Podcasts about money jungle

The Jazz Session returns after nearly a year with a new episode featuring pianist Rachel Eckroth. This interview was recorded in October 2023 and focuses on Rachel's then-new album Humanoid. We also talk about returning to the piano, recording in a live setting, the album Money Jungle, and more. Find Rachel online at https://www.racheleckroth.com. Rachel was also on episode 544 in 2021. PATREON Become a Patreon supporter for $5 a month to get a bonus show called This I Dig Of You, on which the guest from the main episode talks about something non-musical that's bringing them joy. Rachel talks about baking. You'll also get early access to every episode, a thank you on an episode, and behind-the-scenes news. Join at https://patreon.com/thejazzsession. CREDITS Theme Music: The Respect Sextet (respectsextet.com) Logo: Sarah Walter Intro Voice: Chuck Ingersoll (hearchucknow.com)

Reverend Charlie Jackson "Something To Think About"The Yardbirds "Heart Full of Soul"Clem Snide "Let's Explode"Lucky Millinder "I Want A Tall Skinny Papa (02-18-42)"Hank Williams "(I Heard That) Lonesome Whistle"Gladys Bentley Quintet "Boogie'n My Woogie"Bob Dylan "Everything Is Broken"Jelly Roll Morton "Sidewalk Blues"Johnny Cash "This Train Is Bound for Glory (with The Carter Family)"Duke Ellington "Money Jungle"Joan Shelley "Something Small"Bob Wills and His Texas Playboys "Rosetta"Louis Armstrong "Beau Koo Jack"Guy Clark "The Waltzing Fool"Lil Green "Romance In the Dark"Allen Toussaint "Whirlaway"S.G. Goodman "When You Say It"Sister O.M. Terrell "I'm Going to That City"Hank Ballard "Sunday Morning Coming Down"Pete Johnson "Death Ray Boogie"Peter Case "Ain't Gonna Worry No More"Jessie Mae Hemphill "Train Train"Fats Waller & His Rhythm "Armful Of Sweetness"John Moreland "Break My Heart Sweetly"Chick Webb "F.D.R Jones"Elvis Costello & Allen Toussaint "Who's Gonna Help Brother Get Further"Clifford Brown "Mildama"Loretta Lynn "Portland Oregon"Johnny Dodds "New St. Louis Blues"Albert King "I'll Play the Blues for You"Otis Redding "Shake"Valerie June "Shakedown"The Prisonaires "Just Walkin' in the Rain"Willie Nelson & Leon Russell "Trouble In Mind"Robert Wilkins "Old Jim Canan's"Allen Toussaint "Just a Closer Walk with Thee"B.B. King "My Own Fault, Baby Aka It's My Fault"Sidney Bechet "Strange Fruit"Nina Simone "Blues for Mama"Cab Calloway & His Orchestra "Six or Seven Times"Mississippi Fred McDowell "Red Cross Store"Billie Holiday "It's Easy To Blame the Weather"Hayes Carll "Another Like You"Sleepy John Estes "Drop Down Mama"Benjamin Booker "Violent Shiver"Aretha Franklin "Since You'Ve Been Gone"John R. Miller "Relaxation"

Synopsis In 1962, American jazz composer, performer, and bandleader "Duke" Ellington was 63 years old – an acknowledged master, but trends in American jazz were changing, and there were much younger figures emerging, with more challenging styles. Take, for example, the bassist Charles Mingus, Jr, a master of collective improvisation, and drummer Max Roach, a pioneer in the Be-Bop movement. Despite their age and stylistic differences, these three jazz titans went into a recording studio on today's date in 1962 and, while tape rolled, using bare-bones charts provided by Ellington of melodies and harmonies, the three jazz titans improvised. The results were issued the following year as a classic LP entitled, “Money Jungle.” Despite his fame, Ellington did not have a recording contract in 1962, and, perhaps after decades experiencing the highs and lows of life as a Black jazz musician in a segregated society, “Money Jungle” reflects a certain bitterness. Along with the charts he gave Mingus and Roach, Ellington also provided poetic story lines for each track, like: "Crawling around on the streets are serpents who have their heads up; these are agents and people who have exploited artists. Play that along with the music.” Music Played in Today's Program Duke Ellington (1899-1974), Charles Mingus (1922-1979), and Max Roach (1924-2007) –Money Jungle: Blue Note 31461

