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5 episodes with abjection
5 episodes with abjection
2 episodes with abjection
4 episodes with abjection
2 episodes with abjection
5 episodes with abjection
2 episodes with abjection
2 episodes with abjection
Jarek Berga - May 25th 2025 When self-effort sinks, grace takes hold.As we continue our series The King & His Kingdom through the Gospel of Matthew, we come to Matthew 14:22–33—where the disciples are caught in a storm, rowing through the night, and Peter steps out of the boat, only to lose confidence and begin to sink. This sermon explores what it means to follow Jesus through exhaustion, fear, doubt, and weakness—and what happens when we realize we can't make it on our own. The good news? Jesus still reaches out. He still saves. He's still Lord over the chaos. Learn more about our church: https://restoredtemecula.churchFollow us on Facebook: https://www.facebook.com/restoredtemeculaand Instagram: https://www.instagram.com/restoredtemecula #Matthew14 #JesusWalksOnWater #PeterAndJesus #FaithAndDoubt #GraceNotPerformance #KingdomOfHeaven #RestoredTemecula #ChristianSermon #TheKingAndHisKingdom #LordSaveMe Share this message with someone who needs to hear it. Chapters (00:00:15) - Welcome Home: Restored Temecula Church(00:01:06) - The King and His Kingdom(00:02:38) - Prayer for Week Three(00:04:16) - Orange County residents on the culture of swimming(00:08:19) - Peter in the Water(00:14:47) - The Reasons Why He Made the Disciples Jump in the Boat(00:20:19) - Marvel's 'Creepy'(00:20:48) - Jesus Walking On The Sea(00:25:39) - The Bible's Weird Stories(00:25:58) - Sometimes Following Jesus Is Exhausting(00:30:25) - Wednesday at 6:07: A Moment of Rest for Me(00:33:38) - The Point of Abjection(00:39:53) - What I Learned From Leading 500 Girls(00:43:01) - The Reasons Why the Disciples Didn't Get It(00:47:49) - Jesus REASSURES US WITH WRONG(00:50:19) - 7 Reasons Why Peter Lost His Faith(00:56:42) - Peter's Weakness(01:02:54) - Jesus offers His Strength to the weary disciples(01:08:53) - Jesus' Call to Prayer
Tous les vendredis, samedis et dimanches soirs, Pascale de la Tour du Pin reçoit deux invités pour des débats d'actualité. Avis tranchés et arguments incisifs sont au programme.
Rina Arya is a Professor of Critical and Cultural Theory at the University of Hull, UK. She started her academic career working on the role of the sacred in death of God culture, especially in the paintings of Francis Bacon and writings of Georges Bataille, resulting in her acclaimed book "Francis Bacon: Painting in a Godless World". Her work on Bacon led to research in abjection where she wrote a number of articles and books on the subject, notably "Abjection and Representation." Rina is completing her next book on the cultural appropriation of Hinduism. In this conversation, Rina and I explored the areas of intersection between contemporary art and theology, focusing on theological aesthetics, embodiment, abjection, and the role of materiality in religious practices. We also discussed how contemporary artists engage with religious motifs, the impact of digital culture on spiritual experiences, and the importance of contemplative spaces in art. Additionally, we spoke about the evolving nature of religious expression in art and considered the potential for interfaith dialogue through artistic practices.
Tous les vendredis, samedis et dimanches soirs, Pascale de la Tour du Pin reçoit deux invités pour des débats d'actualité. Avis tranchés et arguments incisifs sont au programme.
Historias original de Saturdead: The Yearwalker (Final) : r/nosleep Invitados: DidiMeztli: DiDi (@didimeztli) • Fotos y videos de Instagram Adren: El Podcast de Adren - YouTube Herr Dunkelheit: Terror en la Oscuridad - Herr - YouTube Instagram: Darksoul (@darksoulhorror) • Instagram photos and videos Música: Thrll - Dark Ambient, Desert Repulsive - Confusion, Abjection, Eurydice Pt 2
AKA Questions of Horror #6: What Makes Horror Beautiful? Kirsty and Dan discuss the beauty that can sometimes be found in works of horror - or, to use Kirsty's cooler phraseology, the aesthetic qualities of abjection. Stella chimes in too. And yes, Kirsty does comment on how much she is "enjoying sunlight", which is a clue that the main discussion here was recorded several months ago. Works Cited The Cell (New Line Cinema, USA, 2000, director: Tarsem Singh) Hannibal (NBC Television, USA, 2013-2015, showrunner: Bryan Fuller) (our episodes on Season One and Season Two) Bram Stoker's Dracula (Columbia Pictures, USA, 1992, director: Francis Ford Coppola (our episode) Alice aka Something From Alice (First Run Features, Czechoslovakia et al, 1988, director: Jan Svankmajer) The Wicker Man (British Lion, UK, 1973, director: Robin Hardy) (our second paganism episode) Midsommar (A24 Films, USA/Sweden, 2019, director: Ari Aster) (our first paganism episode) Antichrist (Nordist Film Distribution, Denmark et al, 2009, director: Lars von Trier) Dark (Netflix/Weidermann & Berg Television, Germany, 2017-2020, showrunners: Baron Bo Odar & Janje Friese) The Third Day: Autumn (Sky Arts et al, USA/UK, 2020, creators: Felix Barrett, Dennis Kelly) Crimson Peak (Universal Pictures, USA, 2015, director: Guillermo del Toro) To hear our next episode right now please go to our Patreon page and become a supporter Socials: BlueSky Mastodon Twitter Instagram (also on Threads) Facebook Artwork by Kirsty Worrow (Instagram: OneCrowLeft). Music by Greg Hulme. All clips are used in the spirit of Fair Dealing (Commonwealth law) and Fair Use (US law) for the purposes of criticism and education. No copyright infringement intended. Visit our website, andnowpodcast.com
Jim talks with Alexander Bard in the second of three conversations about his and Jan Söderqvist's recent book Process and Event. They discuss eventological monotheism vs nomadological iconology, dualism vs monism, substance dualism, Spinoza's monism, graded relationality, emergence vector theory, Syntheism & its concepts, God as the ultimate dream, creating God, 4 dimensions of time, a more complete metaphysics, the problem with oneness, the two-headed phallus, priests & chiefs, the 3 fundamental entities in Hinduism, a congress of grandmothers, Plato & Confucius's idealization of tyrants, libido & mortido, objectification of the mamilla, Julia Kristeva's discovery, the Gnostic delusion, being embodied and en-minded, examples of boy pharaohs & pillar saints, paradigmatics, membranics, archetypology, the geneplex vs the memeplex, 4 paradigms in human history, finding one's paradigmatic role, embedded membranes, trans men & women as new paradigmatic categories, the dialectics of the Hegelian negation & the Nietzschean oscillation, the negation of the negation in identity production, negation in phenomenology, the golden age of 19th century German philosophy, American pragmatists, transcendental emergentism, getting laid, principles rather than laws, studying each emergence vector as its own domain, emergence vector theory in creativity, the stability of physics, cosmological Darwinism, negation & oscillation as the fundamental dialectics of reality & thought, and much more. Episode Transcript "The Last Question," by Isaac Asimov Powers of Horror: An Essay on Abjection, by Julia Kristeva JRS EP 176 - Gregg Henriques Part 1: Addressing the Enlightenment Gap JRS EP 138 - W. Brian Arthur on the Nature of Technology JRS EP 227 - Stuart Kauffman on the Emergence of Life JRS EP 5 Lee Smollin - Quantum Foundations and Einstein's Unfinished Revolution Alexander Bard is a philosopher, artist, songwriter and music producer, author of six books with Jan Söderqvist, living in Stockholm, Sweden. Bard built his career as a philosopher in parallel with a highly successful 25-years-plus career in the international music industry. Bard & Söderqvist's philosophy concentrates on the relationship between human beings and technology, using human beings as the constant throughout civilization, with technology as the ever faster changing variable. Their work takes inspiration from thinkers like Hegel, Nietzsche, Whitehead, Deleuze, and Eastern philosophy and spirituality, in the latter case adding Persia to the well known triad of India, China and Japan. They are convinced philosophy will be the last human activity to ever be affected by AI.
C'est l'épisode 102 ! C'est l'heure de l'espoir et du désespoir, du libre arbitre et du destin, de l'amour et du yuri ! C'est l'heure de Madoka Kaname et Homura Akemi de Puella Magi Madoka Magica ! Merci à Jayhan (@JayhanOfficial) pour les super intro et outro ! Tu peux nous suivre sur tous les réseaux : @codexespod et nous laisser une note et un commentaire sympa si tu veux. Force et amour. Ressources : - « Remember Madoka : Transgressing the Magical Girl » de Simon Gough. 2011 - « Tracing the Japanese Gothic in Madoka Magika with Blood: The Estrangement, Abjection, and Sublime Erasure of the Spectralised Mahō Shōjo Exemplum » de Daniel Elisha Rachovitsky. 2014 - « The Girl at the End of Time: Temporality, (P)remediation, and Narrative Freedom in Puella Magi Madoka Magica » de Forrest Greenwood. 2015 - « Make-Up!: The Mythic Narrative and Transformation as a Mechanism for Personal and Spiritual Growth in Magical Girl (Mahō Shōjo) Anime » de N'Donna Rashi Russell. 2015 - « Peeling Back the Candy-Colored Wrapper : An Examination of Feminization, Queer Relationships, and Localization in Puella Magi Madoka Magica, Cardcaptor Sakura, and Sailor Moon » de Rachel Smith. 2016 - « The Reality of Being a Magical Girl : Madoka Magica's Empowerment through Subversion. » d'Angela Drennen. 2017 - Credens Justitiam de Yuki Kajiura, morceau de la BO de Puella Magi Madoka Magica joué pendant l'épisode. - Desiderium de Yuki Kajiura, morceau de la BO de Puella Magi Madoka Magica joué pendant l'épisode. - Postmeridie de Yuki Kajiura, morceau de la BO de Puella Magi Madoka Magica joué pendant l'épisode. - Magia de Kalafina, ending de Puella Magi Madoka Magica joué pendant l'épisode. - Sis Puella Magica de Yuki Kajiura, morceau de la BO de Puella Magi Madoka Magica joué pendant l'épisode. - Puella In Somnio de Yuki Kajiura, morceau de la BO de Puella Magi Madoka Magica joué pendant l'épisode. - Confessio de Yuki Kajiura, morceau de la BO de Puella Magi Madoka Magica joué pendant l'épisode. - Symposium Magarum de Yuki Kajiura, morceau de la BO de Puella Magi Madoka Magica joué pendant l'épisode. - Surgam Identidem de Yuki Kajiura, morceau de la BO de Puella Magi Madoka Magica joué pendant l'épisode. - Connect-Game Instrumental version de ClariS, opening de Puella Magi Madoka Magica joué à la fin de l'épisode. - Connect de ClariS, opening de Puella Magi Madoka Magica joué à la fin de l'épisode.
