Podcasts about World Press Photo

L'exposition Electrorama donne le ton de Fiesta, thématique de l'édition 2025 de Lille 3000, la grande manifestation culturelle dans le Nord de la France. Une immersion visuelle et sonore dans l'univers des nuits techno françaises et belges, deux pays de transes collectives historiques depuis les années 80. Un pied de nez à un monde en crise. Danser pendant que la planète tangue, c'est dans ce vertige entre urgence climatique, instabilité politique et besoin vital de lâcher prise que Fiesta, installe son tempo à Lille 3000. Une manière, selon les organisateurs, de « rester debout » là où tout vacille. Parmi les temps forts de la manifestation, figure Electrorama.  Conçu comme un voyage dans les marges de la techno, l'événement met en lumière un territoire nocturne celui de la fête ou l'insouciance devient un acte de résistance. Clubs, parkings, champs, festivals autant de lieux qui basculent dans un ailleurs halluciné, juste derrière les portes de la nuit. À l'origine des images, Nikita Teryoshin. Photojournaliste russe aujourd'hui exilé en Allemagne, il a été primé par le World Press Photo en 2020 pour son travail sur les coulisses de la guerre. Il s'attaque ici à un tout autre champ de bataille : l'univers  du dancefloor. Son objectif saisit les corps en mouvement, les visages troublés, les torses tatoués, les règles renversées. « Il capture des moments de communion », résume Audrey Hoareau, commissaire de l'exposition. « L'intensité, la diversité, et parfois la fragilité des scènes électro transfrontalières. » Au-delà des clichés grand format, Electrorama, enveloppe le visiteur. Beats envoûtants, lumières saturées, ambiance hypnotique, Lille 3000 devient une rave-party dans laquelle on entre à la fois en tension et en transe intergénérationnelle. Electrorama, exposition jusqu'au 6 juillet 2025 à l'Espace Le Carré, dans le cadre de Lille 3000.

L'exposition Electrorama donne le ton de Fiesta, thématique de l'édition 2025 de Lille 3000, la grande manifestation culturelle dans le Nord de la France. Une immersion visuelle et sonore dans l'univers des nuits techno françaises et belges, deux pays de transes collectives historiques depuis les années 80. Un pied de nez à un monde en crise. Danser pendant que la planète tangue, c'est dans ce vertige entre urgence climatique, instabilité politique et besoin vital de lâcher prise que Fiesta, installe son tempo à Lille 3000. Une manière, selon les organisateurs, de « rester debout » là où tout vacille. Parmi les temps forts de la manifestation, figure Electrorama.  Conçu comme un voyage dans les marges de la techno, l'événement met en lumière un territoire nocturne celui de la fête ou l'insouciance devient un acte de résistance. Clubs, parkings, champs, festivals autant de lieux qui basculent dans un ailleurs halluciné, juste derrière les portes de la nuit. À l'origine des images, Nikita Teryoshin. Photojournaliste russe aujourd'hui exilé en Allemagne, il a été primé par le World Press Photo en 2020 pour son travail sur les coulisses de la guerre. Il s'attaque ici à un tout autre champ de bataille : l'univers  du dancefloor. Son objectif saisit les corps en mouvement, les visages troublés, les torses tatoués, les règles renversées. « Il capture des moments de communion », résume Audrey Hoareau, commissaire de l'exposition. « L'intensité, la diversité, et parfois la fragilité des scènes électro transfrontalières. » Au-delà des clichés grand format, Electrorama, enveloppe le visiteur. Beats envoûtants, lumières saturées, ambiance hypnotique, Lille 3000 devient une rave-party dans laquelle on entre à la fois en tension et en transe intergénérationnelle. Electrorama, exposition jusqu'au 6 juillet 2025 à l'Espace Le Carré, dans le cadre de Lille 3000.

Intrattenimento e informazione, musica e cultura: tutto questo è Radio Vaticana con Voi! Anche oggi 4 ore insieme per iniziare la giornata con numerosi ospiti! Protagonisti gli ascoltatori, come ogni giorno! Intervieni in diretta tramite WhatsApp al numero 335 1243 722 Gli ospiti di oggi in ordine di presenza: Cinzia Cannaro, fotografa vincitrice del World Press Photo 2025; Raul Caruso , professore ordinario di politica economica presso l'Università Cattolica del Sacro Cuore, ha fondato la cattedra di Economia della Pace presso la stessa Università; direttore del CESPIC (Centro europeo di scienza della pace integrazione e cooperazione) a Tirana; Sara Mombelli , dottoressa in Relazioni internazionali presso l'Università Cattolica del Sacro Cuore, dottoranda in Studi sulla Pace, curriculum di Economia della Pace; Mirko Pagani, coordinatore Fondazione L'Albero per la Vita; Antonino Cottone, reliquiarista; Giovanni Carrosio , sociologo; Stefano Consiglio , presidente Fondazione Con il Sud; Giuseppe Paglialonga , parroco a San Cassiano; Roberto Gualtieri , sindaco di Roma; monsignor Rino Fisichella , pro-prefetto del Dicastero per l'evangelizzazione; Giancarlo Penza coordinatore servizio anziani di Sant'Egidio. Conducono Andrea De Angelis e Silvia Giovanrosa A cura di Andrea De Angelis e Silvia Giovanrosa Hanno collaborato le colleghe ed i colleghi Francesco De Remigis, Robert Attarian, Alessandro Guarasci, Tiziana Campisi, Paolo Ondarza e Greta Giglio Tecnici del suono Daniele Giorgi e Alberto Giovannetti

El fot

Welcome to a new episode of De Donkere Kamer podcast! This episode features none other than Lucy Conticello, the director of photography at M, Le Monde's weekend magazine. Lucy has an impressive international career: she started as an assistant at the Italian Libéral, studied photography in Maine as well as archaeology and art history in Rome. In the podcast, she takes you through her wanderings from Italy to the US and France, but most of all through her passion for photography - not behind the camera, but as an editor.Together, Kaat and Lucy dive into the world of photojournalism, discuss the role and ethics of the photo editor, and talk about the great responsibility and challenges within the industry, such as the impact of AI, copyright, and the need for in-depth storytelling in an image-saturated world. Lucy talks candidly about the dynamics of working at Le Monde, her experiences as jury chair at the World Press Photo Awards, and her insights on the future of photography and the importance of young talents.Be inspired by Lucy's vision of visual storytelling, the power of collaboration, and the human side of photography. Whether you are a photographer, editor, journalist or just an enthusiast, this episode is packed with personal stories, professional tips and a look behind the scenes of the international photography world.website van De Donkere Kamer: www.donkerekamer.cominstagram De Donkere Kamer: @dedonkerekamer_bemasterclasses: donkerekamer.com/masterclasseswebsite Le Monde: https://www.lemonde.fr/m-le-mag/website World Press Photo: https://www.worldpressphoto.org/instagram Lucy: @lucyconticello

Het zonlicht schijnt door een raam op het gezicht van de 9-jarige jongen Mahmoud die voor zich uitstaart. Hij mist twee armen en zijn ribben zijn zichtbaar. Het is de winnende World Press Photo van fotograaf Samar Abou Elouf. Haar ogen vertelden door de lens van haar camera één van de vele verhalen die tot ons komen in de oorlog tussen Hamas en Israël. In Podcast de Dag vertelt fotojournalist Ilvy Njiokiktjien wat deze foto zo indrukwekkend maakt. Ze heeft contact met fotografen in Gaza en weet in welke omstandigheden zij hun werk doen. Het wordt steeds moeilijker om te laten zien wat daar gebeurt. Journalisten wordt het werken moeilijk gemaakt en zijn een doelwit voor het Israëlische leger, volgens de Internationale Federatie van Journalisten (IFJ). En toch bereiken de verhalen over bombardementen, honger en verwoesting ons. Correspondent Nasrah Habiballah legt uit wie haar ogen in Gaza zijn en hoe moeilijk het is om een beeld te vormen van het leven in Gaza. Ondanks al die foto's en video's die op ons af komen en zoveel Palestijnse journalisten die proberen te vertellen hoe het eraan toe gaat, blijven er plekken over waar niemand een blik op werpt. Reageren? Mail dedag@nos.nl Presentatie en montage: Marco Geijtenbeek Redactie: Sid van der Linden

