Podcasts about make me a song

Blaine Krauss / @blainkr Blaine Krauss is currently appearing in the National Tour of “Hamilton” as the standby for both Hamilton and Burr. To join Blaine's fitness challenge on July 5th (we also will be doing it again later in July) DM us @builtforthestage on IG and just say that you're in for Blaine's challenge! ;) Blaine was thrilled to be part of the second season of “Pose” which he filmed while appearing in “The Cher Show” on Broadway. He starred as ‘Lola' in “Kinky Boots” shortly after making his Broadway debut in the smash hit “Natasha, Pierre and the Great Comet of 1812.” Blaine traveled the world as ‘Simba' in “The Lion King” and starred in the Radio City Summer Spectacular. Blaine regularly performs with symphonies around the globe and is a regular performer at Feinstein's/54 Below. His talents led him in 2011 to be a feature performer for the largest Commemoration of 9/11 outside of the U.S at the Trocadero in Paris, France. In 2010 he was selected to be 1 of 20 Presidential Scholars in the Arts by the White House and Presidential Scholar Commission. This venture led to having met President Obama and concluded with a performance at the Kennedy Center in Washington D.C. He was selected to be the Feature Vocalist at the 2010 July 4th Celebration at the US National Archives; was a selected participant at the International Fringe Festival in Edinburgh Scotland. His theatrical credits include Godspell and Spelling Bee at the West Virginia Public Theatre, Evita, Into the Woods, Civil War, Make Me A Song, Chess and Jean Valjean in CCM's Les Miserables. Blaine is a mentor on the faculty of Spot-On Arts Academy and a proud graduate of the University of Cincinnati College-Conservatory of Music. "Haus of Love" by Blaine Krauss - https://open.spotify.com/album/15Jbl3x08YR9ZcZF5a4OKe?si=gmJDR5YCTX6ND8iZUbO7VA&dl_branch=1&nd=1 www.broadwaypodcastnetwork.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Blaine Krauss / @blainkr Blaine Krauss is currently appearing in the National Tour of “Hamilton” as the standby for both Hamilton and Burr. To join Blaine's fitness challenge on July 5th (we also will be doing it again later in July) DM us @builtforthestage on IG and just say that you're in for Blaine's challenge! ;) Blaine was thrilled to be part of the second season of “Pose” which he filmed while appearing in “The Cher Show” on Broadway. He starred as ‘Lola' in “Kinky Boots” shortly after making his Broadway debut in the smash hit “Natasha, Pierre and the Great Comet of 1812.” Blaine traveled the world as ‘Simba' in “The Lion King” and starred in the Radio City Summer Spectacular. Blaine regularly performs with symphonies around the globe and is a regular performer at Feinstein's/54 Below. His talents led him in 2011 to be a feature performer for the largest Commemoration of 9/11 outside of the U.S at the Trocadero in Paris, France. In 2010 he was selected to be 1 of 20 Presidential Scholars in the Arts by the White House and Presidential Scholar Commission. This venture led to having met President Obama and concluded with a performance at the Kennedy Center in Washington D.C. He was selected to be the Feature Vocalist at the 2010 July 4th Celebration at the US National Archives; was a selected participant at the International Fringe Festival in Edinburgh Scotland. His theatrical credits include Godspell and Spelling Bee at the West Virginia Public Theatre, Evita, Into the Woods, Civil War, Make Me A Song, Chess and Jean Valjean in CCM's Les Miserables. Blaine is a mentor on the faculty of Spot-On Arts Academy and a proud graduate of the University of Cincinnati College-Conservatory of Music. "Haus of Love" by Blaine Krauss - https://open.spotify.com/album/15Jbl3x08YR9ZcZF5a4OKe?si=gmJDR5YCTX6ND8iZUbO7VA&dl_branch=1&nd=1 www.broadwaypodcastnetwork.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Today I welcome back Broadway Vocalist Sally Wilfert. In this episode Sally is Baring It All with Call Me Adam about her theatrical legacy, including her work with the legendary composer William Finn, singing at Congregation Beit Simchat Torah (CBST), lessons learned & so much more! Listen to Part 1 of our interview here! We paid tribute to Sally's best friend, Three-time Tony nominee Rebecca Luker Be sure to catch Sally in her triumphant return to the concert stage this summer! July 10: Broadway Under The Trees at Harmony in the Woods: Click here for tickets! July 18 & 20: How Did I End Up Here? at Feinstein's/54 Below: Click here for tickets! Connect with Sally: Website Facebook Twitter Instagram YouTube Like What You Hear? Join my Patreon Family to get backstage perks including advanced notice of interviews, the ability to submit a question to my guests, behind-the-scene videos, and so much more! Follow me on Facebook, Twitter, and Instagram Visit: https://callmeadam.com for more my print/video interviews Special Thanks: My Patreon Family for their continued support: Angelo, Reva and Alan, Marianne, Danielle, Tara, Alex, and The Golden Gays NYC. Join the fun at https://patreon.com/callmeadamnyc. Theme Song by Bobby Cronin (https://bit.ly/2MaADvQ) Podcast Logo by Liam O'Donnell (https://bit.ly/2YNI9CY) Edited by Drew Kaufman (https://bit.ly/2OXqOnw) Outro Music Underscore by CueTique (Website: https://bit.ly/31luGmT, Facebook: @CueTique) More on Sally: Sally Wilfert has appeared on Broadway in the Tony Award-winning production of Assassins, The Adventures of Tom Sawyer, and King David. She toured the country in the first national tour of The 25th Annual Putnam County Spelling Bee. Off-Broadway, Sally's credits include See Rock City, Make Me A Song: The Music of William Finn, The Mistress Cycle, and The Prince & The Pauper. At Carnegie Hall she has appeared in Cole Porter's Jubilee, South Pacific in Concert (starring Reba McEntire), and Sondheim: A Tribute, (all for PBS). Performing with the New York City Ballet at Lincoln Center and Tokyo, she was featured soloist, singing “Somewhere” for their performances of West Side Story Suite. Sally has performed throughout the country, including shows at the La Jolla Playhouse, Cincinnati Playhouse, Baltimore Center Stage, Pittsburgh Civic Light Opera, Barrington Stage, Houston's Theatre Under the Stars (TUTS), Goodspeed Musicals, Northshore Music Theatre, Cap 21, Hartford Theatreworks. She has appeared at The Ensemble Theatre of Cincinnati in Mamma Mia, Chasing Rainbows, Damn Yankees, Kiss Me Kate, The Light in the Piazza, Footloose, When We Met, LMNOP (World Premiere), Little Miss Sunshine (World Premiere), Marry Me A Little, Elegies: A Song Cycle, Les Miserables, The Last Five Years, Amadeus, Into the Woods, & The Threepenny Opera. Sally performed in concert in Rob Kapilow's What Makes it Great, American Songbook's Rebecca Luker, Sally Wilfert: It's Time, William Finn's Songs of Innocence and Experience, Broadway in South Africa, Jeff Blumenkrantz Songbook, New York City Christmas in such venues as 54 Below & NJ Performing Arts Center, Jacob Javits Center, The Allen Room, The Zipper Theatre, Merkin Hall, Symphony Space, Joe's Pub, & Birdland. Her recording credits include One Voice: Natalie Weiss & Sally Wilfert, See Rock City, New York City Christmas, Make Me A Song, Assassins, King David, The Prince & the Pauper, and A Christmas Survival Guide. Learn more about your ad choices. Visit megaphone.fm/adchoices

