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26 episodes with Luisa Miller
2 episodes with Luisa Miller
3 episodes with Luisa Miller
2 episodes with Luisa Miller
2 episodes with Luisa Miller
2 episodes with Luisa Miller
2 episodes with Luisa Miller
Last week, absorbed in preparations for my own birthday, I passed over the birthday of the great Giuseppe Verdi, born 10 October 1813. Two years ago I produced a pair of Verdi episodes, and today I feature the one first published as a bonus episode at that time, which features duets from Luisa Miller, Il Trovatore, La Traviata, Rigoletto, Otello, and Falstaff. In the spirit of my two recent episodes “Requiescat” and “In Pace,” I had the brilliant idea of highlighting great Verdi singers (and one conductor) who died in Octobers past, including: Joan Sutherland (October 10, 2010); Eleanor Steber (October 3, 1990); Montserrat Caballé (October 6, 2018); Vladislav Piavko (October 6, 2020); Rosanna Carteri (October 25, 2020); Leonard Bernstein (October 14, 1990); Walter Berry (October 27, 2000); Franco Bonisolli (October 30, 2003); Edita Gruberová (October 18, 2021); Ingvar Wixell (October 8, 2011); and Rolando Panerai (October 22, 2019). Heard alongside these musicians are the blazingly talented John Alexander, Sherrill Milnes, Leonard Warren, Irina Arkhipova, Mario del Monaco, Anselmo Colzani, Regina Resnik, Margherita Rinaldi, Giorgio Zancanaro, Luigi Alva, Judith Raskin, and Mattiwilda Dobbs. Live performances are featured alongside soundtrack recordings from three different operatic films, as well as a few rare studio recordings ensure that the great Giuseppe receives sufficient, if belated, accolades. Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly support at whatever level you can afford.
Don't you think it is time for another english episode of your favourite Podcast? Voilà! This time i am in conversation with one of italians most favourite lyrical sopranos of the last decades. Being a rebelliou teenager she became an opera singer by accident but immediately found her way entering all the major houses at once. Amidst her big repertoire there are two composers she is constantly maintaining: Mozart & Verdi. May it be as the hurted Figaro-Contessa or loving Desdemona, she is famous for her rich and velvet tone as well as her engaging stage presence. How the big Maestro Riccardo Muti changed her approach to music, how it came that she refused to do a scenical production of "Luisa Miller" and why it is always important to remember where you come from will be answered by the wonderful milanese soprano Barbara Frittoli.
Miller, Louis QuilicoLuisa, Katia Ricciarelli Laura, Gwendolyn JonesRodolfo, Luciano PavarottiWurm, Dieter WellerConte Walter, Giorgio TozziFederica, Huguette TourangeauUn contadino, Joseph FrankOrchestra e Coro dell'Opera di San FranciscoJesús López-Cobos, direttore
Comenzamos temporada y lo hacemos con un tema importante. En este primer capítulo hablamos de algunas de las principales óperas y obras sinfónicas que utilizaron textos del poeta suabo y escuchamos la Oda a la alegría de la Novena de Beethoven por Toscanini y sus huestes de la NBC con cuatro muy buenos solistas (Farrell, Merriman, Perce y Scott); un aria de Giovanna d’Arco y otra de I Masnadieri de Verdi en la voz de Carlo Bergonzi; el final de Luisa Miller, con la dirección de Mario Rossi (RAI de Roma) y el dúo de bajos de Don Carlo del mismo compositor, con las voces de Ghiaurov y Talvela y la batuta de Horst Stein (Ópera de Viena); la segunda parte del poema sinfónico El campo de Wallenstein de Smetana dirigido por Kubelik y el final de Guillaume Tell de Rossini proveniente también de una representación de la Ópera de Viena dirigida por Fabio Luisi. Escuchar audio
Cerramos la larga serie de emisiones que hemos dedicado a las Memorias artísticas de Sir Rudof Bing en el momento en el que, tras 22 años a su frente, deja la Metropolitan Opera. Años muy fructíferos, determinantes, que en Ars canendi han tenido su eco. Escuchamos hoy en primer lugar la Muerte de Boris de Boris Godunov de Musorgski por el gran Ezio Pinza en una grabación en vivo precisamente del Teatro neoyorkino. Y nos adentramos en las complicadas negociaciones que tuvo que desarrollar y mantener Sir Rudolf hasta que consiguió que Karajan dirigiera en el Met. Seguimos al director austriaco primero en Muerte y transfiguración de Strauss y, de nuevo, en música de Wagner: Preludio del acto III de Tristán, Cabalgata de las Walkirias, dúo final Brünnhilde-Wotan de La walkiria… También un momento del cierre del tercer acto de esa ópera en la voz de Dieskau y la dirección de Kubelik. Los últimos compases de las oberturas de Luisa Miller de Verdi y de El murciélago de Johann Strauss son la perfecta despedida a Sir Rudolf. Escuchar audio
Emanuele Muzio studeerde vanaf 1844 compositie bij Verdi in Milaan en assisteerde deze als dirigent bij verscheidene operaproducties. De bewerking voor strijkkwartet van Luisa Miller moet gezien worden als “chips of the tree” van Muzio’s werk als dirigent. Hij kende immers als weinig anderen de opera’s van Verdi. Zijn bewerkingen zijn dan ook uitermate zorgvuldig, […]
Join members of the cast and creative team as they discuss ENO’s brand new production of Verdi's Luisa Miller. Opera Preview is one of a number of events available exclusively to ENO Friends. To find out more about Friends events, please visit eno.org/eno-supporters-events. Hosted by Mark Shenton, the panel includes: Barbora Horáková (Director) Alexander Joel (Conductor) Elizabeth Llewellyn (Luisa) James Rosental (Choreographer) Olafur Sigurdarson (Miller)
'A brani, a brani, o perfido' dalla Luisa Miller di Giuseppe Verdi.
