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Analizamos y explicamos esta gran aria para barítono y escuchamos señeras interpretaciones de voces afamadas como las de Sherril Milnes, Carlo Galeffi, Giuseppe de Luca, Titta Ruffo, Riccardo Stracciari, Ettore Bastianini, Piero Cappuccilli y Leo Nucci.Escuchar audio
Inauguramos una serie que nos llevará a conocer algunas de las más importantes y recordables arias en la que los o las protagonistas pierden la razón, a veces de forma momentánea. Hoy tratamos tres memorables páginas de Bellini. Abre el fuego el aria que cierra Il pirata. Maria Callas -a la que habremos de volver este año ya que en diciembre hará cien de su nacimiento- nos ofrece su monumental interpretación en el Carnegie Hall de Nueva York en 1959 bajo la batuta de su fiel Nicola Rescigno. Ella misma nos brinda la memorable aria del sonambulismo de Amina de La sonnambula en la versión scaligera de 1955 con la dirección de Bernstein. Cambiamos de tercio y traemos a Joan Sutherland para recordar el aria del Elvira de I puritani, una página de original estructura que concluye con una animada cabaletta y en la que el personaje aparece cortejado por su tío Giorgio y su pretendiente, Riccardo, que cantan en esta versión Nicolai Ghiaurov y Piero Cappuccilli. Richard Bonynge está al mando de la Sinfónica de Londres. Escuchar audio
Today's brain teaser: What do world-class singers Irmgard Seefried, Virginia Zeani, Piero Cappuccilli, birthday girl Gundula Janowitz, Galina Vishnevskaya, Giangiacomo Guelfi, Felicia Weathers, Elisabeth Grümmer, Wolfgang Windgassen, Pavel Lisitsian, and Arlene Saunders, have in common? If you need a hint, it's in the title of today's episode: each of them sang at least one and not more than ten performances at that venerable institution, the Metropolitan Opera. These and a number of other artists will be featured on this week's episode, to be followed by more world-class artists who, for one reason or another (though certainly not talent, skill, or ability) “barely sang at the Met.” We hear music of Mozart, Strauss, Verdi, Stravinsky, Wagner, Puccini, and Weber, led by conductors who either were fixtures at the Met (Thomas Schippers, Nello Santi, Dimitri Mitropoulos), appeared occasionally at the Met (Leopold Ludwig, Charles Mackerras), or never appeared there (Wolfgang Sawallisch, Ferdinand Leitner, Joseph Keilberth) or appeared there only once (John Barbirolli, who led a single gala concert there in 1940). Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly support at whatever level you can afford. Bonus episodes available exclusively to Patreon supporters are currently available and further bonus cotent including interviews and livestreams is planned for the upcoming season.
Buon Compleanno piero Cappuccilli
A cura di Paolo Pellegrini1. Non T'amo Plu Composed By – F.P.Tosti 00:002. R. Brogi: Visione Veneziana Composed By – R.Brogi 5:053. L'ultima Canzone Composed By – F.P.Tosti 8:264. Musica Proibita Composed By – S. Gastaldon 13:035. Mia Sposa Sara la Mia Bandiera Composed By – A.Rotoli 17:266. Zaza: Zaza Piccola Zingera Composed By – R. Leoncavallo 22:517. Don Carlo: Per Me Glunto Composed By – Verdi 25:178. Don Carlo: Io Morro Composed By – Verdi 28:409. macbeth: Pieta, Rispetto, Amore Composed By – Verdi 32:2910. Nemico Della Patria Composed By – U. Giordano 37:3811. Faust: Santa Medaglia Composed By – Gounod 42:2312. O Sole Mio Composed By – Di Capua 47:21Baritono – Piero CappuccilliPiano – Leone MagieraModena . 15.5.1984
I oktober 2018 døde den spanske sopran Montserrat Caballé, 85 år gammel. Hendes storhedstid var 1960'erne og 1970'erne, hvor hun var en af verdens største sangere indenfor den genopdagede belcanto-stil. Hun havde et bredt repertoire, men var allerbedst i operaerne af Bellini, Donizetti og Verdi, hvor hun kunne opvise sin glansfulde klang og suveræne teknik. Her i en liveoptagelse fra Firenze, hvor Montserrat Caballé vælter salen i Bellinis opera Piraten.Monteserrat Caballé, sopran, Piero Cappuccilli, tenor, m.fl.Maggio Musicale Fiorentinos Kor og Orkester.Dirigent: Franco Capuana.(Optagelse fra Firenze, 1967). Vært: Jakob Wivel. www.dr.dk/p2koncerten (Sendt første gang 9. december 2018).
