Podcasts about Trocadero

Dominica's Thea LaFond had a golden 2024. She was one of a handful of athletes who won the World Indoors in March, and then followed it up with an Olympic title at the Games in Paris.That night, the entire population of her native Dominica could have fitted inside the Stade de France. Her gold at the Games was the island nation's first of any colour in any Olympic sport, just as her World Indoor title was their first medal of any colour at those Championships. Having moved to the United States at the age of five, Thea describes how hard it was to adapt to a different kind of life. Dance, and later track and field, helped her with that transition. She remembers trying the Triple Jump for the first time, taking off and doing three ballet-style leaps with straight legs before the coach told her that wasn't the way to do it!Thea has remained a child of both countries, and is rightly proud of everything she's achieved wearing the vest of Dominica. She was their only representative at the Glasgow World Indoor Championships, and then part of a team of just four athletes in Paris.Thea explains how she had the best season of her life just as she was turning thirty, and how the death of her friend and inspiration, Dr Carissa F. Etienne, the Director of the Pan American Health Organization, was a catalyst for that. Thea jumped all season with a yellow ribbon in her hair to remember her fellow Dominican, and says it gave her ‘an extra pair of wings'.Thea tells us about those times when she considered giving up the sport. She worked for six years as a teacher, and was a largely self-funded and part-time athlete during that period.Find out how she won both of 2024's golds despite carrying a knee injury through the season, and how she won in Glasgow and Paris with personal bests in both finals. Plus, how Thea's coach and husband Aaron Gadson's weather forecasting played a key role on the night of the Olympic final.Photo: Dominica's athlete and gold medallist Thea Lafond poses with her medal on stage at the Champions Park at Trocadero during the Paris 2024 Olympic Games in Paris on August 6, 2024, with the Eiffel Tower visible in the background. (Credit: AFP via Getty Images)

In this bonus episode of The Filmumentaries Podcast, I catch up with returning guest Paul King, who you might remember from our previous conversation about his Shining locations documentary, Shine On. This time, Paul's back with another nostalgic deep-dive — his new short documentary Beneath London: The Story of Alien War. We talk about the origins of the Alien-themed walkthrough experience that terrified visitors to London's Trocadero in the early 1990s, how Paul tracked down rare archive footage and the people who made it happen, and why he thinks this story still has the potential to grow into a feature-length film. Watch Paul's documentary on YouTube:Beneath London: The Story of Alien War In the episode, we cover:What Alien War was and how it came togetherThe strange story of how the creators got official backing from 20th Century FoxHow the experience pushed boundaries long before immersive cinema became a thingPaul's process of turning archival material and interviews into a compelling short filmI also share an update on my own documentary, Not Your Average Joe, about legendary Jaws production designer Joe Alves. I'm heading to Martha's Vineyard this June to film key interviews during the 50th anniversary celebrations — a rare and important opportunity to capture these stories on location. If you'd like to support that project, you can find the GoFundMe here:https://gofund.me/13795716 Thanks for listening. More behind-the-scenes conversations coming soon.

