Podcasts about Bardo

This week, we’re talking to director and screenplay writer Maggie Gyllenhaal about her upcoming film, The Bride! Maggie reveals how she gave a character from the 1930s with only a few minutes of screentime a big dose of main character energy. Danielle and Maggie also discuss the unthinkable thoughts of Mary Shelley, IMAX screenings, and what it was like to narrate a 48-hour audio book. Plus, get a sneak peek of the March Reese’s Book Club Pick, Lady Tremaine. BOOKS MENTIONED: Good Morning, Midnight by Jean Rhys Frankenstein by Mary Shelley Romeo and Juliet by William Shakespeare Anna Karenina by Leo Tolstoy The Lost Daughter by Elena Ferrante My Brilliant Friend by Elena Ferrante Lincoln in the Bardo by George Saunders Jane Eyre by Charlotte Brontë Mating by Norman RushSee omnystudio.com/listener for privacy information.

Acclaimed writer George Saunders is one of the featured authors at this week's 31st annual Writer's Symposium by the Sea in Point Loma.Known for groundbreaking works like "Lincoln in the Bardo" and "Tenth of December," Saunders joined Midday Edition Wednesday to reflect on his writing process, and how he approaches teaching the art of writing to a new generation.Guest:George Saunders, author, "Vigil", "Lincoln in the Bardo"Link:31st Annual Writer's Symposium by the Sea event with George Saunders on Feb. 27

Get a recommendation from JJ and Tucker Lucas about "Lincoln in the Bardo" - which is soon to be a major motion picture! Plus, Abby Miller has a suggestion for a book reading app that helps track what you read, when you read and gives you a ton of data on your reading habits!See omnystudio.com/listener for privacy information.

Welcome to Multiverse News, Your source for Information about all your favorite fictional universesTrailers For AllCapitalizing on a week somewhat bereft on big news, several studios offered new and first looks at their upcoming tentpoles, both movies and TV alike; so, let's talk about what stood out:Toy Story 5House of the Dragon Season 3Lee Cronin's The MummyBAFTA Reality, Ope, There Goes GravitySunday night's 79th BAFTA Film Awards saw Paul Thomas Anderson's One Battle After Another dominate with six wins including Best Film and Best Director. Sinners and Frankenstein each took three awards, while the night's biggest surprise came in Best Leading Actor, where Robert Aramayo beat out Timothée Chalamet and Leonardo DiCaprio. Marty Supreme walked away from 11 nominations completely empty-handed, tying the record for most losses in a single year. So, with all that in mind, who got BAF-Ted?Oops Sony Does it AgainSony Pictures confirmed the studio's Spider-Man villain spin-off universe is getting a full reboot with new people and fresh creative direction, following the back-to-back commercial and critical failures of Morbius, Madame Web, and Kraven the Hunter; the last of which topped out at just $62 million worldwide. On a related note, Sony is also moving forward with an animated Venom film, tapping Final Destination: Bloodlines directors Zach Lipovsky and Adam B. Stein to helm the project, with Tom Hardy attached as a producer. No writer or script is in place yet, but a writers room is being assembled at Sony Pictures Animation. With a live-action reboot on the horizon and Venom going animated, is Sony finally ready to stick the landing with its corner of the Spider-Man universe?Coming up in the Lightning Round: The Live-Action Scooby Doo Series Casts Daphne, Ming-Na Wen Joins Percy Jackson's Third Season, Kristen Bell Boards Sonic 4 and more! Don't go anywhere!Spotify PollDo you want Severance spin-offs?Yes - 34%No - 65%Lightning RoundMckenna Grace is joining the “Scooby-Doo” live-action series at Netflix in the role of Daphne, Variety has learned from sources.Kirsten Bell has closed a deal to voice the character Amy Rose in Paramount's Sonic the Hedgehog 4.Ming-Na Wen, Jennifer Beals and Hubert Smielecki have been cast as the Greek gods Hera, Demeter, and Apollo respectively in Season 3 of “Percy Jackson and the Olympians" in guest star roles.Paramount has moved up the release date for Teenage Mutant Ninja Turtles: Mutant Mayhem 2 to August 13, 2027. It was previously slated for Sept. 17, 2027. Winona Ryder has been cast in a guest role in Netflix's Wednesday season 3. The move reunites the Beetlejuice and Edward Scissorhands star with Wednesday director and executive producer Tim Burton, as well as with her Beetlejuice Beetlejuice co-star Jenna Ortega.Ryan Coogler‘s reboot of “The X-Files” is officially moving forward with a pilot order at Hulu. Danielle Deadwyler is officially set to play one of the lead roles in the pilot, while the other lead role has yet to be cast.Netflix has debuted the first teaser trailer for the upcoming six part Pride and Prejudice adaptation series. The series is expected to debut sometime this fall.Tom Hanks will play President Abraham Lincoln in Lincoln in the Bardo, a live-action and stop-motion animation hybrid film based on George Saunders' 2017 Booker Prize-winning novel, marking the actor's first time portraying a U.S. president. The film, directed by Duke Johnson and currently in production in London, centers on Lincoln's relationship with his recently deceased 11-year-old son Willie and explores themes of love, empathy, and grief through an ensemble of living and dead characters.Ed Skrein has been cast as Baldur, the youngest son of Odin, in Prime Video's God of War live-action series currently in pre-production in VancouverMarvel announced the Wolverine game being developed by Insomniac will release September 15, 2026.

What if dying is not an ending, but a moment of radical clarity? In his new novel "Vigil," George Saunders conjures a strange and often comic world of bickering angels visiting a dying, deeply flawed man—debating and waiting to see whether he can face the truth about himself before it's too late.In this conversation, Steve Paulson talks with Saunders about the evolution of his ideas about death and the possibility of an afterlife. Dying, he says, may be “the ultimate experience of wonder,” and he believes ghost stories can open powerful imaginative spaces for novelists. Saunders reflects on his own Buddhist practice as he considers these life-and-death questions, and he tells us why he thinks fiction is uniquely suited to grappling with complex moral issues and why Tolstoy and Chekhov are his personal sources of inspiration.Saunders is the author of such celebrated books as “Tenth of December,” “Pastoralia,” and the Booker Prize-winning “Lincoln in the Bardo.”  His nonfiction book about the great Russian writers is “A Swim in a Pond in the Rain.”This interview was recorded at the Central Library in downtown Madison shortly before Saunders spoke at the Wisconsin Book Festival.— To the Best of Our Knowledge — On his short story collection “Tenth of December.  To the Best of Our Knowledge: Reflecting on “Lincoln in the Bardo.” Substack Story Club with George Saunders —00:00:00 Introduction and Reading from Vigil00:07:50 The Plane Crash and Death Obsession00:15:00 The Writing Process and Wonder00:24:30 Moral Accountability in Fiction00:32:20 Chekhov, Succession, and Accuracy00:40:00 Kindness, Criticism, and Final Thoughts Wonder Cabinet is hosted by Anne Strainchamps and Steve Paulson. Find out more about the show at https://wondercabinetproductions.com, where you can subscribe to the podcast and our newsletter.

Send a textToday is our latest BFF Book Club. This month, we're joined by by Annie Harnett, author of The Road to Tender Hearts. Annie is the award-winning author of two additional novels, Rabbit Cake and Unlikely Animals. Episode Highlights:The inspiration behind The Road to Tender Hearts and how Annie transformed personal anxiety into sharp, heartfelt fiction.Her writing process of “going for the joke first” and then layering in what she calls the “emo copy” to bring emotional depth.Why humor is her entry point into heavier themes.How her experience as a former bookseller shaped her storytelling and reading life.Annie's book flight featuring four of her all-time favorite books.Connect with Annie:InstagramWebsite

Is that a good book? It sounds like a simple question. But what does “good” actually mean? In this episode, Trevor and Paul explore the many ways a book can be good. They also reflect on how star ratings and quick takes, as much as we love them, can compress our responses, and why slowing down and considering why a book is “good”might deepen our relationship with the books we love.2026 Novella Book ClubWe have announced the four novellas we will be reading for The Mookse and Gripes Novella Book Club in 2026!* January: Daisy Miller, by Henry James* April: An Episode in the Life of a Landscape Painter, by César Aira* July: The Hour of the Star, by Clarice Lispector* September: Prelude, by Katherine MansfieldDiscussions will be hosted at The Mookse and the Gripes Discord (see below!).We've got some fantastic author-focused episodes lined up for the foreseeable future, and we want to give you plenty of time to dive in if you'd like to read along with us. These episodes come around every ten episodes, and with our bi-weekly release schedule, you'll have a few months to get ready for each. Here's what we have in store:* Episode 135: William Faulkner* Episode 145: Elizabeth Taylor* Episode 155: Naguib Mahfouz* Episode 165: Annie Ernaux* Episode 175: Henry JamesThere's no rush—take your time, and grab a book (or two, or three) so you're prepared for these as they come!ShownotesWhat are you reading?* Paul: The Unselected Journals of Emma M. Lion, by Beth Brower* Trevor: The Disappearing Act, by Maria Stepanova, translated by Sasha DugdaleWorks mentinoed* King Lear, by William Shakespeare* The Unconsoled, by Kazuo Ishiguro* Robinson, by Muriel Spark* Moby Dick: or, The Whale, by Herman Melville* Cold Sassy Tree, by Olive Ann Burns* Your Absence Is Darkness, by Jón Kalman Stefánsson, translated by Philip Roughton* The Backslider, by Levi S. Peterson* Gone Girl, by Gillian Flynn* Ulysses, by James Joyce* The Murderbot Diaries, by Martha Wells* Beloved, by Toni Morrison* Lincoln in the the Bardo, by George Saunders* Vigil, by George SaundersJoin the Mookse and the Gripes on DiscordWant to share your thoughts on these upcoming authors or anything else we're discussing? Join us over on Discord! It's the perfect place to dive deeper into the conversation—whether you're reading along with our author-focused episodes or just want to chat about the books that are on your mind.We're also just about to read the second novella book club book of 2026: An Episode in the Life of a Landscape Painter, by César Aira, translated by Chris Andrews. It's a fantastic book, and we'd love to have you join the discussion. It's a great space to engage with fellow listeners, share your insights, and discover new perspectives on the books you're reading.The Mookse and the Gripes Podcast is a bookish conversation hosted by Paul and Trevor. Every other week, we explore a bookish topic and celebrate our love of reading. We're glad you're here, and we hope you'll continue to join us on this literary journey!A huge thank you to those who help make this podcast possible! If you'd like to support us, you can do so via Substack or Patreon. Subscribers receive access to periodic bonus episodes and early access to all new episodes. Plus, each supporter gets their own dedicated feed, allowing them to download episodes a few days before they're released to the public. We'd love for you to check it out! This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit mookse.substack.com/subscribe

Podílel se na vltavské hudební kompilaci Moderna. Do ambientního a elektroakustického alba současných českých skladatelek a skladatelů přispěl skladbou Vzpomínka, která zazněla i ve Vizitce. „Téma vzpomínek mě teď hodně zajímá, v této době řeším, jak moc je člověk ukotvený v tom, co prožil. Ptám se sám sebe, co jsem já, co je přítomnost a díky muzice se mi tyto otázky lépe uchopují,“ vysvětluje ve Vizitce. Vydal také nové album Bardo. Všechny díly podcastu Vizitka můžete pohodlně poslouchat v mobilní aplikaci mujRozhlas pro Android a iOS nebo na webu mujRozhlas.cz.