This week, Jolene is joined by Alexis to talk about her essay in the Trans Marxism special issue of TSQ, as well as: Remy Boydell and Michelle Perez's The Pervert, Jolene's opinions on Car Seat Headrest, just what happens at furry conventions, the erotics of Finnster, and the worst cover on an academic anthology ever. Read Alexis' essay here: https://read.dukeupress.edu/tsq/article/11/2/287/387883/Femboys-in-the-FactoryTrans-Labor-beyond-Abjection?guestAccessKey=e1bddaa9-1546-4d73-be4f-13e098a3f149 Follow her on twitter: https://x.com/regresssion Listen to her Unjust Depths podcast: https://www.abnormalmapping.com/#/allunionradio/ And her music podcast: https://pnc.st/s/hot-singles UPCOMING READING GROUP SESSIONS: July 7th, 1 PM CST, Alison Bechdel's Fun Home: https://discord.gg/D4JDKzpTPh?event=1242297065489305722 August 4th, 1 PM CST: Kate Bornstein's A Queer and Pleasant Danger: https://discord.gg/D4JDKzpTPh?event=1254870250487545988 The intro and outro music is by Lynn July. You can listen to more of her music at: https://tinytachyon.bandcamp.com/ Follow the pod on twitter: https://twitter.com/WhenAGuyHas The patreon is on pause for a little while Jolene recalibrates some stuff, you can find it here anyways: https://www.patreon.com/user?u=85347146 The RSS Feed: https://anchor.fm/s/9877d600/podcast/rss Donate to our Kofi, if you're so inclined: https://ko-fi.com/whenaguyhas
Historia original escrita por SimbaTheSavage8: There's something wrong with my 'school'. I don't think the teachers are human. : r/nosleep (reddit.com) Instagram: Darksoul (@darksoulhorror) • Instagram photos and videos Música: REPULSIVE - Purify, Wings, NoSleep, Departure, Abjection.
Historia original escrita por StinkyBongo0: https://www.reddit.com/r/nosleep/comments/1aiaway/my_son_has_been_acting_weirdly_and_i_think_my/?rdt=39602 Instagram: https://www.instagram.com/darksoulhorror/?hl=en Música: REPULSIVE - Penumbra, Abjection. CO.AG MUSIC - Beyond This Earth To The Stars Peaceful THRLL - Mystical Piano Strings YMELGAR - Inside A Dark Place
Historia original escrita por PlatinumOni: https://www.reddit.com/r/nosleep/comments/16m9kco/i_worked_at_the_construct_site_for_diorama_tower/?rdt=47840 Instagram: https://www.instagram.com/darksoulhorror/?hl=en Música: REPULSIVE - Salem, Homesick, Purify, Abjection:
Selling enemas to replace psych meds, or treat cancer, or cure autism is some dangerous shit. But Matthew has a tingling sense that the wellness enema craze promises more than false health benefits. Perhaps the coffee might be an artisanal distraction from a more existential promise: a ritual of cleansing and muscular control for a world that feels filthy, guilty, and in absolute chaos. A way of returning to a crucially innocent time when you learned to hold it all in, then given permission to let it all out, and then lovingly cleaned up when you did. Today, Instagram gives us permission to show it to the world: look at what I made! Look at how fresh and pure I am! Look at how I am polishing my innermost self. Look at this magic of making the invisible visible. Welcome to your 50-minute analysis session to process Mallory's brilliant reporting on Thursday: a tour through a labyrinth of dirt, control, differentiation, exhibitionism, shame—and possibly reclamation and integration. Chapters: How to Read an Enema Managing Filth with Freud Winnicott's the Best The Abject Political Shit Dear Kyah Butcherbox promo: Sign up today at butcherbox.com/conspirituality and use code conspirituality to choose your free offer and get $20 off. Show Notes Conspirituality 192: Coffee is Your Friend, Not Your Enema Paranoid Reading, Reparative Reading — Sedgwick Know Your Enemy: UNLOCKED: Freud and Politics (w/ Pat Blanchfield) on Apple Podcasts Freud, "Character and Anal Eroticism" | PDF THE SEMINAR OF JACQUES LACAN BOOK X ANXIETY 1962 - 1963 The child, the family, and the outside world : Winnicott, D. W. (Donald Woods), 1896-1971 : Internet Archive Kristeva, Julia. Powers of Horror: An Essay on Abjection. New York: Columbia University Press, 1982. Pro-Trump rioters smeared poop in US Capitol hallways during belligerent attack Are Anti-Vaxers Really Pooping Themselves Because of Ivermectin? What Donald Trump Actually Smells Like, According to Ex-GOP Congressman Learn more about your ad choices. Visit megaphone.fm/adchoices
We're wrapping up our look at Toxic Masculinity with David Slade's feature directorial debut, Hard Candy (2005). This secret rape/revenge film features powerhouse performances from Elliot Page and Patrick Wilson and plenty of uncomfortable moments. Plus: comparisons to Promising Young Women (and Saw X?!), a frank discussion of pedophilia, plenty of strategic framing, and the prequel we want to see. Reference: Hadass S. Wade. "What Are Little Girls Made Of?: Abjection and the Queer Child in Hard Candy." CAA Undergraduate Research Journal. Questions? Comments? Snark? Connect with the boys on Twitter, Instagram, Youtube, Letterboxd, Facebook, or join the Facebook Group to get in touch with other listeners > Trace: @tracedthurman > Joe: @bstolemyremote Be sure to support the boys on Patreon! Theme Music: Alexander Nakarada Learn more about your ad choices. Visit megaphone.fm/adchoices
It's a new week, so time for another "New Release Monday" episode. This episode we spotlight new and upcoming releases from September and October 2023 in stoner metal, along with a smattering of death doom and sludge, of course. We're all doomed! (0:00) "Obsidian" BLESSED BLACK - Sesons: Vol. 1 Seasons Vol. 1 | Blessed Black (bandcamp.com) (4:43) "Abjection" EXCARNATED ENTITY - Mass Grave Horizon Mass Grave Horizon | Excarnated Entity (bandcamp.com) (7:22) "Double Wide" VAN GROOVER - Back From the Shop Back From The Shop | Van Groover (bandcamp.com) (12:31) "Luciferian" CARDINALS FOLLY - Live By the Sword Live By The Sword | Cardinals Folly | Soulseller Records (bandcamp.com) (18:46) "Devil's Demon" METALLUS - Funeral of the Sun Funeral Of The Sun | Metallus (bandcamp.com) (25:40) "Dystopie" MENSCHENSTAUB - Split with NO SHELTER Menschenstaub x No Shelter. Split | Menschenstaub. (bandcamp.com) (28:47) "Like A Kind of Minatour" SLOMATICS - Strontium Fields Strontium Fields | Slomatics (bandcamp.com) (32:09) "Downpour" DOMKRAFT - Sonic Moons Sonic Moons | Domkraft (bandcamp.com) (36:32) "13 Cabras" HIRKUM - Hirkum Hirkum | Hirkum (bandcamp.com)
Aproveitando o lançamento de INFINITY POOL, o novo filme do Brandon Cronenberg, Igor e Felipe conversam sobre o anterior filme do jovem autor, lançado em 2020: POSSESSOR! A existência autêntica versus a existência performada, a anatomia e as funções corporais como fonte de abjeção, a longevidade do body horror como um subgênero do terror e da ficcão científica contemporânea, a violência estilizada e a violência clínica, violações (tanto mentais quanto físicas), o papel da tecnologia na invasão da privacidade e as crises de identidade são apenas alguns dos temas tocados neste episódio. — Ficha do filme: Possessor, 2020. Dirigido por Brandon Cronenberg. Elenco: Andrea Riseborough, Christopher Abbott, Jennifer Jason Leigh, Sean Bean, Rossif Sutherland, Tuppence Middleton. 104 minutos. Canadá e Reino Unido. — Outros filmes mencionados no episódio: Antiviral, 2012. Dirigido por Brandon Cronenberg. Akira (アキラ), 1988. Dirigido por Katsuhiro Otomo. Tetsuo: The Iron Man (鉄男), 1989. Dirigido por Shinya Tsukamoto. Society, 1992. Dirigido por Brian Yuzna. — Livro mencionado no episódio: KRISTEVA, Julia. Powers of Horror: An Essay on Abjection, 1980. KING, Stephen. The Shining, 1977. — Ilustração: Felipe Sobreiro Edição e Identidade Visual: Thiago Vergara Músicas usadas no episódio: Música de Introdução: https://www.bensound.com
In this episode we discuss the potential for revolutionary art. After discussing the fifth episode from the final season of Atlanta, which takes aim at Tyler Perry, we ask whether there are resources to pose viable alternatives to the media and artistic products pumped out by the culture industry - the commercialization of creative production. Can we leave the culture industry? Where would we go? Main episode begins at (12:30). If you like what you hear, find us on Patreon at patreon.com/therilkeanzoo for more episodes. Text: Julia Kristeva, Powers of Horror: An Essay on Abjection, trans. Leon Roudiez (New York, NY: Columbia University Press, 1982), 1.
Today, St. Francis de Sales treats the ideas of abjection and reputation when it comes to the virtue of humility. Fr. Gregory and Fr. Jacob-Bertrand help us to understand how abjection is not a bad thing and why it is important. They also explain how to appropriately care about your reputation. To get your copy of the complete reading plan, visit ascensionpress.com/catholicclassics or text "INTRO" to 33-777.
