Podcasts about Ohlone

This weeks guest is Janice Bailon, who joins us from New York City. Born in Panorama City, California, and growing up in Ventura County, Janice embraces her California background. Janice feels California awarded her some of her greatest passions. She still cultivates these passions and hobbies: Forgotten classic cinema, movies, and musicals, especially from the 1970s and earlier, local seasonal produce and food history. One of Janice's most beloved personal and professional passions is Agave and the relationship between Mexico and the Philippines. Bailon proudly calls herself an “agave nerd” believing that if you think you know everything and are an expert of agave you really don't know anything. Professionally, Janice has been recognized as a leader in the hospitality industry with articles published in Forbes, Punch and other media outlets as well as a Tales of the Cocktail Best New Bar Nomination in 2022 for her work at San Francisco's For the Record. Janice also served as former President for the SF Chapter of the United States Bartender's Guild supporting members through the pandemic. In 2025 she was named as one of the Imbibe 75's and her program at Leyenda was the only New York Bar nominated for Outstanding Bar Program by the James Beard Foundation. Janice dedicates her efforts to shape a better world through her brainchild, Hospitality of Asians & Pacific Islanders (HAPI), a nonprofit organization established in 2022. Nestled in the unceded Ohlone territory, known today as the San Francisco Bay Area, HAPI's mission is to elevate the voices and stories of the Asian and Pacific Islander community within the hospitality industry. They strive to normalize the success and thriving of API individuals in the industry through a plethora of initiatives, including events to boost visibility and promote the community, a forthcoming mentorship program, and the dissemination of career development opportunities and resources. @mytinydancer fueledbyagave.co @hapi.community A big thank you to Jean-Marc Dykes of Imbiblia for setting up our new website theindustrypodcast.club. Imbiblia is a cocktail app for bartenders, restaurants and drink nerds and built by a bartender with more than a decade of experience behind the bar. Several of the features includes the ability to create your own Imbiblia Recipe Cards with the Imbiblia Cocktail Builder, rapidly select ingredients, garnishes, methods and workshop recipes with a unique visual format, search by taste using flavor profiles unique to Imbiblia, share recipes publicly plus many more……Imbiblia - check it out! Looking for a Bartending Service? Or a private bartender to run your next corporate or personal event? Need help crafting a bar program for your restaurant? Contact Alchemist Alie for all your bartending needs: @alchemist.alie Contact the host Kypp Saunders by email at kypp@babylonsisters.ca for products from Elora Distilling, Malivoire Winery and Terroir Wine Imports. Links kypp@babylonsisters.com @sugarrunbar @the_industry_podcast email us: info@theindustrypodcast.club

Today, we're joined by a super special guest - Our fearless leader and mentor, Erin! Erin Osanna-Barba is a licensed Clinical Social Worker and also one of Ohlone's mental health counselors. She joins us and brings her insight on love languages.   Listen to us wherever you find your podcasts - Spotify - https://open.spotify.com/show/0NcCxKgjXpR2wrJNZ5NoxU Our Podcast site - https://ohlonenotetoself.libsyn.com/ Youtube - https://www.youtube.com/@ohlonenotetoself8512 __PRESENT __PRESENT

In autumn of 2024, a diverse crowd of artists, activists, and community members gathered at the New Parkway Theater on occupied Ohlone land known as Huchiun for a private screening co-hosted by the Center for Cultural Power and Movement Generation. Excited to immerse themselves in stories of climate justice, the audience came for the debut of two short films: Remembering Our Way Forward by Lily Xie and hija de Florinda by Shenny de los Angeles & iiritu, the latest projects from CCP's Climate Woke campaign's "Create With Us" contest.On this episode, we share a recording of the event, including poetry by Aniya Butler, artist panel discussion, and audio from both films, complete with narrated visual descriptions.EVENT ORGANIZERSCenter for Cultural PowerMovement GenerationFILMMAKERS & PANELISTSRemembering Our Way by Lily Xiehija de Florinda by Shenny de Los Angeles & iirituBoth films are available for community screenings. Reach out to krystle@culturalpower.org to find out how to set up a screening in your community.MC: Dominique DrakefordPOET: Aniya Butler with Youth Vs. ApocalypseGIVE SHUUMI LAND TAX: Sogorea Te Land TrustThank you to We Rise technical advisor, Freewill Franklin for coming out to record the event & offering your expertise, always.

From a recent SAND Community Gathering (Feb 2025) hosted by SAND co-founders, Zaya and Maurizio Benazzo. Deep Medicine Circle (DMC), a collective of healers, farmers, artists, and storytellers, is challenging colonial structures by redefining health and wellbeing through practices that heal communities and restore connections to land. Led by Dr. Rupa Marya, Charlene Eigen-Vasquez, and Walter Riley, this visionary group is creating a holistic food and wellbeing model that nourishes both people and land, recognizing the profound interconnectedness of human health within social, environmental, and historical contexts. Dr. Rupa Marya  is a physician, activist, writer, mother, and a composer. She is a Professor of Medicine at the University of California, San Francisco and a co-founder of the Do No Harm Coalition. Her work sits at the nexus of climate, health and racial justice. She is the co-author with Raj Patel of the book Inflamed: Deep Medicine and the Anatomy of Injustice. She works to decolonize food and medicine in partnership with communities in Lakhota territory at the Mni Wiconi Health Circle and in Ohlone Territory through the Deep Medicine Circle. She has toured twenty-nine countries with her band, Rupa and the April Fishes, whose music was described by the legend Gil Scott-Heron as “Liberation Music.” Charlene Eigen-Vasquez, J.D. is of Ohlone descent, from the village of Chitactac. She is dedicated to land back initiatives, land preservation, land restoration, cultural revitalization and environmental justice because she feels that these initiatives have a direct impact on physical and mental health. As a mother and grandmother, she completed a law degree so that she might better serve Indigenous communities. Today her focus is on regenerative leadership strategies, leveraging her legal skills, and mediation skills to advocate for Indigenous interests, negotiate agreements and build relational bridges. She is an acknowledged peacemaker, trained by Tribal Supreme Court Justices. Charlene is the former CEO and Director of Self-Governance for the Healing and Reconciliation Institute. Charlene also serves as Chairwoman of the Confederation of Ohlone People, Co-Chair of the Pajaro Valley Ohlone Indian Council and Board Vice President for the Santa Clara Valley Indian Health Center. Charlene was recently brought into the Planet Women's 100 Women Pathway, a cohort designed to increase the number of diverse women leaders at the helm of the environmental movement. Walter Riley was born in 1944, number 9 of 11 children born to a farming family in Durham County, North Carolina. His family farmed until he was about 6 years old. He grew up in the Jim Crow south and in his early teens, Walter became active in the Civil Rights Movement organizing voter registration, sit-ins, jobs campaigns, and in his late teens became Field Secretary for CORE (Congress for Racial Equality), got married and became a father. He moved to the Bay Area in the 1960s where he became active in the political, social justice movements. Walter is a long-time community activist and civil rights attorney. Topics 00:00 Introduction and Greetings 00:47 Introducing Dr. Rupa Marya 01:46 Deep Medicine Circle and Board Members 02:36 Charlene's Introduction and Ancestral Tribute 07:33 Walter Riley's Introduction and Civil Rights Work 23:48 Connecting Food Systems and Colonial History 26:40 Healing Through Music and Cultural Awareness 27:43 Addressing Hunger and Malnutrition During COVID 28:06 Farming as a Path to Justice and Resilience 30:26 The Role of Historical Trauma in Land Restoration 30:51 Holistic Problem Solving and Cultural Stewardship 36:13 Youth and Community Engagement in Healing 41:28 The Importance of Ethnic Studies and Solidarity 43:08 Reflections on Historical Movements and Future Change 52:29 Concluding Thoughts on Healing and Unity Resources Farming is Medicine (film) Do No Harm Coalition Inflamed (Rupa Marya) Rupa and the April Fishes Boots Riley (Filmmaker and Musician) “I'm a Virgo” (TV Series by Boots Riley) “Sorry to Bother You” (Film by Boots Riley) The Coup (Boots Riley's Band) Support the mission of SAND and the production of this podcast by becoming a SAND Member

Forest Lin (they/them) is a queer 1.5-generation Taiwanese-American kinesthetic artist, Asian diaspora community organizer, and BaZi Chinese astrology practitioner based in Ohlone territory (Oakland). As a "Dragon meets Goat" Mycelium connector, they cultivate spaces for deeper embodiment, authentic expression, and ancestral healing. Through 1:1 BaZi consultations, Forest helps individuals uncover their potential and align with their deeper calling. They honor their teacher, Meng Yu of Tiger Eye Astrology, and their Mycelium Network kin for shaping their vision. In the Wood Snake year, Forest is especially eager to see their budding healing collective, @qiki.club, grow—we provide free/donation based acupuncture pop-up clinics for those who need to restore, rest, build, resist, and withstand the current movements of today's world. During this Snake year, forest will be offering sliding scale BaZi sessions $120-250 and commit to moving 20% to QiKi Club - to sustain movement organizers and provide healing support to those who need it the most. ⏰ Timestamps ⏰ 1:22 When it's your animal year 2:25 BaZi Chart 3:04 Yang Wood Dragon Year 4:49 Yin Wood Snake Year 7:19 Forest's own transformation 10:42 Yin wood 13:55 Snake year 26:00 Snake shadow side 28:30 The invitation of a snake year 31:17 The snake is the mystic 40:10 Talking about $ with the community  48:29 Animal compatability with snake 52:03 Forest's advice 57:00 How to work with Forest Show Notes: Natal Chart & Transit Readings  ORDER MY BOOK HOW TO MANIFEST Laura Chung Instagram Laura Chung's Website  Laura Chung's Tik Tok Forest website: www.forestlin.co Forest IG: @forestxrrei QiKi Club: https://qikiclub.carrd.co/ QiKi IG: @qiki.club YouTube Channel Awaken and Align Instagram Connect with Awaken and Align: If you enjoyed the podcast and you feel called, please share it, and tag me! Subscribe, rate, and review the show wherever you get your podcasts. Your rating and review help more people discover it! Follow on Instagram @awakenandalign Let me know your favorite guests, lessons, or any topic requests.

As part of our series, “A World Beyond Revenge” on Restorative Justice, today's episode features Yoana Tchoukleva. She is an attorney, community organizer and restorative justice practitioner. She has held dozens of restorative justice accountability processes, both inside of carceral institutions and in the community. Most recently, she served as Assistant District Attorney in the San Francisco District Attorney's Office where she expanded access to Restorative Justice Diversion for youth and adults facing felony charges. Currently, she teaches Restorative Justice Diversion at UC Berkeley School of Law, leads a new reentry project at Impact Justice, and supports many movements for change. Yoana received her JD from Berkeley Law and her BA in International Human Rights from the University of Chicago. You can email Yoana at ioanaq@gmail.com. You can reach out to her on Instagram @yoana.tch, and on LinkedIn. Please consider donating to Atunse Justice League through their fiscal sponsor Restorative Community Solutions, and to The Ahimsa Collective. Yoana would like to give special thanks to Sujatha Baliga, Shilpa Jain, Zakee Hutchison and Jonathan Bradley. When not working, Yoana serves as an elected delegate to the California Democratic Party, Vice Chair of the Oakland Public Safety and Services Oversight Commission (SSOC), and Legislation Committee Co-Chair of the Alameda County Democratic Central Committee. She lives in Oakland on unceded Ohlone land and loves to dance.Producers: Whit Missildine, Andrew Waits Content/Trigger Warnings: crime, assault, justice, incarceration, explicit languageLINK TO OUR LISTENER SURVEY! We've come up with a short audience survey, which you can find linked in our show notes and in the bio of our Instagram page @actuallyhappening. We'd love to hear your opinions and feedback, and we'd really appreciate your point of view. Link below:https://docs.google.com/forms/d/e/1FAIpQLSfxV-6qeNAOuIAbBnuSJpoyqE3tlvusxb069dZCUC1RWeLfEg/viewform Social Media:Instagram: @actuallyhappeningTwitter: @TIAHPodcast Website: thisisactuallyhappening.com Website for Andrew Waits: andrdewwaits.com Support the Show: Support The Show on Patreon: patreon.com/happening Wondery Plus: All episodes of the show prior to episode #130 are now part of the Wondery Plus premium service. To access the full catalog of episodes, and get all episodes ad free, sign up for Wondery Plus at wondery.com/plus Shop at the Store: The This Is Actually Happening online store is now officially open. Follow this link: thisisactuallyhappening.com/shop to access branded t-shirts, posters, stickers and more from the shop. Transcripts: Full transcripts of each episode are now available on the website, thisisactuallyhappening.com Intro Music: "Illabye" – Tipper ServicesIf you or someone you know is struggling with the effects of trauma or mental illness, please refer to the following resources: National Suicide and Crisis Lifeline: Text or Call 988 National Alliance on Mental Illness: 1-800-950-6264National Sexual Assault Hotline (RAINN): 1-800-656-HOPE (4673)See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

(Conversation recorded on December 11th, 2024)     The past century has been marked by the rise of globalization in every sense of the word - through production, culture, agriculture, consumption and more. This trend has brought great wealth and opportunities to many people - but what have we lost and forgotten through this process?  In this Reality Roundtable, Nate is joined by members of the bioregioning movement, Daniel Christian Wahl, Samantha Power, and Isabel Carlisle, to discuss the necessity of reconnecting to our local places for the sake of addressing our ecological, social, and economic challenges. In this fascinating exchange, Nate and his guests emphasize the need for decentralized governance and institutions, as well as communities organized around resilience and regeneration.  How deep are the historical and indigenous ties of humanity to the bioregional way of life? In what ways can individuals begin to engage with their local bioregions and contribute to a regenerative future? Finally, how can more humans who are connected and in relationship with the land influence future societies and cultures to be more aligned to the well-being of all life?    About Daniel Christian Wahl: Daniel Christian Wahl is one of the catalysts of the rising reGeneration and the author of ‘Designing Regenerative Cultures' - so far translated into seven languages. He works as a consultant, educator and activist with NGOs, businesses, governments and global change agents. With degrees in biology and holistic science and a PhD in Design for Human and Planetary Health, his work has influenced the emerging fields of regenerative design and salutogenic design. Daniel is winner of the 2021 RSA Bicentenary Medal for applying design in service to society and was awarded a two year Volans-Fellowship in 2022.   About Samantha Power: Samantha Power is a Co-Founder and the Director of the BioFi Project and the Founder and Principal Consultant of Finance for Gaia. She is a Regenerative Economist, Futurist, and Bioregionalist based in Oakland, CA on the ancestral land of the Ohlone people. Samantha channeled her 15 years of experience learning and working in this space into a new book: 'Bioregional Financing Facilities: Reimagining Finance to Regenerate Our Planet'. The book makes the case for and explains how to build institutions to shift capital to place-based regenerators to achieve global climate and nature-related goals, while enabling the transition to regenerative economies. To turn this vision into a global movement, Samantha co-founded the BioFi Project — a collective of experts supporting bioregions around the world to design, build, and implement BFFs inspired by the templates laid out in the book.   About Isabel Carlisle: Isabel Carlisle is a communicator, educator and large-scale project organiser. Her experience in the London art world (where her work included writing as an art critic for The Times and curating exhibitions at the Royal Academy) led her to set up and direct the Festival of Muslim Cultures that took place across Britain throughout 2006. Over 120 events in almost every conceivable art form brought audiences into contact with the Muslim world in order to build bridges of understanding between cultures. Isabel moved to South Devon in 2010 and created and led learning programmes for children and young adults with Transition Network. Since 2012 she has trained in Regenerative Development and Design with Regenesis.   Show Notes and More Watch this video episode on YouTube   ---   Support The Institute for the Study of Energy and Our Future Join our Substack newsletter Join our Discord channel and connect with other listeners  

Join hosts David Helvarg and Vicki Nichols Goldstein as they dive into the decades-long grassroots effort to transform 413 acres of the San Francisco Bay headland in Richmond, California, into the new Point Molate Park. Featured guest André Soto, a musician and activist, recounts the struggle against plans for a massive casino and high-end housing development. Discover the rich history of the land, from its origins as Ohlone land to its time as a naval fuel depot, and learn about the importance of community activism, environmental preservation, and political engagement in making this vision a reality. This episode of Rising Tide, the Ocean Podcast, celebrates a victorious moment for public education and conservation. ** Links & Resources ** Support the Rising Tide and donate to Blue Frontier: bluefront.app.neoncrm.com/forms/donation Your gift of any size will help bring communities together to protect our coasts and ocean. Blue Frontier: bluefront.org Building the solution-based citizen movement needed to protect our ocean, coasts and communities, both human and wild. Inland Ocean Coalition: inlandoceancoalition.org Building land-to-sea stewardship - the inland voice for ocean protection Fluid Studios: fluidstudios.org Thinking radically different about the collective good, our planet, & the future.

Nestled in the Berkeley Hills, Indian and Mortar rocks are popular hangout spots known in part for epic views of the Bay. For climbers like Berkeleyside reporter Ally Markovich, they're known for their outsized role in the development of bouldering. But for the native Ohlone, the boulders are a symbol of a destroyed cultural landscape, and an urgent call to protect native history. This episode first ran on Dec. 23, 2023. Learn more about your ad choices. Visit megaphone.fm/adchoices

“Contrary to popular belief, most Native American people in the United States live in urban areas and not reservations.” Those words are from “Refusing Settler Domesticity: Native Women's Labor and Resistance in the Bay Area Outing Program,” a new book by historian Caitlin Keliiaa. Caitlin grew up in Hayward and her family is part of what she describes as the Bay Area's large, thriving, and diverse Urban Indian population. Just to be clear, Caitlin isn't Ohlone. She's not a descendant of the Indigenous tribes who've lived in the Bay Area for millennia. Like many Urban Indians, her family has only been here for a few generations – and her new book helps answer the question of how they, and many other Native families, got here. The book is important, because as Caitlin explained: “A lot of people think about Indian relocation in the 1950s as the moment when Native people come to the Bay, but actually they were here decades prior.” Listen to the episode now to hear about a mostly forgotten chapter of Bay Area history that is crucial to understanding the roots of this region's Urban Indian community. https://eastbayyesterday.com/episodes/the-missing-chapter/ Don't forget to follow the East Bay Yesterday Substack for updates on events, boat tours, exhibits, and other local history news: https://substack.com/@eastbayyesterday Special thanks to the sponsor of this episode: UCSF Benioff Children's Hospitals are committed to supporting the health and development of all children. At UCSF's Pediatric Heart Center, doctors are using cutting edge 3D modeling technology to provide lifesaving treatments for Bay Area children. Using state-of-the-art 3D heart imaging, the team at Children's can diagnose previously unseen complications, unlock solutions, and empower life-saving surgical approaches. To learn more, click here: https://www.ucsf.edu/news/2023/04/425186/how-3d-printer-heart-technology-changed-teens-life East Bay Yesterday can't survive without your donations. Please make a pledge to keep this show alive: https://www.patreon.com/eastbayyesterday

In this bonus episode, I sit down with astrologer, diviner, lifeworker and my collegue Astra Najma. Astra is offering an Astrology 101 class that will take your practice to the next level. Whether you just discovered your sun sign or you check your birth chart everyday, Astra's class caters to all astrology enthusiasts and will help you hone your skills and learn to interpret birth charts with solid technique and a bit of magic. (The class begins on November 1, and is offered in person or online. You can sign up for the course even after it begins and gain access to the class videos online.)Astra and I discuss astrology 101, the fixed stars (one of my favorite parts of astrology that I didn't learn about until later in my practice!), locational astrology, mediumship, and I even share part of my birthing story. There's so much in this episode and in their class offering—you won't want to miss this one!Sign Up for Astrology 101 with Astra NajmaAbout Astra Najma: Astra (they/them) is an astrologer, diviner, and lifeworker based in occupied unceded Ohlone land.They're a former professional organizer who has worked on campaigns on Black land defense, educational accessibility, and unionization battles.Now, they're focusing on divination and astrology.. They're currently doing research on the intersection of locational astrology and liberating the land from occupation and environmental violence.Connect with Astra: Sign Up for Astrology 101 with AstraBook a Reading with AstraJoin Astra on PatreonShare Some Financial Appreciation for AstraInstagramSupport the show

In this episode, host Lyla June interviews Charlene Nijmeh, the chairwoman of the Muwekma Ohlone Tribe, which is comprised of all known surviving American Indian Lineages aboriginal to the San Francisco Bay Region.Throughout the episode, the discussion focuses around the powerful history of the Muwekma Ohlone Tribe, stories of resilience, and the "Trail of Truth", a 90-day horseback journey across the United States, all the way from San Francisco to Washington, beginning August 4th.With a strong sense of public service and duty towards her tribal communities, Charlene sits at the helm of the "Trail of Truth" protest and is determined to make sure that the voices of the unrecognized tribes are heard.To learn more about the Muwekma Ohlone Tribe, visit Muwekma.org.To donate to the Muwekma Ohlone Tribe, vist https://www.paypal.com/donate/?hosted_button_id=NJSTHL7GYM7WE.To learn more about Charlene Nijmeh, visit CharleneforCongress.com.

When KALW's Marissa Ortega-Welch hit the Pacific Crest Trail, she used her preferred method of navigation: an old-fashioned trail map. But along the way, she met a couple who only used phones to guide them, a Search and Rescue team that welcomes the power of GPS, and a woman who has been told her adaptive wheelchair isn't allowed in official wilderness areas (not actually true).So… does technology help people access wilderness? Or does it get in the way? This week's episode comes to us from “How Wild” produced by our friends at KALW Public Media. In this seven-part series, host Marissa Ortega-Welch charts the complex meaning of “wilderness” in the United States and how it's changing. Marissa criss-crosses the country to speak with hikers, land managers, scientists and Indigenous leaders – people who spend every day grappling with how ideas about wilderness play out in the hundreds of designated wilderness areas across the U.S. LINKSCheck out more episodes of “How Wild” here.SUPPORTOutside/In is made possible with listener support. Click here to become a sustaining member of Outside/In. Follow Outside/In on Instagram or join our private discussion group on FacebookHOW WILD CREDITSHow Wild is created and executive produced by Marissa Ortega-Welch. Edited by Lisa Morehouse. Additional editing and sound design by Gabe Grabin. Life coaching by Shereen Adel. Fact-checking by Mark Armao. How Wild is produced in partnership with KALW Public Media, distributed by NPR and made possible with support from California Humanities, a partner of the NEH. This podcast is produced in Oakland, California…on the unceded ancestral homeland of the Ohlone. Learn more about the Indigenous communities where you live at native-land.caOUTSIDE/IN CREDITSOutside/In Host: Nate HegyiExecutive producer: Taylor QuimbyNHPR's Director of On-Demand Audio is Rebecca LavoieOur staff includes Justine Paradis, Felix Poon, Kate Dario and Marina Henke. Outside/In is a production of New Hampshire Public RadioSubmit a question to the “Outside/Inbox.” We answer queries about the natural world, climate change, sustainability, and human evolution. You can send a voice memo to outsidein@nhpr.org or leave a message on our hotline, 1-844-GO-OTTER (844-466-8837).

In this SAND Community Gathering (September 2024) Zaya and Maurizio sat down with Jess Semaan, poet, psychotherapist and facilitator to explore the intersection of poetry and grief in the context of genocide. They drew from her research on genocide, as well as her personal and professional experiences, Jess tended to our psycho-spiritual profound sorrow and loss in this time. By giving voice to the unspeakable and providing a means of bearing witness to the stories of those impacted by the trauma of large-scale atrocities, we are making space for individual and collective healing. Poetry helps us navigate the complex terrain of grief, injustice, and human suffering. Come and honor the resilience of communities that have endured such immense trauma. Jess Semaan is a queer Lebanese poet, psychotherapist, group facilitator and speaker. She researches, writes and speaks on subjects of healing from complex trauma, immigration, war and belonging. Her first poetry book Child of the Moon was published by Andrews McMeel and sold over 14,000 copies. Her second book Your Therapist is Depressed Too came out in December 2023. She immigrated to the United States from Beirut. She has an MBA from Stanford and an M.A. in counseling Psychology from CIIS. She identifies as SWANA (South West Asia and North Africa), with grandparents from Syria, Palestine and Mount Lebanon and resides on Ohlone land (Oakland, California), with her partner Berk and their two cats. Topics: 00:00 – Introduction and Greetings 00:43 – Special Guest: Jess Semaan 00:56 – Reflecting on Recent Screenings 02:12 – Jess Semaan's Background and Work 03:03 – Poetry Reading: Let Gaza In 06:26 – Technical Difficulties and Reflections 07:56 – Discussing Genocide and Dehumanization 09:05 – Personal Journey and Psychological Insights 11:11 – The Complexity of Beirut 12:59 – The Psychological Impact of Diaspora 15:51 – Research on Genocide and Human Cruelty 26:46 – Poetry Reading: Is it a Massacre if it's a Palestinian? 28:51 – Healing Workshop and Collective Trauma 30:13 – Understanding My Mother's Trauma 31:51 – The Collective and Individual Psyche 34:07 – Critical Thinking and Cultural Differences 36:04 – The Role of Bystanders in Conflict 43:24 – Grieving Amidst Ongoing Conflict 51:29 – Poetry of Resistance and Grief 57:31 – Closing Reflections Support the mission of SAND and the production of this podcast by becoming a SAND Member

