Podcasts about Palacio

⚡ Episodios Especiales: Son episodios de reacción rápida. Entrevistas de último minuto procesadas en menos de 24 horas para analizar la noticia del ecosistema de la que todos hablan, antes de que pase la ola.-------En #10AMPRO construimos la mejor dieta de información. La dieta vive en el chat. Las tesis viven en Substack. Modelos mentales para pensar mejor.------→ Todo el ecosistema en https://10am.pro y el evento del año: https://eldiad.10am.pro/-----------BTC la apuersta original: https://www.youtube.com/playlist?list=PLataQ837aHu7mmnXyEjXp33TqnXoBFhRBSolana el chain que mas nos gusta: https://www.youtube.com/playlist?list=PLataQ837aHu6KjVF3CwHvDxwCszt9T9Uu-----Nada del contenido expresado en el canal son recomendaciones financieras (not financial advice, NFA)-------Twitter:Canal 10AM: https://twitter.com/10amproHernán Jaramillo: https://twitter.com/holdmybirraDarío Palacio: https://twitter.com/dariopalacioEl Gordo: https://twitter.com/Gordoneaprod

- La Guardia Civil ha detenido a tres personas por agresiones a sanitarios en el área metropolitana de Granada. Las víctimas son una doctora que pasaba consulta y un conductor de ambulancia de Guadix.- La reina emérita doña Sofía viaja a Granada para asistir esta noche al concierto inaugural de la 75 edición del Festival de Música y Danza. Le hará entrega de la Medalla de Honor al director de orquesta indio Zubin Mehta en el Palacio de Carlos V.- Más de un centenar de municipios granadinos recibirán hasta 280 millones de euros en ayudas del Gobierno para reparar los daños provocados por las borrascas del pasado invierno y ejecutar nuevas actuaciones de prevención frente a inundaciones.- El Hospital Virgen de las Nieves de Granada atiende a más de cien pacientes adultos con trastornos de conducta alimentaria al año. Hace tan solo seis años no existía en Andalucía ninguna unidad específica para la atención especializada de trastornos de conducta alimentariaEscuchar audio

En #10AMPRO construimos la mejor dieta de información. La dieta vive en el chat. Las tesis viven en Substack. Modelos mentales para pensar mejor.→ Todo el ecosistema en https://10am.pro y el evento del año: https://eldiad.10am.pro/BTC la apuersta original: https://www.youtube.com/playlist?list=PLataQ837aHu7mmnXyEjXp33TqnXoBFhRBSolana el chain que mas nos gusta: https://www.youtube.com/playlist?list=PLataQ837aHu6KjVF3CwHvDxwCszt9T9Uu------0:00 Episodio 2121:07 La posibilidad Space X------Nada del contenido expresado en el canal son recomendaciones financieras (not financial advice, NFA)------Twitter:Canal 10AM: https://twitter.com/10amproHernán Jaramillo: https://twitter.com/holdmybirraDarío Palacio: https://twitter.com/dariopalacioEl Gordo: https://twitter.com/Gordoneaprod----

Según el Barómetro de la rentabilidad y empleo de los 102 principales destinos turísticos españoles de Exceltur, los destinos turísticos españoles cierran el primer cuatrimestre de 2026 en positivo (+4,0%), favorecidos a partir de la Semana Santa por sus rentas de seguridad ante el conflicto en Oriente Medio, tras un inicio marcado por la menor fortaleza de la demanda, el mal tiempo y los problemas de conectividadferroviaria. Crece la disparidad de comportamiento por destinos en este inicio de 2026. De los 102 destinos españoles analizados en el Barómetro, 63 registran unos ingresos entre enero y abril de 2026 superiores a los del mismo periodo de 2025, mientras 39 destinos sufren en este primer cuatrimestre ingresos por debajo de los de 2025.El ministro de Industria y Turismo, Jordi Hereu, ha anunciado que la nueva sede permanente de ONU Turismo en España se inaugurará el próximo 29 de junio. Las nuevas oficinas de esta agencia de Naciones Unidas, principal organismo para la gobernanza pública del turismo a nivel internacional, estarán situadas en un ala (edificio B) del complejo del Palacio de Congresos junto al Paseo de la Castellana, en Madrid.La concejala delegada de Turismo del Ayuntamiento de Madrid, Almudena Maíllo, ha presentado el informe Turismo de alto impacto y sostenibilidad en la ciudad de Madrid en el Consejo Ejecutivo de ONU Turismo, celebrado ayer en Toledo. La ciudad de Madrid es miembro de la Junta Directiva de los Miembros Afiliados de ONU Turismo para el período 2026-2029. El estudio ha sido realizado por Virtuoso, la principal red internacional especializada en turismo de alta gama.Valencia recibe esta semana la visita del Comité Asesor de Accesibilidad de Spain for All, una iniciativa impulsada por la Oficina Española de Turismo en Londres para promover España como destino accesible en el mercado británico. La visita, organizada por la Fundació Visit València en colaboración con Turisme Comunitat Valenciana, permitirá a un grupo de expertos británicos conocer de primera mano las iniciativas, recursos y servicios que han consolidado a la ciudad como uno de los destinos de referencia en turismo inclusivo.eDreams ha analizado las situaciones que más condicionan el bienestar de los viajeros de todo el mundo. Más de la mitad de los viajeros españoles (53 %) sostiene que el hecho de que el pasajero de delante recline el asiento sin previo aviso o de forma brusca es el comportamiento que más le irrita en un viaje en avión. La lentitud de otros pasajeros en acomodar su equipaje desespera al 32 %, una cifra que se dispara hasta el 39 % entre los mayores de 65 años.

Santander se encomienda al arte de Okuda para recuperar uno de sus edificios más emblemáticos. El artista cántabro ha presentado este viernes el proyecto del futuro Museo del Kolor. Una iniciativa cultural, artística y formativa que plantea devolver la vida al Palacio de Cortiguera tras décadas de abandono. 

El festival On Photo Soria convierte el Palacio de la Audiencia en un altavoz contra la injusticia social con la exposición del XXIX Premio Internacional de Fotografía Humanitaria Luis Valtueña.A través de las miradas de cuatro autores, la muestra retrata realidades tan duras como la represión en las cárceles sirias —en el proyecto ganador de Samuel Nacar—, el hambre en Gaza, la resistencia de las mujeres afganas y el impacto de la DANA en Valencia. Una cita imprescindible que consolida a Soria como el gran referente cultural de la fotografía y que nos recuerda el poder del fotoperiodismo para agitar conciencias y preservar la memoria.Escuchar audio

Un programa que enlaza el análisis del cerebro de un líder, con la ciencia y el fútbol, uniendo formas de liderar, decidir y resolver  para ajustar mentalidad  y propósito en todo cuanto necesitan hoy las organizaciones y los equipos de trabajo, todo desde la visión humana y profesional de @crispalaciog               Escúchanos en rscradio.com.ar  y Radio Garden Internacional para más de 180 países en todo el mundo #escuchacosasbuenas

El Movistar Arena de Madrid es un hervidero de actividad en las horas previas al evento 'Tejer Redes', que presidirá el Papa León XIV este domingo a las seis de la tarde. Según ha informado el periodista Antonio Herraiz en el programa 'Fin de Semana' de la COPE, que conduce Cristina López Schlichting, los preparativos se están llevando a cabo en una carrera contra el tiempo.El motivo de la prisa es que el recinto, también conocido como Palacio de los Deportes, acogió un partido de baloncesto en la noche del sábado. Herraiz ha explicado que los operarios no pudieron comenzar el montaje hasta que finalizó el encuentro, lo que ha obligado a un trabajo ininterrumpido. "La madrugada y la mañana del domingo han sido muy, muy largas", ha asegurado el periodista.El acto contará con un cartel de lujo. Entre los artistas confirmados se encuentran Rozalén, Carolina Marín, Teresa Pilares y Sara Baras. Además, el actor Antonio Banderas pondrá su "inconfundible voz", en palabras de ...

Het seizoen zit erop. Arsenal is kampioen van Engeland, de Champions League-finale is gespeeld en dus is het tijd voor de allerlaatste aflevering van seizoen 6. Samen met Hugo, Jens en Nicolaas delen we de rapportcijfers uit aan de volledige Arsenal-selectie. Wie was de absolute uitblinker van het seizoen? Wie viel tegen? En welke spelers zouden volgens ons komende zomer mogen vertrekken?Van David Raya en Declan Rice tot Viktor Gyökeres, Bukayo Saka en Martin Ødegaard: niemand ontsnapt aan het oordeel van de ArseNL Podcast. We blikken terug op de mooiste momenten van het kampioensjaar, bespreken de verrassingen van het seizoen en kijken alvast vooruit naar de transferzomer. Welke versterkingen heeft Arsenal nodig om volgend seizoen óók die felbegeerde Champions League binnen te halen?Daarnaast sluiten we traditiegetrouw ook de ArseNL FPL-competitie af. Wie kroont zich tot winnaar van dit seizoen, welke tactische meesterzetten maakten het verschil en welke prijzen worden er uitgedeeld? De prijzen voor de FPL zijn mede mogelijk gemaakt door First11. Twee jaar geleden is First11 begonnen vanuit huis en inmiddels hebben zij een kantoor + showroom/winkel (op afspraak) in Almelo met meer dan 1000 unieke shirts, op 1' minuut lopen van Almelo Centraal ✅Qua clubs en spelers zitten ze in de categorie voor de fans en liefhebbers, van Palacio tot Messi, en Heskey tot aan Aimar, zij hebben ze!Kortom: één laatste terugblik op een historisch seizoen, een hoop rapportcijfers, transferdiscussies en natuurlijk de afsluiting van een prachtig jaar voor iedere Arsenal-supporter.Je luistert naar aflevering 56 van seizoen 6 van de ArseNL Podcast. ❤️

