Podcasts about mann act

Last year, we covered P-Diddy after massive homeland security raids targeted his Florida and California homes. At that point, Diddy had been the subject of at least two lawsuits: one by Rodney “Lil Rod” Jones, who produced Diddy's latest album, Love: Off the Grid, and another by his ex-girlfriend Cassie Ventura. Support our Sponsors!: Calm: https://calm.com/milehigher Rocket Money: https://rocketmoney.com/milehigher Pretty Litter: https://prettylitter.com/milehigher Nutrafol: https://nutrafol.com/milehigher Vulture Article: https://www.vulture.com/article/diddy-lawsuit-allegations-explainer.html Intro 0:00 A Brief Recap of Events 2:54 Lil Rod's Lawsuit 3:24 Cassie Ventura's Lawsuit 5:33 Diddy's Arrest 20:39 Diddy's Multiple Counts 24:11 Denying Diddy 38:42 The History of the Mann Act 43:36 Remaining Mysteries of Diddy's Activities 52:13 Phillip Pines Lawsuit 58:30 Kirk Burrowes Lawsuit 1:17:55 Thalia Graves Lawsuit 1:19:14 Kanye's Defense of Diddy 1:25:18 Kat Pasion Lawsuit 1:32:17 Druski and Diddy 1:34:14 Final thoughts & Outro 1:37:38 Higher Hope Foundation: https://higherhope.org Mile Higher Merch: milehigher.shop Check out our other podcasts! The Sesh https://bit.ly/3Mtoz4X Lights Out https://bit.ly/3n3Gaoe Planet Sleep https://linktr.ee/planetsleep Join our official FB group! https://bit.ly/3kQbAxg Join our Discord community, it's free! https://discord.gg/hZ356G9 MHP YouTube: http://bit.ly/2qaDWGf Are You Subscribed On Apple Podcast & Spotify?! Support MHP by leaving a rating or review on Apple Podcast :) https://apple.co/2H4kh58 MHP Topic Request Form: https://forms.gle/gUeTEzL9QEh4Hqz88 You can follow us on all the things: @milehigherpod Instagram: http://www.instagram.com/milehigherpod YouTube: https://www.youtube.com/@MileHigher Hosts: Kendall: @kendallraeonyt IG: http://instagram.com/kendallraeonyt YT: https://www.youtube.com/c/kendallsplace Josh: @milehigherjosh IG: http://www.instagram.com/milehigherjosh Producers: Janelle: @janelle_fields_ IG: https://www.instagram.com/janelle_fields_/ Ian: @ifarme IG: https://www.instagram.com/ifarme/ Tom: @tomfoolery_photo IG: https://www.instagram.com/tomfoolery_photo   Podcast sponsor inquires: adops@audioboom.com ✉ Send Us Mail & Fan Art ✉ Kendall Rae & Josh Thomas  8547 E Arapahoe Rd Ste J # 233 Greenwood Village, CO 80112 Music By: Mile Higher Boys YT: https://bit.ly/2Q7N5QO Spotify: https://open.spotify.com/artist/0F4ik... Sources: https://pastebin.com/S8uUYFTw The creator hosts a documentary series for educational purposes (EDSA). These include authoritative sources such as interviews, newspaper articles, and TV news reporting meant to educate and memorialize notable cases in our history. Videos come with an editorial and artistic value.

​In the "Reply Memorandum of Law in Further Support of Defendant Sean Combs's Motion to Dismiss Count Three of the Superseding Indictment," Combs's legal team argues for the dismissal of the charge related to the Mann Act, which pertains to the transportation of individuals for prostitution. They assert that this statute, historically known as the White-Slave Traffic Act of 1910, has racist origins and has been disproportionately used to target Black men, citing past controversial prosecutions of figures like boxer Jack Johnson and musician Chuck Berry. Combs's attorneys contend that he is being unfairly singled out because of his status as a powerful Black man, facing prosecution for actions that typically go unpunished in others.Furthermore, the defense highlights the statute's historical misuse and argues that its application in this case is unjust. They emphasize that the Mann Act's origins are rooted in racial discrimination and that its enforcement has often been racially biased. By invoking this historical context, Combs's legal team seeks to demonstrate that the current charge under this statute is both inappropriate and discriminatory, warranting its dismissal to ensure a fair and just legal process.to contact me:bobbycapucci@protonmail.comsource:gov.uscourts.nysd.628425.186.0.pdf

​In the "Reply Memorandum of Law in Further Support of Defendant Sean Combs's Motion to Dismiss Count Three of the Superseding Indictment," Combs's legal team argues for the dismissal of the charge related to the Mann Act, which pertains to the transportation of individuals for prostitution. They assert that this statute, historically known as the White-Slave Traffic Act of 1910, has racist origins and has been disproportionately used to target Black men, citing past controversial prosecutions of figures like boxer Jack Johnson and musician Chuck Berry. Combs's attorneys contend that he is being unfairly singled out because of his status as a powerful Black man, facing prosecution for actions that typically go unpunished in others.Furthermore, the defense highlights the statute's historical misuse and argues that its application in this case is unjust. They emphasize that the Mann Act's origins are rooted in racial discrimination and that its enforcement has often been racially biased. By invoking this historical context, Combs's legal team seeks to demonstrate that the current charge under this statute is both inappropriate and discriminatory, warranting its dismissal to ensure a fair and just legal process.to contact me:bobbycapucci@protonmail.comsource:gov.uscourts.nysd.628425.186.0.pdfBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-epstein-chronicles--5003294/support.

VLOG March 5 Diddy Docket, AUSA Comey says Mann Act is not racist. Eric Adams DC, NYC v Trump 12:15 pmUS v Javice trial, Dimon defensive play https://matthewrussellleeicp.substack.com/p/extra-in-charlie-javice-trial-herCapitol One, 1000 pg Fed FOIA docs: https://www.documentcloud.org/documents/25551040-foia-2024-005951on-discover-merger-fed-ex-parte-met-capital-one-withheld-foia-docs-1-year-from-inner-city-press-now-here/UN bans Press, closed 42 St entrance https://www.innercitypress.com/ungate1latecutsasbanpressicp030425.html

Diddy's Lawyer Quits as Rap Mogul Faces Federal Charges Sean “Diddy” Combs is losing part of his legal defense team as he battles federal charges, including racketeering conspiracy and sex trafficking. Anthony Ricco, one of the attorneys representing the embattled hip-hop mogul, has officially withdrawn from the case, citing an inability to continue serving as counsel. In a motion filed in New York Federal Court, Ricco made it clear that his departure was necessary, stating, "Under no circumstances can I continue to effectively serve as counsel for Sean Combs." He added that his decision was made after discussions with lead attorney Marc Agnifilo. However, Ricco declined to provide specific details supporting his withdrawal. Despite stepping away, Ricco assured the court that his departure would not affect the scheduled trial, which remains set for May 5. Combs, who remains in custody at the Metropolitan Detention Center in Brooklyn, New York, was arrested in September on serious federal charges. The allegations against him include racketeering conspiracy, sex trafficking, and transportation to engage in prostitution. He has pleaded not guilty and has denied all accusations. His remaining legal team, led by Agnifilo and Teny Geragos, has been vocal in its defense, calling the charges against Combs baseless. "As Mr. Combs' legal team has emphasized, he cannot address every meritless allegation in what has become a reckless media circus," his attorneys previously stated. They further emphasized that their client "emphatically and categorically denies as false and defamatory any claim that he sexually abused anyone, including minors." His defense team has vowed to prove his innocence in court. Beyond Ricco's withdrawal, Combs' legal battle has taken another controversial turn, with his lawyers accusing prosecutors of racial bias. His attorneys have filed a motion challenging the use of the Mann Act, a federal law originally enacted in 1910 that prohibits transporting individuals across state lines for illegal sexual activities. His legal team argues that this law has historically been used to target Black men while similar actions by white individuals go unpunished. "No white person has ever been the target of a remotely similar prosecution," Combs' attorneys claimed in the court filing. They further stated that the law has been wielded in a discriminatory manner, citing past cases against prominent Black figures like boxer Jack Johnson and rock-and-roll legend Chuck Berry. "Combs has been singled out because he is a powerful Black man, and he is being prosecuted for conduct that regularly goes unpunished," the filing asserts. As more alleged victims have come forward in civil cases, Combs continues to fight mounting legal battles. His once-iconic status in the music industry has been overshadowed by a wave of accusations and lawsuits. For now, the trial is moving forward as scheduled, but with one less attorney on Combs' defense team. Whether his remaining lawyers can successfully challenge the charges or prove bias in the prosecution remains to be seen. #Diddy #SeanCombs #HipHopNews #LegalNews #SexTrafficking #Racketeering #MannAct Want to listen to ALL of our podcasts AD-FREE? Subscribe through APPLE PODCASTS, and try it for three days free: https://tinyurl.com/ycw626tj Follow Our Other Cases: https://www.truecrimetodaypod.com The latest on The Downfall of Diddy, The Trial of Karen Read, The Murder Of Maddie Soto, Catching the Long Island Serial Killer, Awaiting Admission: BTK's Unconfessed Crimes, Delphi Murders: Inside the Crime, Chad & Lori Daybell, The Murder of Ana Walshe, Alex Murdaugh, Bryan Kohberger, Lucy Letby, Kouri Richins, Malevolent Mormon Mommys, The Menendez Brothers: Quest For Justice, The Murder of Stephen Smith, The Murder of Madeline Kingsbury, The Murder Of Sandra Birchmore, and much more! Listen at https://www.truecrimetodaypod.com

Diddy's Lawyer Quits as Rap Mogul Faces Federal Charges Sean “Diddy” Combs is losing part of his legal defense team as he battles federal charges, including racketeering conspiracy and sex trafficking. Anthony Ricco, one of the attorneys representing the embattled hip-hop mogul, has officially withdrawn from the case, citing an inability to continue serving as counsel. In a motion filed in New York Federal Court, Ricco made it clear that his departure was necessary, stating, "Under no circumstances can I continue to effectively serve as counsel for Sean Combs." He added that his decision was made after discussions with lead attorney Marc Agnifilo. However, Ricco declined to provide specific details supporting his withdrawal. Despite stepping away, Ricco assured the court that his departure would not affect the scheduled trial, which remains set for May 5. Combs, who remains in custody at the Metropolitan Detention Center in Brooklyn, New York, was arrested in September on serious federal charges. The allegations against him include racketeering conspiracy, sex trafficking, and transportation to engage in prostitution. He has pleaded not guilty and has denied all accusations. His remaining legal team, led by Agnifilo and Teny Geragos, has been vocal in its defense, calling the charges against Combs baseless. "As Mr. Combs' legal team has emphasized, he cannot address every meritless allegation in what has become a reckless media circus," his attorneys previously stated. They further emphasized that their client "emphatically and categorically denies as false and defamatory any claim that he sexually abused anyone, including minors." His defense team has vowed to prove his innocence in court. Beyond Ricco's withdrawal, Combs' legal battle has taken another controversial turn, with his lawyers accusing prosecutors of racial bias. His attorneys have filed a motion challenging the use of the Mann Act, a federal law originally enacted in 1910 that prohibits transporting individuals across state lines for illegal sexual activities. His legal team argues that this law has historically been used to target Black men while similar actions by white individuals go unpunished. "No white person has ever been the target of a remotely similar prosecution," Combs' attorneys claimed in the court filing. They further stated that the law has been wielded in a discriminatory manner, citing past cases against prominent Black figures like boxer Jack Johnson and rock-and-roll legend Chuck Berry. "Combs has been singled out because he is a powerful Black man, and he is being prosecuted for conduct that regularly goes unpunished," the filing asserts. As more alleged victims have come forward in civil cases, Combs continues to fight mounting legal battles. His once-iconic status in the music industry has been overshadowed by a wave of accusations and lawsuits. For now, the trial is moving forward as scheduled, but with one less attorney on Combs' defense team. Whether his remaining lawyers can successfully challenge the charges or prove bias in the prosecution remains to be seen. #Diddy #SeanCombs #HipHopNews #LegalNews #SexTrafficking #Racketeering #MannAct Want to listen to ALL of our podcasts AD-FREE? Subscribe through APPLE PODCASTS, and try it for three days free: https://tinyurl.com/ycw626tj Follow Our Other Cases: https://www.truecrimetodaypod.com The latest on The Downfall of Diddy, The Trial of Karen Read, The Murder Of Maddie Soto, Catching the Long Island Serial Killer, Awaiting Admission: BTK's Unconfessed Crimes, Delphi Murders: Inside the Crime, Chad & Lori Daybell, The Murder of Ana Walshe, Alex Murdaugh, Bryan Kohberger, Lucy Letby, Kouri Richins, Malevolent Mormon Mommys, The Menendez Brothers: Quest For Justice, The Murder of Stephen Smith, The Murder of Madeline Kingsbury, The Murder Of Sandra Birchmore, and much more! Listen at https://www.truecrimetodaypod.com

Sean “Diddy” Combs is losing part of his legal defense team as he battles federal charges, including racketeering conspiracy and sex trafficking. Anthony Ricco, one of the attorneys representing the embattled hip-hop mogul, has officially withdrawn from the case, citing an inability to continue serving as counsel. In a motion filed in New York Federal Court, Ricco made it clear that his departure was necessary, stating, "Under no circumstances can I continue to effectively serve as counsel for Sean Combs." He added that his decision was made after discussions with lead attorney Marc Agnifilo. However, Ricco declined to provide specific details supporting his withdrawal. Despite stepping away, Ricco assured the court that his departure would not affect the scheduled trial, which remains set for May 5. Combs, who remains in custody at the Metropolitan Detention Center in Brooklyn, New York, was arrested in September on serious federal charges. The allegations against him include racketeering conspiracy, sex trafficking, and transportation to engage in prostitution. He has pleaded not guilty and has denied all accusations. His remaining legal team, led by Agnifilo and Teny Geragos, has been vocal in its defense, calling the charges against Combs baseless. "As Mr. Combs' legal team has emphasized, he cannot address every meritless allegation in what has become a reckless media circus," his attorneys previously stated. They further emphasized that their client "emphatically and categorically denies as false and defamatory any claim that he sexually abused anyone, including minors." His defense team has vowed to prove his innocence in court. Beyond Ricco's withdrawal, Combs' legal battle has taken another controversial turn, with his lawyers accusing prosecutors of racial bias. His attorneys have filed a motion challenging the use of the Mann Act, a federal law originally enacted in 1910 that prohibits transporting individuals across state lines for illegal sexual activities. His legal team argues that this law has historically been used to target Black men while similar actions by white individuals go unpunished. "No white person has ever been the target of a remotely similar prosecution," Combs' attorneys claimed in the court filing. They further stated that the law has been wielded in a discriminatory manner, citing past cases against prominent Black figures like boxer Jack Johnson and rock-and-roll legend Chuck Berry. "Combs has been singled out because he is a powerful Black man, and he is being prosecuted for conduct that regularly goes unpunished," the filing asserts. As more alleged victims have come forward in civil cases, Combs continues to fight mounting legal battles. His once-iconic status in the music industry has been overshadowed by a wave of accusations and lawsuits. For now, the trial is moving forward as scheduled, but with one less attorney on Combs' defense team. Whether his remaining lawyers can successfully challenge the charges or prove bias in the prosecution remains to be seen. #Diddy #SeanCombs #HipHopNews #LegalNews #SexTrafficking #Racketeering #MannAct Want to listen to ALL of our podcasts AD-FREE? Subscribe through APPLE PODCASTS, and try it for three days free: https://tinyurl.com/ycw626tj Follow Our Other Cases: https://www.truecrimetodaypod.com The latest on The Downfall of Diddy, The Trial of Karen Read, The Murder Of Maddie Soto, Catching the Long Island Serial Killer, Awaiting Admission: BTK's Unconfessed Crimes, Delphi Murders: Inside the Crime, Chad & Lori Daybell, The Murder of Ana Walshe, Alex Murdaugh, Bryan Kohberger, Lucy Letby, Kouri Richins, Malevolent Mormon Mommys, The Menendez Brothers: Quest For Justice, The Murder of Stephen Smith, The Murder of Madeline Kingsbury, The Murder Of Sandra Birchmore, and much more! Listen at https://www.truecrimetodaypod.com

Diddy's Lawyer Quits as Rap Mogul Faces Federal Charges Sean “Diddy” Combs is losing part of his legal defense team as he battles federal charges, including racketeering conspiracy and sex trafficking. Anthony Ricco, one of the attorneys representing the embattled hip-hop mogul, has officially withdrawn from the case, citing an inability to continue serving as counsel. In a motion filed in New York Federal Court, Ricco made it clear that his departure was necessary, stating, "Under no circumstances can I continue to effectively serve as counsel for Sean Combs." He added that his decision was made after discussions with lead attorney Marc Agnifilo. However, Ricco declined to provide specific details supporting his withdrawal. Despite stepping away, Ricco assured the court that his departure would not affect the scheduled trial, which remains set for May 5. Combs, who remains in custody at the Metropolitan Detention Center in Brooklyn, New York, was arrested in September on serious federal charges. The allegations against him include racketeering conspiracy, sex trafficking, and transportation to engage in prostitution. He has pleaded not guilty and has denied all accusations. His remaining legal team, led by Agnifilo and Teny Geragos, has been vocal in its defense, calling the charges against Combs baseless. "As Mr. Combs' legal team has emphasized, he cannot address every meritless allegation in what has become a reckless media circus," his attorneys previously stated. They further emphasized that their client "emphatically and categorically denies as false and defamatory any claim that he sexually abused anyone, including minors." His defense team has vowed to prove his innocence in court. Beyond Ricco's withdrawal, Combs' legal battle has taken another controversial turn, with his lawyers accusing prosecutors of racial bias. His attorneys have filed a motion challenging the use of the Mann Act, a federal law originally enacted in 1910 that prohibits transporting individuals across state lines for illegal sexual activities. His legal team argues that this law has historically been used to target Black men while similar actions by white individuals go unpunished. "No white person has ever been the target of a remotely similar prosecution," Combs' attorneys claimed in the court filing. They further stated that the law has been wielded in a discriminatory manner, citing past cases against prominent Black figures like boxer Jack Johnson and rock-and-roll legend Chuck Berry. "Combs has been singled out because he is a powerful Black man, and he is being prosecuted for conduct that regularly goes unpunished," the filing asserts. As more alleged victims have come forward in civil cases, Combs continues to fight mounting legal battles. His once-iconic status in the music industry has been overshadowed by a wave of accusations and lawsuits. For now, the trial is moving forward as scheduled, but with one less attorney on Combs' defense team. Whether his remaining lawyers can successfully challenge the charges or prove bias in the prosecution remains to be seen. #Diddy #SeanCombs #HipHopNews #LegalNews #SexTrafficking #Racketeering #MannAct Want to listen to ALL of our podcasts AD-FREE? Subscribe through APPLE PODCASTS, and try it for three days free: https://tinyurl.com/ycw626tj Follow Our Other Cases: https://www.truecrimetodaypod.com The latest on The Downfall of Diddy, The Trial of Karen Read, The Murder Of Maddie Soto, Catching the Long Island Serial Killer, Awaiting Admission: BTK's Unconfessed Crimes, Delphi Murders: Inside the Crime, Chad & Lori Daybell, The Murder of Ana Walshe, Alex Murdaugh, Bryan Kohberger, Lucy Letby, Kouri Richins, Malevolent Mormon Mommys, The Menendez Brothers: Quest For Justice, The Murder of Stephen Smith, The Murder of Madeline Kingsbury, The Murder Of Sandra Birchmore, and much more! Listen at https://www.truecrimetodaypod.com

Diddy Claims It's 'Racist' To Charge HIM With Human Trafficking Attorneys for Sean "Diddy" Combs are calling for the dismissal of one of the charges against him, arguing that their client is the victim of a racially motivated prosecution. The defense contends that the charge of transportation for prostitution, part of a federal indictment, is rooted in a history of discrimination and unfairly targets Combs due to his race. “This case is unprecedented in many ways, but perhaps most notably, and most disturbingly, no White person has ever been the target of a remotely similar prosecution,” Combs' attorneys wrote in a motion filed Tuesday evening. Combs, the embattled music mogul, is currently being held at a federal detention center in New York City while facing multiple federal charges, including racketeering conspiracy, sex trafficking, and transportation for prostitution. His legal team is focusing on Count Three of the indictment, which falls under The Mann Act—a law originally passed in 1910 to prohibit the interstate transportation of women for prostitution and human trafficking. His attorneys argue that the charge has historically been used in discriminatory ways. “What was racist in its inception has often been racist in its operation,” the filing states. They further argue that similar conduct has gone unpunished when committed by White defendants. Prosecutors have previously rejected these claims, stating that the case is based solely on evidence, not race. When one of Combs' lawyers, Marc Agnifilo, told TMZ last year that the case was a “takedown of a successful Black man,” prosecutors quickly pushed back. “He baselessly accused the government of engaging in a racist prosecution,” a prosecutor told the judge in an October hearing, adding that such claims could create a “serious risk” for a fair trial. The Mann Act, initially called the White-Slave Traffic Act, has long been criticized for its history of targeting Black men. Combs' attorneys argue that the charge he faces under this statute is part of that legacy. “Mr. Combs has been singled out because he is a powerful Black man, and he is being prosecuted for conduct that regularly goes unpunished,” the motion states. CNN has reached out to the Southern District of New York prosecutors for comment, but they have not yet responded. Meanwhile, Combs' legal team has not provided any additional remarks beyond their filing. Combs has pleaded not guilty to all charges and remains in custody as his legal battle continues. #Diddy #SeanCombs #JusticeSystem #MannAct #LegalBattle #MusicMogul #BreakingNews Want to listen to ALL of our podcasts AD-FREE? Subscribe through APPLE PODCASTS, and try it for three days free: https://tinyurl.com/ycw626tj Follow Our Other Cases: https://www.truecrimetodaypod.com The latest on The Downfall of Diddy, The Trial of Karen Read, The Murder Of Maddie Soto, Catching the Long Island Serial Killer, Awaiting Admission: BTK's Unconfessed Crimes, Delphi Murders: Inside the Crime, Chad & Lori Daybell, The Murder of Ana Walshe, Alex Murdaugh, Bryan Kohberger, Lucy Letby, Kouri Richins, Malevolent Mormon Mommys, The Menendez Brothers: Quest For Justice, The Murder of Stephen Smith, The Murder of Madeline Kingsbury, The Murder Of Sandra Birchmore, and much more! Listen at https://www.truecrimetodaypod.com

Attorneys for Sean "Diddy" Combs are calling for the dismissal of one of the charges against him, arguing that their client is the victim of a racially motivated prosecution. The defense contends that the charge of transportation for prostitution, part of a federal indictment, is rooted in a history of discrimination and unfairly targets Combs due to his race. “This case is unprecedented in many ways, but perhaps most notably, and most disturbingly, no White person has ever been the target of a remotely similar prosecution,” Combs' attorneys wrote in a motion filed Tuesday evening. Combs, the embattled music mogul, is currently being held at a federal detention center in New York City while facing multiple federal charges, including racketeering conspiracy, sex trafficking, and transportation for prostitution. His legal team is focusing on Count Three of the indictment, which falls under The Mann Act—a law originally passed in 1910 to prohibit the interstate transportation of women for prostitution and human trafficking. His attorneys argue that the charge has historically been used in discriminatory ways. “What was racist in its inception has often been racist in its operation,” the filing states. They further argue that similar conduct has gone unpunished when committed by White defendants. Prosecutors have previously rejected these claims, stating that the case is based solely on evidence, not race. When one of Combs' lawyers, Marc Agnifilo, told TMZ last year that the case was a “takedown of a successful Black man,” prosecutors quickly pushed back. “He baselessly accused the government of engaging in a racist prosecution,” a prosecutor told the judge in an October hearing, adding that such claims could create a “serious risk” for a fair trial. The Mann Act, initially called the White-Slave Traffic Act, has long been criticized for its history of targeting Black men. Combs' attorneys argue that the charge he faces under this statute is part of that legacy. “Mr. Combs has been singled out because he is a powerful Black man, and he is being prosecuted for conduct that regularly goes unpunished,” the motion states. CNN has reached out to the Southern District of New York prosecutors for comment, but they have not yet responded. Meanwhile, Combs' legal team has not provided any additional remarks beyond their filing. Combs has pleaded not guilty to all charges and remains in custody as his legal battle continues. #Diddy #SeanCombs #JusticeSystem #MannAct #LegalBattle #MusicMogul #BreakingNews Want to listen to ALL of our podcasts AD-FREE? Subscribe through APPLE PODCASTS, and try it for three days free: https://tinyurl.com/ycw626tj Follow Our Other Cases: https://www.truecrimetodaypod.com The latest on The Downfall of Diddy, The Trial of Karen Read, The Murder Of Maddie Soto, Catching the Long Island Serial Killer, Awaiting Admission: BTK's Unconfessed Crimes, Delphi Murders: Inside the Crime, Chad & Lori Daybell, The Murder of Ana Walshe, Alex Murdaugh, Bryan Kohberger, Lucy Letby, Kouri Richins, Malevolent Mormon Mommys, The Menendez Brothers: Quest For Justice, The Murder of Stephen Smith, The Murder of Madeline Kingsbury, The Murder Of Sandra Birchmore, and much more! Listen at https://www.truecrimetodaypod.com

Attorneys for Sean "Diddy" Combs are calling for the dismissal of one of the charges against him, arguing that their client is the victim of a racially motivated prosecution. The defense contends that the charge of transportation for prostitution, part of a federal indictment, is rooted in a history of discrimination and unfairly targets Combs due to his race. “This case is unprecedented in many ways, but perhaps most notably, and most disturbingly, no White person has ever been the target of a remotely similar prosecution,” Combs' attorneys wrote in a motion filed Tuesday evening. Combs, the embattled music mogul, is currently being held at a federal detention center in New York City while facing multiple federal charges, including racketeering conspiracy, sex trafficking, and transportation for prostitution. His legal team is focusing on Count Three of the indictment, which falls under The Mann Act—a law originally passed in 1910 to prohibit the interstate transportation of women for prostitution and human trafficking. His attorneys argue that the charge has historically been used in discriminatory ways. “What was racist in its inception has often been racist in its operation,” the filing states. They further argue that similar conduct has gone unpunished when committed by White defendants. Prosecutors have previously rejected these claims, stating that the case is based solely on evidence, not race. When one of Combs' lawyers, Marc Agnifilo, told TMZ last year that the case was a “takedown of a successful Black man,” prosecutors quickly pushed back. “He baselessly accused the government of engaging in a racist prosecution,” a prosecutor told the judge in an October hearing, adding that such claims could create a “serious risk” for a fair trial. The Mann Act, initially called the White-Slave Traffic Act, has long been criticized for its history of targeting Black men. Combs' attorneys argue that the charge he faces under this statute is part of that legacy. “Mr. Combs has been singled out because he is a powerful Black man, and he is being prosecuted for conduct that regularly goes unpunished,” the motion states. CNN has reached out to the Southern District of New York prosecutors for comment, but they have not yet responded. Meanwhile, Combs' legal team has not provided any additional remarks beyond their filing. Combs has pleaded not guilty to all charges and remains in custody as his legal battle continues. #Diddy #SeanCombs #JusticeSystem #MannAct #LegalBattle #MusicMogul #BreakingNews Want to listen to ALL of our podcasts AD-FREE? Subscribe through APPLE PODCASTS, and try it for three days free: https://tinyurl.com/ycw626tj Follow Our Other Cases: https://www.truecrimetodaypod.com The latest on The Downfall of Diddy, The Trial of Karen Read, The Murder Of Maddie Soto, Catching the Long Island Serial Killer, Awaiting Admission: BTK's Unconfessed Crimes, Delphi Murders: Inside the Crime, Chad & Lori Daybell, The Murder of Ana Walshe, Alex Murdaugh, Bryan Kohberger, Lucy Letby, Kouri Richins, Malevolent Mormon Mommys, The Menendez Brothers: Quest For Justice, The Murder of Stephen Smith, The Murder of Madeline Kingsbury, The Murder Of Sandra Birchmore, and much more! Listen at https://www.truecrimetodaypod.com

Diddy Claims It's 'Racist' To Charge HIM With Human Trafficking Attorneys for Sean "Diddy" Combs are calling for the dismissal of one of the charges against him, arguing that their client is the victim of a racially motivated prosecution. The defense contends that the charge of transportation for prostitution, part of a federal indictment, is rooted in a history of discrimination and unfairly targets Combs due to his race. “This case is unprecedented in many ways, but perhaps most notably, and most disturbingly, no White person has ever been the target of a remotely similar prosecution,” Combs' attorneys wrote in a motion filed Tuesday evening. Combs, the embattled music mogul, is currently being held at a federal detention center in New York City while facing multiple federal charges, including racketeering conspiracy, sex trafficking, and transportation for prostitution. His legal team is focusing on Count Three of the indictment, which falls under The Mann Act—a law originally passed in 1910 to prohibit the interstate transportation of women for prostitution and human trafficking. His attorneys argue that the charge has historically been used in discriminatory ways. “What was racist in its inception has often been racist in its operation,” the filing states. They further argue that similar conduct has gone unpunished when committed by White defendants. Prosecutors have previously rejected these claims, stating that the case is based solely on evidence, not race. When one of Combs' lawyers, Marc Agnifilo, told TMZ last year that the case was a “takedown of a successful Black man,” prosecutors quickly pushed back. “He baselessly accused the government of engaging in a racist prosecution,” a prosecutor told the judge in an October hearing, adding that such claims could create a “serious risk” for a fair trial. The Mann Act, initially called the White-Slave Traffic Act, has long been criticized for its history of targeting Black men. Combs' attorneys argue that the charge he faces under this statute is part of that legacy. “Mr. Combs has been singled out because he is a powerful Black man, and he is being prosecuted for conduct that regularly goes unpunished,” the motion states. CNN has reached out to the Southern District of New York prosecutors for comment, but they have not yet responded. Meanwhile, Combs' legal team has not provided any additional remarks beyond their filing. Combs has pleaded not guilty to all charges and remains in custody as his legal battle continues. #Diddy #SeanCombs #JusticeSystem #MannAct #LegalBattle #MusicMogul #BreakingNews Want to listen to ALL of our podcasts AD-FREE? Subscribe through APPLE PODCASTS, and try it for three days free: https://tinyurl.com/ycw626tj Follow Our Other Cases: https://www.truecrimetodaypod.com The latest on The Downfall of Diddy, The Trial of Karen Read, The Murder Of Maddie Soto, Catching the Long Island Serial Killer, Awaiting Admission: BTK's Unconfessed Crimes, Delphi Murders: Inside the Crime, Chad & Lori Daybell, The Murder of Ana Walshe, Alex Murdaugh, Bryan Kohberger, Lucy Letby, Kouri Richins, Malevolent Mormon Mommys, The Menendez Brothers: Quest For Justice, The Murder of Stephen Smith, The Murder of Madeline Kingsbury, The Murder Of Sandra Birchmore, and much more! Listen at https://www.truecrimetodaypod.com

On this episode of TMZ Live: A$AP Rocky's attorney Joe Tacopina joins 'TMZ Live' following courtroom victory, Justin Baldoni's business partner compares legal feud with Blake lively to Israel-Hamas war, Diddy files to dismiss Mann Act charge calling it a racist law, and Kevin Spacey fires back after Guy Pearce claims he was 'targeted' on set. Learn more about your ad choices. Visit podcastchoices.com/adchoices

VLOG Feb 19 Eric Adams showdown at 2 pm, Sovereign District? book: https://www.amazon.com/dp/B0DXGMKN49Sean Combs calls Mann Act racist, Diddy Do It?Venezuelan from ICE to MDC; Blake Lively midnight filing, book: https://www.amazon.com/dp/B0DWC8BH55End of immunity support for UNRWA?