Ieri, oggi e domani: la Rubrica oggi dedicata a Piero Cappuccilli, Ludovic Tézier e Pierpaolo Cappuccilli
Broadcast from the Teatro Colon with Leontyne Price, Fiorenza Cossotto, Carlo Bergonzi, Piero Cappuccilli and, of course, Ivo Vinco.
On this week's episode of He Sang/She Sang, Merrin Lazyan and Jeff Spurgeon speak with director Sarah Meyers about why, despite its utterly implausible plot, some consider Bellini's I Puritani to be among the greatest operatic masterpieces ever written. We also hear from bass-baritone Luca Pisaroni about his role debut as Giorgio, the best singing advice he's ever received, and the joys of traveling with his two dogs, Lenny and Tristan. Sarah's YouTube pick (Anna Netrebko, Eric Cutler, Franco Vassallo, John Reylea): Jeff's YouTube pick (Alexey Markov and Luca Pisaroni): Merrin's YouTube pick (Diana Damrau and Javier Camarena): This episode features excerpts from the following album: Bellini: I Puritani (Decca, 1987)— Joan Sutherland, soprano; Luciano Pavarotti, tenor; Nicolai Ghiaurov, bass; Piero Cappuccilli. baritone; the London Symphony Orchestra conducted by Richard Bonynge
Nabucco is the opera that got Verdi back in the game after a long time away from composing, but its premiere almost didn't happen. Hear how it was saved and in an ironic twist of fate, how the opera shortened the career of the soprano who saved it. On this week's episode of He Sang/She Sang, mezzo-soprano Jamie Barton and dramaturg Cori Ellison discuss Verdi's connection to the plight of the Hebrew slaves, why this year's revival at the Metropolitan Opera is so special and the cultural significance of "Va, pensiero." Cori Ellison's YouTube pick (Riccardo Muti, Opera di Roma) Merrin Lazyan's YouTube pick (Plácido Domingo and Liudmyla Monastyrska, The Royal Opera) This episode features excerpts from the following album: Verdi: Nabucco (Deutsche Grammophon, 1983)— Piero Cappuccilli, baritone; Plácido Domingo, tenor; Evgeny Nesterenko, bass; Ghena Dimitrova, soprano; Lucia Valentini Terrani, mezzo-soprano; Chorus and Orchestra of the Deutsche Oper Berlin conducted by Giuseppe Sinopoli
Upstart Opera in NYC...Another Camarena EncoreAt The Met...ENO Music Director Resigns...Verdic Cycle Comes To A Close in Sarasota...Florence Foster Jenkins Movie...Greenwich Residents to Perform in The Sorcerer. In Oliver's Corner we listen to Leyla Gencer, Piero Cappuccilli, and Dimitra Theodossiou in act 2 of Roberto Devereux. This week features Michael, The OC and Doug Dodson. And be sure to check out La Familia Green for all your greeting card and stationary needs!
Soprano Dame Kiri Te Kanawa chooses the singers she loves the most illustrating with both music and experiences from her own life and career. In this episode, Piero Cappuccilli.