O quotidiano de Ana Maria Jeremias, uma mulher angolana que é empregada de limpezas em Portugal, valeu à fotógrafa portuguesa Maria Abranches um prémio na categoria Histórias na Europa, no prestigiado concurso World Press Photo. Um quotidiano invisível, onde Ana Maria enfrentou a exploração e o racismo, e que a fotógrafa Maria Abranches quis dar a conhecer. Todos os dias, de madrugada, um pouco por todas as grandes capitais do Mundo, muitas mulheres levantam-se antes de ser dia para iniciar uma jornada de trabalho que se termina ainda antes da maior parte da população acordar para tomar o pequeno-almoço.Muitas delas são imigrantes e muitas delas são negras. A fotógrafa Maria Abranches quis contar a história de uma destas mulheres, Ana Maria Jeremias, uma angolana trazida para Portugal ainda criança para trabalhar na casa de uma família portuguesa em condições indignas e que hoje trabalha como mulher de limpezas em várias casas em Lisboa.Com o seu ensaio "Maria", premiado entretanto na categoria Histórias na Europa, pelo prestigiado concurso World Press Photo, Maria Abranches dá visibilidade ao trabalho invisível de muitas mulheres."Nós todos, no fundo, sabemos que a sociedade funciona dessa forma, mas não nos deparamos com isso no nosso dia a dia. Uma coisa que me surpreendeu muito e não devia surpreender é quando ia acompanhar a Ana nos transportes às quatro ou cinco da manhã, a maior parte dos passageiros são mulheres e, no fundo, o trabalho de limpar o mundo é uma coisa que acontece nos bastidores da sociedade, em horas em que as outras pessoas não circulam e eu acho que isso foi das coisas mais marcantes. A ideia foi, então, dar uma visibilidade a este trabalho invisível", disse a fotógrafa em entrevista à RFI.A imigração vinda das antigas colónias e a história colonial têm marcado a carreira de Maria Abranches, mas também a sua história familiar, levando a fotógrafa a tratar estes temas nos seus trabalhos."Acho que tive a sorte ou a coincidência que as primeiras oportunidades que me surgiram estarem relacionadas com esses temas. Um dos primeiros trabalhos que fiz foi para a realizadora Graça Castanheira e fui fazer um making of de um filme documental chamado "Pele Escura". Isso fez-me despertar para certas questões e também porque o meu pai foi soldado na Guerra do Ultramar, esteve no Uíge, em Angola, e foi uma pessoa que ficou profundamente marcada pela guerra porque foi contrariado, não concordava com nada das políticas coloniais. Isso foi sempre um tabu. Em casa, não se falava. E eu sinto que procurava respostas enquanto criança e, agora, já na vida adulta", explicou.O ensaio "Maria" demorou mais de quatro meses a ser fotografado e resultou num livro que Maria Abranches publicou no último domingo. Um "diário" do quotidiano de Ana Maria Jeremias com as fotografias deste ensaio, mas também fotografias antigas e ainda testemunhos marcantes sobre imigração, exploração e racismo.

Conocemos el ambiente en Roma días antes del funeral del Papa Francisco con la periodista Esther Puisac. Saludamos a dos fotógrafos españoles que se hacen hueco entre los premiados del World Press Photo. La falta de transportistas abre el debate de la reducción de la edad de acceso al carnet de conducir y la tecnología podría ayudarnos a prevenir accidentes. Además, Benjamín Gaya anota las lecciones antropológicas que nos deja la serie ‘El cuento de la criada'.

Neste episódio ouves a fotógrafa documental Maria Abranches sobre «Maria», um dos trabalhos vencedores do World Press Photo 2025, desenvolvido na Masterclass NARRATIVA.«Maria», que já tinha sido distinguido no Prémio Novos Talentos FNAC e Cortona On The Move, conta uma história comum a inúmeras mulheres, cujo contributo silencioso construiu, moldou e sustenta o mundo como o conhecemos.O livro homónimo, que dá a conhecer a plenitude do trabalho, é lançado no último evento do CICLO NARRATIVA 2025, no dia 27 de Abril, às 19h.Guião e moderação de Bárbara Monteiro Edição de som de Bárbara Monteiro Jingle de António QuintinoDesign de Alex Paganelli

Snímek chlapce z Gazy, který přišel při izraelském leteckém útoku o obě ruce, se stal nejlepší fotografií letošního ročníku World Press Photo. Nijak dramatický portrét malého kluka s pahýly místo rukou mlčky připomíná utrpení civilních obyvatel Gazy právě v době, kdy se tam situace ještě zhoršuje.Všechny díly podcastu Názory a argumenty můžete pohodlně poslouchat v mobilní aplikaci mujRozhlas pro Android a iOS nebo na webu mujRozhlas.cz.

Tantissime sono le analisi e le opinioni sull'incontro tra Meloni e Trump alla Casa Bianca, tra chi ci vede un successo e chi scrive "sotto l'amicizia, niente". Gli interrogativi sul cavo spezzato della funivia a Castellammare di Stabia, riaperta appena una settimana fa. E i commenti sull'immagine potente di un bambino con entrambe le braccia imputate a Gaza, lo scatto di una fotografa palestinese che vince il premio fotogiornalistico più importante dell'anno.

PRESS REVIEW – Friday, 18 April: Papers in Italy discuss Prime Minister Giorgia Meloni's visit to the White House. Next, US President Donald Trump escalates his battle with Harvard University and academia in the United States. Also, rising chocolate and egg prices put a dampener on Easter. Finally, the winner of the World Press Photo competition is a haunting photo of a young Palestinian boy. Giorgia Meloni's visit to the White House is on most of Italy's front pages. La Stampa reclaims the British "special relationship" on its front page. The right-leaning paper Libero praises the Italian leader for having successfully invited Trump to discussions with European leaders on the EU-US trade conflict. The left-leaning daily Il Fatto Quotidiano, meanwhile, is slightly more critical of the visit. The article talks about a slightly tense moment in the meeting where Trump and Meloni did not see eye-to-eye on Ukraine. In the US, The New York Times looks at the similarities between the two leaders and why they might get along. The Guardian is also focusing on the relationship between Meloni and Trump, suggesting that they speak the same language. It says Meloni has been labelled the Trump whisperer, "deemed capable of awakening the concealed angels of his nature".In the US, the arm wrestling between Harvard and the Trump administration continues. The Associated Press brings us news that Trump has now threatened to block the university from enrolling international students, and has called to revoke Harvard's tax-exempt status. Newsweek had an opinion piece arguing that Trump's financial assault on Harvard demonstrates a fundamental disregard for constitutional law. Back in France, the US president's offensive on Harvard and universities is the front page of Libération, which says that more than six universities could be the target of sanctions if they do not comply with reforms. The Guardian says that amid the crackdown on research and academia in the US, the French University of Aix-Marseille has come up with a programme called "Safe Place for Science".With Easter round the corner, many are already looking forward to their chocolate binging, but the mood this year is slightly dampened. Le Figaro looks at why chocolate bunnies and Easter eggs are so much more expensive today than they were last year. It puts it down to bad cocoa harvests, poor working conditions for cocoa farmers and increasing speculation. The Independent says that nearly half of Americans will skip Easter traditions because of high prices, which have become increasingly so because of inflation and Trump's trade war. Despite the high prices, it seems that demand for chocolate is still strong this Easter. Swissinfo tells us that 23 million chocolate rabbits have been produced in Switzerland so far.Finally, the winner of the World Press Photo Competition was announced on Thursday, and it is a haunting picture. As the BBC reports, the winning photograph is a portrait of nine-year-old Mahmoud Ajjour recovering from war injuries. The young Palestinian boy lost both his arms in an Israeli air strike on Gaza. The photo was taken by Palestinian photographer Samar Abu Elouf for The New York Times.You can catch our press review every morning on France 24 at 7:20am and 9:20am (Paris time), from Monday to Friday.

