Podcast appearances and mentions of Jamie Barton

Mezzo-soprano Jamie Barton joins ‘City Lights’ ahead of her upcoming performance at Spivey Hall on January 19. Plus, Choreographer Frankie Mulinix discusses the art of Butoh dance, Dr. Scott Stewart joins us for our series, Music in Media, and gallerist Shawn Vinson details the joint grand openings of The Sun ATL and One Contemporary Gallery.See omnystudio.com/listener for privacy information.

David Comerford and Jamie Barton map out what the summer transfer window could look like for Arne Slot and Liverpool. Our panel:David Comerford [host] - https://twitter.com/Dave_ComerfordJamie Barton - https://x.com/jamieonfootballEmail us - redsunrestrictedpodcast@gmail.comBig Heads Media -  https://twitter.com/BHMpodcastsIntro/outro music:"Son of a Rocket" Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 Licensehttp://creativecommons.org/licenses/by/4.0/

David Comerford and Jamie Barton digest a 2-0 defeat for Liverpool away to Everton at Goodison Park. Our panel:David Comerford [host] - https://twitter.com/Dave_ComerfordJamie Barton - https://twitter.com/jamieonfootballEmail us - redsunrestrictedpodcast@gmail.comBig Heads Media -  https://twitter.com/BHMpodcastsIntro/outro music:"Newer Wave" Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 Licensehttp://creativecommons.org/licenses/by/4.0/

David Comerford and Jamie Barton seek reasons for optimism ahead of the Premier League run-in as Liverpool fall short away to Atalanta. Our panel:David Comerford [host] - https://twitter.com/Dave_ComerfordJamie Barton - https://twitter.com/jamieonfootballEmail us - redsunrestrictedpodcast@gmail.comBig Heads Media -  https://twitter.com/BHMpodcastsIntro/outro music:"Newer Wave" Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 Licensehttp://creativecommons.org/licenses/by/4.0/

David Comerford and Jamie Barton assess the contenders for the PFA Player of the Year Award, including Liverpool duo Virgil van Dijk and Mohamed Salah. Vote in our poll about next season's content - https://twitter.com/Dave_Comerford/status/1773252783644320221 Our panel:David Comerford [host] - https://twitter.com/Dave_ComerfordJamie Barton - https://twitter.com/jamieonfootballEmail us - redsunrestrictedpodcast@gmail.comBig Heads Media -  https://twitter.com/BHMpodcastsIntro/outro music:"Newer Wave" Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 Licensehttp://creativecommons.org/licenses/by/4.0/

David Comerford is joined by Liam Togher and Jamie Barton to decide what Liverpool should do with their squad players in this summer's transfer window.Our panel:David Comerford [host] - https://twitter.com/Dave_ComerfordJamie Barton - https://twitter.com/jamieonfootballLiam Togher - https://twitter.com/liamtogher88Email us - redsunrestrictedpodcast@gmail.comBig Heads Media -  https://twitter.com/BHMpodcastsIntro/outro music:"Newer Wave" Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 Licensehttp://creativecommons.org/licenses/by/4.0/

David Comerford, Jamie Barton and Liam Togher look ahead to Sunday's Carabao Cup final clash between Liverpool and Chelsea.Our panel:David Comerford [host] - https://twitter.com/Dave_ComerfordJamie Barton - https://twitter.com/jamieonfootballLiam Togher - https://twitter.com/liamtogher88Email us - redsunrestrictedpodcast@gmail.comBig Heads Media -  https://twitter.com/BHMpodcastsIntro/outro music:"Newer Wave" Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 Licensehttp://creativecommons.org/licenses/by/4.0/

David Comerford, Liam Togher and Jamie Barton look ahead to the key dilemmas Jurgen Klopp's successor will face at Liverpool.Our panel:David Comerford [host] - https://twitter.com/Dave_ComerfordJamie Barton - https://twitter.com/jamieonfootballLiam Togher - https://twitter.com/liamtogher88Email us - redsunrestrictedpodcast@gmail.comBig Heads Media -  https://twitter.com/BHMpodcastsIntro/outro music:"Newer Wave" Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 Licensehttp://creativecommons.org/licenses/by/4.0/

David Comerford is joined by Jamie Barton to react to the bombshell news that Jurgen Klopp is stepping down as Liverpool manager at the end of the 2023/24 season.Our panel:David Comerford [host] - https://twitter.com/Dave_ComerfordJamie Barton - https://twitter.com/jamieonfootballEmail us - redsunrestrictedpodcast@gmail.comBig Heads Media -  https://twitter.com/BHMpodcastsIntro/outro music:"Newer Wave" Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 Licensehttp://creativecommons.org/licenses/by/4.0/

