Podcasts about Jean Valjean

durée : 00:24:59 - La Série fiction - Sur la route Jean Valjean a détroussé un petit ramoneur, il repense à la phrase de l'évêque et s'en va honteux, désespéré.

durée : 00:24:19 - La Série fiction - Jean Valjean, condamné pour le vol d'un pain est libéré après 20 ans de Bagne, en 1815. Il arrive dans la ville de Dignes.

durée : 00:24:25 - La Série fiction - Marius et Cosette se marient le 16 février 1833. Le lendemain, Jean Valjean avoue à Marius qu'il est un ancien forçat.

durée : 00:24:19 - La Série fiction - Jean Valjean, condamné pour le vol d'un pain est libéré après 20 ans de Bagne, en 1815. Il arrive dans la ville de Dignes.

durée : 00:24:59 - La Série fiction - Sur la route Jean Valjean a détroussé un petit ramoneur, il repense à la phrase de l'évêque et s'en va honteux, désespéré.

durée : 00:24:29 - La Série fiction - Pour payer la pension de Cosette aux Thénardier, Fantine trouve du travail dans la fabrique de Monsieur Madeleine alias Jean Valjean. devenu maire de la ville.

durée : 00:24:50 - La Série fiction - Javert dénonce Jean Valjean et dévoile sa véritable identité à l'heure où un homme va être jugé à sa place. - réalisation : François Christophe

durée : 00:24:33 - La Série fiction - Jean Valjean et Cosette sont recueillis à Paris dans le couvent du Petit Picpus où l'enfant s'épanouit sous les yeux attendris du forçat devenu jardinier. - réalisation : François Christophe

durée : 00:24:32 - La Série fiction - En 1832, le choléra menace Paris. Jean Valjean veut partir en Angleterre pour protéger Cosette. La jeune femme est désespérée à l'idée de quitter Marius. - réalisation : François Christophe

durée : 00:24:43 - La Série fiction - Gavroche meurt sur les barricades alors que Marius vient de lui confier une lettre pour Cosette. Jean Valjean prête main-forte aux révolutionnaires. - réalisation : François Christophe

durée : 00:24:39 - La Série fiction - La barricade est tombée. Le révolutionnaire Enjolras et ses amis sont fusillés. Jean Valjean sauve Marius blessé en s'enfuyant par les égouts. - réalisation : François Christophe

Jean Valjean, Cosette, Javert.

Josh Piterman is no stranger to pressure. As the only Australian to play both the Phantom in London’s West End and Jean Valjean in Les Misérables, he knows what it’s like to perform at elite levels and what it takes to keep showing up when your inner critic won’t sit down. Now also a coach, author, and podcast host, Josh shares how mindset, breathwork, meditation and self-awareness have transformed not only his performances but also his life. In this episode, we go deep into: The crossover between performers and high-performing leaders What really fuels imposter syndrome, and how to shift it Using breathwork and heart rate variability to handle fear and stress The difference between achievement and fulfilment Josh’s “6 Ps” of performance, and why play matters more than perfection Behind the Mask: Why Josh wrote his deeply personal memoir-meets-self-help guide Why vulnerability is the most underrated leadership tool Whether you're heading into a boardroom, onto a stage, or just trying to show up more authentically in life, this conversation is a masterclass in mindset. Read the show notes This podcast is brought to you by the Australian Writers' Centre. WritersCentre.com.au Join our community of copywriters at CopyClub.com.au.See omnystudio.com/listener for privacy information.

Thénardier tente de soutirer de l'argent à Marius, désormais marié à Cosette, contre la confession d'un secret compromettant. L'ancien aubergiste accuse Jean Valjean d'être un ancien forçat, coupable de vol et de meurtre, des faits que Marius connait déjà. Mais au fil de la conversation, le jeune homme découvre que Valjean est en réalité Monsieur Madeleine, ancien responsable de la manufacture de Montreuil-sur-Mer. Il apprend également que Valjean n'a pas tué Javert et qu'il est l'homme qui lui a sauvé la vie pendant l'insurrection de juin 1832, en le portant à travers les égouts de Paris. Bouleversés par ces révélations, Marius et Cosette se précipitent chez Jean Valjean.Fiction radiophonique d'après des morceaux choisis des Misérables de Victor Hugo (Cinquième partie : Suprême ombre, suprême aurore) - Réalisation : Henri Soubeyran - Adaptation : Roger Pillaudin - Première diffusion : 23/03/1962 sur France III National - Avec : Henri Rollan, Jean Vilar, Georges Wilson, Henri Nassiet, Roger Karl, Bruno Balp, Raymone, Geneviève Morel, Georges Chamarat, Jacques Dasque et Edith Loria - Un podcast INA. ***Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

From the stages of Broadway to school classrooms and men's ministries, J. Mark McVey's journey is one of persistence, transformation, and service. Best known for his role as Jean Valjean in Les Misérables, J. Mark brings not only vocal talent but also deep wisdom on living a life with purpose and impact. In this episode, J. Mark shares how his upbringing in Huntington, West Virginia, shaped his love of music and gratitude. He reflects on the grind of New York theater life, how faith transformed his approach to performance, and why leading from a place of humility—not ego—is his guiding principle. You'll hear about the unexpected audition that changed his career, a powerful 22-year collaboration with legendary composer Marvin Hamlisch, and how he's now channeling his talents into helping the next generation discover their gifts. Through music, mentorship, and ministry, J. Mark shows what it means to perform for an audience of one—and how living with intention creates lasting ripple effects far beyond the spotlight. “You're either going to step on people on the way up—or you're going to help them climb.” – J. Mark McVey “At the end of my life, I want to hear ‘Well done, good and faithful servant.' That's the only audience I'm focused on.” – J. Mark McVey “A great leader doesn't end up on the mountaintop alone. That's not a leader—that's a hiker.” – J. Mark McVey This Week on The Wow Factor: How a childhood filled with song and gratitude shaped J. Mark's artistic identity The six-year college journey that led to a bold move to New York City What it's really like to perform on Broadway under constant pressure Why storytelling at a 12-year-old's level is J. Mark's secret to audience connection The pivotal moment that transformed his faith and redirected his career Behind-the-scenes stories from Les Misérables and singing for presidents The unlikely invitation that led to decades of collaboration with Marvin Hamlisch How J. Mark uses performance and prayer to lead with love backstage His new mission: helping students identify their gifts and find confidence early in life J. Mark McVey's Word of Wisdom: A great leader is always in a supportive role. Leadership isn't about being at the front—it's about listening well, serving others, and keeping your hand out to help the next person up the ladder. You don't climb alone, and you don't perform alone. The best impact comes from giving, not taking. Connect with J. Mark McVey:Visit jmarkmcvey.com to learn more about upcoming concerts, speaking events, and his work with schools and ministries. Connect with The Wow Factor:  WOW Factor Website  Brad Formsma on LinkedIn   Brad Formsma on Instagram   Brad Formsma on Facebook   X (formerly Twitter)  