È venerdì, è tempo di scatti che raccontano la settimana. Un uomo con l'asciugamano addosso, bloccato nel tunnel del Gran San Bernardo. Non per una notte brava, ma per la neve, di ritorno da San Siro. Una luce arancione buca la nebbia: non un fumogeno da stadio, ma un corto circuito nell'Oberland bernese, causato dai rami spezzati sotto il peso della neve. Intanto a Washington, una governatrice democratica prova a nascondersi dietro due quaderni nello Studio Ovale. Ma la foto fa il giro del mondo. In Vallese la polizia blocca un'intera autostrada per fermare una carovana di nomadi, nello spazio vola Katy Perry, margherita alla mano, tra marketing, turismo e parità. C'è anche Mahmoud Ajjour, 9 anni, sopravvissuto a un bombardamento a Gaza. Lo scatto ha vinto il World Press Photo 2025.

Le Journal en français facile du jeudi 17 avril 2025, 18 h 00 à Paris.Retrouvez votre épisode avec la transcription synchronisée et des exercices pédagogiques pour progresser en français : http://rfi.my/Bapn.A

Comprehensive coverage of the day's news with a focus on war and peace; social, environmental and economic justice. Elon Musk's AI DOGE logo UC Berkeley students rally as university expects Trump demands on DEI, hiring, deportations and more Activists plan “Day without an Immigrant” protests on May Day to protest Trump policies, following days of protests at ICE detention centers Public Employees for Environmental Responsibility blasts Musk-Trump attacks on science, climate research, environmental justice and democracy Activists say Zimbabwe law restricts civil society by targeting non-governmental organizations, government claims it's fighting terrorism Oakland activists speak out against Social Security cuts as “most effective social reform” approaches 90th anniversary Palestinian journalist evacuated from Gaza wins “2025 World Press Photo of the Year” for portrait of 9-year old who lost arms in Israeli airstrike The post Nationwide Day without an Immigrant protests planned on May 1; Oakland activists rally against Social Security cuts as program nears 90th Anniversary – April 17, 2025 appeared first on KPFA.

Italiens Regierungschefin Meloni besucht US-Präsidenten, Die EZB senkt Leitzins auf 2,25 Prozent, Tote im Gazastreifen nach Beschuss durch das israelische Militär, Palästinensische Fotografin Samar Abu Elouf mit World Press Photo of the Year ausgezeichnet, Eine KI und Gamer helfen bei ESA-Mondmission, ADAC rechnet mit großer Rückreisewelle am Ostermontag, Starke Schnee- und Regenfälle sorgen für Chaos auf der Südseite der Alpen, Polarlichter erhellen Himmel über Deutschland, Das Wetter

Italiens Ministerpräsidentin Meloni trifft US-Präsident Trump, Wie China KI-Spitzenreiter werden will, Wie die Bauern zu dem Koalitionsvertrag von Union und SPD stehen, "World Press Photo" zeigt das Leid im Gaza-Krieg, Weitere Nachrichten im Überblick, Die Geschichte der Maultasche, Das Wetter Hinweis: Der Beitrag zu Europa-League darf aus rechtlichen Gründen nicht auf tagesschau.de gezeigt werden.

Miles de niños gazatíes sufren de desnutrición ya que Israel no permite la entrada de alimentos   CNDH pide al ISSSTE modificar el Reglamento de Pensiones de los Trabajadores   Este jueves y viernes se aplica la Ley Seca en ocho alcaldías de la CDMX   Más información en nuestro podcast

1) Gaza e i suoi fotografi. A 24 ore dall'uccisione della fotografa palestinese Fatma Hassouna, il World Press Photo assegna il premio ad un'altra reporter della striscia, che testimonia il dramma e l'orrore delle centinaia di bambini mutilati dai bombardamenti israeliani. (Silvia Gìson - Save The Children) 2) Stati Uniti, Donald Trump contro il capo della Fed. Il presidente Usa si scaglia contro Powell minacciando il suo licenziamento dopo che questo aveva criticato la sua politica dei dazi. (Roberto Festa) 3) Guerra in Ucraina, gli inviati statunitensi incontrano delegati europei e ucraini a Parigi per riaprire il dialogo per un accordo con mosca. (Francesco Giorgini) 4) Haiti, duecento anni fa il debito d'indipendenza. Il prezzo pagato dall'isola caraibica alla Francia per la sua libertà che pesa ancora oggi. (Nikos Moise - fotogiornalista Haitiano) 5) World Music. Ad Abidjan, in Costa d'Avorio, la 17esima edizione del Festival delle Musiche Urbane. (Marcello Lorrai)

Italiens Ministerpräsidentin Meloni trifft US-Präsident Trump, Wie China KI-Spitzenreiter werden will, Wie die Bauern zu dem Koalitionsvertrag von Union und SPD stehen, "World Press Photo" zeigt das Leid im Gaza-Krieg, Weitere Nachrichten im Überblick, Die Geschichte der Maultasche, Das Wetter Hinweis: Der Beitrag zu Europa-League darf aus rechtlichen Gründen nicht auf tagesschau.de gezeigt werden.

La fotoperiodista gazatí Samar Abu Elouf se alzó con el premio de este año con la instantánea hecha a Mahmoud Ajjour.

Le 17h00 de Sophie LéonarGaza : le portrait d'un enfant palestinien amputé remporte le World Press Photo Anderlecht : Des inconnus ont criblé de balles une façade Un mètre 20 de neige sur une nuit dans les Alpes en France Cour d'Appel de Liège : l'ex-patron de Mithra, François Fornieri est acquitté Le mouvement de grogne des Magistrats se poursuit Les Pays-Bas recommandent un ou deux oeufs par semaine quand ils viennent de leur poulailler, et ce à cause de Pfas Livre-enquête : Nouvelles informations concernant l'Abbé Pierre, le Vatican était au courant Le flaking, cette tendance à tout annuler à la dernière minute, parfois pour s'isoler Merci pour votre écoute Entrez sans Frapper c'est également en direct tous les jours de la semaine de 16h à 17h30 sur www.rtbf.be/lapremiere Retrouvez l'ensemble des épisodes et les émission en version intégrale (avec la musique donc) de Entrez sans Frapper sur notre plateforme Auvio.be : https://auvio.rtbf.be/emission/8521 Abonnez-vous également à la partie "Bagarre dans la discothèque" en suivant ce lien: https://audmns.com/HSfAmLDEt si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement. Vous pourriez également apprécier ces autres podcasts issus de notre large catalogue: Le voyage du Stradivarius Feuermann : https://audmns.com/rxPHqEENoir Jaune Rouge - Belgian Crime Story : https://feeds.audiomeans.fr/feed/6e3f3e0e-6d9e-4da7-99d5-f8c0833912c5.xmlLes Petits Papiers : https://audmns.com/tHQpfAm Des rencontres inspirantes avec des artistes de tous horizons. Galaxie BD: https://audmns.com/nyJXESu Notre podcast hebdomadaire autour du 9ème art.Nom: Van Hamme, Profession: Scénariste : https://audmns.com/ZAoAJZF Notre série à propos du créateur de XII et Thorgal. Franquin par Franquin : https://audmns.com/NjMxxMg Ecoutez la voix du créateur de Gaston (et de tant d'autres...) Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

1. Nemo proposera une nouvelle chanson, en tant quʹinvité, au concours Eurovision à Bâle. 2. La photo d'un garçon palestinien a remporté le premier prix du World Press Photo 2025. 3. "Nuit obscure - 'Ain't I a child?" de Sylvain George, co-production RTS, sera présenté à Cannes dans la section parallèle de lʹACID.

