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Jana Lee Ross speaks with Rob Fisher, Goode Family Artistic Advisor for Musical Theater and American Songbook with the Virginia Arts Festival, about an upcoming performance featuring Broadway star Kelli O'Hara with the Virginia Symphony Orchestra. Along with Broadway favorites, the program includes a new work by American composer Libby Larsen, setting poems by former U.S. Poet Laureate Joy Harjo.
John is joined by Hollywood royalty and Jazz sensation Jeff Goldblum along with producers Alex Frank and Scott Gilman to talk about how they recorded and produced ‘Still Blooming'. A lifelong pianist, Jeff formed The Mildred Snitzer Orchestra in the 1990s, performing in and around LA for over 20 years. The band's fourth album released in May 2025, ‘Still Blooming', blends Broadway classics and tracks from the great American Songbook with guest vocals from Scarlett Johansson, Maiya Sykes, and Jeff's Wicked co-stars Ariana Grande, and Cynthia Erivo. The record was arranged, recorded and produced by band members Alex Frank and Scott Gillman. In this episode, Jeff, Alex, and Scott walk us through each track's creation, from spontaneous singing on set, to detailed musical arrangements and figuring out keys over the phone. They share the production tricks used to balance pop vocals with jazz recordings, the moments they all jammed together in the studio, and how they plan to bring it all to the stage. Tracks discussed: I Don't Know Why (I Just Do), We'll Meet Again, The Best Is Yet To Come TAPE IT Thanks to our friends at Tape It for supporting the podcast. Visit tape.it/tapenotes or use the promo code TAPENOTES in the app to get 20% off. LANDR Get 20% off LANDR Distribution and Studio at landr.com/tapenotes TRINITY LABAN Find out more about Trinity Laban's Songwriting MA here. MUSIVERSAL Skip the waitlist and get your discount HERE LISTEN to ‘Still Blooming' here. ‘Decca' LINKS TO EVERYTHING TAPE NOTES linktr.ee/tapenotes Intro Music - Sunshine Buddy, Laurel Collective - https://lynkify.in/song/sunshine-buddy/YT47TLFI GEAR MENTIONS FabFilter Pro-Q 4 Steinway Pianos Coles 4038 Neumann U67 Neumann U87 Logic Pro Tools OUR GEAR https://linktr.ee/tapenotes_ourgear HELP SUPPORT THE SHOW If you'd like to help support the show you can join us on Patreon, where among many things you can access full length videos of most new episodes, ad-free episodes and detailed gear list breakdowns. KEEP UP TO DATE For behind the scenes photos and the latest updates, make sure to follow us on: Instagram: @tapenotes Twitter: @tapenotes Facebook: @tapenotespodcast YouTube: Tape Notes Podcast Discord: Tape Notes Patreon: Tape Notes To let us know the artists you'd like to hear, Tweet us, slide into our DMs, send us an email or even a letter. We'd love to hear! Visit our website to join our mailing list: www.tapenotes.co.uk TAPE NOTES TEAM John Kennedy Will Brown Tim Adam-Smith Will Lyons Nico Varanese Guy Nicholls Jessica Clucas Ali Lewis Evan Lawday Francis Hartgrove
Lizzie Lee is a genre-defying vocalist blending classical precision with the soul and spontaneity of New York's jazz tradition. Her voice—praised for its rich color and “acrobatics and élan”—offers a bold reinterpretation of the American Songbook and beyond. Raised in Alaska and trained in Paris and New York, Lizzie brings a rare combination of global sensibility and emotional connection to her work. Her debut album, 72nd Street, recorded at the legendary Van Gelder Studio, is a striking statement of identity: lush, lyrical, and rooted in both tradition and risk. The album features a stellar lineup including Joe Farnsworth (drums), Stacy Dillard (tenor sax), John Webber (bass), Joe Block (keys), and Rob Nuovo (guitar). With performances across NYC, the northeast and internationally, and acclaim from artists like Bill Frisell and David Broza, Lizzie is merging elegance with edge, storytelling with swing, while fast becoming a name to know among vocalists in the jazz world. In the classical genre, Lizzie is a dynamic soprano praised for her “brilliant coloratura, acrobatics, and élan” (Opera Magazine) and has performed across the United States, Europe, and Asia. Lizzie debuted in Europe at Staatstheater Darmstadt and has received international acclaim for her roles as the Parrot in the world premiere of Mahosot: Architect of Dreams by Somtow Sucharitkul in Bangkok and as the Countess in Le Nozze di Figaro in NYC. She has appeared as a soloist with the Jenaer Philharmonie, Bergische Symphoniker, and in concerts in Vienna with Maestro Francisco Araiza. Her artistry has been shaped through work with legendary mentors such as Martina Arroyo and the late Dalton Baldwin, whose influence continues to inspire her interpretive depth and stylistic sensitivity. Lizzie has performed at iconic venues such as Carnegie Hall and the Sydney Opera House and has worked closely with artists from many of the world's most prestigious theaters including the Metropolitan Opera, Royal Opera House, San Francisco Opera, Washington National Opera, and Opéra Bastille.
The luminous Kate Baldwin joins The Art of Kindness with Robert Peterpaul this Women's History Month to discuss acts of kindness throughout her career on Broadway, Maestra Music and more. Kate Baldwin is a two-time Tony Award and four-time Drama Desk Award nominee who has delighted audiences across the country with performances on Broadway, in concert and on television. Kate starred as Irene Molloy opposite Bette Midler, David Hyde Pierce and Gavin Creel in the hit Broadway revival of Hello, Dolly!, for which she was nominated for the Tony, Drama Desk and Outer Critics Circle awards. She originated the role of Sandra Bloom in Big Fish on Broadway and earned accolades and a Drama Desk Award nomination for her work as Leslie Lynnton Benedict in Michael John LaChiusa's Giant at The Public Theatre. She received a Drama Desk Award nomination for her role as Jen in Keen Company's 20th Anniversary revival of Andrew Lippa and Tom Greenwald's John & Jen. She garnered critical acclaim and a Lucille Lortel Award nomination for Tom Kitt and John Logan's Superhero at Second Stage. But it was her starring role in the 2009 Broadway revival of Finian's Rainbow, which drew Tony, Drama Desk and Outer Critics Circle Award nominations and put her on the map as “a real musical theatre star.” (New York Post) Kate has appeared in the Broadway casts of The Full Monty, Thoroughly Modern Millie and Wonderful Town. Other New York theatre productions include Songbird at 59e59 and in The Dead, 1904 for Irish Rep, Fiorello! and Love Life for City Center Encores! She starred in The King and I at the Lyric Opera of Chicago, Irving Berlin's White Christmas (San Francisco, Detroit, Toronto), The Women at The Old Globe, Henry V at the Shakespeare Theatre of New Jersey, She Loves Me at the Willliamstown Theatre Festival, and The Music Man and South Pacific at Arena Stage, earning a Helen Hayes Award nomination. She drew raves for her portrayal of Francesca Johnson in The Bridges of Madison County directed by original cast member Hunter Foster and for her turn as Dorothy Brock in 42nd Street at Goodspeed Opera House directed by original creator Randy Skinner. She has performed in concert with the American Pops Orchestra, New York Pops, Boston Pops, National Symphony, Detroit Symphony, Portland Symphony, Phoenix Symphony, Chicago Symphony, American Songbook series at Lincoln Center, the Kennedy Center and at the legendary New York nightclubs Feinstein's, Birdland and 54 Below. Her concert work also includes several appearances with Stephen Sondheim as a featured performer in his critically acclaimed evening, “A Conversation with Stephen Sondheim.” On television, her work includes appearances on “The Gilded Age” (HBO), “Law &Order: SVU” (NBC) “Just Beyond” (Disney Plus) “Live from Lincoln Center: Stephen Sondheim's Passion” (PBS) and “First You Dream: the Songs of Kander and Ebb” (PBS) Kate is a 2023 Chicago/Midwest Emmy nominee, alongside partners at HMS Media for creating and producing “Broadway Comes Home,” a love letter to her hometown of Milwaukee. She is a proud advisory board member for Maestra Music, which provides support, visibility and community for the women and non-binary people who make the music in musical theatre. Kate's debut album on PS Classics, “Let's See What Happens” features Lane and Harburg songs from both stage and film. Her second album celebrates the work of lyricist Sheldon Harnick and is titled, “She Loves Him.” She is a graduate of Shorewood High School in Shorewood, WI and Northwestern University. She lives with her husband and son in Maplewood, NJ. Visit: maestramusic.org Follow Kate: @realkatebaldwin Follow us: @artofkindnesspod / @robpeterpaul youtube.com/@artofkindnesspodcast Support the show! (https://www.buymeacoffee.com/theaok) Got kindness tips or stories? Want to just say hi? Please email us: artofkindnesspodcast@gmail.com Music: "Awake" by Ricky Alvarez & "Sunshine" by Lemon Music Studio. Learn more about your ad choices. Visit megaphone.fm/adchoices