Elena Poniatowska, Mexico's most celebrated journalist and one of the most significant literary voices in the Spanish-speaking world, argues in this conversation that the crisis of contemporary journalism is inseparable from the collapse of critical reading—and that both are symptoms of a deeper cultural abandonment. Born in Paris in 1932 to a French-Polish father and Mexican mother, Poniatowska contends that her formation as a writer was shaped by displacement, by learning to listen to those rendered voiceless by history, and by understanding that journalism must be an act of solidarity before it is anything else. Widely credited with helping to establish the genre of testimonio in Latin American letters, she transformed the voices of the marginalised into literature that forced an entire nation to confront its own silence. She maintains that her landmark work La Noche de Tlatelolco was not a journalistic achievement but a moral obligation, and reflects on her decision to refuse the Xavier Villaurrutia Prize, asking who would award the dead. Poniatowska insists that the greatest threat to literature and journalism today is not artificial intelligence but the disappearance of patience—the willingness to sit with a text, a story, or a life long enough for meaning to emerge. At 94, she affirms her belief in the innate goodness of human beings as not a sentiment but a necessity.Elena Poniatowska, la periodista más célebre de México y una de las voces literarias más significativas del mundo hispanohablante, sostiene en esta conversación que la crisis del periodismo contemporáneo es inseparable del colapso de la lectura crítica—y que ambos son síntomas de un abandono cultural más profundo. Nacida en París en 1932 de padre franco-polaco y madre mexicana, Poniatowska afirma que su formación como escritora estuvo marcada por el desplazamiento, por aprender a escuchar a quienes la historia había silenciado, y por comprender que el periodismo debe ser ante todo un acto de solidaridad. Ampliamente reconocida por haber contribuido a establecer el género del testimonio en las letras latinoamericanas, transformó las voces de los marginados en literatura que obligó a una nación entera a confrontar su propio silencio. Sostiene que su obra emblemática La Noche de Tlatelolco no fue un logro periodístico sino una obligación moral, y reflexiona sobre su decisión de rechazar el Premio Xavier Villaurrutia, preguntando quién iba a premiar a los muertos. Poniatowska insiste en que la mayor amenaza para la literatura y el periodismo hoy no es la inteligencia artificial sino la desaparición de la paciencia—la disposición a permanecer con un texto, una historia o una vida el tiempo suficiente para que emerja el significado. A los 94 años, reafirma su creencia en la bondad innata de los seres humanos no como un sentimiento sino como una necesidad.English transcript:SAVAGE MINDS — Elena PoniatowskaJulian Vigo (00:00:15):Welcome to Savage Minds.Julian Vigo (00:00:26):I am your host, Julian Vigo.Julian Vigo (00:00:30):Today's guest is Elena Poniatowska Amor,Julian Vigo (00:00:33):daughter of a French father of Polish origin, Jean E.Julian Vigo (00:00:37):Poniatowski, and Mexican mother Paula Amor.Julian Vigo (00:00:41):She was born in Paris in 1932.Julian Vigo (00:00:46):She has practiced journalism since 1953 at the newspapers El Día, Excélsior, Novedades, and La Jornada.Julian Vigo (00:00:57):She is the first woman to receive the National Journalism Prize.Julian Vigo (00:01:02):Among her works is La Noche de Tlatelolco,Julian Vigo (00:01:05):a classic since its publication, for which she was awarded the Xavier Villaurrutia Prize,Julian Vigo (00:01:12):which she refused, asking who was going to award the dead.Julian Vigo (00:01:17):Her novels and stories include La Flor de Lis,Julian Vigo (00:01:20):De Noche Vienes and Tlapalería,Julian Vigo (00:01:24):Paseo de la Reforma,Julian Vigo (00:01:26):Hasta No Verte Jesús Mío,Julian Vigo (00:01:28):The Life of a Mexican Soldadera,Julian Vigo (00:01:31):Querido Diego Te Abraza Quiela, Tinísima, winner of the Mazatlán Prize in 1992, La Piel del Cielo,Julian Vigo (00:01:40):winner of the Alfaguara Novel Prize in 2001, and El Tren Pasa Primero,Julian Vigo (00:01:48):about the lives of Mexican railway workers,Julian Vigo (00:01:52):winner of the Rómulo Gallegos International Novel Prize in 2007. Leonora won the Premio Biblioteca Breve Seix Barral in 2011. El Universo o Nada (2013) is the biography ofJulian Vigo (00:02:07):astrophysicist Guillermo Haro. Ondas de la Niña Mala is her first poetry collection, andJulian Vigo (00:02:14):her children's books include Boda en Chimalistac, La Vendedora de Nubes,Julian Vigo (00:02:20):El Burro que Metió la Pata, Sansimonsi, illustrated by Rafael Barajas el Fisgón, and ElJulian Vigo (00:02:27):Niño Estrellero by Fernando Robles, and El Charito Cantor by Osvaldo Hernández.Julian Vigo (00:02:34):Her most recent novel, El Amante Polaco, portrays the last king of Poland, Stanisław AugustJulian Vigo (00:02:41):Poniatowski. Translated into 20 languages. Gabi Brimmer and Las Mil y Una, the story ofJulian Vigo (00:02:48):Paulina,Julian Vigo (00:02:49):address social issues.Julian Vigo (00:02:52):After receiving honorary doctorates from UNAM and UAM,Julian Vigo (00:02:57):she was awarded them from the University of Puebla,Julian Vigo (00:03:01):Sonora, Estado de México,Julian Vigo (00:03:04):Guerrero,Julian Vigo (00:03:06):Chiapas, and Puerto Rico.Julian Vigo (00:03:09):She also received honorary degrees from the New School for Social Research in New York,Julian Vigo (00:03:13):Manhattanville College, and Florida Atlantic University in the United States, and fromJulian Vigo (00:03:19):Paris 8,Julian Vigo (00:03:19):La Sorbonne, and Pau-Pyrénées, as well as the Maria Moors Cabot Prize for Journalism atJulian Vigo (00:03:27):Columbia University, New York, in 2004, and from the Universidad Complutense, Madrid, inJulian Vigo (00:03:32):2015.Julian Vigo (00:03:34):She received the French Legion of Honour at the rank of Officer, the Gabriela Mistral Prize from Chile, and inJulian Vigo (00:03:41):2006, the Courage Award from the International Women's Media Foundation.Julian Vigo (00:03:43):In 2013 she was awardedJulian Vigo (00:03:49):the Miguel de Cervantes Prize for literature in the Spanish language, and she received theJulian Vigo (00:03:55):Belisario Domínguez Medal in 2022.Julian Vigo (00:03:58):This is the highest honour granted by the Senate of the Mexican Republic, along with theJulian Vigo (00:04:05):Carlos Fuentes International Prize for Literary Creation in the Spanish Language in 2023.(00:04:12):I welcome Elena Poniatowska to Savage Minds.Julian Vigo (00:04:19):I wanted to begin with a memory I have of you.Julian Vigo (00:04:22):In 1993,Julian Vigo (00:04:25):I think,Julian Vigo (00:04:27):or 94 —Julian Vigo (00:04:28):one of those two years —Julian Vigo (00:04:29):I was in Puebla,Julian Vigo (00:04:31):Cholula,Julian Vigo (00:04:32):teaching at the Universidad de las Américas.Julian Vigo (00:04:35):Yes.Julian Vigo (00:04:36):And you came to give a talk at an observatory — I believe it was Tonantzintla.Elena Poniatowska (00:04:44):Yes, of course.Elena Poniatowska (00:04:46):Yes, I remember it, andJulian Vigo (00:04:49):you made a great impression on me that day. But I must confess that your entire life's work made a great impression on me — not only on me. I wanted to begin with your formation, your life, because you were born in France andJulian Vigo (00:05:12):how do you remember your childhood in France, and what elements of that world did you bring with you when you arrived in Mexico in 1942?Elena Poniatowska (00:05:21):Well, thank you very much for your interest.Elena Poniatowska (00:05:29):I can tell you that I was born in 1932 in Paris, France, because my mother Paula Amor marriedElena Poniatowska (00:05:42):Juan Poniatowski, who held a noble title — that of prince —Elena Poniatowska (00:05:54):because the last king of Poland was Stanisław Poniatowski, who was, I believe, one ofElena Poniatowska (00:06:07):the lovers —Elena Poniatowska (00:06:09):one of the younger lovers of the Empress of Russia, Catherine the Great.Elena Poniatowska (00:06:21):My mother was a woman born also in Paris, of Mexican origin, who leftElena Poniatowska (00:06:32):France because of the Mexican RevolutionElena Poniatowska (00:06:36):and went to live with her parents — Pablo Amor and Elena Iturbe de Amor — inElena Poniatowska (00:06:49):Biarritz, and they later moved to Paris. My mother always spoke Spanish with a French accent. She had two sisters who also lived in France for a long time,Elena Poniatowska (00:07:07):and they were rather Frenchified. She met my father Jean Poniatowski in Paris andElena Poniatowska (00:07:20):married him, and I was born in 1932 in Paris.Elena Poniatowska (00:07:25):I would like to knowJulian Vigo (00:07:31):more about this experience, because as you probably know — especially Americans and Canadians — they think everyone wants to come to their countries. But something they don't know until they travel is that in Mexico, Honduras, and all of Latin America there is a great deal of immigration, people from every country in the world. Why not?Elena Poniatowska (00:08:01):Her mother was in France; my mother was Mexican, born in France. Her family — she had a grandmother, my mother's great-grandmother, who was Russian, and in general her father was educated in England, so they wereElena Poniatowska (00:08:29):Mexicans — Amor is a Mexican surname — but they were very closely tied to Europe. For my mother, living in Europe was very natural becauseElena Poniatowska (00:08:49):she first attended a boarding school in Switzerland, in Lausanne,Elena Poniatowska (00:08:56):and then was in Paris. At a Rothschild ball she met my father JuanElena Poniatowska (00:09:07):Poniatowski and married him in 1931,Elena Poniatowska (00:09:17):or perhaps at the beginning of 1932, because I was born on the 19th of May 1932.Elena Poniatowska (00:09:29):My sister was born in 1933.Julian Vigo (00:09:34):As a child who spoke French and had to learn Spanish, in what way did language become your first tool for survival?Elena Poniatowska (00:09:47):Well, I also know English and French. Language, for me — learning Spanish in Mexico — was obviously about communicating with people in the streetElena Poniatowska (00:09:56):and with friends at school. But French remained my mother tongue, andElena Poniatowska (00:10:03):later I dedicated myself to speaking Spanish with the people at home, with the MexicansElena Poniatowska (00:10:14):I met at school.Elena Poniatowska (00:10:23):Curiously, I attended an English school called the Windsor School, but I learned SpanishJulian Vigo (00:10:38):in the street — one always learns Spanish better in the street. You learn so much from people in Mexico. I found people very warm and open. On the other hand, for Mexicans in my country, it's not the same at all.Julian Vigo (00:10:59):What was the first moment you felt that writing was the only possible way to understand the Mexico around you?Elena Poniatowska (00:11:11):Well, I would never say it was the only possible way.Elena Poniatowska (00:11:17):I think that at twenty,Elena Poniatowska (00:11:22):twenty-one years old, returning from studying at a convent of nuns, I had theElena Poniatowska (00:11:30):good fortune to be able to start writing at a newspaper called, at that time,Elena Poniatowska (00:11:42):Excelsior.Elena Poniatowska (00:11:43):They asked me to submit a daily article,Elena Poniatowska (00:11:48):an interview,Elena Poniatowska (00:11:51):a chronicle, and I did so with enormous enthusiasm and great pleasure, because it allowed meElena Poniatowska (00:12:00):to know Mexico much better, and also to meet great figures of Mexico such asElena Poniatowska (00:12:09):Diego Rivera,Elena Poniatowska (00:12:11):José Clemente Orozco, actresses like Dolores del Río and María Félix, architects likeElena Poniatowska (00:12:20):Luis Barragán, and writers — even writers of my own generation, or slightlyElena Poniatowska (00:12:31):older than me — such as Juan Rulfo,Elena Poniatowska (00:12:38):Rosario Castellanos, Carlos Fuentes, and of course Octavio Paz.Julian Vigo (00:12:46):What a rich life! María Félix — what a figure!Julian Vigo (00:12:52):How was your experience beginning in journalism in the early 1950s in a predominantly male environment?Elena Poniatowska (00:13:05):Well, I was truly very lucky, because people were very kind andElena Poniatowska (00:13:14):even affectionate towards me. No one ever refused me an interview. I was able to reach Alfonso Reyes, Octavio Paz,Elena Poniatowska (00:13:25):the great architect Luis Barragán, José Vasconcelos the philosopher, and all were veryElena Poniatowska (00:13:40):kind and cordial with me, as were important actors like Ignacio LópezElena Poniatowska (00:13:51):Tarso,Elena Poniatowska (00:13:52):and of course those I already mentioned — Dolores del Río, María Félix — and singers, and also many visitors who came from Europe, the United States, or Latin America to perform in Mexico.Elena Poniatowska (00:14:20):Did you know El Indio Fernández?Elena Poniatowska (00:14:23):Yes,Elena Poniatowska (00:14:24):of course —Elena Poniatowska (00:14:25):I interviewed him,Elena Poniatowska (00:14:26):I knew El Indio Fernández, who by ten in the morning was already offering me a tequila, whichElena Poniatowska (00:14:35):I did not drink, as I'm not accustomed to drinking. And also many otherElena Poniatowska (00:14:47):famous actors of that era, like the comedian Cantinflas, whoseJulian Vigo (00:14:56):real name was Mario Moreno. Cantinflas — I know his work. Wow. And you were in Mexico during the same period as Luis Buñuel?Elena Poniatowska (00:15:06):Yes, I ended up with Luis Buñuel — yes, we had a great friendshipElena Poniatowska (00:15:15):because out of affection he came to have lunch at my house several times, so I saw him on manyElena Poniatowska (00:15:24):occasions. We even went together to the prison of Lecumberri to visit, for example, aElena Poniatowska (00:15:33):Colombian who had committed an offence and was imprisoned — his name wasElena Poniatowska (00:15:42):Álvaro Mutis.Julian Vigo (00:15:45):And you have lived through and narrated great social transformations.Julian Vigo (00:15:51):Do you think that today's digital democratisation of public opinion helps social justice, or does it rather dilute real struggles into mere narratives of identity and likes?Elena Poniatowska (00:16:08):Well, I think the Mexican Revolution,Elena Poniatowska (00:16:15):led by a man like Emiliano Zapata, was extraordinary in redistributing the lands and haciendas of Mexico and in giving all MexicansElena Poniatowska (00:16:32):access to better education, better formation, a better life. I consider thatElena Poniatowska (00:16:46):Emiliano Zapata was one of the great heroes of Mexico, even though he personally took away the haciendas of my grandparents, the Amors and the Iturbes.Julian Vigo (00:17:06):What did you learn from the great intellectuals of your youth?Julian Vigo (00:17:08):You mentioned Juan Rulfo, Alfonso Reyes, and many others.Julian Vigo (00:17:15):What influenced your decision to dedicate your life to letters?Elena Poniatowska (00:17:20):No, they did not influence my decision to dedicate myself to letters.Elena Poniatowska (00:17:26):I met them later.Elena Poniatowska (00:17:30):I began as a journalist, a modest journalist, at the newspaper Excelsior in 1953 —Elena Poniatowska (00:17:42):I think 1952 or 1953. Very young. I had come from an education at a convent of nuns inElena Poniatowska (00:17:53):Philadelphia, and I decidedElena Poniatowska (00:17:57):to write chronicles and interviews to get to know Mexico better. I came to know those figures through my work as a journalist, and because I could question themElena Poniatowska (00:18:14):in the language I knew and had learned as a child — at ten years old — which is Spanish. My other languages until then had beenElena Poniatowska (00:18:22):English,Elena Poniatowska (00:18:27):and French, which is my mother tongue.Julian Vigo (00:18:32):You are known for the testimonio.Julian Vigo (00:18:36):At what exact point did you feel that traditional fiction was not sufficient to capture Mexican reality?Elena Poniatowska (00:18:47):As I mentioned, I began by engaging with many valuable MexicansElena Poniatowska (00:18:54):who received me in their homes, gave me their opinions. At the same time as I received what they wished to give me,Elena Poniatowska (00:19:04):I observed how their homes were, how they treated the people around them — their wives, their children, their servants — and all of that helped meElena Poniatowska (00:19:22):to know Mexico better. I also spent a great deal of time in the streets — that