Podcasts about Come from Away

Ahead of its opening night, Mickey-Jo had the chance to sit down with the two leading ladies of the new musical adaptation of the award winning film, THELMA AND LOUISE.Amy Lennox (Cabaret, Kinky Boots) and Rachel Tucker (Wicked, Come From Away) are both established stage stars who have brought powerful performances to the stage and are no strangers to developing material.Check out what they had to say about this world premiere production at the Young Vic Theatre, workshopping new shows, and working alongside strong female creatives...check out Mickey-Jo's weekly substack newsletter:www.mickeyjotheatre.substack.comAbout Mickey-Jo:As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠MickeyJoTheatre⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 95,000 subscribers. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. Instagram/TikTok/X: @MickeyJoTheatre Hosted on Acast. See acast.com/privacy for more information.

Driving home discussing a local production of Come From Away

The McGraw Show 9-11-26: Remembering September 11, 2001 with Jim Byrne, Peter Maer & Stages' Come from Away by

The musical Come From Away tells the remarkable story of what happened in Gander, Newfoundland, when thousands of passengers were stranded there after the September 11th attacks. Joe Matheson, Saskatoon actor and writer, playing Nick Marson in Come From Away, joins us to talk about the production and what it's like in Gander right now on the 25th anniversary of 9/11.

Out of the 9/11 tragedy came many stories of hope and resilience – including one from the small town of Gander, Newfoundland. Their story of kindness in the face of tragedy is the basis of the musical “Come From Away”, which made its Broadway debut almost 10 years ago. “Come From Away” is now doing a limited run at D.C.'s Ford's Theatre.

This September marks 25 years since the terrorist attacks on September 11, 2001, and Father Dave welcomes Kevin Tuerff to inspire kindness leading up to this anniversary. Kevin is an author, speaker, and founder of the global charity Pay It Forward 9/11, which is dedicated to honoring lives lost and the heroes of this tragedy through random acts of kindness for strangers. His own story of that day is chronicled in the Tony Award-winning Broadway musical "Come From Away."

Sara Poyzer is starring as Donna in the West End production of Mamma Mia!. She has played the role on-and-off for fifteen years, both in London and on tour across the UK and internationally. Mamma Mia! celebrated its 27th birthday in April and is the third longest-running West End musical of all time.Sara starred as Beverley Bass in the first UK & Ireland tour of Come From Away, and has recently appeared on screen as Fiona Morley in Coronation Street. Her theatre credits also include: Assassins (Watermill Theatre), Rutherford & Son (The Other Palace), Othello (Trafalgar Studios), Billy Elliot The Musical (Victoria Palace), Forever Young and All Quiet on the Western Front (Nottingham Playhouse), Abigail's Party (Theatre Royal, York), Satin in Satin ‘n' Steel (Nottingham Playhouse & UK Tour), Up n Under (Hull Truck), The House of Bernada Alba (Yvonne Arnaud) as well as The School for Scandal, The Merchant of Venice, Antigone and Poetry or Bust (Northern Broadsides). On screen, Sara has appeared in Casualty, EastEnders, Doctors, Cast Offs, Paradise Reclaimed, Heartbeat, Dangerfield, Playing the Field, Peak Practice and ODDinary People.Recorded backstage in Sara's dressing room, in this episode Sara discusses her journey with Mamma Mia!, and how her relationship with Donna has developed over the past fifteen years. She also reflects on her path into theatre and talks all-things Come From Away... plus more!Mamma Mia! runs at the Novello Theatre. Visit www.mamma-mia.com for info and tickets. This podcast is hosted by Andrew Tomlins @AndrewTomlins32 Thanks for listening! Email: andrew@westendframe.co.uk Visit westendframe.co.uk for more info about our podcasts. Hosted on Acast. See acast.com/privacy for more information.

Pangdemonium concludes its 16-year journey with Come From Away, the award-winning musical inspired by the true story of nearly 7,000 stranded passengers welcomed by the people of Gander after 9/11. Let’s Talk, Singapore unpack the remarkable story, its powerful parallels with Singapore’s kampung spirit, and why its message of empathy and community still resonates today. See omnystudio.com/listener for privacy information.

For years, members of the Northwest Ohio Theatre Educators Network talked about bringing students from area high schools together for one production. When the rights to Come From Away became available, they finally found the show that made sense.Production Coordinator Kory Meinhart joins cast members Jayden Armitage and Emma Brazeau to talk about why Come From Away became The TEN's first collaborative production and what it's been like bringing students and educators from 12 area schools together.They also talk about taking on a story connected to 9/11 when the student performers weren't even alive when it happened, the responsibility that comes with telling that story, and why the message of people opening their doors to strangers still matters. It's a conversation about theater, history, community and what can happen when school programs that normally work separately decide to build something together. As Kory explains in the episode, the students aren't simply representing their individual programs. They're learning from one another and celebrating what their schools can accomplish together.

Lynn has a fun, special edition with set designer Ann Beyersdorfer, a New York-based designer originally from Belleville, IL. This summer, she's designed sets for The Muny's "Meet Me in St. Louis" and Stages St. Louis' "Guys and Dolls," and will be designing Stages' "Come From Away" and The Rep's "Little Women" plus she returns to the SNL art department for location shoots.