Today on the show, I'm so excited to speak with the incredible and globally celebrated soprano Sondra Radvanovsky! In our conversation, Sondra covers a variety of topics, including how she prepares for a role, the importance of understanding how we learn, how to perform at our best, and the importance of kindness in our field. She also expands on: The importance of understanding how and how quickly we learn When it's good to walk away and hit reset in order to learn faster How a desire to please and to express emotions can negatively affect the quality of our performance The importance of being in the moment during a performance How she prioritizes her health while maintaining a heavy performing schedule involving lots of travel Sondra has wonderful insight in store for you, and I know you will enjoy this episode! Don't forget to visit the Mind Over Finger Resources' page to check out amazing books recommended by my podcast guests, as well as my favorite websites, cds, the podcasts I like to listen to, and the practice and podcasting tools I use everyday! Find it here: www.mindoverfinger.com/resources! And join the Mind Over Finger Book Club in the Tribe! We meet HERE, and we'll begin 2020 with The Inner Game of Golf by Tim Gallwey! Don't forget to sign up for my newsletter to get your free guide to a super productive practice using the metronome! This guide is the perfect entry point to help you bring more mindfulness and efficiency into your practice and it's filled with tips and tricks on how to use that wonderful tool to take your practicing and your playing to new heights! TURN THE METRONOME ON AND START PRACTICING BETTER AND LEARNING FASTER RIGHT NOW! GET YOUR FREE METRONOME GUIDE TODAY AT www.mindoverfinger.com!!!! More about Sondra Radvanovsky: Website: https://www.sondraradvanovsky.com/: Youtube: https://www.youtube.com/results?search_query=sondra+radvanovsky Facebook: https://www.facebook.com/Sondra-Radvanovsky-43465428333/ Instagram: https://www.instagram.com/sondraradvanovsky/ Twitter: https://twitter.com/SondraRadvan?ref_src=twsrc%5Egoogle%7Ctwcamp%5Eserp%7Ctwgr%5Eauthor Sondra at The Met: https://www.metopera.org/discover/artists/soprano/sondra-radvanovsky/ Soprano Sondra Radvanovsky is a globally celebrated artist. The depth and exquisite color of her voice are matched by her dramatic acting ability and versatility across a remarkable range of repertoire, from the title roles in Rusalka and Lucrezia Borgia, to Roxanne in Cyrano de Bergerac and the title role in Manon Lescaut. She is widely regarded as one of the premiere Verdi sopranos alive today, as well as one of the premiere interpreters of bel canto. Radvanovsky begins the 2019-20 season in the title role of a production of Sir David McVicar's Rusalka at the Canadian Opera Company. She then performs in concert and recital in Vancouver, San Juan (Puerto Rico), Ã Coruña (Spain) and Baden-Baden (Germany). Radvanovsky will sing a concert titled “The Three Queens” at the Chicago Lyric Opera, a concert featuring the last act of each of the three Queens trilogy. This will be followed by a concert version of Il Pirata at the Palais Garnier in Paris. In February 2020, the soprano will be singing Liza in Pique Dame at the Chicago Lyric Opera. This is followed by both the title role in Aida and Liza in Pique Dame at the Deutsche Oper Berlin. The season ends with Sondra Radvanovsky singing the title role of Aida at the Staatsoper in Vienna. She has performed in every major opera house in the world, including the Royal Opera House, Teatro alla Scala, Opernhaus Zürich, and numerous others. Her signature interpretations of Verdi's heroines include the title roles in Aïda and Luisa Miller, Elvira in Ernani, Elena in I Vespri Siciliani, Elisabeth de Valois in Don Carlo, Amelia in Simon Boccanegra, and Lina in Stiffelio, among others. She trained at the Metropolitan Opera in the late 1990s in the Lindemann Young Artist Development Program. After performances in smaller roles there, Radvanovsky caught the attention of critics as Antonia in Les Contes d'Hoffmann and was singled out as a soprano to watch. On the concert platform, she has sung with the Boston Symphony Orchestra and the Verbier Festival Orchestra, both with James Levine; with the Chicago