is, with the poorest people, whom I was able to reachElena Poniatowska (00:19:34):through my own nature and also with the help of a great Mexican illustrator, Alberto Beltrán. In the street he made sketches of everything the Mexicans did — the newspaper vendors,Elena Poniatowska (00:19:59):the taco sellers,Elena Poniatowska (00:20:03):the women making corn tortillas by hand,Elena Poniatowska (00:20:12):the bakeries, and then the hardware stores where everything was sold — from nails toElena Poniatowska (00:20:22):cleaning cloths — and all of that was a very vital andElena Poniatowska (00:20:32):generous apprenticeship in learning to see the lives of working Mexicans.Julian Vigo (00:20:40):But it is an art — to be able to listen to people, to their voices.Julian Vigo (00:20:53):How did you learn to listen to the voice of the other?Elena Poniatowska (00:20:58):Well, I think it is a natural inclination.Elena Poniatowska (00:21:03):It is not learned.Elena Poniatowska (00:21:05):It is not forced.Elena Poniatowska (00:21:06):It is a way of being.Elena Poniatowska (00:21:10):I am far more interestedElena Poniatowska (00:21:11):in speaking of what others do, how they do it, and who they are, than in speaking of myself, my sensations, my emotions. And I have done this from a very young age, so it has become a habit — it is part of my daily life.Julian Vigo (00:21:36):Do you believe that the testimonio is essentially an act of political resistance?Elena Poniatowska (00:21:44):I think so.Elena Poniatowska (00:21:45):It helps enormously to know the thinking of those who have no power, who are not in power, who do not consider themselves political, who are not leaders — although I did have the great privilege of interviewing leaders and very important figures in Mexico,Elena Poniatowska (00:22:14):such as, for example, the Spanish refugee of the Civil War, Luis Buñuel.Julian Vigo (00:22:26):And how was the process of gathering the voice of Jesusa Palancares?Julian Vigo (00:22:32):How long did it take you to absorb her story?Elena Poniatowska (00:22:38):Well, it was a privilege. I heard her — she was doing laundry in a popular building, a building where many Mexicans lived who had noElena Poniatowska (00:22:56):economic resources. Everything she said caught my attention enormously. I approached her and asked if I could visit her at her home,Elena Poniatowska (00:23:13):which was a very poor house, obviously far from the area where I lived. And so I went toElena Poniatowska (00:23:26):see her once a week. We became friends, and she began telling me her life. And that is howElena Poniatowska (00:23:36):the novel Hasta No Verte Jesús Mío came about. When it was published,Elena Poniatowska (00:23:43):she asked me to give her ten copies to give to her friends —Elena Poniatowska (00:23:52):the bricklayers or the people she had worked with.Julian Vigo (00:24:00):And why did she choose the testimonial genre for Hasta No Verte Jesús Mío?Julian Vigo (00:24:09):It is one of the testimonial novels because —Elena Poniatowska (00:24:16):She didn't really choose it — she didn't. It was I who gathered her words andElena Poniatowska (00:24:27):assembled them in the best way I could. But she did not choose it.Elena Poniatowska (00:24:34):She could not read or write. She did not know how to read or write. But she asked for the books, and I — the cover of the book, what goes on the outside, is the Santo Niño de Atocha, a small Christ child that she liked.Julian Vigo (00:25:08):And I saw it in the street, and so I put it there so she would be happy. But I was asking you about the testimonial genre — in 1969 it was not a common thing in literature.Julian Vigo (00:25:26):How was this novel received?Julian Vigo (00:25:30):I wonder if people were confused.Julian Vigo (00:25:32):Is it a true story or is it fiction?Elena Poniatowska (00:25:35):No, it was very well received. The book was greatly liked.Elena Poniatowska (00:25:41):Immediately many editions came out and it was translated into English and French.Julian Vigo (00:25:51):And I wonder if at that time — less so today — people were confused because they did not know if it was a completely real story or partly real. Because the novel Hasta No Verte Jesús Mío was categorised as a novel.Elena Poniatowska (00:26:16):Yes, that's right, that is what it was.Elena Poniatowska (00:26:19):It is a novel based on a character — a woman who was in the Mexican Revolution, the life of a soldadera. To what extent is Jesusa an invented character or a real woman? I have said it, I have written it many times: Jesusa is a real character. After that I wroteElena Poniatowska (00:26:49):other books about other women who were also real characters. I had the joy of knowing Jesusa in person, but for example Tina Modotti, the main character ofElena Poniatowska (00:27:08):the novel Tinísima, I did not know. And other novels about other women and other characters I also did not know.Julian Vigo (00:27:22):What lessons about the resilience of Mexican women did you learn from Jesusa that remain relevant today?Elena Poniatowska (00:27:31):All the women in Mexico whom I see and engage with and encounter in the streetElena Poniatowska (00:27:41):and who come to my house — they are women who have known how to struggle and continue to struggle. For example, one woman, Rosario Ibarra de Piedra, whose son was disappeared, and who searched all of Mexico — she is obviously one of the heroines who has most caught my attention.Julian Vigo (00:28:10):And especially in recent years — almost thirty years — the femicides and the disappearances of men and women. You are still fighting for your society, and I think literary words have the power to carry reality forward. I am thinking of La Noche de Tlatelolco — that was the first book of yours I read. It is incredible. I have no words. Thank you. It is one of the best books of the twentieth century, and I teach it. It is astonishing. Can you speak about why you began that work, and also for those listening now who do not know the history of what happened in Mexico?Elena Poniatowska (00:29:03):Well, in general I can tell you that I received letters from a prisoner in the jail — Jesús Sánchez García — and I began going to Lecumberri, which was called the Black Palace of Lecumberri. It was no palace — it was a prison with bars and cells. I asked permission from the prison director — I believe his name was Martín del Campo — and he gave it to me. That is how I went to gather life stories from men, and later, at the women's prison, from women who had nothing to do with my own life, who bore no resemblance to what I hadElena Poniatowska (00:30:03):lived or what I would go on to live.Elena Poniatowska (00:30:16):That was an enormous enrichment for me, and a knowledge of an unknown Mexico that also helped me understand MexicoElena Poniatowska (00:30:31):— a Mexico to which I owe a great deal.Elena Poniatowska (00:30:35):I think that everything I am I owe to the voice, and to the gift of their voice, that the poorest Mexicans gave me — those I was able to approach over years and years,Elena Poniatowska (00:30:52):going to the prison and sometimes going to their own very poor homes, called vecindades, which were located in the very neighbourhoods where the prisons were.Julian Vigo (00:31:11):How did you manage the pain and trauma of the testimonies you heard while assembling the book?Elena Poniatowska (00:31:22):Pain is not managed. To manage something is to seek something. Pain is simply assumed and lived. So the pain is in the words written in the book.Julian Vigo (00:31:46):And why did you choose the technique of a collage of voices rather than a linear, chronological narrative for this book?Elena Poniatowska (00:31:57):I have many other books that speak even of personal stories — books that contain much of biography.Julian Vigo (00:32:13):Yes, but it is very interesting how you wove those narratives together in this book. It is very beautiful, in fact.Julian Vigo (00:32:24):Was there any moment during the writing of La Noche de Tlatelolco when you felt fear or censorship?Elena Poniatowska (00:32:33):Well, there was always the dread of entering terrain unknown to me.Elena Poniatowska (00:32:40):Ultimately, I was educated —Elena Poniatowska (00:32:45):I spent time in the United States at a convent to be educated, not to become a nun — it was called the Sacred Heart Convent.Elena Poniatowska (00:33:03):When I came out I was speaking English. My mother tongue is French. And when I left there, my strongest desire was truly to know Mexico — the country I had arrived in at the age of ten, but in which I had received an educationElena Poniatowska (00:33:30):in both English and French, not in Spanish.Julian Vigo (00:33:36):More than fifty years later, what impact do you think that book has on the collective memory of young Mexicans today?Elena Poniatowska (00:33:48):Well, I think that is a question that should be put to them.Elena Poniatowska (00:33:55):What I can say is that I have receivedElena Poniatowska (00:33:59):a great deal of affection from young people — many come to find me at my home, and I give lectures and talks with some frequency. Remember that I am already 94 years old and have lost the use of my left eye, which prevents me from seeing well. So within my limitations,Elena Poniatowska (00:34:27):I remain in contact with the people who want to see me, which for me produces great enthusiasm and which I experience as great support.Julian Vigo (00:34:42):The book you wrote is something very specific — evidently about Mexico — but it is still a book with which everyone can identify. If we look around today, where there are acts of political repression in almost every country in the world in one form or another — and I know your books are translated into many languages — I wonder whether the power of La Noche de Tlatelolco came from the form of the narration itself, not only from the fact that you confronted the government, the police, and justice. You narrated a story of the people seeking justice, yes, but literature itself was also seeking truth within its pages. There are wars everywhere, there is too much sadness. After the lockdown — which was less bad in Mexico than here in Italy — we are living through a very difficult moment. Do you sometimes think of this book as a model for dialogue, for collaboration, for moving forward together, the people united?Elena Poniatowska (00:36:09):Well, what I love about this book is that it has so many voices — many voices gathered from mothers of families, from children of political prisoners. For me it was a great learning experience to go to the prison in Mexico and see a world I did not know, to be accepted in that world, to go frequently to hear and gather the voices of political prisoners and of young people whoElena Poniatowska (00:36:52):didn't even have strong political ideas but were imprisoned because they had stolen something in a market. It meant entering a world I was completely unfamiliar with,Elena Poniatowska (00:37:13):to which I did not belong. And it was an enormous lesson — a very generous lesson — in how the lives of others can be. That is what I have dedicated myself to over many years, because I remain a journalist and continue writing about disasters such asElena Poniatowska (00:37:39):not only the massacre of the 2nd of October, but what the earthquake of 1985 meant for Mexico and the loss, for many Mexicans, of their families and their homes.Julian Vigo (00:37:59):Yes. You documented the earthquake of ‘85 — a moment when the Mexican government was completely paralysed and it was civil society that took control to rescue the city.Julian Vigo (00:38:15):Do you believe that peoples are still alone in the face of tragedy, or is that organic solidarity you described an invincible force?Elena Poniatowska (00:38:29):Yes,Elena Poniatowska (00:38:29):of course.Elena Poniatowska (00:38:30):I believe — that is why I believe in the invincible force of Mexicans, who help and support each other, who run to answer a cry for help. They are the ones who save themselves by saving others. I believe in that truth. It is a truth I lived, that I witnessed,Elena Poniatowska (00:38:57):and for me it is a lesson, a way of life.Julian Vigo (00:39:03):Does it reflect the structural abandonment of the seamstresses, the inhabitants, those who live in vecindades, and the poorest?Julian Vigo (00:39:13):How did you manage, in the midst of the chaos, the dust, and the mourning of those days, to earn the trust of people so that they would share their most painful and raw testimonies?Elena Poniatowska (00:39:30):Well, I have two physical advantages.Elena Poniatowska (00:39:32):I am small in stature. I frighten no one. No one is afraid of me. I can go anywhere. I am not someone who imposes anything at all, and I know how to listen. So by listening to others' voices, I gather them, I keep them, I memorise them,Elena Poniatowska (00:40:03):and then I put them on paper.Elena Poniatowska (00:40:06):That is the most solitary and difficult moment — writing about what happens to others,Elena Poniatowska (00:40:21):their sorrows,Elena Poniatowska (00:40:22):their joys,Elena Poniatowska (00:40:24):their defeats and also their triumphs —Elena Poniatowska (00:40:28):and making books and articles from them. Because I am also a journalist sinceElena Poniatowska (00:40:38):1953. I am now 94 years old.Julian Vigo (00:40:47):You're listening to Savage Minds.Julian Vigo (00:40:49):If you're enjoying the show, take a second to subscribe at savageminds.co.Julian Vigo (00:40:54):Feel free to comment below or drop us a line to share your thoughts.Julian Vigo (00:40:59):Support independent media today.Julian Vigo (00:41:01):Now, let's get back to it.Julian Vigo (00:41:15):Many consider that the earthquake of ‘85 not only brought down buildings but also toppled the myth of the Mexican State's absolute control — marking the true birth of modern citizenship in the country.Julian Vigo (00:41:33):From your perspective as a chronicler —Elena Poniatowska (00:41:40):I think Mexicans have always had enormous character and enormous capacity to defend themselvesElena Poniatowska (00:41:49):in spite of their own poverty, or in spite of the total absence of outside help.Elena Poniatowska (00:42:02):There was in Mexico a Mexican Revolution,Elena Poniatowska (00:42:08):a country conquered by very cruel conquerors, and yet the country has continued to forge ahead and has continued to demonstrate its bravery and courage in allElena Poniatowska (00:42:28):circumstances — one of which was, for example, the earthquake, in which the neighbours themselvesElena Poniatowska (00:42:37):helped each other before the State or the so-called government did anything.Elena Poniatowska (00:42:46):So I think it is a country with many very brave men, women, and children who save themselves, who know how to look after themselves.Elena Poniatowska (00:43:03):Of course there are people who don't know how to do it, and there are people who sometimes end upElena Poniatowska (00:43:12):in prison or in hospital. But in general Mexico is a country of very solidary people, people who help each other and defend themselves.Julian Vigo (00:43:31):What I love about your books in general is that you give voice — you shed light on the lives that are forgotten.Julian Vigo (00:43:42):Do you feel that in this book, for example, or in Nadie Me Verá Llorar, the author's voice becomes more present or closer to her characters than in your earlier works?Elena Poniatowska (00:43:56):No,Elena Poniatowska (00:43:57):I think that element is present in all my works — in Hasta No Verte Jesús Mío, in the book about the 2nd of October, in the earthquake — and it is always present in everything I still do at the newspaper where I work. I am in a certain way a chronicler and aElena Poniatowska (00:44:21):participant in the lives of other Mexicans.Julian Vigo (00:44:27):And I also notice that many of your works are about women — Tinísima, the life of Tina Modotti, a woman who lived so many lives in one. Leonora. And I wanted to ask — before we get to those books — about Querido Diego Te Abraza Quiela. Why did you choose that subject? Not only Diego Rivera but his first wife.Elena Poniatowska (00:44:59):I was moved to learn that in Paris, Angelina Beloff had gone to Mexico to seeElena Poniatowska (00:45:12):Diego Rivera, whom she had supported in Paris. He had lived with her and had livedElena Poniatowska (00:45:22):off her, because she was the one with a salary. He was a very young painter withoutElena Poniatowska (00:45:33):money, without resources. She helped him. And when she went to Mexico, she had also hadElena Poniatowska (00:45:42):the only male child that Diego Rivera ever had, who died of cold in Paris. And when she decided to go to Mexico — in a sense, to get to know the country of her lover — she decided to go to the Palacio de Bellas Artes because she knew that heElena Poniatowska (00:46:11):would be there. And he walked right past her — past the seat, one of those red velvet seats in the Palacio de Bellas Artes, called butacas, in which she was sitting — he walked past and did not even recognise her.Elena Poniatowska (00:46:40):That story struck me deeply, and that is why I decided to write the small book —Elena Poniatowska (00:46:55):it is not a very long book —Elena Poniatowska (00:46:58):called Querido Diego, Te Abraza Quiela.Julian Vigo (00:47:00):In Tinísima, what was it that drew you to the life of Tina Modotti?Elena Poniatowska (00:47:08):In reality it came from a request to make a film. The cinematographerElena Poniatowska (00:47:17):Gabriel Figueroa told me that a film was going to be made about Tina Modotti, the Italian woman who had been in Mexico. So I began interviewing all the people who had knownElena Poniatowska (00:47:38):Tina Modotti. And even when I was invited to France for a conference, I had theElena Poniatowska (00:47:47):opportunity to go to Udine in Italy to meet and get to know the siblings of Tina Modotti —Elena Poniatowska (00:48:00):to see them, interview them, speak with them.Elena Poniatowska (00:48:05):Then when I was told that the film about Tina Modotti in Mexico was no longer going to be made because there was no money, I — who had gone at my own expense to that conference in France and another writers' conference inElena Poniatowska (00:48:37):Italy — decided to launch into writing the novel called Tinísima, because I hadElena Poniatowska (00:48:48):interviewed many old communists whom I had gone to visitElena Poniatowska (00:48:56):in their various homes — generally very modest, very poor homes.Elena Poniatowska (00:49:03):I did not want to let them down, and so the novel Tinísima was published.Julian Vigo (00:49:10):And to what extent does Tina Modotti represent the struggle of the woman artist in the twentieth century?Elena Poniatowska (00:49:19):To the extent that she commits herself —Elena Poniatowska (00:49:23):she takes photographs of Mexico alongside Edward Weston, and then goes alongsideElena Poniatowska (00:49:33):Commander Carlos of the Fifth Regiment to Spain — she goes to the Spanish Civil War and becomes a nurse, caring evenElena Poniatowska (00:49:52):on the ground for the bodies that had fallen on the earth before taking them to the Red Cross — giving them first aid and dedicating herself to saving lives,Elena Poniatowska (00:50:08):or helping to save lives. I believe that many soldiers did not die thanks to the care of this womanElena Poniatowska (00:50:19):who was in the trench following the doctors.Julian Vigo (00:50:25):You have said that the writer must be a bridge.Julian Vigo (00:50:29):Between what worlds do you think it is most necessary to build bridges — or should we be breaking bridges today?Elena Poniatowska (00:50:38):No, I think one should never break a bridge, for anything.Elena Poniatowska (00:50:42):I think one mustElena Poniatowska (00:50:45):communicate — that the most important thing in the life of any human being is dialogue. Peoples too must dialogue with others in order to know each other. I think Mexico must have a dialogue with the United States, and that many Mexicans who have returned fromElena Poniatowska (00:51:09):the United States because TrumpElena Poniatowska (00:51:12):did not want to receive them, has rejected them — well, they nevertheless had, with another nation or with the inhabitants of another nation, knowledge and dialogue.Elena Poniatowska (00:51:28):And that I believe is what is called,Elena Poniatowska (00:51:34):within Catholicism if you like, or within any religion by whatever name it may be called — that is human fraternity. The otherElena Poniatowska (00:51:50):is the one who exists and who awaits you and whom you must help, because perhapsElena Poniatowska (00:51:58):one day you will need him to extend a hand to you.Julian Vigo (00:52:05):Trump is certainly a character, but I see the situation as too tragic for Americans — the United States, still my country — because the reality is that a large part of the Western world has absolutely no idea of the immense cultural, intellectual, and spiritual richness of Mexico.Julian Vigo (00:52:30):For me, it's not only Trump —Julian Vigo (00:52:32):but Americans, Canadians, etc.Julian Vigo (00:52:35):know nothing about the sharpest chroniclers of this country. If you had to open the eyes of an international audience completely unaware of Mexico's depth, what would you say is the most valuable treasure of Mexican identity that the rest of the world is missing?Elena Poniatowska (00:53:01):Well, I must say that many North Americans have come and written about Mexico — anthropologists and sociologists. We have Oscar LewisElena Poniatowska (00:53:17):and many others who have written about the poorest Mexicans, starting in Tepoztlán, a city near Mexico City, following them to the vecindades in the city where they took refuge and found very modest work. So yes, there have been North AmericansElena Poniatowska (00:53:44):who have written about the richness and beauty of Mexico, and their books areElena Poniatowska (00:53:53):translated into Spanish and are admired and appreciated by Mexicans who are grateful that attention is paid to them. So one cannot say that no one who has come from outside has cared about Mexico — in archaeology, in anthropology, as well as figures like Frances Toor, who was a North American woman who created a magazineElena Poniatowska (00:54:39):called Mexico Today and wrote extensively about Mexican customs and lived in Taxco.Elena Poniatowska (00:54:41):For example, a certain William Spratling enriched himself personally but helped many Mexicans inElena Poniatowska (00:54:51):Taxco to learn how to work silver and sell silver. And still today many foreigners and tourists go to buy silver objectsElena Poniatowska (00:55:10):that come from a mine discovered by foreigners — and clearly alsoElena Poniatowska (00:55:20):plundered, one might say, by foreigners.Julian Vigo (00:55:30):Because not everything is entirely good or entirely bad. But I was referring to the fact that — as you know, having been in the United States and many other countries — Trump and far too many people insufficiently educated about Mexico think that all Mexicans want to invade the United States. But the reality is otherwise. In Mexico there was a great cinematic tradition, for example. Mexican cinema has greatly influenced Hollywood — not only today but throughout history. The Oscar statuette itself was modelled on the body of El Indio Fernández. People do not know the depth of Mexican philosophy. I am thinking of Sor Juana, who contributed so much to poetry, theatre, even science — if we think of her letter to Sor Filotea, who was actually Manuel Fernández de Puebla. That dialogue was very important. Western feminists know nothing of these exchanges between those two figures. But for me Mexico has an enormous and very important force in the history of philosophy, science, and feminism. And I am thinking of Octavio Paz's book on Sor Juana Inés de la Cruz, called Sor Juana Inés de la Cruz, or The Traps of Faith. You knew Paz closely. Did you have conversations with him about his perspective on this book — especially regarding the power dynamics of the Church and the silencing she suffered as an intellectual woman?Elena Poniatowska (00:58:09):No, but I think you are mixing very many topics into one question, and it isElena Poniatowska (00:58:18):difficult to answer you because you are speaking of very diverse things that evenElena Poniatowska (00:58:27):happened in different centuries.Elena Poniatowska (00:58:30):Sor Juana — there have always been in Mexico,Elena Poniatowska (00:58:34):before Octavio Paz, people who dedicated themselves to reading,Elena Poniatowska (00:58:40):studying, and getting to know Sor Juana Inés de la Cruz.Elena Poniatowska (00:58:45):I will not add more names to those you mentioned, but there are many studies and many Sor Juana scholars in Mexico, as well as at the University of SantaElena Poniatowska (00:59:01):Barbara, California, in Paris, in France —Elena Poniatowska (00:59:04):there are many studies on the great figures of Mexico — not only The Traps of Faith by the Mexican poet Octavio Paz. So these are studies that will continue and do continue. In California, for example, Sara Poot HerreraElena Poniatowska (00:59:32):is dedicated to studying Sor Juana Inés de la Cruz, along with many other scholars — I don't know if she is still living — whose name was Rivers. All of these are studies that have been carried out in Mexico and outside Mexico.Julian Vigo (00:59:55):No, I was asking specifically about Paz's book because you knew him and —Elena Poniatowska (01:00:03):I knew him,Elena Poniatowska (01:00:04):I admired him, and I also wrote about him. I have a book about him. I admired him,Elena Poniatowska (01:00:12):I knew him, his poetry dazzled me. And he is a man whom I have admired since getting to know him, and whom I also hold with affection.Julian Vigo (01:00:29):I asked about your relationship with him because sometimes it happens to me too — with other writers — one asks or someone asks me, “Why did you do that?” It is a dialogue. Because that book, The Traps of Faith, had something very important — not only for Mexico but it placed the image of Sor Juana before the world. Many people began to ask who this nun was because it is very important. I was asking about the presentation Paz gave of her — whether you had any dialogues with Paz from your own perspective.Elena Poniatowska (01:01:20):Well, yes, of course. But there were others who also spoke at great length about Sor Juana de la Cruz — other Mexicans before Octavio Paz, other Mexicans who, for example, also concerned themselves with indigenous peoples, such as a priest — Ángel María Garibay — who was also a Sor Juana scholar. So there are many studies on Sor Juana Inés de la Cruz and there are Sor Juana scholars in Santa Bárbara, for example, such as Doctor Sara Poot Herrera and others — a woman by the name of Rivers and many more.Julian Vigo (01:02:16):You have dedicated your life to listening and giving voice to those who have none, through the chronicle and literature.Julian Vigo (01:02:26):Today,Julian Vigo (01:02:27):with social media,Julian Vigo (01:02:28):it seems that everyone has a platform for opinions.Julian Vigo (01:02:32):But are we really listening?Julian Vigo (01:02:36):What happens to the power of the word when it becomes a constant noise, as in social media?Elena Poniatowska (01:02:45):I don't know.Elena Poniatowska (01:02:46):I suppose it loses efficacy.Elena Poniatowska (01:02:49):But that depends on the activity of each human being.Elena Poniatowska (01:02:58):There are people — elderly people, for example, people already old — for whom life,Elena Poniatowska (01:03:08):even in institutions, in care homes, means turning the television on from morning until night and being entertained — that is, entertained without making the least effort of criticism or thought in front ofElena Poniatowska (01:03:29):the television.Elena Poniatowska (01:03:31):I have seen that this has been very important in keeping the elderly calm andElena Poniatowska (01:03:41):allowing them to die little by little in institutions called health facilities, where they have thisElena Poniatowska (01:03:52):constant and rather sad entertainment. ButElena Poniatowska (01:03:59):as they say in Mexico: no hay de otra — there is no other option, or no other option has been found, or there are not enough people willing to dedicate themselves to attending to and caring for others. So I see it as an end of lifeElena Poniatowska (01:04:28):for an individual who was once a thinking individual, who knew how to act,Elena Poniatowska (01:04:37):who knew how to elevate himself,Elena Poniatowska (01:04:41):to become a better human being. And I find it sad.Julian Vigo (01:04:46):Today, and for twenty years now, I have noticed as a university professor that students are reading less and less. Today, with so-called artificial intelligence — so-called because intelligence it is not — students are not reading. How can literature or journalism restore the true value and depth of words when we are in a world full of social media, opinions, and videos of a cat doing something funny?Elena Poniatowska (01:05:31):Your question is very difficult because I don't have the answer.Elena Poniatowska (01:05:37):What I can say is that ultimately it depends on the teachers.Elena Poniatowska (01:05:44):It depends on students having a good teacher,Elena Poniatowska (01:05:49):because even I have seen in classes —Elena Poniatowska (01:05:54):in different classes —Elena Poniatowska (01:05:57):that many young people continue looking at their phones while the teacher is writing onElena Poniatowska (01:06:07):the board, or speaking, or giving a class.Elena Poniatowska (01:06:13):So we shall see whether the destiny of young people will depend on what theyElena Poniatowska (01:06:21):learn from their phone. I don't have a phone —Elena Poniatowska (01:06:27):I never bought one,Elena Poniatowska (01:06:28):never got one. Or whether they will be able to go beyond themselvesElena Poniatowska (01:06:37):and beyond above all what the phone wants to give you or teach you or not teach youElena Poniatowska (01:06:46):or distract you from — because ultimately it is a distraction. Yes.Julian Vigo (01:06:53):Writing something to share — in quotation marks — they are sharing nothing in the end. I have noticed that many people are sharing articles they have not read. Young people are embracing identity politics and cancel cultureJulian Vigo (01:07:16):in the absence of any engagement with material reality today.Julian Vigo (01:07:21):That is my fear —Julian Vigo (01:07:23):that the millennials,Julian Vigo (01:07:26):this generation of thirty-year-olds,Julian Vigo (01:07:31):are fixated on pronounsJulian Vigo (01:07:36):but do nothing to help their neighbour.Julian Vigo (01:07:41):They do nothing to fight for living wages.Elena Poniatowska (01:07:46):Well, not all of them.Elena Poniatowska (01:07:49):It's a generalisation, of course.Elena Poniatowska (01:07:54):But I think you are right.Elena Poniatowska (01:07:58):It is a generalisation, because in any case there are human beings who live for others.Julian Vigo (01:08:08):We are in two camps today, because during the lockdown I noticed that many people — even on the right — were fighting for the poor in the United States, where I published. I could not publish a single article questioning the lockdown. That is when I started Savage Minds, because I was asking: what is happening? I no longer recognise this world in which the left is pushing people not to speak. We weren't talking about the lockdown, and the right was speaking very openly. And I see that politically, left and right — there is no longer that dichotomy, so to speak.Elena Poniatowska (01:09:02):Yes,Elena Poniatowska (01:09:03):I thank you greatly for your interest and I thank you enormously for this conversation. I feel animated,Elena Poniatowska (01:09:11):I feel glad to hear what you are saying.Elena Poniatowska (01:09:19):But I do feel that,Elena Poniatowska (01:09:22):as you say,Elena Poniatowska (01:09:23):the speed,Elena Poniatowska (01:09:26):the pace of all events,Elena Poniatowska (01:09:29):the television —Elena Poniatowska (01:09:32):it sets critical thinking and reflection on events to one side,Elena Poniatowska (01:09:41):because everything must be immediate, mustn't it?Elena Poniatowska (01:09:46):That is to say, everything ends in a second. Even the deepest interests sometimes last onlyElena Poniatowska (01:09:56):a few — one might even think, as we say in Mexico,Elena Poniatowska (01:10:01):un ratito — just a little while. There is no continuity in ideas orElena Poniatowska (01:10:12):even in purposes. There is something we all know called habit, and each personElena Poniatowska (01:10:21):lives according to the habits they have established in order to keep going —Elena Poniatowska (01:10:28):to keep existing, if you will. To make it to night, fall asleep, and know that you will wake the following day. Or perhaps you won't wake, because — well, for example, IElena Poniatowska (01:10:45):am a person of 94 years old and I have no certainty that I will see the following morning. ButElena Poniatowska (01:10:55):what I do believe is thatElena Poniatowska (01:10:58):I believe in the innate goodness of every human being.Elena Poniatowska (01:11:03):I have to believe in it, because I need that hope.(01:12:02): Get full access to Savage Minds at www.savageminds.co/subscribe

