1968 film by Peter Yates
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https://bbvproductions.co.uk/products/Faction-Paradox-The-Confession-of-Brother-Signet-AUDIO-DOWNLOAD-p389922366 The first season of the American science fiction horror drama television series Stranger Things premiered worldwide on the streaming service Netflix on July 15, 2016. The series was created by the Duffer Brothers, who also serve as executive producers along with Shawn Levy and Dan Cohen. This season stars Winona Ryder, David Harbour, Finn Wolfhard, Millie Bobby Brown, Gaten Matarazzo, Caleb McLaughlin, Natalia Dyer, Charlie Heaton, Cara Buono, and Matthew Modine, with Noah Schnapp, Joe Keery, and Shannon Purser in recurring roles. The first season of Stranger Things received critical acclaim, in particular for its originality, homages to the 1980s, characterization, tone, visuals, and performances (particularly those of Ryder, Harbour, Wolfhard, Brown, Heaton and Modine). Premise The first season begins on November 6, 1983, in a small town called Hawkins. Researchers at Hawkins National Laboratory open a rift to the "Upside Down," an alternate dimension that reflects the real world. A monstrous humanoid creature escapes and abducts a boy named Will Byers and a teenage girl. Will's mother, Joyce, and the town's police chief, Jim Hopper, search for Will. At the same time, a young psychokinetic girl who goes by the name "Eleven" escapes from the laboratory and assists Will's friends, Mike Wheeler, Dustin Henderson, and Lucas Sinclair, in their efforts to find Will.[1] Cast and characters See also: List of Stranger Things characters Main cast Winona Ryder as Joyce Byers[2] David Harbour as Jim Hopper[2] Finn Wolfhard as Mike Wheeler[3] Millie Bobby Brown[3] as Eleven ("El") Gaten Matarazzo as Dustin Henderson[3] Caleb McLaughlin as Lucas Sinclair[3] Natalia Dyer as Nancy Wheeler[3] Charlie Heaton as Jonathan Byers[3][4][5] Cara Buono as Karen Wheeler[6] Matthew Modine as Martin Brenner[7] Recurring Noah Schnapp as Will Byers Joe Keery as Steve Harrington Shannon Purser as Barbara "Barb" Holland[8] Joe Chrest as Ted Wheeler Ross Partridge as Lonnie Byers[9] Rob Morgan as Officer Powell John Paul Reynolds as Officer Callahan Randy Havens as Scott Clarke Catherine Dyer as Connie Frazier Aimee Mullins as Terry Ives[10] Amy Seimetz as Becky Ives Peyton Wich as Troy[11] Tony Vaughn as Principal Coleman Charles Lawlor as Mr. Melvald Tinsley and Anniston Price as Holly Wheeler Cade Jones as James Chester Rushing as Tommy H. Chelsea Talmadge as Carol Glennellen Anderson as Nicole Cynthia Barrett as Marsha Holland Jerri Tubbs as Diane Hopper Elle Graham as Sara Hopper Chris Sullivan as Benny Hammond Tobias Jelinek as lead agent Robert Walker-Branchaud as repairman agent Susan Shalhoub Larkin as Florence ("Flo") Episodes See also: List of Stranger Things episodes No. overall No. in season Title Directed by Written by Original release date 1 1 "Chapter One: The Vanishing of Will Byers" The Duffer Brothers The Duffer Brothers July 15, 2016 On November 6, 1983, in Hawkins, Indiana, a scientist is attacked by an unseen creature at a U.S. government laboratory. 12-year-old Will Byers encounters the creature and mysteriously vanishes while cycling home from a Dungeons & Dragons session with his friends Mike Wheeler, Dustin Henderson and Lucas Sinclair. The following day, Will's single mother Joyce Byers reports his disappearance to the police chief Jim Hopper, who starts a search but assures Joyce that almost all missing children are quickly found. The lab's director, Dr. Martin Brenner, investigates an organic substance oozing from the lab's basement, claiming that "the girl" cannot have gone far. A nervous young girl wearing a hospital gown wanders into a local diner. The owner, Benny, finds a tattoo of "011" on her arm and learns that her name is Eleven. Brenner, monitoring the phone lines, sends agents to the diner after Benny calls social services. The agents kill Benny, but Eleven manages to escape using telekinetic abilities. Joyce's phone short circuits after receiving a mysterious phone call that she believes is from Will. While searching for Will in the woods, Mike, Dustin, and Lucas come across Eleven. 2 2 "Chapter Two: The Weirdo on Maple Street" The Duffer Brothers The Duffer Brothers July 15, 2016 The boys bring Eleven to Mike's house, where they disagree on what to do. Mike formulates a plan for Eleven to pretend to be a runaway and seek help from his mother, Karen. Eleven refuses, however, revealing that "bad men" are after her. Will's brother Jonathan visits his estranged father Lonnie in Indianapolis to search for Will, but Lonnie rebuffs him. Hopper's search party discovers a scrap of hospital gown near the lab. After recognizing Will in a photograph and demonstrating her telekinesis, Eleven convinces the boys to trust her, as they believe she can find Will. Using the Dungeons & Dragons board, Eleven indicates that Will is on the "Upside Down" side of the board and is being hunted by the "Demogorgon" (the creature). Mike's sister Nancy and her friend Barbara 'Barb' Holland go to a party with Nancy's boyfriend Steve Harrington. Searching for Will near Steve's house, Jonathan secretly photographs the party. Joyce receives another call from Will, hears music playing from his stereo, and sees a creature coming through the wall. Left alone by the swimming pool, Barb is attacked by the Demogorgon and vanishes. 3 3 "Chapter Three: Holly, Jolly" Shawn Levy Jessica Mecklenburg July 15, 2016 Barb awakens in the Upside Down: a decaying, overgrown alternate dimension. She attempts to escape but is attacked by the Demogorgon. Joyce believes Will is communicating through pulses in light bulbs. Hopper visits Hawkins Lab, and the staff permits him to view doctored security footage from the night Will vanished, leading Hopper to investigate Brenner and discover his involvement with Project MKUltra and that a woman named Terry Ives alleged years earlier that Brenner took her daughter. Eleven recalls Brenner, whom she calls "Papa," punishing her for refusing to hurt a cat telekinetically. Steve destroys Jonathan's camera after discovering the photos from the party. Nancy later recovers a photo of Barb, simultaneously realizing that Barb is missing. Returning to Steve's house to investigate, Nancy finds Barb's untouched Volkswagen and encounters the Demogorgon but manages to escape. Joyce paints an alphabetic board on her wall with Christmas lights, allowing Will to sign to her that he is "RIGHT HERE" and that she needs to "RUN" as the Demogorgon comes through the wall. Believing Eleven knows where Will is, the boys ask her to lead them to him. Eleven leads them, to their frustration, to Will's house. From there they follow emergency vehicles to a nearby quarry just as Will's body is recovered from the water. 4 4 "Chapter Four: The Body" Shawn Levy Justin Doble July 15, 2016 Joyce refuses to believe that the body found at the quarry is Will's. Mike feels betrayed by Eleven until she proves that Will is still alive, channeling his voice through Mike's walkie-talkie. The boys theorize that Eleven could use a ham radio at their school to communicate with Will. Nancy notices a figure behind Barb in Jonathan's photo, which Jonathan realizes matches his mother's description of the Demogorgon. Nancy tells the police about Barb's disappearance. She later fights with Steve, who only cares about not getting in trouble with his father. Hopper has suspicions regarding the authenticity of the body found in the quarry when he learns that the usual coroner was sent home. Hopper confronts the state trooper who found it and beats him until he admits he was ordered to lie. The boys sneak Eleven into their school to use the radio, while Joyce hears Will's voice through her living room wall. Tearing away the wallpaper, she sees him. Eleven uses the radio to channel Will talking to his mother. Hopper goes to the morgue and finds that the body is a fake, and, suspecting that Brenner is responsible, breaks into the lab. 5 5 "Chapter Five: The Flea and the Acrobat" The Duffer Brothers Alison Tatlock July 15, 2016 Hopper searches the lab before being knocked out by the lab's guards. The boys ask their science teacher, Mr. Clarke, if it would be possible to travel between alternate dimensions, to which he answers that there could be a theoretical "gate" between dimensions. Hopper awakens at his house and finds a hidden microphone, realizing that Joyce was right the whole time. The boys follow their compasses, searching for a gate that could disrupt the Earth's electromagnetic field. Eleven recalls memories of being placed in a sensory-deprivation tank to telepathically eavesdrop on a man speaking Russian; while listening, she came across the Demogorgon. Fearing another encounter with the Demogorgon, Eleven redirects the compasses. Lucas misinterprets this as an act of betrayal, leading Mike and Lucas to fight and Eleven to telekinetically fling Lucas away from Mike. While Dustin and Mike tend to the unconscious Lucas, Eleven runs off. Nancy and Jonathan formulate a plan to kill the Demogorgon. While searching in the woods, they come across a small gate to the Upside Down. Nancy crawls through it but inadvertently draws the Demogorgon's attention. Jonathan unsuccessfully tries to look for Nancy, as the gate to the Upside Down begins to close. 6 6 "Chapter Six: The Monster" The Duffer Brothers Jessie Nickson-Lopez July 15, 2016 Jonathan pulls Nancy back through the gate. That night, Nancy is afraid to be alone and asks Jonathan to stay in her bedroom. Steve, attempting to reconcile with Nancy, sees them together through her bedroom window and assumes they are dating. Joyce and Hopper track down Terry Ives, who is catatonic and tended by her sister Becky. Becky explains that Terry was a Project MKUltra participant while unknowingly pregnant and that Terry believes Brenner kidnapped her daughter Jane at birth due to her supposed telekinetic and telepathic abilities. Nancy and Jonathan stockpile weapons to kill the Demogorgon, theorizing that it is attracted by blood. Steve is brutally beaten up in a fistfight with Jonathan after he insults Will and calls Nancy a slut. Jonathan is arrested and held at the police station for beating up Steve and inadvertently punching one of the responding officers in the face. Eleven walks into a grocery store and shoplifts several boxes of Eggo waffles. Searching for Eleven, Mike and Dustin are ambushed by two bullies but are rescued by her, as she uses her powers to break one bully's arm after he attempts to kill Mike. Eleven collapses and recalls being asked by Brenner to contact the Demogorgon and, in her terror, inadvertently opening the gate. She tearfully admits to Mike that she is responsible for allowing the Demogorgon to enter this dimension. Lucas sees agents, who have tracked down Eleven, preparing to ambush Mike's house. 7 7 "Chapter Seven: The Bathtub" The Duffer Brothers Justin Doble July 15, 2016 Lucas warns Mike that agents are searching for Eleven. Mike, Dustin, and Eleven flee the house. Eleven telekinetically flips one of the vans that block their path as the kids escape. Lucas reconciles with Mike and Eleven, and the kids hide in the junkyard. Nancy and Jonathan reveal their knowledge of the Demogorgon to Joyce and Hopper. Hopper also learns that Eleven is with the kids. The group contacts the kids, and everyone meets at the Byers' house. Joyce and Hopper realize that Eleven is Jane Ives. The group asks Eleven to search for Will and Barb telepathically, but her earlier feats have weakened her. They break into the middle school and build a makeshift sensory deprivation tank to amplify Eleven's powers. After telepathically entering the Upside Down again, Eleven finds Barb dead and Will alive, hiding in the Upside Down version of his backyard fort. Realizing that the gate is in the basement of the lab, Hopper and Joyce break into the lab and are apprehended by security guards. Nancy and Jonathan sneak into the police station to retrieve the weapons they purchased previously, planning to lure and kill the Demogorgon. In the Upside Down, the Demogorgon breaks into Will's fort. 8 8 "Chapter Eight: The Upside Down" The Duffer Brothers Story by : Paul Dichter Teleplay by : The Duffer Brothers July 15, 2016 Hopper, haunted by the death of his daughter Sara from cancer years earlier, gives up Eleven's location to Brenner, who in exchange allows Hopper and Joyce to enter the Upside Down to rescue Will. Nancy and Jonathan cut their hands to attract the Demogorgon at the Byers' house. Steve, intending to apologize to Jonathan about their fight, arrives just as the Demogorgon appears. Steve, Nancy, and Jonathan fight the Demogorgon and light it on fire, forcing it to retreat to the Upside Down. Meanwhile, Eleven and the boys hide in the middle school when Brenner and his agents arrive to kidnap Eleven; she kills most of them before collapsing from exhaustion. As Brenner and his remaining agents pin Eleven and the boys down, the Demogorgon appears, attracted by the dead agents' blood, and attacks Brenner and the remaining agents as the boys escape with Eleven. Hopper and Joyce enter the Upside Down's version of the Hawkins library, where they encounter several corpses of the Demogorgon's victims, including Barb, and find Will unconscious with a tendril down his throat. Hopper revives him using CPR after removing the tendril. The Demogorgon corners the kids, but Eleven recovers from her exhaustion and disintegrates it, causing them both to disappear. Will recovers in the hospital, reuniting with his family and friends. One month later, it is Christmas and Nancy is back together with Steve, and both are friends with Jonathan. Will coughs up a slug-like creature and has a vision of the Upside Down, but hides this from his family. Production Development Ross (left) and Matt Duffer, the creators of the series Stranger Things was created by Matt and Ross Duffer, known professionally as the Duffer Brothers.