Podcast appearances and mentions of mark lint

Join the office party, where Mark holds mini conversations on philosophy, art, and life with all PEL and PMP co-hosts, plus Ken Stringfellow, Jenny Hansen, and the members of Mark Lint's Dry Folk, whose 12 tunes are presented in succession with nary a partridge in sight. Will these 12 spirits turn you (or Mark) from errant ways? BYOB!

Join the office party, where Mark holds mini conversations on philosophy, art, and life with all PEL and PMP co-hosts, plus Ken Stringfellow, Jenny Hansen, and the members of Mark Lint's Dry Folk, whose 12 tunes are presented in succession with nary a partridge in sight. Will these 12 spirits turn you (or Mark) from errant ways? BYOB!

Join the office party, where Mark holds mini conversations on philosophy, art, and life with all PEL and PMP co-hosts, plus Ken Stringfellow, Jenny Hansen, and the members of Mark Lint's Dry Folk, whose 12 tunes are presented in succession with nary a partridge in sight. Will these 12 spirits turn you (or Mark) from errant ways? BYOB! The post Mark Lint’s PEL Network Holiday Party 2020: Merry Chatting and Songs first appeared on The Partially Examined Life Philosophy Podcast.

Join the office party, where Mark holds mini conversations on philosophy, art, and life with all PEL and PMP co-hosts, plus Ken Stringfellow, Jenny Hansen, and the members of Mark Lint's Dry Folk, whose 12 tunes are presented in succession with nary a partridge in sight. Will these 12 spirits turn you (or Mark) from errant ways? BYOB!

Your host dissects the collaborative chemistry with guitarist Matt Ackerman as the two front men of the band New People (2006-2013). We discuss "Down So Low" (intro: "Love Is the Problem") from The Easy Thing (2008), "Manager" from Impossible Things (2011), and "Local" and "At the Time" from Might Get It Right (2013), plus "We Who Have Escaped" (later in 2013, released on Songs from the Partially Examined Life). Intro: "Love Is the Problem" also from The Easy Thing. For more, see newpeopleband.com and marklint.bandcamp.com. Hear more Nakedly Examined Music. Like our Facebook page. Support us on Patreon.

Your host dissects the collaborative chemistry with guitarist Matt Ackerman as the two front men of the band New People (2006-2013). We discuss "Down So Low" (intro: "Love Is the Problem") from The Easy Thing (2008), "Manager" from Impossible Things (2011), and "Local" and "At the Time" from Might Get It Right (2013), plus "We Who Have Escaped" (later in 2013, released on Songs from the Partially Examined Life). Intro: "Love Is the Problem" also from The Easy Thing. For more, see newpeopleband.com and marklint.bandcamp.com. Hear more Nakedly Examined Music. Like our Facebook page. Support us on Patreon.

Enjoy this normally paywalled episode from Apr. 2013 about Jacques Lacan’s “Seminar on ‘The Purloined Letter'” (1956) and Jacques Derrida’s “The Purveyor of Truth” (1975). How should philosophers approach literature? Lacan read Edgar Allen Poe’s story about a sleuth who outthinks a devious Minister as an illustration of his model of the psyche, and why we persist in self-destructive patterns. Derrida thought this reading not only imposed a bunch of psychobabble onto the story, but demonstrated that Lacan just didn’t know how to read a text. Plus, Mark starts things off explaining some things about these Friday releases and what's ahead. Ep. 74 introducing Lacan is now available with a $1 Patreon pledge.  End song: "Came Round" (solo version) by Mark Lint. Read about it.

Continuing on the Poetics from around 335 BCE, on the structure of plot (every element must be essential!), the moral status of the heroes, Homeric poetry, the difference between tragedy and history, and how Aristotle's formula may or may not apply to modern media. Begin with part one or get the full, ad-free Citizen Edition. Please support PEL! End song: "Structure of a Tragedy" by Mark Lint. Read about it. Sponsor: Visit thegreatcoursesplus.com/PEL for a free trial of The Great Courses Plus Video Learning Service.