With Liverpool in the midst of their winter break, David Comerford hosts Jamie Barton and Liam Togher to look back at our pre-season Premier League predictions. Our panel:David Comerford [host] - https://twitter.com/Dave_ComerfordJamie Barton - https://twitter.com/jamieonfootballLiam Togher - https://twitter.com/liamtogher88YouTube - https://www.youtube.com/channel/UCwLbFlaIGmNelVEg4NOlEOwEmail us - redsunrestrictedpodcast@gmail.comBig Heads Media -  https://twitter.com/BHMpodcastsIntro/outro music:"Newer Wave" Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 Licensehttp://creativecommons.org/licenses/by/4.0/

David Comerford is joined by Jamie Barton and Rahul Mohan Kumar for a discussion about how Liverpool should approach the January transfer window. Our panel:David Comerford [host] - https://twitter.com/Dave_ComerfordRahul Mohan Kumar - https://twitter.com/rmkp22Jamie Barton - https://twitter.com/jamieonfootballYouTube - https://www.youtube.com/channel/UCwLbFlaIGmNelVEg4NOlEOwEmail us - redsunrestrictedpodcast@gmail.comBig Heads Media -  https://twitter.com/BHMpodcastsIntro/outro music:"Newer Wave" Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 Licensehttp://creativecommons.org/licenses/by/4.0/

David Comerford is joined by Dan Clubbe, Jamie Barton and Liam Togher to rate the Liverpool squad at the halfway point of the Premier League season. Our panel:David Comerford [host] - https://twitter.com/Dave_ComerfordDan Clubbe - https://twitter.com/dan_clubbeJamie Barton - https://twitter.com/jamieonfootballLiam Togher - https://twitter.com/liamtogher88YouTube - https://www.youtube.com/channel/UCwLbFlaIGmNelVEg4NOlEOwEmail us - redsunrestrictedpodcast@gmail.comBig Heads Media -  https://twitter.com/BHMpodcastsIntro/outro music:"Newer Wave" Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 Licensehttp://creativecommons.org/licenses/by/4.0/

Today's poem is 'The Old Year' by John Clare. It's read by Jamie Barton from The Reader. Production by Chris Lynn. Music by Chris Lynn & Frank Johnson.

David Comerford, Dan Clubbe and Jamie Barton react to a 5-1 win for Liverpool against West Ham in the Carabao Cup quarterfinals, and preview a massive Premier League game against Arsenal.  Our panel:David Comerford [host] - https://twitter.com/Dave_ComerfordDan Clubbe - https://twitter.com/dan_clubbeJamie Barton - https://twitter.com/jamieonfootballYouTube - https://www.youtube.com/channel/UCwLbFlaIGmNelVEg4NOlEOwEmail us - redsunrestrictedpodcast@gmail.comBig Heads Media -  https://twitter.com/BHMpodcastsIntro/outro music:"Newer Wave" Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 Licensehttp://creativecommons.org/licenses/by/4.0/

Ahead of the Premier League game between Liverpool and Man City on Saturday, David Comerford, Dan Clubbe and Jamie Barton pick their combined XIs from the Pep Guardiola vs Jurgen Klopp years (2017-2023).Our panel:David Comerford [host] - https://twitter.com/Dave_ComerfordDan Clubbe - https://twitter.com/dan_clubbeJamie Barton - https://twitter.com/jamieonfootballYouTube - https://www.youtube.com/channel/UCwLbFlaIGmNelVEg4NOlEOwEmail us - redsunrestrictedpodcast@gmail.comBig Heads Media -  https://twitter.com/BHMpodcastsIntro/outro music:"Newer Wave" Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 Licensehttp://creativecommons.org/licenses/by/4.0/

JAMBATHON, LIFE AND DAVE GROHL

David Comerford and Jamie Barton discuss why a number of stars from the Jurgen Klopp era, namely Sadio Mane, Philippe Coutinho and Gini Wijnaldum, have had such a tough time after leaving Liverpool.Our panel:David Comerford [host] - https://twitter.com/Dave_ComerfordJamie Barton - https://twitter.com/jamieonfootballYouTube - https://www.youtube.com/channel/UCwLbFlaIGmNelVEg4NOlEOwEmail us - redsunrestrictedpodcast@gmail.comBig Heads Media -  https://twitter.com/BHMpodcastsIntro/outro music:"Newer Wave" Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 Licensehttp://creativecommons.org/licenses/by/4.0/