[12] The two had completed writing and producing their 2015 film Hidden, which they had tried to emulate the style of M. Night Shyamalan, however, due to changes at Warner Bros., its distributor, the film did not see a wide release and the Duffers were unsure of their future.[13] To their surprise, television producer Donald De Line approached them, impressed with Hidden's script, and offered them the opportunity to work on episodes of Wayward Pines alongside Shyamalan. The brothers were mentored by Shyamalan during the episode's production so that when they finished, they felt they were ready to produce their own television series.[14] The Duffer Brothers prepared a script that would essentially be similar to the series' actual pilot episode, along with a 20-page pitch book to help shop the series around for a network.[15] They pitched the story to a number of cable networks, all of which rejected the script on the basis that they felt a plot centered around children as leading characters would not work, asking them to make it a children's show or to drop the children and focus on Hopper's investigation in the paranormal.[14] In early 2015, Dan Cohen, the VP of 21 Laps Entertainment, brought the script to his colleague Shawn Levy. They subsequently invited The Duffer Brothers to their office and purchased the rights for the series, giving full authorship of it to the brothers. After reading the pilot, the streaming service Netflix purchased the whole season for an undisclosed amount;[16] the show was subsequently announced for a planned 2016 release by Netflix in early April 2015.[17] The Duffer Brothers stated that at the time they had pitched to Netflix, the service had already been recognized for its original programming, such as House of Cards and Orange Is the New Black, with well-recognized producers behind them, and were ready to start giving upcoming producers like them a chance.[15] The brothers started to write out the series and brought Levy and Cohen in as executive producers to start casting and filming.[18] The series was originally known as Montauk, as the setting of the script was in Montauk, New York and nearby Long Beach locations.[17][19] The brothers had chosen Montauk as it had further Spielberg ties with the film Jaws, where Montauk was used for the fictional setting of Amity Island.[20] After deciding to change the narrative of the series to take place in the fictional town of Hawkins instead, the brothers felt they could now do things to the town, such as placing it under quarantine, that they really could not envision with a real location.[20] With the change in location, they had to come up with a new title for the series under the direction from Netflix's Ted Sarandos so that they could start marketing it to the public. The brothers started by using a copy of Stephen King's Firestarter novel to consider the title's font and appearance and came up with a long list of potential alternatives. Stranger Things came about as it sounded similar to another King novel, Needful Things, though Matt noted they still had a "lot of heated arguments" over this final title.[21] Writing The idea of Stranger Things started with how the brothers felt they could take the concept of the 2013 film Prisoners, detailing the moral struggles a father goes through when his daughter is kidnapped, and expand it out over eight or so hours in a serialized television approach. As they focused on the missing child aspect of the story, they wanted to introduce the idea of "childlike sensibilities" they could offer and toyed around with the idea of a monster that could consume humans. The brothers thought the combination of these things "was the best thing ever". To introduce this monster into the narrative, they considered "bizarre experiments we had read about taking place in the Cold War" such as Project MKUltra, which gave a way to ground the monster's existence in science rather than something spiritual. This also helped them to decide on using 1983 as the time period, as it was a year before the film Red Dawn came out, which focused on Cold War paranoia.[14] Subsequently, they were able to use all their own personal inspirations from the 1980s, the decade they were born, as elements of the series,[14][22] crafting it in the realm of science fiction and horror.[23] The Duffer Brothers have cited as influence for the show (among others): Stephen King novels; films produced by Steven Spielberg, John Carpenter, Wes Craven, Robert Zemeckis, George Lucas and Guillermo del Toro; films such as Alien and Stand by Me; Japanese anime such as Akira and Elfen Lied; and video games such as Silent Hill and The Last of Us.[21][24][25][26][27][28][29][30][31] With Netflix as the platform, The Duffer Brothers were not limited to a typical 22-episode format, opting for the eight-episode approach. They had been concerned that a 22-episode season on broadcast television would be difficult to "tell a cinematic story" with that many episodes. Eight episodes allowed them to give time to characterization in addition to narrative development; if they had less time available, they would have had to remain committed to telling a horror film as soon as the monster was introduced and abandon the characterization.[15] Within the eight episodes, the brothers aimed to make the first season "feel like a big movie" with all the major plot lines completed so that "the audience feels satisfied", but left enough unresolved to indicate "there's a bigger mythology, and there's a lot of dangling threads at the end", something that could be explored in further seasons if Netflix opted to create more.[32] While explaining their intentions for the show, the Duffers adamantly stated their intentions to not explain the mythology in the show so they could leave a mystery and lot for the audience to speculate over their lack of understanding by the season finale, which they accepted but asked to be explained about at the very least, which they found like a really good exercise as they spent quite a bit of time with their writers' room figuring out exactly what the Upside Down would actually consist for, writing a 20-page mythology document whose details wouldn't be clarified for the audience until the show's fifth and final season.[33] Regarding writing for the children characters of the series, The Duffer Brothers considered themselves as outcasts from other students while in high school and thus found it easy to write for Mike Wheeler and his friends, and particularly for Barbara "Barb" Holland.[21] Joyce Byers was fashioned after Richard Dreyfuss's character Roy Neary in Close Encounters of the Third Kind, as she appears "absolutely bonkers" to everyone else as she tries to find her son Will Byers.[34] Other characters, such as Billy in the second season, have more villainous attributes that are not necessarily obvious from the onset; Matt explained that they took further inspiration from Stephen King for these characters, as King "always has really great human villains" that may be more malicious than the supernatural evil.[35] Casting The Duffers cast David Harbour as Sheriff Hopper believing this was his opportunity to play a lead character in a work. In June 2015, it was announced that Winona Ryder and David Harbour had joined the series as Joyce and as the unnamed chief of police, respectively.[2] The brothers' casting director Carmen Cuba had suggested Ryder for the role of Joyce, which the two were immediately drawn to because of her prominence in 1980s films.[14] Levy believed Ryder could "wretch up the emotional urgency and yet find layers and nuance and different sides of [Joyce]". Ryder praised that the show's multiple storylines required her to act for Joyce as "she's out of her mind, but she's actually kind of onto something", and that the producers had faith she could pull off the difficult role.[36] Upon being offered the role, Ryder felt intrigued at being given the pilot's script due to know knowing what streaming was and finding it "terrifying", with her sole condition to the Duffers for accepting the role being that, if a Beetlejuice sequel ever materialized as she and Tim Burton had been discussing since 2000, they had to let her take a break to shoot it, a condition the Duffers agreed and ultimately proved to work out when Beetlejuice Beetlejuice was greenlighted years later.[37] The Duffer Brothers had been interested in Harbour before, who until Stranger Things primarily had smaller roles as villainous characters, and they felt that he had been "waiting too long for this opportunity" to play a lead, while Harbour himself was thrilled by the script and the chance to play "a broken, flawed, anti-hero character".[21][38] Additional casting followed two months later with Finn Wolfhard as Mike, Millie Bobby Brown in an undisclosed role, Gaten Matarazzo as Dustin Henderson, Caleb McLaughlin as Lucas Sinclair, Natalia Dyer as Nancy Wheeler, and Charlie Heaton as Jonathan Byers]].[3] In September 2015, Cara Buono joined the cast as Karen Wheeler,[6] followed by Matthew Modine as Martin Brenner a month later.[7] Additional cast who recur for the first season include Noah Schnapp as Will,[3][5] Shannon Purser as Barbara "Barb" Holland,[8] Joe Keery as Steve Harrington,[39][5] and Ross Partridge as Lonnie Byers,[9] among others. Actors auditioning for the children's roles read lines from Stand By Me.[14] The Duffer Brothers estimated they went through about a thousand different child actors for the roles. They noted that Wolfhard was already "a movie buff" of the films from the 1980s period and easily filled the role, while they found Matarazzo's audition to be much more authentic than most of the other audition tapes, and selected him after a single viewing of his audition tape.[15] As casting was started immediately after Netflix greenlit the show, and prior to the scripts being fully completed, this allowed some of the actors' takes on the roles to reflect into the script. The casting of the young actors for Will and his friends had been done just after the first script was completed, and subsequent scripts incorporated aspects from these actors.[32] The brothers said Modine provided significant input on the character of Dr. Brenner, whom they had not really fleshed out before as they considered him the hardest character to write for given his limited appearances within the narrative.[34] Filming The brothers had desired to film the series around the Long Island area to match the initial Montauk concept. However, with filming scheduled to take place in November 2015, it was difficult to shoot in Long Island in the cold weather, and the production started scouting locations in and around the Atlanta, Georgia area. The brothers, who grew up in North Carolina, found many places that reminded them of their own childhoods in that area, and felt the area would work well with the narrative shift to the fictional town of Hawkins, Indiana.[20] The filming of the first season began on September 25, 2015, and was extensively done in Atlanta, Georgia, with The Duffer Brothers and Levy handling the direction of individual episodes.[40] Jackson served as the basis of the fictional town of Hawkins, Indiana.[41][42] Other shooting locations included the Georgia Mental Health Institute as the Hawkins National Laboratory site, Bellwood Quarry, Patrick Henry High School in Stockbridge, Georgia, for the middle and high school scenes,[43] Emory University's Continuing Education Department, the former city hall in Douglasville, Georgia, Georgia International Horse Park, the probate court in Butts County, Georgia, Old East Point Library and East Point First Baptist Church in East Point, Georgia, Fayetteville, Georgia, Stone Mountain Park, Palmetto, Georgia, and Winston, Georgia.[44] Set work was done at Screen Gem Studios in Atlanta.[44] The series was filmed with a Red Dragon digital camera.[34] Filming for the first season concluded in early 2016.[41] While filming, the brothers tried to capture shots that could be seen as homages to many of the 1980s references they recalled. Their goal was not necessarily to fill the work with these references, but instead to make the series seem to the viewer like a 1980s film.[21] They spent little time reviewing those works and instead went by memory. Matt further recognized that some of their filming homages were not purposely done but were found to be very comparable, as highlighted by a fan-made video comparing the show to several 1980s works side by side.[14][45] Matt commented on the video that "Some were deliberate and some were subconscious."[14] The brothers recognized that many of the iconic scenes from these 1980s films, such as with Poltergeist, was about "taking a very ordinary object that people deal with every day, their television set, and imbuing it with something otherworldly", leading to the idea of using the Christmas light strings for Will to communicate with Joyce.