On this episode of One Symphony, Devin Patrick Hughes sat down with Peter Drew, a symphonist and jazz composer, to discuss his diverse life journey and his debut symphony, Reminiscence. Drew, born in Europe and later a refugee in the United States, recounted his early musical awakenings. He was first intrigued by the sound of the harmonica his stepbrother gave him. However, his musical trajectory truly shifted when, around the age of eleven, he heard Toscanini conducting Beethoven's Ninth Symphony on the radio. This experience deeply resonated with him, particularly the Ode to Joy, which became the first tune he learned on the harmonica, despite not being able to read music. Although initially captivated by classical music and Beethoven, Drew's path to becoming a composer was far from traditional. He pursued various careers, including working in film distribution, catering, teaching film studies, and being a social studies teacher. Throughout these experiences, music remained a constant presence in his life; he would often "noodle around" on the clarinet. It wasn't until later in life that he began to seriously study music, taking lessons from clarinet players and exploring jazz. He eventually started arranging music and studying composers like Sibelius. When the conversation turned to his symphony, "Reminiscence," Drew emphasized the amalgamation of his varied musical tastes and life experiences. He described his influences as a "mélange" or "stew" ranging from the American Songbook to Carl Orff, Villa-Lobos, Beethoven, Brahms, Artie Shaw, and even global music like Songs of the Auvergne, Tuvan throat singing, and Raga. He explained that his compositional process often begins with a melody he likes, perhaps played on his clarinet. He then develops this initial phrase, ensuring a natural flow between musical ideas without dissonance, remaining within the realm of Romantic Classical music. Hughes inquired about the technical aspects of translating these diverse elements into a cohesive symphony, including orchestration. Drew admitted that while he can conceive melodies, he needed assistance with the intricate instrumentation for a large symphony orchestra. He collaborated with an orchestrator to achieve the desired sonic textures, ensuring that all the instrumental parts complemented each other. Regarding the upcoming performance and recording of Reminiscence by the Boulder Symphony, Drew expressed his hope that listeners would simply "enjoy yourself" and "have fun". He doesn't expect the audience to be intimately familiar with all his diverse musical influences, but rather to connect with the music on an emotional level in the same way he was first drawn to Beethoven. Drew believes that if the music sounds and feels good, it will be enjoyable to listen to. When asked about his late entry into composing a symphony, Drew, who is approaching 90, reflected that all his life experiences, both musical and non-musical, have informed his writing. He feels that composing, rather than performing, is his true strength and passion, representing an accomplishment after a lifetime of diverse pursuits. He finds satisfaction in creating music that others enjoy listening to and playing. When pressed for a favorite movement, Drew chose the third movement for its energy and the way all the musical elements come together. While acknowledging the profound impact of Beethoven on his early musical life, he noted that Reminiscence incorporates a wider range of influences, creating a unique sonic landscape. Thank you for joining us on One Symphony. Special thanks to Peter Drew for sharing his music and story. Musical selections from today's episode: “Hard Driver” from the album And What's More composed and arranged by Peter Drew. “Midnight Sun” from the album And What's More. Composed by Lionel Hampton, Sonny Burke, and Johnny Mercer. Arranged by Peter Drew, featuring Sachal Vasandani. Symphony No. 1 “Reminiscence” II. Pictures at an Album. Composed by Peter Drew and arranged by Douglas Gibson. Performed by the Zagreb Philharmonic Orchestra under the direction of Ivan Josip Skender. Symphony No. 1 “Reminiscence” I. Journey. Composed by Peter Drew and arranged by Douglas Gibson. Performed by the Zagreb Philharmonic Orchestra under the direction of Ivan Josip Skender. “Slow Burn Blues” from the album And What's More composed by Peter Drew and featuring Wendy Gilles. Symphony No. 1 “Reminiscence” IV. The Return. Composed by Peter Drew and arranged by Douglas Gibson. Performed by the Zagreb Philharmonic Orchestra under the direction of Ivan Josip Skender. Symphony No. 1 “Reminiscence” II. Bach to Back. Composed by Peter Drew and arranged by Douglas Gibson. Performed by the Zagreb Philharmonic Orchestra under the direction of Ivan Josip Skender. For more information on Peter, see https://www.peterdrewmusic.com You can always find more info at OneSymphony.podbean.com or DevinPatrickHughes.com, including a virtual tip jar if you'd like to support the show. Special thanks to Parma Recordings for making this episode possible. Please feel free to rate, review, or share the podcast! Until next time, thank you for being part of the music.
Trenders! It is my great honor to have the incredible Nnenna Freelon on my podcast. She and her quartet are about to open up a set at Lincoln Center this weekend, link to buy tickets is below, and she discusses with me her career, what "music" truly is within us and around us, and the current state of our emotionality in a country that seems to be in need of Jazz and all music now more than ever! Trend with us-About her show: Seven-time Grammy Award nominee Nnenna Freelon returns to Dizzy's to celebrate her new recording, Beneath The Skin (Origin Records). Departing from the American Songbook standards she's masterfully interpreted throughout her career, Freelon turns inward with a collection of heart-spoken songs that aim to heal life's personal and universal broken places. She shares, “I'm taking a lesson from my garden—from the flower that trusts itself to be enough.” It's an evening of introspection and soulful artistry not to be missedhttps://ticketing.jazz.org/18258
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Colm Gavin has always been hugely inspired by the great American Songbook – particularly: Jerome Kern, Harold Arlen, Hoagy Carmichael and their brilliant love ballads. Lyrically, Colm wanted this to be playful and honest. “While I'm someone of simple means, goes wild for the finer things, a Paris balcony with a view, I'm more an …
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25 years ago this weekend, Joni Mitchell released her turning point concept album, Both Sides Now. The record saw Mitchell revisiting two of her own songs 40 years later, amid a number of American Songbook standards. For the next installment of our Silver Liner Notes album anniversary series, we reflect on this album within Joni Mitchell's career with Ann Powers, NPR music critic and author of Traveling: On the Path of Joni Mitchell.
Creativity though the lens of an entertainer, host, producer and interviewer"Creativity is what makes you unique."Richard Skipper is an award-winning entertainer, director, and producer whose charismatic stage presence and deep knowledge of the entertainment industry have captivated audiences worldwide. Best known for his signature production, Richard Skipper Celebrates, he combines song, storytelling, and humor to honor iconic figures from stage and screen. Whether paying tribute to Carol Channing in his acclaimed Hello, Dolly! celebrations or featuring other Broadway luminaries, Richard's heartfelt performances offer an uplifting experience that resonates with theater enthusiasts of all ages.A New York-based performer, Richard has headlined across the country and internationally, garnering praise for his ability to weave personal anecdotes, industry insights, and audience engagement into every show. His passion for preserving and spotlighting the American Songbook has led to collaborations with top-tier musicians, directors, and fellow artists, further elevating his reputation as a multi-talented force in the performing arts.Beyond the stage, Richard is committed to fostering community and creativity. He frequently hosts interviews and live-streamed events with notable names from Broadway and beyond, sharing behind-the-scenes stories and celebrating the best of theater culture. Guided by a mission to spread love, happiness, and a sense of possibility, Richard Skipper continues to delight audiences, inspire fellow artists, and champion the enduring magic of musical theater.Website: https://richardskipper.com/Instagram: https://www.instagram.com/richard.skipper.celebrates/Facebook: https://www.facebook.com/RichardSkipperSend us a text
Inspired at a young age by icons such as Frank Sinatra, Dean Martin and other great American Songbook interpreters, Edward brings a unique tone and style to the stage - not just with his jazz vocal prowess, but also with his distinctive presentation. Edward takes pride in looking his best not for anybody but himself, usually attending college classes dressed in a suit and outside with a hat. As a person with ancestry from Latin America, Edward's multicultural background enriches his artistry. With his father's Peruvian roots and his mother's Panamanian heritage, Edward performs in English, Portuguese and Italian, offering a diverse and engaging experience. Edward excelled in music and writing in boarding school. His talent for writing earned him acceptance to Emerson College for creative writing, but he chose to follow his musical passion at Hofstra University where he is on track to graduate with a B.A. in music performance - jazz and contemporary music.Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-unplugged-totally-uncut--994165/support.