A weekly magazine-style radio show featuring the voices and stories of Asians and Pacific Islanders from all corners of our community. The show is produced by a collective of media makers, deejays, and activists. Tonight we present our sister podcast Continental Shifts. Hosts Gabriel and Estella speak with Tavae Samuelu.   Opening: [00:00:00] Apex Express Asian Pacific expression. Community and cultural coverage, music and calendar, new visions and voices, coming to you with an Asian Pacific Islander point of view. It's time to get on board the Apex Express.   Swati Rayasam: [00:00:35] Good evening, everyone. You're listening to APEX Express Thursday nights at 7 PM. My name is Swati Rayasam and I'm the special editor for this episode. Tonight, we're wrapping up the podcast continental shifts created by bi-coastal educators, Gabriel Anthony Tanglao and Estella Owoimaha-Church who embark on a voyage in search of self, culture and the ancestors. Last time we featured the concept's podcast, Gabe and Estella, talked with union leader and educator Yan Yii about creating culturally relevant classrooms, the importance and emotional toll of teachers being a social safety net for marginalized students, and the ever-growing union presence in education. Tonight. They're talking to Tavae Samuelu about what it will take to organize across ethnic groups, specifically Pacific Islander and Asian communities, beyond ethnic or national lines. And what future we're visioning for when the US empire falls. If this is your first touch into the conshifts podcast, I strongly recommend diving into the apex archives on kpfa.org. Backslash programs, backslash apex express to check out the previous episodes. And also to check out the podcast on ConShift's site at continentalshifts.podbean.com or anywhere podcasts are found. But for now, let's get to the show.   Tavae Samuelu: [00:02:05] When Toni Morrison talks about Invisible Man and asked this question of like invisible to who? Like, what do I care if whiteness sees me? Also know I come across folks who are like, I say API cause I was taught that that was inclusive. And I was like, I bet you a PI didn't tell you that [laughs].   Gabriel Tanglao: [00:02:27] What will it take to organize across ethnic groups, specifically Pacific Islander and Asian communities. In this episode, we rap with the amazing Tavae Samuelu to strategize ways we might organize AAPI folks across and beyond ethnic or national lines.   Estella Owoimaha-Church: [00:02:48] What up, what up? Tālofa lava, o lo'u igoa o Estella. My pronouns are she/her/hers, sis, uso.   Gabriel Tanglao: [00:02:53] What's good, family? This is Gabriel, kumusta? Pronouns he/him.   Estella Owoimaha-Church: [00:02:56] Tavae Samuelu is the daughter of a pastor from Leo Lumoenga and a nurse from Salemoa in Samoa as the executive director of Empowering Pacific Islander Communities, she's a passionate advocate for Pacific Islanders and is committed to liberation for all. Tavae was born, raised, and currently resides on Tongva territory. She credits her time on unceded Ohlone land for her political consciousness. During the pandemic, she has learned that her most important title is Auntie Vae. I had the pleasure of meeting Tavae at the Asian Pacific American Labor Alliance Conference in Vegas a couple of years ago when I sat in on her workshop related to organizing Pacific Islander communities. It was, and I'm sure I've told her this by now, one of the first times in my life I have ever felt seen as a Samoan woman. Uso, thank you so much for joining us today. Please go ahead and take a few minutes to further introduce yourself to our listeners.   Tavae Samuelu: [00:03:57] Thank you, Stella. I've heard you say that before and it always makes me tear up [laughs]. That's also probably the most rewarding aspect of this job, of this community work, to be able to hear from people that they feel seen and validated. By, you know, by what we do and what, by what we put out there in the world. As I said, you know, currently residing on Tongva territory, what is momentarily known as Long Beach, California, until we get this land back to who it rightfully belongs to. You know I'm really clear and really intentional in this pro indigenous approach of naming the original stewards of this land because it's important to me that we know who to return the land to when this empire falls and that we're really clear, right? Not to just be in solidarity as a performative aspect, but naming our indigenous siblings who continue to exist, who are incredibly resilient and are still the experts on the best way to take care of this land and each other and how to be good relatives.   Estella Owoimaha-Church: [00:05:13] She said, “when the empire fall,” I went [laughs].   Gabriel Tanglao: [00:05:16] When the empire, when the empire falls. When…so.   Tavae Samuelu: [00:05:19] I mean, let me credit to Dakota Camacho, who taught me to say “momentarily known as” I was like, yeah, that is a manifestation, if ever. I like that. I'm gonna, I'm gonna borrow that. Let me also cite Dakota Camacho for that.   Gabriel Tanglao: [00:05:33] Tavae I would love to know just a little more about your backstory. What brought you to this work in particular, organizing in the Pacific Island community and spaces.   Tavae Samuelu: [00:05:43] My path was circuitous. I think there are a couple of milestones that are important to be explicit about. I've been Pacific Islander my entire life, right? Whatever that means to be born into racism and understand that race is a social construct. And so what it means to be Pacific Islander has also changed every single moment of my life. I would say that the way that I language and articulate my Pacific Islander identity most definitely needs to be credited to black feminist thought and that despite being Pacific Islander my entire life [laughs], it wasn't really until, you know, I was an undergrad at Cal and an ethnic studies major and introduced to Audre Lorde and bell H=hooks and Angela Davis and especially Kimberlé Crenshaw, right? The person who so often is not credited enough for coining intersectionality. But I want to be really clear, I didn't understand Pacific Islander until I got language from these black feminist thought leaders. Folks who were so so brilliant about naming what it means to walk around in a world that is both racist and sexist. And then, through an ethnic studies class that was on time on American History, right? I'm a first year Cal and it also meant I went kindergarten through 12th grade not hearing a single thing about Samoans. And had to get to my freshman year of college to see anything about us and having a lot of critical questions about why that is right. And everything leading to one thing or another. I was like, oh, well, there's not enough of us in higher education. So, well, why aren't there enough of us in higher education? I know. Brilliant smart, talented Pacific Islanders. So you start getting into like the systemic and institutional barriers around. So there was a lot of critical race theory consumption that happened for me really in gaining an elitist language for things that I experienced my entire life, right? And then after getting black feminist thought, then being able to read about Pacific Islanders through Epeli Hau'ofa and Sia Fiegel and Haunani Kay Trask and so many ancestors and elders who really blazed a trail around things, who became definite, and more recently, Teresia Teaiwa. So I say that, and there's also a piece of it where I would love to say that there was like this drive that came from this really positive place, but a lot of it was just anger. Like that initial phase of building your political consciousness where you wake up and realize how up is, oh, man like, what can I do? And then sort of moving throughout these other phases of political consciousness building where then I'm like, oh, but there are ways that I participate in the systems that disenfranchise us, but also that internal work and still being there. And so even most of my organizing and like even professional career has actually been in multicultural spaces outside of the Pacific Islander community. And it's really only with EPIC that I've been able to deeply engage in that. And the irony of being called Palangi or the Samoan word for white my entire life and then never feeling Pacific Islander enough and now being charged as the leader of a national Pacific Islander organization that is frequently asked to define PI, so, you know, that is the irony of the universe for me.   Estella Owoimaha-Church: [00:09:07] There was so much, so much there. Our listeners cannot hear me like banging on the table and snapping and, but, again, you are another guest who has affirmed the absolute importance of ethnic studies in our education, in our process, and you are another guest who has affirmed the absolute necessity of black feminist thought, like in all of our upbringing and conscious awareness rising. And like maybe there's a case study here in season one [laughs] that's formulating on how we became the educators and organizers that we are. Gabriel, you were a social studies classroom teacher, and then moved into taking on union labor work like heavily, what was some of your motivation or inspiration to make the move from the classroom and step heavy into union labor organizing?   Gabriel Tanglao: [00:10:16] If I'm keeping it 100 percent real, I didn't want to leave the classroom. I loved the classroom. I still love the classroom. It was the foundation of just my passion in specifically the Bergenfield community, which we've talked about in the past episodes has a larger Filipino population. So not only was education, just a pathway to be able to help uplift, engage my people, young folks in my community. But the union organizing space in Bergenfield was also formative in allowing me to engage on a broader scale. So that said, when making the transition out of the classroom, which was a difficult decision, to step into the union organizing space on a statewide level, it was really just with the possibility of being able to support educators on a larger scale and have a broader impact and specifically in my role in professional development, I consider this the only type of full time union work that I would leave the classroom for because it's the closest to the classroom. And in professional development, I think there's this old school perception on PD that's really sit and receive canned PowerPoints. And I feel like this conversation around organizing, there's actually a really fascinating exploration between facilitation, education, and organizing. They all pull from the similar skill sets, right? Sharing resources, bringing people together in shared learning, collective understanding, trying to figure out how the collective wisdom can allow us to just transform the community spaces, the up society in which we live. All of the things, Tavae set it off so we can do that she established some new rules. But to keep it relatively brief, I would say the professional development role and the opportunity to organize on a larger scale is the only reason that I considered leaving the classroom.   Estella Owoimaha-Church: [00:12:30] I know you, you touched on this already, but I'll go ahead and ask it and I'll ask both of you and I'll toss it to Tavae first. In what ways does your culture and your identity inform the work or vice versa?   Tavae Samuelu: [00:12:46] I think that it always has. There was a point at which I thought I needed to come to EPIC and sometimes that's still true. That I needed to come to EPIC in order to give primacy to my Pacific Islander identity, I had spoken earlier about most of my professional career and even like, as a student organizing was done in multicultural spaces that were, you know, in, in this sort of umbrella way identified as black and brown. But they weren't spaces where I was PI, I was like, you know, most often a woman of color, more broadly, a person of color, but there was never really an understanding of Pacific Islander. Whether people knew it or not, everything I was doing was in a very Pacific Islander way. From the way I speak to things that people would have identified as very humble. I was like, oh, that's just how PIs do it, right? That there's a protocol to things. The deference to elders, the, I love my best friends says, all I do is quote people [laughs]. But there's this part to me where it's like, everybody quotes people I just cite my sources. But there's a part to it too where even citing your sources is very Pacific Islander in that you are naming the genealogy of something, of a thought, of a practice, of a story, right? That you are always going back to the roots of where you came from and that conclusion. And also like a lot of ways where things that I was recognized for was in storytelling. It's like, oh, that's a really good. And folks not realizing like, oh, that's, that comes from me being Pacific Islander. Like that comes from me being Samoan. Not in spite of, but because of it. And so now there's a lot of ways where the work is defining Pacific Islander. And this other really interesting piece that EPIC does leadership development. That means we work with a lot of young people and the vast majority of our young people are second, third, fourth generation, right? Fairly removed from their indigeneity. And because of that, growing up in diaspora, in particular, growing up in the U. S., that there's always this thirst for Pacific Islander culture, and that's what they come to us for but also this notion and kind of this living conversation about what is PI, right? And that we ask them, and then many of them not feeling Pacific Islander enough, like that being the through line. But when you ask, like, what is Pacific Islander, is advocacy Pacific Islander, is education Pacific Islander? And oftentimes hearing from them, really troubling narratives that they've internalized about what PI is, and then having to untether and tease out, like, where did you get that from? Where did that story come from? Did it come from PIs? Very often, not, right? That, that what it means to have to constantly interrogate the ways that white supremacy controls how you understand yourself, controls your story, right? And so, you know, what does it mean that to our young people, that being PI means automatically and inherently means being part of the military, because that's what it means to be a warrior culture. Or that being PI is playing football or that being like that many of the narratives that they had taken to be factual were also grounded in the consumption of their bodies and wanting to trouble that notion. Right? And then also empower them to participate in the creation of a new narrative. So we sort of sit at this place where our work is to both remember culture, spread that remembering, and also watch it evolve and empower our young people to participate in that evolution and feel ownership of it.   Gabriel Tanglao: [00:17:05] I'm just gonna have a real moment right now on this episode and just say I wish I had a rewind button right now just to run that back because I'm trying to process some of the knowledge you just dropped and thinking about the ways that our culture and identity inform the ways we show up in spaces, specifically the ways that our perception is grounded through the lens of white supremacy culture and the consumption of our bodies is the way that you framed it, but how do we transform those narratives to be grounded in our own indigenous authentic cultural lens. So just Tavae, thank you for jumping in there. I was thinking about this question in what ways does my culture and identity inform my work? And I'm going to keep it real with you that I'm still exploring that right now. I recognize that the knowledge of self, the knowledge of Filipino history is something that I am becoming more familiar with and drawing more connections with in my adult life. Of course, being Filipino, having the cultural roots be present in my life, but also being a first generation person in a predominantly white suburban area, assimilation is something that is very much the reality for first generation folks. It wasn't until college, it was an educator, a professor Osei, on the literature of African peoples that started to help spark that critical race consciousness and sent me down a journey to become more race conscious and explore that. So to respond in short, the cultural identity, I'm still exploring that now, but I will say this. that the more that I learn, the more connections that I'm starting to realize. Being that I'm now heavily involved in the union spaces, and that's been a big part of my journey recently, I've come to learn about the farm workers and the Filipino organizers across Hawaii and the West Coast that have been pivotal in American history, labor organizing that I wasn't aware of. It was actually a moment of pride as I learned about that through APALA so APALA was one of the places where I was educated about this history and I'm realizing a lot of the connections that I'm making in my people, cultural roots.There's something there that I'm still unpacking right now, still exploring right now, and that's part of this Continental Shifts podcast. It's a real time exploration of how our culture and identity inform the ways we show up now. So that's, that's how I think about it in this moment.   Tavae Samuelu: [00:19:56] I love that and I think even as you were saying that what comes up for me is a lot of stuff too. That's also what's unique about EPIC is because I know our young people everywhere else they go will tell them that culture is a deficit. Right. It's the thing that you need to put away in order to succeed. And that we're also really clear of like, well, we are asking them to define success. It's not about aspiring to whiteness. Right. That I'm not trying to replace American exceptionalism with PI exceptionalism. And this other piece around culture is like, culture is not a costume. But it's most definitely a uniform for me, right? Like that when I go to the Capitol, if I'm lobbying in Sacramento, if I'm in D. C., I'm wearing my mom's fulakasi so that everybody can see, right? So to bring her with me as like a physical reminder. But also so my people see me there, right? Like a pulakasi, you wear it for ceremony. You also wear it to do faius or work when you're in service, right? So if I'm wearing a pulakasi, you know that I'm there for teltua. You know that I'm there to be in service, and that signaling to our young people, and then like the ceremony part of it, right? There's a sacredness to it. So if I'm in it, you also know, like, that you know what I'm there for. You know I'm about that business if we're, if we're in it. And you know, it tells other people, like, yo, this is how much we belong in the capital that I didn't put on, you know, I didn't put on some pantsuit or a blazer or whatever the case so that white people will recognize me. I put on a fulakasi so you all could see me. Right? And I think, and I've talked to this to a couple of folks about it, right? Like when Toni Morrison talks about Invisible Man and asked this question of like invisible to who? Like, what do I care if whiteness sees me? Like, the first time white people saw us, they decided, like, we were savage and they needed to take our land from us. It's actually not safe for white people to see me. Like, I just need our folks to see each other, right? And this other piece too, around narratives and story and culture, right? Like, that's the importance of APALA, of EPIC, of, of Ethnic Studies, is like, it'll give you the stories white supremacy never wanted you to know about yourself, right? That, like, white supremacy will tell people about the Aloha spirit, and that, like, Kanaka are just so grateful for tourism to have you on their land. It's like, yo, my favorite stories about Native Hawaiians are when they killed Captain Cook, cause that just like stepped out of line and tried to take too much right.   Like, those are my favorite stories. And so, you know, they'll tell you about us being warriors to recruit our young people for empire, like, yo, if you're gonna talk about words, talk about the Polynesian Panthers who stood toe to toe, inspired by the Black Panther Party to surveil the cops who were harassing, deporting and doing all of this up to our community. Or like tell the stories about our healers, right? Big Pharma will copyright things that we've been using to treat and heal our people for years so that it's not accessible on our lands. Like those are the stories where I'm just like, yo, I need all of our folks to know more of this. And I think even to that note Estella and I got to, after that APALA workshop got to reconnect through LE GaFa. And LE GaFa is also really important, like all of these language revitalization programs that are coming up, because even in a Fa'a Samoa or like a Samoan context, the three pillars of identity are land, family, and language, right? And so many of our young people come to us, you know, if you're in diaspora, that means you, you're divorced from your land. Many have lost language and then family is complicated. Family is real complicated [laughs]. And so how did we also become that space of redefining Samoa?   Estella Owoimaha-Church: [00:23:36] Oh, sis. So much has been said, but when you were speaking earlier, I thought back to how I felt when I first met you. And for the first time I was seen by my sister. You know what I mean? Like, I have never been in space with other Samoan women and felt at home until then. And then in thinking about LE GaFa and why I chose to take the class at 30, trying to learn a language is hard at 30, trying to learn Samoan at 30 oof! It is one of the biggest challenges I've ever accepted in my life. But every time we are in class, things just feel like they were already in my bones. And I didn't have a name for it or I didn't know what it was. So folks are always telling me, Stella, you're a storyteller. And you know, obviously I'm a theater major. Ended up in storytelling. And it's definitely a part of my practice as an educator. But like, now I know, well, that was in my bones, that is my lineage, that's my heritage, that's my ancestry. From both sides, you know, you know what I mean? I'm Nigerian and Samoan, I get it strong from both sides of who I am. I just love holding on to that thought that all of these things that someone tried to rip away from me, tell me was not okay, they couldn't because it is deeply innate. It is literally in… in me and it cannot be taken. And so my journey throughout my life to it was just that. It was something that was misplaced and I just had to find it again and I'm happy that I am there and to what Gabriel said earlier, that was definitely a reason why we chose to start this podcast because I can see it on my social media feeds, that there is a thirst, especially among young Samoans, to find out more about what's going on, I now have so many, oh, Samoan daily words and Samoan proverb, you know what I mean? Like so many folks I'm following and people are also trying to learn the language, I'm meeting and making connection with random Samoan artists on Instagram who now are in the LE GaFa class. And like everyone is now connected through social media. Because all of us, like you said, we are living in diaspora and those three parts of ourselves, we are now having to find. They're misplaced and we're in search of them and are lucky and blessed to be able to find each other so that we can rediscover those pieces of ourselves.   Gabriel Tanglao: [00:26:09] Tavae, when you were talking about the different stories that aren't told that should be told, you got me thinking about Lapu Lapu in the Philippine Islands, the chieftain that defeated, Magellan and stemmed off the first wave of colonizers coming through to the Philippines. I didn't learn about that in my, in my fourth grade class when I had to do a history research project. I learned about Magellan discovering the Philippine islands and that's not the story. Tell me the story about Gabriela Silang and all of the Filipino revolutionaries. So I was feeling what you were saying earlier. And also, with the deficit narratives that are placed on us, Dr. Tara Yasso, who introduced the Community Cultural Wealth Framework, the idea to challenge the dominant culture's narrative, the deficit thinking around us, and recognize the value-based, asset-based, capital-based thinking of cultural wealth that we're bringing to spaces, that's real.   Swati Rayasam: [00:27:07] You are tuned in to APEX Express on 94.1 KPFA, 89.3 KPFB in Berkeley, 88.1 KFCF in Fresno and online at kpfa.org.   Gabriel Tanglao: [00:27:22] Tavae, I do have a question about your organizing work with EPIC. That's a dope name, by the way just got to shout that out. But what success have you and EPIC had in organizing across PI communities?   Tavae Samuelu: [00:27:37] Credit for the name goes to Ono Waifale. You know, so EPIC started in 2009 by a group of young Native Hawaiian and Pacific Islander leaders, mostly in higher ed, Ono, and a lot of it's sort of like the seeds of it planted, in the Pacific Islander leadership pipeline. So there's like a lot of hands that went into building it. Ono Waifale was one of the young people who went through that. And so the name EPIC comes from him. You know, something about the word success gives me trepidation. Like I have a thing about it, and maybe this is also me having a hard time just discerning between, humility and insecurity of like when you call something a success that people come and like want to hold you accountable to that. There are things that I feel good about, things that I feel proud about and. You know, it's my own recovering perfectionism that has me hesitant about it. That has me like, Oh, if I call that a success, there are so many things that I would have nitpicked about it, that I would done differently. You know, I'm always going to say the young people are my favorite part of this work of EPIC as an organization. On like that Huey P Newton, like, the revolution is always in the hands of young people. There's also a way that they are the best compass and litmus test, right? In that audacity that young people have of it could be better. And I'm just like, Oh, that's dope. Like, cause I think there's also a lot of ways where you know, I'm always an aspiring radical elder and trying to figure out how I can be that radical elder right now. But recognizing, a lot of the markers for adulthood and maturity are about sometimes, like, how much closer you get it to status quo, to like being more served by existing systems. And so there's a way in which I'm going to age out of this role. And I'm always looking for the young person who's going to take it on and keep up that mantle of demanding more, right. Of keeping us accountable to that. And so I think it's always the young people who are like over inspiring and also so brilliant and have so much heart around this and are such a good reminder because there's also ways in which they're closer to the problem because of their youth, right? And so because they're closer to the problem, they have more solutions and they're also a better way of vetting the viability of something that I might think is so great, but I'm doing all this grass top of what do I know if I'm spending all my time talking to funders and elected officials?   Like, I need the young people who tell me stories about I couldn't do homework because I had to do files for my mom and my grandma. And then I also had to take care of my little siblings and like, that's the kind of where I'm like, Oh, that's actually what should be dictating our policy agenda, right? Of like, how young people are thriving in this world, right? Because they're always going to be the marker of a healthy society, right? And that because they are part of that most vulnerable group, because they inherit so much . And then also the ways that we're developing young people into adult allies. Like, how are these young people also then looking at themselves of like, oh, let me be that, like, that OG that all the younger folks can come to as well. Like that they're preparing themselves also to take up the mantle and they feel good about it. Like that they feel ready and maybe if not ready, that they feel supported like, when they take that on, all the adults aren't going to disappear. And then there's also like a relativity to it, right? Like, in many spaces, I'm the youngest ED, or I'm the youngest “leader” whatever that means. And so there's me kind of also feeling young in that way, but then sometimes I'm like, oh, I'm the adult in the room [laughs]. Lamenting that ugh I gotta be the grownup. So I think that piece too is a weird in between that, that I'm in, but like I I think those are the parts of EPIC that feel good. And I think this speaks to the API aspect of this episode and where we're going to be diving deeper in. It's always a success to me when I've got more accomplices and allies for the Pacific Islander community. Right. When I have more people beyond PI's that are asking about us, that are fighting for us. Right. And that's a solidarity and then, you know, this is also an inspiration and something I like feel good about the direction that we're moving in is being really explicit about our organization being pro black and pro Indigenous and anti racist. Not because it's trending, because Imma be in this, [laughs] like even after it stops trending, but because it also signals to folks that we're a safe place to land. That if we say it out loud, you can hold us accountable to it, but you also know that you can come here and talk about and go there with us.   Estella Owoimaha-Church: [00:32:48] What you said about young people, I think, is my favorite part about being a classroom teacher. It is, I think, exactly for that reason. And I can sit and sit and lesson plan, lesson plan, lesson plan, get to class, and kids are like, nah. Now you, that's corny. You thought it was, you thought it was great, but Miss, let me tell you, but then I love that they feel absolutely comfortable telling me that it's not as dope as I thought it was [laughs]. And then we, you know, I just let them take over the lesson at that point. What are the critical issues that you foresee us needing to mobilize around? Maybe it's right now or in the immediate future.   Gabriel Tanglao: [00:33:28] Yeah, I guess what's present for me based on this conversation has me thinking about education, thinking about the stories and the narratives that are out there, and thinking about decolonizing curriculum as a primary frontline issue, but I actually need to shout out Kai, who was one of our guests, that decolonizing curriculum, if we flip that framing to indigenizing curriculum, is perhaps a better approach in terms of how we are more historically and culturally responsive in our approach. Why is that important? I think it's important to mobilize because I'm starting to recognize that the narratives that are being shared throughout public education in this country really do have a major impact on perpetuating white supremacy culture and continuing the violence that we're seeing. So, the obvious physical violence, but the forms of emotional violence and trauma that are just part of the mythology of the ways this nation state perpetuates white supremacy, patriarchal culture, capitalist system at large. So, I feel like part of my educator roots always calls me to that. But I think because Tavae and Estella, you're making sure we're grounded in understanding the youth perspectives that's present on my right now as a critical issue. And that's also going to be now and forever, perhaps, right? Oh wait, no, actually, Tavae, I'm gonna take some learning from what you shared at the beginning. The empire, when it falls, right? We're preparing for when it falls. So I'll just, I'll leave it there.   Estella Owoimaha-Church: [00:35:17] I think right now, like, educators across the nation, an immediate charge is to pass ethnic, like, ethnic studies has to be it everywhere, across the board, preschool to 14, like, mandatory, we've got to make sure that ethnic studies, um, so whatever state association across all of our unions. When ethnic studies ends up on your legislative body on the floor, yes on ethnic studies and push it and make sure that, it is what it's supposed to be and not some watered down, BS where you've taken out words like anti blackness and white supremacy. Let's make sure that. Every child has access to that, and it is what it's supposed to be because, like you said, I'm not trying to hear about Magellan discovering some he didn't discover in the first place. I'm trying to learn my whole truth, and it'd be great if I could get it, you know, starting at preschool instead of having to go, like Tavae put it earlier, I had to get that elite language in order to name the stuff. Like, I shouldn't have to go all the way to Graduate school, undergrad to figure out who the hell I am and then do something with that. So ethnic studies, I think, is the thing that needs to happen like right now.   Tavae Samuelu: [00:36:43] Well, I guess I'm also thinking about this ethnic studies piece too, because I fully support it and I know there's like a save PI studies coalition full of brilliant, like PI educators, also like very much Manawahine which folks should definitely follow. I think there's this piece too, where if you're going to mandate ethnic studies, I also need a pipeline for teachers of color and not just a pipeline, but Right, to support and retain teachers of color. Because there's this concern that I have too of what does it mean that most teachers are white? Like that's the other part, right? I was like, oh, white people are, I've never met a white person who teaches ethnic studies well. Never. I don't even know if it's possible, but you'd have to break yourself to do that, right? And also to think back of, like, the origins of ethnic studies in the 1969, the Third World Liberation Front. What it was created to respond to, the fact that it was also meant to be a college, not a department of, what does it mean to do ethnic studies in biology, right? Like, what does it mean to do ethnic studies as a lens through which we observe everything, right? Because if you have ethnic studies, you actually don't need US history anymore. Like, if you have ethnic studies, you don't need European history anymore, because ethnic studies is all of that, right? It's all of that. It also, you know, I agree, Ethnic studies it taught me a set of values and a way to look at the world and not just stories, right? It made me question all the things of like, what is essentially like the propaganda that our young people receive in formal education spaces [laughs]. And so I say this too, of like, yes, absolutely, all of that, it should be accessible, it should be invested in, it should be from us, there should be a naming of the fact that the US and education systems are, traditional education systems are invested in and fans of revisionist white supremacist history and that there's simultaneous campaigns that need to happen. And I defer to you all in your expertise and brilliance as educators. Right.   Every issue is a critical issue right now. Everything. You know, especially like COVID-19 and Pacific Islanders, I think in the context of this episode, in this podcast, this conversation, I'm at an impasse with Asian Pacific Islander or API, the terminology as an aggregate has been around since, you know, 1970s ish, and for me, because it's been around that long, it means that, API spaces and organizations have had since the 1970s to figure it out. So we're in 2021 right now and I'm having conversations with folks about what about PI and like there's a request for patience that just frankly is not fair. There's also just, like, this dynamic that doesn't get investigated. So when I talk about being at an impasse, it's that PIs already don't do API, that data disaggregation is actually just a request for data to catch up to the ways we already organize ourselves as communities API is a false promise and a site of erasure for many communities, not just Pacific Islanders, right? That Southeast Asian, South Asians, Filipinos as well get erased in these things, right? That even under API, we were still actually just being held responsible for a majority East Asian representation. And that it doesn't investigate the inequitable dynamic that exists between and AA and PI so this impasse is that the work that we do in advocacy is in recognition of the fact that power and resources are still distributed and disseminated through API. So we have a critical conversation to have as a community because PIs are already not using PI, and it's actually Asian Americans that use API and that it doesn't feel very good, these accountability conversations of calling folks in of like, how can we be good relatives? How can we talk about, because there's also like, you know, Asian American spaces aren't talking about colonization, like the PI as a colonized people, all the forms of racism that we experience being facilitated through that means, and, you know, if we're real, that some of our PI nations are colonized by Asian Americans, like not American, but like Asian nations, right? That there's like some healing that needs to happen. And so this, I don't know that it's a critical issue so much as like a critical conversation that needs to occur in our communities that is inclusive of PIs. Cause I also know I come across folks who are like, I say API cause I was taught that that was inclusive. And I was like, I bet you a PI didn't tell you that. So, yeah, you know, I think about that in the context of this episode, but there's this other piece too of like, You know, my family and I had COVID back in August, and so that was its own, I don't know that I say wake up call, because I, like, what's the humble way to say, like, I've been awake? It was asking this question of, like, what facilitated our survival, right? And a lot of actually what came to me was around labor. Was around union organizing and those wins of like we survived because I got a livable wage. I have paid sick leave I have like health insurance I have all of these things that I'm really clear were won by unions were made possible by labor and they're treated as privileges right or even like speaking English Like, all of these things that I was just like sitting with, like, oh, those are actually now shaping our demands of how we are going to move our advocacy work, or, you know, that we're housed, all of these things where I was like, oh, these are actually, there's not one critical issue, because the insidious nature of racism and poverty is that it could manifest itself in so many ways in our community that lead to premature death, and in that, like, Ruthie Wilson Gilmore way where she defines racism as the set of systems that lead to premature death. So that being like, oh, those are all the critical issues for me.   Estella Owoimaha-Church: [00:43:12] We need to, we, we're going to have to like come up with a syllabus for this episode, like to drop this [laughs] episode next week that has everyone cited all the articles and all the things listed so that we can like, yeah, I'm disseminating a syllabus with this episode. And I think that you were, you were right in that. First of all the disaggregation of data is something that is a theme that has come up on nearly every episode too in this podcast. It was another reason why, when Gabriel and I met, that was one of the first conversations we had because I have been very vocal in our caucus that there is some healing and reconciliation needs to happen. There is a reckoning that needs to happen. We need to deal with the anti blackness and et cetera, et cetera. In our caucus, right? And the fact that this caucus is meant to represent too many dang people and you try to squeeze us all together and make, like, all of our issues one issue, and it just does not work like that for all of the reasons that you said, but it doesn't mean you said, how can we be good relatives? It doesn't mean that moving forward, we can't be good relatives and figure this out. I think you're right. We've got to stop and have the conversation, before we can really move forward. And it's probably gonna be a long conversation. It's going to be a long conversation and one that happens continuously and in various spaces, but it definitely needs to happen moving forward aside from what you've already shared with us, what do you think it will take to increase the visibility of our communities and mobilize PI people around some of the critical issues that you've already talked about.   Gabriel Tanglao: [00:45:08] So Estella, your question has me thinking, and the energy from this episode in particular has me fired up, if I'm keeping it real, that if we're talking about visibility for our communities, obviously organizing is at the core of that, making sure that we lift up and create spaces for our people to come together and discover that collective wisdom within our own respective communities. But the fire that you all lit right now has me thinking that just being unapologetically and fearlessly courageous in the face of white supremacy culture within our own spaces, whether that's in the organizations, institutions, businesses, all of the places that we exist. I'm recognizing actually in this moment that one of the things that Tavae said earlier about not being seen by white supremacy institutions is actually safer, which is also very true in the way that things manifest. But what I'm feeling right now is increasing visibility. We're in a moment where, we're in this moment where our ancestors have prepared us to do battle in the ways that we are in our generation to try to disrupt the colonizers in our own respective ways. So those are my thoughts.   Tavae Samuelu: [00:46:34] Well, you know, I think the part of your question that I'm grappling with is this visibility piece, right? Because there are a lot of ways where I feel like our community is actually hyper visible, right? Like we've got The Rock, we've got Jason Momoa, we've got like all of these like really visible figures in our community who are also like very loud about our culture. And so there's this piece where I sit with is it that we need to be visible or is it like in this, man, I don't want to cite Chimamanda Adichie because she's like super TERFsy uh, and she had this Ted talk about like the danger of a single story and that actually, what, what troubles our visibility is the community is the singularity of our story here in the US, how there's like one thing that people get to know about. And I think, and maybe it's better to think about Stuart Hall and how he talks about there's no such thing as good or bad representation, because good and bad is constantly changing, right? Even the word bad in some contexts means good. In that sense, that actually what you're looking for as a community is a multitude of representation so that nothing becomes the single story of your visibility. Of how you're seen and understood, right? That that's also like, what white supremacy gets that white people get to be poor and wealthy. They get to be teachers and doctors and criminals, right? And even when they're criminal, we make it Godfather and like, glorify that criminality and so I think that's the part of our community is of wanting that to of, like, how do we get to see ourselves everywhere so that there isn't a limitation around how we mobilize. I also think, and I think this is always the conversation around representation of, like, how do I feel represented? Like you know, I never felt, Tulsi Gabbard is a Samoan woman, and I never felt represented by her like, that's not my people. And so, even that representation piece of, and I've stated this before, of like, yo, if it's not pro Black and pro Indigenous and anti racist, it doesn't represent me. Like, those are not my people.   Like, I'm not throwing down with people who aren't trying to get free. And so if I'm thinking about representation to invisibility, like I want our folks to be exposed and see as many examples of freedom as possible. That the other thing about young people and like language and all this stuff is young people already, really anyone like has a sense of what is not fair or doesn't feel right. That our young people actually, and many of us as marginalized communities, are experts in oppression. Like, you don't need to teach us what up looks like, because we've experienced it our whole lives. And so what does it mean to develop and invest in and build a whole pipeline and lineage of folks who are experts in liberation, who have so deeply exercised that muscle that they don't know anything else, that they only know how to be free. Like, I think that's the part where I'm thinking about, like, that's the kind of visibility I want to see. That's the kind of that I hope that our young people, that I, like, not just our young people, that I also need. And that I also am seeking so much, especially during this pandemic and always as somebody who struggles with anxiety and depression is, you know, on that Miriam Kaba, like hope is a discipline. I am internalizing more and more what that means. You to have to exercise hope as a discipline, as a muscle that needs to grow. I mean, I'll share this with you all, like, thank you Stella for saying happy birthday. It is, just probably one of the most difficult birthdays I've ever had. It is hard to age during a pandemic. In particular, like, because it's so macabre right now. But also because I've been wading through a lot of survivor's guilt. For the last couple of months, I'm just kind of like wondering why other people didn't make it and I did and so I have like a systemic analysis of all the privileges that kept me alive, but I'm still sitting here feeling guilty about making it or about surviving COVID thus far. And then sitting on a birthday, then having, like, every wish just felt really warm, but also sharp. And having to, like, say thank you to every single one to, like, exercise a muscle of gratitude. Like, try to replace some of that guilt with gratitude. But all that to say that I think this is also the direction that EPIC is going in, that like, when I think about these critical issues that it's like translating this thought experiment into tangible action around stuff. I'm sorry, I turned it off, I just completely lost you all.   Estella Owoimaha-Church: [00:51:53] No, I'm, I am with you, I was, y'all, like, I'm. dizzy from just shaking my head. Yes, I legit got lightheaded a second ago. Like, I was just shaking my head. What you just said, I was just like, isn't that the dream? Like, isn't that what we were supposed to be fighting for all those years ago and still today? A whole generation of people who don't know what it is to experience oppression. Like, that's the dream. Like, that's the dream. That, that is what we want and so what you were saying about visibility, you know, I'm, I constantly am struggling, like, with, I think, yeah, The Rock is there, but like, he's a wrestler, he's a movie star, you know what I mean? Like, it's always that same story. And while I appreciate him, I do, because being Black and being someone I always felt like a damn unicorn and The Rock was the only one who was there, who existed other than me and my brothers. And so I do appreciate him and the other celebrities or stars that we have to look to. But like you said, I want where we get to be. Any and everything and all of those things all at the same time.   Gabriel Tanglao: [00:53:19] I'm not sure if this makes it to the episode, but I have to express my gratitude for you just coming through and blazing this whole conversation. And really, I feel like there's just so much that I can't wait to. process and think through. I feel like the impact in this conversation alone is just gonna reverberate not only in my experience, but also our listeners that are tuning in. So Tavae, thank you so much.   Estella Owoimaha-Church: [00:53:47] Recovering perfectionist, that phrase. I'm walking away with it. Actually, it just posted something on like characteristics of white supremacy and the ways in which I was thinking about the ways in which as a theater educator, I have been guilty of perpetuating characteristics of white supremacy because it's so much a part of the way theater folk we do things. And so I was thinking like, but no wait, theater folk and artists, we also have the skills to dismantle white supremacy. It's also in the way that we do things so we do know better and when we know better we should do better so that recovering perfectionist is like in me and it also speaks to something that Gabriel has shared earlier about, you know, assimilation and being a first gen and that very typical immigrant story or child of immigrants like you're going to go to school get straight A's and essay like that show. And then your only options are doctor and lawyer. And don't come talk to me about anything else. So, you know, that that's definitely always been a part of. Me too, is it being in the diaspora and first gen American born, and always feeling like whatever I've done is not good enough. And, but then I'm like, but in whose eyes, whose eyes is it not good enough? And if it's in mine, then I need to sit with that and work past that. So recovering perfectionist, that's where I'm at.   Gabriel Tanglao: [00:55:14] My favorite line from today was aspiring radical elder. I'm holding on to that one. I was feeling that.   Estella Owoimaha-Church: [00:55:22] I wrote that one down too. Fa'a fatai te le lava. Thank you for listening.   Gabriel Tanglao: [00:55:28] Salamat. Thank you for listening.   Estella Owoimaha-Church: [00:55:29] We want to thank our special guest Tavae, one more time for rapping with us tonight. We really appreciate you.   Gabriel Tanglao: [00:55:36] Continental Shifts Podcast can be found on Podbean, Apple, Spotify, Google, and Stitcher.   Estella Owoimaha-Church: [00:55:43] Be sure to like and subscribe on YouTube for archived footage and grab some merch on our site.   Gabriel Tanglao: [00:55:48] Join our mailing list for updates at CONSHIFTSPodcast.com That's C O N S H I F T S podcast dot com. Follow us at con underscore shifts on all social media platforms.   Estella Owoimaha-Church: [00:56:06] Dope educators wayfinding the past, present, and future.   Gabriel Tanglao: [00:56:10] Keep rocking with us, fam. We're gonna make continental shifts through dialogue, with love, and together.   Estella Owoimaha-Church: [00:56:16] Fa'afetai. Thanks again. Deuces.   Gabriel Tanglao: [00:56:19] Peace. One love.   Swati Rayasam: [00:56:20] Thanks so much for tuning into apex express and an extra special thank you to Gabe and Estella for allowing us to feature your incredible podcast. Like I said at the top, you can find other episodes of the ConShifts podcast on our site at kpfa dot org backslash programs, backslash apex express. Or even better, you can go to the ConShifts site to listen on Podbean or wherever podcasts can be found. And make sure to follow them to keep up with where they go next. Please check out our website, kpfa.org/program/apexexpress to find out more about the show tonight and to find out how you can take direct action. We think all of you listeners out there keep resisting, keep organizing, keep creating and sharing your visions with the world. Your voices are important. Apex Express is produced by Miko Lee, along with Paige Chung, Jalena Keene-Lee, Preeti Mangala Shekar, Anuj Vaida, Kiki Rivera, Nate Tan, Hien Nguyen, Cheryl Truong, and me, Swati Rayasam. Thank you so much to the team at KPFA for their support and have a great night. The post APEX Express – 8.1.24 – Continental Shifts Organizing & More appeared first on KPFA.