Sally Ann Triplett is a British singer and actress and is one of only four singers to have sung for the United Kingdom in the Eurovision Song Contest twice, first in 1980 as the lead female vocals of the six-piece band Prima Donna and then two years later as part of a double act Bardo.Her first West End appearance was in The Best Little Whorehouse In Texas at the Theatre Royal, Drury Lane. Subsequent West End productions include Margie and Young Phylis in Follies at the Shaftesbury, Chess at the Prince Edward Theatre, Rizzo in Grease at the Dominion Theatre and Ruby Keeler opposite Brian Conley in Jolson at the Victoria Palace Theatre and then Toronto, as Grizabella in Cats at the New London Theatre, Mrs Big in The Villain's Opera at the Royal National Theatre and, more recently, as Reno Sweeney in Anything Goes at the Royal National Theatre and the Theatre Royal, Drury Lane, directed by Trevor Nunn, as Roxie Hart in Chicago at the Adelphi Theatre, as Miss Berta in Acorn Antiques - The Musical at the Theatre Royal, Haymarket and as Miss Adelaide in Guys & Dolls at the Picadilly Theatre. Sally Ann also appeared in the world premiere of Take Flight at The Menier Chocolate Factory, playing Amelia Earhart. Other stage appearances include Jubilee at Her Majesty's, a Judy Garland tribute concert at the London Palladium, Jill Kemp in Mister Cinders at the King's Head, Lady Evelyn in the workshop premiere of a new Stiles and Drewe musical Tutankhamun at Imagination, Lucy in Snoopy at the Watermill Newbury, Nancy in Oliver! at the Haymarket Theatre, Leicester and Rebecca Hershkowitz in Rags at the Bridewell Theatre. Sally Ann starred in Phil Wilmott's production of Much Ado About Nothing at the Liverpool Empire. Shakespeare's classic battle of the sexes had been transported to wartime London, where Sal played the feisty Beatrice (played by Emma Thompson in Kenneth Branagh's movie adaptation), she also appeared in the review Make Me A Song, based on the works of William Finn and as Marge in Absent Friends at the Watford Theatre. More recently Sal has appeared as Donna in Mamma Mia! at the Prince Edward Theatre, as Maria Merelli in Lend Me A Tenor at The Theatre Royal, Plymouth and Mistress Page in Shakespeare's Merry Wives of Windsor at Stafford Castle. Sal has played Diana in the Drama Centre Theatre's production of Next To Normal in Singapore and, between 2012 and 2015, Sal has created the roles of Lauren in Viva Forever at the Picadilly Theatre, Judy/Liza in My Judy Garland Life at the Nottingham Playhouse, Peggy White in The Last Ship at The Bank of America Theatre, Chicago (later transferring to The Neil Simon Theatre, New York) and Billie Dore in the 2015 Chichester Festival Theatre production of A Damsel In Distress.On television Sally Ann appeared in the award-winning short film The Fishing Trip and played one of the leading roles in Magic, a six-part drama series set in Hamburg. Her recent TV appearances include Doctors, Down to Earth and EastEnders, all for the BBC. For more information see www.sallyanntriplett-official.com