Mark, Wes, Dylan, and Seth summarize thoughts about our recent series on social construction, gender and sex, and Judith Butler's notion of "grievable lives." Should we stop covering so much contemporary work and/or political topics? End song: "The Size of Luv" by Mark Lint from Mark Lint's Dry Folk (2018). Sponsor: Get your first month of hair loss prevention medication free at keeps.com/pel. Get this and every episode ad-free with a PEL Membership. Please support the podcast!

Mark, Seth, Dylan, and Wes reflect on the changing state of podcasting and public philosophy over the last decade, how our goals and interests have changed since we started we started. Why don't colleges pay their faculty to educate the public through regular, broadcasted conversations like ours? If you think we're snarky, take a look at actual philosophy faculty! Should we continue to do more literature, poetry, and other topics that are not strictly philosophy? Also, the stalled state of the PEL book. Thanks so much to each and every Partially Examined Life listener for making it worth our time to do this! End song: "High Rollin' Cult" by Mark Lint with Erica Spyres, celebrating a new attempt to capture the fun of the beginning of PEL: Pretty Much Pop, which you get to hear a teaser of. Listen now to the latest episodes in advance of the masses, including our interview with Yakov Smirnoff, at patreon.com/prettymuchpop. Sponsor: Visit thegreatcoursesplus.com/PEL for a free trial of The Great Courses Plus Video Learning Service.

Discussing the TV show (2011-2019) based on the books by George R.R. Martin. What's the role of a mass-consumed fantasy series in today's society? Is it our "fantasy" to have all these horrible things happen to us? Is this an edifying prompt to engage in public moral thinking, or a spectacular distraction of the kind that those Marxist theorists keep warning us about? We get into the function of fantasy and how a more "realistic" show plays with that, the extent to which we're supposed to identify with the characters, depiction of moral complexity, low art vs. high art, identity issues, and more. With guest Sabrina Weiss. End song: "Fire and Blood" by Sacrifice Feat. Mark Lint; hear the interview on Nakedly Examined Music #24. Keep an eye out for a Citizen-only spoiler-filled follow-up discussion between Mark and Wes to be released this week! Sponsors: Check out Bill Nye's Science Rules and thegreatcoursesplus.com/PEL

On Aldous Huxley’s 1932 dystopian novel, recorded at Manhattan's Caveat on 4/6/19, with audience participation. If we harness the power of society to employ available technologies to really focus on making people happy, what would the result be? This is Huxley's thought experiment, but is it in all respects a dystopia, and is it a fair test of the ideal of social improvement or merely of a flawed view of human nature? You can watch this episode instead. End song: "Brave New World" by Mark Lint. Read about it. Get the commemorative T-shirt, and save $10 with the coupon code revealed at the beginning of the Citizen Edition of this episode. Please support PEL! Contact us to share your PEL stories. Sponsor: Visit garyjohnbishop.com and get his new book Stop Doing That Shit: End Self-Sabotage and Demand Your Life Back.

More on Lucretius’s poem about Epicurean science: On the Nature of Things from the first century BCE. We talk more about how macroscopic phenomena are supposed to come out of the interaction of atoms, including mind and its processes of knowledge and illusion, including the illusion of love. One conclusion: life after death is not possible. Can the properties of the atoms themselves be explained? Listen to part one first or get the unbroken, ad-free Citizen Edition; this will also get you the follow-up discussion. Please support PEL, and don't forget your 2019 PEL Wall Calendar! End song: "Came Round" by Mark Lint. Read about it and get the new album. Sponsor: Take back your Internet privacy with 3 months free at EXPRESSVPN.com/PEL.