If a loved one were to die, how far would you be willing to go to bring them back? Orpheus, the ancient Greek musician, goes to hell and back to have the love of his life, Eurydice, by his side again. The gods cut a deal with Orpheus: he can bring his love back from hell, but all throughout the journey, she has to follow behind him and he is not allowed to look back at her. Unable to resist, he turns to see her,  and the gods take her for a second time. In a moment of overwhelming grief, Orpheus asks, “What will I do without Eurydice?” Ahead of this season's production of "Orfeo ed Euridice" by the Metropolitan Opera, we're revisiting this episode, in which host Rhiannon Giddens and her guests reflect on Christoph Gluck's operatic adaptation of the Orpheus myth and the all-encompassing nature of both grief and love. At the end of the show, mezzo-soprano Jamie Barton sings “Che farò senza Euridice?” from the Metropolitan Opera stage.The GuestsMezzo-soprano Jamie Barton grew up in a musical family, with days full of bluegrass, classic rock, and music history quizzes about the Beatles. In her role debut as Orfeo, she searches for this hero's vulnerability, dramatically and vocally, and figures out how to embody a version of this character that's modeled on Johnny Cash. Author Ann Patchett stumbled upon her love for opera while writing her book “Bel Canto.” But the Orpheus myth has been part of her life — and has influenced her writing — for a lot longer.  She's fairly certain that she would travel to the depths of hell to save her husband of 29 years. Jim Walter lost his wife to cancer in 2015. He cared for her through some very difficult years, and kept hope alive even when things looked hopeless. He says that nowadays his grief usually isn't as immediate and gut-punching as it once was, but he is still sometimes overcome with sadness at unexpected moments.

Chris Coughlin and Jamie Barton talk Liverpool's 5-1 win over Toulouse in the Europa League.Our panel:Chris Coughlin [host] - https://twitter.com/_ChrisCoughlinJamie Barton - https://twitter.com/jamieonfootballYouTube - https://www.youtube.com/channel/UCwLbFlaIGmNelVEg4NOlEOwEmail us - redsunrestrictedpodcast@gmail.comBig Heads Media -  https://twitter.com/BHMpodcastsIntro/outro music:"Newer Wave" Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 Licensehttp://creativecommons.org/licenses/by/4.0/

David Comerford is joined by Liam Togher and Jamie Barton to look ahead to Saturday's Premier League clash between Liverpool and Everton. Our panel:David Comerford [host] - https://twitter.com/Dave_ComerfordJamie Barton - https://twitter.com/jamieonfootballLiam Togher - https://twitter.com/liamtogher88YouTube - https://www.youtube.com/channel/UCwLbFlaIGmNelVEg4NOlEOwEmail us - redsunrestrictedpodcast@gmail.comBig Heads Media -  https://twitter.com/BHMpodcastsIntro/outro music:"Newer Wave" Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 Licensehttp://creativecommons.org/licenses/by/4.0/

David Comerford, Jamie Barton and Mark Baker review Liverpool's 2-0 win over Union SG in the Europa League, and offer their thoughts on Jurgen Klopp's stance that the game against Tottenham should be replayed.Our panel:David Comerford [host] - https://twitter.com/Dave_ComerfordJamie Barton - https://twitter.com/jamieonfootballMark Baker - https://twitter.com/CM10markbakerYouTube - https://www.youtube.com/channel/UCwLbFlaIGmNelVEg4NOlEOwEmail us - redsunrestrictedpodcast@gmail.comBig Heads Media -  https://twitter.com/BHMpodcastsIntro/outro music:"Newer Wave" Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 Licensehttp://creativecommons.org/licenses/by/4.0/

David Comerford, Dan Clubbe and Jamie Barton reflect on Liverpool's 3-1 Carabao Cup victory over Leicester City, which featured a wondergoal from Dominik Szoboszlai. Our panel:David Comerford [host] - https://twitter.com/Dave_ComerfordJamie Barton - https://twitter.com/jamieonfootballDan Clubbe - https://twitter.com/dan_clubbeYouTube - https://www.youtube.com/channel/UCwLbFlaIGmNelVEg4NOlEOwEmail us - redsunrestrictedpodcast@gmail.comBig Heads Media -  https://twitter.com/BHMpodcastsIntro/outro music:"Newer Wave" Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 Licensehttp://creativecommons.org/licenses/by/4.0/

David Comerford, Jamie Barton and Farrell Keeling debate how Liverpool should line up for the group stages of the Europa League. Our panel:David Comerford [host] - https://twitter.com/Dave_ComerfordJamie Barton - https://twitter.com/jamieonfootballFarrell Keeling - https://twitter.com/farrellkeelingYouTube - https://www.youtube.com/channel/UCwLbFlaIGmNelVEg4NOlEOwEmail us - redsunrestrictedpodcast@gmail.comBig Heads Media -  https://twitter.com/BHMpodcastsIntro/outro music:"Newer Wave" Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 Licensehttp://creativecommons.org/licenses/by/4.0/

David Comerford, Liam Togher, Jamie Barton and Mark Baker react to Liverpool's incredible 2-1 victory over Newcastle United. Jurgen Klopp's side were already behind when they went down to 10 men as Virgil van Dijk saw red, but Darwin Nunez came on from the bench to score twice in a stunning late turnaround. Our panel:David Comerford [host] - https://twitter.com/Dave_ComerfordJamie Barton - https://twitter.com/jamieonfootballLiam Togher - https://twitter.com/liamtogher88Mark Baker - https://twitter.com/CM10markbakerYouTube - https://www.youtube.com/channel/UCwLbFlaIGmNelVEg4NOlEOwEmail us - redsunrestrictedpodcast@gmail.comBig Heads Media -  https://twitter.com/BHMpodcastsIntro/outro music:"Newer Wave" Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 Licensehttp://creativecommons.org/licenses/by/4.0/