Programa en directo desde el Palacio de Congresos Calatrava en Oviedo Con: J.J. Benítez Josep Guijarro Jose Antonio Caravaca Pablo Tresgallo Paco Luzón: Astrofotógrafo Marcos Suarez: Astrofísico Presidente de la Asociación Astronómica de Oviedo Marcelino Requejo David Madrazo

El UCAM Murcia ha igualado la eliminatoria de cuartos de final contra el Barça. 1-1. Todo se resolverá mañana sábado en el Palacio de los Deportes de Murcia, a partir de las 21h. Han sido dos partidos totalmente antagónicos. En el primero, los de Xavi Pascual fueron por delante en el marcador durante casi 35 minutos, fueron superiores físicamente, a nivel defensivo y en acierto y se llevaron el triunfo por 23 puntos. En el segundo, todo lo contrario. Sin Howard Sant-Roos (lesionado del tobillo), Sito Alonso se refugió en una zona. Ese sistema que le dio el pase a la final hace dos años en Málaga, volvió a resultarle muy efectivo. Unido a un espectacular Dejulius, al acierto de Kelan Martin y a un nivel defensivo liderado por Radebaugh y Raieste, el UCAM Murcia fue fiel a su estilo y se llevó el duelo en un final agónico (87-90). Es la tercera vez que le gana al Barça esta temporada, la segunda en el Palau. El equipo ha demostrado otra vez que nunca deja de creer.La mala noticia llegó a falta de 13 minutos para el final. David Dejulius pisó a Satoranski y parece que se ha fracturado el pie. A la espera de pruebas médicas, su presencia en el partido de mañana parece casi imposible. Habrá que ganar sin él. Lo analizamos en la tertulia con Jaime Nadal y escuchamos a los protagonistas.