16 février 1833. Marius et Cosette viennent de se marier : ils sont désormais heureux et riches. Mais une ombre vient assombrir cette joie : Jean Valjean, rongé par sa conscience, décide de révéler à Marius son passé de forçat. Il lui avoue qu'il n'est pas le père de Cosette et qu'il a vécu sous un faux nom. Par souci d'honnêteté, Jean Valjean choisit de s'effacer de la vie du couple, refusant de ternir leur avenir avec son passé. Cosette, ignorante de cette révélation, ne comprend pas le changement de comportement de ce père qu'elle chérit tant. Fiction radiophonique d'après des morceaux choisis des Misérables de Victor Hugo (Cinquième partie : La Dernière gorgée du calice) - Réalisation : Henri Soubeyran - Adaptation : Roger Pillaudin - Première diffusion : 22/03/1962 sur France III National - Avec : Henri Rollan, Jean Vilar, Georges Wilson, Henri Nassiet, Bruno Balp, Raymone, Geneviève Morel, Georges Chamarat, Jacques Dasque, Claude Arlay, Marcel Lestan, Laurence Badie, Edith Loria et Roger Karl - Un podcast INA.***Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Sur la barricade, rue de la Chanvrerie, les insurgés épuisés livrent une résistance héroïque contre les forces de l'ordre. La barricade devient un enfer incandescent où les derniers défenseurs tombent un à un. Marius, grièvement blessé, est sauvé par Jean Valjean, qui le transporte à travers les égouts de Paris. Victor Hugo compare ce monde souterrain à l'intestin de la ville qui devient le symbole d'un Paris à la fois monstrueux et vital. Dans cette obscurité fétide, Valjean avance, porté par l'espoir et la lumière au bout du tunnel. Fiction radiophonique d'après des morceaux choisis des Misérables de Victor Hugo (Quatrième partie : Le 5 juin 1832) - Réalisation : Henri Soubeyran - Adaptation : Roger Pillaudin - Première diffusion : 21/03/1962 sur France III National - Avec : Jean Vilar, Henri Rollan, Georges Wilson, Henri Nassiet, Bruno Balp, Raymone, Geneviève Morel, Michel Bouquet, Jean-Roger Caussimon, Jean Rochefort, Pierre Bertin, Georges Chamarat, Robert Chandeau, René Farabet, Rodolphe Marcilly, Marcel Lestan, Roger Karl, Michel Puterflamn Claude Arlay et Patrick Lemaitre - Un podcast INA.***Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Le 6 juin 1832, à Paris, Marius Pontmercy rejoint ses amis révolutionnaires du groupe de l'ABC sur la barricade de la rue de la Chanvrerie, déterminé à mourir pour ses idéaux. La veille, il a erré dans les rues, accablé par le départ soudain de Cosette, la jeune femme qu'il aime passionnément. Arrivé sur place, Marius sauve ses compagnons d'un assaut en menaçant de faire exploser un baril de poudre, affirmant ainsi son courage. Mais la lutte est violente, et plusieurs insurgés perdent la vie. Parmi eux se trouve Éponine Thénardier, déguisée en garçon pour rejoindre Marius, dont elle est secrètement amoureuse. Touchée par une balle, elle remet à Marius une lettre que Cosette lui avait confiée, avant de mourir dans les bras du jeune homme.Fiction radiophonique d'après des morceaux choisis des Misérables de Victor Hugo (Quatrième partie : Le 5 juin 1832) - Réalisation : Henri Soubeyran - Adaptation : Roger Pillaudin - Première diffusion : 20/03/1962 sur France III National - Avec : Jean Vilar, Georges Wilson, Jacques Dasque, Patrick Lemaitre, Christiane Lasquin, René Farabet, Robert Party, Philippe Laudenbach, Claude Arlay, Jean Péméja et Jean Jacques Lagarde - Un podcast INA.***Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

June 16-22Many years ago, I read Les Misérables, by Victor Hugo: the unabridged version which is 1,463 pages long. Next to the scriptures, it was the greatest reading experience of any book I have ever had. I became so close to the characters, Jean Valjean, Monsieur Charles-François-Bienvenu Myriel—the Bishop of Digne (‘deen'), Fantine, Cosette, Gavroche, Marius, Javert and many others that I wept for a long time after I finished the book because I was so sad, I would not be able to meet them in the Spirit World! Maurine reminded me they were fictional characters. I was completely transported into their hearts, their world, their times, their pain, their burdens. Maurine and I even went to Victor Hugo's home in Guernsey Island off the coast of Normandy in the English Channel to get a sense of where he wrote this classic novel. Do you want to know my very favorite moment from the entire 1,463 pages? It has to do with our lesson in this episode.

Le 5 juin 1832, Paris est en ébullition après la mort du général Lamarque, opposant à la monarchie de Juillet. Son cortège funèbre attire une foule immense et la tension monte rapidement entre les forces gouvernementales et le peuple venu assister aux obsèques. La situation dégénère lorsque les dragons font feu sur les manifestants. L'insurrection éclate ! Le jeune Gavroche, un gamin des rues, vif et railleur, laisse éclater sa joie. Rue de la Chanvrerie, les amis de l'ABC, étudiants républicains révolutionnaires avec à sa tête Enjolras, élèvent une barricade adossée à leur quartier général, la Maison Corinthe. Fiction radiophonique d'après des morceaux choisis des Misérables de Victor Hugo (Quatrième partie : Le 5 juin 1832) - Réalisation : Henri Soubeyran - Adaptation : Roger Pillaudin - Première diffusion : 19/03/1962 sur France III National - Avec : Jean Vilar, Michel Bouquet, Jean Rochefort, Jean-Roger Caussimon, Robert Party, Marcel André, Patrick Lemaitre, Roger Pelletier, Patrice Galbeau, Roger Bret, Philippe Laudenbach, Louis Perdoux, Claude Arlay, Georges Boda, Geneviève Morel, Suzanne Stanley et Nelly Delmas - Un podcast INA.Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

