Podcasts about otago university press

Harry Broad reviews Preachers, Pastors, Prophets: The Dominican Friars of Aotearoa New Zealand by Susannah Grant published by Otago University Press

Harry Ricketts reviews The Intimacy Bus by Janet Charman published by Otago University Press

Melissa Oliver from Unity Books Wellington reviews Blue Hour by Jo McNeice published by Otago University Press

Claudia Herz Jardine from Scorpio Books in Christchurch reviews Liar, Liar, Lick, Spit by Emma Neale published by Otago University Press

Paul Diamond reviews Remembering and Becoming: Oral history in Aotearoa New Zealand Edited by Anna Green and Megan Hutching published by Otago University Press

Cynthia Morahan reviews Pretty Ugly by Kirsty Gunn published by Otago University Press.

Holly Walker reviews Landfall 247: Autumn 2023 Edited by Lynley Edmeades published by Otago University Press.

Harry Ricketts reviews Meantime by Majella Cullinane published by Otago University Press

Harry Ricketts reviews Landfall 246: Spring 2023 Edited by Lynley Edmeades published by Otago University Press

On her birthday, and to commemorate the centenary year of her death, over 100 fans gathered to celebrate the life and work of Katherine Mansfield, New Zealand's iconic, boundary-pushing literary giant. Presented by the Otago University Press, join chair Michelle Elvy and Katherine Mansfield biographer Redmer Yska – author of Katherine Mansfield's Europe: Station to Station as they delve into the lasting legacy her work. This Dunedin Writers and Readers Festival podcast was brought to you with support from Otago Access Radio, Copyright Licensing New Zealand and Dunedin UNESCO City of Literature. You'll find further podcasts from the 2023 festival at http://dunedinwritersfestival.co.nz and from Otago Access Radio's website http://oar.org.nz