安与大淮 - 从相互成就到相互摧毁下期争取多放音乐少说话？哈哈！本期歌单：1.Springtime Dancing - Manu Katché2.Her - Stan Getz3.Just Friends - Charlie Parker4.Money Jungle (24-Bit Mastering) (2002 Digital Remaster) - Duke Ellington5.Tis Our Prayer - Joey Alexander6.Naked Truth - Avishai Cohen7.Copenhagen - Jakob Bro / Thomas Morgan / Jon Christensen8.American Dreams (Instrumental) - Charlie Haden9.We Are One - Allen Toussaint10.Here's To Life - Shirley Horn

En este nuevo episodio de Radioflop se trata el tema del dinero en varios capítulos que van desde los amantes del dinero, alternativas al dinero y los detractores del dinero. Buscaremos el nexo entre la canción española por antonomasia, la copla, y el dinero. Cruzaremos el atlántico y bajaremos por las costas del continente americano en busca de la plata. El ataque al Palacio de La Moneda el 11 de septiembre de 1973 por parte de las Fuerzas Armadas de Chile darán el pistoletazo de salida a la recta final del programa donde diremos No a base de ritmos latinos. INTRO Straight to Hell, The Clash Combat Rock (1982) Money, Pink FLoyd The Dark Side of the Moon (1973) AMANTES DEL DINERO Milionària, Rosalia F*cking Money Man (2019) 24 7, Cecilio G TDPS 2 (2020) money machine, 100 gecs 1000 gecs (2019) LA COPLA Y EL DINERO Falsa Moneda, Imperio de Argentina Autor: Juan Mostazo Morales El Día que Nací Yo, Rodrigo Cuevas Manual de Cortejo (2019) Autor: Juan Mostazo Morales María de la O, Marife de Triana Autor: Juan Mostazo Morales **EL COBRADOR** Paper Planes, MIA Kala (2007) CANCIONES SOBRE LA PELA, O NO Mi Dicha Lejana, Trío Los Paraguayos Los 3 Paraguayos (1967) Sueño con Serpientes, Silvio Rodriguez Sueño con Serpientes (1980) Quién No Corre, Vuela, Ray Heredia QUién No Corre, Vuela (1991) GIMME DA MONEY Dollar Bill Blues, Townes Van Zandt Dollar Bill Blues (1991) Money Jungle, Duke Ellington - Charlie Mingus - Max Roach Money Jungle (1962) I Need Money, Lee Diamond I Need Money / Let Me Know (1961, Single 7”) Don't Stop 'Til You Get Enough, Michael Jackson (1979, Single 7”) **EL COBRADOR** Funny Money, Talib Kweli & Matlib Liberation (2007) BAILANDO CONTRA EL DINERO No, Nicolas Jaar Sirens (2016) Me Tienes Frito, Muchachito Bombo Infierno Vamos Que Nos Vamos (2005) La Makinita, Juana Fe La Makinita (2010) POST-FLOP

Salut à toutes et à tous,  Pour cet épisode 17, je reçois Frédéric Charbaut; co-président (chargé de la programmation) du festival Jazz à Saint Germain qui tiendra sa 20ème édition du 9 au 20 mai 2020 dans différents lieux du quartier de Saint Germain des Prés. Nous revenons sur le parcours de Frédéric; de l'aéronautique jusqu'au journalisme et la radio; le défi qu'a représenté la création du festival et sa pérénité...  Un petit détour par la programmation de cette 20ème édition qui s'annonce exceptionnelle et que vous pouvez retrouver à cette adresse :  https://festivaljazzsaintgermainparis.com/accueil/ Puis nous passons à sa sélection avec les disques suivants :  1950 :  Miles Davis - Kind of blue (1959) extrait : So What 1960 : Duke Ellington - Money Jungle (1962) extrait : Wig Wise 1960 : The Beatles - Abbey road (1969) extrait : Come together 1960 : John Mayall - The turning point (1969) extrait : The laws must change 1970 : Joni Mitchell - Mingus (1979) extrait : God must be a boogie man 1970 : Marvin Gaye - What's goin' on (1971) extrait : What's goin' on 1980 :  Steely Dan - Gaucho (1980) extrait : Gaucho 1990 : EST  - From Gagarin's point of view (1999) extrait : Dodge the dodo 1990 : Don Pullen - Ode to life (1993) extrait : El Matador 2000 : Michael Brecker - Wide Angles (2003) extrait : BroadBand 2010 : Lars Danielsson - Liberetto I-II-III (2012-2014-2016) extrait : Swedish Song Vous pouvez retrouver l'association l'esprit Jazz à cette adresse : https://www.espritjazz.com et le compte Twitter du festival : https://twitter.com/JazzStGermain  Episode enregistré le 12 février 2020 au restaurant le Mezieres (75006)   Morceau de cloture : Lars Danielsson - Eilat Générique : "It was 3am I was looking up at the sky" by Springtide (www.springtide.jp)