Podílel se na vltavské hudební kompilaci Moderna. Do ambientního a elektroakustického alba současných českých skladatelek a skladatelů přispěl skladbou Vzpomínka, která zazněla i ve Vizitce. „Téma vzpomínek mě teď hodně zajímá, v této době řeším, jak moc je člověk ukotvený v tom, co prožil. Ptám se sám sebe, co jsem já, co je přítomnost a díky muzice se mi tyto otázky lépe uchopují,“ vysvětluje ve Vizitce. Vydal také nové album Bardo.

Au-delà du livre des morts tibétain, le Bardo Thödol est une carte de la conscience en mutation. Cette conférence explore les passages de l'existence ( entre vie, mort et renaissance ) comme autant d'opportunités de transformation intérieure.Conférence donnée par Michael Descloux, philosophe.Enregistré le12 décembre 2025 à l'espace Montméjean, Bordeaux.*****Saviez vous que Nouvelle Acropole est réalisée à 100% par des bénévoles ? Nous dépendons donc beaucoup de nos étudiants et amis pour la divulgation !N'oubliez pas de vous abonner à la chaîne et si possible de la partager sur vos réseaux sociaux.Ce sera d'une grande aide !

Un viaje por el bardo - EP.03 CONSEJOS DE CORAZÓN 10 02 2026 by Nagarjuna Valencia

Blancos Perfectos es un podcast temático semanal con Oscar Uriel, Peli de la Semana y Mauricio Valle, dedicado a la discusión de películas icónicas, con la misión de descubrir, a partir de debates encarnizados, qué es lo que hace que una película deje de ser mero entretenimiento para convertirse en un Blanco Perfecto de la historia del cine.¡Compra tus boletos para Blancos Perfectos Podcast - En vivo! Este 08 de mayo 2025 en la Alianza Francesa, Sala María Félix. Boletos en Boletia: https://blancosperfectospodcast-en-vivo.boletia.com/ Hoy hablamos de Warfare, la nueva película de guerra de A24. Nos lanzamos a recordar algunas joyas del género bélico y comentamos qué tienen estas historias que siempre nos enganchan.Con la colaboración de Skaramoosh!⁠https://www.instagram.com/skaramooshmx/⁠⁠https://www.linkedin.com/company/skaramoosh/⁠⁠⁠⁠https://www.skaramoosh.net/⁠⁠¡No olvides comentar tus propuestas para la lista! Construye con nosotros la lista de las mejores películas sobre los temas más relevantes de la actualidad: ⁠⁠https://boxd.it/7GG35⁠⁠Grupo de Telegram⁠⁠https://t.me/+26XQp8p_xSlmMmJh⁠Grupo de Facebook⁠⁠https://www.facebook.com/groups/1856606544793296⁠⁠Cuentas personales⁠⁠https://www.instagram.com/pelidelasemana/⁠⁠ https://www.instagram.com/oscaruriel71/⁠⁠ ⁠⁠https://www.instagram.com/mtvalle/⁠⁠Síguenos en todas las redes como Blancos Perfectos Podcast⁠⁠https://www.instagram.com/blancosperfectos_podcast/⁠⁠⁠⁠https://www.tiktok.com/@blancosperfectospodcast⁠⁠⁠⁠https://www.facebook.com/profile.php?id=61553689463208

Šiandien Nacionalinėje dailės galerijoje pristatoma knyga „Kregždutės“, kviečianti pažinti vienus ryškiausių Lietuvos XX–XXI a. dailės kūrėjus per jų vaikystės žaidimų prisiminimus.Lietuvos ir Japonijos diplomatiniams santykiams – 35-eri, o garsiam lenkų ir lietuvių etnografui, antropologui Bronislovui Pilsudskiui šiemet 160-imt. Būtent pastarojo akimis naujoje Istorijų muziejaus parodoje pristatoma Japonijos autochtonų ainų tauta.Ką parodoje apie estradinę muziką veikia trilitrinis stiklainis? O kaktusas? Ir kodėl ši muzika – lyg anyžiniai saldainiai? Į visus klausimus pasirengusi atsakyti kuratorė Deimantė Kondrotaitė, pakvietusi į naują ekspoziciją „Estrada. Svajonės kaina“ Kauno miesto muziejaus Miko ir Kipro Petrauskų namuose.Irane režimo žiauria prievarta numalšinti masiniai protestai, įsiplieskę praėjusių metų gruodį, pareikalavo tūkstančių žmonių gyvybių. Kaip tokiu laiku gyvena iraniečių menininkai ir kaip mąsto apie kūrėjo vaidmenį kruviniausiomis tautai akimirkomis?„Tikrai netvirtinu, kad naujuoju filmu Sorrentino siekia pateikti politinį ar moralinį manifestą. Tačiau neabejoju, kad iš filmo net ir skeptiškas žiūrovas išsineš vieną ar kitą mažytę malonę“, – komentare sako vertėja Toma Gudelytė.Dažnai didžiuojamasi, kad Lietuvos Didžioji Kunigaikštystė buvo itin tolerantiška valstybė, o Vilniuje taikiai sugyveno skirtingų tautybių ir tikėjimų žmonės. Bet ar tai tiesa? Filosofas Laurynas Peluritis pasakoja apie pakantrą ir pakantumą lietuvių politinėje raštijoje nuo seniausių laikų iki dvidešimto amžiaus.Rimvydą Kepežinską-Keptą dauguma pažįsta iš jo charakteringų iliustracijų: takso Antano, Pelikano Prano ar vaikystėje skaitytų J. Avyžiaus „Bardo nuotykių“, meistriškai iliustruotų Kepto. Pats Rimvydas juokauja, kad lengviausia jam piešti gyvūnus, nes, jei ką ne taip nupieši, jie nesupyks.Ved. Marius EidukonisRed. Indrė KaminckaitėLinos Mikalkėnaitės nuotr.

George Saunders is an author known for his inventive short stories and the Booker Prize–winning novel Lincoln in the Bardo. His works include the collections Tenth of December and Liberation Day and the craft book A Swim in a Pond in the Rain. Named one of Time magazine's 100 most influential people, he has received numerous honors, from a MacArthur Fellowship to the National Book Foundation's 2025 Medal for Distinguished Contribution to American Letters. Saunders teaches in the creative writing program at Syracuse University, where he has mentored generations of emerging authors. ------ Thank you to the sponsors that fuel our podcast and our team: AG1 https://drinkag1.com/tetra ------ Athletic Nicotine https://www.athleticnicotine.com/tetra Use code 'TETRA' ------ LMNT Electrolytes https://drinklmnt.com/tetra Use code 'TETRA' ------ Squarespace https://squarespace.com/tetra Use code 'TETRA' ------ Sign up to receive Tetragrammaton Transmissions https://www.tetragrammaton.com/join-newsletter

George Saunders returns to the Shakespeare and Company Podcast to talk with host Adam Biles about Vigil, his long-awaited new novel. Set on the threshold between life and death, Vigil follows a dying oil executive and the ghost tasked with comforting him, unfolding as a darkly comic, morally urgent meditation on guilt, responsibility, and free will in the age of climate collapse.Saunders discusses his fascination with liminal spaces and afterlives, the technical challenges of writing beyond realism, and how revision allows fiction to think more deeply than polemic ever could. Drawing on his own past in the oil industry, he reflects on writing characters implicated in environmental harm with both empathy and moral seriousness. The conversation ranges across Dickens, Tolstoy, Buddhism, and the novel's central question: whether redemption is possible when action is no longer an option. As ever, Saunders brings humor, generosity, and intellectual daring to a discussion that embraces complexity rather than easy answers.*George Saunders is the author of thirteen books, including the novel Lincoln in the Bardo, which won the Booker Prize in 2017, and five collections of stories including Tenth of December, which was a finalist for the National Book Award, and the recent collection Liberation Day (selected by former President Obama has one of his ten favourite books of 2021). Three of Saunders' books –Pastoralia, Tenth of December, and Lincoln in the Bardo – were chosen for the New York Times' list of the 100 Best Books of the 21st Century. Saunders hosts the popular Story Club on Substack, which grew out of his book on the Russian short story, A Swim in a Pond in the Rain. In 2013, he was named one of the world's 100 Most Influential People by Time magazine. He teaches in the creative writing program at Syracuse University.Adam Biles is Literary Director at Shakespeare and Company.Listen to Alex Freiman's latest EP, In The Beginning: https://open.spotify.com/album/5iZYPMCUnG7xiCtsFCBlVa?si=h5x3FK1URq6SwH9Kb_SO3w Hosted on Acast. See acast.com/privacy for more information.

George Saunders is one of America's most celebrated writers. His worlds and characters often live in a reality just beyond or behind our own, and his latest novel “Vigil,” is no exception. The novel opens with an angel falling to earth with the task of comforting an unrepentant oil tycoon in his final hours alive. What spills forth from this zany setup is a comic novel about climate change, personal responsibility, and the kind of honesty that matters most. Guests: George Saunders, author, "Vigil"; MacArthur Genius Grant Fellow; his previous books include "Lincoln in the Bardo," "Tenth of December" and "Liberation Day; English professor, Syracuse University Learn more about your ad choices. Visit megaphone.fm/adchoices

Vigil by George Saunders is an imaginative new story about the pivotal moment between life and death. George joined us live from Philadelphia to talk about format, keeping a sense of play, voice, language, ghosts, dialogue, short stories and more with host Miwa Messer. This episode of Poured Over was hosted by Miwa Messer and mixed by Harry Liang.                     New episodes land Tuesdays and Thursdays (with occasional Saturdays) here and on your favorite podcast app. Featured Books (Episode): Vigil by George Saunders CivilWarLand in Bad Decline by George Saunders Liberation Day by George Saunders Lincoln in the Bardo by George Saunders Beloved by Toni Morrison A Christmas Carol by Charles Dickens Master and Man and Other Stories by Leo Tolstoy  

George Saunders is the author of twelve books, including Lincoln in the Bardo, which won the 2017 Man Booker Prize for best work of fiction in English, and was a finalist for the Golden Man Booker, in which one Booker winner was selected to represent each decade, from the fifty years since the Prize's inception. His stories have appeared regularly in The New Yorker since 1992. The short story collection Tenth of December was a finalist for the National Book Award and won the inaugural Folio Prize in 2013 (for the best work of fiction in English) and the Story Prize (best short story collection). Learn more about your ad choices. Visit megaphone.fm/adchoices

A conversation with celebrated author George Saunders about his new novel, Vigil, and what fiction can teach us about empathy, self-awareness, and mortality. George Saunders is the bestselling, award-winning author of Lincoln in the Bardo, Tenth of December, and many other books. His new novel, Vigil, tells the story of a woman who died in 1976 and has spent the decades since comforting the dying—until she encounters a former oil executive responsible for early climate change denial. In this conversation, Dan and George talk about: Why George keeps writing about ghosts and the afterlife (hint: it's not just about mortality dread) The lavish empathy at the heart of Vigil—and whether we should extend that empathy even to people doing civilizational damage What George calls "warm metacognition"—the practice of dropping back out of your thought loops to examine what kind of goggles you're wearing How fiction can turn your mind into a "reconsideration machine" (and why that matters in real life) The difference between kindness and niceness George's relationship with death anxiety, which he's had since childhood and which has only intensified with age What George has learned about listening from teaching and hosting his Substack, Story Club Why the older he gets, the more important it is to stretch himself creatively His advice for dealing with stuckness (in writing and in life): curiosity over self-accusation George's new novel Vigil is out January 27th from Random House. Check out his Substack, Story Club, where he discusses classic short stories with an incredibly thoughtful community.   Related Episodes: George Saunders on "Holy Befuddlement" and How to Be Less of a "Turd"   Get the 10% with Dan Harris app here Sign up for Dan's free newsletter here Follow Dan on social: Instagram, TikTok Subscribe to our YouTube Channel   To advertise on the show, contact sales@advertisecast.com or visit https://advertising.libsyn.com/10HappierwithDanHarris  

George Saunders is the author of thirteen books, including the novel Lincoln in the Bardo, which won the Booker Prize in 2017, and five collections of stories including Tenth of December, which was a finalist for the National Book Award, and the recent collection Liberation Day (selected by former President Obama has one of his ten favourite books of 2021). Three of Saunders' books - Pastoralia, Tenth of December, and Lincoln in the Bardo - were chosen for the New York Times' list of the 100 Best Books of the 21st Century. Saunders hosts the popular Story Club on Substack, which grew out of his book on the Russian short story, A Swim in a Pond in the Rain. In 2013, he was named one of the world's 100 Most Influential People by Time magazine. He teaches in the creative writing program at Syracuse University. On this episode of Little Atoms he talks to Neil Denny about his latest novel Vigil. Hosted on Acast. See acast.com/privacy for more information.