Picture, for a minute, every artwork of colonial New Zealand you can think of. Now add a chain gang. Hard-labour men guarded by other men with guns. Men moving heavy metal. Men picking at the earth. Over and over again. This was the reality of nineteenth-century New Zealand. Forced labour haunts the streets we walk today and the spaces we take for granted. The unfree work of prisoners has shaped New Zealand's urban centres and rural landscapes, and Te Moana-nui-a-Kiwa – the Pacific – in profound and unsettling ways. Yet these stories are largely unknown: a hidden history in plain sight. Blood and Dirt: Prison Labour and the Making of New Zealand (Bridget Williams Books, 2023) explains, for the first time, the making of New Zealand and its Pacific empire through the prism of prison labour. Jared Davidson asks us to look beyond the walls of our nineteenth- and early twentieth-century prisons to see penal practice as playing an active, central role in the creation of modern New Zealand. Journeying from the Hohi mission station in the Bay of Islands through to Milford Sound, vast forest plantations, and on to Parliament itself, this vivid and engaging book will change the way you view New Zealand. About the Author: An archivist by day and an author by night, Jared Davidson is an award-winning writer based in Wellington, New Zealand. His books include the acclaimed Dead Letters: Censorship and Subversion in New Zealand 1914–1920 (Otago University Press, 2019), Sewing Freedom (AK Press, 2013), The History of a Riot (BWB Texts, 2021) and the co-authored He Whakaputanga: The Declaration of Independence (Bridget Williams Books, 2017). Through history from below, Jared explores the lives of people often overlooked by traditional histories – from working-class radicals of the early twentieth century to convicts of the nineteenth. He is currently the Research Librarian Manuscripts at the Alexander Turnbull Library. Ed Amon has a Master of Indigenous Studies and is a PhD Candidate at the University of Auckland, New Zealand. He is a columnist at his local paper: Hibiscus Matters, and a Stand-up Comedian. His main interests are indigenous studies, politics, history, and cricket. Follow him on twitter @edamoned or email him at edamonnz@gmail.com Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Picture, for a minute, every artwork of colonial New Zealand you can think of. Now add a chain gang. Hard-labour men guarded by other men with guns. Men moving heavy metal. Men picking at the earth. Over and over again. This was the reality of nineteenth-century New Zealand. Forced labour haunts the streets we walk today and the spaces we take for granted. The unfree work of prisoners has shaped New Zealand's urban centres and rural landscapes, and Te Moana-nui-a-Kiwa – the Pacific – in profound and unsettling ways. Yet these stories are largely unknown: a hidden history in plain sight. Blood and Dirt: Prison Labour and the Making of New Zealand (Bridget Williams Books, 2023) explains, for the first time, the making of New Zealand and its Pacific empire through the prism of prison labour. Jared Davidson asks us to look beyond the walls of our nineteenth- and early twentieth-century prisons to see penal practice as playing an active, central role in the creation of modern New Zealand. Journeying from the Hohi mission station in the Bay of Islands through to Milford Sound, vast forest plantations, and on to Parliament itself, this vivid and engaging book will change the way you view New Zealand. About the Author: An archivist by day and an author by night, Jared Davidson is an award-winning writer based in Wellington, New Zealand. His books include the acclaimed Dead Letters: Censorship and Subversion in New Zealand 1914–1920 (Otago University Press, 2019), Sewing Freedom (AK Press, 2013), The History of a Riot (BWB Texts, 2021) and the co-authored He Whakaputanga: The Declaration of Independence (Bridget Williams Books, 2017). Through history from below, Jared explores the lives of people often overlooked by traditional histories – from working-class radicals of the early twentieth century to convicts of the nineteenth. He is currently the Research Librarian Manuscripts at the Alexander Turnbull Library. Ed Amon has a Master of Indigenous Studies and is a PhD Candidate at the University of Auckland, New Zealand. He is a columnist at his local paper: Hibiscus Matters, and a Stand-up Comedian. His main interests are indigenous studies, politics, history, and cricket. Follow him on twitter @edamoned or email him at edamonnz@gmail.com Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Picture, for a minute, every artwork of colonial New Zealand you can think of. Now add a chain gang. Hard-labour men guarded by other men with guns. Men moving heavy metal. Men picking at the earth. Over and over again. This was the reality of nineteenth-century New Zealand. Forced labour haunts the streets we walk today and the spaces we take for granted. The unfree work of prisoners has shaped New Zealand's urban centres and rural landscapes, and Te Moana-nui-a-Kiwa – the Pacific – in profound and unsettling ways. Yet these stories are largely unknown: a hidden history in plain sight. Blood and Dirt: Prison Labour and the Making of New Zealand (Bridget Williams Books, 2023) explains, for the first time, the making of New Zealand and its Pacific empire through the prism of prison labour. Jared Davidson asks us to look beyond the walls of our nineteenth- and early twentieth-century prisons to see penal practice as playing an active, central role in the creation of modern New Zealand. Journeying from the Hohi mission station in the Bay of Islands through to Milford Sound, vast forest plantations, and on to Parliament itself, this vivid and engaging book will change the way you view New Zealand. About the Author: An archivist by day and an author by night, Jared Davidson is an award-winning writer based in Wellington, New Zealand. His books include the acclaimed Dead Letters: Censorship and Subversion in New Zealand 1914–1920 (Otago University Press, 2019), Sewing Freedom (AK Press, 2013), The History of a Riot (BWB Texts, 2021) and the co-authored He Whakaputanga: The Declaration of Independence (Bridget Williams Books, 2017). Through history from below, Jared explores the lives of people often overlooked by traditional histories – from working-class radicals of the early twentieth century to convicts of the nineteenth. He is currently the Research Librarian Manuscripts at the Alexander Turnbull Library. Ed Amon has a Master of Indigenous Studies and is a PhD Candidate at the University of Auckland, New Zealand. He is a columnist at his local paper: Hibiscus Matters, and a Stand-up Comedian. His main interests are indigenous studies, politics, history, and cricket. Follow him on twitter @edamoned or email him at edamonnz@gmail.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Picture, for a minute, every artwork of colonial New Zealand you can think of. Now add a chain gang. Hard-labour men guarded by other men with guns. Men moving heavy metal. Men picking at the earth. Over and over again. This was the reality of nineteenth-century New Zealand. Forced labour haunts the streets we walk today and the spaces we take for granted. The unfree work of prisoners has shaped New Zealand's urban centres and rural landscapes, and Te Moana-nui-a-Kiwa – the Pacific – in profound and unsettling ways. Yet these stories are largely unknown: a hidden history in plain sight. Blood and Dirt: Prison Labour and the Making of New Zealand (Bridget Williams Books, 2023) explains, for the first time, the making of New Zealand and its Pacific empire through the prism of prison labour. Jared Davidson asks us to look beyond the walls of our nineteenth- and early twentieth-century prisons to see penal practice as playing an active, central role in the creation of modern New Zealand. Journeying from the Hohi mission station in the Bay of Islands through to Milford Sound, vast forest plantations, and on to Parliament itself, this vivid and engaging book will change the way you view New Zealand. About the Author: An archivist by day and an author by night, Jared Davidson is an award-winning writer based in Wellington, New Zealand. His books include the acclaimed Dead Letters: Censorship and Subversion in New Zealand 1914–1920 (Otago University Press, 2019), Sewing Freedom (AK Press, 2013), The History of a Riot (BWB Texts, 2021) and the co-authored He Whakaputanga: The Declaration of Independence (Bridget Williams Books, 2017). Through history from below, Jared explores the lives of people often overlooked by traditional histories – from working-class radicals of the early twentieth century to convicts of the nineteenth. He is currently the Research Librarian Manuscripts at the Alexander Turnbull Library. Ed Amon has a Master of Indigenous Studies and is a PhD Candidate at the University of Auckland, New Zealand. He is a columnist at his local paper: Hibiscus Matters, and a Stand-up Comedian. His main interests are indigenous studies, politics, history, and cricket. Follow him on twitter @edamoned or email him at edamonnz@gmail.com Learn more about your ad choices. Visit podcastchoices.com/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/australian-and-new-zealand-studies