1 Lauritz.Melchior Walkure "Walse" (get a stopwatch) 2. Mario Filippeschi PIRA!!!! 3. Renata Scotto Luisa Miller aria 4. Vera Galupe-Borszkh In questa reggia (Ira Siff -better than most Turandots) 5. Piero Cappuccilli Attila Cab...B FLAT!!! 6. Joseph Schmidt Ma Parri 7. Diana Soviero Mefistofele aria 8.Christine Goerke "Come scoglio" (Cosi) 9. Sergei Lemeshev May Night Aria 10. Georges Thill Saffo aria 11.Maria Caniglia "Pace" 12. Marilyn Horne "Or la tromba" 13. Joseph Rogatchevsky Oberon aria 14. Antonio Cortis PIRA 15. Lucine Amara, Richard Tucker,Martial Singher Hoffmnn Trio 16. Meta Seinemeyer Liebestod (great singer,died at 33)
Shirley Verrett, one of my all-time favorite singers, in a Scala 1975 performance of Macbeth under Claudio Abbado. The magnificent Piero Cappuccilli, Franco Tagliavini, and (not to be oudone), Nicolai Ghiaurov complete the cast.
I know you just ADORE my compilations, so I present no.9,with a few choice comments. If you played any at parties, did anyone ever guess ALL of them? 1. Gigli, Rethberg, Pinza Attila trio (Need we say more?) 2. Carlo Bergonzi E lucevan le stelle (a veritable vocal lesson) 3. Jussi Bjoerling Romeo 1947 ensemble. (Did the C sound like that live?) 4. Alessandro Bonci Puritani aria 5. Clara Butt Lucrezia Borgia Brindisi (they would laugh today.I adore this!) 6. Karen Branzell Erda Warning (Das Rheingold) 7. Olga Borodina La Favorite aria 8. Montserrat Caballe Adriana Phedre Monologue (Totally wild!) 9. Piero Cappuccilli Luisa Miller aria ( A very great man) 10. Irene Minghini-Cattaneo Azucena aria (sadly killed when Allied bomb destroyed her villa in WW II) 11. Julia Varady Mme.Butterfly "Che tua madre." 12. Charles Dalmores Carmen Flower Song 13. Zinka Milanov (who?) "D'amor sull'ali rosee" (Trovatore) 14. Mario Del Monaco "No,pazzo son"(Manon Lescaut) (Example of subtlety) 15. Merrill/Bjoerling Don Carlo duet (pure gold) 16. Birgitte Fassbaender "Suicidio" ( even though she is a mezzo.) 17. Kathleen Ferrier "An die Musik" (Schubert) 18. Lauren Flanigan Lady Macbeth aria (One of the singers who "takes chances" with repertory. One of my favorite ladies.) 19. Beniamino Gigli "Vedi,io piango' (Fedora) 20. Apollo Granforte Credo from Otello (His name fits his voice.)
In my extremely unhumble opinion, I have long considered Leyla Gencer, despite the scoops and the "camp chest" one of the greatest singers. Not every artist possesses a "pure" voice, and many of us have understood that a Moedl, a Kabaiwanska, an Olivero, a Callas, etc. can excite us as much,or even more than an artist known more for beauty of tone. This Roberto Devereux, from Naples 1964 under Mario Rossi should illustrate that point. In the cast are also Piero Cappuccilli, the great legendary baritone, Ruggero Bondino, and Anna Maria Rota.(69 min.) In 1972, following a Gencer Attila, we had a party for her;my friend made sure no other diva's photos were on the wall; a few months later, at another party, in walked Raina Kabaiwanska, who exclaimed, "What is this,a SHRINE?" (It was!!!)
This amazing baritone was noted not only for his voice, but for his superb Italianate style, and for the amazing ability to sing notes that only a tiny number of baritones sang.(Traviata,Attila B Flats).We hear arias (in this order) from: Puritani,Luisa Miller,Traviata.Ernani,Ballo, Faust,Forza,Il Guarany,Zaza, and Andrea Chenier. (68 min.)