This Substack is reader-supported. To receive new posts and support my work, consider becoming a free or paid subscriber.Based in NYC since 2011, Adam came to New York by way of Houston, TX, where he completed his Master's Degree at Rice University's Shepherd School of Music (2008). Adam grew up in Northeast Ohio, where he attended Cleveland State University (2006). Formally studying classical percussion throughout his education, Adam also actively performed as a freelancer on drum set — his classical background combined with his drum set skills gave him a unique blend that turned out to be very well-suited for musical theater.After playing its out-of-town tryout at Houston's Alley Theatre, Adam had his Broadway debut as the drummer on Frank Wildhorn's WONDERLAND when it transferred to Broadway (Spring 2011). OBCR on Sony Masterworks.With his foot in the door from his first Broadway show, Adam set about the work of subbing and building a reputation in and around the city. Subbing on NYC productions as diverse as RENT, EVITA, MATILDA the Musical, AVENUE Q, CATS, HELLO DOLLY, ANASTASIA, THE PROM, WEST SIDE STORY, COME FROM AWAY, and LITTLE SHOP OF HORRORS — and many more — Adam routinely demonstrates a wide-ranging versatility. A unique hybrid player, Adam is equally at home on drum set and percussion, excelling in situations that demand both contemporary drum set styles and legit classical/orchestral sensibilities.Adam's most recent NYC chairs include 2017's BANDSTAND on Broadway (TONY Nomination for Best Orchestrations, TONY WINNER for Best Choreography), Jerry Springer the Opera, and Between the Lines with acclaimed writers Samsel & Anderson — where Adam not only played drums and percussion but helped create the percussive mix elements. Adam is often found developing new works in NYC's rehearsal studios, working with established and new writing teams whenever possible. Most recently, Adam subbed on CATS: The Jellicle Ball.Adam has supported many of NYC's finest singers, including Caroline Bowman, Austin Colby, Jordan Dobson, Natalie Weiss, Justin Guarini, Sierra Boggess, Laura Osnes, Josh Young, Orfeh, Andy Karl, Patti LuPone, Jeremy Jordan, Ben Fankhauser, Brian Justin Crumm, Jenna Ushkowitz, Jay Armstrong Johnson, Kacey Velazquez, Loren Allred, Andy Mientus, and Crystal Monee Hall, among many others.When not in the theater, Adam is often found in NYC recording studios playing for singer/songwriters and composers like Desi Oakley, The Jack Mosbacher Band, Michael Mott, and David Mallamud — playing cabaret spots like Feinstein's 54 Below, performing at Lincoln Center, and downtown venues such as Rockwood Music Hall, Piano's, and The Bitter End. Adam also records drum tracks and produces at his studio in Midtown Manhattan.Recordings Adam Has Played On:* Between the Lines Original Cast Recording* BANDSTAND Original Broadway Cast Recording* Desi Oakley, “Repeat”* Michael Mott, “Abandoned Heart” (Released on Broadway Records, September 15, 2017)* A Rockin' Midsummer Night's Dream – World Premiere Recording* You're a Good Man, Charlie Brown (2016 Off-Broadway Cast Recording) — available on iTunes, Amazon, and Barnes & NobleCollaborators featured on these recordings include David Mallamud, Nat Zegree, The Jack Mosbacher Band, and Desi Oakley.Connect with Adam:Facebook | Twitter | Instagram | Contact form for bookings and inquiries.Site: home | about | media | recording/programmingClayton Craddock was most recently the drummer for Cats: The Jellicle Ball on Broadway at the Broadhurst Theatre. He is also the founder of Broadway Drumming 101 and the author of Broadway Bound and Beyond: A Musician's Guide to Building a Theater Career.His Broadway credits include Memphis, Lady Day at Emerson's Bar and Grill, Ain't Too Proud, and Cats: The Jellicle Ball, with additional credits spanning tick, tick…BOOM!, The Hippest Trip: The Soul Train Musical, and subbing on Rent, Motown, Evita, Avenue Q, and the Hadestown tour.Clayton has appeared on The View, Good Morning America, The Tonight Show Starring Jimmy Fallon, The Today Show, and the Tony Awards. He has performed with artists ranging from Chuck Berry and Ben E. King to Kristin Chenoweth and Norm Lewis.www.claytoncraddock.com Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

Antenados #334 - Danilo Gobatto conversa com Isaac Belfort. O ator e cantor está em cartaz com dois espetáculos – “Benjamim, O Palhaço Negro” e “Vindos de Longe”. “Benjamim, O Palhaço Negro”, celebra a vida e obra de Benjamim de Oliveira, o primeiro palhaço negro do Brasil. Nascido no final do século XIX, mesmo com desafios em sua trajetória, se concretizou um artista múltiplo dos palcos, picadeiros e cinema. Já “Vindos de Longe” é a versão brasileira do premiado musical Come From Away, e traz aos palcos a emocionante história real da pequena cidade de Gander, no Canadá. Em um dos momentos mais incertos da história moderna, o fechamento do espaço aéreo americano, no dia 11 de setembro de 2001, desviou 38 aviões para esta comunidade remota, que acolheu de braços abertos mais de 7.000 passageiros de todas as partes do mundo. Tem ainda um bate papo com Ellen Oléria. A cantora e compositora está lançando o disco “Canto de Casa Vol. 1”. Com dez faixas, o álbum celebra a arte feita no afeto do encontro, recriando a atmosfera calorosa das rodas de cantoria entre amigos. Apresentação, produção e edição: Danilo Gobatto. Sonorização: Cayami Martins

Spencer Inch is one of those musicians who makes you realize how wide this career can actually be. We talked about his path from Wilton, Connecticut to the national touring circuit, and I kept thinking: this is exactly what Broadway Bound and Beyond is about.Here's what we got into:* Spencer started on drums at age six when his parents bought him a CB700 from a neighbor — he still talks about that kit like it was a Stradivarius* He studied classical percussion at Penn State, then pivoted to jazz drum set at the University of Miami's Frost School — going from big fish to small pond overnight, and what he did about it* He did multiple contracts on cruise ships right out of grad school, playing everything from waltzes to Glenn Miller to German polka with no internet and no time to prepare — and why he says he learned more there than in six years of school* He toured the country opening for the Counting Crows with singer-songwriter Seán Barna — playing to amphitheater crowds of 3,000 to 7,000 people, and the moment the Counting Crows' drummer handed him the sticks to close out a show* He spent a year and a half on the Come From Away national tour playing bodhran — on stage, in the action, 467 shows — after saying yes to an instrument he'd never played before* He's now on the Water for Elephants national tour, a gig that came directly through the music director he built a relationship with on Come From AwayThe throughline in Spencer's story isn't talent. It's relationships, saying yes, and taking every single gig seriously — no matter what it is. The polka gig. The Les Mis at a children's theater. All of it.Watch the full episode above!Clayton Craddock is the drummer for Cats: The Jellicle Ball on Broadway at the Broadhurst Theatre. He is also the founder of Broadway Drumming 101 and the author of Broadway Bound and Beyond: A Musician's Guide to Building a Theater Career.His Broadway credits include Memphis, Lady Day at Emerson's Bar and Grill, Ain't Too Proud, and Cats: The Jellicle Ball, with additional credits spanning tick, tick…BOOM!, The Hippest Trip: The Soul Train Musical, and subbing on Rent, Motown, Evita, Avenue Q, and the Hadestown tour.Clayton has appeared on The View, Good Morning America, The Tonight Show Starring Jimmy Fallon, The Today Show, and the Tony Awards. He has performed with artists ranging from Chuck Berry and Ben E. King to Kristin Chenoweth and Norm Lewis.www.claytoncraddock.com Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