Picture, for a minute, every artwork of colonial New Zealand you can think of. Now add a chain gang. Hard-labour men guarded by other men with guns. Men moving heavy metal. Men picking at the earth. Over and over again. This was the reality of nineteenth-century New Zealand. Forced labour haunts the streets we walk today and the spaces we take for granted. The unfree work of prisoners has shaped New Zealand's urban centres and rural landscapes, and Te Moana-nui-a-Kiwa – the Pacific – in profound and unsettling ways. Yet these stories are largely unknown: a hidden history in plain sight. Blood and Dirt: Prison Labour and the Making of New Zealand (Bridget Williams Books, 2023) explains, for the first time, the making of New Zealand and its Pacific empire through the prism of prison labour. Jared Davidson asks us to look beyond the walls of our nineteenth- and early twentieth-century prisons to see penal practice as playing an active, central role in the creation of modern New Zealand. Journeying from the Hohi mission station in the Bay of Islands through to Milford Sound, vast forest plantations, and on to Parliament itself, this vivid and engaging book will change the way you view New Zealand. About the Author: An archivist by day and an author by night, Jared Davidson is an award-winning writer based in Wellington, New Zealand. His books include the acclaimed Dead Letters: Censorship and Subversion in New Zealand 1914–1920 (Otago University Press, 2019), Sewing Freedom (AK Press, 2013), The History of a Riot (BWB Texts, 2021) and the co-authored He Whakaputanga: The Declaration of Independence (Bridget Williams Books, 2017). Through history from below, Jared explores the lives of people often overlooked by traditional histories – from working-class radicals of the early twentieth century to convicts of the nineteenth. He is currently the Research Librarian Manuscripts at the Alexander Turnbull Library. Ed Amon has a Master of Indigenous Studies and is a PhD Candidate at the University of Auckland, New Zealand. He is a columnist at his local paper: Hibiscus Matters, and a Stand-up Comedian. His main interests are indigenous studies, politics, history, and cricket. Follow him on twitter @edamoned or email him at edamonnz@gmail.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Picture, for a minute, every artwork of colonial New Zealand you can think of. Now add a chain gang. Hard-labour men guarded by other men with guns. Men moving heavy metal. Men picking at the earth. Over and over again. This was the reality of nineteenth-century New Zealand. Forced labour haunts the streets we walk today and the spaces we take for granted. The unfree work of prisoners has shaped New Zealand's urban centres and rural landscapes, and Te Moana-nui-a-Kiwa – the Pacific – in profound and unsettling ways. Yet these stories are largely unknown: a hidden history in plain sight. Blood and Dirt: Prison Labour and the Making of New Zealand (Bridget Williams Books, 2023) explains, for the first time, the making of New Zealand and its Pacific empire through the prism of prison labour. Jared Davidson asks us to look beyond the walls of our nineteenth- and early twentieth-century prisons to see penal practice as playing an active, central role in the creation of modern New Zealand. Journeying from the Hohi mission station in the Bay of Islands through to Milford Sound, vast forest plantations, and on to Parliament itself, this vivid and engaging book will change the way you view New Zealand. About the Author: An archivist by day and an author by night, Jared Davidson is an award-winning writer based in Wellington, New Zealand. His books include the acclaimed Dead Letters: Censorship and Subversion in New Zealand 1914–1920 (Otago University Press, 2019), Sewing Freedom (AK Press, 2013), The History of a Riot (BWB Texts, 2021) and the co-authored He Whakaputanga: The Declaration of Independence (Bridget Williams Books, 2017). Through history from below, Jared explores the lives of people often overlooked by traditional histories – from working-class radicals of the early twentieth century to convicts of the nineteenth. He is currently the Research Librarian Manuscripts at the Alexander Turnbull Library. Ed Amon has a Master of Indigenous Studies and is a PhD Candidate at the University of Auckland, New Zealand. He is a columnist at his local paper: Hibiscus Matters, and a Stand-up Comedian. His main interests are indigenous studies, politics, history, and cricket. Follow him on twitter @edamoned or email him at edamonnz@gmail.com Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/british-studies

Picture, for a minute, every artwork of colonial New Zealand you can think of. Now add a chain gang. Hard-labour men guarded by other men with guns. Men moving heavy metal. Men picking at the earth. Over and over again. This was the reality of nineteenth-century New Zealand. Forced labour haunts the streets we walk today and the spaces we take for granted. The unfree work of prisoners has shaped New Zealand's urban centres and rural landscapes, and Te Moana-nui-a-Kiwa – the Pacific – in profound and unsettling ways. Yet these stories are largely unknown: a hidden history in plain sight. Blood and Dirt: Prison Labour and the Making of New Zealand (Bridget Williams Books, 2023) explains, for the first time, the making of New Zealand and its Pacific empire through the prism of prison labour. Jared Davidson asks us to look beyond the walls of our nineteenth- and early twentieth-century prisons to see penal practice as playing an active, central role in the creation of modern New Zealand. Journeying from the Hohi mission station in the Bay of Islands through to Milford Sound, vast forest plantations, and on to Parliament itself, this vivid and engaging book will change the way you view New Zealand. About the Author: An archivist by day and an author by night, Jared Davidson is an award-winning writer based in Wellington, New Zealand. His books include the acclaimed Dead Letters: Censorship and Subversion in New Zealand 1914–1920 (Otago University Press, 2019), Sewing Freedom (AK Press, 2013), The History of a Riot (BWB Texts, 2021) and the co-authored He Whakaputanga: The Declaration of Independence (Bridget Williams Books, 2017). Through history from below, Jared explores the lives of people often overlooked by traditional histories – from working-class radicals of the early twentieth century to convicts of the nineteenth. He is currently the Research Librarian Manuscripts at the Alexander Turnbull Library. Ed Amon has a Master of Indigenous Studies and is a PhD Candidate at the University of Auckland, New Zealand. He is a columnist at his local paper: Hibiscus Matters, and a Stand-up Comedian. His main interests are indigenous studies, politics, history, and cricket. Follow him on twitter @edamoned or email him at edamonnz@gmail.com Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/book-of-the-day

Ash Davida Jane reviews Strong Words 3: The best of the Landfall Essay Competition Selected by Lynley Edmeades and Emma Neale published by Otago University Press

Paul Diamond reviews Aftermaths: Colonialism, Violence and Memory in Australia, New Zealand and the Pacific edited by Angela Wanhalla, Lyndall Ryan and Camille Nurka, published by Otago University Press.