In 1955, Cappuccilli auditioned for La Scala in Milan, where the auditioners, deeply impressed, encourage him to enter the Viotti competition. After his first place award, he made his official operatic debut in 1957 at the Teatro Nuovo in Milan, singing Tonio in Pagliacci. In 1960, he made his debut at the Metropolitan Opera, singing Giorgio Germont in La traviata, which was to be Cappuccilli spent most of his career singing in Europe, with only infrequent travels to North and South America. He made his debut at the Teatro alla Scala in 1964, as Enrico, at the Royal Opera House in London as Germont in 1967, and his Opéra de Paris debut took place in 1978, as Amonasro. He also appeared at the Vienna State Opera and the Salzburg Festival. He worked with the greatest European conductors of his time (Karajan, Gavazzeni, Abbado, Kleiber) and became one of the finest interpreters of the Italian repertoire. Cappuccilli was highly respected as a "Verdi baritone", where his beautiful voice, fine vocal technique, musical elegance, and dignified stage presence, were shown to their best advantage. He left an impressive discography, he recorded Lucia di Lammermoor twice, first with Maria Callas in 1959, and with Beverly Sills in 1970. Other notable recordings include; Rigoletto, opposite Ileana Cotrubas and Placido Domingo, under Carlo Maria Giulini, Macbeth, opposite Shirley Verrett, and Simon Boccanegra, opposite Mirella Freni and Nicolai Ghiaurov, both under Claudio Abbado. He also recorded Don Carlos, Il Trovatore and Aida under Herbert von Karajan Cappuccilli sang until his mid-sixties; an automobile accident in 1992 ended his stage career. He died in his native Trieste, at the age of 78.[2] Pagliacci,Zaza,Macbeth,Attila,Due Foscari,Forza,Trovatore,Do Carlo,Pearl Fishers, Chenier, Nabucco,Ernani,Roberto Devereux. (68 min.)
Yes, they did once make them like this: A brilliant Scala 1972 Simone Boccanegra which features Piero Cappuccilli,Mirella Freni,Nicolai Ghiaurov, Gianni Raimondi, and Felice Schiavi (Paolo). The conductor is Claudio Abbado. (and stop telling me I only like dead and retired singers!!!) (72 min.)
A most exciting reading of Bellini's "Il Pirata" (highlights) with Montserrat Caballe, Flaviano Labo, and Piero Cappuccilli under Franco Cap[uana from Florence, 1967 (68 min.)
This is a magnificent Vespri Sicilani from Scala 1970 under Gianandrea Gavazzeni. It features Renata Scotto, Piero Cappuccilli, Ruggero and Gianni Raimondi (no relations) and I know you will enjoy it. The more I hear Scotto, the more I am captivated by her feeling for the line and the style. (71 min.)
What a cast!!! This is part one of the five act version of Don Carlo from La Scala, 1977, under Claudio Abbado. The stellar cast features Jose Carreras, Mirella Freni, Elena Obratsova, Piero Cappuccilli, Nicolai Ghiaurov, and Evgenyi Nesterenko (Inquisitor) ( 66 min.)
Highlights from a Scala 1974 Favorita under Nino Verchi, with Luciano Pavarotti, Fiorenza Cossotto, Piero Cappuccilli, and Ivo Vinco. (65 min.)
A compilation of baritones (and one lady) singing the Rigolettto "Cortigiani." Included (in order) are:Riccardo Stracciari, Giuseppe Danise,Michael Bohnen, Heinrich Schlusnus, Paolo Silveri, Piero Cappuccilli, Franz Grundheber, Louis Quilico, Thomas Tipton, Cornell MacNeil, Robert Merrill, Leonard Warren, and in a Julliard coaching session in 1971 with baritone Sung Kil Kim, MARIA CALLAS! (74 min.)
A most exciting compilation that features some thrilling baritone top notes. Included are: Piero Cappuccilli,Gino Bechi, Giangiacomo Guelfi, Cornell MacNeil (in photo), Sherrill Milnes, and Leonard Warren. (75 min.)