David Comerford and Jamie Barton debate whether Jurgen Klopp should take Mohamed Salah off penalties after three misses in his last five attempts, and then turn their attention to Sunday's big Premier League clash with Newcastle.Our panel:David Comerford [host] - https://twitter.com/Dave_ComerfordJamie Barton - https://twitter.com/jamieonfootballYouTube - https://www.youtube.com/channel/UCwLbFlaIGmNelVEg4NOlEOwEmail us - redsunrestrictedpodcast@gmail.comBig Heads Media -  https://twitter.com/BHMpodcastsIntro/outro music:"Newer Wave" Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 Licensehttp://creativecommons.org/licenses/by/4.0/

David Comerford, Jamie Barton, Liam Togher and (briefly) Farrell Keeling make their predictions for the upcoming Premier League season. Who will win the league? Where will Liverpool finish? Who will be relegated? Who will be the biggest success stories and the biggest failures? We'll discuss all that and more.Our panel:David Comerford [host] - https://twitter.com/Dave_ComerfordJamie Barton - https://twitter.com/jamieonfootballLiam Togher - https://twitter.com/liamtogher88Farrell Keeling - https://twitter.com/farrellkeelingYouTube - https://www.youtube.com/channel/UCwLbFlaIGmNelVEg4NOlEOwEmail us - redsunrestrictedpodcast@gmail.comBig Heads Media -  https://twitter.com/BHMpodcastsIntro/outro music:"Newer Wave" Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 Licensehttp://creativecommons.org/licenses/by/4.0/

David Comerford and Jamie Barton digest Jordan Henderson's move to Saudi Pro League side Al-Ettifaq. The Liverpool captain had been an outspoken ally of the LGBT community but has faced a deserved backlash as he moves to a country where homosexuality is effectively illegal.We'll look at whether he's tainted his Liverpool legacy, why he's leaving, whether it was a mistake to extend his contract and how the Reds should respond. Our panel:David Comerford [host] - https://twitter.com/Dave_ComerfordJamie Barton - https://twitter.com/jamieonfootballYouTube - https://www.youtube.com/channel/UCwLbFlaIGmNelVEg4NOlEOwEmail us - redsunrestrictedpodcast@gmail.comBig Heads Media -  https://twitter.com/BHMpodcastsIntro/outro music:"Newer Wave" Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 Licensehttp://creativecommons.org/licenses/by/4.0/

In episode 130 of Jamstack Radio, Brian speaks with Jamie Barton of Grafbase about backend as a service (BaaS). Together they share insights on elevating the local development experience and integrating projects with edge databases. They also explore solutions for authentication, edge caching, and getting started in development.

In episode 130 of Jamstack Radio, Brian speaks with Jamie Barton of Grafbase about backend as a service (BaaS). Together they share insights on elevating the local development experience and integrating projects with edge databases. They also explore solutions for authentication, edge caching, and getting started in development.

In this episode, Jamie Barton, Senior Developer Relations at Grafbase, joins us to discuss his experiences in the tech industry, developer education, the importance of developer relations, and the impact of GraphQL in the tech ecosystem.

David Comerford, Chris Coughlin and Jamie Barton react to Liverpool's move for RB Leipzig attacking midfielder Dominik Szoboszlai. We also speak to Hungarian football writer Ben Bocsak for a comprehensive lowdown on the player. Our panel:David Comerford [host] - https://twitter.com/Dave_ComerfordChris Coughlin - https://twitter.com/_ChrisCoughlinJamie Barton - https://twitter.com/jamieonfootballGuest:Ben Bocsak - https://twitter.com/BenBocsakYouTube - https://www.youtube.com/channel/UCwLbFlaIGmNelVEg4NOlEOwEmail us - redsunrestrictedpodcast@gmail.comBig Heads Media -  https://twitter.com/BHMpodcastsIntro/outro music:"Newer Wave" Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 Licensehttp://creativecommons.org/licenses/by/4.0/

David Comerford, Jamie Barton and Mark Baker react to the news that Liverpool are signing Alexis Mac Allister. We also hear from Brighton podcaster Charlie Haffenden, who offers us insight on Mac Allister's playing style, character and more.Our panel:David Comerford [host] - https://twitter.com/Dave_ComerfordJamie Barton - https://twitter.com/jamieonfootballMark Baker - https://twitter.com/CM10markbakerGuest:Charlie Haffenden - https://twitter.com/JournoHaffYouTube - https://www.youtube.com/channel/UCwLbFlaIGmNelVEg4NOlEOwEmail us - redsunrestrictedpodcast@gmail.comBig Heads Media -  https://twitter.com/BHMpodcastsIntro/outro music:"Newer Wave" Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 Licensehttp://creativecommons.org/licenses/by/4.0/

Jamie Barton is a DevRel Engineer at Grafbase https://grafbase.com/ and the host of https://graphql.wtf/

Carnegie Hall SongStudio | Part One (S3 | E113). Jamie Barton. Renee Fleming Hartmut Höll, Golda Schultz on Lester the Nightfly.

