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Suivre l'actualité n'a jamais été aussi facile en 2022. Il existe tellement de sources d'informations disponibles du bout des doigts qu'il est compliqué de savoir où regarder. On fait un tour de table pour savoir ce que chacun d'entre nous consomme pour s'informer, que ce soit sur l'actualité générale, ou bien sur des sujets qui nous passionnent. Bonne écoute ! N'hésitez pas à partager votre avis sur ce sujet en laissant une note sur Apple Podcasts, ou en nous retrouvant sur la chaîne Youtube du podcast. --- Hasheur : https://www.youtube.com/c/Hasheur Yann Darwin : https://www.youtube.com/c/YannDarwin Grand Angle : https://www.youtube.com/c/GrandAngle2017 Hugo Décrypte : https://www.youtube.com/c/HugoD%C3%A9crypte The Verge : https://www.youtube.com/c/TheVerge Tech&Co : https://www.youtube.com/c/techandcofr LaPresse : https://www.lapresse.ca/ Le Monde : https://www.lemonde.fr/ David Alan Harvey : https://www.davidalanharvey.com/ Graham Stephan : https://podcasts.apple.com/us/podcast/the-graham-stephan-show/id1481477992 Bruno Guglielminetti : https://moncarnet.blog/ Monde Numérique de Jérôme Colombain : https://www.mondenumerique.info/ --- Notre Discord : https://discord.gg/BfwSEuHJ4d Liste du matériel qu'on utilise pour le podcast : https://kit.co/florianbeaufreton/podcast-setup N'hésitez pas à vous abonner et à nous suivre sur les réseaux sociaux pour ne pas rater les prochains épisodes. --- Vous souhaitez sponsoriser Dans La Poche ou nous proposer un partenariat ? Contactez-nous par email à danslapochepodcast@gmail.com
Se me antoja difícil transmitirte el impacto que el invitado de hoy - con el que arranca la segunda teporada de Calle Oscura - ha tenido en mi vida. Recuerdo perfectamente la primera vez que sostuve en mis manos uno de sus libros, era un ejemplar de Fotografía de Viajes (https://amzn.to/3uFU6Iq) que encontré en una estantería de una biblioteca pública hace un buen puñado de años. Me lo llevé a casa y lo devoré de principio a fin tan fascinado por las imágenes como por las palabras. Con aquel pequeño volumen aprendí muchas cosas, una de las más valiosas que es posible enseñar divirtiendo. Entonces ni lo sospechaba, pero aquel libro de color amarillo anaranjado acabaría por convertirse en una de las semillas de lo que ha acabado siendo mi vida. En todos estos años Tino Soriano no ha dejado de enseñarme e inspirarme. Es uno de los pocos fotógrafos con los que en algún momento me dije aquello de “yo quiero hacer esto”, antes de entender que cuando tienes la suerte de descubrir a grandes como él lo mejor es subirse a sus hombros para encontrar tu propio camino. En este episodio hablamos de - La conveniencia de olvidarse de la cámara de vez en cuando. - Esa parte menos visible - y también mucho menos agradecida - del trabajo de reportero. - Compatibilizar encargos y trabajo personal. - La transición de la fotografía analógica a la digital. - Todo lo que nos puede enseñar los lugares que conocemos bien. - Cómo disfrutar de los lugares que visitamos. - Viajar bien. - Dedicar tiempo a las personas con las que nos cruzamos. - Que la fotografía es el resultado de la experiencia. - Y una excusa para compartir nuestra vida. Entre muchas, muchas cosas más, y es que tantas décadas de carrera profesional dan para un buen puñado de lecciones que Tino comparte con todos nosotros. Quién me acompaña Tino Soriano nació en Barcelona en 1955 y vive cerca del lago de Banyoles, un lugar que en sus propias palabras le ha enseñado mucha fotografía y al que recientemente ha dedicado BanyolesSpeculum, uno de sus, por ahora, veinte libros. Fotógrafo y comunicador, el trabajo de Tino ha sido reconocido por la Unesco, la Real Sociedad Fotográfica y las organizaciones del World Press Photo y el Premio Nacional Piedad Isla, entre otras muchas entidades que componen una lista interminable. Pensad en una publicación relevante y Tino habrá publicado en ella sin lugar a dudas: Geo, Altair, El País Semanal, Time Magazine, Paris Match, Der Spiegel… Y sí, también en National Geographic, de la que se enamoró de pequeño en casa de su padrino, con la que trabaja desde hace más de 20 años y que lo ha reconocido como docente experto. Encuentra y descubre más cosas de Tino: - En su web: https://www.tinosoriano.com/ - En las estanterías de las mejores librerías (tienes algunos de sus libros unas líneas más abajo). - En su perfil de Instagram: https://www.instagram.com/tinosoriano/ Referencias y enlaces Autores - Agustí Centelles. - Alex