Symphony and David Zinman; with the San Francisco Symphony and James Conlon, and with the Bayerische Staatsoper and Zubin Mehta. Radvanovsky's debut recording, Verdi Arias, was released in April 2010 on the Delos label. The album quickly became a critical hit and made several season-best lists, including those of NPR and The New Yorker. In 2011 Delos released a CD of Verdi opera scenes with Radvanovsky and her frequent artistic partner Dmitri Hvorostovsky to coincide with the pair's return to the Met stage in Il Trovatore. The disc was recorded with the Philharmonia of Russia and Constantine Orbelian. Radvanovsky is no stranger to the screen. She stars in a Naxos DVD of Cyrano de Bergerac alongside Plácido Domingo, and in Il Trovatore, Un Ballo in Maschera, and Roberto Devereux for the wildly popular “Met: Live in HD” series. She has also been an enthusiastic host for the “Live in HD” transmissions of La Fanciulla del West, Otello, and Francesca da Rimini. Born just outside Chicago, Radvanovsky now makes her home with her husband near Toronto and has dual citizenship. If you enjoyed the show, please leave a review on iTunes! I truly appreciate your support! Visit www.mindoverfinger.com for information about past and future podcasts, and for more resources on mindful practice. Join the Mind Over Finger Tribe here! https://www.facebook.com/groups/mindoverfingertribe/ THANK YOU: Most sincere thank you to composer Jim Stephenson who graciously provided the show's musical theme! Concerto #1 for Trumpet and Chamber Orchestra – Movement 2: Allegro con Brio, performed by Jeffrey Work, trumpet, and the Lake Forest Symphony, conducted by Jim Stephenson. Also a HUGE thank you to my fantastic producer, Bella Kelly! MIND OVER FINGER: www.mindoverfinger.com https://www.facebook.com/mindoverfinger/ https://www.instagram.com/mindoverfinger/
Friday 21 February Stephanie Childress (Assistant Conductor) Simone Jonetsu Ibbett-Brown (Staff Director) Professor Jonathan White, University of Essex (Writer and Academic)
Comedian David Mitchell discusses his West End debut playing William Shakespeare in Ben Elton’s stage adaptation of the BBC TV sitcom, Upstart Crow. The play, which also stars Gemma Whelan and Mark Heap, explores the realities of life for the man behind the drama as he attempts to resurrect his career and save London theatre form the puritans. Leading soprano Elizabeth Llewellyn has, over the last 10 years, won many plaudits for her voice that’s been described as distinctive and unforgettable. She discusses taking on the title role in a production of Verdi’s Luisa Miller at ENO – the first time the opera, dating from the middle of Verdi’s career, has been performed at the Coliseum. Emily Brontë’s novel Wuthering Heights is a 19th century classic with its tempestuous love story between spirited Catherine Earnshaw and brooding Heathcliff becoming a shorthand for obsessive passion. Conventionally, it’s been seen as book for girls but that hasn’t deterred playwrights Andrew Sheridan and Ben Lewis who join Stig to discuss their respective new stage adaptations of Brontë’s gothic tale. Presenter Stig Abell Producer Jerome Weatherald
Love, lust, and quest for power lead to despair and death in Giuseppe Verdi’s “Luisa Miller” at Lyric Opera Chicago. Review by Reno Lovison.
Po poletnem premoru se na spored vrača tudi redna tedenska oddaja o glasbenih dogodkih, ki bo danes posvečena festivalskemu dogajanju pri nas in na tujem. Začeli bomo s preglednima prispevkoma o letošnjih festivalih Radovljica in SEVIQS Brežice, potem pa poročali z dveh dogodkov festivala Ljubljana (gostovanje orkestra Marijinskega gledališča in teatra Regio z Verdijevo Traviato). Bili smo tudi na Salzburških slavnostnih igrah ("Simon Boccanegra", "Orfej v podzemlju" in "Luisa MIller") ter na dveh koncertih Tartinijevega festivala v Piranu (ansambla Il terzo suono in Cenacolo Musicale).
durée : 00:04:48 - Classique info du lundi 26 août 2019 - par : Sofia Anastasio - Placido Domingo qui interprétait Miller dans Luisa Miller de Verdi au festival de Salzbourg a été ovationné dimanche soir. Nous apprenons également que Renaud Capuçon et Jean-François Heisser ont joué au G7 et que le chef d'orchestre Daniel Harding devient copilote chez Air France.