Regular listeners to Unstoppable Mindset have heard me talk about a program called Podapalooza. This event takes place four times a year and is attended by podcasters, people who want to be podcasters and people who want to be interviewed by podcasters. Featured podcasters such as I get to talk with a number of people who sign up to be interviewed by us specifically.   This past Podapalooza saw me get to meet our guest this time, Susan Janzen. Susan wasn't even on of my original matches at Podapalooza, but she and I met and she told me she wanted both to be on Unstoppable Mindset and for me to come on her podcast, “Living & Loving Each Day”. Well, part one has happened. Susan has come on Unstoppable Mindset, and what a remarkable and unstoppable person she is.   Throughout her life she has been a professional singer and recording artist, a special education teacher, a realtor, now a life coach and she, along with her husband Henry, Susan has authored two books.   Make no mistake, Susan has performed all these life experiences well. She has been a singer for more than 30 years and still rehearses with a big band. She was a substitute special education teacher for six years and then decided to switch from teaching to selling real estate to help bring accessible housing to Alberta Canada.   Susan, as you will discover, is quite an inspiration by any standard. I look forward to receiving your comments and observations after you hear this episode. I am sure you will agree that Susan is quite Unstoppable and she will help you see that you too are more unstoppable than you think.       About the Guest:   Susan is an inspiring professional whose achievements span multiple fields. As a professional singer and recording artist, she enchanted audiences across North America. Her legacy as Edmonton's first Klondike Kate includes captivating performances from Las Vegas to the Alberta Pavilion during Expo 1987. Her versatility shines through her educational pursuits, earning a Bachelor of Education and influencing lives as a Special Education teacher. Alongside her husband, Dr. Henry Janzen, Susan co-authored two Amazon Best Sellers, further cementing her creative impact. Empowering Lives Through Coaching and Music Today, Susan combines her passions: Performs with the Trocadero Orchestra, a 17-piece Big Band. Empowers others as a Certified Happy for No Reason Trainer and Jay Shetty Life Coach. Hosts her podcast, Living & Loving Each Day Bridging Barriers sharing powerful stories of overcoming challenges.   Ways to connect Susan:   https://www.facebook.com/home.php https://www.youtube.com/@SusanJanzen www.linkedin.com/in/susan-janzen-b-ed-5940988 https://www.instagram.com/livingnlovingbridgingbarriers/   About the Host:   Michael Hingson is a New York Times best-selling author, international lecturer, and Chief Vision Officer for accessiBe. Michael, blind since birth, survived the 9/11 attacks with the help of his guide dog Roselle. This story is the subject of his best-selling book, Thunder Dog.   Michael gives over 100 presentations around the world each year speaking to influential groups such as Exxon Mobile, AT&T, Federal Express, Scripps College, Rutgers University, Children's Hospital, and the American Red Cross just to name a few. He is Ambassador for the National Braille Literacy Campaign for the National Federation of the Blind and also serves as Ambassador for the American Humane Association's 2012 Hero Dog Awards.   https://michaelhingson.com https://www.facebook.com/michael.hingson.author.speaker/ https://twitter.com/mhingson https://www.youtube.com/user/mhingson https://www.linkedin.com/in/michaelhingson/   accessiBe Links https://accessibe.com/ https://www.youtube.com/c/accessiBe https://www.linkedin.com/company/accessibe/mycompany/   https://www.facebook.com/accessibe/       Thanks for listening!   Thanks so much for listening to our podcast! If you enjoyed this episode and think that others could benefit from listening, please share it using the social media buttons on this page. Do you have some feedback or questions about this episode? Leave a comment in the section below!   Subscribe to the podcast   If you would like to get automatic updates of new podcast episodes, you can subscribe to the podcast on Apple Podcasts or Stitcher. You can subscribe in your favorite podcast app. You can also support our podcast through our tip jar https://tips.pinecast.com/jar/unstoppable-mindset .   Leave us an Apple Podcasts review   Ratings and reviews from our listeners are extremely valuable to us and greatly appreciated. They help our podcast rank higher on Apple Podcasts, which exposes our show to more awesome listeners like you. If you have a minute, please leave an honest review on Apple Podcasts.       Transcription Notes:   Michael Hingson ** 00:00 Access Cast and accessiBe Initiative presents Unstoppable Mindset. The podcast where inclusion, diversity and the unexpected meet. Hi, I'm Michael Hingson, Chief Vision Officer for accessiBe and the author of the number one New York Times bestselling book, Thunder dog, the story of a blind man, his guide dog and the triumph of trust. Thanks for joining me on my podcast as we explore our own blinding fears of inclusion unacceptance and our resistance to change. We will discover the idea that no matter the situation, or the people we encounter, our own fears, and prejudices often are our strongest barriers to moving forward. The unstoppable mindset podcast is sponsored by accessiBe, that's a c c e s s i capital B e. Visit www.accessibe.com to learn how you can make your website accessible for persons with disabilities. And to help make the internet fully inclusive by the year 2025. Glad you dropped by we're happy to meet you and to have you here with us.   Michael Hingson ** 01:20 Well, hi everyone. I am your host, Mike hingson, and you are listening to unstoppable mindset podcast, unstoppable mindset where inclusion, diversity and the unexpected meet, and that's always so much fun. So we do some, we do sometimes talk about inclusion, and we do talk about diversity, and we talk about inclusion first, because diversity usually leaves out disabilities, but in this case, we we like inclusion because we won't let anyone leave out disabilities if they're going to talk about being inclusive. So there you go. But anyway, even more important than that is the unexpected, which is anything that doesn't have anything to do with diversity or inclusion, our guest today kind of has a little bit to do with all of that stuff. Susan Janzen is our guest. I'm assuming I'm pronouncing that right, perfectly, right? Yes, perfect. And Susan is up in Edmonton, Canada, and I met Susan a couple of weeks ago because both of us participated in the patapalooza program. Patapalooza, for those of you who may be listening to this on a regular basis, patapalooza is a program that happens four times a year where people come on who want to be podcasters, who are podcasters, or who want to be interviewed by podcasters. And we all kind of get together and we talk, and we listen to some lectures, and a bunch of us go off into breakout rooms and we get to chat with people. And when I was being scheduled, Susan was not one of the people who, in fact, got scheduled with me, but she came into the room and she said, I want to talk to you. And so there we are. And so Susan, welcome to unstoppable mindset where we can talk.   Susan Janzen ** 03:12 Well, so glad and so glad to be in a room with you here on my screen. This is great. Oh, it's fun.   Michael Hingson ** 03:18 My door is closed so my cat won't come in and bug me, because every so often she comes in and and what she wants is me to go pet her while she eats, but I'm not going to let her do that while the podcast is going on. So there you go. But anyway, it's good to be here, and I'm glad that you're here with us, and I understand that it's kind of nice and crisp and chilly where you are right now. No surprise, we are much more weak,   Susan Janzen ** 03:45 yeah, much warmer. There we had in Alberta. We're always in Edmonton, Alberta. We're called the sunny province because it's doesn't matter how cold it gets. We always have blue cumulus clouds and beautiful blue sky   Michael Hingson ** 04:00 and so. And today you have and today it's my cold.   Susan Janzen ** 04:04 It's, well, it's minus 10 with a skiff of snow. But you know what? Minus 10 here is? Actually, that's kind of my prerequisite for skiing, like, if it's minus 10 or warmer, I'm good, because I'm not a very good added skier. That's why   Michael Hingson ** 04:20 my brother in law used to ski on a regular basis. He in fact, used to take trips and take tours and and allow people to hire him as their tour guide to go over to France to do off peace school in the else. And he is also a cabinet maker and general contractor, and Gary's philosophy always is everything stops in the winter when there is an opportunity to ski. So   Susan Janzen ** 04:50 that would be a beautiful wouldn't that be there? Like the perfect job to probably be a golf pro in the summer in a ski tour? Third guide in the winter. Well,   Michael Hingson ** 05:01 he he was a, he was a contractor in the summer. Now he's doing more contracting all year round. He still skis, but he's not a certified mountain ski guide in France anymore. I think, I assume that kind of runs out after a while, but he hasn't really taken people on trips there for a while. But anyway, we're really glad you're here. I would love to start by maybe you telling us a little bit about the early Susan, growing up and all that well,   05:27 with the early Susan, that sounds great. Sure,   Susan Janzen ** 05:28 let's do   05:30 it that was a long,   Michael Hingson ** 05:32 long time ago in a galaxy far, far away. But let's do it anyway, exactly,   Susan Janzen ** 05:36 exactly. So way back in the day I was, I was actually my history is, is from I had a mother who was a singer, and she and I, I'm also professional singer, but she, she was my influence when I was younger, but when I was born, it was out those terminology at that time was called out of wedlock. Oh my gosh, you know, so bad. And so she was a single mom, and raised me as a very determined and and stubborn girl, and we had our traumas, like we went through a lot of things together, but we survived, and we're and we're, you know, all the things that I went through, I was on in foster care for a little while, and I kind of did a whole bunch of different things as a kid, and went on my own When I was 15. So I left home when I was 15, so I figured I'd be on my own. I figured I was mature enough to just go on my own, right like that made was made total sense and perfect sense to me at the time, and now I realize how young 15 is, but but finished high school and went to on the road and was a singer for like, over 25 years. That's better that. And, yeah. And so that's what I that was kind of like the childhood part of me. And that's, I think, what's putting me into all these play. I was in a convent for a while with   Michael Hingson ** 06:54 honey, and so you, you went off and you sang, you said, for 25 years, yes,   Susan Janzen ** 07:01 and I'm still singing. I'm still singing. That was Yeah.   Michael Hingson ** 07:06 And I was reading that you sing with a seven piece, 17 piece, Big Band orchestra. I do.   Susan Janzen ** 07:12 It's called a Trocadero orchestra. It's so it's the whole horn section, the the rhythm section. It's so much fun, I can't tell you, so I we do that. We don't gig a lot because a lot of people don't want to put out the money for an ATP spend. But we do rehearse a lot, and we do the big, big events in the city. It's really fun. What kind of music? So big bands, so 40s, yes, and so all the Oh, exactly. We can do the Latin stuff I sing that's in mucho the same mucho is one of my songs. And I do, you know, there's so many, like, so many really good songs, but they're older songs that kind of the Frank Sinatra kind of era songs, all the big band stuff. I've   Michael Hingson ** 07:56 always thought that Bing Crosby was a better singer than Frank Sinatra. That's gonna probably cause some controversy. But why that?   Susan Janzen ** 08:04 I wonder. But you know what big, big Crosby was a little bit before, and then Frank Sinatra was called the crooner, and I think it was because of his blue eyes and how he looked. I think he took on a different persona. I think that's why I think it was more the singer than more the singer than the music. Maybe you think, I don't know. I   Michael Hingson ** 08:25 haven't figured that out, because Bing Crosby was, was definitely in the 40s. Especially, was a more well known, and I think loved singer than Frank. But by the same token, Frank Sinatra outlive Bing Crosby. So, you know, who knows, but I like being Crosby, and I like his music, and I like some Frank Sinatra music as well. I mean, I'm not against Frank Sinatra, yeah. I think, personally, the best male singer of all time. Yes, still, Nat King Cole   Susan Janzen ** 09:00 Oh, and I do? I do the dot I do orange colored sky neck and Cole's daughter, yeah, this one on my brain. Her name Natalie Cole, exactly. Yeah. But Nat King Cole was a really good singer, so I do agree with you in that. And we do some that can cool stuff. I do a lot of Ella Fitzgerald too, as well.   Michael Hingson ** 09:24 Yeah. Well, I, I've always liked and just felt Nat King Cole was the best of now, female singers, probably, again, a lot of people would disagree, but I really think that Barbara Streisand is, oh, there is.   Susan Janzen ** 09:37 I love her. Yeah, yeah, I did. I actually, I did an album. In the 719, 78 I recorded an album, and the main song on there was evergreen by Barbra Streisand. I   Michael Hingson ** 09:48 love that tune. Yeah, I was. I just have always liked Barbara Streisand. One of my favorite albums is Barbara Streisand at the forum. She James Taylor. And I forget who the third person was. Did a fundraiser for George McGovern in 1972 and I just always thought that that was Barbara's Best Album.   Susan Janzen ** 10:10 Ah, so such a voice. I mean, she could see anything. Yeah. Beautiful voice, yeah, I agree. I agree. Well, we're on the same page, yeah.   Michael Hingson ** 10:19 Well, that's pretty cool. But so you, you grew up, you sang and and then what happened to you, or what did you do? What, what else occurred in your life that we should know about?   Susan Janzen ** 10:31 Oh, there's so many things. So then I, yeah, I know it's crazy. So I grew up, I think I still, I'm not quite there yet. I'm still growing. And then I when at 18, I got married, and I went on the road with a guitar player, and for 10 years, and then we had two kids. And then after five more years on the road, I actually got a divorce. And so I was six years as a single mom with two babies. The kids were, like, 11 months apart. They were really close. And so then that's when I did all my bigger gigs here in Edmonton, though, those are the like. I was hired as the first ever local Klondike Kate in Edmonton, Alberta. We have Klondike. We used to have Klondike games as our major summer fair, and it was a really big deal. It's kind of like the Calgary Stampede we had the Edmonton on Lake Bay, and so I was the representative of the city of Edmonton for two years. And I actually did it my first year. They made me audition for my second year. So I won it the second year. So I was the first ever two years in a row. And I represented the city all over North America. Actually, I sang, I met Muhammad Ali, I met some really great people, and I sang with Baba patola, did some commercials with him, went down to Vegas and played one of his stages. So I did a lot of really fun things in those two years, and convert a lot of commercials and a lot of telethons. So that was really fun. And then, and then, when that was over, that's when I got remarried to a wonderful man, and he was at University of Alberta, and he was a professor in psychology, education, psychology and so and I'm happy to say that we're just celebrated last week our 36th wedding anniversary. That's how old I am. Michael, congratulations.   Michael Hingson ** 12:18 Well, my wife, my wife and I were married for 40 years, and she passed in November of 2022, so, oh, so I I know what it's like to be married for a long time. I loved it. Love it. Still wonderful memories. It's unfortunate that all too many people don't ever get to have the joy of being married for such a long time. Yes,   Susan Janzen ** 12:43 and happily married, right? Like happily married? Yeah, that's the cavid.   Michael Hingson ** 12:50 Yeah. It's important to to acknowledge the happiness part of it. And I've got 40 years of memories that will never go away, which is great.   Susan Janzen ** 12:58 Nobody can take that away from you, that is for sure. They can't take that away from me. Don't take that away from me. That's   Michael Hingson ** 13:06 right, exactly. So that's that's pretty cool. So you do a lot of rehearsing and a lot of singing. What else do you do in the world today? So also   Susan Janzen ** 13:15 in the world today, I am, and I have been since 2003 I'm a residential real estate expert, so I'm a realtor, and I deal specifically with accessible and barrier free homes. So that's kind of my I was a special ed teacher. Actually, I should squeeze that in there for six years I was, I got my degree in education and with a special ed teacher in secondary ed. So all my kids were junior and senior high. And then when I came out of that, I took up the after I was teaching. I took real estate license, and I got it and I I just felt like I understood anybody with mobility challenges and with any other challenges. And so I took that extra time that is needed and necessary to to help them find homes and to sell.   Susan Janzen ** 14:02 What got you started down that road   Susan Janzen ** 14:05 at the time, I was teaching for six years, and when in Edmonton, I don't know why it was just here. So I was 2003 when I quit. So I had been teaching from the late 1990s and it was like I was subbing, but I was not getting a full time position in that and my Evanston public school board said your your file is glowing. We just don't have any spots for you. So I think it was a government funding issue. And so I ended up just thinking, I don't want to sub forever. I want to get my own classroom, and I want to have my own and I would, I would teach for six months at a time in a school. So it wasn't like I was jumping around crazy but, but I want, really wanted my own classroom. And so when that wasn't happening after six years, I thought I'm going to write the real estate license exam, and if I pass it the first time, that was my Gage, because no, they say the word was that you don't pass it the first time. Everyone has to write it to a. Three times before they pass my rule. For my own ruler for me was to say, if I take the exam, pass it the first time, I will make that move. And that's what happened so and then I just took up with accessible, barrier free homes and that specialty. So   Michael Hingson ** 15:17 was there any specific motivation that caused you to really deal with accessibility and accessible homes and so on.   Susan Janzen ** 15:25 Yes, and at the time, and just actually, my mom had been in a walker and on oxygen. I had quite a few friends who had mobility issues. And then just shortly after that, when I was a realtor already, and my daughter had a baby, and her baby at eight weeks old had a near SIDS incident. So she was eight weeks old, and Candace went to do the dishes one night at nine o'clock at night, and came back and calea is her daughter's name, and she was like blue in the crib. She was she had to be revived. So that was terrifying for all of us, and so it was wonderful news that she did survive, but she had occipital and parietal damage, so she has cortical vision impairment and also cerebral palsy, but she's she's thriving and loving it, and so that actually kind of Got me even doing more accessible homes, because now I'm a grand ambassador, and what's that called when you get out on the street and yell at people for parking in handicap stalls? What is that smart person? A smart person, and I was just passionate about that. I wanted to fix things and to try to make things easier for people as they should be, without having to ask in the first place. So yeah, so that's kind of the other reason I stuck to the that that area in real estate, and I just had the patience for it. I had the knowledge and the understanding and I and I really it was just easy for me because I did. I think it was because the passion I had for that area, and I just love doing it and helping other people   Michael Hingson ** 17:05 well. So how old is your granddaughter now? Now she is 12. Okay, she's 12. Now, does she walk, or does she use a wheelchair?   Susan Janzen ** 17:13 She uses, um, well, because she is as tall as me now, oh, she's using more a wheelchair more often, okay? She She walks with a walker. She can't walk on her own at all, and I think it's because of the vision, right? She if she could, you know, yeah, if she could see, she sees light. It's amazing how that how the brain works. She sees lights, and she sees color. And I can put up any color to her, and she'll identify it right every time, every time, but she doesn't see me. She doesn't see my face. Well, tell   Michael Hingson ** 17:45 me a little bit more about cortical vision. You. You and I talked about that a little bit. So Lacher, yeah, explain that to people. It's   Susan Janzen ** 17:52 really interesting because it's something that it's not readily out there, like you don't hear about it a lot. And even as a special ed teacher, I can tell you that I was trained in all of the different areas of special needs, but that did not come up for me, so this was new when I found out about it, and it just means that her eyes are fine. There's nothing wrong with her eyes, but her she's not processing so the information is coming through her eyes, but she's not processing that information. But she, like I said, if I turn out the light, she'll go, oh, the lights are off. Or if I put the lights on, she'll look up and be surprised at it. She you can tell that she knows. And then I used to put her on my counter in the kitchen, and I had these LED lights underneath my counter, my kitchen counter, and it had all these, these 12 different colors of light, and so I would put the blue on, I'd say, calea, what color is that? And she'd go blue, and I'd say, What color is that, and she'd go red. So it would be variable colors that I'd offer up to her, and she wouldn't get them right every single time. So that's the cortical vision impairment, and where they if she needs to pick up something off of a dresser, off the floor, for instance, it has to be on like a black background, and then she can see it, no problem. But if you have a whole bunch of things on the ground or on the table and ask her to pick up something, that's too much information for her, so she can't just zero in on that one area, right? So it's harder for her. So you just have to make things more accessible, so that she can see things you know, in her way.   Michael Hingson ** 19:25 But this is a different thing than, say, dyslexia, which is also you can see with your eyes, but your brain is in processing the characters and allowing you to necessarily truly read it exactly. And   Susan Janzen ** 19:38 that's that different part of the brain, where it's analyzing the the at least you can you can see it, but you process it differently. That's exactly right where she can't see. So then that's why I was thinking, if she could see better, I think she would be walking, maybe with a cane or with a walker, better. But right now, in that. Stage, we can point her in the right direction and tell her to go, and she'll go, but she's not sure where she is.   Michael Hingson ** 20:08 But that clearly wasn't the start of you doing real estate sales, dealing with accessible homes, but it must have certainly been a powerful motivator to continue with exactly   Susan Janzen ** 20:20 that, exactly that, because my mom was on oxygen, and she had, she had a lot of issues, mobility challenges. And I had a lot of friends who who were also like in that older age group that had mobility challenges. And those are the people that that were, may say, moving from a two story to a bungalow because they couldn't make manage the stairs anymore.   Michael Hingson ** 20:41 So how do we get people like the Property Brothers? Do you ever watch them and you know who they are? Oh yes, oh yes. We get them to do more to deal with building accessibility into the homes that they built. Because the the issue is that we have an aging population in our world. And it just seems like it would be so smart if they built accessibility and rights from the outset in everything that they do, because the odds are somebody's going to need it   Susan Janzen ** 21:11 exactly. And that's the for the forward thinking, right? You know? And it's interesting that some people, some builders, have told me that just to make a door frame three inches wider does not cost you any more money. But the point, the point is just that it's getting all the contractors on board to to come out of the way that they've been doing it for so long. You know, sadly,   Michael Hingson ** 21:38 yeah, my wife was in a chair her whole life, she was a teacher, paraplegic. Oh, so you know, I know about all this really well. And in fact, when we built this house, we we built it because we knew that to buy a home and then modify it would cost a bunch of money, one to $200,000 and in reality, when we built this house, there was no additional cost to make it accessible, because, as you point out, making doors wider, lowering counters, having ramps instead of stairs, all are things that don't cost more If you design it in right from the outset, exactly,   Susan Janzen ** 22:24 exactly, and that's that's the problem. Yeah, that's the problem. I mean, that's exactly the problem.   Michael Hingson ** 22:29 Yeah. Now we built our home in New Jersey when we moved back there, and we did have a little bit of an incremental extra cost, because all the homes in the development where we found property were two story homes, so we did have to put in an elevator, so it's about another $15,000 but beyond that, there were no additional costs, and I was amazed that appraisers wouldn't consider the elevator to be an advantage and an extra thing that made The home more valuable. But when we did sell our home in New Jersey, in fact, the elevator was a big deal because the people who bought it were short. I mean, like 5253, husband and wife, and I think it was her mother lived with them, and we put the laundry room up on the second floor where the bedrooms were, and so the elevator and all that were just really wonderful things for everyone, which worked out really well.   Susan Janzen ** 23:30 Oh, that's perfect. And that's, that's kind of what I do here in evident that I try to match the people who are selling homes that have been retrofitted and made more, you know, accessible. I try to put out the word that this is available, and I try to get the people in who need that. I feel like a matchmaker, a house matchmaker, when it comes to that, because you don't want to waste that like some people, actually, they'll some people who don't understand the situation have chairless For instance, they they're selling their house, and they rip out the chair. Then it's like, well, call me first, because I want to find you somebody who needs that, and that's exactly what they're looking for. Okay, so that's kind of where, how I I operate on my my job   Michael Hingson ** 24:15 well, and I will tell you from personal experience, after September 11 for the first week, having walked down 1400 63 stairs and was stiff as a board for a week, I used the elevator more than Karen did. Oh,   Susan Janzen ** 24:28 at that, but you survived that. And that was, that's amazing, but it   Michael Hingson ** 24:35 was, yeah, you know, you have to do what you gotta do. I think that there's been a lot more awareness, and I I've been back to the World Trade Center since, but I didn't really ask, and I should have, I know that they have done other things to make it possible to evacuate people in chairs, because there were a couple of people, like, there was a quadriplegic. Um. Who I believe is a distant cousin, although I never knew him, but he wasn't able to get out, and somebody stayed with him, and they both perished. But I think that they have done more in buildings like the World Trade Center to address the issue of getting people out.   Susan Janzen ** 25:17 It's just too bad that we have to wait for that, things, terrible things like that to happen to crazy awareness. That's the only bad thing. What? It's not like, it's not like we're not yelling on the streets. It's not like we're not saying things. It's just that people aren't listening. And I think it depends on if you're to a point where you are actually in a wheelchair yourself, or you have a child who's in a wheelchair now, now they understand, well,   Michael Hingson ** 25:43 yes, it is getting better. There's still a lot of issues. Organizations like Uber still really won't force enforce as they should. All the rules and regulations that mandate that service dogs ought to be able to go with Uber passengers who have a need to have a service dog, and so there, there's still a lot of educational issues that that have to occur, and over time will but I think that part of the issue was that when 2001 occurred, it was the right time that then people started to think about, oh, we've gotta really deal with this issue. It is an educational issue more than anything else. That's true. That's   Susan Janzen ** 26:26 true. There's a fellow here in Edmonton that, and I'm sure it's elsewhere too, but one particular fellow that I know, and he builds, they're called Garden suites. Like in Edmonton, we're kind of getting so much the population here is standing so quickly that the city is allowing zoning for they're called Garden suites, so they're just but he goes in and puts in like a two story behind the home, and it's 100% accessible, barrier free, and no basement. And so we're encouraging people to buy those homes, and they don't cost as much because they're quite a bit smaller. They're only two bedroom but they have everything that anybody would need if they had mobility challenges. And so it's it's perfect for either people who have a son or a daughter who is getting close to being an adult and they want their more a little more freedom and independence. They could use that suite at the back. Or I know some adults in particular who are have mobility challenges, and they just physically move to that new place in the backyard and rent out their home right to make home revenue.   Michael Hingson ** 27:31 Since it's two stories, what do they do to make it accessible? They   Susan Janzen ** 27:34 have, they have an elevator. It's a zero entry, and it's 100% everything in it is specifically so you move in, walk, go right in, and it's, it's accessible. That's how he does it, right from scratch. Cool, super cool. And so we're trying to, I'm trying to promote that here, out here, because I, I know the fellow who builds them, and it makes sense. I mean, even if you want to have a revenue property, right? And you want to build that in your backyard and then rent it out to somebody who needs that, then that'd be perfect.   Michael Hingson ** 28:06 It makes, makes a lot of sense to do that. It does. Mm, hmm. Well, do you think that all of the knowledge that you gained in special education and so on has helped you a great deal in this new, more, newer career of doing real estate sales.   Susan Janzen ** 28:25 Oh, 100% because it's just an understanding. It's just having the compassion and understanding what not, because I haven't experienced it myself, but I do understand what they may be going through. It's just an enlightening for me, and I I just appreciate what they're going through, and I am, you know, I want to make it easier for them, you know, to make any decisions that they have to make. And I try. I don't like, I don't waste their time like, I make sure I go preview the homes first, make sure that it's something and I FaceTime them first to say, is this something you want to even come out to? So I don't want them to be wasting their time or their energy just trying to get to a place that's not accessible,   Michael Hingson ** 29:05 right? Mm, hmm. We moved from New Jersey to Novato California, which is in the North Bay, which is now being just bombarded by rain, but Northern California in 2002 and when we started looking for homes, we tried to find a place where we could build, but there was just no place up there where there was land to build a home. So we knew we had to buy a home and modify it. And one day, we went with a realtor, and he took us to a house, and it was clearly a house that wasn't going to work. The this there were, there was no room to put in a ramp, there were lots of steps, and we pointed out all the reasons that it wouldn't work. And then he took us to another home that was really like the first one. We went to four different homes and. We kept saying, this won't work, and here's why, and it was like a broken record, because it was all the same. I'm so sorry. Yeah, you know, I realized that not everyone has the opportunity to really understand and learn about wheelchair access and so on. But people should focus more on on doing it. It wasn't like I needed a lot for the house to be usable by me as a blind person, but, but Karen certainly did. And what we eventually found another realtor took us to a place, and what was really interesting is we described what we wanted before we started looking at homes with Mary Kay, and she said, I have the perfect home. You'll have to modify it, but I have the perfect home. And of course, after our experiences with the other realtors, we were a little bit pessimistic about it, but she took us to a home, and there was a step up into it, but that's easy to modify. Then you go through an entryway, and then you can go left into the kitchen or right, and if you went right, you ended up in a little Nexus where there were three bedrooms, oh, and it wasn't even a hallway. There were just three bedrooms. And so it was, it was perfect. We still had to make significant modifications, but it really was a home that was modifiable by any standard, and we, we bought it. It was perfect   Susan Janzen ** 31:44 for what we needed. I'm so glad I love that's a good start. That's a good story here. Yeah,   Michael Hingson ** 31:50 she, she got it and and it's so important. And I think Realtors need to be aware of the fact that we deal with a very diverse population, and it's important to really understand all of the various kinds of people that you might have to deal with, but we just don't always see that. Needless to say,   Susan Janzen ** 32:08 that's true. Unfortunately, that's so true. Yeah.   Michael Hingson ** 32:14 So do you how? How much time do you spend doing real estate? Is that a full time job for you.   Susan Janzen ** 32:20 Well, it always has been. I've been full time, full service, so I'm on call, really is kind of what it boils down to. But I've also pursued, in the last since COVID, I've pursued coaching courses because that's something I'd like to get into. And so now I'm a certified Jay Shetty resilience and confidence coach, and so I'm kind of leading, I think, as I age and as I, you know, getting tired of I've been a realtor 21 years now, so I would like to eventually slow down in that area and focus more on coaching people. That's kind of where I'm leaning now a little bit, but I'm still full time up there. And singer   Michael Hingson ** 33:02 and singer and your coach, yeah. So do you ever see your coaching customers? Just check, no no   Susan Janzen ** 33:10 checking. I send them the recording. I'll send them my CD. You can go and get you could get two of my CDs on iTunes, so I'll send them there, or else tell them one of my geeks.   Michael Hingson ** 33:20 Oh, cool. Well, I'll have to go look you up on iTunes. I have, yes, oh, it   Susan Janzen ** 33:25 is a Christmas there's a Christmas one there. I think you'd like that. Michael, is it really cool?   Michael Hingson ** 33:29 And I have Amazon unlimited music. I wonder if. I'll bet there too. You   Susan Janzen ** 33:33 just take in. Susan Jansen, and I come up. I have the greatest love of all is my one, and the other one's called the gift for you, and that's my Christmas split. Oh,   Michael Hingson ** 33:41 cool, yeah. Well, we will. We will check them out, by all means. Well, so when do you rehearse? When do you when do you do singing?   Susan Janzen ** 33:52 Well, the big band rehearses every Saturday. So we, we all get together and we do. So it's, I just, you know, I love the rehearsals, like it's so much fun for me. So that's what we do with my other singing. I still get I still get hired, especially during the summer festival time, I get hired to come back and we call it throwback Klondike dates. And I have one costume of all my costumes that were made for me this you can imagine my costumes is called that Kate were like, a lot of sequins, full dresses with the big furry bottoms and then the feathery hats. So I used to wear those. So I still have one costume that still fits me, and so I use that every summer, and I go out, and I'm asked to do different functions during the summer, and then during all throughout the year, I do parties, you know, like, what if somebody hires me to do a birthday or some special celebration? I still do that. Okay, so   Michael Hingson ** 34:47 how often does the big band actually go out and perform and earn some money? Or does that happen much at all? Not that much because of   Susan Janzen ** 34:54 the size of us, right? Yeah. So, you know, we've done, you know, like the 100th anniversary of Arthur. Is a dance floor. And so we did their 100th anniversary celebration. And can you imagine, like the dance floor was just, it was like I was watching my own show from from the stage, because they we did all the Latin tunes, and they came out and danced the Sava and the rambas and the tangos and everything. It was beautiful. So I got to so that was a really fun gig for us, and then, and so we do other big and larger functions, like in ballroom. So you can imagine a conference, perhaps that's having a big celebration will be the ballroom entertainment. Well,   Michael Hingson ** 35:32 you know, you're in Canada. Can't you get Michael Buble to hire you guys? Ooh,   Susan Janzen ** 35:35 wouldn't that be nice? He's got his own man. He's   Michael Hingson ** 35:39 got, yeah, he does. I know these old charts and yeah, but he occasionally brings to the choir. I know that we, we went to see him well. Karen passed in November of 2022 we actually went to see him in Las Vegas in May of 2022 that was the last concert that we got to do together. And we ended up being relocated from up in the balcony in what Henry, what Harry Belafonte, would call the scholarship section. We We got moved down to the orchestra pit, and we were like in row 18, even two rows in front of Michael's family, but we ended up being there for the concert. It was wonderful. Oh, and he walked out and shook hands with everyone while he was singing, and all that was a lot of fun. But, yeah, he does have his own band, but music's great,   Susan Janzen ** 36:36 so good, and he does that so well. Like my favorite show is the voice. And so he's a judge on there too, and I really appreciate input. And he comes off very Canadian. I think he's this is very friendly and very silly and fun and and just really caring too. So I think he represents us well on the voice.   Michael Hingson ** 36:56 He does not take himself too seriously, which is so important, I think for so many people, so true. He does so well with that. So true. Well, so we mentioned pada Palooza, and you have a podcast. Well also, and you, you've written a book, right?   Susan Janzen ** 37:14 Yes. So I've co authored a few books, and then, plus my husband and I Well, my husband actually is a psychologist. He wrote the book, I typed it, and then he gave me credit, because I kept putting in my own stories and and he would, he was kind enough to put my name on the cover. So and we wrote a book called living and loving each day. And that's how, why I made my podcast that same name, and, and, but when we wrote it, the full title is living and loving each day success in a blended family. Because at that time when we got married, I had the two children, and they were just under you know, they were nine and 10 years old, eight and nine years old, and his boys, he had three boys that were older, like teenagers, and so and his wife passed away from cancer. So we all got together. And I mean blended families, that's a whole nother world, you know, if you're not used to that, that's something else. And, and then it turned out that his oldest son was diagnosed schizophrenic, so that was something that we dealt with together as a family. And, and, and then yeah we so we just felt like this was our life, and we wanted to share that. But that's like combining two separate families together, and how that works, and the dynamics of that. So he wrote some great, great stuff about how to deal with in laws, X laws and outlaws. He called them Yeah, and how to deal with every family celebration, Christmas and Easter, everything you know, like, there's so many things that come up even think about until you're in that situation, like, how do you do it? Right?   Michael Hingson ** 38:52 But it's so great that you two made the choice to do it and to blend the families and not give up on each other, or any of the people in the family, exactly,   Susan Janzen ** 39:04 and that's in that's huge for me. And I can share a little story with you. Feel like the view is okay. So this is kind of cool. So this so when I was singing, and I was just at the end of my second year as Klondike Kate, and I was doing a lot of gigs, like a lot of singing and and I was just kind of cut, you know how they like you're, you see on the calendar that they're you're tuning down here. The end of the year is coming. The end of the gigs are coming, and you're not in that role anymore because they chose a new Klondike. And so those six years that I was a single mom, my husband now had his own radio show, and it was called that's living and there was a show out of Edmonton, and it actually won Canadian awards for this was a talk show during the day for one and a half hours, and it had two psychologists, and the psychiatrists were the hosts. And so on the Tuesdays and Thursdays with Dr Jan, that was my husband and I used. To listen every day because I had, I was a single mom. I really didn't have a lot of support, and I worked every night singing so and I had my kids all day. So it was just like my favorite show to listen to. And when I remember listening to and I heard this Dr Johnson's voice, I always thought he had, like, long white hair, long white beard, so he was just so calm and so compassionate and so smart that he was just such a I never knew what he looked like, but that's what I pictured him looking like. And then it turned out that right at the end of my my singing, I remember listening one day, and he was on the air, and he I was going to my agents I was driving down Main Street in Edmonton, and I remember going to my agent's office to see what was next for me, like, what's next? What next gig do I have? And I remember he came on the air that day, and he said, You know what, folks, I have to let you know that his he said, My wife passed away. And he said, My boys and I've been grieving since the day we found out six months ago. But I need to be here to be of service to you, and I need to be on the air to help you today. And hope you don't mind. I hope you understand, you know he was, you know, and it was, it was so emotional, and like I was sitting in my van, like crying, thinking, because I'd been listening to him all those years, and I just felt so sad for him. And then I kind of, I'm a God fearing woman, and I said, Lord, why can't I meet a man like that that needs me as much as I need him. That was my outside prayer. And you know what? It wasn't even a week and a half later, I get a call from that station, CTC, saying, hey, Sue, can you do a Christmas Bureau fundraiser for us? He said, There's no pay involved, but you can be MC and and, you know, help us. You know, raise money for the Christmas funeral. And so I was happy to do that. And so that's how, how I met my husband was when at that particular function. So that was kind of my, you know, and like, just an answer to prayer and something that I really, you know, it was interesting how, how that all happens when you are very specific and, and so that's how we met. And, yeah, so we've been together ever since 36 years now. Well,   Michael Hingson ** 42:06 as I tell people, you know, Karen passed away two years ago, and I don't move on from Karen, but I move forward exactly because I think if I I've always interpreted Moving on is you go on and you forget, and I don't, and I don't want to forget, so I move forward Exactly. And besides that, I know that if I misbehave, I'm going to hear about it, so I gotta be a good kid, or she's going to get me one way or another. Yeah, that's right. And so, you know, as I, as I said to somebody yesterday, I don't even chase girls, so you know, it works out very well, but you know, the the the issue is that those 40 years of memories are always going to be there, and there's so much to learn from that. And again, it's all about choice. This is so important well, so tell us more about the podcast on how long have you been doing it? How did that start? And and so on,   Susan Janzen ** 43:03 right? So I was actually my daughter has this a nonprofit where she was she works with other parents who have children with adaptive needs, and so she asked if I would interview her parents just to find out about parents stories and you. I'm sure you understand where you want to just tell your story, what happened without having to explain. And, you know, I don't know, just give all the, you know, the background to everything. They just wanted to share this story and to be heard on with no judgment and with compassion. So I said, No, I can do that. I can interview them, and I want to hear their stories. And they need, I think they need to share them those stories too, for whatever happened, you know, with whatever incident happened with their children. So, so I said to my daughter, I sure I'll do a podcast for them, you know, and just interview them. And then I only did it through zoom and not knowing anything about how to do that, I've been MC for fundraisers, but I don't know how to do a podcast. So I did that the best I could, using Zoom. And then I when I was done it, I liked it so much, I thought, well, I better figure out how to do this, like the right way, right? So I actually did take a course. And there was a lady out of Toronto that was giving a course called cash in on camera. And so she talked about how to set up restream, how to set up air table, how to do your mic, your lighting, and all of the things that you need to consider. And so I took that course. And so then I interviewed a few more people and a few experts for her, for her. So that's kind of how I got started, with just focusing specifically on on my daughter's audience. So those parents.   Susan Janzen ** 44:40 And how long ago was that?   Susan Janzen ** 44:41 That was, what, two years ago now total, because I've been doing my podcast now for just over a year.   Susan Janzen ** 44:48 And do you how many episodes a week? Do you do one?   Susan Janzen ** 44:51 I do one, but I, you know what? I've got 140 that I've done. And I'm thinking, I've got quite. If you in the books, you know how that works. Where you report I'm you, Michael, give me advice on this. So I have three recorded that are waiting for me, but plus I have 14 others that are on my book to interview like I'm getting a lot of interest and people who want to be on my podcast, which is wonderful, but then I got, now gotta figure out how to do that, or how to actually, you know, organize it. How often should I be putting out podcasts? Like every three days now, like otherwise, we're going to be going into middle of 2025 I don't know.   Michael Hingson ** 45:33 I started for accessibe, doing unstoppable mindset in August of 2021 when I started using LinkedIn seriously to look for podcast guests in 2022 and I use sales navigators, so we profile authors or coaches or whatever, and we'll send out emails saying, I saw your profile. It looks like you'd be an interesting guest. Would you love to explore coming on unstoppable mindset, what we do is then we, when they're willing, we schedule a meeting and we we talk about it, and if they want to come on, which usually they do, then we actually schedule the time, and I ask them to send me some information, as you know, like a series of questions that they want to talk about, a bio, other things like that, but we got a pretty significant backlog. And I've learned that a lot of people with very successful podcasts do have backlogs. Oh, good. There's nothing wrong with that. Okay, good. It's better to have them. You can always add an extra podcast if you want to play more, but we do two a week now, and just today, we published episode 286, wow. Since August of 2021, and so it's a lot of fun. I enjoy it, and I get to meet so many people. And as I tell people, if I'm not learning at least as much as anyone who listens to the podcast, I'm not doing my job well. I agree, quite invested in it. I think it's so important to be able to do that. So the bottom line is that we do get a lot of interesting people. I talked to someone just the other day who is very much involved in energy and healing and so on. Well, she also was a singer in Australia, had a very serious auto accident, and kind of went away from seeing for a while, and then she realized she started doing a lot of creating, of affirmations, but then she put the affirmations to music, and she points out that, you know, the lyrics are in the left side of the brain, but the music's in the right side, and they actually work together, and so by having them in a musical form, you you're more likely to really be able to internalize them. So she even sang one for us on the earth, a lot of fun, but, but the bottom line is that, you know, it's she also does her own podcast, which is kind of fun, but there is so much to learn from so many different people. I've had so much fun doing it, and I enjoy very much the opportunities to learn. Yeah,   Susan Janzen ** 48:29 no, I'm right there with you, and I think that's why I just keep going, because it's fascinating. And then, and it seems like the right different people come into my, my, you know, my area, just to ask if they can be on it. And it's, it always works out really well, like it's always something that else that I've just kind of broadens it a little bit, but I, I'm trying to be more focused this night, last two months now, in that, you know, in conjunction with my daughter and just doing the parents with accessible, you know, needs, or kids with adaptive needs. And also, some adults are coming to me now too, saying they've in their 30s and 40s, they were in psycho with ADHD, and so they're that diverse, neuro, diverse group. So, I mean, who knows where that will take me, right? I'm open to it   Michael Hingson ** 49:18 well, and that's what makes it so much fun. You never know where the journey is going to take you, or if you do, and you're all embracing it, so much the better. But if you don't know what's an adventure, and that's good too, that's   49:28 great. No, I agree with you, yeah. So I love how   Michael Hingson ** 49:31 many, how many pot of Palooza events have you been to? That   Susan Janzen ** 49:34 was my first one. I know I did not have a clue what to expect. I put you down as my potential guest, though, but I don't know how it didn't come up forward. So I'm glad we're doing this now, but I I really enjoyed it. I love the people, and you could tell we were all in the same room with the same visions and the same, you know, compassionate areas that we're working in. So. I was really grateful for a lot of the people I met, great people. Well   Michael Hingson ** 50:03 now you and I also have an event time scheduled next Tuesday. Do we good? Yeah, are you? Well, you scheduled it in my Zoom. But if you, if you, when you go look at your calendar, you'll see, I think what you did was you scheduled it, forgetting this was supposed to be a 60 minute interview conversation. But if you send me a link, this is live radio sports fans. If you send me a link, then I will come to yours next time, next Tuesday, at the time that we're supposed to meet, rather than you coming into the Zoom Room, where we are, or I can make you a co host, and you can record it your choice.   Susan Janzen ** 50:45 Oh, what? Hey, yes, let's do it. Okay,   Michael Hingson ** 50:49 I'll just, we'll, we'll get together, and I'll make you a host or a co host, that'd be perfect.   Susan Janzen ** 50:54 And then you can record it that'd be great. Or, I have three streams, so I can send you the link for that you   Michael Hingson ** 51:01 choose, but long as it's accessible to screen readers, I'm happy. And,   Susan Janzen ** 51:09 yeah, thank you for that, Michael, I did. We'll do that. You got it good. We're booked. Yeah, we are   Michael Hingson ** 51:16 already booked. So it's next Tuesday, so that'll be good. That'll be great, but it's a lot of fun.   Susan Janzen ** 51:23 Yeah, really it's it's nice to get to know people. It's really nice to know other people's journeys. And especially, what I find most fascinating is all over the world, like we're meeting people that we would have never met. Yeah, you know before. So I'm glad. I really   Michael Hingson ** 51:36 appreciate that I've met a number of people from Australia. We interviewed? Well, we had a conversation with somebody from Uganda, number of people in England and people throughout the United States. So it's a lot of fun.   Susan Janzen ** 51:49 It really is, yeah, so we're blessed that that's great. It's a   Michael Hingson ** 51:53 wonderful blessing. I mean, doing this is so enjoyable. I used to do radio in college, and so this the neat thing about doing a podcast, at least the way I do it, is you're not absolutely governed by time, so you don't have to end at four o'clock and and it's so much more fun than radio, because you are the one that's really in control of what you do. So it's it's a lot of fun, but I very much enjoy doing the podcast, right?   Susan Janzen ** 52:23 You're right is that if they start having to go to worship break and not have to take the time and stopping and starting, that is really,   Michael Hingson ** 52:30 oh, that people seem to like it. They they keep emailing me and saying they like it. And I, I'm hoping that they continue to do that. As long as people are happy with me doing it, I'm going to do it. And you know, as I tell everyone, if you know anyone who ought to be a guest on unstoppable mindset, want to hear from you and provide us with an introduction, because it is part of what we do. And so, so much fun,   Susan Janzen ** 52:53 so much fun. So tell me why you Why did you choose that name unstoppable mindset?   Michael Hingson ** 52:59 You know, I was looking for a name. And I've heard some people kind of talking about unstoppable in their lives in some way, but I also thought that we really needed to define what unstoppable meant. And so I just thought about it for a while, and it just really kind of clicked. And I said, Okay, God, that must be what you want me to do. So we're going to have unstoppable mindset. We're inclusion, diversity in the unexpected beat. Love it and it's and it is stuck. And every title for people starts with unstoppable. So you'll be unstoppable something or other. I gotta think about the title, unless you've got some bright idea.   Susan Janzen ** 53:48 Oh yeah, you have to let me know.   Michael Hingson ** 53:51 Well, I'm trying to use something like unstoppable. Woman of many talents. But you know,   Susan Janzen ** 53:56 yeah, I don't have just 111, little lane. I love learning about everything, and I love open and grateful for every opportunity. So that's probably my problem. Yeah, that's our problem. That's not really a problem, but I know it's not,   Michael Hingson ** 54:11 and it's so much fun. So what are your goals for the podcast? How do you hope it will make a difference in the world?   Susan Janzen ** 54:21 I think my, my biggest thing is to say, you know, I've been through, I think it's showing people that they're not alone, that there are people out there who do understand, and there are people there that really do care about them, and that we want to provide information and services, and we want to hear their story. We want them to just know. I think a lot of people feel when they're in situations that are not whatever normal is, whatever that is even mean that they're just they're in isolation, and they're there's nobody that cares and that they don't matter. And I think my biggest thing in my coaching and in my podcast. Have to just say, You know what, we're here, and we really want to understand, if we don't understand, explain it to us. So we do, and that you're not alone in this, and we we're here to help, you know, to collaborate and to help each other.   Michael Hingson ** 55:11 Yeah, well, tell us a little bit more about the whole coaching program, what's what's happening now, what your goals are for that, and and how you're finding people and so on,   Susan Janzen ** 55:22 right? So the coaching my specific areas are confidence and resilience is my is my title, like confidence and resilience coach and I, and I'm going based on my past and the resilience that I've overcome so many different things. So I've got kind of a long list of things every time. So you talk to say, yeah, no, I that's happened to me, but, and just to, just to encourage people to come into either one on one coaching, or I'm going to have group coaching. And on my website, I also want to have drivers where we we create more value, so that if they're a member, then they can get more podcasts that are more about the how tos, like exactly, specifically areas that they might be interested in. And I also want to create a group where we can have, like a one day a week, coffee time, coffee chat, so we can get people together who are in the same boat, especially those parents with children with a breath of me, and just a place where they can just, kind of no agenda, just to chat and and I also would love to have, like a retreat by the end of the year. Let's all gather, and let's just have a day, you know, together, where we can enjoy each other's company. So that's kind of what I'd like to build with my, with my, with my coaching packages, and then also one on one, of course, as well. And that's, yeah, I would like to have a community, like, build a community. So   Michael Hingson ** 56:51 do you do any of your coaching virtually, or is it all in person? Well,   Susan Janzen ** 56:55 right now it's virtual, like, the one coaching I've done so far and but I'm open to either, like, I'm happy to meet people I don't have an office. Um, is that interesting? How, if you would have asked me that question before COVID, bc I would have just had an office somewhere, and where now it's, like, virtual just is so convenient. Yeah? Meeting full and just all the driving I've eliminated, it's been amazing. So, yeah, I would be open to eat it. You know,   Susan Janzen ** 57:27 how far away have you had clients from?   Susan Janzen ** 57:31 Basically, the ones I've had are the ones that I've had up till now. Really, interestingly enough, are local. They're more local people so we could have met for coffee. Yeah,   Michael Hingson ** 57:43 and still might, and we still, I'm   Susan Janzen ** 57:47 sure we will. I'm sure we will, because I keep in touch with them, and they're doing great, but interesting, isn't that interesting? It's a really good question, though, because I'm curious to see you know how far you know, the word will get out to come and join me, you know, in the coaching program, yeah, that'd be human.   Michael Hingson ** 58:08 Well, it sounds like a lot of fun. It sounds like fun, yeah, so why do you still continue to sing? Oh, I   Susan Janzen ** 58:15 can't stop I can't shut up. I just think it's like, even it, yeah, it's too hard for me to stop. It's my joy. That's where I find my you know, even as a kid, going through all the tough times I went through, that was my my joy. It was my vice happy place. So I just   Michael Hingson ** 58:32 so do you think that that singing helps others with confidence and resilience?   Susan Janzen ** 58:36 I um, I think, I think the the techniques that are used in singing, a lot of them are used in podcasting or speaking. A lot of them, we are speakers, for instance. And then they have, they worry about confidence on camera specifically, and when that where light comes on, or when the light comes on, and they just don't know how they're looking or how people are seeing them, those kind of areas, those are the things that I kind of tackle when I talk, talk to them and just explain it as a like, I sang the national anthem for a Stanley Cup playoff game. That's scary, like, that's that's really scary. So I mean, I know I've been there, and I know what that feels like, and I know how your body feels, and I know the importance of breathing, and I think one of the biggest things is just getting people to, just to take deep breaths. You know, when   Michael Hingson ** 59:28 you're when you relax and you lean into it, which I'm sure you do because you're used to it. That gives you a confidence that you can then project onto other people 100% Yeah, exactly. You talked about the red light on the camera coming on. It reminds me of one of my favorite stories. Yeah, right after September 11, I was interviewed on Larry King Live on scene. Oh, wow, wow. We actually had five different interviews, and when the second one occurred, mm. Uh, the the the producer, the director, came into the studio where I was and Larry was still out in California, and I was doing it from CNN in New York. And you know, when they, when they do their shows, everything is like, from sort of the chest up. It's mainly dealing with your face and so on. So for Roselle, excuse me, for Roselle to be able to be my guide dog, to be part of the show, they build a platform that we put her up on. Now she was just laying there. And the director came in and he said, you know, your dog isn't really doing anything. Is there anything we can do to make her more animated? And I said, are the Clea lights on? Because I couldn't really tell and he said, No. I said, then don't worry about it. When those lights come on, she will be a totally different dog, because she figured out cameras. She loved to go in front of the camera. The klieg lights came on, she lifts up her head, she's yawning, she's blinking, she's wagging her tail. It was perfect. Yeah, it's one of my favorite stories. But that is so great. I guess it's also the time to tell you that the name of my third guide dog was, here it comes, Klondike. Oh, really, my third guide dog, anything was a golden retriever. His name was Klondike.   Susan Janzen ** 1:01:18 Oh, that's and I know I'm public dates, and then you got two of us here. This is great. Yeah, that is so cool. Well,   Michael Hingson ** 1:01:26 if people want to reach out and get get in contact with you, they want to learn about your coaching programs and so on. How do they do that?   Susan Janzen ** 1:01:35 So I think the best way is, my website is this, www, dot Sue. Janssen, I'm just going by my short Susan. So S, U, E, J, a, n, z, e n, dot, C, A diamet, and that'll kind of give you everything there. There'll be a little video of my granddaughter on there. There'll be ways to get in touch with me and to book a call. So that would be great. And then we'll chat about it,   Michael Hingson ** 1:01:59 and we have an image of your book cover in in the show notes and so on. And so I hope people will pick that up. Um, I always ask this, although a lot of times it doesn't happen. But does it happen to also be availabl