Concluding on Julia Kristeva's Powers of Horror (1980) and focusing on H.P. Lovecraft's "The Call of Cthulhu" (1928). Does Lovecraft's presentation of nameless terror capture (or improve upon) what Kristeva means by "abjection"? End song: "The Other" by Mark Lint feat. Lucy Lawless. Read about it and support the project. Listen to part one first, or go back to ep. 202 first. Become a PEL Citizen to get the full, ad-free experience. Please support PEL! Sponsors: Visit fin.com/pel to try a virtual assistant for free. Explore Peter Singer's The Life You Can Save at partiallyexaminedlife.com/savealife.

To celebrate year #2, previous guests return: Bradley (see #32) talks "Duet" from Take Out the Poison, Jeff (see #5) presents "Still Life with Broken Heart" from Emotional Terrorism, and Steve (see #6) discusses "Wind of Change" from A Tribute to the Bee Gees '66 to '78. Finally, hear Tyler Hislop (see #24) about his "Wounds and Nihilism (Feat. Mark Lint)." Opening music: "Dawning on Me" by Mark Lint. Hear more Nakedly Examined Music. Like our Facebook page. Support us at patreon.com/nakedlyexaminedmusic to hear bonus audio for this episode.

To celebrate year #2, previous guests return: Bradley (see #32) talks "Duet" from Take Out the Poison, Jeff (see #5) presents "Still Life with Broken Heart" from Emotional Terrorism, and Steve (see #6) discusses "Wind of Change" from A Tribute to the Bee Gees '66 to '78. Finally, hear Tyler Hislop (see #24) about his "Wounds and Nihilism (Feat. Mark Lint)." Opening music: "Dawning on Me" by Mark Lint. Hear more Nakedly Examined Music. Like our Facebook page. Support us at patreon.com/nakedlyexaminedmusic to hear bonus audio for this episode.

Broadway stars Walter Bobbie and Bill Youmans perform Plato's dialogue in which Socrates awaits his execution. Should Socrates defy the verdict and try to escape the city? Socrates says no; that would be ungrateful to the city whose benefits he's enjoyed. Bill joins the full PEL foursome for a lively discussion. End song: "Fall Away" by Mark Lint and the Fake from the album So Whaddaya Think? (2000).

More Levinas, working this time through Time and the Other (1948). What is it for a person to exist? What individuates one person from another, making us into selves instead of just part of the causal net of events? Why would someone possibly think that these are real, non-obvious questions that need to be addressed? End song: "Call on You" by Mark Lint from from the 1993 Mark Lint album Spanish Armada: Songs of Love and Related Neuroses.

On the later Platonic dialogue. What is a sophist? These were guys in Ancient Greece who taught young people the tools of philosophy and rhetoric. They claimed to teach virtue. In Sophist, "the Eleatic Stranger" (i.e., not Socrates) tries to figure out what a sophist really is, using a new "method of division." This Plato era provides a nice transition to the category man Aristotle, and the whole concern with sophistry is certainly still relevant today! End song: "Dumb," by Mark Lint and the Fake from the album So Whaddaya Think? (2000).