Life is perpetually, endlessly filled with change: new jobs and new loves, unfamiliar places and faces. And entwined in that change is loss: loss of what was or is, or what could have been. Amid this shifting landscape, author Ann Tashi Slater has found power in embracing impermanence through the Tibetan Buddhist belief in the intermediate state of bardo. * In this episode, Ann is joined in an illuminating conversation with CIIS Professor in Transformative Inquiry Fernando Ona. Ann shares insights from her latest book, Traveling in Bardo, and examines bardo in relation to marriage, friendships, parents, children, work and creativity along with stories of her Tibetan ancestors and the Buddhist teachings on the fleeting nature of existence. * This episode was recorded during a live online event on September 18th, 2025. You can also watch it on the CIIS Public Programs YouTube channel. A transcript is available at ciis.edu/podcast. To find out more about CIIS and public programs like this one, visit our website ciis.edu and connect with us on social media @ciispubprograms. * Some podcast apps may not display links from our show notes properly, so we have included a list of links below. * We hope that each episode of our podcast provides opportunities for growth, and that our listeners will use them as a starting point for further introspection. Many of the topics discussed on our podcast have the potential to bring up feelings and emotional responses. If you or someone you know is in need of mental health care and support, here are some resources to find immediate help and future healing: * -Visit 988lifeline.org or text, call, or chat with The National Suicide Prevention Lifeline by dialing 988 from anywhere in the U.S. to be connected immediately with a trained counselor. Please note that 988 staff are required to take all action necessary to secure the safety of a caller and initiate emergency response with or without the caller's consent if they are unwilling or unable to take action on their own behalf. * -Visit thrivelifeline.org or text “THRIVE” to begin a conversation with a THRIVE Lifeline crisis responder 24/7/365, from anywhere: +1.313.662.8209. This confidential text line is available for individuals 18+ and is staffed by people in STEMM with marginalized identities. * -Visit translifeline.org or call (877) 565-8860 in the U.S. or (877) 330-6366 in Canada to learn more and contact Trans Lifeline, who provides trans peer support divested from police. * -Visit ciis.edu/ciis-in-the-world/counseling-clinics to learn more and schedule counseling sessions at one of our centers. * -Find information about additional global helplines at befrienders.org. * LINKS * Podcast Transcripts: https://www.ciis.edu/podcast * California Institute of Integral Studies (CIIS) Website: https://www.ciis.edu/ * CIIS Public Programs YouTube Channel: https://www.youtube.com/c/ciispublicprograms * CIIS Public Programs Instagram: https://www.instagram.com/ciispubprograms/ * Mental Health Care and Support Resources: https://988lifeline.org/ https://thrivelifeline.org/ https://translifeline.org/ https://www.ciis.edu/ciis-in-the-world/counseling-clinics https://befrienders.org/

Booker Prize-winning writer George Saunders returns with his first novel since Lincoln in the Bardo. Vigil follows an oil CEO on his death bed, and the spirit of a woman who had descended to help guide him through death. Saunders discusses the novel, out now.

In the 4th episode of our Super Traits series, Kelly sits down with her favorite writer George Saunders—author of 12 books including Lincoln in the Bardo and his latest novel Vigil—to explore creativity as a practice of staying open. They talk about how precise language changes the way we receive the world, why specificity lowers reactivity, and what it means that neurologically speaking, we're always writing and revising. George reflects on empathy as a gateway to creativity, why foreclosure is death to the creative process, and the dream of repair—which might be the whole job of fiction. He also shares why he never decides what his books mean before he writes them and why he considers constraints to be essential. This episode was made possible by a grant from the John Templeton Foundation. To learn more, visit www.templeton.org. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Host Jason Blitman is joined by acclaimed author George Saunders who talks about his new novel, Vigil. Conversation highlights include:

In this special episode of Heart Haven Meditations, Tess Callahan speaks with author George Saunders abou the intersection of meditation, writing, and his Buddhist practice. Drawing from his new novel Vigil, Saunders reflects on attention, revision as a form of meditation, and the challenge of inhabiting another person's consciousness with honesty and care. Saunders emphasizes the value of cultivating “a quiet mind” in writing and in life. George Saunders is the author of thirteen books, including the novel Lincoln in the Bardo, which won the Man Booker Prize, and five collections of stories, including Tenth of December, which was a finalist for the National Book Award, and the recent collection Liberation Day. Saunders hosts the popular Story Club on Substack, which grew out of his book on the Russian short story, A Swim in a Pond in the Rain. In 2013, he was named one of the world's 100 Most Influential People by Time. He teaches in the creative writing program at Syracuse University.Support the showHost: Tess CallahanSubstack: Writers at the WellInterview Podcast: Writers at the WellMeditations on Insight TimerMeditations on YouTubeTess's novels: https://tesscallahan.com/Music (unless otherwise noted above): Christopher Lloyd ClarkAudio Editing: Eric Fischer By tapping "like" and "follow" you help others find the show. Thank you for listening!DISCLAIMER: Meditation is not a substitute for professional psychological or medical healthcare or therapy. We do not accept any liability for any loss or damage incurred by you acting or not acting as a result of listening to this recording. Use the material provided at your own risk. Do not drive or operate dangerous equipment while listening. The views expressed in this podcast may not be those of the host or the management.

William Green welcomes back bestselling author Brad Stulberg to chat about his new book, The Way of Excellence: A Guide to True Greatness & Deep Satisfaction in a Chaotic World. IN THIS EPISODE YOU'LL LEARN: 00:00:00 - Intro 00:01:27 - How Brad Stulberg became obsessed with the pursuit of excellence 00:18:49 - Why excellence requires a combination of guts & vulnerability 00:22:51 - How “algorithmic mass distraction” blocks us from a life of excellence 00:30:10 - Why the best performers lead lives that often look mundane & boring 00:38:00 - How to identify your core values & align your career with them 00:42:22 - How we drive ourselves crazy pursuing the illusion of balance 00:53:18 - Why periods of rest & renewal are integral to success & creativity 01:07:30 - Why the key to greatness is consistency—especially on bad days 01:13:43 - Why excelling at hard things requires “fierce self-kindness” 01:21:19 - How Brad structures his daily, weekly & monthly routines 01:25:33 - What he's learned about deep work from his friend Cal Newport 01:28:51 - How to create a physical environment that supports good habits 01:37:36 - How to work with intensity & joy & to become a “humble badass” Disclaimer: Slight discrepancies in the timestamps may occur due to podcast platform differences. BOOKS AND RESOURCES Join the exclusive ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TIP Mastermind Community⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ to engage in meaningful stock investing discussions with Stig, Clay, Kyle, and the other community members. Inquire about William Green's ⁠⁠⁠⁠⁠Richer, Wiser, Happier Masterclass⁠⁠⁠⁠⁠. Brad's website.  Brad's podcast. Brad's The Way of Excellence. Brad's Master of Change & The Practice of Groundedness. Robert Pirsig's Zen & the Art of Motorcycle Maintenance, Lila & On Quality. Cal Newport's Deep Work. George Saunders' Lincoln in the Bardo. William Green's previous podcast with Brad Stulberg. William Green's book, ⁠Richer, Wiser, Happier⁠. Follow William Green on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠X⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Related ⁠⁠⁠⁠⁠⁠⁠⁠books⁠⁠⁠⁠⁠⁠⁠⁠ mentioned in the podcast. Ad-free episodes on our ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠Premium Feed⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. NEW TO THE SHOW? Get smarter about valuing businesses in just a few minutes each week through our newsletter, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠The Intrinsic Value Newsletter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Check out our ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠We Study Billionaires Starter Packs⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Follow our official social media accounts: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠X | ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠LinkedIn⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ | ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Browse through all our episodes here⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Try our tool for picking stock winners and managing our portfolios: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TIP Finance Tool⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Enjoy exclusive perks from our ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠favorite Apps and Services⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Learn how to better start, manage, and grow your business with the ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠best business podcasts⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. SPONSORS Support our free podcast by supporting our ⁠sponsors⁠: HardBlock⁠⁠⁠ ⁠⁠⁠Linkedin Talent Solutions⁠⁠⁠ ⁠⁠⁠Human Rights Foundation⁠⁠⁠ ⁠⁠⁠Simple Mining⁠⁠⁠ ⁠⁠⁠Vanta⁠⁠⁠ ⁠⁠⁠Netsuite⁠⁠⁠ ⁠⁠⁠Fundrise⁠⁠⁠ ⁠⁠⁠Masterworks⁠⁠⁠ ⁠⁠⁠Shopify⁠⁠⁠ References to any third-party products, services, or advertisers do not constitute endorsements, and The Investors Podcast Network is not responsible for any claims made by them. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://theinvestorspodcastnetwork.supportingcast.fm