Londres es una ciudad donde la historia, la cultura y la vida urbana se encuentran en cada rincón.En este episodio recorremos algunos de sus lugares más emblemáticos, desde el Big Ben y el Palacio de Buckingham hasta mercados, barrios llenos de personalidad y experiencias que hacen de esta capital uno de los destinos más fascinantes de Europa.Descubrí qué hacer en Londres, qué sabores probar y por qué sigue siendo una de las ciudades más visitadas del mundo.

En #10AMPRO construimos la mejor dieta de información. La dieta vive en el chat. Las tesis viven en Substack. Modelos mentales para pensar mejor.→ Todo el ecosistema en https://10am.pro y el evento del año: https://eldiad.10am.pro/BTC la apuersta original: https://www.youtube.com/playlist?list=PLataQ837aHu7mmnXyEjXp33TqnXoBFhRBSolana el chain que mas nos gusta: https://www.youtube.com/playlist?list=PLataQ837aHu6KjVF3CwHvDxwCszt9T9Uu------0:00 Episodio 211------Nada del contenido expresado en el canal son recomendaciones financieras (not financial advice, NFA)------Twitter:Canal 10AM: https://twitter.com/10amproHernán Jaramillo: https://twitter.com/holdmybirraDarío Palacio: https://twitter.com/dariopalacioEl Gordo: https://twitter.com/Gordoneaprod----

Perú eligen nuevo Ejecutivo este domingo entre dos modelos opuestos: la derecha popular de Keiko Fujimori y la extrema izquierda de Roberto Sánchez. En medio de la inseguridad y de una profunda crisis política e institucional los ciudadanos buscan estabilidad tras haber visto pasar en los últimos años a nueve presidentes por el Palacio de Gobierno. En Lima está nuestra enviada especial, Beatriz Viaño. Con ella y con el experto en derecho electoral y constitucional, José Naupari Wong, analizamos las posibilidades de ambos candidatos y cómo el país latinoamericano enfrenta estos comicios.Escuchar audio

Social media can make us believe that everyone has it all figured out, except you. You are the lone exception to the rule, and you are the only one who is experiencing unexpected disasters. That is the furthest thing from the truth! Which is why I want to highlight this week's guest, who bounced back from an unexpected business disaster and was all the better for it.  After sailing across the Caribbean for 4 years, Andrea moved back to Miami, sold her e-commerce business, and bought a landscaping company with an SBA loan. Five days after closing, the previous owner stole $7,000 and disappeared. The manager quit and told all 12 employees to leave. Revenue dropped from $70K to $40K a month. With a toddler, a newborn, and a half-million dollars in debt, quitting was not an option. She and her husband rebuilt the business, working 80-hour weeks. When the workload became unsustainable, she taught herself AI from YouTube. Within weeks, AI was answering calls, booking appointments, collecting overdue payments, and sending post-service photos. Her husband went from getting home at 6 pm to 3 pm. Fridays became family days. They turned down a $750K buyout offer. Now she runs Crewless, helping service business owners implement the same AI systems so their kids get the best of them, not what's left.   In this week's episode, we're talking about how she lost everything 5 days after closing and built it all back with AI! Life and business are not about never dealing with adversity. It's about pushing through, discovering what you're capable of, and learning new skills to make your business even better!    Tune in to hear what went wrong in Andrea's new business venture and how she dug her way out of it with AI!  Resources Mentioned: Click here to claim your Manifest Your Marca bot!   Follow Andrea on: Instagram: @andreapalacio    TikTok:@ai.andreapalacio   Website: andreapalacio.ai  YouTube: @ai.andreapalacio  LinkedIn: Andrea Palacio   Follow Erika on: Instagram @‌theerikacruzTikTok @‌theerikacruzLinkedIn Website: http://www.theerikacruz.com How to work with Erika: Sign up for the Courage Driven Latina program here! Join the waitlist for the Magnetic Mastermind here!   Podcast production for this episode was provided by CCST, an Afro-Latina-owned boutique podcast production and copywriting studio.   

En esta edición de No Hay Derecho abordaremos, entre otros temas: - Capturan a exintegrante del Grupo Colina tras estar 23 años prófugo de la justicia. - Congreso pretende aprobar ley que permitiría formalizar a embarcaciones ilegales. - Roberto Sánchez presenta nuevo plan de gobierno elaborado con Ahora Nación, Venceremos, Cívico Obras y Primero la Gente. - Hildebrandt: "La mejor opción es votar propositivamente e impedir que el fujimorismo tenga plenos poderes". - Militantes de Libertad Popular renuncian al partido tras apoyo de Rafael Belaúnde a Keiko Fujimori. - Presidente José María Balcázar se reunió con dueño de Panamericana y exministro Javier González Olaechea fuera de Palacio de Gobierno.

La temporada estival en Murcia arranca oficialmente el próximo 9 de junio con la apertura de la piscina de Murcia Parque, a la que seguirán progresivamente el resto de instalaciones de las pedanías a partir del 1 de julio,. El concejal de Deportes, Miguel Ángel Noguera, ha informado que este año se han habilitado 4.704 plazas para cursillos de natación —590 más que el año pasado— y se ha realizado una inversión superior al millón de euros en mantenimiento y limpieza. Como respuesta a los actos vandálicos sufridos en la temporada anterior, especialmente en Sangonera, el consistorio ha reforzado la seguridad con una partida de 81.200 euros para garantizar el correcto uso de las instalaciones. Además del baño recreativo, que cuenta con precios asequibles desde los 2 euros y bonos de descuento, la oferta se completa con 2.400 plazas para actividades físicas como pilates en los pabellones Palacio de los Deportes y Príncipe de Asturias,,.

Un programa que enlaza el análisis del cerebro de un líder, con la ciencia y el fútbol, uniendo formas de liderar, decidir y resolver  para ajustar mentalidad  y propósito en todo cuanto necesitan hoy las organizaciones y los equipos de trabajo, todo desde la visión humana y profesional de @crispalaciog               Escúchanos en rscradio.com.ar  y Radio Garden Internacional para más de 180 países en todo el mundo #escuchacosasbuenas

En la casa de Bob, los mecheros con la cara de todos los participantes de OT1. Comprados. Recargables. Es decir, esta es una posesión que Bob decidió atesorar. Pero peor es lo de Maribel, que guarda felicitaciones navideñas de Felipe González traídas a su casa de Gijón desde el Palacio de la Moncloa por un motorista: "os lo cuento y me late muy fuerte el corazón", ha confesado, presa del bochorno. Para comprender por qué y escuchar los secretos (in)confensables de otros oyentes, habrá que escuchar el podcast. 

La nueva campaña cultural de las Fortalezas del Rey Lobo, presentada por el concejal de Pedanías y Vertebración Territorial, Marco Antonio Fernández, busca acercar el patrimonio arqueológico de Murcia a los ciudadanos mediante experiencias diversas. El programa de este verano destaca por ofrecer rutas gastronómicas con productos andalusíes los miércoles, itinerarios teatralizados los jueves y viernes, y conciertos de música antigua los sábados en el Palacio de Mardanis. Entre las principales novedades de este año se encuentran las observaciones astronómicas nocturnas en el Castillo de la Asomada (Larache) y una convocatoria especial el 12 de agosto para contemplar un eclipse solar desde el recinto arqueológico. Todas las actividades son gratuitas y requieren inscripción previa a través de la web de eventos del Ayuntamiento de Murcia

Abrimos esta emisión estelar desde el Palacio de Justicia donde permanece un ambiente de intensa expectativa e incertidumbre tras la espera de conocer el fallo a los implicados en el Caso Calamar.