Welcome to part two of our recording from our June 8th Crosspollination community block party, Diasporic Care: We Show Up for Each Other. Because we had so many incredible guest speakers on our panel, we are breaking this conversation up into parts one & two. If you missed part one, we highly encourage you to listen to We Rise podcast episode 50, Diasporic Care, which includes a beautiful opening prayer with Dr. Uzo Nwankpa. In this episode, we pick up where we left off, with Tierra -We Rise advisor & panel moderator- asking our panelists how they see the safety of our relatives overseas as linked to the safety of our relatives here on Ohlone territiry?Join Mansi, Jesse, Lubna, Ant, Mira & Sarah to explore how they are practicing collective care, resistance, resilience, & safety.Sarah O'Neal, Oakland-based poet & organizerLubna Morrar, Palestinian Feminist CollectiveAnt Lorenzo, Liyang NetworkMansi, ASATA (Alliance of South Asians Taking Action)Jesse Strauss, IJAN (International Jewish Anti-Zionist Network)Mira Stern, JVP Bay Area & EducatorJoin us on August 3rd for the final event in this Crosspollination series! Learn more & RSVP at WeRiseProduction.com/Crosspollination.If you feel nourished by this work, please share it! And if you're able, please support We Rise by contributing via Patreon or PayPal. We'd love to hear from you! Reach out at WeRiseProduction@protonmail.com.

Charlene Nijmeh is the Chairwoman of the Muwekma Ohlone Tribe. She is from the Marine-Sanchez lineage that descends from the first peoples of the San Francisco Bay Area. Her ancestors are direct descendants of those who were taken into the mission system at Santa Clara, Mission San Jose, and Mission Dolores in San Francisco. Charlene began her engagement in Tribal affairs at an early age of 8 when she was exposed to her Tribe's efforts to repatriate ancestral remains during the early 80's. As she became a young adult she worked as a Native American Monitor and Field Crew for the Muwekma Ohlone Tribal Cultural Resources Management firm providing Tribal consultation to commercial developers and construction companies, municipalities, county, state, and federal agencies on ancestral Muwekma Ohlone heritage village and cemetery sites that included monitoring, mitigation, excavation, removal, and relocation of ancestral remains. In 2018, Charlene was elected as Tribal Chairwoman to help lead her people after the retirement of the previous chair. As Chair of the Muwekma Ohlone Tribe, she represents over 600 tribal members who comprise the 10 lineages of the previously recognized, never terminated Verona Band of Alameda County.

Can we find meaning and pride in our ordinary lives? In this talk, Liên Shutt contrasts the extravagant events in our lives with the everyday moments and asks us to consider if we can drop our expectations of how things should be and instead allow them to exist just as they are. This is the definition of Buddhist wisdom or Prajña, which translates as "knowledge of things as they are."She quotes Sekkei Harada Roshi in "The Essence of Zen:""Things that we can see and hear do not exist because we believe they do; they exist apart from a person's thought. That which exists separately from the thoughts of the ego self... is the dharma." Liên helps us see that individuals and groups exist independent of whether or not we think they should.  ______________Liên Shutt (she/they) is a priest lineage holder in the Shunryu Suzuki tradition. Born to a Buddhist family in Vietnam, she received her meditation training in the Insight and Soto Zen traditions in the U.S., Japan, Thailand, and Vietnam. She was a founding member of the Buddhists of Color in 1998 and currently is the guiding teacher of Access to Zen, an inclusive, anti-oppression sangha and non-profit in the SF Bay Area. She lives on Ohlone land, currently called San Francisco, with her partner, exploring waterways and forests as often as they can. Visit https://accesstozen.org/ for ways to connect and practice together. Support the Show.______________ To participate live and be notified of upcoming speakers in advance, please Like us on Facebook (https://www.facebook.com/gaybuddhistfellowship) or visit https://gaybuddhist.org/calendar/ To support our efforts to share these talks with LGBTQIA audiences worldwide, please visit www.GayBuddhist.org.There you can: Donate Learn how to participate live Find our schedule of upcoming speakers Join our mailing list or discussion forum Enjoy many hundreds of these recorded talks dating back to 1996 CREDITSAudio Engineer: George HubbardProducer: Tom BrueinMusic/Logo/Artwork: Derek Lassiter

Welcome, new subscribers, and welcome back, loyal readers! I'm happy you're here.Today's issue is dedicated to an interview with Amanda E. Machado, the author of “The Abstract Rage To Protect,” June's article of the month.First published in The Adroit Journal, “The Abstract Rage To Protect” is about masculinity, the need for men to protect women, the violence that follows, and what we can do about it.I highly encourage you to read the piece (if you haven't already), then listen to the interview, then sign up for our discussion on Sunday, June 30, 2:00 - 3:30 pm PT. I'd be very happy to connect with you in conversation.⭐️ About the article“There is a difference between a man's sense of protection and a man's sense of violence,” a male friend once reassured me. But I never could tell the difference.When Amanda E. Machado tells men that she was once sexually assaulted at a festival, with her ex-boyfriend nearby but lost in the crowd, they instantly become ashamed of him. “How could he let this happen?” they ask. “He was supposed to protect you.”In this enlightening essay, Amanda explores notions of masculinity, weaving personal experiences with the work of Phil Christman, a lecturer at the University of Michigan. Christman writes, “When I try to nail down what masculinity is — what imperative gives rise to all this pain seeking and stoicism, this showboating asceticism and loud silence — I come back to this: Masculinity is an abstract rage to protect.”The biggest problem with this “abstract rage to protect,” Amanda argues, is that there is a fine line between a desire to protect and a desire to inflict violence. “The aggression men learn to protect the women they love, becomes exactly how they hurt the women they love.”⭐️ About the authorAmanda E. Machado (she/they) is a writer, public speaker and facilitator with ancestry from Mexico and Ecuador. Their work has been published in The Atlantic, Guernica, The Washington Post, Adroit Journal, Slate, The Guardian, Sierra Magazine, among many other outlets. In addition to their essay writing, Amanda is also a public speaker and workshop facilitator on issues of justice and anti-oppression for organizations around the world. They are also the founder of Reclaiming Nature Writing, a multi-week online workshop that centers the experiences of people of color in how we tell stories about the outdoors.Amanda currently lives on unceded Ohlone land in Oakland, California.⭐️ About the interviewAlongside fellow Article Clubber Sarai Bordeaux, I got a chance to interview Amanda a few weeks ago. It was an honor. We discussed a number of topics, including:* that we all have a desire to be protected* that we're socialized that protection must be physical and therefore may involve violence* that we have a collective responsibility to find ways to redefine protectionMost of all, I appreciated Amanda's generosity. It was clear that their thinking is expansive and non-judgmental. Listening to Amanda got me to want to be more imaginative in how I support others and how I show up for other people when they seek emotional protection. And it made me excited to discuss their piece with you.