David Hill reviews Histories of Hate: The Radical Right in Aotearoa New Zealand by Matthew Cunningham, Marinus La Rooij and Paul Spoonley (eds), published by Otago University Press.

David Hill reviews Letter for 'Oumuamua by James Norcliffe, published by Otago University Press

Sue Wootton and Daphne Lee - Vanda chats to Sue Wootton, publisher at Otago University Press and Daphne Lee talks about her Fossil treasures of Foulden Maar book. Broadcast on OAR 105.4FM Dunedin www.oar.org.nz

Even a three-volume autobiography doesn't come close to telling the full story of poet Lauris Edmond OBE. So her daughter and literary executor, Frances Edmond, is filling in the gaps in a biography called Always Going Home. This includes assessing in depth the death of another of Lauris's daughters, Rachel, left emotionally damaged by a childhood assault, and its impact on the whanau. Lauris didn't publish her first poetry collection until she was 51. Ten more followed, plus the autobiography, a novel, dramas written for radio and theatre and her work as an editor. She was 75 when she died in 2000. Frances published Night Burns with a White Fire: The Essential Lauris Edmond with co-editor Sue Fitchett in 2017 - but, as she tells Lynn Freeman, Always Going Home is very much the personal story of a mother and daughter, both writers with strong personalities. Frances Edmond's Always Going Home is published by Otago University Press.

Creatures trying to survive as the world around them burns express their fears, their anger and their hopes in Naming the Beasts, the visceral new poetry collection by Auckland writer, Elizabeth Morton. In the world of the poems, habitat destruction and climate change have turned the world into a war zone. But all may not be lost. Elizabeth puts herself in the skin and minds of animals - from hens and cows to native birds, pangolins and one of her favourite creatures, wolves. Elizabeth Morton's poetry collection Naming the Beasts is published by Otago University Press.

Hannah August reviews Notes on Womanhood by Sarah Jane Barnett, published by Otago University Press

The often difficult relationship between fathers and sons is one of the ideas Tamaki Makarau-based poet Michael Steven thinks about in his latest collection, Night School. In another series of poems subtitled "Dropped Pins", Michael whisks us from Pigeon Mountain in East Auckland, to New Brighton, even to South India. There's also a long series of poems based on long-distance bus trips he's taken over the years. The collection won the 2021 Kathleen Grattan Poetry Award, and has just been published. Lynn Freeman asked him first about the title. Michael Steven's collection Night School is published by Otago University Press.

Chris Tse reviews The Pistils by Janet Charman, published by Otago University Press.

Poems based on public holidays and significant days in our history are included in Pistils, the 9th collection by Janet Charman. There are deeply personal works touching on the death of her partner of 40 years, and many thinking back to her childhood and her parents. But the winner of the 2008 Montana Book Award for Poetry also looks unflinchingly into the uncertain future. Pistils is published by Otago University Press.