This is part one of a 2-part recapLuke leaves Below Deck Med, and no word yet on whether or not he left a present on his sheets. Nathan starts to stress over the difficulties of being a dad, and the guy from Charleston worries everyone when he starts acting…like a guy from Charleston. To watch this recap on video, listen to our bonus episodes, and get ad free listening, go to Patreon.com/watchwhatcrappens. Find bonus episodes at patreon.com/watchwhatcrappens and follow us on Instagram @watchwhatcrappens @ronniekaram @benmandelker Hosted on Acast. See acast.com/privacy for more information.

This is part 2 of 2Luke leaves Below Deck Med, and no word yet on whether or not he left a present on his sheets. Nathan starts to stress over the difficulties of being a dad, and the guy from Charleston worries everyone when he starts acting…like a guy from Charleston. To watch this recap on video, listen to our bonus episodes, and get ad free listening, go to Patreon.com/watchwhatcrappens. Find bonus episodes at patreon.com/watchwhatcrappens and follow us on Instagram @watchwhatcrappens @ronniekaram @benmandelker Hosted on Acast. See acast.com/privacy for more information.

In this week's mini-sode, we are shining the spotlight on the heartwarming Broadway musical, Come From Away. This Celtic/ Canadian folk-rock musical is both entertaining and educational, and sheds a little a little sliver of light among one of the darkest moments in American history.Support the showHost/ Production/ Editing: Brennan StefanikMusic: Dylan KaufmanGraphic Design: Jordan Vongsithi@batobroadway on Instagram, Threads, and TikTokPatreon.com/batobroadway

From growing up obsessed with Golden Age movie musicals to making her Broadway debut as Cosette in Les Misérables, Alex Finke shares the journey that led her to the stage. We talk all about playing the Baker's Wife in Into the Woods at Cape Playhouse, why Stephen Sondheim's writing continues to resonate with audiences, and what makes this cast and creative team so special. Alex also reflects on performing in Come From Away, Anything Goes, and Joan, the unforgettable phone call that changed her career, dream roles still on her bucket list, and why supporting regional theatre matters now more than ever.

This episode originally aired Aug. 7, 2024. Sharon Chodirker and Chaim Bell consider themselves lucky: they were among the tens of thousands of tourists and residents in Jasper who were evacuated from the forest fires that devoured a third of the buildings in the iconic Rocky Mountain resort town on July 24. The Toronto couple, who were on a hiking trip, managed to escape Jasper while smoke and ash rained down on their rental car. When they reached a safe spot across the border in British Columbia, they slept in their vehicle and dined on kosher snacks they'd stored in their portable cooler. Two days after their frightening journey, flames up to 100 metres high swept right through where their hotel stood, destroying several buildings. Now they're sharing their survival story from the safety of their Toronto home, while the town of Jasper remains off-limits except for emergency crews—and Prime Minister Justin Trudeau, who visited on Aug. 5. On today's episode of The CJN Daily, we hear from the Toronto couple personally, as well as Rabbi Dovid Pinson of Canmore who runs the new Chabad community centre outside Banff and hosted the evacuees. We'll also hear from Heidi Coleman, the head of the Jewish community in Kamloops, B.C., who felt like she was starring in the musical Come From Away when she helped a busload of stranded Jasperites in her city. What we talked about When Rabbi Dovid Pinson ran the annual Hanukkah car menorah parade in Edmonton during COVID in 2021, in The CJN Learn more about Chabad in the Rockies   Hear how Heidi Coleman came from Montreal to Kamloops and became their Jewish leader, on the podcast Yehupetzville Credits Host and writer: Ellin Bessner ( @ebessner ) Production team: Zachary Kauffman (senior producer), Andrea Varsany (producer), Michael Fraiman (executive producer), Alicia Richler (editorial director) Music: Bret Higgins Support our show Subscribe to The CJN newsletter Donate to The CJN (+ get a charitable tax receipt) Subscribe to North Star (Not sure how? Click here ) Watch our podcasts on YouTube. https://www.youtube.com/@TheCJN Help others find this podcast by leaving us a review for “North Star” on Apple Podcasts via your iPhone or iPad device, or with your Android. (Spotify allows only starred ratings but you can do that, too!)

The musical Come From Away is in full swing in Gander and a trio from the cast are on the show today. We talk about why this story resonates so much with folks, the evolving relationship between Canada and the United States, and the upcoming 25th anniversary of 9/11.

In this Episode Neil chats with his fellow cast members, the Assistant Director Joe Hillard and Musical Director Steve Daykin from the Isle of Man's Premiere Cast of Come From Away brought by Two Feathers Productions to the Gaiety Theatre from on Friday night 10th July 2026.

FTP Theater Hour: Celebrate your 4th with 1776 and Scalia/Ginsburg final shows -- Come From Away cast wows audiences 

Colleen went to the 7Brew in Apple Valley and she ordered enough for leftovers, Holly reports on a concerning cottage cheese shortage -- your proteinmaxxing is getting out of control! THEATER REVIEW: Colleen saw "Come From Away" at the Guthrie Theater, and Jason's newest TikTok obsession are hotel desk videos and Fruity Pebbles cake pop drama. Wait, are Taylor Swift and Travis Kelce actually getting married or is she starting a record label?! Sephora and Walmart are offering "quiet hours" for neurodivergent folks, and FIX MY LIFE: Denise's mother-in-law check problem. SCREEN QUEENS: Colleen and Holly watched the first episode of the horrible "Legally Blonde" sequel, "Elle," Jason loved the documentary, "Chris & Martina: The Final Set," and we talk to Mama Haas (Jason's mother-in-law) about her alien abduction! See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

