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Artist Album Track Label Year Time Masal Viens des quatre vents Viens des quatre vents Musea 2014 11:21 Upsilon Acrux Radian Futura In-a-Gadda-DeVito Cuneiform 2009 5:10 Black Flower Kinetic Kinetic Sdban Ultra 2025 9:42 Makaya McCraven Universal Beings Atlantic Black International Anthem 2018 9:10 Darrifourcq/Hermia/Ceccaldi Unicorn And Flexibility Moustache et vernis, sans cape et sans […]
Hezké ráno nám dnes popřála herečka a zpěvačka Hanka Holišová. Blíží se léto a opět se na scénu Musea Kampa vrátí několik představení. Mezi nimi i Marta, kde hlavní roli ztvárňuje právě Holišová. Jak si roli užívá a proč ještě neviděla Wericha? Kde má vystavené svoje ceny Thálie? A podle čeho pozná, jaký je den? A stalo se jí někdy, že by zapomněla na představení? Poslechněte si celý rozhovor.
Good morning, beautiful beings, today's spontaneous spoken word is here for those of us who want a new beginning yet need to honor the past. There's an invitation here to slow down instead of rushing forward, to pay attention to the chemistry of transition and the sacred tension between where you were and where you're headed. So many teachers talk about the significance of being in presence and in the now - because there is something here not to be missed. You get to curate the future. If you do not choose to do that, it will just become without your consent. Be a designer. Chart your course. Change your story. Shiloh Sophia Come gather with the MUSEA community in this complimentary 4 hour class called INSIGHT. Over 3000 women have taken this class and you are sure to love it. Come see what happens when you hand over the keys and go just off the map - don't stop at the fairy cottages even if they offer you cake. May 1, consider joining us for the LEGEND Course hereApril 15-28 Color of Woman Applications are open Monthly Gathering for our MUSEUM Society - Riding a Beam of Light Get full access to Tea with the Muse at teawiththemuse.substack.com/subscribe
Hello Beings of the World,I know I know, lots to do and see and be. Lots of chaos and breakdown. But also this: Making time for you - making time for art. Making time to have tea with the MUSE.Come gather with the MUSEA community in this complimentary 4 hour class called INSIGHT. Over 3000 women have taken this class and you are sure to love it. Come see what happens when you hand over the keys and go just off the map - don't stop at the fairy cottages even if they offer you cake. May 1, consider joining us for the LEGEND Course hereApril 15-28 Color of Woman Applications are open Monthly Gathering for our MUSEUM Society - Riding a Beam of Light I will see you in circle,Shiloh Sophia TRANSCRIPTHello beloved ones. Welcome to this episode of Tea with the Muse. This is Shiloh Sophia with an invitation and a poem. The poem I'm going to be reading is from 2019. And it is a poem that came out of a painting process. And the painting process is called Insight.Join us for this complimentary four-hour class with the Muse to open your heart and your mind to hidden insight. Experience a deeper level of intuition and guidance. And ignite your imagination through right and left brain. You can go to musea.org backslash insight and sign up. complimentary four-hour class just for you.And here's the poem that came from it. It's called Meet Me Off the MapThe keys you have been looking for are in the hands of your hidden self. The riddle is you have to know where to find that self and how to request the keys.If it was that easy, you would have already found your way in. The locked doors and boarded up windows and cages without hinges that can hold you tight may litter the landscape of your everyday experience, may clutter up the clarity of your truest voice and vision.That's why seeking the keys of the hidden self is essential soul work. That is why you keep looking. You just know there's something more, to you. After all, you are mostly stardust, you know. Surely that means you are meant to shine. The adventure to discovering your hidden self can be quite dangerous to your default settings,and your comfort levels, because the critic may stand and say: Hey you, there's no way in, and there are no keys to find, and you, my dear, are wasting your time and your mind.The voice of your muse may seem oddly silent in the cacophony of mixed messages. You may find yourself saying,Now where did that dream run off to, and how did I end up here again? Is this what I came here for? What's missing? Ah, that is a good question. Most of us trudge on, seeking but not finding, asking but not really knowing the way, lost in a seemingly endless to-do list.Making the time to have tea with the great mystery is likely the last thing on your calendar, unless you, like me and us, have tea with the muse. Will you dare to join us? Oh, good. All right. Go right at the old oak tree. Just pass the sparkly fairy cottages.And don't stop there, though, even if they promise you yummy cake. Make a left at the corner where it says: there be dragons. That's right, just off the map. At first, you might feel like you're following. And then you might feel like you're falling. Following and failing and fallingare all part of the journey off the map.I will meet you there, just off the map, and catch you up here in this space between worlds. Many adventures to be found. Get full access to Tea with the Muse at teawiththemuse.substack.com/subscribe
Dear One,Surviving times of absolute power requires a focus on absolute beauty. In 1887 Lord Acton writes a letter to Bishop Creighton regarding how to write historically and morally about the Inquisition. “I cannot accept your canon that we are to judge Pope and King unlike other men, with a favourable presumption that they did no wrong. If there is any presumption it is the other way against holders of power, increasing as the power increases. Historic responsibility has to make up for the want of legal responsibility. Power tends to corrupt and absolute power corrupts absolutely. Great men are almost always bad men, even when they exercise influence and not authority: still more when you superadd the tendency or the certainty of corruption by authority. There is no worse heresy than that the office sanctifies the holder of it.”Since the time I can remember having self-awareness, around 5, I have been present to the danger that we are in.  It just all seemed so obvious to me that this whole thing was a set up. Of course, as I colored in my wonder woman coloring book, I was listening to the women at the kitchen table, drinking wine, and smoking cigarettes late into the night, talking about revolution. Danger and power over paradigms.Yet this awareness goes further back than that, because as I breast fed, my mother was engaged in conversations of safety, of food, of welfare, of shelter, of care. Not just for herself, but for the other women in the community who had even less than we had. And it seemed we had so little, because we were on welfare, but then, because my mother and my grandmother were artists, we were surrounded by the beauty of their creations. They built a lot of all our furniture by hand with wood and sewed some of our clothing, and our bedspreads and embroidered our pillowcases.  Beauty goes a long way.I think my somatic memory goes even further back, because my mother was attacked when she was pregnant with me. Research from the womb shows that the fetus has awarenessess of the things that are happening around them, that they react to the energies and language, and physical environment, how the mother treats herself and is treated by others. How could that not be the case, yet it is only recently that prenatal studies have proven the impacts on the fetus.  I think I was born hypervigilant. I feel like I was born watching.Born watching bad men do bad things. To themselves and to others.There is a part of me that finds myself surprised about what's happening in the United States right now. Not because I ever trusted the government, but because the blatant arrogance and ugliness is being televised and tolerated. Yet that part of me that remembers, has been anticipating actions like this, that continue to erase anyone who is not the white male authority of the day, who declares himself in charge, regardless of the structures set up to protect us from such behavior. Of course the system was already broken. Of course, there was already corruption. Yet, in my view, what we are we are witnessing, and experiencing in our bodies, our hearts, our brains, our communities, our stories, is absolute power corrupting absolutely. Many of us may not have seen something like this in our lifetime. But it's happened before. Over and over and over and we never learn because the history of what happened is written by the conquerers. Of course since there are over our over 100 armed conflicts right now, we are certainly not the only place that is experiencing something like this. I think the irony is that the world and we, have viewed ourselves as somehow an elevated nation. Then there is this: "We do not have to invade the United States, we will destroy you from within." This is a quote attributed to the late Soviet Premier Nikita Khrushchev.This kind of dominance has been happening for over 10,000 years. Since the first people conquested, since the first oppressors oppressed others, since the first colonizers colonized land. It is worth noting that these were Tribes that were indigenous to their land, conquering other indigenous tribes, because if you go back far enough, we're all indigenous to earth.  Those with light skin only evolved into light skin about 8000 years ago. And yet it seems that those who became “whiter” developed theories of supremacy that have absolutely zero basis in anything whatsoever other than inventing systems of power.The loss of matrilineal cultures, the evolution to light skin, the fabrication of wars and borders, isn't actually very old. Yet the harm that was created and has never been healed and has shaped our lives and altered the fabric of creation - to such a degree that many of us barely recognize ourselves in this tragically unfolding story.  We are in shock again. The metal age invader blood in my bloodline, remembers things like this and how they begin. I am humming with the remembrance of violence.  This remembrance is why I do what I do in my work with women, art, story, and healing. We turn that humming into songs of resistance.  We make beauty out of what we have to work with. My grandmother assured me that we could definitely make a silk purse out of sow's ear.My family left Africa over 80,000 years ago and settled in the area of Ukraine, Ireland, and Scandinavia.  