The very first time I saw WICKED was when the national tour came to Cleveland in February 2008. The actress playing Glinda at the time was Katie Rose Clarke. As fate would have it, I was recently offered the chance to speak with her and Steven Jamail about their brand new song connected to their upbringing in Houston, Texas titled 'Margarita Christmas.' So naturally, I said yes. Katie Rose Clarke made her Broadway debut almost 20 years ago when she took over for Kelli O'Hara as Clara Johnson in THE LIGHT IN THE PIAZZA, where she even got to be a part of the PBS broadcast. Her subsequent credits include Hannah Campbell in ALLEGIANCE with George Takei and Lea Salonga, Ellen in the 2017 revival of MISS SAIGON, and most recently as Beth in the Tony-winning revival of MERRILY WE ROLL ALONG starring Jonathan Groff, Daniel Radcliffe, and Lindsay Mendez. Not to mention that she also happens to be Broadway's longest-running Glinda in WICKED. Steven Jamail is a composer, producer, musical director who has done arrangements and orchestrations that have been performed on Oprah, Howard Stern, Rachel Ray, The Rosie O'Donnell Show, Martha Stewart, The NBC Tree Lighting at Rockefeller Center, and the American Songbook series at Lincoln Center. He has also created arrangements and played for Bebe Winans, Rosie O'Donnell, Jessie Mueller, Jeremy Abbott, and Adam Rippon. He serves as the regular music director for Orfeh, Teal Wicks, Danielle Hope, and Lea Michele, having just recently orchestrated and conducted Ms. Michele's lauded Carnegie Hall debut and Life in Music Tour. He is the Associate Artistic Director of O'Donnell's foundation, Rosie's Theater Kids in NYC. *I do not own any of the content used in this video. Follow Katie Rose Clarke on Instagram: @katieroseclarke Follow Steven Jamail on Instagram: @stevenjamail If you love this show, please leave us a review. Go to RateThisPodcast.com/karereviewspodcast and follow the simple instructions. Follow Kare Reviews at www.karereviews.net and on Twitter:@KareReviews Also please visit the newly launched Patreon page:https://www.patreon.com/jeffreykare?fan_landing=true Follow Jeffrey Kare on Twitter:@JeffreyKare If you like what you've heard here, please subscribe to any one of the following places where the Kare Reviews Podcast is available. Anchor Apple Google Spotify Breaker Overcast Pocket Casts RadioPublic --- Support this podcast: https://podcasters.spotify.com/pod/show/jeffrey-kare/support
.Laura Fygi en Derk de Kloet beiden geworteld in de wereld van entertainment, hebben elk op hun eigen wijze een bijzondere reis in de muziek gemaakt.Laura's muzikale ontdekkingstocht kent geen grenzen. Zij won een #Edison en ontving diverse gouden en platina platen.In 2022 werd het hoogtepunt van haar veelzijdige carrière bezegeld met prachtig koffietafelboek “Laura Fygi, All of Me,” dat haar levensverhaal en muzikale reis belicht.Derk heeft lang gespeeld in zijn eigen Rhythm and Blues band en richtte zich later op het repertoire van The American Songbook: een combinatie van Latin-invloeden en de oude Rhythm and Blues. Als gast bij diverse Big Bands vertolkt hij bekend en minder bekend repertoire uit het swingtijdperk. Een opmerkelijke wending in Derk's carrière is de samenwerking met Laura……..…….. Wij zijn Marcella Belt & Ghislaine van der Knaap. Founders van Roots.Aldus hun eigenwebsite. Ze helpen ondernemers en professionals om te doen waar ze in de basis het allerbest in zijn. En als het goed is …… het aller gelukkigst van worden! Met een open blik en vanuit pure oprechtheid helpen ze het allerbeste uit jezelf te halen. Dat doen ze met hun eigen Roots Methode (Discover, Ground & Rise) waarvan we hopen dat ze er ons alles over gaan vertellen…............ .... Frank Bakker is één van de gastdocenten aan de De Gooische Fotoschool in Blaricum. Deze Fotoschool organiseert exposities, workshops, cursussen en nog veel meer. In samenwerking met de gemeente Huizen heeft Frank samen met een aantal cursisten en docenten van de opleiding een expositie georganiseerd in Het Gemeentehuis van Huizen. Over deze bijzondere fototentoonstelling èn de activiteiten van de Gooische Fotoschool gaan we met Frank praten…..
Ben West is a musical theatre artist and historian, and creator and author of The Musical Theatre Report. His book, The American Musical: Evolution of an Art Form (Routledge, 2024), chronicles a detailed and comprehensive history of the art form's artistic evolution. He created twenty “Timeline Wall” exhibits for the Museum of Broadway that trace the history of the Broadway stage from 1732 to 2021 and spotlight more than 500 productions and 100 artists. He has worked in various capacities on Broadway, Off-Broadway, and regionally, and created and directed Unsung Carolyn Leigh for Lincoln Center's American Songbook series. West has spoken at several institutions including Yale University, University of Michigan, the Dramatists Guild, and the Shubert Organization. He is a recipient of Lincoln Center's Martin E. Segal Award.
Inspired at a young age by icons such as Frank Sinatra, Dean Martin and other great American Songbook interpreters, Edward brings a unique tone and style to the stage - not just with his jazz vocal prowess, but also with his distinctive presentation. Edward takes pride in looking his best not for anybody but himself, usually attending college classes dressed in a suit and outside with a hat. As a person with ancestry from Latin America, Edward's multicultural background enriches his artistry. With his father's Peruvian roots and his mother's Panamanian heritage, Edward performs in English, Portuguese and Italian, offering a diverse and engaging experience. Edward excelled in music and writing in boarding school. His talent for writing earned him acceptance to Emerson College for creative writing, but he chose to follow his musical passion at Hofstra University where he is on track to graduate with a B.A. in music performance - jazz and contemporary music.Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-like-it-s-live--4113802/support.
Happy Days is the iconically classic 70s TV sensation about the 50s. Its legacy is unparalleled, its popularity ongoing. The show launched a character who remains the embodiment of cool, Fonzie, and it cemented its cast into icon status in perpetuity. That cast includes Donny Most, who played wise-cracking Ralph Malph, who, complete with his own catchphrase, “I still got it!” took a minor role and turned it into the stuff of legend.Don joins us this week to look back on his decades in Hollywood, the magic formula that brought Happy Days to fruition, and created a lasting legacy, and his tireless pursuit of creative expression that continues to keep his schedule full and fulfilling.Don shares stories about his first foray into show business, as a Catskills performing teen, his early guest starring roles on Emergency and Room 222, how he dropped out of college to maintain his acting momentum and landed a small role on Happy Days which he initially turned down until a fateful basketball playing encounter between his manager and Garry Marshall upped the incentives and sealed the deal. Donny and his cast-mates developed a strong, life-long bond which he credits to the collaborative set atmosphere, the genius of Garry Marshall and the strong example set by Ron Howard, which helped anchor egos aboard the Happy Days rocket ride. Type-casting came with the Happy Days territory and it took years or hard work on stage for new opportunities to present themselves. Don has since gone into directing and producing and his most recent roles are the most compelling and diverse of his career. Potsie took most of the lead vocals in the Happy Days band but Donny has been a singer since childhood and his most recent big-band, American Songbook recording, New York High has a BBC reviewer calling him, “The new Sinatra.”All this plus the truth behind the lawsuit against CBS, Happy Days trivia and Don's dramatic Baywatch rescue!And, in recommendations, Fritz and Weezy are discussing Ellen DeGeneres: For Your Approval and Monsters: The Lyle And Erik Menendez Story, both on Netflix.Path Points of Interest:Donny MostDonny Most on WikiDonny Most on IMDBDonny Most on TwitterNew York High on Apple MusicFar HavenHarsen's Island RevengeUnsung HeroGallatin Comic Con AppearanceEllen DeGeneres: or Your Approval on NetflixMonsters: The Lyle And Erik Menendez Story on NetflixGift of DemocracyMedia Path Podcast
Harvey Brownstone conducts an in-depth Interview with Liberace Protégé, Steve Garey, Part 2About Harvey's guest:Today's returning guest, Steve Garey, is a renowned, 2-time gold record winning pianist, vocalist and recording artist who has a very prestigious connection to 2 show business legends: Liberace and Frank Sinatra. He was selected by Liberace to be his very last protégé, and he is the only protégé of Liberace's to receive the endorsement and support of the Board of Directors of The Liberace Foundation and the Liberace Estate. And the other superstar with which our guest shares an illustrious history is the Chairman of the Board, the one and only Frank Sinatra, who chose our guest, when he was only 20 years old, to be his piano accompanist. Our guest began his career in the 1970s as a child prodigy, performing concerts throughout the world, which led to a successful career in nightclubs as well as in films and on television. And in 1981, Mr. Showmanship himself, Liberace selected our guest as his last and final protégé. He studied with Liberace for the last six years of his life. Our guest has performed at the most prestigious venues around the world, and besides performing with Liberace and Frank Sinatra, he's worked alongside dozens of superstars including Rosemary Clooney, Dinah Shore, Bernadette Peters, Johnny Mathis, Debbie Reynolds, Jane Russell, John Travolta and many more. With his incredibly versatile repertoire, which includes everything from the Jazz Classics, Pop and Country Music to the great American Songbook, our guest has given Command Performances for 5 American Presidents in addition to a number of Crown Monarchs in Europe, Asia and the Middle East. He's been featured in Cosmopolitan Magazine, the Hollywood Reporter, and on the cover of both TV GUIDE and the American music industry publication "The Score” magazine". He's also a Contributing Editor to Keyboard World Magazine, and he continues to serve as a consultant on books and film projects regarding both Liberace and Frank Sinatra.For more interviews and podcasts go to: https://www.harveybrownstoneinterviews.com/To learn more about Steve Garey, go to:https://www.stevegarey.com/https://www.youtube.com/channel/UCo1NG_K9BzWTHNcamlaSavw https://twitter.com/stevegarey#SteveGarey #harveybrownstoneinterviews
Ben West is a musical theatre artist and historian. His book, The American Musical, chronicles a detailed and comprehensive history of the art form's artistic evolution. Ben also created 20 “Timeline Wall” exhibits for the Museum of Broadway, that trace the history of the Broadway stage from 1732 to 2021, and spotlight more than 500 productions and 100 artists.He has worked in various capacities on Broadway, Off-Broadway, and regionally, and created and directed Unsung Carolyn Leigh for Lincoln Center's American Songbook series. Ben has spoken at several institutions including Yale University, University of Michigan, the Dramatists Guild, and the Shubert Organization. He is a recipient of Lincoln Center's Martin E. Segal Award.