Palm Beach Opera Vocal CompetitionRenata Scotto is an Italian soprano and opera director.Don Pasquale is an opera buffa, or comic opera, in three acts by Gaetano DonizettiValència is the capital of the autonomous community of Valencia and the third-largest city in Spain.Montserrat Caballé was a Spanish operatic soprano.Arturo Toscanini was an Italian conductor.Wolfgang Amadeus Mozart was a prolific and influential composer of the classical era.Robert Schumann a German composer, pianist, and influential music critic.The Spoleto Festival (Festival dei Due Mondi) is an annual summer music and opera festival held each June to early July in Spoleto, Italy, since its founding by composer Gian Carlo Menotti in 1958.Opera Idol was an annual opera competition for amateur singers run by Cincinnati Opera.Ainadamar is the first opera by Argentinian composer Osval do Golijov.Carmen is an opera by French composer Georges Bizet.The Marriage of Figaro is an opera buffa (comic opera) composed in 1786 by Mozart.Don Carlos is a grand opera composed by Giuseppe Verdi.Diego Velázquez was a Spanish painter, the leading artist in the court of King Philip IV, and one of the most important painters of the Spanish Golden Age.Manuel de Falla was a Spanish composer.Francisco Albéniz was a Spanish virtuoso pianist, composer, and conductor.Reynaldo Hahn was a Venezuelan, naturalized French, composer, conductor, music critic, diarist, theatre director, and salon singer.Enrique Granados was a Spanish pianist and composer of classical music.Franz Joseph Haydn was an Austrian composer of the Classical period.Tomás Luis de Victoria was the most famous composer in 16th-century Spain, and was one of the most important composers of the Counter-Reformation, along with Giovanni Pierluigi da Palestrina and Orlando di Lasso.Antonio de Cabezón was a Spanish Renaissance composer and organist.Martín y Soler was a Spanish composer of opera and ballet. Although relatively obscure now, in his own day he was compared favorably with his contemporary, Wolfgang Amadeus Mozart, as a composer of opera buffa.Luigi Boccherini was an Italian composer and cellist of the Classical era whose music retained a courtly and galante style even while he matured somewhat apart from the major European musical centers.Giuseppe Domenico Scarlatti was an Italian composer.Farinelli was the stage name of Carlo Maria Michelangelo Nicola Broschi, a celebrated Italian castrato singer of the 18th century and one of the greatest singers in the history of opera.The Vienna State Opera is an Austrian opera house and opera company based in Vienna, Austria.Otto Klemperer was a Jewish German-born conductor and composer, described as "the last of the few really great conductors of his generation."Bruno Walter was a German-born conductor, pianist and composer.Herbert von Karajan was an Austrian conductor. He was principal conductor of the Berlin Philharmonic for 35 years.The Spanish National Youth Orchestra is a Spanish youth orchestra.Teresa Berganza is a Spanish mezzo-soprano.Sir Georg Solti was a Hungarian-born orchestral and operatic conductor, best known for his appearances with opera companies in Munich, Frankfurt and London, and as a long-serving music director of the Chicago Symphony Orchestra.Luisa Miller is an opera by Giuseppe Verdi.Lorin Maazel was an American conductor, violinist, and composer.Zubin Mehta is an Indian conductor of Western and Eastern classical music. He is currently music director of the Israel Philharmonic Orchestra (IPO) and Conductor Emeritus of the Los Angeles Philharmonic.Carlo Maria Giulini was an Italian conductor.The Symphony No. 5 is Beethoven’s 5th symphony and is one of the best-known compositions in classical music and one of the most frequently played symphonies.The Goldberg Variations is a musical composition for harpsichord by Johann Sebastian Bach, consisting of an aria and a set of 30 variations.La Traviata is an opera composed by Giuseppe Verdi.Roméo et Juliette (Romeo and Juliet) is an opera by Charles Gounod.Giacomo Puccini was an Italian opera composer who has been called "the greatest composer of Italian opera after Verdi."(Ravenni & Girardi n.d., Introduction.)Richard Strauss was a leading German composer of the late Romantic and early modern eras.Johannes Brahms was a German composer, pianist, and conductor of the Romantic period.Nikolaus Harnoncourt was an Austrian conductor, particularly known for his historically informed performances of music from the Classical era and earlier.Pablo Casals was a cellist, composer, and conductor from Catalonia.La 1 (La Uno, The One), is the flagship television channel of Spanish public broadcaster Radio televisión Española (RTVE).La 2 (La Dos, The Two) is Spain's second state-owned television channel for the public broadcasting service.Senegal is a country in West Africa.José Plácido Domingo is a Spanish opera, conductor, and arts administrator.Otello is an opera by Verdi.Franco Ferrara was an Italian conductor.Guido Cantelli was an Italian orchestral conductor."Fritz" Reiner was a prominent conductor of opera and symphonic music in the twentieth century.Alicia de Larrocha was a Spanish pianist and composer. She was considered one of the great piano legends of the 20th century.The Tudors is a historical fiction television series set primarily in 16th-century EnglandMedici is an Italian-British historical dramaSpotify Technology S.A. is a Swedish media-services provider founded in 2006.