Music News: Pink Floyd and Joni MitchellIn this episode of the Deadhead Cannabis Show, Larry Mishkin reflects on the intersection of music and cannabis in the wake of the recent elections. He delves into the Grateful Dead's legacy, highlighting a notable performance from 1973, and explores the lyrical depth of 'To Lay Me Down.' The conversation also touches on music news, including Pink Floyd's 'Dark Side of the Moon' and Joni Mitchell's recent birthday. The episode concludes with a discussion on recent research indicating that cannabis may serve as a substitute for more dangerous substances. This conversation explores the complex relationship between cannabis use and substance consumption among young adults, the implications of Florida's failed marijuana legalization initiative, and the potential of cannabis as a harm reduction tool for opioid use. It also highlights popular cannabis strains and their effects, alongside a cultural reflection on the Grateful Dead's music. Chapters00:00 Post-Election Reflections: Music and Cannabis08:29 The Grateful Dead's Musical Legacy14:48 Exploring the Lyrics: To Lay Me Down21:59 Music News: Pink Floyd and Joni Mitchell37:06 Weather Report Suite: A Musical Journey43:10 Second Set Highlights: Mississippi Half-Step and Beyond49:36 Marijuana Research: Substitution Effects51:24 Cannabis Use Among Young Adults56:13 Florida's Marijuana Legalization Initiative01:05:01 Cannabis as a Tool for Opioid Harm Reduction01:11:10 Strains of the Week and Cannabis Culture Larry's Notes:Grateful DeadNovember 11, 1973 (51 years ago)Winterland ArenaSan Francisco, CAGrateful Dead Live at Winterland Arena on 1973-11-11 : Free Borrow & Streaming : Internet Archive Happy Veteran's Day  A very famous show from a very famous year.  Many feel 1973 was the peak of the band's post psychedelic era.  Certainly right up there with 1977 as top years for the band, even by November they were still in full stride during a three night run at Winterland, this being the third and final night of the run.  In 2008 the Dead released the box set:  “Winterland 1973: The complete recordings” featuring shows from Nov. 9, 10 and 11, 1973.  This was the Dead's second “complete recordings” release featuring all of the nights of a single run. The first was “Fillmore West, 1969, the Complete Recordings” from Feb. 27, 28 and March 1 and 2 (IMHO the best collection of live music ever released by the band).  The band later released a follow up, Winterland 1977: The Complete Recordings a three night run June 7, 8 and 9, 1977 that is also an outstanding box set. Today's show has a 16 song first set, a six song second set and a three song encore, a true rarity for a Dead show of any era (other than NYE shows). The second set consists of ½ Step, Big River, Dark Star with MLBJ, Eyes of the World, China Doll and Sugar Magnolia and is as well played as any set ever played by the band.  They were on fire for these three days.  A great collection of music and killer three night run for those lucky enough to have snagged a ticket for any or all of the nights. Patrick Carr wrote in the NY Times that: “The Dead had learned how to conceive and perform a music which often induced something closely akin to the psychedelic experience; they were and are experts in the art and science of showing people another world, or a temporary altering (raising) of world consciousness.  It sounds pseudomystical pretentious perhaps, but the fact is that it happens and it is intentional.”  INTRO:                                 Promised Land                (show opener into Bertha/Greatest Story/Sugaree/Black Throated Wind)                                                Track #1                                                0 – 2:10 "Promised Land" is a song lyric written by Chuck Berry to the melody of "Wabash Cannonball", an American folk song. The song was first recorded in this version by Berry in 1964 for his album St. Louis to Liverpool. Released in December 1964, it was Berry's fourth single issued following his prison term for a Mann Act conviction. The record peaked at #41 in the Billboard charts on January 16, 1965. Berry wrote the song while in prison, and borrowed an atlas from the prison library to plot the itinerary. In the lyrics, the singer (who refers to himself as "the poor boy") tells of his journey from Norfolk, Virginia, to the "Promised Land", Los Angeles, California, mentioning various cities in Southern states that he passes through on his journey. Describing himself as a "poor boy," the protagonist boards a Greyhound bus in Norfolk, Virginia that passes Raleigh, N.C., stops in Charlotte, North Carolina, and bypasses Rock Hill, South Carolina. The bus rolls out of Atlanta but breaks down, leaving him stranded in downtown Birmingham, Alabama. He then takes a train "across Mississippi clean" to New Orleans. From there, he goes to Houston, where "the people there who care a bit about me" buy him a silk suit, luggage and a plane ticket to Los Angeles. Upon landing in Los Angeles, he calls Norfolk, Virginia ("Tidewater four, ten-oh-nine") to tell the folks back home he made it to the "promised land." The lyric: "Swing low, sweet chariot, come down easy/Taxi to the terminal zone" refers to the gospel lyric: "Swing low, sweet Chariot, coming for to carry me Home" since both refer to a common destination, "The Promised Land," which in this case is California, reportedly a heaven on earth. Billboard called the song a "true blue Berry rocker with plenty of get up and go," adding that "rinky piano and wailing Berry electric guitar fills all in neatly."[2]Cash Box described it as "a 'pull-out-all-the-stops' rocker that Chuck pounds out solid sales authority" and "a real mover that should head out for hit territory in no time flat."[3] In 2021, it was listed at No. 342 on Rolling Stone's "Top 500 Greatest Songs of All Time". Apparently played by the Warlocks and the Grateful Dead in their earliest days, Bob Weir started playing this with the Dead in 1971, and it remained a regular right through to the band's last show ever in 1995.  Among those deeply touched by Chuck's genius were Jerry Garcia and the Grateful Dead. They often paid homage to Chuck by weaving his songs into their performances, breathing new life into his timeless melodies. "Promised Land," with its relentless drive, became an anthem of journey and aspiration. Their electrifying renditions of "Johnny B. Goode" were not mere covers but jubilant celebrations of a narrative that resonated with the dreamer in all of us. The Grateful Dead's performances of "Around and Around" echoed Chuck's mastery of capturing life's cyclical rhythms—a dance of beginnings and endings, joy and sorrow. And when they took on "Run Rudolph Run," they infused the festive classic with their own psychedelic flair, bridging the gap between tradition and innovation. A moment etched in musical history was when Chuck Berry shared the stage with the Grateful Dead during their induction into the Rock and Roll Hall of Fame in 1994. The air was thick with reverence and electricity—a meeting of titans where the past, present, and future of rock converged in harmonious resonance. Again, in May 1995, Chuck opened for the Grateful Dead in Portland, Oregon. It was a night where legends collided, and the music swirled like a tempest, leaving a lasting impression on all who were fortunate enough to witness it. This version really rocks out.  I especially love Keith's piano which is featured prominently in this clip. Played:  430 timesFirst:  May 28, 1971 at Winterland Arena, San Francisco, CA, USALast:  July 9, 1995 at Soldier Field, Chicago, IL, USA  SHOW No. 1:                    To Lay Me Down  (out of Black Throated Wind/into El Paso/Ramble On Rose/Me and Bobby McGee                                                Track #6                                                2:21 – 4:20 David Dodd:  “To Lay Me Down” is one of the magical trio of lyrics composed in a single afternoon in 1970 in London, “over a half-bottle of retsina,” according to Robert Hunter. The other two were “Ripple” and “Brokedown Palace.” Well, first—wouldn't we all like to have a day like that! And, second—what unites these three lyrics, aside from the fact that they were all written on the same day? Hunter wrote, in his foreword to The Complete Annotated Grateful Dead Lyrics:”And I wrote reams of bad songs, bitching about everything under the sun, which I kept to myself: Cast not thy swines before pearls. And once in a while something would sort of pop out of nowhere. The sunny London afternoon I wrote ‘Brokedown Palace,' ‘To Lay Me Down,' and ‘Ripple,' all keepers, was in no way typical, but it remains in my mind as the personal quintessence of the union between writer and Muse, a promising past and bright future prospects melding into one great glowing apocatastasis.” “‘To Lay me Down' was written a while before the others [on the Garcia album], on the same day as the lyrics to ‘Brokedown Palace' and ‘Ripple'—the second day of my first visit to England. I found myself left alone in Alan Trists's flat on Devonshire Terrace in West Kensington, with a supply of very nice thick linen paper, sun shining brightly through the window, a bottle of Greek Retsina wine at my elbow. The songs flowed like molten gold onto the page and stand as written. The images for ‘To Lay Me Down' were inspired at Hampstead Heath (the original title to the song) the day before—lying on the grass and clover on a day of swallowtailed clouds, across from Jack Straw's Castle [a pub, now closed and converted into flats--dd], reunited with the girlfriend of my youth, after a long separation.” Garcia's setting for the words is, like his music for those other two songs, perfect. The three-quarter time (notated as having a nine-eight feel), coupled with the gospel style of the melody and chords, makes for a dreamy, beauty-soaked song. I heard it on the radio today (yes, on the radio, yes, today—and no, not on a Grateful Dead Hour, but just in the course of regular programming), and it struck me that it was a gorgeous vehicle for Garcia's voice. By which I mean: for that strongly emotive, sweet but not sappy, rough but not unschooled instrument that was Garcia's alone. I have started to think that my usual recitation of where a song was first played, where it was last played, and where it was recorded by the band borders on pointless. All that info is readily available. What's interesting about the performance history of “To Lay Me Down” is that it was dropped from the rotation for more than 200 shows three times, and that its final performance, in 1992, came 125 shows after the penultimate one. The reappearance of the song, in the 1980 acoustic shows, came nearly six years after the previous performances in 1974. “Ripple” had a similar pattern, reappearing in those 1980 acoustic sets after 550 performances, or nearly ten years. Of the magical trio from that day of molten gold in West Kensington, “Brokedown Palace” had the most solid place in the Dead's performance rotation, with only one huge gap in its appearances—165 shows between 1977 and 1979. So, in terms of story, what can be discerned? The short version, for me: even if it's just for a day, even if it's just once more, even if it's just one last time—it's worth it. It's golden. It's home. This version is really great to listen to.  Jerry's voice is still so young and strong.  And the group singing works really well.  Jerry's also kills it with his lead guitar jamming. Released on “Garcia” in 1972 Played:  64 timesFirst:  July 30, 1970 at The Matrix, San Francisco, CA, USALast: June 28, 1992 at Deer Creek Music Center, Noblesville, IN, USA MUSIC NEWS:                                                           Music Intro:                       Brain Damage                                                                                    Pink Floyd                                                                                    Pink Floyd - Brain Damage (2023 Remaster)                                                                                    0:00 – 1:47             "Brain Damage" is the ninth track[nb 1] from English rock band Pink Floyd's 1973 album The Dark Side of the Moon.[2][3] It was sung on record by Roger Waters (with harmonies by David Gilmour), who would continue to sing it on his solo tours. Gilmour sang the lead vocal when Pink Floyd performed it live on their 1994 tour (as can be heard on Pulse). The band originally called this track "Lunatic" during live performances and recording sessions. "Brain Damage" was released as a digital single on 19 January 2023 to promote The Dark Side of the Moon 50th Anniversary box set.[4]             The uncredited manic laughter is that of Pink Floyd's then-road manager, Peter Watts.             The Dark Side of the Moon is the eighth studio album by the English rock band Pink Floyd, released on 1 March 1973, by Harvest Records in the UK and Capitol Records in the US. Developed during live performances before recording began, it was conceived as a concept album that would focus on the pressures faced by the band during their arduous lifestyle, and also deal with the mental health problems of the former band member Syd Barrett, who had departed the group in 1968. New material was recorded in two sessions in 1972 and 1973 at EMI Studios (now Abbey Road Studios) in London.             The Dark Side of the Moon is among the most critically acclaimed albums and often features in professional listings of the greatest of all time. It brought Pink Floyd international fame, wealth and plaudits to all four band members. A blockbuster release of the album era, it also propelled record sales throughout the music industry during the 1970s. The Dark Side of the Moon is certified 14x platinum in the United Kingdom, and topped the US Billboard Top LPs & Tape chart, where it has charted for 990 weeks. By 2013, The Dark Side of the Moon had sold over 45 million copies worldwide, making it the band's best-selling release, the best-selling album of the 1970s, and the fourth-best-selling album in history.[3] In 2012, the album was selected for preservation in the United States National Recording Registry by the Library of Congress as being "culturally, historically, or aesthetically significant". It was inducted into the Grammy Hall of Fame in 1999. David Gilmour Addresses Synchronicity Theory Between ‘The Dark Side of the Moon' and ‘Wizard of Oz'On Thursday, November 7, 2024, Pink Floyd's David Gilmour appeared on The Tonight Show Starring Jimmy Fallon amid his extensive run at New York's Madison Square Garden, where he is supporting his latest solo release, Luck and Strange. During the music industry legend's stop by the late-night talk show, he spoke with the program's host, who questioned the theory of synchronicity between TheDark Side of the Moon and The Wizard of Oz, commonly referred to as the Dark Side of the Rainbow.“You said that you think it's your best work since Dark Side of the Moon,” Fallon questioned at the top of the segment, comparing Gilmour's comments regarding his latest release, and the Pink Floyd classic. “When we finished Dark Side, there was a lot of crossfades and stuff between all the tracks. They had all to be done separately and then they all have to be edited in the old days before Pro Tools. When we finally finished, we sat down in the control room at Abbey Road and listened to it all the way through. And, wow. I–I guess all of us–have the feeling that it was something quite amazing–that we got it, and at the same point on this album, I had a very similar feeling, which is why I said that.” Fallon stewed on Luck and Strange during a series of follow-up questions that assisted in painting a portrait of familial involvement during the making of Gilmour's 2024 release–harnessing the conversation to the artist's preferred homebred approach before they segued into the realm of the Emerald City. Fallon landed on the topic of Oz during a bit aimed at busting rumors that have populated throughout the musician's 60-year tenure in the spotlight.“The Pink Floyd album, Dark Side of the Moon, was written to synchronize with the movie Wizard of Oz,” Fallon suggested. Prompting Gilmour's humor-tinged response, “Well, of course it was.” Fallon threw his hands up in response, acting on the comedic angle, before the musician clarified, “No, no. We listened to it, Polly and I, years ago–” Fallon stopped the artist to ask, “There's no planning that out?” Gilmour continued, “No. No, I mean, I only heard about it years later. Somebody said you put the needle on–vinyl that is– and on the third–you know you got the film running somehow–and on the third roar of the MGM lion, you put the needle on for the beginning of Dark Side, and there's these strange synchronicities that happen.” Fallon asked if Gilmour had ever tested the theory, to which he exclaimed, “Yeah!” He went on to admit, “And there are these strange coincidences–I'll call them coincidences.”  Joni Mitchell turns 81 - Joni Mitchell was born on Nov. 7th in 1943, making her 81 this past Thursday. Mitchell began her career in small nightclubs in Saskatoon, Saskatchewan, Canada, and grew to become one of the most influential singer-songwriters in modern music history. Rising to fame during the 1960s, Mitchell became a key narrator in the folk music movement, alongside others like Bob Dylan. Over the decades, she has released 19 studio albums, including the seminal “Blue,” which was rated the third best album ever made in Rolling Stone's 2020 list of the "500 Greatest Albums of All Time.” In 2023, Joni Mitchell at Newport was released, a live album of her 2022 performance at the Newport Folk Festival.  More recently she was the featured performer at the Joni Jam at the Gorge in George, WA in June, 2023 3.    Dan “Lebo” Lebowitz to Celebrate 50th Birthday at Sweetwater Music Hall with Members of ALO, Tea Leaf Green and More Sweetwater Music Hall (in Mill Valley, CA) has announced details pertaining to Dan “Lebo” Lebowitz's 50th Birthday Bash. The event is slated to take place on Saturday, November 23, 2024, and functions as a celebratory occasion to honor the jam stalwart and beloved member of the Bay Area music scene's five decade ride.  The six-string virtuoso, known for his work with Animal Liberation Orchestra (ALO), Phil Lesh & Friends, and his own self-titled Friends project, has tapped an all-star group of regional talent to assist during the live show. Appearing on the birthday lineup, in addition to the bandleader are Vicki Randle (percussion, vocals; The Tonight Show Band), Steve Adams (bass; ALO), Trevor Garrod (keys; Tea Leaf Green) and Scott Rager (drums; Tea Leaf Green).  “Possessing a signature tone, the vehicle for his fluid, buttery sound is a flat top acoustic guitar that he has personally sliced and diced into an electric flat top, with a vintage style humbucker pickup. Inherently committed to an improvisational approach, Lebo embodies the realm of melodic and soulful sounds,” the press release includes, drawing on the unique factors which have made Lebo a standout amongst his musical contemporaries. As an added distinction, and play into the birthday angle of event's surprise and celebration, special guest appearances are slated to occur, as referenced via press release and the artist's post on Instagram, where he noted additional inclusions as TBA.   SHOW No. 2:                    Weather Report Suite Prelude  (out of China >Rider/Me & My Uncle/Loose Lucy                                                Track #14                                                3:10 – end                                                   INTO                                                 Weather Report Suite Part I  (out of WRS Prelude/ into WRS Part II (Let It Grow)/Set break  - 16 songs                                                Track #15                                                0:00 – 1:03 David Dodd:  This week, by request, we're looking at “Weather Report Suite,” (Prelude, Part 1, and Part 2). For a short time, the three pieces that comprise the Suite were played as such, but that was relatively short-lived by Grateful Dead standards. The Prelude debuted in November 1972, originally as a separate piece from its eventual companions. The Dead played it, according to DeadBase, four more times in the spring of 1973 before it was first matched up with Weather Report Suite Parts 1 & 2, in September of that year. It was played regularly through October of 1974, and then dropped from the repertoire. The instrumental “Prelude,” composed by Weir, sets the stage for the two pieces to follow. I think it's one of the most beautiful little pieces of music I know—I have never once skipped through it over years of listening. I just let it wash over me and know that its simplicity and beauty are preparing me for the melancholy of Part 1, and the sometimes epic grandeur of Part 2. Part 1 is a song co-written with Eric Andersen, a well-known singer-songwriter who wrote the classic “Thirsty Boots.” He was on the Festival Express Tour (of “Might As Well” fame) across Canada along with the Dead, and I'm guessing that's where Weir and he met and concocted this piece. Happy to be corrected on that by anyone who knows better. Andersen and Weir share the lyric credit, and the music is credited to Weir. Once it appeared in the rotation, in September 1973, it stayed in the repertoire only as long as the Prelude did, dropping entirely in October 1974. The song addresses the seasons, and their changing mirrors the the singer's state of mind as he reflects on the coming of love, and maybe its going, too: a circle of seasons, and the blooming and fading of roses. I particularly like the line “And seasons will end in tumbled rhyme and little change, the wind and rain.” There's something very hopeful buried in the song's melancholy. Is that melancholy just a projection of mine? I think there's something about Weir's singing that gets at that emotion. Loss, and the hope that there might be new love. Weather Report Suite, Part 2 (“Let It Grow”) is a very different beast. It remained steadily in the rotation for the next 21 years after its debut, and the band played it 276 times. Its season of rarity was 1979, when it was played only three times, but otherwise, it was not far from the rotation. It could be stretched into a lengthy jamming tune (clocking at over 15 minutes several times), building to a thundering crescendo. And the “Weather Report” aspect of the song is what was really the most fun many times. Released on Wake of The Flood in 1973. WRS Prelude and Part I:Played:         46 timesFirst:  September 8, 1973 at Nassau Veterans Memorial Coliseum, Uniondale, NY, USALast:  October 18, 1974 at Winterland Arena, San Francisco, CA, USA SHOW No. 3:                     Mississippi Half Step Uptown Toodeloo  (Second Set Opener/into Big River/Dark Star)                                    Track #17                                    3:17 – 4:55 Released on Wake of the Flood in 1973. Mississippi Half-Step Uptown Toodeloo was first performed live by the Grateful Dead on July 16, 1972. It was a frequent part of the repertoire through to 1974. From 1976 onward it was played less frequently with usually between 5 and 15 performances each year. It was not played at all in 1983 and 1984. The last performance was in July 1995. In total it was performed around 236 times. The majority of performances from 1978 onward were as the opening song of a show. Huner/Garcia special.  Great story.  Great lyrics:  “what's the point of calling shots, this cue ain't straight in line.  Cue ball is made of Styrofoam and no one's got the time” Always one of my favorite songs to hear in concert.  ½ Step>Franklin's were especially fun as a one two show opener punch. Played:  236 timesFirst:  July 16, 1972 at Dillon Stadium, Hartford, CT, USALast:  July 6, 1995 at the Riverport Amphitheatre in Maryland Heights (St. Louis), MO MJ NEWS:                 INTRO MUSIC:       Willin'                                                Little Feat                                                Little Feat - Willin' sung by Lowell George Live 1977. HQ Video.                                                0:10 – 1:32                                                1977 "Willin'" is a song written by American musician Lowell George, and first recorded with his group Little Feat on their 1971 debut album. The song has since been performed by a variety of artists.          George wrote the song while he was a member of the Mothers of Invention. When George sang an early version of the song for bandleader Frank Zappa, Zappa suggested that the guitarist form his own band rather than continue under Zappa's tutelage.[1] He did just that, and the song was subsequently recorded by Lowell's band Little Feat. The song was included on Little Feat's 1971 self-titled debut album. The band re-recorded the song at a slower tempo to much greater success on their 1972 Sailin' Shoes album. A live version recorded in 1977 appears on their 1978 album Waiting for Columbus. The lyrics are from the point of view of a truck driver who has driven from Tucson to Tucumcari (NM), Tehachapi (CA) to Tonopah (AZ)" and "smuggled some smokes and folks from Mexico"; the song has become a trucker anthem.  And of course, he asks for “weed, whites (speed) and wine” to get him through his drive. 1.      Using Marijuana Is Tied To Lower Consumption Of Alcohol, Opioids And Other Drugs, New Study Reveals 2.     Why Florida's Marijuana Legalization Ballot Initiative Failed Despite Trump Endorsement, Historic Funding And Majority Voter Support 3.     Marijuana Has ‘Great Deal Of Potential' To Treat Opioid Use Disorder, Study Finds, Predicting It'll Become More Common In Treatment 4.     Colorado Springs Voters Approve Two Contradictory Marijuana Ballot Measures To Both Allow And Ban Recreational Sales Strains of the week: Sub Zero - Sub Zero is a potent Indica-dominanthybrid cannabis strain that combines the robust genetics of Afghan, Colombian, and Mexican origins. This marijuana strain offers a complex flavor profile with notes of apple, menthol, chestnut, lime, and berry, providing a unique and refreshing sensory experience. The aroma of Sub Zero is as intriguing as its flavor, characterized by a rich combination of woody, earthy, and citrus notes, thanks to a terpene profile rich in Humulene, Limonene, Linalool, and Carene. These terpenes not only enhance the flavor but also contribute to the strain's therapeutic properties. Apple Fritter - Apple Fritter, also known as “Apple Fritters,” is a rare evenly balanced hybrid strain (50% indica/50% sativa) created through crossing the classic Sour Apple X Animal Cookies strains. Best known for making the High Times' 2016 “World's Strongest Strains” List, this baby brings on a hard-hitting high and super delicious flavor that will have you begging for more after just one taste. Extract:             Dulce Limon – hyrbrid sativa dominant            Pineapple Fizz – slightly indica dominant hybrid strain SHOW No. 4:                    Dark Star  (Mind Left Body Jam)                                                Track #18                                                34:45 – end This is the name given to a 4-chord sequence played as a jam by the Grateful Dead. It is thought by some to be related to the Paul Kantner song "Your Mind Has Left Your Body." The title "Mind Left Body Jam" was originally used by DeadBase. The first Grateful Dead CD to include a version was "Dozin' At The Knick", where the title was "Mud Love Buddy Jam" in a humorous reference to the DeadBase/taper title. But subsequent releases have adopted the "Mind Left Body Jam" title.Here, it comes out of a 36 minute Dark Star that many say is one of the best ever and links it to an excellent Eyes of the World.Fun to feature one of the band's thematic jams every now and then.  The truly improvisational side of the Dead and their live performances.  Played:  9 timesFirst:  October 19, 1973 at Jim Norick Arena, Oklahoma City, OK, USALast:  March 24, 1990 at Knickerbocker Arena, Albany, NY, USA                                                 INTO                                                 Eyes of the World  (into China Doll/Sugar Mag as second set closer)                                                Track #19                                                0:00 – 2:25 David Dodd:  “Eyes of the World” is a Robert Hunter lyric set by Jerry Garcia. It appeared in concert for the first time in that same show on February 9, 1973, at the Maples Pavilion at Stanford University, along with “They Love Each Other,” “China Doll,” “Here Comes Sunshine,” “Loose Lucy,” “Row Jimmy,” and “Wave That Flag.” Its final performance by the Dead was on July 6, 1995, at Riverport Amphitheatre, in Maryland Heights, Missouri, when it opened the second set, and led into “Unbroken Chain.” It was performed 381 times, with 49 of those performances occurring in 1973. It was released on “Wake of the Flood” in November, 1973. (I have begun to notice something I never saw before in the song statistics in Deadbase—the 49 performances in 1973 made me look twice at the song-by-song table of performances broken out by year in DeadBase X, which clearly shows the pattern of new songs being played in heavy rotation when they are first broken out, and then either falling away entirely, or settling into a more steady, less frequent pattern as the years go by. Makes absolute sense!) Sometimes criticized, lyrically, as being a bit too hippy-dippy for its own good, “Eyes of the World” might be heard as conveying a message of hope, viewing human consciousness as having value for the planet as a whole. There are echoes in the song of a wide range of literary and musical influences, from Blaise Pascal to (perhaps) Ken Kesey; from talk of a redeemer to the title of the song itself. In an interview, Hunter made an interesting statement about the “songs of our own,” which appear twice in “Eyes of the World.” He said that he thinks it's possible each of us may have some tune, or song, that we hum or sing to ourselves, nothing particularly amazing or fine, necessarily, that is our own song. Our song.  The song leaves plenty of room for our own interpretation of certain lines and sections. The verse about the redeemer fading away, being followed by a clay-laden wagon. The myriad of images of birds, beeches, flowers, seeds, horses.... One of my all time favorite songs, Dead or otherwise.  A perfect jam tune.  Great lyrics, fun sing along chorus and some of the finest music you will ever hear between the verses.  First really fell for it while at a small show one night my junior year at Michigan in the Michigan Union, a Cleveland based dead cover band call Oroboros.  We were all dancing and this tune just seemed to go on forever, it might have been whatever we were on at the time, but regardless, this tune really caught my attention.  I then did the standard Dead dive to find as many versions of the song as I could on the limited live Dead releases at that time and via show tapes.  Often followed Estimated Prophet in the first part of the second set, china/rider/estimated/eyes or scarlet/fire/estimated/eyes and sometimes even Help/Slip/Frank/Estimated/Eyes.  Regardless of where it appeared, hearing the opening notes was magical because you knew that for the next 10 – 12 minutes Jerry had you in the palm of his hand. This is just a great version, coming out of the Dark Star/Mind Left Body Jam and then continuing on into China Doll (two great Jerry tunes in a row!) and a standout Sugar Mag to close out the second set.  Any '73 Eyes will leave you in awe and this one is one of the best. Played:  382 timesFirst:  February 9, 1973 at Maples Pavilion, Stanford University, Stanford, CA, USALast:  July 6, 1995 at Riverport Amphitheatre, Maryland Heights (St. Louis), MO  OUTRO:                               And We Bid You Goodnight  (encore out of Uncle John's Band/Johnny B. Goode) 3 song encore!!                                                Track #25                                                :40 – 3:03 The Grateful Dead performed the song a number of times in the 1968-1970 and 1989-1990 periods but infrequently during the rest of their performing career. On Grateful Dead recordings the title used is either And We Bid You Goodnight or We Bid You Goodnight. The Grateful Dead version of this traditional 'lowering down' funeral song originates from a recording by Joseph Spence and the Pindar Family which was released in 1965. The title used on that recording, as on many others, is I Bid You Good Night. This song appears to share a common ancestry with the song Sleep On Beloved from North East England. I got to see it the first night at Alpine Valley in 1989 (the Dead's last year at Alpine) and it really caught the crowd off guard.  Great reaction from the Deadheads.  Kind of a chills down your spine thing.  I was with One armed Lary and Alex, both had been with us at Deer Creek right before.  Lary stayed for all three nights but Alex had to take off after the first show.  Great times.  Played:  69 timesFirst:  January 26, 1968 at Eagles Auditorium, Seattle, WA, USALast:  September 26, 1991 at Boston Garden, Boston, MA, USA  Thank you for listening.  Join us again next week for more music news, marijuana news and another featured Grateful Dead show. Have a great week, have fun, be safe and as always, enjoy your cannabis responsibly.   .Produced by PodConx Deadhead Cannabis Show - https://podconx.com/podcasts/deadhead-cannabis-showLarry Mishkin - https://podconx.com/guests/larry-mishkinRob Hunt - https://podconx.com/guests/rob-huntJay Blakesberg - https://podconx.com/guests/jay-blakesbergSound Designed by Jamie Humiston - https://www.linkedin.com/in/jamie-humiston-91718b1b3/Recorded on Squadcast

R. Kelly has been found guilty on all charges including the Mann Act. He now faces what could be a life sentence in prison.(commercial at 15:01)To contact me:bobbycapucci@protonmail.comSource:https://www.cbsnews.com/news/r-kelly-verdict-guilty-racketeering-sex-trafficking/

R. Kelly has been found guilty on all charges including the Mann Act. He now faces what could be a life sentence in prison.(commercial at 15:01)To contact me:bobbycapucci@protonmail.comSource:https://www.cbsnews.com/news/r-kelly-verdict-guilty-racketeering-sex-trafficking/Become a supporter of this podcast: https://www.spreaker.com/podcast/the-epstein-chronicles--5003294/support.