Harvey Brownstone conducts an in-depth Interview with Liberace Protégé, Steve Garey About Harvey's guest: Today's guest, Steve Garey, is a renowned, 2-time gold record winning pianist, vocalist and recording artist who has a very prestigious connection to 2 show business legends: Liberace and Frank Sinatra. He was selected by Liberace to be his very last protégé, and he is the only protégé of Liberace's to receive the endorsement and support of the Board of Directors of The Liberace Foundation and the Liberace Estate. And the other superstar with which our guest shares an illustrious history is the Chairman of the Board, the one and only Frank Sinatra, who chose our guest, when he was only 20 years old, to be his piano accompanist. Our guest began his career in the 1970s as a child prodigy, performing concerts throughout the world, which led to a successful career in nightclubs as well as in films and on television. And in 1981, Mr. Showmanship himself, Liberace selected our guest as his last and final protégé. He studied with Liberace for the last six years of his life. Our guest has performed at the most prestigious venues around the world, and besides performing with Liberace and Frank Sinatra, he's worked alongside dozens of superstars including Rosemary Clooney, Dinah Shore, Bernadette Peters, Johnny Mathis, Debbie Reynolds, Jane Russell, John Travolta and many more. With his incredibly versatile repertoire, which includes everything from the Jazz Classics, Pop and Country Music to the great American Songbook, our guest has given Command Performances for 5 American Presidents in addition to a number of Crown Monarchs in Europe, Asia and the Middle East. He's been featured in Cosmopolitan Magazine, the Hollywood Reporter, and on the cover of both TV GUIDE and the American music industry publication "The Score” magazine". He's also a Contributing Editor to Keyboard World Magazine, and he continues to serve as a consultant on books and film projects regarding both Liberace and Frank Sinatra. For more interviews and podcasts go to: https://www.harveybrownstoneinterviews.com/ To learn more about Steve Garey, go to:https://www.stevegarey.com/https://www.youtube.com/channel/UCo1NG_K9BzWTHNcamlaSavw https://twitter.com/stevegarey #SteveGarey #harveybrownstoneinterviews
The guys celebrate Memorial Day! Brendan honors family and friends who served, Marty speculates on what verdict the jurors will render in Trump's New York trial, both of us make fun of thug-turned-schlub Michael Cohen, and we also have some fun with Rudy Giuliani's new barista gig.
My guest again this week is author BEN WEST who returns for the fourth and final segment of our conversation in regard to his exceptional new book The American Musical – Evolution of an Art Form. As you will hear, in today's episode, we move into what I call the Modern Era of Broadway from the 1970s right up to today and detail the major changes in the way musicals are made over the last 50 years. Our discussion touches on such shows as Hair, Your Own Thing, Rent, The Wiz, Jelly's Last Jam, Hamilton, The Band's Visit, and more! If you missed the previous episodes in this series you may want to go back and catch on that before listening to this one. Ben West is a musical theatre artist and historian who created the extensive “Timeline Wall” exhibits for the Museum of Broadway that trace the history of the Broadway stage from 1732 to 2021, spotlighting more than 500 productions and 100 artists. He has worked in various capacities on Broadway, Off-Broadway, and regionally and created and directed Unsung Carolyn Leigh for Lincoln Center's American Songbook series. He has lectured and spoken at Yale University, University of Michigan, the Dramatists Guild, and the Shubert Organization. Become a PATRON of Broadway Nation! This podcast is made possible in part by the generous support of our Patron Club Members, including our Producer Level patrons, Paula & Steve Reynolds. For just $7.00 a month, you will receive exclusive access to never-before-heard, unedited versions of many of the discussions that I have with my guests — in fact I often record nearly twice as much conversation as ends up in the edited versions. You will also have access to additional in-depth conversations with my frequent co-host Albert Evans that have not been featured on the podcast. All patrons receive special “on-air” shout-outs and acknowledgment of your vital support of this podcast. And if you are very enthusiastic about Broadway Nation there are additional PATRON levels that come with even more benefits. If you would like to support the work of Broadway Nation and receive these exclusive member benefits, please just click on this link: https://broadwaynationpodcast.supercast.tech/ Thank you in advance for your support! Learn more about your ad choices. Visit megaphone.fm/adchoices
On this episode of Our American Stories, our storyteller's father was more than a virtuoso of the American Songbook. He was a circumspect, gentle, and incredibly generous man. Support the show (https://www.ouramericanstories.com/donate)See omnystudio.com/listener for privacy information.
This is the third segment of my conversation with author BEN WEST, regarding his new book: THE AMERICAN MUSICAL — EVOLUTION OF AN ART FORM. As you will hear this book is a comprehensive history of the American Musical from its origins in the 19th Century right up to the turn to the 21st Century. Along the way Ben West sheds new light on a myriad of shows, authors, directors, and performers including a host of often-overlooked women and African-American artists. If you missed the previous episodes in this series you may want to go back and catch on that before listening to this one. Ben West is a musical theatre artist and historian who created the extensive “Timeline Wall” exhibits for the Museum of Broadway that trace the history of the Broadway stage from 1732 to 2021 and spotlight more than 500 productions and 100 artists. He has worked in various capacities on Broadway, Off-Broadway, and regionally, and created and directed Unsung Carolyn Leigh for Lincoln Center's American Songbook series. West has lectured and spoken at several institutions including Yale University, University of Michigan, the Dramatists Guild, and the Shubert Organization. He is a recipient of Lincoln Center's Martin E. Segal Award. Become a PATRON of Broadway Nation! This podcast is made possible in part by the generous support of our Patron Club Members, including our Producer Level member, Bob Braun. For just $7.00 a month, you will receive exclusive access to never-before-heard, unedited versions of many of the discussions that I have with my guests — in fact I often record nearly twice as much conversation as ends up in the edited versions. You will also have access to additional in-depth conversations with my frequent co-host Albert Evans that have not been featured on the podcast. All patrons receive special “on-air” shout-outs and acknowledgment of your vital support of this podcast. And if you are very enthusiastic about Broadway Nation there are additional PATRON levels that come with even more benefits. If you would like to support the work of Broadway Nation and receive these exclusive member benefits, please just click on this link: https://broadwaynationpodcast.supercast.tech/ Thank you in advance for your support! Learn more about your ad choices. Visit megaphone.fm/adchoices
Today's episode is the second part of my recent conversation with author BEN WEST, regarding his his exceptionally comprehensive new book: THE AMERICAN MUSICAL — EVOLUTION OF AN ART FORM. This book traces the American Musical's creative journey from its 19th Century beginnings through its 20th Century maturation, and on to the turn of the 21st century. Along the way, Ben West sheds new light on a myriad of shows, authors, directors, and performers including a host of often-overlooked women and African-American artists. If you missed the first episode in this series you may want to go back and catch on that before listening to this one. As our previous episode ended Ben and I were discussing the revue form, especially the annual revues such as the Ziegfeld Follies and Earl Carroll's Vanities. Today we pick up conversation with some of the other forms of musical theater that Ben explores in Part Two of his book, a section that he titles Birth Of An Art Form. Ben West is a musical theatre artist and historian who created the extensive “Timeline Wall” exhibits for the Museum of Broadway that trace the history of the Broadway stage from 1732 to 2021 and spotlight more than 500 productions and 100 artists. He has worked in various capacities on Broadway, Off-Broadway, and regionally, and created and directed Unsung Carolyn Leigh for Lincoln Center's American Songbook series. West has lectured and spoken at several institutions including Yale University, University of Michigan, the Dramatists Guild, and the Shubert Organization. He is a recipient of Lincoln Center's Martin E. Segal Award. Become a PATRON of Broadway Nation! This podcast is made possible in part by the generous support of our Patron Club Members, including our newest member, Taryn Darr. For just $7.00 a month, you will receive exclusive access to never-before-heard, unedited versions of many of the discussions that I have with my guests — in fact I often record nearly twice as much conversation as ends up in the edited versions. You will also have access to additional in-depth conversations with my frequent co-host Albert Evans that have not been featured on the podcast. All patrons receive special “on-air” shout-outs and acknowledgment of your vital support of this podcast. And if you are very enthusiastic about Broadway Nation there are additional PATRON levels that come with even more benefits. If you would like to support the work of Broadway Nation and receive these exclusive member benefits, please just click on this link: https://broadwaynationpodcast.supercast.tech/ Thank you in advance for your support! Learn more about your ad choices. Visit megaphone.fm/adchoices