Nesting by Roisin O'Donnell On a bright spring afternoon in Dublin, Ciara Fay makes a split-second decision that will change her life. Grabbing an armful of clothes from the washing line, Ciara straps her two young daughters into her car and drives away. Head spinning, all she knows for certain is that home is no longer safe. It was meant to be an escape. But with dwindling savings, no job, and her family across the sea, Ciara finds herself adrift, facing a broken housing system and the voice of her own demons. As summer passes and winter closes in, she must navigate raising her children in a hotel room, searching for a new home and dealing with her husband Ryan's relentless campaign to get her to come back. Because leaving is one thing, but staying away is another. One Hundred Years of Betty by Debra Oswald Meet Betty: storyteller, feminist, eternally curious and phenomenally old. On the eve of her hundredth birthday party, Betty tells us her story. Born into poverty in pre-war London, and growing up fast during the Blitz, Betty grabs the chance at a bigger life by migrating to Australia. On board the SS Asturias she meets three people who will influence the course of her life—Pearl, a good-hearted party girl; Athena, a Greek woman on her way to marry a man she has never met; and Leo, a German Jew who lost his family in the war. In Sydney, Betty is making ends meet as a waitress at the famous Trocadero dance hall when she stumbles into a rushed courtship with Donald, a wealthy businessman, and dedicates herself to being the ideal 1950s suburban housewife. But life has other plans for Betty, and soon she must find a way to do more than survive. Set against a century of world events and social upheavals, Betty takes us to the frontlines of the anti-war protests and the women's liberation movement of the 1970s, to the AIDS crisis during the 1980s, to Mexico and eventually becomes a TV screenwriter. Even in her nineties, Betty is still passionately engaged with the world, still surprising us. From the creator of Offspring and bestselling author of The Family Doctor, One Hundred Years of Betty is the saga of a strong, intelligent woman born too early in time to make the most of her talents without having to fight for everything. It's about the defining force of motherhood, the family we make, and how the determination to live to the hilt, with all the joy and sorrow that entails, can lead to a life beyond one's wildest imaginings. LISTEN ABOVE See omnystudio.com/listener for privacy information.

Six new films this week, check back on the last week and a festival at the Trocadero 

Billy opens a glamorous nightclub and restaurant on the Sunset Strip called The Trocadero.patreon Hosted on Acast. See acast.com/privacy for more information.

Art Smitten airs on SYN Radio 90.7 FM SYN Media acknowledges and pays respect to the people of the Woi wurrung and Boon wurrung language groups of the eastern Kulin Nations on whose unceded lands the SYN office and studios stand. SYN and the Art Smitten team would like to further acknowledge the Traditional Custodians and their Ancestors of the Lands and Waters across Australia where our content reaches. Art Smitten would like to expand that respect to Bunjil, the great creator ancestor of the Kulin nations. Sovereignty has never been ceded. It always was and always will be, Aboriginal land.See omnystudio.com/listener for privacy information.

In this episode we were fortunate to be joined by artist Rochelle Morris to talk about their exhibition at Trocadero Projects!‘Turning Soil’ is an exploration of the potential of ecological art at a painterly scale. The use of organic materials within the exhibition open up a conversation on our relationship and responsibilities to nature and our environment. Art Smitten airs on SYN Radio 90.7 FM SYN Media acknowledges and pays respect to the people of the Woi wurrung and Boon wurrung language groups of the eastern Kulin Nations on whose unceded lands the SYN office and studios stand. SYN and the Art Smitten team would like to further acknowledge the Traditional Custodians and their Ancestors of the Lands and Waters across Australia where our content reaches. Art Smitten would like to expand that respect to Bunjil, the great creator ancestor of the Kulin nations. Sovereignty has never been ceded. It always was and always will be, Aboriginal land.See omnystudio.com/listener for privacy information.

Send us a textThe conclusion of who killed Thelma Todd in the Pacific Palisades Pt 2. Actress Thelma Todd was the “Queen of the Lot” and made it in Hollywood when she died of mysterious circumstances at 29 years old. Who killed her? Could it be her business partner Roland West, a one-time screenwriter? Maybe it was the ex-husband, son of the Broccoli King, and agent Pat DiCicco? Police investigate, and all roads lead to The Trocadero, a famous nightclub that opened on the Sunset Strip in 1934. Hang out with us as we unfold the inexplicable death of Thelma Todd.An Eternal Hollywood Mystery, Wrapped in Mink and Fog, Survives the Fires | Vanity Fair By Greer Sinclairhttps://www.vanityfair.com/hollywood/story/thelma-todd-death-mystery?utm_source=pocket_reader

Send us a textRewind with one of your favorite episodes.  Actress Thelma Todd was the “Queen of the Lot” and had made it in Hollywood when she died at just 29 years old. Who killed her? Could it have been her business partner Roland West, a one-time screenwriter? Perhaps it was her ex-husband, the son of the Broccoli King, and agent Pat DiCicco? The police are investigating, and all clues point to The Trocadero, a famous nightclub that opened on the Sunset Strip in 1934. Hang out with us as we unfold the inexplicable death of Thelma Todd.❄️ We are thrilled to have music by THE SNO-GLOBES.  Here's a link to listen to more of their holiday music https://www.youtube.com/watch?v=McFx8spF0Cc&t=5s

Start Name Artist Album Year Comments Butterflies In The Rain Dudley Savage Dudley Savage Presents... [Kirkham Studios KRS 1002] 1980 2-5 Wurlitzer, Oxnead Mill, Norfolk (Owner Jim Crampton); ex-Regal Theatre, Colchester 1:53 A Garden In The Rain Ronald Curtis It's Wonderful [Concert Recording CR-0026] 3-6 Compton, Davenport Cinema, Stockport, Lancashire 5:33 Alone In The Rain Sandy Macpherson The Cinema Organ Collection [Pulse 2-CD PDSCD 589] 1930 4-20 Wurlitzer, Empire Theatre, Leicester Square 9:08 Rain On The Roof Richard Hills Southbank Send-Off [COS CD 129] 2004 4-24 Wurlitzer, ex Trocadero, Elephant and Castle 11:58 September In The Rain Iain McGlinchey Paramount 450 Paramount 450 VTPO; www.paramountorganworks.com 16:16 The Rain in Spain Dean Herrick At The Console Special [NTOT compilation - Coronet NCS206] 3-13 Wurlitzer, Herrick Residence, Johannesburg, South Africa 18:58 Right As The Rain Simon Gledhill The Mighty Wurlitzer 1937 [AAOCCC CD] 2017 3-8 Wurlitzer, College Claparade, Geneva, Switzerland; ex-Granada Cinema, Clapham Junction, London 23:10 It Might As Well Rain Until September; Crying In The Rain; Raining In My Heart Robert Wolfe At Last 3-19 Wurlitzer, Thursford Collection, Norfolk 29:51 Here's That Rainy Day Hubert Selby Mr President Entertains [Plus Bonus Tracks - MSS reissue download] 4-16 Wurlitzer, Gaumont State Theatre, Kilburn, London 34:24 Singin' In The Rain Trevor Bolshaw Around The Corner At The Odeon [Bristol Theatre Organ Group Cassette PDC-197] 1997 3-6 Compton, Odeon Cinema, Weston-super-Mare 39:10 With The Wind And The Rain In Your Hair The Organ, The Dance Band And Me Let's Break The Good News [EMI SH 504] 1940 3-8 Compton, EMI Studios, London; H. Robinson Cleaver; voc George Barclay 42:07 Stormy Weather Len Rawle At The Riverside 2000 3-12 Wurlitzer plus grand piano, Musical Museum, Brentford, Middx; ex-Regal, Kingston-upon-Thames (2445 seats) 45:19 Raindrops Keep Fallin' On My Head Nigel Ogden Bacharach & David Songbook [Castle Pulse PDSCD 588] 2004 3-14 Wurlitzer, Tower Ballroom, Blackpool 48:50 After The Rain Bryan Rodwell In Modernistic Mood [Deroy ADM 38] 1955 4-14 Wurlitzer, Granada Theatre, Tooting 53:41 The Storm Reginald Dixon The World Of Reginald Dixon [Decca SPA 38] 1955 3-14 Wurlitzer, Tower Ballroom, Blackpool

Mini-podcast about an event on this day in working class history.Our work is only possible because of support from you, our listeners on patreon. If you appreciate our work, please join us and access exclusive content and benefits at patreon.com/workingclasshistory.See all of our anniversaries each day, alongside sources and maps on the On This Day section of our Stories app: stories.workingclasshistory.com/date/todayBrowse all Stories by Date here on the Date index: https://stories.workingclasshistory.com/dateCheck out our Map of historical Stories: https://map.workingclasshistory.comCheck out books, posters, clothing and more in our online store, here: https://shop.workingclasshistory.comIf you enjoy this podcast, make sure to check out our flagship longform podcast, Working Class History.  AcknowledgementsWritten and edited by Working Class History.Theme music by Ricardo Araya. Check out his YouTube channel at youtube.com/@peptoattack

(00:00) Start och snack om Champis, Pommac, Trocadero, Cider, Segway, segue (05:36) Dagens innehållsförteckning (06:33) Star Wars Outlaws, intryck (19:59) Nintendo Direct (31:29) PlayStation Plus-spelen i September: Quidditch Champions, MLB The Show 24, Little Nightmares 2 (34:43) Foamstars blir free-to-play (36:19) Lego Horizon Adventures kommer antagligen i november (37:53) PlayStation 5 Pro-rykten (43:35) Warhammer 40.000: Space Marine II och crossplay (49:04) Rekordmånga samtida spelare på Steam (56:08) Ny uppdatering till Fallout 76, Milepost Zero (59:34) Ouka Studios läggs ner  (1:02:40) Balatro i samarbete med Witcher 3,  Dave the Diver, Vampire Survivors och Among Us (1:05:56) Veckans spelsläpp: Age of Mythology Retold, Astro Bot, NBA 2K25 (1:13:19) Pax West, Gearbox pratade pyttelite om Borderlands 4 Mer information finns att läsa på vår hemsida ⁠⁠https://www.gejmapod.se⁠⁠ och följ oss gärna på X: https://x.com/gejmapod Gå med i vår Discord: https://www.gejmapod.se/discord Vår Youtube-kanal: https://www.youtube.com/@gejmapod