Why do women who display the same behaviors as men get diagnosed with BPD at a 3:1 ratio? What behaviors are allowed by which gender? In this episode Dr. Morris discuss with Psychotherapist Harriet Fraad and Substance Abuse Councillor Ikoi Hiroe about the assumptions made of the human subject, whether the BPD label helps or hurts, living up to inhumane ideals, liminal spaces, self harm and a metaphorical take on penis envy! Dr. Morris is an assistant professor of psychology at Point Park University in Pittsburgh, Pennsylvania, where she teaches and does theoretical and qualitative research. She is a transdisciplinary scholar whose work bridges critical psychology, literature, philosophy, history, psychoanalysis, and film studies. Part 2 of this conversation is a patron only episode. Become a patron at patreon.com/itsnotjustinyourhead to gain early access to episodes, our discord server, and monthly reading/discussion groups. References: Dr. Morris' interview with Mad In America: https://www.madinamerica.com/2021/03/feminism-psychoanalysis-critical-psychology-interview-bethany-morris/ We've always been borderline: https://www.academia.edu/en/35890259/Weve_always_been_borderline Sexual Difference, Abjection and Liminal Spaces: https://www.goodreads.com/book/show/57497638-sexual-difference-abjection-and-liminal-spaces (Chapter 7 Borderline, jouissance and capitalist enjoyment) -- Support us on Patreon: https://www.patreon.com/itsnotjustinyourhead Email us with feedback, questions, suggestions at itsnotjustinyourhead@gmail.com. -- Harriet's other shows: WBAI Interpersonal Update (Wednesdays): https://wbai.org/program.php?program=431 Capitalism Hits Home: https://www.youtube.com/playlist?list=PLPJpiw1WYdTNYvke-gNRdml1Z2lwz0iEH -- ATTENTION! This is a Boring Dystopia/Obligatory 'don't sue us' message: This podcast provides numerous different perspectives and criticisms of the mental health space, however, it should not be considered medical advice. Please consult your medical professional with regards to any health decisions or management. --- Send in a voice message: https://anchor.fm/itsnotjustinyourhead/message Support this podcast: https://anchor.fm/itsnotjustinyourhead/support
"I feel very often that I can detect when people are doing case presentations, this ubiquitous tendency to not bother about the body. At a very superficial level it is accepted that we run around in bodies. What is actually a slightly deeper idea is that we run around in bodies, but our minds couldn't have any function at all if our other parts of our functional systems weren't also working, So the body and the mind of course are deeply interconnected. We do know that too, that's not news, but it constantly becomes eliminated." Episode Description: We begin with an overview of Rosemary's longstanding interest in the role of bodies and how they make their presence and meaning known in the clinical encounter. She discusses the analytic scotoma when it comes to the woman's body especially when it involves pregnancy and childbirth. We consider conflicts over being aware of and speaking freely about the analyst's body and what that is like for both parties. She shares her deep pleasure in the writings and person of Hans Loewald and what it has meant to her to be a physician. We consider how the sublimated role of a father's sexual arousal serves as an aid in his child's individuation. We close with Rosemary sharing her view of our field's past and some aspects of her personal journey. Our Guest: Rosemary H. Balsam F.R.C.Psych (London), M.R. C. P. (Edinboro), (originally from Belfast, N. Ireland), is an Associate Clinical Professor of Psychiatry in Yale Medical School; staff psychiatrist in the Yale Department of Student Mental Health and Counseling, and a Training and Supervising Analyst at the Western New England Institute for Psychoanalysis, New Haven, Conn. Her special interests are female gender developments; young adulthoods; the body in psychic life; the work of Hans Loewald. Dr. Balsam is on the editorial boards of Psychoanalytic Quarterly and Imago and is a past co-editor of the Book Review Section of JAPA with her husband, Paul Schwaber. Her most recent book is Women's Bodies in Psychoanalysis (2012, Routledge); and her latest book review (2021) At the Risk of Thinking: An Intellectual Biography of Julia Kristeva by Alice Jardine. International Journal of Psychoanalysis 102:629-634. She is on the executive board of the newly inaugurated “Loewald Center,” a joint organization between IPTAR and the WNEIP. Her honors include 2018, winning the Sigourney Award for excellence in the Advancement of Psychoanalysis (she was the first woman in the USA to receive this prize.) Recommended Readings: Balsam, R.M (2012) Women's Bodies in Psychoanalysis London, New York Routledge Balsam, R. H (2013) (Re)membering the Female Body in Psychoanalysis: Childbirth JAPA Volume 61: 3 pp. 446 - 470. Balsam, R.H. ((2015) The War on Women in Psychoanalytic Theory Building: Past to Present Psychoanal Study Child 69, 83-107. 2015. Balsam, R.H. (2019) The Natal Body and its Confusing Place in Mental Life: J,Amer.Psyoanal.Assn 67.1 pp.15- 36 Balsam, R.H. (2017) Modern Gender Flexibility: Pronoun Changes and the Body's Activities. Ch 4 In Vaia Tsolas and C. Anzieu Premmeurer (eds.) A Psychoanalytic Exploration of the Body in Today's World: On The Body London, New York Routledge. Kristeva J. (1980) Powers of Horror: An Essay on Abjection, trans. L. S. Roudiez New York: Columbia University Press 1980). Toronto, E, Ponder, J, Davisson, K, KellyM.(eds) (2017) A Womb of Her Own: Women's Struggle for Sexual and Reproductive Autonomy, London, New York Routledge.
This week's episode is a re-airing of a Poog classic, as the hags weave a path through: doshas, past life memories, lucid dreaming, astral projection, ghosts, and masterclasses. Anything grand is worth revisiting, no? See you next week with more of the new. See omnystudio.com/listener for privacy information.
Content warning: discussions of sexual assault, pregnancy, a lack of control of one's own body, gender identity, dysphoria, objectification, abortion, and postpartum depression. On this episode of The Beauty of Horror, Chandler talks with horror screenwriter and researcher Jerry J Sampson about Julia Ducournau's radical-yet-sweet TITANE (2021)! They talk about Stephen King's impact on shaping many horror lovers' tastes, the emotional impact of the horror genre, Jerry's terrifying motel experience that inspired her passion project “Motel”, pregnancy and Uterus Horror, oil lactation, and, of course, aesthetics. Want to connect more with the podcast and its guests? Check out the info below! Will you take the "Titane Challenge"? Let us know by reaching out on social media or email! Links:JerryTwitter: @ladyscriptwritInstagram: @thesleepermustawakenBook (on Amazon): The Scream and Other Dark Stories Chandler | ShockaholicTwitter: @_ShockaholicInstagram: @_shockaholicFacebook: ShockaholicWebsite: Shockaholic.org Beauty of HorrorTwitter: @BeautyHorrorPodInstagram: @beautyhorrorpodFacebook: The Beauty of Horror Beauty of Horror ContactWebsite: The Beauty of HorrorE-mail: beautyofhorrorpod@gmail.com SponsorsLogic Locks: https://www.logiclocks.com/ Anatomy of a Scream: https://www.anatomyofascream.com/ MentionsReferenced Beauty of Horror episodesSeason 2, Episode 19: Cat Benstead on Raw (2016)FilmsRaw (2016)Inside (2007)In My Skin (2002)Quote from “Powers of Horror: An Essay on Abjection” by Julia Kristeva. Music by Karl Casey (White Bat Audio)Cover Art designed by John Green (JRGDrawing)Edited by Aviva Dassen If you enjoyed this episode, please be sure to rate and subscribe!
Content warning: discussions of decay and decomposition, misogyny, depression, anxiety, dysmorphia, physical and sexual abuse, masturbation, and death/dying. On this episode of The Beauty of Horror, Chandler talks with co-host of I Spit on Your Podcast, horror writer, and one half of The Spinsters of Horror, Kelly Grender about the sickening beauty of Éric Falardeau's THANATOMORPHOSE (2012)! They talk about Kelly's start in podcasting, the increasing appeal of extreme horror and how it challenges you, expressing female rage, sexuality, liberation through decay, decomposition as a metaphor for depression, abjection, cinéma vomitif, and, of course, aesthetics. Want to connect more with the podcast and its guests? Checking out the info below! Links:KellyTwitter: @KGrednerSpinsters of Horror & I Spit on Your Podcast: @HorrorSpinsters“Death Becomes Her: Finding Freedom in the Grotesque” in Grim no. 9: Contagion. Chandler | ShockaholicTwitter: @_ShockaholicInstagram: @_shockaholicFacebook: ShockaholicWebsite: Shockaholic.org Beauty of HorrorTwitter: @BeautyHorrorPodInstagram: @beautyhorrorpodFacebook: The Beauty of Horror Beauty of Horror ContactWebsite: The Beauty of HorrorE-mail: beautyofhorrorpod@gmail.com SponsorsLogic Locks: https://www.logiclocks.com/ Anatomy of a Scream: https://www.anatomyofascream.com/ MentionsReferenced Beauty of Horror episodesSeason 1, episode 20: Mary Beth McAndrews on PhenomenaSeason 2, episode 13: Trace Thurman on Deadgirl (2008)Season 2, episode 16: Brian Keiper on The FlyWriting“Horror And The Monstrous-Feminine: An Imaginary Abjection” by Barbara Creed“Offensive Films: Toward an Anthropology of Cinéma Vomitif” by Mikita Brottman“Dis/liking Disgust: The Revulsion Experience at the Movies“ by Julian HanichFilmsBeyond Horror: The History and Sub-Culture of Red Films (2019)Contracted (2013)The Fly (1986)Quote from “Powers of Horror: An Essay on Abjection” by Julia Kristeva. Music by Karl Casey (White Bat Audio)Cover Art designed by John Green (JRGDrawing)Edited by Aviva Dassen If you enjoyed this episode, please be sure to rate and subscribe!
Ian's back in studio today with another slate of putrid. cavernous death metal! Today's show will include new releases from Cerebral Rot, Gatecreeper, Frozen Soul and Abjection! Frigid black metal with Paysage d'Hiver, Revenge and Blasphemy will also be featured, along with sludgy local riffage from Black Wizard, Waingro and Dirty Vicar. We'll also mark Remembrance Day and pay our respects to victims of violence the world-over with a couple of brilliant songs inspired by the horror of warfare from Bolt Thrower and Iron Maiden Plus, we'll dig a legendary Saint Vitus track out of the Graveyard!
Ian's back in studio today with another slate of putrid. cavernous death metal! Today's show will include new releases from Cerebral Rot, Gatecreeper, Frozen Soul and Abjection! Frigid black metal with Paysage d'Hiver, Revenge and Blasphemy will also be featured, along with sludgy local riffage from Black Wizard, Waingro and Dirty Vicar. We'll also mark Remembrance Day and pay our respects to victims of violence the world-over with a couple of brilliant songs inspired by the horror of warfare from Bolt Thrower and Iron Maiden. Plus, we'll dig a legendary Saint Vitus track out of the Graveyard!