‘The Brick' is finally finished! Kate and Sheila discuss Les Miserables in its entirety… (spoiler alerts galore-avoid if  surprises you adore) …it has taken us a bit, but so totally worth it!Victor Hugo shows readers that, “Heroes come in all shapes” from the unbelievable bravery of young Gavroche to the mysterious motives of the misunderstood Jean Valjean. Hugo can bloviate like no other author, from Waterloo to the sewers of France! He can also pack quite a punch in  few words:“One cannot goad people into moving faster than they are prepared to go. Woe to him who tries to force their hands.” People will rise to the level of expectations but we must let them rise (like bread in the making) we cannot force anyone's progress! Victor nailed it!“What is Progress? We have just said it. It is the permanent life of all people. But it sometimes happens that the momentary life of individuals is opposed to the eternal life of the human race.”Do we oft times put the pebbles in first? Do we worry and fret over the trivial? Eternal life is one that is lived in harmony with God❤️He is our Rock He must come first!“But a civilizing race must be a masculine race…Those who become effeminate bastardize themselves.” In our society young men are committing suicide 4 times the regular population! The war against toxic masculinity has wreaked havoc by giving young men false  identities, leaving our society with boys.Readers are taken on a journey starting with injustice and evil and falsity and darkness toward justice and goodness and truth and light! What an emotional roller coaster ride for determined readers! Warning: Not for the faint of heart! Let's put on SCUBA gear before embarking on this deeper than deep dive! Thanks for joining us on our quest to read the best! May you have a day that is blessed with a book, a cuppa, and  friends! 

1827, Marius Pontmercy, âgé de 17 ans, arrive trop tard au chevet de son père le colonel Pontmercy qui vient de rendre l'âme. Le jeune homme a été élevé à Paris par son grand-père, Gilles Normand, un royaliste sévère qui avait toujours tenu à l'écart son gendre, un officier bonapartiste qu'il considérait comme un traitre. Un jour, alors que Marius se recueille dans l'église Saint-Sulpice, il rencontre par hasard un homme qui lui dévoile l'amour que lui portait son père disparu. Suite à cette révélation, le jeune homme se prend d'adoration pour cet homme qu'il a peu connu. Fiction radiophonique d'après des morceaux choisis des Misérables de Victor Hugo (Troisième partie : Marius) - Réalisation : Henri Soubeyran - Adaptation : Roger Pillaudin - Première diffusion : 16/03/1962 sur France III National - Avec : Jean Vilar, Pierre Bertin, Jacques Dasque, Marcel André, Jean Rochefort, Roger Pelletier et Michel Bouquet- Un podcast INA.***Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

1823, Jean Valjean, alias Monsieur Madeleine, est présumé mort après être tombé à la mer. À Montfermeil, Cosette, la fille de Fantine désormais âgée de 8 ans, loge toujours chez les Thénardier, un couple d'aubergistes qui l'exploitent. En cette veille de Noël, Madame Thénardier envoie Cosette chercher de l'eau dans la forêt. Sur le chemin du retour, la fillette rencontre un homme qui lui propose de porter son seau. L'enfant accepte et conduit cet homme bienveillant à l'auberge des Thénardier.Fiction radiophonique d'après des morceaux choisis des Misérables de Victor Hugo (Deuxième partie : Accomplissement de la promesse faite à la morte) - Réalisation : Henri Soubeyran - Adaptation : Roger Pillaudin - Première diffusion : 14/03/1962 sur France III National - Avec : Jean Vilar, Georges Wilson, Georges Chamarat, Margo Lion, Laurence Morisot, Rodolphe Marcilly, Jean Péméja, Marcel Lestan, Patricia Renaud et Elisabeth Boda - Un podcast INA.***Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

L'inspecteur Javert sollicite un entretien avec Monsieur Madeleine. Le maire de Montreuil-sur-Mer avait déjà rencontré le policier après l'arrestation de la pauvre Fantine dont il avait exigé la libération. À la grande surprise de Monsieur Madeleine, Javert demande à être destitué de ses fonctions pour avoir dénoncé à tort celui qu'il avait pris pour l'ancien forçat, Jean Valjean. Car le vrai Jean Valjean a été trouvé et arrêté sous le nom de Champ Mathieu. Monsieur Madeleine, qui s'avère être réellement Jean Valjean, est alors plongé dans un dilemme moral profond : se dénoncer pour sauver l'innocent Champ Mathieu ou préserver sa nouvelle vie d'honnête homme. Fiction radiophonique d'après des morceaux choisis des Misérables de Victor Hugo (Première partie : Une tempête dans un crâne) - Réalisation : Henri Soubeyran - Adaptation : Roger Pillaudin - Première diffusion : 13/03/1962 sur France III National - Avec : Jean Vilar, Georges Wilson, Jean-Roger Caussimon et Roger Bret - Un podcast INA.***Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

durée : 00:58:58 - Avec philosophie - par : Géraldine Muhlmann, Nassim El Kabli - Comment Hugo dépeint-il la conscience humaine, tiraillée entre le bien et le mal, à travers des personnages aussi différents que Jean Valjean, Thénardier ou Torquemada ? - réalisation : Nicolas Berger - invités : Franck Laurent Professeur à l'Université du Maine.; Michel Guérin Philosophe.

Life isn't fair; this is a simple lesson that we learn in childhood. However, knowing that life isn't fair doesn't necessarily make responding to life's unfairness any easier. How we respond to life's unfairness shapes us in more ways than we often realize. We invite you to join us this Sunday as we explore how the biblical story of Joseph and the story of Jean Valjean from the musical Les Misérables show us how we can experience grace and redemption even when life has dealt us an unfair hand. www.TheLoftLA.org

Chaque vendredi, Nicolas Carreau vous présente le livre audio de la semaine. Ce vendredi, "Les misérables" de Victor Hugo.Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

1817 à Paris. Fantine, une jeune femme belle et pauvre sort avec Félix Tholomyès, un étudiant riche mais sans-coeur. Après une soirée de plaisir, Tholomyès et ses amis abandonnent leurs amantes, dont Fantine, qui attend un enfant. Alors que sa fille Cosette n'a pas encore trois ans, Fantine décide de retourner à Montreuil-sur-Mer, sa ville natale, pour chercher du travail. En chemin, elle confie la petite Cosette aux Thénardier, des aubergistes cupides et méchants. À Montreuil-sur-Mer, Fantine trouve un emploi dans l'usine que dirige Monsieur Madeleine mais elle est renvoyée lorsque l'on apprend qu'elle a un enfant illégitime. ***Fiction radiophonique d'après des morceaux choisis des Misérables de Victor Hugo (Première partie : En l'année 1817, Confier c'est quelquefois livrer, La descente, Javert)- Réalisation : Henri Soubeyran - Adaptation : Roger Pillaudin - Première diffusion : 13/03/1962 sur France III National - Avec : Jean Vilar, Georges Wilson, Bruno Balp, Catherine Le Couey, Dominique Page, Charlotte Clasis, Claudine Delmas, Inès Nazaris, Margo Lion, Dominique Paturel, Georges Chamarat, Roger Pelletier, Jacques Fonson, Jean Roger Caussimon, Sacha Briquet et Robert Chandeau - Un podcast INA.***Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