In our season 3 premiere episode, let's reminisce on the history of the Mann Act, a 1910 law intended to combat human trafficking but often used to target prominent Black men like boxing champion Jack Johnson and rock-n-roll legend Chuck Berry.  --- Aisle Tell You What is a weekly podcast that shares the weddings, marriages, and romances of Black figures throughout time. We bask on these relationships not to be messy but to remind you of the passion in our past and to humanize the people we put on pedestals. Basically, it's all love… Black History. Aisle Tell You What is brought to you by Hueido. Hueido is a media brand that adds color to Black weddings and marriage from yesterday, today, and tomorrow. Join Patreon http://tinyurl.com/PatreonATYW Say thank you / donate https://tinyurl.com/5e9b7rtd Grab merch https://tinyurl.com/shopaisletell Website https://www.aisletellyouwhat.com/ Email Aisle Tell You What at hello@aisletellyouwhat.com All other links you want https://msha.ke/aisletell Listen to the podcast on Spotify http://tinyurl.com/ATYWSpotify Follow https://www.instagram.com/aisletellyouwhat https://www.tiktok.com/@aisletellyouwhat https://facebook.com/aisletellyouwhat https://twitter.com/aisletell

History of trafficking, so likely not safe for work. Have a good day! --- Support this podcast: https://podcasters.spotify.com/pod/show/natalye-harpin/support

* The return of the Boss POC * The veep sits for an “interview”* That's all she had to do…* Will Michael Cohen be assassinated?* Not if he escapes the country (and his family)!* The return of Tennessee* 10 days in an uncomplicated land* That conflict is just like all things I care about (except it's nothing like the things I care about)* Disassociating yourself from the freaks and terror supporters* So we finally got to Diddy* Sure, he's a monster! But the Mann Act?? This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.wethefifth.com/subscribe

Sean “Diddy” Combs was arrested. The question is who is coming down with him? on Monday and charged with racketeering, sex trafficking, and transportation to engage in prostitution. Each is a serious federal crime, and the powerful hip-hop mogul is facing severe prison time if convicted. (Combs has denied the allegations and pleaded not guilty.) Notably, the third count in Combs' indictment comes from a federal law dating back to 1910. It's known today as the Mann Act. Federal prosecutors don't often use the law's other name, and for good reason. The Mann Act is also known as the “White Slave Traffic Act.” Man suspected of assassination attempt against Trump left a letter detailing his plans, prosecutors say

✓ 6:00: Two additional license plates. Six cellphones. And 12 pairs of gloves. What else did we learn from law enforcement about what the second would-be assassin of former Pres. Trump packed for his mission? ✓ 13:00: Security related to two big news stories: UN General Assembly (UNGA) and the Congressional spending bill.     ✓ 16:00: Your tax dollars at work at the United Nations.   ✓ 18:00: The spending bill up for vote in Congress.   ✓ 21:00: What U.S. Customs and Border Protection says about latest border numbers and a differing perspective.  ✓ 34:00: Re: immigration ... do voters need to hear the “how”?  ✓ 35:00: More context on asylum.   ✓ 39:00: Takeaways from Oprah's interview with VP Kamala Harris. ✓ 42:00: The female voter ... and an important caveat about polls.   ✓ 45:00: P-Diddy's case and the jail at the center of the story.   ✓ 52:00: A reminder from Sen. Marco Rubio (R-FL) regarding the final weeks before the election. SHOW NOTES    Congress Reaches Deal to Avoid Shut Down  (SmartHER News)  New Border Numbers Continue to Show Decline (SmartHER News)   Oprah's Interview with VP Kamala Harris     Is this the law? The Mann Act of 1910  SUPPORT OUR MISSION     If you'd like to help support SmartHER News' mission of a free, independent, nonpartisan press – here's how you can become a SCOOP insider: https://www.scoop.smarthernews.com/get-the-inside-scoop/     Instagram: Instagram.com/SmartHERNews   Website: SmartHERNews.com   YouTube Channel: YouTube.com/SmartHERNews 

"Behind the Scenes with Rob Bleetstein: Archiving the Legacy of the NRPS"Larry's guest, Rob Bleetstein, is known for his role as the host of the live concerts on the Sirius XM Grateful Dead station and as the voice of Pearl Jam Radio. In today's episode, he discusses the recently released live album "Hempsteader" by the New Riders Of The Purple Sage (NRPS), where he serves as the archivist and producer.The New Riders of the Purple Sage is an American country rock band that emerged from the psychedelic rock scene in San Francisco in 1969, with original members including some from the Grateful Dead. Their roots trace back to the early 1960s folk and beatnik scene around Stanford University, where Jerry Garcia and David Nelson played gigs together. Influenced by American folk music and rock and roll, the band formed, including Garcia on pedal steel guitar initially.The discussion delves into the background of the NRPS, their albums, and notable tracks like "Panama Red," written by Peter Rowan and popularized by the band. The album "New Riders of the Purple Sage" features Garcia on pedal steel guitar and includes tracks like "Henry," a humorous tale of marijuana smuggling.Throughout the show, various NRPS tracks are highlighted, showcasing the band's eclectic style and songwriting. Additionally, news segments cover topics such as the DEA's agreement to reschedule marijuana and updates from the music industry, including rare concert appearances and tour plans.Overall, the episode provides insights into the NRPS's music, their influence on the country rock genre, and relevant news in the marijuana and music industries. Larry's Notes Rob Bleetstein who many folks know as the host of the three live concerts played every day on the Sirius XM Grateful Dead station.  Also the voice of Pearl Jam Radio. And, most importantly for today's episode, the archivist for the New Riders Of The Purple Sage and the producer of the Hempsteader album. Today, featuring recently released NRPS live album, “Hempsteader” from the band's performance at the Calderone Concert Hall in Hempstead, NY on June 25, 1976, just shy of 48 years ago.New Riders of the Purple Sage is an American country rock band. The group emerged from the psychedelic rock scene in San Francisco in 1969 and its original lineup included several members of the Grateful Dead.[2] The band is sometimes referred to as the New Riders or as NRPS.The roots of the New Riders can be traced back to the early 1960s Peninsulafolk/beatnikscene centered on Stanford University's now-defunct Perry Lane housing complex in Menlo Park, California where future Grateful Dead guitarist Jerry Garcia often played gigs with like-minded guitarist David Nelson. The young John Dawson (also known as "Marmaduke") also played some concerts with Garcia, Nelson, and their compatriots while visiting relatives on summer vacation. Enamored of the sounds of Bakersfield-style country music, Dawson would turn his older friends on to the work of Merle Haggard and Buck Owens and provided a vital link between Timothy Leary's International Federation for Internal Freedom in Millbrook, New York (Dawson having boarded at the Millbrook School) and the Menlo Park bohemian coterie nurtured by Ken Kesey.Inspired by American folk music, rock and roll, and blues, Garcia formed the Grateful Dead (initially known as The Warlocks) with blues singer Ron "Pigpen" McKernan, while Nelson joined the similarly inclined New Delhi River Band (which would eventually come to include bassist Dave Torbert) shortly thereafter.  The group came to enjoy a cult following in Santa Clara and Santa Cruz Counties through the Summer of Love until their dissolution in early 1968.In 1969, Nelson contributed to the Dead's Aoxomoxoa album in 1969.  During this period Nelson and Garcia played intermittently in an early iteration of High Country, a traditional bluegrass ensemble formed by the remnants of the Peninsula folk scene.By early 1969, Dawson had returned to Los Altos Hills and also contributed to Aoxomoxoa.  After a mescaline experience at Pinnacles National Park with Torbert and Matthew Kelly, he began to compose songs on a regular basis working in a psychedelic country fusion genre not unlike Gram Parsons' Flying Burrito Brothers.Dawson's vision was prescient, as 1969 marked the emergence of country rock via Bob Dylan, The Band, The Flying Burrito Brothers, Poco, the Dillard & Clark Band, and the Clarence White-era Byrds. Around this time, Garcia was similarly inspired to take up the pedal steel guitar, and an informal line-up including Dawson, Garcia, and Peninsula folk veteran Peter Grant (on banjo) began playing coffeehouse and hofbrau concerts together when the Grateful Dead were not touring. Their repertoire included country standards, traditional bluegrass, Dawson originals, and a few Dylan covers ("Lay Lady Lay", "You Ain't Goin' Nowhere", "Mighty Quinn"). By the summer of 1969 it was decided that a full band would be formed and David Nelson was recruited to play lead guitar.In addition to Nelson, Dawson (on acoustic guitar), and Garcia (continuing to play pedal steel), the original line-up of the band that came to be known as the New Riders of the Purple Sage (a nod to the Foy Willing-led Western swing combo from the 1940s, Riders of the Purple Sage, which borrowed its name from the Zane Grey novel) consisted of Alembic Studio engineer Bob Matthews on electric bass and Mickey Hart of the Grateful Dead on drums; bassist Phil Lesh also played sporadically with the ensemble in lieu of Matthews through the end of the year, as documented by the late 1969 demos later included on the Before Time Began archival release. Lyricist Robert Hunter briefly rehearsed with the band on bass in early 1970 before the permanent hiring of Torbert in April of that year.[8] The most commercially successful configuration of the New Riders would come to encompass Dawson, Nelson, Torbert, Spencer Dryden (of Jefferson Airplane fame), and Buddy Cage.After a few warmup gigs throughout the Bay Area in 1969, Dawson, Nelson, and Torbert began to tour in May 1970 as part of a tripartite bill advertised as "An Evening with the Grateful Dead". An acoustic Grateful Dead set that often included contributions from Dawson and Nelson would then segue into New Riders and electric Dead sets, obviating the need to hire external opening acts. With the New Riders desiring to become more of a self-sufficient group and Garcia needing to focus on his other responsibilities, the musician parted ways with the group in November 1971. Seasoned pedal steel player Buddy Cage was recruited from Ian and Sylvia's Great Speckled Bird to replace Garcia. In 1977 and 1978, NRPS did open several Dead and JGB shows, including the final concert preceding the closure of Winterland on December 31, 1978.In 1974, Torbert left NRPS; he and Matthew Kelly co-founded the band Kingfish (best known for Bob Weir's membership during the Grateful Dead's late-1974 to mid-1976 touring hiatus) the year before. In 1997, the New Riders of the Purple Sage split up. Dawson retired from music and moved to Mexico to become an English teacher. By this time, Nelson had started his own David Nelson Band. There was a reunion performance in 2001. In 2002, the New Riders accepted a Lifetime Achievement Award from High Times magazine. Allen Kemp died on June 25, 2009.[13][14] John "Marmaduke" Dawson died in Mexico on July 21, 2009, at the age of 64.[15][16]Pedal steel guitarist Buddy Cage died on February 5, 2020, at age 73. (Rob – this is mostly notes for me today so I can sound like I know what I'm talking about.  I'll go through some of it to set some background for the band, but feel free to take the lead on talking about those aspects of the band, and its musicians, that you enjoy most or find most interesting – keeping in mind that our target audience presumably are fans of marijuana and the Dead.)   INTRO:                Panama Red                                Track #1                                Start – 1:49 Written by Peter Rowan “Panama Red” is well known in the jam-grass scene, but it's perhaps not as widely known that Peter Rowan wrote the song.It was originally a 1973 hit for the New Riders of the Purple Sage, and the first popular version with Rowan singing and playing it came when the supergroup Old & In the Way, released their eponymous album in 1975, two years after their seminal time, in 1973, and a year after they disbanded. Jerry Garcia was the connective tissue between the two projects, playing pedal steel in the early New Riders and banjo in Old & In the Way. “I wrote ‘Panama Red' after leaving my first project with David Grisman, Earth Opera, around the summer of the Woodstock music festival [1969],” Rowan explains. “It's a fun song because it captures the vibe of the time. I was from the East Coast, but I found there to be more creativity on the West Coast during that time period.“Nobody wanted to do ‘Panama Red' on the East Coast. I took it to Seatrain [the roots fusion band in which Rowan played from 1969 to 1972], and when it eventually became a hit, the manager of Seatrain claimed it. I never saw any money, even though it became the title of an album for the New Riders of the Purple Sage [1973's The Adventures of Panama Red]. “The subject was "taboo" in those days. You did jail time for pot. So that might have scared commercial interests. But Garcia was a green light all the way! "Oh sure" was his motto, both ironically and straight but always with a twinkle in his eye! After Seatrain management kept all the money, Jerry suggested I bring the song to Marmaduke and Nelson!" “When David Grisman and I got back together for Old & In the Way in 1973 with Jerry Garcia, Vassar Clements and John Khan, we started playing it.”From the NRPS album “The Adventures of Panama Red”, their fourth country rock album released in October 1973. It is widely regarded as one of the group's best efforts, and reached number 55 on the Billboard charts.The album includes two songs written by Peter Rowan — "Panama Red", which became a radio hit, and "Lonesome L.A. Cowboy". Another song, "Kick in the Head", was written by Robert Hunter. Donna Jean Godchaux and Buffy Sainte-Marie contribute background vocals on several tracks.  SHOW No. 1:   Fifteen Days Under The Hood                                Track #41:55 – 3:13 Written by Jack Tempchin and Warren Hughey.  Jack Tempchin is an American musician and singer-songwriter who wrote the Eagles song "Peaceful Easy Feeling"[1] and co-wrote "Already Gone",[2] "The Girl from Yesterday",[3]"Somebody"[4]and "It's Your World Now".[5] Released as the opening song on the NRPS album, “New Riders”, their seventh studio album, released in 1976 SHOW No. 2:   Henry                                Track #6                                1:19 – 3:05 "Henry", written by John Dawson, a traditional shuffle with contemporary lyrics about marijuana smuggling.  From the band's debut album, “New Riders of the Purple Sage”, released by Columbia Records in August, 1971.  New Riders of the Purple Sage is the only studio album by the New Riders to feature co-founder Jerry Garcia of the Grateful Dead on pedal steel guitar. He is also featured on the live albums Vintage NRPS and Bear's Sonic Journals: Dawn of the New Riders of the Purple Sage.Mickey Hart and Commander Cody play drums and piano, respectively, on two tracks—"Dirty Business" and "Last Lonely Eagle".Then, there's a swerving left turn away from romance tunes on this album with ‘Henry‘, whose titular hero has stepped right out of a Gilbert Shelton underground comic.  At a frenetic pace the story of Henry's run to Mexico to fetch twenty kilos of (Acapulco?) gold unravels, with Henry driving home after sampling the wares “Henry tasted, he got wasted couldn't even see – how he's going to drive like that is not too clear to me.”  It's a joke, but a joke that sounds pretty good even after repeat listens.SHOW No. 3:   Portland Woman                                Track #9                                :34 – 2:00 Another Marmaduke tune from the NRPS album released in August, 1971.A bittersweet love song progressing from touring boredom to be relieved by a casual hook-up with the pay-off with the realization that the Portland Woman who “treats you right” has actually made a deeper connection “I'm going back to my Portland woman, I don't want to be alone tonight.”   SHOW No. 4:   You Never Can Tell                                Track #15                                :51 – 2:26 You Never Can Tell", also known as "C'est La Vie" or "Teenage Wedding", is a song written by Chuck Berry. It was composed in the early 1960s while Berry was in federal prison for violating the Mann Act.[2] Released in 1964 on the album St. Louis to Liverpool and the follow-up single to Berry's final Top Ten hit of the 1960s: "No Particular Place to Go", "You Never Can Tell" reached number 14, becoming Berry's final Top 40 hit until "My Ding-a-Ling", a number 1 in October 1972.  Berry's recording features an iconic piano hook played by Johnnie Johnson.  The piano melody was influenced by Mitchell Torok's 1953 hit "Caribbean". The song has also been recorded or performed by Chely Wright, New Riders of the Purple Sage, the Jerry Garcia Band, Bruce Springsteen, the Mavericks, and Buster Shuffle.  JGB performed it almost 40 times in the early ‘90's. The song became popular again after the 1994 release of the film Pulp Fiction, directed and co-written by Quentin Tarantino. The music was played for a "Twist contest" in which Vincent Vega (John Travolta) and Mia Wallace (Uma Thurman) competed (and were the only contestants shown in the film). The music added an evocative element of sound to the narrative and Tarantino said that the song's lyrics of "Pierre" and "Mademoiselle" gave the scene a "uniquely '50s French New Wave dance sequence feel".  OUTRO:              Glendale Train                                Track #17                                1:30 – 3:14 Still another Marmaduke tune from the “New Riders of the Purple Sage” album released in late summer 1971.   MJ News:Just one MJ News story today important enough to take a few minutes to talk MJ:  DEA's agreement to reschedule MJ to Schedule 3 from Schedule 1.DEA Agrees To Reschedule Marijuana Under Federal Law In Historic Move Following Biden-Directed Health Agency's Recommendation - Marijuana Moment Benefits:  banking services, no 280(e) restrictions on what expenses retailers can deduct and allows for full medical research of MJ. Negatives:  Still illegal, all drugs on Schedules I, II and III must be prescribed by a licensed health care provider with prescription privileges and can only be dispenses by licensed pharmacists.  Music News:A few quick hits re Music (no real need to get into any of these but I like to see what's going on so I don't miss anything interesting, these are the first things that get cut when we decide we want to keep talking): Jaimoe makes rare public concert appearance with Friends of the Brothers in Fairfield CN, plays ABB hitsJaimoe Takes Part in Rare Public Concert Appearance, Revisits Allman Brothers Band Classics (relix.com) Mike Gordon sits in at the Dodd's Dead Residency at Nectar's in Burlingtron, VT as part of “Grateful Dead Tuesday”.  Plays He's Gone and Scarlet (we have some Phish fans as listeners so try to toss a few bones to them)Listen: Mike Gordon Offers Grateful Dead Classics at Nectar's (A Gallery + Recap) (relix.com) David Gilmour may be planning first tour since 2016, won't play any Pink Floyd songs from the ‘70's – like the old Doonesbury strip where Elvis comes back from the Dead, Trump hires him to play in one of his casinos and at the start of the show, Elvis announces that he is only playing the songs of the late great John Denver.David Gilmour Plots First Tour Since 2016 (relix.com) Roy Carter, founder of High Sierra Music Festival passes away.Roy Carter, High Sierra Music Festival Founder, Passes Away at 68 (relix.com) .Produced by PodConx Deadhead Cannabis Show - https://podconx.com/podcasts/deadhead-cannabis-showLarry Mishkin - https://podconx.com/guests/larry-mishkinRob Hunt - https://podconx.com/guests/rob-huntJay Blakesberg - https://podconx.com/guests/jay-blakesbergSound Designed by Jamie Humiston - https://www.linkedin.com/in/jamie-humiston-91718b1b3/Recorded on Squadcast

Progressive reformers are like, AH WHITE SLAVERY! And they pass a law to protect WHITE LADIES from PROSTITUTION! But then criminals are like, I'm going to exploit this. See omnystudio.com/listener for privacy information.

Chris and Mike discuss the Columbo episode where Peter Falk was in danger of being overshadowed by his co-star when Johnny Cash stars as a gospel singer who's under the thumb of Ida Lupino as she's lording over him being prosecuted under the Mann Act.

Retired agent Steve Bennett reviews a case involving a 15-year-old missing girl who disappeared but returned home after a few weeks. When a relative recovered a piece of paper in Jenny's purse with the name and address of a man living in Minneapolis, MN, police suspected the stranger had something to do with her initial disappearance. After local detectives determined the inter-state aspects of the case were beyond the scope of their small department, the case was referred to the Springfield FBI office and assigned to Steve, who, with assistance from the division's victim specialist and CART identified the subject who was convicted of Interstate Transportation of a Minor for the Purpose of Sex, under the Mann Act. Steve served in the FBI for 23 years. Check out episode show notes, photos, and related articles: https://jerriwilliams.com/305-steve-bennett-missing-teen-online-offender/   Buy me a coffee - https://www.buymeacoffee.com/JerriWilliams Join my Reader Team to get the FBI Reading Resource - Books about the FBI, written by FBI agents, the 20 clichés about the FBI Reality Checklist, and keep up to date on the FBI in books, TV, and movies via my monthly email. Join here. http://eepurl.com/dzCCmL  Check out my FBI books, non-fiction and crime fiction, available as audiobooks, ebooks and paperbacks wherever books are sold. https://jerriwilliams.com/books/

In this episode of The Oldest Profession Podcast, hosted by Kaytlin Bailey, we go on a journey to uncover the history and lasting legacy of the Mann Act, also known as the White Slave Law. Enacted in 1910, the Mann Act made it illegal to transport women across state lines for “immoral purposes.” Sold to the American people as a way of combating “white slavery” the Mann Act was broadly interpreted to include extra marital affairs, consensual interracial relationships in addition to adult sex workers.  We explore the impact of the Mann Act on Americans and its ongoing legacy on sex workers and other marginalized communities. Your host, Kaytlin Bailey, unpacks the law's controversial history and the ways in which it has been used to perpetuate oppression.  For more resources on this episode, please visit our website: https://oldprosonline.org/the-mann-act/ This episode was made possible through recurring tax deductible contributions from listeners like you. We'd also like to thank our Season 5 sponsors A Great Idea, New Moon Network, and Tryst.link. Original Music by Adra Boo Music by Epidemic Sound The Oldest Profession Podcast is produced by Old Pros, a non-profit media organization creating conditions to change the status of sex workers in society. If you value our mission, please consider making a recurring contribution that you can commit to, and that we can count on. To learn more visit us at oldprosonline.org, which is also where you can get Old Pros t-shirts, sweatshirts, totes, stickers, and more. Of course, proceeds from our shop go to support Old Pros.  

Daddy is not going to be able to save him from this one.  In today's Trish Regan Show, I'm covering the news that's about to hit ahead of the expected Hunter Biden indictment -- and it's NOT pretty.  Rep. James Comer has just demanded that the DOJ turn over a list of  women that were alleged to have been trafficked across state lines to "work" for Hunter. Comer, as well as Rep. Majorie Taylor Greene, insist the women are likely victims that are in need of protection. An IRS whistleblower says it's likely a violation against the Mann Act which prohibits prostitution across state lines. Remember, Jeffery Epstein's 'madame' Giselle Maxwell got 20 years in prison for this crime.  Also, hear my take on: Money going to Ukraine - the U.S. anticipates that by year end, it will have spent $135 billion. Democrats get a huge reality check as a Minneapolis advocate for defunding the police was brutally beaten in a carjacking event by four young men as her children and neighbors screamed and watched. Shivarthi Sathanandan is now thanking the Minneapolis police for all their help.  The View wants migrants relocated somewhere else -- not in the nation's wealthiest city near them. Mayor Eric Adams agrees claiming, sending migrants to New York City will "destroy the city". Gavin Newsom tries not to ruffle Kamala's feathers and insists he won't run in Biden's place - that's her job. Is Michelle Obama about to throw her hat in the ring? Many say yes. I explain why that's the best news Donald Trump could hope for... Nancy Pelosi is running again... and she seems to be indicating she's great because... well...you need to hear it! An Update on Snow White: I'm addressing the rumors that the movie with Rachel Zelger and Gal Gadot is about to be cancelled.  SUBSCRIBE TO MY YOUTUBE to watch the show and get daily videos from me. Subscribe to my whole audio show on Apple Podcasts: https://apple.co/3ZHdJOk GET MY MERCH HERE! https://trishregan.shop Follow me on: Instagram: https://www.instagram.com/trish_regan/ Twitter: https://twitter.com/trish_regan Facebook: https://www.facebook.com/RealTrishRegan #trishregan #trishreganshow #thetrishreganshow #trish #trishreacts #exposed #business #economics #finance #economy #financialnews #news #livenews #live #breakingnewsSupport the show: https://trishregan.shop/See omnystudio.com/listener for privacy information.

While WWI was fought overseas, there was another war closer to home—a war on women known as “The American Plan.” Under the American Plan, tens of thousands of women were detained and injected with toxic chemicals based on their perceived ability to spread venereal disease, all in the name of protecting our soldiers. This week, our guest is comedian and sex-worker rights advocate Kaytlin Bailey, host of the Oldest Profession Podcast. We are talking about the history of sex work in America, the Mann Act, the Comstock Act, and the lasting legacy of the American Plan, which can still be felt today.

GUEST IN STUDIO: Chris Hyser, Candidate for MD's 6th Congressional District, Former State Trooper and an expert on Law EnforcementAUDIO CLIPS FEATURE: Representative Comer Representative Miller Representative Jordan IRS Whistleblower, Ziegler IRS Whistleblower, Shapley SUMMARY: Testimonies cover information released about 20 shell companies created by Biden.   The case against Hunter was started in 2014/2015 Process exceeded the Statute of Limitations Roadblocks were put in place to block access to certain knowledgeable witnesses and relevant information Highlights from the opening statements  Democrats pivot to Trump rather than pursue the criminality of Hunter Biden and the "Big Guy", allegedly President Joe Biden. Millions of dollars involved Tax evasion by H. Biden includes paying for sex and sex clubs as well as transportation that could violate the "Mann Act of 1910",  a federal law that criminalizes the transportation of “any woman or girl for the purpose of prostitution or debauchery, or for any other immoral purpose.” Resources & References: Click here for the full IRS Whistleblower Hearing. Latest Gallup Poll on Public Disapproval of Congress See omnystudio.com/listener for privacy information.

Send us a Text Message.In the second installment of their Old West series, Amanda and Lauren explore the Mann Act, and Amanda tells Lauren about some famous people who were charged under the Mann Act, including some names you'll probably recognize!Sources:PBS: “The Mann Act” by Ken BurnsNPR: “The Long, Colorful History of the Mann Act” by Eric WeinerHistory Channel: “1910: Congress Passes the Mann Act, aimed at Curbing Sex Trafficking” by History.com EditorsThe New Yorker: “The Salacious Non-Mystery of ‘The Real Lolita'” by Katy WaldmanTrue Crime Diva: “The Tragic Short Life of Florence Sally Horner” by Debbie B.New Jersey Monthly: “The Untold Story of the Real Lolita” by Shelby VittekWikipediaSupport us!Kind Cotton: https://kindcotton.com/?ref=QnByw-DYpjqDiCMoment: drinkmoment.com, use code MOSTWANTEDAMANDA for 15% off!True Crime and Paranormal Podcast Festival: https://truecrimepodcastfestival.com/tickets/, use code WANTED for 15% off tickets!

Congress has ordered 10 Criminal Referrals for Indictments for the Biden Crime syndicate including racketeering, extortion, Bribery and violation of the Mann Act. The latest poll has Trump beating Biden by 18 pts, Sound Of Freedom beats out Mission Impossible movie, Democrats only care about power not the people, Democrats are scared of independent candidates. Tune in to The Truth Is Out There Voice Of The People Radio Show Sunday evening at 7 pm est call in number is 515-602!-9657 Join The Truth Is Out There Voice Of The People Media Network at https://www.thetruthisthetruth.net

Joe Biden Bribery documents released by the FBI confirming the 5 million dollar bribe with Ukraine, Jason Aldean video "Try that in a small town" is upsetting the left and the Democrats, Hunter Biden Violates The Mann Act by flying prostitutes from California to Delaware, DWS attacks and tries to silence RFK Jr. As he testifies before the congressional committee, Free Speech wins in Texas , The Truth Is Out There Voice Of The People Radio Show this Sunday evening at 7 pm est, call in number is 515-602-9657, https://www.thetruthisthetruth.net

On Wednesday's Mark Levin Show, there have been a dozen or so whistleblowers who have come forward so far and the Democrats have trashed every single one of them. These two IRS whistleblowers are tremendous patriots. During Joe Ziegler's testimony, his best calculation was that the Biden's took in about $17 million, with no business, no service – nothing. This is as corrupt as it gets. Also, Hunter Biden was buying sex across state lines, he bought flights for young prostitutes, which is considered a Mann Act violation. Not one Democrat at the whistleblower hearing was concerned about this. They weren't concerned about Hunter's tax violations or the obstruction in the investigation. Later, AG Merrick Garland will never touch a special counsel against President Biden because he knows that will destroy Biden and his presidency. He's not only protecting Biden, but he's protecting himself too. The fact is that Garland did not and would not appoint a special counsel to investigate Hunter Biden. Instead, his mouthpieces keep talking about the US attorney appointed by Trump. But that US attorney, David Weiss, reports to Garland, who reports to Biden. Even now, Garland refuses to appoint a special counsel to investigate the Biden's. And we all know why - a two-tiered system of justice. Learn more about your ad choices. Visit podcastchoices.com/adchoices

IRS Whistleblowers tell Congress that the Biden's and in particular Hunter have been protected by the DOJ and the FBI. More incriminating information comes to light and MTG hits it out of the ballpark with the MANN Act.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/1596226/advertisement

While the mainstream corporate media ignores the IRS whistleblower hearings altogether, Dan digs in deep as it's revealed 'Mr. X' - who led the investigation into Hunter Biden's tax evasion - is actually a gay Democrat man named Joe Ziegler. Rep. Marjorie Taylor Greene (R-GA) shakes things up by bringing never-before-seen explicit images and airline receipts of Hunter Biden transporting prostitutes across state lines, a potential violation of the Mann Act. The point of the matter: All roads lead back to 'The Big Guy,' President Joe Biden and his compromised status after receiving over $17 million from foreign entities.