All of these places have been a part of being conquested and conquestIng just like most of the places on earth. We're not really talking about other people, these are our ancestors and there's no getting out of it, our global family is in pain. we are living out intergenerational trauma. There does not appear to be any logic or reason or therapy that can solve the minds of the men who declare themselves in charge.  Instead of a spear, it's a pen.A pen that creates orders that destroy lives and rewrite history. The reason for sharing this today is because I want you to take care of yourself. We have a long journey ahead at this time. I know that you can feel it in your bones. I know that so many of you are so worried. For good reason, and I'm asking you to turn toward beauty every single day anyway. The empaths Experience is registering such a high level of despair. The healers are inundated with the needs of other healers. Find your village. chop wood and carry water and bring your gifts, and do not turn away from the labor of the day. Listen to your elders right now if they are wise ones. Ensure that your little ones have plenty of art supplies, and lots of unstructured time with you. By unstructured time, I mean time that is not enforced by an agenda. Time where you let the elders and the children choose how the time is spent. For you, the women in my life, in my village, and on the edges of my village. I call you to gather and to really talk. Talk deep into the night at the kitchen table. Tell stories on walks in nature, come together in each other's art studios and paint and pray and gather your beautiful powers around you. As Alice Walker says, hard times require various dancing!  I had the pleasure of illustrating the cover and the images inside of that book of poems.I remember times like this vibrating in my bones. I think you probably do too, even if you have a different language for it.  you must do what you must do to care for yourself. Only you know what that is. Yet, it would be very helpful if you had a village, where you encouraged one another to care for yourselves. Today, walk outside and connect with the Earth beneath your feet. Connect with your head in the stars. And put your hands into the garden soil, or into the creative mediums, or into the making of soup. Create!  creating will offer you tools for reflection, and resilience and offer you the kind of joy that guides us through the hard times.  join the council of wise ones and become more wise  together. Surviving times of absolute power requires a focus on absolute beauty.beauty will be found every time you look for it, but you need to decide to look. I am.Thinking of you with love. This love, the most powerful frequency on earth, is real. Let's share our love. Shiloh Sophia ♥️Curate at www.MUSEA.org Sonoma, CaliforniaThis painting above was painted in Teotihuacan Mexico, it is called The Cosmic love affair between the sun and the moon Get full access to Tea with the Muse at teawiththemuse.substack.com/subscribe
Send us a textFollow Amy on instagram https://www.instagram.com/amyraehill/ or @amyraehillNeed to get your hands on some of her awesome pottery? Head over to her website https://amyraehill.com/Love the illustration I created for Amy? Grab it on some merch from TeePublic https://www.teepublic.com/t-shirt/72765604-spilling-the-intergalactic-tea?store_id=1757742Check out more episodes and illustrations from www.drawntoyourstory.comJoin us for an enlightening conversation with Amy Rae Hill, a talented ceramic artist who intertwines the magic of the cosmos with everyday pottery. In this episode, we delve deep into her artistic journey—from her beginnings as a painter to her evolution toward creating stunning pieces that depict space, such as teapots and mugs that celebrate the beauty of nebulas, stars, and the Milky Way.Amy shares her process, drawing inspiration from scientific images and her background in painting, illustrating the intricate details that make her work distinct. We discuss the challenges she faced during a significant health scare, and how it influenced her art and creative process. The importance of mental health is a recurring theme as Amy reveals how journaling and reflection have helped her navigate the ups and downs of artistry.As a member of the Musea community, Amy's story unfolds beyond her artistic practice. She emphasizes the significance of collaboration and connection within the creative ecosystem. The episode also touches upon the complex nuances of pricing artwork and how she finds balance between accessibility and valuing her time and craft.Amy's visions for the future include aspirations for showcasing her work at prominent events like WorldCon, and the potential for greater awareness of her art in the scientific community. This conversation not only conveys the beauty and challenges of being an artist but also invites listeners to reflect on their paths and the intertwining of creativity with life's experiences.Tune in to explore how art can heal, inspire, and create connections that transcend boundaries, and catch a glimpse of the universe through Amy's incredible pottery pieces. Don't forget to subscribe, share, and engage with us as we explore the art of telling stories through unique perspectives!
In this episode, I talk about some of my favorite museums in the Netherlands. While many people know famous museums like the Rijksmuseum and the Van Gogh Museum, there are plenty of lesser-known museums that are definitely worth visiting. Join me as I tell you more about a few of these unique gems, including Body Worlds, Corpus, the Railway Museum, Castle de Haar and the Kröller-Müller Museum. These museums offer a different way to discover the Netherlands, whether you're interested in art, history, the human body, trains, or castles!You can read along here: https://easydutchonline.com/episodes/podcast-Afl-55Support me: buy me a coffeeEmail me: info@easydutchonline.com
Inner Fire 2010 Arcylic on Paper by Shiloh SophiaToday's podcast is an exploration of becoming conscious about the illusions.* Exploring George Orwell's famous 4 fingers* Gaslighting ourselves and not trusting ourselvesAccusation of the other ‘side' * Exhausting rabbit-holing to find Truth* Do not drink the divide and conquer koolade* Hearts and braings changing right now* A Centers of Knowing Coherence practice for discernmentThis podcast is complimentary - yet if you choose to contribute, be welcome. In Orwell's novel-made movie, 1984, there is a famous and devastating scene. Winston is being tortured by O'Brien, who holds up four fingers and demands that there are five. He wants Winston to distrust himself and go with the party's version of the truth, not just agree to it, but actually see it as so. "O'Brien says, Look at my hand, Winston. Right now, you see, indeed, four fingers held up to you. But as you can see, O'Brien uncovers his thumb, showing all five fingers. I have, in fact, five fingers. That is the essence of the party. Winston, you think you know the truth by seeing things with your senses. But as you can see, your senses can disappoint you. The party knows everything is everything. The party knows that there are five fingers here even if you only see four of them. The party knows the truth that you cannot see from the place you are standing at because you are weak alone. The party is strong and omniscient and therefore if the party says that two and two equals three or five it will always be right. You by yourself cannot know the truth." As each one of us experiences our own reckoning in relationship to our lives and in relationship to how we experience the nation, especially those of us in the United States, I want to invite us to continue to question what we see and think. It's curious for me how personal so much of this feels in relationship to experiences I've had in my life where I haven't been able to trust people and then end up not trusting myself.Some of them are the people I have loved the most. And in the end, it was my own hand showing the fingers to myself through just trusting my own experience over a longer period of time. Now, with the increase of AI easily showing us things that are not true, It can be very hard to believe our eyes.We are going to need other tools for discernment than we've needed before, really. I'm going to share a heart-brain coherence process with you very briefly to support with discernment. The images that AI are showing us makes me think about those Renaissance paintings where the patron would have the artist paint themselves into the scene, painting the patron inm and that those with the biggest purse strings and influence are defining the images of our times. When I offer art history tours, it is a very different tour indeed. I used to go on this tour with Jonathan and myself and our community to the Uffizi in Florence, and Elisabetta, our tour guide, would hand me the mic to give the alt history of what we're actually seeing. One of the changes that we need to make is how we're relating to the material. Because one of the challenges with truth right now is the exhaustion caused by rabbit-holing in order to discern the source so that we can figure out if something is true or not. And there goes another 15 minutes, and there goes another 15 minutes, and there goes our mood, and the algorithms, they got us. At the end, we still don't know if what we see is true, and perhaps we give in to overwhelm. One thing might upset me and another person something totally else, and we each act like the other person's concern is the distraction from what's really happening. And our critical thinking has been used in a sometimes productive and often nonproductive way, but the end result may be weary, irritated, and feeling unsafe, and deciding not to post after all. Can't we just find the truth with a capital T?It's hard to find right now. This process that we are experiencing is fundamentally changing our brains. We are also being changed in our hearts as more fear and distrust of the others around us in our lives and in the larger collective spaces increases exponentially.Divide and Conquer is here to stay for a while, so we need to not go for it. Do not go. Drink that Kool-Aid of divide and conquer. Discernment, choice, but not divide and not conquer. Because then they've got us right where they want us, fighting with each other instead of with them.Yet there is also more compassion that's happening. So the hearts are also opening because we're considering the impacts on other people's lives. People who never defended Mexicans, trans, and women are suddenly becoming more visible. We could go into all the different ways that this time is changing us and our voices.If you look back in my posts on my Tea with the Muse Substack you'll find that I've been talking about these topics for a long time. These are not new that I am suddently speaking about it. I'm just speaking about it more specifically in regarding what's happening here. But I've been talking about consciousness raising and discernment