Webb. (https://jotabarros.com/mejora-fotografia-calle-street-photography-alex-webb/) - Andoni Candela. - Ansel Adams. (https://jotabarros.com/libro-400-fotografias-ansel-adams-anaya-photo-club/) - César Lucas Abreu. - Colita. - Cristina García Rodero. (https://jotabarros.com/grandes-fotografias-cristina-garcia-rodero/) - David Alan Harvey. - Edward Weston. - Emilio Morenatti. (https://jotabarros.com/grandes-fotografias-emilio-morenatti-afganistan-2008/) - Francesc Catalá Roca. - Gerardo Vielba. - Henri Cartier-Bresson. (https://jotabarros.com/curso/monografico-henri-cartier-bresson/) - Isabel Muñoz. - José Manuel Navia. (https://jotabarros.com/aprende-de-jose-manuel-navia/) - Juan Manuel Castro Prieto. - Oriol Maspons. - Oriol Alemany. - Richard Avedon. - Robert Doisneau. - Samuel Aranda. - Steve McCurry. (https://jotabarros.com/steve-mccurry-no-me-emociona/) - William Albert Allard. (https://jotabarros.com/grandes-fotografias-william-albert-allard-henry-gray-1970/) - Xavier Miserachs. Trabajos - Ayúdame a Mirar. (https://amzn.to/3ovvPnj) - BanyolesSpeculum. (https://www.tinosoriano.com/es/llibres/veure/BanyoleSpeculum) - CurArte. (https://amzn.to/2Yk4gTq) - El Libro de la Fotografía Creativa, de John Hedgecoe. (https://amzn.to/3ledQjk) - Fotografía con una Sonrisa. (https://amzn.to/3iT18VF) - Ligeramente Desenfocado, de Robert Capa. (https://amzn.to/3oB0waO) - Los Colores y Tú. (https://amzn.to/3iBzOe6) Muchas gracias por tu escucha Si te ha gustado este capítulo de Calle Oscura, deja tu valoración positiva en Ivoox, Apple Podcast y Spotify, donde también puedes encontrar este podcast. No olvides suscribirte a través de cualquiera de esas plataformas para no perderte ningún episodio. Por favor, comparte este contenido entre tus redes para que llegue a más gente, puede suponer una gran diferencia. Muchas gracias por estar ahí, al otro lado. Muy pronto, más Calle Oscura. Hasta entonces, nos vemos en la calle. Jota.
How to Become a Happier Photographer Question: Why have I never met a happy photographer? Especially on the upper-echelon levels (Magnum). It seems that all these photographers are perpetually dissatisfied (in a pessimistic, bad way). Certainly happiness isn't the end of life, but it is a good stimulus for our photographic progress. Some thoughts: 1. What is detrimental to our happiness? The first thought: What is the greatest detriment to our personal happiness as photographers? I say social media. Practical via negativa thought: The best thing you can do to grow as a photographer is to figure out what makes us unproductive and miserable. Namely, delete Instagram. 2. De-metricate yourself Do numbers exist for the sake of humans, or do humans exist for the sake of numbers? The algorithm don't have the answers. An algorithm is simply an equation in which a (often very nerdy) individual creates weights to say: These are the supreme values. For example on social media, to get more likes and followers is the apex. It goes to the American attitude: More is better. But is this true? No. Otherwise McDonalds would be the #1 Restaurant in the world. Or a Honda Accord is probably the 'best' car. But what do we desire? To become more exclusive. 3. Who do you care to impress? Certainly we first strive to impress ourselves, then others (a small group of others). For example, when I did a Magnum Workshop with David Alan Harvey and Constantine Manos, I will never forget: When David Alan Harvey was scrolling through my 'SUITS' project, he paused when looking at one of my photos and said: "THAT IS A GREAT PHOTO" (then proceeded). To me this was worth 100000x more than getting a trillion likes on Instagram or Social Media. So the question: Who are you trying to impress? 4. Inter-Pares It seems we only want to impress our equals. This is why I don't really care for the critical feedback of my street photos from non-street photographers. Similarly speaking, better to impress 1 Magnum Photographer than 1 billion random people online. It is a lie to say that we don't care what others think about our artwork (photos). Rather, we want to figure out who are the few people we are trying to impress. 5. What is happiness? What is happiness? It is a sense that we are progressing and advancing. For example, who is happier? A billionaire who overnight becomes a millionaire, or a homeless person who wins a million dollars overnight? The fall hurts 1000x more than the come-up. This is where the notion 'ASAP' (always strive and prosper) is good. And the notion 'Stay hungry, stay foolish'. Once you lose your appetite for growth and progression, then what? Nothing.