Despite our mythology of benign race relations, Aotearoa New Zealand has a long history of underlying prejudice and racism. The experiences of Indian migrants and their descendants, either historically or today, are still poorly documented and most writing has focused on celebration and integration. Invisible: New Zealand's history of excluding Kiwi-Indians (Massey University Press, 2021) speaks of survival and the real impacts racism has on the lives of Indian New Zealanders. It uncovers a story of exclusion that has rendered Kiwi-Indians invisible in the historical narratives of the nation.  Jacqueline Leckie is a researcher and writer based in Ōtepoti Dunedin. Her research expertise includes health history, migration and diaspora, ethnicity, identity and gender. She has lectured for 35 years and done extensive research from various universities including University of Otago, University of South Pacific, Kenyatta University, and Victoria University of Wellington. She serves on the editorial boards and editorial advisory boards of multiple journals, and her publication record goes back to 1977. She is the author, editor, and co-editor of multiple books including Development in an Insecure and Gendered World: The Relevance of the Millennium Goals (2009, Routledge), Localizing Asia in Aotearoa (2011, Dunmore Publishing), Asians and the New Multiculturalism in Aotearoa New Zealand (2015, Otago University Press), Migrant Cross-Cultural Encounters in Asia and the Pacific (2016, Routledge), A University for the Pacific: 50 Years of USP (2018, USP), and Colonizing Madness: Asylum and Community in Fiji (2020, University of Hawai'i Press). Jacqui is an Adjunct Research Fellow, at the Stout Centre for New Zealand Studies Victoria University of Wellington, New Zealand and a Conjoint Associate Professor, School of Humanities and Social Sciences, University of Newcastle, Australia. Amir Sayadabdi is Lecturer in Anthropology at Victoria University of Wellington. He is mainly interested in anthropology of food and its intersection with gender studies, migration studies, and studies of race, ethnicity, and nationalism. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Despite our mythology of benign race relations, Aotearoa New Zealand has a long history of underlying prejudice and racism. The experiences of Indian migrants and their descendants, either historically or today, are still poorly documented and most writing has focused on celebration and integration. Invisible: New Zealand's history of excluding Kiwi-Indians (Massey University Press, 2021) speaks of survival and the real impacts racism has on the lives of Indian New Zealanders. It uncovers a story of exclusion that has rendered Kiwi-Indians invisible in the historical narratives of the nation.  Jacqueline Leckie is a researcher and writer based in Ōtepoti Dunedin. Her research expertise includes health history, migration and diaspora, ethnicity, identity and gender. She has lectured for 35 years and done extensive research from various universities including University of Otago, University of South Pacific, Kenyatta University, and Victoria University of Wellington. She serves on the editorial boards and editorial advisory boards of multiple journals, and her publication record goes back to 1977. She is the author, editor, and co-editor of multiple books including Development in an Insecure and Gendered World: The Relevance of the Millennium Goals (2009, Routledge), Localizing Asia in Aotearoa (2011, Dunmore Publishing), Asians and the New Multiculturalism in Aotearoa New Zealand (2015, Otago University Press), Migrant Cross-Cultural Encounters in Asia and the Pacific (2016, Routledge), A University for the Pacific: 50 Years of USP (2018, USP), and Colonizing Madness: Asylum and Community in Fiji (2020, University of Hawai'i Press). Jacqui is an Adjunct Research Fellow, at the Stout Centre for New Zealand Studies Victoria University of Wellington, New Zealand and a Conjoint Associate Professor, School of Humanities and Social Sciences, University of Newcastle, Australia. Amir Sayadabdi is Lecturer in Anthropology at Victoria University of Wellington. He is mainly interested in anthropology of food and its intersection with gender studies, migration studies, and studies of race, ethnicity, and nationalism. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Despite our mythology of benign race relations, Aotearoa New Zealand has a long history of underlying prejudice and racism. The experiences of Indian migrants and their descendants, either historically or today, are still poorly documented and most writing has focused on celebration and integration. Invisible: New Zealand's history of excluding Kiwi-Indians (Massey University Press, 2021) speaks of survival and the real impacts racism has on the lives of Indian New Zealanders. It uncovers a story of exclusion that has rendered Kiwi-Indians invisible in the historical narratives of the nation.  Jacqueline Leckie is a researcher and writer based in Ōtepoti Dunedin. Her research expertise includes health history, migration and diaspora, ethnicity, identity and gender. She has lectured for 35 years and done extensive research from various universities including University of Otago, University of South Pacific, Kenyatta University, and Victoria University of Wellington. She serves on the editorial boards and editorial advisory boards of multiple journals, and her publication record goes back to 1977. She is the author, editor, and co-editor of multiple books including Development in an Insecure and Gendered World: The Relevance of the Millennium Goals (2009, Routledge), Localizing Asia in Aotearoa (2011, Dunmore Publishing), Asians and the New Multiculturalism in Aotearoa New Zealand (2015, Otago University Press), Migrant Cross-Cultural Encounters in Asia and the Pacific (2016, Routledge), A University for the Pacific: 50 Years of USP (2018, USP), and Colonizing Madness: Asylum and Community in Fiji (2020, University of Hawai'i Press). Jacqui is an Adjunct Research Fellow, at the Stout Centre for New Zealand Studies Victoria University of Wellington, New Zealand and a Conjoint Associate Professor, School of Humanities and Social Sciences, University of Newcastle, Australia. Amir Sayadabdi is Lecturer in Anthropology at Victoria University of Wellington. He is mainly interested in anthropology of food and its intersection with gender studies, migration studies, and studies of race, ethnicity, and nationalism. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/south-asian-studies

Despite our mythology of benign race relations, Aotearoa New Zealand has a long history of underlying prejudice and racism. The experiences of Indian migrants and their descendants, either historically or today, are still poorly documented and most writing has focused on celebration and integration. Invisible: New Zealand's history of excluding Kiwi-Indians (Massey University Press, 2021) speaks of survival and the real impacts racism has on the lives of Indian New Zealanders. It uncovers a story of exclusion that has rendered Kiwi-Indians invisible in the historical narratives of the nation.  Jacqueline Leckie is a researcher and writer based in Ōtepoti Dunedin. Her research expertise includes health history, migration and diaspora, ethnicity, identity and gender. She has lectured for 35 years and done extensive research from various universities including University of Otago, University of South Pacific, Kenyatta University, and Victoria University of Wellington. She serves on the editorial boards and editorial advisory boards of multiple journals, and her publication record goes back to 1977. She is the author, editor, and co-editor of multiple books including Development in an Insecure and Gendered World: The Relevance of the Millennium Goals (2009, Routledge), Localizing Asia in Aotearoa (2011, Dunmore Publishing), Asians and the New Multiculturalism in Aotearoa New Zealand (2015, Otago University Press), Migrant Cross-Cultural Encounters in Asia and the Pacific (2016, Routledge), A University for the Pacific: 50 Years of USP (2018, USP), and Colonizing Madness: Asylum and Community in Fiji (2020, University of Hawai'i Press). Jacqui is an Adjunct Research Fellow, at the Stout Centre for New Zealand Studies Victoria University of Wellington, New Zealand and a Conjoint Associate Professor, School of Humanities and Social Sciences, University of Newcastle, Australia. Amir Sayadabdi is Lecturer in Anthropology at Victoria University of Wellington. He is mainly interested in anthropology of food and its intersection with gender studies, migration studies, and studies of race, ethnicity, and nationalism. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/australian-and-new-zealand-studies

Alan Roddick - Alan has published Next, his third collection of poems in 50 years, with Otago University Press.

Paul Diamond reviews three of his favourite books from last year: The Disappearance of Lydia Harvey by Julia Laite published by Allen and Unwin; The Forgotten Coast by Richard Shaw published by Massey University Press and James Courage Diaries edited by Chris Brickell published by Otago University Press

Robert Kelly reviews Can't Get There From Here by André Brett published by Otago University Press.