R.Kelly calls from federal prison to clear his name of these false charges against him. This case needs another look this brother was targeted by the U.S. government and the music Industry who want to retain ownership of his music catalog worth Billions! The call is courtesy of (Corey Holcomb 5150 podcast) must give credit to his platform for the audio (Fair Use Act section 107) “Section 107 of the Copyright Act provides the statutory framework for determining whether something is a fair use and identifies certain types of uses— such as criticism, comment, news reporting, teaching, scholarship, and research— as examples of activities that may qualify as fair use”. R Kelly states his rights were violated by a federal official DOC officer “prison judge” who stole the recordings of his phone call from jail phone and gave them to blogger Tasha K a YouTube blogger that has million of subscribers. Her videos swayed the public in this case he was never given a fair trial! Please write the Justice Dept in support of R.Kelly because he was convicted of false charges framed by a Federal Officer of the DOC/ Here's the PROOF of R.Kelly's claim: https://www.chicagotribune.com/news/criminal-justice/ct-r-kelly-bop-officer-investigation-20210907-ia5azcuh5feflh7r7ijuzabjea-story.html Write and call the Justice dept to see that our brother is released of these false charges!!!! U.S. Department of Justice 950 Pennsylvania Avenue, NW Washington, DC 20530-0001 The Department may be contacted by phone at the following: * Department Comment Line: 202-353-1555 * Department of Justice Main Switchboard: 202-514-2000 * TTY/ASCII/TDD: 800-877-8339  A jury convicted Kelly last September on nine counts, including one charge of racketeering and eight counts of violations of the Mann Act, a sex trafficking law. Prosecutors from the Eastern District of New York accused Kelly of using his status as a celebrity and a “network of people at his disposal to target girls, boys and young women for his own sexual gratification.” He was convicted of the Mann Act and R.I.C.O charges. #freerkelly #chicago #kingofrnb #rico #mannact #federalcourt #unitedstates #podcast #3rdihighpodcast #rkelly #tashak If you wanna send Donations to support the 3rdihigh Podcast Cash App Tag: $faroutflow --- Send in a voice message: https://podcasters.spotify.com/pod/show/jamaine-farmer-bey/message Support this podcast: https://podcasters.spotify.com/pod/show/jamaine-farmer-bey/support

The Katherine Massey Book Club @ The C.O.W.S. hosts the 2nd study session on Fred Rosen's The Bayou Strangler: Louisiana's Most Gruesome Serial Killer. Ironically, this book and the book we just finished, Absolute Madness, are both "true crime" texts written by White authors detailing the slaughter of dozens of black males. Both books were published in 2017. In fact, the parallels between these two serial killings are unrelenting. The rampant child rape within the Roman Catholic Church is a core element of what transpired in Buffalo and in New Orleans. Listeners and Gus T. suspected Joseph G. Christopher may have been raped and/or molested by his father or a member of the Buffalo diocese. Ronald Dominique alleged that he was molested as a child by a Catholic priest. The Houma-Thibodaux and New Orleans's dioceses released lengthy lists of White men accused of raping children. In fact, the FBI recently launched an investigation into the child molestation charges against the New Orleans diocese. They're employing the very same Mann Act used against the great Jack Johnson more than a century ago. Last week Rosen employed the term "Cajun culture" to describe the widespread sexual abuse of children by adults - often including parents and other family members of the victim. Gus reminded listeners that southern Louisiana has a centuries long, proud history of sexual debauchery of all sorts. All of this evidence makes it difficult to believe that a White man would be mercilessly teased about being "gay" in this part of the world during any part of the last 200 years. #Katrina17 #NOLA #DelectableNegro #TheCOWS13 INVEST in The COWS – http://paypal.me/TheCOWS Cash App: https://cash.app/$TheCOWS CALL IN NUMBER: 720.716.7300 CODE: 564943#

Thursday, September 1st 8:00PM Eastern / 5:00PM Pacific The Katherine Massey Book Club @ The C.O.W.S. hosts the 2nd study session on Fred Rosen's The Bayou Strangler: Louisiana's Most Gruesome Serial Killer. Ironically, this book and the book we just finished, Absolute Madness, are both "true crime" texts written by White authors detailing the slaughter of dozens of black males. Both books were published in 2017. In fact, the parallels between these two serial killings are unrelenting. The rampant child rape within the Roman Catholic Church is a core element of what transpired in Buffalo and in New Orleans. Listeners and Gus T. suspected Joseph G. Christopher may have been raped and/or molested by his father or a member of the Buffalo diocese. Ronald Dominique alleged that he was molested as a child by a Catholic priest. The Houma-Thibodaux and New Orleans's dioceses released lengthy lists of White men accused of raping children. In fact, the FBI recently launched an investigation into the child molestation charges against the New Orleans diocese. They're employing the very same Mann Act used against the great Jack Johnson more than a century ago. Last week Rosen employed the term "Cajun culture" to describe the widespread sexual abuse of children by adults - often including parents and other family members of the victim. Gus reminded listeners that southern Louisiana has a centuries long, proud history of sexual debauchery of all sorts. All of this evidence makes it difficult to believe that a White man would be mercilessly teased about being "gay" in this part of the world during any part of the last 200 years. #NOLA #Katrina17 #DelectableNegro INVEST in The COWS – http://paypal.me/TheCOWS Cash App: https://cash.app/$TheCOWS CALL IN NUMBER: 720.716.7300 CODE 564943# The C.O.W.S. Radio Program is specifically engineered for black & non-white listeners - Victims of White Supremacy. The purpose of this program is to provide Victims of White Supremacy with constructive information and suggestions on how to counter Racist Woman & Racist Man. Phone: 1-720-716-7300 - Access Code 564943# Hit star *6 & 1 to enter caller cue

EPISODE 61 | The Great Replacement - The White Wing Goes Mainstream The world keeps changing and some people have had just about enough. So they revert to tried and true paradigms that worked for them in the past, but with a new twist. Like the Great Replacement - the idea that white people are being systematically replaced by non-white people with an eye to eliminating whites altogether. They say the puppet masters are probably Jews, though maybe Muslims, liberals or women. It may seem like a new idea, but it's really just pseudoscientific lipstick on a racist pig. Like what we do? Then buy us a beer or three via our page on Buy Me a Coffee. #ConspiracyClearinghouse #sharingiscaring #donations #support #buymeacoffee You can also SUBSCRIBE to this podcast. Review us here or on IMDb! SECTIONS 02:03 - Gay Icon Turns White Wing - Renaud Camus coins Great Replacement, runs for office, gets supporters (like LePen, Finkielkraut & Zemmour) 08:28 - Them Heavy People - Islamophobia & anti-Semitism are alive and well, Great Replacement gains traction with PEGIDA & Identitarians, Lauren Southern, Heinz-Christian Strache, and Steve King 15:09 - Attacks in Pittsburgh, Christchurch, Poway, El Paso & Buffalo 16:54 - Januray 6, 2021, psychological projection, US ethnic demographics, Tucker "Ballcock" Carlson 21:40 - But They're Scary! - The Yellow Peril, anti-Semitism, Édouard Drumont's La France juive (Jewish France), Maurice Barrès, Eugenics, The Passing of the Great Race by Madison Grant (Hitler's favourite book), "white genocide", Aryans, Edward Alsworth Ross's race suicide, miscegenation, Lothrop Stoddard's two books plus the Under-Man 29:17 - The Secret Life of Arabia - The Counter-Jihad Movement (CJM), Bat Ye'or & Eurabia, Steve Bannon, fake sharia law  36:16 - Your Body, My Choice - Misogyny in Great Replacement, "pure womanhood", the Mann Act, Brevik also hates feminists, coverture 41:48 - Ethnicities around the world, Africa is the most ethnically diverse continent  Music by Fanette Ronjat MORE INFO: The Other Camus The French Origins of “You Will Not Replace Us” The ‘Great Replacement' Theory, Explained Simon Kidd on Great Replacement replacement theory at Encyclopedia Britannica “The Great Replacement:” An Explainer Great Replacement Theory at the Counter Extremism Project What is the Great Replacement Theory? on VOA News 'The Great Replacement': The Violent Consequences of Mainstream Extremism How Tucker Carlson Tonight Fuels Extremism and Fear on the NYT Factsheet: Counter-Jihad Movement The Counter-Jihad Movement & the Making of a President on the United States of Anxiety podcast The myth of Eurabia from The Guardian Misogyny is a Powerful Undercurrent of the “Great Replacement” Conspiracy Theory A revealing map of the world's most and least ethnically diverse countries Most Racially Diverse Countries 2022 Follow us on social for extra goodies: Facebook (including upcoming conspiracy-themed events) Twitter YouTube (extra videos on the topic, Old Time Radio shows, music playlists and more) Other Podcasts by Derek DeWitt DIGITAL SIGNAGE DONE RIGHT - Winner of a 2022 Gold Quill Award, the 2021 AVA Digital Award Gold, 2021 Silver Davey Award & 2020 Communicator Award of Excellence, and on numerous top 10 podcast lists.  PRAGUE TIMES - A city is more than just a location - it's a kaleidoscope of history, places, people and trends. This podcast looks at Prague, in the center of Europe, from a number of perspectives, including what it is now, what is has been and where it's going. It's Prague THEN, Prague NOW, Prague LATER.

On February 1, 1900, the Everleigh Sisters (Minna and Ada) opened what would become the best brothel in Chicago, and for a time, the world. The Everleigh Sisters successfully ran their establishment for eleven years, frequented by politicians, princes, and other men of influence. Why then did the mayor force them to shut down in 1911 after gaining such notoriety? Learn more about the Everleigh Sisters, this week on The Oldest Profession Podcast with Kaytlin Bailey. For more resources on this episode, visit our website: https://oldprosonline.org/everleigh-sisters Music by Epidemic Sound

In this look back episode...R. Kelly has been found guilty on all charges including the Mann Act. He now faces what could be a life sentence in prison.(commercial at 15:01)To contact me:bobbycapucci@protonmail.comSource:https://www.cbsnews.com/news/r-kelly-verdict-guilty-racketeering-sex-trafficking/

This is our 17th episode, it's Season 2 Episode 4. “Red Herrings and Scandal”. We have a different format for you this time. We sat down with our friend Amoreena to chat about another famous person who was charged with the Mann Act, aka White Slavery Act. This is the charge that basically brought down Kid Cann in the 1960s.Amoreena is the friend who has done some wonderful artwork for us and when I asked her to do the artwork for the Marilyn Tollefson episode, she said, “Oh the Mann Act, that's what they tried to get Charlie Chaplin for!” It sounded like an interesting story so I asked her to join us for an episode to tell us what she knows. What resulted was a fun discussion about old Hollywood and the gossip machine. By the way, the woman who was at the center of the charge was Joan Barry.Volsteadland is a podcast about the seedy underworld of the 1920s and 30s and even beyond, in Minneapolis (and also beyond…Hollywood, this time). In each episode, we chose a story from that era to present to you. Credits:Hosts: Amy and HeatherGuest: AmoreenaTheme Music: "The Last Prayer (to Isadore Blumenfeld)" by Paolo For Leehttps://www.youtube.com/channel/UCvxy2QNc1fvaFTeASVuM-rA Background Music: "The Velvets" (instrumental version) by Cannelle http://www.patreon.com/melissaoliveri Artwork: Amoreena  If you or your parents, grandparents, etc. have any stories, folklore, or anything really, on the gangster mobster life in Minneapolis in the 1920s through 1960s, please let me know. We'd love to get in touch and chat about it or use your story in the podcast. Anonymous of course, unless you want credit!You can leave a message (voice or text) on the website: http://www.volsteadland.com/ Just click on the little microphone at the bottom right of the page. You can also call 612-424-1684 (leave voicemail or text), or Email: Volsteadland@gmail.com We'd love to hear from you for any reason! Just send us a note to tell us how we're doing!You can follow us (for free) on Patreon without subscribing and you'll still get updates! https://www.patreon.com/join/volsteadland Or visit: Our website: http://www.volsteadland.com/ Blog: http://www.volsteadland.com/blog  Twitter: https://twitter.com/Volstead_land Instagram: https://www.instagram.com/volstead_land/ Get your own Volsteadland T-shirt: https://www.bonfire.com/store/volsteadland-merch/ Join the Facebook Discussion Group: https://www.facebook.com/groups/volsteadland/ Watch the video versions of these episodes: https://www.youtube.com/channel/UCl6C7cj_ckyCXgkE92kTnVwExtra Links:Movies:Trailer: The Cat's Meow (2001) https://youtu.be/jy9SS59oQFQThe Great Dictator (1940) https://youtu.be/2vOacn2ZcOsTrailer: Scotty and the Secret History of Hollywood (2018) https://youtu.be/1qn6HxTJp0k Whole movie: Scotty and the Secret History of Hollywood (2018) https://amzn.to/3OpWlcbChaplin (1992) https://amzn.to/3vz5IO6Trailer: Chaplin (1992) https://youtu.be/8UAy9ynS-l4The Kid (1921) https://youtu.be/LQE0c1Zugx8Books:Full Service: My Adventures in Hollywood and the Secret Sex Lives of the Stars  https://amzn.to/3OqDcGZ Hollywood Babylon by Kenneth Anger https://amzn.to/3L6qJ9tMy Autobiography by Charlie Chaplin https://amzn.to/3L6rvTV Other:Joan Barry https://en.wikipedia.org/wiki/Joan_Barry_(American_actress) [Amazon links are affiliate links]Contact:Say hello at Volsteadland@gmail.com612-424-1684Send us cool stuff at:Collected Sounds Media, LLC8014 Olson Memorial Hwy 55 #240Golden Valley, MN 55427-4712 Volsteadland is produced by me, Amy, at Collected Sounds Media and is part of the Collected Sounds Indie Podcast Network. Thanks for listening!  Support this podcast at — https://redcircle.com/volsteadland/donations

Friar Cook and Rabbi Dave take a look at the Winter Olympic Games, which nobody seems to be watching (except for Mrs. Friar). The weird thing is that 75% of the West Taiwanese Ice Hockey team, which is only in the games because of a rule that says the host country get an automatic bid, is in fact, not actually, technically, per se, West Taiwanese... Meanwhile, the cancelling crazies continue, this time their target is the singer Adele, who is proud to be a woman. NASA has released some rather remarkable pictures from the surface of Mars. The Germans seem to have a problem with this...

Aughie and Nia discuss the conviction of R&B singer R Kelly in instances of racketeering and Mann Act violations. Aughie explains the history behind, and crimes that may be charged, under the RICO and Mann Acts.

Today, on Episode 9 of Real Talk with Bobby G, we will be discussing the recent guilty verdict of R. Kelly. 5 days ago, on Monday, September 27th, 2021, R. Kelly was found guilty of Racketeering, Sexual Exploitation of a Child, Kidnapping, Bribery, Sex Trafficking and a violation of The Mann Act. After getting off a child ography trial back in 2008, R. Kelly has been one of the most controversial superstars of this generation. Most either hate em or love em. In 2002, R. Kelly was indicted on 21 counts of child ography. His 2008 trial was based on the charged filed in 2002. In 2008, R. Kelly was cleared on all counts after less than a full day of deliberations. Once R. Kelly was cleared of his child ography charges in 2008, he continued his music career and to be celebrated and work with some of the top music industry artists. Many of his fans, critics and music industry peers didn't seem to be clear where they stood morally, as they stated they don't condone pedophilia or any type of sexual violations on minors or women, but continued to buy his music, attend his concerts, post and promote his music via social media and collaborate with him creatively. The release of Surviving R. Kelly brought R. Kelly's demons back to the light and this time, he was faced with way more allegations, witnesses and victims who came forth and spoke on camera about the inhumane acts that R. Kelly performed on them, in this 6 part series. The docuseries was talked about all over social media and all on television, which helped open a new investigation that would eventually lead to the arrest and criminal conviction of the superstar. Real Talk with Bobby G YouTube Page: https://www.youtube.com/channel/UCf420gGe2uzMVP3i6rGvtDQ

R Kelly faces life in prison: R. Kelly on Monday was convicted of nine counts of racketeering and sex trafficking, which included acts constituting sexual exploitation of a child, kidnapping, bribery and violating of the Mann Act. A Danish museum paid Danish artist Jens Haaning $84,000 in a commissioned piece. Instead of actually getting creative and producing an art piece, he got creative and took the cash, only leaving the museum with two blank canvases that he titled “Take the Money and Run.”Amazon has unveiled its long-awaited home robot called the Astro. The three-wheeled device starts at $999 and has a wide range of features. The robot roams around your home, learning each room and the faces of all residents. This recognition technology will allow the robot to perform tasks such as taking an item to someone or routinely checking on them while in a different part of the home. Users can video chat directly from Astro.How many years In prison would you do, if you were paid 1 mill per year? NO SOLITARY CONFINEMENT!  A Moment in Love:-There been a debate on social media about the type of gifts you should give your gf vs your wife. Is there a line? -Along the same lines, are there husband duties you should not do for someone you're not married to?-Is there such a thing as being too picky when dating? So picky that you end up sabotaging yourself and the “good” relationship you're in…-Have you ever stopped dating or pursuing someone because you were being “too picky” and ended up regretting it?-On the flip side, have you been rejected because someone seemed to be too picky? -How do you think you handle rejection compared to other men?What are three words you shouldn't say  around a Three year old?Would you Rather:-Team up with Batman or Ironman?-Would you rather lose your sight or your memories?-Would you rather team up with The Rock or Stone Cold Steve Austin?That's episode 52!!!

This week on True Crime Daily The Podcast: Singer R. Kelly is convicted in New York on federal racketeering and sex-trafficking charges. Attorney Gerald A. Griggs weighs in on the trial, the survivors, and Kelly's future. And new updates in the case of missing woman May "Maya" Millete, a mother of three who vanished in the San Diego area in January. Her husband was later named a person of interest in the case -- now new developments, including a court statement from him. Attorney Joey Jackson joins host Ana Garcia. See omnystudio.com/listener for privacy information.

R Kelly is found guilty! NEW YORK (AP) — R. Kelly, the R&B superstar known for his anthem “I Believe I Can Fly,” was convicted Monday in a sex trafficking trial after decades of avoiding criminal responsibility for numerous allegations of misconduct with young women and children. A jury of seven men and five women found Kelly guilty of racketeering on their second day of deliberations. Kelly remained motionless, eyes downcast as the verdict was read. The charges were based on an argument that the entourage of managers and aides who helped the singer meet girls — and keep them obedient and quiet — amounted to a criminal enterprise. Several accusers testified in lurid detail during the trial, alleging that Kelly subjected them to perverse and sadistic whims when they were underage. Kelly was also convicted of criminal counts accusing him of violating the Mann Act, which makes it illegal to take anyone across state lines “for any immoral purpose.” Kelly lawyer Deveraux Cannick said he was disappointed by the verdict. “I think I'm even more disappointed the government brought the case in the first place given all the inconsistencies,” Cannick said. TMZ Pop star Britney Spears has been living under a legal conservatorship that has controlled every aspect of her life since 2008. For much of that time, all decisions about her personal, medical and financial affairs have been completely controlled by her father, Jamie Spears, who initiated the conservatorship 13 years ago — and whom the singer has accused of exploiting her. At Los Angeles Superior Court on Wednesday afternoon, Judge Brenda J. Penny decided to suspend Jamie Spears as the conservator of his daughter's estate. John Zabel, a certified public accountant, will step into that role for now. Penny installed Zabel as the new temporary conservator of Spears' estate only until the next court hearing, which is scheduled for Nov. 12. At that point, the judge plans to terminate the conservatorship — freeing the 39-year-old star. With this ruling, Penny granted Britney Spears' most adamant request: to remove her father immediately. According to The Associated Press, the judge said during the hearing, "The current arrangement is untenable. It reflects a toxic environment which requires the suspension of James Spears." Since 2019, the conservator of Britney Spears' person — that is, the individual looking after her personal decisions and day-to-day life — has been a licensed personal fiduciary and care professional named Jodi Montgomery. (In her own court filings, Montgomery has argued that her decisions are ultimately controlled by Jamie Spears since he is responsible for paying his daughter's bills and expenses.) https://www.npr.org/2021/09/29/1041473650/britney-spears-conservatorship-dad-jamie-spears-suspended Dez Bryant said that he respects Kapernick but he didn't respect the fact that he left and left with no call to action. Dez states on I am Athlete a popular show from athletes Brandon Marshall, Ochocinco, and others. Big Weekend in Sports we discuss all things football from NCAAF College Football to NFL from Chiefs being 1-2, Aaron Rodgers comeback, Ref Issues, as well as Who we got coming up Podcast, Books, Merch, and more in the Link Below: https://twitter.com/99_Zelmae https://www.instagram.com/99_zelmae/ https://linktr.ee/Zelmae https://distrokid.com/hyperfollow/kidcreatedplaya/way-back-when https://distrokid.com/hyperfollow/kidcreatedplaya/dae-wunz Host: https://twitter.com/uniqo_williams https://www.facebook.com/UniqoWilliams/ https://www.instagram.com/uniqowilliams/ https://www.twitter.com/Kidcreatedplaya https://www.instagram.com/KidCreatedPlaya --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/99media/support

AKASHI MEDIA PODCAST LIVE with VARIETY CHENEVERT. Speaks Out Why Robert Kelly should get Deportation back to his Ancestry descendant Homeland Nigeria. Why the Mann Act should be used in his favor instead for his conviction. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/akashimediapodcastlive/message Support this podcast: https://anchor.fm/akashimediapodcastlive/support

The Mann Act is supposed to be for the R Kelly Conviction. The Mann Act is supposed to protect white slaves from prostitution and trafficking. Well Africans we're brought waaaay I over from Africa in ships and we're Kidnapped from Africa to America and that was trafficking on the Ocean. Who went to prison for that! Nobody! So why should Robert Kelly go to prison if white folks haven't done prison time for kidnapping and trafficking Africans by the ocean against their will and prostituting Africans from different parts of Africa? White folks did that and worse to African women and children. They cut their babies out their belly. --- Send in a voice message: https://anchor.fm/akashimediapodcastlive/message Support this podcast: https://anchor.fm/akashimediapodcastlive/support

Akashi Media Podcast Host VARIETY CHENEVERT says Robert Kelly should be Deported back to his Ancestry land Africa to Nigeria or Ghana because of the way the Haitians are being deported and the way. Africans were kidnapped and human trafficked by Ship on the Ocean from many different African countries. Why should the Mann tbe used against R Kelly for conviction when white supremacists haven't been convicted of Kidnapping and sex trafficking of African women, children and men? --- Send in a voice message: https://anchor.fm/akashimediapodcastlive/message Support this podcast: https://anchor.fm/akashimediapodcastlive/support

What took so long!? R & B star R. Kelly is guilty on all counts in his federal sex trafficking trial. Finally! His sickening abuse goes back more than TWO decades -- and was no secret. Other celebrities have faced #MeToo charges, but avoid paying the price. Is this breakthrough verdict the start of real accountability and justice?Listen ad free with Wondery+. Join Wondery+ for exclusives, binges, early access, and ad free listening. Available in the Wondery App.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

For over a month, Kelly has been on trial in Brooklyn federal court on one count of racketeering and eight counts of violating the Mann Act, a federal law addressing sex trafficking. Federal prosecutors accused Kelly of running an “enterprise” through which he exploited his star power time and time again to prey on underage girls, young women, and at least two male victims. Jurors deliberated for just nine hours to reach their verdict, finding Kelly guilty on all counts. He now faces decades in prison and is scheduled to be sentenced May 4, 2022. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/salisburyobserver/message

R. Kelly has been found guilty on all charges including the Mann Act. He now faces what could be a life sentence in prison.To contact me:bobbycapucci@protonmail.comSource:https://www.cbsnews.com/news/r-kelly-verdict-guilty-racketeering-sex-trafficking/

CDC Director Dr. Rochelle Walensky announced that a vaccine booster plan can begin September 20, but only if the FDA determines that a third shot for those who got Pfizer and Moderna is deemed safe and effective. Federal health officials estimate that vaccine protection against COVID-19 decreases over time, but their effectiveness against severe disease, hospitalization and death remains high. Meanwhile, the World Health Organization criticized the plan, saying it was, “handing out extra life jackets to people who already have life jackets.” After decades of accusations and investigations, R. Kelly's first trial started yesterday in Brooklyn's federal court. He faces multiple charges including racketeering, kidnapping, forced labor, and eight counts of violating the Mann Act. Though he was acquitted of child pornography charges in 2008, the explosive “Surviving R. Kelly” documentary and the #MuteRKelly campaign brought about the current charges, which center around six women who say they were physically abused. This case is expected to last 6 to 8 weeks and, if convicted, legal experts say Kelly would be facing at least 15 years in prison. And in headlines: protestors in Afghanistan oppose Taliban rule, a Texas school district finds a mask mandate loophole, and T-Mobile gets attacked by hackers. Show Notes: CDC: “Considerations for booster doses of COVID-19 vaccines” – https://bit.ly/3k3hdYA For a transcript of this episode, please visit crooked.com/whataday Learn more about your ad choices. Visit podcastchoices.com/adchoices

Dillon Jordan, a California based film producer was recently arrested in San Bernardino and made his initial appearance before a Federal Judge in Riverside. The charges are related to allegations that Jordan ran an international prostitution ring under the names of his production company and events planning company. He was charged in an indictment with conspiracy to violate the Mann Act, along with Mann Act and Travel Act violations and money laundering, “in connection with operating a prostitution business and laundering the proceeds of that prostitution business through two front companies – a purported party and event planning company and an actual movie production company,” prosecutors said in the press release. Dillon Jordan produced "Skin" and "The Kindergarten Teacher" through Paperchase Films. He allegedly disguised payments for prostitution describing them as fees for modeling appearances, consulting, massage therapy and house parties. The indictment accuses Jordan of maintaining a “roster of women” who “performed sexual acts” for Jordan's clients around the U.S., including in New York, in exchange for payment. Dillon Jordan used several aliases: Daniel Jordan, Daniel Maurice Hatton and Daniel Bohler. If you have any information related to Dillon Jordan and an International Prostitution Ring, please contact FBI Special Agent in Charge, George M. Crouch Jr in Newark, New Jersey FBI office or contact the National Hotline 1-888-373-7888 and ask them to refer it to FBI- Agent Crouch- Newark, New Jersey. --- Support this podcast: https://anchor.fm/million-kids/support

We brought the receipts on Sex Work Twitter. Lilith reveals the pitfalls of being a sugar baby. The house always wins.    Original Twitter Thread: https://twitter.com/FemDatStrat/status/1391083879319040001?s=20   Tweet #1: Porn Regular depicts criminal sexual activity as  heteronormative practice; high levels of sexual aggression which contributes to normalizing abuse https://academic.oup.com/bjc/advance-article/doi/10.1093/bjc/azab035/6208896?searchresult=1#233671849 https://twitter.com/FemDatStrat/status/1391915595885469698?s=20 https://www.semanticscholar.org/paper/Aggression-and-Sexual-Behavior-in-Best-Selling-A-Bridges-Wosnitzer/708357786691f239bce1fa0ebb28a73a69452023?p2df https://www.ncbi.nlm.nih.gov/pmc/articles/PMC6751001/ https://link.springer.com/article/10.1007/s10508-014-0391-2   Tweet #2: Sex workers don't have an ethical code, often know their clients are married,  provide fake ego strokes to invalidate wife's feelings, and will prioritize the feelings and wants of men over those of other women https://www.youtube.com/watch?v=1Vid8TUMuwc https://www.nzherald.co.nz/lifestyle/high-profile-escort-reveals-the-real-reason-husbands-cheat/POO2NZXNDXYBQIJNMXPEIUEHOU/   Tweet #3: Sex Work Twitter claiming that the anti-porn "religous lobby" is trying to "destroy their livelihood" by pushing for regulations around PornHub https://twitter.com/Salon/status/1344448807321432064   Tweet #4:  Blue Check Sex Workers doxxing and harrassing trafficking and involuntary pornography victims.  https://twitter.com/FemDatStrat/status/1392205822218825729   Tweet #5: Onlyfans is a pyramid scheme -Onlyfans cut referral bonuses (the house always wins) https://unherd.com/thepost/onlyfans-is-an-experiment-in-mass-grooming/ https://www.vice.com/en/article/xg8qqq/onlyfans-cutting-creator-referral-program-bonuses-payout   Homeslessness - Prostitution Link https://www.tandfonline.com/doi/abs/10.1080/10926771.2016.1223246?journalCode=wamt20 https://www.ncbi.nlm.nih.gov/pmc/articles/PMC3170620/ https://givingcompass.org/pdf/prostitution-and-homelessness/   The Mann Act AKA - "White Slave Traffic Act of 1910 " made a direct comparison to the sex trade and slavery https://en.wikipedia.org/wiki/Mann_Act          

Vox's Sean Illing talks with Sarah Marshall, co-host of the You're Wrong About podcast, about the Satanic Panic of the early 1980s. They discuss America's penchant for moral panics, why the country latches onto outlandish stories, and what the Satanic panic and its echoes today say about America's collective psyche. Host: Sean Illing (@seanilling) Interviews Writer, Vox Guest: Sarah Marshall (@Remember_Sarah) Author; host of the You're Wrong About podcast References:  You’re Wrong About, “The Satanic Panic” (May 2018) “Why Satanic Panic never really ended” by Aja Romano (Vox, March 31) “Michelle Remembers and the Satanic Panic” by Megan Goodwin (The Revealer, Feb. 4) “There’s a bear in the woods” (Ronald Reagan campaign ad, 1984) The McMartin preschool trial “Baseless Wayfair child-trafficking theory spreads online” by Amanda Seitz and Ali Swenson (AP, July 2020) The Mann Act (a.k.a. “White-Slave Traffic Act of 1910”) Enjoyed this episode? Rate Vox Conversations ⭐⭐⭐⭐⭐ and leave a review on Apple Podcasts. Subscribe for free. Be the first to hear the next episode of Vox Conversations by subscribing in your favorite podcast app. Support Vox Conversations by making a financial contribution to Vox! bit.ly/givepodcasts This episode was made by:  Producer: Erikk Geannikis Editor: Amy Drozdowska Engineer: Paul Mounsey VP, Vox Audio: Liz Kelly Nelson Learn more about your ad choices. Visit megaphone.fm/adchoices

This episode is about the 22 lawsuits (filed so far) against Texans QB Deshaun Watson in the last month in civil court in Houston, alleging assault, sexual assault, and inappropriate behavior.  Mike's guest is Steph Stradley, a Houston-based sportswriter and lawyer at the Stradley Law Firm. She often does legal explainers for fans regarding sports discipline issues, contracts, investigations, and practical aspects of the law. She has a detailed FAQ post about the Watson lawsuits that can be found here. (0:54) Mike provides the background on the lawsuits that have been filed against Watson. (3:43) What exactly do we know so far? (7:12) The plaintiff's lawyer, Tony Buzbee, held a news conference on Tuesday in which two of Watson's accusers revealed their names and gave their stories. Mike and Steph discuss the impact of this news conference and how it has altered the course of this story. (10:55) Will we learn anything once Watson formally responds to the lawsuits in court? (12:50) Is it possible to maintain a wait-and-see approach with this story, with more information entering the public sphere every day? (18:01) Mike and Steph discuss Rusty Hardin (Watson's lawyer)'s response to Buzbee's Tuesday news conference.  (27:35) How difficult is it for the defense to "prove a negative" in these types of cases? (31:35) Are some of the lawsuits more concerning than others? Can we tell that at this point? (34:10) A complainant has come forward to the Houston Police Department, who are now investigating Deshaun Watson. How does this type of investigation work? (39:41) What is the NFL's Commissioner's Exempt List, and why does it matter in this case? (45:16) Some have suggested that Watson needs to settle these claims as soon as possible. Is that possible? How quickly could a settlement be reached? (50:35) Mike and Steph took a variety of Twitter Q and As, including the following topics: Hardin's current quality as an attorney, why Watson couldn't stop the news conference, the projected legal paths forward, Watson possibly staying with the Texans, and whether or not the Mann Act applies to this situation.          (1:09:32) Mike's concluding thoughts on what will happen moving forward with the Watson lawsuits.  ​The Mike Meltser Podcast is brought to you by Alamo Remedy CBD. Website: Alamo Remedy CBD Promo code: MIKEM Music Credit: Slow Burn by Kevin MacLeod Link: https://incompetech.filmmusic.io/song/4372-slow-burn License: http://creativecommons.org/licenses/by/4.0/