Unfold, a layout templating app owned by Squarespace, contacted queer photographer Ryan James Caruthers to use 12 of his photos for a Pride Month Instagram feature. When he asked for compensation and to not exploit him especially for Pride, one of the co-founders responded that "I strongly disagree with the sentiment that any effort that doesn't include a dollar sign is 'exploitative.'"After a flurry of reshares and negative press, Unfold reconsidered their position, apologized, and announced that they would be compensating photographers in the future.Also: Photojournalist Alicia Vera pens an op/ed in the Washington Post about being sexually harassed by David Alan Harvey, the NYT hires 15 photographers under 25 to capture NYC in the month of May, Instagram sheds some light on their algorithm, and iOS 15 will finally allow you to block exes from appearing in your photo memories.
¿Se puede separar al artista de su obra? ¿Y al artista de la persona? ¿Deben pagar los artistas por sus conductas u opiniones inmorales? Volvemos al Taller de CTXT para grabar nuestro segundo programa con público. Hablamos de artistas cancelados —Picasso, Gauguin, Dalí, David Alan Harvey— y de artistas que luchan por cambiar las cosas: Emma Sulkowicz, Michelle Hartney, Hannah Gadsby
Nanna Heitmann (b. 1994 in Ulm, Germany) is a German/ Russian documentary photographer, currently based in Moscow, Russia.Her work often deals with issues of isolation – physical, social and spiritual – as well as the very nature of how people react to and interact with their environs. Nanna has received awards that include the Leica Oscar Barnack Newcomer Award and the Ian Parry Award of Achievement and has been listed on The 30: New and Emerging Photographers to Watch 2020.Nanna’s work has been published by National Geographic, TIME Magazine, M Le Magazine du Monde, De Volkskrant, Stern Magazine and she has worked on assignments for outlets including The New York Times, TIME Magazine, The Washington Post and Stern Magazine.Nanna joined Magnum Photos as a nominee in 2019.On episode 146, Nanna discusses, among other things:How she first got into photographyWeg vom FensterHiding from Baba YagaRussian melancholyGoing from college to Magnum Photos in one moveHer coverage of the Covid story in Moscow and in more remote regionsUtrish and connection to nature and remote communitiesThe pressure of being a Magnum nomineeReferenced:William Albert AllardEmeson Lake & PalmerAlex MajoliLorenzo MeloniYuri KosyrevAndrei PolikanovAllesandra Sanquenetti Website | Instagram | Facebook Links relating to Magnum Photos controversy:FStoppers piece on the latest developments in the ongoing Magnum Photos controversy, as mentioned in the podcast intro.Guardian piece on the initial story: Magnum reviewing archive as concerns raised about images of child sexual exploitation.Guardian piece a week later on David Alan Harvey’s suspension: Magnum suspends photographer over harassment claim.CJR piece by Kristen Chick: Magnum’s Moment of Reckoning.Magnum’s statement in response.Statement calling for collective accountability against sexual harassment in photography by 647 signatoriesMagnum’s newly released code of conduct.“As soon as you start paying attention to wanting to be part of a club, or to proving something to someone else, I think that’s really blocking yourself.”