for my entire 30-year journey as a creative and someone who guides community. What I find really curious is that each side, quote, if you think of it that way, really thinks the other side is holding up the false number of fingers. Really, really, really think about this. We have rarely accused each other of the same illusionary experience and metaphor, even if the content that those hands are pointing to is different. Whose hand is it? We can begin to distrust the thoughts and feelings that we're having. In times like these, we question them and then are sometimes gaslit by others for our feelings and thoughts.We can just stop treating other people who don't agree with us as if they're just stupid. That would be helpful. Disagree, but leave the shame part out of it. The marketing propaganda from, quote, both parties is sickening. Sickening. Even as I'm making this message, I'm getting texts on my phone number from both parties about what's happening. Really.Without the heart-brain coherence pattern operating soundly within us, we become dysregulated in our nervous system. This is a real thing, y'all, not some new age idea. Our brain and our heart are communicating all the time. When we become conscious of it, we can collaborate with the process of coherence,which is always the right place to make a decision from. For those who know me, I think they can attest to a degree of severity that I carry forward. Yes, I am a wild, free woman who dances and houses with the moon and paints outrageous paintings.But I have a severity because I am deeply disturbed about the state of the world, and I have been since I was a young child, like so many of you. This disturbance about how I felt about the systems of the world was originally part of the inspiration to be of service when I was a teenager and became a rebel. I wanted to know how I could help. Now my inspiration is I'm just in love with the practices, culture, and community we have co-created called Musea. Musea, by the way, means museum in the plural or many muses. It acknowledges that we have people all over the world who are connected through creativity. Now I work from joy instead of disturbance while keeping my eye on the disturbance. The initial disturbance of how things are showed me how to become stronger towards what I care about. To be courageous at the root of courageous core, the heart.I want to invite you to spend time nurturing yourself and your heart and your brain every single day. When you are confused with something and something that needs discernment or you feel challenged, try this connection with your centers of knowing. This is about creating heart coherence.Creating Coherence in Centers of KnowingConsider physically touching each place that I'm about to mention lightly with your hands as you visualize the connection between each place. I like to see a golden ribbon of light between each area, each center of knowing. 1. Begin with connecting with yourself, capital S self, about whatever it is you're navigating.2. Ask your heart how it feels and what it perceives. The heart has the strongest electromagnetic field of the body. And the heart perceives in the field around you. 3. Travel next in your imagination to your brain and ask how it feels and what it perceives. Listen. 4. And then go back through your heart, landing in your gut,and ask how it feels and what it perceives. Listen. 5. And then when you're ready, travel to your groin region, front and back and all around the pelvic area, and ask, what do you feel and perceive? 6. And then I like to travel back up to the heart after listening. Check in on the topic. Was there agreement between those centers of knowing or disagreement? Was there coherence? And what is the decision now? In Intentional Creativity we might now take to the dance floor of the drawing board or the canvas, which is what I'm about to do on this Valentine's Day. If you check those centers of knowing and there are conflicting experiences, there is work of discovery to be done. Especially if it's just one area, then you can focus there, meditate, and see why there's disharmony. But in general, I try not to act until I get agreement from all centers. That way, I can have a clear voice, a true heart, and a pure mind experience in my decision-making and my discernment.If you would practice this even before you go online and even before you read articles and follow rabbit holes and watch YouTubes and anything else, you would be approaching this material from a very different place than what you'reencountering in the social media and news world and on your phone. I also recommend that you, before you engage, sort of open the file of engagement. And then close it when you are done looking. Don't just leave the portal open or the tab open.Close it energetically so these files are not running in the background all the time. I've made some of the hardest choices of my life through checking these areas for confirmation or lack thereof. It gives me courage. Regardless of all the challenging things, we are evolving and growing. And I believe we are becoming more conscious and more compassionate.I am seeing this time as an evolution. And we have a long way to go. That's why we need practices. I invite you to pay attention to whose hand is holding up the fingers and telling you how many there are. Can we do that? Some say that George Orwell was an optimist.Sometimes the one holding up the elusive hand is in our own minds. Isn't there so much richness here to explore in this wild becoming? I choose to see it as a wild becoming to wholeness. This is my choice, my conscious choice. Enter flow state and soak in as much beauty as possible as often as possible.And I'm sending big love as a wave out into the lives of those tuning in. And I too am tuning in to you with much loveShiloh SophiaPhoto by Jonathan McCloud Get full access to Tea with the Muse at teawiththemuse.substack.com/subscribe
Sto dvacet centimetrů vysoký křišťálový pohár určený pro vítěze, který vyráběli harrachovští brusiči, je nejvýznamnější z vystavovaných exponátů Ski Musea Harrachov.
Sto dvacet centimetrů vysoký křišťálový pohár určený pro vítěze, který vyráběli harrachovští brusiči, je nejvýznamnější z vystavovaných exponátů Ski Musea Harrachov. Všechny díly podcastu Vybrali jsme pro vás můžete pohodlně poslouchat v mobilní aplikaci mujRozhlas pro Android a iOS nebo na webu mujRozhlas.cz.
Today is a big day! I have two ideas for us. I'm sending blessings to everyone.Shiloh Sophia Our event today is at Musea.org Get full access to Tea with the Muse at teawiththemuse.substack.com/subscribe
The idea presented here about choosing to respond instead of react, is something I learned when I was 23 years old from Sue Hoya Sellars, my art Matriarch. I will never forget the day She proposed the idea to me that my activism could be a response instead of a reaction.This very brief podcast is an invitation to* Choose to respond instead of react* Rescue your energy and life force from distraction and reaction* Consciously choose your relationship to what's happening around you* Engage with responsibilitylove ❤️Shiloh SophiaPs I hope you choose some time for you this weekend. And if you wanna join us on Monday for our day, long event visit Musea.org Get full access to Tea with the Muse at teawiththemuse.substack.com/subscribe
Episode Summary:I distinctly remember sitting in the back row of sixth grade art class in Jonesboro, Arkansas and saying to myself, “I am NOT CREATIVE!” I couldn't draw a lick. While my friends brought forth beautiful sketches and lovely paintings their parents would proudly hang on the refrigerator, I looked down at my work with disdain. My parents should burn this. I am not creative.That thought stayed with me for decades, until I realized I was in fact creative, just in different ways. I still can't draw or paint to save my life, but I love the creative process of writing and creating meaningful conversations. Regardless of your artistic aspirations and talents, “We were created to be creators. At its deepest heart, creativity is meant to serve and evoke beauty,” writes Irish poet and seer John O'Donohue.Creativity brings the ideal into the real. Maybe that is why Fyodor Dostoevsky proclaimed, “Beauty will save the world,” hinting that the way things currently are aren't the way they will always be.Whether you realize it or not, you are creative! You were born with gifts and talents that only you can give the world. The first step towards claiming this Divine inheritance is recognizing that you are a sacred, creative being. As today's podcast guest Ally Markotich reveals, “When we claim ourselves as creators, our life becomes a creative adventure; even mundane moments become ripe with possibility for transformation.”The mystical and often illusive creative flow weaves through every human heart. How do you capture her presence? What sparks your creative spirit? As Caitlin Matthews writes in her book The Celtic Spirit, “There are many ideas and inspirations wandering throughout the world. They seem to be shaken like stardust over everything, to be caught in handfuls by those who are ready to receive them.”Our task as co-creators is to join God in bringing forth the beautiful future God has promised. To help us in that eternal work, I am joined on the podcast by Ally Markotich.In this episode we discuss:How creativity is a form of resistance to dominator agendas and beliefsWhy authoritarian leaders are terrified of artistsHow to awaken your inner, creative soulThe relationship between spirituality and creativityHow seeing God in female form opens your heart to the beautifulWhy beauty mattersBio:Ally Markotich is an artist, poet and Creative Formation Practitioner. Ally is the creator of Soul Kindling LLC, an online creative respite where she guides her clients to express their truest colors and gently encourages their creative growth. Ally is certified as a Red Thread Guide and Intentional Creativity® Educator from Musea under the guidance of artist, Shiloh Sophia. She is certified in Spiritual Formation from Columbia Theological Seminary and is a Holy Fire Reiki Master in the tradition of Mikao Usui. As she shares, “Two of the deepest beliefs I hold are: You and I are sacred BE-ings. CREATIVITY is our birthright.”Please follow us on social media (use the buttons below) and help us get the word out! (Also, please don't hesitate to use any of these channels or email to contact us with any questions, concerns, or feedback.)If you enjoyed this episode, please leave us a rating and a review, or share on your socials
Vijf sets voorouderlijke overblijfselen uit Australië die sinds de 19e eeuw in Duitse museumcollecties zaten, zijn teruggegeven. Dit gebeurde tijdens een ceremonie die een vertegenwoordiger van de Ugar Island gemeenschap beschreef als een verdrietig maar "zeer vreugdevol" moment.