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This week’s Sinica was recorded at UPenn’s Center for Study on Contemporary China. Jeremy and Kaiser speak with three prominent scholars on China: Sheena Greitens, associate professor of political science at the University of Missouri, Rory Truex, assistant professor of politics and public affairs at Princeton University, and Neysun Mahboubi, research scholar at the Center for the Study of Contemporary China at the University of Pennsylvania. The group tackles a topic that has long beleaguered China-watching circles: self-censorship. In addition, it focuses on a paper that Sheena and Rory published last summer, Repressive Experiences among China Scholars: New Evidence from Survey Data. What to listen for on this week’s Sinica Podcast: 22:41: Sheena describes the categories in which she and Rory organized “repressive experiences” in China, the center of their research, comprising 13 types of repression divided into three buckets: “The three broad categories that we looked at were restrictions on access to China itself, restriction on access to materials once you’re in China doing research, and monitoring and surveillance of that research by authorities in China.” According to their research, 20-25 percent of those interviewed had difficulty accessing archived materials, and 10 percent of visiting China scholars had been “invited” by authorities to speak with them and explain their research. When Chinese colleagues and interlocutors at host institutions are included in the sample, the figure jumps to 15 percent. 29:45: Rory’s hypothesis going into this project was that there would be a spike in repressive experiences and research after Xi Jinping’s ascent to power in 2012. Perceptions certainly trend in that direction. However, data from their research didn’t reveal major temporal trends related to these repressive experiences, with one caveat: “I talk to people who do a lot of fieldwork, and they say it’s actually much harder even to have interviews at all anymore. The one thing where there was a temporal trend was access to archives. If you talk to historians, they’ll talk a lot about how the archives are being sanitized, and projects, books, and dissertations that were feasible 10 or 15 years ago are no longer feasible today.” 48:05: What exactly is self-censorship? Neysun, Sheena, and Rory all take slightly differing views on what characterizes it. Rory discusses the calculus behind self-censorship, and identifies external stimuli that may have an impact on research and published materials in the United States: “We might be at the opposite [point of the problem], where the professional incentives [of researching contentious topics], plus the political environment in the United States are such that saying anything positive, or even neutral about the Communist Party is difficult to do, and difficult to publish.” 1:08:59: What role do China-watchers play in the larger conversation that, in the modern era, seems to be undergoing constant recalibration? What of the dichotomy among China-watchers, à la hawks versus doves? Here, Neysun, Sheena, and Rory all offer insight into these questions and suggestions on the way forward. Recommendations: Jeremy: Two jazz albums, Live at the Pershing, by Ahmad Jamal, a live recording from 1958, and Money Jungle, a studio album by Duke Ellington. Neysun: Evening Chats in Beijing: Probing China’s Predicament, by Perry Link. Sheena: Educated: A Memoir, by Tara Westwood, and Harry and the Terrible Whatzit, by Dick Gackenbach. Rory: The website www.chinachange.org, a website that provides reports, commentary, and analysis on human rights in China. Kaiser: Haunted by Chaos: China’s Grand Strategy from Mao Zedong to Xi Jinping, by Sulmaan Wasif Khan.