Episode 223: Ottoman Continuities and the Development of Modern Education in Tunisia This project traces the changing role of Ottomanism in relation to the emergence of modern educational institutions in Tunis. The development of the Tunisian education system demonstrated continuous Ottoman links, despite colonial co-optation over time. The social milieus formed in modern educational spaces facilitated ties to the Ottoman Empire. In short, this is a regional history rooted in a single city, which challenges colonial and nationalist historiographies. Over time, modern education led to a democratization in forms of belonging to the Ottoman Empire. It was no longer only court elites who had access to other statesmen, but rather those educated in the new schools who negotiated changing notions of being Ottoman in Tunis.  The first school aimed at modernizing education was founded in 1840: the Bardo Military Academy. This school created a modernized army, including a modernized Mamluk class, whose members would shape education reform later as well. Those educated there formed an inner circle of reformists around Khayreddine Pasha (though he himself was not a Bardo graduate). Here, Mamluks, as well as local Arabs, were educated in a way that emphasized bodily discipline, modern sciences, and European languages. This school was modeled on European military schools, but retained a distinctively Ottoman shape, just like its parallel institution in Istanbul. It was a product of the reforms of Ahmed Bey and, further, was clearly influenced by ideas from modernizing reforms like the Nizam-i Cedid and the Tanzimat. By 1875, the new Mamluk class played a key role in founding the Sadiki School. This institution, though later co-opted by French colonial interests, represented a distinctly Tunisian-Ottoman mode of modern education from the outset. The short-lived Ottoman language program at Sadiki represented an early democratization of the language outside of the Beylical Palace. More importantly, as a result of Sadikian education, French became a language of cross border communication between Arabs and Turks as well. When the first generation of Sadikians grew up, they became the nucleus of the Young Tunisian Party, modelled on the Young Turk Party. Beyond the walls of official schools, Sadikians generated a great deal of educational opportunities through two main institutions: first, the Khaldounia, an institution that aimed to teach modern subjects to Zaytounians.; and second, the Sadiki Alumni Association, which hosted many lectures and extracurricular activities outside of the tight control of the French colonial cultural project. In these spaces, Pan-Islamist ideas flourished. Even as ethnic difference between Turks and Arabs became a cornerstone of colonial propaganda in the 1910s, many of those educated in these spaces maintained the notion that Turks and Arabs were brothers sharing a common cause. Education was further a gendered issue, and one that became tied to moral questions articulated in an Ottoman-Islamic idiom. The first Franco-Arabic school for girls, located on Rue du Pacha, was founded in 1900. It featured a curriculum modelled largely on the Sadiki School, though moderated to produce mothers rather than civil servants. Though run by the wife of a French colonial official, this school and schools like it which followed were far from purely colonial institutions. In conferences and in the press, Tunisians emphasized the importance of educating girls, arguing that it was a religious matter. The education of girls became a matter of preserving an Umma that was rapidly changing shape as the Ottoman Empire came to an end over the early decades of the twentieth century.  Between 1840 and 1923, various educational institutions played key roles in renegotiating what Ottoman belonging meant in Tunis. Despite French colonial rule extending through most of this timeline, many Tunisians maintained a sense of being part of the Ottoman Empire. Initially the domain of statesmen, being Ottoman gradually became a more accessible identity to broader swaths of Tunisians because of changes to the education system.  Erin Kelleher is a Ph.D. candidate at the University of Texas at Austin in the Department of Middle Eastern Studies. Focusing on social and cultural history, her work looks at on the relationship between Ottomanism and education reform in Tunisia from the mid-nineteenth century into the early twentieth century. She spent the 2024-2025 academic year as an AIMS fellow based in Tunis, Tunisia. Previously, she spent a year in Meknes, Morocco as a CASA fellow and spent several summers studying Modern and Ottoman Turkish in Istanbul. She holds an MA in Near Eastern Languages and Civilization from the University of Washington. This podcast was recorded on the 7th of May 2025 at the Centre d'Études Maghrébines à Tunis (CEMAT) with the historian Luke Scalone. We thank Bacem Affès, composer and oud soloist, for his interpretation of « Isteftah » in the introduction and conclusion of this podcast. Production and editing: Lena Krause, AIMS Development and Digital Resources Liaison.

Welcome to the Winter 2026 Book Preview with Catherine of Gilmore Guide to Books!   Today, Catherine and Sarah share 16 of their most anticipated books releasing from January through March.   This post contains affiliate links through which I make a small commission when you make a purchase (at no cost to you!). CLICK HERE for the full episode Show Notes on the blog. Announcement The 2026 Reading Tracker is out! This year brings upgraded features across the board — including NEW average star rating and 5-star book tracking for every stat on the Dashboard — plus an updated Lite Tracker for those who prefer a streamlined version. Both Trackers are ONLY available to paid Patreon or Substack subscribers ($7/month) and is no longer sold separately. To avoid Apple's 30% fee, be sure to join directly from the Patreon website (mobile or desktop). Join our Patreon Community (here) OR become a Substack Paid Member (here)!   One of the many benefits to supporting the podcast through either our Patreon Community or our Substack Community (both for just $7/mo) is that you get access to several bonus podcast episode series, including Book Preview Extras! In these episodes, Catherine and Sarah share at least 4 bonus books we are excited about that we did not share in the big show preview episode. Get more details about all the goodies available and sign up here for Patreon and here for Substack! Highlights A lightning round of some big releases coming this winter that we're not featuring in today's preview. Catherine chose books by authors she knows and trusts. This year, Sarah dug deep into the publisher's catalog for potential hidden gems. Sarah's books cover literary suspense, literary fiction, brain candy, nonfiction, and a thriller from 2 debut authors and 3 repeat authors. Sarah has already read one of her picks — and it was 4.5 stars! Plus, their #1 picks for winter. Big Winter Releases The First Time I Saw Him by Laura Dave (January 6) | Amazon | Bookshop.org [2:39] The Future Saints by Ashley Winstead (January 20) | Amazon | Bookshop.org [2:43] My Husband's Wife by Alice Feeney (January 20) | Amazon | Bookshop.org [2:46] Once and Again by Rebecca Serle (March 10) | Amazon | Bookshop.org  [2:49] Crux by Gabriel Tallent (January 20) | Amazon | Bookshop.org  [2:53] Lake Effect by Cynthia D'Aprix Sweeney (March 3) | Amazon | Bookshop.org [2:56] Two Kinds of Stranger by Steve Cavanagh (March 24) | Amazon | Bookshop.org  [3:00] Lady Tremaine by Rachel Hochhauser (March 3) | Amazon | Bookshop.org  [3:03] Daughter of Egypt by Marie Benedict (March 24) | Amazon | Bookshop.org  [3:21]  Missing Sam by Thrity Umrigar (January 27) | Amazon | Bookshop.org  [3:24]  This Is Not About Us by Allegra Goodman (February 10) | Amazon | Bookshop.org  [3:28]  Half His Age by Jennette McCurdy (January 20) | Amazon | Bookshop.org [3:31]  Other Books Mentioned I'm Glad My Mother Died by Jennette McCurdy (2022) [3:35]  Winter 2026 Book Preview [6:57] January Catherine's Picks Skylark by Paula McLain (January 6) | Amazon | Bookshop.org [10:53] Vigil by George Saunders (January 27)  | Amazon | Bookshop.org  [16:48]  Other Books Mentioned Circling the Sun by Paula McLain (2015) [11:04] When the Stars Go Dark by Paula McLain (2021) [13:12]  Lincoln in the Bardo by George Saunders (2017) [17:39]  February Sarah's Picks Good People by Patmeena Sabit (February 3) | Amazon | Bookshop.org [7:59] Royal Spin by Omid Scobie and Robin Benway (February 10) | Amazon | Bookshop.org [13:14] Kin by Tayari Jones (February 24) | Amazon | Bookshop.org  [24:01]  Catherine's Picks Saoirse by Charleen Hurtubise (February 24) | Amazon | Bookshop.org  [22:19] More Than Enough by Anna Quindlen (February 24) | Amazon | Bookshop.org  [28:05] Other Books Mentioned Everything I Never Told You by Celeste Ng (2014) [9:37]  Happiness Falls by Angie Kim (2023) [9:40]  Real Americans by Rachel Khong (2024) [9:42]  The Kite Runner by Khaled Hosseini (2003) [9:50]  Red, White & Royal Blue by Casey McQuiston (2019) [14:04]  Finding Freedom by Omid Scobie and Carolyn Durand (2020) [14:53]  Endgame by Omid Scobie (2023) [14:57]  Long Live the Tribe of Fatherless Girls by T Kira Madden (2019) [19:20]  An American Marriage by Tayari Jones (2018) [24:11] Silver Sparrow by Tayari Jones (2011) [24:13]   Leaving Atlanta by Tayari Jones (2002) [26:48]  Alternate Side by Anna Quindlen (2018) [29:43]  After Annie by Anna Quindlen (2024) [29:51]  March Sarah's Picks No One's Coming by Kevin Hazzard (March 3) | Amazon | Bookshop.org  [30:07]  Whidbey by T Kira Madden (March 10) | Amazon | Bookshop.org [18:50] All the World Can Hold by Jung Yun (March 10) | Amazon | Bookshop.org[35:31] She Fell Away by Lenore Nash (March 10) | Amazon | Bookshop.org  [41:01]  The Complex by Karan Mahajan (March 10) | Amazon | Bookshop.org  [46:35]  Catherine's Picks Ruins by Lily Brooks-Dalton (March 31) | Amazon | Bookshop.org  [33:02]  No Friend to This House by Natalie Haynes (US Release March 10) | Amazon | Bookshop.org [38:44] Son of Nobody by Yann Martel (March 31) | Amazon | Bookshop.org  [43:11]  How to Be Okay When Nothing Is Okay by Jenny Lawson (March 31) | Amazon | Bookshop.org [49:15]  Other Books Mentioned A Thousand Naked Strangers by Kevin Hazzard (2016) [30:48]  The Light Pirate by Lily Brooks-Dalton (2022) [33:06]  Good Morning, Midnight by Lily Brooks-Dalton (2016) [33:13]  Shelter by Jung Yun (2016) [35:41]  Medium Rare by A. Natasha Joukovsky (March 3, 2026) [40:39]  Red Widow by Alma Katsu (2021) [41:45]  Red London by Alma Katsu (2023) [41:46]  Life of Pi by Yann Martel (2001) [43:38]  The High Mountains of Portugal by Yann Martel (2016) [46:16]  The Association of Small Bombs by Karan Mahajan (2016) [47:17]  Let's Pretend This Never Happened by Jenny Lawson (2012) [50:04]  Other Links The New Yorker | "The True Margaret," by Karan Mahajan 

Laurie Anderson leads a meditation on death and rebirth, guiding you through the Buddhist understanding of death, the bardo, and a joyous rebirth. These tracks come from Songs from the Bardo, an album inspired by the Tibetan Book of the Dead. Meditating on death is a powerful Buddhist practice that enhances gratitude, helps you embrace impermanence, and increases mindfulness.Laurie Anderson is one of our greatest living artists. Her work includes spoken word and performance, top-charting albums and music videos, digital art, film, virtual reality, and the invention of ingenious instruments like the tape bow violin and the talking stick. She's won the Grammy Award and many other honors, and is currently the subject of a fantastic solo show at the Hirschhorn Museum in Washington, D.C.Episode 107: Guided Death and Rebirth Meditation with Laurie AndersonSupport the show