Robert Kelly reviews Can't Get There From Here by André Brett published by Otago University Press.

A poem told through the eyes, or keys, of an abandoned piano... fallen angels... forgotten women... and an astronaut - all feature in Cantabrian Joanna Preston's second poetry collection, tumble. She uses a variety of poetic techniques, from traditional short forms to expansive free verse. Joanna's first collection The Summer King won two prizes - the inaugural Kathleen Grattan Award for Poetry and the 2010 Mary Gilmore Award. She's also a busy editor of poetry anthologies and magazines. Before talking to Lynn Freeman, Joanna reads a poem from her new collection. tumble by Joanna Preston is published by Otago University Press.

Jessie Bray Sharpin reviews Kate Edger: The life of a pioneering feminist by Diana Morrow. Published by Otago University Press.

Jessie Bray Sharpin reviews Kate Edger: The life of a pioneering feminist by Diana Morrow. Published by Otago University Press.

30 October 2020 | WORD Christchurch Spring Festival Ko Aotearoa Tātou | We Are New Zealand is bursting with new works of fiction, nonfiction, poetry and visual art created in response to the editors’ questions: What is New Zealand now, in all its rich variety and contradiction, darkness and light? Who are New Zealanders? The starting point for the anthology was the statement by Prime Minister Jacinda Ardern after the March Christchurch attacks: ‘Because we represent diversity, kindness, compassion, a home for those who share our values, refuge for those who need it…we will not, and cannot, be shaken by this attack.’ To celebrate the launch of this important book, published by Otago University Press, we welcome contributors reading from their work alongside special guests from 5pm to 6pm, followed by a reception from 6pm to 7pm. Featuring Dr Hanif Quazi, Selina Tusitala Marsh, Ghazaleh Golbakhsh, essa may ranapiri, Donna Miles-Mojab, Mohamed Hassan, David Gregory, E Wen Wong and more. Unfortunately, Tusiata Avia is not able to appear at the event.

Harry Ricketts reviews Letters of Denis Glover edited by Sarah Shieff, published by Otago University Press.

Harry Ricketts reviews Letters of Denis Glover edited by Sarah Shieff, published by Otago University Press.

Leilani Tamu reviews Ko Aotearoa TÄtou: We Are New Zealand. An anthology edited by: Michelle Elvy, Paula Morris and James Norcliffe with art editor David Eggleton. Published by Otago University Press.

Leilani Tamu reviews Ko Aotearoa TÄtou: We Are New Zealand. An anthology edited by: Michelle Elvy, Paula Morris and James Norcliffe with art editor David Eggleton. Published by Otago University Press.

Author, poet and playwright Fiona Farrell has been publishing poetry in New Zealand since 1987 when her first collection Cutting Out arrived on New Zealand shelves. She's also known for her scree of novels and plays and has been publishing, it feels, almost constantly since the 1980s. But it's to poetry she's returned with her new collection Nouns, Verbs etc, Published by Otago University Press.

After a short break under lockdown, local publishing is forging ahead. Dunedin poet, novelist and writing teacher Diane Brown has fused prose and verse to tell a new story in free narrative verse. The collection of poetry is titled Every now and then I have another child. In it she imagines a newborn baby who might or might not be hers but she takes responsibility for the little girl. Sometimes the baby speaks directly to us in an unnervingly knowing way. Amidst the other characters in this world is a doppelganger. Every now and then I have another child is published by Otago University Press.

Jessie Bray Sharpin reviews From Suffrage to a Seat in the House: The path to parliament for New Zealand women by Jenny Coleman. Published by Otago University Press.

In her new book, The Expatriate Myth: New Zealand Writers and the Colonial World (Otago University Press, 2018), Helen Bones, a Research Associate in Digital Humanities at Western Sydney University, presents a new look at late nineteenth and early twentieth century New Zealand literary culture. Contrary to the stereotype that New Zealand writers were “exiled” overseas, Bones follows the lives of a set of writers who, even as they may have been mobile around the colonial world, should, in fact, be recognized for their contributions as New Zealand writers. Learn more about your ad choices. Visit megaphone.fm/adchoices

In her new book, The Expatriate Myth: New Zealand Writers and the Colonial World (Otago University Press, 2018), Helen Bones, a Research Associate in Digital Humanities at Western Sydney University, presents a new look at late nineteenth and early twentieth century New Zealand literary culture. Contrary to the stereotype that New Zealand writers were “exiled” overseas, Bones follows the lives of a set of writers who, even as they may have been mobile around the colonial world, should, in fact, be recognized for their contributions as New Zealand writers. Learn more about your ad choices. Visit megaphone.fm/adchoices

In her new book, The Expatriate Myth: New Zealand Writers and the Colonial World (Otago University Press, 2018), Helen Bones, a Research Associate in Digital Humanities at Western Sydney University, presents a new look at late nineteenth and early twentieth century New Zealand literary culture. Contrary to the stereotype that New Zealand writers were “exiled” overseas, Bones follows the lives of a set of writers who, even as they may have been mobile around the colonial world, should, in fact, be recognized for their contributions as New Zealand writers. Learn more about your ad choices. Visit megaphone.fm/adchoices