Sally Wilfert & Rebecca Luker were best friends. In celebration of what would have been Rebecca Luker's 60th Birthday (4/17), Sally & I pay tribute to their amazing friendship, their final project together, All The Girls, and much more! After listening to this episode, please consider making a donation to Target ALS, in honor of Rebecca Luker who passed away from ALS on December 23, 2020. Stream All The Girls on Spotify and Amazon Purchase/Download All The Girls on PS Classics and iTunes Connect with Sally: Website Facebook Twitter Instagram YouTube Like What You Hear? Join my Patreon Family to get backstage perks including advanced notice of interviews, the ability to submit a question to my guests, behind-the-scene videos, and so much more! Follow me on Facebook, Twitter, and Instagram Visit: https://callmeadam.com for more my print/video interviews Special Thanks: My Patreon Family for their continued support: Angelo, Reva and Alan, Marianne, Danielle, Tara, Alex, and The Golden Gays NYC. Join the fun at https://patreon.com/callmeadamnyc. Theme Song by Bobby Cronin (https://bit.ly/2MaADvQ) Podcast Logo by Liam O'Donnell (https://bit.ly/2YNI9CY) Edited by Drew Kaufman (https://bit.ly/2OXqOnw) Outro Music Underscore by CueTique (Website: https://bit.ly/31luGmT, Facebook: @CueTique) More on Sally: Sally Wilfert has appeared on Broadway in the Tony Award-winning production of Assassins, The Adventures of Tom Sawyer, and King David. She toured the country in the first national tour of The 25th Annual Putnam County Spelling Bee. Off-Broadway, Sally’s credits include See Rock City, Make Me A Song: The Music of William Finn, The Mistress Cycle, and The Prince & The Pauper. At Carnegie Hall she has appeared in Cole Porter’s Jubilee, South Pacific in Concert (starring Reba McEntire), and Sondheim: A Tribute, (all for PBS). Performing with the New York City Ballet at Lincoln Center and Tokyo, she was featured soloist, singing “Somewhere” for their performances of West Side Story Suite. Sally has performed throughout the country, including shows at the La Jolla Playhouse, Cincinnati Playhouse, Baltimore Center Stage, Pittsburgh Civic Light Opera, Barrington Stage, Houston’s Theatre Under the Stars (TUTS), Goodspeed Musicals, Northshore Music Theatre, Cap 21, Hartford Theatreworks. She has appeared at The Ensemble Theatre of Cincinnati in Mamma Mia, Chasing Rainbows, Damn Yankees, Kiss Me Kate, The Light in the Piazza, Footloose, When We Met, LMNOP (World Premiere), Little Miss Sunshine (World Premiere), Marry Me A Little, Elegies: A Song Cycle, Les Miserables, The Last Five Years, Amadeus, Into the Woods, & The Threepenny Opera. Sally performed in concert in Rob Kapilow’s What Makes it Great, American Songbook’s Rebecca Luker, Sally Wilfert: It’s Time, William Finn’s Songs of Innocence and Experience, Broadway in South Africa, Jeff Blumenkrantz Songbook, New York City Christmas in such venues as 54 Below & NJ Performing Arts Center, Jacob Javits Center, The Allen Room, The Zipper Theatre, Merkin Hall, Symphony Space, Joe’s Pub, & Birdland. Her recording credits include One Voice: Natalie Weiss & Sally Wilfert, See Rock City, New York City Christmas, Make Me A Song, Assassins, King David, The Prince & the Pauper, and A Christmas Survival Guide. More on Rebecca: Broadway: "Helen" in Fun Home; Cinderella’s Fairy Godmother; "Winifred" in the original Broadway production of Mary Poppins (Tony Award nomination); "Claudia" in Nine, opposite Antonio Banderas; "Marian Paroo" in The Music Man (Tony, Drama Desk & Outer Critics Circle Award nominations); "Maria" in The Sound of Music (Outer Critics Circle Award nomination); "Magnolia" in Showboat (Tony Award nomination); "Lily" in The Secret Garden (Drama Desk Nomination); "Christine" in The Phantom of the Opera. Learn more about your ad choices. Visit megaphone.fm/adchoices