[21] The brothers attributed much of the 1980s feel to set and costume designers and the soundtrack composers that helped to recreate the era for them.[14] Lynda Reiss, the head of props, had about a $220,000 budget, similar to most films, to acquire artifacts of the 1980s, using eBay and searching through flea markets and estate sales around the Atlanta area. The bulk of the props were original items from the 1980s with only a few pieces, such as the Dungeons & Dragons books made as replicas.[46] Visual effects To create the aged effect for the series, a film grain was added over the footage, which was captured by scanning in film stock from the 1980s.[34] The Duffers wanted to scare the audience, but not to necessarily make the show violent or gory, following in line with how the 1980s Amblin Entertainment films drove the creation of the PG-13 movie rating. It was "much more about mood and atmosphere and suspense and dread than they are about gore", though they were not afraid to push into more scary elements, particularly towards the end of the first season.[34] The brothers had wanted to avoid any computer-generated effects for the monster and other parts of the series and stay with practical effects. However, the six-month filming time left them little time to plan out and test practical effects rigs for some of the shots. They went with a middle ground of using constructed props including one for the monster whenever they could, but for other shots, such as when the monster bursts through a wall, they opted to use digital effects. Post-production on the first season was completed the week before it was released on Netflix.[14] The title sequence uses closeups of the letters in the Stranger Things title with a red tint against a black background as they slide into place within the title. The sequence was created by the studio Imaginary Forces, formerly part of R/GA, led by creative director Michelle Doughtey.[47] Levy introduced the studio to The Duffer Brothers, who explained their vision of the 1980s-inspired show, which helped the studio to fix the concept the producers wanted. Later, but prior to filming, the producers sent Imaginary Forces the pilot script, the synth-heavy background music for the titles, as well as the various book covers from King and other authors that they had used to establish the title and imagery, and were looking for a similar approach for the show's titles, primarily using a typographical sequence. They took inspiration from several title sequences of works from the 1980s that were previously designed by Richard Greenberg under R/GA, such as Altered States and The Dead Zone. They also got input from Dan Perri, who worked on the title credits of several 1980s films. Various iterations included having letters vanish, to reflect the "missing" theme of the show, and having letters cast shadows on others, alluding to the mysteries, before settling into the sliding letters. The studio began working on the title sequence before filming and took about a month off during the filming process to let the producers get immersed in the show and come back with more input. Initially, they had been working with various fonts for the title and used close-ups of the best features of these fonts, but near the end the producers wanted to work with ITC Benguiat, requiring them to rework those shots. The final sequence is fully computer-generated, but they took inspiration from testing some practical effects, such as using Kodalith masks as would have been done in the 1980s, to develop the appropriate filters for the rendering software. The individual episode title cards used a "fly-through" approach, similar to the film Bullitt, which the producers had suggested to the studio.[48] Music Main articles: Music of Stranger Things and Stranger Things (soundtrack) The Stranger Things original soundtrack was composed by Michael Stein and Kyle Dixon of the electronic band Survive.[49] It makes extensive use of synthesizers in homage to 1980s artists and film composers including Jean-Michel Jarre, Tangerine Dream, Vangelis, Goblin, John Carpenter, Giorgio Moroder, and Fabio Frizzi.[50] According to Stein and Dixon, The Duffer Brothers had been fans of Survive's music, and used their song "Dirge" for the mock trailer that was used to sell the show to Netflix.[49][51] Once the show was green-lit, the Duffers contacted Survive around July 2015 to ask if they were still doing music; the two provided the production team with dozens of songs from their band's past to gain their interest, helping to land them the role.[49] Once aboard, the two worked with producers to select some of their older music to rework for the show, while developing new music, principally with character motifs.[51] The two had been hired before the casting process, so their motif demos were used and played over the actors' audition tapes, aiding in the casting selection.[51][52] The show's theme is based on an unused work Stein composed much earlier that ended up in the library of work they shared with the production staff, who thought that with some reworking would be good for the opening credits.[49] The first season's original soundtrack, consisting of 75 songs from Dixon and Stein split across two volumes, was released by Lakeshore Records. Digital release and streaming options were released on August 10 and 19, 2016 for the two volumes, respectively, while retail versions were available on September 16 and 23, 2016.[53][54] In addition to original music, Stranger Things features period music from artists including The Clash, Toto, New Order, The Bangles, Foreigner, Echo and the Bunnymen, Peter Gabriel and Corey Hart, as well as excerpts from Tangerine Dream, John Carpenter and Vangelis.[54][55] In particular, The Clash's "Should I Stay or Should I Go" was specifically picked to play at pivotal moments of the story, such as when Will is trying to communicate with Joyce from the Upside Down.[54] Music supervisor Nora Felder felt the song "furthered the story" and called it an additional, unseen, main character of the season.[56]
In Episode 277 of the Model Car Culture Podcast, we're joined by Bullitt Eighty Seven, a forward-thinking model builder from Texas known for high-end custom, drift-inspired, and concept-driven scale builds.This deep-dive conversation goes far beyond the workbench. Bullet 87 breaks down his creative process, from early sketchbooks and industrial design influence, to 3D printing, scratch-building, and storytelling through model cars.We cover:Traveling with builds and finishing models on the roadTurning real-world automotive culture into scale conceptsTopographical map artwork and hidden Easter eggs in buildsAdvanced use of 3D printing vs scratch-buildingRace cars, drift cars, time attack concepts, and custom trucksWhy storytelling matters more than box artHow art, design, and problem-solving shape better buildsThis episode is packed with real insight for serious builders, creatives, and anyone pushing past the instructions to build something personal and meaningful.
Vi har ritat skattkartor, men saknar skatter. Blir inte journalister snurriga av att kalla mördaren Paulus/Lily Abdelshahed "hon", men ändå kalla "henne" för pappa? Hur långt ska detta gå? Det är grundläggande fel att låtsas att vi kan diktera att andra ska uppfattas oss som vi själva vill. Det är att förneka hur social samvaro fungerar. Vince Gilligans serie Pluribus har många inspel som känns samtidsrelevanta. det finns t ex lite av AI här. Kul historia om hur Los Angeles bytte lampor och därmed färg. Peggy Noonan konstaterar att musik inte har melodier längre. VAd säger det om vår tid? Susanna redogör för sin biograf-biografi, det vill säga sina minnen av biobesök från riktigt ung ålder och framåt: husmorsfilmer, Beatles och Bullitt. Det öppnas nya biografer och de är nog som Capitol och Fågel Blå: fina och en aning högtidliga ställen, inte Filmstadsfabriker. Svenskt godis gör amerikansk succé. Chris Rea har kört hem till julen för sista gången. Vi lyfter på hatten för gamla Stockholmsfilmer: kommer hatten tillbaka? Och bra observation av Marcus Lundblad-Joons i Svenska Dagbladet: Kungsgatan mitt i Stockholm har blivit ett vildmarksstråk. Hosted on Acast. See acast.com/privacy for more information.
We've been teasing it for weeks now. You loved our Bullitt podcast, so we now present you with another movie breakdown. This time it's from the opposite end of the car movie spectrum: the original The Fast and the Furious from 2001. Alex is joined by Zac, Beck, and Cam to air out their multigenerational viewpoints on this cinematic masterpiece, which was so formative to the automotive pursuits of many of our community members—especially those under, shall we say, "a certain age." The crew discuss how to rank the 11 movies in the oeuvre; the mentality of working with what you have (otherwise known as "run what you brung"); explanations behind some of the cars missing from the F&F roster, and one now missing from history; and the age-old tradition of terrible shifting in car movies.Also covered: the movie's notoriously uneven jargon; a catalog of stacked fender stickers; the modern, OEM-approved version of underglows; what it means to put down 10s in 2025 vs in 2001; an architectural travesty; mermaids; favorite cars from the movie; AI-written characters, 25 years before their time; and yes, even throughlines to other "car movies" like Bullitt and American Graffiti.Links for things mentioned in this episode:09:56 Ex–Paul Walker 2005 Ford GT13:06 From The VIBE Vault: ‘Racer X' (The ‘Fast & Furious' Inspiration)15:59 Craig Lieberman's YouTube channel16:17 fastandfuriousfacts.com45:45 Chrome Cars46:58 The Fast and the Furious–Style 1996 Eagle Talon TSi AWD 5-Speed51:28 Mitsubishi Eclipse, Eagle Talon, & Plymouth Laser model pageGot suggestions for our next guest from the BaT community, One Year Garage episode, or (B)aT the Movies subject? Let us know in the comments below!
In this livestream, Cory Pesaturo introduces new stats that may just elevate Max Verstappen to GOAT status (15:38); and a wide variety of viewers' questions and comments take us forward to the new regs of 2026, back to the under-rated brilliance of Renault and Jean-Pierre Jabouille in the 1979 French GP, sideways to the artistry of Mauricio Arrivabene's signature and centre-stage to the rise and rise of Toyota in motor sport. In his opening monologue, Peter also pays tribute to the lives and times of the artist, Michael Turner, and the author, Gerry DonaldsonSpecial thanks to Cory Pesaturo (@cpez)With thanks, too, to Jetcraft, the world's largest buyer and seller of executive jets:https://jetcraft.comTo OEM Exclusive, the passionate suppliers of OEM upgrades for exotic and high-performance vehiclesTo TrackNinja, a lap-timer and data app designed to help users improve their on-track car and driver performance through analysis and an innovative Data Garage. A lite version is free; the loaded edition is US$9.99 pcm or $99.99 yearlyhttps://trackninja.appAnd to REC Watches, whose timepieces are infused with DNA and actual material from famous racing and road cars like the "Bullitt" Ford Mustang and Datsun 240Z. Claim your additional 10 per cent discount by adding the codeword PETER:https://recwatches.com/next-projectImage: Peter Windsor (from a painting by Michael Turner)Visit https://alpinestars.com for all your racing apparelTry Oscar Razors - Australia's highly-rated, 5-blade razors for men and women https://oscarrazor.com.au. Follow Peter @peterdwindsorWe support the Race Against Dementia:https://raceagainstdementia.comAnd the Alora dog rescue shelter in Malaga, Spainhttps://aloradogrescue.com#standwithukraine - now, more than ever#Canada! #jimmykimmel!Nick: you're with us always:https://samaritans.orgSupport the showVisit: https://youtube.com/peterwindsor for F1 videos past, present and future
A somewhat shell-shocked Cameron chats to Peter on the Tuesday after the Abu Dhabi GP. Lando is the new World Champion; Max is the season's winningest driver. So who won? And why? And what were the pivotal moments? And is the current F1 points-scoring system actually working? These were just a few of the topics covered on this particular morning, when the coffee was flowing freely and the sun - in Spain, at least - was kinda warm.With thanks to Jetcraft, the world's largest buyer and seller of executive jets:https://jetcraft.comTo OEM Exclusive, the passionate suppliers of OEM upgrades for exotic and high-performance vehiclesTo TrackNinja, a lap-timer and data app designed to help users improve their on-track car and driver performance through analysis and an innovative Data Garage. A lite version is free; the loaded edition is US$9.99 pcm or $99.99 yearlyhttps://trackninja.appAnd to REC Watches, whose timepieces are infused with DNA and actual material from famous racing and road cars like the "Bullitt" Ford Mustang and Datsun 240Z featured in this video. Claim your additional 10 per cent discount by adding the code PETER:https://recwatches.com/next-projectVisit https://alpinestars.com for all your racing apparelTry Oscar Razors - Australia's highly-rated, 5-blade razors for men and women https://oscarrazor.com.au. Follow Peter @peterdwindsorWe support the Race Against Dementia:https://raceagainstdementia.comAnd the Alora dog rescue shelter in Malaga, Spainhttps://aloradogrescue.com#standwithukraine - now, more than ever#Canada! #jimmykimmel!Nick: you're with us always:https://samaritans.orgSupport the showVisit: https://youtube.com/peterwindsor for F1 videos past, present and future