Episode Summary This week on Live Like the World is Dying, Maria comes on to talk to Inmn about the Gaza Freedom Flotilla, the state of aid going to Gaza, and the obstacles the powers that be have erected to prevent aid from arriving. Guest Info Maria Elle is a wing nut anarchist Jewish dyke extremist whore anti-Zionist psycho who writes poetry, conspires against the Empire, and organizes for collective liberation. You can find her on IG @Lchiam.Intifada or @bay2gaza Gaza Freedom Flotilla: freedomflotilla.org International Solidarity Movement: palsolidarity.org International Jewish Anti-Zionist Network: ijan.org Host Info Inmn can be found on Instagram @shadowtail.artificery Publisher Info This show is published by Strangers in A Tangled Wilderness. We can be found at www.tangledwilderness.org, or on Twitter @TangledWild and Instagram @Tangled_Wilderness. You can support the show on Patreon at www.patreon.com/strangersinatangledwilderness. Transcript Live Like the World is Dying: Maria on the Gaza Freedom Flotilla **Inmn ** 00:15 Hello, and welcome to Live Like the World is Dying, your podcast for what feels like the end times. I'm your host today Inmn Neruin. And today we're going to be talking about a kind of different lens of preparedness than we normally talk about...or no--well, I guess we always kind of talk about it. But we're...you know, we're not we're not going to be talking about a skill today as much as the importance for figuring out how to provide aid when the powers that be: governments and nations that we absolutely don't put our trust in but...are trapped by fail to do that or purposefully obstruct it. And today we're going to be talking about the Gaza Freedom Flotilla and organizing efforts around that and trying to bring critical aid to Gaza. But before that, we are a proud member of the Channel Zero Network of anarchist podcasts and here's a jingle from another show on that network. [singing] Doo doo doo doo doo. **The Ex-Worker Podcast ** 01:24 The Border is not just a wall. It's not just a line on a map. It's a power structure. A system of control. The Border does not divide one world from another. There is only one world and the Border is tearing it apart. The Ex-Worker podcast presents No Wall They Can Build: A Guide to Borders and Migration Across North America, a serialized audio book in 11 chapters released every Wednesday. Tune in at crimethinc.com/podcast. **Inmn ** 02:04 And we're back. Thank you so much for coming on the show today. I know we had you on the Stranger's podcast recently for your poetry collection, which everyone should pause right now and go and listen to another hour long podcast episode first and then come back and listen to this...or don't. Or listen to it afterwards. Anyways, thank you so much for coming on the show today. Could you introduce yourself with your name, pronouns, and a little bit about yourself and your involvement with the Freedom Flotilla? **Maria ** 02:44 Absolutely. Yes. Hi, thanks for having me. I'm Maria. She/her pronouns. I am a Jewish, anti-Zionist, anarchist, I don't know, organizer, agitator--whatever you want to call it--from the Ohlone of xučyun (Huichin), aka Oakland, California. And I am.... I've been involved doing Palestine Solidarity work since I was a teenager. Originally, I came to awareness around what was happening in Palestine during the assault on Gaza in 2008 and got involved in the student movement and the student occupations that were happening back then. And then actually got kicked out of university as a result of that, which ended up being perfect because I got the opportunity to join the International Solidarity Movement doing work on the ground in Palestine, which is an amazing group that folks should look up. They were defunct for a little bit during COVID but have come back and are working again basically bringing comrades and activists from around the world to stand in solidarity with Palestinian resistance on the ground in Palestine. So I had that opportunity and then I came home and got involved in organizing back here and was not.... So the flotilla, the Gaza Freedom Flotilla has.... So, freedom flotillas have been sailing, trying to break the siege on Gaza since 2008. Basically, a flotilla--for those who don't know--is a group of boats. So it's a group of boats from.... Our flotillas or group of boats from all over the world. There's over 30 countries that are involved sending comrades and activists to break the siege on Gaza. And so these boats are filled--our current boat--is filled with 5000 tons of food and medical aid that we are attempting to bring directly to Gaza in defiance of Israel's illegal naval blockade. These.... Like I said, these missions have been happening since 2008, trying both to bring aid to Gaza and to bring awareness, international awareness, of Israel's blockade and kind of getting a lot of international notoriety 2010 When the Mavi Marmara, a Turkicsh ship that was part of the flotilla, was attacked. And nine people were murdered in that process. And it made headlines at the time and brought a lot of awareness to the ongoing siege on Gaza. And then since then there have been many attempts to break the siege. This year, of course, is a different context. And it's a little bit hard to know what to expect. As you know, as many of us already know, there has been a genocide happening in Palestine since 1948. But the particular intensified moment of genocide that we're in creates a different context that we don't totally know what to expect. But we are determined to sail. We are determined to break Israel's illegal siege on Gaza. And especially now more than ever, while there's been a humanitarian crisis in Gaza for a very long time, and this blockade has been happening for 18 years, the famine that is now gripping Gaza is unprecedented. And we are seeing mass death, especially in the north of Gaza, and that is spreading throughout Gaza. Now with the most recent attacks on Rafah, the situation just gets more and more dire every day. One of the goals of the Freedom Flotilla is to emphasize that this is not a natural disaster. You know, there's.... A lot of the way that this gets covered in US media and global media is as if this was a humanitarian--people use the word, "humanitarian crisis," and they use the word "famine." And both of those things are true. And they're also a little bit misleading because this famine is being intentionally created by Israel as a tool of genocide. Israel controls the flow of all aid moving into Gaza and is intentionally and carefully counting how many calories it is allowing into the Gaza Strip in order to intentionally keep the population on the verge of starvation in order to cripple the resistance. This needs to be highlighted. This isn't.... It isn't like they don't know how to get the aid in. It is not logistical obstacles. They try to make it seem like this is, "Oh, how can we possibly get aid in?" Israel has closed every barrier. Like, the fact that we even need to go by sea is insane. They could open the land crossings, which would be the most effective way, but they absolutely refuse. And the United States, our so-called government that has the power to do that and has the power to force the--probably the only government in the world--with the power to force Israel to open the land crossings--is instead building this pier, spending millions of dollars of wasted money that could be being used on aid or, you know, on stopping Israel. And this long drawn out project that now isn't even functioning due to like "climate" or "weather." I can't even remember what they said. There's some kind of structural damage. I mean, they put all this money into it and like still can't deliver aid somehow. And we're supposed to believe that that's a coincidence. Meanwhile, we have a plan to,within three days, effectively deliver all of this aid to Gaza by simply having a basic little fold-out pier that we have packed on the ship that could unfold, deliver the aid, and then we can leave again. It's actually really simple. It's not complicated. None of this has to be complicated. It's being intentionally made complicated as a tool of genocide and as a tool of hiding what Israel is intentionally doing. So that's really a big part of what the Gaza Freedom Flotilla is about. I would say that it's rooted, ultimately, in the principles of DIY and direct action, which are fundamentally anarchist principles to me, and to many of us, the basic idea that no one is going to do this but us. If we want something done, we have to do it ourselves. We cannot rely on these so-called governments who, many of whom around the world claim to support Palestine and give lots of lip service to the need for aid to get in and even for Palestinian Liberation. Other governments, such as our so-called government, have done nothing but contribute to and fund and exacerbate this genocide, still give lip service to "Oh, we need to get aid into Israel," but they're not going to do anything. At best, they don't care. At worst, they actively want this to happen. We cannot wait for them. We've been trying.... Like, you know, not that.... You know, fight by every means necessary. I really do believe in a diversity of tactics. And at the same time, we need to be honest with ourselves that there is no amount of pressure that we can really put on the Biden administration that is going to change the US' has strategic Imperial interest in propping up Israel, you know? And there's no amount of electoral or domestic pressure within the existing system that we can put in that will change the fact that Israel is a beacon of US imperialism in the Middle East. It is a central part of US imperialism's operation globally. And not only our military imperialism but our economic imperialism. So as many of you may already know, and many of you may not, a big part of the impetus for this genocide has to do with global trade and global shipping. So, after the Suez Canal crisis, we saw.... It became clearer than ever to the international community, how delicate the infrastructure of global shipping is. We saw with the simple breakdown of one ship in the Suez Canal, the global economy was brought to a halt. And it is unacceptable-- [Interrupted] **Maria ** 10:18 It's so fragile. And we saw its fragility even more with COVID and with the plague. And it has become clear to the West that having such an important chokehold located in Egypt is not strategic for them. And so Israel has a plan to build what they're calling the Ben Gurion Canal, which is going to be directly north of Gaza, within missile range of of Gaza to be clear, that would be an alternative to the Suez Canal and that would allow for Israel's, and therefore the United States', control over global shipping in a way that we do not currently have. So the depth of the economic investment in committing this genocide is deeper than even natural gas off the coast of Gaza, which a lot of us have also seen headlines about. And a lot of us already know Chevron's interest and BP's interest in colonizing Gaza and eliminating Hamas in order to secure access to that natural gas, but even beyond that, in order to facilitate the construction of the Ben Gurion Canal. With that much at stake, with both fossil fuels and global shipping at stake, there's a no amount of pressure that we can put up on the Biden administration to get them to like, hear truth, you know? If we want change, we have to make it ourselves. And no one is going to do this but us. And I think that the Gaza Freedom Flotilla, the amount of aid that we can actually deliver it with one flotilla is a drop in the bucket. The principle that we are trying to communicate to the world, and that we've seen in many places, is that we can't wait. We have to...we have to show up. We have to be there for our Palestinian siblings. We have to be there for our siblings around the world. And we have to do it ourselves. You know, I think we saw a similar thing with the Great March of Return, and I'm extremely inspired by the Great March of Return of Palestinians coming from Lebanon and breaking through the border there. And we, you know, continue to be inspired by Palestinian resistance globally and to work in concert with that resistance in order to do whatever we can to stop this genocide, both in the immediate sense and in the ongoing sense of Israel's colonization of Palestine from the river to the sea. **Inmn ** 10:18 It's so fragile. **Inmn ** 12:35 Golly, thank you for that very--I will call it a little bit of a rant thing. That was incredible and very informative. And now I have like 100 questions. **Inmn ** 12:47 I have 100 more things to talk about but lay it on me. **Inmn ** 12:51 Um, I think like, or.... I don't even know where to start. Actually, there's this funny place that I want to start, which I'm maybe gonna feel funny about and is maybe like.... Whatever, I don't think it's me feeling nihilistic about it as much as like confused by imaging in..... So I, as a lot of us have been seeing a lot of news graphics, infographics. And I saw this one recently that was talking about "planned distraction." And it was like this thing that was like, "Israel's really counting on Americans being distracted by Memorial Day weekend to intensify the assault on Rafah." And I was just like, I don't think Israel's thinking about what random Americans are doing. Like, as you say, I don't think there's any amount of pressure that we can put on institutions like the Biden administration to change those things. **Maria ** 14:30 Yeah, it's an interesting question. I mean, I don't know. I mean, nobody really knows. I do think that it's worth noting that the last major assaults on Rafah began during the Superbowl also. So I mean, it's...who knows, maybe they are thinking about it. And Israel is very much concerned with its public image. [half interrupts self] Well, it's complicated, right? They are very much concerned with their public image and they're also on a genocidal, psychotic rampage, which is causing all sorts of domestic tensions. And Israeli domestic politics are a whole nother can of worms. You know, there isn't one--like anywhere--there isn't one unified Israeli interest. Israel, like every other country, is a contestation of political forces with central goals but also pulling at each other and pulling itself apart. And we actually are seeing Israeli domestic-- [Interrupts self] I think it's also very worth noting that last summer before the assaults on Gaza, before the most recent assault on Gaza began, we saw the first ever domestic Israeli social movement, really since the creation of the state. There was an actual--I mean, you know, fairly tame but for Israel significant--uprising of Israelis against their government. And several months later, this genocide happens, right? And this is not a coincidence. We've seen this kind of pattern time and time again, where a state in order to secure domestic unity will declare war or genocide on a foreign enemy. I think it's also worth noting that the plans for this--while October 7th may have been the the spark--the plans for this were very much already in place. And it is very clear from how quickly and strategically and efficiently they have acted that they have just been waiting for this opportunity. So I think that's worth emphasizing. I think, and then I just also want to clarify, as far as like "no amount of domestic pressure," I think that there's...I want to be clear that, like I said, I believe deeply in a diversity of tactics. And I do think that we need to do everything. And I think that there is very--like, I'm not saying that we should all just go to Palestine. I think there's very important roles for us to play here in the United States in organizing. But we need to be realistic about how we're gauging our targets. So we're never going to be able to appeal to the moral or even political interests of--as far as like electoral political interests--of these things. We...I think...I personally think that our best hope is to challenge their economic function, right, and to make this cost so much that they cannot continue. And that's a lot. It has to cost a lot because they have a lot to gain. But you know, what? We have a lot to lose. We have everything to lose and everything to gain. And we need to make this cost more than they can imagine. **Inmn ** 17:28 Yeah. And yeah, maybe to be clear, the infographic that I was seeing, it was like, its suggestion was like, you know, "Get on the phone and call your congress people." And I was just like, you know, yeah, "by any means necessary," and whatever people can do, but I was like, I don't think the one thing stopping.... It framed it in this way--I am gonna get off this topic very quickly and spent too much time on this--but it framed it in this way of like, "Oh, if Americans just weren't so distracted by barbecuing over the weekend then genocide and then Gaza would have been over," and I was just like...that. Okay, whatever. Anyway, a real question. So I think maybe something that I've been curious, I guess, about is some of the like geopolitical--or like, specifically like geographical--forces at work where.... Like for the.... Can you tell me about waterways, waterways in and around Israel and Gaza? Like I guess like what is the proposed route? Or like, what are some of the.... Like, how get Flotilla? **Maria ** 18:48 How get Flotilla. **Inmn ** 18:49 How blockaded? **Maria ** 18:52 Through the Mediterranean. So we had originally, we had originally planned to sail from Turkey, from Istanbul, and I was actually in Istanbul with hundreds of other people. We were, our bags were packed, the boat was full, we were ready to sail, and the mission was bureaucratically sabotaged by Israel. This was several weeks ago. **Inmn ** 19:13 Is this the flag thing? **Maria ** 19:14 Yeah, so Israel has tried many different avenues to sabotage the Flotilla, including physical sabotage of the ship. But one--and this has happened for many years--but one tactic they have not tried before, and that we were not prepared for, was that they pressured.... So I don't know how much people know about shipping. But every ship that leaves a port has to pass to sail under a flag, a national flag. As far as I understand, any ship that doesn't sail under a flag is technically considered a pirate ship. [says incredulously, laughing] So if we wanted to leave and be allowed to leave by the Coast Guard, we would have to have a national flag. And usually those flags have nothing to do with the mission. You basically buy a flag to sail under. It's interesting. It's actually kind of like a side hustle for a lot of poorer countries, they sell their flags at a cheaper rate and with less bureaucracy. So I think most international shipping actually happens under the flag of the Philippines. But we were gonna sail under the flag of Guinea Bissau, which was a flag of convenience. And Israel put immense--Israel in the United States--put immense pressure on Guinea Bissau to withdraw the flag. And so the flag was withdrawn literally the day we were supposed to depart, like bags packed and ready to go. And, you know, we could have...like the captain could have, I suppose, made the choice to sail anyway, but then that would have forced a confrontation with the Turkish Coast Guard, rather than with the Israeli naval blockade, which people felt wasn't...wasn't worth it. You know, for better or worse. Whatever. The people thought it wasn't worth it. And that it was a better plan to just try to get another flag. So the flotilla is delayed as we are searching for another flag. That process is well underway. And I am hoping.... We'll have more information within the next week about where that is at and when and where we're planning to sail from. It's not sure that we'll be sailing from Turkey anymore at this point. Turkey would have been about a three day sail to Gaza. And at this point we might have to be looking at somewhere further out. TBD. **Inmn ** 21:27 Like somewhere further out to escape the influence of Israel putting pressure on those local areas? **Maria ** 21:36 Yeah, so there was a lot of pressure, a lot of pressure put on the Turkish Government. And Turkey, while it gives incredible lip service to supporting a free Palestine, is actually deeply economically dependent on Israel. And the domestic politics there is a whole can of worms. Anyway, I don't know where that's at. That's not part of the...that's not the team that I'm on. You know? I'm doing a lot of more of a social media and grassroots organizing here in the US. So I'm not one of those people figuring that part out. But, I mean, we can all see, we all basically know the general geopolitics of that region and how complicated it is for any country in the world to allow us to sail because of the possibility of antagonizing Israel, and what that can mean as a nuclear power and as a proxy of the United States in the region. But we will. We'll find a place that we will do it. Inshallah, very soon. And that is underway. I think as far as what's happened in the past, so what's happened in the past, most of the Flotillas have not--actually all of the Flotillas--have not actually made it to Gaza. They are pretty consistently stopped, often in international waters--which is illegal--before arriving. There are no ports in Gaza that one could land at. So like we said, we had this plan with a pier that can unfold. In the past Israel has stopped the flotilla with its naval blockade. In 2010 the ships were famously--one of the ships in particular--was famously attacked, and nine people were were murdered in that process. Since then, there have been no fatalities. No one has been matyred. But everyone pretty much has been arrested and deported. **Maria ** 21:37 From like international waters? [Said confused like it sounds sketchy] **Maria ** 23:40 I think they get brought into Ashdod, usually, and deported from there, like on an Israeli vessel or whatever. I don't know. I haven't been on any of the flotillas before. This will be my first journey. One of my aunts was really involved in them for many years, so I learned a lot about the process, and I've been following the process, since 2010. She's been very involved in--or she was--very involved in it. Gail Miller, may her name be for blessing. So I've been following it but this is my first actual mission joining. **Inmn ** 24:14 Cool. Um, yeah, it's...I don't know, it's.... Thinking about waterways has been something that's been really interesting with a lot of the goings on in and around the genocide in Gaza, like specifically with like...it was fun to see countries like Yemen be like, "Oh, we're gonna blockade Israel or we're gonna blockade shipping routes for Israel shit." And interesting to hear you talk about the connections to global shipping, because then that turned into this big global shipping catastrophe. And like the US and Israel were like "We're protecting global shipping lanes for like the good of Capitalism..." **Maria ** 25:14 One of the first honest things they've said. Yeah, absolutely. I think even with that, it's worth remembering too, just kind of going back to what I said, that the governments of the world are not acting. It wasn't the Yemeni government who took that action. You know, it was it was the Houthis. And overwhelmingly, we see that is not governments anywhere, but rather people working with conviction and solidarity who can actually stop the infrastructure of global trade, can actually stop...can actually have some real impact on this genocide, right? Like, that's one of the only meaningful...you know, people know that acronym BDS, It's boycott, divestment, and sanctions, which is...was a movement in South Africa during the anti-apartheid struggle that the Palestinian anti-apartheid struggle has adopted, and that has been a global call for some time now. And one of the only real meaningful BDS actions we've seen has been by the Houthis, in that way, you know, actually interfering with Israeli shipping. **Inmn ** 26:15 Yeah, yeah. Yeah. Okay, that's, interesting to hear. I feel like this is a topic that I've tried really hard to learn about on the internet and every time I do it's deeply confusing. And I get more confused because there's a lot of propaganda from the US and from Israel about, like, you know, who's enacting these blockades and whatever reasons that they make up. I saw...I was reading a little bit about the 2010 flotilla where, either like before or after it, Israel was making these wild accusations that the flotilla was working with Al Qaeda or had all these connections to groups they labeled as terroristic. And then the claims were withdrawn later because everyone was like, "Literally what the fuck are you talking about?" **Maria ** 27:15 Yeah, absolutely. And, of course, they're always going to do that, you know, and they're always going to try any possible means to antagonize and paint any kind of resistance is terrorism, which is also what we're seeing in Gaza, right? They will paint five-year old children as terrorists, you know? They have no shame and and they've gotten so far...they've spiraled so deep into their own narrative that they have really lost the plot. It's kind of wild. **Inmn ** 27:46 Yeah. Yeah. I think there's...it's like this thing that's been happening for quite some time, which seems like less obvious to people who have been paying attention, but like, I feel like a decade ago, or a decade and a half ago--wow, time happens--there, like you said, Israel has had these moments of being deeply concerned with their public image and then these moments of just the veil coming off and being like, which is happening there, it's happening here in the United States, it's happening everywhere, just fascistic forces becoming less concerned with what their public images are and just owning being terrible and fucked up. Being like, "Who's gonna stop us?" **Maria ** 28:39 Yeah, I mean, you know, it's, like I said, Israeli domestic politics are a total mess, but there is definitely a stronger and stronger faction that feels that way. And just thinking about it also, to bring it back to sort of the actual mission of the Flotilla, which is to deliver aid, and.... Well, it's twofold, right? It's to deliver aid and it's to break the siege and highlight the injustice--and not just injustice but absolute insanity--of the fox guarding the hen house here, so that all aid flowing...coming into Gaza has to be searched and is being monitored by Israel, and the sort of intentional, as I spoke to in the beginning, of the intentional famine that is being constructed there. And, you know, we saw in the news in March, that we were on the...we're at a tipping point of mass starvation. And that tipping point has been tipped. We are seeing unprecedented famine happening in Gaza. And I wanted to bring it back to that because I also want to just think a little bit about contextualizing what famine means. You know, I mentioned before that people often treat--like the media often treats this as a natural disaster or something or tries to paint it as a natural disaster-- **Inmn ** 29:53 Yeah, it "just happened" **Maria ** 29:54 --as an intentional act of war and genocide. And I think that we have to frame it that way and we have to both make sure that aid is getting in immediately, and to recognize that this is political, that no matter how much money we send to the Red Cross, if aid isn't being allowed to cross isn't helpful, which is not to say don't donate. Donate. And donate, specifically, to Palestinian mutual aid funds, which are the most grassroots opportunities, the most direct way to get funding, and you can find that...I can direct you, at the end, towards different places to donate The Middle East Children's Alliance has been able to get a lot of aid directly in. There's also a lot of, there's a group called Bay to Gaza Mutual Aid, which has collected a bunch of on the ground places to help people in Gaza. So just to be clear, I'm not saying not to donate. You definitely should. And we have to recognize that without an end to this, to the siege and to the bombardment, and the occupation, aid can only go so far. And I think it's important to contextualize that, to remember that this isn't...this phenomena also isn't unique to Palestine, right, this ideathat the global media treats famine as somehow a "natural phenomenon," when in reality, it's politically constructed. It's not just for Palestine, It's true all over the world. And we're seeing that especially in..... I think you can't actually talk about Gaza right now without also talking about Darfur and Sudan and what's happening there. And I think even more than in Gaza, famine--the politically constructed famine--that affects Africa, and specifically, that affects Black people in Africa, is often treated as "inevitable," and "natural," when it is very much politically constructed. And what we're seeing in Sudan, and the genocide that is taking place in Sudan right now, and the famine that is gripping Sudan right now, is every bit as politically constructed, is every bit as entwined with resource wars with the UAE and Saudis, race for controlling natural gas and resources, and for having a monopoly over those things. And this is this genocide is being directly funded by the UAE, which the United States will not challenge because of our strategic alliances there. And the people being targeted by this genocide are overwhelmingly African agriculturalists who have continued to keep that land fertile and producing food when it is more within the interest of the imperialist powers, and particularly the UAE, to have the land become arid so that it can become extraction sites for minerals and fossil fuels. So all that to say, a big part of the goal of the Gaza Freedom Flotilla is to politicize famine itself, because it is political. **Inmn ** 32:53 Yeah. Yeah, I know, it's hard to actually think of a famine, like a historical famine, that is actually not a political tool, or like an act of genocide. It's like we...when we...when we think of it, even like the word that we have, it's like when we think of famine, we think of there being a lack of something, we think of there being some kind of disaster that is just like, "Oh, the conditions just made it so that food couldn't be produced." And it's...it's never that. And, at least in English, like we don't really have a word for enacted famine that I can think of that isn't just genocide or that isn't just like purposeful starvation. It's like this entire language lacks a word for this tool that is used. **Maria ** 33:51 Caloric warfare. **Inmn ** 33:54 Yeah, um, I guess like kind of change tack a little bit, I feel like I'm using you as my filter for trying to learn about things on the internet and like running into so many weird like blocks that I'm like, I have no idea what's going on because the global media apparatus is horrible. But what.... I guess like what's going on with world government efforts to like get like food and aid into Gaza? Like I know there's been like a lot of back and forth with what like the UN is doing to get in food and it seems like that's not happening anymore? **Inmn ** 34:40 Where was the pier being built? And, like, what, like there weren't other peirs? **Maria ** 34:40 Right. I mean, one of the most bizarre things that's been happening that has been a lot of the efforts right now is airdrops. So people are like, "There's no way to get aid into Gaza. We have to literally drop it from the air," which is not only unhelpful, but has actually been dangerous and had has caused injury and the destruction of the aid being delivered and has been, shockingly, both ineffective and unsafe. Meanwhile, you could just cross the border, right? We shouldn't even have to be going in through the sea. There's not even.... Like we're going through the flotilla because we feel like that is our best chance of getting in. But there are... like, Egypt shares a border with Gaza. The Rafah crossing a should be open, and people should be able to bring in aid by land. And there's some aid that is crossing there. But as we've seen, to the extent that Israel will let anything in there, which has been very limited, there are settler...civilian--so-called civilians--although, they're not civilian, because they're armed to the teeth with AK--well not AK-47s but M-16s--actively blocking and looting and destroying trucks that are delivering aid to Gaza. I'm just like, can you even imagine? Like, could you imagine? It's hard like.... Like, what goes through your mind? What lives in your heart to destroy food, going to starving children? You know, I.... Whatever. But like, that's actively happening, you know. And so yeah, the airdrops have been a lot of like, you know, this whole US pier that I think I spoke to earlier that they're trying to construct this peir, they constructed this peir. It was pseudo operational for a minute. Now, it's non-operational, again, spending millions of dollars for this basically theater, when the US could, in a heartbeat stop sending aid to Israel and end this whole thing. **Maria ** 36:45 Off the coast of Gaza. It's a floating pier. So yeah, it's whatever.... It's a floating pier off the coast of Gaza. No, it's...I mean, it's honestly, like it's a whole charade. To be honest. Like the United States could, tomorrow, stop this but they won't. **Inmn ** 37:08 Yeah. And it's like the excuses are always these like strange logistical, bureaucratic excuses. Of like, "Oh, I don't know, the pier, the pier didn't work out. Or like, if only we could secure the border crossings, then aid could flow freely through." [Said sarcastically] **Maria ** 37:29 Right, exactly. Which, you know, is a common thing that we see globally too. We see it in this country to some degree like the crisis at the US-Mexico border, which I believe you're at right now. Like, they treat it like..... They treat so much of the humanitarian crisis that's happening there as if it were an impossible problem to solve when it's a very similar situation. It's a intentionally constructed political crisis. **Inmn ** 37:55 Yeah. And it's like, you know, there's a kind of, I guess, famous zine--or maybe people haven't read that one in a while because it's been a long time. But there's a scene called Designed To Kill, which is exactly how the US-Mexico border works. It's like the way that you hear government talk about it, they talk about it as if like, "Oh, we just can't do literally a single thing about it. We have billions of dollars, but we just can't solve this problem." And it's like--this is gonna sound weird--but it's like when you hear Border Patrol talk about like, like, "If only we could figure out how to stop people from coming in," which is not anything that I would ever want, but is what the government talks about. And it's like, you're not trying to do that. If you were trying to do that, it would be quite easy to do that. Like you have designed a system to funnel people in, to exploit them through private prisons, to psychologically terrify, and kill people. **Maria ** 39:06 Absolutely. **Inmn ** 39:06 It is a sick and twisted thing. It is a disaster of your own creation that you then LARP as being the humanitarian actors for, for like public image. Like Border Patrol has a.... Border Patrol has a search and rescue unit. They have like a helicopter that they tote around. [Affirmative sounds from Maria] Fucking absurd. 39:32 I know. I know. Yeah. I mean, I think that you know, I believe you were involved with No More Deaths at the US-Mexico border for a long time, and I think that there's a very similar principle as with the Gaza Freedom Flotilla, that the people who created this crisis are not going to be the ones to stop it. And if anyone's going to do something, it has to be us. We have to do something. Because, yeah, the colonizer isn't going to stop colonizing unless we do something about it. **Inmn ** 40:03 No. And it's like we can't count on.... It's like, we.... Like a lot of people, I think have this, like this myth or hope or whatever that like, "Oh, well, if things ever get really weird, like the UN will step in," or something. And it's like the UN has proceeded to literally fucking nothing. Or it's like the...like, what is it? The I forget the acronym for that court, the UN court, the world.... **Inmn ** 40:31 Yeah. Yeah, the ICJ making rulings towards Israel about, "We want you to stop the genocide." And they're like, "Well, we're not going to do it." And it's like the ICJ does literally fucking nothing. **Maria ** 40:31 The ICJ 40:47 I mean, I believe that ICJ is interesting. The ICJ did issue an arrest warrant for Netanyahu, which, as far as I can tell, only means that there's like, certain countries he maybe can't go to or like, if he loses this war, which inshallah, he will, that there could be potentially be consequences for him. But that really, like, you know, it's all about real politics. That really just depends on how the war itself goes, you know? Like the international arrest warrants issued in Nazi Germany only were meaningful because Germany lost the war. I just wanted to, I mentioned No More Deaths early and I realized that probably not all the listeners know what that is. So I just thought I'd say No More Deaths is mutual aid project at the US-Mexico border. Grassroots, mostly anarchist lead from what I understand, project. Once upon a time, at least. **Inmn ** 41:45 Let's say anarchistic. **Maria ** 41:48 There we go, there we go. That [NMD] provides mutual aid that both has like emergency medical care and food and also like hikes the desert searching for people who are lost and helping evacuate people who are in need and giving direct aid at the Border despite the Border Patrol's attempt to criminalize those efforts. Which I know a lot of our listeners have probably been involved in. I believe you were. I went out there for...a long time ago. I went out there to do that. But I do think that there's powerful mutual aid projects like that happening here in Turtle Island, too. So it's worth shouting them out. **Inmn ** 42:29 Yeah, and it's like there's a lot of really interesting parallels between all of these mutual aid projects, and also the systems that create the need for them. Where, I don't know, there's so many Israeli defense contractors that got hired to build the virtual--like Elbit Systems got hired to build the virtual wall in the Border and it's like, the similar systems that get used in Palestine. And there's.... It's freaky. There's this, in Arizona, there's this company trying to build like a water pipeline from the Gulf of Mexico to Scottsdale or something. And it's the same Israeli company that builds pipelines through...or like distillation centers in Palestine. 43:28 Yeah, absolutely. Yeah, we see similar collaborations with Cop City in Atlanta. It's all, it's a global war machine. And we see it functioning exactly the way it's intended to function. But you know, we also have a power to be a cog in that machine. And I am weirdly optimistic a lot. I actually have a lot of faith that we can, you know, this machine can't operate without us, especially us here in the heart of Empire. Like this is in so many ways the veins of empire where so much of it is plotted and executed right here on Turtle Island. And we're uniquely positioned in a lot of ways to clog those arteries. We just have to find the courage and the confidence and the organization to make it happen. And I have so much faith in our ability to do that. Yeah, before, before we run out of time--I don't know if we're coming up on time or not. But I wanted to just also make sure that there's--and I mentioned this, but I just want to give it enough space that this crisis did not start in October. And it also didn't start with the siege of Gaza 18 years ago. This has been a crisis that has been exhibiting in its current form since 1948, since the creation of the State of Israel and the Nakba, which is the genocide of the Palestinian people in order to create the State of Israel and really for longer than that, since Zionist immigration began in the 1880s. And this crisis didn't start now and it's not going to stop when the bombs stop falling on Gaza. This crisis will not end until the settler, ethnic national...the settler, nationalist ethno state of Israel is dismantled. And really until the whole global system of settler colonialism--and all of the national states--are dismantled. But to look specifically at Palestine, like there is no...this is not over until Zionism is over. Zionism needs to be ended, and that the settler ethno state of Israel needs to be ended. And that until all Palestinians have a right to return to their homelands, until all Palestinians have a right to move freely in their homelands, until all Palestinians have a right to autonomy and self governance within their homelands. And by self-governments, I don't just mean to have a State, but to be able to have agency over their own lives and their own decisions. And until that, the struggle isn't over, and it can't be. And, you know, I think I'm actually very hopeful about this moment, I think that there is...that there is an incredible not, just an outpouring of support for the Palestinians, but incredible recognition of the state of global colonialism in the 21st century and its relationship to resource extraction and what we can do to stop it and I know that the Palestinian.... Like part of the reason that people around the world have responded to what's happening in Palestine the way they do is because this really resonates with so many indigenous people's struggles everywhere. Indigenous people all over the world see their struggle in the struggle with Palestinians and are rising up all over the world and it is very much a global struggle and very much that to free Palestine is in so many ways to free the world. **Maria ** 43:28 Yeah, yeah. Um, I know that you're...you've been part of some...part of this larger project...movement...coalition? I don't know words. But are there...are there ways that people can plug into this? Like if someone's like, "Yo, I got a boat. I want to join the flotilla." Can they do that? 47:25 I don't know about a boat. Well, I mean, if you've got a big boat. These are big boats we're talking Yeah, these are these are big boats. But um, I would say in general, yes. So the website is freedomflotilla.org. You can also find it on all the social medias, but especially you can find it on you know, TikTok, Twitter, Instagram. Also, specifically for those in the so-called San Francisco Bay area, we have our Bay to Gaza contingent that is...we are currently growing and expanding and getting ready to sail, so you can follow us on Instagram @Bay2Gaza. We're also on TikTok and Twitter, and you can reach out to us there if you're interested in supporting or getting involved. My Instagram is @lchaimIntifada. You can also message me there. I check that a little bit more. And, yeah, reach out. We're definitely still recruiting. We don't know exactly when we're going to sail yet. But we need all types of support. And especially, you know, in a lot of ways, this is a media project. This is about shedding light on a phenomenon. So especially folks who have skills in media are very much needed right now. Both legacy media but also social media. **Inmn ** 48:41 Yeah, yeah. Cool. Um, as we get...I guess, get to the end of time--our time, not the end of all time--are there any other things that you wanted to talk about? Any questions that I didn't ask you that you wanted to just touch on? I feel like I had 100 more questions that I will never remember until we stop the recording. And then I'll remember them. 49:11 Happy to keep talking after we stop the recording. But um, no. I mean, I think yeah, like I said, please, the best way to follow us is on social media. And please reach out if you are interested. And I would say other than that, taking the principle of the Flotilla, the principle that nobody is going to do this if we don't, and that we cannot depend on governments or higher powers to make change. We have to make it ourselves, and apply that to all of your organizing. Apply that to the ways, the strategic ways that you're thinking about challenging genocide and occupation and colonialism everywhere that you are, you know. I think that most of our organizing does need to be done at home where we live. And the message that I want people to take away, personally, from the Flotilla is that if we want change, we have to make it ourselves. And to use that framework, and I think...I think what that really is, is the framework of direct action, personally. I think that the word "direct action" has really lost its meaning. And a lot of activists spaces on Turtle Island in particular, people kind of think that direct action just means chaining yourself to something. And I am firmly of the belief that direct action means...it can mean three things. It can mean destroying something that needs to be destroyed, interfering with something that needs to be interfered with, and creating something that needs to be created. And you're doing it directly as opposed to protest, which is when you're asking power to do it for you. And I think there's a role for both. I think there's a role for protests and there's a role for direct action. But we should know what the difference is when we're framing our strategy, and encourage people to look to a framework of direct action and of destroying what needs to be destroyed, creating what needs to be created, and interfering with what needs to be interfered with. So I'd say that other than getting involved with the Flotilla, just holding those principles and all of our organizing, **Inmn ** 51:05 Yeah. And, can I add a little suggestion to that? **Maria ** 51:12 Please. **Inmn ** 51:13 Also in the realm of when thinking about taking direct action, when thinking about protesting, like whenever, it's like making sure that these things that we're doing are community driven and not relying on, I don't know, political parties, or even nonprofits to guide us through taking action. Like, the only ways that we're going to make it through this is if we do it and can't wait for people with more power to just hand it over. **Maria ** 51:55 Absolutely. And I think that's true on the micro sale scale of mutual aid, which is why we do mutual aid projects and it's also true on the macro scale of how this world will change. And, you know, to me, that's what anarchism is. So... **Inmn ** 52:07 Yeah, well, thank you so much for coming on again. And yeah, listeners, if you want to hear more from Maria, then you can find her on social media or you can go and listen to the Strangers in a Tangled Wilderness podcast and you can listen to us talk--honestly, a lot...mostly more about Gaza and the fuckery that is Zionism but through poetry and Maria's beautiful poetry collection, Escape Plan, which you can go check out on the Strangers in a Tangle Wilderness podcast. 52:47 And more about the West Bank, which I didn't get to talk about in this interview. And I'm realizing that was something I missed. But I do talk about that in the other one. 52:53 Do you wanna talk about it now? **Maria ** 52:54 I don't want to add that as like a little side note, but I do just want to say that speaking of like distractions, while this genocide in Gaza has been taking place, Israel has been annexing land in the West Bank at an unprecedented rate, and that the violence, but also the land loss happening right now, is a crisis that needs to be confronted directly. I do talk about that more in the other podcast. **Inmn ** 53:16 Yeah. Cool. Well, we'll see you next time. And I hope that.... **Maria ** 53:26 Free Palestine! **Inmn ** 53:27 Great. Yes. Happen. Free Palestine. I got all the words. At least 10 of them. **Inmn ** 53:40 Thank you so much for listening to Live Like the World is Dying. If you enjoy this podcast, then go do mutual aid. Break the siege of Gaza by any means necessary. But also, if you enjoyed this podcast and you want us to continue to put it on and do other cool stuff, then you can support the podcast and the best way to support the podcast is by talking about it. Tell people about it. If the people that you want to learn more about the weird myths, political myths, constructed to keep us not doing things, then tell them about Like Like the World is Dying. You can also support the show by supporting it financially. And you can do that by supporting our publisher Strangers in a Tangled Wilderness. You can go to our website, tangledwilderness.org and find cool things like books and games and other stuff that we sell and make there. Or you can find us on Patreon and at patreon.com/strangersinatangledwilderness. And yeah, you can get all sorts of fun things--we're gonna call them fun things--through the Patreon. You can get a zine mailed to you every month, like Maria's poetry collection--well, I guess you missed out on getting that one mailed to you, but you can get other future ones mailed to you-and also you can get us to thank or acknowledge things on your behalf. And we would like to thank these wonderful people and organizations. Thank you Reese, Jason, aiden, alium, Amber, Ephemeral, Appalachian Liberation Library, Portland's Hedron Hackerspace, Boldfield, E, Patoli, Eric, Buck, Julia, Catgut, Marm, Carson, Lord Harken, Trixter, Princess Miranda, Ben Ben, anonymous, Janice & O'dell, Aly, paparouna, Milica, Boise Mutual Aid, theo, Hunter, SJ, Paige, Nicole, David, Dana, Chelsea. Staro, Jenipher, Kirk, Chris, Micaiah. And a special shout out to one of our Patreon subscribers who told us that when they have more money, they're going to get the $20 a month tier so that they can get Hoss the dog another acknowledgement, we're just going to thank Hoss the dog like 20 times. Thank you, Hoss the dog. [Chanting] Hoss the Dog, Hoss the dog, Hoss the dog, Hoss the dog, Hoss the dog times 20. Times a million. Thanks all of y'all. Maria, is there anyone you would like to thank in particular today? **Inmn ** 56:34 Oh, I wasn't ready for that question. I'm sorry. That's fine. The people of Palestine, the Palestinian resistance. **Inmn ** 56:44 Hell yeah. Thanks for all and we'll see you next time. freedomflotilla.org, palsolidarity.org, and ijan.org Find out more at https://live-like-the-world-is-dying.pinecast.co

In this episide, we sit down with Camara Rajabari, The Ancestral Psychotherapist. We speak out how she came into this space with personal and professional experience, how and why ancestral work can facilitate healing, and how psychedelics can be used to overcome physical and emotional conditions. Camara Meri Rajabari, is an arts-based, psychedelic-assisted, ancestral psychotherapist based in Oakland, California (ancestral lands of the Chochenyo and Ohlone peoples) and Santa Fe, New Mexico (ancestral lands of the Pueblo and Tiwa people). Her practice specializes in anxiety, depression, and intergenerational trauma. She integrates non-ordinary states of consciousness with ancestral wisdom, ancient archetypes, dreams and imagination. She is the co-author of the pivotal chapter "Invoking the Numinous” in the psychedelic textbook Integral Psychedelic Therapy and is a featured voice on NPR's Life Kit. Beyond therapy, Camara is a spiritualist, AfroFuturist, and artist. From the Bay Area to the sacred lands of New Mexico, she facilitates paths of healing and ancestral connection for Black, Indigenous and People of Color. Connect with her on Instagram or find her online. Disclaimer:  This and all episides are for informational, entertainment, and/or educational purposes only and should not be relied upon for any medical or diagnostic purpose, or for the treatment of any condition or symptom. Please do your own research into substance use laws in your area. --- Send in a voice message: https://podcasters.spotify.com/pod/show/beyondthepelvis/message

Cultivating our places with attention, intention, thought and care is certainly an ethos I hold dear and advocate for with some measure of ferocity. When student and gardener Félix de Rosen reached out to me in 2021 seeking advice on a new book project. His thinking and design resonated with me, and we have communicated back and forth ever since.  Now an ecological designer and artist, and graduate of UC Berkeley and Harvard University, Félix's design practice, Polycultura Studio, is based in Oakland, California, on traditional Ohlone territory. His now published book is: A Garden's Purpose, which invites us to understand gardens as places where we build mutually beneficial relationships with the living world around us. Amen to that.  Félix joins me this week on Cultivating Place to share much more about his garden life journey, his philosophy, and the experience of considering the idea of "a Garden's purpose” from a multitude of perspectives. Listen in! Cultivating Place now has a donate button! We thank you so much for listening over the years, and we hope you'll support Cultivating Place. We can't thank you enough for making it possible for this young program to grow even more of these types of conversations. The show is available as a podcast on SoundCloud, iTunes, and Google Podcasts. To read more and see more photos, please visit www.cultivatingplace.com.

What does it mean to heal the queer spirit? How might our queerness shape our spirituality and vice versa? How do we collaborate and contemplate in care and creativity?In this first joint episode with the Queer Spirit podcast, TanyaMarck Oviedo, Nick Venegoni, and I explore the concept of 'healing the queer spirit.' While the three of us only recently connected, we quickly found flow and sweet kinship that felt profound and ancient.We had juicy discussions around the process of seeing and embracing our experiences as queer people, the magic and work of growing creative collaborations, and queering our definitions of healing.Find their podcast, Queer Spirit, here. Nick's bio and linksNick Venegoni, MA (he>they), is a holistic psychotherapist based on unceded Ohlone territory (San Francisco, CA), where he supports queer folks to heal from trauma and anxiety, to create more joyful lives and fulfilling relationships. He is the creator and co-host of The Queer Spirit podcast and co-facilitator in The Queer Spirit Community. Nick's primary spiritual practices these days include Earth based wisdom, Buddhist Psychology, Mindfulness meditation, and sound healing.Connect with Nick at www.queerhealingjourneys.com as well as on Instagram @holisticqueerhealingTanyaMarck's bio and linksResiding on Tongva Land, TanyaMarck Oviedo (they/them) is a  two spirit, nonbinary, queer, native indigenous person of color and has been a person in recovery since 1989. As an embodied practitioner, medicine person, witch, educator and mentor, they share over 3 decades of care-centric wisdom and channeling via space holding, circle facilitation, mentoring, and community service work. TanyaMarck and Pluto (very magical medicine dog) are the founders of Vamonos Wellness, a healing arts and care practice that's deeply rooted in curanderismo and community service.Connect with TanyaMarck at www.tanyamarck.com as well as on Instagram @tanyamarck If you enjoyed this podcast, consider booking a reading with me. I offer astrology, divination, and subtle alchemy sessions.I also offer a 6-month mentorship container Night Vision. Listen to & purchase my new song Friends on Bandcamp. You can also listen to it on your favorite streaming platforms.Try the incredible breathwork and meditation app Open for 30 days free using this special link. This podcast is hosted, produced, and edited by Jonathan Koe. Theme music is also composed by me! Connect with me through my newsletter, my Instagram @jonathankoeofficial, and my music. For podcast-related inquiries, email me at healingthespiritpodcast@gmail.com.