[THIS IS A RE-RUN OF A PREVIOUSLY RELEASED PODCAST. ENJOY THIS ENCORE PRESENTATION!!]WELCOME BACK TO THE BARDO, REFINER!It's one of the most unusual episodes of 'Severance' so far. And we're about to finish digging into every nook and cranny!! Welcome back to the 'Severed' Deep Dive into 'Chikhai Bardo.'This time we're going to get into some of those ROOMS. What the heck has Mark S. been working on? Oh, a room that's nothing but air turbulence. There's another one that's nothing but 'thank you card' writing. Huh? It seems Dan Erickson was using the Testing Floor to work out some personal demons. We avoided the Flossing Room!Grab a quick nap on Mark's sad Orange Couch then hit 'play' for the third and final chapter of "Chikhai Bardo."***A BIG 'thank you' to Research Volunteer/Producer Refiner Vinny P. Vinny has been providing outstanding research and information during the Season Two Rewatch Episodes. Vinny is also tracking down Interview Victims...er, Subjects!Huge thanks to Adam Scott, star of 'Severance' and host of the Severance Podcast for recording a custom intro for "Severed." Make sure to check out 'The Severance Podcast w/Ben Stiller & Adam Scott" wherever you found this one!A big 'thank you' to friend of the pod Kier Eagan, er I mean Marc Geller! Marc both sat for an interview (make sure to check it out) AND recorded some great bumpers as Kier himself. Follow Marc on Instagram @geller_marc.BIG Thanks to Friend of the Podcast Hayley Erickson-Goelzer. She is Sister to creator Dan Erickson and also a listener. It took getting approval from Dan's Press Person, but thanks to her follow-through we've got a custom bumper from Hayley Erickson-Goelzer!!Yes, that is really and truly Primary Director and Executive Producer Ben Stiller doing a custom bumper for 'Severed.' He actually did this bumper for the show while we were recording an interview for the Official Ben & Adam Podcast. Thank you, Ben for the Bumper and for bringing this incredible show to the screen!!Support the Severed Podcast on Patreon! (Click here)APPLE PODCAST LISTENERS: If you are enjoying "Severed: The Ultimate 'Severance' Podcast" please make sure to leave a 5-star rating (and, if you want, a review telling others to give it a try). Higher rated podcasts get better placement in suggestion lists. It helps more "Severance" fans find the show. Thanks!!! (Unfortunately, I can't respond to any questions or comments made in Apple Podcast Reviews. Send those to: SeveredPod@gmail.com)Season 2 of "Severance" kicked off 1/17/2025 and ran through 3/20/2025. The Second Season of the "Severed" Podcast Rewatch Episodes kicked off on April 24th, 2025. To support the Severed Podcast: (www.patreon.com/SeveredPod) Join the fun on our Facebook page @SeveredPod. I always try to keep page followers  updated on news about the show. Also, let's talk!! Comments? Theories? Corrections? I LOVE 'EM!! Send to: SeveredPod@gmail.comPLEASE MAKE SURE TO SHARE THE PODCAST WITH YOUR FRIENDS WHO ARE 'SEVERANCE' FANS. THE SHOW GROWS THROUGH WORD OF MOUTH!!Needing your own copies of the Lexington Letter and Orientation Booklet? I've got you covered with downloadable PDFs of both documents:LETTER: LEXINGTONLETTER-TheLetter.pdf HANDBOOK: LEXINGTONLETTER-MDROrientationHandbook.pdfYou haven't completely watched 'Severance' until you've listened to 'Severed'.

Award-winning author George Saunders (Lincoln in the Bardo) unpacks his writing process and explains how creating confusion often leads to interesting literary worlds; and singer-songwriter Samantha Crain discusses the importance of making music in her Choctaw language, before performing "Joey" from her album A Small Death. 

[THIS IS A RE-RUN OF A PREVIOUSLY RELEASED PODCAST. ENJOY THIS ENCORE PRESENTATION!!]WELCOME BACK, REFINER! It's time to re-open "Chikhai Bardo'!Mark is still unconscious. Other than him being a slug on the sad couch, there is a LOT happening in this episode! We're flashing back...and then forward...then back again. This time out we're going to witness the blooming love affair between Mark Scout and the woman we onliy know as 'Gemma.' We get to MEET Gemma!We're going to hang out on the testing floor. We'll have dinner with Devon and Ricken back before Ricken was so weird. We've got tons of set dec, some random trivia about Mt. Everest and...watchers!What are you waiting for, Refiner?? Open the file called "Chikhai Bardo-PT02"!! ***A BIG 'thank you' to Research Volunteer/Producer Refiner Vinny P. Vinny has been providing outstanding research and information during the Season Two Rewatch Episodes. Vinny is also tracking down Interview Victims...er, Subjects!Huge thanks to Adam Scott, star of 'Severance' and host of the Severance Podcast for recording a custom intro for "Severed." Make sure to check out 'The Severance Podcast w/Ben Stiller & Adam Scott" wherever you found this one!A big 'thank you' to friend of the pod Kier Eagan, er I mean Marc Geller! Marc both sat for an interview (make sure to check it out) AND recorded some great bumpers as Kier himself. Follow Marc on Instagram @geller_marc.BIG Thanks to Friend of the Podcast Hayley Erickson-Goelzer. She is Sister to creator Dan Erickson and also a listener. It took getting approval from Dan's Press Person, but thanks to her follow-through we've got a custom bumper from Hayley Erickson-Goelzer!!Yes, that is really and truly Primary Director and Executive Producer Ben Stiller doing a custom bumper for 'Severed.' He actually did this bumper for the show while we were recording an interview for the Official Ben & Adam Podcast. Thank you, Ben for the Bumper and for bringing this incredible show to the screen!!Support the Severed Podcast on Patreon! (Click here)APPLE PODCAST LISTENERS: If you are enjoying "Severed: The Ultimate 'Severance' Podcast" please make sure to leave a 5-star rating (and, if you want, a review telling others to give it a try). Higher rated podcasts get better placement in suggestion lists. It helps more "Severance" fans find the show. Thanks!!! (Unfortunately, I can't respond to any questions or comments made in Apple Podcast Reviews. Send those to: SeveredPod@gmail.com)Season 2 of "Severance" kicked off 1/17/2025 and ran through 3/20/2025. The Second Season of the "Severed" Podcast Rewatch Episodes kicked off on April 24th, 2025. To support the Severed Podcast: (www.patreon.com/SeveredPod) Join the fun on our Facebook page @SeveredPod. I always try to keep page followers  updated on news about the show. Also, let's talk!! Comments? Theories? Corrections? I LOVE 'EM!! Send to: SeveredPod@gmail.comPLEASE MAKE SURE TO SHARE THE PODCAST WITH YOUR FRIENDS WHO ARE 'SEVERANCE' FANS. THE SHOW GROWS THROUGH WORD OF MOUTH!!Needing your own copies of the Lexington Letter and Orientation Booklet? I've got you covered with downloadable PDFs of both documents:LETTER: LEXINGTONLETTER-TheLetter.pdf HANDBOOK: LEXINGTONLETTER-MDROrientationHandbook.pdfYou haven't completely watched 'Severance' until you've listened to 'Severed'.

[THIS IS A RE-RUN OF A PREVIOUSLY RELEASED PODCAST. ENJOY THIS ENCORE PRESENTATION!!]ARE YOU READY, REFINER? IT DOESN'T GET MUCH COOLER THAN THIS...The episode "Chikhai Bardo" blew a lot of people away when it premiered as the 7th episode of the second season. A brand new leader was in the Director's Chair but she was a familiar face to both cast and crew. This is Cinematographer Jessica Lee Gagne's first foray into directing. Based on the incredible success of this episode, she'll probably never be a cinematographer again. We're going back in time with a blushing Mark and Gemma. We'll see how they met and fell in love. We'll ALSO venture down to the 'Testing Floor' where a very alive Gemma is being subjected to bizarre tortures by Robby Benson and Sandra Bernhard. Mark is passed out on his couch and Reghabi and Devon are about to come to blows over his body.It's a wild one, Refiner...and this is just PART ONE. Strap in and fire up that workstation. It's time to discover the wonder that is 'Chikhai Bardo.'***A BIG 'thank you' to Research Volunteer/Producer Refiner Vinny P. Vinny has been providing outstanding research and information during the Season Two Rewatch Episodes. Vinny is also tracking down Interview Victims...er, Subjects!Huge thanks to Adam Scott, star of 'Severance' and host of the Severance Podcast for recording a custom intro for "Severed." Make sure to check out 'The Severance Podcast w/Ben Stiller & Adam Scott" wherever you found this one!A big 'thank you' to friend of the pod Kier Eagan, er I mean Marc Geller! Marc both sat for an interview (make sure to check it out) AND recorded some great bumpers as Kier himself. Follow Marc on Instagram @geller_marc.BIG Thanks to Friend of the Podcast Hayley Erickson-Goelzer. She is Sister to creator Dan Erickson and also a listener. It took getting approval from Dan's Press Person, but thanks to her follow-through we've got a custom bumper from Hayley Erickson-Goelzer!!Yes, that is really and truly Primary Director and Executive Producer Ben Stiller doing a custom bumper for 'Severed.' He actually did this bumper for the show while we were recording an interview for the Official Ben & Adam Podcast. Thank you, Ben for the Bumper and for bringing this incredible show to the screen!!Support the Severed Podcast on Patreon! (Click here)APPLE PODCAST LISTENERS: If you are enjoying "Severed: The Ultimate 'Severance' Podcast" please make sure to leave a 5-star rating (and, if you want, a review telling others to give it a try). Higher rated podcasts get better placement in suggestion lists. It helps more "Severance" fans find the show. Thanks!!! (Unfortunately, I can't respond to any questions or comments made in Apple Podcast Reviews. Send those to: SeveredPod@gmail.com)Season 2 of "Severance" kicked off 1/17/2025 and ran through 3/20/2025. The Second Season of the "Severed" Podcast Rewatch Episodes kicked off on April 24th, 2025. To support the Severed Podcast: (www.patreon.com/SeveredPod) Join the fun on our Facebook page @SeveredPod. I always try to keep page followers  updated on news about the show. Also, let's talk!! Comments? Theories? Corrections? I LOVE 'EM!! Send to: SeveredPod@gmail.comPLEASE MAKE SURE TO SHARE THE PODCAST WITH YOUR FRIENDS WHO ARE 'SEVERANCE' FANS. THE SHOW GROWS THROUGH WORD OF MOUTH!!Needing your own copies of the Lexington Letter and Orientation Booklet? I've got you covered with downloadable PDFs of both documents:LETTER: LEXINGTONLETTER-TheLetter.pdf HANDBOOK: LEXINGTONLETTER-MDROrientationHandbook.pdfYou haven't completely watched 'Severance' until you've listened to 'Severed'.

Brick Bardo (Tim Thomerson) is a tough cop living on some trash world of Arturos. After proving, yet again, how rad he is, he tells the mayor to shove it. Rules be damned! Crime doesn't take a day off. Unfortunately, Bardo's long-time and now disassembled baddie-rival, Sprug (Frank Collison), zaps them both to the Bronx on Earth. In comparison, Bardo is only thirteen inches in height to average Earth adults. Good thing he has his "Groger Blaster.” Once on Earth, Bardo meets and helps out Debi (Kamala Lopez). He realizes that her and her son are up against Braxton Red (Jackie Earle Haley) and his local neighborhood gang, and he shows everyone how they do it from Arturos. RTS smashes a floating space head upon sight. Most didn't realize that was an option. Jeremy refuses to take his sunglasses off – even at night! “Tell me size doesn't count.”

Friends, Grief & Autism…? They say we have no feelings…They say autistics don't have emotions. Don't make friends. Clue, I ain't Spock.This is "My Friend Billy." A spoken word piece about grief, friendship, and what they never tell you about our autistic hearts. From my Amazon chapbook "every clock is a handgun pointed at my head."3 minutes that blast the myth that autistic people lack emotional depth… wide open.Billy died in a polar vortex. Alone in his home. Local newspaper may have blandly read, “A Politician Lies…Local Man Dies.” But he never left my autistic mind. Still laffs in my autistic heart. Teaching it how to praise.