6-28-16 GotMead Live is 1 Year Old! June 30 marks our one year anniversary, and we're tickled to have Ken Schramm back with us. Ken was kind enough to be the first guest on GML last year, and he's coming back to tell us what's going on with Schramm's Mead now, and also to help us talk about using fruit in your mead. You may not know, but Ken has a small and carefully curated orchard and berry farm on his property in Michigan. And he creates small batch reserve meads from these fruits, such as the legendary Heart of Darkness, a mead made from hand-harvested fruit and always sold out before it even gets into bottles. So Ken is a bit of a fruit maven. And we're going to pick his brains on his fruit knowledge. This is going to be good, so tune in and listen! AJ, Manny and I will be talking about using fruit in your meads with Ken. Got questions? Want to join the conversation, give us a call!! 803-443-MEAD (6323), or Skype us at meadwench (please friend me first and say you're a listener, I get tons of Skype spam), or tweet to @gotmeadnow. If you want us to tackle your mead making questions, you can send us a question and we'll tackle it online! Join us, 9PM Eastern Tuesday night!! Bring your questions and your mead, and let's talk mead! You can call us at 803-443-MEAD (6323), or Skype us at meadwench (please friend me first and say you're a listener, I get tons of Skype spam), or tweet to @gotmeadnow. This player will show the most recent show, and when we're live, will play the live feed. If you are calling in, please turn off the player sound, so we don't get feedback. What we were drinking: AJ - Vicky - Manny - Ken - Show links and notes: Enology and stabilizing chemical calculators .5 Micron filters from MoreBeer Upcoming Events: Starrlight Meadery July 29th - International Tiger Day! In honor of that day, for the month of July we will be helping out our friends over at Carolina Tiger Rescue! For each tasting or glass of sangria that we sell during the month, we'll donate $2 to the Tiger Rescue July 2-3  - Red, White and Blueberry Celebration - Join us for some special red, white and blueberry sangria all weekend long. Plus, SLUSHIES! July 22 - Mead and a Sunset Cruise - Friday, July 22 - Join us, and Captain Don from Triangle Boat Tours, for one of our favorite outings - mead tasting and a 2 hour sunset cruise on Jordan Lake. Bos Meadery - multiple artistic events - check in on their calendar for movie nights, art displays and more! June 29 - Rashamon - A riveting psychological thriller that investigates the nature of truth and the meaning of justice, Rashomon is widely considered onevcof the greatest films ever made. July 2 - Mark Lint’s Dry Folk - Madisonian Mark Linsenmayer, veteran front-man of local bands Madison Lint (2001-2004) and New People (2006-2013) and host of two nationally reknowned podcasts, The Partially Examined Life and Nakedly Examined Music, July 9 - Daniel Mortensen - Daniel Mortensen has been playing guitar and harp for over 30 years to illustrious audiences such as His Dog and The Sofa. July 14 - Cam and Ellie Kennedy - presentations of original songs and selected covers, and their sound is filled with great voices, acoustic guitars, and multiple layers. July 15 - Matt Deblass - An evening of acoustic folk music performed with Celtic harp, voice, mandolin and other instruments.[break] Mace Meadworks at macemeadworks.com has live music every Saturday night at 250 East Main Street Dayton, Washington 99328[break] Honey Moon Mead - multiple events and open mic every Wednesday night June 29 - Open Mic with Scot Casey June 30 - Paige Woods Band B.Nektar Events: July 1st – *Tasting event* Riverside Liquors in Grand Rapids July 9th – Detroit Beer Book – Author signing at the B. Nekar Taproom July 15th-17th – Pig & Whiskey Event in Ferndale

More on The Ethics of Ambiguity (1947), this time on part III. Ep. 140 laid out man's "ambiguity," but what does that mean in terms of practical decision making? B. talks about the practical paradoxes of dealing with oppression and what it might mean to respect the individual, given that there's no ultimate, pre-existent moral rulebook to guide us, nothing we can point to to excuse the sacrifice of someone to a "greater good." Become a PEL Citizen to listen to the the Aftershow featuring Beauvoir scholar Jennifer Hansen. End song: "Indiscretion (Mess Things Up)" from the 1993 Mark Lint album Spanish Armada: Songs of Love and Related Neuroses.  

On The Ethics of Ambiguity (1947), parts I and II. We return to existentialism! Instead of describing our predicament as "absurd," de Beauvoir prefers "ambiguous": We are a biological organism in the world, yet we're also free consciousness transcending the given situation. Truly coming to terms with this freedom means not only understanding that you transcend any label, but also recognizing that your freedom requires the freedom of others. The full foursome discuss whether this attempt to ground an existentialist ethics works. End song: "Reasonably Lonely," by Mark Lint.