In this episode Rachel and Judas tackle the iconic film Alien, by Ridley Scott. They talk about abjection and motherhood in horror, but mostly diverge into other topics like politics, covid and jaws? Content warning: Incest Spoiler warning: minor spoilers for Bly Manor, sorryThank you so much for tuning in and joining us on this little passion project! If you're enjoying the podcast, please take a moment to follow us, rate, subscribe, share with friends maybe? You can also find us on twitter at http://twitter.com/dontlookpodSources:https://0a31922f-1e0a-4383-8f6f-f185afc9ac24.filesusr.com/ugd/fa3cec_d5ec552b59384672a02b201e5691656f.pdf
Just in time for the Spooky Holidays, our newest Short-Form Snack Episode invites back Charlotte Scurlock to teach us the history and use of the horror genre term: abjection.
Episode Notes What's done is done, it feels so bad. What once was happy now is sad. We'll never record again, our podcast's ending. I wish that I could turn back time, ‘cause now the guilt is all mine for ever suggesting we'd do Evangelion. Okay, so Connor and Niamh like to joke about how we get into a big fight about End of Evangelion because we are never going to fully agree on this film. Specifically, we both have the same basic read on what the film is trying to do, but will always be divided on our final read of the film. But like, we actually are still friends and we're both really looking forward to you all watching Magic Knight Rayearth with us and listening to those episodes. In our discussion, we focus in particular on the beginning and the end of End of Evangelion and the manga and how these two endings to the series figure separation and otherness in different ways and reach different conclusions about the possibility for human connection and touch on topics like the potential figuring of a bioessentialist view in the show and movie of the fundamental divide between men and women as the core of the human condition in the show and movie versus the manga, how the manga employs the image of hands to differently figure the relationship between humans in a way that touches less on heteronormative understandings of human relationships, the Buddhist and daoist interpretations of Eva, the ending of the movie and its parallels with Adam and Eve and the related myth of Líf and Lífþrasir emerging from the world tree after ragnarök to repopulate the earth, how necessary the intense extremes of the movie are for the message, a diversion into discussions around content warnings, our frustrations with the depiction of Misato in End of Eva, differences between the movie and the manga around Gendo and Shinji's ability to meet the expectations of the heroic shōnen protagonist, some of the weird differences between the printed tankōban volumes of the manga in the US and the scanlations on genesis-evangelion.com, how not everyone in a story should necessarily be redeemed (and perhaps some characters should not be redeemed), and our final readings on Rei and her breaking from Gendo's abuse. Also, don't forget that we will be recording the Question Bucket soon. The deadline to write into our Question Bucket for this series is Friday, July 16, 2021. You can write into ghostdiverspod@gmail and follow us on Twitter! The Show: @ghostdiverspod Niamh: @FoxmomNia Connor: @rabbleais Garfield Read Aloud: @GarfReadAloud Lastly, if you want to listen to Niamh talk about movies for generally less time then fae spent talking about this one, check out faer newish podcast Ornate Stairwells at exportaud.io/ornatestairwells. Works Cited in this Discussion Powers of Horror: An Essay on Abjection by Julia Kristeva Content Warnings for this Discussion Alcohol Masturbating over an unconscious body Violence Pedophilia Loss of ego / melding of consciousness Sexism & misogyny Semen, blood, other bodily fluids Dismemberment & disembowelment Cannibalism Strangulation Decapitation Nudity & sexuality Bioessentialism Abuse (both romantic and familial) Homophobia Slut-shaming Depression & suicide Cancer Find out more at https://ghost-divers.pinecast.co
Episode Notes We are joined by our first-ever guest on Ghost Divers, Brad Nelson, to discuss episodes 21 through 26 of Neon Genesis Evangelion! They are the person who first got Niamh into anime, so it's very poignant and meaningful that they are definitely the first-ever guest on the podcast and didn't at all get usurped by some brat who just decided to join to talk about Final Fantasy VIII on a complete whim. We also get the most into the manga so far around our discussion of Kaworu, so buckle up for a deeper dive into manga chapters 52–74 We start our discussion with a look at the way the series often employs lore dumps to create more questions than answers, how incredibly gay Ritsuko is for Misato, the discrepancies in how various characters perceive and understand each other and how the narrative itself becomes unreliably tied to specific perspectives, suffering in Evangelion and the tensions between Buddhism and daoism and how Niamh's worldview has changed since fae first watched the show, Asuka as an unwilling school idol, the elevator scene and how it draws out the tensions between Asuka and Rei and their inability to connect over their shared struggles, how Misato continues to offer physical touch as comfort because it's what she herself needs when she is hurting, Gendo's grooming of Rei and her attempts to break from his abuse, the romantic and sexual connection between Shinji and Kaworu, the differences between Kaworu's depiction in the show vs. the manga, our varying reads on the differing depictions of Kaworu's death and what it means for Shinji, the stylistic presentation of the final two episode of Evangelion, the misogyny of Anno and his potential gendered trauma, and of course Connor and Niamh continuing to duke it out over End of Evangelion. Speaking of, just is next time for our discussion of End of Evangelion and the conclusion of the manga! As a note, the audio bleed on Connor's headphones was really bad this episode and Niamh had to do a lot to try to eliminate it, so sorry for the dip in audio quality on this one. At least you don't have to endure it for nearly 5 hours… Write into our Question Bucket at ghostdiverspod@gmail.com and follow us on Twitter! The Show: @ghostdiverspod Niamh: @FoxmomNia Connor: @rabbleais Garfield Read Aloud: @GarfReadAloud You can also check out Brad's newsletter at http://hologramofthesenses.substack.com Works Cited in this Discussion “Misora Hibari and the Girl Star in Postwar Japanese Cinema” by Deborah Shamoon, published in Signs vol. 35 no. 1 Powers of Horror: An Essay on Abjection by Julia Kristeva Content Warnings for this Discussion Death of a child Sex & sexuality Sexual abuse & rape Depression, suicide, & self-harm Mental invasion Pedophilia & grooming Assisted suicide Slut shaming Find out more at https://ghost-divers.pinecast.co
In this episode, hosts Katherine Troyer and Anthony Tresca discuss the 1989 horror-comedy film Heathers. Episode Highlights: We explore how this film uses the ridiculousness of high school for both comedic and horrific effect. We also talk about how the film uses both form and content to subvert traditions and break away from conformity, ensuring that "the only Heather-shaped box is a coffin." A Dose of Scholarship: We discuss Jessica Gildersleeve's 2020 article "'A friend who stabs you': Abjection, Violence and the Female Clique in Film" in The Australasian Journal of Popular Culture. Gildersleeve offers an intriguing way of contextualizing Heathers as she juxtaposes it alongside other films in this subgenre such as The Craft (1996), Jawbreaker (1999), and Mean Girls (2004). Twitter/Instagram: @NightmarePod1; YouTube: Such a Nightmare channel; Email: suchanightmare.pod@gmail.com; ALL LINKS
Episode Notes We are back again and ready to dive into the back half of Neon Genesis Evangelion with episodes 14 through 20. We start by looking at what actually turned out to be a fairly interesting clip show episode and use it to spring into a discussion of the shift towards greater interiority and the developing undercurrents in the second half of the series; the growing characterization of Rei; Misato and Kaji as a (not always well handled) brat4brat relationship and how it factors into our read of Misato as well as Asuka as a “female impersonator” of Misato; our read on Kaji as an interesting but often creepy character; Eva's ongoing construction of divided subjects; the psychoanalytic elements of the series and Connor's theory bullshit about Kristeva's ideas about abjection; the abjection of queerness; the role of ego in sync rate and pilot performance; the solidification of the show's thematic elements in order to develop further in the finale; the misdirected desire for comfort that must be resisted to reassert selfhood and allow the potential for further life; our continuing kicking of the Mimesis can down the Ghost Divers road; and an extended discussion of one of our favorite sparsely animated scenes. Next time we will be joined by guest Brad Nelson to talk about episodes 21 through 26! Write into our Question Bucket at ghostdiverspod@gmail.com and follow us on Twitter! The Show: @ghostdiverspod Niamh: @FoxmomNia Connor: @rabbleais Garfield Read Aloud: @GarfReadAloud Also as a fun note: About a week before this episode was released, Connor finally subscribed to the Patreon in order to listen to Niamh's new movie podcast with Autumn called Ornate Stairwells! You can check out the public feed for Ornate Stairwells at exportaud.io/ornatestairwells or listen to the episodes early by becoming a patron yourself at exportaud.io. I mean, not episodes of Ghost Divers early, just episodes of Ornate Stairwells early. I'm not putting any more pressure on myself to edit stuff early, and I think this podcast works best if you know exactly when to expect new episodes. Works Cited in this Discussion Powers of Horror: An Essay on Abjection by Julia Kristeva Content Warnings for this Discussion Discussion of grooming and sexual abuse Sexism & misogyny Blood, gore, dismemberment, strangulation, & death The trauma of childbirth Ego destruction or death Bodily fluids & kink Bodily corruption & invasion Cannibalism Sex and sexuality Find out more at https://ghost-divers.pinecast.co