In her new book, The Expatriate Myth: New Zealand Writers and the Colonial World (Otago University Press, 2018), Helen Bones, a Research Associate in Digital Humanities at Western Sydney University, presents a new look at late nineteenth and early twentieth century New Zealand literary culture. Contrary to the stereotype that New Zealand writers were “exiled” overseas, Bones follows the lives of a set of writers who, even as they may have been mobile around the colonial world, should, in fact, be recognized for their contributions as New Zealand writers. Learn more about your ad choices. Visit megaphone.fm/adchoices

In her new book, The Expatriate Myth: New Zealand Writers and the Colonial World (Otago University Press, 2018), Helen Bones, a Research Associate in Digital Humanities at Western Sydney University, presents a new look at late nineteenth and early twentieth century New Zealand literary culture. Contrary to the stereotype that New Zealand writers were “exiled” overseas, Bones follows the lives of a set of writers who, even as they may have been mobile around the colonial world, should, in fact, be recognized for their contributions as New Zealand writers. Learn more about your ad choices. Visit megaphone.fm/adchoices

In her new book, Polly Plum: A Firm and Earnest Woman's Advocate, Mary Ann Colclough, 1836–1885 (Otago University Press, 2017), Jenny Coleman, a senior lecturer and Director of Academic Programmes in the College of Humanities and Social Sciences at Massey University, explores the life and letters of early New Zealand feminist Mary Ann Colclough, who wrote under the name Polly Plum. Coleman offers a biographical portrait of a too-long forgotten advocate for girls' education, women's rights and social reforms in New Zealand and around the world. Learn more about your ad choices. Visit megaphone.fm/adchoices

In her new book, Polly Plum: A Firm and Earnest Woman’s Advocate, Mary Ann Colclough, 1836–1885 (Otago University Press, 2017), Jenny Coleman, a senior lecturer and Director of Academic Programmes in the College of Humanities and Social Sciences at Massey University, explores the life and letters of early New Zealand feminist Mary Ann Colclough, who wrote under the name Polly Plum.  Coleman offers a biographical portrait of a too-long forgotten advocate for girls’ education, women’s rights and social reforms in New Zealand and around the world. Learn more about your ad choices. Visit megaphone.fm/adchoices

In her new book, Polly Plum: A Firm and Earnest Woman’s Advocate, Mary Ann Colclough, 1836–1885 (Otago University Press, 2017), Jenny Coleman, a senior lecturer and Director of Academic Programmes in the College of Humanities and Social Sciences at Massey University, explores the life and letters of early New Zealand feminist Mary Ann Colclough, who wrote under the name Polly Plum.  Coleman offers a biographical portrait of a too-long forgotten advocate for girls’ education, women’s rights and social reforms in New Zealand and around the world. Learn more about your ad choices. Visit megaphone.fm/adchoices

In her new book, Polly Plum: A Firm and Earnest Woman’s Advocate, Mary Ann Colclough, 1836–1885 (Otago University Press, 2017), Jenny Coleman, a senior lecturer and Director of Academic Programmes in the College of Humanities and Social Sciences at Massey University, explores the life and letters of early New Zealand feminist Mary Ann Colclough, who wrote under the name Polly Plum.  Coleman offers a biographical portrait of a too-long forgotten advocate for girls’ education, women’s rights and social reforms in New Zealand and around the world. Learn more about your ad choices. Visit megaphone.fm/adchoices

In her new book, Polly Plum: A Firm and Earnest Woman’s Advocate, Mary Ann Colclough, 1836–1885 (Otago University Press, 2017), Jenny Coleman, a senior lecturer and Director of Academic Programmes in the College of Humanities and Social Sciences at Massey University, explores the life and letters of early New Zealand feminist Mary Ann Colclough, who wrote under the name Polly Plum.  Coleman offers a biographical portrait of a too-long forgotten advocate for girls’ education, women’s rights and social reforms in New Zealand and around the world. Learn more about your ad choices. Visit megaphone.fm/adchoices

In her new book, Polly Plum: A Firm and Earnest Woman’s Advocate, Mary Ann Colclough, 1836–1885 (Otago University Press, 2017), Jenny Coleman, a senior lecturer and Director of Academic Programmes in the College of Humanities and Social Sciences at Massey University, explores the life and letters of early New Zealand feminist Mary Ann Colclough, who wrote under the name Polly Plum.  Coleman offers a biographical portrait of a too-long forgotten advocate for girls’ education, women’s rights and social reforms in New Zealand and around the world. Learn more about your ad choices. Visit megaphone.fm/adchoices

In his new book, The World’s Din: Listening to Records, Radio and Films in New Zealand 1880–1940 (Otago University Press, 2018), Peter Hoar, a senior lecturer in radio and media history at Auckland University of Technology, explores how new technology shaped how New Zealanders experienced the very act of listening in the late 19th and early 20th century.  Hoar traces how this cultural revolution in sound reflected new global possibilities in recordings, radio, and film that New Zealanders made all their own. Learn more about your ad choices. Visit megaphone.fm/adchoices

In his new book, The World’s Din: Listening to Records, Radio and Films in New Zealand 1880–1940 (Otago University Press, 2018), Peter Hoar, a senior lecturer in radio and media history at Auckland University of Technology, explores how new technology shaped how New Zealanders experienced the very act of listening in the late 19th and early 20th century.  Hoar traces how this cultural revolution in sound reflected new global possibilities in recordings, radio, and film that New Zealanders made all their own. Learn more about your ad choices. Visit megaphone.fm/adchoices