We are back to talk about the second half of our trip to Tunisia! We spent over a week in Tunisia taking a tour of all the Star Wars filming locations from A New Hope, The Phantom Menace, and Attack of the Clones! Catch up this week to hear us talk about:  The set up and organization of the trip with the tour company, Galaxy Tours. What sets from The Phantom Menace are still extant in Tunisia?  Our ATV adventure through the desert where we practiced driving ATVs where the podrace starts!  Our emotional visit to the Lars Homestead right at sunset.  Channeling our Indiana Jones fandom when we got to exploring the city of Kairouan where Raiders of the Lost Ark was filmed!  Our last day in Tunis visiting the Roman ruins at Carthage and the Bardo museum.  …and SO much more!  Explore Galaxy Tours here: https://galaxytours.com/  Join our Patreon community and unlock bonus episodes + more! Our website! Follow us on Twitter/X @skytalkerspod Follow us on TikTok @skytalkers Follow us on Facebook Follow us on Instagram @skytalkerspodcast Follow Charlotte on Twitter/X @crerrity Follow Caitlin on Twitter/X @caitlinplesher Email us! hello@skytalkers.com For ad inquiries please email: skytalkers@58ember.com Please note this Episode may contain paid endorsements and advertisements for products and services. Individuals on the show may have a direct or indirect financial interest in products or services referred to in this Episode.  Learn more about your ad choices. Visit megaphone.fm/adchoices

The conventions of documentary, musical theater, and magical realism are combined and subverted to address issues of personal, national, and artistic identity through the eyes of a composer desperate to pull off one final backer's audition whilst hounded by a disdainful documentarian named Charon. Feature Film: Musical, Meta-modernist, Documentary, Meta-fiction, Bardo, Opera, Musical Theater https://instagram.com/americasinging https://www.americasinging.art/ Director Statement This film is the final installment of a project called "The Bardo Trilogy," which begins with "Orson Rehearsed," and continues with "9/10: Love Before the Fall." In the trilogy of features I explore, from the stance of an auteur composer-director-screenwriter-editor, the concept of "operafilm" -- a fusing of the procedures and tropes of lyric theater and cinema in a comprehensively correlative fashion in order to achieve a new form of "gesamtkunstwerk., Subscribe to the podcast: https://twitter.com/wildsoundpod https://www.instagram.com/wildsoundpod https://www.facebook.com/wildsoundpod

History has not graced us with many details about Shakespeare as a person, but we do know that he and his wife had three children, including a son named Hamnet who died at the age of 11 in 1596, four years before Shakespeare went on to write his great tragedy “Hamlet.”Maggie O'Farrell's novel “Hamnet” — one of the Book Review's 10 Best Books of 2020, and the source of Chloé Zhao's new movie of the same name — starts from those scant facts, and spins them into a powerful story of grief, art and family steeped in the textures of late-16th-century life.In this episode of the Book Review Book Club, host MJ Franklin discusses “Hamnet” with his colleagues Leah Greenblatt, Jennifer Harlan and Sarah Lyall. Other works mentioned in this podcast:“Hamlet,” “King Lear,” “Macbeth,” “The Winter's Tale,” by William Shakespeare“Little Women,” by Louisa May Alcott“Grief Is the Thing With Feathers,” by Max Porter“Lincoln in the Bardo,” by George Saunders“Fi,” by Alexandra Fuller“Things In Nature Merely Grow,” by Yiyun Li“The Accidental Tourist,” by Anne Tyler“Will in the World” and “Dark Renaissance,” by Stephen Greenblatt“Gabriel,” by Edward Hirsch“Once More We Saw Stars,” by Jayson Greene“The Dutch House,” by Ann Patchett Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app.

If you like what we're doing and want to support the show, please consider making a donation on Ko-Fi. Funds we receive will be used to upgrade equipment, pay hosting fees, and help make the show better.https://ko-fi.com/mappingthezoneIf you enjoyed our discussion, please check out the following media that relates to these chapters:Books: Warlock by Oakley Hall; The Assassination of Jesse James By the Coward Robert Ford by Ron Hansen; Lincoln In the Bardo by George SaundersMusic: Hermanos Gutierrez - Sonido CósmicoFilm/TV: The Assassination of Jesse James By the Coward Robert Ford (2007; dir. Andrew Dominic)As always, thanks so much for listening!Email: ⁠mappingthezonepod@gmail.com⁠Bluesky: https://bsky.app/profile/mappingthezone.bsky.socialTwitter: https://twitter.com/pynchonpodInstagram: https://www.instagram.com/mappingthezonepodcast/Merch: mapping-the-zone.myspreadshop.comShow art by Brad Wetzel: @bradspersecond (on IG and Reddit)bradspersecond.com