Italiens Regierungschefin Meloni besucht US-Präsidenten, Die EZB senkt Leitzins auf 2,25 Prozent, Tote im Gazastreifen nach Beschuss durch das israelische Militär, Palästinensische Fotografin Samar Abu Elouf mit World Press Photo of the Year ausgezeichnet, Eine KI und Gamer helfen bei ESA-Mondmission, ADAC rechnet mit großer Rückreisewelle am Ostermontag, Starke Schnee- und Regenfälle sorgen für Chaos auf der Südseite der Alpen, Polarlichter erhellen Himmel über Deutschland, Das Wetter

A fotojornalista Maria Abranches é a autora do projeto fotográfico "MARIA", que segue a vida de uma trabalhadora doméstica e cuidadora. Esse trabalho foi distinguido na competição do World Press Photo 2025.

L'artiste et photographe malgache Rijasolo expose pour la première fois à Paris à la Fondation H ses photos artistiques. Loin du photojournalisme qu'il pratique depuis 25 ans, le lauréat du concours World Press Photo 2022 de la région Afrique, (avec son reportage « La guerre du Zébu »), nous propose un autre aspect de son travail, plus personnel et plus subjectif. Dans « La nuit porte la lumière », titre de son exposition, Rijasolo explore l'invisible, la nuit vibrante de vie et les contradictions des Malgaches.  À lire aussi«La nuit porte la lumière»: le photographe malgache Rijasolo expose à la Fondation H, à ParisÀ lire aussiRijasolo, un oeil insulaire

Dimanche 13 avril, le président-candidat à sa réélection Daniel Noboa affronte Luisa Gonzalez, candidate du parti de gauche Revolucion Ciudadana. L'Équateur, qui était l'an dernier le deuxième pays le plus violent d'Amérique du Sud, a vu de nouveau la violence flamber en début d'année. Le tout, sur fond de crise économique. D'un côté, le président sortant Daniel Noboa, au pouvoir depuis un an et demi, terminant le mandat de son prédécesseur. De l'autre, la candidate de gauche Luisa Gonzalez, héritière du parti de l'ancien dirigeant Rafael Correa.« Daniel Noboa, fils d'un milliardaire, a resserré les liens avec les États-Unis depuis son élection. Il a tout pour plaire à Donald Trump et vient d'inviter Erik Prince, le fondateur de la sulfureuse compagnie américaine de sécurité Blackwater, pour aider à la lutte contre les cartels. Le président sortant veut notamment réformer la Constitution pour que puissent revenir les bases militaires étrangères », résume notre correspondant en Équateur, Eric Samson. « En cas d'élection de Luisa González, l'Équateur devrait effectuer un retour à gauche vers une posture socialiste et anti-impérialiste. La candidate a déjà indiqué qu'elle reconnaîtrait le régime de Nicolas Maduro au Venezuela », précise notre reporter. À lire aussiÉlections en Équateur: des scrutins sous le signe de la violencePérou : manifestation des transporteurs contre l'extorsionHier, à Lima, les chauffeurs de bus ont protesté et demandé aux autorités de mieux les protéger contre les extorsions et violences de plus en plus fréquentes de la part des groupes criminels. Reportage de notre correspondant Martin Chabal. Haïti : Clarens Siffroy, lauréat du prestigieux World Press Photo pour l'Amérique du NordIl est de plus en plus difficile de raconter le quotidien d'Haïti. Les journalistes sont pris pour cible, attaqués par les gangs, mais certains parviennent à continuer d'informer. Le photojournaliste de l'Agence France Presse, Clarens Siffroy, témoigne à notre micro depuis Haïti : « Ce prix me donne l'opportunité de faire connaître la réalité de mon pays à travers le monde. »En République dominicaine, le bilan grimpe à 221 morts après l'effondrement du toit d'une boite de nuitCertaines personnes sont toujours portées disparues et les secours ont annoncé mettre fin aux recherches. Ce jeudi, les proches et fans du chanteur Rubby Perez, mort alors qu'il se produisait dans la boite de nuit, se sont réunis pour lui rendre hommage lors de ses funérailles.Le président a décidé hier de prolonger le deuil national de trois jours, jusqu'à dimanche, et le drame fait toujours la Une de la presse. Un « émouvant hommage » entre « larmes et musique » titre le Nuevo Diario. « Rubby Perez n'était pas qu'un symbole du merengue dominicain, c'était aussi un homme aimé, à la voix puissante, qui remplissait les scènes et le cœur », conclut le journal.Du côté du Diario Libre, « des hypothèses émergent » sur les raisons du drame. Le Nuevo Diario s'inquiète : et si le prochain effondrement concernait le pont de la 17, emprunté par 80 000 voitures par jour et dont plusieurs rapports pointent le délabrement ?À lire aussiLa République dominicaine met fin aux recherches de survivants de l'effondrement du toit d'une discothèqueHaïti : l'initiative de la France sur la double dette haïtienneCette somme considérable, 150 millions de francs de l'époque, exigée par l'ancien pays colonisateur, la France, en échange d'une reconnaissance de la jeune république d'Haïti.Le président français Emmanuel Macron fera des annonces jeudi 17 avril. 200 ans plus tôt, la France « extorquait une rançon à Haïti pour dédommager les propriétaires d'esclaves de la colonie de Saint-Domingue », écrit l'éditorialiste Frantz Duval.Depuis 2004, tous les présidents haïtiens avaient éludé la question, pour ne pas froisser la France, en espoir d'un soutien, explique Le Nouvelliste, qui rappelle que la crise traversée par le pays et les changements politiques en France ont réduit au minimum le soutien français.« Entre Haïti et la France, les promesses ne se transforment pas toujours en projet et les projets ne sont pas toujours menés à terme », prévient l'éditorialiste. Avant de conclure : « Pour le moment, plus que des milliards ou des promesses, le pays a besoin d'un coup de pouce sécuritaire. La France peut-elle s'occuper de cela ? »

Hoy seguimos viajando en el tiempo con nuestro viajero musical que nos ha llevado al año 1947 a la isla de Heligoland, y ha aprovechado para pinchar una de las canciones del mítico disco de Massive Attack con el mismo nombre hilándola con una curiosa historia de la Guerra Fría. Después, con Gustavo Iglesias hacemos un repaso por varias vías musicales que se abren en la serie Stranger Things a raíz del nuevo disco de Djo. Para terminar, hablamos de fotoperiodismo con el ganador del premio World Press Photo 2025, Samuel Nacar, en la categoría de reportaje gráfico por su trabajo "Las sombran ya tienen nombre".Escuchar audio

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Los fotógrafos Samuel Nacar y Luis Tato explican en RNE lo que se ve y lo que no se ve las imágenes premiadas por World Press Photo en 2025. Samuel Nacar dedicó su reportaje a los presos liberados en Siria después de la caída de Al Assad y Luis Tato, a las protestas juveniles de Kenia.Informa Íñigo PicabeaEscuchar audio

Escuche esta y más noticias de LA PATRIA Radio de lunes a viernes por los 1540 AM de Radio Cóndor en Manizales y en www.lapatria.com, encuentre videos de las transmisiones en nuestro Facebook Live: www.facebook.com/lapatria.manizales/videos

El teatro hace la vida humana visible, nos da a ver de qué está hecha. Es un mirador a la existencia. ¡Feliz Día Mundial del Teatro!En el programa de hoy, nos trasladamos también a la primera Feria del Cómic de Madrid, que abre sus puertas en Matadero. Elisa McCausland, comisaria de la feria, nos explica cómo este evento ha reunido a librerías especializadas y sellos editoriales. La feria se inaugurará con una charla de Richard McGuire y se enfocará en tres grandes temas: la casa como unidad narrativa, la ciudad como espacio de experimentación artística, y los multiversos como oportunidades de encuentro.Además, exploramos el recién inaugurado Museo Nacional de Artes Escénicas en Almagro, donde Irene Pardo, directora del Festival Internacional de Teatro Clásico de Almagro, nos comparte su visión sobre la modernización del espacio, destinado a la preservación del patrimonio teatral español.En el ámbito de las artes escénicas, se presenta la nueva puesta en escena de "Los cuernos de Don Friolera" de Valle-Inclán, dirigida por Ainhoa Amestoy. Raúl Losánez analiza la importancia de esta obra y su tratamiento en el teatro contemporáneo, destacando cómo la obra aborda temas como los celos, el honor y las tradiciones militares con un enfoque irónico y profundamente crítico.Finalmente, cerramos con noticias sobre el fotoperiodismo, con la inclusión de dos fotógrafos españoles entre los ganadores del World Press Photo, y la salida del nuevo disco de Ángel Ruiz, quien rinde homenaje a la ciudad de Madrid a través de su música.Escuchar audio