Episode Notes We are back once again with our discussion of episodes 7 through 13 of Neon Genesis Evangelion. These may be what are generally considered the lightest, most slice-of-life/monster-of-the-week episodes of the show, but Niamh and Connor know what this show is and is going to be, so this episode is still plenty dark. Niamh being her most messy Misato when fae recorded this probably didn't help. We start our discussion with the revelation that Connor is also a Misato x Ritsuko shipper, then get into the way the comparative cheeriness of these episodes feels intentionally hollow and like the illusion of happiness you create when you're depressed, Eva's deployment of tropes from “lighter” genres like romantic comedies, the duality of Misato and the ways in which she is actually not like Niamh, the subordination of all characters to Shinji as the self-obsessed depressed protagonist of the series and how this starts Connor and Niamh's one true fight on Eva that we will never fully resolve, the forced feminization of Shinji, bringing in Misora Hibari as a point of reference for Asuka as an impersonator of Misato, the psychoanalytic theory of abjection as put forth by Julia Kristeva and its relation to Eva, the possibility of communication and connection between individuals, the developing characterization of Rei, Gendo's position as the antagonist of the series, the divided subject of the MAGI system, more on the divided opinion of Connor and Niamh on whether or not Anno is a hateful little shit man, trying to talk around the end of the show and The End of Evangelion, and putting off some theory bullshit for next time. Also we kinda end up talking more about Asuka and Misora Hibari after we finished recording the podcast proper and that all made it into the post-ED outtakes section so uh… it's a little more than just goofs this time, you might want to stick around for at least some of it even if you usually skip the outtakes. Write into our Question Bucket at ghostdiverspod@gmail.com and follow us on Twitter! The Show: @ghostdiverspod Niamh: @FoxmomNia Connor: @rabbleais Autumn: @Autumnal_Coffee Garfield Read Aloud: @GarfReadAloud Works Cited in this Discussion “Misora Hibari and the Girl Star in Postwar Japanese Cinema” by Deborah Shamoon, published in Signs vol. 35 no. 1 Powers of Horror: An Essay on Abjection by Julia Kristeva “Kanashiki Kuchibue” performance by Misora Hibari Content Warnings for this Discussion Alcohol / Alcoholism Abusive relationships Mental illness Misogyny Sex work Rape Sexualization of young girls Pedophilia Find out more at https://ghost-divers.pinecast.co
Break out the flamethrower and your improvised, air-pressure-variance detector because it's time to get wet looking for the crew's pussy-cat and discover the brain penetrating, chest-bursting symbolism of the Xenomorphic monstrosity of Ridley Scott's time-honored horror classic “Alien.”In this episode we dissect Alien and discuss: -Ripley, -The Dark Feminine-Dissecting the Xenomorph -Man versus Nature -Abjection and The Ego -The Facehugger symbolism -Motherhood-Production Secrets -Toxic Femininity / Toxic Masculinity-HR Giger's secret paintings-Vagina Dentata In the extended episode available at http://www.Patreon.com/TheWholeRabbit: -Why Mari secretly doesn't like Alien-Insect sexuality -The severity of pregnancy -Collectivism -The Altar of Pornography-Robotic male sexuality-How incels work -The ferocity of nature -Conservative tropes in Alien-Value of the abject in magick -R.KellyWhere to find The Whole Rabbit: Online Emporium: https://shop.spreadshirt.com/thewholerabbit/Stickers, t-shirts, hoodies and more!Twitter: https://twitter.com/1WholeRabbitLet's get the conversation started! Spotify: https://open.spotify.com/show/0AnJZhmPzaby04afmEWOAVThe best place for ALL devices. Instagram: https://www.instagram.com/the_whole_rabbit_/Like, subscribe and comment to see all our weird artsy stuff.Sources:https://en.wikipedia.org/wiki/Alien_(film)https://www.gradesaver.com/alien/study-guide/symbols-allegory-motifshttp://www.blue-sunshine.com/tl_files/images/Week2-Creed-MonstrousFeminine.pdfhttps://en.wikipedia.org/wiki/Filial_cannibalism#:~:text=Filial%20cannibalism%20occurs%20when%20an,in%20various%20species%20of%20fish.Support the show (https://www.patreon.com/thewholerabbit)
Do you want to become one with us? To be of one mind and body? It's a very, very comforting feeling. Email us anytime. Come dive with us into Neon Genesis Evangelion. Just relax and release your soul. Release Schedule [S1E1] Intro: April 30, 2020 [S1E2] Eps. 1–6 + manga chs. 1–19 (vols. 1–3): May 14, 2021 [S1E3] Eps. 7–13 + manga chs. 20–26 (vol. 4): May 28, 2021 [S1E4] Eps. 14–20 + manga chs. 27–51 (vols. 5–8): June 11, 2021 [S1E5] Eps. 21–26 + manga chs. 52–74 (vols. 8–11): June 25, 2021 [S1E6] End of Evangelion & manga chs. 75–End (vols. 11-14): July 9, 2021 [S1E7] Question Bucket: July 23, 2021 Works Cited “Misora Hibari and the Girl Star in Postwar Japanese Cinema” by Deborah Shamoon, published in Signs vol. 35 no. 1 “Kanashiki Kuchibue” performance by Misora Hibari Powers of Horror: An Essay on Abjection by Julia Kristeva Chapter 1 of Mimesis: The Representation of Reality in Western Literature by Erich Auerbach Content Warnings for the Anime and Manga Violence, blood, death, and gore Body horror mechs Abusive parents / abusive relationships / emotional, physical, and sexual abuse Nudity and sexuality, including the sexualization of young girls Alcohol and alcoholism Mental invasion / rape Sexism Toxic gender roles Unreality Mental breakdowns Suicide Decapitation Strangulation Animal death (manga especially) Flashing images Content Warnings for the End of Evangelion Most of above but more intense. Specific scenarios to call out: A character masturbating over the unconscious body of a girl An older man grabbing a young woman's breast and then his hand entering her body, evocative of sexual abuse Flashing images Gore and violence is overall turned up a little from the show, although there are also intense scenes in the show Find out more at https://ghost-divers.pinecast.co
Bethany Morris is an assistant professor of psychology at Point Park University in Pittsburgh, Pennsylvania, where she teaches and does theoretical and qualitative research. Dr. Morris is a transdisciplinary scholar whose work bridges critical psychology, literature, philosophy, history, psychoanalysis, and film studies. Early in her career, at Prince Edward Island University and Brock University in Canada, she studied alternative anti-psychiatric interventions for early-onset schizophrenia as illuminated by children’s literature. During this time, she was also thinking critically about issues of women’s stigmatization and oppression. In recent years, her work has focused on using the ideas of French psychoanalyst Jacques Lacan to gain a further critical understanding of the oppression of women, psychology’s medical model, and other issues related to social justice. Her recent publications include the co-authored book Subjectivity in Psychology in the Era of Social Justice, as well as her first solo-authored book, Sexual Difference, Abjection, and Liminal Spaces. Throughout her work is a sustained critique of Borderline Personality Disorder, both as a diagnostic category and the way that it is used toward misogynistic ends in popular culture.
Vincent Hugeux, ancien grand reporter à l’Express et spécialiste de l’Afrique, vient de sortir aux éditions Perrin « Tyrans d’Afrique, les mystères du despotisme post-colonial ». Dans ce livre de 400 pages, il dresse le portrait de dix chefs d’État africains connus pour l’exercice violent du pouvoir, parmi lesquels Jean-Bedel Bokassa, Idi Amin Dada, Ahmed Sékou Touré ou encore Isaias Afeworki. Vincent Hugeux répond aux questions d'Edmond Sadaka.
An Essay on Abjection by Julia Kristeva, 1941
The hags weave a path through: doshas, past life memories, lucid dreaming, astral projection, ghosts, and masterclasses. Can greatness be taught? Abjection. Learn more about your ad-choices at https://www.iheartpodcastnetwork.com
The boys talk about leaving New York, Lloyd's thirst for experience, "Richard Jewell (2019)," the boomer bootstrap mentality, and what it would be like to die mid-podcast.
Robby contacted Ernie to ensure he hadn't hurt his feelings during Tuesday's The Great Reset. He had agreed with Janet that he too would leave the group if it was true that Ernie was espousing non-scriptural foundations, but didn't think that was the case.Ernie admitted that he had partly called out Robby's statement for dramatic effect; the emotional pain was minimal (and addressed). However, he would have preferred Robby to validate Janet's emotions without necessarily endorsing her reasoning (about leaving), even if he disagreed with her facts.Surprisingly, Robby realized that he had actually lied in that statement. In reality he would not have left the group under such circumstances. However, he unconsciously said whatever seemed necessary to reduce tensions (as he had been trained to do by his family of origin).This led to a discussion of abjection: the instinctual response to reject what is "not-self." Ernie's claimed this was behind Janet's desire to leave the group, Robby's subconscious attempts to reduce conflict, and even his conscious mind's rejection of the part of himself that lies to avoid conflict. Ernie suggested "communion" as the opposite of abjection, though they both identified weaknesses with that word.This tied into a larger critique Ernie had of Robby's model of "hearing and following Jesus." While that is clearly a good thing, Ernie pointed out that the disciples (and many others) clearly heard and followed Jesus for three years, yet still fell away at the cross (except for John). He suggested the stronger term "Jesus lover", reflecting Jesus' challenge in John 21:15-17 for Peter to "love" (identify with, even in suffering) rather than merely "like" (enjoy for the sake of benefits) him.He ended by arguing that in the end, the only thing that matters is relationships. And in particular, that if we focus in the right way on improving our relationship with our "selves", we will open ourselves to not just hear Jesus more clearly, but become a conduit of His grace to all our other relationships.References Automated Transcript Immanuel Approach Abjection (Julia Kristeva) Being as Communion (John Zizioulas) Prelude to Reconciliation (Type 1 and 2) "To him the doorkeeper opens, and the sheep hear his voice; and he calls his own sheep by name and leads them out. And when he brings out his own sheep, he goes before them; and the sheep follow him, for they know his voice." -- John 10:3-4 (NKJV)"My sheep hear My voice, and I know them, and they follow Me." -- John 10:27
We discuss the protracted outcome of the U.S. presidential election and the passage of Prop 22 in California. As always, support Death Panel at www.patreon.com/deathpanelpod new Death Panel merch here (patrons get a discount code): www.deathpanel.net/merch join our Discord here: discord.com/invite/3KjKbB2
durée : 00:22:26 - L'invité de 8h20 : le grand entretien - L'ancien Premier ministre est l'invité de Léa Salamé et Nicolas Demorand. Il réagit à la mort vendredi d’un enseignant décapité près de son collège.