Sondra Radvanovsky i Piotr Beczala protagonitzen Luisa i Rodolfo en una bonica història d'amor que marca el Verdi madur amb un final tràgic
Ens visita Oriol Aguil
Ens visita Oriol Aguil
Die Oper „Luisa Miller“ von Giuseppe Verdi steht im Mittelpunkt des Gottesdienstes der Reihe „Vis-à-vis. Abends ins Theater, morgens in die Kirche“ am Sonntag, 16. Juni, um 10 Uhr in der Martin-Luther-Kirche (Schülerstr. 14) in Detmold. Liebe und Tod, Tod und Liebe stehen im Mittelpunkt der Oper, die in den vergangenen Wochen auf dem Spielplan des Landestheaters Detmold stand und zu der Dramaturgin Elisabeth Wirtz eine Einführung geben wird. Weiterhin soll im Gottesdienst die Liebe von einzelnen Figuren des Stücks im Mittelpunkt stehen und in Beziehung gesetzt werden zu Worten aus dem Hohelied der Liebe (1.Kor 13). Die Sopranistin Megan Marie Hart, welche die Luisa singt, wird im Gottesdienst mit dabei sein. Pfarrerin Christa Willwacher-Bahr und ein Team der Kirchengemeinde bereiten den Gottesdienst vor. Im Anschluss ist Gelegenheit zum Gespräch im Gemeindehaus.
Soprano Renata Scotto gave a famously chilling interpretation of Lady Macbeth in Verdi’s take on Shakespeare’s play. But Scotto was just as loved for tugging at our heartstrings in the title role of LUISA MILLER. On this episode of the Metropolitan Opera Guild Podcast, Met Radio commentator Ira Siff explores the artistry of legends such as Renata Scotto, Astrid Varnay, and others, in the second installment if his “Villains and Victims” series.
Conciertos de Intercambio Internacional: Gala Verdi por Vladimir Stoyanov. VERDI: Fragmentos de “La Forza del Destino”, “Macbeth”, “La Traviata”, “Luisa Miller”, “I Masnadieri”, “Un Ballo in Maschera” y “Rigoletto”. Vladimir Stoyanov (barítono). Orquesta Sinfónica Nacional de la Ópera de Sofia. Director: Erich Wechter (Grabación de la Radio Búlgara el 30-III-2014 en la Ópera Nacional de Sofia). Escuchar audio
James Ivory is a film director, producer, and screenwriter (known for the 2017 film Call Me By Your Name)Michael Chekov was a Russian-American actor, director, author, and theatre practitioner.Costanzo's first operatic role was Miles in Benjamin Britten's The Turn of the Screw, which is based on a Henry James novella by the same name.The Baroque opera Giulio Cesare by George Frideric HandelCostanzo performed in Jimmy López's Bel CantoEvans mentions contemporary composer Jake Heggie's Great ScottKabuki is a traditional style of Japanese dance-dramaCostanzo was the Executive Director of a dance company with Karole ArmitageCostanzo works with the American Modern Opera Company (AMOC), a collective dedicated to creating new worksCostanzo recently hosted a Metropolitan Opera Live in HD performance of Luisa Miller by Giuseppe VerdiCostanzo has been reading the novel Less and the plays God's Ear and Eurydice
Forbidden love, feuding fathers, and poison are all proven ingredients for a successful opera… and Verdi's LUISA MILLER is no exception! In this episode of The Metropolitan Opera Guild Podcast, we have a detailed walkthrough of Verdi’s rarely performed operatic gem with librarian and music scholar Deidre Bird.
Als Ivan Repusic das Amt des Chefdirigenten beim Münchner Rundfunkorchester antrat, wählte er für sein erstes Sonntagskonzert im Herbst 2017 Verdis "Luisa Miller". Das Konzert ist nun auf CD erschienen. Volkmar Fischer lobt "Genauigkeit"und "Unkompliziertheit" des Dirigats.
Als Dirigent muss man vor allem eines können: kommunizieren. Das geht mit Blicken und Gesten, aber eben nicht zuletzt auch mit Worten. Ivan Repusic ist mit den vier Sprachen, die er spricht (Deutsch, Englisch, Kroatisch und Italienisch ) damit einigen Kollegen voraus. Der Kroate feiert mit Verdis Oper "Luisa Miller" seinen Einstand beim Münchner Rundfunkorchester - seit dieser Saison ist er dort Chefdirigent. Ein Probenbericht
Live Radio broadcasts sponsored by Martini & Rossi. Di Stefano Iris "Apri la tua finestra" Carosio Sonnambula "Ah non credea" Callas Seraglio aria (In Ital.) Gigli Werther aria (In Ital.) Simionato Tancredi "Di tanti palpiti" G.Raimondi Luisa Miller "Quando le sere al placido" Callas La Vestale "Tu che invoco" Olivero La Wally "Ebben,ne andro" DelMonaco Walkure Act one scene Cossotto Samson et Delilah act 1 aria Bergonzi/Carteri Butterfly Duet
Nos visitan la soprano Saioa Hernández y el tenor Francesco Pio Galasso después de sus compromisos por los confines más insólitos de Europa. Además descubrimos con Paco Azorín el estreno de María Moliner, una ópera documental en el Teatro de la Zarzuela. Contenido: Tablón de citas, Ópera post mortem (Giuseppina Strepponi), Entrevista, Ópera de cabecera (Luisa Miller), Rara Avis (Arañando los clásicos). Invitados: Saioa Hernández, Francesco Pio Galasso, Paco Azorín y Juanma Cifuentes.
