:00] Light reading on: ...the Beatniks (San Francisco Chronicle) ...the Hippies (The Atlantic) ...the Hells Angels (Hunter S. Thompson) ...the early tech wave (WIRED) [07:10] Light reading on San Francisco’s different neighborhoods According to locals (SF Curbed) In infographics (SF Curbed) For transplants (The Bold Italic) [07:30] Shout out to @karlthefog [07:40] Unrelated San Francisco driving sequence depicting cars and hills from The Streets of San Francisco And one more from the movie Bullitt [07:45] Light reading on San Francisco and the Gay Rights movement (The New York Times) Related: More on Harvey Milk (San Francisco Magazine) [07:55] Light reading on past San Francisco Mayors like: Willie Brown (San Francisco Magazine) Dianne Feinstein (Mother Jones) Sort of related: Her challenger Kevin de León won the California Democratic Party’s official endorsement (Los Angeles Times) Gavin Newsom (The New Yorker) [08:00] Light reading on Nancy Pelosi (Rolling Stone) [08:45] More on Woody LaBounty And his Western Neighborhoods Project [08:55] “Shade Ways” by The Blue Dot Sessions [10:20] Some more background on the use and popularity of the term Frisco Via Mother Jones Via BuzzFeed And from old newspapers [10:30] When SF was called… The Paris of the West (SFist) And Baghdad By The Bay (San Francisco Chronicle) [10:40] Light readingon the Ohlone tribe (Mother Jones) Additional reading here (The Bold Italic) [10:40] Founding of San Francisco (SF Museum) [10:45] Light reading on the formation of Spanish colony and Missions in California [10:50] Light reading on Saint Francis of Assisi [11:10] Light reading on Washington Bartlett (SFist) [11:10] “Jog to the Water” by The Blue Dot Sessions [12:00] San Francisco’s official name change (SF Museum) [12:30] Light reading on Mexican migration to the States (National Parks Service) Related: Treatment of Non-Whites during the Gold Rush Light reading on the California Gold Rush [12:45] Light reading on Peter Tamony [13:00] On “frithsoken” [13:30] Light reading on Emperor Joshua Abraham Norton (KQED)  And tracking down the myth over his $25 fine on using the term “Frisco” Thanks John Lumea! [14:15] All the cool people who used the term Frisco (BuzzFeed) [14:20] “The Dock of the Bay” by Otis Redding Genius lyrics [14:40] Light reading on Herb Caen (San Francisco Chronicle) His book, Don’t Call it Frisco See point number 15 (BuzzFeed) His about-face years later (San Francisco Chronicle) [15:05] BuzzFeed’s push to call it Frisco And as covered by a local blog (SFist) [15:15] Again, a very thorough chronology of the term (Mother Jones) [15:30] More on Joe Eskenazi (@EskSF) [15:50] “Don’t Call It ‘Frisco’ If You’re Old and White” (SF Weekly) [16:45] Light reading on San Quinn [17:15] Charles Matthews aka Black C (@RBLPosse) [18:05] Quick background on the RBL Posse (Passion of the Weiss) [18:15] “Bammer” by RBL Posse Genius lyrics [18:30] Recommended Viewing: Hip-Hop Evolution [18:50] Marvin Gayes’ 1977 Live at the London Palladium Intro [19:30] On San Francisco and its connection to the gay rights movement And a history on the Castro District (KQED) [20:35] “Frisco” by I.M.P. Light reading on Cougnut Light reading on Ingleside a.k.a. Lakeview History on Ingleside A tour of Lakeview and some of the other San Francisco neighborhoods [22:10] “Nigga Groove” by Hugh EMC [23:25] “Alustrat” by The Blue Dot Sessions [23:45] The lyrical odes to places like the… The LBC Compton Southside The Bronx Marcy Projects Queensbridge 8 Mile The Fifth Ward The various zones over in the ATL [24:20] More reading on Andre Herm Lewis (Amoeba) [24:50] Too $hort on how he started out in his early days (Vlad TV) [25:00] “I Ain’t Trippin’” by Too $hort [26:50] Light reading on Kyle Matthews aka Mr. Cee (San Francisco Chronicle) [26:55] “Bounce to This” by RBL Posse [28:25] “Cicle Vascule” by The Blue Dot Sessions [28:30] Old news footage on gang violence (CBS) Old news footage on gang violence in Chicago (CBS) Related: Old news footage of San Francisco back in the day [29:00] Light reading on the 80s Crack Epidemic [29:10] Light reading on Gary Webb (Esquire) Dark Alliance Series (San Jose Mercury News) Reports from The New York Times, The Washington Post and The Los Angeles Times Mea culpa from a Los Angeles Times reporter  (LA Weekly) A more recent take on the Webb investigation (The Intercept) [29:30] Former CIA Director John Deutch’s speech in the Watts District of Los Angeles (CSPAN) Report from the event (The New York Times) [30:30] Measuring Crack Cocaine and Its Impact (Harvard University) On the price of cocaine throughout the 80s (Business Insider) On the drug’s alternative (The World Bank) Background on the production side (Slate) [31:00] What taking crack is like according to one New Republic writer back in 