Jess here. Sarina and I discuss audiobook narration this week and explain how narrators get hired, paid, and dish some inside baseball on audiobook production. Transcript Below!Your subscription = good podcast karma. Sign up now to support the Podcast!SPONSORSHIP MESSAGEHey, listeners, did you know that we review first pages sent in by supporters every month on the pod? It's just one more reason you should be supporting Hashtag AmWriting, which is always free for listeners and ad free too. Please note that we will never pitch you the latest in writer supplements or comfy clothes for lap-topping. The good news is we're open for First Page submissions right now. If you've got a work in progress and you'd like to submit the first page for consideration for a Booklabs First Pages episode, just hit the support button in the show notes and you'll get an email telling you all the details. Want to hear a Booklabs episode. Current ones are for supporters only but roll your pod player back to September 2024 and there they'll be.EPISODE TRANSCRIPTIs it recording? Now it's recording—yay. Go ahead. This is the part where I stare blankly at the microphone. I don't remember what I'm supposed to be doing. All right, let's start over. Awkward pause. I'm going to rustle some papers. Okay, now—one, two, three.Jess LaheyHey, welcome to the Hashtag AmWriting Podcast. I'm your host, Jess Lahey, and this is the podcast about getting all the words done, writing all the things, writing, short things, long things, proposals, queries, poetry, all the things. But today, Jess and Sarina are bringing you the book nerdery stuff, the best stuff. This is The Publishing Nerd Corner. I love this new segment. I'm super excited about it, but first, my name is Jess Lahey. I am the author of The Gift of Failure and The Addiction Inoculation. You can find my journalism out there various places, including The New York Times. And you can find my newsletter at jesslahey.substack.com.Sarina BowenAnd I'm Sarina Bowen, the author of many contemporary novels. My new one is called Thrown for a Loop, and it drops on November 4, and it also will be published that same day as an audio book.Jess LaheyWhoo so...Sarina BowenAnd that is what...Jess LaheyYeah, we're going to talk about audiobooks today, because Sarina knows so much about this—because she has to, like, hire her own narrator sometimes and stuff like that. All I know is, I narrated my own audiobook, and it was super fun, and I loved it. But we want to talk about all the aspects of how audiobooks work—all of it. There's lots of fun stuff to talk about. Where would you like to start, Sarina?Sarina BowenThat is a good question. So, most of the time, if you are selling your book to a big publisher, audio rights will be included in your contract, and your publisher is therefore responsible for making the audiobook. You might be consulted about the choice of narrators, and that audio will magically appear finished on your publication date. But if you are a self-published author, then the existence or not of your audiobook is completely under your control. Audio has been the shining star of publishing for the last decade in that it is the growth story. I'm not sure how that has worked the last couple of years, but audio was one of the only areas of traditional publishing that demonstrated double-digit growth for much of the last decade. A lot of that has to do with the popularity and availability of streaming as a way that people listen to these books. Obviously, the technology shift made a huge difference, but so did things like cellular networks that work well and buffer easily. So...Jess LaheyCan I add one little, tiny thing? There's been another reason that I think that audio has done so well, and that's the acceptance within the education world—thanks to researchers like, for example, Dan Willingham and other people who study the brain and how we process and learn—that audiobooks are reading. From a processing perspective, from a learning perspective, listening to audiobooks is reading, and anyone who is telling you otherwise is not looking at the science. And so, this has been an incredible way—when you look at kids, for example, neurodivergent kids, dyslexic kids, kids who need another way to take in the information. It used to be that audio was like, “Oh no, that's cheating,” and it is absolutely not cheating. So, I think that acceptance within the education world has been so great. And, you know, yes, it is a small part of the growth, but I do want to put that plug in there.Sarina BowenYeah. So, the way that, traditionally, audiobooks have been made is that a narrator goes into a booth and reads the book after having prepped it a bit in terms of maybe reading the whole book, maybe reading parts of the book, understanding what they're going to bring to the table. If it's fiction, then they'll be looking to see what are the major voices, because audio narrators change their delivery to indicate voices. And one thing that's interesting about the trend where we are in audio right now is that it's very trendy for a nonfiction author to read their own work if they're comfortable with it. That is widely done in nonfiction.Jess LaheyAnd it was one of my favorite parts of my process. And I have to say, nothing affected me more on an emotional level. I cried at the end of narrating both books. I had to pause at the very end—at the last couple, the last paragraph. It was such a moving experience for me to narrate my own book. And I have to say, it wasn't a slam dunk that they were going to let me do that. I, you know, I worked really hard to be able to do that, because for some people, that's just not their bag—it's not something that comes naturally to them. But it was, for me anyway, my favorite part of the process.Sarina BowenYeah, so if you had written a novel, though, we wouldn't be—Jess LaheyNo.Sarina Bowen—having that same conversation.Jess LaheyI'm not an actor. I don't have the chops for that.Sarina BowenWell, a lot of authors of novels don't understand this. It's not that they don't understand how their own book should sound and be delivered—it's that what they don't understand is that the way that novel audio sounds in 2025 is a specific trend in the way that readers want their books delivered. The books are very much acted. It wasn't always this way. There were times when audio really sounded more like somebody just reading—and that's okay. Like, there's lots of room for style in terms of the way that audio fiction works. But right now, the trend in audio fiction is very much a performance. And one way that you can see this—and it continues to expand as a trend—is the trend toward something called duet audio, which means, for example, in romance, if there's a male hero and a female heroine—and the way that most of my books work is that if the chapter is in the POV of a man, then the male narrator reads it. But of course, when he comes to a line of dialogue delivered in the heroine's voice, he softens his tone a bit to indicate that she's speaking, but he reads the whole chapter.Jess LaheyThey're always amazing—that's amazing to me when readers can do that. I mean, Davina Porter is the one that comes to mind—like, in the Outlander books, when she switches whose voice she's reading. She switches whose voice—it's down to the accent—and you don't for a second think, “Oh, that's the same person reading all of this.” And some of the narrators you use, Sarina, in your books—the same thing. My brain absolutely believes that I'm hearing a female voice versus a male voice. It's a really incredible talent.Sarina BowenYeah. In fact, if this is of interest to you, there is a book called Thank You for Listening by Julia Whelan.Jess LaheyIt's so good!Sarina BowenWho is one of the few who's been very successful as both an author and a narrator, and her book is a little bit of inside baseball about narrators. And it's a delight.Jess LaheyIt's fun. It's really fun.Sarina BowenOkay, so what I was just describing, though—where he reads a chapter and then she reads a chapter—we refer to that as dual narration (D-U-A-L). But there's a new trend called duet, whereby in the same book, he would read the chapter, but if there was a line of dialogue from a woman, the female narrator would read that line.Jess LaheyWhich is more similar to me in terms of how it feels with, like, ensemble narration. Like, for example, Lincoln in the Bardo had a full cast of many characters, and every part was someone different, and those actors would chime in with their parts. So, same—similar idea.Sarina BowenWell, sometimes, sometimes a “full cast” audiobook just means that there are lots of very short chapters or segments. But to have every single line of dialogue cut in is really different than just saying a book has a full cast.Jess LaheyThat's true. Actually, that's true.Sarina BowenSo the thing about duet specifically is that the engineering part of it—the post-production—is really expensive because the engineer has to cut together this script, and actually preparing the script is also a lot of work. So it's a pretty big deal to make a duet book. It's more expensive. The cost of making a one-POV narrator book or a dual book is between, let's say, $300 and $600 per finished hour.Jess LaheyWhat do you mean by that, Sarina?Sarina BowenSo, if you look at Audible right now, you can see the lengths of all of my audiobooks down to the minute. So it might say eight hours and thirty minutes. That means the finished length of that book is eight hours and thirty minutes. And the cost of making that book will be 8.5 times some number between $300 and $600. But if I did that book as duet, then it might be $1,000.Jess LaheyOkay, all right.Sarina BowenSo, every audiobook I've ever made cost between, like, three grand and seven grand. And if I were doing duet, then I would be hitting numbers more like $10,000.Jess LaheyAnd make no mistake—there are stars in the audiobook world who, like celebrities in films, can earn more per finished hour for their books. And that demand is really important because they have a vibe. There are fans of particular narrators who will listen to anything that narrator reads.Sarina BowenYeah, like my kids and I used to listen to audio narrated by Meryl Streep, and I'm sure she broke the curve for how much that cost per finished hour. But you should also know that the finished hour is not the same as how long it takes the narrator to do the job. So, if I'm paying a narrator $350 a finished hour, he is spending more time on that book, and his actual pay per hour is lower—like 150 bucks or whatever. It depends on his ratio of how fast he can narrate a book. And also, narrators' voices get tired. They can't narrate forty hours a week—although, actually, some of them probably do—but, you know, it's a hard job. So, if you're thinking, “I'm not going to pay someone $350 an hour to narrate my book,” you should know that it doesn't really work that way, and that really is the price for a reason.Jess LaheyAnd they're fun—just for some fun inside baseball things. Like, for both of my books, narration hours when we worked—our starting time in the morning was pushed up a little bit because no one wants to get an audiobook narrator right after they woke up. Your voice is not primed. Your voice has gunk in it. So, we would start later. You really could only go—you know, with my first book, I think we went until, like, three in the afternoon or something. You have to take a break for lunch, and then after you eat lunch, you get all these weird secretions, and it takes time to get back into it. There's just some weird stuff that I didn't count on—like it was better for me to be hungry (except then my stomach would make noises, which the microphones would pick up) than to stop and eat and have to get back in the groove. Because when you're in the groove, you kind of don't want to stop. There was just so much more to it than I ever anticipated. It was a blast, but it took me almost a whole week. We had scheduled five days for The Gift of Failure—it's like 78,000, 80,000 words, or something like that. We scheduled five full days; we ended up taking four. And I didn't have pickups for that book, but I did have pickups for The Addiction Inoculation. There was a lot more scientific language in that book that we had to do some pickups for. So, yeah, it's—Sarina BowenPickups means edit.Jess LaheyYeah. So, there were a couple days where I came in—and so I actually did The Addiction Inoculation during COVID. I was at a studio here locally in Vermont with my director, the producer of the audio in one ear of my headphones, and my producer from Harper in my other ear, in New York or wherever she was. We were working in a sound booth in Vermont. And, you know, in the evening, that producer would go over the audio and make sure that all of the words were pronounced correctly and everything was good. And then the next day, we would do pickups along with the new work as well.Sarina BowenRight. So, the editing that happens is really down to the word. Like, the engineer will sit there and, you know, go right into that space between the two words that you said and put the new thing in. And when a professional narrator is in the booth, they operate in a way that's called punch and roll, which means that they will stop when they make an error, go back—looking at that visual sine wave of the audio on their screen—find the pause between the words, go right to that spot, and then roll forward by hitting record again and then speaking the word that they meant to say.Jess LaheySome audiobook narrators use a clicker too. It's a way of being able to see on the wave where you, you know, might need to go back and figure something out.Sarina BowenYeah. So, um, there's a lot that goes into this. Humans make a lot of noises that we're trying not to hear. Like, some engineers will go in and dampen the breath sounds.Jess LaheyYeah. Yep.Sarina BowenYou know, they'll go in and take out the “heeeeh.”Jess LaheyActually, I had to change my clothes. My sweater was making too much noise. It turns out when I narrate, I use my arms a lot—so I actually had to learn how to narrate with my arms resting on the armrests but only using my lower arms. So, I look like the robot in Lost in Space with my little—my little—and also, my hair had to be up because my hair made noise too. And you can't wear jewelry, you know, like bracelets and things like that also make noise.Sarina BowenYep. And narrators all have stories like, “I can't eat Indian food before I narrate,” or “When I go in the booth after lunch, I strap pillows around my midsection.” Like all this stuff to make sure that the sound quality works. So, that brings us to a difficult topic in how audiobooks are made, which is that a lot of books are flooding the market with AI voices. And everybody's heard AI voices before—for example, if you've ever been on TikTok and you hear that weird, artificial female voice reading the—I don't even know how to explain it—but that's primarily why I never go on TikTok, because I cannot stand that artificial voice.Jess LaheyI listened to—I listened to an article yesterday with The New York Times that was AI-generated that was better than those awful TikTok voices, but still, you know—still AI.Sarina BowenYeah. So, I am not going to spend our time discussing whether those voices are good or not, but it has really gotten messy. At the beginning of AI narration, some platforms said, “No way, no how. We will never have one.” And then a lot of platforms suddenly allowed for it. So, there's lots of AI narration in the world, and it's causing real havoc, especially among people whose livelihoods are being affected by a drop in audio work. I really believe that the readers of my books care very much about the delivery, and it's hard for me to think that an AI voice could carry the kind of emotion that romance readers are looking for in an audiobook. So, I hope—I hope that audio listeners continue to demand quality, because it's a big deal.Jess LaheyAt least right now, your listeners—you know, they love Teddy Hamilton. Or, you know, there are audiobook narrators who are very specifically—people get excited when they see a particular narrator's voice attached to your work. And I think—and again, in Thank You for Listening, there's that good—she goes into great detail on that whole inside baseball of narrator fans. And like, Teddy Hamilton has fans—has a fan base. And I hope that persists, because I think there's real value in that. I hope there's real value in that, and I hope people continue to value it.Sarina BowenYeah, and I don't think that's going away anytime soon. People really aren't clamoring to see AI Meryl Streep on the screen at the movies—and, you know, paying a movie ticket price for that. And I believe that in narration land, yeah, it's the people coming up that will suffer the most—the newer narrators who don't have a fan base yet and are struggling to get work. So, yeah—anyway, that is one thing. And we could talk about how to get your book done in AI production now, but I think we won't, because...Jess LaheyYeah.Sarina BowenBecause that's, you know, not—you can figure that out yourself if that's interesting to you. But, um, I believe that humans are still the way to go here.Jess LaheyThere was an interesting note. So, when I said that I worked really hard to get the chops to narrate my own audiobook—I mean, I went to go work for Vermont Public Radio. I recorded these commentaries. And these commentaries that my producer taught me how to record—there was a really interesting note she gave me, which is that these commentaries are really short, like just a couple of minutes—less than three minutes. And one of the things she taught me is that when I'm reading these commentaries, if at the end I look up at my producer and smile and make eye contact with my producer that it makes the narrator be even more connected to the listener. And she's absolutely right. You could hear a difference in the commentary when I was making eye contact with my producer, and I find that fascinating and intangible and magic. There is a magic in that that I hope we do not lose with AI.Sarina BowenYes, absolutely—and that is a fantastic place to close this episode.Jess LaheyAbsolutely.Sarina BowenLet's not lose that magic.Jess LaheyIf there are things you would like us to talk about when it comes to the nerdery of publishing—in the Publishing Nerd Corner—if you're a huge fan of publishing nerdery, I also would love to recommend that you go over and follow Jane Friedman immediately, because she is such a great writer about the nerdery stuff in publishing. But we will continue to talk about it. If there are things you would like to know about, please let us know.But until next week, keep your butt in the chair and your head in the game.NarratorThe Hashtag AmWriting Podcast is produced by Andrew Perrella. Our intro music, aptly titled Unemployed Monday, was written and played by Max Cohen. Andrew and Max were paid for their time and their creative output—because everyone deserves to be paid for their work. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit amwriting.substack.com/subscribe

Explore this year's Booker Prize shortlist on the latest episode of the Book Club Review! Hosts Kate and Laura and contributors Phil Chaffee and Martin Vovk discuss and debate the six shortlisted novels.Listen in to hear our predictions, and then find out our reaction to the winner as we listen in to the live Booker Prize ceremony. We won't spoil the plots for you, just whet your appetite to read some or all of the books, all of which make for brilliant discussion.BooklistPaddy Clark, Ha, H, Ha by Roddy DoyleLincoln in the Bardo by George SaundersFlesh by David SzalayAll That Man Is by David SzalayStarling House by Alex E. HarrowAny Human Heart by William BoydThe Rest of Our Lives by Benjamin MarkowitzCarmageddon by Daniel KnowlesYou Don't Have To Live Like This by Benjamin MarkowitzOh William by Elizabeth StroutAll Fours by Miranda JulyThe Loneliness of Sonia and Sunny by Kiran DesaiThe Inheritance of Loss by Kiran DesaiAudition by Katie KitamuraOrbital by Samantha HarveyFlashlight by Susan ChoiNothing to Envy by Barbara DemickPachinko by Min Jin LeeThe White Tiger by Aravind AdigaProphet Song by Paul LynchSeascraper by Benjamin WoodBooker Longlist episodeEpisode 181 of The Book Club ReviewMartin's Eyes On the Prize blogBrowse Martin's archive and discover his extensive reviews (including The Women's Prize) here.PatreonHead to www.patreon.com/thebookclubreview for all the benefits (extra shows, readalongs, book club and more) and how to sign up.Serious ReadersTo take advantage of the special offer code for any Serious Readers HD Essential Reading Light head to SeriousReaders.com/bcr and use the code BCR at checkoutInstagramFollow Kate for updates between shows @bookclubreviewpodcastSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