A weekly magazine-style radio show featuring the voices and stories of Asians and Pacific Islanders from all corners of our community. The show is produced by a collective of media makers, deejays, and activists.   A teach-in by Queer Crescent in collaboration with Palestinian Feminist Collective – Palestine is a Queer Issue: Resisting Pinkwashing Now and Until Liberation. Featuring guest speakers Rabab Abdulhadi from Palestinian Feminist Collective, Ghadir Shafie of ASWAT, Shivani Chanillo from Lavender Phoenix, poetry by Mx Yaffa from Muslim Alliance for Sexual and Gender Diversity (MASGD). Moderator by Shenaaz Janmohamed of Queer Crescent. Important Links and Resources: Sign on to Queer Crescent's Ceasefire Campaign for LGBTQI+ organizations and leaders Queer Crescent's Pinkwashing Resources  Queer Crescent Website Palestinian Feminist Collective Website ASWAT Instagram (@aswatfreedoms) Lavender Phoenix Website Muslim Alliance for Sexual and Gender Diversity (MASGD) Website Purchase Blood Orange by Mx. Yaffa Transcript Shenaaz Janmohamed: Thank you all so much for being here today. Welcome to the “Resisting Pinkwashing Now Until Liberation” teach-in. Queer Crescent is honored to host this teach in in partnership with the Palestinian Feminist Collective, Lavender Phoenix, The Muslim Alliance for Gender and Sexual Diversity or MASGD, Teaching Palestine, and Arab and Muslim Ethnicities and Diaspora Studies   Thank you all so much for joining us and for tuning in. My name is Shenaaz Janmohamed. I use she and they pronouns. I'm the executive director of Queer Crescent.  Queer Crescent is really thrilled to offer this Teach-in and to be in learning with you all for the next hour and a half on Pinkwashing in particular, as we hold grief and rage and mourn towards healing, towards resistance, towards a free Palestine. Joining the resounding people all across the world who have been calling for a permanent ceasefire. To not let the violence and the destruction of Gaza go without our clear and determined voice to say that this is not okay, that we, our tax dollars should not be paying for this, that we do not consent to genocide. And as queer people, as trans people, it is very much a queer issue to be in solidarity with Palestine. For the next hour and a half we will take time to learn from Palestinian organizers. in Palestine, in the U. S., around the ways in which this moment can be used to understand our relationship to pinkwashing in particular and to Palestinian solidarity in general. And so thank you again for being with us today. We're going to start our Teach in with poetry, because we deeply believe as a queer Muslim organization in the power of cultural work, cultural change, and imparting our shine as queer people into the culture. That is the way that our people have survived. That is the way that people share their histories their survivalship is through culture. And so, before I bring up Yaffa, who's a dear friend and comrade, and also the executive director of MASGD, the Muslim Alliance for Gender and Sexual Diversity, let me introduce Yaffa. Yaffa is a trans Muslim and displaced indigenous Palestinian. She is sharing poetry from her new book, Blood Orange, shout it out, please get a copy if you haven't already, which is an emotional, important, and timely poetry collection. Their writings probe the yearning for home, belonging, mental health, queerness, transness, and other dimensions of marginalization while nurturing dreams of utopia against the background of ongoing displacement and genocide of Indigenous people. Join me in giving some shine, energetic shine to Yaffa, and I'll pass to you. Mx Yaffa: Hi everyone. It's so nice to be here with you all. So excited to share space with all of you, with all the incredible panelists, with the entire Queer Crescent team, y'all are just incredible. Right before this, me and one of the other panelists realized we could potentially be related. So that's the beauty of having spaces like this, where you connect with people that you've kind of been missing your entire life, but you didn't even know that they were missing. I'm excited to recite some poetry for you all from my new collection. Just a little bit about the collection before I recite some poetry.  This collection was written for the most part, on the weekend of October 13th to the 15th. Some of y'all might remember that there was an eclipse during that weekend. And I really wanted to find something that would really center queer and trans Palestinian experience in particular, and also would just support me in navigating my own processing of everything that's going on.  I have family both in Gaza and the West Bank still. I'm originally from Jaffa and Jenin, but I've kind of lived in nine different countries. So when I say I'm displaced, it's displacement from various different wars, various genocides, various everything. And the result of that was Blood Orange.  I tried to get it out as quickly as possible and here we are. The first poem that I'll read is called “Healthy”. And I'll talk a little bit about each of these poems after I read them. It's called “Healthy”. We are not meant to be okay, when genocide is our neighbor that is funded by our labor. We are meant to be a mess, our sleep tearing into reality, anxiety brewing, wondering what is hope. We are meant to tear at the seams of reality, realizing a reality built on oppression is bullshit. We are meant to realize and demand all we are worth. Self actualization, wholeness. Things systems built off of genocide can never. Our response labeled by western capitalism as wrong is healthy. We move to wholeness always, they move to pain attempting to drag us with them. So this was actually the very first poem that I wrote for this collection and it was in that first week of the genocide immediately following October 7th when so many people were really struggling with what do we do with all of this, right? We're witnessing an entire genocide right before our eyes. And what do we do? There was a lot of hopelessness going around and a lot of narratives, at least in what's known as the United States and the global north that's always told us that all of that is wrong. That we're not supposed to be overwhelmed by things. But for me, with all the practices that I have, it's actually healthy to be overwhelmed right now. We're not supposed to know how to let genocide live in our bodies with ease. We still show up, we still do the things, and yet at the same time, we honor it. That it is a large experience. This is not normal. This is not something that should be happening all the time or ever. And so really wanted to honor that of the world that we live in is not what we deserve. For us to be overwhelmed right now is actually healthy, is where we should be. So the second poem I will read kind of goes into the conversation of today around pinkwashing.  This one's called “At Odds”.  My transness and a colonized perception of Palestine are at odds. They think it's because of lack of modernity. I say I have only received death threats targeting my transness from white people, Zionists, and other various political affiliations. I say only white people around me have ever disowned their own. Yet I do not talk to sisters who choose to buy into imperialist transphobia, claiming it as their own. My parents do not understand how some of their children could hate anything any of their children could be, why anyone would hate what they do not know. I won't talk much about pinkwashing because I know we'll get to that today. But in particular, most queer and trans Palestinians over these last eight weeks have been receiving such immense violence from the broader LGBTQ community telling us that our people are the ones who are going to kill us. I've been receiving death threats my entire life in particular as an organizer since I was 19, and I have literally never received a death threat from anyone from our region from any Muslim person. It has always been white people who have sent me death threats specifically for my queerness and my transness. Let alone everything else. And so that, that poem just kind of honors that experience.  I'll read one more, and I'll say just a few words before I read this last one. For me, the arts are so important. Not just as a tool for resistance, but also as a tool for world building. Often we think of the world is what creates art, rather than art is what creates the world. If you look at literature, even with Zionism, Zionism was in literature 100 years before it was ever named. I think about that of what is the world that we are building, what is the world of tomorrow that we get to write about and paint about and do all different kinds of art forms about today. And so this last poem kind of brings a little bit of that into it. The collection goes into the topic of utopia as we're exploring all of these other things. and as we're experiencing this genocide. So this last poem is called “Land Back”. I do not know names wiped from time in Gaza Like I do not remember the names Of great uncles and aunts Who have been reclaimed by our land To say they were murdered Is to claim loss that our land will never feel For we are made of her And regardless of how many layers of phosphor fill the air We return to her in our deaths They may exacerbate the process of our return, but return we shall. Standing thousands of miles away, I know even here she will take me back for distance is a creation that is buried with bodies that were never ours. We are not the ones who take land back, it is land that takes us. There will come a day when the sun sets on a world and rises in another, when indigenous sovereignty is honored. Where queerness no longer exists, where transness is no longer an identity, where humanity means something genuine. So I wanted to end with that, on a note of everything that we're doing right now, all of the resistance is world building. We're building the world that we have always deserved. So I'll leave you all with just one final thing about the book, like I mentioned, the reason I wrote this book in the first place and published it is to raise awareness about queer and trans Palestinians in particular and our experiences, and also to fundraise for queer and trans Palestinians both on the grounds in Gaza and in the diaspora. So 100 percent of all the proceeds from Blood Orange go directly towards that.   As we're getting deeper and deeper into this, the needs of the queer and trans Palestinian community is getting so immense, both on the ground in the region and in the diaspora. Over just the last few days, I've received over $20,000 worth of requests from individuals because people are being doxed, people are receiving death threats, people are losing their jobs. In one case, people are losing their children. There's a lot happening. And so just wanted to leave with that. I want to invite you all to pay attention to those needs and honor them, especially as we go into next year and into the elections. Thank you again for having me. It was such a pleasure to be here. And I'm so excited for the rest of this. Shenaaz Janmohamed: Thank you so much, Yaffa. It's so wonderful to have you here. And it feels so important to start our teaching with the ways in which poetry, culture, moves and inspires us. It opens our hearts in ways that feel both healing and necessary as part and parcel to our organizing and our deep learning. As my comrade and partner Saba says, to growing our empathy to be able to show up with more depth, more commitment, and more resolve towards these issues because we are deeply interconnected. So thank you again, Yaffa..  Before I turn to introduce our other panelists, I wanted to just ground us for a moment in why Queer Crescent, along with the many partners that I named at the beginning felt it was important to host this teach in. Back on November 3rd, Queer Crescent in collaboration with the Palestinian Feminist Collective drafted and released a letter calling upon LGBTQI organizations, leaders, and influencers to join Queer Crescent and Palestinians in calling for an immediate ceasefire. And in particularly to take up understanding and resisting pinkwashing as a queer issue. The frame ” Palestine is a queer issue” is very much an homage of Palestinian Feminist Collective who tirelessly make the links around gender justice, bodily autonomy, self determination, sovereignty to the project of Palestinian liberation. Seeing them as part and parcel of the same project of liberation, and we very much are inspired and in deep gratitude to PFC and all the tireless folks who make those links so clear and apparent to us. We are also in deep gratitude to organizations like Al-Qaws, based in Palestine, who have been telling us about pink- washing for a long, long time, and we are finally doing our part to answer the call as an organization as Queer Crescent. Since we shared this letter, over 350 individuals have signed on, over 65 organizations have joined us in a commitment to calling for permanent ceasefire. This teach in is part of our commitment to moving those who have signed, ourselves included, and the many others who have joined us today. To deepen our shared resolve to a free Palestine through learning about pink watching as a propaganda tool of Israel and settler colonial state violence, and to allow this moment to transform us so that the grief is not in vain, towards a more fierce committed and clear stance of solidarity with Palestinian liberation movement. As queer and trans people and within LGBTQI organizations, we have a distinct role to play to organize to undermine pinkwashing. Because pinkwashing works and functions on the backs of racist tropes of Palestinians, Arabs, SWANA, and Muslims more broadly. We cannot let our vulnerabilities as trans and queer people be exploited in the pursuit of colonial violence and the genocide against Palestinians and all indigenous people. It was not surprising that some of the first folks who signed on to our letter were trans led organizations like the Transgender Law Center, like El/La, and indigenous organizations. It's not surprising because I think for folks who are leading trans led organizations, Trans and indigenous organizations, the relationship of self determination of bodily autonomy and to state violence and colonization is clear, right? Because ultimately colonization uses gender injustice and creating these wedges within our communities as a way to dampen our resistance and to keep us apart. So, I don't want to say more because our amazing speakers will speak and illuminate so much more of these issues. But I wanted to just state why it was important for Queer Crescent to support advancing these conversations. So, our first speaker today is Ghadir Shafie ( she and her). She is a Palestinian queer activist and the co founder of ASWAT, Palestinian Feminist Queer Center for Sexual and Gender Freedoms. A passionate advocate for the intersectionality of the struggle of Palestinian queer women, fighting multiple forms of oppression as Palestinians in the context of Israel's system of apartheid, military occupation, and settler colonialism, as women in a militaristic and imperialistic male dominated society, and as queers in the context of pinkwashing and homophobia. Ghadir promotes active solidarity for Palestine through global feminism and with queers. Thank you, Ghadir. Pass it to you.  Ghadir Shafie: Thank you so much. Hello from Palestine. Thank you so much for organizing this teach-in on pinkwashing. I am grateful for your presence here with me, witnessing in this horrible, horrible time. I will speak today for about 15 minutes, and I want you to bear in mind that since October 7th, Israel has killed over 18, 000 Palestinians. That is one Palestinian every 15 minutes. Imagine how many queer people are being killed daily by Israel. The scenes from Gaza are beyond description. They defy comparison, even for Palestinians, jaded by decades of occupation and settler colonial violence. Devastated landscape filled with craters and the blackened ruins of what were once people's homes, dead bodies or pieces of them. Orphaned children screaming in terror and incomprehension. Desperate survivors crying for food and water. Doctors despairing at the ever growing influx of wounded people they know they cannot treat. As a queer Palestinian watching these images of horror, one stood out as particularly revolting in a rather different way. It shows an Israeli soldier in the middle of the rubble of one of the many residential neighborhoods in Gaza, flattened by the Israeli indiscriminate military strikes. In the distance, smoke from Israel's carpet bombings hang in the air. The soldier is surrounded by Israeli tanks and demolish everything in their way. It is a scene of death and destruction The soldier stands holding a bright new rainbow flag. and Described it as a message of hope.  What hope can there be for 2.3 million Palestinians trapped over 16 years in the occupied and besieged Gaza Strip. In the words of UN Secretary General Antonio Guterres, Gaza has become a graveyard for Palestinians. They have no water. No food and no electricity as Israel has cut off what little it allowed in through its already suffocating siege. They seek shelter from Israeli bombings in hospital, UN schools, mosques, and churches, only to find these sites targeted by Israeli strikes. Those who can flee their homes along Israeli designated safe corridors only to have their vehicles shelved by the Israeli IDF soldiers. It seems incomprehensible that an Israeli soldier would pose a photo with a rainbow flag while participating in his army's mass slaughter of Palestinians and destruction of half of Gaza's homes. The truth is more sinister yet. This stunt, which was shared online by the Israeli state official social media accounts, is a textbook. example of obscene colonial pinkwashing. More than that, it is a pinkwashing on steroids. For years, Palestinian queers have denounced Israel's pinkwashing, a cynical strategy designed to use self proclaimed support for LGBTQIA plus rights as a pink smokescreen to conceal its 75 years regime of apartheid, which oppresses all Palestinians, no matter of our gender. or sexual orientation. All the while singling out queer Palestinians for persecution and blackmail. It is an attempt to falsely depict Israel as modern and a liberal country while diverting attention from its alignment with far right homophobic regimes and groups around the world and its current fundamentalist, racist, and homophobic government. In addition, Israel's pinkwashing agenda is a colonial tool that has the racist aim to misrepresent Palestinians as backwards, homophobic, and thus not deserving of human rights. It also tries to convince us, as queer and trans people, that we are somehow foreign in our society, and tries to turn us against our Palestinians brothers and sisters. I think there couldn't be any better example of Israeli pink washing than the photo that the Israeli soldier with the rainbow flag in the rubble. Israeli pink washing has always been dishonest and dangerous. It has always been racist and colonial. It has allowed Israel to continue its ethnic cleansing, besiege, imprisonment, and murder of Palestinians, queer and non queer alike, for decades. Now it's being used to cover up for genocide. In these dark times, Palestinians in besieged Gaza are bearing the brunt of Israel's full blown genocidal war and ethnic cleansing. Palestinians in the occupied Palestinian territories of West Bank, meanwhile, are also facing escalating waves of killing, torture by both Israeli military and illegal sectors. Apartheid, for Palestinians like myself inside Israel, is reaching new peaks as Israeli forces are targeting and suppressing any expression of sympathy with the oppressed. As hard as it is, we still maintain hope. We have no other choice. That hope comes from the grassroots mobilization that are forcing complicit governments and institutions to finally call for the bare minimum that is nevertheless the absolute priority: a ceasefire that will put a stop to Israel's carpet bombing and genocide of Palestinians in Gaza. Queer groups have been extremely instrumental in our struggle for liberation. Queer groups have been an important part of the mobilizations. Nearly 40 LGBT, QA plus groups across Southwest Asia and North Africa called for the immediate ceasefire stating ” we stand with justice, equality, progress, and liberty.” Throughout my life as a queer activist, I have proudly held the rainbow flag high as a symbol of queer inclusion, queer struggle, queer liberation, queer equality, and queer joy. The Israeli soldier participating in Israel's genocidal war on my people in Gaza has desecrated the flag, has disgraced the flag, and made it a mockery for all it stands for. Queer and trans people and groups are increasingly seeing through the pink smokescreen and rejecting Israel's pinkwashing and its war crimes and crimes against humanity. We will not stand by as our flag and our identities are co opted and used to justify a genocide. I call upon queer allies around the globe to remember none of us is free until we are all free. What can we do right now in these terrible times? Since 2005, Palestinians have proposed to you, our friends around the world, an entirely nonviolent method of ending Israel's power over our lives. An academic and cultural boycott of Israel. This strategy is known as BDS, Boycott, Digestment and Sanctions. BDS means boycotting all Israeli state sponsored institutions. This is not aimed at individuals, but at institutions financed by the state and that serve as extensions of the government that occupies us and keeps us under siege. We ask academics, staff and students not to speak at Israeli state funding organizations, including universities. We ask artists and cultural workers not to perform in apartheid Israel. Make sure that your universities are divested from Israeli money. Do not take israeli money for your conferences or film festivals. Do not accept deceptively free propaganda trips to Israel. End complicity with the government of Israel by among other things, cancelling all joint projects activities that are complicit with Israeli universities. Right now, the main demand is to stop the genocide. Stop the genocide and ask for ceasefire now.  So how can queer groups and queer people support queer liberation in Palestine?. One effort that is happening right now around the world is Queer Cinema for Palestine. Queer cinema for Palestine is a vibrant event that happens globally, established in 2021 to support queer art and queer cinema around the world. Today, there are more than 270 filmmakers and artists who signed our pledge to boycott Israeli film festival, to boycott Israeli institutions, and support queer liberation in Palestine. Queer Cinema for Palestine is happening online in more than 15 locations around the world from the 2nd until the 10th of December. Under the title, There's No Pride in Genocide, we gather together as artists to support, Queer Cinema for Palestine and the Palestinian struggle for liberation. There's not much to say. I think you've seen the image from Gaza. You've seen what is happening right now. This is not a regular panel on pinkwashing. It's happening during a genocide, where pinkwashing is also used to promote genocide. So, may I ask you as a Palestinian and as a queer Palestinian, please keep talking about Palestine. Palestine is a queer issue. Gaza is a queer issue, and there's no queer justice until we are all free. Thank you so much for organizing this and thank you so much for your work and activism on Palestine. You are saving lives right now. Thank you. Shenaaz Janmohamed: Thank you so much, Ghadir. Thank you so much for your passion, your commitment, reminding us that hope is an active choice that you're engaging in every day, despite all the odds, because that is the story of survival. Thank you for reminding and being so clear in the link to BDS boycott, divestment and sanction movement as tangible ways that we could be in solidarity with Palestine and to chip at the far reaching power of the Israeli state and settler colonial project. Thank you for showing the ways in which queer folks and queer organizations. use culture and art to tell different stories of survival with the Queer Cinema for Palestine. And thank you for showing up and being here with us. Thank you for all the ways that you hold communities, your fullness, and time to share and to lead us today. Wishing so much protection and safety to you and yours. Next we have Rabab Abdulhadi. Rabab Abdulhadi (she/her) is an internationally known scholar and distinguished professor and researcher. Her scholarship, pedagogy, and public activism focus on Palestine, Arab, and Muslim communities and their diasporas, transnational feminisms, and gender and sexuality studies. She is the Director and Senior Scholar in the Arab and Muslim Ethnicities and Diaspora Studies, and a Associate Professor of Ethnic Studies, Race and Resistance Studies at the Historic College of Ethnic Studies, San Francisco State University. She is also a treasure, a beloved teacher, organizer here in the Bay. I feel really grateful that you're here with us today for all the work, all the times that you've taught me. It's really such an honor to be able to host you and invite you in, Rabab.  Rabab Abdulhadi: Thank you so much Shenaaz, and I begin by acknowledging that my own university, San Francisco State University, sits on stolen indigenous Ohlone people's land, and I'm now on the east coast of the United States, where I am also present on the Lenape people's land that has been stolen and people have been displaced, just like it is in Palestine. I also want to thank Queer Crescent for organizing this with the Palestinian Feminist Collective and actually joining with Palestinian Voices. I'm very happy that my colleague, my sister, my sibling, Ghadir, was able to join us and has actually taken a lot of the things that I was going to focus on, and thank you, Yaffa, for especially naming even the poetry, Blood Oranges, because we know what oranges mean and how they have been used. And many Palestinians can't even eat oranges because it reminds them of the orchards that they've lost back home. So I start, if you don't mind, just Putting the first slide on. Yeah. And this is a slide if people can see it. This is actually was done in 2013 and it was organized by a group of underground artists, called themselves cultural jammers, to remake all the campaign that was at the time by Pamela Geller and other Zionist groups doing all this smearing and buying sides on the buses and so on. And the reason I mentioned because there is a connection between the cultural jammers and also the whole naming of pink washing because pink washing, some people say, emerged in Palestine. Some people say it emerged in the U. S. Some people talk about the whole question of washing and then the question of pink and so on. And I think for me as a researcher, a scholar, it's very, very interesting because there are so many origins of every single way that we are having the struggles. And so the colonial boundaries and borders that the colonialists and settler colonists try to impose upon us don't really work because we cross these borders at least maybe imaginary, maybe in our networks and so on. But why is it that pinkwashing persists? Ghadir spoke a lot about it. I'm just going to just emphasize a couple of things. It is necessary, very important for Israel public relations. Public relations is a very important project for it. This is why Israel consistently demands of the Palestinians and the Arab countries and the world, not only to recognize Israel's right to exist, but to recognize Israel's right to exist as a Jewish state, which in itself a very racist notion. And this is very much connected with the genocide that we're seeing now in Gaza, that also we have seen for 75 years of Nakba and for over 100 years of colonization of Palestine, because , the slogan by the Zionist movement was “a land without people, for a people without the land.” We can talk about “for people without the land” a little bit later, but let's talk about “a land without people”. In order to accomplish that and legitimize it, you have to arrest the people. You have to erase them. You have to erase their presence. You have to also discredit their discourse, their work, their culture, their interaction, their social relations, in order for you to present yourself as Israel does. And as Ghadir mentioned, as a modern state that is making the desert blue, which we know is not true, and by contrast, is the best friend of women and queer people, as a gay haven, as opposed to quote unquote the backward, savage. excessively homophobic, excessively misogynist, Arab world, Arab and Muslim world, and in which Arab men and Arab and Muslim and Palestinian men are presented as irrational, bloodthirsty, misogynist, haters of women and Queer people, and as women as being docile, as being only oppressed constantly, and need to be rescued by the colonists who will come in and basically realize what Gayatri Spivak spoke about I don't know, 30 years ago, the colonist project of trying to save brown people from brown communities and queer people from their own queer communities. And so in order for this to work, it has to be presented in all of these things that it is necessary. And it's very important for Israel to focus on its public relations. And this is something that has been actually very part and parcel of since the foundation of the state of Israel in 1948, a task that was assigned to the military, to the security of interior affairs to the Mossad, which is the CIA, outside intelligence, Shambit, the internal intelligence to everybody. And now we see more and more the Ministry of Strategic Affairs and other is, and the whole question of quote unquote branding, which I put it in parentheses because branding also refers to the ways in which people engage in slavery actually used to quote brand people whose lives they owned. So I put it in parentheses. I question it. But Israel is very big on that to brand Israel as a gay haven. Israel as a best liberator of women and so on.  This is also what we see today in the sense of Israel actually making a very public relation campaign and a very, very intensive campaign to claim that Palestinians have chopped off the head of children, which was even reiterated by the president of the United States without even thinking about it because he was quoting Israeli Officials who we know are not really known for telling the truth and then they had to retract it the second day but yesterday he repeated the same thing again and said there is the rape of women and so on which we do not have any evidence until now. We know that a lot of Israeli groups and Zionist groups like this group Bonat Alternativa and others are alleging, but we haven't seen any evidence of that. If there is any evidence of that, we will not stand for it. We condemn any kind of violations of gender and sexual, justice because we believe that gender and sexual justice is part and parcel with indivisibility of justice. So this is not something we are trying to cover, but this is very much part and parcel of the Israeli propaganda and it's churning machine, the Hasbara machine is everywhere and they keep changing their stories. And if we have time we can actually go over how each story has developed and moved from one place to the other. I'm also talking about the ways in which colonial feminisms or colonial quote unquote feminism, because feminism is supposed to be about the liberation of women as part of liberation of everybody, have been very much engaged in. But within that, there is also notion of blaming the victim. It is a very important aspect of it. So in order for the Israeli and the Zionist narrative to work, you have to blame people. And one of the very well known cases, for example, was the case of Mohammed Abu Khdeir, the young Palestinian teenager who was kidnapped from in front of his house on July 2nd, 2014, right around the big, big 2014 war on Gaza we talked about, and kidnapped by Israeli settlers who took him to a forest in Jerusalem that was built on the ruins of the village of Deir Yassin, where the massacre on April 8th, 1948 happened in order to facilitate the creation of the Israeli state. And they made him drink kerosene and set him on fire and burned him alive, which was a clear case of lynching. Now, what Israeli police tried to do was to actually say that Mohammed Abu Khdeir was killed by his own family to quote unquote salvage family honor. And they killed him because he was queer. And now if it wasn't for his father who had videotapes of the security cameras outside of the house and showed it– the Israeli police tried to confiscate it and basically destroy it– showed that these people came and kidnapped him. The relative would still be among colonists, among racists, among white supremacists, Zionists, that Palestinians are killing Palestinians and they are doing this all the time. So it's not only blaming the victim, but it also instilling and reinforcing the narrative of people, not only Palestinians, this happens with all indigenous and all colonized communities and all communities of color from time immemorial. You look at the history of the United States, this is something, this is a trope that keeps getting repeated again and again and again. And it's not an easy trope because It is not something that's only being said. It's not only a discursive issue. It's not a discursive issue that we need to deconstruct in the classroom because we know the history, including that. But recently, many people started learning more about the case of Emmett Till, the young Boy who was killed and the woman who actually accused him came out and said that she lied, but he was killed and he was lynched. And then his mom insisted on having open casket so everybody could see the crime. And there's so many more examples that we don't have time to get into all of them now, but this is part of the colonial narrative, the colonial strategy in order to discredit the people who are colonized and discredit their struggle.  And this is definitely a part in Gaza and it is, but the other thing is that it depends on the narrative of saying that our communities in particular as exceptionally sensitive and exceptionally traditional. And this is something that we saw in Abu Ghraib for example.  When they were talking about, we're not going to show the images of iraqi men are particularly insensitive. But we were raising the question, which men are okay with it, which women, which anybody, which non gender binary person, who would be okay with being subjected to sexual and gender violence; to being displaced like this and so on. Nobody will be. But the imaginary that it is trying to instill that's built on Orientalist, Islamophobic, anti Arab, anti Palestinian, anti Muslim racism as part and parcel of all kinds of racism basically makes it possible to do a little dog whistle in order for you to enforce all of this. We saw this also at the US Social Forum when Zionist groups stand with us, which now everybody knows what it is, tried to do a workshop around queer communities in the Middle East, and many of us objected to it. And the reason that it got through because the organizers thought that this would be something that would be actually really wonderful, bringing everybody together. They did not really investigate who this group was and what it was doing and did not coordinate with the many organizations that were at the U. S. Social Forum in 2010 in Detroit from our own community to see what is happening, what's going on, are you part of this unparceled hat? Even though the Palestinian queer organizations have existed for a very long time, and I think it was by then, if I'm not mistaken, Ghadir you can correct me that we organize a national tour and for all calls throughout the U S in order for people to speak and you all came and spoke in my own classroom. This is part of the stuff that keeps going back. And this is also the same thing that we hear around this group that I've mentioned now, and this propaganda that's happening, and also in terms of the ways when we passed the resolution on BDS in the National Women's Studies Association 2015, many Zionist groups came out and basically came with the whole question is there a place for Zionism and feminism? Many of the feminist groups have been targeted, including the International Women's Strike and so on. This is a continuous, systemic, persistent thing. This is not something that is out of random or accidental. And so what do we do about this? In addition to what Ghadir said, I think it's really, really important for us to say, how do we fight back? We fight back with multiple ways. One of the ways we do for example, organizing this in the classroom. So one of the things that we do in the Arab and Muslim Ethnicity and Diaspora Studies program ever since we were founded in 2007 is every single year we were partnering with the Pride Month at San Francisco State to organize sessions on the whole question of queer justice, and this is one of them. Even after San Francisco State stopped funding pride month, we continue doing it again and again. We believe that it's really important to connect the knowledge within the classroom with the knowledge outside and with the activism and advocacy. We do not separate what happens in the classroom, what happens in the academy from outside. So the academy is not producing knowledge that is divorced from reality. The people who are organizing are part and parcel of that. And so we've been doing this again and again. The other thing that is really, really important to think about is how do we work here, and I'm talking here in the diaspora, with groups on the ground, Palestinian queer groups who are working? So one of the examples that I would like to cite from our own experiences is when Al-Qaws was attacked by Palestinian police in Nablus trying to hold an event. My hometown Nablus. We were going to rush and say something, but we waited and we coordinated with Al Qaws and we asked, what should we do? And we did not do anything until Al Qaws came out because we were objecting to the whole question of saving queer people from queer communities, saving brown people from brown communities, the whole question of the colonial notion. And we were also taking leadership from the people on the ground who are day in and day out struggling. Once Al-Qaws came out with it, what we did is we published in one of the newspapers in the Bay Area, along with Queers Undermining Israeli Terrorism, which is a group that has been doing a lot of work for a very long time, and whose founder actually was chosen to be the Grand Marshall at Gay Pride Parade at San Francisco. And she turned down this honor and said, because I am here in Palestine struggling with the International Solidarity Movement at the time to oppose the apartheid world to oppose the repression by Israel and so on. So we organized together. And that's when we said we endorse. We support. This is really important sometimes to think about how do we take a back road and when is it we go public with things. At this point, we really need to go public and we need to defy all this propaganda that is happening.  This is part of what the solidarity mean. But this is not free. When we do something like this, there is punishment. And these are some of the flyers I'm showing from the Queer Liberation March that took place in 2019. This was the 50th anniversary of the Stonewall, Uprising. The Queer Liberation March at that time actually decided to refuse any corporate funding, to refuse to allow the police to go march in their own uniforms and so on, rejected the policing, rejected the state apparatus that represses people, rejected the corporate money and so on. As a result, there was space for us to be there. So we were organizing, we organized a big contingent under the banner of QAIA, Queers Against Israeli Apartheid, and also Queers A gainst Islamophobia.  So we participated and I took this banner and I put it on my Facebook page. This led to the another Zionist attack, which is trying to silence Palestine and were trying to criminalize Palestine in the curriculum, and especially targeting us and our program in particular. And they took it and didn't say what was on the banner. They just said that I'm spreading hate, and thus I should be– they had 86 organizations, some of them fake organizations– sign it, send it to the university, to the chancellor of California State University to the president of San Francisco State, saying that I'm spreading hate. This for them is hate. Palestine is a queer issue. BDS Zionism is racism. Silence means death. For them, this was something that was very problematic, and it was something that is undermining the Zionist propaganda, and Zionist project of colonizing Palestine and eliminating the Palestinian people like the genocide that we are seeing here, and trying to continue pushing the pink washing without having it exposed.  As a result, our program has been attacked again and again. The Lawfare Project executive director got on the TV, on Fox and friends, and made a lying statement. They sued me. And they sued San Francisco State and they sued California State University. But we defeated them. It was thrown out of court. It was dismissed with prejudice. But she lied about that. And she said that I'm spreading hate; that I'm one of the leading anti Semitic– Horowitz every single year pushes out a formula about the top anti-Semitic scholars, and they always give me number one. And I think they do it in May because this is the fundraising season for them. As a result, I started receiving death threats. However, and including to my own university and the threat voicemails on my office mail that said Muslims will die, which is the same phrase that the guy who killed Wadiah Al-Fayyumi in Chicago, stabbing him 26 times. He said Muslims will die. The university does not believe that this is actually a viable threat. And so they protect the right wing speech, which is white supremacist and Zionist is a protected speech protected that they can do whatever they want, put up hateful posters, do whatever they want against us, but we are not allowed to say so. And the university is not investigating death threat letters that actually came to me through the University President's office to my own office. However we refuse to be silenced. We refuse to lie down. And so we continued organizing. And one of the main events that we organize, and we do it every year, is this panel Queer Open Classroom that everybody can attend and come in. Queer justice against pink washing, exposing it, bringing scholars and activists, Ghadir was one of the people who spoke at that, in order for us to support liberation for Palestine as part of liberation of all, and to support gender and sexual justice as part and parcel of the indivisibility of justice. Thank you. Shenaaz Janmohamed: Oh, Rabab. I hope that you can feel all the tremendous. gratitude and love that you're getting in the chat. I think that there is such a clear longing to be hearing stories from elders, folks who have been in this fight for so long. Thank you for bringing in the long arc of queer Palestinian organizing. Thank you for bringing the long arc and history of queers being in solidarity for Palestine. It's so important that we understand that while this moment is so important for us to study, learn and act. It rests upon such a long arc and such a long history of organizing in solidarity with Palestine. Thank you for also speaking to Mohammed Abu Khdeir, thank you for speaking him into the space. Thank you for both of you reminding us to follow the lead of queer Palestinians. What we're trying to do with you all today with this teach-in is to really pull us together, circle around and invite us all to be following the lead of queer Palestinians so that we can take on this work as inextricably linked to our own liberation; to advance the work of undermining pinkwashing and Zionism as part and parcel to our queer liberation. So thank you so much, Rabab. Our last speaker, Shivani Chanillo with Lavender Phoenix. Shivani (they/them) is a trans non- binary second generation Indian American organizer. Shout out to the baddy Indian organizers out here, myself included. Their experience of active solidarity with Palestinian folks came in 2017 through exchanges they facilitated between their high school students in Baltimore, and students at Ramallah Friends School in the West Bank. These powerful exchanges stoked Shivani's passion for developing young people as critical thinkers grounded in revolutionary values and politics. As a leadership development coordinator at Lavender Phoenix, an organization that Queer Crescent deeply loves and feels deeply supported by and in deep siblingship with. Shivani continues this work by facilitating opportunities for trans and queer Asians and Pacific Islanders to practice values based organizing and contribute to intersectional movements. In particular, I just want to really say that we were so excited to invite Shivani and Lavender Phoenix in to our teach in as the final speaker, because Lavender Phoenix is one organization that really models, going back to the initial motivation of this teach in with our letter calling for a permanent ceasefire, calling on LGBTQ organizations and leaders to sign on to understanding pink washing and to support Palestinian liberation. Lavender Phoenix is one such organization that has really demonstrated such values align solidarity with Palestinian liberation. And so I'm really excited to bring you in Shivani to close us out to talk about how queer people, queer organizations can really double down on our solidarity.  Shivani Chanillo: Thank you so much Shenaaz for that introduction and to Queer Crescent for organizing this event. I just want to take a moment and just, I feel so deeply moved by the sharing from Rabab and Ghadir in this workshop and just sitting with the lineage within all of us as we take up Palestine as a queer issue. We have generations of lessons and decades of work and such powerful leaders here in this space, but all across the world to follow, and I feel so grateful and so excited to be joining in on this work and sharing a little bit about what Lavender Phoenix is doing in this moment. If you haven't heard of Lavender Phoenix, we build trans non binary and queer Asian and Pacific Islander power here in the Bay Area. We are a base building organization training grassroots leaders to build intersectional movements. As we witness an escalation of the ongoing genocide in Palestine I can say that our base is firmly grounded in the understanding that Palestinian liberation is part of our struggle and our responsibility as trans and queer Asian and Pacific Islander people. And so I want to start by sharing a little bit about what we're doing in this moment, before sharing about how our members arrived to this point. Since October 7th we have shifted our work accordingly. We have dedicated time to mobilize our members and our broader communities to action. We have educated each other to stay politically grounded. We have and will continue to support each other to process the grief of this moment and to remember hope, optimism, and commitment. In so many facets of our work, we are stepping into deeper leadership and responsibility to support our Palestinian comrades to win. And more tangibly across our six member led committees, this looks like offering healing support, coordinating our members who are trained in protest and digital security to support our comrades, coordinating contingents at in person and online actions, moving financial resources and funder attention to our Palestinian partners, and uplifting pro Palestinian messaging and calls to actions using our social media reach. Responding to Palestine and challenging pinkwashing is not a shift in our priorities, but it's actually a sharpening of our focus as an organization. We've organized our base over the years to recognize our interconnected struggles, and across our membership, we so deeply understand that the Palestinian struggle is our struggle. And Palestinian futures are our futures. All of the actions we are taking right now to support Palestine, to challenge pinkwashing are the result of so many tests, experiments, and trials that have helped us deepen our political purpose and grow our power. Many of these experiments and trials that we've conducted over the years really informed our current theory of change. And this is really critical to how we're organizing in this moment. Our emergent responses to sharpen contradictions in our world like we are witnessing with Palestine, are only possible because we organize within a consistent theory of change. A key part of our theory of change and a key part of my role as Leadership Development coordinator, is that we are committed to developing leaders who are rooted in our values, in our history, in emotional intelligence, and compassion, because we know that is how our movement will be sustained and will be effective. So we're not just developing members and masses who care about single issues, we're developing holistic, critical thinkers who care about solidarity with all oppressed people so that in moments like this, solidarity with Palestine is a natural choice in our larger fight for liberation. One of the really important ways we do this, and this workshop is a critical example, is we educate our base, our trans and queer API base, on our history. We dig into how systems of white supremacy, imperialism, colonialism, racial capitalism, and cisheteropatriarchy impact all of us across our identities in the past and in the present. Right now, the tools and tactics being wielded by fascist leaders to criminalize and punish trans people here in the U. S. are rooted in the same white supremacist, colonial, and imperialist ideologies used to justify the dehumanization and murder of Palestinians, particularly trans and queer Palestinians. As part of our theory of change, we've also spent intentional time educating our base about revolutionary politics like abolition and healing justice, and developing our skills for safety, for healing and resource mobilization that are applicable in moments all across our movement. We spent so much time since we implemented this theory of change in 2021 to build our base and grow our power so we can show up for our partners who are organizing for Palestinian liberation in this moment. We have spent so much time cultivating our skills and knowledges so we can support our movements beyond just trans liberation.  I want to end just by sharing a little bit of a story. A few weeks ago, our members participated in a direct action that asked many of them to step into higher risk than they had before. Prior to the action, we met to get grounded together. Folks shared their fears, but they also countered those fears with a really rooted sense of purpose. So many of our members talked about how they wanted to look back on this moment and know that they and we as an organization did everything in our power to support Palestinian liberation. And they spoke about the sacred responsibility and duty we have in this moment to show up in solidarity. I feel so moved, even now, just thinking back to that moment and feel so much gratitude to our members for taking new risks, to the generations of leaders in our organization and our movement who have led us to this point, and I feel immense admiration and gratitude to the long lineage of Palestinian queer and trans resistance, and current day organizers who are guiding us right now. For Lavender Phoenix, this moment is really helping us clarify our power, and for many of our members, this moment is helping them clarify their political purpose. The things all of our Palestinian siblings are fighting for, self determination, safety, healing, community, decolonization, these are the things that we as trans and queer API people here in the Bay Area so desire for ourselves as well. We refuse to let our transness and our queerness be co opted for violence and displacement and genocide, and we know that our struggles and our futures are united, and we're committed to fighting alongside our Palestinian comrades until we are all free. Thank you so much for letting me share. I'll pass it back to Shenaaz. Shenaaz Janmohamed: Shivani, thank you so much for bringing all of it. Lavender Phoenix, I just can't swoon on y'all enough. You model that clarity of purpose and power and grace. There's also such deep humility and grace to be in constant learning. As an emerging organization, an emerging queer organization, I just have to say Queer Crescent feels so deeply held by y'all and really inspired with the path that you are leading and inviting us all towards.  This piece around letting this moment sharpen the focus. It's not a pivot. I think I've even said, we're pivoting, we're in rapid response. Part of our political principles as an organization is understanding anti Zionism as part and parcel of the white supremacist project. And so this is not a pivot, it's not a rapid response, but to your point, it's a sharpening and it's a double down of our commitments, principles and priorities. So thank you for naming that.  Cheryl Truong: And that's the end of our show. Tonight's show was a broadcast of the Resisting Pinkwashing teach-in co-led by Queer Crescent and the Palestinian Feminist Collective. It was moderated by Shenaaz Janmohamed, executive director of Queer Crescent and featured poetry by Mx. Yaffa of MASGD, and guest speakers, Rabab Abdulhadie from the Palestinian feminist collective, Ghadir Shafie of ASWAT, and and Shivani Chanillo from AACRE Group Lavender Phoenix. Learn more about the incredible work of these incredible organizations and sign on to Queer Crescent's cease fire campaign through the links in our show notes.  Apex express is produced by Miko Lee, Paige Chung, Jalena Keane-Lee, Preeti Mangala Shekar. Shekar, Anuj Vaidya, Kiki Rivera, Swati Rayasam, Nate Tan, Hien Nguyen, Nikki Chan, and Cheryl Truong   Tonight's show was produced by me, cheryl. Thanks to the team at KPFA for all of their support. And thank you for listening! The post APEX Express – 05.30.24 – Resisting Pinkwashing appeared first on KPFA.