And so it ended. Max, Oscar and Lando finished one-two-three on the Abu Dhabi road - but it was Lando who was thus ahead in the final standings of the FIA Drivers' World Championship by the margin of two points. Lando Norris = World Champion. Max was magnificent from the pole; Oscar ran hard Pirellis from the start (rather than the Mediums selected by all the other major runners) and, in so doing, applied some pressure on Max for most of the distance; towards the end, though, on old-ish Hards, Max was super-quick and super-consistent as he consolidated his margin over Oscar. Lando brought his McLaren MCL39-Mercedes home in a crafted third place, responding to potential undercuts from George Russell and Charles Leclerc and scything through the mid-field traffic whenever he was on fresh tyres; and Charles Leclerc finished a dazzling P4 for Ferrari, upstaging the factory Mercedes of George Russell and ultimately setting fastest lap late in the race on used Mediums. Into P6, behind George, came a classy Fernando Alonso in the Aston Martin-Mercedes, Esteban Ocon (Haas-Ferrari) and Sir Lewis Hamilton, who had started P16 in his Ferrari. In this video Peter looks back at the key elements of this absorbing, tension-filled finale and reflects - just a little - on the flavour of the season just past.With thanks to Jetcraft, the world's largest buyer and seller of executive jets:https://jetcraft.comTo OEM Exclusive, the passionate suppliers of OEM upgrades for exotic and high-performance vehiclesTo TrackNinja, a lap-timer and data app designed to help users improve their on-track car and driver performance through analysis and an innovative Data Garage. A lite version is free; the loaded edition is US$9.99 pcm or $99.99 yearlyhttps://trackninja.appAnd to REC Watches, whose timepieces are infused with DNA and actual material from famous racing and road cars like the "Bullitt" Ford Mustang and Datsun 240Z featured in this video. Claim your additional 10 per cent discount by adding the code PETER:https://recwatches.com/next-projectThanks also to Cory Pesaturo and Mark SladeMusic: Rain Over Kyoto Station - The Mini VandalsImages: Red Bull, Pirelli, Scuderia Ferrari, McLaren and Peter WindsorStudio background image of the 1959 TT start at Goodwood: Jesse AlexanderPedro Rodriguez replica helmet: Diego MerinoVisit https://alpinestars.com for all your racing apparelTry Oscar Razors - Australia's highly-rated, 5-blade razors for men and women https://oscarrazor.com.au. Follow Peter @peterdwindsorWe support the Race Against Dementia:https://raceagainstdementia.comAnd the Alora dog rescue shelter in Malaga, Spainhttps://aloradogrescue.com#standwithukraine - now, more than ever#Canada! #jimmykimmel!Nick: you're with us always:https://samaritans.orgSupport the showVisit: https://youtube.com/peterwindsor for F1 videos past, present and future
Peter, Mark Slade and viewers look back at the 2025 F1 season finale at Abu Dhabi. Max won it...but Lando took the title by two points. Plenty about which to talk right there - plus much more. As a special bonus, Mark Slade, a title-winning F1 race engineer, will be adding his views on the race and the season just past; the future of Alpine; the skill of Alain Prost; and why Ferrari have had so many problems in 2025. Viewers join us on YouTube chat to talk about all this and more in our latest livestream. With thanks to Jetcraft, the world's largest buyer and seller of executive jets:https://jetcraft.comTo OEM Exclusive, the passionate suppliers of OEM upgrades for exotic and high-performance vehiclesTo TrackNinja, a lap-timer and data app designed to help users improve their on-track car and driver performance through analysis and an innovative Data Garage. A lite version is free; the loaded edition is US$9.99 pcm or $99.99 yearlyhttps://trackninja.app And to REC Watches, whose timepieces are infused with the DNA and actual materials from famous racing and road cars like the Ford Mustang GT Fastback driven by Steve McQueen in the iconic move, Bullitt. Pre-order your Bullitt 558 limited-edition DNA watch from: https://recwatches.com/next-projectThumbnail image: Red BullVisit Martin Tomlinson's art gallery @ https://www.motor-racing-art.co.ukThanks also to:Alpinestars:https://alpinestars.comAnd to Oscar Razor:Australia's highly-rated, 5-blade razors for men and women https://oscarrazor.com.auFollow Peter @peterdwindsorAnd follow our Short Corners podcast - now on YouTube Music, Apple Podcasts, Spotify and Amazon MusicWe support the Race Against Dementia:https://raceagainstdementia.com#standwithukraine #canada #jimmykimmel!#cricketaustralia!Nick: you're with us alwayshttps://samaritans.orgSupport the showVisit: https://youtube.com/peterwindsor for F1 videos past, present and future
Brian & Cargill chase their love for Peter Yates' Bullitt all across the internet and proclaim the titular cop to in fact be...the most interesting man in the world. Fasten your seatbelts! Support us on Patreon!
Tyler welcomes comedy writer David Quantick to celebrate the 1965 film One Way Pendulum starring Goon Show alumnus Eric Sykes. Adapted by NF Simpson from his own 1959 Royal Court play and directed by Peter Yates (fresh off Summer Holiday, soon to make Bullitt), Eric plays suburban dad Arthur Groomkirby, who is quietly building a full-scale Old Bailey in his living room while his son Kirby (Jonathan Miller) teaches speak-your-weight machines to sing the Hallelujah Chorus in the attic. Meanwhile, daughter Sylvia (Julia Foster) obsesses over her arms and Aunt Mildred (Mona Washbourne) witters endlessly about transport. Rounding out the madness are Peggy Mount as the food-dispatching charlady and George Cole, Graham Crowden & Douglas Wilmer in a superb hallucinatory courtroom sequence.The comparisons to the Goon Show are obvious. David – who met Simpson – explains how his very British absurdism (Lewis Carroll meets Kafka with actual laughs) cloaks the bizarre inside the banal which none of his characters question. The humour is in the mismatch between the bland domestic surroundings and the offbeat conversations therein.
No prizes for guessing the hot topics in this chat with Cameron. McLaren's Qatar strategy - or lack of it - forms the basis of the Cam-Peter interchange, with Cameron doing his best to wind up Windsor wherever possible. And Windsor, of course, takes the bait. There's also lots of Lewis and mountains of Max...so sit back, add the pumpkin spice and sip the latte.With thanks to Jetcraft, the world's largest buyer and seller of executive jets:https://jetcraft.comTo OEM Exclusive, the passionate suppliers of OEM upgrades for exotic and high-performance vehiclesTo TrackNinja, a lap-timer and data app designed to help users improve their on-track car and driver performance through analysis and an innovative Data Garage. A lite version is free; the loaded edition is US$9.99 pcm or $99.99 yearlyhttps://trackninja.app And to REC Watches, whose timepieces are infused with the DNA and actual materials from famous racing and road cars like the Ford Mustang GT Fastback driven by Steve McQueen in the iconic move, Bullitt. Pre-order your Bullitt 558 limited-edition DNA watch from: https://recwatches.com/next-projectThumbnail image: Red BullStudio background image of the 1959 Goodwood TT: Jesse AlexanderPedro Rodriguez replica helmet courtesy Diego MerinoVisit Martin Tomlinson's art gallery @ https://www.motor-racing-art.co.ukThanks also to:Alpinestars:https://alpinestars.comAnd to Oscar Razor:Australia's highly-rated, 5-blade razors for men and women https://oscarrazor.com.auFollow Peter @peterdwindsorAnd follow our Short Corners podcast - now on YouTube Music, Apple Podcasts, Spotify and Amazon MusicWe support the Race Against Dementia:https://raceagainstdementia.com#standwithukraine #canada #jimmykimmel!#cricketaustralia!Nick: you're with us alwayshttps://samaritans.orgSupport the showVisit: https://youtube.com/peterwindsor for F1 videos past, present and future
Sit back to enjoy another Max Verstappen demonstration of how it should be done - this time with a Red Bull that was virtually undriveable on Friday, so bad was its bouncing. Max struggled through to P4 in the Sprint but, after changes made to the car before qualifying, recovered to start the main race P3. That became P2 after the first corner and then P1 when the McLaren-Mercedes made their first stop for tyres. And P1 - despite the quality of the McLaren MCL39s - became the win. Simple. Or was it? We begin this video with a chat with Mark Slade, the race engineer who won races and world titles at McLaren and Mercedes. After that, it's Peter taking your questions and comments about subjects as far afield as word-portraits of Stirling Moss, Jim Clark and Jackie Stewart; the sort of speech Zak Brown will deliver if McLaren fail to win the Drivers' title; and prospects for Abu Dhabi this Sunday.With thanks to Jetcraft, the world's largest buyer and seller of executive jets:https://jetcraft.comTo OEM Exclusive, the passionate suppliers of OEM upgrades for exotic and high-performance vehiclesTo TrackNinja, a lap-timer and data app designed to help users improve their on-track car and driver performance through analysis and an innovative Data Garage. A lite version is free; the loaded edition is US$9.99 pcm or $99.99 yearlyhttps://trackninja.app And to REC Watches, whose timepieces are infused with the DNA and actual materials from famous racing and road cars like the Ford Mustang GT Fastback driven by Steve McQueen in the iconic move, Bullitt. Pre-order your Bullitt 558 limited-edition DNA watch from: https://recwatches.com/next-projectThumbnail image: Red BullVisit Martin Tomlinson's art gallery @ https://www.motor-racing-art.co.ukThanks also to:Alpinestars:https://alpinestars.comAnd to Oscar Razor:Australia's highly-rated, 5-blade razors for men and women https://oscarrazor.com.auFollow Peter @peterdwindsorAnd follow our Short Corners podcast - now on YouTube Music, Apple Podcasts, Spotify and Amazon MusicWe support the Race Against Dementia:https://raceagainstdementia.com#standwithukraine #canada #jimmykimmel!#cricketaustralia!Nick: you're with us alwayshttps://samaritans.orgSupport the showVisit: https://youtube.com/peterwindsor for F1 videos past, present and future
Against all odds - against all logic - Max Verstappen and Red Bull-Honda decisively and clinically won the Qatar GP on Sunday, with McLaren-Mercedes finishing only P2-P4, sandwiching the Williams-Mercedes of Carlos Sainz. In what will be remembered as the most inexplicable strategy call of the 2025 season, both McLaren drivers were told to stay out when a Safety Car was deployed on lap seven. Thus went their chance of a "free" tyre change in a race in which the use of each set of Pirellis was uniquely limited to 25 laps. With the rest of the field switching tyres under the SC conditions, McLaren now faced a two-stop race against what had now effectively become a one-stop race for their opposition. And it was Max Verstappen who capitalised on that error - instantly and without blinking. He was quick on his second set of mediums - and he was McLaren-fast on his set of hard tyres, often surpassing Piastri's times in the first two sectors. His was a titanic win at a crucial point of the championship, for Lando Norris now goes to Abu Dhabi, the season's finale, with only a 12-point lead over Verstappen and a 16-point margin over his team-mate. In this video, Peter Windsor looks back at the key elements of an extraordinary night.With thanks to Jetcraft, the world's largest buyer and seller of executive jets:https://jetcraft.comTo OEM Exclusive, the passionate suppliers of OEM upgrades for exotic and high-performance vehiclesTo TrackNinja, a lap-timer and data app designed to help users improve their on-track car and driver performance through analysis and an innovative Data Garage. A lite version is free; the loaded edition is US$9.99 pcm or $99.99 yearlyhttps://trackninja.appAnd to REC Watches, whose timepieces are infused with DNA and actual material from famous racing and road cars like the "Bullitt" Ford Mustang and Datsun 240Z featured in this video. Claim your additional 10 per cent discount by adding the code PETER:https://recwatches.com/next-projectMusic: Rain Over Kyoto Station - The Mini VandalsImages: Red Bull, Pirelli and McLarenVisit https://alpinestars.com for all your racing apparelTry Oscar Razors - Australia's highly-rated, 5-blade razors for men and women https://oscarrazor.com.au. Follow Peter @peterdwindsorWe support the Race Against Dementia:https://raceagainstdementia.comAnd the Alora dog rescue shelter in Malaga, Spainhttps://aloradogrescue.com#standwithukraine - now, more than ever#Canada! #jimmykimmel!Nick: you're with us always:https://samaritans.orgSupport the showVisit: https://youtube.com/peterwindsor for F1 videos past, present and future