In this episode I join Charles Manson in Oxford, England to visit the Bodleian Library (Oxford University) where he is the specialist librarian for its Tibetan Collections. Charles leads us through the streets of Oxford to visit the old Bodleian Library, founded in 1602. Then we arrive at the Weston Library to explore its collection of Tibetan manuscripts. Charles guides us through gold lettered texts about Lamdre and expiation, describes the process of textual revelation known as “terma”, and shares a warning based on his own experiences of dark retreat. Charles explains the Tibetan doctrines of the afterlife while showing a rare copy of the Tibetan Book of the Dead, muses on Coleridge's advice for visiting a library, and reflects on why he believes converts to Tibetan Buddhism should attempt to learn the Tibetan language. Charles also details his working routine as a librarian and archivist, reflects on his own academic journey from SOAS to Harvard and Oxford, and considers the role his religious faith plays in his work with Tibetan texts. … Video version: https://www.guruviking.com/podcast/ep332-oxford-librarian-of-tibet-charles-manson Also available on Youtube, iTunes, & Spotify – search ‘Guru Viking Podcast'.
 … Topics include: 00:00 - Intro 01:16 - The old Bodleian 03:25 - Entering the Weston Library 06:13 - Retrieving the texts 06:48 - The Driver collection 08:29 - Close look at a Lamdre text 12:33 - Features of a terma treasure text 13:14 - Mind vs earth termas 15:15 - How termas are composed 15:51 - Charles' terma experience 16:54 - 4 ways of changing the mind 17:30 - Expanding a terma 18:02 - The Driver collection 19:00 - Dakini script and images 20:52 - Manuscript care 21:20 - Unwrapping a text, discovering a washing prayer 22:30 - More texts 24:50 - The Tibetan Book of the Dead 26:03 - Bardo doctrine of 49 days between lives 26:24 - Opportunities for liberation at and after death 27:43 - How to use the Tibetan Book of the Dead 28:39 - The process of rebirth 29:48 - Liberation upon hearing 30:18 - Phowa practice for the dead 33:16 - Dark retreat as preparation for death 34:11 - Dark retreat warnings 35:40 - Charles' studies at SOAS, Harvard, and Oxford 38:45 - Beginning at the Bodleian Library 39:58 - Coleridge on libraries 41:15 - Work at the British Library 41:46 - Why Charles would like more time 43:06 - First days at the Bodleian Library 44:36 - Initial work on the collection 45:27 - The Library of Congress and other partnerships 50:59 - Range of acquisitions 52:46 - Tibetan medical writing 53:41 - Access and the goals of Charles' library acquisitions 57:14 - What would Charles do with more funding 01:01:41 - Providing online access for the world 01:03:32 - Day in the life at the Bodleian Library 01:06:33 - Importance of specialist knowledge 01:09:19 - Charles' religious devotion 01:13:45 - Separation of religion and scholarship 01:14:53 - Why converts should learn the Tibetan language 01:16:43 - Scholar practitioners and the importance of study 01:18:17 - Teaching the Tibetan language 01:19:02 - Curation as religious service 01:19:17 - Charles' invitation to viewers … Previous episode with Charles Manson: - https://www.guruviking.com/podcast/ep243-scholar-practitioner-charles-manson To find our more about Charles Manson, visit: - https://www.shambhala.com/authors/the-second-karmapa-karma-pakshi.html - https://uk.linkedin.com/in/charles-manson-07420911 - charles.manson@bodleian.ox.ac.uk … 
For more interviews, videos, and more visit: - www.guruviking.com … Music ‘Deva Dasi' by Steve James

Feeling stuck in the unsettling space between who you were and who you're becoming? If you're navigating midlife transitions—whether it's empty nest, perimenopause, aging parents, or shifting identity—this episode of Pleasure in the Pause offers a transformative perspective on living consciously through change.Host Gabriela Espinosa sits down with Ann Tashi Slater to explore the Buddhist concept of "bardo"—the in-between state—as a powerful model for midlife transformation. If you've been resisting change, clinging to what was, or feeling overwhelmed by uncertainty, this conversation reveals how accepting impermanence can actually open the door to deeper peace, creativity, and joy. Discover practical daily practices for meeting life's transitions with awareness instead of resistance, and learn how to live fully awake in the great in-between of midlife.Are you ready to awaken your sensuality and feel more empowered in your body? Access the FREE Pleasure Upgrade Bundle at https://www.pleasureinthepause.com/gift.Ann Tashi Slater is the author of Traveling in Bardo: The Art of Living in an Impermanent World. She contributes to The New Yorker, The New York Times, The Washington Post, The Paris Review, Oprah Daily, Guernica, Granta, and many others. Her speaking engagements include Princeton, Columbia, Oxford, the American University of Paris, and Asia Society. Highlights from our discussion include:Bardo as a midlife model: The Buddhist concept of bardo—the in-between state—perfectly describes midlife when we're no longer who we were but not yet who we're becoming.Acceptance unlocks action: True acceptance doesn't mean giving up—it allows meaningful action. We must acknowledge reality before we can move forward through any transition.Resistance causes suffering: It's not change itself that threatens us, but our resistance to it. Clinging to what was creates additional suffering on top of natural grief.Practice noticing transitions: Build comfort with impermanence by observing daily beginnings and endings—the start and end of each day, changing seasons, how you've evolved over time.This week, notice one beginning and one ending in your day. Then ask yourself: If things could be exactly as I wanted, what would my life look like? Remember—wanting to be happy isn't selfish, it's human.If you're seeking to reclaim your pleasure and vitality, join Gabriella at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.pleasureinthepause.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ for this enlightening journey into the heart of female pleasure and empowerment.CONNECT WITH ANN TASHI SLATER:Traveling In BardoWebsiteCONNECT WITH GABRIELLA ESPINOSA:InstagramLinkedInWork with Gabriella! Go to https://www.gabriellaespinosa.com/ to book a call.Full episodes on YouTube. The information shared on Pleasure in the Pause is for educational and informational purposes only and is not intended as medical advice. Always consult your healthcare provider before making any decisions about your health or treatment. The views expressed by guests are their own and do not necessarily reflect the views of the host or Pleasure in the Pause.

Christin Ament from The Bardo in Inver Grove Heights joins Adam to talk about rethinking end of life care.

This disciple's dharma talk was given by Nov. Kensei at the Buddhist Temple of Toledo on September 12, 2025. Nov. Kensei discusses the deep immersion into dharma practice and cultivation of beginner's mind as foundations of abiding peacefully in the bardo of living between birth and death. If you would like to learn more about the Buddhist Temple of Toledo or to make a donation in support of this podcast please visit buddhisttempleoftoledo.org.

Rebecca Schaeffer was just 21 years old and on the brink of Hollywood stardom when a deadly obsession found its way to her doorstep.Her killer, 19-year-old Robert John Bardo, had stalked her for years. He wrote letters, showed up at studios, and finally hired a private investigator to track her down. That investigator obtained Rebecca's unlisted address from the California DMV for just $250.On July 18, 1989, Bardo rang her doorbell and shot her point-blank in the chest. Her final word was “Why?” The murder shocked Hollywood and led to major changes in U.S. privacy laws.Are today's protections enough to keep public figures safe from stalkers like him?Follow True Crime Recaps for the cases that changed laws, lives, and the way we think about fame and privacy.

This dharma discourse was given by Rev. Do'on Roshi at the Buddhist Temple of Toledo on September 10, 2025 a few days prior to the funeral for our dear sanga member, Sokei.  In this discourse, Do'on Roshi discusses the Tibetan Book of the Dead and its importance within our lineage focusing on what happens to the body during the bardo state. If you would like to learn more about the Buddhist Temple of Toledo or to make a donation in support of this podcast please visit buddhisttempleoftoledo.org.

Think Pinterest is just for recipes and DIY projects? Think again.In this episode, Allison sits down with Nadalie Bardo—aka Your Pin Coach—to pull back the curtain on how Pinterest can become your top-of-funnel secret weapon. From getting 1 million views her first month on the platform to building a 24K email list, Nadalie shares the exact mindset shifts and strategies that helped her go from anti-commute to full-blown business owner.If you're tired of feeding the social media beast and want a smarter way to grow your email list (and your sales), this one's for you.TAKEAWAYS:Success starts with knowing what you don't want. Sometimes running from burnout leads you straight to freedom.Pinterest isn't social media. It's a search engine, which means your content has a longer shelf life and can work for you for years.You don't need to be everywhere. Audit your platforms, find what's actually working, and go all in.Pinterest drives traffic to both your content and your products, but its true power lies in filling your email funnel with qualified leads.Getting started is simpler than you think. Set up a business account, do some keyword research, and start pinning with intention.RESOURCES:Check out the blog post that accompanies this episode for additional resourcesVisit Nadalie on her website and download all of her Pinterest resourcesTurn months of overwhelm into one day of DONE. I've got 3 spots left for my Beta Email Funnel VIP Day — you'll get a full nurture + pitch sequence done in one day. Grab your spot here.Take the Annual Audience Survey! For every survey completed, Allison will be donating $5 to Eveytown for Gun Safety.CONNECT WITH ALLISON: Follow Allison on Instagram DID YOU HAVE AN 'AH-HA MOMENT' WHILE LISTENING TO THIS EPISODE?If you found value and are ready to take action from listening to this episode, head to Apple Podcasts and help us reach new audiences by giving the podcast a rating and a review. This helps us to reach more online coaches who are creating a thriving 6-figure business. Music courtesy of www.bensound.com

Nadalie Bardo simply loves Pinterest. As a blogger, she achieved 1 million views on Pinterest in her first month, organically grew her email list to 24K subscribers, and gained 1000s of happy customers. With eight years of Pinterest marketing experience, she has taught over 7,000 blogs, brands, and businesses through her online courses and coaching. As Your Pin Coach, Nadalie is here to help you increase your traffic, grow your audience, and boost your sales for free with Pinterest. No ads are required!In this episode, Nadalie breaks down how to get started, create pins that people want to click on, and use Pinterest's search features to bring more traffic, subscribers, and sales your way. You'll learn why consistency matters, how to find the right keywords, and how to spot trends that can boost your visibility. She also shares what makes Pinterest totally different from other social platforms and how to design pins that stand out. If you've ever wondered how to turn Pinterest into a real growth tool for your business, this episode is your go-to guide!Connect with Nadalie Bardo:yourpincoach.com  Key Takeaways:(02:25) Natalie's journey to becoming a successful Pinterest coach(04:30) How to use Pinterest for business growth(07:10) How to optimize your pins and boards(19:20) Pinterest marketing strategies for teachers(23:30) Top Pinterest mistakes and how to fix them(26:45) How much time Pinterest really takes (28:50) Are Pinterest ads worth it?Grab the free Teacher Biz Starter Guide at teacherbiz.com/startConnect With Heather:teacherbiz.com/aboutinstagram.com/teacherbiz

How do you help someone see their own work more clearly without breaking their spirit? In this 2nd episode of our "Great Coaches" series, Kelly talks with her editor Andy Ward about the delicate art of literary coaching—knowing when to push a writer toward uncomfortable truths and when to step back and let them find their own way. Through stories about working with David Sedaris, George Saunders and the posthumous publication of When Breath Becomes Air by Paul Kalanithi, Andy reveals how great editing is really about asking the right questions, building trust through close attention and helping writers discover what their book is truly about. This conversation covers the psychology of creative partnership, the vulnerability of sharing early drafts and why the best coaches never impose their vision but instead help others see their own more clearly. It's a "must listen" for anyone interested in writing. Books mentioned in this episode: Naked by David Sedaris Lincoln in the Bardo by George Saunders Tenth of December by George Saunders Fleishman Is in Trouble by Taffy Brodesser-Akner The Power of Habit by Charles Duhigg To Obama by Jeanne Marie Laskas When Breath Becomes Air by Paul Kalanithi North Woods by Daniel Mason The Middle Place by Kelly Corrigan To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices