Podcasts about Jean Valjean

June 16-22Many years ago, I read Les Misérables, by Victor Hugo: the unabridged version which is 1,463 pages long. Next to the scriptures, it was the greatest reading experience of any book I have ever had. I became so close to the characters, Jean Valjean, Monsieur Charles-François-Bienvenu Myriel—the Bishop of Digne (‘deen'), Fantine, Cosette, Gavroche, Marius, Javert and many others that I wept for a long time after I finished the book because I was so sad, I would not be able to meet them in the Spirit World! Maurine reminded me they were fictional characters. I was completely transported into their hearts, their world, their times, their pain, their burdens. Maurine and I even went to Victor Hugo's home in Guernsey Island off the coast of Normandy in the English Channel to get a sense of where he wrote this classic novel. Do you want to know my very favorite moment from the entire 1,463 pages? It has to do with our lesson in this episode.

‘The Brick' is finally finished! Kate and Sheila discuss Les Miserables in its entirety… (spoiler alerts galore-avoid if  surprises you adore) …it has taken us a bit, but so totally worth it!Victor Hugo shows readers that, “Heroes come in all shapes” from the unbelievable bravery of young Gavroche to the mysterious motives of the misunderstood Jean Valjean. Hugo can bloviate like no other author, from Waterloo to the sewers of France! He can also pack quite a punch in  few words:“One cannot goad people into moving faster than they are prepared to go. Woe to him who tries to force their hands.” People will rise to the level of expectations but we must let them rise (like bread in the making) we cannot force anyone's progress! Victor nailed it!“What is Progress? We have just said it. It is the permanent life of all people. But it sometimes happens that the momentary life of individuals is opposed to the eternal life of the human race.”Do we oft times put the pebbles in first? Do we worry and fret over the trivial? Eternal life is one that is lived in harmony with God❤️He is our Rock He must come first!“But a civilizing race must be a masculine race…Those who become effeminate bastardize themselves.” In our society young men are committing suicide 4 times the regular population! The war against toxic masculinity has wreaked havoc by giving young men false  identities, leaving our society with boys.Readers are taken on a journey starting with injustice and evil and falsity and darkness toward justice and goodness and truth and light! What an emotional roller coaster ride for determined readers! Warning: Not for the faint of heart! Let's put on SCUBA gear before embarking on this deeper than deep dive! Thanks for joining us on our quest to read the best! May you have a day that is blessed with a book, a cuppa, and  friends! 

durée : 00:58:58 - Avec philosophie - par : Géraldine Muhlmann, Nassim El Kabli - Comment Hugo dépeint-il la conscience humaine, tiraillée entre le bien et le mal, à travers des personnages aussi différents que Jean Valjean, Thénardier ou Torquemada ? - réalisation : Nicolas Berger - invités : Franck Laurent Professeur à l'Université du Maine.; Michel Guérin Philosophe.

Life isn't fair; this is a simple lesson that we learn in childhood. However, knowing that life isn't fair doesn't necessarily make responding to life's unfairness any easier. How we respond to life's unfairness shapes us in more ways than we often realize. We invite you to join us this Sunday as we explore how the biblical story of Joseph and the story of Jean Valjean from the musical Les Misérables show us how we can experience grace and redemption even when life has dealt us an unfair hand. www.TheLoftLA.org

Chaque vendredi, Nicolas Carreau vous présente le livre audio de la semaine. Ce vendredi, "Les misérables" de Victor Hugo.Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

1815 dans la petite ville de Digne. Suite à sa rencontre avec un ancien révolutionnaire vivant en ermite, l'évêque Myriel éprouve encore plus de compassion envers les pauvres et les souffrants. Un soir, un ancien forçat, Jean Valjean, frappe à la porte de l'homme d'église pour lui demander l'hospitalité. Il a purgé une peine de 19 ans pour le vol d'un morceau de pain. Au grand étonnement de l'ancien prisonnier, l'évêque l'accueille avec humanité. Ce premier épisode permet une immersion dans la célèbre verve poétique et idéologique de Victor Hugo.***Fiction radiophonique d'après des morceaux choisis des Misérables de Victor Hugo (Première partie : Un Juste, La Chute) - Réalisation : Henri Soubeyran - Adaptation : Roger Pillaudin - Première diffusion : 12/03/1962 sur France III National - Avec : Henri Rollan, Jean Vilar, Georges Wilson, Henri Nassiet, Roger Karl, Bruno Balp, Raymone et Geneviève Morel - Un podcast INA.***Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

1817 à Paris. Fantine, une jeune femme belle et pauvre sort avec Félix Tholomyès, un étudiant riche mais sans-coeur. Après une soirée de plaisir, Tholomyès et ses amis abandonnent leurs amantes, dont Fantine, qui attend un enfant. Alors que sa fille Cosette n'a pas encore trois ans, Fantine décide de retourner à Montreuil-sur-Mer, sa ville natale, pour chercher du travail. En chemin, elle confie la petite Cosette aux Thénardier, des aubergistes cupides et méchants. À Montreuil-sur-Mer, Fantine trouve un emploi dans l'usine que dirige Monsieur Madeleine mais elle est renvoyée lorsque l'on apprend qu'elle a un enfant illégitime. ***Fiction radiophonique d'après des morceaux choisis des Misérables de Victor Hugo (Première partie : En l'année 1817, Confier c'est quelquefois livrer, La descente, Javert)- Réalisation : Henri Soubeyran - Adaptation : Roger Pillaudin - Première diffusion : 13/03/1962 sur France III National - Avec : Jean Vilar, Georges Wilson, Bruno Balp, Catherine Le Couey, Dominique Page, Charlotte Clasis, Claudine Delmas, Inès Nazaris, Margo Lion, Dominique Paturel, Georges Chamarat, Roger Pelletier, Jacques Fonson, Jean Roger Caussimon, Sacha Briquet et Robert Chandeau - Un podcast INA.***Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

“Les Misérables”, l'adaptation du chef-d'œuvre de Victor Hugo en version restaurée.Cette adaptation de l'œuvre phare de Victor Hugo, propose une sélection des moments les plus marquants du roman, admirablement mis en valeur par une troupe de comédiens hors pairs. Jean Rochefort, Jean Vilar, Jean-Roger Caussimon et bien d'autres grandes voix, incarnent les personnages mythiques de Jean Valjean, Fantine, Gavroche, Cosette et Marius à travers lesquels Hugo illustre les mœurs, la misère et l'injustice sociale de la première moitié du XIXe siècle.Fidèle au texte original, cette adaptation permet une véritable immersion sonore au cœur du chef-d'œuvre de Victor Hugo avec ses péripéties, ses passions, mais aussi ses réflexions philosophiques. Elle parvient à mettre en lumière la tonalité poétique de cette fresque sociale et historique.Un podcast de 10 épisodes de la collection Grands Classiques. Un nouvel épisode à retrouver chaque vendredi à 18h, jusqu'au 11 juillet.Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Join Nathan Oliver as he delves into John chapter 4the story of Jesus and the woman at the wellto explore a faith that truly impacts our daily lives. Discover how faith is thinking, deeply personal, and actively lived out. If you're seeking a faith that goes beyond Sunday and meets you where you are, this message offers refreshing insights. To catch up on the latest sermons from Deep Creek, go to iTunes, Spotify ordeepcreekanglican.comand check out the website for more info about whats happening. We are a welcoming and growing multigenerational church in Doncaster East in Melbourne with refreshing faith in Jesus Christ. We think that looks like being life-giving to the believer, surprising to the world, and strengthening to the weary and doubting. Transcription Bible Reading: John 4:4-45 This morning's reading is taken from the Gospel of John, beginning at verse chapter four, verse four. Now he had to go through Samaria. So he came to a town in Samaria called Saco, near the plot of ground Jacob had given to his son Joseph. Jacob's well was there. And Jesus, tired as he was from the journey, sat down by the well. It was about noon when a Samaritan woman came to draw water. Jesus said to her, Will you give me a drink? His disciples had gone into the town to buy food. The Samaritan woman said to him, you are a Jew and I am a Samaritan woman. How can you ask me for a drink? For Jews do not associate with Samaritans. Jesus answered her, if you knew the gift of God and who it is that asked you for a drink, you would have asked him, and he would have given you living water. Sir, the woman said, you have nothing to draw with, and the well is deep. Where can you get this living water? Are you greater than our father Jacob, who gave us the well and drank from it himself, as did also his sons and his livestock? Jesus answered, everyone who drinks this water will be thirsty again, but whoever drinks the water I give them will never thirst. Indeed, the water I give them will become in them a spring of water welling up to eternal life. The woman said to him, sir, give me this water, so that I won't get thirsty, and have to keep coming here to draw water. He told her, go call your husband and come back. I have no husband, she replied. Jesus said to her, you are right when you say you have no husband. The fact is, you have had five husbands and the man you now have is not your husband. What you have just said is quite true. Sir, the woman said, I can see you are a prophet. Our ancestors worshiped on this mountain. But the Jews claim that the place where we must worship is in Jerusalem. Woman Jesus replied, believe me, a time is coming when you will worship the father neither on this mountain nor in Jerusalem. You Samaritans worship what you do not know. We worship what we do know, for salvation is from the Jews. Yet a time is coming and has now come when the true worshipers will worship the father in the spirit and in truth, for they are the kind of worshipers the father seeks. God is spirit, and his worshipers must worship in the spirit and in truth. The woman said, I know that the Messiah called Christ is coming. When he comes, we will explain everything to us. Then Jesus said, I, the one speaking to you, I am he. Just then his disciples returned and were surprised to find him talking with a woman. But no one asked, what do you want? Or why are you talking with her? When leaving her water jar, the woman went back to the town and said to the people, come see a man who told me everything I ever did. Could this be the Messiah? They came out of the town and made their way toward him. Meanwhile, his disciples urged him, Rabbi, eat something. But he said to them, I have food to eat that you know nothing about. Then his disciples said to each other, could someone have brought him food? My food, said Jesus, is to do the will of him who sent me and to finish his work. Don't you have a saying? It's still four months until harvest, I tell you. Open your eyes and look at the fields. They are ripe for the harvest. Even now, the one who reaps draws a wage and harvests a crop for eternal life. So that the sower and the reaper may be glad together. Thus the saying one sows and another reaps is true. I sent you to reap what you have not worked for. Others have done the hard work and you have reaped the benefits of their labor. Many of the Samaritans from that town believed in him because of the woman's testimony. He told me everything I ever did. So when the Samaritans came to him, they urged him to stay with them. And he stayed two days. And because of this words, many more became believers. They said to the woman, we no longer believe just because of what you said. Now we have heard for ourselves, and we know that this man really is the Savior of the world. This is the Word of God. Opening Remarks Happy Mother's Day, I suppose. I don't know if that's a good introduction. It's too much of me. That's the first thing. But, And I'm here again. You know, Amy said a quiet life, not on a stage. I'm sorry about that. Thank you. That was. Pedram, you made us look way better than we are. That was good. I'm proud of Amy. and I love hearing her share her heart, too. So it's good. And, you know, before I begin, I'm going to pray. Father, thank you for your Grace. And free love. I love that line. That, you are greater. then, then our failures. So, God, I pray now that we would see your goodness this morning by your Holy Spirit. Would you make that clear to us? In your name we pray. Amen. So, Yeah. Like, I don't know how many people, would have known us before the video on the screen just now. we have been part of Deep Creek for about 12 months or so. you might know us. You might know us as, the family with the noisiest baby. Or you might know us as the family that's always late. which is fair. I didn't know there was music at the start until today. So this is the earliest we've turned up on a Sunday, so it was a good habit for us to begin. It's good. it's really good to be here and a good opportunity. Thank you for having me share with you this morning. My background is in church leadership, and, but it's been a couple of years since I've preached the until 8:00 this morning, and it was okay. so, you know, appreciate you, Grace and me having lots of nerves. I'm more nervous after the video than I was before. but I'm also nervous just just through the week. Thinking about this passage. I appreciate the Bible reading this morning. That was a long one. I'm sorry. and we're not going to go through it verse by verse if you wanted, though. open a Bible or have it in front of you. The text is going to jump around a little bit. but I'm nervous because, thinking about this passage and just actually applying it to my own heart. It's a big thing. there's a lot. There's a lot for us to think about. We're talking about everyday faith and how our faith makes a difference for us on the daily. Right. That's a big thing. And I think in my reflections this week, I'm feeling that very personally. And there's a there's a bunch that we can take out from this interaction that Jesus has, with the woman at the well. And so, what I want to look at, are three things about, I think, what this lady learned and definitely what we can learn about faith in everyday life. I want to look at how, our faith is a thinking faith, a personal faith and an act of faith. Just also want to clarify that when I. When I say faith, I mean faith in God. We're going to shorthand that today. we often in today's day and age, we talk about faith quite broad and quite generally, faith can mean that I just have general hope. have faith in myself. I have faith that we can get through. But definitely what we're talking about this morning is faith in everyday life is faith in God. The difference that he makes when we put our hope and trust in him? Okay, so thinking faith, personal faith and living faith. Faith in God is a Thinking Faith So the first one. Faith in God is a thinking faith. Okay, now, we read the passage, and one of the things that you'll notice at the start, or maybe I'll give words to you for that is there's six verses of context, six, six verses, just to set the story up. Now, the reason that's interesting to me is because you don't get that in every passage. I wish we did, but we don't. Often you'll get maybe one line, maybe one word, maybe just a really brief intro to what's happening. Maybe sometimes there's none. But here we get six whole verses on context, and so we need to learn from that and take well, the setting actually must be quite important. And it is. We need to know that the setting is significant to the people of Samaria. This is a Samaritan woman at the well. The setting where they are in Samaria is important. I like the way that the the passage was read this morning for us. It said Jesus had to go through this place, and it's sort of like, well, why else would he if he didn't have to? He probably wouldn't. And that's the case. Jews and Samaritans were not the best of friends. This was a time where where you came from determined significantly. What you believed today might not be that different, but it was very much the case in this time. Judea and sorry, Judea and Samaria were at this stage politically the same. They were both under the same Roman rule, technically within the same sort of like, country, I suppose. But historically, Samaria stood out. If you go back to one Kings, you'll see that there was a point in Israel's history where Samaria was made the capital of the northern Kingdom. Why that's significant is because when the Assyrian empire came in and took over Israel, they went for Samaria. They went for that city. It was strategically the smartest thing to do. And one of the ways that they defeated that city was to take all of the prominent Israelites out of it and put their own people in. Right. And so the people who influenced culture the most were now gone, and it was mixed in with the new Assyrian flavor. It became this sort of dual culture. And they changed. They mingled everything. They, they, they, they shared each other. They learned new recipes from each other and their background and their cultures. They they whatever. They watched each other's movies. I don't know how you learn someone else's culture, but they they sort of mixed everything up, including intermarrying and including borrowing from each other's religious perspective. So much so that Samaria kind of adapted this alt alt alternative version of the Hebrew faith. It's it's alt Jew Judaism, that's what it is. And, They sort of during this phase, they sort of like only focused in on the first five books of the Bible of the law. That's how they interpreted everything in Samaria. And so, the Jews actually had a further breadth to draw from, to understand God's Word, but it was just reduced. And because it was reduced to those five chapters or, sorry, five books of the Bible, the literal implications of that meant that they thought that the place where you worshiped God was in this specific setting on Mount Gerizim. And it was so important to them that they actually built a rival temple there. And that's. Does that make sense? Now, as you think about the conversation Jesus was having with this woman. And and he's saying, you believe this. And she's saying, well, we believe this. And you. And what about where you worship, right? That's why it's because of this, this background. And it was such a rivalry that was built between the two 200 years after that temple was built. There was an uprising by certain, Jewish people, and they destroyed their temple, the Samaritan temple. And that was 200 years before this story took place. This is a rivalry that is both historical and religious, and it's centered at the location where we're reading this story. Add something to the text. It adds something. Jacob's well was there, and Jesus finds himself there, and there's no one else there except this one lady, the Samaritan woman. And here we have a Jew and a Samaritan, and they begin to talk. If you need further confirmation of the rivalry, just look at verse nine where it says, the Samaritan woman said to him, You're a Jew. I'm a Samaritan woman. How can you ask me for a drink? And here it is, just there for you. For Jews do not associate with Samaritans. Clear as day. And yet they did associate. And it doesn't seem heated either. There is a reasonable exchange. And in the end, the woman Jesus is speaking with seemingly expresses faith in God the way that Jesus was talking about it. And by the end of the passage, we see she's a believer. Through this conversation. This is a powerful conversation. A reasonable exchange of thoughts and ideas took place, and it led to something very significant happening. It's not a normal conversation because Jesus uses all sorts of vivid imagery about water and, you know, water that doesn't run out. It's very metaphorical, right? I don't know. I don't know if you would if you would find that frustrating or not. Talking with someone who's speaking in metaphors and hey, the wind is a bit of, I don't know, I don't even want to pretend like I can do that. But she doesn't know what Jesus means. But that's kind of the point. He says something, she clarifies. Jesus doubles down on his claims. She questions, how does that fit with my beliefs? Even the part Jesus miraculously knows her family history. She changes the topic and Jesus lets her, doesn't pull it back and say no, no, no, no. It's a very even conversation. Jesus gives room for the penny to drop. Because, you know, she needs to think this through. Even when the location question is brought up in verse 20, she says, but what about where you worship and where we worship? It's different. Jesus says, believe me. A time is coming when you will worship the father, neither on this mountain or in Jerusalem. A time is coming and has now come when the true worshipers will worship the father in spirit and in truth, for they are the kind of worshipers the father seeks. God is spirit, and his worshipers must worship in the spirit and in truth. In other words, Jesus says to her, where? Think about it. Think about it. Think about who God is and what he's like. Maybe think about how big he is, how great he is. Do you really think he cares which side of the hill you worship on? There is a coming time where none of that will matter. Not from your side or from my side. No, no, no. He cares about your heart. And you might say, well, why bother with all of that, right? We saw in the passage there was a moment he pulled the husband trick out, and he. And like, that was pretty impressive. Like like he pulled out the thing. He had no knowledge of that beforehand. He just says it like, why bother with all the interaction? Just do that again. She was on the ropes. Get her over the line now. Right. You could even say, why are we even reading this at all? If Jesus is like this, that people like do the the miracle trick on me, you know, and I'll believe 100% no gaps at all. Right? And the reason why he doesn't just zap us into faith is because faith requires thinking. I don't think you can have faith without thinking. Is that good news for you this morning? You can't have faith without thinking. Which I think that's good news, because I think there is a perception out there that Christians are people who have switched their brains off, and the people who think would never believe what we believe or what a Christian believes. But I don't think it can work like that to have faith in God who we can't see. We have to acknowledge that you can't prove God's existence, and at the same time, you can't disprove his existence either. So that puts the whole thing in a bit of a dilemma. Either side of that equation, you are going to have to stand on faith one way or the other. I do believe it or I don't believe it. Both are faith standpoints. You can't prove it either way. So the question becomes you have to what? What can you live with from that position of faith that you take? Whichever one is what has the least issues for you? And so you have to think about that. What am I content to live with? One person says God can't be real because there's so much pain and suffering. Another person says the pain and suffering led me to God. Do you see what I'm saying? This week, as I was hanging out with a friend at the pub, we were talking about politics because I'm a boring person now and have grown up conversations. We were talking about politics and everything that's wrong in the world. And he got really agitated about one specific thing. I'm not going to say it's too divisive. Don't even ask me about it. but, it was. Are you Team Naga or Brookie? Which one? And we said, I'm not going to go into it. No no, no. Three people are on social media. Okay, okay. No no, no, it was something else more global than that. And, and he he was super agitated. Right. And I was thinking to myself, how do I even help my friend? What's my role here? And so I had this strange idea to ask him a question. Okay, that's fair enough. I agree with you. It's bad. But where do you get peace from now? But what will bring you peace? How are you going to live with that? And what I really want to say was, because if you intellectualize issues and push them aside because they're too much, then you have to acknowledge that the only way to do that by is by faith that nothing matters ultimately. If if you intellectualize it and then say, well, I can't deal with it, I just have to push it aside. Well, then the only way to do that, really is the faith that nothing really matters in the end. But it does matter to my friend. It does, obviously it does. See, faith comes from thinking, and thinking leads to faith. Don't just leave it there. Think. Be a thoughtful person. Think. Think about what? Why is it that when you see a beautiful sunset, it does something in you? But why? Why so much art based on the things around the world that we would describe as beautiful? Why do photographers take pictures of things that's done? Why? Why do we like it when we see it? Think about these things. What is it? And then what's the next question after that? You got to think. Remember Jesus on the road to Emmaus talking with the disciples. And he said, guys, remember, this is what the Bible said, this and this and this. Put it together. Think about it. Remember Jesus when he taught on worry and he's lying to the people he was speaking to. He was you of little faith. Why? Because. Just think about it. Look at the lilies of the field. Look at the sparrows. They eat their feel right. Don't worry. Think about that. Think this faith is a thinking faith. Faith in God requires thinking. Faith in God is also Personal Faith in God is also personal. We need to accept faith in God, which means we need to let it in. Sometimes that's hard because the personal stuff we feel can run pretty deep and it's real stuff. And actually, that's what I want to talk about, the real stuff, where it is personal. It was very personal for this lady, at least in three ways. She had three. She she had she had hurdles to get over. Firstly, she was a Samaritan. Secondly, she was female. And thirdly, she had a personal history that was difficult. The fact that she's a Samaritan, I've already covered a bunch of that. It wasn't just a racial division, it was a religious division. Certain associations with the Samaritan would have made a Jew ritually unclean. In fact, the verse is in so verse nine where it says, For Jews don't associate with Samaritans. The Greek is a bit dubious there, and is often used to sort of like translate a different way, which would say for Jews and Samaritans don't share, don't share the same dish. Right. And yet Jesus pursues her. He jumps that hurdle. Secondly, she's female. Everything of note in regard to a Samaritan background of the woman would be intensified by the fact of her being female. There's a bit of a pause in the story when the disciples catch up with Jesus and see him chatting with a woman, right? Remember that bit at the end? And I think it says they were surprised. Huh? What are you doing? Jesus is you at a lady? And it says. But no one said anything. The implication being, normally they might write. She wasn't supposed to be chatting with him. In fact, there was a traditional law created in the oral tradition that declared all Samaritan women were unclean from birth. It just really shouldn't have been doing this. And yet, if you flick back just one chapter to John three, you know, for God so loved the world that he gave. Right? That and this chapter are eerily similar. It's Jesus speaking with one person, having a deep and meaningful about all the big things of life. Except in that instance, it was a man, a powerful, educated, religious Jewish man. And he treats what's what. What is so stark about the two passages is he treats them both identically. Jesus shows this lady the same dignity and respect as anyone else. He jumps that hurdle. And then it's the private life that Jesus is talking about needs. Using water as a metaphor, anyone who would drink the water that I could offer them, they'll never be thirsty again. And she hasn't really got it right. And so Jesus changes the topic and addresses something in her life. Go tell your husband. Go tell your husband. Which she says, well, I don't have a husband. Jesus knew that. But what she said wasn't entirely true. Jesus clarifies that he knew that too. Now, it's not the whole picture. You've had five husbands. The man you're with now currently is not your husband. And yet, here's the key. Jesus doesn't rub it in her face. He commends her honest answer. And then he reveals the full story. There's no doubt this woman would have experienced stigma in her day. And at no point does Jesus embarrass her. Tease her. Mock her. Look down on her. And neither does he condone her situation. But he doesn't treat her unfairly. Instead, the offer to her is the same to you. And I have faith in God from exactly where you are, exactly where you are. I don't know about you, but like, so often I think I'm like, in order to even have faith in God, I'm supposed to be at a certain standard, even when I pray. I'm not honest all the time because I'm. And I pretend like like God. Like I could schmooze him over to think that I'm actually worthy. You know what I'm saying? Do you relate to that at all? But it's it's the gaps in our life that are that show us where we need God. It's personal, it's deep, it's real. But it has to come from those gaps. I've been getting into, becoming cultured in the last couple of years and learning about art history. I'm grown up now, and I can have conversations with other grown ups, too. And so I'm just I just want to impress people that I know stuff about art. That's all it really is. No, but I find it fascinating. I've loved this guy's writing called Russ Ramsey. he tells the most beautiful stories about famous, art, events throughout history. Right. And as I was reading the passage this week, it made me think of one particular story about Van Gogh. van Gogh. here he is. Vincent van Gogh. People would know him mainly for two things. The starry night painting. And let me test the second thing. How else? What's famous about Van Gogh? It's not. He cut his ear off. All right. There you go. It's exactly what I thought. So that's true, except the lead up to the event where he cut his ear off. Lots of people don't know that. And it's pretty, pretty powerful, actually. maybe you be the judge. Anyway. so the reason that came to be. Let me tell you the story. Right? It's a true story. Van Gogh was desperate as an artist to be in community with other people. he was he was a very, passionate guy, I suppose is a good way of saying it. And he was desperate to be in a community of artists and, always wanted to, like, do art and better himself, become the greatest artist he could ever be. Right? never really had it. Never really found that community. his brother was an art dealer. And so through the work that he did, he connected with some other artists, including, Paul Gauguin, who was like someone that Van Gogh looked up to. Right. And so, through that connection with his brother, they actually got to know each other a little bit, and he slipped the invitation and say, would you ever consider coming and living in France with me? Go again? After some deliberation, said I will on a trial period. Right. But we won't know each other. We don't know each other. How are we going to get to know each other? We can't find each other on Facebook yet, so I don't even know what you look like, right? So through their letter exchanges, they said, well, let's paint a self-portrait of ourselves as a way of introduction and mail it in the mail. I like this better than social media. And and then they said, how about we also attach like, like a literary thing, like a, like expression to it so that we can get each other where we're at. Right? And so they did. and so can we have the next slide up. This is Gauguin painted a picture of himself. He painted himself in the image like he presented himself as Jean Valjean from, Les Mis. Which I think is pretty bold. so he's a hero. He's what he's saying, right? And this is what he wrote in the letter. It is the face of an outlaw, ill clad and powerful, like Jean Valjean. That's fun to say. With an inner nobility and gentleness. The faces flush, the eyes accented, and the surrounding colors of a furnace fire. This is to represent the volcanic flames that animate the soul of the artist. The girlish background, with its childlike flowers, is there to attest to our artistic purity. As for this Jean Valjean, whom society has oppressed, cast out, is he not equally the symbol of contemporary Impressionist painters and endowing him with my features? I offer you as well an image of myself, a portrait of all the wretched victims of society. So he writes and says, I'm a hero. I'm representing all the all the outcasts out there and. And that's that's why I do what I do. Van Gogh presented himself in the sort of like nature of a Japanese monk. Right. He was really influenced by Japanese culture. He loved that. You'veseen some of his famous paintings. You can see that. and, so he got his idea from the, you know, the book that became Madame Butterfly, right? The opera, which is about French soldiers stationed off the coast of Japan. He was, you know, sort of like that. He was into that. And this is what he wrote in his letter. If we study Japanese art, we see a man who's undoubtedly wise, philosophic and intelligent, who spends his time doing what he studies a single blade of grass, but the blade of grass leads him to draw every plant. And then the seasons, the wide aspects of the countryside, then animals, then the human figure. Come now. Isn't it almost a true religion which these simple Japanese people teach us, who live in nature as though they themselves were flowers? Now, here's the thing. Like, he's he's like none of these. Neither of the guys were like, what? They said they were right. They weren't. Came from a super broken. He'd just been kicked out by his family. He couldn't make any money. He was a failed stockbroker, and he really just needed a place to live. And he cast himself as his hero. And then, like, sorry, it's troubling history of Van Gogh, but he was he was a troubled man. He was deeply anxious. Deeply. He struggled with self-doubt significantly. And yet they present each other as like, hey, this is this. It sounds like it's going to be a great community. And they did produce some good work, but they could only stick it out for 63 days. They argued bitterly every day. They were so like they had such different views. And so. And it actually ended in one boozy beef up one night when they were drinking in a cafe, discussing where art should come from in the artist's eyes. Right. And it says, the cafe owner said, like Van Gogh threw his absinthe across the room, and then he went up to his apartment. He got a razor to come back, and his intention was to kill Gauguin. He got a few steps away from him and then freaked out when Gauguin turned around and he just ran off and he ran up to his apartment, which is where the next thing he did was cut his ear off. What a tragic tale. What? What a tragic story. And the thing is about that Russ Ramsey, who I mentioned before, who writes about these things, what he says in this particular section is that to truly know someone. To truly know someone is to know their pain, is to know the gaps in their life, to know their area of need. That's how you know someone, not by their aspirational self, but by their actual self, when maybe even no one's looking. And then he points out that when you look at Jesus's ministry, that's in fact how you know anyone that Jesus related to. Think about all the people that Jesus ministered to. That we know them by their deficit. That's how we know them. Blind Bartimaeus. We know that the woman who was bleeding, we know the child who, like, was only sleeping like, you know what I'm saying? Like everyone that Jesus ministered to. It was at the point of need. It was the gaps in their life that actually made Jesus good news for them. And look at what Jesus is saying in this passage, verse 13 and 14. It says, everyone who drinks this water will be thirsty again, but whoever drinks the water I give them will never thirst. Indeed, the water I given will be coming them a spring of water welling up to eternal life. The gaps in your life, in other words, the things you ache for, the things that have hurt you, the things that make you broken, the things that put you at a distance from God do not preclude you from faith in God. In fact, it's the opposite. The prerequisite for faith is thirst. Jesus isn't saying it's bad to want things, or to desire things, or to to be broken or anything like that. He's saying that if you put your faith in those things, though, that if only my job was better, if only I had more money, if only I had if whatever. Your if only statement is that if you put your faith in those things, you will be left wanting. There is nothing big enough to contain the dreams of your heart, the daily lives that you live. There is nothing big enough to contain it other than the one who made you. That's what he's saying. Because he knows he's the only one he can hold us. Our hopes and dreams, our hearts hurts and our fears. He's the only one big enough who can handle that. He's the only one. Therefore, he's the only one who we could really, truly have faith in that can meet us where we're at. Do you see Jesus at the cross and what he's doing? He he goes to the cross for our sin, right? And he pays the penalty. He gets rid of the gap between us and God. The things that cause the hurt, the things that cause the act. He he deals with that. But do you notice what happens that kind of like the climactic moment, the moment where Jesus breathed his last, everything goes black. And then what happened in the temple? The holy place, the place where God resided. The place where he dwelt, the place that was the most special dwelling of him in earth at all, was protected by a thick curtain. And at the moment Jesus died and passed cross that thorn for us. It tore into, because nothing could keep his holiness away from our own holiness. Nothing could keep his love away from us. And so he says, no, it's not. You show me how good you are and then you earn it. I'm coming to you in love so that you can respond to me in faith. It's your thirst for all things is the prerequisite for faith in Jesus. And in doing these things, Jesus validates those aches. He validates the hurts. He validates the gaps in your life and says, yes, it was intended to be different. And one day all those things will be realized in him. If faith is not personal, I don't think it's worth it. So, friends, I ask you in love today. Where are the gaps in your life? These are the spaces where God wants to have wants us to have hope and trust and faith in him. This is what this is the conversation he's having at the well with this woman. And he is the very gift himself that he offers for it to happen. It's good news. So where are the gaps in your life? These are the spaces where our faith comes from, needs to come from, not the bits where you got to work out. Faith in God is a Living Faith The third thing leads from that, and it's that faith in God is a living faith. Once we have faith in God, then what? I'm going to be short here, so don't worry. So it's going along well. Let's look at the woman at the well. Can we read verse 28 to 30? It's like she hears and then she goes. She receives that. She leaves her jar there. People like talk symbolically like that. She's she's given up her mechanism to keep drawing from the physical water because she's received from Jesus. I don't know if that's what is actually going on or not. She just might have forgotten a jar, I don't know, but either way, like, she's gone and she's like, she's acting. She's like and telling people, guys, you'll never believe I just spoke to this. Man. He knew everything. He's. He's got to be the one. He's got to be. She did something. She acted. I love it, I love it how it says at the end. We no longer believe just because of what you said. Now we have heard for ourselves. You see, they're going through the process. We're thinking. We're applying it to ourselves. And now we believe. And so now we are in response. Yeah. There's two ways you need to respond to God in faith. If you believe it's true. Faith. I've been thinking about what faith is and you can sum it up as belief. You can sum it up as just what you think. I don't know, but one thing I think the Bible describes faith as is responding to what you know is true about who God is. Right. Which then helps us identify how we need to have faith in him. What do you know is true about God? Do you know that God is the most generous being in all the universe? Well, then, what does that say about how you use your resources, your finances, your time, your energy, keeping to yourself? Like, how could you if you know what God's like? What about how God welcomes strangers? Well, then who gets to eat at your table? How many times? This is for me too. How many times do people get to sit at your table who don't share the same surname as you? What does it mean to make new friends? Isn't that what God's like? I'm not saying you have to do it that way. But what do you know about God to be true? And then how do you live? What about that? That he will return one day to judge the living and the dead? Okay, so where do you cut corners? What are the small gaps in your life that you can offer to him in faith and trust him in those spaces? The second thing that we can see here is that faith is for ourselves to to live out. But then it's for the benefit of others, too. That's what happened. A whole community of people came to faith in Jesus because one woman responded. In my role, I raised money for churches during the week. That's what I do. and it means I get to go and speak with lots of wonderful people. And I had a meeting not long ago with, with a big, foundation that is not from a Christian or any sort of religious background, and they'd never worked with an organization that was a faith organization. And I didn't know that until we met. And but I just approached it the same way I normally would. and so we just met for coffee and had a really good time, and it was just lovely. It was so, so much fun. And we kind of got carried away and just having a good time having coffee together. That's sort of my life. But, And then she sort of caught herself unnoticed. She caught herself and went, oh yeah, I've got to ask that question. And she, I could tell, like her face dropped a bit and she said it was like she had this important question that she needed to check before we passed the test, you know, and she said, but what do you say about the fact that, churches already have loads of money, that churches are rich? I said, you should see my church. No, I said, that joke worked better this morning. and I said, well, yeah, institutionally, I can see that's true. But the reality is, every church that I know, they're in it because they believe it and nothing else, that they're writing off their own steam. They're pushing as hard as they can with every resource that they've got. And I just had happened to have come from a meeting where I met with someone who was leading a church, and in their congregation, they told me that there's a number of instances, serious instances, and one of them was domestic violence. And so he had actually invited a woman to come live with his family. And that's what had happened. And so I relayed that to this person. I said he's not doing it because he has to. This is out of hours work. He believes this is what to do. This is how to live by faith, because this is the way that God has treated him. And then it looks like that. And she said, I need to figure out how I can tell this to the people at my work, because we need to figure out how to make that more common. And then she indicated that she wanted to just to talk more about how this was real. Do you see? Do you see how it works? Faith that you think through then becomes real for you personally and you live out is compelling. It's beautiful. It's just like the good news that Jesus shared with us. Would you consider what it might look like to be a person of faith in God? And what that would look like for your life? Think it through. Personalize it. Let it get in the gaps and then live it. Concluding Prayer Let me pray. Father God, thank you for your grace. May we live humbly in response to it. Amen.

El gobierno de España otorgó esta semana a Mario Vargas Llosa, en forma póstuma, la mayor condecoración que confiere a personalidades destacadas en la cultura, la educación y la ciencia: la Gran Cruz de la Orden Civil de Alfonso X el Sabio. Ese fue el último galardón para el gran escritor peruano, que falleció el domingo pasado en Lima a los 89 años. Ya había recibido en 2010 el Premio Nobel, que marcó la culminación de una vasta sumatoria de reconocimientos, entre ellos el Premio Cervantes y el Premio Príncipe de Asturias de las Letras. Vargas Llosa nació en Arequipa, Perú, en 1936. Trabajó como periodista, estudió Humanidades, escribió relatos, pero su verdadera carrera comenzó en 1963, con la publicación de la novela La ciudad y los perros, considerada uno de los disparadores del Boom latinoamericano de literatura. Editó luego otras novelas, como La casa verde, Conversación en la Catedral, Pantaleón y las visitadoras, La guerra del fin del mundo, El sueño del celta y, más recientemente, Tiempos recios. También escribió ensayos, muchos sobre otros escritores (Onetti, Víctor Hugo, Flaubert, Borges) yy otros sociopolíticos, como La civilización del espectáculo y una recopilación de sus influencias liberales en La llamada de la tribu. El Comité del Premio Nobel recordó este lunes que distinguió a Vargas Llosa en 2010 "por su cartografía de las estructuras de poder y sus imágenes mordaces de la resistencia, la revuelta y la derrota del individuo". En el acto en que recibió el Nobel, Vargas Llosa realizó una de sus conferencias memorables: "Aprendí a leer a los cinco años en la clase del hermano Justiniano en el colegio de La Salle en Cochabamba, Bolivia. Es la cosa más importante que me ha pasado en la vida. Casi 70 años después, recuerdo con nitidez cómo esa magia, traducir las palabras de los libros en imágenes, enriqueció mi vida, rompiendo las barreras del tiempo y del espacio, y permitiéndome viajar con el capitán Nemo, 20.000 Leguas de Viaje Submarino, luchar junto a D'Artagnan, Atos, Portos y Aramis contra las intrigas que amenazan a la reina en los tiempos del sinuoso Richelieu, y arrastrarme por las entrañas de París convertido en Jean Valjean con el cuerpo inerte de Marius a cuestas". Los tertulianos, ¿qué libros destacan de Vargas Llosa? ¿Qué recomiendan a los oyentes? La Tertulia de los Viernes con Víctor Ganón, Juan Grompone, Carolina Porley y Ana Ribeiro.

Un livre, Un lecteur. Emission présentée par Florence Berthout Elle reçoit François Lalliard qui parlera du livre « Les Misérables » de Victor Hugo À propos du livre : « Les Misérables » de Victor Hugo LES GRANDS TEXTES DU XIXe SIÈCLE Peut-on imaginer un monde sans Jean Valjean, Cosette, Gavroche, Javert ou Fantine, à jamais vivants au Panthéon de l'esprit humain ? En 1862 paraissent Les Misérables, qui désignent toutes les vicitmes d'un ordre social dont Victor Hugo condamne les injustices. Immense épopée populaire, le roman est emporté dans l'air de Paris et de ses bas-fonds, chargé de l'odeur des barricades et de la Révolution. Il deviendra l'une des oeuvres les plus lues dans le monde. On dit que lorsque les premières épreuves sortirent des presses, les correcteurs et les imprimeurs pleuraient.

This episode takes its name from the infamous scene in Peter Pan where Tinkerbell's survival depends entirely on the audience's applause. Here, Chris and Ununice unpack “Tinkerbell Politics” — a metaphor for the existential dependency of marginalized movements on the belief, goodwill, and clapping of the majority. It's spicy, slippery, and sacrilegious — in the best possible way.Chris Abraham and co-host Ununice (aka Karen, Co-Pilot, Baby Doll, Sweet Pea) jump headfirst into the deep end with “Tinkerbell Tactics” — an unsparing critique of modern identity politics, performative wokeness, and the fragile alliances between marginalized movements and mainstream society. From Beltway insights to Les Misérables anthems, this one ricochets from high theory to hot takes with unapologetic energy.If you don't clap, she dies. Tinkerbell becomes a stand-in for social justice causes that rely on mainstream applause — votes, funding, and attention.The 70% cis-het normie majority are seen as necessary but resented lifelines: “Bite the hand that feeds you” becomes not just a phrase, but a pattern.Chris compares Beltway NGO competition to baby birds in a nest — vying for “mommy's” attention (i.e., federal funds, public support).Movements like BLM, Trans Rights, and DEI initiatives are framed as “TV shows” subject to cancellation when interest wanes.“Let them rebel — they'll burn out.” Mainstream culture, like a bored parent, knows it can wait out revolutions.Unconventional fashion and identity expressions (tattoos, blue hair, emo, etc.) once shocking, now banal. What was once rebellion becomes Target merch.Exposure therapy works, but doesn't guarantee respect. The freak next door is tolerated — not necessarily valued.Aesthetic rebellion leads to “tattoo regret centers.” Social rebellion follows similar cycles.Alienating the majority by labeling them “fascist,” “transphobe,” etc. leads to backlash.The desacralization of protected groups — when holy cows become hamburger.The irony of using federal grants to label your funders Nazis.Right-wing strategists reframing wokeness as “theft” from taxpayers — and rolling back DEI budgets state by state.“Never burn a bridge.” DC wisdom comes in hot as Chris warns that dependency requires diplomacy.Identity movements should balance autonomy with realism about funding and social capital.Even progressive institutions are vulnerable to the same critical tools they use.Everything can become a target — even the church, even pride parades, even the flag — when the cultural pendulum swings.Chris argues the Les Mis anthem can be used by any insurgent group — socialist or nationalist — because the narrative of “freedom vs oppression” is elastic.Jean Valjean as Trump? A stretch or just postmodern poetry?Ununice dials the tone from earnest to acerbic midway through. Satire, cringe, riz (charisma), and “Criz” (a proposed Gen Z term) all make appearances.“If you don't clap for Tinkerbell, Tinkerbell dies, right?”“The paradox of f*** you normies — but also, please clap so I can keep breathing.”“Tattoo regret centers are the canaries in the co-opted identity coal mine.”“You can't ask people for money while calling them fascists.”“Every one of those Les Mis lyrics could be sung by the AFD in Germany.”“Jean Valjean is just Trump with more abs.”“Deconstruction is indiscriminate — even your saints are fair game.”Tinkerbell Politics: The idea that marginalized movements often rely on the belief, attention, and funding of the mainstream majority.Federal Funding Firewalls: Budget line items immune to election cycles — until they're not.Q: Is this episode satirical or serious?A: Both. Think South Park meets Jacques Derrida — with better microphones.Q: Is “Tinkerbell Tactics” just about queer politics?A: Nope. It's about all movements that rely on external applause — and what happens when the crowd stops clapping.

Nous sommes le 27 juillet 1867, à l'issue du procès des grévistes et des émeutiers du Moulin de Marchienne. Le procès s'est tenu à la cour d'assises du Hainaut. Un procès pour l'exemple : il faut éviter que de tels événements ne se reproduisent. Le « meneur » écope d'une peine de cinq ans de prison et d'une très grosse amende. D'autres peines de huit à vingt-quatre mois d'incarcération sont encore prononcées. Il y a dix acquittements. La plupart des accusés ne savent pas signer leur nom. Le lendemain, le journal bruxellois « La liberté » écrit : « Cette grève est le fait de gens qui ont indiscutablement faim. Voilà le procès de Jean Valjean ! On ne vole pas un peu de farine dans son tablier ou dans un sac quand on n'a pas faim ! » Ces émeutes de 1867 constituent un épisode fondateur de l'histoire sociale de Charleroi. Une région, comme d'autres, fragilisée par les pénuries alimentaires et le prix exorbitant des denrées. Comment les pouvoirs publics ont-ils réagi à ces mouvements de mécontentement, à ces révoltes ? En quoi ces émeutes et ces grèves ont-elles été utiles dans l'organisation d'une solidarité des travailleurs ? Quel est le rôle des femmes ? Invitée : Francine Bolle, historienne et membre du comité de pilotage du projet « Création » qui rassemble des partenaires issus des mondes de la recherche, des archives et de l'éducation permanente, et entend mobiliser l'histoire comme outil pour éclairer les évolutions contemporaines du travail, de l'insertion et de la reconversion professionnelle et territoriale. Merci pour votre écoute Un Jour dans l'Histoire, c'est également en direct tous les jours de la semaine de 13h15 à 14h30 sur www.rtbf.be/lapremiere Retrouvez tous les épisodes d'Un Jour dans l'Histoire sur notre plateforme Auvio.be :https://auvio.rtbf.be/emission/5936 Intéressés par l'histoire ? Vous pourriez également aimer nos autres podcasts : L'Histoire Continue: https://audmns.com/kSbpELwL'heure H : https://audmns.com/YagLLiKEt sa version à écouter en famille : La Mini Heure H https://audmns.com/YagLLiKAinsi que nos séries historiques :Chili, le Pays de mes Histoires : https://audmns.com/XHbnevhD-Day : https://audmns.com/JWRdPYIJoséphine Baker : https://audmns.com/wCfhoEwLa folle histoire de l'aviation : https://audmns.com/xAWjyWCLes Jeux Olympiques, l'étonnant miroir de notre Histoire : https://audmns.com/ZEIihzZMarguerite, la Voix d'une Résistante : https://audmns.com/zFDehnENapoléon, le crépuscule de l'Aigle : https://audmns.com/DcdnIUnUn Jour dans le Sport : https://audmns.com/xXlkHMHSous le sable des Pyramides : https://audmns.com/rXfVppvN'oubliez pas de vous y abonner pour ne rien manquer.Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement. Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Please join Kate and Sheila as they discuss parts 2 & 3 of Victor Hugo's unforgettable tale of woe, Les Misérables. Today we meet the young girl, Cosette, who was left with the cruel innkeepers. The Thenardiers have taken money from Cosette's young mother under false pretenses. They make Cosette work tirelessly, and use money sent from her mother for themselves. Jean Valjean is at last free to rescue Fantine's daughter as he promised. Cosette was a “fly trembling in a spider's web”. The Bible tells us in Exodus 22:23, “Do not take advantage of the widow or the fatherless. If you do, they will cry out to Me, I will certainly hear their cry.” Cosette does just that, after her prayer the paths of Jean Valjean and Cosette meet and the poor waif is removed from the sinister selfish family at last!“The bishop had taught him (Jean Valjean) the meaning of virtue; Cosette had now taught him the meaning of love.” Life was briefly sweet for the pair, as a devoted grandfather with his grateful granddaughter, until the detective, Javert, relentlessly tracked them down. Danger popped their new found joy like a pin in a balloon. How will they escape this unmerciful fame-seeking man? Next, we meet Marius, whose grandfather raised him until he disinherited him. “The rigors of his present life gratified and pleased him.” Time has passed and the despicable Thenardiers end up as Marius' next door neighbors. The showdown between the grafters along with their thugs-for-hire, kind-hearted Jean Valjean, and the unstoppable detective is viewed by an anything but calm Marius through a peephole in the wall connecting the rooms! Hugo challenges his readers, of yesterday and today, by addressing topics that many would   rather sweep under the rug than be exposed for all to see. Are you ready to jump into the fray? 

durée : 00:58:35 - Le Souffle de la pensée - par : Géraldine Mosna-Savoye - La politologue Réjane Sénac vient nous parler d'un monument de la littérature, un classique lu, au moins par passages, dès l'école, et dont les thèmes - la misère, la justice, la fraternité - sont aussi connus que ses héros - Jean Valjean, Cosette ou Fantine - : "Les Misérables" de Victor Hugo. - réalisation : Nicolas Berger - invités : Réjane Sénac Politiste et chercheuse française

LA PETITE HISTOIRE DE VIDOCQ : le bagnard, évadé et flic le plus connu Quand on évoque le nom de Vidocq, quelques images nous viennent automatiquement ! Vidocq c'est dans l'imaginaire collectif : un bagnard, un roi de l'évasion, un flic, un séducteur, un érudit, un bagarreur, un indic, un détective privé, un côté sombre, un côté clair ! Bref Vidocq c'est beaucoup de choses à la fois, et beaucoup de personnalités! Et c'est une personnalité qui a évidemment inspiré beaucoup de personnages de fiction! Il y a du Vidocq chez Arsène Lupin de Maurice Leblanc, ou bien encore chez Jean Valjean de Victor Hugo, ou Vautrin alias Jacques Collin, pour Balzac, un personnage que Balzac fait apparaître dans plusieurs romans de La Comédie humaine. Bref on a toutes et tous forcément croisé la route d'un Vidocq dans nos lectures ou nos visionnages de films et séries. Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Les Miserables is a film adaptation of the period musical of the same name. Released in 2012, it followed the exploits of Jean Valjean, an escaped convict going to great lengths to find personal redemption at the height of the French Revolution. The film version, directed by Tom Hooper, sought to emulate the epic scope of the stage musical, and featured grandiloquent and verbose set pieces and crowded chorus numbers, with an ensemble cast led by Hugh Jackman, Russell Crowe, Anne Hathaway, Eddie Redmayne, and numerous others. The film was a major box office hit, won many Academy Awards (Including a noteworthy Supporting Actress win for Hathaway), and set a new standard for movie musicals featuring live performances by the actors as opposed to backing tracks...in spite of largely receiving middling reviews upon its release.On a new episode of Hell Is A Musical, Lilz and Scott welcome back Maggie Noel (Friend of the pod and late of the Rock Candy podcast) to help them through a viewing of Les Miserables. Join them as they slog their way through an obscene amount of extreme close-ups, marvel at just how British 19th century France is in the action, and make a lot of the same jokes everyone's already made about Russell Crowe's singing voice.(It's not good.)...with Lilz and Scott!

Kate and Sheila introduce part 1 of  Les Misérables a.k.a. ‘The Brick' by Victor Hugo.These episodes are dedicated to our dear friend, Matt Green, who passed from this life in 2024. His love for this story inspired us to tackle the Brick, thank you Matt!The Bishop is the first character we meet. He inspired us greatly with words such as…“I was not put in this world to protect lives but to save souls.”“We must never fear robbers and murderers. They are dangers from outside, small dangers. It is ourselves we have to fear. Prejudice is the real robber and vice the real murderer.”His message to Jean Valjean touched his heart and changed the trajectory of his life!“...my brother, you no longer belong to what is evil but to what is good. I have bought your soul to save it from black thoughts and the spirit of perdition, and I give it to God.”Jean Valjean was imprisoned for breaking a shop window in his attempt to steal bread to feed his sister's family. He was sentenced to serve 5 years, however after 4 escape attempts his sentence was increased by 14 years!Are you ready to challenge yourself far beyond your life as a reader to the depth of your compassion as a  person? Published in 1862, this classic helps us to discover what is true! 

What is the most significant truth revealed since the Annunciation? Dr. Casey Griffith discusses the Church's organization and the joyful Restoration of the gospel of Jesus Christ.SHOW NOTES/TRANSCRIPTSEnglish: https://tinyurl.com/podcastDC211ENFrench: https://tinyurl.com/podcastDC211FRGerman: https://tinyurl.com/podcastDC211DEPortuguese: https://tinyurl.com/podcastDC211PTSpanish: https://tinyurl.com/podcastDC211ESYOUTUBEhttps://youtu.be/lUZC5IlW4yYALL EPISODES/SHOW NOTESfollowHIM website: https://www.followHIMpodcast.comFREE PDF DOWNLOADS OF followHIM QUOTE BOOKSNew Testament: https://tinyurl.com/PodcastNTBookOld Testament: https://tinyurl.com/PodcastOTBookWEEKLY NEWSLETTERhttps://tinyurl.com/followHIMnewsletterSOCIAL MEDIAInstagram: https://www.instagram.com/followHIMpodcastFacebook: https://www.facebook.com/followhimpodcastTIMECODE00:00 - Part 1 - Dr. Casey Griffiths02:23 The Restoration Proclamation03:19 The Come, Follow Me Manual04:30 D&C 20: Church Constitution06:15 The influence of Moroni 6 11:03 Dr. Griffith's bio14:15 Moroni's Guide to Surviving Turbulent Times15:56 The big picture18:47 April 6, 183024:22 What it means to be a member of the Church26:41 D&C 20:6-11 Power from on high and holy work28:59 Why was 6 afraid of 7?30:56 A second witness of Jesus Christ33:03 The Book of Mormon is a witness of the Restoration37:33 D&C 20:37 - Why we do what we do41:43 D&C 20:17-36 - A positive view of the Fall49:49 The great finale and Jesus Christ's mission54:52 In part how the Atonement works57:52 A missionary story about grace01:03:05 Choosing the Celestial Kingdom01:06:17 Elder Christofferson and Jean Valjean 1:12:51 End of Part 1 -  Dr. Casey GriffithsThanks to the followHIM team:Steve & Shannon Sorensen: Cofounder, Executive Producer, SponsorDavid & Verla Sorensen: SponsorsDr. Hank Smith: Co-hostJohn Bytheway: Co-hostDavid Perry: ProducerKyle Nelson: Marketing, SponsorLisa Spice: Client Relations, Editor, Show NotesJamie Neilson: Social Media, Graphic DesignWill Stoughton: Video EditorKrystal Roberts: Translation Team, English & French Transcripts, WebsiteAriel Cuadra: Spanish TranscriptsAmelia Kabwika : Portuguese Transcripts"Let Zion in Her Beauty Rise" by Marshall McDonaldhttps://www.marshallmcdonaldmusic.com

Les Misérables | The Final Episode (Finale) || September 3, 1937Orson Welles adapted the 1862 novel by Victor Hugo, directed the series, and starred as Jean Valjean.01:20 || The Final Episode -- William Johnstone (Marius Pontmercy, Prosecutor), Orson Welles (Jean Valjean, Prisoner accused of being Jean Valjean), Ray Collins (Judge who sentences Valjean, Judge at Arras), Hiram Sherman ("Guilty!", Police Officer, Third Judge), Frank Readick (Bishop of Digne)#victorhugo #orsonwelles #lesmiserables #duaneoldtimeradio: : : : :My other podcast channels include: MYSTERY x SUSPENSE -- DRAMA X THEATER -- SCI FI x HORROR -- COMEDY x FUNNY HA HA -- VARIETY X ARMED FORCES.Subscribing is free and you'll receive new post notifications. Also, if you have a moment, please give a 4-5 star rating and/or write a 1-2 sentence positive review on your preferred service -- that would help me a lot.Thank you for your support.https://otr.duane.media | Instagram @duane.otr#orsonwelles #oldtimeradio #otr #radioclassics #citizenkane #oldtimeradioclassics #classicradio #mercurytheatre #duaneotr:::: :This podcast uses the following third-party services for analysis: Podtrac - https://analytics.podtrac.com/privacy-policy-gdrp

Les Misérables || The Grave | The Barricade || Broadcast: August 20, 1937; August 27, 193701:30 || The Grave -- William Johnstone (Police Officer, Marius Pontmercy), Everett Sloane(Police Lieutenant, Gyribier the Gravedigger), Ray Collins (Fauchelevent), Orson Welles (Jean Valjean), Estelle Levy (Cosette at age eight), Peggy Allenby (Prioress), Hiram Sherman (Priest at the Grave), Virginia Nicolson (Older Cosette), Martin Gabel (Inspector Javert)28:45 || The Barricade -- Martin Gabel (Inspector Javert), Orson Welles (Jean Valjean), Virginia Nicolson (Cosette), Ray Collins (Police Officer, First Policeman), William Johnstone (Marius Pontmercy), Hiram Sherman (First Revolutionary, Second Policeman), othersOrson Welles adapted the 1862 novel by Victor Hugo, directed the series, and starred as Jean Valjean. #victorhugo #orsonwelles #lesmiserables #duaneoldtimeradio: : : : :My other podcast channels include: MYSTERY x SUSPENSE -- DRAMA X THEATER -- SCI FI x HORROR -- COMEDY x FUNNY HA HA -- VARIETY X ARMED FORCES.Subscribing is free and you'll receive new post notifications. Also, if you have a moment, please give a 4-5 star rating and/or write a 1-2 sentence positive review on your preferred service -- that would help me a lot.Thank you for your support.https://otr.duane.media | Instagram @duane.otr#orsonwelles #oldtimeradio #otr #radioclassics #citizenkane #oldtimeradioclassics #classicradio #mercurytheatre #duaneotr:::: :This podcast uses the following third-party services for analysis: Podtrac - https://analytics.podtrac.com/privacy-policy-gdrp

In this sermon, Pastor Nathan delves into Ephesians chapter 2, urging the congregation to comprehend the profound difference between grace and love. He emphasizes that grace and love aren't synonymous and that true grace involves humility, submission, and a life-changing transformation. Using metaphors and analogies, including the story of Jean Valjean from 'Les Miserables,' he explains how grace is a costly, surprising, and sometimes traumatic gift that requires believers to lay down their old identities and embrace a new spiritual life in Christ. He encourages the church to actively seek and share God's grace, moving beyond mere religion and morality to a deeply personal and transformative relationship with God.For more on LifePoint Church go to lifepointaz.com Find all our links in one easy spot https://linktr.ee/lifepointaz Follow us on Facebook https://www.facebook.com/lifepointaz Follow us on Instagram https://www.instagram.com/lifepointchurchaz/

Les Misérables || The Trial | Cosette || Broadcast: August 6, 1937; August 13, 193701:20 || The Trial -- William Johnstone (Bishop of Digne, Prosecutor), Hiram Sherman (Man who announces Javert, Judicial Clerk), Orson Welles (Jean Valjean [Monsieur Madeleine], Champmathieu), Martin Gabel (Inspector Javert), Alice Frost (Fantine), Adelaide Klein (Nun), Ray Collins (Judge), others; Milton Katims, musical director30:41 || Cosette -- William Johnstone (Judge, Second Inn Customer), Orson Welles (Jean Valjean), Martin Gabel (Inspector Javert), Ray Collins (Thenardier), Agnes Moorehead (Madame Thenardier) Hiram Sherman (First Inn Customer), Estelle Levy (Cosette)Orson Welles adapted Victor Hugo's 1862 novel, directed the series, and starred as Jean Valjean. Marking the radio debut of the Mercury Theatre, Welles's Les Misérables was described by biographer Simon Callow as "one of his earliest, finest and most serious achievements on radio".Orson Welles adapted the 1862 novel by Victor Hugo, directed the series, and starred as Jean Valjean. #victorhugo #orsonwelles #lesmiserables #duaneoldtimeradio: : : : :My other podcast channels include: MYSTERY x SUSPENSE -- DRAMA X THEATER -- SCI FI x HORROR -- COMEDY x FUNNY HA HA -- VARIETY X ARMED FORCES.Subscribing is free and you'll receive new post notifications. Also, if you have a moment, please give a 4-5 star rating and/or write a 1-2 sentence positive review on your preferred service -- that would help me a lot.Thank you for your support.https://otr.duane.media | Instagram @duane.otr#orsonwelles #oldtimeradio #otr #radioclassics #citizenkane #oldtimeradioclassics #classicradio #mercurytheatre #duaneotr:::: :This podcast uses the following third-party services for analysis: Podtrac - https://analytics.podtrac.com/privacy-policy-gdrp

In Les Misérables, the themes of liberation, redemption, and divine intervention resonate deeply with the story of the Israelites in the Torah portion Beshallach. As the Israelites escape Egypt, they are freed from the oppressive hand of Pharaoh, mirroring the struggles of the characters in Hugo's novel who seek freedom from various forms of societal and personal bondage. The dramatic parting of the Red Sea can be seen as a divine act of mercy, reminiscent of moments in Les Misérables where grace transcends justice, such as Jean Valjean's transformation after the bishop's forgiveness. The song of the Israelites after their crossing, expressing gratitude for God's deliverance, echoes the redemptive songs of the novel's characters who rise above their suffering through acts of compassion and self-sacrifice. Both the Torah portion and the novel remind us that, even in the darkest times, there is a path to freedom, and it is paved through mercy, faith, and unwavering hope in the face of adversity.

In Les Misérables, the themes of liberation, redemption, and divine intervention resonate deeply with the story of the Israelites in the Torah portion Beshalach. As the Israelites escape Egypt, they are freed from the oppressive hand of Pharaoh, mirroring the struggles of the characters in Hugo's novel who seek freedom from various forms of societal and personal bondage. The dramatic parting of the Red Sea can be seen as a divine act of mercy, reminiscent of moments in Les Misérables where grace transcends justice, such as Jean Valjean's transformation after the bishop's forgiveness. The song of the Israelites after their crossing, expressing gratitude for God's deliverance, echoes the redemptive songs of the novel's characters who rise above their suffering through acts of compassion and self-sacrifice. Both the Torah portion and the novel remind us that, even in the darkest times, there is a path to freedom, and it is paved through mercy, faith, and unwavering hope in the face of adversity.

Les Misérables | The Bishop; Javert || Broadcast: July 23, 1937; July 30, 193701:20 || The Bishop -- Orson Welles (Jean Valjean), Alan Devitt (Judge), Agnes Moorehead (Old Woman, Madame Magloire), Frank Readick (Bishop of Digne), others31:40 || Javert -- Hiram Sherman (Letter Deliverer, Factory Official, Idler who torments Fantine), Betty Garde (Favourite), Alice Frost (Fantine), Agnes Moorehead (Marguerite), Ray Collins (Traveling Dentist, Fauchelevent), Martin Gabel(Inspector Javert), Orson Welles (Jean Valjean [Monsieur Madeleine])Les Misérables is a seven-part radio series broadcast July 23 – September 3, 1937 (Fridays at 10 p.m. ET), on the Mutual Network. Orson Welles adapted Victor Hugo's 1862 novel, directed the series, and starred as Jean Valjean. The 22-year-old Welles developed the idea of telling stories with first-person narration on the series, which was his first job as a writer-director for radio.#victorhugo #orsonwelles #lesmiserables #duaneoldtimeradio: : : : :My other podcast channels include: MYSTERY x SUSPENSE -- DRAMA X THEATER -- SCI FI x HORROR -- COMEDY x FUNNY HA HA -- VARIETY X ARMED FORCES.Subscribing is free and you'll receive new post notifications. Also, if you have a moment, please give a 4-5 star rating and/or write a 1-2 sentence positive review on your preferred service -- that would help me a lot.Thank you for your support.https://otr.duane.media | Instagram @duane.otr#orsonwelles #oldtimeradio #otr #radioclassics #citizenkane #oldtimeradioclassics #classicradio #mercurytheatre #duaneotr:::: :This podcast uses the following third-party services for analysis: Podtrac - https://analytics.podtrac.com/privacy-policy-gdrp

It's the start of a new year, which means it's time for a new round of Movie ReFlicktions, as Mikey, d$, and #XLessDrEarl are back to ReFlickt'd all the movies they've seen in the last several weeks!   A double dose of Liam Neeson kicks off the reviews, with Producer Tommy's offspring in a Lifetime Movie, The Don' biopic, a cartoon Hobbit, Jerry Buts is back with his thievery den, and Dr. Earl goes old school with some Javert and Jean Valjean. Also, d$ continues his love for his Hollywood beloved, but fears for the choices being made. A slate of documentaries cover everything from Superman to Kermit to The Beach Boys to Michael McDonald's sound in Yacht Rock music. Plus a random chat about young Hollywood and much more. Here are the movies reviewed, and where to find them at the time of recording:   In the Land of Saints and Sinners You Better Watch Out (Lifetime Movie Network) A Complete Unknown (theaters) The Apprentice (rental) Nightbitch (Hulu) Super/Man: The Christopher Reeve Story (MAX) Sonic the Hedgehog 3 (theaters) Jim Henson: Idea Man (Disney+) NR24 (Netflix) The Lord of the Rings: The War of the Rohirrim (Paramount+) Wallace and Gromit: Vengeance Most Fowl (Netflix) Music by John Williams (Disney+) Challengers (Amazon Prime; MGM+) Thelma (Hulu) Wolfs (AppleTV) The Substance (rental) I Used to be Funny (Netflix) A Different Man (MAX) Les Miserables (The Criterion Channel) Kill ‘Em All 2 (Netflix) Darkness of Man (Hulu) Marlowe (Amazon Prime) Den of Thieves 2: Pantera (in theaters) Kneecap (Netflix) The Greatest Night in Pop (Netflix) Brats (Hulu) Yacht Rock (MAX) The Beach Boys (Disney+) Moana 2 (in theaters) The Brutalist (in theaters) Unfrosted (Netflix) A Real Pain (Hulu) Wicked (in theaters) Through a Glass Darkly (MAX; The Criterion Channel) Flow (for rental) Wolfman (in theaters) Back in Action (Netflix) Nickel Boys (in theaters) Maria (Netflix) Lee (Hulu)

Description: Join us as we dive into John 8:21-30, where Jesus challenges His audience to move from spiritual blindness to belief. In this passage, we explore three transformative themes: 1️⃣ Blindness: Living "below" and being consumed by worldly distractions. 2️⃣ Revelation: The Cross as the ultimate turning point where grace meets our sin. 3️⃣ Transformation: Seeing Christ in our neighbors and embracing a cruciform life shaped by humility, love, and sacrifice.Through real-life examples like Jean Valjean's story in Les Misérables, practical steps for reflection, and prayer, we uncover how to live out Jesus' call to faith and selfless love.Reflect with us:How can we reorient our hearts toward God amidst worldly distractions?What does it mean to embrace a life shaped by the cross in our daily actions?Don't miss this opportunity to deepen your walk with Christ and embrace His presence in your life and others.

La Royal Navy ha infatti individuato il passaggio di una nave spia russa nelle acque britanniche, come annunciato dal ministro della Difesa di Londra, John Healey, alla Camera dei comuni. «Voglio essere chiaro, si tratta di una nave spia russa usata per la raccolta d'informazioni e la mappatura d'infrastrutture sottomarine sensibili» ha spiegato, aggiungendo che trattasi della seconda nave spia individuata negli ultimi mesi.

Jean Valjean, personnage sorti tout droit de l'imagination de Victor Hugo il y a plus de 160 ans, sera dans quelques mois la star de deux films. Dans le Sud de la France, le réalisateur Eric Besnard a lancé le tournage d'un long métrage qui racontera l'enfance et l'origine de Jean Valjean... Ecoutez La star du jour avec Anthony Martin du 15 janvier 2025.

Welcome back to the 197th episode of The Cup which is our a weekly (give or take, TBD, these are unprecedented times) performing arts talk show presented by Cup of Hemlock Theatre. With the theatres on a come back we offer a mix of both reviews of live shows we've seen and continued reviews of prophet productions! For our 197th episode we bring you a Duet Review of of Roberto Zucco, written by Bernard-Marie Koltès (translated from the French by Martin Crimp), directed by ted witzel, and presented by Buddies in Bad Times Theatre. Join Mackenzie Horner and Ryan Borochovitz, as they discuss the purgatorial state of true crime, sticky images, and a vision of Jean Valjean if he never met the Bishop. Roberto Zucco is playing at Buddies in Bad Times Theatre (12 Alexander Street, Toronto, ON) until October 5th, 2024. Tickets can be purchased from the following link: https://buddiesinbadtimes.com/show/roberto-zucco/ CONTENT WARNING: Roberto Zucco contains themes, discussions, and depictions of serial murder, suicide, sex work, and sex trafficking (including the involvement of minors); this review, likewise, speaks directly to these topics. Viewer discretion is strongly advised. Less importantly, this review contains many SPOILERS for Roberto Zucco, as well as the historical Italian crimes that inspired it. It will begin with a general non-spoiler review until the [18:56] mark, followed by a more in-depth/anything goes/spoiler-rich discussion. If you intend to see the production, we recommend you stop watching after that point, or at least proceed at your own risk. Follow our panelists: Mackenzie Horner (Before the Downbeat: A Musical Podcast) – Instagram/Facebook: BeforetheDownbeat Apple Podcasts: https://apple.co/3aYbBeN Spotify: https://spoti.fi/3sAbjAu Ryan Borochovitz – [Just send all that love to CoH instead; he won't mind!] Follow Cup of Hemlock Theatre on Instagram/Facebook/Twitter: @cohtheatre If you'd like us to review your upcoming show in Toronto, please send press invites/inquiries to coh.theatre.MM@gmail.com --- Support this podcast: https://podcasters.spotify.com/pod/show/cup-of-hemlock-theatre/support

Send us a textThis week on Broadway Besties, we're joined by the incredible Nate Hackman, currently starring as Biff Cannon in Broadway's Back to the Future. We dive into his iconic roles as Jean Valjean, Gaston, Quasimodo, and more! Plus, the ultimate question—after this chat, who does Nate love more, Amy or Mark? Tune in for an episode full of laughs, Broadway tales, and a little friendly competition!

Join Rev. Tim as he has a fireside chat with J. Mark McVey - broadway actor and singer! Mark made his Broadway debut as Jean Valjean in 'Les Miserables' after having won the Helen Hayes Award for Outstanding Actor while in DC. He is the first American to perform Valjean in London's West End, reprising the role with the Los Angeles Philharmonic and once again in the 25th Anniversary Tour of Les Miserables where he won the Ovation Award and the Broadway.com Award on his way to eclipsing more than 3,200 performances in the worlds favorite musical Les Miserables. But with all of this comes a fierce devotion and love for God and using his gifts to bring glory and honor to Jesus Christ! Listen to this powerful episode about a dark past, a bright future, and the God in the middle of it all! Join J. Mark McVey and Rev. Timothy J. Mercaldo for "Broadway for the Narrow Way" - limited tickets now available! https://www.eventbrite.com/e/broadway-for-the-narrow-way-tickets-1003082134667?utm_experiment=test_share_listing&aff=ebdsshios

Episode 32 is pretty special this week as Todd Kramer and Jay Reum meet Bart Shatto, the man with a voice so big it could fill… well, imagine the biggest space that you can and then double it. Now double it again! We call that the "Shatto Effect."   From belting out iconic roles in Les Misérables as the valiant Jean Valjean to rocking the stage in The Civil War and Hands on a Hardbody, Bart's journey through the world of theater is nothing short of legendary. And if you thought that was impressive, wait until you hear about his time with the Trans-Siberian Orchestra, where he brought down the house with his electrifying performances.   Whether he's lighting up a stage or warming up a podcast, Bart Shatto is a man of many talents, all wrapped up in a package of humor, heart, and a dash of that Broadway magic. Stick around—this is going to be one for the ages! HOMEPAGE IMDB LINKTREE ※=※=※=※=※=※=※=※=※=※=※