On this special two-part episode, Tom goes "On the Aisle" with 5 time Emmy nominated recording artist, singer, pianist, revivalist, and archivist, Michael Feinstein. The Artistic Director of the Center for the Performing Arts in Carmel, Feinstein is the founder of the Great American Songbook Foundation. Tom also sits down with music director, pianist, and arranger, Tedd Firth. Pianist and music director for Feinstein, he also performs with other luminaries such as Marilyn Maye, Brian Stokes Mitchel, Bernadette Peters, Christine Ebersole, and many others.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
My guest this week is author BEN WEST, who joins me to discuss his exceptional new book: THE AMERICAN MUSICAL — EVOLUTION OF AN ART FORM. This book is a comprehensive history of the American Musical that traces the form's creative journey from its 19th Century beginnings through its 20th Century maturation, and on to the turn of the 21st century. Along the way Ben sheds new light on a myriad of authors, directors, and craftspeople who worked on Broadway and beyond. In a similar way to this podcast, this book actively addresses the form's often-overlooked female and African-American artists. It also goes beyond the strict boundaries of Broadway to explore such outside influences as minstrelsy, vaudeville, nightclubs, and burlesque as well as the dynamic relationship between the American Musical and and the consciousness of its country that gave it birth. Ben West is a musical theatre artist and historian who created the extensive “Timeline Wall” exhibits for the Museum of Broadway that trace the history of the Broadway stage from 1732 to 2021 and spotlight more than 500 productions and 100 artists. He has worked in various capacities on Broadway, Off-Broadway, and regionally, and created and directed Unsung Carolyn Leigh for Lincoln Center's American Songbook series. West has lectured and spoken at several institutions including Yale University, University of Michigan, the Dramatists Guild, and the Shubert Organization. He is a recipient of Lincoln Center's Martin E. Segal Award. Learn more about your ad choices. Visit megaphone.fm/adchoices
The Jersey Shore Morning Show With Lou and Shannon On Demand
I had one of the best days of my radio career: I got to speak with one of my favorite musical artists of all time - John Ondrasik of Five For Fighting. His albums Slice and Bookmarks are two of my favorite albums ever, and "Superman (It's Not Easy) is my favorite song of all time. I was a Superman fan from a young age, so naturally, the song resonated with me because of that. My dad would rock me to sleep to the song most nights. I'll forever connect the song with my dad and I growing up. Over the years, the song has taken many forms for me, and it has gotten me through some hard times. Townsquare Spotlight w/ John Ondrasik of Five For Fighting Hence why it was an honor to speak with John Ondrasik this weekend. John and I talk about his latest "Music Matters Challenge" in conjunction with Music in Our Schools Month. We also talk about how John is no stranger to writing songs with strong social messages. His latest single "OK" dives into the catastrophes happening in Israel. John shares accounts of his recent visit to Israel and performing for refugees. Lastly, we talk of the legacy songs like "Superman (It's Not Easy)" and "100 Years" have had on the social consciousness. Catching Up w/ GRAMMY Nominated Five For Fighting In the two decades since Five for Fighting's first major single, “Superman (It's Not Easy),” hit the stratosphere, Five For Fighting (aka John Ondrasik), has released six studio LPs, including the platinum-certified “America Town” and “The Battle for Everything;” and the top-10 charting “Two Lights,” along with an EP and live albums. A post 9-11 anthem, Ondrasik performed “Superman (It's Not Easy),” at the 2001 Concert for New York, a benefit show at Madison Square Garden that honored first responders and the fallen about a month after the tragic September 11th attacks. Ondrasik has penned major hits, including the chart-topping “100 Years,” “The Riddle,” “Chances,” “World,” and “Easy Tonight,” which have earned tens of millions of streams and placed him as a top-10 Hot Adult Contemporary artist for the 2000s. The reflective “100 Years” has joined “Superman (It's Not Easy)” as part of the American Songbook and continues to stand the test of time. Five For Fighting's music has also been featured in more than 350 films, television shows, and commercials, including the Oscar-winning “The Blind Side,” “Hawaii Five-O,” “The Sopranos,” and the CBS drama, “Code Black.” For more information visit: www.fiveforfighting.com. Five For Fighting's "Music Matters Challenge" for Music in Our Schools Month Tying in with "Music In Our Schools Month,"GRAMMY® nominated John Ondrasik of Five For Fighting and The Tullman Family Office, through its operational philanthropic wing Tullman Community Ventures, announce the “Music Matters Challenge,” which launched on March 26, and is running through April 30; with the Grand Prize winners to be announced on May 14. The national online music challenge asks Americans to create an original rendition of the song “Let Music Fill My World,” a song recorded and written by Five For Fighting's John Ondrasik and students of the Farragut Career Academy in Chicago, Illinois; while sharing their own story of a time where music greatly impacted them, changed their life, or moved them to where they remember that story today. The challenge is designed to spotlight the magic of music and bring awareness to the generational impact of removing music from schools. To enter the contest, visit: www.letmusicfillmyworld.com. Let Music Fill My World Let Music Fill My World The “Music Matters Challenge” is hosted by “Let Music Fill My World,” an organization founded by The Tullman Family Office, and is on a mission to ensure that every child in America has access to music education in their schools. Two Grand Prize winners will be awarded – one for individual entries: $10,000 in cash, plus the opportunity to participate in selecting a music teacher for an under-resourced school to receive a salary of up to $300,000 for three years; and one for school entries, where the winning school receives a $25,000 school grant. Let Music Fill MY World Let Music Fill MY World “Let Music Fill My World” was created to ensure every child in America has access to music education in their schools with efforts to put the mission in action by Placing Music Teachers in Schools - every year, the Tullman Family Office will fund at least one full-time music education teacher in a school in America that does not have one, for a three-year salary up to $300k. Maximizing Fundraising for Music Education Nationwide by paving a path for significant fundraising opportunities through concerts and other artistic ventures with iconic artists to increase nonprofit funding in support of music education in schools and Increasing Congressional Attention on Federal Funding for Music Education by using the Let Music Fill My World platform to urge Members of Congress to support robust funding for music education in schools. Says Ondrasik, "In speaking with philanthropist Cayley Tullman about how we can best support music in the schools in inner-city Chicago, I thought of my mom, Anna Marie. Mom was a USC music grad and piano teacher. When LA Unified cut all music funding for schools in the 1970s, she volunteered at Van Gogh Elementary School and began putting on full musicals with the 5th and 6th grade classes. The impact that my mother had on me, and my classmates resonates over 50 years later. Many students still keep in touch with my mom, and for the most, music has continued to be instrumental in their lives. That is why I was so proud to collaborate with students at Farragut Academy in Chicago in writing “Let Music Fill my World.” Though the title was mine, the lyrics are the kids! That effort, due to the Tullman Family Office, now provides a full-time music teacher for three years at Farragut! Lives will be changed for the better. The “Music Matters Challenge” will bring our mission and efforts to the nation, raising awareness for music in the schools while letting everyone sing and lend their voice to such a critical cause while having fun, and again, participating in a prize that will bring another full-time music teacher to a school in desperate need.” Adds Cayley Tullman, President of The Tullman Family Office and former U.S. Diplomat: "I remember sitting on the floor in front of the couch at my grandparents' home in California, mesmerized watching my Uncle Stan play guitar and sing. Stan struggled with mental health and addiction, but when playing music, he shined so bright. ?Looking back, I believe music was his solace and gave him a way to express himself that he could not do with words alone. ?I miss him a lot and know he would be proud of our mission to connect more young people with the magic of music.” Stay up to date on all things “Let Music Fill My World,” and the “Music Matters Challenge” on socials here. Check out video message from John Ondrasik and Cayley Tullman. Five For Fighting's "OK" is Not a Political Message, But a Moral One John recently released a new single/music video, “OK” – a composition that expresses Ondrasik's heartfelt view about the October 7th Hamas attacks in Israel, while addressing the cultural aftermath both in America and around the world. Michael Ramirez, two-time Pulitzer Prize winning cartoonist, drew the single cover image. The State of Israel and the Israeli Foreign Minister both shared the video. Ondrasik states, “'OK' is not a political message, but a moral one. A call to action. The final image of the ‘OK' music video is Martin Luther King and his historic call to every man and woman on this earth: ‘He who accepts evil without protesting against it is really cooperating with it.' Thankfully, as happens in the darkest of times, there are heroes in our midst. Some are in this video, several have names that we know, others will never be known.”