On this Canada Day special edition of The Brian Crombie Hour, Brian explores the themes of kindness, community, and the values that define Canada at its best.In Part 1, Brian is joined by Toronto-based producer Peter Gentile to discuss the documentary You Are Here: A Come From Away Story, which tells the remarkable true story behind the hit musical Come From Away.Following the terrorist attacks of September 11, 2001, nearly 6,700 airline passengers aboard 38 diverted flights found themselves stranded in the small town of Gander, Newfoundland and Labrador. In an extraordinary act of generosity, local residents opened their homes, schools, churches, and hearts to complete strangers, creating one of the most inspiring stories of compassion and community in modern Canadian history.In Part 2, Brian delivers a special Canada Day commentary reflecting on what Canada has been—and what it must become. Amid housing challenges, global instability, technological change, growing loneliness, and political polarization, he argues that Canada's greatest aspiration should not simply be to become bigger or wealthier, but to become better: more generous, more united, more courageous, and more committed to creating communities where people feel they belong.The story of Gander offers a powerful reminder that Canada is at its best when people show up for one another—and that spirit of kindness and connection may hold the key to the country's future.A heartfelt Canada Day conversation about compassion, belonging, and the kind of nation Canadians still have the opportunity to build together.

Jason's off today -- he's getting a colonoscopy and we think you should schedule yours, too (if it's that time of life). Holly is trying her best to be a team player in the office walking contest, Colleen is OBSESSED with 7 Brew and the one in Apple Valley is now open, and she won Father's Day by getting a bidet for her husband. "Toy Story 5" grossed $160 million at the box office making it the biggest franchise debut weekend ever and George Lucas gets a "Minions" role. Taylor Swift allegedly had her bachelorette weekend in Rhode Island, but is did Blake Lively make it to the celebrations? AITA: For asking my daughter to talk to her boyfriend about his behavior in my kitchen? And Jimmy Kimmel's going on summer break -- his list of fill-ins impresses!SCREEN QUEENS: Colleen watched "Office Romance" against her better judgement, Holly watched the true crime documentary "Maternal Instinct" and now she needs a break, and Colleen likes the comedy, "Free Bert." Plus, we remember TV legend James Burrows. PRIDE SPEAKS: We interview actor Soara-Joy Ross who is now appearing in the Guthrie Theater's production of "Come From Away. And an update on those enterprising British beavers! See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

PRIDE SPEAKS: We interview actor Soara-Joy Ross who is now appearing in the Guthrie Theater's production of "Come From Away."See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Front Row Classics is thrilled to welcomes back author and professor Laurence Maslon. Brandon and Larry are commemorating the 70th anniversary of the film version of Rodgers and Hammerstein's Carousel. The two discuss the production's history and legacy.  Laurence Maslon is an arts professor at New York University's Tisch School of the Arts, as well as associate chair of the Graduate Acting Program. His most recent book is an updated companion volume to the PBS series Broadway: The American Musical. He is also the host and producer of the weekly radio series, Broadway to Main Street (winner of the 2019 ASCAP Foundation/Deems Taylor Award for Radio Broadcast) on the NPR station WLIW-FM. He edited the two-volume set American Musicals (1927-1969) for Library of America, as well as their Kaufman & Co., Broadway comedies by George S. Kaufman. Other books include the companion book to Come From Away, Broadway to Main Street: How Show Music Enchanted America (Oxford), The Sound of Music Companion, and the South Pacific Companion. He is the writer and coproducer of the PBS American Masters documentary, Sammy Davis, Jr.: I've Gotta Be Me, and wrote American Masters documentary Richard Rodgers: The Sweetest Sounds. He served on the nominating committee for the Tony Awards from 2007 to 2010. He has written for the New York Times, the Washington Post, the New Yorker, Opera News, Stagebill, and American Theatre. 

For years, comedy thrived on cynicism. The world was a mess, people were selfish, and anyone who believed otherwise was the punchline.But from Ted Lasso, to Paddington, to Come From Away, some of our most beloved stories are finding humor, heart, and even heroism in empathy, earnestness, and human decency.This summer, Lyric Repertory Company is producing Gutenberg! The Musical! It's a delightfully ridiculous show about two aspiring theater makers who are convinced they have created a masterpiece. They haven't, but their unwavering enthusiasm is part of what makes the show so charming.And it's not the only production in Lyric's season that seems interested in the power of human decency.

Shannon Musical Society is celebrating a remarkable success after scooping three major honours at the Association of Irish Musical Societies Awards.   Their production of Come From Away earned eight nominations and went on to win Best Overall Show, Best Ensemble and Best Director.   Joining Alan Morrissey to reflect on an unforgettable journey are Tom Barrett, Chairperson of the Shannon Musical Society, and Jaymee Carrig, PRO. Photo (c) Clare FM

(Celebrating 80yrs of community radio!) Today's WKXL NH Unscripted episode has Andrew & I chatting about an array of topics from around the state. We chat up “Come From Away” at The Winnipeasaukee Playhouse, “Hello Dolly” at the Interlakes Theater as well as the Ogunquit Playhouse, NH Gives Day, audition notices for upcoming shows and some odd personal blabbing.(NH Unscripted airs M/W/F at 9am 1450AM/103.9FM/101.FM)(NHTalkradio.com)

Today's NH Unscripted episode has Andrew & I chatting about an array of topics from around the state. We chat up “Come From Away” at The Winnipeasaukee Playhouse, “Hello Dolly” at the Interlakes Theater as well as the Ogunquit Playhouse, NH Gives Day, audition notices for upcoming shows and some odd personal blabbing.

FTP Theater Hour: Lyric Theater grand reopening -- Cabaret nights -- Come From Away announcement

Tune in for a Conversation with Kitty Balay and Andrew Philpot, resident artists and instructors with PCPA (Pacific Conservatory Theater ), about the history of PCPA's professional acting and techincal theater programs, years of producing live theater for the Central Coast and their current season featuring the Tony winning musical Come From Away.Call in and be part of the conversation Tuesdays from 2-3pm on KCBX

Our 587th episode, which aired on April 26, 2026, and focused on the Indiana Repertory Theatre run of Come From Away, with my conversation with music director Angie Benson.