On today’s episode, I sit down with Amanda Nagai, a storyteller, artist and designer, former tech world startup founder and engineer, who these days geeks out on inner work, grief, collective wellness, ritual and poetry. She is the author of Walk Us Home, a memoir told through poetry and art, just released in 2024. Proceeds from the book will support You're Going to Die’s suicide-prevention and community catharsis work inside San Quentin Rehabilitation Center (formerly San Quentin State Prison). After years of big personal loss, illness, and all the healing and inner-exploration modality workshops and trainings she could afford, she has some quiet understandings of what we lack as a society, what we need, and the limits of her own personal comprehension in the face of the Mystery. She laughs as much as she grieves and loves being with people as much as communing with trees and feeling washed by ocean waves. She calls the Ohlone lands of the Bay Area home. We talk about the following and so much more: ✅ What does it mean to grieve - and why do so many people misunderstand the purpose of grief? ✅Her story of grief with us - what were the first moments like? What are the steps to process grief? What is your recommendation on heloing people process their grief? Do we ever fully recover from grief? What’s the timeline normally? What were the steps you took personally to recover? What happens when we do not process our grief? What are some decisions you made that felt difficult but important? If you’d like to join the waitlist for my next coaching program, sign up @ www.InnerKnowingSchool.com Please tag us and tell us what you loved! You can follow @Gateways_To_Awakening on Instagram or Facebook if you’d like to stay connected.

Taking a look at Ohlone College athletics, where the energy pulsates both on the field and in the stands, we take you behind the scenes with Chris Warden, the dean of kinesiology, athletics, and performing arts. Consider what it takes to create a captivating fan experience that keeps the community coming back, game after game. From the echo of basketballs on the hardwood to the sharp crack of baseball bats, we've wrapped up the essence of local sports in a way that will resonate with enthusiasts and newcomers alike.Chris walks us through the ebb and flow of college sports and shares insight into his daily life and the secrets to managing a department as varied as the sports they oversee. From his transformation of an athletic trainer to a masterful administrator, his story unfolds, offering a playbook on how to juggle responsibilities across music, theater, dance, esports, and broadcasting. It's a peek into the personal triumphs and hurdles that shape the vibrant spirit of Ohlone College's athletics.As we rally around the college's teams, the episode throws a spotlight on the student-athletes who are as tenacious in their studies as they are on the court. We share anecdotes that illustrate the lengths to which educators go to support their passion, and we paint a picture of the community's involvement that transcends mere spectatorship. It's more than just a game at Ohlone College; it's a celebration of camaraderie, perseverance, and the pursuit of excellence. Join us for an episode that scores on all fronts, leaving you with a deeper appreciation for the heart and hustle of community college sports.For more information about Ohlone Athletics go here.Fremont Bank has been serving our community for over 60 year. Find out more about them in Episode 104 or on their website here. Get 20% off on your first order at Minuteman Press in Fremont. Let them know you heard about them on the podcast.Don't miss the Ohlone College Flea Market each month on the 2nd Saturday. If you are interested in supporting the podcast, please reach out to us at thefremontpodcast@gmail.com, or you can contact us here. The Ohlone College Flea Market takes place this month on April 13th. Don't miss it. Fremont Bank is our newest sponsor. They have been partnering with and supporting people and small businesses for over six decades. Also, Petrocelli Homes has been a key sponsor for the Fremont Podcast almost from the beginning. If you are looking for help or advice about buying or selling a home, or if you are looking for a realtor, get in touch with Petrocelli Homes on Niles Blvd in Niles. Additionally, Banter Bookshop is the best little bookshop in Fremont. They are a sponsor of that podcast. And we are excited to have them as a partner. If you are in need of services for design or printing, check out Minutemen Press in Irvington. They have been serving the community for over 20 years, and they stand strong by their work and service. Intro and Outro voiceovers made by Gary Williams. Check out garywilliams.org.This episode was edited by Andrew C. Scheduling and background was done by Sara S. This is a Muggins Media Podcast....

That moment when you meet kindred queer spirits in podcasting.Today we have a special cross-pollination episode with the Queer Spirit podcast.  The Queer Spirit podcast has conversations with embodied artists, practitioners and activists who care for, enliven and empower our 2SLGBTQ+ communities to thrive + flourish. Their hosts are Nick Venegoni, MA (he>they) and TanyaMarck Oviedo (they/them).Nick is a holistic psychotherapist based on unceded Ohlone territory (San Francisco, CA), where he supports queer folks to heal from trauma and anxiety, to create more joyful lives and fulfilling relationships. Nick's primary spiritual practices these days include Earth based wisdom, Buddhist Psychology, Mindfulness meditation, and sound healing.TanyaMarck is an intuitive + trauma informed practitioner, guide, mentor, educator, witch, and medicine person who identifies as a queer, non-binary, native indigenous being of color, and person in recovery. Their healing arts practice (Vamonos) and home are based out of Tongva + Kizh and Chumash lands (Long Beach, CA).Connect with Queer Spiritwebsite: queerhealingjourneys.com/podcastinstagram: @holisticqueerhealingfacebook: facebook.com/queerhealingjourneysOur BookshopVisit our Bookshop for  new releases, current bestsellers, banned books, critically acclaimed LGBTQ books, or peruse the books featured on our podcasts: bookshop.org/shop/thisqueerbookBecome an Associate Producer!Become an Associate Producer of our podcast through a $20/month sponsorship on Patreon! A professionally recognized credit, you can gain access to Associate Producer meetings to help guide our podcast into the future! Get started today: patreon.com/thisqueerbookCreditsHost/Founder: J.P. Der BoghossianExecutive Producer: Jim PoundsAssociate Producers: Archie Arnold, K Jason Bryan and David Rephan, Natalie Cruz, Jonathan Fried, Paul Kaefer, Nicole Olila, Joe Perazzo, Bill Shay, and Sean SmithPatreon Subscribers: Stephen D., Stephen Flamm, Ida Göteburg, Thomas Michna, and Gary Nygaard.Creative and Accounting support provided by: Gordy EricksonMusic and SFX credits: visit thiqueerbook.com/musicQuatrefoil LibraryQuatrefoil has created a curated lending library made up of the books featured on our podcast! If you can't buy these books, then borrow them! Link: https://libbyapp.com/library/quatrefoil/curated-1404336/page-1Support the show

We have a surprise guest for this episode! Please welcome Paul Simpson from Ohlone's Basic Needs department! Tune in to learn more about who Paul is, his role, and basic needs around Ohlone College. __PRESENT__PRESENT

The Sagorea Te' Land Trust has rematriated the West Berkeley Shellmound through a long community organizing struggle, a partnership with the City of Berkeley, and a generous donation. We're joined by the chair and spokesperson for the Confederated Villages of Lisjan as well as co-founder and co-director of The Sogorea Te' Land Trust, Corrina Gould. Check out the Sagorea Te´Land Trust's website: https://sogoreate-landtrust.org/ — Subscribe to this podcast: https://plinkhq.com/i/1637968343?to=page Get in touch: lawanddisorder@kpfa.org Follow us on socials @LawAndDis: https://twitter.com/LawAndDis; https://www.instagram.com/lawanddis/ The post Ohlone Land Trust Rematriates West Berkeley Shellmound w/ Corrina Gould appeared first on KPFA.

We'll discuss a sacred Native American site in Berkeley being transferred back to the Ohlone people, a California survey designed to understand and address the needs of the LGBTQ+ community as they age, and the Frameline film festival celebrating queer storytelling.

A PoemCast and message from a povertySkola for ancestors and and conscious settlers that another way is possible on MamaEarth

The City of Berkeley will soon return sacred land to an Indigenous trust, in what Berkeley's mayor has called the largest urban land give-back in California history. After nearly a decade of litigation the city acquired a 2.2 acre parking lot in West Berkeley which sits on the last undeveloped land of the oldest Ohlone shellmound, which was designated as a city landmark in 2000. The city acquired the land for 27 million dollars, mostly with money from the Sogorea Te' Land Trust. We'll talk about the plans for the site and what it means for Ohlone people, the city of Berkeley and the future of the land back movement. Guests: Sophie Hahn, councilmember, Berkeley District 5 Corrina Gould, director, Sogorea Te' Land Trust; spokeswoman and tribal chair, Confederated Villages of Lisjan/Ohlone Melissa Nelson, board president, Sogorea Te' Land Trust; professor of Indigenous Sustainability, Arizona State University Farimah Faiz Brown, City Attorney, Berkeley

Comprehensive coverage of the day's news with a focus on war and peace; social, environmental and economic justice. New York prosecutors say they're willing to delay Trump hush money trial 30 days. Senate leader Chuck Schumer calls Israeli Prime Minister Netanyahu an obstacle to peace. EPA putting new rules limiting medical equipment cleaning chemical use, citing cancer risk. Senate hearing considers 32-hour work week. Tenderloin businesses and residents sue San Francisco over rampant drug use in neighborhood. Berkeley Mayor and Segorea Te Land Trust announce West Berkeley Shellmound land back to Ohlone people. Vice President Kamala Harris becomes first V.P. to visit an abortion clinic, Planned Parenthood. The post The Pacifica Evening News, Weekdays – March 14, 2024 New York prosecutors say they're willing to delay Trump hush money trial 30 days. appeared first on KPFA.

Comprehensive coverage of the day's news with a focus on war and peace; social, environmental and economic justice. House advances bill that would force Tiktok Chinese owners to sell or face a US ban. Judge in Georgia drops some charges in Trump election interference case there, most charges remain. Putin hints that nuclear weapons not off the table in Ukraine if Russian independence threatened. A UN agency holds a hearing on Gaza war affects on women and children. Michigan jury hears closing arguments in case of father of school shooter for negligence. Indigenous activists in Berkeley celebrate city's decision to return a patch of sacred Ohlone land. Pro-Palestinian protestors briefly shut down traffic at San Francisco International airport. The post The Pacifica Evening News, Weekdays – March 13, 2024 appeared first on KPFA.

Tiff Lin (they/them) is a queer 1.5 generation Taiwanese-American, kinesthetic artist, Asian Diaspora community organizer, and BaZi Chinese Astrology practitioner, residing in Ohlone territory (Oakland). They are a Dragon meets Goat Mycelium connector who loves to build cultures of authentic expression and belonging, create space for catharsis and art as a way for ancestral healing, and help connect people's gifts with their deeper calling. Through 1:1 BaZi consultations, they help folx connect the dots to their potential and expand on their gifts. Tiff gives thanks to their practice to their teacher Meng Yu of Tiger Eye Astrology and Mycelium community for giving them clearer eyes to see.     In this episode, we reflect on the year of the yin water rabbit (2023-2024) and we talk about what to expect in the year of the wood dragon. Tiff offers the best embodiment practices to keep you grounded in this transformative year.    Show Notes: Tiff Lin's Website Tiff Lin's Instagram Event: Join Sally Chang, LiZhen Wang, and Tiff Lin (moderated by Xiao Rong Chang) for an illuminating astrology talk welcoming the Year of the Yang Wood Dragon on Monday, February 12, 4:30 - 6 PM PST. Come learn about the qi imprint of Wood Dragon and ways to stay rooted during a time of great transformation. Link to donate and for the zoom link ORDER MY BOOK HOW TO MANIFEST Laura Chung Instagram Laura Chung's Website  Laura Chung's Tik Tok YouTube Channel Awaken and Align Instagram Connect with Awaken and Align: If you enjoyed the podcast and you feel called, please share it, and tag me! Subscribe, rate, and review the show wherever you get your podcasts. Your rating and review help more people discover it! Follow on Instagram @awakenandalign Let me know your favorite guests, lessons, or any topic requests.

On this episode, we're honored to have the amazing Chhoti Maa (They/ella). Born in Guanajuato, Mexico; Chhoti Maa is a rapper, singer, and songwriter whose music is rooted in ecofeminism, migrant rights and the power of community. Their music reflects decolonial living, ancestral medicine, queerness, love and radical sisterhood.  We discuss Chhoti's passion for learning their ancestral traditions, what sparked their wellness journey, how they've embraced their intersectionality, plus the role of compassionate listening of Indigenous Peoples. Listen and download their music on Bandcamp. We hope you enjoy the episode Queer Kittens!  FEATURED GUEST: Chhoti Maa started in 2007 within the migrant rights movement and hip hop scene of Richmond, VA. The production team expanded in 2012 with beto guapoflaco and Keith Avelino Hernandez. The music of Chhoti Maa is rooted in community organizing, hip hop, neufolk, r&b, cumbia, migrant soul and oral tradition. It reflects decolonial living, ancestral medicine, queerness, migrant empowerment, love and radical sisterhood. To date, Chhoti Maa has performed, collaborated and taught in Mexico, Peru, Puerto Rico, China, US, Cuba, Spain, Qatar, U.A.E., Ghana, Sweden, Canada, Colombia, Ecuador, Chile and multiple Indigenous nations. Chhoti Maa has released two studio albums Agua Corre (2016) and Caldo de Hueso (2018) featuring musical legends such as jazz saxophonist Howard Wiley, flautist KJ Pied Piper of the Bay, cumbia accordionist Ivan Flores and Native emcee Dioganhdih. 7 Luminarias is set to release in 2024. As the creative engine of Chhoti Maa, Vreni Michelini-Castillo is also a cultural producer, curator, educator and organizer based in Huichin, Ohlone land (Oakland, CA). WELLNESS RESOURCES: Check out all the wellness resources mentioned on the podcast here. HOST: Vanessa Vasquez aka V ⁠@lovenessmonsta⁠ (All Pronouns Accepted) THE CREW: Executive Producers: Stevie Cua (All Pronouns Accepted) ⁠@steviesees⁠ Producer: Leah Jackson (She/Her) ⁠@djmsjackson⁠ Associate Producer: Raphaella Landestoy (She/Her) ⁠@la.vida.bruja14⁠ Music: Produced and Composed by ⁠BASK⁠ aka Eric Guizar Vasquez (He/Him) CONNECT: Follow us on Instagram ⁠@questwellnesspod⁠ Be a guest on the pod ⁠questwellnesspod@gmail.com⁠ Podcast is produced in collaboration with ⁠Kinoko Chocolates⁠ & ⁠Puka Puka Creative⁠.Episode transcripts available by email request ⁠questwellnesspod@gmail.com⁠.