La ceremonia de clausura es bastante decepcionante en general simbólicamente y solo destacaremos algunos aspectos de los que ya han hablado otras personas que la han descrito como un aquelarre de clausura al igual que lo fue la de apertura. Firmado como en aquella ocasión por el mismo director artístico, Thomas Jolly, que ha vuelto a inspirarse en distintas épocas y estilos para este espectáculo que ha titulado Records. Y es que como bien pudimos ver en la ceremonia de inauguración, lo egipcio y la mitología en general les tira mucho. Alli pudimos ver a Caronte llevando a todas las naciones del mundo al inframundo, a Hecate presidiendo una orgia organizada por Dioniso entre otros seres mitológicos. Hoy tocaba despedirse, había que pasar el duelo y eso es lo que hizo la cantante Zaho de Sagazan durante la ceremonia de apagado del pebetero interpretando de luto riguroso la canción “Sobre el cielo de Paris” desde el jardín de las Tullerías, en el sitio del pacto, cerca del Trocadero. Una actuación que supuestamente hizo llorar a muchos espectadores, los antiguos egipcios estarían orgullosos con ese gran globo haciendo de Ra. El atleta Léon Marchand, también de luto riguroso, caminó hacia el pebetero olímpico para apagar la llama y como si fuera Indiana Jones hizo que este se apagase al levantar el mini hornillo. Un potaje de falso feminismo, cambio climático, aborto, negocio ecológico, guerra de amiguetes, apoyo a la minoría negra, derechos LGTB y paganismo, mucho paganismo. Todos apoyando al gigante de los pies de barro: “Tú, oh rey, veías, y he aquí una grande imagen. Esta imagen, que era muy grande, y cuya gloria era muy sublime, estaba en pie delante de ti, y su aspecto era terrible. La cabeza de esta imagen era de fino oro; sus pechos y sus brazos, de plata; su vientre y sus muslos, de metal; Sus piernas de hierro; sus pies, en parte de hierro, y en parte de barro cocido. Estabas mirando, hasta que una piedra fué cortada, no con mano, la cual hirió á la imagen en sus pies de hierro y de barro cocido, y los desmenuzó. Entonces fué también desmenuzado el hierro, el barro cocido, el metal, la plata y el oro, y se tornaron como tamo de las eras del verano: y levantólos el viento, y nunca más se les halló lugar. Mas la piedra que hirió á la imagen, fué hecha un gran monte. Daniel 2:31 a 2:36” Y es verdad, tiene los pies de barro pero de momento se mantiene muy en pie y parece que todas las naciones lo apoyan como pudimos ver en el desfile inicial de banderas entrando al estadio. Las cámaras nos muestran a un atleta muy contento con su gorro frigio en la cabeza. Hemos visto bastante esta simbología en los JJOO de Paris, en la propia mascota y en la ceremonia de inauguración ya que es muy importante dentro de la Revolución francesa. El gorro frigio proviene de una de las religiones mistéricas, el mitraismo, que se fundirían con otras para crear el cristianismo. La masonería tomo este gorro y lo hizo pasar por el gorro que lucían los esclavos liberados en la antigua roma que se llamaba gorro pileo. Como les adelantamos en la interpretación de la ceremonia de inauguración, el perro, en claro simbolismo con la estrella Sirio se muestra sin que la gente pueda verlo tras el velo de Isis solo para iniciados. Como vemos aqui en esta imagen del estadio. Se hará mucho mas evidente en las imágenes nocturnas con la iluminación y cuando por fin tenga un ojo. Tuvieron que esperar a que empezase a anochecer para que viéramos el plato principal. Previo al momento cumbre de la ceremonia meten con calzador una entrega de medallas casualmente para premiar a las tres corredoras negras ganadoras del maratón, entendemos que todo habla de las emanaciones negras de la estrella negra Sirio. Nos están hablando de Sirio, la estrella negra, la adorada Isis o estrella de 8 puntas. La reforma de la plaza del arco del Triunfo de Paris fue diseñada en forma de estrella de 8 puntas. Se trata de una representación del tiempo dentro del paganismo y el satanismo, la famosa rueda de Baal, del demonio vaya. Vemos uno de los aros olímpicos gigantes que serán los protagonistas disfrazado de medalla olímpica para agradecer a los voluntarios su participación. Como muy bien dice el canal “Historias del Futuro” podemos ver muy claramente en esta ceremonia los símbolos de la rueda de la fortuna y el ahorcado. Ambos representados por unos bailarines y acróbatas, pero destacando a la famosa “polilla dorada”, que no es otro que Arthur Cadre, artista multidisciplinar, bailarín y director, pero sobre todo ex bailarín de breakdance. Así como la ceremonia inaugural nos hablaba del pacto mundial con el demonio en esta nos remarcan que no podemos hacer nada contra el destino y debemos aceptar la llegada de un nuevo ciclo. Es por ello que la rueda de Baal convertida en un accesorio circense nos hablara de eso, de la llegada de un nuevo ciclo. Eso si, tras una gran destrucción, porque la Tierra yerma que nos presenta Jolly parece haber sido devastada por la Tercera Guerra mundial. La figura dorada que se descuelga realiza varias veces la posición del ahorcado en clara alusión a la carta del tarot del mismo nombre. La simbología nos habla de una iniciación o sacrificio para evolucionar, se trata de una postura realizada voluntariamente, lo que nos indica que la humanidad debe aceptar esta evolución de manera voluntaria…o por lo menos sin que la mayoría la rechace. Y aqui viene la parte mas jugosa cuando se apagan las luces del estadio. Jolly nos alegra la existencia mostrándonos una distopía como eje de la parte central de la ceremonia, según la cual un viajero interespacial del futuro descubriría como únicos restos de nuestra civilización los aros olímpicos. O sea, nuestro futuro esta en manos de un extraterrestre. Dejarnos en manos de esas supuestas entidades benefactoras de dimensiones superiores es una de las misiones de la Nueva Era. Una de sus máximas es inducirnos a dejar la mente en blanco o interactuar con las mismas mediante toda una pléyade de técnicas supuestamente espirituales como los viajes astrales, el reiki o la resonancia a través de objetos. Ibn Asad decía que: “La agenda global requiere una escenificación mesiánica que actualice el mito adventista y la superstición universal; esa escenificación será el contacto extraterrestre.” Es un secreto a voces y no solo entre el mundo de la conspiración que el último de los engaños, que la ultima escenificación, antes de implementar el Nuevo Orden Mundial tiránico que quieren para casi todos, será una falsa invasión alien. Les recomiendo que busquen nuestro video titulado UTP227 ¡Qué vienen los marcianos! donde les hablamos largo y tendido de esto. Y no se crean que traer extraterrestres a escena es tan original. Ya en la ceremonia de clausura de los Angeles en 1984, precisamente hacia irán estos juegos, nos mostró la llegada de un platillo volante y el discurso del ET buscando la unidad de los pueblos, vamos, que esto viene de largo. El cartel anunciador de la ceremonia se titula Records, refiriéndose a los récords olímpicos, pero que nosotros leeremos en referencia a los recuerdos o grabaciones implantados para manipular las mentes. En dicho negro cartel solo le faltan las alas al ser que cae para ser el ángel caído. Luego, en el estadio, veremos que las tiene. Una especie de alas doradas formadas por las fibras puntiaguadas insectoides que le salen de los hombros. Quiero imaginar que el director teatral no se atrevió a poner unas buenas alas por motivos puramente de seguridad ante la bajada del bicho a la pista. Dorado, como los dos discos fonográficos de cobre bañado en oro --made in France-- que llevaron al espacio las sondas Voyager. Esos discos contienen sonidos e imágenes que retratan la diversidad de la vida y la cultura en la Tierra para mostrárselos a los supuestos extraterrestres con los que se cruce la nave. Los dos enmascarados que vimos en la ceremonia inaugural, carente y Hades se unen a este extraterrestre al que le entregan la bandera de Grecia, reactivando la vida en la Tierra al colocar este la bandera en dicho pais. Curiosamente son dos de las deidades relacionadas con los muertos. Esto hace surgir a la Victoria alada de Samotracia de la que hablamos en el anterior vídeo donde destacamos que se trataría de una reconstrucción tipo Frankenstein para simbolizar la mezcla que están realizando con toda la humanidad. La figura imaginaria, llamada Golden Voyager, o sea viajero dorado, recomponía el símbolo de los Juegos en una labor comparable a la de Pierre de Coubertin a finales del siglo XIX para recuperar la tradición de los Juegos de la Grecia clásica. Surgen como de la nada los esclavos que ayudaran a este ET a recomponer la Tierra. Trabajan como si se tratara de las grandes obras faraónicas y su vestuario nos recuerda un poco al de las momias egipcias. Vemos un detalle importante en sus anteojeras doradas y la luz roja que palpita en su pecho. Diríamos que están poseídos por la entidad dorada. Nos vuelven a mostrar otro de sus símbolos favoritos, el ave fénix, tal y como lo habíamos visto antes en el Estadio. Mostrándonos un pianista colgado de un piano que aparenta estar ardiendo mientras el tenor francés Benjamin Bernheim de negro riguroso con una capa de perlas negras interpreta el "Himno a Apolo”. Se trata de una versión de uno de los Himnos délficos a Apolo. “En 1893, arqueólogos franceses que trabajaban en las ruinas de Delfos descubrieron una antigua canción inscrita en tablillas de piedra. Un año después, Fauré tomó la melodía y creó una versión armonizada que se interpretó durante el Primer Congreso Olímpico, la reunión en la que el Barón de Coubertin instigó la revitalización de los Juegos Olímpicos.” Dionisio, Apolo y Atenea eran los dioses que comúnmente interactuaban de manera pacífica con los seres humanos. Atenea, también conocida como Palas Atenea, es una diosa de la guerra, A diferencia de Ares, que personificaba la guerra de forma brutal, Atenea dirigía las acciones bélicas de forma inteligente y ordenada. La vemos vistiendo su armadura de guerra dorada que también nos recuerda al becerro de oro que desvió hacia la guerra a los humanos.¿Será nuestro extraterrestre dorado Palas Atenea? El pianista va vestido con una larga capa de cintas negras que brillan por las supuestas llamas del piano como si fuese la mítica ave. Hay una conversación entre ellos y vemos unas letras en lo que parece griego desaparecer cuando el pianista deja de tocar. Mientras tanto los seres que habitan esta Tierra distopica siguen levantando los aros olímpicos realizando una replica del hombre de Vitruvio de Leonardo da Vinci. No hace falta indicar que parecen zombies sin voluntad propia. Termina el bicho polilla dorada convenciendo a los esforzados habitantes de la Tierra para levantar el ultimo aro al que curiosamente le vemos aparecer dos cuernecitos que son en realidad los ganchos de subida. Observamos que mientras realizan sus acrobacias los ayudantes del bicho dorado el aro esta ligeramente desequilibrado hacia la izquierda entre 4 y seis grados. El azar y la dificultad de aguantarla en perfecto equilibrio, ¿quizás? ¿O nos están mostrando un reloj con sus planes de implantar la agenda en el 2030 dentro de seis años? Al soltar el aro veremos como lo mantenían desequilibrado de forma deliberada, volviendo a su posición natural al ser izado. En señal de victoria el bicho dorado asciende por una pirámide de cuerpos de los ayudantes y se termina todo el espectáculo principal que según ellos representa la unidad de la humanidad y según algunos de nosotros la esclavitud hacia la que nos llevan. Nos mostrarán desde el cielo como la bestia perro, a la que ahora ya le vemos el ojo abierto, ha nacido apagando incluso los aros olímpicos para que lo veamos de forma mas espectacular. La banda francesa que toca a continuación se llama PHOENIX y el tema interpretado también tiene su inquina así como el teclista de ojos rojos que nos recuerda a Terminator. La canción termina con un solo que parece estar interpretado por la muerte. Tras el traspaso de la bandera olímpica a la ciudad de Los Angeles Gabriella Wilson (HER), cantó el himno estadounidense…a mi personalmente me parece una copia de Mariah Carey. Luego veremos al actor Tom Cruise lanzándose en rápel desde el techo del Stade de France, otra vez sin alas, ja, ja, ja y salir del estadio en una motocicleta con la bandera olímpica para terminar lanzandose en paracaídas en Los Angeles. A continuación se producen otros dos eventos importantes protagonizados por personas negras. En la ceremonia del apagado del fuego olímpico donde participan 4 personas negras, una blanca y un asiático, concretamente un chino. Volvemos a reiterar que no somos racistas y nos preguntamos si esa proporción representa a toda la humanidad. ¿Quiere decir esto que occidente, que la raza blanca, cede el testigo a Africa y a China? La ceremonia finaliza con la actuación de otra cantante negra interpretando el My Way, a mi manera, que popularizó Sinatra. «My Way» («A mi manera») es una canción popular adaptada al inglés por Paul Anka, en 1969. La original es una canción francesa de 1967 «Comme d'habitude», escrita por Claude François y Jacques Revaux. La letra en inglés fue reescrita, casi totalmente, por Paul Anka de la original, en francés. Una ceremonia de clausura que dura 3 horas y 56 minutos, y que es bien difícil de encontrar, que termina mostrándonos como se escala un obelisco. Una buena forma de terminar mostrándonos a los dioses que la elite psicopatocratica adoran. No tengan miedo, sean felices y cuiden de sus familias. …………………………………………………………………………………………………. *Ceremonia de clausura de los Juegos Olímpicos de París 2024 https://es.wikipedia.org/wiki/Ceremonia_de_clausura_de_los_Juegos_Ol%C3%ADmpicos_de_Par%C3%ADs_2024 *THANK YOU PARIS! Closing Ceremony Highlights Paris 2024 https://www.youtube.com/watch?v=jcB7QA5N7CE Full Closing Ceremony Paris 2024 https://www.youtube.com/watch?v=Sl4nBWI5-_s *Ceremonia jjoo obra teatral donde el rey de amarillo ha bajado de carcosa para fusionar ambos "planetas" https://www.burbuja.info/inmobiliaria/threads/ceremonia-jjoo-obra-teatral-donde-el-rey-de-amarillo-ha-bajado-de-carcosa-para-fusionar-ambos-planetas.2135124/ *UTP227 ¡Qué vienen los marcianos! https://www.ivoox.com/utp227-que-vienen-marcianos-version-musica-audios-mp3_rf_111053590_1.html *Tuit ceremonia clausura Sirio https://x.com/AmurakaHidden/status/1823195666308338163 https://x.com/larrycool131031/status/1823265020332908569 Ceremonia clausura JJOO Paris https://x.com/MoniLisa2/status/1822740539613040692 *EXTRATERRESTRES Y EL ANGEL CAÍDO EN EL CIERRE DE LAS OLIMPIADAS PARÍS 2024 | Archivos de Divulgación https://www.youtube.com/watch?v=lsB49fzlSig *Aquelarre de Clausura (JJOO) https://www.youtube.com/watch?v=vJmqSoKUQN0&t=1s *JUEGOS OLÍMPICOS DE PARÍS 2024: ¿QUIÉN ES ARTHUR CADRE, BAILARÍN Y ESTRELLA DE LA CEREMONIA DE CLAUSURA? https://www.sortiraparis.com/es/noticias/juegos-olimpicos-paris-2024/articles/318263-juegos-olimpicos-de-paris-2024-quien-es-arthur-cadre-bailarin-y-estrella-de-la-ceremonia-de-clausura *Disco de oro de las Voyager https://es.wikipedia.org/wiki/Disco_de_oro_de_las_Voyager *Olympic Games Los Angeles 1984 Closing Ceremony Spaceship https://www.youtube.com/watch?v=84fMrVVTz-I *Benjamin Bernheim, invitado sorpresa a la clausura de los JJ. OO. de París 2024 https://www.ibermusica-artists.es/es/noticias/341/benjamin-bernheim-invitado-sorpresa-a-la-clausura-de-los-jj-oo-de-paris-2024 *Faure Himno a Apolo https://musopen.org/es/music/7893-hymne-a-apollon/ *My Way (Comme d'habitude) https://es.wikipedia.org/wiki/My_Way_(Comme_d%27habitude)