Nos visitan la soprano Saioa Hernández y el tenor Francesco Pio Galasso después de sus compromisos por los confines más insólitos de Europa. Además descubrimos con Paco Azorín el estreno de María Moliner, una ópera documental en el Teatro de la Zarzuela. Contenido: Tablón de citas, Ópera post mortem (Giuseppina Strepponi), Entrevista, Ópera de cabecera (Luisa Miller), Rara Avis (Arañando los clásicos). Invitados: Saioa Hernández, Francesco Pio Galasso, Paco Azorín y Juanma Cifuentes.
Happy Jan.21 birthday to at least one famous guy, but the other one is also a star(in my own mind.) Tannhauser,Luisa Miller (where he gets to sing, "Quando le sere al PLACIDO"),and duet w.Pilar Lorengar. Un abrazo fuerte,Placido!!!!
1 Lauritz.Melchior Walkure "Walse" (get a stopwatch) 2. Mario Filippeschi PIRA!!!! 3. Renata Scotto Luisa Miller aria 4. Vera Galupe-Borszkh In questa reggia (Ira Siff -better than most Turandots) 5. Piero Cappuccilli Attila Cab...B FLAT!!! 6. Joseph Schmidt Ma Parri 7. Diana Soviero Mefistofele aria 8.Christine Goerke "Come scoglio" (Cosi) 9. Sergei Lemeshev May Night Aria 10. Georges Thill Saffo aria 11.Maria Caniglia "Pace" 12. Marilyn Horne "Or la tromba" 13. Joseph Rogatchevsky Oberon aria 14. Antonio Cortis PIRA 15. Lucine Amara, Richard Tucker,Martial Singher Hoffmnn Trio 16. Meta Seinemeyer Liebestod (great singer,died at 33)
Arias by Gian Giacomo Guelfi from Nabuco, Macbeth,Luisa Miller, Jerusalem,Wally, Zaza, Fanciulla, Andrea Chenier, and I even found the clip of the Amonasro scene where the conductor lets the audience goes insane, and never stops so the poor diva can be heard!!!! Giangiacomo Guelfi (21 December 1924 – 8 February 2012)[1] was an operatic baritone, particularly associated with Verdi and Puccini.[2] Born in Rome, Guelfi studied law before turning to vocal studies in Florence with baritone Titta Ruffo. He made his stage debut in Spoleto, as Rigoletto in 1950. He made his debut in 1952 at the Teatro alla Scala in Milan, also appearing in Venice, Florence, Rome, Naples, Palermo, Catania, and becoming a regular guest at the Arena di Verona. Outside Italy he appeared in Berlin, Lisbon, London, Buenos Aires, Rio de Janeiro, and Cairo. He made his American debut in 1954 at the Lyric Opera of Chicago, and at the Metropolitan Opera of New York in 1970.[2] He took part in the creation of contemporary works including Lazzaro in Pizzetti's La figlia di Jorio, Naples, 1954. He was mostly known for his Verdi portrayals in operas such as Nabucco, I due Foscari, Attila, Macbeth, Il trovatore, I vespri siciliani, La forza del destino, and Aida. He also appeared in verismo operas such as Cavalleria rusticana, Andrea Chénier, Tosca, and La fanciulla del West. Guelfi had a large, powerful voice and yet was able to perform more classical works such as Guglielmo Tell, Lucia di Lammermoor, La favorite, L'Africaine, and Spontini's Agnes von Hohenstaufen. He sang the role of Rance in La fanciulla del West in a recording with Renata Tebaldi, conducted by Arturo Basile, and was in the 1961 Tokyo's performances of Tosca, also with Tebaldi, on DVD. He died on 8 February 2012 in Bolzano, after a week's hospitalization.[1]
I love this guy!!!! He is one of my five all-time favorite tenors, of those I never saw live. I find the Russian "high vocal placement' so appealing, Here he sings (In Russian) arias from: Fra Diavolo, Huguenots, Martha, Luisa Miller, Lohengrin, Faust, Mignon, Roussalka (Dargomijsky), The Demon (Rubenstein), Onegin (act one), May Night (2 arias), Onegin (Kooda,kooda), Pique Dame Here is some material I fouind interesting about "rivalry." (71 Min.) Lemeshev-mania Lemeshev's talent, artistry, acting skills and conspicuous charm very quickly made him a public idol. Almost all his performances during the 1930s and 1940s were accompanied by crowds of fans followed him through the streets, spending days and nights near his house. [1] While Lemeshev was one of the leading tenors of the Bolshoi Theatre, he was admired by female fans, who were jokingly called "lemeshistki." The theatre lobby was a venue for scuffles between the "lemeshistki" and the "kozlovityanki" (female fans of Lemeshev's rival Ivan Kozlovsky).[2] Additionally, the film "The Musical Story" (1941) [3] in which he played the main role, brought him the Stalin prize, and even more widespread furore and fame all over the USSR.