In De Nacht van Caribisch Netwerk sprak Guillliano met erfgoedspecialist Dyonna Bennet over de tentoonstelling “Schaduwen op de Atlantische Oceaan” in het Scheepvaartmuseum in Amsterdam. Ook spraken zij over mentale gezondheid, orale geschiedenis, misconcepties over de vrouwelijke verzetsheld Sablika, zeemeerminnen en spiritualiteit.
Painting in Process - Animystica - Cura Archetype Good Morning Muses!I woke up smelling the change in the air and the seeing the light shifting towards this coming Equinox, officially on the 22nd at 5:43 am pst. For those in the Northern Hemisphere we turn towards Autumn. For those in the Southern Hemisphere we turn towards Spring. On September 18 we have a partial Lunar Eclipse visible from Mexico, Canada and the United States. The moon is 97percent full as of this moment and will be full in one day and 11 hours and 38 minutes. There are things we can count on, at least for now. We can count on the moons relationship to the sun….let us honor that relationship.I would love to be someone in your life you can count on to bring you insight and inspiration…I would love for our community at MUSEA and the Cura Council (our ceremonial branch) to provide a place of continuity and compassion. I would love for Intentional Creativity to provide a consistent go-to practice for you to be nourished by. Our community is going to be here for you, this is our sacred assignment. I would be ever so grateful to invite you to join us for a ceremony we have coming up is September 21 at 10am pst. Yes it's another Substack and yes there are scholarship free levels available. Here are the details. The Substacks (Tea with the Muse, The Cura Council, and Gold Mind) we offer provide more immediate messaging in real time. Like today's poem just landed this morning so it is freshy-fresh.I also have a complimentary class coming up on Friday, Attunement Manifestation. Thresholdsfor Equinox There are these strange quiet cycleswhere one life is completingand the new one is just beginningThere, in the in-betweenThen it is time to nap underthe giant oak with the first yellow leavesof this seasonand listen from insideThere are theseloud chaotic patternswhere who you wereisn't matching who you are becomingand there is just so much noiseto stay the same But you can'tThere in the spaces between spacesThen it is time for you to sit in ceremonylistening to the wild geese movingand the last of the pink cosmosblooming and blowingin a fresh wind from the SouthThere are these dances that can only take placeat a crossroadsDances for change that are rhythmic and restless Moving at the center ofthe many directions and decisionsSome that you think you want and some you do notYou, you have outgrown your old lifeYet the path has yet to appearclearly Then it is time to slow way down, to lay down right therein the discomfort of the crossroadsWhere you have always justdanced for your life, for survivalto keep going no matter whatJust Slow DownThe changing of the lightwill point you in the right directionwhen the time is readyIt is not your concernhow long this cycle will lastMany moons and eclipseshave already come and goneAfter a time you will pick upnot where you left off but somewhere newWill you trust this?Just as you trust the greenhills to turn gold andthen to green again? This is what we do,we Earth, we changeand we keep changingcrossing the thresholdsat each point of thissacred wheel turningTurning turning turningtowards centerturning towards you--Thinking of you as I am about to have morning cafe with kitties,Shiloh Sophia Get full access to Tea with the Muse at teawiththemuse.substack.com/subscribe
Pozveme vás do Praskačky, do Musea bednářství, díky kterému se vrátíte zpátky v čase do dob, kdy vlaky ještě jezdily na páru, telefony měly dlouhou šňůru. V Museu bednářství vzdal Pavel Tománek hold svému pradědečkovi a potěšil tím svého dědečka, Jaroslava Tománka, kterému je téměř 94 let.Všechny díly podcastu Host ve studiu můžete pohodlně poslouchat v mobilní aplikaci mujRozhlas pro Android a iOS nebo na webu mujRozhlas.cz.
Pozveme vás do Praskačky, do Musea bednářství, díky kterému se vrátíte zpátky v čase do dob, kdy vlaky ještě jezdily na páru, telefony měly dlouhou šňůru. V Museu bednářství vzdal Pavel Tománek hold svému pradědečkovi a potěšil tím svého dědečka, Jaroslava Tománka, kterému je téměř 94 let.
Confronting unconscious beliefs that cause shame Inquiries into cause and effect Challenging our projections on the DivineEverything CAN become a teaching bit that doesn't mean God or life created it to teach you a lesson.Invitation to the middle ground of co-creation Seeking collaborative power The field condition Blessings ~ Curate Shiloh Sophia See all upcoming events at Musea.org Get full access to Tea with the Muse at teawiththemuse.substack.com/subscribe
The STUDIO (for those who don't think they have room)Let's start with what every studio needs. Every studio needs a work table, a place for an altar, a place for supplies, a journal and a teapot at the very least. Usually the Muse also wants a plant. Oh and a hammer and nails. Hand-paint your hammer so everybody knows it is YOURS. My mother Caron was also never without a tape measure. My studio must-have is sandpaper. I also like a painting rug for where I stand. An easel is awesome but a few nails on the walls works just fine and you can have multiple canvases up at once. For all of these solutions, if you use oil or acrylic you will want painter's drop cloth from the hardware store to protect the innocent surfaces of your home. If you live with others, this will be important for ongoing relationship.Once the artist moves in for good, things can get a little challenging, because your priorities have literally changed. Maybe even your values, and how you like to inhabit spaces changes. In other words, pristine white couches are now an endangered species. YOU DO have options for having a studio and it is needed if one is to choose a creative life, that is oh so romantic. Sue Hoya Sellars used to say, Being an artist is so romantic. So let's get to it. I want to tell you that the physical-ness of a studio is rad cuz you work there, but it is more than that. Even when you aren't in your studio physically – YOU KNOW IT IS THERE and IT WORKS YOU. I hang out in my ‘studio in my mind' all the time. 1. Guest Room: Clear the guest room that is often empty, and make your guests sleep on the couch. They will understand when they see what is happening in there, if they are lucky enough for you to show them. The bed is fine to leave, add lots of pillows and take naps there. Muses love beds. But the dresser is now a surface for painting to perch and journals to be spread out as if it is an altar. The nightstand is an altar. Sorry if you have a white rug. If you plan to live there a long time you might just choose to let the rug be a painting rug. What have you got to lose? (people who don't paint hate this idea, but painters are so relieved)2. Dining Room: The dining room, how often do you eat there really, put a drop cloth over the table and voila – it's a work table. All creatives need work tables if they are serious. Move most of the chairs out to the garage or the street. You need room to MOVE all the way around the table and at times you may find yourself needing to lay right on the table. You might need to put up a curtain if you don't have doors on it. A shower rod is a quick fix without needing to drill for a rod – honestly you could have this going today if you want!3. Bathroom: The bathroom, especially if you have two, is often so under-used unless there are two people and you both have do go number two at exactly the same moment. Poor lonely bathroom, use the shower stall as a place for a small desk or a stack of paintings. The water is right there and the toilet works just fine for a table. Plug in a teapot instead of hair drier and it is all ready for you.4. Laundry Room: The laundry room is often the last resort because there is too much coming and going. But the tops of the machines make a fine work table. It smells good in there and there is often a window. But clean clothes and paint are magnetized towards one another.5. Bedroom: If you are single, your bedroom can work and that way you are surrounded by your creativity. Do not do this if you are in a committed relationship. Your part-time lover will think it is sexy at first, but then they will want more room for themselves. Be careful here, and don't compromise your creative space. You can always have sex on the couch or the dining room table.6. Garage: Finally the garage. Now I will be honest about this. Lots of people pick this one and start parking their car outside. Big move. But unless it has access to air, unless you can move smelly things out, unless you can regulate the temperature, unless you can really make it feel good to you – you won't go in there. You know what I am talking about. If you add a fancy rug you can get paint on, a disco ball and a stereo and a nice big chair it COULD work. But if you try this option and the Muse doesn't want to go there, then you