Peter and viewers/listeners look back at a sensational Las Vegas GP and ahead to this weekend's Qatar GP - the penultimate round of the 2025 F1 World Championship. Cars will be limited to 25 laps per set of Pirelli tyres in Qatar - and it's a Sprint weekend, too. So what can we expect? After the mayhem of Vegas, the Championship fight is still very much alive in the hands of Lando Norris, Oscar Piastri and Max Verstappen. Peter talks about all this and much more in our latest livestream. With thanks to Jetcraft, the world's largest buyer and seller of executive jets:https://jetcraft.comTo OEM Exclusive, the passionate suppliers of OEM upgrades for exotic and high-performance vehiclesTo TrackNinja, a lap-timer and data app designed to help users improve their on-track car and driver performance through analysis and an innovative Data Garage. A lite version is free; the loaded edition is US$9.99 pcm or $99.99 yearlyhttps://trackninja.app And to REC Watches, whose timepieces are infused with the DNA and actual materials from famous racing and road cars like the Ford Mustang GT Fastback driven by Steve McQueen in the iconic move, Bullitt. Pre-order your Bullitt 558 limited-edition DNA watch from: https://recwatches.com/next-projectThumbnail image: Red BullVisit Martin Tomlinson's art gallery @ https://www.motor-racing-art.co.ukThanks also to:Alpinestars:https://alpinestars.comAnd to Oscar Razor:Australia's highly-rated, 5-blade razors for men and women https://oscarrazor.com.auFollow Peter @peterdwindsorAnd follow our Short Corners podcast - now on YouTube Music, Apple Podcasts, Spotify and Amazon MusicWe support the Race Against Dementia:https://raceagainstdementia.com#standwithukraine #canada #jimmykimmel!#cricketaustralia!Nick: you're with us alwayshttps://samaritans.orgSupport the showVisit: https://youtube.com/peterwindsor for F1 videos past, present and future
Max Verstappen's domination of the Las Vegas assumed much greater perspective post-race when, incredibly, both McLaren-Mercedes were disqualified due to technical infringements. In this podcast, Cameron grills Peter on this key moment, on the brilliance of Max, on the troubles at Ferrari, and with Lewis Hamilton in particular, and on lots more besides. Download, settle back and enjoy the coffee. With thanks to Jetcraft, the world's largest buyer and seller of executive jets:https://jetcraft.comTo OEM Exclusive, the passionate suppliers of OEM upgrades for exotic and high-performance vehiclesTo TrackNinja, a lap-timer and data app designed to help users improve their on-track car and driver performance through analysis and an innovative Data Garage. A lite version is free; the loaded edition is US$9.99 pcm or $99.99 yearlyhttps://trackninja.appAnd to REC Watches, whose timepieces are infused with DNA and actual material from famous racing and road cars like the "Bullitt" Ford Mustang and the Peter Brock-developed Datsun 240Z raced in 1970/71 by John Morton . Claim your additional 10 per cent discount by adding the code PETER:https://recwatches.com/next-projectVisit https://alpinestars.com for all your racing apparelTry Oscar Razors - Australia's highly-rated, 5-blade razors for men and women https://oscarrazor.com.au. Follow Peter @peterdwindsorWe support the Race Against Dementia:https://raceagainstdementia.comAnd the Alora dog rescue shelter in Malaga, Spainhttps://aloradogrescue.com#standwithukraine - now, more than ever#Canada! #jimmykimmel!Nick: you're with us always:https://samaritans.orSupport the showVisit: https://youtube.com/peterwindsor for F1 videos past, present and future
It's all eyes on Vegas as Mark Slade delves into the nuances of car and tyre set-up for the fast street circuit - fast in the sense of long straights (as distinct from quick, demanding corners). Temperatures will be slightly less cold this year due to the earlier scheduling of practice, qualifying and the race but Pirelli tyre preparation laps will still be critical - as Mark highlights in this podcast. Peter also takes a multitude of questions and comments from viewers - some relating to the past, some the present and some the future. Plenty of alleyways there, containing hidden doors to a vault of anecdotes. So sprinkle the cinnamon and enjoy.With thanks to Jetcraft, the world's largest buyer and seller of executive jets:https://jetcraft.comTo OEM Exclusive, the passionate suppliers of OEM upgrades for exotic and high-performance vehiclesTo TrackNinja, a lap-timer and data app designed to help users improve their on-track car and driver performance through analysis and an innovative Data Garage. A lite version is free; the loaded edition is US$9.99 pcm or $99.99 yearlyhttps://trackninja.appAnd to REC Watches, whose timepieces are infused with DNA and actual material from famous racing and road cars like the "Bullitt" Ford Mustang and Datsun 240Z. Claim your additional 10 per cent discount by adding the code PETER:https://recwatches.com/next-projectVisit https://alpinestars.com for all your racing apparelTry Oscar Razors - Australia's highly-rated, 5-blade razors for men and women https://oscarrazor.com.au. Follow Peter @peterdwindsorWe support the Race Against Dementia:https://raceagainstdementia.comAnd the Alora dog rescue shelter in Malaga, Spainhttps://aloradogrescue.com#standwithukraine - now, more than ever#Canada! #jimmykimmel!Nick: you're with us always:https://samaritans.orgSupport the showVisit: https://youtube.com/peterwindsor for F1 videos past, present and future
Joanna began her career in action fare such as Steve McQueen's thriller Bullitt, the Jason Robards drama Fools, The Laughing Policeman starring Walter Matthau and The Outfit with Robert Duvall. Her first co-starring role came opposite George C. Scott in the offbeat comedy caper The Bank Shot. Television became an important medium for her in the late 1970s, with guest parts on all the popular shows of the time, including Dallas. Trapper John, M.D., Taxi, Starsky and Hutch, Charlie's Angels, Lou Grant and a recurring role on Falcon Crest. Joanna languished in three failed series attempts--The Roller Girls, 240-Robert and The Family Tree--before hitting the jackpot with the sitcom Buffalo Bill opposite Dabney Coleman. The 1980s also brought about positive, critical reception for Joanna on film as well, especially in a number of showy portrayals, notably her snake-dancing replicant in the futuristic sci-fi thriller Blade Runner, her radio journalist involved with Nick Nolte and Ed Harris in the political drama Under Fire and her co-starring role in a wacky triangle with Bob Hoskins and a hyperkinetic hare in the highly ambitious part toon/part fantasy film Who Framed Roger Rabbit. Back on the TV front she was seen in recurring roles on L.A. Law, Diagnosis Murder, The District and Boston Legal. Since then Joanna has juggled a number of quality film and TV assignments, including her Emmy-nominated recurring role as a quirky, capricious mother/psychiatrist in Six Feet Under. Joanna currently stars in the movie Killing Faith opposite Guy Pierce and Bill Pullman. Want to watch: YouTube Meisterkhan Pod (Please Subscribe)
Join Peter and viewers as they look back at a sensational Brazilian (São Paulo) GP at Interlagos. Peter in his opening monologue talks about the controversy surrounding the power unit change on Max Verstappen's Red Bull-Honda and the post-race comment by Ferrari's Chairman, John Elkann, in which he advised his two drivers - Charles Leclerc and Sir Lewis Hamilton - to "talk less and focus on driving". This stream also diverts into a variety of racing subjects - some current, some past - but all a part of the F1 whole. A big thanks, as ever, to all the viewers/listeners who took part in this livestream.Thanks, too, to Jetcraft, the world's largest buyer and seller of executive jets:https://jetcraft.comTo OEM Exclusive, the passionate suppliers of OEM upgrades for exotic and high-performance vehiclesTo TrackNinja, a lap-timer and data app designed to help users improve their on-track car and driver performance through analysis and an innovative Data Garage. A lite version is free; the loaded edition is US$9.99 pcm or $99.99 yearlyhttps://trackninja.appAnd to REC Watches, whose timepieces are infused with DNA and actual material from famous racing and road cars like the "Bullitt" Ford Mustang and Datsun 240Z. Claim your additional 10 per cent discount by adding the code PETER:https://recwatches.com/next-projectMusic: Rain Over Kyoto Station - The Mini VandalsThumbnail image: McLaren and MercedesVisit https://alpinestars.com for all your racing apparelTry Oscar Razors - Australia's highly-rated, 5-blade razors for men and women https://oscarrazor.com.au. Follow Peter @peterdwindsorWe support the Race Against Dementia:https://raceagainstdementia.comAnd the Alora dog rescue shelter in Malaga, Spainhttps://aloradogrescue.com#standwithukraine - now, more than ever#Canada! #jimmykimmel!Nick: you're with us always:https://samaritans.org Support the showVisit: https://youtube.com/peterwindsor for F1 videos past, present and future
Although Lando Norris in Brazil took another giant leap towards the 2025 World Championship, this race will forever be remembered by Max Verstappen's stunning drive from the pit-lane to P3. With Max failing to make it out of Q1 on Saturday, Red Bull-Honda took the decision to change the power unit - and the set-up, yet again - and incur the usual penalty. In this video Peter tracks the progress of the events in Brazil from Friday morning right through to a bonus debrief chat with Mark Slade, the former McLaren, Mercedes and Renault race engineer. With thanks to Jetcraft, the world's largest buyer and seller of executive jets:https://jetcraft.comTo OEM Exclusive, the passionate suppliers of OEM upgrades for exotic and high-performance vehiclesTo TrackNinja, a lap-timer and data app designed to help users improve their on-track car and driver performance through analysis and an innovative Data Garage. A lite version is free; the loaded edition is US$9.99 pcm or $99.99 yearlyhttps://trackninja.appAnd to REC Watches, whose timepieces are infused with DNA and actual material from famous racing and road cars like the "Bullitt" Ford Mustang and Datsun 240Z. Claim your additional 10 per cent discount by adding the code PETER:https://recwatches.com/next-projectMusic: Rain Over Kyoto Station - The Mini VandalsChapter images: McLaren, Mercedes and PirelliTry Oscar Razors - Australia's highly-rated, 5-blade razors for men and women https://oscarrazor.com.au. Follow Peter @peterdwindsorWe support the Race Against Dementia:https://raceagainstdementia.comAnd the Alora dog rescue shelter in Malaga, Spainhttps://aloradogrescue.com#standwithukraine - now, more than ever#Canada! #jimmykimmel!Nick: you're with us always:https://samaritans.orgSupport the showVisit: https://youtube.com/peterwindsor for F1 videos past, present and future
Cameron points Peter towards all matters of Brazilian moment in this podcast, focusing on the rise and driving style of Lando; the brilliance of Max; the woes at Ferrari; and the slump of Oscar. My son just ordered a white mocca latte but it's kind of up to you... With thanks to Jetcraft, the world's largest buyer and seller of executive jets:https://jetcraft.comTo OEM Exclusive, the passionate suppliers of OEM upgrades for exotic and high-performance vehiclesTo TrackNinja, a lap-timer and data app designed to help users improve their on-track car and driver performance through analysis and an innovative Data Garage. A lite version is free; the loaded edition is US$9.99 pcm or $99.99 yearlyhttps://trackninja.appAnd to REC Watches, whose timepieces are infused with DNA and the actual material from famous racing cars and iconic road cars. Pre-order the limited edition Bullitt 558 watch - featuring materials from the actual Ford Mustang used by Steve McQueen in Bullitt - and claim your additional 10 per cent discount by adding the code PETER:https://recwatches.com/next-projectVisit https://alpinestars.com for all your racing apparelTry Oscar Razors - Australia's highly-rated, 5-blade razors for men and women https://oscarrazor.com.au. Follow Peter @peterdwindsorWe support the Race Against Dementia:https://raceagainstdementia.comAnd the Alora dog rescue shelter in Malaga, Spainhttps://aloradogrescue.comTitleist: ProV1 and ProV1Xhttps://titleist.com#standwithukraine - now, more than ever#canada! #jimmykimmel!#cricketaustralia!Nick: you're with us alwayshttps://samaritans.orgSupport the showVisit: https://youtube.com/peterwindsor for F1 videos past, present and future
EPISODE #469 Nice. Today we talk about the best of the worst William Friedkin movies, 1978's THE BRINKS JOB. Or is it the worst of the best? That sounds worse, but I'm not sure it is. Anyways, there's a lot of guys in this movie. If you want look at or to see a guy, of some sort, there's worse movies to go with. Anyways, we love Hurricane Billy. We also chat about a bunch of old THE SIMPSONS (1989 - ) episodes, and recommend Peter Yates' BULLITT (1968), Kenji Misumi's KEN (1964), and Martin Scorsese's AGE OF INNOCENCE (1993). LINKS Join the cause at Patreon.com/Quality. Follow the us on on Bluesky at kislingconnection and cruzflores, on Instagram @kislingwhatsit, and on Tiktok @kislingkino. You can watch Cruz and show favorite Alexis Simpson on You Tube in THEY LIVE TOGETHER. Thanks to our artists Julius Tanag and Sef Joosten. The theme music is "Eine Kleine Sheissemusik" by Drew Alexander. Also, I've got a newsletter on Substack, so maybe go check that one out, too. Listen to DRACULA: A RADIO PLAY on Apple Podcasts, at dracularadio.podbean.com, and at the Long Beach Playhouse at https://lbplayhouse.org/show/dracula And, as always, Support your local unions! UAW, SAG-AFTRA, and WGA strong and please leave us a review on iTunes or whatever podcatcher you listened to us on!