Five for Fighting, the stage name of singer/singwriter John Ondrasik, has some crazy timing. He popped over to Israel for a five day immersion in the reality and the pain of our post-October 7th reality. And he was in Tel Aviv on the night that the Islamic Republic of Iran launched more than 300 attack drones and ballistic missiles at us. As we now know, 99% of the offensive weapons were intercepted. Beyond miraculously. But within minutes of Ondrasik performing his amazing new song – “OK” – about October 7th and this seriously messed up world we live in – the Home Front Command issued directives country-wide for everyone to seek shelter. Iran was attacking imminently. We were told 24-48 hours. It turned out to be much less. Ondrasik could have left that night – he was travelling with his young son. But he did not. He stayed. And that tells you everything you need to know about the man. Thank you, John. He performed on Saturday night at Hostage Square at the big weekly support rally for hostages and their families. Moments after he finished his set I went backstage to congratulate him on a magnificent and moving performance. Within minutes we were all hurrying home. I caught up with John on Saturday midday - as we were waiting to see what Iran would do - and we had a great talk about the moral cowardice in the west that is emboldening violent extremism. He understands that it's not just about Israel but that western democracy and freedoms are threatened by this surge of Marxist and extreme Islamist violence. Since the introduction to this podcast was recorded, the 7-year old Beduin girl who I mention having been critically injured, has died. Her tragic fatality is the only one. A number of people were injured by missile and drone debris and there was some damage to a major Israeli Air Force base. Ondrasik stayed on for the full five days. Five for Fighting. Unfortunately, due to the ongoing high alert regarding Iran and its proxies in the region, he was unable to visit the site of the Nova music festival. But I am confident that John Ondrasik will be back. Not only is his music beautiful but he is one of those rare artists who has a moral backbone and is speaking out, no matter the consequences. The world needs more John Ondrasiks. Five for Fighting. Go Leafs!You really don't want to miss this amazing discussion. Or the video for the song. “OK.”Except. We are so not OK.State of Tel Aviv is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber.In the two decades since Five for Fighting's first major single, “Superman (It's Not Easy),” hit the stratosphere, Five For Fighting (aka John Ondrasik), has released six studio LPs, including the platinum certified “America Town” and “The Battle for Everything;” and the top-10 charting “Two Lights,” along with an EP and live albums. A post 9-11 anthem, Ondrasik performed “Superman (It's Not Easy),” at the 2001 Concert for New York, a benefit show at Madison Square Garden that honored first responders and the fallen about a month after the tragic September 11th attacks. Ondrasik has penned major hits, including the chart-topping “100 Years,” “The Riddle,” “Chances,” “World,” and “Easy Tonight,” which have earned tens of millions of streams and placed him as a top-10 Hot Adult Contemporary artist for the 2000s. The reflective “100 Years” has joined “Superman (It's Not Easy)” as part of the American Songbook and continues to stand the test of time. Five For Fighting's music has also been featured in more than 350 films, television shows, and commercials, including the Oscar-winning “The Blind Side,” “Hawaii Five-O,” “The Sopranos,” and the CBS drama, “Code Black.” This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.stateoftelaviv.com/subscribe
Daisy Prince's directing work includes the Original Off-Broadway production of The Last Five Years and the Original Off-Broadway production of Songs for a New World, both by Jason Robert Brown; It's Only Life: The Songs of John Bucchino at Rubicon Theatre (Los Angeles Ovation Award and Independent Award, Best Direction) also at Theatre Row for SPF and American Songbook at Lincoln Center; Jessica Molaskey's Pentimento with John Pizzarelli, Christine Ebersole, and Frank McCourt at The 92 Street Y. Daisy's concert staging includes Jason Robert Brown and Stephen Sondheim at Town Hall 50th SubCulture Residency Concert June 2019, NYSF Public Theater, PUBLIC SINGS!, Jazz at Lincoln Center's American Songbook Lance Horne: First Things Last, Lyrics and Lyricists at 92nd St. Y, The Genius of Autism, Zankel Hall at Carnegie Hall, and Tom Kitt: An Evening at Stella Del Mare at Joe's Pub. As a performer, Daisy's credits include Merrily We Roll Along (Meg, Original Broadway Cast), Follies in Concert (Young Phyllis, Lincoln Center); Pal Joey (Linda English, Encores! City Center), Michael John LaChiusa's The Petrified Prince (Elise, NYSF Public Theater), and featured performer with The New York Pops at Carnegie Hall. Her recordings include all the above and Grateful: The Songs of John Bucchino. In addition, she co-produced three plays with Bonnie Metzgar and Thalia Field as House Frau, inc. at BACA downtown. Daisy is a graduate of Brown University, has spent 20 years teaching as part of the New York City faculty of Syracuse University's The Tepper Semester, and is a proud member of the SDC. Learn more about your ad choices. Visit podcastchoices.com/adchoices
This Saturday, March 23 at 8pm - the stage of The Mahaiwe in Great Barrington, Massachusetts will spring to life as Bria Skonberg and Benny Benack III re-vive and re-imagine classics from The American Songbook.“Sing & Swing” is part of a “Jazz at Lincoln Center presents” touring initiative that features up-and-coming musicians who have been identified as rising stars by that venerated organization.
Ann Hampton Callaway talks with Emmy Winner Charlotte Robinson host of OUTTAKE VOICES™ about her upcoming performance with the Boston Gay Men's Chorus (BGMC) on March 16th at Jordan Hall in Boston, MA at 8P. The concert entitled "Melodies for a Movement" will highlight the "Tyler's Suite" that sheds light on the devastating impact of cyber-harassment and bullying that our LGBTQ youth continue to face. Tyler Clementi was the accomplished violinist who took his life in 2010 after being cyber-bullied by his Rutgers roommate for being gay. This powerful performance will feature a suite in nine movements for chorus with a solo violin performance dedicated to the memory of Tyler Clementi. The "Tyler's Suite" was created under the leadership of Composer Stephen Schwartz (Wicked, Pippin) and explores the voices and experiences of Tyler and his family through the music of eleven of today's top composers including Ann Hampton Callaway. "Melodies for a Movement" will also feature a cabaret set by Callaway one of America's most gifted and prolific artists. Through the stirring composition of "Tyler's Suite" and the mesmerizing performance by Ann Hampton Callaway this fabulous concert event will evoke empathy, foster understanding and promote acceptance. Especially in these difficult times with over 600 anti LGBTQ bills in states across the country, women's rights continue to be on the chopping block, antisemitism and hate crimes on the rise all as we head toward the 2024 presidential election. We talked to Ann about what she hopes to accomplish with her music and her spin on our LGBTQ issues. Ann Hampton Callaway is one of America's most gifted artists in pop and jazz. A leading champion of the great American Songbook she's made her mark as a singer, pianist, composer, lyricist, arranger, actress, educator, TV host and producer. Voted by Broadway World as “Celebrity of the Year” and two years in a row as “Best Jazz Vocalist” Ann is a born entertainer. She is best known for Tony-nominated performance in the hit Broadway musical “Swing!” and for writing and singing the theme song to the hit TV series “The Nanny.” Her latest CD “Finding Beauty, Originals Volume 1” premiered number 1 in Jazz on Amazon. Currently Ann is working on “Finding Beauty, Originals Volume 2”. The Boston Gay Men's Chorus founded in 1982 is one of New England's largest and most successful community-based choruses consisting of over 200 voices. "Melodies for a Movement" honors Tyler Clementi's memory while igniting the flame of positive change to build a world where every individual is cherished for exactly who they are. For More Info & Tix… LISTEN: 600+ LGBTQ Chats @OUTTAKE VOICES
Alec Wilder and Harold Arlen are both composers in the great American Songbook tradition. Chances are good you've never heard of Alec Wilder, even if you're familiar with some of his popular songs, like "I'll Be Around" or "While We're Young." He was also a prolific composer of chamber music, many of the best known virtuosos of the day were personal friends of his, and he wrote most of his chamber works with them in mind. Frank Sinatra was so enamored with Wilder's chamber music that he released a recording of several of his instrumental works as “conducted” by Sinatra! Harold Arlen is perhaps best remembered for his score for The Wizard of Oz and "Somewhere Over the Rainbow" is one of the most recorded songs of all time. It's easy to overlook the fact that he wrote over 500 songs during his career, a large number of which became standards, about which Irving Berlin said "He wasn't as well known as some of us, but he was a better songwriter than most of us, and he will be missed by all of us."
Ohio native Dan Duckham moved to Fort Lauderdale in 1956 after graduating from Miami University of Ohio. Three years later in 1962 he formed his own firm and over the last seven decades, Dan Duckham completed more than 500 projects, including many Modernist houses. Dan Duckham is one of the last living masters of Florida modern, and joining him is architect and author Randolph Henning, who in addition to his design practicewrites books on architects who followed in the tradition of Frank Lloyd Wright, architects such as Alfred Browning Parker and Aaron Green. His next book is on Dan Duckham. Later on, the Queen of the American Songbook, musical guest Ann Hampton Calloway.
Everybody said don't, but we're doing it anyway... It's the Gospel According to Babs! We're doing something a little different this season and focusing on the musicals (and musical-adjacent) films of one of the greats, and who better than Barbra Streisand: GOAT queer diva, filmmaker, actor, and singer, who just released her autobiography My Name is Barbra. We talk about: – The Method: Barbra's early training in the method developed by Konstantin Stanislavski and his students in the early decades of the 20th century – and the theology of human experience it depends on. – The Albums: Streisand as an interpreter of the American Songbook, and the ways in which her acting training influences her recording career. – The power of thought as Barbra's autobiography (and discography!) expresses it. Do thoughts really transcend matter? – Keep a performance fresh – how to stay in the moment when the moment needs to be repeated over and over. – Streisand as prophet and priest. How does an artist bring a prophetic voice to society? You'll hear: – Mostly Barbra! “Putting it Together” from the Broadway Album (1985), “Everybody Says Don't” from Back to Broadway (1993) and “Guilty” (with Barry Gibbs!) from 1980. Continue the conversation with us on Instagram and The Platform Formerly Known as Twitter (@gospelofmt).
In this second episode of a two-part series on the life and times of Irving Berlin, The American Tapestry Project asks “What are the Top Ten Irving Berlin Songs NOT Named “White Christmas” or “God Bless America”. Hear the songs and learn their backstories as we continue exploring the life, times, and music of an American icon – Irving Berlin.