I know you just ADORE my compilations, so I present no.9,with a few choice comments. If you played any at parties, did anyone ever guess ALL of them? 1. Gigli, Rethberg, Pinza Attila trio (Need we say more?) 2. Carlo Bergonzi E lucevan le stelle (a veritable vocal lesson) 3. Jussi Bjoerling Romeo 1947 ensemble. (Did the C sound like that live?) 4. Alessandro Bonci Puritani aria 5. Clara Butt Lucrezia Borgia Brindisi (they would laugh today.I adore this!) 6. Karen Branzell Erda Warning (Das Rheingold) 7. Olga Borodina La Favorite aria 8. Montserrat Caballe Adriana Phedre Monologue (Totally wild!) 9. Piero Cappuccilli Luisa Miller aria ( A very great man) 10. Irene Minghini-Cattaneo Azucena aria (sadly killed when Allied bomb destroyed her villa in WW II) 11. Julia Varady Mme.Butterfly "Che tua madre." 12. Charles Dalmores Carmen Flower Song 13. Zinka Milanov (who?) "D'amor sull'ali rosee" (Trovatore) 14. Mario Del Monaco "No,pazzo son"(Manon Lescaut) (Example of subtlety) 15. Merrill/Bjoerling Don Carlo duet (pure gold) 16. Birgitte Fassbaender "Suicidio" ( even though she is a mezzo.) 17. Kathleen Ferrier "An die Musik" (Schubert) 18. Lauren Flanigan Lady Macbeth aria (One of the singers who "takes chances" with repertory. One of my favorite ladies.) 19. Beniamino Gigli "Vedi,io piango' (Fedora) 20. Apollo Granforte Credo from Otello (His name fits his voice.)
Another compilation of material from my files. I hope you enjoy the selections, and remember what "fun" you can have if you give an opera party and ask the guests to guess, giving prizes for the winners. 1. Julia Varady Aria from Puccini's Edgar 2. Shirley Verrett Favorita Cabaletta (We went nuts at Carnegie Hall.) 3-4. Leonard Warren Ernani and Pagliacci arias 5. Ljuba Welitch Vissi d'arte 6.Dolora Zajick Principessa aria from Adriana 7. Milanov/Bjoerling Ballo Love duet 8. Janet Baker Traume 9. Alessandro Bonci Luisa Miller aria 10. Maria Callas Puritani "Vieni al tempio" 11. Steber/Kullman Carmen act one duet 12. Enrico Caruso "Mia piccirella" (Makes me CRAZY!) 13. Renata Scotto Butterfly "Che tua madre." 14. Mario del Monaco Otello "Dio mi potevi" 15. Marisa Galvany What else but the famous Aida act 2 E flat. 16. Nicolai Gedda Manon "Ah fuyez." 17-18 Leyla Gencer/Cornell Macneil and then Hilde Gueden/Leonard Warren in the Rigoletto "Si,vendetta' duet.
A glorious Luisa Miller from Palermo, 1963 under Nino Sanzogno. In the cast we have Antonietta Stella, Giuseppe Di Stefano, Cornell MacNeil (high A flat to DIE FOR!), Oralia Dominguez, Raffaele Arie (Walter), and Enrico Campi (Wurm) (approx.73 min.) I am doing so many of these this week, I forgot to eat,clean the house or myself, but look, it is a pleasure to serve you. Remember, any suggestions for future podcasts (and that includes anything that might help a young artist with a career), send to Placido21@aol.com
A guide to Verdi's opera Luisa Miller featuring opera historians Flora Willson, Sarah Lenton and Roger Parker
Just to see if these podcasts are FINALLY working, here are arias from Luisa Miller and I Masnadieri, from the wonderful new Jonas Kaufmann Verdi album. He is superb!!!!
This amazing baritone was noted not only for his voice, but for his superb Italianate style, and for the amazing ability to sing notes that only a tiny number of baritones sang.(Traviata,Attila B Flats).We hear arias (in this order) from: Puritani,Luisa Miller,Traviata.Ernani,Ballo, Faust,Forza,Il Guarany,Zaza, and Andrea Chenier. (68 min.)
An exciting Luisa Miller featuring the young Jose Carreras and the young Katia Ricciarelli from Turino in the 1970's. The conductor is Fernando Previtali and the great Renato Bruson is Miller. Count Walter is sung by Mario Rinaudo and Federica is sung by Stella Silva. (72 min.)
We have lost another great singer, baritone Cornell MacNeil.He possessed a voice of phenomenal power and was one of the world's greatest baritones. The operas represented are Pagliacci,Rigoletto, Luisa Miller, Ernani, and Simone Boccanegra. (71 min.) May the dear man rest in peace.