This week on the SNL Hall of Fame podcast we welcome back to the show, Kirstin Rajala to discuss and build a case for Beck Bennett.Transcript: Track 2:[0:42] Thank you so much, Doug DeNance. It is a thrill to be back here in the SNL Hall of Fame, bringing to you the SNL Hall of Fame podcast. Once again, we're back for season six. We really hope you enjoyed the draft episode. Now, why don't you come inside? You might notice I'm looking at your feet. Wipe them. Know what I'm saying? So there's that. The SNL Hall of Fame podcast is a weekly affair fair where each episode we take a deep dive into the career of a former cast member, host, musical guest, or writer and add them to the ballot for your consideration.Track 2:[1:20] Once the nominees have been announced, we turn to you, the listener, to vote for the most deserving and help determine who will be enshrined for perpetuity in the hall. And that's how we play the game. It's just that simple. I am so pumped to be working with Matt and Thomas again for another season. We've got a banger of a year. We've got some fantastic, fantastic nominees and some really amazing special guests this season to nominate those nominees and build the case for them. We're also doing something a little different this year. We've got a new sister show that will be released on Thursdays or Fridays. I'm still flirting with that. If you have a preference, whether it's Thursdays or Fridays, send me an email, the SNL hall of fame at gmail.com. That's right. It's a new email address because it's a new year. It's a new season and we need a new email address. So there's that. Now, I will say that the SNL Water Cooler will be a visitation, a revisitation of the week's episode, and it'll also take a look at the episode of SNL, whether or not there are Hall-worthy performances or Hall-of-Shame-worthy performances that we might analyze down the road when we nominate so-and-so.Track 2:[2:47] So there's that. What do you say we wander down the hall and talk to our good friend Matt Ardill? I am going to pivot and make my way down the corridor here. Ah, there he is, leaning against the wall like a slug. Hey, if you got time to lean, you got time to clean, my boy.Track 3:[3:06] Matt, you've been around for four seasons, five seasons at this point. This is the beginning of your fifth season. How are you doing, man? Good, good. I'm happy to be here. And how about you, J.D.? I am pretty much good. I was camping, and I've been eaten alive. My ankles are all itchy, but other than that, I cannot complain. Yeah, but you got some fresh air, got out of the city, so that's always good. That's right.Track 3:[3:33] So what do you got for us this week? Today, I have Beck Bennett. Nice. Five foot eight, born on the best day of the year in Willamette, Illinois. Shares a birthday with luminaries such as Julie Andrews, Jimmy Carter, and myself. Hey. October 1st, 1984, which makes me feel all the more useless because he's 10 years my junior and has achieved so much more than I have. Oh, stop. Stop. Yeah, no, but he grew up a theater kid performing in children's theater at the Children's Theater of Winnetka. And in high school, played Jean Valjean at the New Tierra High School performance of Les Miserables. Yeah. So, now, he did go on to attend University of Southern California and the USC School of Dramatic Arts. Where he met and formed the sketch troupe Good Neighbor with Kyle Mooney, Nick Rutherford, and Dave McCary, all of whom went on to work at SNL.Track 3:[4:39] Now, after joining Good Neighbor, they created a series of sketch comedy shorts on YouTube which uh kind of make the parodies that they did later on in snl all the funnier um but this led to a series of ads where he's the at&t guy uh that uh had him interviewing children in a mock political talk show that's right yeah yeah uh and now that went on to become 84 acting credits seven writing credits eight producing credits four soundtrack credits including possibly the only person who can adequately capture the wonder that is launchpad mcquack on the ducktales reboot um now if anybody could do a live action ducktales that would be him i would love to see uh actually a darkwing duck reboot and bring back beck as launchpad but uh not you can only dream yeah yeah well you know disney plus is going to need to mine that content eventually um but yeah so he went on to marry jesse hodges another actor and they have a child together born march of 2022.Track 3:[6:03] Well, I definitely miss him on SNL. Yeah. He was somebody that became, like really grew into his role, I felt. And I really enjoyed him. And I also enjoy our friend Thomas Senna, who is in the conversation room with Kirsten Rajula right now, getting ready to teach us more about Beck Bennett. Matt, are you ready for that? I am looking forward to it. Well, let's get right to it.Track 4:[7:00] Alright, JD, Matt, thank you so much. Hey guys, welcome to another season of the SNL Hall of Fame podcast. I am joined today by, like, we had to kick off the season of discussions with just, like, an all-timer guest. So we're talking about all-timer nominees. Every week we talk about all-timer, you know, people from SNL history.Track 4:[7:25] I had to kick it off this week with an all-timer guest. So joining me for the first discussion of Season 6 for our first nominee is the one, the only, the lovely world traveler, Kristen Rahula. How's it going, Kirsten? It's great. What an intro. Thank you very much. And I didn't know this was the first. Oh my gosh. It's lovely to see your face and hear your voice. Yes, I've been traveling, and yes, I'm excited to be talking about SNL once again with some of my favorite people, the other super fans. And this episode is going to be great because we are talking about someone truly, truly deserving and who is so much fun to talk about because they are in everything. Yeah, right. Yeah, exactly. Like ubiquitous right there with, of course, Beck Bennett, who's our nominee to kick off season six of the SNL Hall of Fame. Kirsten, so I like to do the plugs at the top of the discussion, the way this is formatted. So do you have anything? What's going on in Kirsten's world lately? Well, for people in the Toronto area, my bestie and I do an event series, and it's intergenerational storytelling, female voices. So if you're in the Toronto area, it's generationwomen.ca. Please come and listen to women of all ages tell beautiful stories. It's a really fun event, and we would love the support.Track 4:[8:54] Yes, that sounds awesome. Yeah, go check that out. Also, listen to Kirsten. You're probably going to be a panelist, I assume, for Saturday Night Network's coverage on Season 50? Heck yeah. Yeah, check us out on the Saturday Night Network, where we also cover all things SNL with an even larger group of superfans. That is also a fun one, so check that out. They have shows multiple times throughout the week. Yeah, yeah. I love hearing Kirsten pop up, whether it's a hot take show or the roundtables. Yeah, I love hearing Kirsten pop up. So check her out on the Saturday Night Network. But today we were chatting about our first nominee for season six. That's the one, the only Mr. Beck Bennett. So a little bit of the CliffsNotes here before we kind of get a dig into Beck's SNL time. When he was a freshman in college, he met Kyle Mooney. They started doing sketch and improv together. It was at USC. They were part of Good Neighbor, along with Nick Rutherford and Dave McCary, Mr. Emma Stone himself, Dave McCary. Beck was in a run of AT&T commercials in which he interviewed children. Do you remember these, Kirsten?Track 4:[10:13] No, because I'm in Canada. I was wondering. That's why I asked. I don't know what kind of TV y'all get up there. They don't have AT&T, so yeah, I wouldn't have seen it. But I'm going to look them up. Okay, yeah, so it was a series of commercials. He sat there. It was like a circle of children. He would ask them different questions, I think pertaining to phone service or something like that. So that's where I knew Beck. So when he got on SNL, I was like, oh, there's that guy from the phone commercials. That's crazy. He does sketch comedy. Okay, let's see what this is about. out uh so yeah yeah you need to go youtube some of those at&t commercials and you'll see beck put on his his commanding voice like like like he liked to do on the show um so he was making a nice career for himself when he got the call so september of 2013 he began his snl tenure along with his good neighbor cohorts along with kyle mooney debuted uh right then too so kirsten like what were any initial impressions you may have had uh of beck bennett when he first kind of got on your radar. What'd you think of him?Track 4:[11:17] He's one of those people, it's a little hard to separate all of the characters he plays with who I imagine he is in real life. I picture him as the kind of failure-to-launch jock at your high school read. But I know he's probably not. He's wonderful, I'm sure, and a very smart, smart man, because clearly someone has got to be intelligent to pull off the kind of nuance and range that he does. But it's fun to think of him as that man-child that he always was, bit of a douche, often befuddled, making the wrong choices. Like you love him but you're like shaking your head so he at the beginning kind of very quickly started to establish himself as like fitting into those slots you saw him play a dumb kind of doofus dad typical middle-aged white guy and he did all of those things with enthusiasm so.Track 4:[12:12] While some people start off kind of awkward and they're trying to tentatively find their way at SNL I wonder if it's because he had Kyle with him yeah that they really jumped into it and their style of comedy pretty easily and quickly yeah they brought in a lot of good like their good neighbor stuff like those SoCal's like inside SoCal was a good neighbor thing uh you're right like he just played this doofus what I like to call in the comedy realm confidently dumb um yes i think that's like was beck's you know that was his forte in a lot of ways just such a confidently dumb guy like stick into his guns but it's like it's just the wrong way to go and yeah so good at that um delving into his highlights like is there a certain role over his eight seasons that you think he kind of did settle into oh gosh yes again the confidently dumb. Like, where his colleagues, like other folks on the show, would go between, you know, playing a bit of a dumb-dumb, but then also.Track 4:[13:22] You know, they could play like a rocket scientist. He was typically, which is funny because I just said he has range and I still think he does, but he typically was in the kind of befuddled, even like a Mitch McConnell, he was kind of blubbering. Right. And so he, yes, he always nailed that. I'm the last one who gets the joke, but I'm going to laugh as confidently as the person who told it. Yeah. He brought that spirit to so many things. It, even when it was him doing the SoCal stuff or, you know, kind of playing teenage or child roles with Kyle, always kind of a bit of a doofus. Yeah, yeah. So he was that he also was able to play like, sometimes kind of more of a straight dad kind of character.Track 4:[14:10] Usually when he played a dad, it was like from some sort of angle, like a downtrodden dad or a dumb dad or something like that. But he, man, he settled so nicely in his eight seasons. Indispensable, in my opinion, toward the end there, I think. Absolutely. Like a real cornerstone of the cast. And a combination of physical comedy, absurdity, but then also subtlety. Like there were really small choices that he made that...Track 4:[14:43] Or what brought those kind of doofus characters to like the way he'd hold his face or kind of you know the intonation certainly kyle was the you know crown wear of intonation and flat affect but he was right there with him so a lot of a lot of subtle things that they did so it's funny because at one point he's playing you know office boss baby and he's you know flinging his limbs around but then he can also just with one kind of slack jaw do something completely different right right Right. Yeah, that office boss, I want to kind of start getting into his actual work. And that baby boss, he debuted that in his first season. I think he might have auditioned with that, it seems like. But it was Mr. Patterson, baby boss. Like, was it the physicality of Beck? Does it totally shine through instantly, Kirsten? A hundred percent. Yeah, he ended up doing that four different times. Sometimes, the creepiest one was with Cameron Diaz because they were actually talking about relations and her giving him a bath in the kitchen sink and that they were going to try and make a baby or they were pregnant. It got a little awkward there. I think they were pregnant. Yeah, a little awkward. Well, I'm not worried. You're going to be a great mother. Come here, you.Track 4:[16:06] You. Could we maybe just do a little toast here? Congratulations. A toast. Oh, look at that. A lemon. Been meaning to try one of these. Cheers. Mm, it's good, it's tart. But I like that they kind of put him back into other situations, you know, in the office and, He nailed it. Anyone who has spent a time around a toddler, baby or toddler, instantly is taken back to the way that they fumble with objects, the way they are amazed by holding something up in front of their face, distracted.Track 4:[16:53] The way they move around, slide downstairs. There is like it's such a studied performance which sounds hilarious to say but if you know you know he nailed that baby he nailed that damn baby character so well and it was such an interesting yeah yeah he's trying to give high fives oh my god the keys to distract him trying the lemon like there are so many little moments and it's such a weird concept but it worked and you know it did I did feel at times if they had, you know, they had like a Josh Hutcherson and they had Cameron Diaz and people that they're not always building a sketch around.Track 4:[17:31] Picking on Josh a bit, but that he would, you know, be the character of and they kind of put those other folks in reaction to him was a great sketch for that to happen. And if you needed to support that type of host. Yeah he always he he had that great timing and he knew how to deliver and he almost played against himself uh as you alluded to where where he would uh as the boss he would speak very like boss like like try to be commanding and he would say things that were commanding but then he would do and say things one second later of course that were baby like so beck got that he was able to shift back and forth between like oh we're so we're so proud we're going to be uh we're expecting we're going be raising a family and then he sees a lemon and it's like oh i've always wanted to try one of these and then let's appreciate how tough it would be like to the duality of those two things.Track 4:[18:26] Acting like a baby, but sounding like a CEO. Yeah. That's just weird and wild. And I don't know that we all are appreciating how darn tough that would be. Yeah, yeah, definitely. I think this was probably the first character, certainly first recurring character that got attention for sure. You could go check out, that's early Beck in like season 39 and on. So that was like the baby boss. um what else uh with Beck kind of like shows what what what we started the show off of in terms of like his role and everything you know what I do notice is a lot of my favorite things about him, were pre-tapes which says nothing negative about any of his non-pre-tapes but I noticed that a lot of things I loved were pre-tapes and I mean this is the era of Vine like it's the era of people documenting things in video format. And I think him and Kyle having come up on kind of written, taped format, like SoCal and all these things, that really was where they were strong. One particular character that is also with Kyle were those sitcom parodies. We saw those in season 39, was a cut actually, with the Andrew Garfield one, Wings. And then we had season 40, We had Bad Boys with Chris Pratt. And then in season 43, we brought it back when it was Beers with Larry David.Track 4:[19:55] These sketches, they appeal to a certain type of person who can appreciate these. I'm one of them. Did you get Full House up in Canada? Yes. Okay, I was just checking. Full House, like a TV show? Yes, yes. You said you never saw it back in AT&T, so I had to check. Well, we just don't have AT&T. Fair. Yes. These sitcom parodies, everything about them, yes, much like those interstitials, like they've just cut to a castle, they'd cut to B-roll of Loch Ness Monster, like the most random silly things, the laugh track, the clap track, like all of these things, even how they would say, let's, let's, I need to talk to you privately. And they'd move one step up to the right. Everything had a moral or a lesson. It was very corny. They were pretty amazing.Track 4:[20:57] What is that sound, and who do I have to pay to make it stop? I'm practicing my clarinet for when my cousin CJ gets here. Oh, yeah. Think he'll be able to take care of our fish when we go on our bike ride tomorrow? I hope so. CJ loves fish. Great. In the meantime, do you mind taking that thing outside? Hey. Hey. Those, I feel like, are something that perhaps they brought to the show that they had tested and played with prior to as an idea. And we saw it a few times. I would take 10 more, by the way. Yeah, absolutely. Yeah, the Bears one with Larry David got oddly dark. So that was, yeah, that was really funny. I rewatched the Chris Pratt one, the Bad Boys one as well. All those like Full House, Family Matters kind of tropes, like just using, so it's one of those things where like, So you would watch Full House, right? And then they would do like, it was almost like a three-minute skit. And it would involve like Michelle or somebody sitting at the dining room table just eating a cupcake. And the cupcake was going to be like a parable for a lesson that they were going to serve you in like that three minutes. And it made no sense to the story before or after.Track 4:[22:15] They just nailed it so hard. Like you can tell, I think they probably did, you know, as a comedy team. Before they got to SNL, they'd been working together for six years. So you can tell that that was built up over six years. As somebody who spent a lot of time in Southern California, I'm from New Mexico, but I've spent a lot of time in SoCal. Those inside SoCals were like spot on. Like the intonations with Beck and Kyle and even Jonah Hill when he would come on. Like they just played those SoCal guys perfectly. Ever encountered a SoCal guy like that? I'm familiar with the archetype. Yes. And you're right. They're so studied. They're so studied. And that's probably why we love them as a pair and probably why they get along so well as a comedy duo and friends is that they are – there's so much discipline and rigor to what they do. Like, again, it comes off as really goofy and silly and fun, but they've clearly done their homework. Tonight we're coming to you live from Keith's dad's condo where he's having a nice little kickback.Track 4:[23:19] All right, so for our top story for tonight is Amanda Byrne's little sister Sarah is moving back home, and I heard she still looks good. I'd go with her for sure. Yeah, me too. Or if I get the chance to. Right. All right, so in other news, me, Andy, Pierce, and Scott, we want to start our own clothing line. All right, so now it's time for Meet the Boys. Let's go, yo! Meet the Boys, the boys, meet the boys. The wardrobe, the script.Track 4:[23:47] Their hair their wigs like everything and then you have someone like larry david and then jonah hill as you mentioned in like other you know great comedic talents who clearly appreciate what's happening and want to be a part of it yeah i know when they went to usc i'm.Track 4:[24:03] Sure they came across guys like that and they're like oh yeah this is fodder we got we're we're characters off these guys yep 100 yeah those inside socal again they they gave they kind of snl did the right thing with kyle and beck like they gave them their playground initially immediately from season one and dave directed a lot of those so those he saw the good neighbor influence uh immediately uh in season 39 um they were a package deal yeah yeah they were but i feel like too like it started off that way but i feel like beck really started carving out his niche like at a certain point i forgot that they were a package deal initially like i always knew them like beck and kyle like of course but at a certain point Beck kind of became his own man to me big time he had a broader appeal like Kyle was almost so good at awkward that it probably or possibly prevented him from playing the everyman because he was you know physically he looked at times a bit nerdier he really leaned into it he was letting his hair grow and he had glasses and stuff where Beck Beck physically could be more like your middle-aged dad in the minivan so that potentially made a bit of a difference yeah uh just the.Track 4:[25:19] Amount of roles that he could play i always.Track 4:[25:22] Thought of them as a pair but then realized how close they were after the fact.Track 4:[25:28] So i didn't know them from good neighbor that is all stuff that i discovered after um and even going back to watch videos like even when they sit together on the couch for interviews they're like 12 year old boy best friends.Track 4:[25:41] Like they're all like climbing on each other and pretzeled. And, you know, there's a closeness and a comfort that is really quite lovely. Yeah. And that's a good point about Beck being the one of the two to have more broad appeal. And then he started, I mean, it was fourth season. They started giving him a lot of really important political impressions, too. I mean, they gave him Vladimir Putin. Now, do I think your new president is perfect? Perhaps not, but don't worry. I'll get him there.Track 4:[26:13] Donald, let's talk his friends. You're not off to a great start, man. I thought you'd be better at this. However, I'm glad to see so many people showed up to your inauguration. Oh, wait. That's the women's march. Here is inauguration. Vladimir Putin's such a stone-faced person in real life. Beck had to find the goofiness. That was an out-and-out caricature, which I think was hilarious that Beck just found something, a kernel of a caricature with Putin. Takes his shirt off, wears the gold necklace, rides in on a horse. And he did that nine times. And to me, they were all great. I always loved seeing Beck pop up as Putin. He would kind of have that, like, swaying. Or how did he move as Putin? Just moving his shoulders? Like, try to, yeah, just something about. off people yeah and he would always talk about that like of course i poisoned him what do you mean like yeah yeah but just to physics you have to find something like some sort of kernel from such a stone-faced person like that so so i really appreciated that and that goes to show that that you don't have to look like the person or sound like the person or so to find an angle on an impression right yes i agree now sometimes looking like a mike lindell or mitch mcconnell.Track 4:[27:40] Also helps but he achieved both in those two because he not only was able to achieve somewhat a similar look but captured their ridiculousness you know mike lindell's manicness yeah and mitch Mitch McConnell's like blubbering, I can't even, how do you, he's just blubbering, no chin goof.Track 4:[28:04] And he captured them both in look, but also in impression very well. He did a lot of impressions. If you look on his page, there are a lot. Did he nail all of them? No, but he always felt like he was game. They felt, I think SNL felt that he's going to find that thread and pull it, as you say. So he didn't always need to look like the person because he was going to find something thing to bring it to life yeah it was like steady-handed commitment too like you gotta be committed to to just sit there for a cold open as putin behind a desk and with your shirt off showing your chest hair and showing beck would have some odd physicality where he almost like had bear-like qualities and you didn't always see that uh in him until until he had wore a tight shirt or something and I'm like this guy is kind of like filled out barrel-chested barrel-chested yeah yeah so you have to have commitment to to show on camera that your barrel-chested self I guess yep yep you know for millions of people yeah big deal he also was willing to look the fool.Track 4:[29:12] And there are several people that do that, but he took it to, like, a real potty level.Track 4:[29:21] One of my favorite sketches is undercover office potty. You need to go to the bathroom, but you have a lot of work to do, and it's all the way down the hall. Yep. We've all been there before. Why don't you check your lamp? Huh? Check your lamp. Whoa. Go ahead. head. Do your business. What do you mean? Use it as a toilet. Oh, now I get it. Introducing the undercover office potty. The only toilet that looks like a lamp. So you can go whenever you want and no one has to know. Just open it up and go to town. It'll be our little secret. Thanks undercover office potty. I did good. This is season 43. It was another pre-tape. It's so silly, but it checks the boxes on all of the things that we've just talked about. He's working, he's, you know, your average generic middle management position in an office surrounded by bland cubicles, and he's got to get the report done. And the premise of this is that he's so busy, wouldn't it be great if he didn't have to walk all the way down the hall to the washroom and could just make use of portable toilets disguised as office components, like your plant holder. Or it becomes even crazier and they are comically oversized.Track 4:[30:49] You know, staplers and such. And clearly the room starts to smell and people start to notice, but he's just so committed to it. And it's a great script, a great, great script.Track 4:[31:04] And just like almost with a straight face, like selling this beyond ridiculous premise. Yeah. That's some of my favorite. And it's lamps, by the way, it's lamps. I knew what you meant. Yeah, you knew what I meant. but yes all of a sudden he's surrounded with all sorts of lamps and the the line like well it wasn't me i used the bathroom all the way down the hall and he just his you know again commitment to you know dumb like as you say confidently dumb so stupid of course people are going to notice but he is owning it until the last possible minute when someone starts actually looking at them yeah absolutely season 43 uh episode 16 you can find undercover office his potty go check that out that was a yeah that's a classic beck one um we had talked about, him playing dads and i love like he would tap into different archetypes of the dad and one of them that i loved um that i think was underappreciated i think i think it just sort of some people didn't get it i noticed like with some online reviews i go to one snl a day which great people, they helped me a lot with just looking at their website and research. But the person who covered Boop It on one SNL day, no offense to them, they clearly didn't get the sketch.Track 4:[32:28] And to me, this is a perfect archetype, Kirsten, of like, oh, I'm going to do this. Downtrodden recently divorced dad that's like at at his rock bottom through the form of a child's an ad for a child's toy but don't get one wrong point it maybe next time jenna.Track 4:[32:53] See who can boop it best and be the boop it boss my turn jenna just went i was after her i think I think it's Tyler's turn, Dad. Tyler, your mom just called. She wants you to go home. She wants you at home. She does? Yeah, bye. See ya.Track 4:[33:07] There's the door, bud. Bye, Tyler. Now that I can actually concentrate, I can do it. Concentration's the name of the game. Listen, is anyone truly equipped to handle young children? No, there's no manual. You get them and you figure it out. I mean, I remember with my son and his friends making gingerbread houses and wanting to just scooch them out of the way and do it better myself. So I think we can all feel kind of close to the notion here, which is let me do it. I can't suffer watching you try to do it. And this is taken to comically new heights with this bop it send off, boop it, which if anyone's ever played it or not, it's a gadget with a variety of buttons on it and you have to hit them as quickly as they illuminate or trigger. I forgot that that was a real thing now that you mentioned it.Track 4:[34:23] With, you know, I think he's drinking in the sketch, too, isn't he? He's like really going off the rails. I love how he just kind of takes a little sip and then he starts playing the game again. Like he has this scotch or something. Yeah. He's rude to the kids. He's like sending them out. All of a sudden, all parenting is out the window. The desperation there. Yeah. Again, you know, as we said, he can play part douche, part, you know, fail or thrive, part man-child. Like all of these things. things there is the alchemy of it represented in you know a dad type yeah he's almost he's trying to impress his kids because he probably feels like his kids look at him as this loser so he found something he's like i could impress my kids by doing this and then he gets addicted because you're right like that's the only thing that he had one of my favorites is when his wife played by heidi gardner picks them up and then she's kind of like have they eaten and then he pauses And she's like, and then he stops and he's like, hold on, baby, let's try to let's let's try to work it out. And she's like, oh, like, hey, like, I almost feel sorry for him in a way like I'm sure he's this loser. And she's that has every right not to be with him. But Beck makes him almost like somewhat sympathetic in a way, but you still get that, like. There's a reason why he's divorced. That's, listen, there are people that stay in those relationships and that's why. Right? Yeah.Track 4:[35:47] Oh my gosh. I think a spiritual successor to that was from the following season with that December to Remember fake ad. Yeah, I loved it. And I think this one was actually well-received because we know those commercials. We know everything. thing so I think this one is actually like a well-received fan favorite like yeah Kirsten did you like this one when you saw it I love it and have we not all at some point looked at the screen during a commercial like this and thought that's not how real life happens yeah if my partner went out and bought an expensive car on their own and surprised me with it which is in every romance novel and oh every hallmark like this is a thing right go get an oversized car yes exactly.Track 4:[36:39] They finally someone has said that's not real life and not only is that the case they then really go into the sub-basement of it's not real life and they expose that he hasn't worked the mom is having affairs the neighbor lent him money the neighbor is probably one of the people having the affairs and so then it blows everything up and we get real, real life.Track 4:[37:25] Your father hasn't worked since last March. What? Yeah, COVID has hit a lot of people hard, and I'm no exception. Nathan, you got fired in March 2019. COVID had nothing to do with it. He probably has a weird attraction to his son's girlfriend. And, you know, it's still got the Christmas or holiday sparkle on it, like, you know, every car commercial we've seen at the holidays, where really are you going to buy a car and try and surprise your partner? That is just not fiscally responsible. responsible yeah it's not being a good partner it was very much it's got to have just been made up by car companies like i don't know anyone that really does that it doesn't happen no it doesn't happen unless you're like a jenner right or a celebrity and then you have multiple cars and who cares but that's not real life yeah yeah and yeah i just love how like just yeah confidently stupid and like he's like no it's okay because of the aper do you mean apr like yeah just like And then like he even looks at his son and I love it. Timothy Chalamet was his son. He looks at his son's like, looks like your old man's busted. And he kind of gave this look like, uh, like almost like a childish sort of. Oh, I love it. Cause he, yeah, he goes like, guess your old man got busted. Like, and he makes the credits to make a face like whatever.Track 4:[38:38] Brilliant. Brilliant. It's probably not the first time that he like surprised her with something dumb. Exactly. He thinks he's going to win. Yeah. That's that confidently dumb. He thinks this is going to save everything. I'm not working, whatever, but guess what? We're going to drive in style. She's going to be so happy. And he's, it's just, he's not making good choices once again. Yeah. To be fair in his defense, if I thought that that Lexus only costs $4,000, I would pounce on it too and surprise my wife. Uh, again, dumb, but yeah. Yeah. It's not that much, babe. That, yeah. Cause that's how much cars cost. Yeah. Oh boy. Oh boy. Again, this is going back to high school reunion. You know, you think you've, you've won and you've got the, the catch of the year and it's, he's a bit of a loser. Yeah. Bit of a loser. Yeah, absolutely. Poor Heidi's relationship. Look at her having to sleep with old Mikey Day neighbor.Track 4:[39:32] Yeah what a great sketch i'm gonna pick up on another kyle mooney partnership because why not and that would be the brothers here's some real physical comedy now they're playing tweens teens, uh seems like 11 would be the age yeah i don't know why i honed in on that yeah because they're They're still self-conscious enough to walk around without pants, probably. So they set up, and they've done a few of these. The setup is, you know, where we see a living room, we've got the host as the dad figure, Cecily as the mom, they're entertaining some guests, and they invite their two young sons downstairs to meet the guests. Beck and Kyle come on down wearing t-shirts and tighty-whities, and they're wrestling sling their way down the stairs, mass chaos, pictures are falling off the wall, and they are not listening. They're clearly in their tussle. And so the dad figure, it was both one time Liv Schreiber, if I'm saying that right, and James McAvoy, who plays a new dad, which they make some fun jokes about, and he sprays them inside with a water hose to calm them down.Track 4:[40:47] And they are being the most obnoxious, competitive... Brother rivalry duo possible how's god into y'all tonight it's his fault he's a loser oh i'm a loser well you're an accident dad tell him no.Track 4:[41:05] Wait what oh my god jared don't do this tell him dad no what's he what's he talking about Oh, God. Okay. Yes, Spence. Initially, we weren't planning on having a second. Why are you telling him this?Track 4:[41:30] The guests are appalled and want to leave. The parents are not phased at all. And it's hilarious because we see them get blasted in the face and body with this water sprayer. That's indoors.Track 4:[41:44] Indoors. which they i think um ad makes a comment about yeah and then in the second one they actually bring out the leaf blower and there's some hilarious physical comedy as their faces are being you know blown away by this leaf blower and you know the hey look at the dance look at the dance like this you know if you have a sibling or clearly you've are probably familiar with this anyways that kind of competitive spirit oh yeah where they're trying to one-up each other um is on full display here it's really funny yeah it's spot on if you've ever been around two brothers around the same age let's say nine and eleven or something like that like this is so spot on oddly competitive you're right like when the one with leah schreiber like yeah they were like made up one of them made up a dance like beck's character made up a dance and then kyle's like no that's my dance and then they start fighting like this is the dumbest thing who cares it's like a little but that's how little kids are is this the dance yeah exactly but i've seen little kids in my life around the same age fight like that and you're just sitting there like god the guy this does this does not matter like why are you guys like this yeah it's just little boys this is hyper little boys like it's it's it's perfect you know if we look at a theme here, they really are creating moments out of very everyday scenarios.Track 4:[43:09] You know, where you have someone like a Will Forte who does really absurd stuff, really absurd, or a Bill Hader and all his beautiful character work.Track 4:[43:21] These, you know, Beck and, you know, Kyle as well, but they really excel at the everyday life situation and scenario and dissecting that and finding the funny in it. Yeah, well, as you put it earlier, it feels studied. All these everyday characters feel so studied. It almost feels like Beck and Kyle, I know they met when they were 18, 19, but it almost feels like Beck and Kyle knew each other when they were both like 11 years old and they actually behaved like this. That's how lived in it feels. Absolutely. I don't know, because Weekend Update, I feel, was that when Beck actually went on Weekend Update as a character, which he wasn't like, I don't think he made his bones on Weekend Update, but I think there are some Weekend Update things that he did that I liked. Have you ever met somebody, Kirsten, who's like, sees the world differently? I just see things a little differently.Track 4:[44:22] Beck playing Jules was perfect to me, another perfect archetype that he nailed. Yeah, I think it's because he plays subtlety so well, it doesn't lend well to Weekend Update. So when he does find a character that is bigger and bolder than that, like our friend Jules, who I could see this character being played by like a Fred Armisen also, then he nails it. It was a little bit too like his theater student, right, where playing in this kind of word salad lingo land where they're saying a lot of nothing. You know, like Jules was asked about economics at some point. He doesn't have an answer to that. Come on.Track 4:[45:09] He's not a free-thinking economist. No, he was frustrating. He's one of those people where you wonder, how do you pay your rent? Yeah. He said that his – at one point he said that his dad invented OxyContin. Oh, God. So I think he kind of slipped that in there. Yeah, yeah, yeah. So he's free to explore the ideas that everybody else is afraid to. But we know somebody like that. I live an hour from Santa Fe, New Mexico and in Santa Fe. That's the archetype There's so many people who are just like I'm a free thinker and I'm a new age kind of you know And they have to tell you that and they have to tell you that just tell me are you gonna watch like the red carpet? Oh, I'll watch and scoff Colin fool. Yes. They all ask who are you wearing? What I want to know is who are you being? I Want to tell every actress I see take your clothes off I want to see what's underneath. Yeah, no, you can't do that, man. That's really bad. Really bad. Society wants to paint them like little dolls, but they should be like the dolls I had as a child, whittled from driftwood with very realistic genitalia.Track 4:[46:23] That feels regional, yes, because I can't say that I know too many people like that or that we have too many parts of Canada like that. But as you describe that vibe down in in those areas i can see them being there for sure it feels it also feels kind of california but it feels like those folks have a lot of etsy stores yeah yeah no you're 100 right selling their dream catchers yeah for sure for sure um yeah so so so i think uh you're right like maybe his style wasn't necessarily like totally i'm just gonna going to shine every week on weekend update like i think a heidi probably shines on update more ego does bobby moynihan probably did a little bit uh more shining on update but yeah something like jules i think if you give him the room to breathe a little bit i think i think uh yeah that was that was his highlight to me uh from weekend from weekend update for sure yeah uh is there anything else that popped out to you well well fun this was fun i gotta say like beck underappreciated and and sometimes i don't know if i overuse but it's just like somebody like him i really think because he was on the cast with kate kate sesley 80 he was on the cast with a lot of like big characters on the cat like but i think beck was always just that almost steady presence so it was It was fun to revisit him and be like, wow, he actually did a lot.Track 4:[47:52] He's in so much that I would have needed a lot more time to rewatch. I wouldn't have to just watch whole episodes to catch everything he's in, for sure. There is one more that I... Re-watch. And that's called First Impression. Another pre-tape, Jason Momoa, season 44.Track 4:[48:17] Melissa Villasenor is his girlfriend, and she's going to introduce Beck, her boyfriend, to her parents who are coming to their house for the first time. So we've got Jason Momoa and Heidi as the mom, and he's feeling very nervous. He's got a new shirt on. As she opens the door and turns around to make the intro, he's not there. And we don't understand why until we realize that he's hiding and he uses a really funny child's voice. That's weird. He was here just a second ago. Well, we can't wait to meet him. Michael! Honey! I bet you can't find me! What? Was that him? What did he say? Come find me! I'm hiding! Michael, stop it. Okay, come out here and meet my parents. Where am I? Honey, what's going on? I think he's just nervous. He really wants to impress you. Why would that impress us? Because he hides a lot. No, he's never done this before. Bet you can't find me. Oh, I bet I can.Track 4:[49:23] This ignites something in Jason Momoa's dad character who takes that as a real challenge, and he starts running throughout the house following the sound of Beck's voice in this really silly, hee hee hee, come find me, I'm hiding. I mean, Melissa's confused, Heidi's confused. Dad is right into this, to the point where he's punching through walls and ripping things apart. As it turns out, Beck has taken off his shirt, greased up his upper body, and has tried to jam himself behind the TV entertainment. Shelf and he is stuck so they have to help him yeah but it ends in a really fun way because, he says something very heartfelt about the lengths he's gone to to try to impress the parents which strikes a chord with momoa and they end up you know basically thinking this is all wonderful but it was so strange again taking a very simple moment meeting the parents, and taking it to a completely bizarre place.Track 4:[50:31] I love it. I can just hear his voice in my head. The hee hee, come find me. Like a little kid or a little elf-like. Like an elf, yes. Not even a kid, you're right. It's like a little elf-like being. Yes. Yeah, no, no, that was perfect. Like, yeah, from like dumb dad character to like kind of well-meaning dumb boyfriend who missed the mark kind of thing. Like, yeah, that was perfect. fit and i yeah i just loved how instead yeah of course like the comedy in it i just love just momoa's character instead of being put off by he's like all right i'll play i'll dance, i'm buying into this premise so let's go and then yeah that was just that was just perfect back right there it was great for momoa too and played against character i think he they even made him look like you know dad bod too he's wearing like a sweater or something, right? Yeah, he had a big cardigan. I think they'd given him like a fake kind of dad bod belly. And he was also fantastic in it. Yeah. I mean, he looked like a boring dad who used to be a professional wrestler or something. Yep, yep, yep, yep. Which is maybe this is part of it, right? Like as you say, he was kind of boring and this kind of reminded him of how crazy he was in his youth. And he was like, right into this game, I'm going to find you. And his competitive spirit was...Track 4:[51:49] Triggered yeah that was great season 44 uh first impression that's the momoa episode that was that was great uh one one other one uh that i want to explore and this ties into kind of a theme when i was thinking about beck is his very last episode um the anya taylor joy episode uh season 46 beck had a great night so he did the sketch the very his very last sketch was him.Track 4:[52:14] As Vin Diesel talking about like the movies and just describing all this stuff and the about the movie going experience the sticky floors the eight dollar bottle of water the nachos the hand dryer in the bathroom that's louder than a choo-choo train the second concession stand that's never been open the little boy at the urinal with his pants all the way down the bird that's trapped inside the lobby it's truly incredible that's right i'm talking about the movies but like almost the chef's kiss like the perfect ender to hit to beck's kind of dumb dad archetype was this one picture with dad so a few years ago there was this uh i don't know dumb kind of uh trend of dads posing for picture pictures with their like daughter's uh prom date holding a gun and the the joke the the joke was supposed to be in real life like he he if this guy does anything my daughter i'm going to shoot him so i love that they just played off that who else could they have gotten other than beck to do this kirsten that's just it this is This is the ultimate send-off because he is playing all of the things we've talked about.Track 4:[53:35] The dumb, confidently dumb dad, definitely a bit of a douche idiot, can't make the right decisions, man-child. Like, he ends up shooting himself in the doink. All right, now scooch together and smile. Okay, one, two. Whoa. Oh, my God. What?Track 4:[53:56] I saw it on the internet. It's funny. Chris, I told you that we weren't doing this. Oh, come on. It's funny. Dad, how is it funny? Well, you know, it's like, hey, mister, you better not try anything or I'll shoot you. And people are doing it. It's a thing, you know? It's like, bang! Dad! Stop. Oh, come on. Relax. It's really quite brilliant. It's a great one. And you're right. It kind of summarized all of these things that we've said about him and that, you know, all of the skills that he has and brings to the table. So it was fantastic I also do like that, Andrew and Heidi are basically keep telling him that they're going to have sex that night. Yeah. Yeah. Not to say, would you, will you promise me that you're not gonna have sex tonight? And Andrew's Andrew just like, um, we will, but sure. Yeah. Yeah.Track 4:[54:46] And 80 is playing the wife, right? And she's got the cooler box with just the pieces of him left.Track 4:[54:53] Anya's playing the OR doctor. Yep. Um, yeah, it was hilarious, man. He's great. Such a perfect, yeah, such a perfect send-off. And they didn't have an official send-off, quote-unquote, for Beck. But between this and that Vin Diesel one, like, what a great last episode. And that made me think, like, I think Beck left when he was at his peak. I think he left on a high note. Like, he was trending upward, almost proving himself to be arguably, he and Kate maybe at that time, the two most indispensable people on that cast. And Beck really did leave. I mean, he could have been on the cast even right now and still had a lot to give. So it was interesting to me that he got better, where sometimes you see cast members kind of like peter out toward the end of their tenure. But Kirsten, to me, I don't know if this is something that when I say it that causes a lightbulb moment, but I think he was peaking when he left. I mean, that's when you want to go out usually, isn't it? Yeah.Track 4:[55:55] I wonder what role he'll play in season 50. Yeah, I was curious about that. Do you think, like, is he the type of former cast member that you think will pop up in season 50 or over the years? Like, will people be clamoring for, like, a Beck Bennett, like, we need to see Beck in season 50 kind of guy? He's underrated. I think much like Taron Kalam, he's probably not going to be asked to host, which is a real shame. I don't agree with it. But those two were both very much glue players. Yeah.Track 4:[56:26] Within their respective casts and both underrated they have some serious fans and if you objectively they were fantastic cast members and have great characters great impressions all of the above so they might pop up in season 50 i don't know that they'd be asked to host and i think he would i would love to see it i'd be pleasantly surprised um but i maybe if he had a big movie come out you know like if something else changed in his post snl career that might make a difference it's kind of sad actually yeah i at least want to see him pop up in some capacity um if at the very least beck doing something on the actual celebration uh the actual 50th celebration oh yes in february yes yeah maybe not host i wasn't like maybe setting my sights that high. But he needs to be back and do something. And I think people will remember like, oh yeah, you know who was a great cast member? Beck Bennett. That's right. Yeah, I mean, too, like thinking about his career, it's been three years since Beck has been off the show. Where do you see his career heading? Is he like a leading comedic actor? Is he better as an ensemble? What do you think the entertainment world could have in store for Beck? I do think it's ensemble.Track 4:[57:53] I can see him in one of many ensemble comedies. I think he'll always get slotted into office-type situations. He's just that character at the office, the confidently dumb guy, or a neighbor. I don't know that he's any type of leading character that way. I think he's a little too funny-goofy. Again, this is not a complaint. No, no, not at all. my take on how I perceive that industry working.Track 4:[58:25] Kind of how Kristen, kind of when she first left, she started popping up in those co-worker type roles. So similar to that. There's also, you know, you look at, I think you should leave and potentially popping up on shows like that and some of the more creative shows that clearly have more control, and are doing some really interesting things. Because he does those characters so well, Well, I think he's just got to find that. Maybe him and Kyle are sitting on a pile of scripts right now. Who knows? They could be doing a whole bunch of stuff that we don't know about. And I do know he does a lot of voice work, I believe, right? That makes sense with that booming voice. Yeah, so he does a lot of voice work, which is a really nice way to earn your pay, right? I thought I heard him on a Buffalo Wild Wings commercial recently. Possibly, yeah. Playing this big buffalo. I watch a lot of sports. And so during March Madness, I swear I heard Beck's voice like constantly yeah yeah I think he does a lot of voice work which you know totally respectable way to pay those bills and and remain in that industry so, maybe I think has he been on a show like bad mouth I feel like those are his people oh yeah oh big mouth yeah did I oh you like all bad mouth yeah big mouth big mouth sorry with the Nick Kroll yep yeah it feels like if he hasn't that he should yes yeah no I could I I definitely agree with that, like more of an ensemble, which we always say, that's not a bad thing.Track 4:[59:53] Not everybody can be Will Ferrell, you know, and just be like this leading man. I think that's a really great thing, and I think Beck has a lot to give the comedy world. For one, I'm excited to see what he does moving forward. So, Kirsten, now's the time. We're now talking to SNL fans, SNL Hall of Fame listeners, the water cooler. Cooler why do you think they should hold beck bennett in high regard when they think about the history of snl all right.Track 4:[1:00:25] Reliability in that ensemble cast is huge. That's why he's in so many. You know, consistently being able to play a variety of roles with that type of range. We talked about the absurd and the subtlety and this really beautiful balance he achieved at all the characters that needed to portray those things. He also dipped his toe in political, which is a huge part of the show. He played pretty important political characters. I mean, come on, Putin, Mitch McConnell, even not important ones like Mike Lindell, who are we even calling him in the political realm? He pops up there. Yeah. The physical comedy, you know, it goes right back to season one, episode one and Chevy pratfalling, right? Like physical comedy is a huge part of what is part of SNL's DNA. And then the writing, you know, he had a great comedy writing partner in Kyle. And I'm sure there were others that I'm not aware of that are the actual writers on the show. But, you know, they were writing great content for themselves. They were dabbling in pre-tape. They were doing great sketch work. So I think that versatility cannot be downplayed. And whether he's underrated or not, objectively, he scores on the scorecard very high.Track 4:[1:01:53] And that has to be recognized and appreciated.Track 2:[1:02:08] So there's that. Thank you so much, Kirsten and Thomas. That was a wonderful conversation, and I was riveted by most of it. I really love the sketches that you intercut in there, Thomas. Some really great choices. I love the two boys that live in the house where they get hosed off by their parents. Those are great. Correct me if I'm wrong. Send me an email thesnlhof at gmail.com and tell me if i'm wrong but was beck's last sketch not the vin diesel parody uh impression impression rather um i feel like that was the 10 to 1 i feel like he he went out on a 10 to 1 the guy was really a tour de force and i enjoyed him a lot, Let's take a look now at a sketch that was alluded to in the episode. It's December to Remember with Heidi Gardner and that week's host, Timothy Chalamet. Enjoy.Track 5:[1:03:18] Hey, Matt, I think there might be one more gift for your mom right there. It hasn't been a normal year, so this Christmas, get her something extraordinary during the Lexus December to Remember sales event. Nathan, you didn't. With flexible financing and 0% APR, there's never been a better time to buy or lease a new Lexus. Merry Christmas, baby. Are you kidding me, Nathan? Did you seriously buy a car without asking me? Well, because for Christmas... This is a major purchase. Right, but it was a December to remember. It's a Lexus. We don't have the money for this, Nathan. We don't? No, we don't. Your father doesn't. Your father hasn't worked since last March. What? Yeah, COVID has hit a lot of people hard, and I'm no exception. Nathan, you got fired in March 2019. COVID had nothing to do with it. Hey, pal, I guess your old man's busted. It's beginning to look a lot like savings, so get to your local Lexus dealer today. How much did you spend on this ridiculous car, Nathan? It was only $39.99 to its signing. Four grand. It's not that much, babe. And how much is the monthly payment?Track 5:[1:04:32] The what? Did you think this entire car cost $4,000? Uh-huh. There's a monthly payment! Yeah, but with the 0% APER, I think it's all good. APER? Do you mean APR? I'm pretty sure it's APER. Wow. Just wow. Hey, come on! It's Christmas! This is good! I did a good thing for us! Let's enjoy it! Dad, it's 9 in the morning! So? It's not like I have work later. Come on! Hey!Track 5:[1:04:59] Hey, neighbor! You bought a Lexus? You come to me three weeks ago. Oh, Mike, help me. I need money. I can't buy Christmas gifts for my family. My wife doesn't respect me. I didn't say that. My wife's cheating on me with everyone. Mom, you are? I want to look cool in front of my son's girlfriend? Ew, Dad, is that why you pierced your ear? Uh, no, I've had this forever. I just need five grand to get back on my feet. And then you buy Alexis? Yeah, well, it was beginning to look a lot better. Like savings at my local lexus dealer i want my money back man tomorrow hey kathy, what does that look you know what we're taking this car back to the dealership now i better drive maybe we stop by jenna's on the way over show this cool car your dad got huh shut up give the gift of lexus and definitely talk it over first.Track 2:[1:05:55] That was great that is just so wonderful at being that confident man and then slowly devolving into like a blithering idiot it's it's fun to watch it's really fun to watch and snl of course is fun to watch and that's why we're here each and every week as a tribute to a show that has stood Stood the test of time. 50 years now. Coming up very soon. Are you excited about the SNL movie, Saturday Night?Track 2:[1:06:32] Are you excited about the 50th season? Are you excited about our new show, SNL Hall of Fame Water Cooler? Send me an email. Let me know. And while I'm asking you favors, would you do me one more? And on your way out, as you pass the Weekend Update Exhibit, turn out the lights, because the SNL Hall of Fame is now closed. Thank you.Support this podcast at — https://redcircle.com/snlhof/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