This episode of The American Tapestry Project begins a two-part series on the life and times of Irving Berlin – The American Songbook and the invention of American popular music culture. In Part One we'll meet Berlin, discover his immigrant heritage, his experiences on Tin Pan Alley, on Broadway, and in Hollywood musicals as his music sings of America. Meet Irving Berlin and hear the sounds of “American pop” being born on The American Tapestry Project
We are celebrating the most important gifts of any season: love, companionship and connection. Our guests are author Pilley Bianchi whose book, For The Love off Dog celebrates our rich canine bestie history and invites you to teach your any-age dog some new tricks. And TJ Lubinsky joins us to discuss his newest My Music Presents/PBS Special, Steve Lawrence and Eydie Gorme: Memories of My Mom And Dad.Inspired by the work of her father John W. Pilley, the psychologist whose Border collie, Chaser, charmed the nation with his impressive understanding of language, Pilley hopes to share with you what she learned from her Dad and Chaser and inspire you to to better engage with your dog. She's written the ultimate handbook designed to teach you how to teach your dog.TJ Lubinsky is eager to tell us about his 20 year journey towards finally making the Steve and Eydie special of his dreams. Teen heartbreak led TJ to sooth his soul with the sound of Steve Lawrence and now TJ has teamed with Carol Burnett, Michael Feinstein and Steve and Eydie's son, David Lawrence, to bring you a PBS special rich with remarkable musical TV moments featuring his parents singing, I'm Into Something Big, Sunrise Sunset, Blame It On The Bossa Nova, Portrait Of My Love, More, and more! We learn from TJ that management obstruction led to the long delay. We hear about the surprising source of the pristine footage he was able to find deep in a vault and we come to understand the role David's recollections played in the making of this visual celebration of the greatest singing spouse act in American music history. All that, plus TJ shares how his attention to detail pays off in the live shows he produces featuring legacy acts, why he always begins every project with the right intentions and the seemingly serendipitous ways in which he helps artists receive their well earned moments of recognition and appreciation!And Fritz is recommending Napoleon in theaters and streaming, and Weezy was moved by the Charles Blow documentary South to Black Power on Max.Path Points of Interest:TJ Lubinsky on WikipediaTJ Lubinsky on FacebookTJ Lubinsky on InstagramCurrent.org articleSteve Lawrence and Eydie Gorme: Memories Of My Mom And DadSteve Lawrence and Eydie Gorme: Memories Of My Mom And Dad TrailerPBS PassportTreasury CollectionPilley BianchiFor The Love of Dog: The Ultimate Relationship Guide by Pilley Bianchi and Calum HeathPilley on InstagramPilley on YouTubeChaser and JohnChaser on WikipediaChaser and John on YoutubeChaser and John on Sixty MinutesChaser and John on NovaNapoleon - Theaters/HBO Max/PrimeSouth To Black Power on Max
Lori Lieberman Live on Game Changers with Vicki Abelson Being with Lori Lieberman, the very first musical guest at Women Who Write, and the only artist to perform at every WWW location over the past decade-plus is like going home. Five years since our last midday soiree, it was so wonderful to reconnect and catch up. We got the unabridged Killing Me Softly scoop, from its inception with Lori's pen on a napkin at a Don McLean show, to it getting fleshed out with her managers, Charles Fox and Norman Gimbel, her recording it, getting airplay, Roberta hearing it, Lori making the rounds credited as a collaborator, then written off, and finally getting vindicated only recently. There's lots more to the story, all fascinating and aided greatly by its mostly happyish ending. Lori's first five albums and self-imposed hiatus that followed. Motherhood, Joe Cali, falling in love and finding her way back to the music. 20 albums later, her latest releases, The Girl and The Cat, her most emotional and personal work to date, Lori told us why, and Truly, a departure for Lori, a deep dive into the American Songbook, with a unique revisit of the before mentioned Killing Me Softly. You haven't heard it until you've heard Lori sing it. And sing it and kill us she did! She also treated us to her track, Switzerland, although Zoom prematurely derailed it. Lori's readying for her 3rd Carnegie Hall concert, on December 10th, at 2 pm. In the tri-state area, or gonna be? It's a must! Link for tkts: https://www.carnegiehall.org/.../Afternoon-Concert-with... 30% Discount code: LAL 43749 For all things Lori, including her music, visit : lorilieberman.com I love this woman so much. What fun this was! She'll remain in heavy rotation in my living room. Lori Lieberman Live on Game Changers with Vicki Abelson Wednesday, November 29th, 5 PM PT, 8 PM ET Streamed Live on my Facebook Replay here: https://bit.ly/47XjI5M
On this episode of Our American Stories, our storyteller's father was more than a virtuoso of the American Songbook. He was a circumspect, gentle, and incredibly generous man. Support the show (https://www.ouramericanstories.com/donate)See omnystudio.com/listener for privacy information.
In this new podcast, Paul goes behind the curtain with legendary protector of the American Songbook, Michael Feinstein, and Hollywood Museum Founder and President Donelle Dadigan to discuss the amazing career of Jose Iturbi. Feinstein does not do many interviews was happy to join in this important discussion to bring a name back to the […]
Welcome to our new season!Today we meet Leslie Vincent and Michelle Tea!We're talking about the book that saved Leslie's life: Valencia by Michelle Tea.As a music maker, Leslie Vincent performs jazz and the great American Songbook. She released her new album About Last Night earlier this year.Michelle Tea is a writer, Guggenheim Fellow, founder of Drag Queen Story Hour, and host of the podcast Your Magic with Michelle Tea.Valencia is the fast-paced account of one girl's search for love and high times in the drama-filled dyke world of San Francisco's Mission District.Connect with Leslie and Michelleinstagram: @leslie_della_vincentwebsite: lesliedellavincent.comfacebook: facebook.com/LeslieVincentMusicwebsite: www.michelle-tea.cominstagram: @michelleteaztwitter: @TeaMichelleBuy ValenciaVisit our Bookshop for new releases, current bestsellers, banned books, critically acclaimed LGBTQ books, or peruse the books featured on our podcasts.Or, buy Valencia directly: https://bookshop.org/a/82376/9781580052382Become an Associate Producer!Become an Associate Producer of our podcast through a $20/month sponsorship on Patreon! A professionally recognized credit, you can gain access to Associate Producer meetings to help guide our podcast into the future! Get started today: patreon.com/thisqueerbookCreditsHost/Founder: J.P. Der BoghossianExecutive Producer: Jim PoundsAssociate Producers: Archie Arnold, Natalie Cruz, Jonathan Fried, Paul Kaefer, Nicole Olila, Joe Perazzo, Bill Shay, and Sean SmithPatreon Subscribers: Stephen D., Stephen Flamm, Thomas Michna, and Gary Nygaard.Permission to use "Laura" and "Stars Fell Over Alabama" provided be Leslie Vincent.Permission to use the film trailer to Valencia provided by Michelle Tea.Permission to use Your Magic with Michelle Tea provided by Michelle Tea.Music credits: visit thiqueerbook.com/music Quatrefoil LibraryQuatrefoil has created a curated lending library made up of the books featured on our podcast! If you can't buy these books, then borrow them! Link: https://libbyapp.com/library/quatrefoil/curated-1404336/page-1Register and Support Unstoppable Stories: A Banned Books FestivalRegister: https://uucf.org/unstoppableDonate: https://onrealm.org/UUCF/give/BBFestText: UUFAIRFAX BBFest to 73256.All donation options: thisqueerbook.com/unstoppableSupport the show
Today on Too Opinionated, we sit down with Donelle Dadigan, the President and Co-founder of the José Iturbi Foundation & President and Founder of The Hollywood Museum. Once upon a time in the 1940s and 1950s in America, classical music and its stars were a natural part of many big Hollywood movies. This golden age saw the creation of famous musical hits such as Anchors Aweigh with Gene Kelly and Frank Sinatra or That Midnight Kiss with Mario Lanza, in which a spirited piano virtuoso and conductor always played himself: José Iturbi. Nowadays known only to connoisseurs and aficionados, the native Spaniard was at the time, along with Oscar Levant (An American in Paris), one of the most commercially successful classical artists in Hollywood. When the film A Song to Remember was released in 1945, for example, Iturbi's recording of a Chopin Polonaise sold 800,000 copies. Shortly thereafter, his recording company, RCA Victor, paid him over $118,000 in semiannual royalties – a record at the time. And Iturbi's passion wasn't just for music: he completed 1,400 hours of flying as a pilot, enjoyed riding motorcycles fast, and excelled as an amateur boxer. This edition is a tribute to an era when classical music from films made its journey around the world. It contains all the recordings made by José Iturbi and his sister Amparo Iturbi for RCA Victor from 1933 to 1955, painstakingly restored and remastered from the original records and tapes, including numerous previously unreleased recordings. The 188-page coffee-table book includes a detailed biographical essay by “Ambassador for the American Songbook” and producer of this set Michael Feinstein, extensive documentation with photographs and facsimiles from the José Iturbi Foundation archives, and a complete session and release discography. · The complete RCA Victor Recordings by José Iturbi from 1933 to 1953, including his piano duo recordings with sister Amparo Iturbi as well as Amparo Iturbi's solo recordings on 16 CDs, restored and remastered from the original lacquer discs and analogue tapes using high-resolution 24 bit/192 kHz mastering technology with about 95% of the recordings appearing on CD for the first time and 23 pieces previously unreleased. · A new, captivating essay by GRAMMY®-nominated singer, pianist, and music anthropologist Michael Feinstein on the life and work of José Iturbi. · Complete session discography as well a complete documentation of José Iturbi's commercial releases on 78rpm and LP. · Photo book with previously unseen photos and facsimiles from the Iturbi Archives in Hollywood.