The great aria from Giordano's "Andrea Chenier." Riccardo Stracciari, Giuseppe Danise, Paolo Silveri, Heinrich Schlusnus,Mario Sereni, Aldo Protti, Richard Paul Fink, Renato Bruson,Giuseppe Taddei, Cornell MacNeil, Piero Cappuccilli,Ettore Bastianini, and Leonard Warren In photo). (70 min.)
Scenes from Verdi's Ernani, featuring some of the greatestsingers of the past: Anita Cerquetti, Leontyne Price, Zinka Milanov, Grace Bumbry,Leyla Gencer,Caterina Mancini, Gino Penno, Mario del Monaco,Placido Domingo (past and also present), Flaviano Labo,Leonard Warren, Mario Sereni, Ettore Bastianini, Leonard Warren,Cornel MacNeil, Piero Cappuccilli, Lando Bartolini, Cesare Siepi,Nicolai Ghiaurov. (76 minutes)
Let us give the men a chance! I am so "diva-oriented" I tendto forget that there is an incredible array of male artists who thrill us. Here are some scenes from Verdi operas featuring: Richard Tucker, Leonard Warren, Robert Merrill, Jussi Bjoerling,Samuel Ramey, Thomas Hampson, Cornell MacNeil, Piero Cappuccilli, Nicolai Ghiaurov, Giorgio Tozzi, Ezio Flagello,Sherrill Milnes, Karl Ridderbusch, Carlo Tagliabue, Galliano Masini,Mario del Monaco, Helge Roswaenge, Heinrich Schlusnus,Ettore Bastianini,Jerome Hines (55 minutes)
Selections from Charlie's favorite early Verdi opera. In the Attila compilation, the following artists are featured: Gilda Cruz-Romo, Mara Zampieri, Caterina Mancini, Rita Orlandi, Lauren Flanigan, Elizabeth Rethberg,Marisa Galvany,Julia Varady,Antonietta Stella, Igor Gorin, Piero Cappuccilli,Vladimir Chernov,Nicolai Ghiaurov, Ezio Pinza, Gianfranco Cecchele,Beniamino Gigli,Enrico di Giuseppe, Francisco Casanova,Sam Ramey (in photo) (77 minutes)
Many selections from this exciting Donizetti work,featuring scenes and arias with the following artists: Alfredo Kraus, Beniamino Gigli, Robert Lasalle,Giuseppe Anselmi, Luciano Pavarotti, Giulio NeriMattia Battistini, Piero Cappuccilli, Marcello Giordani,Giuseppe Di Stefano, Franco Corelli, Regina Resnik,Fiorenza Cossotto, Giulietta Simionato, Ebe Stignani (64 Minutes)
Scenes and arias from Verdi's "Luisa Miller" featuring many fine artists such as: Sondra Radvanovsky, Montserrat Caballe, Aprile Millo,Antonietta Stella, Nelly Miricioiu, Richard Tucker,Jose Carreras, Giuseppe Anselmi, Alessandro Bonci,Luciano Pavarotti, Sherrill Milnes, Vladimir Chernov,Vladimir Galouzine, Piero Cappuccilli,& Giorgio Tozzi
A compilation of exciting cabalettas from various operas as sung by some of the great artists of the past: Shirley Verrett, Montserrat Caballe, Virginia Zeani, Virginia Zeani, Elena Suliotis, Beverly Sills,Mado RobinGiulietta Simionato, Marilyn Horne, Christa Ludwig,Antonietta Stella, Joan Sutherland, Nicolai Gedda,Luciano Pavarotti, Alfredo Kraus, Franco Corelli,Piero Cappuccilli, Nicolai Ghiaurov,Sherrill Milnes,Carlo Bergonzi, and Richard Tucker
In loving memory of some of the great artists who have passed away recently. Let us all celebrate their careers. Theodore Uppmann,Enrico Di Giuseppe,Piero Cappuccilli, James King, Robert Merrill, Alfredo Silipigni/Jerome Lo Monaco and Birgit Nilsson
Carlo Bergonzi and Piero Cappuccilli in a recital of arias and duets.