1815 dans la petite ville de Digne. Suite à sa rencontre avec un ancien révolutionnaire vivant en ermite, l'évêque Myriel éprouve encore plus de compassion envers les pauvres et les souffrants. Un soir, un ancien forçat, Jean Valjean, frappe à la porte de l'homme d'église pour lui demander l'hospitalité. Il a purgé une peine de 19 ans pour le vol d'un morceau de pain. Au grand étonnement de l'ancien prisonnier, l'évêque l'accueille avec humanité. Ce premier épisode permet une immersion dans la célèbre verve poétique et idéologique de Victor Hugo.***Fiction radiophonique d'après des morceaux choisis des Misérables de Victor Hugo (Première partie : Un Juste, La Chute) - Réalisation : Henri Soubeyran - Adaptation : Roger Pillaudin - Première diffusion : 12/03/1962 sur France III National - Avec : Henri Rollan, Jean Vilar, Georges Wilson, Henri Nassiet, Roger Karl, Bruno Balp, Raymone et Geneviève Morel - Un podcast INA.***Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

El gobierno de España otorgó esta semana a Mario Vargas Llosa, en forma póstuma, la mayor condecoración que confiere a personalidades destacadas en la cultura, la educación y la ciencia: la Gran Cruz de la Orden Civil de Alfonso X el Sabio. Ese fue el último galardón para el gran escritor peruano, que falleció el domingo pasado en Lima a los 89 años. Ya había recibido en 2010 el Premio Nobel, que marcó la culminación de una vasta sumatoria de reconocimientos, entre ellos el Premio Cervantes y el Premio Príncipe de Asturias de las Letras. Vargas Llosa nació en Arequipa, Perú, en 1936. Trabajó como periodista, estudió Humanidades, escribió relatos, pero su verdadera carrera comenzó en 1963, con la publicación de la novela La ciudad y los perros, considerada uno de los disparadores del Boom latinoamericano de literatura. Editó luego otras novelas, como La casa verde, Conversación en la Catedral, Pantaleón y las visitadoras, La guerra del fin del mundo, El sueño del celta y, más recientemente, Tiempos recios. También escribió ensayos, muchos sobre otros escritores (Onetti, Víctor Hugo, Flaubert, Borges) yy otros sociopolíticos, como La civilización del espectáculo y una recopilación de sus influencias liberales en La llamada de la tribu. El Comité del Premio Nobel recordó este lunes que distinguió a Vargas Llosa en 2010 "por su cartografía de las estructuras de poder y sus imágenes mordaces de la resistencia, la revuelta y la derrota del individuo". En el acto en que recibió el Nobel, Vargas Llosa realizó una de sus conferencias memorables: "Aprendí a leer a los cinco años en la clase del hermano Justiniano en el colegio de La Salle en Cochabamba, Bolivia. Es la cosa más importante que me ha pasado en la vida. Casi 70 años después, recuerdo con nitidez cómo esa magia, traducir las palabras de los libros en imágenes, enriqueció mi vida, rompiendo las barreras del tiempo y del espacio, y permitiéndome viajar con el capitán Nemo, 20.000 Leguas de Viaje Submarino, luchar junto a D'Artagnan, Atos, Portos y Aramis contra las intrigas que amenazan a la reina en los tiempos del sinuoso Richelieu, y arrastrarme por las entrañas de París convertido en Jean Valjean con el cuerpo inerte de Marius a cuestas". Los tertulianos, ¿qué libros destacan de Vargas Llosa? ¿Qué recomiendan a los oyentes? La Tertulia de los Viernes con Víctor Ganón, Juan Grompone, Carolina Porley y Ana Ribeiro.

This episode takes its name from the infamous scene in Peter Pan where Tinkerbell's survival depends entirely on the audience's applause. Here, Chris and Ununice unpack “Tinkerbell Politics” — a metaphor for the existential dependency of marginalized movements on the belief, goodwill, and clapping of the majority. It's spicy, slippery, and sacrilegious — in the best possible way.Chris Abraham and co-host Ununice (aka Karen, Co-Pilot, Baby Doll, Sweet Pea) jump headfirst into the deep end with “Tinkerbell Tactics” — an unsparing critique of modern identity politics, performative wokeness, and the fragile alliances between marginalized movements and mainstream society. From Beltway insights to Les Misérables anthems, this one ricochets from high theory to hot takes with unapologetic energy.If you don't clap, she dies. Tinkerbell becomes a stand-in for social justice causes that rely on mainstream applause — votes, funding, and attention.The 70% cis-het normie majority are seen as necessary but resented lifelines: “Bite the hand that feeds you” becomes not just a phrase, but a pattern.Chris compares Beltway NGO competition to baby birds in a nest — vying for “mommy's” attention (i.e., federal funds, public support).Movements like BLM, Trans Rights, and DEI initiatives are framed as “TV shows” subject to cancellation when interest wanes.“Let them rebel — they'll burn out.” Mainstream culture, like a bored parent, knows it can wait out revolutions.Unconventional fashion and identity expressions (tattoos, blue hair, emo, etc.) once shocking, now banal. What was once rebellion becomes Target merch.Exposure therapy works, but doesn't guarantee respect. The freak next door is tolerated — not necessarily valued.Aesthetic rebellion leads to “tattoo regret centers.” Social rebellion follows similar cycles.Alienating the majority by labeling them “fascist,” “transphobe,” etc. leads to backlash.The desacralization of protected groups — when holy cows become hamburger.The irony of using federal grants to label your funders Nazis.Right-wing strategists reframing wokeness as “theft” from taxpayers — and rolling back DEI budgets state by state.“Never burn a bridge.” DC wisdom comes in hot as Chris warns that dependency requires diplomacy.Identity movements should balance autonomy with realism about funding and social capital.Even progressive institutions are vulnerable to the same critical tools they use.Everything can become a target — even the church, even pride parades, even the flag — when the cultural pendulum swings.Chris argues the Les Mis anthem can be used by any insurgent group — socialist or nationalist — because the narrative of “freedom vs oppression” is elastic.Jean Valjean as Trump? A stretch or just postmodern poetry?Ununice dials the tone from earnest to acerbic midway through. Satire, cringe, riz (charisma), and “Criz” (a proposed Gen Z term) all make appearances.“If you don't clap for Tinkerbell, Tinkerbell dies, right?”“The paradox of f*** you normies — but also, please clap so I can keep breathing.”“Tattoo regret centers are the canaries in the co-opted identity coal mine.”“You can't ask people for money while calling them fascists.”“Every one of those Les Mis lyrics could be sung by the AFD in Germany.”“Jean Valjean is just Trump with more abs.”“Deconstruction is indiscriminate — even your saints are fair game.”Tinkerbell Politics: The idea that marginalized movements often rely on the belief, attention, and funding of the mainstream majority.Federal Funding Firewalls: Budget line items immune to election cycles — until they're not.Q: Is this episode satirical or serious?A: Both. Think South Park meets Jacques Derrida — with better microphones.Q: Is “Tinkerbell Tactics” just about queer politics?A: Nope. It's about all movements that rely on external applause — and what happens when the crowd stops clapping.