From the films of Larry Clark to the feminist comedy of Amy Schumer to the fall of Louis C. K., comedic, graphic, and violent moments of abjection have permeated twentieth- and twenty-first-century social and political discourse. The contributors to Abjection Incorporated: Mediating the Politics of Pleasure and Violence (Duke University Press, 2020) move beyond simple critiques of abjection as a punitive form of social death, illustrating how it has become a contested mode of political and cultural capital—empowering for some but oppressive for others. Escaping abjection's usual confines of psychoanalysis and aesthetic modernism, core to theories of abjection by thinkers such as Kristeva and Bataille, the contributors examine a range of media, including literature, photography, film, television, talking dolls, comics, and manga. Whether analyzing how comedic abjection can help mobilize feminist politics or how expressions of abjection inflect class, race, and gender hierarchies, the contributors demonstrate the importance of competing uses of abjection to contemporary society and politics. They emphasize abjection's role in circumscribing the boundaries of the human and how the threats abjection poses to the self and other, far from simply negative, open up possibilities for radically new politics. Maggie Hennefeld is Assistant Professor of Cultural Studies and Comparative Literature at the University of Minnesota, Twin Cities. Her Twitter handle is @magshenny. Nicholas Sammond is Associate Professor of Cinema Studies at the University of Toronto. Joel Tscherne is an adjunct history general studies professor at Southern New Hampshire University. His Twitter handle is @JoelTscherne. Learn more about your ad choices. Visit megaphone.fm/adchoices
From the films of Larry Clark to the feminist comedy of Amy Schumer to the fall of Louis C. K., comedic, graphic, and violent moments of abjection have permeated twentieth- and twenty-first-century social and political discourse. The contributors to Abjection Incorporated: Mediating the Politics of Pleasure and Violence (Duke University Press, 2020) move beyond simple critiques of abjection as a punitive form of social death, illustrating how it has become a contested mode of political and cultural capital—empowering for some but oppressive for others. Escaping abjection's usual confines of psychoanalysis and aesthetic modernism, core to theories of abjection by thinkers such as Kristeva and Bataille, the contributors examine a range of media, including literature, photography, film, television, talking dolls, comics, and manga. Whether analyzing how comedic abjection can help mobilize feminist politics or how expressions of abjection inflect class, race, and gender hierarchies, the contributors demonstrate the importance of competing uses of abjection to contemporary society and politics. They emphasize abjection's role in circumscribing the boundaries of the human and how the threats abjection poses to the self and other, far from simply negative, open up possibilities for radically new politics. Maggie Hennefeld is Assistant Professor of Cultural Studies and Comparative Literature at the University of Minnesota, Twin Cities. Her Twitter handle is @magshenny. Nicholas Sammond is Associate Professor of Cinema Studies at the University of Toronto. Joel Tscherne is an adjunct history general studies professor at Southern New Hampshire University. His Twitter handle is @JoelTscherne. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/psychoanalysis
From the films of Larry Clark to the feminist comedy of Amy Schumer to the fall of Louis C. K., comedic, graphic, and violent moments of abjection have permeated twentieth- and twenty-first-century social and political discourse. The contributors to Abjection Incorporated: Mediating the Politics of Pleasure and Violence (Duke University Press, 2020) move beyond simple critiques of abjection as a punitive form of social death, illustrating how it has become a contested mode of political and cultural capital—empowering for some but oppressive for others. Escaping abjection's usual confines of psychoanalysis and aesthetic modernism, core to theories of abjection by thinkers such as Kristeva and Bataille, the contributors examine a range of media, including literature, photography, film, television, talking dolls, comics, and manga. Whether analyzing how comedic abjection can help mobilize feminist politics or how expressions of abjection inflect class, race, and gender hierarchies, the contributors demonstrate the importance of competing uses of abjection to contemporary society and politics. They emphasize abjection's role in circumscribing the boundaries of the human and how the threats abjection poses to the self and other, far from simply negative, open up possibilities for radically new politics. Maggie Hennefeld is Assistant Professor of Cultural Studies and Comparative Literature at the University of Minnesota, Twin Cities. Her Twitter handle is @magshenny. Nicholas Sammond is Associate Professor of Cinema Studies at the University of Toronto. Joel Tscherne is an adjunct history general studies professor at Southern New Hampshire University. His Twitter handle is @JoelTscherne. Learn more about your ad choices. Visit megaphone.fm/adchoices
From the films of Larry Clark to the feminist comedy of Amy Schumer to the fall of Louis C. K., comedic, graphic, and violent moments of abjection have permeated twentieth- and twenty-first-century social and political discourse. The contributors to Abjection Incorporated: Mediating the Politics of Pleasure and Violence (Duke University Press, 2020) move beyond simple critiques of abjection as a punitive form of social death, illustrating how it has become a contested mode of political and cultural capital—empowering for some but oppressive for others. Escaping abjection's usual confines of psychoanalysis and aesthetic modernism, core to theories of abjection by thinkers such as Kristeva and Bataille, the contributors examine a range of media, including literature, photography, film, television, talking dolls, comics, and manga. Whether analyzing how comedic abjection can help mobilize feminist politics or how expressions of abjection inflect class, race, and gender hierarchies, the contributors demonstrate the importance of competing uses of abjection to contemporary society and politics. They emphasize abjection's role in circumscribing the boundaries of the human and how the threats abjection poses to the self and other, far from simply negative, open up possibilities for radically new politics. Maggie Hennefeld is Assistant Professor of Cultural Studies and Comparative Literature at the University of Minnesota, Twin Cities. Her Twitter handle is @magshenny. Nicholas Sammond is Associate Professor of Cinema Studies at the University of Toronto. Joel Tscherne is an adjunct history general studies professor at Southern New Hampshire University. His Twitter handle is @JoelTscherne. Learn more about your ad choices. Visit megaphone.fm/adchoices
From the films of Larry Clark to the feminist comedy of Amy Schumer to the fall of Louis C. K., comedic, graphic, and violent moments of abjection have permeated twentieth- and twenty-first-century social and political discourse. The contributors to Abjection Incorporated: Mediating the Politics of Pleasure and Violence (Duke University Press, 2020) move beyond simple critiques of abjection as a punitive form of social death, illustrating how it has become a contested mode of political and cultural capital—empowering for some but oppressive for others. Escaping abjection's usual confines of psychoanalysis and aesthetic modernism, core to theories of abjection by thinkers such as Kristeva and Bataille, the contributors examine a range of media, including literature, photography, film, television, talking dolls, comics, and manga. Whether analyzing how comedic abjection can help mobilize feminist politics or how expressions of abjection inflect class, race, and gender hierarchies, the contributors demonstrate the importance of competing uses of abjection to contemporary society and politics. They emphasize abjection's role in circumscribing the boundaries of the human and how the threats abjection poses to the self and other, far from simply negative, open up possibilities for radically new politics. Maggie Hennefeld is Assistant Professor of Cultural Studies and Comparative Literature at the University of Minnesota, Twin Cities. Her Twitter handle is @magshenny. Nicholas Sammond is Associate Professor of Cinema Studies at the University of Toronto. Joel Tscherne is an adjunct history general studies professor at Southern New Hampshire University. His Twitter handle is @JoelTscherne. Learn more about your ad choices. Visit megaphone.fm/adchoices
From the films of Larry Clark to the feminist comedy of Amy Schumer to the fall of Louis C. K., comedic, graphic, and violent moments of abjection have permeated twentieth- and twenty-first-century social and political discourse. The contributors to Abjection Incorporated: Mediating the Politics of Pleasure and Violence (Duke University Press, 2020) move beyond simple critiques of abjection as a punitive form of social death, illustrating how it has become a contested mode of political and cultural capital—empowering for some but oppressive for others. Escaping abjection's usual confines of psychoanalysis and aesthetic modernism, core to theories of abjection by thinkers such as Kristeva and Bataille, the contributors examine a range of media, including literature, photography, film, television, talking dolls, comics, and manga. Whether analyzing how comedic abjection can help mobilize feminist politics or how expressions of abjection inflect class, race, and gender hierarchies, the contributors demonstrate the importance of competing uses of abjection to contemporary society and politics. They emphasize abjection's role in circumscribing the boundaries of the human and how the threats abjection poses to the self and other, far from simply negative, open up possibilities for radically new politics. Maggie Hennefeld is Assistant Professor of Cultural Studies and Comparative Literature at the University of Minnesota, Twin Cities. Her Twitter handle is @magshenny. Nicholas Sammond is Associate Professor of Cinema Studies at the University of Toronto. Joel Tscherne is an adjunct history general studies professor at Southern New Hampshire University. His Twitter handle is @JoelTscherne. Learn more about your ad choices. Visit megaphone.fm/adchoices
This week on Bikini Drive-In, we discuss James Cameron's 1986 film, Aliens. Abjection, monstrous birth & whitewashing. Listen every Sunday at 4:30 p.m. on CKUW 95.9 fm. Questions or suggestions? Email bikinidrivein@gmail.com
From Monteverdi to Monty Python, cross-dressing, gross-out humour and a preoccupation with the grotesque seems to offer a release from the constrictions of moral codes and social conventions. A familiar face on the Opera North stage, tenor Daniel Norman takes a trip into transgression in the company of Alan O'Leary, Professor of Film and Cultural Studies at the University of Leeds. Drawing on the theories of philosopher and critic Mikhail Bakhtin, they discuss “the licence to misbehave” in opera, film and performance; the liberating effect of the Carnivalesque in the arts; and its unforeseen consequences. Warning: this podcast features frank discussion of bodily functions! Produced as part of the DARE partnership between Opera North and the University of Leeds
Em parceria com a Fobia Clothing, o RdMCast vem até vocês nesta manhã de quinta-feira com uma discussão sobre o filme com um dos finais mais impactantes da história do horror: “Acampamento Sinistro” (1983). Em uma análise historiograficamente embasada, conversamos sobre sexualidade reprimida, estereótipos de gênero, representações de homossexualidade e transfobia, neste que é um dos slashers mais impactantes e controversos dos anos 1980. * ARTE DA VITRINE: Estúdio Grim Estúdio Grim – Design para conteúdo digital * Portfólio: https://www.behance.net/estudiogrim * Instagram @estudiogrim * designgrim@gmail.com SEJA UM(A) APOIADOR(A) * Apoie o RdM a produzir mais conteúdo e ganhe recompensas exclusivas! * Acesse: https://apoia.se/rdm * Conheça a Sala dos Apoiadores: http://republicadomedo.com.br/sala-dos-apoiadores/] PODCAST EDITADO POR * Ilha Flutuante: https://www.ilhaflutuante.com.br/ CITADOS NO PROGRAMA LAROCCA, Gabriela Müller. My god, she's a boy! Puberdade, sexualidade e gênero no audiovisual de horror: uma análise do filme Sleepaway Camp (1983). Todas as Musas – Revista de Literatura e das Múltiplas Linguagens da Arte. V. 1, p. 30 – 40, 2018. KRISTEVA, Julia. Powers of Horror: An Essay on Abjection. Nova York: Columbia University Press, 1982. CREED, Barbara. The Monstrous-Feminine: Film, Feminism, Psychoanalysis. Nova York: Routledge, 1993. OUÇA O RDMCAST NO SPOTIFY! * Acesse: https://spoti.fi/2DWoFCX GRUPO ABERTO NO TELEGRAM * Link direto: http://bit.ly/2Ao6dOd Tem algo para nos contar? Envie um e-mail! contato@republicadomedo.com.br Twitter: @rdmcast Instagram: Republica do Medo Learn more about your ad choices. Visit podcastchoices.com/adchoices
Patreon: https://www.patreon.com/theoryandphilosophy Instagram: @theory_and_philosophy paypal.me/theoryphilosophyIn this episode, I begin my presentation of Kelly Oliver's "Witnessing: Beyond Recognition." In this book she tries to conceptualize an anti-oppressive political strategy that is not predicated upon difference, but that is focused on the similarities that bind people. I'm joined by Helene Bigras-Dutrisac to impart her expertise of chapter 4!Timestamps: Introduction: Beyond Recognition (Beginning)Ch. 1: Domination, Multiculturalism, and the Pathology of Recognition (21:15)Ch.2 : Identity Politics, Deconstruction, and Recognition (28:45)Ch. 3: Identity as Subordination, Abjection and Exclusion (37:36)Ch. 4: The Necessity and Impossibility of Seeing (40:14).