Like the drink pop song? check it out here: https://www.reverbnation.com/Sayreofficial/song/8642528-your-love-the-outfield-cover As most of you may or may not know, Valentine’s Day occurs every February 14. Across the United States and in other places around the world, candy, flowers and horrible gifts are exchanged between loved ones and potential flames, all in the name of St. Valentine. But, have you ever asked yourself “who is this fantastical saint and where did these sappy traditions come from?” Did some guy in a cave, thousands of years ago, screw up with his woman after bopping her on the head with a stick? Did he just say “ugh...sorry… here rock”? The Midnight Train Podcast is sponsored by VOUDOUX VODKA.www.voudoux.com Ace’s Depothttp://www.aces-depot.com BECOME A PRODUCER!http://www.patreon.com/themidnighttrainpodcast Find The Midnight Train Podcast:www.themidnighttrainpodcast.comwww.facebook.com/themidnighttrainpodcastwww.twitter.com/themidnighttrainpcwww.instagram.com/themidnighttrainpodcastwww.discord.com/themidnighttrainpodcastwww.tiktok.com/themidnighttrainp And wherever you listen to your favorite podcasts. Subscribe to our official YouTube channel:OUR YOUTUBEWell, the history of Valentine’s Day—and the story of its patron saint—is actually shrouded in mystery. We do know that February has long been celebrated as a month of romance, and that St. Valentine’s Day, as we know it today, contains traces of both Christian and ancient Roman tradition. But who was this Saint Valentine, and how did he become associated with this ancient ritual? The Catholic Church recognizes at least three different saints named Valentine or Valentinus, all of whom died or were out to death, rather than renouncing their religion. One legend tells us that Valentine was a priest who served during the third century in Rome. When Emperor Claudius II decided that single men made better soldiers than those with wives and families, he outlawed marriage for young men. Valentine, realizing the injustice of the decree, and ever the romantic, defied Claudius and continued to perform marriages for young lovers in secret. When Valentine’s actions were inevitably discovered, Claudius ordered that he be put to death. Still others insist that it was Saint Valentine of Terni, a bishop, who was the true namesake of the holiday. He, too, was beheaded by Claudius II outside Rome. So… you know… Claudius was a swell guy. Other stories suggest that Valentine may have been killed for attempting to help Christians escape harsh Roman prisons, where they were often beaten and tortured. According to one legend, an imprisoned Valentine actually sent the first “valentine” greeting himself after he fell in love with a young girl—possibly his jailor’s daughter—who visited him during his imprisonment. Before his death, it has been said that he wrote her a letter signed “From your Valentine,” an expression that is still used today. Although the truth behind the Valentine legends is murky, the stories all emphasize his appeal as a sympathetic, heroic and—most importantly—romantic figure. By the Middle Ages, perhaps thanks to this reputation, Valentine would become one of the most popular saints in England and France. The French! We are the most romantic! Screw the English!  While some believe that Valentine’s Day is celebrated in the middle of February to celebrate the anniversary of Valentine’s death or burial—which probably occurred around A.D. 270—others claim that the Christian church may have decided to place St. Valentine’s feast day in the middle of February in an effort to “Christianize” the pagan celebration of Lupercalia. Celebrated at the ides of February, or February 15, Lupercalia was actually a fertility festival dedicated to Faunus, the Roman god of agriculture, as well as to the Roman founders Romulus and Remus. Get all that? Sure you do! At the start of the festival, members of the Luperci, an order of Roman priests, would gather at a sacred cave where the infants Romulus and Remus, the founders of Rome, were believed to have been cared for by a she-wolf or lupa. The priests would sacrifice a goat, for fertility, and a dog, for purification. Poor dog! They would then strip the goat’s hide into strips, dip them into the sacrificial blood and take to the streets, gently slapping both women and crop fields with the goat hide. Yep. Too bad that tradition is gone. Sounds SUPER fun! Anyway, Far from being a bunch of scared pansies, Roman women welcomed the slap of the hides because it was believed to make them more fertile in the coming year. Yeah! Later in the day, according to legend, all the young women in the city would place their names in a big urn. The city’s bachelors would each choose a name and become paired for the year with his chosen woman. These matches often ended in marriage. So, it was like eharmony but with a little more sacrifice and far less computers. Lupercalia survived the initial rise of Christianity but was eventually outlawed, BUT OF COURSE IT WAS—as it was deemed “un-Christian”—at the end of the 5th century, when Pope Gelasius declared February 14 St. Valentine’s Day. It wasn’t until much later, however, that the day became definitively associated with love. During the Middle Ages, it was commonly believed in France and England that February 14 was the beginning of birds’ mating season, alright! which added to the idea that the middle of Valentine’s Day should be a day for romance. Because, ya know if birds do it… I mean… anyway. The English poet Geoffrey Chaucer was the first to record St. Valentine’s Day as a day of romantic celebration in his 1375 poem “Parliament of Foules,” writing, ““For this was sent on Seynt Valentyne’s day / Whan every foul cometh ther to choose his mate.” Smooth, Chaucer, real smooth. Valentine greetings were popular as far back as the Middle Ages, though written Valentine’s didn’t begin to appear until after 1400. The oldest known valentine still in existence today was a poem written in 1415 by Charles, Duke of Orleans, to his wife while he was imprisoned in the Tower of London following his capture at the Battle of Agincourt. (The greeting is now part of the manuscript collection of the British Library in London, England.) Several years later, it is believed that King Henry V hired a writer named John Lydgate to compose a valentine note to Catherine of Valois. Now, that chubby little bastard Cupid is often portrayed on Valentine’s Day cards as a naked cherub launching arrows of love at unsuspecting lovers. But the Roman God Cupid has his roots in Greek mythology as the Greek god of love, Eros. Accounts of his birth vary; some say he is the son of Nyx and Erebus; others, of Aphrodite and Ares; still others suggest he is the son of Iris and Zephyrus or even Aphrodite and Zeus (who would have been both his father and grandfather… because, you know… incest). According to the Greek Archaic poets, Eros was a handsome immortal who played with the emotions of Gods and men, using golden arrows to incite love and leaden ones to simply fuck with people. It wasn’t until the Hellenistic period that he began to be portrayed as the mischievous, chubby child he’d become on Valentine’s Day cards. Such a weird transition. From handsome immortal to a fat baby in a diaper. In addition to the United States, Valentine’s Day is celebrated in Canada, Mexico, the United Kingdom, France and Australia. In Great Britain, Valentine’s Day began to be popularly celebrated around the 17th century. By the middle of the 18th century, it was common for friends and lovers of all social classes to exchange small tokens of affection or handwritten notes, and by 1900 printed cards began to replace written letters due to improvements in printing technology. Ready-made cards were an easy way for people to express their emotions in a time when direct expression of one’s feelings was discouraged. Cheaper postage rates also contributed to an increase in the popularity of sending Valentine’s Day greetings. Americans probably began exchanging hand-made valentines in the early 1700s. In the 1840s, Esther A. Howland began selling the first mass-produced valentines in America. Howland, known as the “Mother of the Valentine,” made extravagant creations with real lace, ribbons and colorful pictures known as “scrap.” Today, according to the Greeting Card Association, an estimated 145 million Valentine’s Day cards are sent each year, making Valentine’s Day the second largest card-sending holiday of the year only next to Christmas Some cool notes on St. Valentine. .  In all, there are about a dozen St. Valentines, plus a pope.The saint we celebrate on Valentine’s Day is known officially as St. Valentine of Rome in order to differentiate him from the dozen or so other Valentines on the list. Because “Valentinus”—from the Latin word for worthy, strong or powerful—was a popular moniker between the second and eighth centuries A.D., several martyrs over the centuries have carried this name. The official Roman Catholic roster of saints shows about a dozen who were named Valentine or some variation thereof. The most recently beatified Valentine is St. Valentine Berrio-Ochoa, a Spaniard of the Dominican order who traveled to Vietnam, where he served as bishop until his beheading in 1861. Pope John Paul II canonized Berrio-Ochoa in 1988. There was even a Pope Valentine, though little is known about him except that he served a mere 40 days around A.D. 827.  Valentine is the patron saint of beekeepers and epilepsy, among many other things.Saints are certainly expected to keep busy in the afterlife. Their holy duties include interceding in earthly affairs and entertaining petitions from living souls. In this respect, St. Valentine has wide-ranging spiritual responsibilities. People call on him to watch over the lives of lovers, of course, but also for interventions regarding beekeeping and epilepsy, as well as the plague, fainting and traveling. As you might expect, he’s also the patron saint of engaged couples and happy marriages.  You can find Valentine’s skull in Rome.The flower-adorned skull of St. Valentine is on display in the Basilica of Santa Maria in Cosmedin, Rome. In the early 1800s, the excavation of a catacomb near Rome yielded skeletal remains and other relics now associated with St. Valentine. As is customary, these bits and pieces of the late saint’s body have subsequently been distributed to holy containers around the world. You’ll find other bits of St. Valentine’s skeleton on display in the Czech Republic, Ireland, Scotland, England and France. Here’s one for the ladies! You can actually celebrate Valentine’s Day several times a year.Because of the abundance of St. Valentines on the Roman Catholic roster, you can choose to celebrate the saint multiple times each year. Aside from February 14, you might decide to celebrate St. Valentine of Viterbo on November 3. Or maybe you want to get a jump on the traditional Valentine celebration by feting St. Valentine of Raetia on January 7. Women might choose to honor the only female St. Valentine (Valentina), a virgin martyred in Palestine on July 25, A.D. 308. The Eastern Orthodox Church officially celebrates St. Valentine twice, once as an elder of the church on July 6 and once as a martyr on July 30.Ok! So the lovey dovey shit is out of the way, let’s talk about some Murders. At 10:30 a.m. on Saint Valentine's Day, Thursday, February 14, 1929, seven men were murdered at the garage at 2122 North Clark Street, in the Lincoln Park neighborhood of Chicago's North Side. They were shot by four men using weapons that included two Thompson submachine guns. Two of the shooters were dressed as uniformed policemen, while the others wore suits, ties, overcoats, and hats. Witnesses saw the fake police leading the other men at gunpoint out of the garage after the shooting. The victims included five members of George "Bugs" Moran's North Side Gang. Moran's second in command and brother-in-law Albert Kachellek (alias James Clark) was killed along with Adam Heyer, the gang's bookkeeper and business manager, Albert Weinshank, who managed several cleaning and dyeing operations for Moran, and gang enforcers Frank Gusenberg and Peter Gusenberg. Two collaborators were also shot: Reinhardt H. Schwimmer, a former optician turned gambler and gang associate, and John May, an occasional mechanic for the Moran gang. Real Chicago police officers arrived at the scene to find that victim Frank Gusenberg was still alive. He was taken to the hospital, where doctors stabilized him for a short time and police tried to question him. He had sustained 14 bullet wounds; the police asked him who did it, and he replied, "No one shot me." He died three hours later.[4] Al Capone was widely assumed to have been responsible for ordering the murders in an attempt to eliminate Moran. Moran was the last survivor of the North Side gunmen; his succession had come about because his similarly aggressive predecessors Vincent Drucci and Hymie Weiss had been killed in the violence that followed the murder of original leader Dean O'Banion.[5][6] Several factors contributed to the timing of the plan to kill Moran. Earlier in the year, North Sider Frank Gusenberg and his brother Peter unsuccessfully attempted to murder Jack McGurn. The North Side Gang was complicit in the murders of Pasqualino "Patsy" Lolordo and Antonio "The Scourge" Lombardo. Both had been presidents of the Unione Siciliana, the local Mafia, and close associates of Capone. Moran and Capone had been vying for control of the lucrative Chicago bootlegging trade. Moran had also been muscling in on a Capone-run dog track in the Chicago suburbs, and he had taken over several saloons that were run by Capone, insisting that they were in his territory. The plan was to lure Moran to the SMC Cartage warehouse on North Clark Street on February 14, 1929 to kill him and perhaps two or three of his lieutenants. It is usually assumed that the North Siders were lured to the garage with the promise of a stolen, cut-rate shipment of whiskey, supplied by Detroit's Purple Gang which was associated with Capone. The Gusenberg brothers were supposed to drive two empty trucks to Detroit that day to pick up two loads of stolen Canadian whiskey. All of the victims were dressed in their best clothes, with the exception of John May, as was customary for the North Siders and other gangsters at the time. Most of the Moran gang arrived at the warehouse by approximately 10:30 a.m., but Moran was not there, having left his Parkway Hotel apartment late. He and fellow gang member Ted Newberry approached the rear of the warehouse from a side street when they saw a police car approaching the building. They immediately turned and retraced their steps, going to a nearby coffee shop. They encountered gang member Henry Gusenberg on the street and warned him, so he too turned back. North Side Gang member Willie Marks also spotted the police car on his way to the garage, and he ducked into a doorway and jotted down the license number before leaving the neighborhood. Capone's lookouts likely mistook one of Moran's men for Moran himself, probably Albert Weinshank, who was the same height and build. The physical similarity between the two men was enhanced by their dress that morning; both happened to be wearing the same color overcoats and hats. Witnesses outside the garage saw a Cadillac sedan pull up to a stop in front of the garage. Four men emerged and walked inside, two of them dressed in police uniform. The two fake police officers carried shotguns and entered the rear portion of the garage, where they found members of Moran's gang and collaborators Reinhart Schwimmer and John May, who was fixing one of the trucks. The fake policemen then ordered the men to line up against the wall. They then signaled to the pair in civilian clothes who had accompanied them. Two of the killers opened fire with Thompson sub-machine guns, one with a 20-round box magazine and the other a 50-round drum. They were thorough, spraying their victims left and right, even continuing to fire after all seven had hit the floor. Two shotgun blasts afterward all but obliterated the faces of John May and James Clark, according to the coroner's report. To give the appearance that everything was under control, the men in street clothes came out with their hands up, prodded by the two uniformed policemen. Inside the garage, the only survivors in the warehouse were May's dog "Highball" and Frank Gusenberg — despite 14 bullet wounds. He was still conscious, but he died three hours later, refusing to utter a word about the identities of the killers. The Valentine's Day Massacre set off a public outcry which posed a problem for all mob bosses.[7] Victims EditPeter Gusenberg, a front-line enforcer for the Moran organizationsFrank Gusenberg, the brother of Peter Gusenberg and also an enforcerAlbert Kachellek (alias "James Clark"), Moran's second in commandAdam Heyer, the bookkeeper and business manager of the Moran gangReinhardt Schwimmer, an optician who had abandoned his practice to gamble on horse racing and associate with the gangAlbert Weinshank, who managed several cleaning and dyeing operations for Moran; his resemblance to Moran is allegedly what set the massacre in motion before Moran arrived, including the clothes that he was wearingJohn May, an occasional car mechanic for the Moran gang[8] Within days, Capone received a summons to testify before a Chicago grand jury on charges of federal Prohibition violations, but he claimed to be too unwell to attend.[9] It was common knowledge that Moran was hijacking Capone's Detroit-based liquor shipments, and police focused their attention on Detroit's predominantly Jewish Purple Gang. Landladies Mrs. Doody and Mrs. Orvidson had taken in three men as roomers ten days before the massacre, and their rooming houses were directly across the street from the North Clark Street garage. They picked out mugshots of Purple Gang members George Lewis, Eddie Fletcher, Phil Keywell, and his younger brother Harry, but they later wavered in their identification. The police questioned and cleared Fletcher, Lewis, and Harry Keywell. Nevertheless, the Keywell brothers (and by extension the Purple Gang) remained associated with the crime in the years that followed. Many also believed that the police were involved, which may have been the intention of the killers. On February 22, police were called to the scene of a garage fire on Wood Street where they found a 1927 Cadillac sedan disassembled and partially burned, and they determined that the killers had used the car. They traced the engine number to a Michigan Avenue dealer who had sold the car to a James Morton of Los Angeles. The garage had been rented by a man calling himself Frank Rogers, who gave his address as 1859 West North Avenue. This was the address of the Circus Café operated by Claude Maddox, a former St. Louis gangster with ties to the Capone gang, the Purple Gang, and the St. Louis gang, Egan's Rats. Police could not turn up any information about persons named James Morton or Frank Rogers, but they had a definite lead on one of the killers. Just minutes before the killings, a truck driver named Elmer Lewis had turned a corner a block away from 2122 North Clark and sideswiped a police car. He told police that he stopped immediately but was waved away by the uniformed driver, who was missing a front tooth. Board of Education president H. Wallace Caldwell had witnessed the accident, and he gave the same description of the driver. Police were confident that they were describing Fred Burke, a former member of Egan's Rats. Burke and a close companion named James Ray were known to wear police uniforms whenever on a robbery spree. Burke was also a fugitive, under indictment for robbery and murder in Ohio. Police also suggested that Joseph Lolordo could have been one of the killers because of his brother Pasqualino's recent murder by the North Side Gang. Police then announced that they suspected Capone gunmen John Scalise and Albert Anselmi, as well as Jack McGurn and Frank Rio, a Capone bodyguard. Police eventually charged McGurn and Scalise with the massacre. Capone murdered John Scalise, Anselmi, and Joseph "Hop Toad" Giunta in May 1929 after he learned about their plan to kill him. The police dropped the murder charges against Jack McGurn because of a lack of evidence, and he was just charged with a violation of the Mann Act; he took his girlfriend Louise Rolfe across state lines to marry. The case stagnated until December 14, 1929, when the Berrien County, Michigan Sheriff's Department raided the St. Joseph, Michigan bungalow of "Frederick Dane", the registered owner of a vehicle driven by Fred "Killer" Burke. Burke had been drinking that night, then rear-ended another vehicle and drove off. Patrolman Charles Skelly pursued, finally forcing him off the road. Skelly hopped onto the running board of Burke's car, but he was shot three times and died of his wounds that night. The car was found wrecked and abandoned just outside St. Joseph and traced to Fred Dane. By this time, police photos confirmed that Dane was in fact Fred Burke, wanted by the Chicago police for his participation in the St. Valentine's Day Massacre. Police raided Burke's bungalow and found a large trunk containing a bullet-proof vest, almost $320,000 in bonds recently stolen from a Wisconsin bank, two Thompson submachine guns, pistols, two shotguns, and thousands of rounds of ammunition. St. Joseph authorities immediately notified the Chicago police, who requested both machine guns. They used the new science of forensic ballistics to identify both weapons as those used in the massacre. They also discovered that one of them had also been used to murder New York mobster Frankie Yale a year and a half earlier. Unfortunately, no further concrete evidence surfaced in the massacre case. Burke was captured over a year later on a Missouri farm. The case against him was strongest in connection to the murder of Officer Skelly, so he was tried in Michigan and subsequently sentenced to life imprisonment. He died in prison in 1940. On January 8, 1935, FBI agents surrounded a Chicago apartment building at 3920 North Pine Grove looking for the remaining members of the Barker Gang. A brief shootout erupted, resulting in the death of bank robber Russell Gibson. Taken into custody were Doc Barker, Byron Bolton, and two women. Bolton was a Navy machine-gunner and associate of Egan's Rats, and he had been the valet of Chicago hit man Fred Goetz. Bolton was privy to many of the Barker Gang's crimes and pinpointed the Florida hideout of Ma Barker and Freddie Barker, both of whom were killed in a shootout with the FBI a week later. Bolton claimed to have taken part in the St. Valentine's Day Massacre with Goetz, Fred Burke, and several others. The FBI had no jurisdiction in a state murder case, so they kept Bolton's revelations confidential until the Chicago American newspaper reported a second-hand version of his confession. The newspaper declared that the crime had been "solved", despite being stonewalled by J. Edgar Hoover and the FBI, who did not want any part of the massacre case. Garbled versions of Bolton's story went out in the national media. Bolton, it was reported,[where?] claimed that the murder of Bugs Moran had been plotted in October or November 1928 at a Couderay, Wisconsin resort owned by Fred Goetz. Present at this meeting were Goetz, Al Capone, Frank Nitti, Fred Burke, Gus Winkler, Louis Campagna, Daniel Serritella, William Pacelli, and Bolton. The men stayed two or three weeks, hunting and fishing when they were not planning the murder of their enemies. Bolton claimed that he and Jimmy Moran were charged with watching the S.M.C. Cartage garage and phoning the signal to the killers at the Circus Café when Bugs Moran arrived at the meeting. Police had found a letter addressed to Bolton in the lookout nest (and possibly a vial of prescription medicine). Bolton guessed that the actual killers had been Burke, Winkeler, Goetz, Bob Carey, Raymond "Crane Neck" Nugent,[10] and Claude Maddox (four shooters and two getaway drivers). Bolton gave an account of the massacre different from the one generally told by historians. He claimed that he saw only "plainclothes" men exit the Cadillac and go into the garage. This indicates that a second car was used by the killers. George Brichet claimed to have seen at least two uniformed men exiting a car in the alley and entering the garage through its rear doors. A Peerless Motor Company sedan had been found near a Maywood house owned by Claude Maddox in the days after the massacre, and in one of the pockets was an address book belonging to victim Albert Weinshank. Bolton said that he had mistaken one of Moran's men to be Moran, after which he telephoned the signal to the Circus Café. The killers had expected to kill Moran and two or three of his men, but they were unexpectedly confronted with seven men; they simply decided to kill them all and get out fast. Bolton claimed that Capone was furious with him for his mistake and the resulting police pressure and threatened to kill him, only to be dissuaded by Fred Goetz. His claims were corroborated by Gus Winkeler's widow Georgette in an official FBI statement and in her memoirs, which were published in a four-part series in a true detective magazine during the winter of 1935–36. She revealed that her husband and his friends had formed a special crew used by Capone for high-risk jobs. The mob boss was said to have trusted them implicitly and nicknamed them the "American Boys". Bolton's statements were also backed up by William Drury, a Chicago detective who had stayed on the massacre case long after everyone else had given up. Bank robber Alvin Karpis later claimed to have heard secondhand from Ray Nugent about the massacre and that the "American Boys" were paid a collective salary of $2,000 a week plus bonuses. Karpis also claimed that Capone had told him while they were in Alcatraz together that Goetz had been the actual planner of the massacre. Despite Byron Bolton's statements, no action was taken by the FBI. All the men whom he named were dead by 1935, with the exception of Burke and Maddox. Bank robber Harvey Bailey complained in his 1973 autobiography that he and Fred Burke had been drinking beer in Calumet City, Illinois at the time of the massacre, and the resulting heat forced them to abandon their bank robbing ventures. Historians are still divided on whether or not the "American Boys" committed the St. Valentine's Day Massacre. Many mobsters have been named as part of the Valentine's Day hit team. Two prime suspects are Cosa Nostra hit men John Scalise and Albert Anselmi. In the days after the massacre, Scalise was heard[by whom?] to brag, "I am the most powerful man in Chicago." Unione Siciliana president Joseph Guinta had recently elevated him to the position of the Unione's vice-president. Nevertheless, Scalise, Anselmi, and Guinta were found dead on a lonely road near Hammond, Indiana on May 8, 1929. Gangland lore has it that Capone had discovered that the pair were planning to betray him. Legend states[where?] that Capone produced a baseball bat at the climax of a dinner party thrown in their honor and beat the trio to death.[11] Police tested the two Thompson submachine guns (serial numbers 2347 and 7580) found in Fred Burke's Michigan bungalow and determined that both had been used in the massacre. One of them had also been used in the murder of Brooklyn mob boss Frankie Yale, which confirmed the New York Police Department's long-held theory that Burke had been responsible for Yale's death. Les Farmer, a deputy sheriff in Marion, Illinois, purchased gun number 2347 on November 12, 1924. Marion and the surrounding area were overrun by the warring bootleg factions of the Shelton Brothers Gang and Charlie Birger. Farmer had ties with Egan's Rats, based 100 miles away in St. Louis, and the weapon had wound up in Fred Burke's possession by 1927. It is possible that he used this same gun in Detroit's Milaflores Massacre on March 28, 1927. Chicago sporting goods owner Peter von Frantzius sold gun number 7580 to a Victor Thompson, also known as Frank V. Thompson, but it wound up with James "Bozo" Shupe, a small-time hood from Chicago's West Side who had ties to various members of Capone's outfit. Both guns are still in the possession of the Berrien County, Michigan Sheriff's Department. The garage at 2122 N. Clark Street was demolished in 1967, and the site is now a parking lot for a nursing home.[12] The bricks of the north wall against which the victims were shot were purchased by a Canadian businessman. For many years, they were displayed in various crime-related novelty displays. Many of them were later sold individually, and the remainder are now owned by the Mob Museum in Las Vegas.[13]

***Disclaimer*** Our audio for this episode was a little messed up! Luckily, we still had all of Nathalie's case, we were just missing some of Rachel's commentary at the end of the episode. Do not fear, you still get two full cases!! This week, we're taking a break from the murders and horrific crimes, and instead, we're talking about two women who played a vital role in law enforcement. Rachel tells the story of Alaska P. Davidson, the first female FBI agent. Alaska was hired to help enforce the Mann Act, aka the White-Slave Traffic Act. Although this law was intended to make it illegal to transport women across state lines for the purpose of sex work, it was often used against people of color and sex workers. Rachel goes into detail about how this act played a role in the arrest of the famous African-American boxer, Jack Johnson, and his wife, Lucile Cameron. Nathalie then tells the story of Kate Warne, the first female detective. Kate walked into the Pinkerton Detective Agency after she saw an ad in the local newspaper. It was assumed that Kate might be applying for a clerical role, but Kate made a case for why she would make a great detective. She argued that traits that were seen as more feminine could be useful investigations. She might be able to get information out of the wives and girlfriends of suspected criminals. Women also paid great attention to detail and were very good observers. Kate proved herself to be an excellent detective after aiding in the case of Adams Express Company embezzlement and also helped investigate and thwart an assassination attempt on president-elect, Abraham Lincoln. Rachel's Sources https://theundefeated.com/features/the-thanksgiving-an-imprisoned-jack-johnson-fought-two-men-at-leavenworth/ https://www.britannica.com/event/Teapot-Dome-Scandal https://time.com/5290570/jack-johnson-trump-pardon/ https://www.fbi.gov/history/field-office-histories/philadelphia https://www.pbs.org/kenburns/unforgivable-blackness/mann-act https://www.mentalfloss.com/article/79595/retrobituaries-alaska-davidson-first-female-fbi-special-agent Nathalie's Sources https://en.wikipedia.org/wiki/Kate_Warne https://pinkerton.com/our-insights/blog/unsung-heroes-first-female-detective-kate-warne/ https://www.mentalfloss.com/article/606901/kate-warne-first-female-detective https://history.howstuffworks.com/historical-figures/kate-warne.htm https://blogs.loc.gov/loc/2015/03/celebrating-womens-history-americas-first-female-p-i/

Who is Dolores Haze? Since Lolita by Vladimir Nabokov was published in 1955, readers have formed strong opinions on the story’s narrator and his framing of the titular character. But Lolita and Dolores Haze are far from the same person. Jamie Loftus gets into her history with the book, and dives into the events of the book. Join our Discord for more discussion! https://discord.gg/Xkp2Yav7 Featuring the voices of Aziz Vora as Humbert Humbert, Robert Evans as Vladimir Nabokov, additional voice work from Anna Hossnieh, Shereen Lani-Younes, Grace Thomas, Isaac Taylor, and Miles Gray. Produced by Sophie Lichterman, Miles Gray, Beth-Anne Macaluso and Jack O'Brien. Editing by Isaac Taylor, additional editing by Ben Loftus. Written and hosted by Jamie Loftus. In this episode we talked about: Lolita by Vladimir Nabokov The Bad Beginning by Lemony Snicket Lewis Carroll: https://www.smithsonianmag.com/arts-culture/lewis-carrolls-shifting-reputation-9432378/ The Mann Act: https://www.history.com/news/white-slave-mann-act-jack-johnson-pardon The Enchanted Hunters and the Hunted Enchanters: https://thenabokovian.org/node/50399 This interview with Nabokov from the Paris Review: https://www.theparisreview.org/interviews/4310/the-art-of-fiction-no-40-vladimir-nabokov Men Explain Lolita to Me: https://lithub.com/men-explain-lolita-to-me/  Reading Lolita in Tehran: https://azarnafisi.com/book/reading-lolita-in-tehran/  Learn more about your ad-choices at https://www.iheartpodcastnetwork.com