An exciting compilation of material from various Verdi operas, as issued in 1951 on Cetra-Soria, for the Verdi year. Included are scenes (in correct order) from: Otello, Ballo in Maschera, La Battaglia di Legnano,Ernani, I Due Foscari, Il Trovatore, Luisa Miller, I Lombardi, Nabucco, Don Carlo, and Aida (casts are announced) (66 min.)
Hi everyone. I'm back - hopefully. This is a test to make sure everything is working. Please enjoy Vittorio Grigolo singing from Luisa Miller. More later....Charlie
A collection of ensembles from 14 Verdi operas. Some of the world's most famous artists are included.The operas,in this order are: Nabucco, Giovanna D'Arco, Attila, Ernani, Ballo in Maschera,Macbeth, Simon Boccanegra, La Traviata, Il Trovatore,Don Carlo, Luisa Miller, Vespri Siciliani, Aida, and Falstaff. (74 min.)
I have waited far too long to present a podcast that features one of the great artists of all time, Carlo Bergonzi. There is so much material, but at least this is a good start. Included are arias and songs from his earlier days, up to his singing at age 67, and when I saw a New York recital at around age 77, there was still plenty of voice! The selections are from: Werther, Luisa Miller, Le Roi D'Ys, Forza Del Destino (original version), Elisir D'amore, L'Arlesiana, Martha, Mefistofele, the Verdi Requiem, and several songs. Bergonzi always ended his recitals with "Non ti scordar di me," and that is appropriate because he will NEVER be forgotten! (73 min.)
A comparison of arias as sung by our renowned three tenors, Carreras,Domingo, and Pavarotti. We were lucky to have had these fellows among us. The operas represented are: Werther,Luisa Miller, Rigoletto, La Boheme, Tosca. (71 min.)
Highlights from a marvelous 1968 performance of Verdi's"Luisa Miller," featuring Richard Tucker, Montserrat Caballe,Sherrill Milnes, Giorgio Tozzi, and Ezio Flagello, conducted byThomas Schippers. (60 minutes)
My tribute to Aprile Millo, one of the finest (and nicest) artists I havehad the pleasure of hearing. I present her in scenes from: Trovatore, Fanciulla, Rusalka, Andrea Chenier, Luisa Miller,La Gioconda, Adriana Lecouvreur,Tosca, and I Lombardi. Also joining Mme.Millo in these scenes are Dolora Zajick, Marcello Giordani, Vladimir Atlantov, Taro Ichihara,and Vladimir Chernov. (67 minutes)
The second part of the celebration of the great Verdi, with the finales of: Macbeth ( 2 versions), Luisa Miller, Rigoletto, Trovatore, Traviata, Vespri Siciliani, Simon Boccanegra, Ballo in Maschera, Forza del Destino, Don Carlo, Aida, Otello, and Falstaff (All casts announced) (71 minutes)
A tribute to the memory of the late Luciano Pavarotti who passed away on Sept.5, 2007. Live selections are from: Traviata,Lombardi,Fedora,Lucia,Rigoletto, Elisir d'Amore,Fille du Reggiment, Manon, La Favorita, Luisa Miller, andThe Verdi Requiem.Also included is the Tosti "Ideale." Rest in Peace, Luciano, one who brought so much to so many! (71 minutes)
I am happy to present highlights from the career of one of my all-time favorite artists, Antonietta Stella, who made such a great impression on me in her Met seasons. The operas represented are: Aida, Simon Boccanegra,Attila, Aroldo, Tosca, Don Carlo, Il Trovatore, Vespri Sicilani, Andrea Chenier,Luisa Miller Gianni Schicchi, Fanciulla del West, Mme.Butterfly (85 minutes)
Many selections in honor of Richard Tucker, for me, the greatest tenor I ever heard in live performance. Andrea Chenier, Fanciulla Del West, Forza del DestinoCavalleria Rusticana and Pagliacci, Ballo in Maschera,Floridante, La Juive, Turandot, Tosca, Luisa Miller,Manon Lescaut, Trovatore, and songs. (75 minutes)
A podcast dedicated to the great trios written by the Master, Giuseppe Verdi. I include trios from: Aida, Trovatore, I Lombardi and Jerusaleme, Attila, Nabucco, Don Carlo, Luisa Miller, Simon Boccanegra, Ernani, and La Forza del Destino. (Not a bad "trio" in the photo.) 60 minutes
Several operatic scenes involving fathers.Music from: La Traviata, Aida, Walkure, Norma, Luisa Miller,Louise, Nozze di Figaro, Turandot, Manon,Rigoletto
Scenes and arias from Verdi's "Luisa Miller" featuring many fine artists such as: Sondra Radvanovsky, Montserrat Caballe, Aprile Millo,Antonietta Stella, Nelly Miricioiu, Richard Tucker,Jose Carreras, Giuseppe Anselmi, Alessandro Bonci,Luciano Pavarotti, Sherrill Milnes, Vladimir Chernov,Vladimir Galouzine, Piero Cappuccilli,& Giorgio Tozzi
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