Welcome to the What's Next! Podcast with Tiffani Bova.    I have the honor and pleasure of welcoming Topaz Adizes to the show today.    He is an Emmy Award-winning writer, director, and experience design architect. He is an Edmund Hillary fellow and Sundance/Skoll Stories of Change fellow. His works have been selected to Cannes, Sundance, IDFA, and SXSW; featured in New Yorker magazine, Vanity Fair, and so much else. He has garnered an Emmy for new approaches to documentary and two World Press Photo awards for immersive storytelling. But what I'm here today to talk to him about is his new book called 12 Questions for Love.    THIS EPISODE IS PERFECT FOR…anyone looking to build stronger relationships—at work or in life—through the power of better questions.   TODAY'S MAIN MESSAGE…we often focus on having the right answers, but real connection comes from asking the right questions. Topaz Adizes has spent over a decade studying human connection, guiding more than 1,200 pairs of people through transformative conversations. In this episode, he shares how the way we ask questions can strengthen workplace culture, improve team dynamics, and create more meaningful personal relationships. By shifting our approach—from looking for the “right” answer to fostering authentic dialogue—we unlock deeper understanding, trust, and collaboration.   KEY TAKEAWAYS… The best conversations start with thoughtful, well-constructed questions. Shifting from binary to open-ended questions leads to richer, more meaningful responses. A strong workplace culture starts with intentional communication and connection. Small shifts in how we structure meetings can make them more productive and engaging. Great leaders aren't just problem-solvers—they're great guides who know how to ask the right questions.   WHAT I LOVE MOST…Topaz's insight on the power of well-constructed questions. His technique to ask open-ended, connective, and intentional questions creates space for deeper conversations, whether at work or in personal relationships.   Running Time: 31:43    Subscribe on iTunes     Find Tiffani Online: LinkedIn Facebook X    Find Topaz Online: LinkedIn  Website   Topaz's Book:  12 Questions for Love: A Guide to Intimate Conversations and Deeper Relationships

Preden je Brent Stirton pri zgodnjih dvajsetih začel s fotoreporterskim delom, je nosil vojaško uniformo. Južnoafričan, ki živi v Združenih državah, je obiskal krepko čez polovico držav sveta. Objavlja v največjih svetovnih medijih. Tudi za National Geographic, New York Times, Le Figaro, Der Spiegel. Prejel je več prestižnih nagrad World Press Photo. Svoje delo jemlje kot poslanstvo in z vso resnostjo. Poroča o tistih zgodbah, ki po njegovem mnenju niso deležne dovoljšnje pozornosti. S fotografijami skuša ganiti ljudi, da bi se bolje informirali. Sodeč po odzivih, mu uspeva.Zapiski: Brentova fotografija mrtve gorile Uradna spletna stran Brent Stirton na Instagramu Zgodbe: Svetovno uveljavljeni fotografi na pobudo Slovencev znanje prenašajo v Boliviji Zgodbe: Vse fotografira z enakim spoštovanjem in ljubeznijo kakor soproga med prebolevanjem raka

After his parents' divorce, Topaz Adizes discovered the power of connection through the camera. His drive to explore human connection led him to become a filmmaker. From filmmaking to his work with The Skin Deep, Topaz focuses on creating real, vulnerable conversations in a digital world. His viral documentary The And shows how shared space and honest dialogue can deepen relationships. In this episode, Topaz joins Ilana to discuss the art of asking questions that strengthen relationships and how to create space for hard but empowering conversations. Topaz Adizes is an award-winning writer, director, experience design architect, and the founder and executive director of The Skin Deep, an experience design studio. He has earned an Emmy for new documentary approaches, and two World Press Photo awards for immersive storytelling. In this episode, Ilana and Topaz will discuss: (00:00) Introduction  (01:37) Finding Purpose in His Parents' Divorce (04:27) The Lasting Impact of Divorce on Relationships (07:16) Why The And Documentary Went Viral (11:12) How Great Questions Create Great Relationships (12:28) Ways to Craft Questions That Yield Results (14:19) The Cost of Avoiding Difficult Conversations (18:16) Creating Space for Hard, Scary Conversations (24:16) Training Your Mind to Ask Empowering Questions (26:55) Crafting Questions That Drive Clarity and Growth (32:10) Five Questioning Strategies to Deepen Relationships (38:54) A Raw Father-Son Conversation on YouTube (41:47) Aligning Passion and Profit for Sustainable Growth (52:01) The Life Topaz Wishes He Had Embraced Sooner Topaz Adizes is an award-winning writer, director, experience design architect, and the founder and executive director of The Skin Deep, an experience design studio. He has earned an Emmy for new documentary approaches, and two World Press Photo awards for immersive storytelling. Topaz's work has been showcased at Cannes, Sundance, and SXSW, and featured in The New Yorker, Vanity Fair, and The New York Times. Connect with Topaz: Topaz's Website: https://www.topazadizes.com/  Topaz's LinkedIn: linkedin.com/in/topazadizes/  Resources Mentioned: Topaz's Book, 12 Questions for Love: A Guide to Intimate Conversations and Deeper Relationships: https://www.amazon.com/12-Questions-Love-Conversations-Relationships/dp/1632174901  The And Documentary: https://www.imdb.com/title/tt4439128/  The Skin Deep YouTube: https://www.youtube.com/c/TheSkinDeep  The Unexpected Legacy of Divorce by Julia M. Lewis: https://www.amazon.com/Unexpected-Legacy-Divorce-Landmark-Study/dp/0786886161  Leap Academy: Ready to make the LEAP in your career? There is a NEW way for professionals to Advance Their Careers & Make 5-6 figures of EXTRA INCOME in Record Time. Check out our free training today at leapacademy.com/training

Zum Tod von Hannelore Hoger; Fristen beim Kulturpass laufen ab; Der Fotograf des World Press Photo 2025; Streaming-Rückblick 2024. Moderation: Sebastian Wellendorf Von Sebastian Wellendorf.

Tragedia w Armero w Kolumbii jest znana przede wszystkim za sprawą Omayry Sanchez - dziewczynki, która umierała w błocie przez 60 godzin. Jej mętne, czarne oczy wpisały się w pamięć milionów ludzi po tym jak fotografia zatytułowana „Agonia Omayry Sanchez” zdobywa prestiżową nagrodę World Press Photo of the Year 1986. Do dziś powoduje to żywe dyskusje o moralności człowieczeństwa i etyce sztuki. www.zmorderstwem.pl Wsparcie