In tonight's interview, Samantha Belding talks with Tony-Award Winning Broadway Producer Randy Adams. Randy is a founding partner of Junkyard Dog Productions (JYD), a theatrical producing company dedicated to the development and production of new musical theatre. JYD is currently represented on Broadway with Come From Away which is the winner of the Drama Desk, Outer Critics Circle, Helen Hayes and Dora Award for Best Musical of 2017. The National Tour of Memphis (by Joe DiPietro and David Bryan) completed a successful multi-year run following an almost three year run on Broadway. Memphis is the winner of the Tony, Drama Desk and Outer Critics Circle Awards for Best Musical of 2010. First Date premiered at Seattle's 5th Avenue /ACT Theatre prior to its Broadway run at the Longacre Theatre. Since its inception in 2006, JYD has also produced Make Me A Song, The Music of William Finn off-Broadway at New World Stages (Drama Desk nom., Outer Critics Circle nom.) and in London and Vanities, A New Musical at Second Stage Theatre. Prior to creating JYD, Randy was the Managing Director at TheatreWorks in Palo Alto from 1984 to 2006. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

A feature interview with Lucas, one of our esteemed choir directors, who helped bring a vinyl recording project to life last year around this time. Enjoy!

In this week’s episode, I sit down with Mitchell Marcus. Mitchell Marcus is the Artistic & Managing Director of the Musical Stage Company and a Let’s Grab Coffee veteran. In our conversation today we recap some of the Musical Stage Company’s biggest moments over the past year and what they learned from those experiences, the importance of having a clear idea of your personal or company mandate and allowing that mandate to dictate how you navigate the industry, as well as the concept of vertical programming and how it relates to the Musical Stage Company’s unique place in the Toronto theatre industry. We also discuss some of the exciting programs the Musical Stage Company is offering such as their Make Me A Song and Launch Pad programs, what they have learned from their partnership with Britta Johnson through the Crescendo series and what people can expect from their third show in the series Kelly v Kelly, as well as what audiences can look forward to in the coming year from the Musical Stage Company and where he sees theatre in Canada headed in the future.

In this week’s episode, I sit down with Mitchell Marcus. Mitchell Marcus is the Artistic & Managing Director of the Musical Stage Company and a Let’s Grab Coffee veteran. In our conversation today we recap some of the Musical Stage Company’s biggest moments over the past year and what they learned from those experiences, the importance of having a clear idea of your personal or company mandate and allowing that mandate to dictate how you navigate the industry, as well as the concept of vertical programming and how it relates to the Musical Stage Company’s unique place in the Toronto theatre industry. We also discuss some of the exciting programs the Musical Stage Company is offering such as their Make Me A Song and Launch Pad programs, what they have learned from their partnership with Britta Johnson through the Crescendo series and what people can expect from their third show in the series Kelly v Kelly, as well as what audiences can look forward to in the coming year from the Musical Stage Company and where he sees theatre in Canada headed in the future.