Antes de entrar en matería os recordamos que Camaralia sigue aguantándonos como patrocinadores*, y por eso os recomendamos (y obligamos) a que los visitéis. Suena a amenaza, y si, lo es. Pero amenaza porque sois tontos si no lo hacéis... Con la cantidad de ofertas y servicios que os tienen preparados; seriáis unos insensatos sino os pasárais a saludarlos. Sobre todo de cara a estas Navidades !!! www.camaralia.comEpisodio de HOY Último episodio del año y hacemos un balance este año 2020 dentro de noticias fotográficas (no de cacharreo) que han acontencido este año tan movido. Con muchas críticas, muchos agradecimientos y chorradas... este repaso nos lleva hasta la moda de Photolari, sin dejar pasar por temas tan peliagudos como David Alan Harvey. Así hasta 12. Los 12 Campanazos de Photolari en este 2020. Enlaces del Podcast photolaripodcast@gmail.com Twitter de Photolari https://twitter.com/Photolari Twitter Rodrigo https://twitter.com/RodrigoRivasPHInstagram Rodrigo https://www.instagram.com/rodrigorivasph/*acuerdo de patrocinio entre Camaralia y Photolari
In this first episode of the new season, we talk to Erich Hatala Matthes, associate professor of philosophy at Wellesley College, Massachusetts, US—who’s writing a book on immoral artists—about how useful the notion of “cancelling” may be. With The Art Newspaper’s correspondent Tom Seymour and the photographer and lecturer Lewis Bush we explore the cases of Martin Parr and David Alan Harvey, two photographers whose activities have recently come under scrutiny. And, In this episode’s Work of the Week, the artist Tavares Strachan talks about Robert Smithson’s seminal earthwork from 1970, the Spiral Jetty. See acast.com/privacy for privacy and opt-out information.
En este programa Oscar y Ulises hablan sobre el nuevo error de Kodak, el caso del fotógrafon David Alan Harvey y su posible expulsión de Magnum Photos, el dron que se pudo estrellar con el avión más famoso del mundo, Instagram en el 2020 y mucho más.
En este programa Oscar y Ulises hablan sobre el nuevo error de Kodak, el caso del fotógrafon David Alan Harvey y su posible expulsión de Magnum Photos, el dron que se pudo estrellar con el avión más famoso del mundo, Instagram en el 2020 y mucho más.
This week in the photo news there is only a small amount less of Magnum but Chris manages to bring them up again with the story of David Alan Harvey and the allegation of harassing a female colleague. Chris also talks about Winnie Au and her photography, mental health in the arts and the amazing Chris Marker. Rob dredges up more legal stuff with Buzzfeed and Greg Mango's image and his weekly Sony news.
David Alan Harvey ist ein Großer des Fotojournalismus. Die Agentur Magnum hat nun aus ihrer Datenbank seine Fotos gelöscht - die minderjährige Prostituierte zeigen. Deren Schutz habe Vorrang vor der Kunst, sagt Fotografieprofessorin Karen Fromm. Karen Fromm im Gespräch mit Max Oppel www.deutschlandfunkkultur.de, Kompressor Hören bis: 19.01.2038 04:14 Direkter Link zur Audiodatei
In questo video parlo di un caso che sta coinvolgendo la nota agenzia fotografica Magnum Photos. Caso pubblicato sul sito internet Fstoppers. Chi lo desidera può leggere l'articolo qui: https://fstoppers.com/originals/magnum-photos-needs-close-down-until-it-can-answer-these-questions-505078 Le accuse farebbero riferimento in particolare ad un servizio sulla prostituzione minorile realizzato nel 1989 a Bagkok da David Alan Harvey. Nelle immagini, ora tolte dal sito dell'agenzia, venivano mostrate bambini/adolescenti che secondo Andy Day che ha scritto l'articolo, foto di bambini in comportamenti esplicitamente sessuali. Il tema è molto delicato e andrebbe affrontato nelle sedi più opportune, ma crediamo che quanto stia accadendo porti comunque alla luce diversi paradossi che affliggono la fotografia e in particolare in foto giornalismo. Per chi fosse interessato riporto le indicazioni dell'UNICEF in merito alla fotografia di minori: https://www.unicef.org/eca/media/ethical-guidelines --- Send in a voice message: https://anchor.fm/riflessionifotografiche/message