Stephan Vanfleteren's career began as a staff photographer for the Belgian newspaper De Morgen. He continued to contribute to its weekend magazine as a freelancer until 2009.His radical black and white social documentary work covers the disappearing phenomena of everyday life in his homeland, Belgium. Over the years, Stephan has worked in conflict zones such as Kosovo, Rwanda and Afghanistan and he is a six time winner of the prestigious World Press Photo awards among a number of other international prizes.Stephan's intense portrait photography captures the essence of humanity in subjects ranging from the ordinary man to top politicians, sports idols and celebrities.He has exhibited in Brussels, Amsterdam, Berlin, Paris, London, Liverpool and Verona and his books include: Elvis & Presley (Kruse Verlag, 2001) a road trip across America dressed as Elvis Presley with photographer Robert Huber; Flandrien (Mertz, 2005) on the Flemish obsession with cycling; Belgicum (Lannoo 2007) an enigmatic portrayal of Belgium and Portret 1989-2009 (Lannoo 2009). His most recent books are Atelier published by Hannibal Books, an ode to the ability to observe, represent, elevate, and ultimately, connect, and Present, a journey through his oeuvre, with expansive personal reflections and stories from three decades of encounters and photography, from street photography in world cities like New York to the genocide of Rwanda, from storefront façades to the mystical landscapes of the Atlantic wall, from still lifes to intense portraits, and Charleroi – Il est clair que le gris est noir.In episode 244, Stephan discusses, among other things:MemoryPhotographing (older) menSkin… and lightCutting his teeth in the newspaper worldFlandrien bookRwandaBeing scared of successStill getting nervousAtlantic WallThe intensity of collaboration with a subjectBeing perceived as a ‘traitor' for shooting colourHis project with Robert Huber, Elvis and PresleyDead animalsPhotographing his dad post mortemMoving to digital from filmCharloi residency and his book Charleroi – Il est clair que le gris est noirReferenced:SebastiãoSalgadoJames NachtweyGilles PeressRobert Huber Website | Instagram“I was very scared of success. That was maybe my luck. Success was something I had difficulty dealing with. People are complimenting you on your work at the beginning and I'm just accepting that but it was difficult. And it helped me because I never arrived. I was on my way and the doubts were still there. If you think you know how to do it, it's time to leave. Sometimes if I think ‘ok, I can do that pretty well, Of course other people can do it better, but it's time to change, to have another approach…' So I had that in the early beginning, that feeling that I have to change. I love to begin something new.” Become a full tier 1 member here to access exclusive additional subscriber-only content and the full archive of previous episodes for £5 per month.For the tier 2 archive-only membership, to access the full library of past episodes for £3 per month, go here.Subscribe to my weekly newsletter here for everything A Small Voice related and much more besides.Follow me on Instagram here.Build Yourself a Squarespace Website video course here.

Terwijl Niels de eerste fase van zijn project Gezichten van Gouda afrond, leert Michiel elke twee weken van zijn National Geographic klas. Hoe werkt dat nu precies, zo'n fotoproject? Waar begin je, waar loop je tegenaan en waar moet je voor opletten? Puttend uit eigen ervaring bespreken je fotografievrienden hun fotoprojecten. En als het eenmaal af is, wat dan? We hopen natuurlijk dat jij na het luisteren naar deze podcast bij jezelf gaat nadenken wat jouw volgende project wordt. Laat het vooral even weten via de reacties hieronder! “Ik word altijd met jullie wakker op maandag!”, “Ben jij niet van die podcast?” We krijgen zulke leuke reacties de laatste tijd. Helemaal fantastisch. Leuk dat jullie luisteren> Elka maandag om 7 uur in jouw favoriete podcastapp, én op YouTube! Tot de volgende!

Today's podcast has us sitting down with Venezuelan photographer and investigative journalist Fabiola Ferrero to discuss her long-term photographic projects in Venezuela, for Picturing World Cultures. Above photograph © Fabiola Ferrero Fabiola walks us through her childhood memories of Venezuela and describes how this period contrasts significantly with the country's current climate. We also discuss how she got started in photography, and how her time spent both in and out of Venezuela helped grow her photography and more. If you haven't already listened, check out all the episodes of our Picturing World Cultures podcast series here. Guest: Fabiola Ferrero Episode Timeline: 2:20: Fabiola discusses Venezuelan culture, and questions using the word resiliency in relation to the country's ongoing crisis. 5:39: How she got started in photography. 8:20: Fabiola talks about overcoming shyness, learning how to photograph people as an introvert, and the advantages of slowly building a connection with subjects. 11:12: On being the last of her family to leave Caracas. 14:43: Fabiola's early long term projects, Blurred in Despair and I Can't Hear the Birds, and the importance of image selection to building different narratives.  19:57: The impact of leaving Venezuela and how this shifted her perspective as a photographer. 24:11: The importance of Fabiola's assignment work in Venezuela and its impact on her personal work. 25:30: Episode Break 27:04: On migrating to Columbia in 2020, and her eventual return to Venezuela in 2022.  37:04: Fabiola runs us through her gear and setup. 38:09: Collaborating with other journalists in her latest project, The Wells Run Dry 44:10: The challenging topic of hope when discussing the future of Venezuela 46:50: We ask Fabiola about her mentorship program, Semillero Migrante 54:39: Fabiola Ferrero answers our PWC Visual Questionnaire. Guest Bio: Fabiola Ferrero was born in Caracas, Venezuela in 1991. Her personal work reflects how her childhood memories contrast with her country's current crisis.  Using her background in writing and investigative journalism, she develops long term visual projects focused on collaborative ways to speak about the human condition under hostile contexts. To bring opportunities to other emerging photographers, Fabiola founded Semillero Migrante in 2021. This mentorship program on the topic of migration empowers Venezuelans and Colombians and promotes the integration of both cultures. A 2018 Magnum Foundation Fellow in Social Justice, her additional recognition includes a 2021 Inge Morath Award, a 2022 Carmignac Photojournalism Award, and a World Press Photo award for Long Term Projects, which she received in 2023. Most recently, Fabiola completed a one-year fellowship at Columbia University's Institute for Ideas and Imagination in Paris. Stay Connected: Fabiola Ferrero Website: https://www.fabiolaferrero.com/ Fabiola Ferrero on Instagram: https://www.instagram.com/fabiolaferrero/ Fabiola Ferrero on Facebook: https://www.facebook.com/fabiola.ferrero/ Fabiola Ferrero on Twitter: https://x.com/FabiolaFerrero/ Fabiola Ferrero, I Can't Hear the Birds Video: https://www.youtube.com/watch?v=m_AmKsv_OTM Fabiola Ferrero, Fondation Carmignac: https://www.fondationcarmignac.com/en/fabiola-ferrero-en/ Fabiola Ferrero, Institute of Ideas & Imagination: https://ideasimagination.columbia.edu/fellows/fabiola-ferrero/ Semillero Migrante Instagram: https://www.instagram.com/semilleromigrante/  End Credits: Senior Creative Producer & Host: Jill Waterman Senior Technical Producer: Mike Weinstein Executive Producer: Richard Stevens Theme Music: Gabriel Richards

If you've ever picked up a National Geographic and skimmed across the gorgeous images that cover those pages - you've probably come across the work of our guest experts. This week, we're coming to you with a LIVE! Getting Curious episode with THE preeminent nature photographers in the game about the risk and reward of their art, their conservation efforts, and how they support each other in the process like the power couple they are! Cristina "Mitty" Mittermeier, a visionary photographer, marine biologist, and avid conservationist, stands as a formidable force in the realm of environmental advocacy. In 2014 she, alongside her partner Paul Nicklen, co-founded SeaLegacy, a non-profit organization dedicated to creating a healthy and abundant ocean through powerful storytelling and impactful visual media. Through her lens, she conveys the delicate balance of natural ecosystems and the urgency to preserve these habitats that sustain a myriad of life. Her art, driven by a desire to make a difference, serves as a compelling call to action, illustrating the transformative power of photography in raising awareness and inspiring change. Paul Nicklen is a Canadian photographer, filmmaker, and marine biologist who has documented the beauty and plight of our planet for more than thirty years. Through the power of the image and, just as importantly, emotion and raw power, his work has been singled out for creating a unique connection between image and viewer by featuring wild subjects in some of the most extreme conditions known on Earth. Nicklen is a Sony Artisan of Imagery and aligns with Rolex's Perpetual Planet initiative on collaborative efforts to preserve the natural World. Nicklen has won more than 30 of conservation and photography's most prestigious awards, including the BBC's Wildlife Photographer of the Year and the World Press Photo for Photojournalism. In 2019, Mr Nicklen became the youngest person inducted into the International Photography Hall of Fame (IPHF). You can follow Cristina Mittermeier on Instagram @mitty and Paul Nicklen on Instagram @paulnicklen. For more information on SeaLegacy- check out their Instagram @SeaLegacy. Follow us on Instagram @CuriousWithJVN to join the conversation. Jonathan is on Instagram @JVN. Our senior producer is Chris McClure. Our editor & engineer is Nathanael McClure. Production support from Julie Carrillo, Anne Currie, and Chad Hall. Our theme music is “Freak” by QUIÑ; for more, head to TheQuinCat.com. Curious about bringing your brand to life on the show? Email podcastadsales@sonymusic.com. Learn more about your ad choices. Visit podcastchoices.com/adchoices