El Radar Empresarial de hoy pone el foco en el enorme impacto económico que mueve el Festival de Cannes, considerado uno de los certámenes cinematográficos más importantes del planeta. La edición de 2026 ha tenido una destacada presencia española gracias al triunfo de los Javis, que lograron el premio a mejor dirección por La Bola Negra. Sin embargo, la máxima distinción del festival, la Palma de Oro, terminó en manos de la producción rumana Fjord. Más allá de los galardones, el lujo y las celebridades que cada año ocupan la alfombra roja, Cannes se ha convertido en una auténtica maquinaria económica para la ciudad francesa que lo acoge. Durante los once días que dura el evento, la localidad recibe alrededor de 200.000 visitantes. Entre ellos se encuentran más de 4.000 periodistas acreditados y unos 40.000 profesionales vinculados a la industria audiovisual. Toda esta afluencia de personas tiene un efecto directo sobre hoteles, restaurantes, comercios y servicios. El festival deja beneficios superiores a los 200 millones de euros, una cifra que representa cerca del 20% de los ingresos generados por el Palacio de Festivales y Congresos. Además, la celebración del certamen permite crear unos 2.300 empleos, unos números que contrastan claramente con el presupuesto oficial del festival, situado en torno a los 35 millones de euros. El impacto no solo se refleja en la economía local. Las grandes marcas también aprovechan la enorme repercusión mediática del evento, especialmente en redes sociales. Según un estudio citado por Vogue y elaborado por la plataforma Lefty, Cannes generó más de 200 millones de dólares en valor mediático. El sector de la moda lideró esta repercusión con 77 millones, seguido por la belleza y la joyería. Firmas como Chopard, colaboradora histórica del festival, alcanzaron cifras millonarias, mientras que Gucci y Saint Laurent también lograron una enorme visibilidad internacional gracias a las estrellas que lucieron sus diseños. La influencia de Cannes viene de lejos. La primera edición del festival se celebró en 1946, apenas un año después del final de la Segunda Guerra Mundial. En muy poco tiempo logró consolidarse como el principal escaparate del cine internacional. Durante la década de los cincuenta comenzaron a desfilar por sus salas y playas algunas de las figuras más reconocidas del momento, entre ellas Kirk Douglas, Sophia Loren o Cary Grant. Desde entonces, el Festival de Cannes no solo ha sido sinónimo de cine y glamour, sino también de influencia cultural, promoción internacional y negocio multimillonario.

En #10AMPRO construimos la mejor dieta de información. La dieta vive en el chat. Las tesis viven en Substack. Modelos mentales para pensar mejor.--------→ Todo el ecosistema en https://10am.pro---------BTC la apuersta original: https://www.youtube.com/playlist?list=PLataQ837aHu7mmnXyEjXp33TqnXoBFhRBSolana el chain que mas nos gusta: https://www.youtube.com/playlist?list=PLataQ837aHu6KjVF3CwHvDxwCszt9T9Uu---------0:00 Episodio 210------Nada del contenido expresado en el canal son recomendaciones financieras (not financial advice, NFA)-----Twitter:Canal 10AM: https://twitter.com/10amproHernán Jaramillo: https://twitter.com/holdmybirraDarío Palacio: https://twitter.com/dariopalacioEl Gordo: https://twitter.com/Gordoneaprod

En #10AMPRO construimos la mejor dieta de información. La dieta vive en el chat. Las tesis viven en Substack. Modelos mentales para pensar mejor.--------→ Todo el ecosistema en https://10am.pro---------BTC la apuersta original: https://www.youtube.com/playlist?list=PLataQ837aHu7mmnXyEjXp33TqnXoBFhRBSolana el chain que mas nos gusta: https://www.youtube.com/playlist?list=PLataQ837aHu6KjVF3CwHvDxwCszt9T9Uu---------0:00 Episodio 209------Nada del contenido expresado en el canal son recomendaciones financieras (not financial advice, NFA)----------Links:Augusto Riascos: https://www.linkedin.com/in/augustoriascos/?skipRedirect=true Carlos Zapata: https://www.pitbullteam.com/mylinks-2732JAIME ALONSO CANO PINO: tribai.co - gerencia@inplux.co . contacto-3113343298 y 3053388895Juan Felipe Sánchez Ramírez: jfsr@turboaccesorios.comaureo.healthIvan Sarmiento: www.flowexpay.comAndrés Bilbao: +16506860420-----Twitter:Canal 10AM: https://twitter.com/10amproHernán Jaramillo: https://twitter.com/holdmybirraDarío Palacio: https://twitter.com/dariopalacioEl Gordo: https://twitter.com/Gordoneaprod

Sheinbaum descarta impacto mayor por medida de Trump Acuerdan compra de frijol y liberan Congreso de ZacatecasSólo en la Ántartida y Oceanía no hay buitres  Más información en nuestro podcast#grc

Jorge del Palacio presenta en La Brújula esta desconocida iniciativa del expresidente socialista, que choca de lleno con la política que identificaría después al recién imputado político.

El tenor mexicano Ramón Vargas viene a promover sus próximas presentaciones que se llevarán a cabo los próximos 28 y 31 de mayo y, el 4 y 7 de junio en el Palacio de Bellas Artes con la ópera Werther de Jules Massenet.

Berserkers!!! Bienvenidos a un viaje inmersivo al corazón de la bestia. En este episodio especial de La Galería Nocturna, nos sumergimos de lleno en la arrolladora Fiebre Amarilla que sigue conquistando el planeta entero. Si por tus venas corre el thrash metal y tu pulso se acelera con el legado inquebrantable de los Cuatro Jinetes, este es el capítulo definitivo para ti. Acompáñanos mientras empacamos las maletas rumbo a tierras teutonas para vivir en carne propia la majestuosidad del M72 World Tour en Frankfurt, Alemania. Analizamos todo lo que promete esta aplastante gira europea que acaba de detonar en Grecia, llevando su colosal escenario circular, sus imponentes megatorres y sus explosivos fines de semana sin repetición de setlist al siguiente nivel. Pero antes de cruzar el océano, hacemos una merecida y profunda reverencia a la sagrada relación entre Metallica y México. Viajamos en el tiempo para revivir más de treinta años de historia pura: desde aquel mítico y feroz debut en 1993 en el Palacio de los Deportes, pasando por la locura absoluta y las sillas voladoras de 1999 junto a Pantera, hasta el glorioso registro del Orgullo, Pasión y Gloria en 2009. Recordamos la brutalidad del Arsenal Completo en 2012 y culminamos con el mayor hito en la historia de la banda, los cuatro monumentales sold outs en el Estadio GNP en 2024, un récord mundial que demuestra que la familia mexicana no tiene comparación. Y por si fuera poco, fijamos la mirada hacia el futuro para debatir lo que será el próximo y más revolucionario paso en la historia de la banda: su inminente residencia en la Esfera de Las Vegas. Hablamos de la insuperable producción inmersiva, los boletos exclusivos, el brutal éxito taquillero y la experiencia definitiva que transforma cada ciudad que pisan en un auténtico territorio de Metallica. Preparen sus cuellos, suban el volumen al máximo y únanse a esta celebración total de la banda que llevó al metal a la cima del mundo. ¡Nos vemos en la siguiente, donde el metal es vida! #metallica #M72WorldTour #FiebreAmarilla #LaGaleriaNocturna GothProds Links Spotify -https://open.spotify.com/show/2hnlgkcGNl9GOAPa0WT9HW?si=7e9b95f203464fe6 Apple Podcast — https://podcasts.apple.com/mx/podcast/goth-prods/id1606324255?l=en Amazon Music — https://music.amazon.com.mx/podcasts/d10f63b6-f4f3-4a91-b21d-d98c2b08ca01/goth-prods?ref=dm_sh_xBGgYoDaqnREmWm0IoJu5r4kd Facebook — https://www.facebook.com/Goth-Prods-104237088306624/ Instagram — https://www.instagram.com/goth_prods/ TikTok - https://www.tiktok.com/@goth_prods

Sheinbaum revisa avances del IMSS-BienestarClara Brugada viajará al Foro Urbano Mundial en AzerbaiyánRefuerzan estrategia de seguridad en MichoacánMás información en nuestro Podcast#grc

En #10AMPRO construimos la mejor dieta de información. La dieta vive en el chat. Las tesis viven en Substack. Modelos mentales para pensar mejor.--------→ Todo el ecosistema en https://10am.pro---------BTC la apuersta original: https://www.youtube.com/playlist?list=PLataQ837aHu7mmnXyEjXp33TqnXoBFhRBSolana el chain que mas nos gusta: https://www.youtube.com/playlist?list=PLataQ837aHu6KjVF3CwHvDxwCszt9T9Uu---------0:00 Episodio 20808:45 Link a substacks La cárcel de los peptidos: https://10am.substack.com/p/el-negocio-mas-grande-del-que-nadie ------Nada del contenido expresado en el canal son recomendaciones financieras (not financial advice, NFA)----------Twitter:Canal 10AM: https://twitter.com/10amproHernán Jaramillo: https://twitter.com/holdmybirraDarío Palacio: https://twitter.com/dariopalacioEl Gordo: https://twitter.com/Gordoneaprod

Un oyente llamado Enrique, quien ha sido presidente del comité de empresa del complejo de la Moncloa, ha compartido con Alberto Herrera en 'la hora de los Fósforos' un sinfín de anécdotas vividas junto a los presidentes del Gobierno, desde Adolfo Suárez hasta la actualidad. Ha explicado que su comité representaba a unos 100 trabajadores laborales de Moncloa, personal no funcionario que se distribuía en áreas como la portavocía del Gobierno y diversos servicios del palacio. Con ironía, ha comentado cómo llamaban a los altos cargos: "los transeúntes", porque era "gente que iba y venía por allí y se creía que mandaba".Ha explicado que su comité representaba a unos 100 trabajadores laborales de Moncloa, personal no funcionario que se distribuía en áreas como la portavocía del Gobierno y diversos servicios del palacio. Con ironía, ha comentado cómo llamaban a los altos cargos: "los transeúntes", porque era "gente que iba y venía por allí y se creía que mandaba, pero luego no ...

Claudia Sheinbaum calificó de “falso” y “sensacionalista” el reporte publicado por “CNN” sobre las supuestas operaciones encubiertas de la CIA en territorio mexicano.Durante una audiencia en el Senado, el director de la DEA, Terrance Cole, afirmó que la acusación contra Rubén Rocha Moya por presuntos nexos con el narco, “es solo el comienzo”. Autoridades estatales y federales tomaron el control de Chilapa, Guerrero, luego de varios días marcados por la violencia, bloqueos y desplazamientos forzados de comunidades indígenas en la región Montaña Baja.Autoridades francesas mantuvieron confinados a los más de 1,700 pasajeros a bordo del crucero Ambition, atracado en Burdeos, tras un posible brote de norovirus. Donald Trump aterrizó en China para reunirse con el presidente Xi Jinping, en un encuentro que podría sentar las bases de la relación entre las dos potencias para los próximos años.Katseye regresa a México como parte de su gira “THE WILDWORLD TOUR”. Se presentarán en el Palacio de los Deportes el 27 de noviembre de este año. Para el vaso medio lleno, Yasmim Rodrigues, una barista brasileña de sólo 26 años, ganó el segundo lugar en la Gran Final Global del DaVinci Gourmet Barista Craft Championship 2026. Para enterarte de más noticias, suscríbete aquí a nuestro newsletter y síguenos en redes sociales. Estamos en todas las plataformas como Te lo cuento. Hosted on Acast. See acast.com/privacy for more information.