Teaching your children to have a healthy relationship with social media and their phones Social media can feel like a perilous activity for kids to navigate but it can actually be a positive and powerful experience when used correctly. This week's guest is Jamie Barton, headteacher of the Jewellery Quarter Academy and he has a wealth of tips and suggestions for parents trying to keep their children safe online. Discover more about keeping your kids safe online on our Brummie Mummies FB and Instagram pages and on the BirminghamLive website. The Brummie Mummies podcast is a Laudable production brought to you by Brummie Mummies and Birmingham Live. Hosted by Zoe Chamberlain Produced and edited by Matt Millard Learn more about your ad choices. Visit megaphone.fm/adchoices

There's no such thing as a “little” Wagner. Host Jane Trembley catches up with internationally acclaimed mezzo-soprano Jamie Barton in anticipation of the epic Santa Fe Opera debut of Tristan und Isolde. The pair chat about the thrill of performing this legendary tale of love and betrayal––and why Richard Wagner's music is totally worth leaving the house for! Jamie also discusses interpreting her characters through a queer lens and transcending the score to create meaningful art. “I love this character!” says Jamie of the empathetic Brangäne. “She reminds me of myself in a lot of ways.” For this production, loyal maid Brangäne is cast as Isolde's sibling. That sisterly bond provides a fresh emotional counterpoint to the titular lovers' physical attraction. Exploring such nuances suits Jamie, a big, queer girl who advocates for bringing one's whole self to the stage. “My job is to story-tell, and one of the baseline things I allow myself to do is come with my own honest perspective.” Jamie, a self-professed Wagner nerd, asserts that Tristan und Isolde sets the bar for all other works in the German composer's canon, if not all of modern musical composition. “It's overwhelming! This particular opera inspired so much of the 20th-century stuff that we know.” Still, some folks might need additional coaxing to venture out. For them, Jamie plays her most persuasive card: The Crosby Theatre itself. “We're starting this before sunset, so there'll be this daytime-to-nighttime transition. That's an element that's difficult to get in any other sort of typical theater.” FEATURING Jamie Barton – Mezzo-Soprano Website Instagram Twitter TikTok Facebook CREDITS Destination Santa Fe Opera is a Santa Fe Opera podcast, produced and edited by Andrea Klunder at The Creative Impostor Studios. Post-Production Audio: Edwin R. Ruiz Hosted by: Jane Trembley Show Notes by: Lisa Widder *** Learn more about the Santa Fe Opera and plan your visit at https://www.santafeopera.org. We'd love for you to join us on Instagram, Twitter, Facebook, and TikTok @santafeopera.

A gay Irishman had a terribly unpleasant experience, when the man he was screwing twerked and gyrated until it felt like his dick was about to fall off. Is this a thing that's happening? Or only on the Emerald Isle?  A singer is worried that rough oral sex could harm her vocal cords. But she shouldn't worry because Dan somehow roped in Jamie Barton, a very delightful mezzo-soprano opera singer to offer her professional reassurance.  On the Magnum, Dan chats with former ugly duckling, current total hottie comedian David Drake. They talk about mining your personal life for comedic material, and whether getting jacked at a massage parlor constitutes cheating. Fun! And, a caller is convinced that some bad actors are hiding behind the poly label to justify cheating. Is she right? She just might be right! (She's right.) Q@Savage.Love      206-302-2064 There are 2 more days to take advantage of our half off sale for new subscribers to the Magnum. Go to Savage.Love and enter the promo code: SavagePride 2022 This episode is brought to you by Hung Up-an original podcast about sex love and relationships, from Headspace hosted by Shan Boodram. Search for Hung Up in your podcast player. This episode is brought to you by Dipsea: an app full of hundreds of short, sexy audio stories designed by women for women. Get an extended 30 day free trial when you go to dipseastories.com/savage.  This episode is brought to you by Helix Sleep-the best mattress for your individualized comfort. Right now, get up to $200 off ALL mattress orders at HelixSleep.com/SAVAGE.

A fan-favorite Come As You Are episode returns on The Atlanta Opera Podcast as we revisit Erik Teague's conversation with "opera's nose-studded rock star," Jamie Barton! Bisexual advocacy and body positivity are just a few of the topics covered in this jam-packed pod in this genuine conversation between these two industry professionals. Come As You Are explores the intersection of the careers of arts professionals and their identities across the LGBTQIA+ spectrum. In each episode, costume designer, trans man, and host Erik Teague discusses the complex narratives, unique challenges, and beautiful stories of a guest's journey through their discipline and their identity. So grab yourself a cup and join us for a good story!