Charles MansonManson was born to a 15 or 16 year old (depending on the source) girl in Cincinnati Oh. on Nov 12,1934. His Mother, Kathleen Maddox, did not even bother to give him a real name on his birth certificate. On it he is listed as No Name Maddox. There is not 100% surety who his father is, but most likely it is a man named Colonel Scott Sr. When Kathleen told him she was pregnant he told her he'd been called away on army business, which he lied to her about being in, and after several months she realized he was not returning.  It is assumed this is the father as Kathleen brought a paternity suit against Scott and this lead to an agreed judgement in 1937, which is basically a settlement between the two without Scott having to admit to being the father. Within the first few weeks Kathleen decided on the name Charles Milles after her father. Kathleen, then had a short lived marriage to a man named William Eugene Manson. The marriage lasted around three years, during which time Kathleen often went on drinking benders with her brother Luther. She would leave Charles with different babysitters all the time. This obviously caused issues with William and he filed for divorce citing “gross neglect of duty” on the part of Kathleen. Charles would retain the last name of Manson after the divorce as he was born after the two married. During one of her drinking sprees she had taken Charles with her to a cafe. The waitress commented about how cute Charles was and that she wanted kids of her own. Kathleen said to the waitress “ pitcher of beer and he’s yours.” The waitress obviously presumed she was kidding but brought her an extra pitcher of beer anyway to be nice. Well, true to her word, Kathleen finished her pitcher and left, leaving the boy there. Days later Manson's uncle would track him down and bring him home. What. The. Fuck!         When he was 5 years old, his mother and her brother Luther were arrested for robbing a man. Mother of the year, folks! Reportedly, Luther pressed a ketchup bottle filled with salt into The man's back, pretending it was a gun. He then smashed the bottle over The man’s head, and the siblings stole $27 before fleeing. Police caught up to the pair shortly after and arrested the two. Kathkleen received 5 years in prison and Luther 10. Charles was sent to live with his aunt and uncle in west virginia. Biographer Jeff Guinn related a story about Manson's childhood. When Manson was 5 years old and living with his family in West Virginia, his uncle reportedly forced him to wear his cousin Jo Ann's dress to school as punishment for crying in front of his first-grade class. In the biography, Guinn shares his perspective:  “It didn't matter what some teacher had done to make him cry; what was important was to do something drastic that would convince Charlie never to act like a sissy again.”   In first grade, Manson persuaded girls to beat up the boys he didn't like. When the principal questioned him, Manson offered the same defense he would later use after influencing his Family to commit the Tate-LaBianca murders:  “It wasn't me; they were doing what they wanted.” In 1942, the prison released Manson’s mother, Kathleen, on parole after she served three years. When she returned home, she gave Manson a hug. He later described this as his only happy memory from childhood. A few weeks after this homecoming, the family would move to Charleston WV. Here Manson would constantly be truant from school and his mother continued her hard drinking ways. His mother was again arrested for theft but was not convicted. After this the family would move again, this time to Indianapolis. While in Indianapolis his mother met an alcoholic with the last name Lewis while attending AA meetings. The two would marry in 1943. That same year Manson claims to have set his school on fire at the age of 9.  *christmas present story*       At the age of 13 Manson was placed into the Gibault School for Boys in Terre Haute Indiana. The school was for delinquent boys and run by strict catholic priests. There were severe punishments for even minor infractions, obviously. These included beating with a wooden paddle or lashes from a leather strap. Manson escaped the school and slept in the woods, under bridges and pretty much anywhere he could find shelter. He made his way back home and spent Christmas of 1947 with his aunt and uncle back in WV. After this his mother sent him back to the school where he would escape, yet again ten  months later and headed back to Indy. There, in 1948 he would commit his first known crime. He would rob a grocery store looking for something to eat, but came across a box containing around 100 dollars. He would take this and get a hotel room in a shitty part of town and buy food as well.        After this robbery he tried to get on the straight and narrow by getting a job delivering messages for Western Union. The straight path he was on would not last long though, as he started to supplement his income with petty theft. He was caught and in 1949 a judge sent him to Boys Town, a juvenile facility in Omaha, Nebraska. After spending a whopping 4 days at Boys Town, Manson and a fellow student named Blackie Nielson obtained a gun and stole a car. The boys decided to head to Nielson’s uncle's house in Peoria IL. Along the way they would commit two armed robberies. When they got to the uncle’s, who was a professional thief, they were recruited as apprentices in thievery. Manson was arrested a couple weeks  later as part of a raid and during the subsequent investigation was linked to the two earlier armed robberies. He was then sent to the Indiana School For Boys, another very strict reform school.       At the reform school Manson alleged to have been raped by other students at the urging of a staff member. He was also beaten very often and ran away from the school 18..count em...18 times! Manson developed what he called “the insane game” as a form of self defense while at the school.  When he was physically unable to defend himself, he would start screaming and screeching, making faces and grimacing, and waving his arms all over the place in an attempt to make his attackers think he was insane! After all of his failed attempts at running away and escaping, he finally succeeded in escaping with two other boys in february of 1951. The three boys decided to head to california, stealing cars and robbing gas stations along the way. They ended up getting arrested in Utah and Manson was sent to the National Training Center for Boys in  washington dc for the federal crime of driving a stolen car across state lines. When he got to the center he was given a test that determined he was illiterate even though he showed a slightly above average IQ of 109. Average in the US is around 98-100. Hise caseworker also deemed him “aggressively antisocial” When Charlie was being considered for a transfer to Natural Bridge Honor Camp, a minimum security institution, a psychiatric evaluation was required.On October 24 1951, Charlie was transferred to the Natural Bridge Honor Camp in Petersburg, Virginia. His parole hearing was scheduled for February 1952. On October 24, 1951, when his Aunt Joanne visited, she promised Charlie and the authorities that when he was released, she and his Uncle Bill would look after him, provide him with a place to live, and a job.Psychiatrist Dr. Block, explained in a prison and probation report that his life of abuse, rejection, instability, and emotional pain had turned him into a slick but extremely sensitive boy:        "[Manson] Tries to give the impression of trying hard although actually not putting forth any effort ... marked degree of rejection, instability and psychic trauma ... constantly striving for status ... a fairly slick institutionalized youth who has not given up in terms of securing some kind of love and affection from the world ... dangerous ... should not be trusted across the street ... homosexual and assaultative [sic] tendencies ... safe only under supervision ... unpredictable ... in spite of his age he is criminally sophisticated and grossly unsuited for retention in an open reformatory type institution.”In January 1952, less than a month before his parole date, Charlie sodomized a boy with a razor to his throat. He was reclassified him as dangerous and transferred to a tougher, higher security, lock up facility; the Federal Reformatory at Petersburg, Virginia,.By August 1952, he had eight major violations including three sexual assaults. He was classified as a dangerous offender and characterized as "defiantly homosexual, dangerous, and safe only under supervision" and as having "assaultive tendencies."September 22 1952, Charlie was transferred to the Federal Reformatory in Chillicothe, Ohio, a higher security institution. He was a "model prisoner." There was a major improvement in his attitude. He learned to read and understand math. On January 1, 1954, he was honored with a Meritorious Service Award for his scholastic accomplishments and his work in the Transportation Unit for maintenance and repair of institution vehicles.While incarcerated at Chillicothe, Charlie met the notorious American Syndicate gangster, Frank Costello, aka "Prime Minister of the Underworld," a close associate of the powerful underworld boss, Lucky Luciano.In the book, Manson: In His Own Words (1986), by Nuel Emmons, Manson, obviously impressed by with Costello's professional crime background states:"When I walked down the halls with him [Costello] or sat at the same table for meals, I probably experienced the same sensation an honest kid would get out of being with Joe DiMaggio or Mickey Mantel: admiration bordering on worship. To me, if Costello did something, right or wrong, that was the way it was supposed to be... Yeah, I admired Frank Costello, and I listened to and believed everything he said."Charlie's parole on May 8, 1954, stipulated that he live with Aunt Joanne and Uncle Bill in McMechen, West Virginia. Now at nineteen years-old, for the first time since his mother gave him up when he was 12, Charlie was legally free .Soon after Manson gained his freedom, his mother was released from prison. She moved to nearby Wheeling, West Virginia and soon Charlie moved in with her.In January 1955, Manson married a hospital waitress named Rosalie Jean Willis. Around October, about three months after he and his pregnant wife arrived in Los Angeles in a car he had stolen in Ohio, Manson was again charged with a federal crime for taking the vehicle across state lines. After a psychiatric evaluation, he was given five years' probation. Manson's failure to appear at a Los Angeles hearing on an identical charge filed in Florida resulted in his March 1956 arrest in Indianapolis. His probation was revoked; he was sentenced to three years' imprisonment at Terminal Island, San Pedro, California.While Manson was in prison, Rosalie gave birth to their son Charles Manson Jr. During his first year at Terminal Island, Manson received visits from Rosalie and his mother, who were now living together in Los Angeles. In March 1957, when the visits from his wife ceased, his mother informed him Rosalie was living with another man. Less than two weeks before a scheduled parole hearing, Manson tried to escape by stealing a car. He was given five years' probation and his parole was denied.Manson received five years' parole in September 1958, the same year in which Rosalie received a decree of divorce. By November, he was pimping a 16-year-old girl and was receiving additional support from a girl with wealthy parents. In September 1959, he pleaded guilty to a charge of attempting to cash a forged U.S. Treasury check, which he claimed to have stolen from a mailbox; the latter charge was later dropped. He received a 10-year suspended sentence and probation after a young woman named Leona, who had an arrest record for prostitution, made a "tearful plea" before the court that she and Manson were "deeply in love ... and would marry if Charlie were freed".  Before the year's end, the woman did marry Manson, possibly so she would not be required to testify against him.Manson took Leona and another woman to New Mexico for purposes of prostitution, resulting in him being held and questioned for violating the Mann Act. Though he was released, Manson correctly suspected that the investigation had not ended. When he disappeared in violation of his probation, a bench warrant was issued. An indictment for violation of the Mann Act followed in April 1960. Following the arrest of one of the women for prostitution, Manson was arrested in June in Laredo, Texas, and was returned to Los Angeles. For violating his probation on the check-cashing charge, he was ordered to serve his ten-year sentence.Manson spent a year trying unsuccessfully to appeal the revocation of his probation. In July 1961, he was transferred from the Los Angeles County Jail to the United States Penitentiary at McNeil Island, Washington. There, he took guitar lessons from Barker–Karpis gang leader Alvin "Creepy" Karpis, and obtained from another inmate a contact name of someone at Universal Studios in Hollywood, Phil Kaufman.  According to Jeff Guinn's 2013 biography of Manson, his mother moved to Washington State to be closer to him during his McNeil Island incarceration, working nearby as a waitress.Although the Mann Act charge had been dropped, the attempt to cash the Treasury check was still a federal offense. Manson's September 1961 annual review noted he had a "tremendous drive to call attention to himself", an observation echoed in September 1964.  In 1963, Leona was granted a divorce. During the process she alleged that she and Manson had a son, Charles Luther. According to a popular urban legend, Manson auditioned unsuccessfully for the Monkees in late 1965; this is refuted by the fact that Manson was still incarcerated at McNeil Island at that time.In June 1966, Manson was sent for the second time to Terminal Island in preparation for early release. By the time of his release day on March 21, 1967, he had spent more than half of his 32 years in prisons and other institutions. This was mainly because he had broken federal laws. Federal sentences were, and remain, much more severe than state sentences for many of the same offenses. Telling the authorities that prison had become his home, he requested permission to stay. In 1967, 32-year-old Charles Manson was released from prison once again (this time, from a correctional facility in the state of Washington). He then made his way to San Francisco and quickly found a home in the counter-culture movement there.Manson created a cult around himself called the "Family" that he hoped to use to bring about Armageddon through a race war. He named this scenario "Helter Skelter," after the 1968 Beatles song of the same name.Living mostly by begging, Manson soon became acquainted with Mary Brunner, a 23-year-old graduate of the University of Wisconsin–Madison. Brunner was working as a library assistant at the University of California, Berkeley, and Manson moved in with her. According to a second-hand account, he overcame her resistance to his bringing other women in to live with them. Before long, they were sharing Brunner's residence with eighteen other women.Manson established himself as a guru in San Francisco's Haight-Ashbury district, which during 1967's "Summer of Love" was emerging as the signature hippie locale. Manson appeared to have borrowed his philosophy from the Process Church of the Final Judgment, whose members believed Satan would become reconciled to Christ and they would come together at the end of the world to judge humanity. Manson soon had the first of his groups of followers, which have been called the "Manson Family", most of them female. Manson taught his followers that they were the reincarnation of the original Christians, and that the Romans were the establishment. He strongly implied that he was Christ; he often told a story envisioning himself on the cross with the nails in his feet and hands. Sometime around 1967, he began using the alias "Charles Willis Manson." He often said it very slowly ("Charles's Will Is Man's Son")—implying that his will was the same as that of the Son of Man.Before the end of the summer, Manson and eight or nine of his enthusiasts piled into an old school bus they had re-wrought in hippie style, with colored rugs and pillows in place of the many seats they had removed. They roamed as far north as Washington state, then southward through Los Angeles, Mexico, and the American Southwest. Returning to the Los Angeles area, they lived in Topanga Canyon, Malibu, and Venice—western parts of the city and county.Having learned how to play guitar in prison he did his best to wow artists like Neil Young and The Mamas and Papas, his idiosyncratic folk music failed to generate enthusiasm until he was introduced to Dennis Wilson of the Beach Boys, who saw talent in Manson's playing.  Wilson allowed Manson and several of "his girls" — who had by now begun coalescing around him because they believed he was a  guru with prophetic powers — to stay with him at his mansion in June 1968. Wilson eventually kicked them out after they began causing trouble, but Manson later accused the Beach Boys of reworking one of his songs and including it on their 1969 album "20/20" without crediting him. In 1967, Brunner became pregnant by Manson and, on April 15, 1968, gave birth to a son she named Valentine Michael (nicknamed "Pooh Bear") in a condemned house in Topanga Canyon, assisted during the birth by several of the young women from the Family. Brunner (like most members of the group) acquired a number of aliases and nicknames, including: "Marioche", "Och", "Mother Mary", "Mary Manson", "Linda Dee Manson" and "Christine Marie Euchts". Manson established a base for the Family at the Spahn Ranch in August 1968 after Wilson's landlord evicted them. It had been a television and movie set for Westerns, but the buildings had deteriorated by the late 1960s and the ranch's revenue was primarily derived from selling horseback rides. Female Family members did chores around the ranch and, occasionally, had sex on Manson's orders with the nearly blind 80 year-old owner George Spahn. The women also acted as seeing-eye guides for him. In exchange, Spahn allowed Manson and his group to live at the ranch for free.  Lynette Fromme acquired the nickname "Squeaky" because she often squeaked when Spahn pinched her thigh.Charles Watson, a small-town Texan who had quit college and moved to California, soon joined the group at the ranch. He met Manson at Wilson's house; Watson had given Wilson a ride while Wilson was hitchhiking after his car was wrecked. Spahn nicknamed him "Tex" because of his pronounced Texas drawl. Manson follower Dianne Lake (just 14 when she met Manson) detailed long nights of lectures, in which Manson instructed others at the ranch to take LSD and listen to him preach about the past, present and future of humanity.  With his “family” coming together, manson began his work with Helter Skelter. The following excerpt about Helter Skelter is taken from wikipedia, Sources were double check for accuracy and we just figured this would be a quick review. We have added a few things to fill it out...so don't @ us bros ;) In the first days of November 1968, Manson established the Family at alternative headquarters in Death Valley's environs, where they occupied two unused or little-used ranches, Myers and Barker.[20][25] The former, to which the group had initially headed, was owned by the grandmother of a new woman (Catherine Gillies) in the Family. The latter was owned by an elderly local woman (Arlene Barker) to whom Manson presented himself and a male Family member as musicians in need of a place congenial to their work. When the woman agreed to let them stay if they'd fix things up, Manson honored her with one of the Beach Boys' gold records,[25] several of which he had been given by Wilson.[26]While back at Spahn Ranch, no later than December, Manson and Watson visited a Topanga Canyon acquaintance who played them the Beatles' recently released double album, The Beatles (also known as the "White Album").[20][27][28] Manson became obsessed with the group.[29] At McNeil Island prison, Manson had told fellow inmates, including Karpis, that he could surpass the group in fame;[7]:200–202, 265[30] to the Family, he spoke of the group as "the soul" and "part of the hole in the infinite".[28]For some time, Manson had been saying that racial tensions between blacks and whites were about to erupt, predicting that blacks would rise up in rebellion in America's cities.[31][32] On a bitterly cold New Year's Eve at Myers Ranch, as the Family gathered outside around a large fire, Manson explained that the social turmoil he had been predicting had also been predicted by the Beatles.[28] The White Album songs, he declared, foretold it all in code. In fact, he maintained (or would soon maintain), the album was directed at the Family, an elect group that was being instructed to preserve the worthy from the impending disaster.[31][32]In early January 1969, the Family left the desert's cold and moved to a canary-yellow home in Canoga Park, not far from the Spahn Ranch.[7]:244–247[28][33] Because this locale would allow the group to remain "submerged beneath the awareness of the outside world",[7]:244–247[34] Manson called it the Yellow Submarine, another Beatles reference. There, Family members prepared for the impending apocalypse, which around the campfire Manson had termed "Helter Skelter", after the song of that name.By February, Manson's vision was complete. The Family would create an album whose songs, as subtle as those of the Beatles, would trigger the predicted chaos. Ghastly murders of whites by blacks would be met with retaliation, and a split between racist and non-racist whites would yield whites' self-annihilation. The blacks' triumph, as it were, would merely precede their being ruled by the Family, which would ride out the conflict in "the bottomless pit", a secret city beneath Death Valley. At the Canoga Park house, while Family members worked on vehicles and pored over maps to prepare for their desert escape, they also worked on songs for their world-changing album. When they were told Melcher was to come to the house to hear the material, the women prepared a meal and cleaned the place. However, Melcher never arrived.  Crimes of the Family On May 18, 1969, Terry Melcher visited Spahn Ranch to hear Manson and the women sing. Melcher arranged a subsequent visit, not long thereafter, during which he brought a friend who possessed a mobile recording unit, but Melcher did not record the group.By June, Manson was telling the Family they might have to show blacks how to start "Helter Skelter". When Manson tasked Watson with obtaining money, supposedly intended to help the Family prepare for the conflict, Watson defrauded a black drug dealer named Bernard "Lotsapoppa" Crowe. Crowe responded with a threat to wipe out everyone at Spahn Ranch. The family countered on July 1, 1969, by shooting Crowe at Manson's Hollywood apartment.Manson's belief that he had killed Crowe was seemingly confirmed by a news report of the discovery of the dumped body of a Black Panther in Los Angeles. Although Crowe was not a member of the Black Panthers, Manson concluded he had been and expected retaliation from the Panthers. He turned Spahn Ranch into a defensive camp, with night patrols of armed guards.] "If we'd needed any more proof that Helter Skelter was coming down very soon, this was it," Tex Watson would later write. "Blackie was trying to get at the chosen ones." Gary Allen Hinman The murder of Gary Hinman committed by Bobby Beausoleil forever changed the course of the now-infamous cult; at one time sold to followers as the embodiment of free love, the incident set Manson’s cult on a path for the unparalleled brutality and violence that continues to captivate the world nearly 50 years after the fact.New murder minutiaeBeausoleil provided new details about the murder that started it all as part of a two-hour Fox special “Inside the Manson Cult: The Lost Tapes" that aired in 2018. As part of the jailhouse interview, Beausoleil detailed Hinman's relationship to the Family, the circumstances around the 34-year-old musician's death, and why Beausoleil felt he "had no way out" other than going forward with his brutal act."Fear is not a rational emotion and when it sets in. Things get out of control—as they certainly did with Charlie and me," he said during the special.Hinman, a talented piano player who once played at Carnegie Hall, was described by his cousin as a "lost artistic soul,” according to People magazine—one who would wind up falling in with the wrong crowd and befriending the Manson Family. "Gary was a friend. He didn't do anything to deserve what happened to him and I am responsible for that," Beausoleil said from the California Medical Facility, a male prison, where he's serving a life sentence.According to Dianne Lake, who also participated in the TV special to discuss her time as a Manson devotee, Family members had been to Hinman's house several times before his murder. Beausoleil had purchased drugs from Hinman during the summer of 1969. He sold them to another person, who then complained about their quality, causing Beausoleil to need his money back. "Bobby was driven over there to make it right with two girls that knew Gary very well. In fact, I think he had slept with both of them: Susan Atkins and Mary Brunner," former follower Catherine "Gypsy" Share said during the special. But Hinman didn't have the money. After Beausoleil, an aspiring actor and musician, roughed Gary up a bit, they called Manson, who decided to come to the house with a samurai sword. When he arrived, Manson took the sword and made a swipe across Hinman's face from his ear down his cheek. "It was bleeding a lot," John Douglas, a retired FBI agent who later interviewed Manson, said in the special. Beausoleil asked Manson why he had cut the man's face. "He said, 'To show you how to be a man.' His exact words," Beausoleil said. "I will never forget that."According to Beausoleil, who at one time was given the nickname "Cupid" for his good looks, he tried to patch the wound up and "make things right." Hinman, however, insisted on receiving medical attention—which is when things took a fatal turn."I knew if I took him, I'd end up going to prison. Gary would tell on me, for sure, and he would tell on Charlie and everyone else," Beausoleil said in the interview "It was at that point I realized I had no way out."According to the San Diego Union Tribune, Hinman was tortured over three days before he was killed. Beausoleil, for  his part, admitted to stabbing Hinman twice in the chest. The family reportedly used Hinman’s blood to scribble the words “Political Piggy” on the wall after the murder, according to CBS News, and also included a panther paw to try and pin the slaying on the Black Panthers (Manson was known for his desire to incite a race war).Beausoleil, along with Bruce Davis, was later arrested for  the murder.The murder catapulted the Manson family into a new level of violence. Although they had been training and preparing for a supposed race war for some time at Spahn Ranch, they had now become the aggressors and instigators of violence."This is when things start getting really dire, I mean really murderous," Lake said during the Fox program. Several weeks later, Manson Family followers would go on to murder Tate, writer Wojciech Frykowski, coffee heiress Abigail Folger, celebrity hair stylist Jay Sebring, and Steven Parent, who had come to  visit the gardener on Polanski’s property. The next night, the group would break into the home of Leno and Rosemary LaBianca and kill the couple. Beausoleil was sentenced to death for his role in Hinman’s murder, but the sentence was later commuted to life in prison. In January of 2019, he was recommended for parole during his 19th appearance before a parole board, according to CNN. His attorney Jason Campbell argued that he should be released from prison because he hasn't been a danger to society in decades. "He has spent the last 50 years gradually growing and improving himself and in particular, over the last few decades, he's been pretty much a model inmate," he said.However, California Gov. Gavin Newsom later overruled the recommendation, keeping Beusoleil behind bars, the Associated Press reports.As he sat in his cell and reflected on his past crime, Beausoleil told the team behind the Fox special that he is filled with regret over the death of his one-time friend."What I've wished a thousand times is that I had faced the music,” he said. “Instead, I killed him.”Tate- Labianca murdersOn the night of August 8, 1969, Charles "Tex" Watson, Susan Atkins, Patricia Krenwinkel, and Linda Kasabian were sent by Charlie to the old home of Terry Melcher at 10050 Cielo Drive. Their instructions were to kill everyone at the house and make it appear like Hinman's murder, with words and symbols written in blood on the walls. As Charlie Manson had said earlier in the day after choosing the group, "Now is the time for Helter Skelter."What the group did not know was that Terry Melcher was no longer residing in the home and that it was being rented by film director Roman Polanski and his wife, actress Sharon Tate. Tate was two weeks away from giving birth and Polanski was delayed in London while working on his film, The Day of the Dolphin. Because Sharon was so close to giving birth, the couple arranged for friends to stay with her until Polanski could get home.After dining together at the El Coyote restaurant, Sharon Tate, celebrity hairstylist Jay Sebring, Folger coffee heiress Abigail Folger and her lover Wojciech Frykowski, returned to the Polanski's home on Cleo Drive at around 10:30 p.m. Wojciech fell asleep on the living room couch, Abigail Folger went to her bedroom to read, and Sharon Tate and Sebring were in Sharon's bedroom talking.Steve ParentJust after midnight, Watson, Atkins, Krenwinkel, and Kasabian arrived at the house. Watson climbed a telephone pole and cut the phone line going to the Polanski's house. Just as the group entered the estate grounds, they saw a car approaching. Inside the car was 18-year-old Steve Parent who had been visiting the property's caretaker, William Garreston.As Parent approached the driveway's electronic gate, he rolled down the window to reach out and push the gate's button, and Watson descended on him, yelling at him to halt. Seeing that Watson was armed with a revolver and knife, Parent began to plead for his life. Unfazed, Watson slashed at Parent, then shot him four times, killing him instantly.The Rampage InsideAfter murdering Parent, the group headed for the house. Watson told Kasabian to be on the lookout by the front gate. The other three family members entered the Polanski home. Charles "Tex" Watson went to the living room and confronted Frykowski who was asleep. Not fully awake, Frykowski asked what time it was and Watson kicked him in the head. When Frykowski asked who he was, Watson answered, "I'm the devil and I'm here to do the devil's business."Susan Atkins went to Sharon Tate's bedroom with a buck knife and ordered Tate and Sebring to go into the living room. She then went and got Abigail Folger. The four victims were told to sit on the floor. Watson tied a rope around Sebring's neck, flung it over a ceiling beam, then tied the other side around Sharon's neck. Watson then ordered them to lie on their stomachs. When Sebring voiced his concerns that Sharon was too pregnant to lay on her stomach, Watson shot him and then kicked him while he died.Knowing now that the intent of the intruders was murder, the three remaining victims began to struggle for survival. Patricia Krenwinkel attacked Abigail Folger and after being stabbed multiple times, Folger broke free and attempted to run from the house. Krenwinkel followed close behind and managed to tackle Folger out on the lawn and stabbed her repeatedly.Inside, Frykowski struggled with Susan Atkins when she attempted to tie his hands. Atkins stabbed him four times in the leg, then Watson came over and beat Frykowski over the head with his revolver. Frykowski somehow managed to escape out onto the lawn and began screaming for help.While the microbe scene was going on inside the house, all Kasabian could hear was screaming. She ran to the house just as Frykowski was escaping out the front door. According to Kasabian, she looked into the eyes of the mutilated man and horrified at what she saw, she told him that she was sorry. Minutes later, Frykowski was dead on the front lawn.Watson shot him twice, then stabbed him to death.Seeing that Krenwinkel was struggling with Folger, Watson went over and the two continued to stab Abigail mercilessly. According to killer's statements later given to the authorities, Abigail begged them to stop stabbing her saying, "I give up, you've got me", and "I'm already dead". The final victim at 10050 Cielo Drive was Sharon Tate. Knowing that her friends were likely dead, Sharon begged for the life of her baby. Unmoved, Atkins held Sharon Tate down while Watson stabbed her multiple times, killing her. Atkins then used Sharon's blood to write "Pig" on a wall. Atkins later said that Sharon Tate called out for her mother as she was being murdered and that she tasted her blood and found it "warm and sticky."According to the autopsy reports, 102 stab wounds were found on the four victims.The Labianca MurdersThe next day Manson, Tex Watson, Susan Atkins, Patricia Krenwinkel, Steve Grogan, Leslie Van Houten, and Linda Kasabian went to the home of Leno and Rosemary Labianca. Manson and Watson tied up the couple and Manson left. He told Van Houten and Krenwinkel to go in and kill the LaBiancas. The three separated the couple and murdered them, then had dinner and a shower and hitchhiked back to Spahn Ranch. Manson, Atkins, Grogan, and Kasabian drove around looking for other people to kill but failed.Manson and The Family ArrestedAt Spahn Ranch rumors of the group's involvement began to circulate. So did the police helicopters above the ranch, but because of an unrelated investigation. Parts of stolen cars were spotted in and around the ranch by police in the helicopters. On August 16, 1969, Manson and The Family were rounded up by police and taken in on suspicion of auto theft (not an unfamiliar charge for Manson). The search warrant ended up being invalid because of a date error and the group was released.Charlie blamed the arrests on Spahn's ranch hand Donald "Shorty" Shea for snitching on the family. It was no secret that Shorty wanted the family off the ranch. Manson decided it was time for the family to move to Barker Ranch near Death Valley, but before leaving, Manson, Bruce Davis, Tex Watson and Steve Grogan killed Shorty and buried his body behind the ranch.The Barker Ranch RaidThe Family moved onto the Barker Ranch and spent time turning stolen cars into dune buggies. On October 10, 1969, Barker Ranch was raided after investigators spotted stolen cars on the property and traced evidence of an arson back to Manson. Manson was not around during the first Family roundup, but returned on October 12 and was arrested with seven other family members. When police arrived Manson hid under a small bathroom cabinet but was quickly discovered.The Confession of Susan AtkinsOne of the biggest breaks in the case came when Susan Atkins boasted in detail about the murders to her prison cellmates. She gave specific details about Manson and the killings. She also told of other famous people the Family planned on killing. Her cellmate reported the information to the authorities and Atkins was offered a life sentence in return for her testimony. She refused the offer but repeated the prison cell story to the grand jury. Later Atkins recanted her grand jury testimony.Investigation and TrialOn September 1, 1969, a ten-year-old boy in Sherman Oaks discovered a .22 caliber Longhorn revolver under a bush near his home. His parents notified the LAPD, who picked up the gun, but failed to make any connection between it and the Tate murders.In October, Inyo County officers raided Barker Ranch, in a remote area south of Death Valley National Monument. Twenty-four members of the Manson Family were arrested, on charges of arson and grand theft. Cult leader Charles Manson (dressed entirely in buckskins) and Susan Atkins were among those arrested.After her arrest, Atkins was housed at Dormitory 8000 in Los Angeles. On November 6, she told another inmate, Virginia Graham, an almost unbelievable tale. She told of "a beautiful cat" named Charles Manson. She told of murder: of finding Sharon Tate, in bed with her bikini bra and underpants, of her victim's futile cries for help, of tasting Tate's blood. Atkins expressed no remorse at all over the killings. She even told Graham a list of celebrities that she and other Family members planned to kill in the future, including Elizabeth Taylor, Richard Burton, Tom Jones, Steve McQueen, and Frank Sinatra. Through an inmate friend of Graham's, Ronnie Howard, word of Atkins's amazing story soon reached the LAPD.About the same time, detectives on the LaBianca case interviewed Al Springer, a member of the Straight Satan biker's group that Manson had tried to recruit into the Family. Word had leaked to police that the Straight Satans might have some knowledge about who was responsible for another recent murder with several similarities to the LaBianca killings. Springer told detectives that Manson had bragged to him in August at Spahn Ranch--after offering him his pick from among the eighteen or so "naked girls" scattered around the ranch--about "knocking off" five people. When Springer told detectives that Manson had said the Tate killers "wrote something on the...refrigerator in blood"--"something about pigs"--, the detectives knew they might be onto something. Still, it struck them as odd that anyone would confess to several murders to someone that they barely knew. It took another member of the Straight Satans, Danny DeCarlo, to move the focus of the investigation decisively to Charles Manson. DeCarlo told police he heard a Manson Family member brag, "We got five piggies," and that Manson had asked him what to use "to decompose a body."On November 18, 1969, the District Attorney and his staff selected Vincent Bugliosi to be the chief prosecutor in the Tate-LaBianca case. The choice was no doubt influenced by Bugliosi's impressive record of winning 103 convictions in 104 felony trials. The day after getting the Tate-LaBianca assignment, Bugliosi joined in a search of the Spahn Movie Ranch, where police gathered .22 caliber bullets and shell casings from a canyon used by Family members for target practice. The next day, the search party moved on to isolated Barker Ranch, the most recent home of the Family, on the edge of Death Valley. In the small house at Barker Ranch, Bugliosi saw the small cabinet under the sink where Manson was found hiding during the October raid. On an abandoned bus in a gully, investigators discovered magazines from World War II, all containing articles about Hitler.Based on Ronnie Howard's account of Susan Atkin's jailhouse confession and interviews conducted with various Manson Family members, the LAPD eventually identified the five persons who participated in the actual Tate and LaBianca murders. The suspects consisted of four women, all in their early twenties, and one man in his mid-twenties: Susan Atkins, Patricia Krenwinkel, Leslie Van Houten, Linda Kasabian, and Charles "Tex" Watson. Atkins remained in custody at Dormitory 8000. Van Houten was picked up for questioning in California. Watson was arrested by a local sheriff in Texas. Patricia Krenwinkel was apprehended in Mobile, Alabama. Kasabian voluntarily surrendered to local police in Concord, New Hampshire.Knowing that convictions of at least some defendant would require testimony from one of those persons present at the murders, the D. A.'s office first reached a deal with the attorney for Susan Atkins: a promise not to seek the death penalty in return for testimony before the Grand Jury, plus consideration of a further reduction in charges for her continued cooperation during the trial. Atkins appeared before the Grand Jury on December 5. She told the grand jury she was "in love with the reflection" of Charles Manson and that there was "no limit" to what she would do for him. In an emotionless voice, she described the horrific events in the early morning hours of August 9 at the Tate residence. She told of Tate pleading for her life: "Please let me go. All I want to do is have my baby." She described the actual murders, told of returning to the car and stopping along a side street to wash off bloody clothes with a garden house, and of Manson's reaction on their return to Spahn Ranch. Atkins said that on returning to Spahn Ranch she "felt dead." She added, "I feel dead now." After twenty minutes of deliberations, the grand jury returned murder indictments against Manson, Watson, Krenwinkel, Atkins, Kasabian, and Van Houten.THE TRIALProsecutor Vincent Bugliosi talks to the press during trialWhen efforts to extradite Tex Watson from became bogged down in local Texas politics, the District Attorney's Office decided to proceed against the four persons indicted for the Tate-LaBianca murders who were in custody in California. Jury selection began on June 15, 1970 in the eighth floor courtroom of Judge Charles Older in the Hall of Justice in Los Angeles. Manson's request to ask potential jurors "a few simple, childlike questions that are real to me in my reality" was denied. During the voir dire, Manson fixed his penetrating stare for hours, first on Judge Older and then one day on Prosecutor Bugliosi. After getting Manson's stare treatment, Bugliosi took advantage of a recess to slide his chair next to Manson and ask, "What are you trembling about Charlie? Are you afraid of me?" Manson responded, "Bugliosi, you think I'm bad and I'm not." He went on to tell Manson that Atkins was "just a stupid little bitch" who told a story "to get attention." After a month of voir dire, a jury of seven men and five women was selected. The jury knew it would be sequestered for a long time, but it didn't know how long. As it turned out, their sequestration would last 225 days, longer than any previous jury in history.Opening statements began on July 24. Manson entered the courtroom sporting a freshly cut, bloody "X" on his forehead--signifying, he said in a statement, that "I have X'd myself from your world."Bugliosi, in his opening statement for the prosecution, indicated that his "principal witness" would be Linda Kasabian, a Manson Family member who accompanied the killers to both the Tate and LaBianca residences. The prosecution turned to Kasabian, with a promise of prosecutorial immunity for her testimony, when Susan Atkins--probably in response to threats from Manson--announced that she would not testify at the trial. Bugliosi promised the jury that the evidence would show Manson had a motive for the murders that was "perhaps even more bizarre than the murders themselves."On July 27, Bugliosi announced, "The People call Linda Kasabian." Manson's attorney, fabled obstructionist Irving Kanarek, immediately sprung up with an objection, "Object, Your Honor, on the grounds this witness is not competent and is insane!" Calling Kanarek to the bench and telling him his conduct was "outrageous," Judge Older denied the objection and Kasabian was sworn as a witness. She would remain on the stand for an astounding eighteen days, including seven days of cross-examination by Kanarek.Linda KasabianKasabian told the jury that no Family member ever refused an order from Charles Manson: "We always wanted to do anything and everything for him." After describing what she saw of the Tate murders, Kasabian was asked by Bugliosi about the return to Spahn Ranch:"Was there anyone in the parking area at Spahn Ranch as you drove in the Spahn Ranch area?""Yes.""Who was there?""Charlie.""Was there anyone there other than Charlie?""Not that I know of""Where was Charlie when you arrived at the premises?""About the same spot he was in when he first drove away.""What happened after you pulled the car onto the parking area and parked the car?""Sadie said she saw a spot of blood on the outside of the car when we were at the gas station.""Who was present at that time when she said that?""The four of us and Charlie.""What is the next thing that happened?""Well, Charlie told us to go into the kitchen, get a sponge, wipe the blood off, and he also instructed Katie and I to go all through the car and wipe off the blood spots.""What is the next thing that happened after Mr. Manson told you and Katie to check out the car and remove the blood?""He told us to go into the bunk room and wait, which we did."Kasabian also offered her account of the night of the LaBianca murders. She testified that she didn't want to go, but went anyway "because Charlie asked me and I was afraid to say no."Kasabian proved a very credible witness, despite the best efforts during cross-examination of defense attorneys to make her appear a spaced-out hippie. After admitting that she took LSD about fifty times, Kasabian was asked by Kanarek, "Describe what happened on trip number 23." Other defense questions explored her beliefs in ESP and witchcraft or focused on the "vibrations" she claimed to receive from Manson.A major distraction from Kasabian's testimony came on August 3, when Manson stood before the jury and held up a copy of the Los Angeles Times with the headline, "MANSON GUILTY, NIXON DECLARES." The defense moved for a mistrial on the grounds that the headline prejudiced the jury against the defense, but Judge Older denied the motion after each juror stated under oath that he or she would not be influenced by the President's reported declaration of guilt.Testimony corroborating that of Kasabian came from several other prosecution witnesses, most notably the woman Atkins confided in at Dormitory 8000, Virginia Graham. Other witnesses described receiving threats from Manson, evidence of Manson's total control over the lives of Family members, or conversations in which Manson had told of the coming Helter Skelter.Nineteen-year-old Paul Watkins, Manson's foremost recruiter of young women, provided key testimony about the strange motive for the Tate-LaBianca murders--including its link to the Bible's Book of Revelation. Watkins testified that Manson discussed Helter Skelter "constantly." Bugliosi asked Watkins how Helter Skelter would start:"There would be some atrocious murders; that some of the spades from Watts would come up into the Bel-Air and Beverly Hills district and just really wipe some people out, just cut bodies up and smear blood and write things on the wall in blood, and cut little boys up and make parents watch. So, in retaliation-this would scare; in other words, all the other white people would be afraid that this would happen to them, so out of their fear they would go into the ghetto and just start shooting black people like crazy. But all they would shoot would be the garbage man and Uncle Toms, and all the ones that were with Whitey in the first place. And underneath it all, the Black Muslims would-he would know that it was coming down.""Helter Skelter was coming down?""Yes. So, after Whitey goes in the ghettoes and shoots all the Uncle Toms, then the Black Muslims come out and appeal to the people by saying, 'Look what you have done to my people.' And this would split Whitey down the middle, between all the hippies and the liberals and all the up-tight piggies. This would split them in the middle and a big civil war would start and really split them up in all these different factions, and they would just kill each other off in the meantime through their war. And after they killed each other off, then there would be a few of them left who supposedly won.""A few of who left?""A few white people left who supposedly won. Then the Black Muslims would come out of hiding and wipe them all out.""Wipe the white people out?""Yes. By sneaking around and slitting their throats.""Did Charlie say anything about where he and the Family would be during this Helter Skelter?""Yes. When we was [sic] in the desert the first time, Charlie used to walk around in the desert and say-you see, there are places where water would come up to the top of the ground and then it would go down and there wouldn't be no more water, and then it would come up again and go down again. He would look at that and say, 'There has got to be a hole somewhere, somewhere here, a big old lake.' And it just really got far out, that there was a hole underneath there somewhere where you could drive a speedboat across it, a big underground city. Then we started from the 'Revolution 9' song on the Beatles album which was interpreted by Charlie to mean the Revelation 9. So-""The last book of the New Testament?""Just the book of Revelation and the song would be 'Revelations 9: So, in this book it says, there is a part about, in Revelations 9, it talks of the bottomless pit. Then later on, I believe it is in 10.""Revelation 10?""Yes. It talks about there will be a city where there will be no sun and there will be no moon.""Manson spoke about this?""Yes, many times. That there would be a city of gold, but there would be no life, and there would be a tree there that bears twelve different kinds of fruit that changed every month. And this was interpreted to mean-this was the hole down under Death Valley.""Did he talk about the twelve tribes of Israel?""Yes. That was in there, too. It was supposed to get back to the 144,000 people. The Family was to grow to this number.""The twelve tribes of Israel being 144,000 people?""Yes.""And Manson said that the Family would eventually increase to 144,000 people?""Yes.""Did he say when this would take place?""Oh, yes. See, it was all happening simultaneously. In other words, as we are making the music and it is drawing all the young love to the desert, the Family increases in ranks, and at the same time this sets off Helter Skelter. So then the Family finds the hole in the meantime and gets down in the hole and lives there until the whole thing comes down.""Until Helter Skelter comes down?""Yes.""Did he say who would win this Helter Skelter?""The karma would have completely reversed, meaning that the black men would be on top and the white race would be wiped out; there would be none except for the Family.""Except for Manson and the Family?""Yes.""Did he say what the black man would do once he was all by himself?""Well, according to Charlie, he would clean up the mess, just like he always has done. He is supposed to be the servant, see. He will clean up the mess that he made, that the white man made, and build the world back up a little bit, build the cities back up, but then he wouldn't know what to do with it, he couldn't handle it.""Blackie couldn't handle it?""Yes, and this is when the Family would come out of the hole, and being that he would have completed the white man's karma, then he would no longer have this vicious want to kill.""When you say 'he,' you mean Blackie?""Blackie then would come to Charlie and say, you know, 'I did my thing, I killed them all and, you know, I am tired of killing now. It is all over.' And Charlie would scratch his fuzzy head and kick him in the butt and tell him to go pick the cotton and go be a good nigger, and he would live happily ever after."On November 16, 1970, after twenty-two weeks of testimony, the prosecution rested its case.Irving Kanarek, Manson's defense attorneyWhen the trial resumed three days later, the defense startled courtroom spectators and the prosecution by announcing, without calling a single witness, "The defense rests." Suddenly, the three female defendants began shouting that they wanted to testify. In chambers, attorneys for the women explained that although their clients wanted to testify, they were strongly opposed, believing that they would--still under the powerful influence of Manson--testify that they planned and committed the murders without Manson's help. Returning to the courtroom, Judge Older declared that the right to testify took precedence and said that the defendants could testify over the objections of their counsel. Atkins was then sworn as a witness, but her attorney, Daye Shinn, refused to question her. Returning to chambers, one defense attorney complained that questioning their clients on the stand would be like "aiding and abetting a suicide."The next day came another surprise. Charles Manson announced that he, too, wished to testify--before his co-defendants did. He testified first without the jury being present, so that potentially excludable testimony relating to evidence incriminating co-defendants might be identified before it prejudiced the jury. His over one-hour of testimony, full of digressions, fascinated observers:"I never went to school, so I never growed up to read and write too good, so I have stayed in jail and I have stayed stupid, and I have stayed a child while I have watched your world grow up, and then I look at the things that you do and I don't understand. . . ."You eat meat and you kill things that are better than you are, and then you say how bad, and even killers, your children are. You made your children what they are. . . ."These children that come at you with knives. they are your children. You taught them. I didn't teach them. I just tried to help them stand up. . ."Most of the people at the ranch that you call the Family were just people that you did not want, people that were alongside the road, that their parents had kicked out, that did not want to go to Juvenile Hall. So I did the best I could and I took them up on my garbage dump and I told them this: that in love there is no wrong. . . ."I told them that anything they do for their brothers and sisters is good if they do it with a good thought. . . ."I don't understand you, but I don't try. I don't try to judge nobody. I know that the only person I can judge is me . . . But I know this: that in your hearts and your own souls, you are as much responsible for the Vietnam war as I am for killing these people. . . ."I can't judge any of you. I have no malice against you and no ribbons for you. But I think that it is high time that you all start looking at yourselves, and judging the lie that you live in."I can't dislike you, but I will say this to you: you haven't got long before you are all going to kill yourselves, because you are all crazy. And you can project it back at me . . . but I am only what lives inside each and everyone of you."My father is the jailhouse. My father is your system. . . I am only what you made me. I am only a reflection of you."I have ate out of your garbage cans to stay out of jail. I have wore your second-hand clothes. . . I have done my best to get along in your world and now you want to kill me, and I look at you, and then I say to myself, You want to kill me? Ha! I'm already dead, have been all my life. I've spent twenty-three years in tombs that you built."Sometimes I think about giving it back to you; sometimes I think about just jumping on you and letting you shoot me . . . If I could, I would jerk this microphone off and beat your brains out with it, because that is what you deserve, that is what you deserve. . . ."These children [indicating the female defendants] were finding themselves. What they did, if they did whatever they did, is up to them. They will have to explain that to you. . . ."You expect to break me? Impossible! You broke me years ago. You killed me years ago. . . ."Mr. Bugliosi is a hard-driving prosecutor, polished education, a master of words, semantics. He is a genius. He has got everything that every lawyer would want to have except one thing: a case. He doesn't have a case. Were I allowed to defend myself, I could have proven this to you. . .The evidence in this case is a gun. There was a gun that laid around the ranch. It belonged to everybody. Anybody could have picked that gun up and done anything they wanted to do with it. I don't deny having that gun. That gun has been in my possession many times. Like the rope was there because you need rope on a ranch. . . .It is really convenient that Mr. Baggot found those clothes. I imagine he got a little taste of money for that. . . .They put the hideous bodies on [photographic] display and they imply: If he gets out, see what will happen to you. . . .[Helter Skelter] means confusion, literally. It doesn't mean any war with anyone. It doesn't mean that some people are going to kill other people. . . Helter Skelter is confusion. Confusion is coming down around you fast. If you can't see the confusion coming down around you fast, you can call it what you wish. . Is it a conspiracy that the music is telling the youth to rise up against the establishment because the establishment is rapidly destroying things? Is that a conspiracy? The music speaks to you every day, but you are too deaf, dumb, and blind to even listen to the music. . . It is not my conspiracy. It is not my music. I hear what it relates. It says "Rise," it says "Kill." Why blame it on me? I didn't write the music. . . ."I haven't got any guilt about anything because I have never been able to see any wrong. . . I have always said: Do what your love tells you, and I do what my love tells me . . . Is it my fault that your children do what you do? What about your children? You say there are just a few? There are many, many more, coming in the same direction. They are running in the streets-and they are coming right at you!"At the conclusion of Bugliosi's brief cross-examination of Manson, Older asked Manson if he now wished to testify before the jury. He replied, "I have already relieved all the pressure I had." Manson left the stand. As he walked by the counsel table, he told his three co-defendants, "You don't have to testify now."There remained one last frightening surprise of the Tate-LaBianca murder trial. When the trial resumed on November 30 following Manson's testimony, Ronald Hughes, defense attorney for Leslie Van Houten failed to show. A subsequent investigation revealed he had disappeared over the weekend while camping in the remote Sespe Hot Springs area northwest of Los Angeles. It is widely believed that Hughes was ordered murdered by Manson for his determination to pursue a defense strategy at odds with that favored by Manson. Hughes had made clear his hope to show that Van Houten was not acting independently--as Manson suggested--but was completely controlled in her actions by Manson.Manson's defense attorney, Irving Kanarek, argued to the jury that the female defendants committed the Tate and LaBianca murders out of a love of the crimes' true mastermind, the absent Tex Watson. Kanarek suggested that Manson was being persecuted because of his "life style." He argued that the prosecution's theory of a motive was fanciful. His argument lasted seven days, prompting Judge Older to call it "no longer an argument but a filibuster."Bugliosi's powerful summation described Charles Manson as "the Mephistophelean guru" who "sent out from the fires of hell at Spahn Ranch three heartless, bloodthirsty robots and--unfortunately for him--one human being, the little hippie girl Linda Kasabian." Bugliosi ended his summation with "a roll call of the dead": "Ladies and gentlemen of the jury, Sharon Tate...Abigail Folger...Voytek Frykowski...Jay Sebring...Steven Parent...Leno LaBianca...Rosemary LaBianca...are not here with us in this courtroom, but from their graves they cry out for justice."The jury deliberated a week before returning its verdict on January 25, 1971. The jury found all defendants guilty on each count of first-degree murder. After hearing additional evidence in the penalty phase of the trial, the jury completed its work by sentencing each of the four defendants to death on March 29. As the clerk read the verdict, Manson shouted, "You people have no authority over me." Patricia Krenwinkel declared, "You have judged yourselves." Susan Atkins said, "Better lock your doors and watch your own kids." Leslie Van Houten complained, "The whole system is a game." The trial was over. At over nine-months, it had been the longest and and most expensive in American history.TRIAL AFTERMATHManson at his 1992 parole hearingThe death sentences imposed by the Tate-LaBianca jury would never be imposed, thanks to a California Supreme Court ruling in 1972 declaring the state's death penalty law unconstitutional. The death sentences for the four convicted defendants, as well as for Tex Watson who had been convicted and sentenced to death in a separate trial in 1971, were commuted to life in prison. Patricia Krenwinkel, now 72, became California’s longest-serving female inmate. According to state prison officials, Krenwinkel is a model inmate involved in rehabilitative programs at the prison. She will be eligible to apply for parole again in 2022. Patricia Krenwinkel, now 70, is serving her life sentence at the California Institution for Women in Corona, prison officials say, and has been disciplinary-free her entire sentence. She is still considered to present an unreasonable threat to society. Charles “Tex” Watson, now 74, is housed at the RJ Donovan Correctional Facility in San Diego County near the Mexican border, where he walks the track “sharing my faith, relating to many men”, according to the ministry’s website. He has been denied parole 17 times. A state panel in 2016 once again found him unsuitable for release from prison for at least five more years. In prison, Watson married, divorced, fathered four children and became an ordained minister. Susan Atkins, dubbed “the scariest of all the girls” by a former prosecutor, died in prison in 2009 at age 61Charles Manson was incarcerated in a maximum security section of a state penitentiary in Concoran, California. He has been denied parole twelve times, most recently in 2012. His next parole hearing was scheduled for 2027. In prison, he had assaulted prison staff a half dozen times. A search of the prison chapel where Manson took a job in 1980 revealed his hidden cache including marijuana, one hundred feet of nylon rope, and a mail-order catalog for hot air balloons. In 1986, he published his story, Manson in His Own Words. In his book, Manson claims: "My eyes are cameras. My mind is tuned to more television channels than exist in your world. And it suffers no censorship. Through it, I have a world and the universe as my own."All three female defendants have expressed remorse for their crimes, been exemplary inmates, and offered their time for charity work. Yet none has been released by the California Parole Board, even though each of them was young and clearly under Manson's powerful influence at the time of their crimes. There is no question that but for their unfortunate connection with Charles Manson, none would have committed murder. It is sad, but undoubtedly true, that parole boards are political bodies that base decisions as much upon anticipated public reaction to their decisions as on a careful review of a parole applicant's prison record and statements.In November 2014, the California Department of Corrections announced that it had received a request for a marriage license from their famous eighty-year-old prisoner. Manson's bride-to-be was Afton Elaine Burton, nicknamed “Star” a twenty-six-year old woman who had worked for Manson's release. Turns out that the few short years before Manson’s death, “Star” Burton was actually planning to secure the legal rights to his corpse — in order to display it for curious observers in a glass crypt for profit. He never did marry her OR give his consent to display his remains.Instead of tying the knot and while stringing Star along, He was busy “making little dolls, but they were like voodoo dolls of people and he would stick needles in them, hoping to injure the live person the doll was fashioned after,” said former L.A. County prosecutor Stephen Kay who helped convict Manson in 1970. “He said his main activity was making those dolls.” The end came for Charles Manson on Sunday, November 19th, 2017 at 8:13pm, at the age of 83.  The official cause of death was “acute cardiac arrest,” “respiratory failure” and “metastatic colon cancer.” Upon his death newspapers across the country seemed to have cheered over Manson’s passing. For instance, the New York Daily News published a front cover spread that read, “BURN IN HELL, Bloodthirsty cult leader Manson dies at 83.” Others followed suit with brazen titles such as “EVIL DEAD. Make room, Satan, Charles Manson is finally going to hell” – New York Post.Four months after