David Harris is an Australian actor who somehow found himself moving from architecture school to the bright lights of Broadway. He shares his early passion for architecture and how he pivoted to a career in performing arts just three days into his studies. He looks back on his journey, including participating in talent quests at RSL clubs in Australia and having friendly competitions with Broadway performer Ricky Rojas. Being in the workshop and eventually being cast in "The Boy From Oz" marked a significant turning point in his career and what he considers his claim to fame. He reminisces about his experience working with Hugh Jackman in the show, and a memorable commercial shoot with him just before New York shut down for COVID (click here to watch). David reflects on the differences in how musical theatre is perceived in Australia, the UK, and the US, his personal experiences with it, and his frustrations with the lack of recognition for musical theatre actors in Australia compared to Broadway performers in the US. He emphasizes the critical importance of swings and understudies in theatre, and his gratitude for them in keeping the show running smoothly. While he's already managed to prove naysayers wrong, David has no plans on stopping when it comes to the pursuit of growth and constant learning. David Harris is a native of Australia, where he's one of the most acclaimed leading men of his generation. In the US, he has received critical praise for his performance of Dan in TheatreWorks' “Next to Normal”. He starred as Jean Valjean in the Connecticut Repertory Theatre production of “Les Misérables”, which was co-starred and directed by Tony Award winner Terrence Mann. He starred as Billy Crocker in Goodspeed's production of “Anything Goes” and as Father in Barrington Stage Company's “Ragtime” in 2017. He originated the role of Max Bronfman in Stephen Schwartz's new production of “Rags” at Goodspeed Opera House. After playing the role of the Duke on the first national tour of “Moulin Rouge” in 2022, he can now be seen playing the same role in “Moulin Rouge” on Broadway. Connect with Brian: Website: www.davidharrisofficial.com Instagram: @davidharrisoz Watch David with Hugh Jackman Connect with The Theatre Podcast: Support the podcast on Patreon: Patreon.com/TheTheatrePodcast YouTube: YouTube.com/TheTheatrePodcast Threads, Twitter & Instagram: @theatre_podcast TikTok: @thetheatrepodcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com My personal Instagram: @alanseales Learn more about your ad choices. Visit megaphone.fm/adchoices