Jake Heggie is the composer of 9 operas, including Dead Man Walking and Moby Dick and has written nearly 300 art songs. In addition, he is a fine pianist who has worked with singers such as Joyce DiDonato, Renee Fleming, Frederica von Stade, and Jamie Barton, among others. In our conversation we talk about his life in opera, composing, the three ingredients of success, and even ... coffee and sleep!Jake Heggie's story is truly exceptional ... luck followed by exceptionally hard work and talent. So we begin by my asking him to recount how he came to write his first opera, Dead Man Walking, which has been called “the most celebrated opera of the 21st century,” with over 75 international productions, a truly exceptional story! We then use Dead Man Walking to talk about the process of getting an opera produced, beginning with the composition and collaboration with the librettist, followed by the numerous steps of workshopping and rehearsals.

Russian-American conductor Lidiya Yankovskaya is a fiercely committed advocate for Russian masterpieces, operatic rarities, and contemporary works on the leading edge of classical music. She has conducted more than 40 world premieres, including 16 operas, and her strength as a visionary collaborator has guided new perspectives on staged and symphonic repertoire from Carmen and Queen of Spades to Price and Prokofiev. As Music Director of Chicago Opera Theater, Ms. Yankovskaya has led the Chicago premieres of Jake Heggie's Moby-Dick, Rachmaninov's Aleko, Joby Talbot's Everest, Tchaikovsky's Iolanta, and the world premiere of Dan Shore's Freedom Ride. Her daring performances before and amid the pandemic earned recognition from the Chicago Tribune, which praised her as “the very model of how to survive adversity, and also how to thrive in it,” while naming her 2020 Chicagoan of the Year. In the 2021/22 season, Ms. Yankovskaya makes a trio of Texan debuts, leading performances of Carmen at Houston Grand Opera, a tribute to Ruth Bader Ginsburg at Dallas Symphony Orchestra, and concerts featuring works by Gershwin and Dawson at Fort Worth Symphony. Elsewhere, she debuts with Chicago Symphony Orchestra in Prokofiev's Peter and the Wolf, leads a program of Brahms and Wagner at Elgin Symphony, conducts Boulanger, Debussy, and Ravel at Omaha Symphony, and makes her Pasadena Symphony debut conducting works by Tchaikovsky, Rimsky-Korsakov, and Gabriela Lena Frank. At Chicago Opera Theater, she conducts the Chicago premiere of Mark Adamo's Becoming Santa Claus and a concert version of Carmen, starring Jamie Barton opposite Stephanie Blythe. Ms. Yankovskaya has recently conducted Don Giovanni at Seattle Opera, Pia de' Tolomei at Spoleto Festival USA, Il barbiere di Siviglia at Wolf Trap Opera, Ellen West at New York's Prototype Festival, and the world premiere of Taking Up Serpents at Washington National Opera. On the concert stage, she has been recently engaged with Chicago Philharmonic, Rhode Island Philharmonic, and the symphony orchestras of Hawaii and Oviedo, Spain. Ms. Yankovskaya is Founder and Artistic Director of the Refugee Orchestra Project, which proclaims the cultural and societal relevance of refugees through music, and has brought that message to hundreds of thousands of listeners around the world. In addition to a National Sawdust residency in Brooklyn, ROP has performed in London, Boston, Washington, D.C., and the United Nations. She has also served as Artistic Director of the Boston New Music Festival and Juventas New Music Ensemble, which was the recipient of multiple NEA grants and National Opera Association Awards under her leadership. As Music Director of Harvard's Lowell House Opera, Ms. Yankovskaya conducted sold-out performances of repertoire rarely heard in Boston, including Tchaikovsky's The Queen of Spades, Britten's A Midsummer Night's Dream, and the U.S. Russian-language premiere of Rimsky-Korsakov's The Snow Maiden. Her commitment to exploring the breadth of symphonic and operatic repertoire has also been demonstrated in performances of Rachmaninoff's Aleko and the American premieres of Donizetti's Pia de' Tolomei, Rubinshteyn's The Demon, and Rimsky-Korsakov's Kashchej The Immortal and Symphony No. 1. An alumna of the Dallas Opera's Hart Institute for Women Conductors and the Taki Alsop Conducting Fellowship, Ms. Yankovskaya has also served as assistant conductor to Lorin Maazel, chorus master of Boston Symphony Orchestra, and conductor of Boston Youth Symphony Orchestra. She has been featured in the League of American Orchestras Bruno Walter National Conductor Preview and Cabrillo Festival for Contemporary Music, and assisted Vladimir Jurowski via a London Philharmonic fellowship. Ms. Yankovskaya holds a B.A. in Music and Philosophy from Vassar College, with a focus on piano, voice, and conducting, and earned an M.M. in Conducting from Boston University. Her conducting teachers and mentors have included Lorin Maazel, Marin Alsop, Kenneth Kiesler, and Ann Howard Jones. Ms. Yankovskaya's belief in the importance of mentorship has fueled the establishment of Chicago Opera Theater's Vanguard Initiative, an investment in new opera that includes a two-year residency for emerging opera composers. Committed to developing the next generation of artistic leaders, she also volunteers with Turn The Spotlight, a foundation dedicated to identifying, nurturing, and empowering leaders – and in turn, to illuminating the path to a more equitable future in the arts. Recipient of Solti Foundation U.S. Career Assistance Awards in 2018 and 2021, Ms. Yankovskaya has been a featured speaker at the League of American Orchestras and Opera America conferences, and served as U.S. Representative to the 2018 World Opera Forum in Madrid.