This week we start our two week horror special kicking off with Julia Kristeva's theory of abjection. Benn and Tara talk about their greatest fears and how Kristeva took the concept of the Ego and Id from Sigmund Freud, mixed it with the mirror experience of Jacques Lecan and provided insight of the shocking experiences we may have in regard to the mundane objects of the world. Warped Zone is a podcast on scifi, philosophy, religion, politics, gaming and anything else taboo. Run by Benn Banasik and Tara BM Smith, two PhD studies of religion candidates with a shared love of good coffee and cats. Warped Zone can be found on facebook: https://www.facebook.com/warpedzonepodcast Our Discord chat: https://discord.gg/jyXyBzk Benn Banasik can be contacted on twitter: www.twitter.com/bennbanasik Tara BM Smith can be contact on twitter: www.twitter.com/tarabluemoon
In this episode, hosts Katherine Troyer and Anthony Tresca discuss the 2014 film It Follows.Episode Highlights: Katherine establishes a critical framework for the abject, Anthony talks about STGs (sexually transmitted ghosts), and we deplore over the film's abundance of panning shots. A Dose of Scholarship: For more on the concept of the abject, check out Powers of Horror: An Essay on Abjection by Julia Kristeva. We also highly recommend Barbara Creed's article "Horror and the Monstrous-Feminine: An Imaginary Abjection," which can be found in the edited collection The Dread of Difference: Gender and the Horror Film. In addition to masterfully unpacking Kristeva's ideas, Creed offers an excellent example of how to analyze specific horror films through the lens of the abject.Twitter/Instagram: @NightmarePod1; Email: suchanightmare.pod@gmail.com
80s and early 90s vampire fiction responded to the wealth porn aestheticism of Anne Rice by getting as punk and filthy as possible, with varying results (look we're not even going to humor the claim that this is anything but very obviously a response to the Vampire Chroincles). In this case....well. Is it possible to be more misogynistic than an Anne Rice book? Turns out the answer is yes, when your book is written by a then-closeted trans man still Working Through Some Shit. There is, as the academics say, a lot to unpack here. CONTENT WARNING for discussion of sexual assault, forced pregnancy, anti-choice rhetoric, uterine horror, rape apologism, misogyny, pedophilia, incest, drug use, and body horror. This one is A LOT, so take care 1:00 That Closeted Trans Dude Feel 8:30 Drinks 12:30 Prologue 21:00 Small Realisms 24:00 Fuck You, Steve 28:00 "Secret Bone Dance" 39:00 OC DONOT STEAL 41:00 Death By Baby 49:00 The Failure of Nothing 54:00 College Course Storytime 57:00 Abjection of Sexuality 69:00 Switched at Birth Fantasy 71:00 This, That, and the Other 75:00 The Danger of a Moral Center Character 79:00 Death to the Old Vampire 81:00 Should You Read This Say hi to Dorothy and Vrai on Twitter @writervrai and @dorothynotgale Join us every two weeks on Soundcloud, iTunes or Stitcher – and if you’d leave a rating and review, so that more people can find their way to us, we’d appreciate it!
The Clash — “This is Radio Clash”, 1984.Children on Stun — “Sidelined”, 1994.Traitrs — “Gallows Hill”, 2017.A Split Second — “Mambo Witch”, 1988. Pet Shop Boys — “West End Girls (Dance Mix)”, 1984.Depeche Mode — “Policy of Truth (Beatbox)”, 1990.Gameboyz — “Tacón Puntera”, 2015.Covenant — “2D”, 1999.Fehm — “Fall into Abjection”, 2016.Bloc Party — “Banquet”, 2005.Xingu Hill — “Core Illness”, 1999. Coil — “Blue Rats”, 1996.Lowlife — “Eternity Road”, 1987.New Order — “Elegia”, 1985.
Concluding on Julia Kristeva's Powers of Horror (1980) and focusing on H.P. Lovecraft's "The Call of Cthulhu" (1928). Does Lovecraft's presentation of nameless terror capture (or improve upon) what Kristeva means by "abjection"? End song: "The Other" by Mark Lint feat. Lucy Lawless. Read about it and support the project. Listen to part one first, or go back to ep. 202 first. Become a PEL Citizen to get the full, ad-free experience. Please support PEL! Sponsors: Visit fin.com/pel to try a virtual assistant for free. Explore Peter Singer's The Life You Can Save at partiallyexaminedlife.com/savealife.
More on Julia Kristeva's Powers of Horror (1980) plus H.P. Lovecraft's "The Call of Cthulhu" (1928). What is the object of fear? Mark, Seth, and Dylan get clearer on Kristeva's view of the establishment and loss of the integrity of the self, what the "object" of abjection is, and what this all might have to do with feminism. Most of the Lovecraft goodness is in part 2, so don't wait! Get the unbroken, ad-free Citizen Edition, along with Mark's Kristeva Close Reading. Please support PEL! Sponsor: Visit thegreatcoursesplus.com/PEL for a one-month free trial of The Great Courses Plus Video Learning Service.
Mark takes a very close look at pages 1–4 of the first chapter of On Powers of Horror: An Essay on Abjection (1980) as a supplement to episode 202. Get the full, 55-minute experience as a PEL Citizen, or get it by supporting us on Patreon for a mere $1!
Continuing on Powers of Horror: An Essay on Abjection, ch. 1 and 2. We try to get clearer on Kristeva's talk of "object," the relationship between language and abjection, how Kristeva is advancing on Freud, how to be a mom that allows a kid to separate in a healthy way, and how abjection plays into religion and writing. Listen to part one first, or get the unbroken, ad-free Citizen Edition, and don't miss Mark's Close Reading, available to Citizens and $1+ Patreon members. End song: "Eyes of Fire" by Jill Freeman, as discussed on Nakedly Examined Music #28. Help us plan our 10th Anniversary show by taking our planning survey. Watch out for our 2019 Wall Calendar! Sponsor: Visit thegreatcoursesplus.com/PEL for a one-month free trial of The Great Courses Plus Video Learning Service.
This is the first of our "Retractions" series. In the spirit of Saint Augustine, we want to reserve the right to review what we've covered and to take some time to synthesize and integrate our discussions. In this episode, we hit on three major themes that we've covered thus far: time, death (-drive), and abjection. Eric also highlights some timely themes from Walter Benjamin in light of the politically rough last couple of weeks. Next week begins #tadfest, a three-week romp through the work of Tad Delay! We'll begin with "God is Unconscious" next week, before moving to "The Cynic and the Fool" the following week, and having Tad himself on the show the week after that! If you appreciate what we do, consider supporting us at Patreon.com/PTRPodcast ! Also, find us on Twitter at @podcastptr , and connect with us on Facebook. Thanks to Luxury Cloud Service for the use of their music, and thanks to Matt Baker from The Catacombic Machine for our artwork.
On Powers of Horror: An Essay on Abjection (1980), ch. 1 and 2. Kristeva writes about "abjection," where we violently reject things like corpses, bodily wastes and other fluids, and the Lovecraftian unnameable that lurks at the edge of our awareness. Her book is also all about the self, suggesting modifications to Freud's Oedipal complex and Lacan's mirror-stage story. With guest Kelley Citrin. Continue on part 2, or get the unbroken, ad-free Citizen Edition, as well as Mark's Close Reading, which we've made available to Patreon supporters at the $1 level. Please support PEL!
This week on The Spectator Film Podcast… The Blair Witch Project (1999) 10.12.18 Featuring: Austin, Maxx — Notes — The Monstrous-Feminine: Film, Feminism, and Psychoanalysis by Barbara Creed — If you’re curious to learn more about the Abject/Abjection, seek this book out. Creed continues Clover’s excellent work discussing how gender can express itself in horror films. On the same note, Creed’s use of the term “Abject” relies a lot upon Powers of Horror: An Essay on Abjection by Julia Kristeva. Check it out. “Visual Pleasure and Narrative Cinema” by Laura Mulvey is one of the seminal essays in the history of film criticism, as is “When the Woman Looks” by Linda Williams. Regardless of your interest in The Blair Witch Project or the horror genre in general, these two essays are highly recommended – this is “must-read” material. Each essays does a tremendous job investigating the importance of vision/the gaze to film viewership, and its direct relationship to character agency. Concerning Heterotopias, we found a number of interesting and useful resources, although the most thorough appears to be heterotopiastudies.com. We emailed Peter Johnson, who runs the site, with some questions about heterotopias in reference to the horror genre; he provided me with several resources he thought might be beneficial: Chung, H. J. (2018) Media Heterotopias Durham NC: Duke University Press Chung, H. J.(2012) ‘Media Heterotopia and Transnational Filmmaking: Mapping Real and Virtual Worlds'. Cinema 51 (4) 87-109. Davies, A. (2008) ‘Guillermo del Toro’s Cronos: the Vampire as Embodied Heterotopia', Quarterly Review of Film and Video, 25 (5): 395-403. Here’s the link to a nice, lengthy blog post from slaphappylarry.com that might provide another useful entry point for understanding heterotopias. “The Invisible Monstrous-Feminine: The Blair Witch and Her Heterotopic Woods” by Erez Genish is an essay discussing The Blair Witch Project in reference to the idea of heterotopias; we didn’t quote the essay directly, but finding it is what encouraged us to investigate heterotopias in the first place. It’s worth a look! Hitchcock by Francois Truffaut is a fantastic read, from which we pulled a quote early in the episode. It’s not the most rigorous or reliable study of Hitchcock’s work, but it remains and incredibly enjoyable book. The Blair Witch Project by Peter Turner is a solid introduction into some of the critical discussions taking place regarding The Blair Witch Project, as well as providing some great information on the production of the film.