WWW.QUINADOMUNDO.LIVE - Nosso site já está no ar! Colocamos lá links para todas as recomendações culturais dos episódios e outros paradas interessantes! Você sabe o que é QAnon? Hoje entramos de cabeça nessa nova (e perigosa) teoria da conspiração que acaba de chegar em terras tupiniquins. Abordamos assuntos conspiratórios como: O que é QAnon?, Donald Trump, 4Chan, Teoria da Conspiração, Chip da Vacina, Borg, Cabo Daciolo, URSAL, Sushi de Atleta, Chemtrails, Pseudo-ceticismo, Disco da Xuxa ao contrário, Dom Bosco, Aeroporto de OVNI (Discoporto), Pizzagate, Enéas Carneiro, George Soros, Os Protocolos dos Sábios de Sião, Rabbit Hole Effect, Marxismo Cultural, Pavão Misterioso, H. L. Mencken, Indústria da Multa, Capivara do Rio Pinheiros, Machu Picchu do Paulo, Fantasma do Comunismo, Star Trek Comunista, Mann Act de 1909, Didi Porteiro de Motel, Jack Johnson (boxeador), Paul McCartney Fake, etc. A Quina do Mundo é André Gomes, Paulo Jabardo e Tiago Januzzi. Música tema por Rafa Almeida (@rafalemosalmeida) e Tiago Januzzi (@tjanuzzi). Edição de Tiago Januzzi. It's In The Fog by Darren-Curtis | https://soundcloud.com/desperate-measurez Music promoted by https://www.free-stock-music.com Creative Commons Attribution 3.0 Unported License https://creativecommons.org/licenses/by/3.0/deed.en_US

Welcome back to Frown Town! This week, Vee and J return to discuss the Mann Act, how it's often misused, and why its misuse is dangerous. Relevant links: https://www.pbs.org/kenburns/unforgivable-blackness/mann-act-full-text/ Special thank you to FCON for loaning us their song Liquid Fury for our intro! Their bandcamp: https://fcon206.bandcamp.com/track/fcon.

This week on Frown Town, comedians Vee Chattie and J. Jones take a break from the Mann Act for a second to talk about the police. This is the first of a two part series talking about policing and our attitudes towards it. Relevant links: See the police the way the rest of America sees them. Washington Post Database on Fatal Police Shootings from 2015 - 2020: https://www.washingtonpost.com/graphics/investigations/police-shootings-database/ Dana Fletcher: https://eji.org/news/as-family-protests-police-killing-of-dana-fletcher-city-planned-to-honor-officers-who-shot-him/ https://www.waff.com/2019/11/15/watch-live-district-attorney-hold-news-conference-dana-fletcher-shooting/ Salaythis Melvin: https://www.fox35orlando.com/news/protesters-block-buses-outside-nba-bubble-at-walt-disney-world-demand-justice-for-salaythis-melvin https://www.orlandosentinel.com/news/crime/os-ne-salaythis-melvin-shooting-experts-review-case-20200904-5y4abhkrxzatlkjgqqs3vvhafa-story.html Dijon Kizzee: https://laist.com/latest/post/20200912/protesters-murder-charges-southLA-dijonkizzee-anthonyweber https://www.cnn.com/2020/09/01/us/los-angeles-police-shooting/index.html Special thank you to FCON for loaning us their song Liquid Fury for our intro! Their bandcamp: https://fcon206.bandcamp.com/track/fcon.

Welcome back to Frown Town, with Vee Chattie and J. Jones! In this episode, Vee and J read and discuss the Mann Act! The full Mann Act: www.pbs.org/kenburns/unforgivable-blackness/mann-act-full-text/ Special thank you to FCON for loaning us their song Liquid Fury for our intro! Go to their bandcamp here: fcon206.bandcamp.com/track/fcon and buy their album!

Street hassle, the hedgehog and suicide Steve + this day in history w/the Mann Act and our song of the day by Mattiel on your Morning Monarchy for June 25, 2020. The post #MorningMonarchy: June 25, 2020 appeared first on Media Monarchy.

  Episode sixty-seven of A History of Rock Music in Five Hundred Songs looks at "Johnny B. Goode" by Chuck Berry, and the decline and fall of both Berry and Alan Freed. Click the full post to read liner notes, links to more information, and a transcript of the episode. Patreon backers also have a ten-minute bonus episode available, on "Splish Splash" by Bobby Darin.  ----more---- Resources As always, I've created Mixcloud streaming playlists with full versions of all the songs in the episode. Because of the limit on the number of songs by one artist, I have posted them as two playlists -- part one, part two. I used foue main books as reference here: Brown Eyed Handsome Man: The Life and Hard Times of Chuck Berry by Bruce Pegg is a good narrative biography of Berry, which doesn't shy away from the less salubrious aspects of his personality, but is clearly written by an admirer. Long Distance Information: Chuck Berry's Recorded Legacy by Fred Rothwell is an extraordinarily researched look at every single recording session of Berry's career up to 2001. I also used a Chuck Berry website, http://www.crlf.de/ChuckBerry/ , which contains updates on Rothwell's research. The information on the precursors to the "Johnny B. Goode" intro comes from Before Elvis by Larry Birnbaum.  And for information about Freed, I used  Big Beat Heat: Alan Freed and the Early Years of Rock & Roll by John A. Jackson. There are a myriad Chuck Berry compilations available. The one I'd recommend if you don't have a spare couple of hundred quid for the complete works box set is the double-CD Gold, which has every major track without much of the filler.    Patreon This podcast is brought to you by the generosity of my backers on Patreon. Why not join them? Transcript A brief content warning for this episode – like last week's, this discusses, though not in any great detail, a few crimes of a sexual nature. If that's likely to upset you, please either check the transcript to make sure you'll be OK, or come back next week. Today we're going to talk about the definitive fifties rock and roll song. “Johnny B. Goode” is so much the epitome of American post-war culture that when NASA sent a record into space, on the Voyager probes in the seventies, it was the only rock and roll song included in the selection of audio, which also included pieces by Bach, Beethoven, Mozart, and Stravinsky, and performances by Louis Armstrong and Blind Willie Johnson, along with folk songs, spoken greetings from world leaders, and so on. At the time the golden record was put together, it was criticised for containing any rock and roll at all. Now, that record is further away from Earth than any other object created by a human being. On Saturday Night Live, the week the probe was launched, Steve Martin joked that there'd been a message from aliens – “Send more Chuck Berry”. That's what an important record "Johnny B. Goode" is. [Excerpt: Chuck Berry, “Johnny B. Goode”] When we last looked at Chuck Berry, he'd just released "School Day", which had been his breakout hit into the broader white teenage market that had started to listen to rock and roll. Berry's career didn't go on a completely upward curve after that point. His next single, "Oh Baby Doll", was a comparative flop -- it reached number twelve in the R&B charts, but only number fifty-seven on the pop charts. But the record after that was the start of a three-single run that would consolidate Berry as rock and roll's premier mythologiser. Where in May 1956 Berry had sung about "these rhythm and blues", this time he was going to use the music's new name, and he was singing "just let me hear some of that rock and roll music": [Excerpt: Chuck Berry, "Rock and Roll Music"] That put him back in the top ten, and everything seemed to be going wonderfully for him. He was so popular now as a rock and roll star that on one of the late 1957 tours he did, when Buddy Holly and the Crickets were lower down the bill, the Crickets would do "Roll Over Beethoven" and "Brown-Eyed Handsome Man" as part of their set. Berry had written enough classics by now that other acts on the bill could do the ones he didn't have time for. When he next went back into the studio, it was to cut seven songs. One of them, "Reelin' and Rockin'", was a slight reworking of the old Wynonie Harris song, "Round the Clock Blues". Harris' song, which had also been recorded by Big Joe Turner with Johnny Otis' band, was an inspiration for "Rock Around the Clock" among other records: [Excerpt: Wynonie Harris, "Round the Clock Blues"] Berry's version got rid of some of the more sexual lyrical content -- though that would later come back in live performances of the song -- and played up the song's similarity to "Rock Around the Clock", but it's still basically the exact same song that Wynonie Harris had performed. Of course, the copyright is in Chuck Berry's name -- for all that he and his publishers would be very eager to sue anyone who might come too close to one of Berry's songs, he had no compunction about taking all the credit for a song someone else had written. [Excerpt: Chuck Berry, “Reelin' and Rockin'”] You might notice that the piano style on that track is very different from some of Berry's earlier recordings. Now, there are two possible explanations for this, because I've seen two different pianists credited for these sessions. Some sources credit Lafayette Leake with playing the piano here, and that might be enough to explain the difference in style, but I'm going with the other sources, which credit Johnnie Johnson, Berry's regular player, as playing on the session. If it is, though, he's playing in a different style. This is because of the popularity of Jerry Lee Lewis, who had risen to fame since Berry's last session. Lewis used to use a simple technique called "ripping" when playing the piano, in which you just slide your fingers across the keys as fast as possible. He does it pretty much constantly in his solos, as you can hear in this: [Excerpt: Jerry Lee Lewis, “Great Balls of Fire”, piano solo] Leonard Chess had heard that sound, and become convinced that that was the main reason that Lewis' records were so successful, so he insisted on Johnnie Johnson doing that on Berry's new records. Johnson didn't like the sound, which he considered "all flash and no technique", but Chess insisted -- to the extent that when they were rehearsing the tracks, Chess would walk over and rip his hand down the keys himself, to show Johnson what he wanted. Johnson eventually went along with it, though he said he "'bout tore my thumbnail off" getting it done. [Excerpt: Chuck Berry, “Reelin' and Rockin'”] He later acknowledged that Chess had a point, though -- simple as it was, it did make the records more exciting, and it was something that the kids clearly liked. And something else that the kids liked was another song recorded at the same session -- this time about the kids themselves: [Excerpt: Chuck Berry, "Sweet Little Sixteen"] "Sweet Little Sixteen" was one of the first songs about the experience of being a rock and roll fan. There had been earlier records about just dancing to rock and roll music, of course -- things like "Drugstore Rock & Roll" or "Rip it Up" -- but this was about fandom, and about the experience of following musicians. It's not completely about that, sadly -- it's the teen girl fan filtered through the male gaze, and so it's also about how "everybody wants to dance with" this sixteen-year-old girl, and about her "tight dresses and lipstick" -- but where the song gains its power is in the verse sections where the girl becomes the viewpoint character, and we hear about how excited she is to go to the show, and about her collections of autographs and photos. However flawed it is, it's one of the best evocations of the experience of fandom as a hobby -- not just liking the music, but having the experience of fandom be a major part of your life. One of the most notable things about "Sweet Little Sixteen" is the way that Berry uses the song to namecheck American Bandstand, which was fast becoming the most important rock and roll TV show around. While in the first chorus he sings about how they'll be rocking in Boston and Pittsburgh, PA, in the subsequent choruses he changes that to "on Bandstand" and "in Philadelphia PA", which is where American Bandstand was broadcast from. It's a sign that Dick Clark was becoming more important than Berry's mentor, Alan Freed. A week after the session for "Reelin' and Rockin'" and "Sweet Little Sixteen", came another session for what would become Berry's most well-known song, and one that remains in the repertoire of almost every bar band in the world. It's instantly recognisable right from the start. The introduction to "Johnny B. Goode" is one of the most well-known guitar parts in history: [Excerpt: Chuck Berry, "Johnny B. Goode"] But that guitar part has a long history -- it's original to Chuck Berry, but at the same time it's based on a lot of earlier examples. Berry took the basic idea for that line from Carl Hogan, Louis Jordan's guitarist, who played this as the intro to Jordan's "Ain't That Just Like a Woman": [Excerpt: Louis Jordan, "Ain't That Just Like a Woman"] But Hogan was only the latest in a long line of people who had played essentially that identical line. The first recording we have of that riff dates back to 1918, and a recording by Wilbur Sweatman's Jazz Orchestra. Sweatman was a friend and colleague of Scott Joplin, and his band was one of the very first black jazz groups to record at all. And on their song "Bluin' the Blues", you hear this: [Excerpt: Wilbur Sweatman's Jazz Orchestra, "Bluin' the Blues"] We hear it in Blind Lemon Jefferson's "Got the Blues", in 1926: [Excerpt: Blind Lemon Jefferson, "Got the Blues"] In Blind Blake's "Too Tight", also from 1926: [Excerpt: Blind Blake, "Too Tight"] then in records by Cow Cow Davenport, Andy Kirk, and Count Basie, before it turns up in the Louis Jordan record. But there is a crucial difference between what Carl Hogan played and what Chuck Berry played. Listen again to Hogan's playing: [Excerpt: Louis Jordan, "Ain't That Just Like a Woman"] and now to Berry: [Excerpt: Chuck Berry, "Johnny B. Goode"] The crucial change Berry makes there is that most of the time he's playing the solo line on two strings instead of one, creating a thicker sound, with parallel harmonies, rather than just the simple melody line. This was something that Berry learned from the great blues guitarist T-Bone Walker: [Excerpt: T-Bone Walker, "Shufflin' the Blues"] Berry took Walker's playing style, and combined it with Hogan's note choices, and that simple change makes all the difference. It transmutes the part that Hogan had played from just a standard riff you find in dozens of old jazz records, a standard part of any musician's toolkit, into a specific intro to a specific song. When, six years later, Carl Wilson of the Beach Boys played this as the intro to "Fun, Fun, Fun": [Excerpt: The Beach Boys, "Fun Fun Fun"] Absolutely no-one listening thought "Oh, he's riffing off 'Texas Shout' by Cow Cow Davenport" -- everyone instantly thought "Oh, that's the intro to 'Johnny B. Goode'". Berry had taken a standard piece of every musician's toolkit, and by putting a very slight twist on it had made everyone listening hear it differently, so now it was identified solely with him. The lyric to Johnny B. Goode is more original than the music, but even there we can trace its origins. Berry always talked about how the original idea for the lyric was as a message to Johnnie Johnson, saying "Johnnie, be good", stop drinking so much -- a wake-up call to his friend and colleague. But that quickly changed, and the song became more about Berry himself, or an idealised version of Berry, perhaps how he would want people to see him -- something that was even more explicit in the original version of the lyric, where rather than sing "a country boy", he sang "a coloured boy". But there's another sign that Berry was talking about himself, and that's in the very title itself. Goode is spelled "G-o-o-d-e", with an "e" on the end -- and Berry's childhood home was at 2520 Goode avenue, with an E. There's another possible origin as well -- the poet Langston Hughes had written a very widely circulated series of newspaper columns, which Berry would have encountered in his teenage years and early twenties, about a character named Jesse B. Simple. (And in an interesting note, in 1934 Hughes wrote a story about racial injustice called "Berry", about a boy named Berry who would, among other things, tell children stories and sing them songs, and Hughes signed the dedication in the book that story was in "Berry" rather than with his own name.) You can point to every element of "Johnny B. Goode" and say "well, this came from there, and this came from there", but still you're no closer to identifying why Johnny B. Goode works as well as it does. it's the combination of all these elements in a way that they'd never been put together before that is Berry's genius, and is why Berry is pretty much universally regarded as an innovator, not just as an imitator. "Johnny B. Goode" was also the title song for what turned out to be Alan Freed's final film -- a film called Go, Johnny, Go! which also featured Eddie Cochran, the Moonglows, and Ritchie Valens. [Excerpt: Berry and Freed dialogue from Go, Johnny, Go!] That film came out in 1959, and had Berry as Freed's co-star, appearing with Freed as himself in almost every scene. It was the last gasp of rock and roll cultural relevance for almost everyone involved. By the time the film had come out, Valens was already dead, and within a little over eighteen months after its release, Cochran was also dead, Freed was disgraced, and Berry was in prison. In the last couple of episodes, I've mentioned a tour that Chuck Berry and Jerry Lee Lewis headlined in 1958, just after “Johnny B. Goode” came out, with Alan Freed as the MC. What I didn't mention until now is that as well as the tension between Chuck and Jerry Lee, that tour ended up spelling the end of Freed's career. Freed was already on the downturn in his career -- rock and roll was moving from being a music made largely by black musicians to one dominated by white people, and to make matters worse the major labels had finally got a handle on it and started churning out dozens of prepackaged teen idols, most of them called Bobby. Freed didn't have the connections with the major labels, or the understanding of the new manufactured pop, that he did with the R&B records from labels like Chess. But it was the show in Boston on this tour that led to Freed's downfall. The early show, which had been headlined by Lewis, had had the audience dancing, and the police were not at all impressed with this. They'd forced Alan Freed to make the audience sit down, and Lewis had had to play his set to an audience who were seated and squirming, unable to get up and dance to his recent big hits like “Great Balls of Fire”: [Excerpt: Jerry Lee Lewis, “Great Balls of Fire”] Then came the late show, which Berry was headlining. The same thing started to happen -- the kids in the audience got up to dance, and the police made Alan Freed make them sit down. But then, when the audience had quietened down, while Berry was standing there on stage, the police refused to dim the house lights and let the musicians carry on playing. So Freed got back on stage and said "It looks like the Boston police don't want you to have a good time." The show continued with the lights on, but the audience got annoyed -- so much so that Chuck Berry finished the show from behind the drummer, in case the audience attacked. But the police got more annoyed. They got so annoyed, in fact, that they decided to simply claim that every single crime reported to them that night had been inspired by the show. Nobody now thinks that the New York Times reports which said there were multiple stabbings, fifteen people hospitalised, and multiple rapes, are actually accurate reports of anything caused by the show. But at the time, everyone believed it. Boston decided to ban rock and roll concerts altogether, as a result of the show, and while the tour continued through a couple more dates, most of the remaining tour dates got cancelled. Oddly, going through this adversity seems to have brought Berry and Jerry Lee Lewis together. While they'd been fighting each other for almost the entire tour, after this point they became quite close friends, and would speak warmly about each other. Things didn't end so happily for Alan Freed. Freed had been having some problems with his radio station for a little while. He was difficult to work with, and they particularly disliked that he had started doing his broadcasts from home, rather than from the studio. When he'd been hired, the station was losing money, and he'd been a gamble. Now, they were in profit, and they didn't need to take risks, and they'd been considering not renewing his contract when it came up in six months. Now that this had happened, they took the opportunity to use the morals clause in Freed's contract to fire him, although he was allowed to present it as a resignation instead of a firing. Freed would manage to get another radio job, but not one with anything like the same prominence. He would, within a couple of years, become the designated industry fall guy for the practice of payola. This is something that we've talked about before -- record labels would pay DJs to play their records. Sometimes it was in the form of adding their name to the writing credits, as was the case for Freed with records like "Maybellene" and "Sincerely" – and you can tell how much Freed contributed to those songs by hearing his own attempts at making records: [Excerpt: Alan Freed and his Rock and Roll Band, “Rock and Roll Boogie”, Rock Rock Rock version] Sometimes a promoter would just slip a DJ fifty dollars when handing over a promotional copy of the record. Sometimes, the DJ would be hired to announce a show by the act whose record was to be promoted. There were a lot of different methods, some of them more blatant than others, but it was a common practice. Every DJ and TV presenter took part in this, pretty much -- Dick Clark certainly did -- and while no-one other than the DJs liked the practice, the small labels that built rock and roll, labels like Sun or Chess or Atlantic, all saw it as a way that they could equalise things a little bit. The major labels all had an inbuilt advantage, and would get their records played on the radio no matter what -- this was a way that the smaller labels could be heard. But precisely because it levelled the playing field somewhat, the larger record labels didn't like it, and by this point the major labels were becoming more interested in rock and roll. And to protect that interest, they promoted a campaign against payola. Freed, as the most prominent DJ in the country, and someone who did his fair share of taking bribes, was essentially chosen as the scapegoat for this, once he lost his job at WINS. By the end of 1959 he lost his job with the station he moved to, WABC, once the payola scandal became headline news, and he spent the next few years moving from smaller stations to yet smaller ones, not staying anywhere very long. He died in 1965, of illnesses caused by his alcoholism. He was only forty-three. [Excerpt: Alan Freed sign-off, “This is not goodbye, it's just goodnight”] And here we get to the downfall of Chuck Berry himself. It's an unfortunate fact of chronology that I have to deal with this the week after dealing with Jerry Lee Lewis' own underage sex scandal -- well, a fact of both chronology and a terrible society that sees the bodies of young girls as something to which powerful men are entitled, anyway. Chuck Berry had been on a tour of the Southwest, when in Texas he had met up with a fourteen-year-old sex worker, who had accompanied him on the rest of the tour. He'd promised her a job working at his nightclub in St. Louis, and when he fired her shortly after she started there, she went to the police. Like Lewis, Berry has been more or less forgiven by the consensus narrative of rock history. There is slightly more justification for doing so in Berry's case than in Lewis', because the Mann Act, the law under which he was charged and convicted, was a law that was created specifically to punish black men -- indeed, its official title was The White Slave Traffic Act. Given the way that other rock and roll artists seem to have had carte blanche to abuse young girls, the fact that a black man was about the only one, certainly for many decades, to spend time in prison for this, is more than a little unjust. But the fact remains, a man in his thirties had had sexual relations with a fourteen-year-old girl. And it's not like this was an isolated incident -- he would later famously settle a class-action suit brought against him by a large number of women he had videotaped on the toilet without their permission. So while Berry had an entirely fair complaint that the prosecution was motivated by race -- and his prison sentence was reduced in large part because the judge made some extremely racist remarks -- it's still a fact that what he did was wrong. Now, I'm not going to spend much more time on this with Berry -- not as much as I did with Jerry Lee Lewis last week -- and that's because as I said in the beginning of the series, this is not a podcast about the horrible crimes men have committed against women. So why bring it up at all? Well, there's a myth that Berry's career was completely wrecked by his arrest. This simply isn't true. It's true that "Johnny B. Goode" was Berry's last top ten hit for quite a few years, and he only had one more top twenty hit in the fifties. But the thing is, his singles had had a very inconsistent chart history before that. He'd released eleven singles up to that point, and only five of them had made the top ten on the pop charts. Classics like "Thirty Days", "Too Much Monkey Business", "Brown-Eyed Handsome Man" and "You Can't Catch Me" had totally failed to hit the pop charts at all. Berry was arrested in December 1959, and between trials and appeals, he didn't end up going to jail until 1961. "Johnny B. Goode" came out in March 1958. That means that for almost two years *before* the arrest, Berry was, at best, charting in the lower reaches of the charts. The fact is, there's a simple reason why Berry didn't chart very much in the late fifties and early sixties. Well, there are two reasons. The first is that public taste had moved on, as it does every few years. There are very few singles artists -- and all artists in the fifties were singles artists -- who can survive a major change in the public's taste. The other reason, as he would later admit himself, is that the material he recorded in the few years after "Johnny B. Goode" wasn't his best. There were some good songs -- things like "Carol", "Little Queenie", and "I've Got to Find My Baby" -- but even those weren't Berry at his absolute peak. And the majority of the material he put out during that time was stuff like "Anthony Boy" and "Too Pooped to Pop", which very few of even Berry's most ardent fans will tell you are worth listening to. There was one exception -- during that time, he put out what may be the best song he ever wrote, "Memphis, Tennessee": [Excerpt: Chuck Berry, "Memphis, Tennessee"] While it's a travesty that that record didn't chart, in retrospect it's easy to see why it didn't. Berry's audience were, for the most part, teenagers. No matter how good a song it was, "Memphis Tennessee" was about a man wanting to regain contact with his six-year-old daughter after he's split up with her mother. That's something that would have far more relevance to people of Berry's own age group than to the people who had been, a year or so earlier, wanting to dance with sweet little sixteen, and wanting to hear some of that rock and roll music. As odd as it is to say, Berry's eighteen months in jail may have done him some good as a commercial prospect. The first three singles he released in 1964, right after getting out of prison, were all bigger hits than he'd had since summer 1958 -- "Nadine" made number 23, "You Never Can Tell" made number fourteen, and "No Particular Place to Go", a rewrite of "School Day", with new, funnier, lyrics about sexual frustration, went to number ten: [Excerpt: Chuck Berry, "No Particular Place to Go"] Those songs were better than anything he'd released for several years previously, and it seemed that Berry might be on his way back to the top, but it was a false dawn. Berry's studio work slid back into mediocrity with occasional flashes of his old brilliance, and his only hit after this point was in the seventies, when he had his only number one with a novelty song by Dave Bartholomew, "My Ding-a-Ling", which if you've not heard it is about as juvenile as it sounds. In the late seventies, Berry essentially retired from making new music, choosing instead to spend the best part of forty years touring the world with just his guitar, playing with whatever local pickup band the promoter could scrape together, and often not even letting them know in advance what the next song was going to be -- he assumed that everyone knew all of his songs, and he was, by and large, correct in that assumption. He was, by all accounts, an extremely bitter man. He did, though, work on one final album, just called "Chuck", which was announced as part of the celebrations for his ninetieth birthday, but wasn't released until shortly after his death. He died, aged ninety, in 2017, and the obituaries concentrated on his music rather than his crimes against women. John Lennon once said "if you tried to give rock and roll another name, it would be Chuck Berry", and for both better and worse, that's probably true.