Jose Llana returns to Broadway in the highly anticipated production of David Byrne & Fat Boy Slim's Here Lies Love, for which he earned a Lucille Lortel Award nomination for creating the role of “Marcos” at the Public Theatre. He most recently starred as The King Of Siam in Lincoln Center Theater's Tony Award Winning revival of The King & I on Broadway, the US National Tour and the UK Tour. Previous Broadway credits include Chip Tolentino in William Finn's The 25th Annual Putnam Country Spelling Bee (Drama Desk Award, dir. James Lapine), El Gato in Wonderland, Wang Ta in David Henry Hwang's adaptation of Rodgers & Hammerstein's Flower Drum Song, Angel in RENT (dir. Michael Greif), Jessie-Lee in Streetcorner Symphony and his debut as Lun Tha in the 1996 Revival of Rodgers & Hammerstein's The King & I opposite Donna Murphy and Lou Diamond Phillips. Off-Broadway appearances include Adam in Falling For Eve (York), Gabey in On the Town (dir. George C. Wolfe, Delacorte) and Adam Guettel's Saturn Returns (dir. Tina Landau, Public Theater). Regional appearances include Bill Sikes in Oliver! (Papermill), Guillaume in Cameron Mackintosh's Martin Guerre (Guthrie Theater), Tin Man in Ballad of Little Jo (Steppenwolf Theater, dir. Tina Landau, Jefferson Nomination - Best Supporting Actor) and Candide in Candide (Prince Theater, Barrymore Nomination - Best Actor). TV/Film appearances include HBO's Sex and the City opposite Margaret Cho and Hitch with Will Smith. Appearing on numerous cast albums Jose is also a best-selling recording artist on the VIVA Philippines label. He has made two appearances with American Songbook in 2019 and 2015 which led to the release of his second solo CD, Altitude in the spring of 2016. Learn more about your ad choices. Visit podcastchoices.com/adchoices
About “8-Track Throwback: The Remix”: Returning to the Laurie Beechman stage for the first time since 2019, Marquee Five's tribute to the 8-Track era has exploded with new favorites alongside tried-and-true hits from Van Morrison, Dolly Parton, Stevie Wonder, and others. “8-Track Throwback: The Remix” is a newly reimagined and joyous celebration of the music that takes you back. About Marquee Five: Tight, lush vocal jazz harmonies, clever arrangements, and an actor's sensibility characterize Marquee Five, the collaboration of singers Mick Bleyer, Adam West Hemming, Vanessa Parvin, Sierra Rein, and Julie Reyburn. The group Times Square Chronicles called, “The Manhattan Transfer for the new millennium,” teams up with a swinging band to bring a sassy, intelligent flair to your favorite songs with exciting five-part vocal arrangements running the gamut of the American Songbook, Broadway canon, and more. This show sponsored by Patti Bottino-Bravo: https://www.pattibottinobravo.com/
" Antonio Dominick Benedetto--later 'Tony Bennett'--had one of the great American entertainment careers. Born in Queens, New York, he rose to fame by singing early American jazz and musical songs. His most famous song was ""I Left My Heart in San Francisco."" But the peak of his popularity came just as rock-and-roll music arrived in America. Plus, learn the phrasal verb ""give way."" -- At Plain English, we make English lessons for the modern world. -- Today's full English lesson, including a free transcript, can be found at: https://plainenglish.com/597 -- Learning English should be fun! That's why our lessons are about current events and trending topics you care about: business, travel, technology, health, science, politics, the environment, and so much more. Our free English lessons always include English expressions and phrasal verbs, too. -- Learn even more English at PlainEnglish.com, where we have fast and slow audio, translations, videos, online English courses, and a supportive community of English learners like you. Sign up free at PlainEnglish.com/Join -- Aprende inglés gratis en línea con nuestro curso de inglés. Se habla a una velocidad lenta para que todos entiendan. ¡Aprende ingles con nosotros ahora! | Aprenda Inglês online grátis com o Plain English, a uma velocidade menor, para que todos possam entender. Contact: E-mail jeff@plainenglish.com | WhatsApp +1 312 967 8757 | Facebook PlainEnglishPod | Instagram PlainEnglishPod | Twitter @PlainEnglishPod "
For decades, singer Tony Bennett was a class unto himself and a bastion of The American Songbook. He has died at the age of 96.Bennett delighted his fans around the globe with timeless classics such as "Because of You," "Rags to Riches," and his signature song, "I Left My Heart in San Francisco." From success as a crooner through his generation-spanning duets, his career was remarkable for both its constancy and duration.Joe Donahue spoke with Tony Bennett in 2014, prior to a concert he was performing at Tanglewood. We air a portion of that conversation this morning in memoriam.
The only way for a story to progress is to turn the page. John Ondrasik— the songwriter and performer known as the platinum-selling, Grammy-nominated, Five For Fighting—knows this well. In the two decades since his first major single, “Superman (It's Not Easy),” hit the stratosphere, the artist has both evolved and come back ‘round full circle. Creativity, if nothing else, is paradoxical. To date, Five For Fighting, has released six studio LPs, including the platinum certified America Town and The Battle for Everything; and the top-10 charting Two Lights, along with an EP and live albums. Ondrasik has penned major hits, including the chart-topping “100 Years,” “The Riddle,” “Chances,” “World,” and “Easy Tonight,” which have earned tens of millions of streams and place him as a top-10 Hot Adult Contemporary artist for the 2000s. The reflective “100 Years” has joined “Superman (It's Not Easy)” as part of the American Songbook and continues to stand the test of time at weddings, birthdays, graduations, memorials, and many a home video. Five For Fighting's music has also been featured in more than 350 films, television shows, and commercials, including the Oscar-winning The Blind Side, Hawaii Five-O, The Sopranos and the CBS drama, Code Black.
Rickie Lee Jones dives into the American Songbook on her new album, Pieces of Treasure, out today. The album, a collection of jazz vocal standards, is Jones' first since publishing her memoir, Last Chance Texaco, and saw Jones reuniting with Russ Titelman, who produced her first two albums. Jones joins us for a release day Listening Party.
One of the jazz world's most acclaimed performers, possessing a potent combination of dynamic vocal abilities, impeccable phrasing, and powerful emotional resonance. Nicole's passionate, soulful voice and heartfelt charisma have earned her a Soul Train Award for “Best Traditional Jazz Performance," and four Top-10 jazz albums on U.S. Billboard, JazzWeek, HMV Japan and UK Sweet Rhythms charts. Heralded by The New York Times, The Wall Street Journal, The Japan Times, El Pais, Jazz Times, Essence, and more, Nicole tells real stories through peerless interpretations of repertoire from the American Songbook, classic and contemporary jazz, popular standards, blues, and originals. She has captivated audiences in 20 countries, headlining at venues in cities including New York, Tokyo, Madrid, Moscow, Paris, Shanghai, Los Angeles, Chicago, Las Vegas, Boston, San Francisco, and Miami at such venues as Blue Note; Jazz at Lincoln Center; Blues, Alley, The Smith Center; Kravis Center; Jazz St. Louis, Feinstein's; Madrid Jazz Festival; and more. Nicole has also recorded with some of today's musical greats including Kirk Whalum, Julian Lage, John Clayton, and Gerald Clayton and has performed with the Duke Ellington Orchestra, the Henry Mancini Institute Orchestra, Pasadena Pops and Michael Feinstein. In late 2019, she returned to the theatrical stage and garnered critical praise in the musical version of The Bodyguard; in Dec. 2021, she starred in the new musical A Wonderful World, based on the life of Louis Armstrong; and in 2022, she portrayed ‘Brenda' in Smokey Joe's Cafe.
"That's the problem with a lot of things these days," wrote Bob Dylan in 2022, "Everything is too full now; we are spoon-fed everything. All songs are about one thing and one thing specifically, there is no shading, no nuance, no mystery. Perhaps this is why music is not a place where people put their dreams at the moment; dreams suffocate in these airless environs." This mournful attitude — for a lost age of artfulness, mystery, and hope — pervades Dylan's 2022 book, Philosophy of Modern Song. In this sense, it's a quintessentially conservative book. But decline and nostalgia are not its only themes. In short bursts of prose reflecting on sixty-six totemic songs (from Webb Pierce's 1953 hit "There Stands the Glass;" to The Fugs' 1967 proto-punk romp "CIA Man;" to Nina Simone's unimpeachable "Don't Let Me Be Misunderstood"), Dylan conjures a country — and canon — defined most of all by mutability, motion, and menace. Dylan's America never stops moving, reinventing itself, or rebelling against its own strictures. Things get better; things get worse; what they don't do is stay the same. To help us make sense of Bob Dylan's idiosyncratic vision of America and American song, we're joined by Know Your Enemy musician-in-residence (and Bob super-fan) Will Epstein. Besides providing the music for our show, Will is a song-writer, composer, and improvisor; his latest album, WENDY, is out from Fat Possum records. (Download it or buy the vinyl here.) Music may not be the place where most people put their dreams these days, but it's still where we put ours. And there is no better way to understand America's dreams than by listening — closely — to its music. Sources:Bob Dylan, The Philosophy of Modern Song (2022)Bob Dylan, Chronicles: Volume One (2005)Sean Wilentz, Bob Dylan in America (2010)Clinton Heylin, Bob Dylan: Behind the Shades Revisited (2003)Martin Chilton, "Bob Dylan and the Great American Songbook," May 24, 2022Raymond Foye, "Bob Dylan's The Philosophy of Modern Song," The Brooklyn Rail, Nov. 2022.Hua Hsu, "How Nam June Paik's Past Shaped His Visions of the Future," The New Yorker, Mar 29, 2023.John Szwed, Cosmic Scholar: The Life and Times of Harry Smith, coming Aug 2023....and don't forget to subscribe to Know Your Enemy on Patreon for access to all of our bonus episodes!
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