Jazz am Sunntig uf Radio RaBe - die Jazzsändig für Bärn! Mit Athina Dill, Manon Mullener, Christian Schütz und Simon Petermann Duke Ellington Money Jungle.mp3

Money Jungle, c'est un peu l'album dont aucun amateur de jazz n'osait rêver avant son enregistrement, le 17 septembre 1962! Le chef d'orchestre et pianiste Duke Ellington, le contrebassiste Charles Mingus et le batteur Max Roach réunis dans une même pièce. Imaginez David, l'émoi du public quand le label United Artists publie ce LP riche de sept plages historiques en février 1963! Enregistré en une journée, sans répétition et dans des conditions houleuses, Money Jungle consacre Duke Ellington comme un pianiste follement original et un créateur capable de faire le lien entre classicisme et avant-garde. Malgré-tout, le disque suscitera des réactions aussi vives que tranchées. Aujourd'hui heureusement, Money Jungle est reconnu comme un classique du genre: Le chef d'œuvre d'un trio littéralement unique qui a fait et fera toujours parler de lui… Etagère n°3… Boite n°4… Dossier MJ1962: Money Jungle, Ellington, Mingus, Max Roach: Un trio de choc.Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Drummer, leader, and composer Terri Lyne Carrington made history as the first woman to win a Grammy for Best Instrumental Jazz for her album “Money Jungle: Provocative in Blue.” Now, she brings her interpretation of Duke Ellington's “Money Jungle” to the TD James Moody Jazz Festival at NJPAC on November 11, 2018, as part of a program called “Jazz Vinyl Revisited.” Producer Susan Wallner talks to Carrington about her connections to the jazz greats Clark Terry and Max Roach; her newest project, the Berklee Institute of Jazz and Gender Justice; and why she thinks drummers make natural leaders.

Our opening song for this program, “Racist Revolutionaries,” is a counter-statement: “Money Jungle” from three greats of Jazz, Duke Ellington, Max Roach, Charles Mingus. As has come to be “SOP” here, we like to choose music illustrative of our program; sometimes this comes from a sideways angle, but it’s usually fairly direct that the music …

Drummer, producer and educator Terri Lyne Carrington stays on the go. She tours the world with both her,  “Mosaic Project” and “Money Jungle” projects, with the former project as the recipient of the 2011 Grammy for Best Vocal Jazz Album. As she’s collaborated with fellow giants as Herbie Hancock, Wayne Shorter, Nancy Wilson, Liz Wright, […]

El saxofonista italiano Pietro Tonolo presenta "Dajaloo", resultado de una serie de viajes a Senegal. En esta edición de "Club de Jazz" del 10 de diciembre de 2014 miramos mucho al sur. Por ejemplo, con "Piragua", el homenaje a la música popular latinoamericana del contrabajista colombiano Juan Pablo Balcázar en septeto y con la colaboración de la vocalista portuguesa Sofía Ribeiro. Tomamos "La strada invisibile" para encontrar al dúo que forman la pianista Rita Marcotulli y el acordeonista Luciano Biondini. La primera grabó a finales de los 90 el proyecto "Triboh", junto a la vocalista Maria Pia de Vito y al percusionista armenio Arto Tunçboyac?yan. El saxofonista Marcel·lí Bayer se internó en una pequeña iglesia románicadel siglo XI para grabar en solitario "1680". "desde mi cadiera", Jesús Moreno nos acerca la música de dos contrabajistas: Fiorenzo Bodrato con "Travelling without moving" y Masa Kamaguchi con "Solo Masa". En los "Ritmos Latinos" de Anxo, la colaboración entre la brasileña Dom La Nena y la francesa Rosemary en "Birds on a wire". Y se nos cuela el mítico encuentro entre Duke Ellington, Charles Mingus y Max Roach en "Money Jungle". Toda la información y derechos: http://www.elclubdejazz.com