1989 (The New Republic) Rough overview of crack On pricing and size Though sold at a cheaper street price, here is an argument that it roughly equates to the same price as powdered cocaine [31:20] Mapping the spread of crack (The New York Times) [31:30] Racial disparity in the ongoing opioid epidemic (NPR) And the coverage comparison between the aforementioned crisis and the 1980s crack epidemic (Pacific Standard Magazine) And on the treatment of African Americans during the crack epidemic [31:40] Original 1989 COPS intro The story of how the show got made (The Marshall Project) [32:00] For more on how the media covered the crack epidemic, read Cracked Coverage: Television News, The Anti-Cocaine Crusade, and the Reagan Legacy (Duke University) [32:00] Nancy Reagan’s “Just Say No” PSA A look at the former First Lady’s anti-drug campaign (VICE) [32:10] The death and drug overdose of Len Bias (ESPN) [32:40] “Cicle Vascule” by The Blue Dot Sessions [32:40] Light reading on the political climate around drugs following the death of Bias (The New York Times) 1986 United States Senate Hearing on the Anti Drug Abuse Act of 1986 (CSPAN) Audio heard from former U.S. Senator Howell Heflin, a Democrat from Alabama The time Heflin voted against the nomination of present-day U.S. Attorney General Jeff Sessions for the same position back in 1986 (Vox) [33:30] Light reading on the Anti Drug Abuse Act of 1986 [33:40] Break down of drug punishment, sentencing and incarceration rates from Cracks in the System (ACLU) [34:00] President Obama’s signing of the 2010 Fair Sentencing Act (CNN) [34:35] “Cicle Deseratt” by The Blue Dot Sessions [34:40] On the freakonomics of dealing crack (TED Talk) [35:00] “Mo’ Money, Mo’ Problems” [35:20] On the militarization of local law enforcement during the War on Drugs (Mother Jones) Rap song on the Batter Ram That time Nancy Reagan was part of a drug raid (Counter Punch) [36:20] Trying to Survive in the Ghetto by Herm Lewis [37:20] “Intro” from the album above [37:50] On the vulnerability genre of recent rap stars like Kanye West, Kendrick Lamar and Drake (Impose Magazine) [38:05] Steve Fox’s 20/20 report on hip hop from the late 70s (ABC) Recommended Viewing: Hip-Hop Evolution Recommended Viewing: Planet Rock The Story Of Hip Hop And The Crack Generation (VH1) [38:40] First verses of gangsta rap… Via Schooly D — “PSK, What Does It Mean?” Via Ice T — “6 'N The Mornin'” [39:00] “Fuck the Police” by N.W.A. [39:20] Bay Area artists include: Too $hort Mac Dre Dre Dog aka Andre Nickatina E-40 Souls of Mischief Tupac [39:35] Urban legend on the lack of Bloods and Crips in San Francisco (SF Weekly) [41:50] “Cicle Deseratt” by The Blue Dot Sessions [43:00] Light reading on Lonnie Green and Demons of the Mind [43:15] Sort of, but not really, but kind of related: Sucka Free City by Spike Lee [45:25] “Cicle Deseratt” by The Blue Dot Sessions [46:00] RBL Posse’s discography and rankings [46:30] On the death of Mr. Cee (San Francisco Chronicle) As retold by Black C (Passion of the Weiss) A deeper read from the local paper (San Francisco Chronicle) [47:05] A tribute to Hitman [47:30] The album cover in question [49:20] On the violence in Hunters Point (San Francisco Chronicle) Stunning photography by Alex Welsh [56:55] Podcast recommendation: Dissect [58:00] More at thisissomenoise.com

The episode features an interview with Zwift’s creative genius and co-founder of the company, Jon Mayfield. Jon has some really interesting things to say about a division between Z Power users and those with Smart Trainers/Power Meters. He also talks about how the draft in Zwift is still at an early stage and raises the prospect of introducing steering into the game. There’s a great interview with Australian hand cyclist Alex Welsh and myself, Shane and Nathan discuss the issues he raises about avatar customisation. The KISS races have now launched all over the world and are attracting huge fields in the Southern Hemisphere. I talk to Glen Knight, one of the originators of the wildly popular series and afterwards we discuss the genius of the http://www.zwiftpower.com tool. Matt Hayman’s coach, Kevin Poulton, still buzzing from his rider’s amazing victory in Paris-Roubaix, talks about how Matt used Zwift in his training – and gives his views on the value of indoor riding for training for the rest of us. There’s also a lively review of the indoor season so far in Australia with Shane and I discussing the massive popularity of the Aussie HDR group ride.

Alex Welsh was a fine traditional and mainstream trumpeter, who led one of Britain's best jazz groups from the 1950s to the 1980s. Digby Fairweather, who knew him well and inherited Welsh's cornet, joins Alyn Shipton to select the finest available recordings from the Welsh band's long career.