Como nosotros vamos en dirección contraria a lo que está de moda vamos a hablar ahora, una vez acabadas las olimpiadas de París 2024, sobre la simbología que ha encerrado este evento que curiosamente ha sido la Olimpiada moderna numero 33 y ha terminado en la semana 33 del año. Para ello vamos a utilizar nuestro propio conocimiento y algunos textos de otros autores y algún hilo interesante como el de “aguatico de pescaico” titulado “Descifremos: la fiesta egipcia de París” publicado en burbuja punto info. A primera vista resultó un espectáculo patético, sátiras de la última cena, referencias a los jinetes del apocalipsis, satanismo, quemar pianos, ideología de género, deconstrucción de toda referencia histórica o tradicional, deconstrucción de la belleza, del orden, de lo tradicional… etcétera. ¿Pero que hay mas allá? De lo que tratan siempre los juegos olímpicos en esencia es de lo luciferino, no es un acto de nobleza humana o deportiva, sino que está organizado por las élites psicopatocraticas que detentan el poder-religión para mostrarnos el camino que tomará la humanidad bajo su liderazgo y regenerar su poder en un ritual multitudinario. Mucho antes de la celebración de las Olimpiadas en Grecia se celebraba en Egipto el Heb Sed o Fiesta de renovación real. Cada 4 o 5 años se hacía en Egipto la FIESTA DE LA RENOVACION para regenerar la fuerza física y la energía sobrenatural del faraón. Allí sé hacia un ritual muy parecido a lo que veremos en la ceremonia inaugural de unos juegos olímpicos. Un desfile o procesión donde egipcios de todas las regiones del país aparecían ante el rey. El rey cambiaba su indumentaria para realizar la carrera ritual. Al final terminaba erigiendo un pilar ceremonial y disparando flechas en dirección a los cuatro puntos cardinales para proteger y mantener alejados a los enemigos. Veremos como en esta ceremonia de inauguración se hace referencia a tradiciones egipcias, griegas y en general de la mitología antigua. También se hace burla al culto cristiano y sus símbolos, la cruz o el propio Jesucristo. (0003) Hubo un evento previo el viernes 26 de julio mediante un ataque coordinado contra la red de trenes de alta velocidad cerca de París que se ejecutó en forma de cruz. La inauguración de los JJOO duró casi cuatro horas en 12 partes un prólogo, diez actos y un epílogo. Aquí es clara la intencionalidad de referirse a los 12 apóstoles y también a utilizar el 10 que es considerado divino. ¿Y quién ha sido el director artístico de las ceremonias de apertura y clausura de los Juegos Olímpicos de Verano de 2024 en París? Pues ha sido elegido Thomas Jolly fundador de La Piccola Familia en 2006. Luego fue elegido por el gobierno francés para dirigir el centro dramático nacional Le Quai d'Angers desde el 1 de enero de 2020 hasta noviembre de 2022. El propio gobierno francés define así dichos centros de creación teatral: “Los centros dramáticos nacionales (CDN) son establecimientos emblemáticos de la política de descentralización dramática dirigida por el Estado desde hace setenta años (los primeros cinco centros fueron creados entre 1946 y 1952). Estructuras de creación y producción dirigidas por uno o varios artistas comprometidos en el campo teatral, las CDN constituyen herramientas principales y estructurantes para el diseño, la fabricación y la producción de obras teatrales, con un espíritu de apertura y de compartir. Las CDN son lugares donde pueden encontrarse y articularse todas las dimensiones del teatro: la investigación, la escritura, la creación, la difusión, la formación. Para cada CDN, se celebra un contrato de descentralización dramática entre el Ministro de Cultura y el director de la estructura certificada, por la que se definen los compromisos de cada Parte para la ejecución de las misiones de creación teatral de interés general en el marco de los objetivos definidos en el pliego de condiciones y en las especificaciones del sello CDN.” O sea, el gobierno decide cuál será el teatro que verán las personas amantes de este arte. Obviamente un gobierno “progre” y preocupado en inculcar ideas progres da como resultado lo que vivimos actualmente. El propio creador nos cuenta en una entrevista en Vogue: “Los Juegos Olímpicos, en su leyenda fundacional, son curativos”, dice Jolly, aludiendo al momento político en el que nos encontramos. “Curan la peste y traen la paz”. ¿Y cuál es el significado del Sena? “Para empezar, el Sena era una diosa”, dice Jolly, “una ninfa llamada Sequana, que se convirtió en río para poder escapar de Neptuno. Así que el Sena es una mujer que resiste a un hombre violento. Es un símbolo muy grande, y lo voy a utilizar porque convierte al río en una fuerza femenina de resistencia”. Lo que Jolly pretende demostrar es que en París hay “lugar para todos. Puede que sea un poco caótico, es cierto, pero eso permite que cada uno encuentre su lugar”. La ceremonia de inauguración será un éxito, afirma Jolly, “si todo el mundo se siente representado en ella”. Jolly “fue el autor de una ópera gay en la figura del emperador Heliogábalo. Ha reinterpretado a Marivaux y a Shakespeare para convertirlos en obras del contemporáneo Mark Ravenhill, autor de obras como la titulada: Ir de compras y follar, en contra del capitalismo y a favor del marxismo, del sadismo, para representar la prostitución, la drogadicción en un entorno de homosexualidad”. Han intentado añadir el origen judío de la familia de Jolly pero obviamente no hay datos que lo confirmen y ha sido borrado de la wikipedia. Lo que si podemos afirmar sin equivocarnos es que ha mantenido una relación artística con Marina Abramović y el apellido Abramovich proviene de judíos rusos como Román Abramovich, el presidente del Chelsea CF que presume de como intentan desprestigiarlo por ser judío. Marina Abramović, conocida por sus obras intensas y a menudo provocativas, y Thomas Jolly han colaborado en un proyecto que combina sus visiones artísticas. Su colaboración se centra en la adaptación de la obra de Abramović "Vida y muerte de Marina Abramović", que se representó en la Comédie-Française de París mientras la artista era directora de la Ópera Nacional de París. En este proyecto, Thomas Jolly dirigió la obra, que se basa en la vida y la trayectoria artística de Abramović. La producción explora las experiencias y actuaciones de Abramović, traduciendo su arte a un formato teatral. En 2021, Abramović fue homenajeada por el presidente Macron durante una ceremonia especial en el Palacio del Elíseo, donde se le otorgó el título de "Commandeur des Arts et Lettres" (Comandante de las Artes y las Letras), una de las distinciones más altas de Francia por sus contribuciones a las artes y la literatura. La gente cree que el apoyo actual del colectivo gay, o LGTB o incluso la creación de la bandera de la liberación homosexual son revolucionarios pero como acabamos de ver el poder-religión en la sombra es el que apoya y crea estos movimientos. Supuestamente fueron Harvey Milk y Gilbert Baker, los autores de la bandera del orgullo gay, bueno, enormes banderas de 15 por 15 metros que ondearon en San Francisco el 25 de junio de 1978. Casi diez años más tarde que banderas con los mismos colores se viesen en la Plaza de las Naciones Unidas durante los Disturbios de Stonewall. ¿Quien identificó al movimiento gay con esos colores que la gente cree que son el arcoíris? ¿No resulta curioso que justamente dicho movimiento se originase en los aledaños de las Naciones Unidas? Curiosamente tras las numerosas criticas recibidas por la organización de los JJOO se han borrado las fuentes oficiales donde se podia contemplar toda la ceremonia de inauguración y es difícil elaborar una buena interpretación. Por fortuna, nuestro amigo el puntal de dios, ha dado con una de esas pocas fuentes oficiales que quedan y que compartiremos con todos vds en la descripción del video y del audio en Ivoox. Vamos a hacer un recorrido por lo que se mostró en dicha ceremonia, lo que oficialmente nos dijeron y lo que nosotros acertamos a ver. 00 Prólogo. El altar Los franceses comienzan con un video pregrabado con imágenes de ceremonias de apertura pasadas de los Juegos y viendo como un famoso comediante francés lleva la llama hacia un estadio Stade de France vacío, sin saber que la ceremonia se llevaría a cabo fuera del recinto. Por primera vez en la historia de los Juegos Olímpicos de Verano, la ceremonia no tuvo lugar en un estadio sino que se celebró en la arteria principal de Paris, el Sena. El desfile por el río seguirá el curso del Sena, de este a oeste, a lo largo de 6,6 km. Es el recorrido desde el nacimiento del sol hasta su muerte. Partirá del puente de Austerlitz, junto al Jardin des Plantes, rodeará las dos islas del centro de la ciudad, la Île Saint Louis y la Île de la Cité, y pasará por debajo de los ocho puentes y pasarelas. Vemos aqui el primer ocho, que no será el último. ¿Qué nos dicen que simboliza el logo de los juegos de manera oficial? “Su forma circular recuerda a la medalla de oro, el premio más importante en los Juegos, y simboliza la excelencia deportiva. En el centro, la llama olímpica representa la pasión y la energía de los atletas. Además, el contorno del logo forma el rostro de "Marianne", un símbolo de Francia que representa los valores de libertad, igualdad y fraternidad.” Ese logo en forma de antorcha, de llama, tenia que ser así ya que están en su casa, la ciudad de la luz. La ciudad de Lucifer y cuna de una de las ramas importantes de la masonería donde la antorcha está presente en los actos como simbología masónica o luciferina. Es el fuego de Prometeo, el fuego luciferino o de la sabiduría, el fuego creador robado de la Fuente para no someterse y volverse como un dios, por eso unimos la antorcha a los superhombres dicho en el término amplio de la palabra que representa a toda la especie humana. Quiero destacar como la antorcha elegida para estos juegos tiene forma de vesica piscis al igual que el descosido que lleva en la espalda el portador de la antorcha enmascarado que aparece luego entre segmentos en escenas pregrabadas, en el Sena y los tejados de París, sirviendo como hilo conductor durante toda la ceremonia. Aparecen entre otros los juegos olímpicos de Tokio. Quiero recordar aqui los 11 escalones en la pagoda/pirámide de base octogonal el dia de la inauguración de los JJOO de Tokio en 2021 y además como era encendida por una atleta de pelo rojo. El cómico entrega la antorcha al futbolista Zinedine Zidane, quien posteriormente la llevará por las calles de la ciudad, llamando la atención de un trío de niños, que representaran las tres veces que París ha acogido los Juegos, y luego ira al Metro de París. Antes de que el tren pueda salir de la estación, se avería por un apagón, lo que lleva a Zidane a pasar la antorcha a los niños a través de la ventanilla del tren. Curiosamente esa misma noche tras acabar la ceremonia cuatro distritos de París se quedaron sin luz y tenemos una impresionante fotografía de Paris a oscuras y solo la Iglesia del Sagrado Corazón iluminada. ¿Me pregunto si eso simbolizaría que el ritual sacrificial ya había terminado? Otro forero de burbuja, LMLights, comenta sobre esto: “Pues si, como mostré en un post previo los JJOO, coinciden casi a la perfección con el calendario SIRIACO de este año (del 26 de Julio al 12 de Agosto, las Olimpiadas terminan el 11). Toda la ceremonia se centró EN EL SENA y a nivel simbólico egipciaco SIRIO es el reloj de las crecidas del NILO, que dan la vida a la TIERRA NEGRA fértil de KHEMET. El APAGON de los primeros dias y la TORRE EIFFEL NEGRA es otro aspecto oculto de SIRIO, como estrella negra (no porque no sea visible, sino por sus "emanaciones" invisibles).” Nosotros comentaremos en mas profundidad sobre esto cuando hablemos del ritual de clausura de estas olimpiadas pero vemos como la luz y la oscuridad están muy presentes en ambas ceremonias. Durante los siglos XVIII-XIX, existió el historiador llamado Jacques-Antoine Dulaure, quien fue el que asoció el nombre de los parisii a la diosa egipcia Isis, debido al descubrimiento de una estatua de la diosa encontrada en la Abadía de Saint-Germain-des-Prés. El escritor François Maspero afirma que el culto a Isis estaba muy extendido en Francia, especialmente en la cuenca de París, ya que por todas partes existían templos de Isis. Cabe destacar que según la terminología occidental, sería más exacto decir que estos "templos" eran la «Casa de Isis» porque dichos templos fueron llamados en egipcio Per o Par, palabra que en egipcio antiguo significa exactamente "el recinto que rodea la casa". De esta forma París sería el resultado de la yuxtaposición de Per/Par-Isis. La familia Parisi fue muy importante y fueron de los primeros en adoptar la flor de Lys que representa a Isis en sus escudos. Podemos ver un libro con una flor de Lys entregado por una nube como escudo de la universidad de Paris lo que se conoce como el conocimiento que viene del cielo. Después de atravesar las catacumbas de París y el lago subterráneo debajo del Palacio Garnier evadiendo a ratas y a un enorme cocodrilo, el que será el portador de la antorcha encapuchado y enmascarado se acercó a los niños remando un bote. ¿Caronte? El trío subió a bordo. Mientras comenzaron su viaje hacia el mundo exterior, la cámara se desplazó hacia el escenario del Trocadéro para revelar a Thomas Bach, presidente del Comité Olímpico Internacional y Emmanuel Macron, presidente de Francia, mientras se pusieron de pie para dar la bienvenida a la multitud. Después de eso, el barco remó a través de un túnel, revelando una luz que brilló para revelar la frase "Ça ira" todo estará bien, cuando el barco llegó atravesando el Sena al Trocadero. El Trocadero, otro punto importante del ritual, digamos que el altar de toda esta ceremonia. ¿Pero qué pinta esa cabeza de toro bien pegada al símbolo de los JJOO que incluso tapaba parte de los anillos olímpicos? La escultura: taureau et daim, de Paul Jouve representa a Apis y Osiris, respectivamente, el dios toro (Apis) y ciervo ( Acer) egipcios La gran explanada y palacios art decó, con estatuas de todo el panteón pagano, desde Apolo, Hércules, los ya vistos Osiris y Apis, etc… Famosa es la imagen de Hitler contemplando París desde ese gran altar con la torre Eiffel detrás. El trocadero es la gran logia, la capilla mayor al aire libre del nuevo París, un lugar emblemático, casi sagrado, que hace de catedral moderna en el entorno de la exposición universal de París, está asentado sobre una gran fuente, quizá la mas grande y potente del mundo, como muchas catedrales lo están sobre nacimientos de agua, siendo la torre Eiffel el cimborrio de transmisión energética. Se dice que el nombre viene de una batalla que nunca se dió, pues los franceses se establecieron en la isla gaditana del Trocadero para intentar tomar Cadiz, pero como se sabe, nunca consiguieron entrar, allí estuvieron tirando cohetes y las gaditanas haciéndose con ellos tirabuzones como dice la canción. Pero eso no importa, porque el nombre era lo importante. El trocadero era una isla sagrada, el punto sin tributos ni jurisdicción, donde cualquier trato o intercambio comercial era franco y totalmente posible. Trocadero viene de trocar, y éste a su vez de TRUCAR, la isla del truco, "Te truco esto por lo otro" como se dice en Andalucía, trucar es intercambiar una cosa por otra equivalente. Trucar es también darse la mano en señal de acuerdo. ¿Truco o trato? Del mismo modo, en el Trocadero de Paris es donde se hace hoy el gran intercambio energético. El truco es siempre, cambiar una cosa por otra. Teniendo ese poder de amplificación, la ceremonia no podia ser en el estadio, la ceremonia tenía que efectuarse ahí. 01 Enchanté. Lady Gaga sin encanto Pudimos ver como un acordeonista con alas nos daba la bienvenida a los 33 juegos olímpicos de 2024 escrito en números romanos. Empezó el desfile de barcazas con los atletas subidos a ellas y acompañándolo vimos unos chorros de agua que se alternaban cruzándose y proyectándose en recto, lo cual creaba una fila de onces en letras romanas. En muchas imágenes pudimos ver tres de estos grupos formando un 33. La magia de la televisión hizo que la gente creyese que Lady Gaga estaba actuando en directo en una escalera dorada colocada en el Sena. No fue así, como algunos usuarios mostraron en video de lo que realmente estaba sucediendo en directo. La cantante norteamericana no actuó de si misma sino que hizo una copia rosa de una actuación de cabaret sin ningún encanto. El color rosa estuvo muy presente en toda la ceremonia. Lo más destacable de la actuación de la Gaga fue que los bailarines hicieron la representación de 10 números 8 con sus pompones de plumas siendo ella el numero 11. Este año hemos tenido un montón de números 88 o eventos donde el 8 ha estado presente como la venida a España del señor Puigdemont precisamente un 8 del mes 8 del 2024, los 88 años del asesinato de Federico García Lorca o la muerte de Alain Delon con 88 años y recordemos que «Saturno» es el planeta que corresponde al número 8. Curiosamente la escena de esta ceremonia que ha creado más controversia de las 12 ha sido la octava llamada Festivité (Festividad). No hace falta que les contemos que la actriz y cantante lady Gaga es considerada dentro del mundo de la conspiración como una de las mayores sacerdotisas del culto de las élites psicopatas que detentan el poder. Aqui la podemos ver en unas fotos en el Capitolio cuando vendió el tema del covid y las mascarillas con un look que daba miedo. Desgraciadamente es un icono para muchos jóvenes que terminan imitando lo que hacen estos ídolos de barro que destilan satanismo por los cuatro costados. Aquí la vemos en una de las fiestas de spirit cooking, “cocina espiritual”, acompañando a Marina Abramovic donde se relamen comiendo y bebiendo “supuesta sangre” de modelos convertidos en altares humanos. El fantasma de la Ópera portador de la luz nos mostraba lo que es chic mientras hacía parkour por los tejados de París. Evidentemente todo lo chic tenia que estar relacionado con el Moulin-Rouge o los obeliscos que adornan París. Bailarines del Moulin-Rouge interpretaron una coreografía de cancán francés, adaptada de "Galop infernal d'Orphée aux enfers" (Galope infernal de Orfeo a los infiernos) que yo creo que es la canción más famosa de este tipo de baile. En dicha canción la letra dice así: “Baco, mi alma voluble, que no podía estar haciendo ¡Con la felicidad en la tierra, aspira a ti, divino Baco! ¡Saluda a la sacerdotisa cuya voz cantará sin cesar sobre la embriaguez a tus elegidos!” Evidentemente el baile habla de caer rendido ante Baco y ser parasitado por el como suele pasar en el trance alcohólico mas intenso llamado Delirium tremens. 02 Synchronicité arrítmica Nos muestran las obras de reconstrucción de Notre-Dame donde destacan los intrincados andamiajes para volver a reconstruir el techo. El aire y el Sol son los dos elementos que se representan aqui por eso vemos que los obreros llevan unos monos de color azulado con las terminaciones de brazos y pies en dorado. El dorado será el color principal de este acto ya que luego nos hablarán de la fabricación de las medallas. Los obreros están colgados de forma que parece que puedan volar y se integren con el cielo. Vemos también una alegoría a los maestros constructores, a los masones, dandole forma a la piedra. Luego veremos una danza homenaje de 420 personas a los equipos de reconstrucción de Notre-Dame tras el incendio de 2019. Y precisamente no estaban muy sincronizados. Una enorme capa de color dorado preside toda la representación. Están danzando en leche lo que para mi simboliza que están recogiendo los frutos de la destrucción de la Catedral de Notre Dame. Nos muestran cómo se confeccionan las medallas olímpicas con especial dedicación en los estuches Louis Vuitton que las portan y los tres armarios donde se guardan. Esta marca se dedica desde 1854 a fabricar los “envases” donde se protegerán las cosas de valor como trajes, sombreros o joyas. Más tarde el propio contenedor pasaría a ser considerado un objeto de lujo y una pieza de arte. Resulta desagradable ver como los obreros se colocan debajo de la pesada carga que es uno de estos baúles que contendrán las medallas olímpicas. Por cierto, aqui podemos ver a Djokovic rezando ante este baúl. Y es que los héroes que crea el poder-religión para que existan dos bandos y por tanto se genere la dualidad que les permita generar dos polos energéticos son muy necesarios para mantener el sistema tal y como esta. La supuesta revolución anti vacunas que genero este tenista al negarse a inocularse la supuesta vacuna del covid queda empañada cuando miramos en profundidad los hechos. Es más que evidente que este ídolo de masas acompaña sus fotos icónicas con los mismos signos, en este caso el ojo de Horus, que el resto de iconos mundiales. Aquí vemos como su hermana, que es la que gestiona su fundación para apoyar a los niños, le manda un mensaje de agradecimiento a Marina Abramovic que parece que en este video es nuestro portador de la oscuridad. También pidió apoyo a los Clinton en 2013. Un verdadero despierto y más siendo cristiano jamás habría besado de esa manera la medalla satánica de los JJOO de París en forma de hexágono. Luego vemos cómo se forjan las medallas olímpicas, a la antigua usanza en un crisol. Lo cual es una soberana mentira ya que las medallas olímpicas cada vez contienen menos oro. Según la información oficial, en los Juegos Olímpicos de París 2024, la medalla de oro contiene aproximadamente 529 gramos de plata y 6 gramos de oro. Aproximadamente un 1% es suficiente para darle el distintivo brillo dorado. Así que parece que no es oro todo lo que reluce. Tras la asíncrona danza pudimos ver al jorobado de NotreDame sujeto en una aguja coronada por un gallo, supuestamente sobreviviente al incendio de la catedral. Lo que no nos contaron es que el techo de Notre Dame estaba en estado ruinoso y que los materiales empleados en su construcción y la de la aguja impedían realizar un trabajo de restauración de forma económica. El cobre, el plomo y los compuestos venenosos derivados por su exposición al aire habían creado como en el caso de las torres gemelas con el amianto un factor determinante para ser elegido como sacrificable. Eso si, unos días antes se encargaron de retirar dieciséis estatuas de cobre de la aguja de la catedral de Notre-Dame para ser restauradas junto a las famosísimas gárgolas. Notre Dame y la mezquita Al-Aqsa, en Jerusalén, el tercer lugar más sagrado del islam ardían al mismo tiempo en plena semana santa. 03 Liberté pero sin cuello Tras ver el ojo rojo de HAL, Liberté es el único rótulo que da comienzo a un acto donde las letras aparecen poco a poco, en este caso en tres fases en clara alusión a las tres palabras que nos han quedado de la Revolución francesa: Libertad, Igualdad y Fraternidad. Estas tres palabras darán paso a los actos tercero, cuarto y quinto en claro homenaje a esta falsa Revolución. Y es que la misma palabra, revolución, ya nos indica su propia falsedad. Una revolución consiste en una vuelta entera de un eje en sus 360 grados para volver al mismo sitio, y en eso han consistido todas las falsas revoluciones hasta el momento. El verdadero poder-religión se ha mantenido como eje y nosotros tan solo hemos dado vueltas como tontos. Hablar de Francia es hablar de la Revolución Francesa y hablar de la Revolución Francesa es hablar de masonería por mucho que el autoproclamado mayor experto en el tema en España, el señor García Trevijano, nunca hablase sobre ello y optase por esquivarlo ante preguntas directas. También calló siempre sobre su pertenencia a la masonería por otra parte. Muchos autores modernos han hablado sobre esto, yo desde luego os recomendaría que leyerais los dos trabajos de Jüri Lina “Bajo el Signo del Escorpión” y “Arquitectos del engaño: La historia secreta de la masonería” y que veáis el estupendo video “REVOLUCION FRANCESA Y MASONERIA” que como es habitual tendréis en la descripción del podcast en Ivoox. En el territorio patrio contamos con autores como Alberto Bárcena Pérez con libros que tratan del asunto de la masonería y la revolución. El primero de ellos se titula “La guerra de la Vendée: una cruzada en la revolución”. Donde nos cuenta desde su punto de vista católico (El es profesor de la Universidad CEU San Pablo) una de las facetas más desconocidas de la revolución francesa que es el genocidio y represión que llevaron a cabo los revolucionarios en el Oeste de Francia, en dicho departamento. Con episodios como el bombardeo con cañones como método más expeditivo y práctico que el fusilamiento de prisioneros de guerra (civiles incluidos). Hundimiento de barcas en el río con personas atadas dentro y todo tipo de atrocidades, violaciones, asesinatos etc etc. Por contra en la novela histórica de “Viva la república” de Blasco Ibáñez ante tan importantes acontecimientos históricos, no cabe duda acerca de la actitud del narrador, en absoluto objetiva ni imparcial, aun cuando no silencie e incluso llegue a condenar los horrores consecuencia de los hechos de esa fuerza desbordada que es la masa popular. Contemporánea de Blasco tenemos a la escritora Nesta Helen Webster con obras como “The French Revolution”, “Revolución mundial; el complot contra la civilización” donde habla de los illuminatis y “Secret societies” donde obviamente habla de la masonería entre otras muchas. Pero si hay un libro que deja el tema claro es “Memorias para servir a la historia del jacobinismo” escrito por el abate Barruel y traducido al castellano en 1813. Allí nos explica como los iluminados de Baviera y la masonería fueron los iniciadores y los jacobinos los ejecutores. Se abrieron logias por toda Francia para difundir la ideas revolucionarias. Luego se cerraron las logias de los pobres, las de nivel seguirían abiertas. Desde una torre octogonal nuestro amigo el portador de la luz nos muestra la ciudad de París para ir después a ver la representación de la Revolución francesa en un teatro y pasar luego a un primer plano de una guillotinada Maria Antonieta. Un octágono es la suma de dos cuadrados girados o si se prefiere es la forma de ver en cuatro dimensiones a un cubo llamado hipercubo: “Octágono que no es más que un cuadrado encima de otro cuadrado. Un cuadrado encima de otro es más simbolismo de sociedades secretas. En el lenguaje secreto de simbolismo un cuadrado encima de otro significa control sobre todo lo que está bien y todo lo que está mal. De nuevo relativismo moral. Todo lo que es justo y todo lo que es injusto. La ley del hombre. Todo lo que es positivo y todo lo que es negativo. En otras palabras. Nosotros controlamos todo. El hipercubo es un símbolo del oscuro ocultismo no específicamente del satanismo pero desde luego un símbolo oculto profundamente oscuro. El hipercubo es uno de los símbolos más ocultos dentro de todo oscuro ocultismo. Sin embargo se encuentra prevalentemente en toda nuestra sociedad en la forma de simplismo octogonal. Y como ya veremos la proyección de dos dimensiones del hipercubo es un octágono que es una representación de un objeto de cuatro dimensiones.” Los templarios fueron uno de los que utilizaron la magia que encierra esta figura geométrica en sus construcciones, sobre todo en las torres. La artesanía mudéjar o los caballeros de Malta también utilizan este simbolismo, pero sin duda donde es más utilizado es dentro de las organizaciones que mas control ejercen, el ejercito y la policia. La Conciergerie o Palais de la Cité, es un edificio histórico de París que ocupa el muelle del Reloj, en la Isla de la Cité, en el Premier arrondissement. El palacio fue residencia de los reyes de Francia de los siglos x a xiv. Terminó convertido en prisión del Estado en 1392. La prisión de la Conciergerie estuvo considerada, durante el Terror, como la antecámara de la muerte. Pocos fueron los que salieron libres de la prisión. Entre los que no, la reina María Antonieta, encarcelada aquí en 1793. El grupo heavy elegido para este acto fue Gojira cuyas letras nos hablan del medio ambiente, del espiritualismo y lo trascendental aunque aqui podemos verlos riéndose de la crucifixión de Jesucristo. Pero aqui se trata de sangre. Debemos recordar que la Revolución francesa fue cosa de masones y como su lema no eran solo 3 palabras sino 4: Libertad, Igualdad, Fraternidad o la muerte. La canción que tocó Gojira en la Ceremonia de Inauguración de los Juegos Olímpicos 2024 fue “Ah, ça ira” de Édith Piaf, una canción revolucionaria de 1790 que hace un llamado a la lucha y libertad contra la aristocracia. La cantante de ópera Marina Viotti, terminó el show desplazándose en un barco con una vela brillante, o sea iluminada, tras el apoteosis de sangre. O sea, hubo que cortar cabezas para traeros la iluminación. Esto es lo que decía la canción del grupo heavy: “Ah, eso servirá. ¡Así se hace! ¡Eso es! ¡Colgaremos a los aristócratas! El castigo para vosotros está a punto de comenzar Porque el pueblo reclama sus derechos. Habéis pagado bien por nuestras cabezas ¡Se acabó, reyes! Ya no podemos contar con los nuestros Ahora compraremos las vuestras Porque somos nosotros los que hacemos la ley. ¡Ah, eso servirá! ¡Así se hace! ¡Eso servirá! Los aristócratas en el farol Ah, así se hace ¡Así se hace! ¡Eso es! ¡Colgaremos a los aristócratas!” Después de eso veremos una parte de la libertad que supuestamente nos habla de la libertad sexual donde algunos acróbatas se mantienen en equilibrio vestidos con atrevidos colores. Esta parte de la ceremonia también abordó diversas formas de amor incluidos temas LGBT y poliamor, expresadas por acróbatas de la compañía XY y bailarines. Por ultimo vemos como un trio formado por dos chicos y una chica entran en la Biblioteca Nacional de Francia a mostrar algunos de los libros sobre amor que han cambiado los pensamientos de las personas desde 1732. Uno de los libros es "Le diable au corps" (Con el diablo en el cuerpo), de Raymond Radiguet. 04 Égalité o mejor lo llamamos mezcla En este trozo mezclan dos estilos musicales completamente diferentes porque la igualdad que nos proponen las elites psicopatocarticas en su Agenda 2030 es esa, mezclar oro con estiércol. Para abrir el segmento Égalité (Igualdad), la banda de música de la Guardia Republicana tocó "For me formidable" de Charles Aznavour en la pasarela del Puente de las Artes. La cantante franco-maliense Aya Nakamura interpretó "Pookie", un arreglo de "For me formidable" y su éxito "Djadja", frente al Institut de France acompañado por el Coro del Ejército Francés y músicos de la Guardia Republicana. Esta es parte de le letra de esta última canción: “Te hiciste el hermano mayor para ensuciarme Estás buscando problemas sin querer Maldita sea, me estás jodiendo Así no es cómo hacemos las cosas Maldita sea, me estás jodiendo Así no es cómo hacemos las cosas Maldita sea, me estás jodiendo” Y este el estribillo: “Oh, Djadja Pero de ninguna manera, Djadja Yo no soy tu perra, Djadja En la de perrito, te crees lo máximo, nene” La verdad es que a uno se le revuelve el estómago con tanta mezcla y tanto disfraz cutre. (fotos 04 Égalité 05 y 04 Égalité 06.jpg) No es que Charles Aznavour sea uno de mis cantantes favoritos pero les invito a buscar la letra de su canción y compararla…desde luego no son dos gotas de agua. Y hablando de agua yo me pregunto porque no han utilizado la Geoingeniería criminal que emplean constantemente contra nosotros y han permitido que lloviese afeando un poco el espectáculo. ¿Quizás para que los conspiranoicos no podamos decir que existe tal tecnologia? 05 Fraternité enemiga de la verdad La quinta secuencia, Fraternité (Fraternidad), comenzó con la "Danza macabra" de Camille Saint-Saëns y hacía referencia al robo de la Mona Lisa del Louvre en 1911. Nos muestran una de las esculturas icónicas del museo del Louvre, la Victoria alada de Samotracia, a la que le faltan los brazos y la cabeza. Lo que mucha gente desconoce es que su descubridor, Charles Champoiseau, cónsul francés en el Imperio otomano para Napoleón III recibió la legión de honor por tal descubrimiento. Esta escultura aparecerá también en la ceremonia de clausura. En esta parte lo verdaderamente importante es el propio museo, su colocación en esa posición exacta a 3333 metros del arco del triunfo. Les recomiendo la lectura de VISIONES DE UN MUNDO OCULTO (1) PARÍS, LA CITÉ DES LUMIERES de Vae Victis donde nos destripa gran parte del esoterismo arquitectónico de París. Mostrándonos por ejemplo el llamado eje histórico que alinea los mayores monumentos. Una foto satelital del eje histórico de París muestra como algunas construcciones relevantes trazan una línea recta sobre el territorio a lo largo de casi 8 kilómetros, desde el Arco de la Defensa hasta las puertas del Louvre. Allí tenemos al Louvre y su pirámide acristalada iluminada en la noche parisina. Ali se realizó la famosa foto de la victoria de Macron, el que esta unido a la familia Rothschild, a la masonería y aficionado a realizar cornutos y otros gestos como el de la pirámide. Poca gente sabe que la pirámide del Louvre contiene una pirámide invertida mas pequeña dentro. Se dice que entre las dos contienen 666 cristales, aunque un servidor los ha contado y son 673. Da igual, lo importante es pensar en la estructura como una alusión al concepto hermético “Como es arriba, es abajo”. Ademas de saber que ha sido utilizada en extraños rituales como el efectuado por el cambio climático el 27-9-2019. Así que es normal que algunas de las n de cuadros famosos escapen de sus lienzos y miren por la ventana el Sena aunque allí el espectáculo no sea tampoco muy tranquilizador. Vemos en el río diferentes cabezas que salen del agua pero todas en una forma que resulta dañarnos a la vista ya que están a punto de ahogarse. Me recuerda el caso de Omayra Sánchez, una niña de 13 años que murió frente a las cámaras de televisión tras luchar por su vida durante tres días. Aquello fue emitido por TV y ha sido aprovechado como publicidad hasta en festivales musicales. Creo que es una forma sibilina de decirnos que los océanos están aumentado de altura porque se derriten los polos, lo que es una falacia enorme. Curiosamente mientras llovía a mares en París un pianista tocaba “juegos de agua”, de Maurice Ravel. La ceremonia se trasladó al Museo de Orsay y rindió homenaje a la ciencia de la imagen, en particular a los cineastas franceses, los hermanos Lumière y Georges Méliès, junto con obras de la literatura infantil francesa como El Principito. A través del cine y de la literatura fantástica han logrado traernos hasta aqui y las mentiras son cada vez más grandes. Vemos como el reloj marca las 9 y 49 pero desde dentro marca las 3 y 18. Nos están diciendo que ellos controlan el tiempo y que simplemente se mantienen como observadores mostrándonos una estatua de la libertad en ruinas y como colofón la Estación espacial internacional que es el sumun de las mentiras. La Estación Espacial Internacional, revela un periscopio amarillo que muestra una secuencia animada de un submarino que presenta a los Minions de Illumination realizando varios eventos deportivos en un submarino con la Mona Lisa emergiendo del Sena después de que el submarino implosionara. Estos «mini demonios amarillos» mas conocidos por Minions utilizan justamente el color amarillo por ser el opuesto o complementario al azul. Por supuesto su creador, Pierre Coffin es un conocido masón. Ya saben que los antiguos genios o antiguos demonios de la antigüedad eran representados de azul. Recuerden que oficialmente la G que portan en pecho es por su villano GRU, no por la G de la masonería y que la compañía se llame Ilumination es una casualidad. La mezzosoprano negra Axelle Saint-Cirel representó la personificación nacional de la Marianne, cantando el himno nacional francés usando un vestido Dior con la bandera francesa en lo alto del Grand Palais. Nosotros no somos racistas, pero la Marianne era blanca y hay buenas cantantes de opera de ese color. 06 Sororité que promulga el aborto La sexta secuencia, Sororité (Sororidad, hermandad entre mujeres), destacó a 11 mujeres francesas notables que resurgían de unas bases con estatuas doradas a lo largo del Sena: Olympe de Gouges, Alice Milliat, Gisèle Halimi, Paulette Nardal, Jeanne Barret, Christine de Pizan, Louise Michel, Alice Guy, Simone Veil y Simone de Beauvoir. Curiosamente la estatua de esta última no se levantó durante la ceremonia y ni siquiera apareció por TV pero allí estaba su pedestal. Brevemente hablaremos de las dos ultimas mujeres, ambas promulgadoras del feminismo y del aborto. Simone Veil que fue una abogada y política francesa, superviviente del Holocausto. Fue ministra de Sanidad y promulgó la ley llamada ley Veil por la que se despenalizó el aborto en Francia. También presidio el parlamento europeo. Simone de Beauvoir, fue una filósofa, profesora, escritora y activista feminista francesa. Su pareja fue el filósofo Jean-Paul Sartre. Figura andrógina e icono del feminismo mas radical que mezclaba también el comunismo y la promulgación del aborto libre. Recomendaría ver el magnífico video que hizo Pedro Bustamante haciéndose la pregunta ¿Simone de Beauvoir fue un hombre? 07 Sportivité del perro y la cabra La séptima secuencia, Sportivité (Deportividad), reanudó el desfile de barcos con algunas de las delegaciones que menos medallas olímpicas han obtenido, suponemos que por casualidad. Vemos reproducidos los jardines de Versalles en unas barcazas. Los participantes llevan ropas acorde al siglo que representan, vemos un tipo llevando una gorra como el general De Gaulle con un 20 en números romanos a la espalda. El contratenor polaco Jakub Józef Orliński interpretó una pieza barroca, seguido por el rapero Rim'K cantando “King” vestido de rojo y negro y encima de un ajedrezado de cuadrados blancos y negros. La letra de la canción nos vende un futuro de superhombres si nos unimos: “¿Cuántos escollos y trampas hay en mi camino? No quiero ser un superhéroe, sólo un superhumano sigo adelante sin miedo al mañana La esperanza en mi corazón, el futuro en mis manos Saqué la bandera tan blanca y pura como la paloma (Brrr ) Todos juntos podríamos unirnos y cambiar el mundo (Oh) Sólo un día de paz para detener las bombas Sólo un día lluvioso para ocultar mis lágrimas que caen Conozco todos los callejones de París incluso con los ojos cerrados. Quiero convertirme en el Príncipe de ciudades como Michel Berger. Centrado en los puntos ciegos, estoy haciendo un buen trabajo. Viajo en un Low Rider, me gusta Snoop Dogg.” Vamos a centrarnos en este rapero multimillonario llamado Snoop Dogg lo que podría traducirse por perro husmeador. Vamos a ver que esto sigue la relación con SIRIO la estrella negra, la estrella de la constelación del perro, del verano, de la canícula veraniega. Han elevado a los altares a un delincuente y traficante de drogas que no cuenta precisamente cosas buena en sus letras a los niños y lo han exaltado como estrella a imitar en estos juegos. Debemos fijarnos en el pañuelo doblado adrede para que las estrellas de 5 puntas estén invertidas o en su inseparable colgante con la cabra que nos recuerda a la Baronesa Philippine W.P Rothschild. Aquí tuvimos a COBI, una mascota perro para celebrar nuestros juegos olímpicos. 08 Festivité Fiesta, pero pagana Y llegamos al octavo acto, que como hemos dicho y no podia ser otro por ser este año el año del ocho, ha sido el que ha tenido repercusión mundial generando un rechazo mayúsculo. Vemos un puente convertido en una pasarela de moda, de lo que ellos deciden que debemos vestir, que a su vez y como luego veremos se convierte en la mesa de la última cena. Importante es destacar que en cada tramo del puente hay colgados 6 fluorescentes y que la imagen de la cámara está diseñada para enfocar tres tramos por lo que subliminalmente veremos un 666. Por supuesto el barco con la delegación francesa aparece por allí justo cuando ha cruzado el puente el portador de la luz. Luego aparece el azul con un tributo a la Unión Europea mediante la canción "The Final Countdown" y un espectáculo de drones alrededor de la Torre Eiffel formando las 12 estrellas de la bandera de la UE. Después podemos ver a los ciudadanos que celebraban en la barcaza de la unión europea como empiezan a bailar pareciendo zombies. Por supuesto no falta el ajedrezado masónico en el suelo o en su vestuario. Y es que la magia de las logias se produce en dicha pista blanquinegra. Nos avisan con unos fogonazos azules de que lo mejor está al llegar diciéndonos que estamos unidos en la diversidad. Muy pronto nos servirán a Dioniso como si fuese un pavo. Veamos que es lo que se nos dice que representaba la parte que ha generado más controversia: “Philippe Katerine, casi desnudo y pintado como un Dioniso azul (el dios griego del vino, en homenaje a la industria vitivinícola francesa y a los antiguos Juegos Olímpicos griegos), interpretó "Nu", tumbado en el centro de una larga mesa con los participantes de la pasarela posando de una manera que recuerda a una fiesta de bacanal. La banda sonora de las primeras ocho secuencias incluía clásicos reorganizados de la canción francesa y la cultura pop mezclados por la DJ Barbara Butch. La parte del DJ del segmento se interpretó como una referencia al cuadro de Leonardo da Vinci La última cena, al cuadro de Jan van Bijlert Le Festin des Dieux y a la relación entre Dioniso y su hija Sequana, la diosa del Sena.” Philippe Katerine canta “Nu”, desnudo, aunque por motivos obvios no va desnudo aunque les gustaria, pero nos canta que desnudos no habría guerras y que seríamos como animales que nunca se exceden. Pero nosotros creemos reconocer en el a Dioniso, el más juerguista de los dioses que con su borrachera nos posee y nos hace hacer cosas inimaginables con sus caretas dionisiacas. Me pregunto porque es necesario mezclar a niños con drag queens, con hombres disfrazados de mujer a los que el dios azul vuelve locos. Todos desnudos para que el ritual pueda fluir, desde luego este supuesto dios azul da paso al siguiente acto llamado oscuridad. De la DJ Barbara Butch diremos poca cosa, que procede de padre y madre judíos y que es la figura central de una burla pagana al cuadro de la última cena de Leonardo da Vinci. Coincido con Hector en verla como Hecate con su corona de espinas guiando a los pobres mortales al inframundo. Desde luego esta recreación no se basa en el cuadro “Festín de los dioses” de Bellini ni en “Festin de los dioses” de Van Bijlert y vemos clara la burla al cristianismo. 09 Obscurité iluminada del Nuevo Orden Mundial La novena secuencia, Obscurité (Oscuridad), continuó desde Festivité, con la música volviéndose más oscura y los bailarines a bordo de la barcaza volviéndose más frenéticos. Vemos como los cuadrados blancos y negros de la pista de baile se empiezan a degradar y la Torre Eiffel adquiría un color rojo sangre mientras los bailarines parecen muñecos rotos sin identidad propia. Mientras su piso LED mostraba un montaje de varios desastres climáticos, los bailarines se desplomaron lentamente, uno por uno, tiñendo toda la pista de baile de rojo. Evidentemente nos están hablando de los planes eugenistas de la elite psicópata. ¿Se trataran de las repentinitis que estamos viendo tras el Covid? Mientras el Sena se oscurecía, Juliette Armanet apareció en una balsa cantando "Imagine" como parte de un llamado a la paz, acompañada por Sofiane Pamart en un piano en llamas. Decir que esta canción de Lennon es el himno del Nuevo Orden Mundial es quedarnos cortos. ¿Por qué decimos que la canción imagine es el himno del nuevo orden mundial? Pongan atención a las frases clave: “Imagina que no existe el Cielo Imagina a toda la gente viviendo el hoy Imagina que no hay países ni tampoco religión Puedes decir que soy un soñador pero no soy el único espero que algún día (TU) te unas a nosotros y el mundo vivirá como uno (el nuevo orden mundial ecuménico)” Es importante resaltar que dentro del mundo del satanismo el numero importante es el 9 y no el 666 como nos tienen acostumbrados por los medios, el cine o la TV. En la biblia se dice que el 666 es el numero del hombre lo cual nos lleva al átomo de carbono que está formado por 6 neutrones, seis protones y seis electrones, la molécula de la vida, el ADN no existiría sin carbono. Es por esto, que han elegido precisamente el acto nueve para denominarlo oscuridad en clara referencia a sus principios satánicos. Mark Passió, un ex satanista nos dice que esconde el número 9: “El número nueve es el número de Satán en el satanismo. Y ya he explicado anteriormente porque. Y brevemente lo haré de nuevo. Estas son las palabras de La Vey del libro «los rituales satánicos«. A pesar de otros intentos de identificar un cierto número y se está refiriendo al número seis-seis-seis (666). Con Satán se conocerá que el nueve es el número. El nueve es el número de Satán. El nueve es el número del ego. Te lo está diciendo todo aquí mismo. Lo que representa. El nueve es el número del ego ya que siempre regresa a sí mismo. Independientemente de lo que se haga mediante la más compleja multiplicación del nueve por cualquier otro número en la ecuación final sólo el nueve permanecerá. Así que veamos esta columna de la izquierda en este gráfico. 1+9=10=1 2+9=11=2 Uno más nueve es diez. Si añadimos el uno más cero del diez obtenemos uno. Así que comenzamos con uno añadimos nueve y luego al hacer la suma del resultado del diez, es decir el uno más el cero regresamos al uno. Así que comenzamos con uno y regresamos al uno. Si tomamos el número dos y añadimos nueve el resultado es once. Y uno más uno son dos. Así que comenzamos con dos y regresamos al dos. Independientemente del número con el que hagas esto con el número nueve siempre regresará a sí mismo. Qué significa. Que añadir nueve en la simbología numérica conocida como la Gematría es como añadir cero. Nunca añades nada cuando añades nueve. ¿Y qué es lo que representa el nueve? La Vey nos lo acaba de decir representa el ego. Pues cuando añades el ego en cualquier cosa ningún valor es añadido. No tienes ningún incremento. Permanece exactamente dónde está cuando se continuó añadiendo el ego. El ego no cambia nada. Ahora veamos la multiplicación del número nueve. 9*1=9 9*2=18=1+8=9 9*3=27=2+7=9 Nueve por uno es nueve. Nueve por dos es dieciocho y uno más ocho es nueve. Nueve por tres veintisiete. Dos más siete es nueve. Nueve por cuatro trenta y seis. Tres más seis son nueve. Nueve por cinco cuarenta y cinco. Cuatro más cinco es nueve. Independientemente cuán complejo sea el número que se multiplica al nueve la suma de los dígitos del resultado siempre devolverá el nueve ¿Simbólicamente que representa esto? Cuando el ego (el nueve) es multiplicado por cualquier cosa siempre regresa a sí mismo. Más ego es creado y no hay ningún cambio, comenzaste con nueve terminas con nueve, vale. Así que qué tiene esto que ver con el otro número del que habla La Vey. Pues él dice que no queremos identificarnos con el otro número seis-seis-seis (666). El así llamado número de la bestia. Pero si miramos la Gematría. Seis más seis más seis son dieciocho, uno más ocho son nueve. Eso significa en Gematría que el 666 es equivalente numerológicamente al nueve. Por eso el número de Satán es el 666, el nueve. Es una verdad matemática codificada. Y así es básicamente como funciona la oculta Gematría para simbolizar conceptos.Una manera simbólica muy embriagadora de explicar un concepto. Pero, como suelen decir, las matemáticas no mienten.” La noche del 27 al 28 a las 23:40 tras la ceremonia de inauguración de los juegos olímpicos hubo un corte eléctrico en cuatro distritos de París y 85.000 usuarios se quedaron sin luz durante 10 minutos. La propia Torre Eiffel perdió su luz. En ese momento una tuitera colgó una foto donde solo se iluminó la iglesia del sagrado corazón, en el monte de los mártires, indicando que todo está ya preparado para el RITUAL DEL SACRIFICIO. Desde luego ese piano ardiendo a la deriva nos recordó a un funeral vikingo y la próxima escena nos lo deja claro, están hablando de la oscuridad tras la muerte, la nuestra, por supuesto. 10 Solidarité a la mano izquierda 1001 Oficialmente la décima secuencia, la que debería ser de Dios, Solidarité (Solidaridad), mostraba a un jinete enmascarado que representaba a la heroína francesa Juana de Arco llevando una bandera olímpica como capa junto con una armadura plateada y negra, montando un caballo mecánico metálico a lo largo del Sena para difundir el espíritu de los Juegos. Este segmento hizo referencia a Pierre de Coubertin y la historia de los Juegos Olímpicos, con numerosas imágenes de archivo y momentos destacados de Juegos pasados. Los voluntarios que portaban las banderas de los países participantes se reunieron bajo la Torre Eiffel. Creemos en realidad que el jinete enmascarado es el mismo enmascarado que ha venido acompañándonos durante toda la ceremonia y que no es otro que Caronte. Lo vimos abrir el desfile de las barcas tras él, atrayendo a todos esos países al Nuevo Orden Mundial y ahora lo vemos llevando tras él a todas esas naciones de nuevo. En cuanto a que un caballo cabalgue por el agua volvemos a ver una burla al cristianismo cuando Jesús caminó por el agua y tenemos en cuenta las palabras escritas en Apocalipsis 6:8 El jinete apareció sobre un caballo blanco y desfila por la Torre Eiffel que hace de pasarela y desde su perspectiva toma el camino de la mano izquierda. “El camino de la mano izquierda” significa utilizar la magia para hacer el mal, utilizarla de forma más agresiva para lastimar a los demás y romper su voluntad o hacerlo de forma inmoral, antiética o maligna. Lleva esta bandera olímpica doblada a un mástil en el Trocadéro justo frente a las estatuas del toro y el ciervo. Les ofrece un truco o trato a todos esos países que aceptan gustosos la implantación del Nuevo Orden Mundial. Vemos como las alas de Isis están presentes en esta ceremonia pagana mostrándonos caballos voladores como en tradiciones como la India. La Torre Eiffel del Trocadero está en posición invertida a la torre real. Si nos fijamos en la foto en la real la luz está en la punta y en la que está en el Trocadero todos los focos estarán en la base que es donde se realizaran las cosas solemnes. Se han vuelto virales los recuerdos de la Torre Eiffel invertida en forma de antorcha. El Himno Olímpico fue interpretado por el Coro de Radio Francia con la Escuela Coral de Radio France y la Orquesta Nacional de Francia mientras miembros de las Fuerzas Armadas francesas izaban la bandera, que accidentalmente fue colocada al revés, o eso nos dice la oficialidad. Mientras es izada al revés los dos coros, uno vestido de negro riguroso y otro con los colores de la bandera francesa cantan adoptando la posición de pirámide truncada invertida. Ya sabemos que la inversión es parte fundamental de los rituales oscuros. 11 Solennité en la hora del pacto Tony Estanguet, presidente del Comité Organizador de los Juegos de París 2024, da un discurso del que nos quedamos con dos frases: “Queridos deportistas, un fragmento de la Torre Eiffel estará en el centro de cada una de vuestras medallas.” “De hecho, fueron los Juegos los que nos hicieron crecer. Vinieron a recordarnos que, aunque en Francia nunca nos ponemos de acuerdo en nada, en los momentos importantes sabemos cómo unir nuestras fuerzas.” La primera frase nos recuerda que cada medalla olímpica estará adornada con una pieza metálica hexagonal creada con el hierro original utilizado en la construcción de la Torre Eiffel. Esto es posible porque durante el siglo pasado se realizaron trabajos para modernizar los ascensores de la Torre Eiffel. Como resultado, se retiraron secciones de “la Dama de Hierro” de forma permanente y se conservaron para el futuro. "Decidimos añadir este hexágono [que representa la forma de Francia] de la misma manera que lo haríamos con una piedra preciosa, en el centro y colocado como el elemento más precioso de la medalla", apunta Clémentine Massonnat, responsable de las actividades creativas de Chaumet la joyería que ha creado las medallas. Tiene guasa el nombre, Masson…nat, pero más inquina tiene la forma hexagonal que han añadido, yo supongo que para añadir peso y deshacerse de la chatarra, ja, ja, ja. Les recomiendo que lean mi artículo OSCURO OCULTISMO EN HIPERCUBOS, HEXÁGONOS Y OCTÁGONOS. Allí intentó explicarles porque están relacionados el 9 y el 11 con el hexágono que es la figura que se genera en su interior cuando expresamos esas dos cifras en números romanos. Son la escuadra y el compás cruzados entre las dos columnas del templo masónico, o emblemas sagrados en religiones mistéricas como el hexagrama de Salomón o el “Auspice Maria” bajo la protección de Maria del cristianismo. 1105a The glow of sirius, the blazing star, el resplandor de Sirio, la estrella ardiente son directamente los rayos del brillo de sirio, la estrella ardiente de las logias. Medallas con el cubo de Saturno (seth) en su interior, y en el centro la llama robada de la sabiduría. Aunque cambien nombres y los encripten, siempre son los mismos símbolos. El cubo, la Matrix de Saturno o Seth. Nosotros no podemos despejar sus dudas como despejaron los aviones de París durante la ceremonia de apertura de los JJOO, pero sabemos que el hexágono que es la forma 2D en que se ve un cubo en 3D es un símbolo muy poderoso que todos quieren utilizar. Como la selección francesa y su gallo dentro de un hexágono, nótese que las tres efes pueden entenderse como tres seises ya que la f corresponde al 6 en el alfabeto. El hexágono es una forma natural que representa a toda la humanidad, hombres y mujeres, como pueden ver en este esquema donde también se muestra como los pedófilos utilizan asimismo esos símbolos primigenios. Es el mal uso que se dé a un símbolo lo que lo convierte en maligno, neutro o benigno. En cuanto a la segunda frase parece indicar que siguen con sus planes de unificar al mundo entero en su ya desnortado Nuevo Orden Mundial. El Juramento Olímpico lo prestaron los abanderados franceses Mélina Robert-Michon y Florent Manaudou, el entrenador Christophe Massina y un árbitro de lucha libre. Zinedine Zidane tomó la llama olímpica del portador enmascarado y se la entregó al tenista español Rafael Nadal, quien llevó la llama por el Sena en barco junto con los campeones olímpicos Carl Lewis, Serena Williams y Nadia Comăneci. Un juego de luces en la Torre Eiffel nos anuncia que el pacto está cerrado. ¿El pacto con quién? Obviamente con Lucifer. El ojo que todo lo ve nos observa desde la dama de hierro. Y lo dejan claro con el tema elegido para cerrar, un tema del musico Cerrone titulado Supernaturaleza mientras el cantante es iluminado con cuatro focos que le dan el aspecto de una estrella de cinco puntas: “Érase una vez La ciencia abrió la puerta Alimentaríamos los campos hambrientos Tilll ya no podían comer Pero la poción que hicimos Tocó a las criaturas abajo Y crecen de alguna manera Que nunca habíamos visto antes Supernaturaleza, supernaturaleza, supernaturaleza, supernaturaleza Estaban enojados con el hombre Causa cambió su forma de vida Y toman su dulce venganza Mientras pisotean toda la noche Por cien millas o más Se podía oír llorar a la gente Pero no hay nada que puedas hacer Incluso Dios está de su lado Dios está encendido, Dios está encendido, Dios está de su lado Supernaturaleza, supernaturaleza, supernaturaleza, supernaturaleza Los coches romperán la luz Ven fluyendo en el aire La criatura decidirá ¿Quién va a dónde? ¿Cómo puedo explicarlo? Las cosas son diferentes hoy en día Oscuridad alrededor Nadie hace un sonido Qué triste afable A nadie parece importar