Az előfizetők (de csak a Belső kör és Közösség csomagok tulajdonosai!) már szombat hajnalban hozzájutnak legfrissebb epizódunk teljes verziójához. A hétfőn publikált, ingyen meghallgatható verzió tíz perccel rövidebb. Itt írtunk arról, hogy tudod meghallgatni a teljes adást. Hiláriusz pátriárka foghatósága pro és kontra. John Oliver megpróbálja lenyúlni a témánkat. Miért kell megölni a notórius biztonságiöv-bűnözőket? Elsőzők között az első. Bevásárlás, turizmus, black metal. 00:27 Üdvözüljük a kegyencjáratot és Hiláriusz pátriárkát! Foghatóság és góing rúzs.03:26 Autósüldözések John Oliverrel. Nagysebességű követés a Róbert Károly körúton.08:39 A rendőri erőszak nagy amerikai hagyományai. San Franciscóban azért nem lehet rossz autósüldözni. A Bullitt híres jelenete.12:42 Az elsőzés bajnokai. Erkölcsi analóg különdíj.17:38 Kajafutár szlovák Harleyval.18:29 Aktuális hírek az Oktogon körüli ázsiai éttermekről. Shanghai House. Zen. The Minh. Végre egy rossz ásziai! 7. Mansion.26:19 Hol vásároljunk? Ajánljuk Selinuntét. Valencia, Trieszt és Bologna dicsérete.32:40 Mi ez a büdös a garázsban?35:41 Fapados Sziget. Magna Cum Laude legyen a headliner vagy Varg Vikernes? Varg Vikernes megint aktív az interneten.41:35 Varg Vikernes és Taylor Swift. Trve anyukák a Ferencvárosban. Transylvanian Hunger. Goonerek a Harper'sben. Ha kúrnak, az a baj, ha nem kúrnak, az a baj. Scott Galloway a fiatal férfiakról.47:59 A Fehér Házban valójában senki nem kap semmit.See omnystudio.com/listener for privacy information.
Big yet somewhat vague news on Misfits. Watch out for the nasal sprays! Instead of doing something fulfilling on Halloween like "taking my children trick or treating," or perusing LA Halloween whores, I went home and watched GI Joe: The Movie (from 1987) Subway got rid of their flatbread for breakfast sandwiches, because of course they did. I went to see a myriad of old movies around town in the fortnight since we last spoke: Bullitt, Fitzcarraldo, and Annie Hall (RIP Diane Keaton)I did stand up for the first time in 3 months, and I went to see Michael Knowles speak at the Nixon Presidential Library, but I forgot most of what he said because I was having a full blown panic attack for most of it. (What fun it is to be me)
In a BaT Podcast first that we'd love to make a regular feature, four of the crew gather at HQ to hash out one of our collective favorite car movies: none other, of course, than 1968's Bullitt with Steve McQueen. The crew start by establishing their various McQueen bona fides and history with the movie before talking about the evasive nature of the plot (and what, in fact, that plot might be); filming and financing details; background car spotting; San Francisco landmarks, both here and gone; razor sharp jaws; the sleep-inducing sections; regenerating hubcaps; the Lalo Schifrin score (or lack thereof, in key places); and of course, the most famous car chase in the movies.But they don't stop there - this movie has a lot more to cover, like several unintentional car stunts; Mopar-on-camera violence; gun-toting styles of late-'60s movie detectives; the film's sartorial choices; homages in later movies; and which of those movies should make it onto the list of future podcast subjects. Links for things mentioned in this episode:2:27 1001 Steve McQueen Facts by BaT's own Tyler Greenblatt1:01:07 Retracing Steve McQueen's “Bullitt” Car Chase in San Francisco on MotorTrendGot suggestions for our next guest from the BaT community, One Year Garage episode, or B(aT) the Movies subject? Let us know in the comments below!
Tim Minchin is back in the studio with Pete Helliar — and this time, he’s talking about a film he absolutely has not watched: the 1968 Steve McQueen classic Bullitt. Armed with nothing but confidence, guesswork, and a vague awareness of “that famous car chase”, Tim gives his best (and increasingly chaotic) take on a movie he hasn’t seen…until now. Expect wild plot guesses, questionable facts, and plenty of laughs as Pete tries — and mostly fails — to keep the conversation on the road. Feel free to drop us some comments, feedback or ideas on the speakpipe (link below).Keep it fun and under a minute and you may get on the show.https://www.speakpipe.com/YASNYSee omnystudio.com/listener for privacy information.
In this episode I sit down with Matty Bullitt on what's holding Downtown Orlando back as a whole and how it can be turned around for the better.
President Trump endorses a potential candidate to challenge Congressman Massie in the GOP Primary, Sen. Rand Paul discusses the government shutdown and his plan to increase tourism in Eastern Kentucky, and thousands turn out across Kentucky for "No King" rallies.
Dando sequência ao nosso especial sobre as scream queens do cinema de horror, voltamos ao início dos anos 1960 para falar sobre a rainha do gótico italiano: Barbara Steele. Desde sua primeira parceria com o diretor Mario Bava no icônico A Maldição do Demônio (1960), a atriz britânica se consolidou como o grande rosto do subgênero. Acompanhe-nos então neste RdMCast que investiga as origens do envolvimento de Steele com o cinema italiano e celebra tanto a inexistência de um código de censura na Itália sessentista quanto estúdios que não derrubam filmes disponíveis na íntegra no YouTube. Entre adaptações de Edgar Allan Poe, aparições de Edgar Allan Poe, fantasmas, vampiros e bruxas, analisamos os principais papéis da carreira de uma atriz que frequentemente trabalhava dobrado, seja por interpretar duas personagens ou por dublar sua própria voz. Então prepare-se para uma verdadeira viagem ao passado do cinema de horror e dê play neste episódio especial sobre a rainha do gótico: Barbara Steele.O RdMCast é produzido e apresentado por: Thiago Natário, Gabi Larocca e Gabriel Braga.Apoie o RdM e receba recompensas exclusivas: https://apoia.se/rdmCITADOS NO PROGRAMA:Horror:A Maldição do Demônio / Black Sunday (1960)O Poço e o Pêndulo (1961) – só mencionar, deixar pro especial Corman/PoeRaptus – O Diabólico Dr. Hichcock (1962)O Demônio e o Dr. Hichcock (1963)Dança Macabra (1964)A Máscara do Demônio / Os Longos Cabelos da Morte (1964)Terror no Cemitério (1965)Amor de Vampiros (1965)The She Beast (1966)Um Anjo para Satã (1966)A Maldição do Altar Escarlate (1968)Calafrios (1975)Piranha (1978)Dark Shadows (série, 1991)O Segredo Da Borboleta (2012)The Mill at Calder's End (curta, 2015)Le Fantôme (curta, 2016)Minutos Depois da Meia-Noite (2016)Outros filmes:8½ (1963)O Jovem Törless (1966)O Incrível Exército Brancaleone (1966)Celas em Chamas (1974)Menina Bonita (1978)Sombra no Escuro (1979)Por Trás da Fé (2005) – produtoraRio Perdido (2014)Citações off topic:O Estranho que Nós Amamos (1971)O Estranho que Nós Amamos (2017)Holocausto Canibal (1980)O Caçador de Bruxas (1968)O Silêncio dos Inocentes (1991)EPISÓDIOS CITADOS:RdMCast #523 – Especial Scream Queens: Barbara CramptonRdMCast #484 – Pânico Social e Vigilantismo: de Bullitt a Stallone CobraRdMCast #480 – Trilogia A MúmiaRdMCast #371- Os Monstros da Universal: Uma Breve HistóriaRdMCast #456 – Especial Roger Corman: o mestre dos filmes BRdMCast #353 – Especial Hannibal (the Cannibal) LecterRdMCast #312 – Especial David CronenbergRdMCast #370 – Especial A Hora do PesadeloINSIDER STORE COM ATÉ 50% OFF:Cupom: RDMCASTLink especial: https://creators.insiderstore.com.br/RDMCASTSiga o RdMYoutube: https://www.youtube.com/c/Rep%C3%BAblicadoMedoInstagram: @republicadomedoTwitter: @RdmcastEntre em contato através do: contato@republicadomedo.com.brLoja do RdMConheça nossos produtos: https://lojaflutuante.com.br/?produto=RdmPODCAST EDITADO PORFelipe LourençoESTÚDIO GRIM – Design para conteúdo digitalPortfólio: https://estudiogrim.com.br/Instagram: @estudiogrimContato: contato@estudiogrim.com.br
This is a free preview of a paid episode. To hear more, visit www.wethefifth.comRooting against the dancing Irish poorDoes One Battle After Another “whitewash left-wing violence?”LOTS OF SPOILERS, FYIIn praise of Bullitt-esque car chases…The Lockjaw cartoonThe genius of Jim DowneyMatt is hemophobicRight-wing SNLCould you reverse the politics of OBAA?Leo's character is basically an old-school DSA guyCan there be a subtle conservative film?The best 9/11 film was a film about a French guy in a leotardThe post-9/11 liberal flirtation with neoconservatismJohn Malkovich v. Robert FiskThe lone pro-Vietnam War movieRemembering the conservative crackupThe ideological slingshotFollow The Fifth ColumnYouTube: @wethefifthInstagram: @we.the.fifthX: @wethefifthTikTok: @wethefifthFacebook: @thefifthcolumn
After discussing Lara Croft to death last episode, this time we felt the Need for Speed as we start the engines on our episode covering this largely forgotten car movie. We shifted gears this week to Need for Speed (2014) which is a video game adaptation focused on illegal street racing and other related and non-related crimes. We spend a chunk of time analysing some of the strange casting choices, from lead Aaron Paul failing to ignite the screen with Imogen Poots, to the baffling inclusion of a disheveled Michael Keaton playing an anonymous radio commentator. We will, inevitably, unpack the horrifying behaviour of Rami Malek's character, Finn, and try to remember Dakota Johnson's entirely forgettable character. What to expect from this week's episode: We analyse whether Aaron Paul's career ever truly raced past Breaking Bad. Sarah details her notes on the sheer number of consequential off-screen deaths and subsequent crimes the characters commit. We praise the commitment to practical effects and compare the action movies car chases to classics like Bullitt and Vanishing Point. We examine why the police were not remotely concerned about shutting down Monarch's illegal street racing operation. We spend a necessary amount of time questioning Benny (Kid Cudi) and his physics-defying, time-traveling plane. We discuss how the film could have been improved by trimming the fat (specifically two superfluous characters). We crown our newest winner of the Jason Statham King of Turds Award. Would you like to see the full lineup for season 12? The only place you can see it is on Patreon but you don't need to be a paying member. Sign up for a free membership and get access to the lineup. If you do have some loose change consider signing up as a paid member. Our £3 a month Patreon tier will grant you access to all of our end of season wrap shows for seasons 1-11 and a minimum of 2 reviews of brand new movies each month. Plus the back-catalogue of reviews from 2023, 2024 and 2025. Enjoy the show but can't support us financially? We get it. You could submit a review on the podcast player you're reading this on right now. Or if you listen on Spotify and you haven't given us a five-star rating yet, what are ye waiting for? It's easy. If you've done some or all of that and still want to do more, we would love it if you tell a friend about the show. Or come find us on social media: Instagram | TikTok | Threads | YouTube
We're joined by Jason Farrell, Matt's former co-host of THE BOOKHOUSE BOYS podcast, to talk about TARGITT, written by RIC MEYERS with art by HOWARD NOSTRAND. John Targitt is a defective clone made from DNA of Frank Bullitt, Harry Callahan, and Paul Kersey (Bronson's character from Death Wish). He's an FBI agent who wages an all-out war on crime after his wife & daughter are caught in the crossfire of syndicate violence. Watch it on YouTube: https://youtu.be/lKK7ibNbK6w You can read all 3 issues here: https://archive.org/details/targitt-complete SUPPORT THE SHOW: https://www.patreon.com/BronzeAgeMonsters THREADLESS SHOP: https://bronzeagemonsters.threadless.com/ JOIN US ON OUR DISCORD SERVER: https://discord.gg/wdXKUzpEh7
Continuing their "Good Law" series, Matt and Jenessa talk about Baggett v. Bullitt. This case held that "a State cannot require an employee to take an unduly vague oath containing a promise of future conduct at the risk of prosecution for perjury or loss of employment, particularly where the exercise of First Amendment freedoms may thereby be deterred." Jenessa gives a fascinating science breakdown on cognitive dissonance and what the effect of these vague oaths actually is. It's counter-intuitive and very interesting!