MUST find another solution.7. Pavilion of Plein Air: If it is warm enough where you are, there is always outside. Sue Hoya Sellars got an Easy-UP and called it a painting pavilion. She added chimes that rang when the wind blew. Begin to think of all of your outside spaces as additional rooms, even if it is just a deck or an entry way. Take over. The Muses have requested it. 8. Imaginal Dream Studio: But the most important studio is the imaginal one, the place you set up in your consciousness for the Muse to play. You can think of this like a chosen department of your inter-consciousness where your Dream Studio is. Build it out, see the windows and the plants and all the space. See the view and the giant chair big enough for two. Set it all up and then hang out there.Sue used to also treat her journal as her studio. She would go to Denny's get a cuppa coffee and sit all day – she called it her studio. So really you have no excuse.Whatever you do put a sign on the door: The MUSE is in. To anyone who might be passing by, this is a CLEAR SIGN not to disturb. Except the cat or the pup. They always want to be where the action is. Oh, and one more thing, a painting bathrobe. You need a robe that you can grab in the wee morning or the middle of the night and get right to the studio without thinking or talking yourself out of it.Finally and perhaps most important. Each time you create set up for the next time. Whether that is a jar of water or a blank page with a pen perched. Do not give yourself the CHOICE not to go. Do not want to feel like it, just get in there. The MUSE is always waiting. Tap tap tap…. Hear that? That's the end of her paintbrush, which is a magic wand…anticipating your arrival.Excerpted from my upcoming book, Rodeo of the Soul, Cosmic Cowgirl Poetry & Painting Prose Shiloh SophiaI haven't had a functional ‘studio' of my own for over 2.5 years. Those of you who have been at MUSEA know that there is a film studio, which is very different than your personal paintings studio. I know I am spoiled, I have a whole room and places to sit and a fire place. Don't be jelly, go make your studio today! Here is one of the first peeks at it….this studio was created for painting by the previous stewards. I used to have this studio years ago and I have to say, I am so relieved to have it back. s Get full access to Tea with the Muse at teawiththemuse.substack.com/subscribe
Musea werden in de coronacrisis hard getroffen. Maar Bruynzeel Storage Systems, dat opslagsystemen maakt voor musea, heeft daar weinig van gemerkt en groeide hard door. Is er nog meer ruimte om uit te breiden in de wereld van kunst en kitsch? Of moet Bruynzeel het hebben van nieuwe markten? In ‘De top van Nederland' een uitgebreid gesprek met Alexander Collot d'Escury van Bruynzeel Storage Systems. Presentator Thomas van Zijl vraagt hem of... - verticale tuinbouw de toekomst is van Bruynzeel; - er veel is veranderd sinds het bedrijf overgenomen door investeringsmaatschappij Gilde; - het bedrijf de capaciteit heeft om door te groeien; - er nog groeipotentie zit in de markt voor opslagsystemen voor musea; - Bruynzeel ook in de toekomst een Nederlands bedrijf blijft. Over Bruynzeel Storage Systems Bruynzeel Storage Systems was van origine onderdeel van hetzelfde bedrijf de keuken en potlood producent Bruynzeel. In de jaren 80 ging Bruynzeel Storage Systems alleen verder. Inmiddels is het bedrijf Europees marktleider in het leveren van opslagsystemen voor musea, archieven en bibliotheken. Over Thomas van Zijl Thomas van Zijl is financieel journalist en presentator bij BNR. Hij presenteert dagelijks ‘BNR Zakendoen', het Nederlandse radioprogramma voor economisch nieuws en zakelijk inzicht, waar 'De top van Nederland' onderdeel van is. Ook is hij een van de makers van de podcast ‘Onder curatoren'. Abonneer je op de podcast Ga naar ‘De top van Nederland' en abonneer je op de podcast, ook te beluisteren via Apple Podcast en Spotify. See omnystudio.com/listener for privacy information.
Musea werden in de coronacrisis hard getroffen. Maar Bruynzeel Storage Systems, dat opslagsystemen maakt voor musea, heeft daar weinig van gemerkt en groeide hard door. Is er nog meer ruimte om uit te breiden in de wereld van kunst en kitsch? Of moet Bruynzeel het hebben van nieuwe markten? In ‘De top van Nederland' een uitgebreid gesprek met Alexander Collot d'Escury van Bruynzeel Storage Systems. Presentator Thomas van Zijl vraagt hem of... - verticale tuinbouw de toekomst is van Bruynzeel; - er veel is veranderd sinds het bedrijf overgenomen door investeringsmaatschappij Gilde; - het bedrijf de capaciteit heeft om door te groeien; - er nog groeipotentie zit in de markt voor opslagsystemen voor musea; - Bruynzeel ook in de toekomst een Nederlands bedrijf blijft. Over Bruynzeel Storage Systems Bruynzeel Storage Systems was van origine onderdeel van hetzelfde bedrijf de keuken en potlood producent Bruynzeel. In de jaren 80 ging Bruynzeel Storage Systems alleen verder. Inmiddels is het bedrijf Europees marktleider in het leveren van opslagsystemen voor musea, archieven en bibliotheken. Over Thomas van Zijl Thomas van Zijl is financieel journalist en presentator bij BNR. Hij presenteert dagelijks ‘BNR Zakendoen', het Nederlandse radioprogramma voor economisch nieuws en zakelijk inzicht, waar 'De top van Nederland' onderdeel van is. Ook is hij een van de makers van de podcast ‘Onder curatoren'. Abonneer je op de podcast Ga naar ‘De top van Nederland' en abonneer je op de podcast, ook te beluisteren via Apple Podcast en Spotify. See omnystudio.com/listener for privacy information.
Good morning everyone! It is such an honor to invite you to get a cup of tea, pick up a journal, a paintbrush, take a walk, and listen to this reading and conversation. I am joined for this Tea with the Muse Saturday morning café at MUSEA by Ali Stoddard. Ali has been studying Intentional Creativity for the past five months and is a Functional Medicine Coach that works with us at Musette. I have been sharing with her about the way we pass on information in our lineage, the spirit of guardianship and how we create our lives. What a better way to share about our lineage than to read from one of our ancestors in the movement, Lenore Thomas Straus. She is the one who trained Sue, who is the one who trained me, and I get the honor of training many of you. In this reading I also discovered some of the ‘romance' ideas that Sue brought to her work, as well as the animistic nature that Lenore brought to her work.With Great Love in my heart, Shiloh Sophia Lenore is the one in the middle, this is when she came to teach us meditation, Sonoma 1975. Get full access to Tea with the Muse at teawiththemuse.substack.com/subscribe
Good morning everyone! Today we are welcome Dr. Jeffrey Rediger to Musea for a livestream on the 4 Pillars present in spontaneous healing. You can always find everything we're up to at www.Musea.orgToday's episode introduces a new F word in the stress response lexicon. I recorded this yesterday in preparation for today.Today's image is the Morning Sunrise from the hot tub. This is one of the places I pray in the morning and watch the morning arrive.❤️ shiloh sophia Get full access to Tea with the Muse at teawiththemuse.substack.com/subscribe
Hello to you! I am coming by today to share my WHY for a trauma-inspired approach.Join us for INSPIRED - you will be inspired looking at what we have dreamed up!Here at MUSEA we are ready to take trauma-informed to the next level. We all have work to do to heal - let's try a fresh perspective.BlessingsShiloh Sophia Get full access to Tea with the Muse at teawiththemuse.substack.com/subscribe
Today's message is just a quick hello and invitation to more pleasure! Thanks for turning in❤️www.Musea.org Get full access to Tea with the Muse at teawiththemuse.substack.com/subscribe
Weet jij hoelang een kilometer is? 1000 meter denk je vast. Maar beseffen we eigenlijk wel hoe groot die afstand echt is? In een tijd van GPS en stappentellers, zijn maateenheden vanzelfsprekend geworden. Maar niet als het aan Stanley Brouwn ligt. In zijn werk ‘One step on one kilometer', maakt hij een abstract begrip zoals de kilometer weer zichtbaar. Janine Abbring spreekt erover met conservator beeldende kunst 20ste eeuw, Ludo van Halem.Normaal kun je naar www.rijksmuseum.nl/podcast gaan voor een afbeelding van het kunstwerk waarover gepraat wordt. Maar in dit geval is daar geen foto te zien, want dat wilde de kunstenaar niet.In het Rijksmuseum is powered by ING.
Do Uměleckoprůmyslového musea nastoupil Radim Vondráček před třemi desítkami let původně na krátkodobou brigádu. Jenomže zůstal a přes kurátorské posty – začínal ve sbírce grafiky – se dostal až do ředitelské pozice, na níž nedávno vystřídal Helenu Koenigsmarkovou. Jak jeho přístup k umění ovlivnilo studium ve Vídni? Jaký potenciál mají sbírky musea a proč je důležité přilákat k nim nejmladší generaci? I o tom mluvil s Radimem Vondráčkem ve Vizitce David Hamr.Všechny díly podcastu Vizitka můžete pohodlně poslouchat v mobilní aplikaci mujRozhlas pro Android a iOS nebo na webu mujRozhlas.cz.