Happy Thanksgiving everyone. I have so much gratitude for this show and the opportunity to have long talks with such legendary creatives like my conversation from way back on episode #38 with Magnum Photographer and all around inspiring artist David Alan Harvey. Enjoy the holiday......and find a moment to be grateful. To Learn More About David Alan Harvey Visit: https://www.davidalanharvey.com And Follow Him on Instagram At: https://www.instagram.com/davidalanharvey/ To Learn More About Visual Revolutionary Visit: http://www.visualrevolutionary.com And Follow on Instagram At: https://www.instagram.com/visualrevolutionary/
Web y cursos: http://robertomasfoto.com Youtube: youtube.com/derozer10 Instagram @robertomasf
Legendary magnum photographer, teacher, and friend of the show David Alan Harvey returns to talk about not overlooking the surroundings of your own local environment while you wait to photograph dream destinations, dealing with gear acquisition syndrome aka G.A.S., and how he's managed to keep a child like wonderment of photography after all these years. Make sure to check out David's original biographical conversation (episode #38 of the podcast) to hear the complete backstory of his career, which has remained one of the most popular episodes to date. During this shorter conversation David continues to push the message of having something to say with your photography, sometimes simplifying your gear and getting out of your own way, and some of the common mistakes he sees younger photographers making. Check out David's work at https://www.davidalanharvey.com To Learn More About Visual Revolutionary Visit: http://www.visualrevolutionary.com And Follow on Instagram at: https://www.instagram.com/visualrevolutionary/
Welcome to the MUSEA Podcast! This episode features documentary family photographer Kirsten Lewis. In this conversation, we talk about Kirsten's approach to documenting families, how she creates images that talk about real family life, the trajectory of the family photography industry, where she's at in her upcoming photo book and what she learned from David Alan Harvey. See her website at http://www.kirstenlewisphoto.com/ Follow her on Instagram at https://www.instagram.com/kirstenLphotog/ Support the podcast at http://patreon.com/musea
In this podcast we sit fireside with the legendary David Alan Harvey in his Nags Head home as we learn about his philosophy and approach to photography.
Magnum legend David Alan Harvey was born in San Francisco in 1944 and raised in Virginia. He discovered photography at the age of eleven. Thereafter he purchased a used Leica with savings from his newspaper route and began photographing his family and neighborhood in 1956. When he was twenty, he lived with and documented the lives of a black family in Norfolk, Virginia, and the resulting book, Tell It Like It Is, was published in 1968 (and recently republished by Burn Books). David was named Magazine Photographer of the Year by the National Press Photographers Association in 1978. He went on to shoot over forty essays for National Geographic magazine and has covered stories around the world, including projects on French teenagers, the Berlin Wall, Maya culture, Vietnam, Native Americans, Mexico, Naples, and Nairobi. He has published two major books based on his extensive work on the Spanish cultural migration into the Americas, Cuba and Divided Soul, and his book Living Proof (2007) deals with hip-hop culture. In 2011, David produced an award-winning book of his work from Rio De Janeiro entitled (based on a true story), which was highly acclaimed for both the photography and its innovative design by David's son, filmmaker Bryan Harvey. The entire creative process during the shoot was documented on the website theriobook.com, where for $1.99 you could (and still can!) effectively attend a virtual workshop to gain an invaluable insight into David's working practices and benefit from his many years of teaching and mentoring. His work has been exhibited at the Corcoran Gallery of Art, the Nikon Gallery, the Museum of Modern Art in New York, and the Virginia Museum of Fine Arts. Workshops, seminars and mentoring young photographers are an important part of his life. He is founder and editor of the award-winning Burn magazine, featuring iconic and emerging photographers in print and online. David joined Magnum photos as a nominee in 1993 and became a full member in 1997. He lives in The Outer Banks, North Carolina and New York City.