Lee built a playlist of some of his favourite stuff from the recently departed Boris Claudio "Lalo" Schifrin. Rest in Peace. --Gone With the Wave from "Gone With the Wave" (1964) --Dark Intruder from "Dark Intruder" (1965) --Main Titles from "The Liquidator" (1965) -- with Dame Shirley Bassey --The Cincinnati Kid from "The Cincinnati Kid" (1965) -- with Ray Charles --Main Title & Iron Head from "Murderer's Row" (1966) --Suite from "Way... Way Out" (1966) --Theme from Mission: Impossible from "Mission: Impossible" (1966) --Them (Main Title) & Dripping Icicles from "The Fox" (1967) --Main Title from "Cool Hand Luke" (1967) --Main Title, A Song for Cathy & Music to Interrogate By from "Bullitt" (1968) --Main Title from "Coogan's Bluff" (1968) --Che! from "Che!" (1969) --Kelly's Heroes Theme from "Kelly's Heroes" (1970) --Main Title & Scorpio's View from "Dirty Harry" (1971) --Main Title from "Joe Kidd" (1972) --Main Title & The Big Battle from "Enter the Dragon" (1973) --Last of the Independents from "Charley Varrick" (1973) --Confrontation from "Magnum Force" (1973) --Main Title & The Eagle's Enemy from "The Eagle Has Landed" (1976) --Main Theme from "St. Ives" (1976) --Calliope of Death, Magic Carousel & Tension Rock from "Rollercoaster" (1977) --Opening Titles from "The Manitou" (1978) --Fast Moves & Training Montage 2 from "Battle Creek Brawl" (1980) --Main Title, Frisco Night & Cocktails of Fire from "Sudden Impact" (1983) --Osterman Weekend Theme from "The Osterman Weekend" (1983) --Main Title & Harpoon from "The Dead Pool" (1988) --The Real Rado/Rado Attacks/Rado Chase Rollie from "FX2" (1991) --Main Title from "Rush Hour" (1998) Opening and closing music: Notre côté B from "Gina" by Michel Pagliaro, and Bubble Gum Girl from "Gas-s-s-s" by Johnny & The Tornados.
durée : 01:20:39 - Les Nuits de France Culture - par : Albane Penaranda - La plus connue restera "Mission impossible" mais Lalo Schifrin est l'auteur de plus d'une centaine de musiques de films. "Bullitt", "L'Inspecteur Harry", "Opération Dragon"… une carrière dans le cinéma longue de près de 70 ans. En 1990, entretien avec Lalo Schifrin dans "Opus". - réalisation : Lise Côme - invités : Lalo Schifrin Pianiste, compositeur, chef d'orchestre
Max and Mike return to The Fast Ones with a high-octane mix of vintage car nostalgia, race recaps, and motorsport drama. Max reviews the Steve McQueen classic Bullitt for the first time, praising its legendary car chase and effortlessly cool vibes. The duo then dive into NASCAR history with Bubba Wallace's epic Brickyard 400 win—celebrating Bubba's comeback, his playoff qualification, and a personal story involving a Leica camera.Then, it's all about Spa. From Oscar Piastri's gritty opening move to Lando Norris's cautious driving, they break down the wet-and-wild F1 weekend, the sprint drama, and Lewis Hamilton's fierce critique of Ferrari—plus what it means for the Scuderia's future. The episode also spotlights Yuki Tsunoda's surprise performance, Nico Rosberg's spicy gridwalk burns, and Kimmy Antonelli's moment with Lewis.A passionate, hilarious, and insightful ride from start to finish—don't miss it.
Being a mum to 4 children, I genuinely cannot fathom hurting a single hair on their heads. This case that unfolded in Bullitt county , Kentucky is one of terror and sadness. Tiffanie Lucas shot and killed her little boys. Let me take you through the story so you can make your own mind up at the end on what happened to make this mum murder her beautiful little boys. Let me know what you think in the comments .Em x
Dans cet épisode, Mathieu Alterman nous emmène à la découverte des plus célèbres poursuites automobiles au cinéma. De la Mustang de Steve McQueen dans Bullitt aux bolides de Mad Max, en passant par les cascades des Blues Brothers, il retrace l'évolution de ce genre cinématographique devenu culte. Il met également en lumière l'influence de ces scènes d'action sur la culture populaire, avec des films comme Le Mans 66 ou Boulevard de la mort. Un voyage passionnant à travers l'histoire du 7e art et de ses icônes.Notre équipe a utilisé un outil d'Intelligence artificielle via les technologies d'Audiomeans© pour accompagner la création de ce contenu écrit.Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.
As most of you know, our Patreon audience has the INSIDE access to the KF Show. The year 2025 will be an important one for Patreon specifically and if you'd consider jumping up to the $5 level it would sure help. The $10 level will remain and we now have a brand new $20 level as well! All members who join at that level will receive a sticker swag pack in the mail, you'll be IMMEDIATELY entered in the monthly prize grab, and you'll receive a phone call from one (or all) of us to chat up whatever you want for 30 minutes! Thank you SO MUCH to those of you who have joined in for the extra content that is only for Patreon supporters. To get in on the action and support the show with a minor financial contribution just click the link below to sign up. Join up via Patreon at patreon.com/KFSHOW ======================================== Presented with Holley - Back for 2025! Phase 3 of Kibbe and Friends is officially here, and Holley is back for more fun, foolishness, and flying orange Chargers! Once again we're proud to be associated with the historic name that has made cars fast for years and years, and their innovations continue forward (as always)! Make sure that you visit Holley.com to place your speed parts orders - and THANK THEM for continuing on as the Title Sponsor of the KF Show! ======================================== Welcome from the Charlotte, Race City USA! The High Performance Expo was a big success, and the Kibbe Boys (i.e. Rob and Dallas) got the chance to take in even MOR than just the High Performance Expo itself. Thanks to NHRA Superstar Clay Millicaon and KAFS Show Super Stud Listener (and Hendrick Motorsports employee) Austin Darling we got to visit not one, but TWO NASCAR Shops; Rick Ware Racing thanks to Clay, and Hendrick thanks to Austin! Both were outstanding experiences to get a true inside look at the craft, business, tech, and reality of a NASCAR life. At Hendrick we even got the chance to attend a Bible lesson over lunch AND visit Rick Hendrick's personal car and memorabilia collections. It was nothing short of unbelievable! Austin surprised us with his '68 Newport sitting out front of Hendrick Motorsports, complete with a 440, A/C, steelies, and a tribute name of “Sweet Tilly” in honor of Uncle Jesse's Dukes of Hazzard Season 1 moonshine car. You can follow him on Instagram via @pawpaws_speedshop and on YouTube at Paw Paw's Speedshop as well. . For a full recap (and 2 hour bonus show special) from the High Performance Expo be sure to listen to The MuscleCar Place Episode 612. ======================================== Ron Francis Wiring Brings you the Celebrity Automotive Birthday! https://www.ronfrancis.com ======================================== Docuseries Discussion: Earnhardt Series Summary: We're doing a double header in this episode as we continue our “Month of Racing” for June 2025. To cut to the chase, if you haven't seen the new Dale Earnhardt docuseries on Amazon Prime yet….you need to. It's an in redible production detailing the true life and drive of Dale Earnhardt, success, flaws, and all. It's told through the eyes of Darrell Waltrip, Dale's racing competitors, and especially his children; Kerry, Dale Jr, and Kelly (his 4th child Taylor is not onscreen). It's a remarkable series, and while you'll leave with respect and awe for the man on the track….you'll have a true lump in your throat about how he lived in life, and what he lived it for. This is not a paid endorsement or review at all, nor is this an affiliate link. This is just our honest take on what is (in our opinion) an outstanding series and worth your money and time! Enjoy. Here's the link! https://www.primevideo.com/detail/0SLG53HHK10A0XON0Y8I04VLSQ/ref=atv_dp_share_cu_r ======================================== Movie Review: Stroker Ace In June of 2025 we are doing our Month of Racing! We originally reviewed the Burt Reynolds Classic “Stroker Ace” in Episodes 117 and 118 as well as the month end Patreon show in July of 2019. Enjoy! Movie Summary: This is it! After waiting years to prepare we finally did a full review of the 2005 Dukes of Hazzard movie. This was a $50Million dollar big screen production of our favorite TV show, featuring our favorite car doing the best big screen performance any car has ever performed, ever (we're looking your way, Bullitt). Other than the car…..this isn't the TV series Dukes that you know. Boss Hogg (played by Burt Reynolds) is skinny. Rosco is mean, not goofy. Bo is scared of women. Luke can't drive. Uncle Jesse is crass. But….if you can get past all of that and leave it for what it is, we loved it. Our man Corndog was onsite for the entire filming of the movie in Louisiana and had the full skinny on every car there that played the General Lee (all 27 of them). ======================================== National Parts Depot Presents: Bernie on the News! https://www.npdlink.com. The post K&F Show #331: More Charlotte! NASCAR Hall of Fame, Rick Ware Racing, and Hendrick Motorsports; All Racing June Reviews: Earnhardt on Prime and “The Dukes of Hazzard Movie – 2005” first appeared on The Muscle Car Place.