Nous sommes le 27 juillet 1867, à l'issue du procès des grévistes et des émeutiers du Moulin de Marchienne. Le procès s'est tenu à la cour d'assises du Hainaut. Un procès pour l'exemple : il faut éviter que de tels événements ne se reproduisent. Le « meneur » écope d'une peine de cinq ans de prison et d'une très grosse amende. D'autres peines de huit à vingt-quatre mois d'incarcération sont encore prononcées. Il y a dix acquittements. La plupart des accusés ne savent pas signer leur nom. Le lendemain, le journal bruxellois « La liberté » écrit : « Cette grève est le fait de gens qui ont indiscutablement faim. Voilà le procès de Jean Valjean ! On ne vole pas un peu de farine dans son tablier ou dans un sac quand on n'a pas faim ! » Ces émeutes de 1867 constituent un épisode fondateur de l'histoire sociale de Charleroi. Une région, comme d'autres, fragilisée par les pénuries alimentaires et le prix exorbitant des denrées. Comment les pouvoirs publics ont-ils réagi à ces mouvements de mécontentement, à ces révoltes ? En quoi ces émeutes et ces grèves ont-elles été utiles dans l'organisation d'une solidarité des travailleurs ? Quel est le rôle des femmes ? Invitée : Francine Bolle, historienne et membre du comité de pilotage du projet « Création » qui rassemble des partenaires issus des mondes de la recherche, des archives et de l'éducation permanente, et entend mobiliser l'histoire comme outil pour éclairer les évolutions contemporaines du travail, de l'insertion et de la reconversion professionnelle et territoriale. Merci pour votre écoute Un Jour dans l'Histoire, c'est également en direct tous les jours de la semaine de 13h15 à 14h30 sur www.rtbf.be/lapremiere Retrouvez tous les épisodes d'Un Jour dans l'Histoire sur notre plateforme Auvio.be :https://auvio.rtbf.be/emission/5936 Intéressés par l'histoire ? Vous pourriez également aimer nos autres podcasts : L'Histoire Continue: https://audmns.com/kSbpELwL'heure H : https://audmns.com/YagLLiKEt sa version à écouter en famille : La Mini Heure H https://audmns.com/YagLLiKAinsi que nos séries historiques :Chili, le Pays de mes Histoires : https://audmns.com/XHbnevhD-Day : https://audmns.com/JWRdPYIJoséphine Baker : https://audmns.com/wCfhoEwLa folle histoire de l'aviation : https://audmns.com/xAWjyWCLes Jeux Olympiques, l'étonnant miroir de notre Histoire : https://audmns.com/ZEIihzZMarguerite, la Voix d'une Résistante : https://audmns.com/zFDehnENapoléon, le crépuscule de l'Aigle : https://audmns.com/DcdnIUnUn Jour dans le Sport : https://audmns.com/xXlkHMHSous le sable des Pyramides : https://audmns.com/rXfVppvN'oubliez pas de vous y abonner pour ne rien manquer.Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement. Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Please join Kate and Sheila as they discuss parts 2 & 3 of Victor Hugo's unforgettable tale of woe, Les Misérables. Today we meet the young girl, Cosette, who was left with the cruel innkeepers. The Thenardiers have taken money from Cosette's young mother under false pretenses. They make Cosette work tirelessly, and use money sent from her mother for themselves. Jean Valjean is at last free to rescue Fantine's daughter as he promised. Cosette was a “fly trembling in a spider's web”. The Bible tells us in Exodus 22:23, “Do not take advantage of the widow or the fatherless. If you do, they will cry out to Me, I will certainly hear their cry.” Cosette does just that, after her prayer the paths of Jean Valjean and Cosette meet and the poor waif is removed from the sinister selfish family at last!“The bishop had taught him (Jean Valjean) the meaning of virtue; Cosette had now taught him the meaning of love.” Life was briefly sweet for the pair, as a devoted grandfather with his grateful granddaughter, until the detective, Javert, relentlessly tracked them down. Danger popped their new found joy like a pin in a balloon. How will they escape this unmerciful fame-seeking man? Next, we meet Marius, whose grandfather raised him until he disinherited him. “The rigors of his present life gratified and pleased him.” Time has passed and the despicable Thenardiers end up as Marius' next door neighbors. The showdown between the grafters along with their thugs-for-hire, kind-hearted Jean Valjean, and the unstoppable detective is viewed by an anything but calm Marius through a peephole in the wall connecting the rooms! Hugo challenges his readers, of yesterday and today, by addressing topics that many would   rather sweep under the rug than be exposed for all to see. Are you ready to jump into the fray? 

durée : 00:58:35 - Le Souffle de la pensée - par : Géraldine Mosna-Savoye - La politologue Réjane Sénac vient nous parler d'un monument de la littérature, un classique lu, au moins par passages, dès l'école, et dont les thèmes - la misère, la justice, la fraternité - sont aussi connus que ses héros - Jean Valjean, Cosette ou Fantine - : "Les Misérables" de Victor Hugo. - réalisation : Nicolas Berger - invités : Réjane Sénac Politiste et chercheuse française

Les Miserables is a film adaptation of the period musical of the same name. Released in 2012, it followed the exploits of Jean Valjean, an escaped convict going to great lengths to find personal redemption at the height of the French Revolution. The film version, directed by Tom Hooper, sought to emulate the epic scope of the stage musical, and featured grandiloquent and verbose set pieces and crowded chorus numbers, with an ensemble cast led by Hugh Jackman, Russell Crowe, Anne Hathaway, Eddie Redmayne, and numerous others. The film was a major box office hit, won many Academy Awards (Including a noteworthy Supporting Actress win for Hathaway), and set a new standard for movie musicals featuring live performances by the actors as opposed to backing tracks...in spite of largely receiving middling reviews upon its release.On a new episode of Hell Is A Musical, Lilz and Scott welcome back Maggie Noel (Friend of the pod and late of the Rock Candy podcast) to help them through a viewing of Les Miserables. Join them as they slog their way through an obscene amount of extreme close-ups, marvel at just how British 19th century France is in the action, and make a lot of the same jokes everyone's already made about Russell Crowe's singing voice.(It's not good.)...with Lilz and Scott!

Kate and Sheila introduce part 1 of  Les Misérables a.k.a. ‘The Brick' by Victor Hugo.These episodes are dedicated to our dear friend, Matt Green, who passed from this life in 2024. His love for this story inspired us to tackle the Brick, thank you Matt!The Bishop is the first character we meet. He inspired us greatly with words such as…“I was not put in this world to protect lives but to save souls.”“We must never fear robbers and murderers. They are dangers from outside, small dangers. It is ourselves we have to fear. Prejudice is the real robber and vice the real murderer.”His message to Jean Valjean touched his heart and changed the trajectory of his life!“...my brother, you no longer belong to what is evil but to what is good. I have bought your soul to save it from black thoughts and the spirit of perdition, and I give it to God.”Jean Valjean was imprisoned for breaking a shop window in his attempt to steal bread to feed his sister's family. He was sentenced to serve 5 years, however after 4 escape attempts his sentence was increased by 14 years!Are you ready to challenge yourself far beyond your life as a reader to the depth of your compassion as a  person? Published in 1862, this classic helps us to discover what is true! 

What is the most significant truth revealed since the Annunciation? Dr. Casey Griffith discusses the Church's organization and the joyful Restoration of the gospel of Jesus Christ.SHOW NOTES/TRANSCRIPTSEnglish: https://tinyurl.com/podcastDC211ENFrench: https://tinyurl.com/podcastDC211FRGerman: https://tinyurl.com/podcastDC211DEPortuguese: https://tinyurl.com/podcastDC211PTSpanish: https://tinyurl.com/podcastDC211ESYOUTUBEhttps://youtu.be/lUZC5IlW4yYALL EPISODES/SHOW NOTESfollowHIM website: https://www.followHIMpodcast.comFREE PDF DOWNLOADS OF followHIM QUOTE BOOKSNew Testament: https://tinyurl.com/PodcastNTBookOld Testament: https://tinyurl.com/PodcastOTBookWEEKLY NEWSLETTERhttps://tinyurl.com/followHIMnewsletterSOCIAL MEDIAInstagram: https://www.instagram.com/followHIMpodcastFacebook: https://www.facebook.com/followhimpodcastTIMECODE00:00 - Part 1 - Dr. Casey Griffiths02:23 The Restoration Proclamation03:19 The Come, Follow Me Manual04:30 D&C 20: Church Constitution06:15 The influence of Moroni 6 11:03 Dr. Griffith's bio14:15 Moroni's Guide to Surviving Turbulent Times15:56 The big picture18:47 April 6, 183024:22 What it means to be a member of the Church26:41 D&C 20:6-11 Power from on high and holy work28:59 Why was 6 afraid of 7?30:56 A second witness of Jesus Christ33:03 The Book of Mormon is a witness of the Restoration37:33 D&C 20:37 - Why we do what we do41:43 D&C 20:17-36 - A positive view of the Fall49:49 The great finale and Jesus Christ's mission54:52 In part how the Atonement works57:52 A missionary story about grace01:03:05 Choosing the Celestial Kingdom01:06:17 Elder Christofferson and Jean Valjean 1:12:51 End of Part 1 -  Dr. Casey GriffithsThanks to the followHIM team:Steve & Shannon Sorensen: Cofounder, Executive Producer, SponsorDavid & Verla Sorensen: SponsorsDr. Hank Smith: Co-hostJohn Bytheway: Co-hostDavid Perry: ProducerKyle Nelson: Marketing, SponsorLisa Spice: Client Relations, Editor, Show NotesJamie Neilson: Social Media, Graphic DesignWill Stoughton: Video EditorKrystal Roberts: Translation Team, English & French Transcripts, WebsiteAriel Cuadra: Spanish TranscriptsAmelia Kabwika : Portuguese Transcripts"Let Zion in Her Beauty Rise" by Marshall McDonaldhttps://www.marshallmcdonaldmusic.com

Les Misérables | The Final Episode (Finale) || September 3, 1937Orson Welles adapted the 1862 novel by Victor Hugo, directed the series, and starred as Jean Valjean.01:20 || The Final Episode -- William Johnstone (Marius Pontmercy, Prosecutor), Orson Welles (Jean Valjean, Prisoner accused of being Jean Valjean), Ray Collins (Judge who sentences Valjean, Judge at Arras), Hiram Sherman ("Guilty!", Police Officer, Third Judge), Frank Readick (Bishop of Digne)#victorhugo #orsonwelles #lesmiserables #duaneoldtimeradio: : : : :My other podcast channels include: MYSTERY x SUSPENSE -- DRAMA X THEATER -- SCI FI x HORROR -- COMEDY x FUNNY HA HA -- VARIETY X ARMED FORCES.Subscribing is free and you'll receive new post notifications. Also, if you have a moment, please give a 4-5 star rating and/or write a 1-2 sentence positive review on your preferred service -- that would help me a lot.Thank you for your support.https://otr.duane.media | Instagram @duane.otr#orsonwelles #oldtimeradio #otr #radioclassics #citizenkane #oldtimeradioclassics #classicradio #mercurytheatre #duaneotr:::: :This podcast uses the following third-party services for analysis: Podtrac - https://analytics.podtrac.com/privacy-policy-gdrp

Les Misérables || The Grave | The Barricade || Broadcast: August 20, 1937; August 27, 193701:30 || The Grave -- William Johnstone (Police Officer, Marius Pontmercy), Everett Sloane(Police Lieutenant, Gyribier the Gravedigger), Ray Collins (Fauchelevent), Orson Welles (Jean Valjean), Estelle Levy (Cosette at age eight), Peggy Allenby (Prioress), Hiram Sherman (Priest at the Grave), Virginia Nicolson (Older Cosette), Martin Gabel (Inspector Javert)28:45 || The Barricade -- Martin Gabel (Inspector Javert), Orson Welles (Jean Valjean), Virginia Nicolson (Cosette), Ray Collins (Police Officer, First Policeman), William Johnstone (Marius Pontmercy), Hiram Sherman (First Revolutionary, Second Policeman), othersOrson Welles adapted the 1862 novel by Victor Hugo, directed the series, and starred as Jean Valjean. #victorhugo #orsonwelles #lesmiserables #duaneoldtimeradio: : : : :My other podcast channels include: MYSTERY x SUSPENSE -- DRAMA X THEATER -- SCI FI x HORROR -- COMEDY x FUNNY HA HA -- VARIETY X ARMED FORCES.Subscribing is free and you'll receive new post notifications. Also, if you have a moment, please give a 4-5 star rating and/or write a 1-2 sentence positive review on your preferred service -- that would help me a lot.Thank you for your support.https://otr.duane.media | Instagram @duane.otr#orsonwelles #oldtimeradio #otr #radioclassics #citizenkane #oldtimeradioclassics #classicradio #mercurytheatre #duaneotr:::: :This podcast uses the following third-party services for analysis: Podtrac - https://analytics.podtrac.com/privacy-policy-gdrp

In this sermon, Pastor Nathan delves into Ephesians chapter 2, urging the congregation to comprehend the profound difference between grace and love. He emphasizes that grace and love aren't synonymous and that true grace involves humility, submission, and a life-changing transformation. Using metaphors and analogies, including the story of Jean Valjean from 'Les Miserables,' he explains how grace is a costly, surprising, and sometimes traumatic gift that requires believers to lay down their old identities and embrace a new spiritual life in Christ. He encourages the church to actively seek and share God's grace, moving beyond mere religion and morality to a deeply personal and transformative relationship with God.For more on LifePoint Church go to lifepointaz.com Find all our links in one easy spot https://linktr.ee/lifepointaz Follow us on Facebook https://www.facebook.com/lifepointaz Follow us on Instagram https://www.instagram.com/lifepointchurchaz/

Les Misérables || The Trial | Cosette || Broadcast: August 6, 1937; August 13, 193701:20 || The Trial -- William Johnstone (Bishop of Digne, Prosecutor), Hiram Sherman (Man who announces Javert, Judicial Clerk), Orson Welles (Jean Valjean [Monsieur Madeleine], Champmathieu), Martin Gabel (Inspector Javert), Alice Frost (Fantine), Adelaide Klein (Nun), Ray Collins (Judge), others; Milton Katims, musical director30:41 || Cosette -- William Johnstone (Judge, Second Inn Customer), Orson Welles (Jean Valjean), Martin Gabel (Inspector Javert), Ray Collins (Thenardier), Agnes Moorehead (Madame Thenardier) Hiram Sherman (First Inn Customer), Estelle Levy (Cosette)Orson Welles adapted Victor Hugo's 1862 novel, directed the series, and starred as Jean Valjean. Marking the radio debut of the Mercury Theatre, Welles's Les Misérables was described by biographer Simon Callow as "one of his earliest, finest and most serious achievements on radio".Orson Welles adapted the 1862 novel by Victor Hugo, directed the series, and starred as Jean Valjean. #victorhugo #orsonwelles #lesmiserables #duaneoldtimeradio: : : : :My other podcast channels include: MYSTERY x SUSPENSE -- DRAMA X THEATER -- SCI FI x HORROR -- COMEDY x FUNNY HA HA -- VARIETY X ARMED FORCES.Subscribing is free and you'll receive new post notifications. Also, if you have a moment, please give a 4-5 star rating and/or write a 1-2 sentence positive review on your preferred service -- that would help me a lot.Thank you for your support.https://otr.duane.media | Instagram @duane.otr#orsonwelles #oldtimeradio #otr #radioclassics #citizenkane #oldtimeradioclassics #classicradio #mercurytheatre #duaneotr:::: :This podcast uses the following third-party services for analysis: Podtrac - https://analytics.podtrac.com/privacy-policy-gdrp

In Les Misérables, the themes of liberation, redemption, and divine intervention resonate deeply with the story of the Israelites in the Torah portion Beshallach. As the Israelites escape Egypt, they are freed from the oppressive hand of Pharaoh, mirroring the struggles of the characters in Hugo's novel who seek freedom from various forms of societal and personal bondage. The dramatic parting of the Red Sea can be seen as a divine act of mercy, reminiscent of moments in Les Misérables where grace transcends justice, such as Jean Valjean's transformation after the bishop's forgiveness. The song of the Israelites after their crossing, expressing gratitude for God's deliverance, echoes the redemptive songs of the novel's characters who rise above their suffering through acts of compassion and self-sacrifice. Both the Torah portion and the novel remind us that, even in the darkest times, there is a path to freedom, and it is paved through mercy, faith, and unwavering hope in the face of adversity.

In Les Misérables, the themes of liberation, redemption, and divine intervention resonate deeply with the story of the Israelites in the Torah portion Beshalach. As the Israelites escape Egypt, they are freed from the oppressive hand of Pharaoh, mirroring the struggles of the characters in Hugo's novel who seek freedom from various forms of societal and personal bondage. The dramatic parting of the Red Sea can be seen as a divine act of mercy, reminiscent of moments in Les Misérables where grace transcends justice, such as Jean Valjean's transformation after the bishop's forgiveness. The song of the Israelites after their crossing, expressing gratitude for God's deliverance, echoes the redemptive songs of the novel's characters who rise above their suffering through acts of compassion and self-sacrifice. Both the Torah portion and the novel remind us that, even in the darkest times, there is a path to freedom, and it is paved through mercy, faith, and unwavering hope in the face of adversity.

Les Misérables | The Bishop; Javert || Broadcast: July 23, 1937; July 30, 193701:20 || The Bishop -- Orson Welles (Jean Valjean), Alan Devitt (Judge), Agnes Moorehead (Old Woman, Madame Magloire), Frank Readick (Bishop of Digne), others31:40 || Javert -- Hiram Sherman (Letter Deliverer, Factory Official, Idler who torments Fantine), Betty Garde (Favourite), Alice Frost (Fantine), Agnes Moorehead (Marguerite), Ray Collins (Traveling Dentist, Fauchelevent), Martin Gabel(Inspector Javert), Orson Welles (Jean Valjean [Monsieur Madeleine])Les Misérables is a seven-part radio series broadcast July 23 – September 3, 1937 (Fridays at 10 p.m. ET), on the Mutual Network. Orson Welles adapted Victor Hugo's 1862 novel, directed the series, and starred as Jean Valjean. The 22-year-old Welles developed the idea of telling stories with first-person narration on the series, which was his first job as a writer-director for radio.#victorhugo #orsonwelles #lesmiserables #duaneoldtimeradio: : : : :My other podcast channels include: MYSTERY x SUSPENSE -- DRAMA X THEATER -- SCI FI x HORROR -- COMEDY x FUNNY HA HA -- VARIETY X ARMED FORCES.Subscribing is free and you'll receive new post notifications. Also, if you have a moment, please give a 4-5 star rating and/or write a 1-2 sentence positive review on your preferred service -- that would help me a lot.Thank you for your support.https://otr.duane.media | Instagram @duane.otr#orsonwelles #oldtimeradio #otr #radioclassics #citizenkane #oldtimeradioclassics #classicradio #mercurytheatre #duaneotr:::: :This podcast uses the following third-party services for analysis: Podtrac - https://analytics.podtrac.com/privacy-policy-gdrp