A weekly magazine-style radio show featuring the voices and stories of Asians and Pacific Islanders from all corners of our community. The show is produced by a collective of media makers, deejays, and activists.   A teach-in by Queer Crescent in collaboration with Palestinian Feminist Collective – Palestine is a Queer Issue: Resisting Pinkwashing Now and Until Liberation. Featuring guest speakers Rabab Abdulhadi from Palestinian Feminist Collective, Ghadir Shafie of ASWAT, Shivani Chanillo from Lavender Phoenix, poetry by Mx Yaffa from Muslim Alliance for Sexual and Gender Diversity (MASGD). Moderator by Shenaaz Janmohamed of Queer Crescent. Important Links and Resources: Sign on to Queer Crescent's Ceasefire Campaign for LGBTQI+ organizations and leaders Queer Crescent's Pinkwashing Resources  Queer Crescent Website Palestinian Feminist Collective Website ASWAT Instagram (@aswatfreedoms) Lavender Phoenix Website Muslim Alliance for Sexual and Gender Diversity (MASGD) Website Purchase Blood Orange by Mx. Yaffa Transcript Shenaaz Janmohamed: Thank you all so much for being here today. Welcome to the “Resisting Pinkwashing Now Until Liberation” teach-in. Queer Crescent is honored to host this teach in in partnership with the Palestinian Feminist Collective, Lavender Phoenix, The Muslim Alliance for Gender and Sexual Diversity or MASGD, Teaching Palestine, and Arab and Muslim Ethnicities and Diaspora Studies   Thank you all so much for joining us and for tuning in. My name is Shenaaz Janmohamed. I use she and they pronouns. I'm the executive director of Queer Crescent.  Queer Crescent is really thrilled to offer this Teach-in and to be in learning with you all for the next hour and a half on Pinkwashing in particular, as we hold grief and rage and mourn towards healing, towards resistance, towards a free Palestine. Joining the resounding people all across the world who have been calling for a permanent ceasefire. To not let the violence and the destruction of Gaza go without our clear and determined voice to say that this is not okay, that we, our tax dollars should not be paying for this, that we do not consent to genocide. And as queer people, as trans people, it is very much a queer issue to be in solidarity with Palestine. For the next hour and a half we will take time to learn from Palestinian organizers. in Palestine, in the U. S., around the ways in which this moment can be used to understand our relationship to pinkwashing in particular and to Palestinian solidarity in general. And so thank you again for being with us today. We're going to start our Teach in with poetry, because we deeply believe as a queer Muslim organization in the power of cultural work, cultural change, and imparting our shine as queer people into the culture. That is the way that our people have survived. That is the way that people share their histories their survivalship is through culture. And so, before I bring up Yaffa, who's a dear friend and comrade, and also the executive director of MASGD, the Muslim Alliance for Gender and Sexual Diversity, let me introduce Yaffa. Yaffa is a trans Muslim and displaced indigenous Palestinian. She is sharing poetry from her new book, Blood Orange, shout it out, please get a copy if you haven't already, which is an emotional, important, and timely poetry collection. Their writings probe the yearning for home, belonging, mental health, queerness, transness, and other dimensions of marginalization while nurturing dreams of utopia against the background of ongoing displacement and genocide of Indigenous people. Join me in giving some shine, energetic shine to Yaffa, and I'll pass to you. Mx Yaffa: Hi everyone. It's so nice to be here with you all. So excited to share space with all of you, with all the incredible panelists, with the entire Queer Crescent team, y'all are just incredible. Right before this, me and one of the other panelists realized we could potentially be related. So that's the beauty of having spaces like this, where you connect with people that you've kind of been missing your entire life, but you didn't even know that they were missing. I'm excited to recite some poetry for you all from my new collection. Just a little bit about the collection before I recite some poetry.  This collection was written for the most part, on the weekend of October 13th to the 15th. Some of y'all might remember that there was an eclipse during that weekend. And I really wanted to find something that would really center queer and trans Palestinian experience in particular, and also would just support me in navigating my own processing of everything that's going on.  I have family both in Gaza and the West Bank still. I'm originally from Jaffa and Jenin, but I've kind of lived in nine different countries. So when I say I'm displaced, it's displacement from various different wars, various genocides, various everything. And the result of that was Blood Orange.  I tried to get it out as quickly as possible and here we are. The first poem that I'll read is called “Healthy”. And I'll talk a little bit about each of these poems after I read them. It's called “Healthy”. We are not meant to be okay, when genocide is our neighbor that is funded by our labor. We are meant to be a mess, our sleep tearing into reality, anxiety brewing, wondering what is hope. We are meant to tear at the seams of reality, realizing a reality built on oppression is bullshit. We are meant to realize and demand all we are worth. Self actualization, wholeness. Things systems built off of genocide can never. Our response labeled by western capitalism as wrong is healthy. We move to wholeness always, they move to pain attempting to drag us with them. So this was actually the very first poem that I wrote for this collection and it was in that first week of the genocide immediately following October 7th when so many people were really struggling with what do we do with all of this, right? We're witnessing an entire genocide right before our eyes. And what do we do? There was a lot of hopelessness going around and a lot of narratives, at least in what's known as the United States and the global north that's always told us that all of that is wrong. That we're not supposed to be overwhelmed by things. But for me, with all the practices that I have, it's actually healthy to be overwhelmed right now. We're not supposed to know how to let genocide live in our bodies with ease. We still show up, we still do the things, and yet at the same time, we honor it. That it is a large experience. This is not normal. This is not something that should be happening all the time or ever. And so really wanted to honor that of the world that we live in is not what we deserve. For us to be overwhelmed right now is actually healthy, is where we should be. So the second poem I will read kind of goes into the conversation of today around pinkwashing.  This one's called “At Odds”.  My transness and a colonized perception of Palestine are at odds. They think it's because of lack of modernity. I say I have only received death threats targeting my transness from white people, Zionists, and other various political affiliations. I say only white people around me have ever disowned their own. Yet I do not talk to sisters who choose to buy into imperialist transphobia, claiming it as their own. My parents do not understand how some of their children could hate anything any of their children could be, why anyone would hate what they do not know. I won't talk much about pinkwashing because I know we'll get to that today. But in particular, most queer and trans Palestinians over these last eight weeks have been receiving such immense violence from the broader LGBTQ community telling us that our people are the ones who are going to kill us. I've been receiving death threats my entire life in particular as an organizer since I was 19, and I have literally never received a death threat from anyone from our region from any Muslim person. It has always been white people who have sent me death threats specifically for my queerness and my transness. Let alone everything else. And so that, that poem just kind of honors that experience.  I'll read one more, and I'll say just a few words before I read this last one. For me, the arts are so important. Not just as a tool for resistance, but also as a tool for world building. Often we think of the world is what creates art, rather than art is what creates the world. If you look at literature, even with Zionism, Zionism was in literature 100 years before it was ever named. I think about that of what is the world that we are building, what is the world of tomorrow that we get to write about and paint about and do all different kinds of art forms about today. And so this last poem kind of brings a little bit of that into it. The collection goes into the topic of utopia as we're exploring all of these other things. and as we're experiencing this genocide. So this last poem is called “Land Back”. I do not know names wiped from time in Gaza Like I do not remember the names Of great uncles and aunts Who have been reclaimed by our land To say they were murdered Is to claim loss that our land will never feel For we are made of her And regardless of how many layers of phosphor fill the air We return to her in our deaths They may exacerbate the process of our return, but return we shall. Standing thousands of miles away, I know even here she will take me back for distance is a creation that is buried with bodies that were never ours. We are not the ones who take land back, it is land that takes us. There will come a day when the sun sets on a world and rises in another, when indigenous sovereignty is honored. Where queerness no longer exists, where transness is no longer an identity, where humanity means something genuine. So I wanted to end with that, on a note of everything that we're doing right now, all of the resistance is world building. We're building the world that we have always deserved. So I'll leave you all with just one final thing about the book, like I mentioned, the reason I wrote this book in the first place and published it is to raise awareness about queer and trans Palestinians in particular and our experiences, and also to fundraise for queer and trans Palestinians both on the grounds in Gaza and in the diaspora. So 100 percent of all the proceeds from Blood Orange go directly towards that.   As we're getting deeper and deeper into this, the needs of the queer and trans Palestinian community is getting so immense, both on the ground in the region and in the diaspora. Over just the last few days, I've received over $20,000 worth of requests from individuals because people are being doxed, people are receiving death threats, people are losing their jobs. In one case, people are losing their children. There's a lot happening. And so just wanted to leave with that. I want to invite you all to pay attention to those needs and honor them, especially as we go into next year and into the elections. Thank you again for having me. It was such a pleasure to be here. And I'm so excited for the rest of this. Shenaaz Janmohamed: Thank you so much, Yaffa. It's so wonderful to have you here. And it feels so important to start our teaching with the ways in which poetry, culture, moves and inspires us. It opens our hearts in ways that feel both healing and necessary as part and parcel to our organizing and our deep learning. As my comrade and partner Saba says, to growing our empathy to be able to show up with more depth, more commitment, and more resolve towards these issues because we are deeply interconnected. So thank you again, Yaffa..  Before I turn to introduce our other panelists, I wanted to just ground us for a moment in why Queer Crescent, along with the many partners that I named at the beginning felt it was important to host this teach in. Back on November 3rd, Queer Crescent in collaboration with the Palestinian Feminist Collective drafted and released a letter calling upon LGBTQI organizations, leaders, and influencers to join Queer Crescent and Palestinians in calling for an immediate ceasefire. And in particularly to take up understanding and resisting pinkwashing as a queer issue. The frame ” Palestine is a queer issue” is very much an homage of Palestinian Feminist Collective who tirelessly make the links around gender justice, bodily autonomy, self determination, sovereignty to the project of Palestinian liberation. Seeing them as part and parcel of the same project of liberation, and we very much are inspired and in deep gratitude to PFC and all the tireless folks who make those links so clear and apparent to us. We are also in deep gratitude to organizations like Al-Qaws, based in Palestine, who have been telling us about pink- washing for a long, long time, and we are finally doing our part to answer the call as an organization as Queer Crescent. Since we shared this letter, over 350 individuals have signed on, over 65 organizations have joined us in a commitment to calling for permanent ceasefire. This teach in is part of our commitment to moving those who have signed, ourselves included, and the many others who have joined us today. To deepen our shared resolve to a free Palestine through learning about pink watching as a propaganda tool of Israel and settler colonial state violence, and to allow this moment to transform us so that the grief is not in vain, towards a more fierce committed and clear stance of solidarity with Palestinian liberation movement. As queer and trans people and within LGBTQI organizations, we have a distinct role to play to organize to undermine pinkwashing. Because pinkwashing works and functions on the backs of racist tropes of Palestinians, Arabs, SWANA, and Muslims more broadly. We cannot let our vulnerabilities as trans and queer people be exploited in the pursuit of colonial violence and the genocide against Palestinians and all indigenous people. It was not surprising that some of the first folks who signed on to our letter were trans led organizations like the Transgender Law Center, like El/La, and indigenous organizations. It's not surprising because I think for folks who are leading trans led organizations, Trans and indigenous organizations, the relationship of self determination of bodily autonomy and to state violence and colonization is clear, right? Because ultimately colonization uses gender injustice and creating these wedges within our communities as a way to dampen our resistance and to keep us apart. So, I don't want to say more because our amazing speakers will speak and illuminate so much more of these issues. But I wanted to just state why it was important for Queer Crescent to support advancing these conversations. So, our first speaker today is Ghadir Shafie ( she and her). She is a Palestinian queer activist and the co founder of ASWAT, Palestinian Feminist Queer Center for Sexual and Gender Freedoms. A passionate advocate for the intersectionality of the struggle of Palestinian queer women, fighting multiple forms of oppression as Palestinians in the context of Israel's system of apartheid, military occupation, and settler colonialism, as women in a militaristic and imperialistic male dominated society, and as queers in the context of pinkwashing and homophobia. Ghadir promotes active solidarity for Palestine through global feminism and with queers. Thank you, Ghadir. Pass it to you.  Ghadir Shafie: Thank you so much. Hello from Palestine. Thank you so much for organizing this teach-in on pinkwashing. I am grateful for your presence here with me, witnessing in this horrible, horrible time. I will speak today for about 15 minutes, and I want you to bear in mind that since October 7th, Israel has killed over 18, 000 Palestinians. That is one Palestinian every 15 minutes. Imagine how many queer people are being killed daily by Israel. The scenes from Gaza are beyond description. They defy comparison, even for Palestinians, jaded by decades of occupation and settler colonial violence. Devastated landscape filled with craters and the blackened ruins of what were once people's homes, dead bodies or pieces of them. Orphaned children screaming in terror and incomprehension. Desperate survivors crying for food and water. Doctors despairing at the ever growing influx of wounded people they know they cannot treat. As a queer Palestinian watching these images of horror, one stood out as particularly revolting in a rather different way. It shows an Israeli soldier in the middle of the rubble of one of the many residential neighborhoods in Gaza, flattened by the Israeli indiscriminate military strikes. In the distance, smoke from Israel's carpet bombings hang in the air. The soldier is surrounded by Israeli tanks and demolish everything in their way. It is a scene of death and destruction The soldier stands holding a bright new rainbow flag. and Described it as a message of hope.  What hope can there be for 2.3 million Palestinians trapped over 16 years in the occupied and besieged Gaza Strip. In the words of UN Secretary General Antonio Guterres, Gaza has become a graveyard for Palestinians. They have no water. No food and no electricity as Israel has cut off what little it allowed in through its already suffocating siege. They seek shelter from Israeli bombings in hospital, UN schools, mosques, and churches, only to find these sites targeted by Israeli strikes. Those who can flee their homes along Israeli designated safe corridors only to have their vehicles shelved by the Israeli IDF soldiers. It seems incomprehensible that an Israeli soldier would pose a photo with a rainbow flag while participating in his army's mass slaughter of Palestinians and destruction of half of Gaza's homes. The truth is more sinister yet. This stunt, which was shared online by the Israeli state official social media accounts, is a textbook. example of obscene colonial pinkwashing. More than that, it is a pinkwashing on steroids. For years, Palestinian queers have denounced Israel's pinkwashing, a cynical strategy designed to use self proclaimed support for LGBTQIA plus rights as a pink smokescreen to conceal its 75 years regime of apartheid, which oppresses all Palestinians, no matter of our gender. or sexual orientation. All the while singling out queer Palestinians for persecution and blackmail. It is an attempt to falsely depict Israel as modern and a liberal country while diverting attention from its alignment with far right homophobic regimes and groups around the world and its current fundamentalist, racist, and homophobic government. In addition, Israel's pinkwashing agenda is a colonial tool that has the racist aim to misrepresent Palestinians as backwards, homophobic, and thus not deserving of human rights. It also tries to convince us, as queer and trans people, that we are somehow foreign in our society, and tries to turn us against our Palestinians brothers and sisters. I think there couldn't be any better example of Israeli pink washing than the photo that the Israeli soldier with the rainbow flag in the rubble. Israeli pink washing has always been dishonest and dangerous. It has always been racist and colonial. It has allowed Israel to continue its ethnic cleansing, besiege, imprisonment, and murder of Palestinians, queer and non queer alike, for decades. Now it's being used to cover up for genocide. In these dark times, Palestinians in besieged Gaza are bearing the brunt of Israel's full blown genocidal war and ethnic cleansing. Palestinians in the occupied Palestinian territories of West Bank, meanwhile, are also facing escalating waves of killing, torture by both Israeli military and illegal sectors. Apartheid, for Palestinians like myself inside Israel, is reaching new peaks as Israeli forces are targeting and suppressing any expression of sympathy with the oppressed. As hard as it is, we still maintain hope. We have no other choice. That hope comes from the grassroots mobilization that are forcing complicit governments and institutions to finally call for the bare minimum that is nevertheless the absolute priority: a ceasefire that will put a stop to Israel's carpet bombing and genocide of Palestinians in Gaza. Queer groups have been extremely instrumental in our struggle for liberation. Queer groups have been an important part of the mobilizations. Nearly 40 LGBT, QA plus groups across Southwest Asia and North Africa called for the immediate ceasefire stating ” we stand with justice, equality, progress, and liberty.” Throughout my life as a queer activist, I have proudly held the rainbow flag high as a symbol of queer inclusion, queer struggle, queer liberation, queer equality, and queer joy. The Israeli soldier participating in Israel's genocidal war on my people in Gaza has desecrated the flag, has disgraced the flag, and made it a mockery for all it stands for. Queer and trans people and groups are increasingly seeing through the pink smokescreen and rejecting Israel's pinkwashing and its war crimes and crimes against humanity. We will not stand by as our flag and our identities are co opted and used to justify a genocide. I call upon queer allies around the globe to remember none of us is free until we are all free. What can we do right now in these terrible times? Since 2005, Palestinians have proposed to you, our friends around the world, an entirely nonviolent method of ending Israel's power over our lives. An academic and cultural boycott of Israel. This strategy is known as BDS, Boycott, Digestment and Sanctions. BDS means boycotting all Israeli state sponsored institutions. This is not aimed at individuals, but at institutions financed by the state and that serve as extensions of the government that occupies us and keeps us under siege. We ask academics, staff and students not to speak at Israeli state funding organizations, including universities. We ask artists and cultural workers not to perform in apartheid Israel. Make sure that your universities are divested from Israeli money. Do not take israeli money for your conferences or film festivals. Do not accept deceptively free propaganda trips to Israel. End complicity with the government of Israel by among other things, cancelling all joint projects activities that are complicit with Israeli universities. Right now, the main demand is to stop the genocide. Stop the genocide and ask for ceasefire now.  So how can queer groups and queer people support queer liberation in Palestine?. One effort that is happening right now around the world is Queer Cinema for Palestine. Queer cinema for Palestine is a vibrant event that happens globally, established in 2021 to support queer art and queer cinema around the world. Today, there are more than 270 filmmakers and artists who signed our pledge to boycott Israeli film festival, to boycott Israeli institutions, and support queer liberation in Palestine. Queer Cinema for Palestine is happening online in more than 15 locations around the world from the 2nd until the 10th of December. Under the title, There's No Pride in Genocide, we gather together as artists to support, Queer Cinema for Palestine and the Palestinian struggle for liberation. There's not much to say. I think you've seen the image from Gaza. You've seen what is happening right now. This is not a regular panel on pinkwashing. It's happening during a genocide, where pinkwashing is also used to promote genocide. So, may I ask you as a Palestinian and as a queer Palestinian, please keep talking about Palestine. Palestine is a queer issue. Gaza is a queer issue, and there's no queer justice until we are all free. Thank you so much for organizing this and thank you so much for your work and activism on Palestine. You are saving lives right now. Thank you. Shenaaz Janmohamed: Thank you so much, Ghadir. Thank you so much for your passion, your commitment, reminding us that hope is an active choice that you're engaging in every day, despite all the odds, because that is the story of survival. Thank you for reminding and being so clear in the link to BDS boycott, divestment and sanction movement as tangible ways that we could be in solidarity with Palestine and to chip at the far reaching power of the Israeli state and settler colonial project. Thank you for showing the ways in which queer folks and queer organizations. use culture and art to tell different stories of survival with the Queer Cinema for Palestine. And thank you for showing up and being here with us. Thank you for all the ways that you hold communities, your fullness, and time to share and to lead us today. Wishing so much protection and safety to you and yours. Next we have Rabab Abdulhadi. Rabab Abdulhadi (she/her) is an internationally known scholar and distinguished professor and researcher. Her scholarship, pedagogy, and public activism focus on Palestine, Arab, and Muslim communities and their diasporas, transnational feminisms, and gender and sexuality studies. She is the Director and Senior Scholar in the Arab and Muslim Ethnicities and Diaspora Studies, and a Associate Professor of Ethnic Studies, Race and Resistance Studies at the Historic College of Ethnic Studies, San Francisco State University. She is also a treasure, a beloved teacher, organizer here in the Bay. I feel really grateful that you're here with us today for all the work, all the times that you've taught me. It's really such an honor to be able to host you and invite you in, Rabab.  Rabab Abdulhadi: Thank you so much Shenaaz, and I begin by acknowledging that my own university, San Francisco State University, sits on stolen indigenous Ohlone people's land, and I'm now on the east coast of the United States, where I am also present on the Lenape people's land that has been stolen and people have been displaced, just like it is in Palestine. I also want to thank Queer Crescent for organizing this with the Palestinian Feminist Collective and actually joining with Palestinian Voices. I'm very happy that my colleague, my sister, my sibling, Ghadir, was able to join us and has actually taken a lot of the things that I was going to focus on, and thank you, Yaffa, for especially naming even the poetry, Blood Oranges, because we know what oranges mean and how they have been used. And many Palestinians can't even eat oranges because it reminds them of the orchards that they've lost back home. So I start, if you don't mind, just Putting the first slide on. Yeah. And this is a slide if people can see it. This is actually was done in 2013 and it was organized by a group of underground artists, called themselves cultural jammers, to remake all the campaign that was at the time by Pamela Geller and other Zionist groups doing all this smearing and buying sides on the buses and so on. And the reason I mentioned because there is a connection between the cultural jammers and also the whole naming of pink washing because pink washing, some people say, emerged in Palestine. Some people say it emerged in the U. S. Some people talk about the whole question of washing and then the question of pink and so on. And I think for me as a researcher, a scholar, it's very, very interesting because there are so many origins of every single way that we are having the struggles. And so the colonial boundaries and borders that the colonialists and settler colonists try to impose upon us don't really work because we cross these borders at least maybe imaginary, maybe in our networks and so on. But why is it that pinkwashing persists? Ghadir spoke a lot about it. I'm just going to just emphasize a couple of things. It is necessary, very important for Israel public relations. Public relations is a very important project for it. This is why Israel consistently demands of the Palestinians and the Arab countries and the world, not only to recognize Israel's right to exist, but to recognize Israel's right to exist as a Jewish state, which in itself a very racist notion. And this is very much connected with the genocide that we're seeing now in Gaza, that also we have seen for 75 years of Nakba and for over 100 years of colonization of Palestine, because , the slogan by the Zionist movement was “a land without people, for a people without the land.” We can talk about “for people without the land” a little bit later, but let's talk about “a land without people”. In order to accomplish that and legitimize it, you have to arrest the people. You have to erase them. You have to erase their presence. You have to also discredit their discourse, their work, their culture, their interaction, their social relations, in order for you to present yourself as Israel does. And as Ghadir mentioned, as a modern state that is making the desert blue, which we know is not true, and by contrast, is the best friend of women and queer people, as a gay haven, as opposed to quote unquote the backward, savage. excessively homophobic, excessively misogynist, Arab world, Arab and Muslim world, and in which Arab men and Arab and Muslim and Palestinian men are presented as irrational, bloodthirsty, misogynist, haters of women and Queer people, and as women as being docile, as being only oppressed constantly, and need to be rescued by the colonists who will come in and basically realize what Gayatri Spivak spoke about I don't know, 30 years ago, the colonist project of trying to save brown people from brown communities and queer people from their own queer communities. And so in order for this to work, it has to be presented in all of these things that it is necessary. And it's very important for Israel to focus on its public relations. And this is something that has been actually very part and parcel of since the foundation of the state of Israel in 1948, a task that was assigned to the military, to the security of interior affairs to the Mossad, which is the CIA, outside intelligence, Shambit, the internal intelligence to everybody. And now we see more and more the Ministry of Strategic Affairs and other is, and the whole question of quote unquote branding, which I put it in parentheses because branding also refers to the ways in which people engage in slavery actually used to quote brand people whose lives they owned. So I put it in parentheses. I question it. But Israel is very big on that to brand Israel as a gay haven. Israel as a best liberator of women and so on.  This is also what we see today in the sense of Israel actually making a very public relation campaign and a very, very intensive campaign to claim that Palestinians have chopped off the head of children, which was even reiterated by the president of the United States without even thinking about it because he was quoting Israeli Officials who we know are not really known for telling the truth and then they had to retract it the second day but yesterday he repeated the same thing again and said there is the rape of women and so on which we do not have any evidence until now. We know that a lot of Israeli groups and Zionist groups like this group Bonat Alternativa and others are alleging, but we haven't seen any evidence of that. If there is any evidence of that, we will not stand for it. We condemn any kind of violations of gender and sexual, justice because we believe that gender and sexual justice is part and parcel with indivisibility of justice. So this is not something we are trying to cover, but this is very much part and parcel of the Israeli propaganda and it's churning machine, the Hasbara machine is everywhere and they keep changing their stories. And if we have time we can actually go over how each story has developed and moved from one place to the other. I'm also talking about the ways in which colonial feminisms or colonial quote unquote feminism, because feminism is supposed to be about the liberation of women as part of liberation of everybody, have been very much engaged in. But within that, there is also notion of blaming the victim. It is a very important aspect of it. So in order for the Israeli and the Zionist narrative to work, you have to blame people. And one of the very well known cases, for example, was the case of Mohammed Abu Khdeir, the young Palestinian teenager who was kidnapped from in front of his house on July 2nd, 2014, right around the big, big 2014 war on Gaza we talked about, and kidnapped by Israeli settlers who took him to a forest in Jerusalem that was built on the ruins of the village of Deir Yassin, where the massacre on April 8th, 1948 happened in order to facilitate the creation of the Israeli state. And they made him drink kerosene and set him on fire and burned him alive, which was a clear case of lynching. Now, what Israeli police tried to do was to actually say that Mohammed Abu Khdeir was killed by his own family to quote unquote salvage family honor. And they killed him because he was queer. And now if it wasn't for his father who had videotapes of the security cameras outside of the house and showed it– the Israeli police tried to confiscate it and basically destroy it– showed that these people came and kidnapped him. The relative would still be among colonists, among racists, among white supremacists, Zionists, that Palestinians are killing Palestinians and they are doing this all the time. So it's not only blaming the victim, but it also instilling and reinforcing the narrative of people, not only Palestinians, this happens with all indigenous and all colonized communities and all communities of color from time immemorial. You look at the history of the United States, this is something, this is a trope that keeps getting repeated again and again and again. And it's not an easy trope because It is not something that's only being said. It's not only a discursive issue. It's not a discursive issue that we need to deconstruct in the classroom because we know the history, including that. But recently, many people started learning more about the case of Emmett Till, the young Boy who was killed and the woman who actually accused him came out and said that she lied, but he was killed and he was lynched. And then his mom insisted on having open casket so everybody could see the crime. And there's so many more examples that we don't have time to get into all of them now, but this is part of the colonial narrative, the colonial strategy in order to discredit the people who are colonized and discredit their struggle.  And this is definitely a part in Gaza and it is, but the other thing is that it depends on the narrative of saying that our communities in particular as exceptionally sensitive and exceptionally traditional. And this is something that we saw in Abu Ghraib for example.  When they were talking about, we're not going to show the images of iraqi men are particularly insensitive. But we were raising the question, which men are okay with it, which women, which anybody, which non gender binary person, who would be okay with being subjected to sexual and gender violence; to being displaced like this and so on. Nobody will be. But the imaginary that it is trying to instill that's built on Orientalist, Islamophobic, anti Arab, anti Palestinian, anti Muslim racism as part and parcel of all kinds of racism basically makes it possible to do a little dog whistle in order for you to enforce all of this. We saw this also at the US Social Forum when Zionist groups stand with us, which now everybody knows what it is, tried to do a workshop around queer communities in the Middle East, and many of us objected to it. And the reason that it got through because the organizers thought that this would be something that would be actually really wonderful, bringing everybody together. They did not really investigate who this group was and what it was doing and did not coordinate with the many organizations that were at the U. S. Social Forum in 2010 in Detroit from our own community to see what is happening, what's going on, are you part of this unparceled hat? Even though the Palestinian queer organizations have existed for a very long time, and I think it was by then, if I'm not mistaken, Ghadir you can correct me that we organize a national tour and for all calls throughout the U S in order for people to speak and you all came and spoke in my own classroom. This is part of the stuff that keeps going back. And this is also the same thing that we hear around this group that I've mentioned now, and this propaganda that's happening, and also in terms of the ways when we passed the resolution on BDS in the National Women's Studies Association 2015, many Zionist groups came out and basically came with the whole question is there a place for Zionism and feminism? Many of the feminist groups have been targeted, including the International Women's Strike and so on. This is a continuous, systemic, persistent thing. This is not something that is out of random or accidental. And so what do we do about this? In addition to what Ghadir said, I think it's really, really important for us to say, how do we fight back? We fight back with multiple ways. One of the ways we do for example, organizing this in the classroom. So one of the things that we do in the Arab and Muslim Ethnicity and Diaspora Studies program ever since we were founded in 2007 is every single year we were partnering with the Pride Month at San Francisco State to organize sessions on the whole question of queer justice, and this is one of them. Even after San Francisco State stopped funding pride month, we continue doing it again and again. We believe that it's really important to connect the knowledge within the classroom with the knowledge outside and with the activism and advocacy. We do not separate what happens in the classroom, what happens in the academy from outside. So the academy is not producing knowledge that is divorced from reality. The people who are organizing are part and parcel of that. And so we've been doing this again and again. The other thing that is really, really important to think about is how do we work here, and I'm talking here in the diaspora, with groups on the ground, Palestinian queer groups who are working? So one of the examples that I would like to cite from our own experiences is when Al-Qaws was attacked by Palestinian police in Nablus trying to hold an event. My hometown Nablus. We were going to rush and say something, but we waited and we coordinated with Al Qaws and we asked, what should we do? And we did not do anything until Al Qaws came out because we were objecting to the whole question of saving queer people from queer communities, saving brown people from brown communities, the whole question of the colonial notion. And we were also taking leadership from the people on the ground who are day in and day out struggling. Once Al-Qaws came out with it, what we did is we published in one of the newspapers in the Bay Area, along with Queers Undermining Israeli Terrorism, which is a group that has been doing a lot of work for a very long time, and whose founder actually was chosen to be the Grand Marshall at Gay Pride Parade at San Francisco. And she turned down this honor and said, because I am here in Palestine struggling with the International Solidarity Movement at the time to oppose the apartheid world to oppose the repression by Israel and so on. So we organized together. And that's when we said we endorse. We support. This is really important sometimes to think about how do we take a back road and when is it we go public with things. At this point, we really need to go public and we need to defy all this propaganda that is happening.  This is part of what the solidarity mean. But this is not free. When we do something like this, there is punishment. And these are some of the flyers I'm showing from the Queer Liberation March that took place in 2019. This was the 50th anniversary of the Stonewall, Uprising. The Queer Liberation March at that time actually decided to refuse any corporate funding, to refuse to allow the police to go march in their own uniforms and so on, rejected the policing, rejected the state apparatus that represses people, rejected the corporate money and so on. As a result, there was space for us to be there. So we were organizing, we organized a big contingent under the banner of QAIA, Queers Against Israeli Apartheid, and also Queers A gainst Islamophobia.  So we participated and I took this banner and I put it on my Facebook page. This led to the another Zionist attack, which is trying to silence Palestine and were trying to criminalize Palestine in the curriculum, and especially targeting us and our program in particular. And they took it and didn't say what was on the banner. They just said that I'm spreading hate, and thus I should be– they had 86 organizations, some of them fake organizations– sign it, send it to the university, to the chancellor of California State University to the president of San Francisco State, saying that I'm spreading hate. This for them is hate. Palestine is a queer issue. BDS Zionism is racism. Silence means death. For them, this was something that was very problematic, and it was something that is undermining the Zionist propaganda, and Zionist project of colonizing Palestine and eliminating the Palestinian people like the genocide that we are seeing here, and trying to continue pushing the pink washing without having it exposed.  As a result, our program has been attacked again and again. The Lawfare Project executive director got on the TV, on Fox and friends, and made a lying statement. They sued me. And they sued San Francisco State and they sued California State University. But we defeated them. It was thrown out of court. It was dismissed with prejudice. But she lied about that. And she said that I'm spreading hate; that I'm one of the leading anti Semitic– Horowitz every single year pushes out a formula about the top anti-Semitic scholars, and they always give me number one. And I think they do it in May because this is the fundraising season for them. As a result, I started receiving death threats. However, and including to my own university and the threat voicemails on my office mail that said Muslims will die, which is the same phrase that the guy who killed Wadiah Al-Fayyumi in Chicago, stabbing him 26 times. He said Muslims will die. The university does not believe that this is actually a viable threat. And so they protect the right wing speech, which is white supremacist and Zionist is a protected speech protected that they can do whatever they want, put up hateful posters, do whatever they want against us, but we are not allowed to say so. And the university is not investigating death threat letters that actually came to me through the University President's office to my own office. However we refuse to be silenced. We refuse to lie down. And so we continued organizing. And one of the main events that we organize, and we do it every year, is this panel Queer Open Classroom that everybody can attend and come in. Queer justice against pink washing, exposing it, bringing scholars and activists, Ghadir was one of the people who spoke at that, in order for us to support liberation for Palestine as part of liberation of all, and to support gender and sexual justice as part and parcel of the indivisibility of justice. Thank you. Shenaaz Janmohamed: Oh, Rabab. I hope that you can feel all the tremendous. gratitude and love that you're getting in the chat. I think that there is such a clear longing to be hearing stories from elders, folks who have been in this fight for so long. Thank you for bringing in the long arc of queer Palestinian organizing. Thank you for bringing the long arc and history of queers being in solidarity for Palestine. It's so important that we understand that while this moment is so important for us to study, learn and act. It rests upon such a long arc and such a long history of organizing in solidarity with Palestine. Thank you for also speaking to Mohammed Abu Khdeir, thank you for speaking him into the space. Thank you for both of you reminding us to follow the lead of queer Palestinians. What we're trying to do with you all today with this teach-in is to really pull us together, circle around and invite us all to be following the lead of queer Palestinians so that we can take on this work as inextricably linked to our own liberation; to advance the work of undermining pinkwashing and Zionism as part and parcel to our queer liberation. So thank you so much, Rabab. Our last speaker, Shivani Chanillo with Lavender Phoenix. Shivani (they/them) is a trans non- binary second generation Indian American organizer. Shout out to the baddy Indian organizers out here, myself included. Their experience of active solidarity with Palestinian folks came in 2017 through exchanges they facilitated between their high school students in Baltimore, and students at Ramallah Friends School in the West Bank. These powerful exchanges stoked Shivani's passion for developing young people as critical thinkers grounded in revolutionary values and politics. As a leadership development coordinator at Lavender Phoenix, an organization that Queer Crescent deeply loves and feels deeply supported by and in deep siblingship with. Shivani continues this work by facilitating opportunities for trans and queer Asians and Pacific Islanders to practice values based organizing and contribute to intersectional movements. In particular, I just want to really say that we were so excited to invite Shivani and Lavender Phoenix in to our teach in as the final speaker, because Lavender Phoenix is one organization that really models, going back to the initial motivation of this teach in with our letter calling for a permanent ceasefire, calling on LGBTQ organizations and leaders to sign on to understanding pink washing and to support Palestinian liberation. Lavender Phoenix is one such organization that has really demonstrated such values align solidarity with Palestinian liberation. And so I'm really excited to bring you in Shivani to close us out to talk about how queer people, queer organizations can really double down on our solidarity.  Shivani Chanillo: Thank you so much Shenaaz for that introduction and to Queer Crescent for organizing this event. I just want to take a moment and just, I feel so deeply moved by the sharing from Rabab and Ghadir in this workshop and just sitting with the lineage within all of us as we take up Palestine as a queer issue. We have generations of lessons and decades of work and such powerful leaders here in this space, but all across the world to follow, and I feel so grateful and so excited to be joining in on this work and sharing a little bit about what Lavender Phoenix is doing in this moment. If you haven't heard of Lavender Phoenix, we build trans non binary and queer Asian and Pacific Islander power here in the Bay Area. We are a base building organization training grassroots leaders to build intersectional movements. As we witness an escalation of the ongoing genocide in Palestine I can say that our base is firmly grounded in the understanding that Palestinian liberation is part of our struggle and our responsibility as trans and queer Asian and Pacific Islander people. And so I want to start by sharing a little bit about what we're doing in this moment, before sharing about how our members arrived to this point. Since October 7th we have shifted our work accordingly. We have dedicated time to mobilize our members and our broader communities to action. We have educated each other to stay politically grounded. We have and will continue to support each other to process the grief of this moment and to remember hope, optimism, and commitment. In so many facets of our work, we are stepping into deeper leadership and responsibility to support our Palestinian comrades to win. And more tangibly across our six member led committees, this looks like offering healing support, coordinating our members who are trained in protest and digital security to support our comrades, coordinating contingents at in person and online actions, moving financial resources and funder attention to our Palestinian partners, and uplifting pro Palestinian messaging and calls to actions using our social media reach. Responding to Palestine and challenging pinkwashing is not a shift in our priorities, but it's actually a sharpening of our focus as an organization. We've organized our base over the years to recognize our interconnected struggles, and across our membership, we so deeply understand that the Palestinian struggle is our struggle. And Palestinian futures are our futures. All of the actions we are taking right now to support Palestine, to challenge pinkwashing are the result of so many tests, experiments, and trials that have helped us deepen our political purpose and grow our power. Many of these experiments and trials that we've conducted over the years really informed our current theory of change. And this is really critical to how we're organizing in this moment. Our emergent responses to sharpen contradictions in our world like we are witnessing with Palestine, are only possible because we organize within a consistent theory of change. A key part of our theory of change and a key part of my role as Leadership Development coordinator, is that we are committed to developing leaders who are rooted in our values, in our history, in emotional intelligence, and compassion, because we know that is how our movement will be sustained and will be effective. So we're not just developing members and masses who care about single issues, we're developing holistic, critical thinkers who care about solidarity with all oppressed people so that in moments like this, solidarity with Palestine is a natural choice in our larger fight for liberation. One of the really important ways we do this, and this workshop is a critical example, is we educate our base, our trans and queer API base, on our history. We dig into how systems of white supremacy, imperialism, colonialism, racial capitalism, and cisheteropatriarchy impact all of us across our identities in the past and in the present. Right now, the tools and tactics being wielded by fascist leaders to criminalize and punish trans people here in the U. S. are rooted in the same white supremacist, colonial, and imperialist ideologies used to justify the dehumanization and murder of Palestinians, particularly trans and queer Palestinians. As part of our theory of change, we've also spent intentional time educating our base about revolutionary politics like abolition and healing justice, and developing our skills for safety, for healing and resource mobilization that are applicable in moments all across our movement. We spent so much time since we implemented this theory of change in 2021 to build our base and grow our power so we can show up for our partners who are organizing for Palestinian liberation in this moment. We have spent so much time cultivating our skills and knowledges so we can support our movements beyond just trans liberation.  I want to end just by sharing a little bit of a story. A few weeks ago, our members participated in a direct action that asked many of them to step into higher risk than they had before. Prior to the action, we met to get grounded together. Folks shared their fears, but they also countered those fears with a really rooted sense of purpose. So many of our members talked about how they wanted to look back on this moment and know that they and we as an organization did everything in our power to support Palestinian liberation. And they spoke about the sacred responsibility and duty we have in this moment to show up in solidarity. I feel so moved, even now, just thinking back to that moment and feel so much gratitude to our members for taking new risks, to the generations of leaders in our organization and our movement who have led us to this point, and I feel immense admiration and gratitude to the long lineage of Palestinian queer and trans resistance, and current day organizers who are guiding us right now. For Lavender Phoenix, this moment is really helping us clarify our power, and for many of our members, this moment is helping them clarify their political purpose. The things all of our Palestinian siblings are fighting for, self determination, safety, healing, community, decolonization, these are the things that we as trans and queer API people here in the Bay Area so desire for ourselves as well. We refuse to let our transness and our queerness be co opted for violence and displacement and genocide, and we know that our struggles and our futures are united, and we're committed to fighting alongside our Palestinian comrades until we are all free. Thank you so much for letting me share. I'll pass it back to Shenaaz. Shenaaz Janmohamed: Shivani, thank you so much for bringing all of it. Lavender Phoenix, I just can't swoon on y'all enough. You model that clarity of purpose and power and grace. There's also such deep humility and grace to be in constant learning. As an emerging organization, an emerging queer organization, I just have to say Queer Crescent feels so deeply held by y'all and really inspired with the path that you are leading and inviting us all towards.  This piece around letting this moment sharpen the focus. It's not a pivot. I think I've even said, we're pivoting, we're in rapid response. Part of our political principles as an organization is understanding anti Zionism as part and parcel of the white supremacist project. And so this is not a pivot, it's not a rapid response, but to your point, it's a sharpening and it's a double down of our commitments, principles and priorities. So thank you for naming that.  Cheryl Truong: And that's the end of our show. Tonight's show was a broadcast of the Resisting Pinkwashing teach-in co-led by Queer Crescent and the Palestinian Feminist Collective. It was moderated by Shenaaz Janmohamed, executive director of Queer Crescent and featured poetry by Mx. Yaffa of MASGD, and guest speakers, Rabab Abdulhadie from the Palestinian feminist collective, Ghadir Shafie of ASWAT, and and Shivani Chanillo from AACRE Group Lavender Phoenix. Learn more about the incredible work of these incredible organizations and sign on to Queer Crescent's cease fire campaign through the links in our show notes.  Apex express is produced by Miko Lee, Paige Chung, Jalena Keane-Lee, Preeti Mangala Shekar. Shekar, Anuj Vaidya, Kiki Rivera, Swati Rayasam, Nate Tan, Hien Nguyen, Nikki Chan, and Cheryl Truong   Tonight's show was produced by me, cheryl. Thanks to the team at KPFA for all of their support. And thank you for listening! The post APEX Express – 01.25.24 Resisting Pinkwashing Teach-In appeared first on KPFA.