In his new book, The World’s Din: Listening to Records, Radio and Films in New Zealand 1880–1940 (Otago University Press, 2018), Peter Hoar, a senior lecturer in radio and media history at Auckland University of Technology, explores how new technology shaped how New Zealanders experienced the very act of listening in the late 19th and early 20th century.  Hoar traces how this cultural revolution in sound reflected new global possibilities in recordings, radio, and film that New Zealanders made all their own. Learn more about your ad choices. Visit megaphone.fm/adchoices

In his new book, The World’s Din: Listening to Records, Radio and Films in New Zealand 1880–1940 (Otago University Press, 2018), Peter Hoar, a senior lecturer in radio and media history at Auckland University of Technology, explores how new technology shaped how New Zealanders experienced the very act of listening in the late 19th and early 20th century.  Hoar traces how this cultural revolution in sound reflected new global possibilities in recordings, radio, and film that New Zealanders made all their own. Learn more about your ad choices. Visit megaphone.fm/adchoices

In his new book, The World’s Din: Listening to Records, Radio and Films in New Zealand 1880–1940 (Otago University Press, 2018), Peter Hoar, a senior lecturer in radio and media history at Auckland University of Technology, explores how new technology shaped how New Zealanders experienced the very act of listening in the... Learn more about your ad choices. Visit megaphone.fm/adchoices

In his new book, The World’s Din: Listening to Records, Radio and Films in New Zealand 1880–1940 (Otago University Press, 2018), Peter Hoar, a senior lecturer in radio and media history at Auckland University of Technology, explores how new technology shaped how New Zealanders experienced the very act of listening in the late 19th and early 20th century.  Hoar traces how this cultural revolution in sound reflected new global possibilities in recordings, radio, and film that New Zealanders made all their own. Learn more about your ad choices. Visit megaphone.fm/adchoices

In his new book, The Broken Decade: Prosperity, Depression and Recovery in New Zealand, 1928-39 (Otago University Press, 2016), historian Malcolm McKinnon, adjunct associate professor at Victoria University, explores the critical decade of the 1930s in New Zealand’s history and national memory. Utilizing archival records, statistics, and artistic representations, McKinnon details the efforts of New Zealand’s government and people to cope with the unprecedented conditions. Learn more about your ad choices. Visit megaphone.fm/adchoices

In his new book, The Broken Decade: Prosperity, Depression and Recovery in New Zealand, 1928-39 (Otago University Press, 2016), historian Malcolm McKinnon, adjunct associate professor at Victoria University, explores the critical decade of the 1930s in New Zealand’s history and national memory. Utilizing archival records, statistics, and artistic representations, McKinnon details the efforts of New Zealand’s government and people to cope with the unprecedented conditions. Learn more about your ad choices. Visit megaphone.fm/adchoices

In his new book, The Broken Decade: Prosperity, Depression and Recovery in New Zealand, 1928-39 (Otago University Press, 2016), historian Malcolm McKinnon, adjunct associate professor at Victoria University, explores the critical decade of the 1930s in New Zealand’s history and national memory. Utilizing archival records, statistics, and artistic representations, McKinnon details the efforts of New Zealand’s government and people to cope with the unprecedented conditions. Learn more about your ad choices. Visit megaphone.fm/adchoices

In his new book, The Broken Decade: Prosperity, Depression and Recovery in New Zealand, 1928-39 (Otago University Press, 2016), historian Malcolm McKinnon, adjunct associate professor at Victoria University, explores the critical decade of the 1930s in New Zealand’s history and national memory. Utilizing archival records, statistics, and artistic representations, McKinnon details the efforts of New Zealand’s government and people to cope with the unprecedented conditions. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode, Charlotte Macdonald and Rebecca Lenihan will discuss the development of a database of men serving in the imperial regiments in New Zealand, the nature of the ‘big data' generated by the War Office, issues, limitations and possibilities to date, and goals for the database's continuing development, along with some preliminary analysis. An initial release of the database is planned ahead of Rā Maumahara – the National Day of Commemoration on 28 October. At least 12,000 imperial soldiers served in New Zealand in the wars of the 1860s. Who were the faces behind the uniforms serving Queen and government in this pivotal moment in New Zealand's history? Where did the soldiers come from? Where did they go to? Many men had served in the Crimea, India or Australia. Some women and children also travelled with the regiments. What did they bring to New Zealand? And how might the wars on these soils be understood within the broader history of the British Empire in the mid-nineteenth century? Professor Macdonald is Professor of History at Victoria University of Wellington Te Whare Wānanga o te Ūpoko o Te Ika a Maui. Dr Lenihan is a post-doctoral fellow at Victoria University of Wellington Te Whare Wānanga o te Ūpoko o Te Ika a Maui, working with Charlotte Macdonald on the Soldiers of Empire project. She is the author of From Alba to Aotearoa: Profiling New Zealand's Scots 1840-1920 (Otago University Press, 2015). Recorded at the National Library of New Zealand, 4 October 2017.

Was 1932 a turning point? In this presentation, Malcolm McKinnon considers the significance of the year 1932 in New Zealand's history. Keith Sinclair famously described the disturbances of that year and the government's harsh response as marking New Zealand's nadir. But the disturbances also prompted the government to abandon its austerity policy, although this was hard to pick at the time, and a political impasse about the way forward stymied recovery Malcolm is a Wellington historian. His study The Broken Decade: Prosperity, depression and recovery in New Zealand, 1928-39, was published by Otago University Press in 2016. These public history talks are a collaboration between the National Library of New Zealand and the Ministry for Culture and Heritage and are recorded monthly, live at the National Library of New Zealand.