It's the start of a new year, which means it's time for a new round of Movie ReFlicktions, as Mikey, d$, and #XLessDrEarl are back to ReFlickt'd all the movies they've seen in the last several weeks!   A double dose of Liam Neeson kicks off the reviews, with Producer Tommy's offspring in a Lifetime Movie, The Don' biopic, a cartoon Hobbit, Jerry Buts is back with his thievery den, and Dr. Earl goes old school with some Javert and Jean Valjean. Also, d$ continues his love for his Hollywood beloved, but fears for the choices being made. A slate of documentaries cover everything from Superman to Kermit to The Beach Boys to Michael McDonald's sound in Yacht Rock music. Plus a random chat about young Hollywood and much more. Here are the movies reviewed, and where to find them at the time of recording:   In the Land of Saints and Sinners You Better Watch Out (Lifetime Movie Network) A Complete Unknown (theaters) The Apprentice (rental) Nightbitch (Hulu) Super/Man: The Christopher Reeve Story (MAX) Sonic the Hedgehog 3 (theaters) Jim Henson: Idea Man (Disney+) NR24 (Netflix) The Lord of the Rings: The War of the Rohirrim (Paramount+) Wallace and Gromit: Vengeance Most Fowl (Netflix) Music by John Williams (Disney+) Challengers (Amazon Prime; MGM+) Thelma (Hulu) Wolfs (AppleTV) The Substance (rental) I Used to be Funny (Netflix) A Different Man (MAX) Les Miserables (The Criterion Channel) Kill ‘Em All 2 (Netflix) Darkness of Man (Hulu) Marlowe (Amazon Prime) Den of Thieves 2: Pantera (in theaters) Kneecap (Netflix) The Greatest Night in Pop (Netflix) Brats (Hulu) Yacht Rock (MAX) The Beach Boys (Disney+) Moana 2 (in theaters) The Brutalist (in theaters) Unfrosted (Netflix) A Real Pain (Hulu) Wicked (in theaters) Through a Glass Darkly (MAX; The Criterion Channel) Flow (for rental) Wolfman (in theaters) Back in Action (Netflix) Nickel Boys (in theaters) Maria (Netflix) Lee (Hulu)

Description: Join us as we dive into John 8:21-30, where Jesus challenges His audience to move from spiritual blindness to belief. In this passage, we explore three transformative themes: 1️⃣ Blindness: Living "below" and being consumed by worldly distractions. 2️⃣ Revelation: The Cross as the ultimate turning point where grace meets our sin. 3️⃣ Transformation: Seeing Christ in our neighbors and embracing a cruciform life shaped by humility, love, and sacrifice.Through real-life examples like Jean Valjean's story in Les Misérables, practical steps for reflection, and prayer, we uncover how to live out Jesus' call to faith and selfless love.Reflect with us:How can we reorient our hearts toward God amidst worldly distractions?What does it mean to embrace a life shaped by the cross in our daily actions?Don't miss this opportunity to deepen your walk with Christ and embrace His presence in your life and others.

La Royal Navy ha infatti individuato il passaggio di una nave spia russa nelle acque britanniche, come annunciato dal ministro della Difesa di Londra, John Healey, alla Camera dei comuni. «Voglio essere chiaro, si tratta di una nave spia russa usata per la raccolta d'informazioni e la mappatura d'infrastrutture sottomarine sensibili» ha spiegato, aggiungendo che trattasi della seconda nave spia individuata negli ultimi mesi.

Jean Valjean, personnage sorti tout droit de l'imagination de Victor Hugo il y a plus de 160 ans, sera dans quelques mois la star de deux films. Dans le Sud de la France, le réalisateur Eric Besnard a lancé le tournage d'un long métrage qui racontera l'enfance et l'origine de Jean Valjean... Ecoutez La star du jour avec Anthony Martin du 15 janvier 2025.

Send us a textThis week on Broadway Besties, we're joined by the incredible Nate Hackman, currently starring as Biff Cannon in Broadway's Back to the Future. We dive into his iconic roles as Jean Valjean, Gaston, Quasimodo, and more! Plus, the ultimate question—after this chat, who does Nate love more, Amy or Mark? Tune in for an episode full of laughs, Broadway tales, and a little friendly competition!

David Harris is an Australian actor who somehow found himself moving from architecture school to the bright lights of Broadway. He shares his early passion for architecture and how he pivoted to a career in performing arts just three days into his studies. He looks back on his journey, including participating in talent quests at RSL clubs in Australia and having friendly competitions with Broadway performer Ricky Rojas. Being in the workshop and eventually being cast in "The Boy From Oz" marked a significant turning point in his career and what he considers his claim to fame. He reminisces about his experience working with Hugh Jackman in the show, and a memorable commercial shoot with him just before New York shut down for COVID (click here to watch). David reflects on the differences in how musical theatre is perceived in Australia, the UK, and the US, his personal experiences with it, and his frustrations with the lack of recognition for musical theatre actors in Australia compared to Broadway performers in the US. He emphasizes the critical importance of swings and understudies in theatre, and his gratitude for them in keeping the show running smoothly. While he's already managed to prove naysayers wrong, David has no plans on stopping when it comes to the pursuit of growth and constant learning. David Harris is a native of Australia, where he's one of the most acclaimed leading men of his generation. In the US, he has received critical praise for his performance of Dan in TheatreWorks' “Next to Normal”. He starred as Jean Valjean in the Connecticut Repertory Theatre production of “Les Misérables”, which was co-starred and directed by Tony Award winner Terrence Mann. He starred as Billy Crocker in Goodspeed's production of “Anything Goes” and as Father in Barrington Stage Company's “Ragtime” in 2017. He originated the role of Max Bronfman in Stephen Schwartz's new production of “Rags” at Goodspeed Opera House. After playing the role of the Duke on the first national tour of “Moulin Rouge” in 2022, he can now be seen playing the same role in “Moulin Rouge” on Broadway. Connect with Brian: Website: www.davidharrisofficial.com Instagram: @davidharrisoz Watch David with Hugh Jackman Connect with The Theatre Podcast: Support the podcast on Patreon: Patreon.com/TheTheatrePodcast YouTube: YouTube.com/TheTheatrePodcast Threads, Twitter & Instagram: @theatre_podcast TikTok: @thetheatrepodcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com My personal Instagram: @alanseales Learn more about your ad choices. Visit megaphone.fm/adchoices