China's Zheng Qinwen stunned top-ranked Iga Swiatek of Poland with a 6-2, 7-5 victory on Thursday in the women's singles tennis semifinals in Paris. Her achievement surpassed Li Na's fourth-place finish and made her the first ever Chinese player to reach the women's singles final in the Olympics.当地时间8月1日，在巴黎奥运会网球女单半决赛中，中国选手郑钦文以6-2,7-5的比分击败了波兰顶级运动员伊加·斯瓦泰克。她超越了李娜止步于四强的历史，成为第一位进入奥运会女子单打决赛的中国选手。No 6 seed Zheng will face either Croatia's Donna Vekic or Anna Karolina Schmiedlova of Slovakia in the gold medal match.6号种子选手郑钦文将在决赛中迎战克罗地亚选手多娜·维基奇，或斯洛伐克选手安娜·卡罗琳娜·施米德洛娃。"I feel more than just happy — happy isn't enough to describe how I feel," said Zheng, who played back-to-back three-hour matches to make the semifinals. "If you ask me to play three hours more for my country, I could do it again."郑钦文与对手进行了连续三个小时的对决，赢得半决赛，她表示：“我觉得非常开心，开心难以形容我现在的心情，因为祖国在支持着我，如果需要再战斗三个小时，我也能做到。”Zheng, 21, was defeated by Swiatek, four-time French Open champion, at Roland Garros, in all of their six previous meetings.斯瓦泰克已在法国网球公开赛实现四连冠，郑钦文在与其前六次交手时均被打败。"It was an amazing match. To beat Iga is not easy, as it's an important event for her," Zheng said.郑钦文说：“比赛很激烈，想要打败伊加并不容易，因为这场比赛对她来说很重要。”On Thursday, Wang Xinyu and Zhang Zhizhen also made history by defeating Demi Schuurs and Wesley Koolhof of the Netherlands 2-6, 6-4, 10-4 in the mixed doubles tennis semifinals. The Chinese duo's opponents in the final will be decided by the result of a match between a Czech mixed doubles team and the Individual Neutral Athletes.同时，8月1日，王欣瑜和张之臻在网球混合双打半决赛中，以2-6, 6-4, 10-4的比分击败了荷兰选手黛米·舒尔斯和韦斯利·库尔霍夫，创造了历史。在决赛中，中国队的对手将取决于捷克混双队伍与个人中立运动员之间的比赛结果。Before the Chinese tennis players' historic victories, Chinese shooter Liu Yukun and race walker Yang Jiayu, who hold world records in their respective disciplines, clinched the 10th and 11th gold medals for China at the Paris Games.在中国网球选手取得历史性胜利之前，中国射击选手刘宇坤和杨家玉在各自的项目中保持着世界纪录，分别为中国赢得在巴黎奥运会的第10枚和第11枚金牌。Liu, 27, scored 463.6 points in his Olympic debut to secure gold in the men's 50-meter rifle 3 positions final at the Chateauroux Shooting Centre, around 270 kilometers south of Paris. His victory marked the fourth gold medal for the Chinese shooting team at the Games.在位于巴黎以南约270公里的沙托鲁射击中心，27岁的刘宇坤以463.6分的成绩在男子五十米步枪三姿决赛中获得金牌，这是他第一次参加奥运会。这是中国射击队在本届奥运会上获得的第四枚金牌。"I'm very lucky, because the Olympics happened at a time when I'm in a good stage (of my career)," Liu said, adding: "Today, I did not perform as well as I did in the World Cup. I feel like my overall control is good and my mentality is good. I was not as nervous as I was during the initial competitions."刘宇坤说：“我觉得自己很幸运，因为奥运会开展时，我正处于好的职业发展期。今天，我的表现不如我在世界杯中表现得那么好。我觉得我的整体控制是好的，我的心态也是好的，我没有像在最初的比赛中那样紧张。”The shooter admitted that he was "influenced" by the audience, the cheering and the surroundings in general, but said he tried to get a grip on all distracting thoughts and stay focused during the competition.刘宇坤表示，他受到了观众、欢呼声和周围环境的影响，但他一直在努力集中思绪，专注于当前的比赛。"I just believed in myself and had a lot of confidence," he added.他说：“我坚信自己，并且满怀信心。”Liu is making his Olympic debut much later than many would expect. Zhang Changhong, who won gold at the same event during the Tokyo 2020 Olympic Games, was just 21. Though new to the Olympic stage, Liu secured his spot for the Paris Games as early as October 2022, during the World Championships in Cairo, Egypt.刘宇坤在奥运会上的首次亮相比许多人预期的要晚得多，在2020年东京奥运会上夺得金牌的张常鸿只有21岁。虽然刘宇坤刚刚进入奥运舞台，但早在2022年10月，在埃及开罗举行的世界锦标赛上，刘宇坤就获得了巴黎奥运会的参赛资格。In May, Liu set a world record with 468.9 points during the World Cup in Baku, Azerbaijan.今年5月，刘宇坤在阿塞拜疆巴库举行的世界杯赛上，以468.9分创造了世界纪录。Yang, 28, delivered another win for China just an hour after Liu.28岁的杨家玉，在刘宇坤夺金后一个小时，为中国队赢得了另一场胜利。On the first day of the athletics events at the Paris Games, she blazed to the finish line in 1:25:54 to secure gold in the women's 20-km race walk at the Trocadero.在巴黎奥运会田径比赛的第一天，她在特罗卡德罗广场举办的女子20公里竞走赛中，以1:25:54的成绩冲到终点线，夺得金牌。This victory marks a significant turnaround for Yang, who finished 12th at the Tokyo Games. "Tokyo was very tricky for me, so I worked harder to make a comeback and get the best results in Paris," she said.杨家玉在东京奥运会上仅排第12名，此次胜利对她来说是一个重大转折。她表示：“东京奥运会对我来说非常艰难，所以我加倍努力想在巴黎复出并取得最好的成绩。”Yang's Paris win has extended China's dominance in the event.杨家玉的胜利扩大了中国在本届奥运会中的影响力。The tradition of excellence began with Wang Liping's gold medal at the Sydney 2000 Olympic Games. The 2012 Games in London saw an unprecedented sweep by Chinese athletes Qieyang Shijie, Liu Hong and Lyu Xiuzhi, who claimed gold, silver and bronze, respectively.王丽萍在2000年悉尼奥运会上夺得金牌，中国队的杰出传统就此开始。在2012年伦敦奥运会上，中国运动员切阳什姐、刘虹和吕秀芝分别夺得金牌、银牌和铜牌，获得了史无前例的大满贯。Liu Hong further solidified her career with a gold medal at the Rio Games in 2016 and bronze in Tokyo. At the Paris Games, the now 37-year-old, who once held the world record with a time of 1:24:38, finished 21st.刘虹在2016年里约奥运会上夺得金牌，并在东京夺得铜牌，进一步巩固了她的职业生涯。在巴黎奥运会上，这位曾经以1小时24分38秒的成绩保持世界纪录的37岁老将名列第21名。Semifinaln.半决赛Back-to-back matchesn.中场休息间隔时间很短的比赛Individual Neutral Athletesn.个人中立运动员