Everyone's favourite Phantom (of the Opera) and Jean Valjean (from Les Miserables) is back, and this time Josh and I talk about life beyond the stage, performance and spotlight, and the ever-present challenge of being a good human, doing good things and putting some 'goodness' (in all its forms) out into the world. Also... Josh does a little impromptu singing (he goes okay) and the lovely, but microphone shy, Melissa is back for a rare TYP cameo. This was fun.  joshpiterman.com.au@joshpitermanSee omnystudio.com/listener for privacy information.

God is merciful in His character. He supremely demonstrated His mercy in what His Son did for humanity on the cross. As a result, we should show mercy to others. Still, we need wisdom to know when to show mercy and when not to. Exo 34:6 God is merciful and gracious in His character. These attributes often occur together throughout the Old Testament. See 2 Chron 30:9; Neh 9:17, 31; Psalms 86:15; 103:8; 111:4; 112:4; 116:5; 145:8; Joel 2:13; Jon 4:2. Rom 5:8; Eph 2:3-5 The cross supremely demonstrates God's mercy through Christ's example. Luke 6:31-38; Mat 7:1-2 Jesus teaches us that we should show mercy to others rather than judgement. By the strictness with which we judge and condemn others, we will be judged as well. 1 Sam 2:12-17, 22-25, 28-35; 3:11-14 Showing mercy isn't always the right course of action. When Eli found out his sons were committing terrible acts, he confronted them but did not ensure they stopped their deplorable behavior. In this case, Eli's mercy resulted in catastrophe for his family and Israel. James 2:13 Mercy triumphs over judgment. Victor Hugo illustrated the redemptive power of mercy in his novel, Les Misérables, in the bishop's mercy shown to Jean Valjean. The post Mercy first appeared on Living Hope.

2 Kings 25:27-30; Mt. 1:6b-17 // Caleb JenkinsThis video explores the story of King Jehoiachin of Judah and how it connects to the coming of Jesus. You'll see how God's faithfulness shines through even in times of judgment, and how the promise of a Davidic king finds its ultimate fulfillment in Jesus.SERMON NOTES (YouVersion): https://bible.com/events/49291105PRAYER REQUESTS: https://ccefc.ccbchurch.com/goto/forms/2553/responses/new24.07.28

Welcome to the fourth episode of Storybounders! Join hosts Jayme and Steve as they dive into the timeless tale of Goldilocks and the Three Bears, using it as a springboard to explore the concept of the "Goldilocks Zone" in our lives. In this episode, they discuss how this seemingly simple story can teach us about living a balanced, principled life, navigating the tension between "contraries," or principles that sometimes oppose each other. They reflect on literary examples, such as Jean Valjean from Les Misérables, to illustrate the profound impact of finding balance in conflicting principles. Tune in to discover how embracing the Goldilocks Zone might be an antidote to the anxiety of our age. Highlights: Analysis of the Goldilocks and the Three Bears story. Insights into balancing principles that can often be , like justice and mercy. Lessons from Les Misérables and the character of Jean Valjean. Practical applications for achieving balance in personal and societal contexts. Join us as we uncover the stories that inspire and move us, light up our imaginations, and fill us with hope. Find your story and change the world with Storybounders! Sources and Further Reading: Hugo, Victor. Les Misérables. A. Lacroix, Verboeckhoven & Cie, 1862. Halverson, Jared. "Finding Faith in an Age of Doubt." YouTube, 9 Jan. 2022, www.youtube.com/watch?v=hY9_bN7EFOc.

Post June rush zoomin'. The Notes: Will's got that echo in him! Will's music career is taking off! #IsPostMaloneCut?! Our money's on Stefan as the fittest Deuce listener! Congrats Europe on getting/staying less fascist! Jean Valjean, election surrogate! Will's got a house for Nelson's wheels! US politics is Nelson's marketing kryptonite! Will's new corner! How much blood and gore is Will watching! Movies Will should have seen already! Will and Ollie are Moneyballin'! Nelson watched the Dunes! Dune talk! Christopher Walken is a thoroughbred, let him run! Who is the US's Jean Valjean!? Billy Corgan: the Harkonnen cousin who went to art school! Contact Us! Follow Us! Love Us! Email: doubledeucepod@gmail.com Twitter & Instagram: @doubledeucepod Facebook: www.facebook.com/DoubleDeucePod/ Patreon: patreon.com/DoubleDeucePod Also, please subscribe/rate/review/share us! We're on Apple, Android, Libsyn, Stitcher, Google, Spotify, Amazon, Radio.com, RadioPublic, pretty much anywhere they got podcasts, you can find the Deuce! Podcast logo art by Jason Keezer! Find his art online at Keezograms! Intro & Outro featuring Rob Schulte! Check out his many podcasts! Brought to you in part by sponsorship from Courtney Shipley, Official Superfans Stefan Rider and Amber Fraley, and listeners like you! Join a tier on our Patreon! Advertise with us! If you want that good, all-natural focus and energy, our DOUBLEDEUCE20 code still works at www.magicmind.com/doubledeuce for 20% off all purchases and subscriptions. Check out the Lawrence Times's 785 Collective at https://lawrencekstimes.com/785collective/ for a list of local LFK podcasts including this one!  

Redemption is the process by which a man regains or acquires virtue in an effort to better his life. Whether it comes about as an atonement for wrongdoing or a realization that a life of sin will never bring fulfillment, redemption is the path toward a life of virtue. One of world literature's most profound examples of redemption is the hardened convict Jean Valjean, the principal character in French author Victor Hugo's legendary 1862 novel Les Misérables. At the heart of the story is Jean Valjean, a man who only knew hate before he learned to love. Hosted by Scott Einig.

Apart from playing the Phantom in The Phantom of the Opera on the West End and in Australia, Tony in the West Side Story (Australia), Jean Valjean in Les Misérables (West End), being one of the world-renowned 'Ten Tenors', and starring in 'Cats' and 'Beautiful' (Australia) and Hairspray (UK), Josh Piterman is also a podcaster, mediocre dancer and deep-thinker, who's annoyingly handsome, funny and charming. Other than that, he's a dud. Enjoy. Also, if you heard BetterHelp on the show today, you can get 10% off your first month at BetterHelp.com.au/TYPSee omnystudio.com/listener for privacy information.

Casey Elliott is from Riverside, California, grew up in Bountiful, Utah, and resides with his wife and four children in Layton, Utah. Growing up in a musical family, Casey's love for music started at a young age as he watched and learned from his parents, accomplished musicians themselves. Vocal influences include: Kenny Loggins, Michael Bolton, Steve Perry, Peter Cetera, Andrea Bocelli, Luciano Pavarotti, Vittorio Grigolo, Harry Connick Jr., David Phelps, Michael Buble, and Josh Groban. Casey is known for his powerful vocal and acting ability. He has toured the world as a performer, including his role as Radames in the U.S. National and International Tours of Aida. Other theatrical credits include: Jean Valjean in Les Misérables, Sydney Carton in the regional premier of A Tale of Two Cities, Zorro in the regional premiere of Zorro the Musical, and Joseph in Joseph and the Amazing Technicolor Dreamcoat. Film credits include: An Hour Behind (Adam), Joseph Smith: American Prophet (John Taylor), Tim Timmerman (Mr. Hadley), Prepare (Jesus Christ), Out of Liberty (Hyrum Smith…post production), and Green Flake (Joseph Smith…pre-preduction), and Daniel and the Lions (Daniel). Casey loves mountain biking, golf, and pretending to know what he's doing when doing DIY projects around the house.

Check out our Sponsor!https://www.manscaped.comUse code TheVerdict for 20% off and free shippingIn 19th-century France, Jean Valjean, who for decades has been hunted by the ruthless policeman Javert after breaking parole, agrees to care for a factory worker's daughter. The decision changes their lives forever.Alec talks the book and Victor Hugo. Mattson can't handle sing-talking. JJ talks casting and who should have been cast.Support us:https://www.patreon.com/whatsourverdictEmail us: hosts@whatsourverdict.comFollow us:Facebook: https://www.facebook.com/whatsourverdictTwitter: @whatsourverdictInstagram: @whatsourverdictYouTube: https://youtube.com/channel/UC-K_E-ofs3b85BnoU4R6liAVisit us:www.whatsourverdict.com

In addition to playing The Phantom in The Phantom of the Opera, Jon Robyns is preparing to celebrate his 20 year theatre career with a very special solo concert.Jon will play His Majesty's Theatre - home of Phantom - on Sunday 26th May in a show produced by West End Musical Productions.Jon joined the West End production of The Phantom of the Opera last April. His West End credits include: Jean Valjean in Les Misérables (having previously played Enjolras and Marius), King George in Hamilton, alternate Huey in Memphis, Scrooge & others in Dickens Abridged, Galahad in Spamalot and Princeton & Rod in Avenue Q.Jon's other theatre credits include: Robbie in The Wedding Singer (UK & Ireland Tour), Emmet in Legally Blonde (Leicester Curve), Eddie in Sister Act (UK & Ireland Tour), Caractacus Potts in Chitty Chitty Bang Bang (West Yorkshire Playhouse), Jamie in The Last Five Years (Greenwich Theatre), Hollis in Road Show (Menier Chocolate Factory), Mark in Rent (Frankfurt) and alternate Chris in Miss Saigon (UK & Ireland Tour). Jon is also a writer and last year premiered his musical Then, Now & Next – co-written with Christopher J Orton – at the Southwark Playhouse.In this episode Jon discusses his upcoming solo show at His Majesty's and all things Phantom, as well as decisions he has made throughout his career, delving into writing musicals and lots more. Jon plays His Majesty's Theatre in concert on Sunday 26th May. Visit www.lwtheatres.co.uk/whats-on/jon-robyns/ for info and tickets. Hosted by Andrew Tomlins  @AndrewTomlins32  Thanks for listening! Email: andrew@westendframe.co.uk Visit westendframe.co.uk for more info about our podcasts.  

Les Misérables, Springfield HS: Stage Door welcomes the Producer and a group of students to talk about the epic musical they'll be performing. Starting a new life of redemption, Jean Valjean finds nothing in store for him but mistrust and mistreatment. April 18-21 Spotify: https://open.spotify.com/show/214M4OKBbWcDivndnc2MTu Apple Podcasts: https://podcasts.apple.com/us/podcast/stage-door-a-theatre-podcast-hosted-by-two-regular-guys/id1573865415

We look back on the public outpouring of faith after NFL safety Damar Hamlin collapsed on the field, and Stan Butt walks us through a year with Jean Valjean and Cosette. Our society's fear of death makes it hard to appreciate the anointing of the sick. Roger Nutt from Ave Maria University gives us a re-introduction to the sacrament as we continue the 2023 Countdown.

“Jean Valjean, my brother, you no longer belong to evil, but to good. It is your soul that I buy from you; I withdraw it from black thoughts and the spirit of perdition, and I give it to God...” Les Mis

From playing Jean Valjean in “Les Misérables” to working with some of the best orchestras in the world, Nathaniel Hackmann has etched his mark as a versatile artist. Nate grew up in Scottsdale, Arizona, doing community theater at a very young age which eventually led to his love for theatre and performing arts. He talks about his initial goal of becoming the youngest baritone to make his debut at the Metropolitan Opera and life lessons along the way that made him realize the music theater community and the people who work in music theater are his tribe. Nate looks back on his turning point which came when he auditioned for the NETwork's Beauty and the Beast National Tour in 2010. Currently playing as Biff Tannen in the production of Broadway's “Back to the Future”, he reveals his in-depth knowledge of the film, its production history and the challenges it faced, and his starstruck moment with Huey Lewis. Nate reflects on his motivations as an artist, emphasizing service, community, and spreading joy, and why young artists should find their voice and what motivates them. Nathaniel Hackmann is an incredibly versatile actor who has held many roles alongside many of the world's greatest orchestras. He's played both Jean Valjean and Javert in “Les Misérables” on Broadway in addition to iconic roles like Jekyll and Hyde and Hunchback of Notre Dame for the internationally televised BBC Proms at Royal Albert Hall. He was Curly with the John Wilson Orchestra in the acclaimed production of “Oklahoma!”. He's also an opera singer, and an alumnus of the prestigious Merola Opera Program in the San Francisco Opera and has performed with the Virginia Opera, Michigan Opera, Opera Theatre of Saint Louis, San Francisco, Lyric Opera, and many others. On the concert stage, he appeared with the John Wilson Orchestra, Sinfonia of London, Hong Kong Symphony, San Francisco Opera Orchestra, and Springfield Symphony. He can now be seen as Biff Tannen in the current production of Broadway's “Back to the Future”. Connect with Nathaniel: Instagram: @n8hackmann TikTok: @nathanielhackmann Connect with The Theatre Podcast: Support us on Patreon: Patreon.com/TheTheatrePodcast YouTube: YouTube.com/TheTheatrePodcast Threads, Twitter & Instagram: @theatre_podcast TikTok: @thetheatrepodcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com Alan's personal Instagram: @alanseales Learn more about your ad choices. Visit megaphone.fm/adchoices