On Ain't I a Woman: Black Women and Feminism (1981) and Black Looks: Race and Representation (1992, Intro, Ch. 3, 11). How do these pernicious forces interact? hooks describes black women as having been excluded from both mainstream historical feminism (led by white women) and black civil rights struggles (permeated with patriarchy), and this "silencing" creates challenges for self-actualization and social justice. The solution: media critique of stereotyped images and personally connecting to a historical narrative of liberation. With guest Myisha Cherry, host of the UnMute Podcast. End song: "Stories" by Mark Lint and Steve Petrinko (2011).

A whole second discussion on G.F.W. Hegel's Encyclopedia Logic, hitting sections 78–99 on the dialectic and Understanding vs. Reason. Hegel thinks we can use Reason to objectively come up with basic metaphysical categories, but can we really? With guest Amogh Sahu. This continues ep. 134. PEL Citizens can listen to the Aftershow. End song: "Flow" by Gary Lucas and Mark Lint. Listen to Gary interviewed about this instrumental on Nakedly Examined Music #7.

On Fromm's The Art of Loving (1956). What is love, really? This psychoanalyst of the Frankfurt school thinks that real love is not something one "falls" into, but is an art, an activity, and doing it well requires a disciplined openness and psychological health. End songs: "Kimmy" (1995) and "Kimmy 2002" by Mark Lint.

Our second discussion of De Anima or On the Soul (350 BCE), this time on book 3. What is the intellect? We talk about its highest part/function: nous, which is a "form of forms," literally nothing until it thinks, survives death and is not actually yours or mine, but just the universal mind! This continues the discussion from ep. 130 and includes a preview of the Aftershow featuring Rebecca Goldner. End song: "Wonderful You" (live 2001) by Mark Lint.

On De Anima or On the Soul (350 BCE), books 1 and 2, after some listener mail. What can this ancient text tell us about biological life? What counts as a scientific explanation? A. describes life as "the first actuality of a natural body which has organs," so bodies express their nature only when they're growing and reproducing and all that stuff that bodies do. The body is potential, and life is its actuality. So what the heck kind of explanation is that, and how does it tie into Aristotle's convoluted metaphysics? End song: "Intermission Song" by Mark Lint from Spanish Armada: Songs of Love and Related Neuroses (1993).

Mark is joined by numerous previous guests to catch up and engage the musical part of PEL's past episodes by introducing and playing the entirety of Mark Lint's "Songs from the Partially Examined Life," which you can own, along with the 2016 PEL wall calendar.

Nathan Gilmour (Christian Humanist podcast) and Rob Dyer (God Complex Radio) join Mark and Wes for to discuss the reasonableness of religious belief reading Antony Flew's "The Presumption of Atheism," Norwood Russell Hanson's “The Agnostic’s Dilemma," Steven Cahn's "The Irrelevance of Proof to Religion," Alvin Plantinga's “Is Belief in God Properly Basic?" Merold Westphal's "Sin and Reason," Basil Mitchell's “Faith and Criticism," Peter van Inwagen's "Clifford's Principle," William Alston's "Experience in Religious Belief," Richard Swinburne's "The Voluntariness of Faith" and “The World and Its Order," and Paul Helm's "Faith and Merit." Read synopses of all these at partiallyexaminedlife.com. End song: "Let Us Meet" by Mark Lint, setting an old poem by Kim Casey Linsenmayer.

On "The Meaning of Meaning" (1975). If meaning is not a matter of having a description in your head, then what is it? Hilary Putnam reformulates Kripke's insight (from #126) in terms of Twin Earths: Earthers with H20 and Twin Earthers with a substance that seems like water but is different have the same mental contents but are referring to different stuff with "water," so that word is speaker-relative in a certain way. With guest Matt Teichman.  End song: "In the Boatyard" by Mark Lint & the Madison Lint Ensemble (2004, finished now).