SUPERMAN'S TOUGHEST (AND WACKIEST) ADVENTURE YET!! Superman III Full Reaction Watch Along: / thereelrejects Download the PrizePicks today at https://prizepicks.onelink.me/LME0/RE... & use code REJECTS to get $50 instantly when you play $5! Andrew & Tara keep their SUPERMAN MARATHON rolling down the road to James Gunn's Superman giving Superman III Reaction, Recap, Commentary, Analysis, & Spoiler Review!! Join Andrew Gordon & Tara Erickson as they revisit the 1983 superhero romp Superman III, where Clark Kent / Superman (Christopher Reeve, Somewhere in Time, Superman II) faces his most unusual adversary yet—computer whiz Gus Gorman (Richard Pryor, Stir Crazy, Brewster's Millions). When small‐town tech genius Gus lands a gig with sinister oil baron Ross Webster (Robert Vaughn, The Man from U.N.C.L.E., Bullitt), he's duped into synthesizing Kryptonite, creating an evil doppelgänger of the Man of Steel who rampages through Smallville in one of the film's most searched‐for scenes. Meanwhile, Lois Lane (Margot Kidder, The Amityville Horror, Black Christmas) juggles her investigative instincts with her growing suspicions about Superman's strange new behavior. Rounding out the cast are Annette O'Toole as Ross's calculating wife Vera Webster (noted for 3:10 to Yuma and later TV's Superman & Lois), Pamela Stephenson as socialite Lacy Warfield (comedian from Not The Nine O'Clock News), and Jackie Cooper as Daily Planet editor Perry White (the original Pete & Gladys), plus Marc McClure returning as the ever‐awed Jimmy Olsen (Superman, Superman II). Andrew & Tara break down every standout moment—from Gus's frantic Kryptonite heist in the Arctic and the iconic “Evil Superman” fight in a Glendale parking garage to the hilariously over‐the‐top spoof of technology run amok at Ross's private plane hangar. Don't miss their take on the unforgettable sequence where Superman's alter ego lounges in Smallville's diner, the cheeky “cloning” of Superman by synthetic Kryptonite, and the climactic rooftop showdown that forces Clark to reclaim his true heroism. Follow Andrew Gordon on Socials: YouTube: https://www.youtube.com/@MovieSource Instagram: https://www.instagram.com/agor711/?hl=en Twitter: https://twitter.com/Agor711 Follow Tara Erickson: Youtube: https://www.youtube.com/@TaraErickson Instagram: https://www.instagram.com/taraerickson/ Twitter: https://twitter.com/thetaraerickson Intense Suspense by Audionautix is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... Support The Channel By Getting Some REEL REJECTS Apparel! https://www.rejectnationshop.com/ Follow Us On Socials: Instagram: https://www.instagram.com/reelrejects/ Tik-Tok: https://www.tiktok.com/@reelrejects?lang=en Twitter: https://x.com/reelrejects Facebook: https://www.facebook.com/TheReelRejects/ Music Used In Ad: Hat the Jazz by Twin Musicom is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Happy Alley by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... POWERED BY @GFUEL Visit https://gfuel.ly/3wD5Ygo and use code REJECTNATION for 20% off select tubs!! Head Editor: https://www.instagram.com/praperhq/?hl=en Co-Editor: Greg Alba Co-Editor: John Humphrey Music In Video: Airport Lounge - Disco Ultralounge by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Ask Us A QUESTION On CAMEO: https://www.cameo.com/thereelrejects Follow TheReelRejects On FACEBOOK, TWITTER, & INSTAGRAM: FB: https://www.facebook.com/TheReelRejects/ INSTAGRAM: https://www.instagram.com/reelrejects/ TWITTER: https://twitter.com/thereelrejects Follow GREG ON INSTAGRAM & TWITTER: INSTAGRAM: https://www.instagram.com/thegregalba/ TWITTER: https://twitter.com/thegregalba Learn more about your ad choices. Visit megaphone.fm/adchoices
The gang redefines the car chase scene this week as they review the fantastically cool SF detective crime thriller, Bullitt. With a Director who was a former racecar driver and team leader, and a star who also races and did his own driving, this slow burn thriller with a high octane chase scene is as authentic as you can get. Did Joseph's pick for Car Chase May win over the class? Tune in to find out Visit the YouTube channel Saturdays @ 12:30 PM Pacific to get in on the live stream, or just watch this episode rather than just listen!Channel:https://www.youtube.com/channel/UCI1lVsk1xjMSBgZK82uAzgQThis Episode:https://youtu.be/y3t13k7z-F0http://www.MCFCpodcast.comhttps://www.twitch.tv/MCFCpodcasthttp://www.facebook.com/MCFCpodcasthttp://www.twitter.com/podcastMCFChttp://www.tiktok.com/middleclassfilmclasshttp://www.instagram.com/middleclassfilmclass Email: MCFCpodcast@gmail.comMerch store - https://middle-class-film-class.creator-spring.com/ Join the Patreon:www.patreon.con/middleclassfilmclass Patrons:JavierJoel ShinnemanLinda McCalisterHeather Sachs https://twitter.com/DorkOfAllDorksChris GeigerDylanMitch Burns Robert Stewart JasonAndrew Martin Dallas Terry Jack Fitzpatrick Mackenzie MinerAngry Otter (Michael)Joseph Navarro Pete Abeyta and Tyler Noe
Christian is a Managing Director in Raymond James' Private Capital Advisory Practice. He finally runs out of excuses and ends up squinting under the hot lights of the MMM studios. A discussion with two old friends hits the usual stops – Philadelphia roots, Trinity College, early career in PR before getting into finance – yet still manages to find plenty of opportunity for esoterica. Listeners will learn about Christian's short-lived acting career, the merits of pickleball vs. padél, and his frequently threatened lawsuit against Charlie. More substantive insight into the evolution of private equity business development, Christian's transition from the buyside to investment banking, and his current role working with equity sponsors in the burgeoning private capital advisory arena.
Katie Downey absolutely Killed in this Episode, Coaches Spotlight bring to light the Story Behind scenes! We get to know Coach of the Field. You can see Katie got the Coaching Bug bad
Send us a textFriends of EddieThe second 1x1 feature rounding out Season 14 and, chosen by Jack, the film is THE FRIENDS OF EDDIE COYLE (1973). Directed by Peter Yates, whose career TGTPTU is unlikely to cover in a future 4x4 despite having Krull and Bullitt in his credits, TFOEC is an adaptation of George V. Higgins' inaugural novel and notable as a unromanticized depiction of crime in artistic response to The Godfather, the Puzo book and Coppola film each preceding, respectively, the book and movie versions of TFOEC by one year. Higgins would take issue with the book as his debut novel. The former deputy assistant attorney general claimed to have written and burned 14 novels over 17 years prior to TFOEC and would go on to author over 30 books, both fiction and nonfiction before his fatal heart attack in 1999, but none with the impact of his first. As seasonal guest host Jack points out, nearly all the dialogue in the film is as it is on the page, and the pages are dripping with dialogue that creates the setting and action for this ironic story of “friends” who double-cross and live less than glamorous lives as Irish mobsters and criminals in Boston. Yates populates the film with faces, faces that we don't see much anymore, distinct faces and every one telling a story, from the titular Coyle plated by Robert Mitchum who earlier in this life reluctantly left the assembly line to be an actor to actor Alex Rocco who starred as Moe Greene in The Godfather and helped Mitchum meet some of his old criminal friends whom Rocco had to leave behind after he (the actor Alex Rocco) was held for questioning in relation to the murder that kicked off the Boston Irish Gang War of the 1960s to James Tolkan before he'd lost his hair a decade prior to portraying Principal Strickland in the Back to the Future movies and Detective Hugh Lubic in the Cannon Films classic Masters of the Universe. For this episode, everyone did research: Jack and Thomas pair off for book report; Ryan covers the career of Mitchum; and Ken covers Yates and laments how now Hollywood lacks hacks as well as provides a new shaggy dog with The Pals of Charlie Brown. Make sure to wipe your prints clean on this one before listening with a friend. THEME SONG BY: WEIRD A.I.Email: thegoodthepodandtheugly@gmail.comFacebook: https://m.facebook.com/TGTPTUInstagram: https://instagram.com/thegoodthepodandtheugly?igshid=um92md09kjg0Bluesky: @goodpodugly.bsky.socialYouTube: https://www.youtube.com/channel/UC6mI2plrgJu-TB95bbJCW-gBuzzsprout: https://thegoodthepodandtheugly.buzzsprout.com/Letterboxd (follow us!): Podcast: goodpoduglyKen: Ken KoralRyan: Ryan Tobias
In this episode of The Tales From Hollywoodland Podcast, the crew explores the legendary career of Steve McQueen, the iconic actor known as The King of Cool. From his breakout roles in Bullitt, The Great Escape, and The Thomas Crown Affair to his lasting impact on Hollywood and pop culture, they discuss what made McQueen […] The post Steve McQueen: The King of Cool – Tales From Hollywoodland appeared first on The ESO Network.
In this episode of The Tales From Hollywoodland Podcast, the crew explores the legendary career of Steve McQueen, the iconic actor known as The King of Cool. From his breakout roles in Bullitt, The Great Escape, and The Thomas Crown Affair to his lasting impact on Hollywood and pop culture, they discuss what made McQueen a cinematic legend. Join us for a deep dive into his rebellious spirit, on-screen charisma, and the legacy he left behind in the world of film. Tales From Hollywoodland on Facebook https://www.facebook.com/talesfromhollywoodland Tales From Hollywoodland on Instagram https://www.instagram.com/talesfromhollywoodland/ We want to hear from you! Feedback is always welcome. Please write to us at talesfromhollywoodland@gmail.com and why not subscribe and rate the show on Apple Podcast, Spotify, iHeartRadio, PlayerFM, Pandora, Amazon Music, Audible, and wherever fine podcasts are found. #SteveMcQueen #KingOfCool #HollywoodLegend #ClassicCinema #Bullitt #TheGreatEscape #TheThomasCrownAffair #FilmIcon #MovieLegend #TalesFromHollywoodland #CinemaHistory #ActionStar #HollywoodStories #FilmIndustry #ClassicHollywood #IconicActor #MoviePodcast #LegendaryPerformances #RebelIcon
It's like, how much more cool could this be? And the answer is none. None more cool.
The guys dive into a classic 60's action hit starring the beloved Steve Mcqueen in Bullitt. Email: fourguysonefilm@gmail.comLetterboxd & TikTok: fourguysonefilm
In the 19th century, Kentucky's Mammoth Cave launched an entire, very competitive cave tourism industry in the area, In 1925, Floyd Collins was trapped in the cave system, which was the beginning of the end of the cave wars. Research: Algeo, Katie. "Mammoth Cave and the making of place." Southeastern Geographer, vol. 44, no. 1, May 2004, pp. 27+. Gale In Context: Science, link.gale.com/apps/doc/A119615129/GPS?u=mlin_n_melpub&sid=bookmark-GPS&xid=f1adfa5b. Accessed 29 July 2024. Bullitt, Alexander Clark. “Rambles in the Mammoth Cave, During the Year 1944, By a Visitor.” Louisville, KY. Morton & Griswold. 1945. Butler, Telia. “Throwback Thursday – The Kentucky Cave Wars.” WNKY News 40. 3/25/2201. https://www.wnky.com/throwback-thursday-the-kentucky-cave-wars/ Courier-Journal. “Cave Company is Cited by Dawson.” The Courier-Journal. 7/24/1927. https://www.newspapers.com/image/107046993/ Lanzendorfer, Joy. “Enslaved Tour Guide Stephen Bishop Made Mammoth Cave the Must-See Destination It Is Today.” Smithsonian. 2/6/2019. https://www.smithsonianmag.com/history/enslaved-tour-guide-stephen-bishop-made-mammoth-cave-must-see-destination-it-today-180971424/ McGraw, Eliza. “How the Kentucky Cave Wars Reshaped the State's Tourism Industry.” Smithsonian. 7/25/2023. https://www.smithsonianmag.com/history/how-the-kentucky-cave-wars-reshaped-the-states-tourism-industry-180982585/ Meloy, Harold. “Short Legal History of Mammoth Cave.” National Parks Service. https://npshistory.com/brochures/maca/short-legal-history.pdf "Mammoth Cave National Park." Britannica Library, Encyclopædia Britannica, 4 Sep. 2015. libraries.state.ma.us/login?eburl=https%3A%2F%2Flibrary.eb.com&ebtarget=%2Flevels%2Freferencecenter%2Farticle%2FMammoth-Cave-National-Park%2F50412&ebboatid=9265652. Accessed 29 Jul. 2024. National Park Service. “Early Native Americans.” Mammoth Cave. https://www.nps.gov/maca/learn/historyculture/native-americans.htm National Park Service. “Floyd Collins.” Mammoth Cave National Park. https://www.nps.gov/people/floyd-collins.htm National Park Service. “George Morrison.” Mammoth Cave National Park. https://www.nps.gov/people/george-morrison.htm National Park Service. “Prehistoric Cave Discoveries.” https://www.nps.gov/articles/000/prehistoric-cave-discoveries.htm National Park Service. “Stephen Bishop.” Mammoth Cave National Park. https://www.nps.gov/people/stephen-bishop.htm National Park Service. “The Kentucky Cave Wars.” Mammoth Cave National Park. https://www.nps.gov/articles/000/the-kentucky-cave-wars.htm National Park Service. “Tragedy at Sand Cave.” Mammoth Cave National Park. https://www.nps.gov/articles/000/tragedy-at-sand-cave.htm Ohlson, Kristin. “The Bransfords of Mammoth Cave.” American Legacy. Spring 2006. https://www.kristinohlson.com/files/mammoth_cave-2.pdf Schmitzer, Jeanne Cannella. “CCC Camp 510: Black Participation in the Creation of Mammoth Cave National Park.” The Register of the Kentucky Historical Society , Autumn 1995, Vol. 93, No. 4 (Autumn 1995). Via JSTOR. https://www.jstor.org/stable/23383772 Sides, Stanley D. and Harold Meloy. “The Pursuit of Health in the Mammoth Cave.” Bulletin of the History of Medicine , JULY-AUGUST 1971, Vol. 45, No. 4 (JULY AUGUST 1971). https://www.jstor.org/stable/44450082 Tabler, Dave. “The Kentucky Cave Wars.” Appalachian History. 4/19/2017. https://www.appalachianhistory.net/2017/04/kentucky-cave-wars.html Trowbridge, John. “The Kentucky National Guard and the William Floyd Collins Tragedy at Sand Cave.” 2/10/2021. Kentucky National Guard. https://ky.ng.mil/News/Article/2648067/the-kentucky-national-guard-and-the-william-floyd-collins-tragedy-at-sand-cave/ See omnystudio.com/listener for privacy information.