El saxofonista italiano Pietro Tonolo presenta "Dajaloo", resultado de una serie de viajes a Senegal. En esta edición de "Club de Jazz" del 10 de diciembre de 2014 miramos mucho al sur. Por ejemplo, con "Piragua", el homenaje a la música popular latinoamericana del contrabajista colombiano Juan Pablo Balcázar en septeto y con la colaboración de la vocalista portuguesa Sofía Ribeiro. Tomamos "La strada invisibile" para encontrar al dúo que forman la pianista Rita Marcotulli y el acordeonista Luciano Biondini. La primera grabó a finales de los 90 el proyecto "Triboh", junto a la vocalista Maria Pia de Vito y al percusionista armenio Arto Tunçboyac?yan. El saxofonista Marcel·lí Bayer se internó en una pequeña iglesia románicadel siglo XI para grabar en solitario "1680". "desde mi cadiera", Jesús Moreno nos acerca la música de dos contrabajistas: Fiorenzo Bodrato con "Travelling without moving" y Masa Kamaguchi con "Solo Masa". En los "Ritmos Latinos" de Anxo, la colaboración entre la brasileña Dom La Nena y la francesa Rosemary en "Birds on a wire". Y se nos cuela el mítico encuentro entre Duke Ellington, Charles Mingus y Max Roach en "Money Jungle". Toda la información y derechos: http://www.elclubdejazz.com

Conversación con Harris Eisenstadt, baterista canadiense residente en Nueva York. En esta edición de "Club de Jazz" del 30 de enero de 2013 charlamos con él antes de su visita a Andalucía para dar vida a 'Andalucía Day', inspirado en su original 'Canada Day', Charlamos sobre su experiencia en Ghana y Senegal o de las lecciones de su maestro Wadada Leo Smith. "desde mi cadiera" Jesús Moreno nos lleva al Sunside de París para escuchar "Courtepointe", el directo registrado allí por la pianista Sophia Domancich junto a Mark Helias (contrabajo) y Andrew Cyrille (batería). En el "Jazz Porteño" de Alberto Varela cerramos el repaso a la reciente edición del Festival de Jazz de Punta del Este (Uruguay) con la sesión de clausura liderada por Paquito D´Rivera. "Contigo" recoge el directo de la cubana Osdalgia en 'El gato tuerto' de La Habana que nos ofrece Anxo en los "Ritmos Latinos". El "Tren Azul" de Luis Díaz García rompe con los clásicos que lo caracterizan para escuchar grabaciones inéditas del pianista José Manuel Villacañas con su trío y en compañía de la cantante Natalia Dicenta. Además, "Money Jungle" de Duke Ellington, Max Roach y Charles Mingus. Toda la información y derechos: http://www.elclubdejazz.com

Lee previews Kendrick Scott Oracle’s new album “Conviction.” Rene and Lee talk about jazz and spoken word, and about drummers as leaders. Rene and Lee riff on stereotypes associated with various jazz instrumentalists.  And they listen to a cut from “Money Jungle” from  Terri Lyne Carrington, Christian McBride and Gerald Clayton.  Episode sponsored by Motema Music.

Conversación con Harris Eisenstadt, baterista canadiense residente en Nueva York. En esta edición de "Club de Jazz" del 30 de enero de 2013 charlamos con él antes de su visita a Andalucía para dar vida a 'Andalucía Day', inspirado en su original 'Canada Day', Charlamos sobre su experiencia en Ghana y Senegal o de las lecciones de su maestro Wadada Leo Smith. "desde mi cadiera" Jesús Moreno nos lleva al Sunside de París para escuchar "Courtepointe", el directo registrado allí por la pianista Sophia Domancich junto a Mark Helias (contrabajo) y Andrew Cyrille (batería). En el "Jazz Porteño" de Alberto Varela cerramos el repaso a la reciente edición del Festival de Jazz de Punta del Este (Uruguay) con la sesión de clausura liderada por Paquito D´Rivera. "Contigo" recoge el directo de la cubana Osdalgia en 'El gato tuerto' de La Habana que nos ofrece Anxo en los "Ritmos Latinos". El "Tren Azul" de Luis Díaz García rompe con los clásicos que lo caracterizan para escuchar grabaciones inéditas del pianista José Manuel Villacañas con su trío y en compañía de la cantante Natalia Dicenta. Además, "Money Jungle" de Duke Ellington, Max Roach y Charles Mingus. Toda la información y derechos: http://www.elclubdejazz.com