A Forest Of Whispering Speakers - The IdeaA new musical featuring the music of The Tragically Hip is about to open in Hamilton. Episode one is the story of how it got there - from one phone call to a world premiere.Episode summaryA Forest Of Whispering Speakers is the brand new podcast from The Tragically Hip Podcast Series, charting the world premiere of "It's a Good Life If You Don't Weaken" at Theatre Aquarius. The musical is built on the music of The Tragically Hip and tells the story of an exiled Iraqi journalist building a new life in Kingston, Ontario. Act I: The Idea is the origin episode - the cold-call, the pitch, the band Zoom, the moment a single CBC story unlocked the whole concept.Host jD sits down with manager Jake Gold and producer Michael Rubinoff ("Come From Away") to trace how a Tragically Hip musical went from a polite email to a full production. Along the way, three lifelong theatre fans - Jen Towndrow, Armand Baksh-Zarate, and Autumn Tuffin-McDonald - help frame what makes a jukebox musical actually work, and what happens when the source material is a band that means this much to this many people.This is a spoiler-free, behind-the-scenes podcast. The production is the hero. The musical is the subject. jD is the listener in the room.Featured voicesJake Gold - Manager, The Tragically HipMichael Rubinoff - Producer, "It's a Good Life If You Don't Weaken" ("Come From Away")Jen Townrow - Lifelong musical theatre fanArmand - Musical theatre devoteeAutumn Teffen-McDonald - Theatre fan, seven shows deep into 2026 alreadyWhat's covered in Act IThe original pitch (and the original story - which wasn't Iraq)The Zoom call with the band that started it allLindsay Perigoe's viral 2020 CBC piece on Gord Downie, 'Wheat Kings,' and discovering Canada through The HipHow the title "It's a Good Life If You Don't Weaken" landedWhy The Tragically Hip do not exist inside the world of the show (and where the Easter eggs live)The difference between previews and an official opening nightAbout the showA Forest Of Whispering Speakers is a six-episode oral history of the Theatre Aquarius world premiere of "It's a Good Life If You Don't Weaken." New episodes drop weekly on Thursdays.Resources & referencesTheatre Aquarius - theatreaquarius.orgLindsay Perigoe's 2020 CBC piece on The Tragically Hip and discovering CanadaHipbase, HipMuseum, This Is Our Life - the standing TTH Podcast Series sourcesListen & followApple Podcasts, Spotify, and wherever fine podcasts are foundNetwork home: home.tthpods.comCommunity: community.tthpods.comEmail jD: jd@tthpods.comAlso happening - podList 7: the classicsSubmissions for podList 7 - a fan cover compilation of Tragically Hip songs from the 1987-1995 catalogue, EP through "Day for Night" - close April 30. Drop date is May 15. Submit at podlist.tthpods.com or email jd@tthpods.com.Tip jarIf the work hits, throw a couple bucks at the battery: buymeacoffee.com/tthtop40. Editing is hard. Coffee helps.SocialsFacebook: community.tthpods.com | Instagram: @tthpods | YouTube: youtube.com/@tthpods#TheTragicallyHip #TheHip #GordDownie #AForestOfWhisperingSpeakers #ItsAGoodLifeIfYouDontWeaken #TragicallyHipAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

KPFA Theatre Critic Richard Wolinsky reviews the musical “Come from Away” at TheatreWorks Mountain View Center for the Performing Arts through May 10, 2026.       Text of Review: Works of art age in different ways. Chekhov's plays, for example, were written and performed as contemporary pieces. Now their dachas and threadbare aristocrats are artifacts of history, though the universal truths remain. And nobody in their right mind would today produce Milk and Honey, Jerry Herman's ode to Zionism. So what to make of the hit musical, “Come from Away,” which made its Broadway debut less than ten years ago, and is now in a regional production at TheatreWorks Mountain View venue through May 10th? The show tells the story of how the town of Gander Newfoundland became the temporary home of thousands of travelers forced to land there in the wake of the tragedy of 9/11, when United States airspace was closed. The town and surrounding burgs all came alive with hospitality, proving that Canadians and Americans were all one family, and a family takes care of its own. A tale of comradery in the midst of tragedy. A happy play involving 9/11? Yes, it was possible because that day and its aftermath was still the defining moment in the lives of American adults living in 2017. There was the before, there was the after. “Come from Away” did not need to stress the feeling. Everyone in the audience knew it. It was in the pit of their stomachs and had been for over a decade. But that was then. In 2020 came the lockdown, a new before and after. And then came Trump Two and yet another before and after. A now coarser world where amiability just doesn't hold much sway. That sick feeling over the towers? Gone, now we doomscroll and hope tomorrow there will be a planet. And “Come from Away”? The show feels too light, too negiligible for its own good, with a hole at its emotional core. This staging, which reflects the original, avoids images of the towers coming down, apparently too traumatic for audiences a decade ago watching a feel-good musical. Maybe it's time to rethink the presentation. Also, looking at waterfalls and domestic squabbles?  Who cares? And graciousness isn't going to stop Stephen Miller. Today, of course, would Canada even let the planes land? The damage wrought by the current regime goes on and on. The acting, the singing, the choreography, on that level this production is first rate. It's all quite lovely. But the depth that keeps Chekhov alive is absent. This “Come from Away” is gorgeous, but the show itself is an empty footnote. Come from Away plays at Mountain View Center for the Performing Arts through May 10th. For more information you can go to theatreworks.org. I'm Richard Wolinsky on Bay Area theater for KPFA. The post Review: “Come from Away” at TheatreWorks Mountain View appeared first on KPFA.

This week, we're joined by Melissa WolfKlain and Nick Nakashima, currently starring in TheatreWorks' production of Come From Away. ✈️✨We chat about their experience working on this powerful, ensemble-driven show, what makes Come From Away so special to perform, and the roles they dream of taking on in the future. Plus, we mix things up with a fun, musical-themed karaoke roulette game you won't want to miss!