Sue Frost is one of the most inspirational producers working on Broadway. In addition to her indefatigable generosity, Sue is one of the theatre's loudest advocates for new musicals. In addition to the Tony Award winning Memphis, Sue also produced Make Me A Song, First Date, Doctor Zhivago, and one of Behind the Curtain's favorite musicals, this season's Come From Away. Sue pulls back the curtain on her career, including how a train ride to Washington DC cemented her journey, what was the impetus to produce Come From Away, and why she refunded 1,506 people in one night! Also, Sue walks us through the process of producing a new musical! AND, Sue shines the spotlight on Chita Rivera, Donny Osmond, and Doug Henning, who could make an entire audience disappear! Become a sponsor of Behind The Curtain and get early access to interviews, private playlists, and advance knowledge of future guests so you can ask the legends your own questions. Go to patreon.com and search Behind The Curtain: http://bit.ly/2i7nWC4

Randy Adams is a Tony-award winning Producer and founding partner of Junkyard Dog Productions, a theatrical producing company dedicated to the development and production of new musical theatre. The National Tour of Memphis (by Joe DiPietro and David Bryan) completed a successful multi-year run following an almost three year run on Broadway. Memphis is the winner of the Tony, Drama Desk and Outer Critics Circle Awards for Best Musical of 2010. First Date premiered at Seattle’s 5th Avenue /ACT Theatre prior to its Broadway run at the Longacre Theatre.  Since its inception in 2006, JYD has also produced Make Me A Song, The Music of William Finn off-Broadway at New World Stages (Drama Desk nom., Outer Critics Circle nom.) and in London and Vanities, A New Musical at Second Stage Theatre.   Sue Frost is a founding member of Junkyard Dog Productions which is dedicated to developing and producing new musicals. 2010 Tony®, Drama Desk and Outer Critics Circle Award-winning Best Musical Memphis, First Date. Since its inception in 2006 Junkyard Dog has also produced Vanities, Make me a Song (Outer Critics Circle, Drama Desk noms.), and Party Come Here. Prior to founding Junkyard, she was Associate Producer at Goodspeed Musicals for 20 years, where she produced more than 50 new musicals at both the Goodspeed Opera House and the Norma Terris Theatre.  Hear this three-way convo as we discuss: What they learned from running non-profit theaters that helps them in the commercial world. How they’ve learned to divide and conquer their producing duties. Why the independent Producer is becoming an endangered species. The challenges of producing Come From Away and why they are producing it anyway. How they found each other, and how you can find a partner too.   Keep up with me: @KenDavenportBway www.theproducersperspective.com Learn more about your ad choices. Visit megaphone.fm/adchoices

TIM AND JENNIFER met up in a Soho eatery to talk about the career and songs of Tim's favourite musical writer, William Finn, currently featured in the revue Make Me A Song at the New Players' Theatre, Charing Cross. Tim gets to interview the man himself, and we also hear from Paul Sirett, creator, bookwriter and lyricist of the Ska musical The Big Life, which played the West End in 2005.

Composer William Finn explains how he became involved in "The 25th Annual Putnam County Spelling Bee" and what drew him to the show's quirky characters; charts the development of the "Marvin" trilogy, including "March Of The Falsettos" and "Falsettoland", and talks about the differing approaches of James Lapine and Graciela Daniele to that material; tells the story of his own early-1990s medical crisis and how that became the basis for "A New Brain"; and recounts his extreme trepidation about the new revue of his songs, "Make Me A Song", during its debut in Connecticut. Original air date - December 1, 2006.

Composer William Finn explains how he became involved in "The 25th Annual Putnam County Spelling Bee" and what drew him to the show's quirky characters; charts the development of the "Marvin" trilogy, including "March Of The Falsettos" and "Falsettoland", and talks about the differing approaches of James Lapine and Graciela Daniele to that material; tells the story of his own early-1990s medical crisis and how that became the basis for "A New Brain"; and recounts his extreme trepidation about the new revue of his songs, "Make Me A Song", during its debut in Connecticut. Original air date - December 1, 2006.

Composer William Finn explains how he became involved in "The 25th Annual Putnam County Spelling Bee" and what drew him to the show's quirky characters; charts the development of the "Marvin" trilogy, including "March Of The Falsettos" and "Falsettoland", and talks about the differing approaches of James Lapine and Graciela Daniele to that material; tells the story of his own early-1990s medical crisis and how that became the basis for "A New Brain"; and recounts his extreme trepidation about the new revue of his songs, "Make Me A Song", during its debut in Connecticut. Original air date - December 1, 2006.

A celebration of the music of William Finn in to coincide with the review, "Make Me A Song," at Theatreworks in Hartford,