Emeryville is a tiny town – less than 2 square miles. It's nestled between Oakland and Berkeley, right at the foot of the Bay Bridge, and most people probably think of it as a place to go shopping. Two major freeways cut through Eville and from your car, while you're inevitably sitting in traffic, you can see giant signs for Ikea, Target, and Bay Street mall. If you're not from the Bay Area, you might know it as the home of Pixar. This era of Emeryville as a mecca of cartoons and commerce is relatively new. A generation ago, the landscape looked drastically different. Media often described it as an “industrial wasteland” due to the toxic pollution left behind by factories that fled in the 1970s and 80s. It was also known as a place where corruption festered during the reign of an allegedly corrupt police chief who “ruled the town with an iron fist,” according to former city manager Joe Tanner. Flash forward to 2024 and Emeryville's brand new mayor Courtney Welch, the first Black woman to hold that position, can legitimately claim that the town is “having a bit of a renaissance.” Brand new parks, apartments, and shops now occupy land that was littered with junked cars, rusty warehouses, and crumbling buildings. Taking notice of this transformation, I wrote about some of my favorite things to do in Emeryville recently for SF Gate and the article got a huge response. So, since a lot of people seem to be checking out Emeryville for the first time, I though it would be a good opportunity to look back at Emeryville's history and ask some important questions… Like: How did it become such a hell hole in the 80s? How did it transform so radically since then? Why does this extremely unique tiny little town even exist? Spoiler alert: The answers to all these questions are pretty crazy. There's a good reason why former Supreme Court Chief Justice Earl Warren famously called Emeryville “the rottenest city on the Pacific Coast.” Today's episode features interviews with Rob Arias, publisher of The Eville Eye community news site, and creator of the Emeryville Historical Society's new Park Avenue District walking tour; and also Joe Tanner, who served as Emeryville's city manager in the 1980s. https://eastbayyesterday.com/episodes/rotten-city-no-more/ Note: Note: To hear my previous episode about the history the “Emeryville shellmound” and battles over Ohlone sacred sites, click here: https://eastbayyesterday.com/episodes/where-are-those-ancestors-now/ This episode is sponsored by UCSF Benioff Children's Hospitals. For over a century, UCSF Benioff Children's Hospital Oakland has upheld a long legacy of providing essential healthcare for kids and families across the East Bay. Today, UCSF is continuing the tradition of care by making a major investment which includes a new hospital building that will expand critical treatment options for those that need it most. To learn more about the future of UCSF Benioff Children's Hospital Oakland, click here: https://www.bizjournals.com/sanfrancisco/news/2023/12/01/ucsf-benioff-childrens-hospital-expansion.html?b=1701377706^22331569 East Bay Yesterday can't survive without your donations. Please make a pledge to keep this show alive: www.patreon.com/eastbayyesterday. You can also support East Bay Yesterday by purchasing the official t-shirt or hat from Oaklandish.

Nestled in the Berkeley Hills, Indian and Mortar rocks are popular hangout spots known in part for epic views of the Bay. For climbers like Berkeleyside reporter Ally Markovich, they're known for their outsized role in the development of bouldering.  But for the native Ohlone, the boulders are a symbol of a destroyed cultural landscape, and an urgent call to protect native history. Links: Transcript Part I: The stories Indian and Mortar rocks can tell us Part II: How Berkeley's famous boulders took rock climbing to new heights This episode was hosted by Ericka Cruz Guevarra and produced by Ericka Cruz Guevarra, Maria Esquinca, and Adhiti Bandlamudi

Welcome back to our show. In this episode we dive into the Ohlone people, the indigenous inhabitants of the San Francisco Bay Area long before the arrival of European settlers. In this episode, we explore the pre-colonial Ohlone civilization, shedding light on their homes, boats, and the intricate web of life that defined their existence.Picture the lush landscapes of the Bay Area before it became a metropolis - a world where the Ohlone people thrived in harmony with nature. We'll take you on a virtual tour of their homes, from the tule-reed dwellings nestled along the shoreline to the cleverly constructed semi-subterranean houses in the hills, showcasing the Ohlone's resourcefulness and deep connection to the land.Venture into the waters with us as we uncover the Ohlone boats that gracefully navigated the bay. Learn about their advanced fishing techniques and the significance of the abundant marine life that sustained their communities. The episode unfolds the tales of Ohlone trade networks, connecting distant villages and fostering cultural exchange, all against the breathtaking backdrop of the bay's azure waters.The narrative then shifts to the captivating shellmounds – ancient mounds of discarded shells and artifacts that not only served as a testament to the Ohlone way of life but also as sacred grounds filled with stories and spiritual significance.As we journey further, the spotlight turns to Alcatraz, a place of great importance to the Ohlone people. Unravel the layers of history as we explore how this island, now known for its infamous prison, once stood as a significant cultural and ceremonial site for the Ohlone.The episode reaches a turning point as we delve into the complex chapter of first contact with Spanish missionaries. Hear the stories of resilience and adaptation as the Ohlone people navigated the challenging currents of cultural change. Gain insights into the impact of European colonization on their traditions, customs, and spiritual practices.Join us on this episode, where each discovery brings us closer to understanding the profound legacy of the Ohlone people and the enduring spirit that continues to shape the Bay Area's cultural landscape. Merch store- https://indigenoustales.threadless.com/Email us at info@behillnetwork.com Also check out our Instagram -https://www.instagram.com/indigenous_tales/And our TikTok -https://www.tiktok.com/@indigenous_talesAmanda Bland Dallas area Bakeryinstagram - https://www.instagram.com/cupidsweetsbakes/Cupid Sweets- https://www.facebook.com/cupidsweets

On this week's show we're revisiting two stories about family, food and farming. We start in the Central Valley where David “Mas” Masumoto says he farms with ghosts. On his family's organic peach, nectarine and grape farm south of Fresno, California, Mas says the labor and lessons of his ancestors are in the soil and he's passing these on to the next generations. Reporter Lisa Morehouse has visited Masumoto Farm for years, picking luscious peaches and nectarines in summer. For her series California Foodways, she returned to hear about a family secret at the center of Mas' recent book, Secret Harvests. Next we meet chef Crystal Wahpepah. She says she wanted to be a chef since she was 7 years old. Like her grandfather and mother, Wahpepah is a registered member of the Kickapoo tribe of Oklahoma. She remembers learning to make fry bread with her aunty and grandmother — and picking berries with her grandfather on the Hoopa Reservation where she spent time as a child. But while growing up on Ohlone land in Oakland, Wahpepah was struck by the Bay Area's lack of Native restaurants, despite the region's large Indigenous population and palette for diverse cuisine. So she decided to change that. It wasn't just a matter of culinary representation, it was a matter of reclaiming Native food sovereignty. KQED's Bianca Taylor brrought us her story as part of our series Flavor Profile, which features folks who started successful food businesses during the pandemic.

Isle McElroy joins Jess and Brandon to talk about intimacy, vulnerability and sex -- on paper and in the flesh. An award-winning non-binary author based in New York, McElroy's latest novel People Collide is a gender-bending, body-switching story exploring marriage, identity, and sex, which delves into questions about the nature of true partnership. Isle shares personal insights on what makes for a good sex scene, how inadequacy plays out in relationships and what they've learned from rethinking sex and pleasure. To learn more about Isle McElroy, check out their social media - Instagram and Twitter And if you have podcast questions, please submit them here. You can find the podcast on Apple Podcasts, Spotify, Podbean, Google Podcasts, Amazon Music & Stitcher! Rough Transcript: This is a computer-generated rough transcript, so please excuse any typos. This podcast is an informational conversation and is not a substitute for medical, health, or other professional advice, diagnosis, or treatment. Always seek the services of an appropriate professional should you have individual questions or concerns. Episode 343 Sex, Gender & Intimacy: People Collide with Isle McElroy [00:00:00] You're listening to the sex with Dr. Jess podcast, sex and relationship advice you can use tonight. [00:00:15] Brandon Ware: Hey, hey, today we're talking about sex, gender, and intimacy with Isle McElroy, an award winning non binary author based in New York, whose latest novel, People Collide, is a gender bending, body switching story about marriage, identity, and sex, which delves into questions about the nature of true partnership. [00:00:31] Jess O'Reilly: Yeah, and this story isn't your traditional kind of body swap, you know, thinking Freaky Fridays. So the story is... Eli, when Eli, the main character, leaves the cramped Bulgarian apartment, he shares with his wife, Elizabeth, who's more organized, more successful than he is. He discovers that he now inhabits her body. [00:00:48] Jess O'Reilly: So not only have he and his wife traded bodies, but Elizabeth living as Eli, has disappeared without a trace, and what follows is Eli's search across Europe, to America, to find his missing wife, and an exploration of gender and embodied experience. As Eli comes closer to finding Elizabeth while learning to exist in her body, he begins to wonder what effect this metamorphosis will have on their relationship, and how long he can maintain the illusion of of living as someone he isn't. [00:01:17] Jess O'Reilly: And the questions, you know, are will their new marriage wither completely in each other's bodies, or is this transformation the very thing Eli and Elizabeth need for their marriage? to thrive. So I'm really looking forward to this conversation. I've been reading the book. I'm almost done. I thought I'd be done by today, but I have a lot of questions about some of the messaging and themes, and I think it's going to be a great conversation. [00:01:37] Jess O'Reilly: Now, before we welcome our guest, I'll want to announce a partnership with fellow podcasters Adventures from the Bedrooms of African Women. The podcast, season two, is out now and it's hosted by Nana Darkwa Sakiyama and Malaika Grant. The podcast explores African women's experiences of sex, sexuality, [00:02:00] and pleasure and they have a host of fabulous guests in their bedroom this season. [00:02:05] Jess O'Reilly: They have top sexpert Ohlone from the UK, fabulous comedienne Yvonne Orji. Feminist powerhouse, Mona Altahawe, and many, many more. And they're asking all their guests, what's your sexy secret? What's your secret, babe? [00:02:19] Brandon Ware: I can't tell you. It's a secret. That's why it's a secret. [00:02:21] Jess O'Reilly: So predictable. Okay. That and so much more in the new season of the Adventures from the Bedrooms of African Women podcast out now. [00:02:30] Jess O'Reilly: Listen, wherever you get your podcasts.

Listen to 38 Future Now with Alma Robots are a theme this week, with humanoid robots soon to be coming en masse from China, Japan, and the US..Are we ready for this?  And for something completely different, we speak with Alma and friends from their beautiful ranch on native Ohlone lands in the hills of  Morgan Hill, near San Jose and Santa Cruz, CA.  Alma speaks of their ranch as being a place for healing, and of connecting with the Earth, the Universe, and each other, as we face the challenges of our times. They plan on holding events regularly on the full and new moons coming up, and offer sweat lodges, yoga, plant healings, and spearhead discussions for realigning and unifying humanity into a more holistic unity consciousness, essential for creating heaven on earth.  We had a delightful connection with the folks there, which we think you  will enjoy!  

What determines the journey of a man from a humble Hawaiian background to the helm of the prestigious Ohlone College? Meet Charles Sasaki, the first Asian-American president of Ohlone College, as he shares his extraordinary life story and the path that led him to one of the top-ranking institutions in the country. Listen as we discuss the unique features of Ohlone College's facilities, including the LEED certified campus in Newark and the new partnership with Tesla that enables students to earn while they learn.Charles Sasaki takes us back to his roots, his family's love for Hawaii, and the encouragement he received from his parents to pursue an education. From a full-ride graduate program to teaching on an Indian reservation, Charles shares his life-shaping decisions and the chance encounters that brought him to the presidency of Ohlone College. The discussion also unravels the college's efforts to create programs tailored for the local population and the innovative Tesla partnership that's fostering a new wave of learning.We comment on former president Dr. Bishop's legacy at Ohlone College - from ensuring the campus's safety amidst the global pandemic to steering the institution through a challenging racial reckoning period. Charles also highlights the hidden jewels of Fremont, California, and the plethora of opportunities that Ohlone College offers its students. Whether you are a prospective student, an educator, or just a curious listener, join us for this compelling conversation with Charles Sasaki, and discover the remarkable world of Ohlone College.Ohlone College Flea Market (Apply Here)Banter BookshopJemby Electric Hallers PharmacyMilk and Honey CafeBilly Roy's Burgers Petrocelli Homes If you are interested in supporting the podcast, please reach out to us at thefremontpodcast@gmail.com, or you can contact us here. Check out our new podcast focused on Niles CA called the Cast of Niles. You can find episodes on almost any podcast platform. You can also find it here. Also, Petrocelli Homes has been a key sponsor for the Fremont Podcast almost from the beginning. If you are looking for help or advice about buying or selling a home, or if you are looking for a realtor, get in touch with Petrocelli Homes on Niles Blvd in Niles. Intro and Outro voiceovers made by Gary Williams. Check out garywilliams.org.This episode was edited by Andrew C. Scheduling and background was done by Sara S. Rachel Pray is our print editor for our newsletter. Mark Emmons provides additional reporting and content. Music was found and licensed through Soundstripe.com. Music Content ID GSWH7LBEVM5XRNUD This is a Muggins Media Podcast.

In this episode, we chat with our special guest, Olivia Sanwong, director of East Bay Regional Parks District Ward 5. An expert in sustainability with a background in applied mathematics, Olivia gives us an insider's look into her vital role in managing this abundant park district. You'll be intrigued by her journey, from her time on the Zone 7 Water Agency Board of Directors to her deep-rooted connection to our city of Fremont. Coyote Hills Regional Park is a significant site to the local Ohlone people. We navigate the rich history and vibrant culture of this haven, offering unique experiences of birdwatching and biking. It doesn't stop there - we talk about the Dumbarton Quarry Campground, highlighting the amenities it provides and its proximity to other wildlife refuges, making it a perfect spot for nature enthusiasts and families alike. When we encounter the unfortunate case of Mission Peak's vandalism, we discuss the response by the East Bay Regional Parks District and also delve into the intriguing history of the Ohlone people in California. We round off this episode by highlighting the valuable partnership between the East Bay Regional Parks District and the library system, providing backpacks with supplies to facilitate park exploration. Be prepared to be inspired by our parks and the world of the great outdoors!Learn more about Olivia and the EBRPD here. Learn more about Coyote Hills Visitor Center here. The following local partners make this podcast possible: Milk and Honey Cafe at 34265 Fremont Blvd, Fremont, CABilly Roys Burgers at 3909 Thornton Ave, Fremont, CAPretrocelli Homes on Niles Blvd in downtown Niles. Ohlone College Flea Market on Ohlone College Campus If you are interested in supporting the podcast, please reach out to us at thefremontpodcast@gmail.com, or you can contact us here. Check out our new podcast focused on Niles CA called the Cast of Niles. You can find episodes on almost any podcast platform. You can also find it here. Also, Petrocelli Homes has been a key sponsor for the Fremont Podcast almost from the beginning. If you are looking for help or advice about buying or selling a home, or if you are looking for a realtor, get in touch with Petrocelli Homes on Niles Blvd in Niles. Intro and Outro voiceovers made by Gary Williams. Check out garywilliams.org.This episode was edited by Andrew C. Scheduling and background was done by Sara S. Rachel Pray is our print editor for our newsletter. Mark Emmons provides additional reporting and content. Music was found and licensed through Soundstripe.com. Music Content ID GSWH7LBEVM5XRNUD This is a Muggins Media Podcast.

Oakland's Wahpepah's Kitchen Reclaims Native Dishes Crystal Wahpepah wanted to be a chef since she was 7 years old. Like her grandfather and mother, Wahpepah is a registered member of the Kickapoo tribe of Oklahoma. She remembers learning to make fry bread with her aunty and grandmother — and picking berries with her grandfather on the Hoopa Reservation where she spent time as a child. But while growing up on Ohlone land in Oakland, Wahpepah was struck by the Bay Area's lack of Native restaurants, despite the region's large Indigenous population and palette for diverse cuisine. So she decided to change that. It wasn't just a matter of culinary representation, it was a matter of reclaiming Native food sovereignty. KQED's Bianca Taylor brings us her story as part of our ongoing series Flavor Profile, which features folks who started successful food businesses during the pandemic. Round Valley Residents Hope Pedestrian Path Saves Lives Round Valley is located in one of the farthest reaches of Eastern Mendocino County. At its center sits the small town of Covelo, a remote community way up in the hills, with Highway 162 running through the middle of town. There's no public transportation here, so locals, many of them members of the Round Valley Indian Tribes, have to walk on the highway, which has almost no shoulder. Residents have been hit and killed over the years, so the community has been pushing authorities for more than a decade to build a pedestrian path. Reporter Eileen Russell lives near Covalo and tells us what's held the project up for so long. Coast Miwok Group Buys Marin Property, a Piece of Their Ancestral Land When Joe Sanchez was 8 years old, his grandmother asked him to make a promise to never forget his California Indian heritage. He's spent his life living up to that charge, studying the history of his people and volunteering in the community. In July, he and the Coast Miwok Tribal Council of Marin purchased a 26-acre piece of land in the rural Marin County community of Nicasio, once Coast Miwok territory. It's believed to be the first modern “Land Back” effort in Marin County, part of a growing movement across California to get land back to the original indigenous people who lived on it. KQED's Vanessa Rancaño reports.

Vincent Medina is a member of the Muwekma Ohlone Tribe, where he also serves as a Councilman representing his family's lineage. He and Louis Trevino co-founded mak-‘amham, an organization and restaurant focused on reviving and strengthening traditional Ohlone foods and sharing them with their communities. Vincent was born and continues to live in his family's indigenous tribal area of Halkin (Southern Oakland/San Leandro/San Lorenzo).Louis Trevino is a Rumsen Ohlone community member active in the cultural revitalization efforts of his people. He is focused primarily on the revitalization of the Rumsen language and traditional Ohlone foods. He longs for a full and holistic revitalization of the lifeways of his ancestors, including language, story, song, art, food, and every other aspect of traditional Rumsen Ohlone culture, and he is grateful to contribute to the effort. With his partner, Vincent, Louis co-founded mak-‘amham, which works to promote traditional Ohlone foods within their families, as well as to educate the public about Ohlone cuisine and identity.For full show notes, visit: https://www.lifteconomy.com/blog/vincent-medina-louis-trevinoThe spring cohort of the Next Economy MBA is officially open! Save 20% when you register before 1/29 with our early-bird sale ➡️ https://lifteconomy.com/mba

Are you struggling to manifest what you desire in your life? Perhaps it's a level of success, a lifestyle, a house, a family, a lover, a way of being, that you strive and wish and dream for, but your goal seems to lie just outside your reach? The need for rain and the obstacle of drought may be seen as an analogy to this universal struggle. Rainmaking, an important cultural tradition for Indigenous people around the world, is a beautiful solution that we can learn to symbolically practice in our own lives. "Many Tribes on Native American reservations throughout the U.S. continue to practice rainmaking. For example, the Ohlone, Lakota and Cherokee, all practice a ⁠rain dance⁠ to bring life to the earth. Other times, the dance is done to bring cleansing and renew peoples' connection to the earth. Today, these dances continue to serve as a form of prayer – an invitation or a request for life-giving rain to come back to the land, especially in areas where droughts are common. Water is life, and without it the people would not be nourished, the plants would not grow and the animals would not thrive. ~ Tristan Picotte from Partnership with Native Americans This conversation is about bringing the cleansing practice of rainmaking into our lives to allow Nature/the Universe/God/the Divine/Source to help us co-create our dreams. "In order to co-create with nature, we have to clear all the things that are preventing us from allowing what we want to happen come in." Subscribing and sharing your kind thoughts & feedback in a review on iTunes is the ULTIMATE way to support me and help me bring Awakening Aphrodite to you so thank you in advance!:) Jump on Amy's email list for her personal updates and tips and leave a comment or follow at @FitAmyTV. Find out more at amyfournier.com and watch this episode on YouTube at Awakening Aphrodite Podcast/FitAmyTV! For special discounts on Amy's FAVORITE products, visit her estore.

Meet Lindsey. She's a fierce advocacate for folks on the margins, she builds human-centered, anti-racist systems to inform strong adult school climates. She's the executive director at The Teaching Well, a nonprofit wellness organization founded on Ohlone land in Oakland, CA. They're a majority BIPOC, identity-forward team, we believe we can no longer bypass the educator to get to the student. Lindsey fights with the strength of her ancestors behind her for the liberation of her own children and young people everywhere. Don't miss the story of this incredible organization and human.Today's GuestLindsey Fuller, Executive Director, The Teaching WellFor more information + episode details visit: weareforgood.com/episode/409.About our Sponsor BloomerangSupport for this show is brought to you by our friends at Bloomerang. Bloomerang offers donor management and online fundraising software that helps small to medium nonprofits, like First Tee of Greater Akron, a nonprofit empowering kids and teens through the game of golf. To listen to the full interview with First Tee of Greater Akron visit bloomerang.com/weareforgood.About our Sponsor VirtuousVirtuous helps charities reimagine generosity through responsive fundraising, volunteer management, and online giving,  and we love it because this approach builds trust and loyalty through personalized engagement. Learn more today at virtuous.org.Cosmic specializes in designing + building websites that help social impact + climate action organizations build brand awareness, nail their impact story, and turn digital advocacy into real-world actions. Schedule a free 25 minute consultation with, Eric Ressler, Cosmic's Founder and Creative Director at designbycosmic.com/good We're so excited to announce the launch of Fundraising is Funny - a new podcast launching in the We Are For Good Podcast Network with our good friends Lynne Wester and T. Clay Buck.Subscribe wherever you listen to podcasts, or you can come find them at fundraisingisfunny.com - Can't wait to see you there. Support the showSupport the We Are For Good PodcastWe believe education is for everyone. We strive to make our teaching as forward-thinking, accessible, affordable and inclusive as possible. Your generous support will help power the #ImpactUprising, free resources and community for change-agents globally. Join the We Are For Good CommunityYou can think of it as the after-party to each podcast episode

Oakland's largest city park is named after Joaquin Miller, an eccentric writer who lived on the property more than a century ago. After gaining international attention as the flamboyant “Poet of the Sierra,” Miller transformed the Oakland hills by planting an estimated 75,000 trees. He called his estate “The Hights” [sic] and it became a renowned creative hub under Miller's stewardship, attracting artists and authors from as far away as Japan. Although Miller's literary fame has faded in the decades since his passing in 1913, his name is still familiar to the countless Bay Area residents who flock to Joaquin Miller Park for its stunning views and shaded trails. In 2022, Oakland made history by transferring control of Sequoia Point, a nearly five-acre parcel in Joaquin Miller Park, to Sogorea Te' Land Trust, an organization led by local indigenous women focused on returning land to Native people and revitalizing Ohlone culture. According to the San Francisco Chronicle, this deal made Oakland “the first city in California to use municipal property as reparations for European settlers stealing Native American territories.” Sogorea Te' co-founder Corrina Gould envisions this location becoming a place of ceremony, education, and a model for Native land management techniques. Sogorea Te' launched the decolonization process by changing the name of the site from Sequoia Point to Rinihmu Pulte'irekne, a Chochenyo phrase meaning “Above the Red Ochre.” Now, as Sogorea Te' prepares for the next phase, which will involve replacing non-native trees with more ecologically appropriate plants, Corinna has begun to wonder about the man who planted some of those trees—but finding answers to her questions hasn't been easy. Due to Joaquin Miller's lifelong habit of mixing fact with fiction, understanding his legacy, specifically his relationship with California's Native people, is a complicated and often bewildering undertaking. Making things even more difficult is the fact that several long out-of-print biographies about Miller contradict each other and newspaper articles about him are usually peppered with myths and inaccuracies. With a section of the park named after Miller set to become a beacon of decolonization, the relevance of his legacy has gained new significance. Was he a champion of Native rights or a traitor? A brave ally to California's Native people or a participant in their genocide? These are a few of the questions confronted in this episode of East Bay Yesterday, which features interviews with Corrina Gould, Oakland mayor Sheng Thao, author and historian Alan Rosenus, and Joaquin Miller Park writer-in-residence Kristen Caven. Listen now via Apple, SoundCloud, Spotify, or wherever you get podcasts. Original music for this episode was produced by Mark Pantoja. To see photos related to this episode, visit: https://eastbayyesterday.com/episodes/who-was-joaquin-miller/ This episode is supported by UCSF Benioff Children's Hospitals. I highly recommend checking out their new podcast, “Revolutionary Care: An Oakland Story,” a series about the history of treating sickle cell anemia: www.ucsfbenioffchildrens.org/sickle-cell