Hello! Welcome to this month's edition of Answer Us Back, full of your feedback on AMTs old and new. Today: Following AMT416's discussion of meat fondue, Amanda gives us meat fondue tips amassed from four generations of her family's festive flesh fondue.  Also apropos of AMT416, Rebekah - and several other people! - notes the existence of a 9/11 musical: Come From Away.  AMT306 inspired Matt from Birmingham to try the chicken kyiv sandwich, which has comforted him during many major life events since.  Chris from New Zealand wants an update on AMT376's message from the then 38-year-old Olly to his future fortysomething self ie present day Olly. We heard from so many of you about  World Book Day! Katy has a clever way to keep your kid's costume obligations extremely light.. Joe in Minnesota sees your World Book Day and raises you the Children Pretending To Be Historical Waxworks Day of his own childhood. Neil from Staffordshire is haunted by an AMT jingle from 15+ years ago. If you've been haunted by thoughts about AMTs 1-416, exorcise them by sharing them with us for future episodes of Answer Us Back. And as always, send in your questions, in voicenote or written form to answermethispodcast@googlemail.com. All new AMT417 will be in your podfeed 30 April 2026.  Help keep AMT going by signing up at patreon.com/answermethis, where highest tier gets access to our ENTIRE back catalogue, including the paywalled episodes, the special albums, the Bonus Bits of Crapp on the AMT App (RIP) and all the Retro AMT episodes. AMT is sponsored by: • Saily, flexible eSIM data roaming plans for when you're abroad. Download SAILY in your app store and use our code amt15 at checkout to get an exclusive 15% off your first purchase. For further details go to saily.com/amt15. • The London Review of Books, the twice-monthly literary mag full of essays, reviews and more by excellent writers. Get a 6 month print and digital subscription for just £12 at LRB.me/answer Learn more about your ad choices. Visit megaphone.fm/adchoices

On today's show, two Filipino nurses who were wrongly convicted of lethal crimes in the 1970s inspire a dance production about generational trauma and racism in the justice system. Then, a local band brings their own special indie rock/electronica sound, and the lead singer is Host Jeneé Darden's KALW co-worker! Finally, a musical about travelers stranded in a special Canadian town following the tragedies 9/11, and the kindness of strangers.

In this episode of On the Aisle, host Tom Alvarez sits down with acclaimed director James Vasquez (also known as Pedro James Vasquez) for a powerful conversation about theater, identity, and the stories that bring people together. Currently directing the hit Broadway musical Come From Away at the Indiana Repertory Theatre, James shares how the production captures the extraordinary true story that unfolded in the wake of the September 11 attacks, when a small Canadian town welcomed thousands of stranded travelers with compassion and generosity. He discusses the unique challenge of staging a fast-paced, ensemble-driven show where just 12 actors portray more than 70 characters, and how he is crafting a fresh vision without relying on past productions.Beyond the stage, the conversation explores James' personal journey—from his early days at the Old Globe Theatre to becoming a nationally recognized director—and his experience navigating the industry as a Mexican-American artist. He opens up about reclaiming his full name, Pedro James Vasquez, and the importance of representation and telling culturally authentic stories, including his work on American Mariachi. At its heart, this episode highlights why theater continues to matter: its ability to create genuine human connection, spark meaningful conversations long after the curtain falls, and remind us—much like Come From Away—that even in the most difficult moments, kindness and community can shine through.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Send us Fan MailA look-ahead to the shows popping up around the state for summer, plus the week's Top 10 Colorado HeadlinersIn this episode of the OnStage Colorado Podcast, hosts Alex Miller and Toni Tresca run down some of the latest Colorado theatre news, take a look at what's ahead for the summer season around the state and also dive into the week's Top 10 Colorado Headliners. This week's list:·      Come From Away, Arvada Center, through May 10 ·      Ballet Masterworks, Colorado Ballet at Ellie Caulkins Opera House, Denver Center, April 10-18 ·      Romeo & Juliet, ENT Center, Colorado Springs, April 9-May 3 ·      White, Firehouse Theater, Denver, April 4-May 3 ·      The Old Man and the Old Moon], Fort Lewis College, Durango, through April 4 ·      Shush, Now, Theatre Artibus, The Savoy Denver, March 26-April 12 ·      Frozen, Springs Ensemble Theatre, Colorado Springs, April 2-19 ·      the Light vs the Dark, The Dairy Arts Center, Boulder, April 3-5 ·      The Secret Circus Musical, RISE Comedy, Denver, April 4-5 ·      Angels in America Part Two, Vintage Theatre, Aurora, April 4-May 10 

This episode is a recording from the Start Network's Assembly, which took place in October 2025. Lars Peter Nissen was invited to moderate a panel exploring what leadership looks like when success is contingent on the agency of others — when you cannot exercise direct control but must inspire, build rapport, and create the conditions for a group of individuals to deliver results.Rather than drawing on leaders from within the humanitarian sector, the panel brings together professionals from two very different fields — football management and musical theatre — to explore what their craft can teach humanitarians about leading through networks, trust, and collective action.Note: This episode was recorded live at the Start Network Assembly. The sound quality reflects the live setting.GuestsNatalie Brown: Board Director at Banbury United Football Club and the first Black female board member in UK football. Natalie has a background in media, marketing, and community development, and has worked with Arsenal, The Prince's Trust, and Mind. She founded the #PlayBrave initiative to help women build confidence on and off the pitch.Huw Evans: Associate Musical Director on Oliver at the Gielgud Theatre in London's West End. Huw is an accomplished conductor and multi-instrumentalist who has worked on shows including Much Ado About Nothing, Sunset Boulevard, Oklahoma, and Come From Away. He trained at King's College London.Moderated by Lars Peter Nissen, Director of ACAPS and host of Trumanitarian. Introduced by Lucy Puentes of the Start Network.Key ThemesBuilding from the ground up: Natalie shares how she rebuilt Banbury United's women's team after inheriting a fractured setup where the manager had left just before the season. After a disheartening first attempt, she “flipped the script” — launching open training sessions for women over 40, which rapidly grew into a multigenerational squad with players aged 16 to 66. Her approach centred on changing the narrative, leading with spirit, and building a movement rather than just a team.The duet between leading and following: Huw describes conducting as a constant negotiation between setting the tempo and following the performer. With 12 musicians split across three separate spaces, a 30-person cast, and four child actors rotating in the lead role, he conducts via camera monitors — relying on connection, adaptability, and trust rather than direct control. Leadership in live performance, he says, is about creating the conditions for harmony rather than forcing it.Trust, small gestures, and knowing people's namesBoth panellists emphasise that trust is built through small, consistent actions. Huw takes pride in greeting every deputy musician before the show. Natalie describes how players joined her team simply because they liked who she was and what she stood for. Both draw a direct parallel to humanitarian coordination — where leading a cluster meeting of 50 strangers via camera is not so different from conducting an orchestra through a monitor.Releasing control: A recurring theme throughout the conversation is the difficulty — and necessity — of letting go. Huw describes the terrifying moment of relinquishing control in a live performance with 2,000 people watching. Natalie reflects on having built the women's team so personally that she now needs to step back and let others carry the vision. Both see this as essential to sustainable leadership in networked settings.The power of diversity and emergence: Lars Peter draws the conversation toward metaphor, arguing that biology — not physics — offers the better model for thinking about networks. The emergent quality of a network, like a heart pumping blood from cells and valves, produces outcomes that are qualitatively different from the sum of the parts. Just as a football team needs more than 11 goalkeepers, or an orchestra more than 12 horn players, humanitarian networks need genuine diversity of skills and perspectives.Resilience and learning from mistakes: Huw shares a candid story of pressing the wrong button during a click track, causing pre-recorded and live children to sing out of sync. His advice: pick yourself up, stay calm, and keep going with integrity. Natalie talks about the power of small daily steps — just 15 minutes of focused effort each day — as a way to sustain momentum when things feel overwhelming.CreditsHost: Lars Peter NissenRecorded at: Start Network Assembly, October 2025Session title: Choreographing Chaos: Leadership in a World of NetworksPanel introduced by: Lucy Puentes, Start NetworkGet in touch: info@truemanitarian.orgSupport the podcast: Visit truemanitarian.org and click “Support the Pod”