Today's episode was recorded live over YouTube. Paul & Michael share their views on The Photography Show 2017, David Alan Harvey, Nikon’s poor showing on the exhibition floor and what this means for them and so much more. Also, Paul receives a package delivery during recording! What could it be? For more content from Camera Aspects be sure to subscribe here on YouTube and head on over to iTunes, where we have more content for you to enjoy! Camera Aspects Website: www.CameraAspects.com Camera Aspects in iTunes: Camera Aspects Facebook: https://www.facebook.com/groups/cameraaspects/ Camera Aspects Instagram: https://www.instagram.com/cameraaspects/ Camera Aspects Twitter: https://twitter.com/cameraaspects Your hosts for today were Paul Griffiths: Michael Rammell Music: Sexy by BENSOUND http://www.bensound.com/royalty-free-... Creative Commons — Attribution 3.0 Unported— CC BY 3.0 http://creativecommons.org/licenses/b... Music provided by Audio Library https://youtu.be/G4EVKv0zSG8
On this episode of the podcast we get the chance to sit down with legendary Magnum photographer David Alan Harvey and talk about the universal language of photography and those who have risen to the level of poets. His love for this language started at a very early age. As a child, stricken with polio and confined to hospital wards, David spent a lot of time looking through books and magazines, experiencing what was going on in the outside world through photographs. He also had a lot of time to search the depths of his developing personality and passions and get a head start on knowing who he was and what he wanted to be. It wasn't until later though, while on a camping trip at the age of 12, that David looked out of his tent one morning and wondered why he didn't have a camera to capture the beautiful scene he was staring at. From that moment on, David would pursue the art of photography and would stop at nothing less than achieving the dreams he had started to envision. From his early days as a newspaper photographer, working under another legend in the photo world Rich Clarkson, to his 7 years as a staff photographer with National Geographic, to finally finding his home with Magnum, David has traveled the world many times over trying to tell the human story. He's won countless awards, published a huge list of books, and has been featured in galleries around the world, but he's still not satisfied and he's definitely not done. We talk about what has kept him inspired and motivated for all these years, what advice he gives to others about creating work that matters, and where he pulls the most inspiration from. So enjoy our conversation with a photography icon. To Learn More About David Alan Harvey Visit: http://www.davidalanharvey.com To Learn More About Burn Magazine Visit: http://www.burnmagazine.org About Visual Revolutionary: http://www.visualrevolutionary.com Because we are interested in people's story, and not what type of gear they use, we introduce a new much needed podcast in the world of photography and filmmaking. Featuring in-depth conversations with some of the world's leading photographers, filmmakers, and other visual artists, we are bringing you the backstory on how they got to where they are today.
In this episode, Jordan Weitzman sits down with Magnum photographer David Alan Harvey at his beachside home in the Outer Banks of North Carolina. See acast.com/privacy for privacy and opt-out information.
Born in San Francisco, David Alan Harvey was raised in Virginia. He discovered photography at the age of 11. Harvey purchased a used Leica with savings from his newspaper route and began photographing his family and neighborhood in 1956. When he was 20 he lived with and documented the lives of a black family living in Norfolk, Virginia, and the resulting book, Tell It Like It Is, was published in 1966. He was named Magazine Photographer of the Year by the National Press Photographers Association in 1978. Harvey went on to shoot over forty essays for National Geographic magazine. He has covered stories around the world, including projects on French teenagers, the Berlin Wall, Maya culture, Vietnam, Native Americans, Mexico and Naples, and a recent feature on Nairobi. He has published two major books, Cuba and Divided Soul, based on his extensive work on the Spanish cultural migration into the Americas, and his book Living Proof (2007) deals with hip-hop culture. His work has been exhibited at the Corcoran Gallery of Art, the Nikon Gallery, the Museum of Modern Art in New York, and the Virginia Museum of Fine Arts. Workshops and seminars are an important part of his life. Harvey is founder and editor of the award-winning Burn magazine, featuring iconic and emerging photographers in print and online. Harvey joined Magnum as a nominee in 1993 and became a full member in 1997. He lives in NC and NYC. Resources: David Alan Harvey Luc Delahaye Carolyn Drake Matt Black Burn Magazine Download the free Candid Frame app for your favorite smart device. Click here to download for . Click here to download Click here to download for Support the work we do at The Candid Frame with contributing to our Patreon effort. You can do this by visiting or visiting the website and clicking on the Patreon button.
David Ingraham is a Los Angeles based photographer and musician. His work has been presented in numerous publications such as the Los Angeles Times, Black & White Magazine, American Photo Mag.com, Time.com, as well as David Alan Harvey’s Burn Magazine. His work has been exhibited worldwide, from Paris and Istanbul, New York and Toronto, to Los Angeles. David has made the iPhone his camera of choice for the last five years. Resources: David Ingraham Jacob Aue Sobol Download the free Candid Frame app for your favorite smart device. Click here to download for . Click here to download Click here to download for Support the work we do at The Candid Frame with your donations via PayPal. https://www.paypal.com/us/cgi-bin/webscr?cmd=_flow&SESSION=4PdRY93chjLOF3xVtD6r3m5jKwOdQjYvdfzjVNrldMrTZB1mE-_qwo6onY8&dispatch=5885d80a13c0db1f8e263663d3faee8defcd6970d4fd9d661117ac2649af92bb