Juan Lucas Vega Palacio, gerente general de Grupo Éxito by Diario La república

Pese a su consideración popular como una técnica humilde e incluso pobre, la arquitectura de tierra y los muros de tapia atesoran un enorme potencial constructivo desarrollado durante milenios por generaciones y generaciones. En la provincia de León, tiene en el castillo-palacio de Toral de los Guzmanes uno de sus ejemplos más nobles y monumentales. Sobre su historia -que se remonta al siglo XIV- y, de forma particular, sobre la restauración que a mediados de los años 80 capitanearon Eloy Algorri y Mariano Vázquez Espí, charlamos largo y tendido en "Hoy por Hoy León" con el historiador Javier Revilla.

1. La evidencia está ahí Gobernadora Jennifer González hizo su campaña con vehículos de Don Frappe y vínculos al arrestado hijo de exalcalde de Añasco.2. Imputan a hijo de exalcalde de Añasco por crimen organizado y asesinato de testigos que podría llevarlo a la pena de muerte3. La Asociación de Laboratorios Clínicos de Puerto Rico pide que aumente de $561 millones en Medicare Advantage beneficie a proveedores y pacientes; obtiene fallo judicial en disputa con Triple-S4. Presidente de WIPR aspira nuevamente a liderar el PNP en Luquillo5. Paro Nacional Universitario si Zayira Jordán no se va, dicen estudiantes UPR 6. Presidente del CUD, Ramón Barquin, ofrece ponencia sobre el capital y el Caribe unido en el Palacio de las Naciones Unidas en Suiza7. Hoy se reúnen Trump y XI, pero en el ínterin el presidente de EEUU publica imagen con Estado #51 sobre el mapa de Venezuela y en PR los estadistas en silencio y shock8. AOC y Rubio lideran la última encuesta de las primarias presidenciales de 2028.9. Ventas de armas a Taiwán y crisis en Ormuz entre los temas que abordarían Xi y Trump10. El buque ruso hundido cerca de España podría haber estado transportando reactores nucleares a Corea del NorteEste es un programa independiente y sindicalizado. Esto significa que este programa se produce de manera independiente, pero se transmite de manera sindicalizada, o sea, por las emisoras y cadenas de radio que son más fuertes en sus respectivas regiones. También se transmite por sus plataformas digitales, aplicaciones para dispositivos móviles y redes sociales. Estas emisoras de radio son:1. Cadena WIAC - WYAC 930 AM Cabo Rojo- Mayagüez2. Cadena WIAC – WISA 1390 AM Isabela3. Cadena WIAC – WIAC 740 AM Área norte y zona metropolitana4. WLRP 1460 AM Radio Raíces La voz del Pepino en San Sebastián5. X61 – 610 AM en Patillas6. X61 – 94.3 FM Patillas y todo el sureste7. WPAB 550 AM - Ponce8. ECO 93.1 FM – En todo Puerto Rico9. WOQI 1020 AM – Radio Casa Pueblo desde Adjuntas 10. Mundo Latino PR.com, la emisora web de música tropical y comentarioUna vez sale del aire, el programa queda grabado y está disponible en las plataformas de podcasts tales como Spotify, Soundcloud, Apple Podcasts, Google Podcasts y otras plataformas https://anchor.fm/sandrarodriguezcottoTambién nos pueden seguir en:REDES SOCIALES: Facebook, X (Twitter), Instagram, Threads, LinkedIn, Tumblr, TikTokBLOG: En Blanco y Negro con Sandra http://enblancoynegromedia.blogspot.comSUSCRIPCIÓN: Substack, plataforma de suscripción de prensa independientehttps://substack.com/@sandrarodriguezcottoOTROS MEDIOS DIGITALES: ¡Ey! Boricua, Revista Seguros. Revista Crónicas y otrosEstas son algunas de las noticias que tenemos hoy En Blanco y Negro con Sandra.

Carne Cruda vuelve al teatro para verse con tres grandes nombres del posthumor en nuestro país: Ignatius Farray, Laura del Val y Laura Márquez. Un programa desde el Palacio de la prensa de Madrid con el festival Estacion Podcast. Más información aquí: https://www.eldiario.es/132_c8c0e3 Haz posible Carne Cruda: http://bit.ly/ProduceCC

La boruca resultante hizo decir a la Presidenta que el anuncio era sólo una propuesta, pero el secretario de Educación ignoró la voz de Palacio y refrendó al día siguiente su cierre

En 6AM W, la influenciadora Paula del Palacio compartió detalles de su estilo de vida saludable.

El 8 de mayo de 1945, en Allentown, población del estado de Pensilvania, nacía Keith Jarrett. Escuchamos al pianista en solitario en un estudio tocando 'Be my love', 'I´m through with love' y 'I loves you Porgy' de su disco 'The melody at night with you' (1999), a dúo con el contrabajista Charlie Haden en 'Don´t ever leave me', 'No moon at all' y 'One day I´ll fly away'' del disco 'Jasmine (2010), en concierto en el Musikverein de Viena en julio de 2016 ('Over the rainbow', Part IX') y, también en julio de 2016, en el Palacio de Congresos de Budapest ('Part VII', 'Answer me, my love', 'It´s a lonesome old town').Escuchar audio

En #10AMPRO construimos la mejor dieta de información. La dieta vive en el chat. Las tesis viven en Substack. Modelos mentales para pensar mejor.→ Todo el ecosistema en https://10am.pro---BTC la apuersta original: https://www.youtube.com/playlist?list=PLataQ837aHu7mmnXyEjXp33TqnXoBFhRBSolana el chain que mas nos gusta: https://www.youtube.com/playlist?list=PLataQ837aHu6KjVF3CwHvDxwCszt9T9Uu----0:00 Episodio 205ç7---Nada del contenido expresado en el canal son recomendaciones financieras (not financial advice, NFA)---Twitter:Canal 10AM: https://twitter.com/10amproHernán Jaramillo: https://twitter.com/holdmybirraDarío Palacio: https://twitter.com/dariopalacioEl Gordo: https://twitter.com/Gordoneaprod

1 Samuel 2:8 NTV “Él levanta al pobre del polvo y al necesitado del basurero. Los pone entre los príncipes y los coloca en los asientos de honor. Pues toda la tierra pertenece al Señor, y él puso en orden el mundo.” Hay personas que tocaron fondo… y pensaron que ahí terminaba todo. Pero Dios tiene la costumbre de comenzar historias nuevas desde el polvo. José pasó del pozo al palacio. David pasó del anonimato al trono. Rut pasó de ser extranjera a formar parte del linaje de Jesús. Porque Dios no solo cambia circunstancias. Dios reescribe destinos. Tal vez hoy sientes que algo en tu vida quedó destruido: un sueño, una relación, tu ánimo, tu fe o incluso la imagen que tenías de ti mismo. Pero el polvo no es el final de tu historia. Es el material con el que Dios todavía puede construir algo nuevo.  Las lecturas: 1 Samuel 1:1 - 2:21 Juan 5:1-23 Salmo 105:37-45 Proverbios 14:28-29 www.wenddyneciosup.comSígueme en mis redes como @wenddyneciosup--¿Tu IA produce más, pero no mejor? El 86% de las empresas en LATAM ya usa IA, pero solo 1 de cada 4 la tiene conectada a su operación. Descarga gratis el nuevo reporte de HubSpot y descubre lo que tu equipo necesita saber antes de tomar la próxima decisión sobre IA en 2026: https://hubs.la/Q04cRjrR0Distribuido por: Genuina Media Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Acto de BTS en Palacio adquiere mayor dimensión política por el contexto complicado en MX: AstilleroEnlace para apoyar vía Patreon:https://www.patreon.com/julioastilleroEnlace para hacer donaciones vía PayPal:https://www.paypal.me/julioastilleroCuenta para hacer transferencias a cuenta BBVA a nombre de Julio Hernández López: 1539408017CLABE: 012 320 01539408017 2Tienda:https://julioastillerotienda.com/ Hosted on Acast. See acast.com/privacy for more information.

Más de 37 millones participaron en el Simulacro Nacional 2026  La venta de vehículos ligeros alcanzó su mejor nivel: Inegi  Ucrania acusó a Rusia de incumplir el alto al fuegoMás información en nuestro podcast#grc

Población - 14.506 habitantes | Reclamo - edificios como la casa del Conde de Campillos o el Palacio de los Fajardo | Otras cosas típicas - el pique con Caravaca de la Cruz, vecinos famosos como Pepín Liria o Ana Carrasco Gabarró y las migas de migas de pan de muerte marrano.

Jorge del Palacio presenta esta historia sobre la corrupción de la política italiana de los 90 y lo vincula con la actualidad.

Piden incluir a mascotas en simulacro nacional del 6 de mayo  Abandonan McLaren tras choque en Querétaro  Palacio de Correos, pionero en tecnología en México   Más información en nuestro podcast#grc

Pilar Cernuda, Javier Caraballo, Jorge del Palacio, y José Ignacio Wert repasan la actualidad política del día.

Episode 131 How to design read aloud lessons that build understanding—not just engagement The difference between read aloud that supplements vs. supplants your instruction Using read aloud to teach reading skills like character motivation and author's craft How to connect knowledge building and accountable talk into one cohesive lesson Embedding learning science strategies like retrieval practice and interleaving into read aloud Designing literacy instruction so students remember and apply what they learn over timePractical Strategies Mentioned• Modeling character motivation during read aloud using sentence stems • Using repetition in a text to teach author's craft • Retrieval prompts like “What happened yesterday?” • Interleaving skills (character traits + motivation in one question) • Echo, choral, and partner reading followed by comprehension checks • Planning intentional stopping points and think-alouds • Using text sets (poems, articles, videos) to deepen understandingThese are all strategies grounded in the science of reading and learning science that help students move from understanding in the moment to learning that actually sticks.As you listen, consider this question:What is my read aloud actually doing in my literacy block?Is it:Filling time?Reinforcing skills?Or driving instruction and building understanding over time?Instructional leadership starts with teachers who are willing to move from doing the lesson to designing the learning experience.Earthquake Terror (used as a mentor text example for author's craft)Wonder by R.J. Palacio (used for text connections and deeper thinking)Episode 129: Why Read Aloud Still Matters in Upper Elementary Episode 130: How Accountable Talk Builds Thinking in Your Literacy ClassroomIf you're ready to strengthen your instruction and design literacy lessons that actually stick, you can learn more about coaching and professional development below:In This Episode We DiscussSelf-Leadership ReflectionResources MentionedPrevious Episodes ReferencedWork With EvaGrab my free guide: How to Keep Your Mini Lesson Mini  Book a discovery call for 1:1 coaching or school professional development

Último lunes de Marzo familia, ¿qué tal el México VS Portugal?, ¿les gustó, lo vieron, fueron al estadio? Que siempre sí hubo alguien en las ventanas de Palacio, ¿tonces qué, quién era? Cuídense de las marchas de los taxis de aplicación y de las alzas en la gasolina.