Songwriter, singer and multi-instrumentalist (and podcaster!) Mark Linsenmayer joins Paul and Dave this week to offer a different perspective on gigging and how it relates to non-cover material. Mark's stories are varied and colorful, and even include quite a few references to when he and Dave played music together many years ago. Stuff mentioned includes: Mark Lint & The Fake Johnson Trio (the album Mark said is no longer online; Dave played on some of the tunes) Mark Lint & The Fake (the album Dave did with Mark) No Relief (the tune about Mark's dog, Stooby, and his anal cyst) Kevin Brown (Christopher) (with whom both Mark and Dave played as backing musicians) The Partially Examined Life MarkLint.com

On Naming and Necessity (1980). What's the relationship between language and the world? Specifically, what makes a name or a class term pick out the person or things that it does? Saul Kripke wanted to correct the dominant view of his time (which involved a description in the speaker's mind), and used talk of "possible worlds" to do it! With guest Matt Teichman. End song: "Reason Enough" by Mark Lint.

On The Human Condition (1958), Prologue and Sections 1 and 2. How has our distinction between the private and public evolved over time? Arendt uses this history, and chiefly the differences between our time and ancient Athens, to launch a critique of modern society. The fab four conducted this podcast live at the Pittsburgh Continental Philosophy Conference.  End song: "Space" by Mark Lint. Read about it.

On the Manual of Epictetus, aka The Enchiridion (135 CE). What's a wise strategy for life? Stoicism says that the secret is mastering yourself. Nothing external can break your spirit unless you let it. So, how weird and misguided is that advice? With guest Alex Fossella. End song: "But I Won't" by Mark Lint from Spanish Armada: Songs of Love and Related Neuroses (1993).

On F.A. Hayek's "The Use of Knowledge in Society" (1945) and Amartya Sen's On Ethics and Economics (1987). Is economics a pseudoscience? Are its assumptions by necessity too over-simplifying? Hayek objects to the idea of planning an economy, because the planners aren't in a position to know enough. With guest Seth Benzell, who starts us off with a "precognition" of the material. End song: "People Who Throw Away Love" by Mark Lint.

Yet more on The Confessions, now on books 10–13. What is memory and how does it relate to time and being? Augustine thinks that memory is a storehouse, but it contains not just the sensations we put in it, but also (à la Plato's theory of recollection) all legitimate knowledge. It's our route to God, to real Being. Mark, Wes, and Dylan also discuss time, language, knowledge, the existence of evil, and more. This continues our discussion from ep. 121. Listen to the Aftershow featuring James Wetzel! End song: "The Past Is Not Real" by Mark Lint. Read about it.

We discuss Un-Willing: An Inquiry into the Rise of Will's Power and an Attempt to Undo It (2014) with the author, covering Socrates, Augustine, Aquinas, Heidegger, Nietzsche, Sartre, compatibilism, the neurologists' critque of free will, and more. End song: "I Insist" by Mark Lint. Read about it.

On Friedrich Nietzsche's The Birth of Tragedy (1872). Nietzsche thought that you could tell how vital or decadent a civilization was by its art, and said that ancient Greek tragedy was so great because it was a perfect synthesis of something highly formal/orderly/beautiful with the intuitive/unconscious/chaotic. But then Socrates ruined everything! With guest John Castro. Includes a preview of the Aftershow feat. Greg Sadler. End song: "Some Act" by Mark Lint and the Fake from "So Whaddaya Think?" (2000).

An unrehearsed, fun read-through of the Greek Tragedy from 441 BCE, plus some discussion with the cast of Greek drama, our selected translation, and other stuff. Enjoy! PEL Citizens can get an ad-free, extended version. End song: "Antigone (Choragos Speaks)" by Mark Lint. Read about it.

On Sigmund Freud's On Dreams (1902) and other stuff. Are dreams just random, or our best key to understanding the mind? After you listen to this, check out the Aftershow. End song: "Sleep" by Mark Lint. Read about it.

Mark Lint and the PEL Orchestra present the longest, slowest, biggest, fattest, most surreal Christmas carol ever.

Our big live episode (also on video) about love, sex, self-improvement, and ancient Greek pederasty! Featuring a set by Mark Lint, plus Philosophy Bro on Plato's "Apology."