In this episode, we welcome Jonah Kessel. Jonah is the Deputy Director of Opinion Video at The New York Times. His work there is a hybrid of explanatory and investigative short form documentary and other innovative forms of visual journalism. In his career, he's been recognized by a variety of organizations, including two World Press Photo awards, four times as a Multimedia Journalist of the Year from Pictures of the Year International, the Robert F. Kennedy Award for Justice and Human Rights Reporting, and the Innovative Storytelling Award from the National Press Foundation. In our chat, Jonah shares his backstory, path to The New York Times, and his experiences helping run the Opinion Video department. In addition, he talks at length about covering the 2024 U.S. Presidential Election. The Making Of is presented by AJA:Meet AJA Ki Pro GO2Easily record up to four channels of simultaneous HEVC or AVC to cost-efficient USB drives and/or network storage with flexible connectivity, including four 3G-SDI and four HDMI digital video inputs, to connect to a wide range of video sources.Find out more hereZEISS Cinema & The Making Of present: A Conversation with Lawrence Sher, ASCZEISS Cinema is pleased to host a live interview with Lawrence Sher, ASC. Join Michael Valinsky from the podcast The Making Of as he discusses Lawrence's work on the upcoming feature JOKER: FOLIE à DEUX, as well as his past films and the indispensable filmmaking website ShotDeck. The ZEISS team will be on hand with our lenses and camera technologies as well!Join us for bites, beer, wine and a conversation not to be missed! Register for free hereFrom our Friends at Broadfield…All-new pricing for RED KOMODO and KOMODO-X unlocks exceptional cinema quality, global shutter performance, and the power of RED to filmmakers at every level. The KOMODO is a compact cinema camera featuring RED's unparalleled image quality, color science, and groundbreaking global shutter sensor technology in a shockingly small and versatile form factor. The KOMODO-X is the next evolution with all-new sensor technology that multiplies frame rate and dynamic range performance within a new advanced platform.Inquire hereUpcoming Event: Cine Gear Atlanta | October 4-5thThousands of industry professionals will surge to attend this year at Trilith Studios in Fayetteville, Georgia. A focal point of Southern filmmaking, Cine Gear 2023 drew thousands to the studio, which houses productions like Black Adam and Francis Ford Coppola's Megalopolis. Visitors met with equipment exhibitors from across the globe, attended panels and workshops from the International Cinematographer's Guild, the ASC, and numerous tech brands, and partied at the Friday night Southern Cine Soirée.Get your passes hereOWC Atlas Ultra CFexpress Cards:Experience the unparalleled performance and reliability of Atlas Ultra CFexpress Type B 4.0 cards purpose-built for professional filmmakers and photographers to capture flawlessly and offload files quickly in the most demanding scenarios.Check it out herePodcast Rewind:Sept 2024 - Ep. 46…“The Making Of” is published by Michael Valinsky.Partner with us and promote your products to 82,000 film, TV, video and broadcast professionals reading this newsletter. Simply email us at mvalinsky@me.com Get full access to The Making Of at themakingof.substack.com/subscribe

In today's episode, I speak to Khadija Farah, a travel and documentary photographer based in Nairobi, Kenya. Khadija's work appears in the New York Times, the Washington Post, The Guardian and more.Khadija is a member of Inland Stories, an international cooperative of long-term documentary photographers. Her work is part of the 2020 Lit List by Authority Collective, Women Photograph, Diversify Photo, and World Press Photo's African Photojournalism Database (APJD). Khadija's projects includes In Bibi's Kitchen, a cookbook with recipes and stories from eight African nations for which she produced all on location images. Original Air Date: Nov 11, 2020.Featured on the show:Join me this Fall on a 10-day trip to JordanFollow Khadija on Instagram @farahkhadCheck out Khadija's website Learn more about In Bibi's Kitchen, a book of recipes and stories from the African continentGet more information at: Going Places website Join our Going Places newsletter to get updates on new episodes and Yulia's travel storytelling work. Subscribe at goingplacesmedia.com/newsletter!For more BTS of this podcast follow @goingplacesmedia on Instagram and check out our videos on YouTube!Please head over to Apple Podcasts and SUBSCRIBE to the show. If you enjoy this conversation, please share it with others on social and don't forget to tag us @goingplacesmedia!And show us some love, if you have a minute, by rating Going Places or leaving us a review wherever you listen. You'll be helping us to bend the arc of algorithms towards our community — thank you!Going Places with Yulia Denisyuk is a show that sparks a better understanding of people and places near and far by fostering a space for real conversations to occur. Each week, we sit down with travelers, journalists, creators, and people living and working in destinations around the world. Hosted by Yulia Denisyuk, an award-winning travel journalist, photographer, and writer who's worked with National Geographic, The New York Times, BBC Travel, and more. Learn more about our show at goingplacesmedia.com.

Pulitzer Prize winning photographer and documentary film director Anthony Suau is also an Emmy Award winning journalist, not to mention two World Press Photo of the Year awards, the Robert Capa Gold Medal, and the Infinity Award from the International Center of Photography. For thirty-five years he has documented the effects of events on the … Continue reading "Episode 113: Anthony Suau (Photographer & Filmmaker)" The post Episode 113: Anthony Suau (Photographer & Filmmaker) first appeared on A Photojournalism Podcast for Everyone.

While nearly everyone has a camera on them these days, only a few know how to capture a story of global significance. 