Do Uměleckoprůmyslového musea nastoupil Radim Vondráček před třemi desítkami let původně na krátkodobou brigádu. Jenomže zůstal a přes kurátorské posty – začínal ve sbírce grafiky – se dostal až do ředitelské pozice, na níž nedávno vystřídal Helenu Koenigsmarkovou. Jak jeho přístup k umění ovlivnilo studium ve Vídni? Jaký potenciál mají sbírky musea a proč je důležité přilákat k nim nejmladší generaci? I o tom mluvil s Radimem Vondráčkem ve Vizitce David Hamr.
Een begenadigd lasser die in de jaren 50 op de motor door Parijs scheurde en in de leer was bij Zadkine. Wees eens eerlijk, je denkt aan een man toch? De kunstenaar Ferdi was haar tijd ver vooruit. Haar kunstwerk Wombtomb ademt de Flower Power, Rock ‘n Roll en seksuele vrijheid van de sixties. In de kunst veranderde er van alles. Kunstwerken verlieten de vitrines en vrouwelijke kunstenaars braken door het glazen plafond. Janine Abbring spreekt erover met conservator beeldende kunst 20ste eeuw, Mels Evers.Wil je weten hoe dit zeer aanraakbare object eruitziet? Ga dan naar: https://www.rijksmuseum.nl/en/collection/BK-2012-58In het Rijksmuseum is powered by ING.
Een broek met afritsbare broekspijpen. Dat is misschien wel het laatste wat je zou verwachten in het Rijksmuseum. Maar de broekspijpen van het ‘speespak' zijn heel anders. Iris de Leeuw ontwierp het speespak om vrijer te communiceren. Hoe dat verhaal in elkaar steekt en waarom we eigenlijk allemaal aan het speespak moeten, bespreekt Janine Abbring met conservator geschiedenis Maria Holtrop.Wil je weten hoe deze broek eruitziet? Ga dan naar https://www.rijksmuseum.nl/nl/collectie/NG-2016-57-18In het Rijksmuseum is powered by ING.
V čele Uměleckoprůmyslového musea dnes stanul nový ředitel – Radim Vondráček – dosavadní ředitel Jeho sbírek a výzkumu. Za svoji činnost spojenou nejen s Uměleckoprůmyslovým museem získal řadu ucenění a má také bohaté kurátorské zkušenosti. Odcházeníjí ředitelka Helena Königsmarková vedla muzeum přes 30 let. Na co bude Radim Vondráček navazovat a co ho čeká?Všechny díly podcastu Mozaika můžete pohodlně poslouchat v mobilní aplikaci mujRozhlas pro Android a iOS nebo na webu mujRozhlas.cz.
Deze talkshow wordt mede mogelijk gemaakt door Turtle Beach. Alle meningen in deze video zijn onze eigen. Turtle Beach heeft inhoudelijk geen inspraak op de content en zien de video net als jullie hier voor het eerst op de site. Het gebeurt bijna elke dag wel een keer. Spontaan maakt een brandende vraag zich meester van jouw hersenpan en die wil daar vervolgens niet meer weg gaan. Hoe hard je het ook probeert. De enige remedie tegen dit vervelende gevoel is die vraag direct beantwoord krijgen. Gelukkig hebben wij bij Gamekings een oplossing. Stel die dwingende vraag gewoon aan ons. Doordeweeks of in het weekend. Dat maakt ons niet uit. Release it. Tijdens de rubriek Brievenmaandag op maandag beantwoorden we de vraag met alle liefde. Ben jij mooi van de druk onder je schedelpan af en hebben wij een voorraadje leuke content. Ook deze week nemen wij de rol van de verlossers op ons. Boris, JJ en Koos beantwoorden onder andere vragen over over Phil Spencer, gamen voor meiden van vijf jaar en Tekken 8. De antwoorden op deze vragen en de rest zie en hoor je in de Brievenmaandag van maandag 8 mei 2023. Brievenmaandag over de bizarre video van Phil Spencer Het regende vragen het afgelopen weekend vragen via de mail en Discord. Vragen over de slechte staat waarin games vandaag de dag verkeren en of we in onze review niet te lief waren. Vragen over de cross play functionaliteit en Tekken 8, over een professionele tik op de vingers en over de wreedste eindbaas die we ooit zijn tegen gekomen. En op al die vragen hebben de drie heren een passend antwoord. Turtle Beach komt met nieuwe high end headset: De Stealth Pro Turtle Beach heeft een nieuwe high end gaming headset op der markt gezet: De Stealh Pro. Dankzij de 50-mm Nanoclear™-drivers, actieve ruisonderdrukking, een TruSpeak™-staafmicrofoon met ruisonderdrukking kun je het geluid van games optimaal beleven. De Stealth Pro is comptabiliteit met Xbox, PlayStation, PC, Mac, Nintendo Switch en de mobiele telefoon. Interesse in de headset of wil je de specs nader bestuderen, alle info vind je hier.
Dear Ones,Today on International Women's Day I am writing with an inquiry about your relationship to the Divine Feminine…is She included in your life? Your tradition, your practice, your faith walk? There is no tradition on the earth in which She isn't present, even if She has been hidden in the places you have been practicing, look deeper, She is there. Always here. The Divine Feminine isn't returning to us, we are returning to Her. She has always been there/here.Here are Musea one of the ways we are WITH Her in our lives is through making “Her” in our own images, the places within us that ache for re-mothering, and the images we carry in our collective history. I have been painting Her since my early twenties as a form of devotion, and a rites of passage. Today, pause with me to look for Her in your own life. Is She nature? Earth? Mother Life? Divine Mother? Sometimes, poetically speaking, I feel the Father must be very lonely for Her - but then I know it isn't the “father” or the masculine that removed Her, it is humans. Yep, us again, only we blamed in on them. Both of them, Mother and Father, taking the rap for our need for power-over structures to keep things in place that benefit the few. What a great tactic for oppressive structures - remove the mother from the children - and then watch who we have become. What a tangled story we must each unravel for ourselves - and hopefully - at times together in sanctuary and sisterhood. Shiloh Sophia Curious? Explore Sanctuary Red Madonna Sisterhood 2023 here - we have been leading this community if women seekers and teachers since 2011. You can read my entire writing on this topic on this page link. Get full access to Tea with the Muse at teawiththemuse.substack.com/subscribe
Musea... 't is toch iets raars hé. Twee uur in de rij staan om in 't Louvre even naar een teleurstellend kleine Mona Lisa te kijken. Terwijl je dat net zo goed kan zien in een boek, vanuit je luie zetel. Of op internet. Zijn musea eigenlijk niet passé? Museumonderzoeker Olga Van Oost, prof aan de VUB en directeur van Faro, verdedigt vanuit het Museum Dr. Guislain met vuur musea. Niet de stoffige en gedateerde. Maar de hedendaagse musea die je laten zien én voelen wat er in de wereld gebeurt. Deze podcast is mogelijk dankzij de medewerking van KU Leuven, Antwerpen, UGent, UHasselt, VUB en de Jonge Academie en komt tot stand met de steun van Knack, VRT en de Vlaamse overheid.