Recognized by Opera News as “one of the finest singers of his generation,” American bass-baritone Ryan McKinny has earned his reputation as an artist with something to say. His relentless curiosity informs riveting character portrayals and beautifully crafted performances, reminding audiences of their shared humanity with characters on stage and screen. This season, McKinny brings his agile stage presence and comedic skill to performances of Mozart's Le nozze di Figaro on both U.S. coasts. He first appears as the titular Figaro in a Richard Eyre production at New York City's Metropolitan Opera, with an all-star cast that includes Golda Schultz, Lucy Crowe, Isabel Leonard, and Adam Plachetka. He then makes his Seattle Opera debut reprising the role in a Peter Kazaras production, under the baton of Alevtina Ioffe. In between productions – and coasts – McKinny joins collaborative pianist Kathleen Kelly for a recital at the Lied Center of Kansas, featuring works by Schumann, Debussy, Mahler, and Kurt Weill. In summer 2022, he joins the Boston Symphony at Tanglewood as the title character in Don Giovanni, with Andris Nelsons on the podium. He concludes the season with the Philadelphia Orchestra at Saratoga Performing Arts Center, appearing as soloist in Beethoven's Ninth Symphony with conductor Yannick Nézet-Séguin. Offstage, McKinny continues to adapt the beauty of his art form to the film screen, collaborating on a documentary with Jamie Barton and Stephanie Blythe. Through his work with Helio Arts, he commissions artists to write, direct, and film original stories, leveraging his personal power to help elevate new voices and visions in the classical performing arts world. During the pandemic, he has partnered with artists like J'Nai Bridges, Russell Thomas, John Holiday, and Julia Bullock to create stunning and innovative performances for streaming audiences at Dallas Opera, Houston Grand Opera, Lyric Opera of Chicago, On Site Opera, and the Glimmerglass Festival. McKinny's recent debut as Joseph De Rocher in Jake Heggie and Terrence McNally's Dead Man Walking at Lyric Opera of Chicago was hailed by the Chicago Tribune as an “an indelible performance...an acting tour de force buttressed by a warmly inviting voice.” He has also appeared as the title character in Don Giovanni (Washington National Opera, Lyric Opera of Chicago, Houston Grand Opera), Escamillo in Carmen (Semperoper Dresden, Deutsche Oper Berlin, Staatsoper Hamburg, Houston Grand Opera), and Mozart's Figaro (Washington National Opera, Wolf Trap Opera, Houston Grand Opera). McKinny made a critically acclaimed Bayreuth Festival debut as Amfortas in Parsifal, a role he has performed around the world, including appearances at Argentina's Teatro Cólon, Deutsche Oper am Rhein, and Dutch National Opera. Other Wagnerian roles include Kurwenal in Tristan und Isolde (Deutsche Oper Berlin, Houston Grand Opera, Canadian Opera Company), Biterolf in Tannhäuser and Kothner in Die Meistersinger von Nürnberg, both at the Metropolitan Opera, Wotan in Opéra de Montréal's Das Rheingold, Donner/Gunther in Wagner's Ring cycle (Washington National Opera, Boston Symphony Orchestra, Houston Grand Opera), and the titular Dutchman in Der fliegende Holländer (Staatsoper Hamburg, Milwaukee Symphony, Glimmerglass Festival, Hawaii Opera Theater). McKinny is a frequent guest artist at Los Angeles Opera, where he has sung Count Alamaviva in Le nozze di Figaro, Don Basilio in Il barbiere di Siviglia, and Stanley Kowalski in Previn's A Streetcar Named Desire, opposite Renée Fleming as Blanche DuBois, and at Santa Fe Opera, where he has appeared as Jochanaan in Salome and Oppenheimer in Doctor Atomic. An alumnus of the Houston Grand Opera Studio, Mr. McKinny has made a number of important role debuts on the HGO mainstage, including the iconic title roles of Don Giovanni and Rigoletto. McKinny is a long-time artistic collaborator of composer John Adams and director Peter Sellars, having appeared in Sellars productions of Adams' Girls of the Golden West (San Francisco Opera, Dutch National Opera) and Doctor Atomic (Santa Fe Opera), in addition to Adams' Nixon in China with the Los Angeles Philharmonic. He has also performed under Sellars' direction in Stravinsky's Oedipus Rex (Sydney Festival), Tristan und Isolde (Canadian Opera Company), and Shostakovich's Orango with the London Philharmonia and Los Angeles Philharmonic, the latter comprising Esa-Pekka Salonen's final concerts as music director. Other recent orchestral engagements include Beethoven's Symphony No. 9 and a double bill of Michael Tilson Thomas' Rilke Songs and Mahler's Des Knaben Wunderhorn with San Francisco Symphony, Mahler's Symphony No. 8 and Bernstein's Mass with Gustavo Dudamel and the Los Angeles Philharmonic, Beethoven's Symphony No. 9 with Cleveland Orchestra and National Symphony, Rossini's Stabat Mater at Grant Park Music Festival, Britten's War Requiem with Marin Alsop and Baltimore Symphony Orchestra, and Oedipus Rex with Chicago Symphony. McKinny benefited from early educational opportunities at the Aspen Music Festival, where he sang his first performance of Winterreise accompanied on the piano by Richard Bado, and at the Wolf Trap Opera Company, where he sang Barone di Kelbar in Verdi's Un giorno di regno, Le Gouverneur in Rossini's Le comte Ory and Figaro in Le nozze di Figaro. McKinny made his Carnegie Hall debut in Handel's Messiah with the Musica Sacra Orchestra while still a student at the Juilliard School. The first recipient of Operalia's Birgit Nilsson Prize for singing Wagner, McKinny has also received the prestigious George London-Kirsten Flagstad Award, presented by the George London Foundation to a singer undertaking a significant Wagnerian career. McKinny represented the United States in the 2007 BBC Cardiff Singer of the World Competition, where he was a finalist in the Rosenblatt Recital Song Prize, and he was a Grand Finalist in the 2007 Metropolitan Opera National Council Auditions, captured in the film The Audition.