A photographer's success hinges on access. This is an underlying thread in the tapestry woven in this week's show. Our discussion covers multiple facets and cultural attributes of Indian society, as seen through the eyes of a photographer with a knack for being in the right place at the right time. In this month's episode of the series, Picturing World Cultures, we speak with Indian photographer Pablo Bartholomew about his long career as a documentarian and photojournalist. From his early intimate views of 60s-era hippies launching a counterculture invasion from the West to his photojournalistic coverage of historic events, Bartholomew shares insights about dynamics at work behind the scenes. We also discuss changes to the marketplace for pictures over time, and whether an iconic picture is still able to affect a change in the world. As an antidote to a life chasing the news, Bartholomew embarked on a ten-year documentation of India's remote Naga tribes. In the show's second half, he walks us through his background research and the permissions process involved in photographing tribespeople and their customs with professional lighting gear.  There's also a personal motivation behind Bartholomew's Naga Project. As a child, he had heard many stories about goodwill the Naga showed his father's family during their flight from Burma to India during World War II.  “Principally, what I couldn't wrap my head around was that headhunters, they're supposed to be these ferocious people. Why would they let fair game pass through their backyard, to the degree where they would provide food and shelter?” he says. “So, there was in this savage something very kind. And I wanted to find out what the contradiction was.” Tune in today for more on the Naga tribes and other stories from India! If you haven't already listened, check out all the episodes of our Picturing World Cultures podcast series here.    Guest: Pablo Bartholomew Episode Timeline: 2:16: Pablo describes how the caste system functions as a defining aspect of Indian culture. 7:18: The influx of the Western hippy counterculture in India as recorded in Pablo's earliest pictures. 12:27: Capturing life on the streets of Delhi, Bombay, and Calcutta, a photo essay on Calcutta's Chinatown, and Pablo's work with the renowned Indian film director Satyajit Ray. 17:05: The rise of Pablo's photojournalism career, the dynamics of a photographer's access, and his iconic images of the tragic gas leak at Bhopal. 29:09: Pablo discusses how the work of a photojournalist has changed in the past 40 years. 32:53: Go-to camera gear, the various cameras Pablo's used over the years, and his transition from analog to digital. 36:37: Tips for mitigating the heat and humidity of India, plus equipment for image storage and film scanning. 40:10: Episode Break 41:23: Pablo's long-term project documenting the Naga tribes in Northeast India, his preliminary ethnographic research on the tribes, and gaining permission to photograph with full lighting gear.  51:43: Animist practices within the Naga tribes, and distinctions between tribes within the Naga identity. 1:00:05: Naga rituals it may be too late to photograph, and a memorable festival held by the Konyak tribe. 1:04:09: Pablo's cross-cultural project documenting economic emigres from India who have resettled in the US, France, England, Madagascar, and Portugal. 1:14:38: Pablo Bartholomew answers our PWC Visual Questionnaire.   Guest Bio: Pablo Bartholomew, a self-taught photographer born in New Delhi in 1955. His father Richard was a noted art critic as well as a photographer, allowing Pablo to learn photography at home at a very young age. In his subsequent career of nearly fifty years, Pablo has documented societies in conflict and transition, while also recording intimate details of his own generation maturing amid a changing India. From 1983 to 2004, his photojournalistic work was featured in every major international publication, from National Geographic to Paris Match and beyond. Pablo's photographs have been recognized by World Press Photo on three different occasions, including a 1985 ‘Picture of the Year' award for his riveting image from the Bhopal gas tragedy. In 2013, he was awarded the Padma Shri by the Government of India for his contributions to photography, and in 2014, he was honored with the status of Chevalier de L'Ordre des Arts et des Lettres by the French government. For more information on our guest and the gear he uses, see: https://www.bhphotovideo.com/explora/podcasts/photography/picturing-world-cultures-pablo-bartholemew-india Stay Connected: Pablo Bartholomew Instagram: https://www.instagram.com/pablobartholomew/ Pablo Bartholomew Facebook page: https://www.facebook.com/parabart Pablo Bartholomew Bhopal photo from World Press Photo 1985: https://www.worldpressphoto.org/collection/photocontest/1985 Pablo Bartholomew Wikipedia page: https://en.wikipedia.org/wiki/Pablo_Bartholomew Pablo Bartholomew Nagaland Project: https://ninefish.in/viewing-room/the-nagas/ TEDxIIMRanchi: Pablo Bartholomew - A Life in Photography https://www.youtube.com/watch?v=zBldVr4YIBE Kishor Parekh: https://en.wikipedia.org/wiki/Kishor_Parekh  

This is a message to our readers regarding the criticisms we received after last episode. But first some context.   Almost exactly one year after the murder of George Floyd, Canada had its own reckoning. But this time, there was no video or autopsy that sparked the unrest. There was a claim, and that claim may have turned out to be baseless. On May 27, 2021, the Kamloops Indian Band in British Columbia reported that they used ground-penetrating radar (GPR) technology to discover the unmarked graves of 215 indigenous children at a former residential school. The discovery sent shockwaves across Canada and then the world. Within 24 hours, the largest media outlets had jumped on the story. The Washington Post wrote, “Remains of 215 Indigenous children discovered at former Canadian residential school site.” The Guardian's headline was virtually identical. The AP made it sound as though the bodies may still be warm: “More than 200 bodies found at Indigenous school in Canada.” Canadian Prime Minister Justin Trudeau barely inhaled before mourning the news on Twitter and ordering the Canadian flag be flown half-mast – not just for that day, but until the Assembly of First Nations gave him permission to raise them again. That didn't happen until November – five-and-a-half months later – marking the longest period of half-mast flag flying in the country's history. Trudeau pledged to “bring these terrible wrongs to light” and the money started pouring out of Ottawa: After the Kamloops claim, numerous other tribes announced their own unmarked grave discoveries. In total, the Canadian government pledged $320M to support the searches. At the end of 2021, the Canadian Press crowned the Kamloops discovery its “news story of the year.” The below photo, meanwhile, earned the prestigious World Press Photo of the Year award. The AP describes the photo: “A haunting image of red dresses hung on crosses along a roadside, with a rainbow in the background, commemorating children who died at a residential school created to assimilate Indigenous children in Canada won the prestigious World Press Photo award Thursday.” Meanwhile, Canadians channeled their fury over the mass grave discoveries at Catholic and Christian churches, because many of the residential schools were Christian schools. The Kamloops Indian residential school operated under the supervision of the Roman Catholic Church until its closure in 1978. Canada established these schools to assimilate indigenous students. Today, critics allege they constituted a “cultural genocide” against indigenous peoples by forcing them into white colonial culture at the expense of their language and culture. They also point to many harrowing allegations of sexual and physical abuse perpetrated against children by the schools' authorities. But the schools aren't without their defenders, who generally say they were needed to integrate indigenous people into Canadian society; that parents generally sent their kids away to get an education or because they couldn't take care of them; or that kids had to go because they lived in sparsely populated places with no day schools. This had been a controversial historical topic in Canada for decades. The Kamloops allegations brought it to the forefront. On June 30, 2021 – weeks after the initial Kamloops allegations – the executive director of the British Columbia Civil Liberties Association tweeted, "Burn it all down." Protesters heeded these words, and – as the media and government remained silent — set dozens of churches on fire. At least 33 were burned to the ground, according to the CBC. So three years later, what has been found at Kamloops? Nothing – not a body, not a bone. When we heard about this story, we reached out to a Kamloops spokesperson, indigenous leaders, and members of the media who reported on the mass graves. None responded. We only received a reply from Dr. Thomas Flanagan, an esteemed retired professor who authored a book – Grave Error: How the Media Misled Us –about the Kamloops allegations and their aftermath. He is the guest on our latest podcast. You can watch the full episode here: https://www.youtube.com/watch?v=gc8IfsnB5ho&t=54s Let us know what you think of this episode.   Our email is wethe66@rocanews.com. Instagram: https://www.instagram.com/wethe66podcast X: https://x.com/WeThe66Podcast

Julia Kochetova (b. 1993) is a Ukrainian photojournalist and documentary filmmaker based in Kyiv. Her work focuses on firsthand storytelling as a method, researching topics of the war generation, post-traumatic stress disorder, and feminism. Julia studied journalism at Taras Shevchenko National University (UA) and Mohyla School of Journalism (UA), alongside participating in IDFAcademy (NL). As a freelancer, Julia has covered the Maidan revolution (2013-2014), the annexation of Crimea (2014), and the Russia-Ukraine war (2014-now). She is a regular contributor to Der Spiegel, Vice News, Zeit, Bloomberg, The Guardian, amongst others.In 2023, Julia won the Emmy Award for Outstanding Continuing News Coverage: Long Form with VICE News Tonight and in 2024, just a few weeks ago, was the global winner of the Open Format category in the World Press Photo awards for her multi-media project War Is Personal.In episode 230, Julia discusses, among other things:Viewing the war as a long-term project.Not choosing to be a war photoghrapher.Still photographs no longer ‘working' - importance of text.How her WPP winning project was done ‘last minute'.Her love/hate relationship with Instagram.How all her plans changed in 2014 with the Maidan Revolution.Her documentary film project See You Later.What she means by ‘it's about the photographs I haven't taken'.A valuable lesson learned about behaving ethically.How war has deprived her of the capacity for joy.Referenced:Oleksandr KomiakhovDaria Kolomiec Website | Instagram “I'm really grateful that our story is being told by Ukrainian photographers, but it never was about career ambition. We Ukrainian storytellers were never in the position that we chose to become war photographers. I keep saying I'm not a war photographer. I'm photographing war because this is what's happening in my country. I have zero wish to photograph any other wars. I'm doing this because this is my war. That's the only accurate skill I have.” Become a full tier 1 member here to access exclusive additional subscriber-only content and the full archive of previous episodes for £5 per month.For the tier 2 archive-only membership, to access the full library of past episodes for £3 per month, go here.