Here is the audio transcript if you wish to read with a cuppa instead ❤️Dear Ones,I wonder if you find yourself thinking about the different worlds that we seem to inhabit as a self, but largely unconsciously. It's almost like we become aware of worlds as we become adults because we've lost some connection to it somewhere between childhood and adulthood. We stopped seeing and dreaming in the way that we used to when we used to have imaginary friends and imaginary worlds.I can't help but wonder if we wouldn't have a different world at large if children were truly taught to keep their imaginal world front and center as a way of thinking and being. We're not very old, eight to 12 depending on the culture that we're living in, sometimes even younger than that, before we start to create a disconnect, whether that's conscious by adults in our space, I think largely unconscious, or just in a desire to sit into being inside of a structure.If we don't act like we're present and participating in culture, we sometimes are told we're daydreamers. We're told to stop making things up and stop pretending. We're told to grow up and use our adult voice. We're taught not to use our outside voice inside. But while all this is happening and has a relative level of logic to it, something else is being lost. We don't even know enough about it to talk about it.Many people have to become adults and be able to afford education in order to start thinking about the imaginal world they left behind as a child. So many people we work with in our intentional creativity community can remember the moment they put down a crayon. That's how significant that moment is. If I ask them what was happening in that day, or even what they wearing or who was there, they often have this almost supernatural vision of themselves in that moment.We're yet to determine why that image is so absolutely looming and huge in our lives. Why that moment would be so big that we would actually stop creating, sometimes until we're adult. I have different theories about why I think that moment is so significant.One of them is that, until that moment, we are largely connected with our imaginal world, and move freely and easily between imagination and what others around us perceive as a kind of reality. When someone becomes critical of our creativity, which in many cases is an externalized version of our internal world, whether that's drawing, singing, dancing, playing, make-believe, when that in any way gets criticized, when it had been largely encouraged before, but nobody told us when we were going to stop being encouraged to be imaginative. There was no warning. We get surprised.In that moment, something happens, a rupture, that it could take the rest of someone's life to repair, if we even know to do it. It's almost like we're caught in the act of somehow not being connected, somehow not being connected to the reality that the adults around us have been enforcing. It's a moment, it's a flash, it's a rupture, and we start to, in a way for many of us, become concerned about ourselves.It could be a moment where self-trust is lessened and where we recognize a stark reality between what we think of as our imagination and what we are now crashing into as the reality in which everyone else is living and somehow we weren't. My mother, Karen, used to think of this moment as a time when many people would start to think they were just a little bit crazy and had to hide and pretend to behave in order to fit in.Over days, months, or years of trying to fit in and not invite that imaginary friend to the lunch table anymore, because now there's real friends to behave and act normal with, we actually start to lose trust with that internal world. And then later, as we go on in education, we're criticized if we're not connected to our creativity and our imagination. We're criticized if we're too structured, too A type, too left brain. And so this tug of war between imagination and reality is set in place and barely ever do we actually talk about it in a way that can be understood and healed.In the work of intentional creativity, the invitation is to reconnect to the imaginal world while still being connected with the resonant world. I call it resonant world because I don't want it to be an external world from our internal world. External inherent in the vocabulary actually indicates separateness.If we could move from our inner world to our imaginal world and then into a resonant world, we would be able to navigate what we experience as internal and imaginal, and relate it and bring it into harmony with the resonance of those people, places, things, animals, energies, archetypes, creatures, symbols, and stories all around us. We would have a sense of place in the cycle of things and a sense of our own place. It would be resonant and we would seek for contextual resonance by choice, and our imagination would give us contextual relevance.One of the things I have to watch myself with when I'm leading circle is when someone seems out of context. In my family's world, context is queen. It means you are conscious of being appropriate to the context. And when someone isn't appropriate to the context, to me, it interferes with the resonance, and I want to smooth it over and stop it. That's my first response. What my mom would call a knee jerk response. It's the first response.The second response is, how is this important right now? How is this wild moment leading to something else? If someone's breaking out into a dance in the middle of a meditation, should I invite everyone to dance? If someone's making a lot of loud noises or opening a candy wrapper while I'm trying to say a prayer, should I suddenly start to make sounds and invite everybody to do the same? Should I ask the person to stop or should I impatiently wait?When I lead circle, it's this interesting moment to notice all the sharp bits about myself, about how much I desire a level of coherence. But a resonant world wouldn't necessarily be that everything is the same and in harmony. It would actually mean that everything works in tandem and it's time together, and that there is a place for everything.What I think I'm really reacting to is what I perceive as a lack of consciousness or a lack of willingness to participate in what I consider the energy that I'm weaving or that's present. That's where the overworld comes in. Dr. Clarissa Pinkola Estes, who wrote, Women Who Run with the Wolves would say that this is an over culture, a dominant power over kind of energy that exists at the level of paradigm. Pretty much all of us participate in it, even those of us who lead circle.For me, when I notice that overworld coming in or have a desire to control for the sake of myself and everyone in the room, because I think it's best for everyone, for there to be coherence, I have to just stop and ask myself, what is the wild one in the room trying to show us? In almost all indigenous cultures, there's a wild one.There's an emu in the indigenous aboriginal culture. There's the coyote in Native American culture. The trickster exists in so many forms all around the world, and I admit it's one of the places I have trouble. We have quite a few tricksters in our community. You know who you are. And I sometimes am challenged by the context, but that's part of the role of the trickster to shake things up. And what if a resonant field is woven all together with the tricksters?And what if those of us who are pretending toward consciousness could recognize the trickster as part of the resonance? The trickster, FYI, for your information, is usually one of the highest intelligent beings in the circle because they're actually paying attention to everything that's happening. And for there to be a true resonance, there has to be a true diversity, and tricksters act out when they see there's homogeny instead of resonance.As I grow up, I'm learning. And I'm learning how trickster is not my own archetype, but how I value the supreme, hilarious intelligence of those around me. For example, on Sonoma Mountain, the land that we revere here in Sonoma County, which is considered the birthplace of creation for the coast Miwok, the creator of the world is coyote. I sigh when I hear that because I'm like, "Ugh, I do not want an engagement with coyote." But I do want an engagement with coyote's children, two sisters - question women and answer women, and they exist often as two crows cackling on a fence.I think I've seen them. I think I've heard their stories. I think I've heard them laughing at me, with me, beside me, at all of this madness. So I watch my participation in the overworld. The dominant world is something else altogether. An overworld is the way that we try to fit in to structures and circles or insist that other people do. It's largely unconscious, and I'm not saying there's not a place for this overness, but overness unchecked becomes a form of supremacy, and at its worse, domination, and at its very, very worse, a kind of white supremacy which becomes paradigmatic in the consciousness of the individual.I'm coming to you today with an invitation to begin to make some distinctions for yourself, within yourself, or the capital S itself. How do you think of your internal world or your internal self? Sometimes what I call the hidden self, because largely we're not conscious of the power it has and the way it operates, yet it's operating all the time. In fact, it operates how you speak to yourself, whether you hear the critic or the muse or some other cacophony. How do you be with your imaginal world? Have you been hanging out there recently? Have you done some healing?If you create with us the giant paintings that we work on or engage with us in any of our courses, then you've reengaged with your imaginal world because it's absolutely essential to creating a painting and writing a story from the perspective of the painting. We do a lot of healing around the imaginal world in our community.Where do you see yourself in the place of things from an overworld perspective? In what ways are you capturing and dominating yourself from within? And in what ways are you participating in an overworld that's happening out there that many say is reality, but here we question?And what about the resonant world? What would it be like if we could work toward a resonant world, which has a diversity of possibility? It isn't all peace, unicorns, and butterflies. It also includes cactus and iguana and the wild ones who refuse to be in context. When I think of the community leaders here at Musea, the reports I often receive where I am asked to step into work something out, the first thing that I notice about the story is that someone has behaved in a way out of context with "How we are here."And I realize that I too have been a part of creating a culture where there's a certain way that we are, and I want to pay attention to that. Because while I respect that there's a way that we are that includes respect, connection, inclusivity, conscious action toward diversity, and always in efforting toward equity, even though rarely actually achieving it because it's complex and it takes time and people and conversation, I have to question the way that we have created an overworld and to pay attention.Whenever someone says, this isn't how we do it here, I want to ask, "Well, how is it that we do it here?" And so for today, this is how we do it here. We question ourselves. We visit our different worlds. We look at our assumptions and our dominant behaviors, and we seek to find a resonance. Resonance, which is not about harmony per se, but actually about life living itself.Humans are so busy trying to simplify and dominate and collate and categorize and articulate that we tend to trim the wild garden. And I don't know about you, but the wild garden is the place where life is happening. In my relationships, in my creativity, in my truly hidden world self, I want a wild garden. I don't want my hedges trimmed and my palm trees topped and the bugs kept out. I want a wild garden. A wild garden has the sound of resonance, moments of harmony, moments of chaos, moments of out of context wildness, and plenty of peace and quiet woven in.So today, the invitation is to consider your own relationship with your internal world, your imaginal world, your overworld, and with the resonant world. And to ask yourself, is there anything right now that's arising for you? Were you to desire to do a little bit of a deep dive into a territory where you haven't been hanging out? Maybe right now you could close your eyes, enter the realm of imagination and just look and just see, and just ask, what message from what part of my world is arising for me right now?I invite you to sing about it, to write about it, to draw about it, to be all about it.with love,~ Shiloh Sophia Get full access to Tea with the Muse at teawiththemuse.substack.com/subscribe
Hi Ya'll ~ today I decided to turn my letter from the red thread café into a podcast. Discover the super cool things happening at Musea right this minute!SS ❤️⭕️❤️
In de oorlogsjaren haalden nazi's kunstwerken weg uit ons land. Tegelijkertijd verkochten eigenaars soms aan erg lage prijzen hun kunstwerken om te kunnen overleven. Of ze deden dat onder dwang, met de groeten van Hermann Göring. Al jaren houdt ons land vol dat er geen naziroofkunst in Belgische musea zit. Maar onderzoek van De Standaard bewijst het tegendeel. Ook in onze musea hangt ‘roofkunst' en ook in andere landen hangen werken die eigenlijk van ons zijn. Credits op standaard.be/podcastSee omnystudio.com/listener for privacy information.