Soup’s on at Arch Eats central, and George and Cheryl have a crock full of recommendations for where to get a delicious bowl. From the quintessential French onion to their favorite chili, the co-hosts dish on the best soups St. Louis has to offer, as well as which establishments are guaranteed to always have something delicious simmering in a stockpot. Whether the volatile weather has you craving something warm and soothing, a lighter lunch, or a cure for whatever ails you this time of year, their picks are sure to make your mealtime more delicious. Watch Arch Eats on YouTube and listen on Spotify, Apple Podcasts, or wherever podcasts are available. This episode is sponsored by STAGES St. Louis. STAGES is celebrating 40 years of Broadway-quality musical theatre right here in St. Louis. Join STAGES for a milestone season featuring the hilarious 25th Annual Putnam County Spelling Bee, the return of the high-rolling charm, Guys and Dolls, and the powerful, heartwarming hit Come From Away. Get tickets. New to podcasts? Follow these instructions to start listening to our shows, and hear what you’ve been missing! Want more? Check out all of St. Louis Magazine’s podcasts. Have an idea for a future Arch Eats episode? Send your thoughts or feedback by emailing podcasts@stlmag.com. Hungry for more? Subscribe to our Dining newsletters for the freshest coverage on the local restaurant and culinary scene. And follow George (@georgemahe) and SLM on Instagram (@stlouismag). Interested in being a podcast sponsor? Contact Lauren Leppert at lleppert@stlmag.com. Mentioned in this episode: Lazy River Grill, 631 Big Bend, Manchester, 636-207-1689 3Gerards Pizza South Grand Soup Crawl (February) Civil Life Brewing Co. (Soup Sundays), 3714 Holt, Tower Grove South, no listed phone Stellar Hog (brisket chili), 5623 Leona, Holly Hills, 314-481-8448 Colleen’s Cafe (Denver green chili), 7337 Forsyth, University City, 314-727-8427 DouDou Cafe (pho), 6318 Clayton, Richmond Heights, 314-952-2255 Fork & Stix (khao soi), 549 Rosedale, Skinker-DeBaliviere, 314-863-5572 Stew’s Food & Liquor (khao soi), 1862 S. 10th, Soulard, no listed phone Chiang Mai (khao soi), 8158 Big Bend, Webster Groves, 314-961-8889 Nudo House (Hebrew Hammer), Creve Coeur and Delmar Loop Union Loafers (chicken & rice), 1629 Tower Grove, Botanical Heights, 314-833-6111 Blueberry Hill (chicken noodle), 6504 Delmar, The Delmar Loop, 314-727-4444 Russell’s on Macklind (chicken noodle), 5400 Murdoch, Southampton, 314-553-9994 Brasserie by Niche (French onion), 4580 Laclede, Central West End, 314-454-0600 Truffles (French onion), 9202 Clayton, Ladue, 314-567-9100 Shay’s Creole Smokehouse (gumbo), 912 S. Main, St. Charles, 314-852-2803 Sister Cities Cajun (seafood gumbo), 3550 S. Broadway, Marine Villa, 314-405-0447 The Gin Room (osh), 3200 S. Grand, Tower Grove East, 314-771-3411 Lona’s Lil Eats (Hill Tribe Soup), 2199 California, Fox Park, 314-925-8938 Robin Restaurant (whitefish chowder), 7268 Manchester, Maplewood, no listed phone Levels Nigerian Cuisine (pepper & goat, egusi), 1405 Washington, Downtown West, 314-571-9990 Peel Wood Fired Pizza (smoked tomato bisque, wild mushroom), Multiple locations Straub’s (selection), Multiple locations Companion Cafe (selection), 9781 Clayton, Ladue, 314-218-2280 Bike Stop Cafe (soup flight), 701 S. Riverside, St. Charles, 636-724-9900 You may also enjoy: The best soups in St. Louis Must-try parish fish fries in St. Louis Restaurants where you can get your fish fry fix in St. Louis More episodes of Arch Eats Shop Arch Eats merch See omnystudio.com/listener for privacy information.