Chris Chavez and Mac Fleet have arrived on-site in Paris for the 2024 Olympics. We share a little behind-the-scenes of CITIUS MAG's first few days in France and what to expect from our coverage of the Games. Chris attended the Opening Ceremony and stood in the rain to watch the Parade of Nations as each country made its way down the Seine and toward the Trocadero before the Olympic flame was lit to mark the start of the Games. Judo star Teddy Riner and 400 meter Olympic gold medalist Marie-José Pérec lit the Olympic cauldron Plus, Céline Dion made her return to the stage for the first time since 2020 as she's been dealing with stiff person syndrome and took some time away to focus on her health. She performed Edith Piaf's “L'Hymne à l'amour.” We recap Day 1 and get ready for track. Host: Chris Chavez | ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@chris_j_chavez on Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Host: Mac Fleet | ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@macfleet on Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Eickels, Anne van www.deutschlandfunkkultur.de, Studio 9

Olimpiadi di Parigi, rischia di essere un flop economico. Il conto finale vicino ai 10 miliardi Con l'inedita Cerimonia di Apertura al Trocadero la spianata che si apre ai piedi alla Torre Eiffel - e prim ancora con la sfilata sulla Senna dei battelli che trasporteranno le 206 delegazioni, questa sera alle 19.30 cominciano ufficialmente le Olimpiadi di Parigi. Diecimila atleti si sfideranno fino all 11 agosto prossimo (dal 28 agosto all 8 settembre ci saranno invece le Paralimpiadi che coinvolgeranno altri 5mila sportivi) per conquistare l alloro più ambito della carriera sportiva. Per ridurre l impatto economico ed ambientale sono stati impiegati impianti già esistenti o temporanei, convertendo per il periodo delle gare anche luoghi iconici della capitale francese, come il Grand Palais dell Esposizione Universale del 1900 che ospiterà i tornei di taekwondo e scherma, l area adiacente alla Tour Eiffel sede del beach volley o la Reggia di Versailles, per le gare di equitazione e pentathlon. Le strutture edificate ex novo sono pochissime, come il Villaggio olimpico principale (82 edifici per tremila appartamenti che saranno destinati poi ad uso pubblico, costati 646 milioni, di cui 542 a carico dello Stato), la passerella tra lo Stade de France e il nuovo centro acquatico olimpico e appunto l Aquatics Centre di St. Denis (realizzato con un esborso di circa 180 milioni). Ma quale sarà il conto finale della Olimpiadi parigine? Le stime più probabili a consuntivo sono quelle di un costo della manifestazione di circa 10/12 miliardi, rispetto a un budget indicato all epoca dell assegnazione, nel 2017, pari a 6,8 miliardi. Un livello già salito ufficialmente a 8,8 miliardi. Una spesa che sarebbe comunque inferiore a quella delle Olimpiadi di Tokyo, rinviate al 2021 a causa della pandemia e caratterizzate dalla quasi integrale assenza di pubblico, per le quali sono stati impegnati almeno 15 miliardi (rispetto ai circa 8 previsti all inizio) e in linea con l esborso sostenuto dal Brasile nel 2016 per i Giochi di Rio (dove il budget iniziale però era di appena 2,6 miliardi di euro).Intanto anche l'impatto sulla città di Parigi sembra essere deludente: Tanti abitanti della città, ritengono le misure di sicurezza eccessivamente restrittive e limitanti. Molti negozianti e ristoratori, poi, si sono già accorti di un grave calo nei propri guadagni, dovuto soprattutto al fatto che molti clienti e turisti evitano di frequentare le zone centrali, quelle più soggette a queste misure di sicurezza. Secondo la Confederazione del commercio francese, le vendite delle piccole imprese in quelle zone sono calate fino al 70 per cento nell ultima settimana. Un negoziante che vende souvenir vicino alla cattedrale di Notre-Dame, per esempio, ha raccontato al New York Times che normalmente guadagna circa 1800 euro al giorno: nell ultima settimana dice di averne guadagnati molti meno, toccando un minimo di 18 euro al giorno. Lunedì il presidente francese Emmanuel Macron ha detto che il governo valuterà eventuali risarcimenti per le imprese più colpite. Il danno economico, però, non è limitato soltanto ai giorni delle Olimpiadi: Air France ha detto che prevede perdite fino a 180 milioni di euro nel periodo tra giugno e agosto, dovute alla «significativa tendenza [dei turisti] a evitare Parigi» durante un periodo tanto caotico. Secondo le ultime previsioni la città quest estate sarà visitata da 4 milioni di turisti in meno del previsto. Ne parliamo con Marco Bellinazzo de Il Sole 24 Ore e con Dario Ricci di Radio24.

Iniciamos la conversación con Arturo Ángel, periodista independiente en EUA– sobre la detención de Ismael Zambada García, El Mayo, y Joaquín Guzmán López, en El Paso, Texas; altos líderes del Cártel de Sinaloa, una de las organizaciones delictivas más poderosas de México, informó el Departamento de Justicia.  Fernando Cruz, reportero en el Estado de México– comenta sobre el bloqueo realizado con un tractor y llantas por parte de los campesinos que bloquean el Arco Norte en el tramo Pachuca - Tulancingo, en el kilómetro 148 en ambos sentidos, a causa de incumplimiento de pagos por sus tierras por parte de autoridades federales. Dr. Luis Salamanca –profesor en Ciencias Políticas y Derecho Constitucional de la Universidad Central de Venezuela– nos habla sobre el llamado de los a votar el próximo 28 de julio en unas elecciones donde, según las encuestas, el chavismo, liderado por el presidente Nicolás Maduro, llega castigado por el desgaste; mientras que la oposición, encabezada por Edmundo González Urrutia, aspira a que su popularidad y el ánimo de cambio se reflejan en las urnas. Jorge Chamorro –periodista– y Daniel González –especialista en cine– nos hablan acerca de la ceremonia de apertura de los Juegos Olímpicos París 2024 que salió del estadio rumbo al Río Sena. El puente Austerlitz es el punto de salida para los barcos que llevarán a los atletas hasta Trocadero, frente a la Torre Eiffel. Programa transmitido 26 julio de 2024. Escucha Esto no es un noticiero con Nacho Lozano, en vivo de lunes a viernes de 1:00 p.m. a 2:00 p.m. por el 105.3 de FM. Esta es una producción de Radio Chilango.

París es una de las ciudades más turísticas del mundo. El año pasado en los meses de verano, entre junio y agosto, la capital francesa recibió 10 millones de visitantes. Este 2024 con los Juegos Olímpicos se esperan incluso más. Sin embargo, algunos turistas han preferido venir antes, para disfrutar de sus monumentos con más tranquilidad, pero se han encontrado con la sorpresa de que los preparativos dificultan su visita.  El sonido de las obras ha pasado a ocupar el del clásico acordeón que todos imaginamos en una visita a París. A pocos días de los Juegos Olímpicos, la ciudad sigue preparándose: Seguridad, calles cortadas o vallas para cercar las zonas de competición han pasado a formar parte de la estampa habitual de la capital. La plaza de Trocadero, conocida por ser uno de los mejores lugares para hacerse fotos con la Torre Eiffel de fondo, está casi desierta. Con la parada de metro cerrada, el tráfico restringido y la colocación de vallas que obstruyen la vista, los turistas prefieren acercarse a otros lugares como la zona del Louvre.Allí, Luciano, que ha llegado de Argentina junto con su pareja y unos amigos, nos cuenta: "Llegamos ayer a la tarde con la intención de recorrer hoy París y nos encontramos con que está todo cerrado y medio complicado para recorrer y conocer".Lo que más nos impresiona no es la cantidad de turistas, porque esperábamos muchos, sino cómo está la ciudad acordonada"Sí que sabíamos que están los Juegos Olímpicos y que la inauguración es el día 26, pero esperábamos que no estuvieran tan cerrados todos los edificios históricos", nos dice María, de España.Procedente concretamente de Ávila, visita la capital con sus dos hijos y su esposo, Eduardo, que comparte opinión: "Lo que más nos impresiona no es la cantidad de turistas, porque esperábamos muchos, sino cómo está la ciudad acordonada. Todos los edificios están vallados y con muchos carteles  publicitarios que no te dejan ver bien los edificios y sus fachadas. Es un poco decepcionante".Nos acercamos al Ayuntamiento, punto de partida habitual de tours organizados. Allí Richard, guía turístico peruano, nos cuenta cómo la ciudad ha cambiado: "La mayoría de los monumentos están bloqueados, al menos en el centro. Nos adaptamos día a día. Al menos muchos museos están abiertos y no hay problema, pero hay que adaptarse".Durante los Juegos Olímpicos se espera otro tipo de visitantes, que vendrán a apreciar la ciudad, pero sobre todo a asistir a los eventos deportivos. La cita olímpica termina el 11 de agosto y será a partir de ahí cuando París empiece a regresar a la normalidad.

Seb White is with Tommy Stewart and James Bird to discuss ten years and no testimonials, Owen's return, biscuits, Seb's mother, WhatsApp groups, Alan Pardew, Jesse Lingard, Gareth Southgate, Seb's sledgehammer, Deutschland 83, Real Betis, Joaquín, Jimmy Anderson, Kappa kits, Nick Barmby, moving across Merseyside, Mike Tyson, Spike Lee and Bukayo Saka, EURO 2000, Sainsbury's England coins, Aliens, the Trocadero, Signs, Ridley Scott, James Cameron, Terminator 2, Texas Chainsaw Massacre, special pin numbers, recording Countdown, those channels, Ronaldinho at PSG, the Olympics, Grêmio, Dunga, hard-launching, Jay-Jay Okocha, Nikolas Anelka, Mikel Arteta, Mauricio Pochettino, Luis Fernández, Fête de la Musique, Manchester United, Barcelona, Paris nightlife, holiday newspapers, Cristiano Ronaldo, GIANT, Graham Hunter, Take the Ball Pass the Ball, panic attacks, writing in the pub, the power of the pen, Ernest Hemingway, Marc Jones' Wimbledon kits, World Wide Seb and Microsoft Bird, Vicki Sparks, Chappers, John Murray, long throws, the Neville brothers, 909 or 693, invented terminology, muted celebrations, getting back on the bike, taking it easy, Lily Allen, car cigarettes, pie and mash shops, Munchies, stag dos & stens and loads more.Get the latest issue of MUNDIAL Mag hereFollow MUNDIAL on Twitter - @mundialmagFollow MUNDIAL on Instagram - @mundialmag Hosted on Acast. See acast.com/privacy for more information.

C'est le grand fait d'armes de la première Restauration, et l'exploit revendiqué de Chateaubriand : la prise du fort du Trocadéro, à Cadix, en 1823. Mais que cache cette expédition militaire en Espagne ? Mention légales : Vos données de connexion, dont votre adresse IP, sont traités par Radio Classique, responsable de traitement, sur la base de son intérêt légitime, par l'intermédiaire de son sous-traitant Ausha, à des fins de réalisation de statistiques agréées et de lutte contre la fraude. Ces données sont supprimées en temps réel pour la finalité statistique et sous cinq mois à compter de la collecte à des fins de lutte contre la fraude. Pour plus d'informations sur les traitements réalisés par Radio Classique et exercer vos droits, consultez notre Politique de confidentialité.Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

2 + Hours of a mixed bag of Summer memoriesFirst a look at this day in History.Then The Shadow starring Orson Welles and Margot Stevenson, originally broadcast June 26, 1938, 86 years ago, The Blind Beggar Dies. Missing airplanes in South American lead the Shadow to a mad scientist with a serum to make people older. Followed by the news from 86 years ago, then Jack Benny, originally broadcast June 26, 1938, 86 years ago, Last Show of the Season.  Mary reads a farewell poem on the last show of the season. Phil sings (in Kenny's absence). Mary sings, "Says My Heart." Jack invites the gang to The Trocadero when Swing Hi (his Chinese cook) refuses to cook for the cast. Guest Dave Elman describes his show, "Hobby Lobby," which will replace Jack's show for the summer. Then The Fred Allen Show, originally broadcast June 26, 1949, 75 years ago, his last show.  The last show of the series, the last regularly scheduled show starring Fred. A walk down Main Street, asking the Allen's Alley residents "Do most people plan their vacations?" The De Marco Sisters sing, "Time Didn't Change A Thing," written by Ann De Marco. Guest Henry Morgan needs $300, so Fred takes him to the secret vault of "Mr. X." NBC has the last laugh though...Followed by The Adventures of Frank Merriwell starring Lawson Zerbe, originally broadcast June 26, 1948, 76 years ago, Unreasonable Aunt. Frank saves a woman from being cheated out of her soap factory. Finally Lum and Abner, originally broadcast June 26, 1942, 82 years ago, Elizabeth and Pearl Leave.  Lum's brilliant idea to make peace between Abner and Lizabeth...break down the door!Thanks to Richard for supporting our podcast by using the Buy Me a Coffee function at http://classicradio.streamCivil defense info mentioned on the show can be found here: http://www.civildefensemuseum.com/docs.html

Welcome to the Institute of Black Imagination podcast, beaming in conversations from the galaxy of Black genius. I'm your host, Dario, and today, we have the pleasure of chatting with Nifemi Marcus-Bello, a visionary design director and founder of Nmbello Studio. Renowned for his community-centric and ethnographically-conscious design ethos, Nifemi's practice exemplifies how obstacles are merely opportunities in disguise.PIn this conversation, we explore the journey of a designer deeply rooted in his Nigerian upbringing. Nifemi shares how he overcame societal pressures that attempted to sway him from his creative path, how reimagining local materials and processes expanded his own design language, and we even get into blood memory and ancestral wisdom. Yeah, it's one of those episodes. Connect with us on Twitter and Instagram @blackimagination, subscribe to our newsletter for updates, and support the show by clicking this support link. and explore more content on blackimagination.com. Now, beaming in from across the Atlantic, design director and industrial designer, Nifemi Marcus-Bello.Key LinksEthnographic Museum of Trocadero - first anthropological museum in ParisThis conversation was recorded on April 30, 2024.Host Dario Calmese Producer: K.T. ThompsonLead Designer: Elliott McKnightDirector of Digital Content: Vicky GarciaProduction Asst: Noa LescheArchivist & Research: Cyle WarnerOriginal Music composed by Adam RadiceSound Engineer: Adam RadiceVisit us at blackimagination.com Watch other episodes on YouTube at The Institute of Black Imagination.

Francia enfrenta importantes desafíos a medida que se acercan los Juegos Olímpicos de París 2024. Desde la seguridad hasta la logística, el Gobierno francés está trabajando para abordar preocupaciones cruciales antes de la fecha de inauguración, el 26 de julio. Con la alerta de terrorismo elevada y preocupaciones sobre la infraestructura y el transporte, Francia busca asegurar el éxito del evento deportivo de renombre mundial. Analizamos los retos de los JJ. OO. de París a 100 días de su inicio. Con la cuenta regresiva para los esperados Juegos Olímpicos de París 2024, el Gobierno francés se encuentra ante una serie de desafíos que van desde la seguridad hasta la logística. Uno de los principales retos que enfrenta Francia es garantizar la seguridad del evento, especialmente después de que una rama del grupo yihadista Estado Islámico se atribuyera un letal ataque en una sala de conciertos en Moscú, a finales de marzo. En respuesta, el Gobierno ha elevado la alerta de terrorismo en el país al máximo de tres niveles, preparándose para cualquier amenaza inminente. Con la fecha de inauguración cada vez más cercana, prevista para el 26 de julio, Francia aspira a realizar por primera vez en la historia un evento inaugural al aire libre. El plan incluye que más de 10.000 atletas naveguen por 6 kilómetros del río Sena, creando una imagen impresionante para dar inicio a los juegos. Sin embargo, ante los riesgos de seguridad, el presidente Emmanuel Macron ha confirmado la existencia de planes alternativos, como limitar las celebraciones a la Plaza de Trocadero o realizar el evento dentro del emblemático Stade de France en la capital. Además de los desafíos de seguridad, persisten preocupaciones sobre la infraestructura y la preparación del transporte para el evento. Existe incertidumbre sobre si todos los sistemas de transporte estarán listos a tiempo, lo que se agrava con el riesgo de huelgas que podrían afectar la movilidad durante los juegos. Para analizar estos desafíos y más, conversamos con nuestros invitados en esta edición de El Debate: - Juan Pupiales, editor de deportes de France 24. - Eumar Esaá, periodista deportiva especializada en Juegos Olímpicos. - Alan Riding, escritor y periodista del New York Times para América Latina y Europa, autor de varios libros como 'Vecinos Distantes: Un Retrato de los Mexicanos'. 

While at university Pasan Wijesena (Earl's Duke Joint, Jacoby's Tiki Bar, The Trocadero Room, The Magpie of Enmore) picked up part time bar work to get by. He soon became enamored with the world of cocktails and small bars and began to dream of bringing the small bar experience to Sydney's inner west. Over a decade later and he has four of the most influential small bars in Sydney's suburbs, all with their own identity. https://www.instagram.com/earlsjukejoint/ Follow Deep In The Weeds on Instagram    https://www.instagram.com/deepintheweedspodcast/?hl=en Follow Huck https://www.instagram.com/huckstergram/ Follow Rob Locke (Executive Producer) https://www.instagram.com/foodwinedine/ LISTEN TO OUR OTHER FOOD PODCASTS https://linktr.ee/DeepintheWeedsNetwork Deep in the Weeds is a food podcast hosted by Anthony Huckstep in conversation with chefs, food producers and members of the hospitality industry. An Australian Food Podcast from the Deep in the Weeds Network.

On April 16, 2019  we woke up and realized the fire of Notre Dame wasn't just a bad dream, it had happened. Although, in the days following little pieces of good news began to appear. With a stroke of luck, the statues lining the ribs to the spire were removed just days before. The 12 statues of the Apostles and four figures of the Evangelists flew across the skyline of Paris on April 11, 2019.  Each one weighed 500 pounds and to remove them their heads were detached and they were hoisted off the roof. The hollow statues constituted a metal structure that was covered with copper that had tarnished through the ages. In just two years the statues were restored and placed in the Cité de l'Architecure & Patrimoine where you can still see them for a few more months. They stand alongside a fantastic exhibition dedicated to the restoration of our beloved Notre Dame. As the project progresses so does the exhibit, don't miss it and then go again and again. Listen to our 2nd episode in our monthly series dedicated to Notre Dame until there reopening on December 8, 2024. Be sure to visit the Cité de l'Architecure & Patrimoine when you are next in Paris. Located at the Trocadero, just across from the Eiffel Tower it is open Wednesday - Monday 11 am - 7 pm, and Thursday 11 am - 9 pm. However, don't wait to explore, watch my video that shows you all these treasures of Notre Dame and more. For more info and photos in the episode guide here    https://www.claudinehemingway.com/tours-of-parisSign up for weekly Paris history emails Let Claudine plan your perfect trip to Paris  https://www.claudinehemingway.com/Author & historianPodcast La Vie Creative, Paris History Avec a Hemingway Hemingway Tours of ParisClaudineHemingway.comIG @claudinebleublonderougeFB @bleublonderouge La VIe Creative - Paris History Avec a Hemingway podcast.New Every Monday And find my live from Paris videos and more at my YouTube channel Live From Paris Every Sunday, filled with the history of the places, buildings and the people that came before us.  Support the show

With Navalny's funeral due to take place this week his widow Yulia says the West should take a more innovative approach in helping the Russian opposition. Also in the programme, 15% of the Democratic votes in Michigan's presidential primaries were marked “uncommitted”; and last year's asylum applications rose to the highest level since 2015 says the EU's Asylum Agency. (Candles burn as people attend vigil following the death of Russian opposition leader Alexei Navalny, at the the Trocadero near the Eiffel Tower in Paris, France. Credit: Reuters)

Le Palais du Trocadero devenu Palais de Chaillot en 1937 est classé aux monuments historiques depuis 1980.Son histoire est étroitement liée aux différentes Expositions Universelles qui se succédèrent à Paris.Découvrez comment ce Palais a été construit puis camouflé et transformé pour prendre la forme qu'on lui connaît aujourd'hui.Les ailes du Palais de Chaillot abritent deux musées qui se visitent en famille.Des activités sont proposées pour les enfants:Cité de l'Architecture : ateliers enfantsMusée de l'Homme: visites et ateliers enfantsRaconte-moi Paris c'est:Un podcast sur l'histoire des monuments de ParisUn podcast familialUn podcast jeunesseHistoires pour enfantsMonuments de ParisHistoire de FranceHistoire du TrocadéroHistoire du Palais de Chaillot#podcasthistoireParis#podcastTrocadero#podcastpalaisdeChaillot#podcastExpositionUniverselle#histoirepourenfants#podcastenfants#podcastfamille© Olivia CAMINADE 2023Accompagnements musicaux: Lighter shades © Evert Z, The Return ©AlexanderNakarada, QuietTree ©Thoribass, Anticipating you ©Antony Vega, Sunrise ©Antony Vega, Special Times ©Antony Vega,Academy ©MrKey, Sleep- ©Scott Buckley Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

In less than a year, France will play host to the Olympic and Paralympic Games. The opening ceremony will be played out along the River Seine in the nation's capital city Paris. The Seine is also set to be the scene of the open-water swimming events and work is now being done to make sure the polluted waterway will be clean and safe enough for the Olympic participants. To accommodate the expected influx of visitors to the Games, new transport links are been built. Whilst its already been acknowledged that some of the network is planned to link up a number of Olympic sites, it won't be ready in time for the Games. There are plans to provide extra river boats and cycle lanes.In addition to all this is the question of whether the French themselves are in the mood to celebrate the Games. This summer saw waves of social and political unrest in the country, but traditional sporting events like the Rugby World Cup have played a role in bringing the country together.This week on The Inquiry, we're asking ‘Is Paris Ready for the 2024 Olympics?' Contributors: Jean-Marie Mouchel, Professor of Hydrology, Sorbonne University, Paris, France Florence Villeminot, Journalist and Presenter, France 24, Paris, France Bill Hanway, Global Sports Leader, AECOM, Dallas, Texas, USA Rainbow Murray, Professor of Politics, Queen Mary University of LondonPresenter: Tanya Beckett Producer: Jill Collins Researcher: Matt Toulson Technical Producer: Kelly Young Production Co-ordinator: Jordan King Editor Tara McDermottPhoto: Olympic Rings to celebrate the IOC official announcement that Paris won the 2024 Olympic bid are seen in front of the Eiffel Tower at the Trocadero square in Paris, France, September 16, 2017. Credit: Reuters

Grudzień, 1937. Aktor filmowy i komik Ted Healy świętuje narodziny syna w najpopularniejszej w Los Angeles knajpie dla celebrytów – Café Trocadero. Tej samej nocy zostaje pobity, a po dwóch dniach umiera we własnym domu. Kto stał za pobiciem i dlaczego policyjne śledztwo zostało zamknięte tak szybko? ______ Facebook: https://www.facebook.com/kinolityka/ Instagram: https://www.instagram.com/nagle.ostatniej.nocy/ True Crime Poland: https://www.facebook.com/truecrimepoland _______ Wspomniane odcinki: Thelma Todd: https://www.spreaker.com/user/kinolityka/ostatnie-swieta-thelmy-todd Lana Turner: https://www.spreaker.com/user/kinolityka/lana-turner-krwawy-piatek Paul Bern: https://www.spreaker.com/user/kinolityka/poz-egnalny-list-me-z-a-jean-harlow ______ Źródła: J. Lenburg, J. Howard Maurer, The Three Stooges Scrapbook, 1982, J. Forrester, T. Forrester, The Three Stooges: The Triumphs and Tragedies of the Most Popular Comedy Team of All Time, 2002, E.J. Fleming, The fixers: Eddie Mannix, Howard Strickling, and the MGM publicity machine, B. Shuback, Hollywood at the Races: Film's Love Affair with the Turf, D. Porter, D. Prince, Love Triangle: Ronald Reagan, Jane Wyman, and Nancy Davis, https://ladailymirror.com/ (śledztwo dziennikarza Larry'ego Harnisha) Los Angeles Times, 1936-1940 Daily News, 1936-1938 ___ Posłuchaj na: Spotify: https://bit.ly/nagleostatniejnocySpotify YouTube: https://bit.ly/nagleostatniejnocyYouTube _______ Intro Cool Vibes - Film Noire by Kevin MacLeod Fragment filmu “Dom na Przeklętym Wzgórzu”, 1959 https://incompetech.filmmusic.io/song/3553-cool-vibes https://filmmusic.io/standard-license _______ Muzyka: Waltz (Tschikovsky Op. 40) by Kevin MacLeod https://incompetech.filmmusic.io/song/4605-waltz-tschikovsky-op-40- Wizardtorium by Kevin MacLeod https://incompetech.filmmusic.io/song/4639-wizardtorium Walking Along by Kevin MacLeod https://incompetech.filmmusic.io/song/4603-walking-along Dances and Dames by by Kevin MacLeod Link: https://incompetech.filmmusic.io/song/3585-dances-and-dames License: https://filmmusic.io/standard-license Sacred - Haunting Atmospheric Soundscape by CO.AG Music Satanic - Dark Ambient Soundscape by CO.AG Music _______ kontakt: kinolityka@gmail.com

Federico e Isabel González nos traen las portadas de las revistas y la actualidad del corazón junto a Carlos Pérez Gimeno y Beatriz Cortázar.