This is the third installment in my Art House Horror series. In this episode I discuss the New French Extremity, abjection, and camp. I look at Trouble Every Day and In My Skin as examples that embrace complex, messy approaches to identity and personhood. CW: Gore, Rape, Self Harm, Cannibalism Want to help support the podcast? Consider making a small monthly donation at patreon.com/OpenIvoryTower Show Notes: On giallo horror: Giallo Film List; Sex, Death, and Paperbacks: The History of Giallo Cinema Kristeva, Julia. Powers of Horror: An Essay on Abjection. Nota, 2017. Sontag, Susan. Notes on Camp. Penguin Books, 2018. Author: Genevieve Newman
This stand-alone podcast is a short discussion of Ariel Schulman’s and Henry Joost’s 2016 epidemic horror film Viral. The film stars Analeigh Tipton (Warm Bodies), Sofia Black D’Elia (Project Almanac), and Travis Tope (The Town That Dreaded Sundown [2014]) and follows two sisters’ attempt to survive both the impending apocalypse and lethal military intervention. This podcast looks at how this specific kind of epidemic horror functions in the broader landscape of the genre, and what the possible significance is for specific types of disease vectors in cinema. For more on bugs in horror, see my blog post here. To help support to my blog/podcast, you can find my Patreon here. References and Further Reading Benshoff, Harry M. Monsters in the Closet: Homosexuality and the Horror Film. Manchester: Manchester UP, 1997. Print. Clarens, Carlos. An Illustrated History of the Horror Film. New York: Putnam, 1979. Print. Cornea, Christine. Science Fiction Cinema: Between Fantasy and Reality. New Brunswick, NJ: Rutgers UP, 2007. Print. Creed, Barbara. The Monstrous-Feminine: Film, Feminism, Psychoanalysis. London: Routledge, 1993. Print. Douglas, Mary. Purity and Danger: An Analysis of Concepts of Pollution and Taboo. New York, NY: Routledge, 2015. Print. Eliade, Mircea, and Ana Cartianu. Mystic Stories: The Sacred and the Profane. Boulder, CO: East European Monographs, 1992. Print. King, Stephen. Danse Macabre. London: Hodder, 2012. Print. 117. Kristeva, Julia, and Leon S. Roudiez. Powers of Horror: An Essay on Abjection. New York: Columbia UP, 1982. Print. Magistrale, Tony. Abject Terrors: Surveying the Modern and Postmodern Horror Film. New York: Peter Lang, 2007. Print. Skal, David J. The Monster Show: A Cultural History of Horror. New York: Norton, 1993. Print. Subissati, Andrea. When There’s No More Room in Hell: The Sociology of the Living Dead. Saarbrücken, Germany: LAP Lambert Academic, 2010. Print. Waller, Gregory A., ed. American Horrors: Essays on the Modern American Horror Film. Chicago: U of Illinois, 1987. Print. Yacowar, Maurice. “The Bug in the Rug: Notes on the Disaster Genre” in Film Genre Reader III. Ed. Keith Barry Grant.. Austin, TX: U of Texas, 2003. Print. 281. Duologue by Javolenus © copyright 2012 Licensed under a Creative Commons Attribution Noncommercial (3.0) license. Ft: audiotechnica Author: Geneveive Newman
The last podcast in this series covers the various iterations of gendered tropes in the MTV series Scream and how gender and violence intersect in metafictional horror. References and Further Reading: Althusser, Louis. Ideology and Ideological State Apparatuses. 1977. Print. Bataille, Georges. “The Notion of Expenditure.” Visions of Excess: Selected Writings. 116-29. 1939. Print. Benjamin, Walter. “Critique of Violence.” Trans. Edmund Jephcott. Reflections: Essays, Aphorisms, Autobiographical Writings. Ed. Peter Demetz. New York: Schocken, 1986. 277-300. Print. Bordo, Susan. “The Body and the Reproduction of Femininity.” Unbearable Weight: Feminism, Western Culture, and the Body. Berkeley: U of California, 1993. N. pag. Print. Butler, Judith. Gender Trouble: Feminism and the Subversion of Identity. New York: Routledge, 1990. Print. Butler, Judith. Undoing Gender. New York: Routledge, 2004. Print. Creed, Barbara. The Monstrous-Feminine: Film, Feminism, Psychoanalysis. London: Routledge, 1993. Print. Eng, David L., Judith Halberstam, and José Esteban Muñoz. “Introduction.” What’s Queer about Queer Studies Now? Social Text 23.3-4 84-85 (2005): 1-17. Web. Foucault, Michel. Power/Knowledge: Selected Interviews and Other Writings, 1972-1977. Ed. Colin Gordon. New York: Pantheon, 1980. Print. Hanhardt, Christina B. Safe Space: Gay Neighborhood History and the Politics of Violence. Duke UP, 2013. Print. Kristeva, Julia, and Leon S. Roudiez. Powers of Horror: An Essay on Abjection. New York: Columbia UP, 1982. Print. McClintock, Anne. Imperial Leather: Race, Gender, and Sexuality in the Colonial Contest. New York: Routledge, 1995. Print. Munoz, Jose Esteban. Cruising Utopia: The Then and There of Queer Futurity. New York: New York UP, 2009. Print. Rich, B. Ruby. New Queer Cinema: The Director’s Cut. Durham: Duke UP, 2013. Print. Silva, Denise Ferreira da. “To Be Announced: Radical Praxis or Knowing (at) the Limits of Justice.” Social Text 13.1 (2013): 43 -62. Spade, Dean. Normal Life: Administrative Violence, Critical Trans Politics, and the Limits of Law. Brooklyn, NY: South End, 2011. Print. Wittig, Monique. The Straight Mind and Other Essays. Boston: Beacon, 1992. Print. Let’s Start at the Beginning (Lee Rosevere) / CC BY-SA 4.0 Author: Geneveive Newman
Penny Dreadful, having premiered at South by Southwest and airing on Showtime, is a “quality TV” version of episodic horror. The series derives its name from 19th century serialized fiction called penny dreadfuls, and the series’ main characters and narrative arches are derived from classic 19th century horror literature (Dracula, The Strange Case of Dr. Jekyll and Mr. Hyde, and Frankenstein; or, The Modern Prometheus for example). Further Reading Benshoff, Harry M. Monsters in the Closet: Homosexuality and the Horror Film. Manchester: Manchester UP, 1997. Print. Clover, Carol J. Men Women and Chainsaws: Gender in the Modern Horror Film. London: BFI, 1992. Print. Creed, Barbara. The Monstrous-Feminine: Film, Feminism, Psychoanalysis. London: Routledge, 1993. Print. Hand, Richard J., and Jay McRoy. Monstrous Adaptations: Generic and Thematic Mutations in Horror Film. Manchester: Manchester UP, 2007. Print. Humm, Maggie. Feminism and Film. Edinburgh: Edinburgh UP, 1997. Print. Janisse, Kier-La. House of Psychotic Women: An Autobiographical Topography of Female Neurosis in Horror and Exploitation Films. Godalming, UK: Fab, 2012. Print. Kiefer-Newman, Katherine. “Agent of Change: A Multiplicity of Female Tricksters in Two Decades (1990s and Early 2000s to 2010) of Postmodern American Movies.” Diss. Pacifica Graduate Institute, 2011. Print. Kristeva, Julia. Powers of Horror: An Essay on Abjection. New York: Columbia UP, 1982. Print. Skal, David J. The Monster Show: A Cultural History of Horror. New York: Norton, 1993. Print. Let’s Start at the Beginning (Lee Rosevere) / CC BY-SA 4.0 Author: Geneveive Newman
Darknet is an adaptation of the Japanese series Torihada (2010-present), and exists as something between a web series, an interactive TV anthology, and a Canadian network series. References and Further Reading Abramowitz, Rachel. Is That a Gun in Your Pocket?: Women’s Experience of Power in Hollywood. New York: Random House, 2000. Print. Barnouw, Erik. The Golden Web: A History of Broadcasting in the United States. Vol. 2. New York: Oxford UP, 1968. Print. Clover, Carol J. Men Women and Chainsaws: Gender in the Modern Horror Film. London: BFI, 1992. Print. Creed, Barbara. The Monstrous-Feminine: Film, Feminism, Psychoanalysis. London: Routledge, 1993. Print. Hamilton, Patrick. Gas Light, a Victorian Thriller in Three Acts. London: Constable, 1939. Print. Humm, Maggie. Feminism and Film. Edinburgh: Edinburgh UP, 1997. Print. Janisse, Kier-La. House of Psychotic Women: An Autobiographical Topography of Female Neurosis in Horror and Exploitation Films. Godalming, UK: Fab, 2012. Print. Jones, Norma, Maja Bajac-Carter, and Bob Batchelor. Heroines of Film and Television: Portrayals in Popular Culture. Lanham, MD: Rowman & Littelfield, 2014. Print. Kristeva, Julia. Powers of Horror: An Essay on Abjection. New York: Columbia UP, 1982. Print. Lené Hole, Kristin. Towards a Feminist Cinematic Ethics: Claire Denis, Emmanuel Levinas and Jean-Luc Nancy. Edinburgh: Edinburgh UP, 2016. Print. Rochon, Debbie. “The Legend of the Scream Queen.” GC Magazine 1999. Web. Rose, Jacqueline. Sexuality in the Field of Vision. London: Verso, 1991. Print. Short, Sue. Misfit Sisters: Screen Horror as Female Rites of Passage. New York: Palgrave Macmillan, 2006. Print. Sobchack, Vivian Carol. Carnal Thoughts: Embodiment and Moving Image Culture. Berkeley: U of California, 2004. Print. Let’s Start at the Beginning (Lee Rosevere) / CC BY-SA 4.0 Author: Geneveive Newman
Abjection, humanity, alien bodies and poor, poor Wikus. We watched Neil Blomkamp's District 9.
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