In this episode of the podcast, Meghan Heeter discusses her transition from full-time interior designer to design principal at Ättlingar, the company she founded with former client Siri Eklund. Dedicated to designing and crafting historically inspired medicine cabinets, mirrors, and other accessories for the bathroom, each piece is handmade in the USA using traditional Swedish woodworking techniques. But, as we discover during Veronica’s interview with Meghan, she and Siri, and the rest of the Attlingar team, are nearing the launch of a new collection of mohair fabrics and historically inspired wallpapers. There’s never a dull moment in this business! Tune in to hear more. Listen and follow House of Lou on YouTube, Spotify, Apple Podcasts, or wherever you get your podcasts. This episode is sponsored by STAGES St. Louis. This year, STAGES St. Louis proudly celebrates 40 years of producing Broadway-quality theater. Join them for a summer full of laughs, musical memories, and heart as they present The 25th Annual Putnam County Spelling Bee, Guys and Dolls, and Come From Away. Learn more. New to podcasts? Follow these instructions to start listening to our shows, and hear what you’ve been missing! Want more? Check out all of St. Louis Magazine’s podcasts. Love House of Lou? Be sure to follow or subscribe on your favorite platform. And show your love with House of Lou merch. Mentioned in this episode: Attlingar Best Dressed List, Meghan Heeter The Frank Lloyd Wright House in Ebsworth Park Rock Hill Woodworking Co. St. Louis Mercantile Library Casting a Long Shadow: Frederick Oakes Sylvester & His Circle Jewel Box St. Louis Birthday Bash Givenchy’s Rehabilitation of Frank Lloyd Wright’s Anderton Court Shops Architect & Designer Awards You may also enjoy: Ättlingar elevates the bathroom with bespoke medicine cabinets and mirrors More episodes of House of Lou Shop House of Lou merch See omnystudio.com/listener for privacy information.

While many immigrants settled in the East, the Homestead Act enticed a large percentage to the Great Plains, an unfamiliar land that had until then been under tribal control. The land they were able to claim was many times larger than the small farms they had in their home countries. Immigrants were crucial to the settlement of the Great Plains in general, and North Dakota in particular. In 1870, thirty-four percent of the settlers in Dakota Territory were foreign-born. By 1915, nearly eighty percent of North Dakotans were either immigrants or the children of immigrants.

Come From Away undoubtedly put Canada on the global musical theatre map, but this fine, independent and creative nation has a long tradition of writing wonderful musicals! Join David and Thos as they look at new Canadian shows like Life After, The Louder They Get, Grow, Emilio's A Million Chameleons and Confessions of a Red Headed Coffee Shop Girl. Add to that discussions of the Canadian productions of Hades Town and Something Rotten and you have it all without spending a loonie (or a toonie)! 

Larry Lelli is the King of Broadway. He is a Tony award winning freelance drummer and percussionist. He's worked in over 40 Broadway musicals including “The Producers”, “Million Dollar Quartet”, “A Christmas Story”, “Come From Away” and “Sunset Boulevard”. He's producing a new musical now called “Already Perfect”. He's also performed and recorded with stars like Melissa Etheridge, The Mamas and the Papas, Josh Groban, Ann Hathaway, and Vanessa Williams. And he does masterclasses around the world specializing in Broadway musical theatre.My featured song is “New York City Groove”, from the album Made In New York by my band Project Grand Slam. Spotify link.—-----------------------------------------------------------The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!Click here for All Episodes Click here for Guest List Click here for Guest Groupings Click here for Guest TestimonialsClick here to Subscribe Click here to receive our Email UpdatesClick here to Rate and Review the podcast—----------------------------------------CONNECT WITH LARRY:www.larrylelli.com—----------------------------------------ROBERT'S LATEST RELEASE:“MA PETITE FLEUR STRING QUARTET” is Robert's latest release. It transforms his jazz ballad into a lush classical string quartet piece. Praised by a host of classical music stars.CLICK HERE FOR YOUTUBE LINKCLICK HERE FOR ALL LINKS—---------------------------------------ROBERT'S RECENT SINGLE“MI CACHIMBER” is Robert's recent single. It's Robert's tribute to his father who played the trumpet and loved Latin music.. Featuring world class guest artists Benny Benack III and Dave Smith on flugelhornCLICK HERE FOR YOUTUBE LINKCLICK HERE FOR ALL LINKS—--------------------------------------ROBERT'S LATEST ALBUM:“WHAT'S UP!” is Robert's latest compilation album. Featuring 10 of his recent singles including all the ones listed below. Instrumentals and vocals. Jazz, Rock, Pop and Fusion. “My best work so far. (Robert)”CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS—----------------------------------------Audio production:Jimmy RavenscroftKymera Films Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com  

On today’s episode, Matt Tamanini is in conversation with someone that he has been a fan of for nearly 20 years, dating back to “Legally Blonde: The Search for the Next Elle Woods,” the one and only Autumn Hurlbert. Autumn has also been seen on Broadway in “Legally Blonde” and read more

Send us a textThis episode wrecked me in the very best way.On September 11th, 2001, while most of the world was glued to their TVs watching unimaginable horror unfold, Diane Davis was teaching Grade 3 French immersion in Gander, Newfoundland, an airport town of about 10,000 people that would suddenly become home to nearly 7,000 stranded airline passengers.What happened next is the part of the 9/11 story you probably don't know.Diane walks me through those surreal days when 38 planes were diverted to Gander and an entire community quietly, efficiently, and compassionately mobilized. Teachers turned schools into shelters. Bus drivers walked off strike to shuttle passengers. Churches, camps, and tiny outport towns filled trucks with food, bedding, and toothbrushes. Bulletin boards replaced the internet. Tim Hortons boxes became filing systems. No one waited to be told what to do. People just did what they could.Diane's story became part of Come From Away, the Broadway musical inspired by Gander's response to 9/11. Yes, there is literally a character based on her. But what struck me most wasn't the red carpets or the Tony Awards. It was her belief that none of this was extraordinary. It was simply people showing up with whatever skills they had.We also talk about the other side of being a lifelong helper, learning how to receive. Diane shares candidly about her current cancer treatment, the discomfort of accepting support, and how community once again is carrying her through. This conversation is about kindness, grit, humility, and the quiet magic that happens when strangers choose to care for each other.You might cry. I definitely did. And you'll walk away remembering what humans are capable of when we're at our best.What's Inside:What really happened in Gander when thousands of planes were diverted on 9/11How ordinary people self-organized to care for thousands of strangersThe real-life story behind Come From AwayWhy learning to receive help can be just as powerful as giving itSo here's what I want you thinking about after this episode. What does being rich actually mean to you? Is it having more than enough for yourself or being so resourced that you can show up for others without hesitation? Diane's story is a masterclass in emotional wealth, generosity, and community. And look, that kind of life is built one choice at a time.I want to hear from you. What kind of world do you want to help create, and what role do you want to play in it? DM me on Instagram and let's talk about it. I read every message.Mentioned in This Episode:Give Back To Diane DavisOonagh Duncan on InstagramFit Feels GoodLeave me a voice note on Speak Pipe!Goal Setting Workshop