  Episode sixty-seven of A History of Rock Music in Five Hundred Songs looks at “Johnny B. Goode” by Chuck Berry, and the decline and fall of both Berry and Alan Freed. Click the full post to read liner notes, links to more information, and a transcript of the episode. Patreon backers also have a ten-minute bonus episode available, on “Splish Splash” by Bobby Darin.  —-more—- Resources As always, I’ve created Mixcloud streaming playlists with full versions of all the songs in the episode. Because of the limit on the number of songs by one artist, I have posted them as two playlists — part one, part two. I used foue main books as reference here: Brown Eyed Handsome Man: The Life and Hard Times of Chuck Berry by Bruce Pegg is a good narrative biography of Berry, which doesn’t shy away from the less salubrious aspects of his personality, but is clearly written by an admirer. Long Distance Information: Chuck Berry’s Recorded Legacy by Fred Rothwell is an extraordinarily researched look at every single recording session of Berry’s career up to 2001. I also used a Chuck Berry website, http://www.crlf.de/ChuckBerry/ , which contains updates on Rothwell’s research. The information on the precursors to the “Johnny B. Goode” intro comes from Before Elvis by Larry Birnbaum.  And for information about Freed, I used  Big Beat Heat: Alan Freed and the Early Years of Rock & Roll by John A. Jackson. There are a myriad Chuck Berry compilations available. The one I’d recommend if you don’t have a spare couple of hundred quid for the complete works box set is the double-CD Gold, which has every major track without much of the filler.    Patreon This podcast is brought to you by the generosity of my backers on Patreon. Why not join them? Transcript A brief content warning for this episode – like last week’s, this discusses, though not in any great detail, a few crimes of a sexual nature. If that’s likely to upset you, please either check the transcript to make sure you’ll be OK, or come back next week. Today we’re going to talk about the definitive fifties rock and roll song. “Johnny B. Goode” is so much the epitome of American post-war culture that when NASA sent a record into space, on the Voyager probes in the seventies, it was the only rock and roll song included in the selection of audio, which also included pieces by Bach, Beethoven, Mozart, and Stravinsky, and performances by Louis Armstrong and Blind Willie Johnson, along with folk songs, spoken greetings from world leaders, and so on. At the time the golden record was put together, it was criticised for containing any rock and roll at all. Now, that record is further away from Earth than any other object created by a human being. On Saturday Night Live, the week the probe was launched, Steve Martin joked that there’d been a message from aliens – “Send more Chuck Berry”. That’s what an important record “Johnny B. Goode” is. [Excerpt: Chuck Berry, “Johnny B. Goode”] When we last looked at Chuck Berry, he’d just released “School Day”, which had been his breakout hit into the broader white teenage market that had started to listen to rock and roll. Berry’s career didn’t go on a completely upward curve after that point. His next single, “Oh Baby Doll”, was a comparative flop — it reached number twelve in the R&B charts, but only number fifty-seven on the pop charts. But the record after that was the start of a three-single run that would consolidate Berry as rock and roll’s premier mythologiser. Where in May 1956 Berry had sung about “these rhythm and blues”, this time he was going to use the music’s new name, and he was singing “just let me hear some of that rock and roll music”: [Excerpt: Chuck Berry, “Rock and Roll Music”] That put him back in the top ten, and everything seemed to be going wonderfully for him. He was so popular now as a rock and roll star that on one of the late 1957 tours he did, when Buddy Holly and the Crickets were lower down the bill, the Crickets would do “Roll Over Beethoven” and “Brown-Eyed Handsome Man” as part of their set. Berry had written enough classics by now that other acts on the bill could do the ones he didn’t have time for. When he next went back into the studio, it was to cut seven songs. One of them, “Reelin’ and Rockin'”, was a slight reworking of the old Wynonie Harris song, “Round the Clock Blues”. Harris’ song, which had also been recorded by Big Joe Turner with Johnny Otis’ band, was an inspiration for “Rock Around the Clock” among other records: [Excerpt: Wynonie Harris, “Round the Clock Blues”] Berry’s version got rid of some of the more sexual lyrical content — though that would later come back in live performances of the song — and played up the song’s similarity to “Rock Around the Clock”, but it’s still basically the exact same song that Wynonie Harris had performed. Of course, the copyright is in Chuck Berry’s name — for all that he and his publishers would be very eager to sue anyone who might come too close to one of Berry’s songs, he had no compunction about taking all the credit for a song someone else had written. [Excerpt: Chuck Berry, “Reelin’ and Rockin’”] You might notice that the piano style on that track is very different from some of Berry’s earlier recordings. Now, there are two possible explanations for this, because I’ve seen two different pianists credited for these sessions. Some sources credit Lafayette Leake with playing the piano here, and that might be enough to explain the difference in style, but I’m going with the other sources, which credit Johnnie Johnson, Berry’s regular player, as playing on the session. If it is, though, he’s playing in a different style. This is because of the popularity of Jerry Lee Lewis, who had risen to fame since Berry’s last session. Lewis used to use a simple technique called “ripping” when playing the piano, in which you just slide your fingers across the keys as fast as possible. He does it pretty much constantly in his solos, as you can hear in this: [Excerpt: Jerry Lee Lewis, “Great Balls of Fire”, piano solo] Leonard Chess had heard that sound, and become convinced that that was the main reason that Lewis’ records were so successful, so he insisted on Johnnie Johnson doing that on Berry’s new records. Johnson didn’t like the sound, which he considered “all flash and no technique”, but Chess insisted — to the extent that when they were rehearsing the tracks, Chess would walk over and rip his hand down the keys himself, to show Johnson what he wanted. Johnson eventually went along with it, though he said he “’bout tore my thumbnail off” getting it done. [Excerpt: Chuck Berry, “Reelin’ and Rockin’”] He later acknowledged that Chess had a point, though — simple as it was, it did make the records more exciting, and it was something that the kids clearly liked. And something else that the kids liked was another song recorded at the same session — this time about the kids themselves: [Excerpt: Chuck Berry, “Sweet Little Sixteen”] “Sweet Little Sixteen” was one of the first songs about the experience of being a rock and roll fan. There had been earlier records about just dancing to rock and roll music, of course — things like “Drugstore Rock & Roll” or “Rip it Up” — but this was about fandom, and about the experience of following musicians. It’s not completely about that, sadly — it’s the teen girl fan filtered through the male gaze, and so it’s also about how “everybody wants to dance with” this sixteen-year-old girl, and about her “tight dresses and lipstick” — but where the song gains its power is in the verse sections where the girl becomes the viewpoint character, and we hear about how excited she is to go to the show, and about her collections of autographs and photos. However flawed it is, it’s one of the best evocations of the experience of fandom as a hobby — not just liking the music, but having the experience of fandom be a major part of your life. One of the most notable things about “Sweet Little Sixteen” is the way that Berry uses the song to namecheck American Bandstand, which was fast becoming the most important rock and roll TV show around. While in the first chorus he sings about how they’ll be rocking in Boston and Pittsburgh, PA, in the subsequent choruses he changes that to “on Bandstand” and “in Philadelphia PA”, which is where American Bandstand was broadcast from. It’s a sign that Dick Clark was becoming more important than Berry’s mentor, Alan Freed. A week after the session for “Reelin’ and Rockin'” and “Sweet Little Sixteen”, came another session for what would become Berry’s most well-known song, and one that remains in the repertoire of almost every bar band in the world. It’s instantly recognisable right from the start. The introduction to “Johnny B. Goode” is one of the most well-known guitar parts in history: [Excerpt: Chuck Berry, “Johnny B. Goode”] But that guitar part has a long history — it’s original to Chuck Berry, but at the same time it’s based on a lot of earlier examples. Berry took the basic idea for that line from Carl Hogan, Louis Jordan’s guitarist, who played this as the intro to Jordan’s “Ain’t That Just Like a Woman”: [Excerpt: Louis Jordan, “Ain’t That Just Like a Woman”] But Hogan was only the latest in a long line of people who had played essentially that identical line. The first recording we have of that riff dates back to 1918, and a recording by Wilbur Sweatman’s Jazz Orchestra. Sweatman was a friend and colleague of Scott Joplin, and his band was one of the very first black jazz groups to record at all. And on their song “Bluin’ the Blues”, you hear this: [Excerpt: Wilbur Sweatman’s Jazz Orchestra, “Bluin’ the Blues”] We hear it in Blind Lemon Jefferson’s “Got the Blues”, in 1926: [Excerpt: Blind Lemon Jefferson, “Got the Blues”] In Blind Blake’s “Too Tight”, also from 1926: [Excerpt: Blind Blake, “Too Tight”] then in records by Cow Cow Davenport, Andy Kirk, and Count Basie, before it turns up in the Louis Jordan record. But there is a crucial difference between what Carl Hogan played and what Chuck Berry played. Listen again to Hogan’s playing: [Excerpt: Louis Jordan, “Ain’t That Just Like a Woman”] and now to Berry: [Excerpt: Chuck Berry, “Johnny B. Goode”] The crucial change Berry makes there is that most of the time he’s playing the solo line on two strings instead of one, creating a thicker sound, with parallel harmonies, rather than just the simple melody line. This was something that Berry learned from the great blues guitarist T-Bone Walker: [Excerpt: T-Bone Walker, “Shufflin’ the Blues”] Berry took Walker’s playing style, and combined it with Hogan’s note choices, and that simple change makes all the difference. It transmutes the part that Hogan had played from just a standard riff you find in dozens of old jazz records, a standard part of any musician’s toolkit, into a specific intro to a specific song. When, six years later, Carl Wilson of the Beach Boys played this as the intro to “Fun, Fun, Fun”: [Excerpt: The Beach Boys, “Fun Fun Fun”] Absolutely no-one listening thought “Oh, he’s riffing off ‘Texas Shout’ by Cow Cow Davenport” — everyone instantly thought “Oh, that’s the intro to ‘Johnny B. Goode'”. Berry had taken a standard piece of every musician’s toolkit, and by putting a very slight twist on it had made everyone listening hear it differently, so now it was identified solely with him. The lyric to Johnny B. Goode is more original than the music, but even there we can trace its origins. Berry always talked about how the original idea for the lyric was as a message to Johnnie Johnson, saying “Johnnie, be good”, stop drinking so much — a wake-up call to his friend and colleague. But that quickly changed, and the song became more about Berry himself, or an idealised version of Berry, perhaps how he would want people to see him — something that was even more explicit in the original version of the lyric, where rather than sing “a country boy”, he sang “a coloured boy”. But there’s another sign that Berry was talking about himself, and that’s in the very title itself. Goode is spelled “G-o-o-d-e”, with an “e” on the end — and Berry’s childhood home was at 2520 Goode avenue, with an E. There’s another possible origin as well — the poet Langston Hughes had written a very widely circulated series of newspaper columns, which Berry would have encountered in his teenage years and early twenties, about a character named Jesse B. Simple. (And in an interesting note, in 1934 Hughes wrote a story about racial injustice called “Berry”, about a boy named Berry who would, among other things, tell children stories and sing them songs, and Hughes signed the dedication in the book that story was in “Berry” rather than with his own name.) You can point to every element of “Johnny B. Goode” and say “well, this came from there, and this came from there”, but still you’re no closer to identifying why Johnny B. Goode works as well as it does. it’s the combination of all these elements in a way that they’d never been put together before that is Berry’s genius, and is why Berry is pretty much universally regarded as an innovator, not just as an imitator. “Johnny B. Goode” was also the title song for what turned out to be Alan Freed’s final film — a film called Go, Johnny, Go! which also featured Eddie Cochran, the Moonglows, and Ritchie Valens. [Excerpt: Berry and Freed dialogue from Go, Johnny, Go!] That film came out in 1959, and had Berry as Freed’s co-star, appearing with Freed as himself in almost every scene. It was the last gasp of rock and roll cultural relevance for almost everyone involved. By the time the film had come out, Valens was already dead, and within a little over eighteen months after its release, Cochran was also dead, Freed was disgraced, and Berry was in prison. In the last couple of episodes, I’ve mentioned a tour that Chuck Berry and Jerry Lee Lewis headlined in 1958, just after “Johnny B. Goode” came out, with Alan Freed as the MC. What I didn’t mention until now is that as well as the tension between Chuck and Jerry Lee, that tour ended up spelling the end of Freed’s career. Freed was already on the downturn in his career — rock and roll was moving from being a music made largely by black musicians to one dominated by white people, and to make matters worse the major labels had finally got a handle on it and started churning out dozens of prepackaged teen idols, most of them called Bobby. Freed didn’t have the connections with the major labels, or the understanding of the new manufactured pop, that he did with the R&B records from labels like Chess. But it was the show in Boston on this tour that led to Freed’s downfall. The early show, which had been headlined by Lewis, had had the audience dancing, and the police were not at all impressed with this. They’d forced Alan Freed to make the audience sit down, and Lewis had had to play his set to an audience who were seated and squirming, unable to get up and dance to his recent big hits like “Great Balls of Fire”: [Excerpt: Jerry Lee Lewis, “Great Balls of Fire”] Then came the late show, which Berry was headlining. The same thing started to happen — the kids in the audience got up to dance, and the police made Alan Freed make them sit down. But then, when the audience had quietened down, while Berry was standing there on stage, the police refused to dim the house lights and let the musicians carry on playing. So Freed got back on stage and said “It looks like the Boston police don’t want you to have a good time.” The show continued with the lights on, but the audience got annoyed — so much so that Chuck Berry finished the show from behind the drummer, in case the audience attacked. But the police got more annoyed. They got so annoyed, in fact, that they decided to simply claim that every single crime reported to them that night had been inspired by the show. Nobody now thinks that the New York Times reports which said there were multiple stabbings, fifteen people hospitalised, and multiple rapes, are actually accurate reports of anything caused by the show. But at the time, everyone believed it. Boston decided to ban rock and roll concerts altogether, as a result of the show, and while the tour continued through a couple more dates, most of the remaining tour dates got cancelled. Oddly, going through this adversity seems to have brought Berry and Jerry Lee Lewis together. While they’d been fighting each other for almost the entire tour, after this point they became quite close friends, and would speak warmly about each other. Things didn’t end so happily for Alan Freed. Freed had been having some problems with his radio station for a little while. He was difficult to work with, and they particularly disliked that he had started doing his broadcasts from home, rather than from the studio. When he’d been hired, the station was losing money, and he’d been a gamble. Now, they were in profit, and they didn’t need to take risks, and they’d been considering not renewing his contract when it came up in six months. Now that this had happened, they took the opportunity to use the morals clause in Freed’s contract to fire him, although he was allowed to present it as a resignation instead of a firing. Freed would manage to get another radio job, but not one with anything like the same prominence. He would, within a couple of years, become the designated industry fall guy for the practice of payola. This is something that we’ve talked about before — record labels would pay DJs to play their records. Sometimes it was in the form of adding their name to the writing credits, as was the case for Freed with records like “Maybellene” and “Sincerely” – and you can tell how much Freed contributed to those songs by hearing his own attempts at making records: [Excerpt: Alan Freed and his Rock and Roll Band, “Rock and Roll Boogie”, Rock Rock Rock version] Sometimes a promoter would just slip a DJ fifty dollars when handing over a promotional copy of the record. Sometimes, the DJ would be hired to announce a show by the act whose record was to be promoted. There were a lot of different methods, some of them more blatant than others, but it was a common practice. Every DJ and TV presenter took part in this, pretty much — Dick Clark certainly did — and while no-one other than the DJs liked the practice, the small labels that built rock and roll, labels like Sun or Chess or Atlantic, all saw it as a way that they could equalise things a little bit. The major labels all had an inbuilt advantage, and would get their records played on the radio no matter what — this was a way that the smaller labels could be heard. But precisely because it levelled the playing field somewhat, the larger record labels didn’t like it, and by this point the major labels were becoming more interested in rock and roll. And to protect that interest, they promoted a campaign against payola. Freed, as the most prominent DJ in the country, and someone who did his fair share of taking bribes, was essentially chosen as the scapegoat for this, once he lost his job at WINS. By the end of 1959 he lost his job with the station he moved to, WABC, once the payola scandal became headline news, and he spent the next few years moving from smaller stations to yet smaller ones, not staying anywhere very long. He died in 1965, of illnesses caused by his alcoholism. He was only forty-three. [Excerpt: Alan Freed sign-off, “This is not goodbye, it’s just goodnight”] And here we get to the downfall of Chuck Berry himself. It’s an unfortunate fact of chronology that I have to deal with this the week after dealing with Jerry Lee Lewis’ own underage sex scandal — well, a fact of both chronology and a terrible society that sees the bodies of young girls as something to which powerful men are entitled, anyway. Chuck Berry had been on a tour of the Southwest, when in Texas he had met up with a fourteen-year-old sex worker, who had accompanied him on the rest of the tour. He’d promised her a job working at his nightclub in St. Louis, and when he fired her shortly after she started there, she went to the police. Like Lewis, Berry has been more or less forgiven by the consensus narrative of rock history. There is slightly more justification for doing so in Berry’s case than in Lewis’, because the Mann Act, the law under which he was charged and convicted, was a law that was created specifically to punish black men — indeed, its official title was The White Slave Traffic Act. Given the way that other rock and roll artists seem to have had carte blanche to abuse young girls, the fact that a black man was about the only one, certainly for many decades, to spend time in prison for this, is more than a little unjust. But the fact remains, a man in his thirties had had sexual relations with a fourteen-year-old girl. And it’s not like this was an isolated incident — he would later famously settle a class-action suit brought against him by a large number of women he had videotaped on the toilet without their permission. So while Berry had an entirely fair complaint that the prosecution was motivated by race — and his prison sentence was reduced in large part because the judge made some extremely racist remarks — it’s still a fact that what he did was wrong. Now, I’m not going to spend much more time on this with Berry — not as much as I did with Jerry Lee Lewis last week — and that’s because as I said in the beginning of the series, this is not a podcast about the horrible crimes men have committed against women. So why bring it up at all? Well, there’s a myth that Berry’s career was completely wrecked by his arrest. This simply isn’t true. It’s true that “Johnny B. Goode” was Berry’s last top ten hit for quite a few years, and he only had one more top twenty hit in the fifties. But the thing is, his singles had had a very inconsistent chart history before that. He’d released eleven singles up to that point, and only five of them had made the top ten on the pop charts. Classics like “Thirty Days”, “Too Much Monkey Business”, “Brown-Eyed Handsome Man” and “You Can’t Catch Me” had totally failed to hit the pop charts at all. Berry was arrested in December 1959, and between trials and appeals, he didn’t end up going to jail until 1961. “Johnny B. Goode” came out in March 1958. That means that for almost two years *before* the arrest, Berry was, at best, charting in the lower reaches of the charts. The fact is, there’s a simple reason why Berry didn’t chart very much in the late fifties and early sixties. Well, there are two reasons. The first is that public taste had moved on, as it does every few years. There are very few singles artists — and all artists in the fifties were singles artists — who can survive a major change in the public’s taste. The other reason, as he would later admit himself, is that the material he recorded in the few years after “Johnny B. Goode” wasn’t his best. There were some good songs — things like “Carol”, “Little Queenie”, and “I’ve Got to Find My Baby” — but even those weren’t Berry at his absolute peak. And the majority of the material he put out during that time was stuff like “Anthony Boy” and “Too Pooped to Pop”, which very few of even Berry’s most ardent fans will tell you are worth listening to. There was one exception — during that time, he put out what may be the best song he ever wrote, “Memphis, Tennessee”: [Excerpt: Chuck Berry, “Memphis, Tennessee”] While it’s a travesty that that record didn’t chart, in retrospect it’s easy to see why it didn’t. Berry’s audience were, for the most part, teenagers. No matter how good a song it was, “Memphis Tennessee” was about a man wanting to regain contact with his six-year-old daughter after he’s split up with her mother. That’s something that would have far more relevance to people of Berry’s own age group than to the people who had been, a year or so earlier, wanting to dance with sweet little sixteen, and wanting to hear some of that rock and roll music. As odd as it is to say, Berry’s eighteen months in jail may have done him some good as a commercial prospect. The first three singles he released in 1964, right after getting out of prison, were all bigger hits than he’d had since summer 1958 — “Nadine” made number 23, “You Never Can Tell” made number fourteen, and “No Particular Place to Go”, a rewrite of “School Day”, with new, funnier, lyrics about sexual frustration, went to number ten: [Excerpt: Chuck Berry, “No Particular Place to Go”] Those songs were better than anything he’d released for several years previously, and it seemed that Berry might be on his way back to the top, but it was a false dawn. Berry’s studio work slid back into mediocrity with occasional flashes of his old brilliance, and his only hit after this point was in the seventies, when he had his only number one with a novelty song by Dave Bartholomew, “My Ding-a-Ling”, which if you’ve not heard it is about as juvenile as it sounds. In the late seventies, Berry essentially retired from making new music, choosing instead to spend the best part of forty years touring the world with just his guitar, playing with whatever local pickup band the promoter could scrape together, and often not even letting them know in advance what the next song was going to be — he assumed that everyone knew all of his songs, and he was, by and large, correct in that assumption. He was, by all accounts, an extremely bitter man. He did, though, work on one final album, just called “Chuck”, which was announced as part of the celebrations for his ninetieth birthday, but wasn’t released until shortly after his death. He died, aged ninety, in 2017, and the obituaries concentrated on his music rather than his crimes against women. John Lennon once said “if you tried to give rock and roll another name, it would be Chuck Berry”, and for both better and worse, that’s probably true.