Federico e Isabel González nos traen las portadas de las revistas y la actualidad del corazón junto a Carlos Pérez Gimeno y Beatriz Cortázar.

Bafta-winning chef and TV personality Big Zuu shows editor Joe the hustle-y, bustle-y world of Oxford Circus's backstreets. On the way he discusses the perfect mac and cheese, the genius of ‘Rocket League', memories of the Trocadero and why he can only cry at certain genres of music. Don't fail to check out the new series of ‘Big Zuu's Big Eats' on Dave from September 25.Follow Zuu on Twitter. Or on Instagram. Like the podcast? Stay on top of all things London with Time Out's truly excellent newsletter, Out Here.Production, editing and sound design by David Clack at Perfect Loop Productions. Hosted on Acast. See acast.com/privacy for more information.

Um 1870 suchen Frankreichs Komponisten nach einem neuen Nationalstil. Der junge Fauré leistet dazu seinen Beitrag mit einem Klavierquartett, das für einen Nationalisten ziemlich lässig klingt und in Vielem bereits den Impressionismus vorwegnimmt. Von Christoph Vratz.

Stewart Lee takes us into a world of life-sized chess pieces, alcohol-guzzling nuns and crucified naked bespectacled men. The story of British Surrealism began, not in Bohemian north London, but in a Birmingham suburb. Today, the tradition continues with Birmingham artist Cold War Steve, whose work is featured on the website. His detailed collages evoke the surrealist world of the original Birmingham Surrealists. The seminal moment for British Surrealism was the 1936 London International Surrealist Exhibition when Salvador Dali donned a diving suit and walked through Piccadilly. But art historian and critic Ruth Millington reveals that the actual crazy beating heart of British Surrealism had already begun. A Birmingham group of artists refused to take part in that Exhibition, viewing the other British artists chosen as ‘overnight surrealists'. The Birmingham group, including Conroy Maddox and John Melville, were the first and truest expression of the movement in the UK, meeting in the Kardohmah café in New Street and the Trocadero pub in Temple Street. Later joined by Emmy Bridgwater and zoologist Desmond Morris - who left a giant elephant skull in Broad Street - they frequented Maddox's house in Balsall Heath. Inside were life-size chess pieces and wallpaper handprinted by an adapted washing mangle. They held parties where communists, Caribbean immigrants and naked women in high heels smashed pottery underfoot. Activities included Maddox being crucified, naked and bespectacled while a nun drank from a two pint bottle of local brew Mitchell and Butler. Maddox wanted to replicate this in shop windows in Birmingham but the Council refused. Stewart Lee explores the creative explosion in the Surrealist court of Birmingham and the art it produced. Artwork above by Cold War Steve. A True Thought production for BBC Radio 4.

On this week's #NCFNewspeak, NCF Director Peter Whittle and Senior Fellows Rafe Heydel-Mankoo and Dr. Philip Kiszely discuss: * London's iconic Trocadero, set in the heart of the West End, is going to become a mosque. What is the significance of this? And will this lead to a culture clash? * The Prime Minister want to get tough on "mickey mouse" university degrees and ensure students are getting value for money. How can this be achieved? Should fewer people go to university? * Record temperatures in the south of Europe. Is this climate alarmism or reality? ----------- SUBSCRIBE: If you are enjoying the show, please subscribe to our channel on YouTube (click the Subscribe Button underneath the video and then Click on the Bell icon next to it to make sure you Receive All Notifications) AUDIO: If you prefer Audio you can subscribe on itunes or Soundcloud. Soundcloud: https://soundcloud.com/user-923838732 itunes: https://itunes.apple.com/gb/podcast/s... SUPPORT/DONATE: "So What You're Saying Is.." is still very new and to continue to produce quality programming we need your support. Your donations will help ensure the show not only continues but can grow into a major online platform challenging the cultural orthodoxies dominant in our institutions, public life and media. PAYPAL/ CARD PAYMENTS - ONE TIME & MONTHLY: You can donate in a variety of ways via our website: http://www.newcultureforum.org.uk/#do... It is set up to accept one time and monthly donations. ABOUT THE SHOW: So What You're Saying Is... (SWYSI) is a weekly discussion show with experts and significant figures from the political, cultural and academic worlds. The host is Peter Whittle (@PRWhittle), Founder & Director of The New Culture Forum, a Westminster-based think tank that seeks to challenge the cultural orthodoxies dominant in the media, academia, and British culture / society at large. JOIN US ON SOCIAL MEDIA: Web: http://www.newcultureforum.org.uk F: https://www.facebook.com/NCultureForum/ Y: https://www.youtube.com/@NewCultureForum T: http://www.twitter.com/NewCultureForum (@NewCultureForum)

Is the iconic Trocadero being turned into a mosque ? by Radio Islam

In Part 3, we meet Mini Bar's Operations Manager, Erin Kehoe. Erin is a sixth-generation San Franciscan. Her uncle researched family history, which was complicated by the fact that her grandma was orphaned. When you consider time in the state of California, her family history goes back here to when it was part of Mexico. Much like John, she was born at Kaiser on Geary. In fact, Erin says, John's mom could've delivered her and her twin sister. She comes from a lineage of twins, actually. Her mom was one of four sets of twins. Erin's dad was a firefighter with the SFFD, though the family lived down in South San Francisco when Erin was young. They did spend lots of time at her grandma's place in the Sunset, the same house her dad and his brothers grew up in and which the family sold only recently. Erin remembers trips into The City when she young to go to places like Ghirardelli Square, the Emporium, and I. Magnin department store. They went to some football games at Candlestick, but not so much Giants games. She says that she grew up somewhat sheltered until, as a teenager, she and her twin sister discovered goth and industrial music. She recalls stories of calling in to Live 105 for ticket giveaways and how her mom would drop her and sister off at places like Slim's. Around the time they turned 18, the sisters started going to clubs and places like the Trocadero. This got her into the SF nightlife scene, and she says she "never looked back." But her job at Mini Bar is her first bartending gig. Erin did work in the service industry for 20+ years, at joints like the Peppermill in Daly City, B44 and Café Bastille on Belden Lane, and then at both the original and the current location of Bar Crudo. That restaurant's 2009 move to Divisadero is how Erin started coming to Mini Bar. She met John quickly and right away, he wanted her to work at Mini Bar. Only problem was—she didn't bartend (yet). Fast-forward to 2021, when her friend Susan was bartending at Mini and asked Erin yet again to consider coming on, which she did. Four months later, they asked her to manage the bar. Erin takes her work seriously, and she thinks that she was someone Mini Bar could count on. She picked up the bartending side quickly, but didn't know where to start with curating art shows. And so, she went through archived Mini Bar emails and found people she recognized. From there, she put together a show, and then things started rolling. Erin soon met Anita Beshirs (curator of the current show at Mini Bar), and the two are good friends now. She says she's honored to be part of art and community. When the conversation shifts to our upcoming show, Hungry Ghosts, Erin mentions that she had wanted to branch out and try something different. Joining forces with a podcast feels for her like the beginning of something new at Mini Bar. We end Part 3 with a chat about the current show at the bar, which Erin says "is very SF."  "Around Town" features Jack Keating, Millie Kwong, Missstencil, Anne-Louise Petersson, and Danielle Bellantonio. "Anita crushed it," Erin says, congratulating her friend. We agree. We hope to see you all at Mini Bar on August 17 at 6 p.m. for the opening of Hungry Ghosts. Thanks for listening throughout our fifth season, and we'll see you soon!

Welcome to episode 46 of the Weekly Sceptic! This week: -Hypocrisy abounds in the Huw Edwards scandal -Stop Funding Hate turn out to be quite hateful, as they are accused of antisemitism -A Conservative councillor is suspended for saying Pride is a sin -London's famous Trocadero is set to be turned into a mosque  -Andrew Tate is attacked by conservative commentators  -Nick and Toby invent a new digital currency called ‘Britcoin'  Plus the usual madness that is ‘Peak Woke'  Sponsored by: Thor Holt: http://LinkedIn.com/in/thorholt  07906 321593  Stack Assistant: thestackassistant@pm.me   To advertise on one of the fastest growing podcasts in the world drop Nick or Toby a line on: thedailysceptic@gmail.com   Please go to https://dailysceptic.org and make a donation so we can continue to bring you all this high quality content.  Subscribe to Nick's podcast – the Current Thing – by going here: https://podcasts.apple.com/gb/podcast/the-current-thing/id1671573905  https://open.spotify.com/show/3AMjSzTSQvkiQMaxrqJ8YQ?si=b603a4e066294449  https://currentthingpod.podbean.com 
 Subscribe to Nick's Substack here: http://nickdixon.substack.com  And if you are really awesome, you can buy Nick a coffee here!
 https://www.buymeacoffee.com/nickdixon  Produced by Jason Clift Music by Tinderella

A Strictly British Affair Start Name Artist Album Year Comments Up With The Curtain John Mann Wurlitzer Tour [OS Digital OS 231] 1997 4-14 Wurlitzer, Granada Studios Tour, Manchester; ex-Gaumont, Manchester 3:42 I Can Give You The Starlight Vic Hammett A Buckingham Special (Concert Recording R-O006-T) 1966 3-10 Wurlitzer, Town Hall, Buckingham; mainly ex-Metropole, Victoria, plus Regent, Stamford Hill and Gaumont, Watford 8:22 The Old Pi-anna Rag Phil Kelsall Concert: Astoria Centre, Barnsley 2020-10-16 (At The Astoria 1) 2020 3-18 Compton, Astoria Centre, Barnsley, Yorks 12:58 With One Look Mark Laflin Compton [COS 131] 2018 3-7 Compton plus Melotone, St. John Vianney Church, Clayhall, Essex; ex-Ritz Cinema, Nuneaton, Warwickshire 16:47 Bal Masque George Welling Theatre Organ Echoes 4: Around The World [Organ 1st CD] 1990 3-8 Wurlitzer, Granada Theatre, East Ham 21:39 Spread A Little Happiness Len Rawle, Keith Beckingham Double Touch 1994 3-10 Wurlitzer & 3-6 Rutt, Music Museum, St. Albans, UK 24:36 Punch (Puppets Suite) Bryan Rodwell Cinema Organ Encores Vol 05 [Deroy 870] 1955 3-8 Wurlitzer, Granada Cinema, Clapham Junction, London 18/9/37; remastered stereo from mono tapes (by Deroy) 26:45 Shallow Waters David Shepherd Round About Regent Street [Cinema Organ Society COS 120] 1991 2-8 Wurlitzer, New Gallery Cinema, Regent Street, London 31:18 Noel Coward Selections Richard Hills Alive To The Sound Of Music [COS CD 124] 1998 4-24 South Bank Wurlitzer, ex Trocadero, Elephant & Castle, London Dance Little Lady; I'll See You Again; Mad Dogs And Englishmen; I'll Follow My Secret Heart; If Love Were All; A Room With A View; Someday I'll Find You; Play Orchestra, Play 41:01 From Russia With Love Doreen Chadwick Presenting Doreen Chadwick [Audicord ACD 228] 1994 3-13 Compton-Christie, Town Hall, Ossett, Yorkshire 46:22 Lady of Spain Ernest Broadbent Melodies For You [Kirkham KRS 1005] 1980 3-19 Wurlitzer, Kitchen Bros. Car Showroom, Diss, Norfolk; ex Paramount Theatre, Newcastle, UK 48:40 Music In May Len Rawle Rawle At The Hall [LTOT 8621] 1986 4-20 Wurlitzer, Free Trade Hall, Manchester 53:14 Cruising Down The River Michael Maine At The Dome [Regent RRM 101 cassette] 1989 4-52 Hill, Norman & Beard, Dome Theatre, Brighton, England 56:05 Stranger On The Shore Hubert Selby Live In Concert on the Mighty Wurlitzer at Thursford [Thursford Enterprises TE03] 1978 3-19 Wurlitzer, Thursford Collection, Fakenham, Norfolk 60:29 Aces High Robert Wolfe Friends for Life [Grasmere GRCD 56] 1993 3-19 Wurlitzer, Thursford Collection, Fakenham, Norfolk

Jelani Eddington & Richard Hills Broadcast on Serenade Radio on 8th June, 2023 Name Artist Album Year Comments Tico Tico Jelani Eddington Paramount [RJE Productions CD] 1998 4-38 Wurlitzer, Century II Convention Center, Wichita, KS; ex Paramount Theatre, New York (4-36) The Waltzing Cat Jelani Eddington Blue Tango [RJE CD] 2006 5-80 Wurlitzer, Sanfilippo Victorian Music Palace The Aquarium Jelani Eddington, David Harris Perpetual Motion [RJE CD] 2005 4-74 Wurlitzer, J.B. Nethercutt Collection, San Sylmar, CA, plus Bösendorfer Imperial Grand Piano Leaning On A Lamp Post Jelani Eddington Southbank Send-Off [COS CD 129] 2004 4-24 Wurlitzer, ex Trocadero, Elephant and Castle Let's Get Away From It All Jelani Eddington Sarasota Spectacular 2004 4-32 J. Tyson Forker Memorial Wurlitzer, Grace Baptist Church, Sarasota, FL; Manasota TOS Can Love Be A Sin? (Kann Denn Liebe Sünde Sein) Richard Hills Alive To The Sound Of Music [COS CD 124] 1998 4-24 South Bank Wurlitzer, ex Trocadero, Elephant & Castle, London Can I Forget You? Richard Hills Graduation 2005 3-66 Kimball hybrid, Dickinson High School, Wilmington, DE Parade Of The Sunbeams Richard Hills Grand Variety [Silver Street CD] 2011 Dual Console 4-50 Compton and Melotone, Guildhall, Southampton, England Spectre on the Spree Simon Gledhill, Richard Hills Private 2012 4-22 Compton-plus, David Shepherd Residence, Holbeach, Lincolnshire, England; 1 Jan 2012; Richard on piano Sambalina Richard Hills Private 2012 4-22 Compton-plus, David Shepherd Residence, Holbeach, Lincolnshire, England

Music of the 1950s, A to M Start Name Artist Album Year Comments At the Hop Bill Vlasak The Paramount Music Palace Proudly Presents [LP] 4-42 Wurlitzer, Paramount Music Palace, Indianapolis, IN 2:40 Answer Me, My Love Christian Cartwright Tuned Up 2! [Pipes In The Peaks CD] 2007 3-15 Compton-Wurlitzer, Pipes in the Peaks, Ashbourne, Derbyshire 6:32 Be My Love Simon Gledhill Carousel [Musical Contrasts MCI-210] 1997 5-80 Wurlitzer, Sanfilippo Music Salon, Barrington Hills, IL 11:25 Cherry Pink And Apple Blossom White John Clark McCall Your Packard Hit Parade: Songs from 1899 - 1958 2011 J. Tyson Forker Memorial 4-32 Wurlitzer (Manasota TOS); Grace Baptist Church, Sarasota, FL; rec live 12 November, 2011 for the Florida Packard Club 13:38 Canadian Sunset Rob Richards Rob! [OSP CD] 4-46 Wurlitzer, Organ Stop Pizza, Mesa, AZ 18:14 China Doll Kay McAbee Misc Recordings 1971 3-14 Louisville Uniphone, Rivoli Theatre, Indianapolis, IN 21:14 Dansero George Wright Concert: Organ Grinder, Portland 1975-01-11 1975 Quality: mixed 24:07 Ebb Tide Leroy Lewis Organ Magic [Jubilee Stereo JGS 1103] 1959 3-16 Wurlitzer, Surf City Hotel, Surf City, NJ; ex-Fabian Theatre, Hoboken, NJ 27:40 Eleanora Peter Lish For The Very First Time [LTOS Cassette 1] 3-8 Wurlitzer, James Finegan Municipal Hall, Eston, Middlesborough; ex-Granada Theatre, Bedford 30:04 From This Moment On Chris Elliott Magnifico [WRTOS CD] 4-60 Wurlitzer, Aveni Residence, Gates Mills, OH 33:42 Gigi Tony Fenelon Theatre Organ Magic [Stanza CD] 1967 4-19 Wurlitzer, Hoyt's Regent Theatre, Melbourne; ex-Ambassador Theatre, Perth (as 3-15) 37:14 Guys And Dolls Rick Cucchi Plays The Mighty Wurlitzer 1995 4-34 Wurlitzer, Senate Theatre, Detroit, MI 40:00 The High and the Mighty David Hegarty A Live! Symphonic Organ Pops Concert 2012 6-389 Harrah Symphonic Organ, Hurricane, West Virginia; part pipes, part Walker Digital 43:03 Guaglione Phil Kelsall Strict Tempo Dancing Time [Grasmere CD] 1996 3-14 Wurlitzer, Tower Ballroom, Blackpool 47:03 Hocus Pocus Richard Hills Southbank Send-Off [COS CD 129] 2004 4-24 Wurlitzer, ex Trocadero, Elephant and Castle 50:26 Just in Time Tiny James Temple Theatre Organ Samples 1975 3-8 Robert Morton, Temple Theatre, Meridian, MS 53:12 Latin Lady Doreen Chadwick Cinema Organ Encores Vol 62 [Deroy Reprocessed Stereo 1125] 1974 4-14 Wurlitzer, Gaumont Theatre, Manchester 56:31 Little Things Mean A Lot Kevin Morgan For Your Pleasure [Audiocord ACD 240] 1989 3-8 Wurlitzer, Buttermarket, Shrewsbury, Shropshire; Formerly in the Ritz Cinema, Chatham, Kent. 61:22 Marianne Ron Rhode ATOS 2016 Cleveland Highlights 2016 3-10 Wurlitzer, Palace Theatre, Lorain, OH

Dan and Scarlet Hernandez have been mutual fans of each other for a while, and only in the summer of '22 did they finally meet (almost accidentally) in person. Scarlet talks about growing up in Newark, New Jersey, booking national bands at her high school radio station, doing everything under the sun in the music industry to find what she liked, hallowed Philadelphia venues like the Electric Factory and the Trocadero, managing artists like Max Swan, and her role as the membership director at REC Philly.

Trip Report: A Jewish Perspective on Paris On today's Trip Report, Shmuel Perl shares his experiences in Paris and explains that the Marais is not the only place where he found Jewish culture in Paris! After the interview Annie shares an update on Dicey Paris neighborhood and on what Paris is like on Christmas Eve and Christmas Day. Plus a bit of French news! Table of Contents for this Episode [00:00:00] Intro [00:00:28] Today on the podcast [00:01:47] Podcast support [00:03:07] A Jewish perspective on Paris [00:03:29] First visit to France [00:04:12] When was the trip? [00:05:18] Experiencing Jewish Paris, the Marais and more [00:06:46] Shoah Museum [00:08:00] Allée des Justes [00:08:19] Where do you go to see Jewish Paris today? [00:08:35] Museum of Art and History of Judaism [00:10:15] Modern Jewish life is in the 17th Arrondissement [00:11:33] Favorite kosher restaurants [00:13:36] An authentic Jewish Pastry in the Marais [00:14:45] How long was the visit? [00:15:42] French-Jewish Food Influences [00:17:17] Hotel near a Synagogue [00:20:49] Experienced any antisemitism? [00:25:28] Areas they enjoyed the most [00:27:11] Vedettes du Pont Neuf [00:28:01] Photoshoot at Trocadero [00:28:52] Arc de Triomphe [00:29:51] Montmartre tour [00:31:59] Candora Perfume Workshop [00:33:00] Parselle Leopold-Sedar-Senghor [00:34:35] Don't do the love-lock thing [00:35:25] How did Paris feel to you? [00:39:54] Outro [00:41:00] Preparing a trip to France? [00:42:41] Crack cocaine in Paris [00:45:44] What YOU can do to avoid dicey neighborhoods in Paris in 2022 [00:48:21] Christmas in Paris [00:50:44] This week in French news [00:51:31] Free condoms for folks under 25 in France [00:52:30] Show notes More episodes about visiting Paris for the first time #jewish, #jewishfood, #jewishlife, #jewishholiday, #jewishquarter, #jewishmuseum, #jewishcommunity, #jewishtradition, #joinusinfrance

The conclusion of Thelma Todd's Inexplicable Death In Hollywood's Golden Age.Actress Thelma Todd was the “Queen of the Lot” and had made it in Hollywood when she died of mysterious circumstances at just 29 years old. Who killed her? Could it be her business partner Roland West a one-time screenwriter? Maybe it was the ex-husband, son of the Broccoli King, and agent Pat DiCicco? Police investigate, and all roads lead to The Trocadero, a famous nightclub that opened on the Sunset Strip in 1934. Hang out with us as we unfold the inexplicable death of Thelma Todd.❄️ We are thrilled to have music by THE SNO-GLOBES.  Here's a link to listen to more of their holiday music https://www.youtube.com/watch?v=McFx8spF0Cc&t=5s

Actress Thelma Todd was the “Queen of the Lot” and had made it in Hollywood when she died at just 29 years old. Who killed her? Could it be her business partner Roland West a one-time screenwriter? Maybe it was the ex-husband, son of the Broccoli King, and agent Pat DiCicco? Police investigate, and all roads lead to The Trocadero, a famous nightclub that opened on the Sunset Strip in 1934. Hang out with us as we unfold the inexplicable death of Thelma Todd.❄️ We are thrilled to have music by THE SNO-GLOBES.  Here's a link to listen to more of their holiday music https://www.youtube.com/watch?v=McFx8spF0Cc&t=5s

"To Live and Drive in L.A." by Drugdealer from Hiding in Plain Sight; "Striped Pants" by Flaccid Mojo from their self titled album; "Hare" by Wand from Spiders in the Rain; "Son of Troutdale" by Lowbelly from Night Town; "Nightcrawler" by Plaid featuring Mason Bee from Feorm Falorx; "Trocadero" by The Soft Pink Truth from Is It Going to Get Any Deeper Than This?; "Downriver" by Skyminds from Terra Preta; "I Been Gone" by Moon Duo from Live at Levitation; "This Continuous Spectrum" by Jessica Moss from Galaxy Heart; "The Dreamer" by Anja Lauvdal from From A Story Now Lost; "One Thousand" by Marco Zenker from Channel Balance; "Condescend" by Low from Songs for a Dead Pilot. Courtesy of Kranky; "Space Labyrinth or Eclipse on Friday" by Acid Mothers Temple and The Melting Paraiso U.F.O. from Dark Side of the Black Moon: What Planet Are We On?

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