Artist Album Track Label Year Time Shub Niggurath Les Morts Vont Vite Yog sothoth Musea 1986 12:28 This Heat Deceit Paper Hats Rough Trade 1981 6:03 Titan To Tachyons Vonals Blue Thought Particles Tdzadik 2022 8:14 Mr. Bungle California Sweet Charity Warner Bros 1999 5:06 The Muffins Baker's Dozen Zoom Resume Cuneiform 2022 8:06 Dry […]
Welcome to the MUSEA Podcast! This is episode #79 featuring a live conversation with Shannon Griffin from MUSEA Spaces. Shannon is a family and boudoir photographer in Florida. We recorded this during our live conversation on MUSEA Spaces. We talked about finding your ideal client, building a business that serves a very specific audience, creating filters that lead you to land your perfect clients, and increasing the level of service you provide. Follow Shannon on Instagram at http://instagram.com/shannongriffin If you'd like to join MUSEA Spaces, you can join our free community at http://museaspaces.com
Welcome to the MUSEA Podcast! This is episode #78 featuring Kristin Sweeting. This was an interactive conversation on MUSEA Spaces about moving up to higher-end clientele. Kristin is a highly sought-after wedding photographer, business mentor, and podcast host. Some of the topics discussed include: • Moving up to higher prices and what that means for photographers • How to move up to a higher price point • How does moving up change what the photographer needs to do • How do photographers find clients willing to pay higher prices • How do photographers get past the fear of charging higher rates • What do higher-end clients expect from photographers • How does a photographer communicate their value more clearly • What are the benefits of charging more Follow Kristin on Instagram at http://instagram.com/kristinsweeting
Band Album Track Label Year Time Far Corner Endangered Not From Around Here Cuneiform 2007 8:55 Giant Hedgehog Im Siel Gemurmel aus dem Brunnen Hollow Hope Studio 2022 7:48 Shub Niggurath Les Morts Vont Vite La ballade de Lénore Musea 1986 8:58 The Book Of Knots Garden Of Fainting Stars Obituary For The Future Ipecac […]
Today's guest is Michael Howard, a renowned photographer and the creator behind MUSEA. In this episode Michael talks about his evolution as a photographer/ entrepreneur and the importance of keeping humanity within the photography community. He uses the MUSEA platform to share unique education with photographers to help them avoid the dreaded burn out that we sometimes experience as creatives.
Com vozes de Marília Gabriela, Adriana Couto, Sara Bentes e André Trigueiro, o audioguia inclusivo da 34ª Bienal passa por 20 obras de arte e objetos que compõem a mostra. Ao seguir o percurso proposto – desde os objetos do Museu Nacional, no térreo, até a obra Two Choirs [Dois coros], de Ana Adamović, no final do terceiro pavimento – você será guiado por todos os andares do pavilhão. Cada uma das faixas apresenta histórias relacionadas às obras, comenta processos das e dos artistas e descreve as peças. Como é um audioguia inclusivo, na plataforma do Musea, ele também está disponível em Língua Brasileira de Sinais (Libras). O projeto é uma correalização da Fundação Bienal de São Paulo com o Goethe-Institut, com consultoria de acessibilidade pela Mais Diferenças; desenho de som e trilha sonora por Fernando Cespedes; e distribuição pelo Musea.
Com vozes de Marília Gabriela, Adriana Couto, Sara Bentes e André Trigueiro, o audioguia inclusivo da 34ª Bienal passa por 20 obras de arte e objetos que compõem a mostra. Ao seguir o percurso proposto – desde os objetos do Museu Nacional, no térreo, até a obra Two Choirs [Dois coros], de Ana Adamović, no final do terceiro pavimento – você será guiado por todos os andares do pavilhão. Cada uma das faixas apresenta histórias relacionadas às obras, comenta processos das e dos artistas e descreve as peças. Como é um audioguia inclusivo, na plataforma do Musea, ele também está disponível em Língua Brasileira de Sinais (Libras). O projeto é uma correalização da Fundação Bienal de São Paulo com o Goethe-Institut, com consultoria de acessibilidade pela Mais Diferenças; desenho de som e trilha sonora por Fernando Cespedes; e distribuição pelo Musea.
Com vozes de Marília Gabriela, Adriana Couto, Sara Bentes e André Trigueiro, o audioguia inclusivo da 34ª Bienal passa por 20 obras de arte e objetos que compõem a mostra. Ao seguir o percurso proposto – desde os objetos do Museu Nacional, no térreo, até a obra Two Choirs [Dois coros], de Ana Adamović, no final do terceiro pavimento – você será guiado por todos os andares do pavilhão. Cada uma das faixas apresenta histórias relacionadas às obras, comenta processos das e dos artistas e descreve as peças. Como é um audioguia inclusivo, na plataforma do Musea, ele também está disponível em Língua Brasileira de Sinais (Libras). O projeto é uma correalização da Fundação Bienal de São Paulo com o Goethe-Institut, com consultoria de acessibilidade pela Mais Diferenças; desenho de som e trilha sonora por Fernando Cespedes; e distribuição pelo Musea.
Com vozes de Marília Gabriela, Adriana Couto, Sara Bentes e André Trigueiro, o audioguia inclusivo da 34ª Bienal passa por 20 obras de arte e objetos que compõem a mostra. Ao seguir o percurso proposto – desde os objetos do Museu Nacional, no térreo, até a obra Two Choirs [Dois coros], de Ana Adamović, no final do terceiro pavimento – você será guiado por todos os andares do pavilhão. Cada uma das faixas apresenta histórias relacionadas às obras, comenta processos das e dos artistas e descreve as peças. Como é um audioguia inclusivo, na plataforma do Musea, ele também está disponível em Língua Brasileira de Sinais (Libras). O projeto é uma correalização da Fundação Bienal de São Paulo com o Goethe-Institut, com consultoria de acessibilidade pela Mais Diferenças; desenho de som e trilha sonora por Fernando Cespedes; e distribuição pelo Musea.
Com vozes de Marília Gabriela, Adriana Couto, Sara Bentes e André Trigueiro, o audioguia inclusivo da 34ª Bienal passa por 20 obras de arte e objetos que compõem a mostra. Ao seguir o percurso proposto – desde os objetos do Museu Nacional, no térreo, até a obra Two Choirs [Dois coros], de Ana Adamović, no final do terceiro pavimento – você será guiado por todos os andares do pavilhão. Cada uma das faixas apresenta histórias relacionadas às obras, comenta processos das e dos artistas e descreve as peças. Como é um audioguia inclusivo, na plataforma do Musea, ele também está disponível em Língua Brasileira de Sinais (Libras). O projeto é uma correalização da Fundação Bienal de São Paulo com o Goethe-Institut, com consultoria de acessibilidade pela Mais Diferenças; desenho de som e trilha sonora por Fernando Cespedes; e distribuição pelo Musea.
With Creative Spirit Expressions I am weaving threads of healing with art. I have become a healing arts therapist through years of study in the human body and energy systems as a Licensed Massage Therapist and Reiki Master. Being an artist from birth, I have developed my creative expression through drawing, painting, writing and dance. Art has become a healing method for discovery, a way to open doorways into consciousness. Art and Energy Medicine as transformational tools for awakening. Now the evolution of my healing arts path is calling me to lead others on their journeys of self-expression. To Awaken Healing Through Creativity. I offer Red Thread Circles for women's wisdom, and Story Painting classes for all genders. Your Guide - Katy Morse Katy's gifts a healing arts therapist bring people together in circles for personal transformations and creative expression. Artist - BA in Spiritual Creativity from Fairhaven College, WWU Member of North Olympic Artist Cooperative at Gallery-9 in Port Townsend, WA Intentional Creativity Guild Member Therapist - Licensed Massage Therapist since 2003 MA00018256 Advanced training in Cranio-Sacral Therapy, Reiki Holy Fire®, Energy Medicine Chakra Healing Guide - Color of Woman Teacher 2015, Red Thread Circle Guide, Intentional Creativity Coach Following in the stardust lineage of Shiloh Sophia founder of MUSEA, Global Museum & School for Curating Consciousness. ***Head on over to Creatrix Compass and explore our many offerings from free inspiration to get your creative juices flowing to creativity classes to creativity coaching and life coaching for creatives. It can all be found at: https://www.creatrixcompass.com Your donation helps us continue to spread creativity throughout the land. Thank you! https://www.paypal.com/donate?hosted_button_id=2PM3V82XDS7GA
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