For the first time in the company's history, the Metropolitan Opera is presenting Verdi's tragic opera Don Carlos in its original five act French version. Set during the period of the tumultuous Spanish Inquisition, this opera boasts a super star cast including Matthew Polenzani, Sonya Yoncheva, Jamie Barton, and Eric Owens. Join lecturer John J.H. Muller as he explores the music and history of this French Grand Opera.

On Episode 6, Barrett, Josh, and Brandon Stuart from Edaw's Emperious Imporium memorialize their friend and mentor, Kato Gatsby aka Jamie Barton. The ATI Podcast crew reflect on years of old, tetisy to Kato's commitment to his friends, and how we process our grief after such a devastating loss. Many of Kato's friends pay tribute as well; detailing their fond memories. NoPoint's song "Gatsby" is also featured at the close of the episode. Jocularity and adolescent behavior is still served on a silver platter by the gang to provide moments of levity. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/ati-podcast/support

Come As You Are explores the intersection of the careers of arts professionals and their identities across the LGBTQIA+ spectrum. In each episode, costume designer, trans man, and host Erik Teague discusses the complex narratives, unique challenges, and beautiful stories of a guest's journey through their discipline and their identity. So grab yourself a cup and join us for a good story! Erik chats with "opera's nose-studded rock star" Jamie Barton for this intriguing and engaging episode, exploring a range of topics from body positivity to gender identity advocacy within the world of opera.

Opera as an art form requires our imagination. Whether we be entering into the world of Die Walküre, The Cunning Little Vixen or Tosca, each opera asks us to leave behind the every day and suspend our belief.Why is it, then, that singers often face visual discrimination? Time and again singers in auditions, rehearsals and even performances are criticised for their size, their age, and their 'beauty'. This week Alex and Helen talk about image in the operatic industry. They discuss size, age and beauty in opera; asking the industry to do better but also highlighting companies and artists (such as Jamie Barton with the Lyric Opera of Chicago) who are championing body positivity and bucking this unfortunate trend. They note how most often the female leads face the greatest discrimination and they wish to remind the industry that ultimately, the voice is what matters. They close the episode with a short discussion on race in relation to image in the industry. Contradicting their previous discussion, they argue that on the topic of race, we are not in a position to suspend belief. Given the power imbalance which exists for countless underrepresented voices in the operatic industry, roles written for people of colour should, in every case, be performed by people of colour and they stress the need to continue diversifying the art form. Episode edited by and produced by Daisy Grant Productions. Hosted on Acast. See acast.com/privacy for more information.

How does homework play out in your house? Is it a battle of wits or is your child keen to get pen to paper? Do you think they get too much extra school work or not enough?In this episode we're talking all things homework with Jamie Barton who is head of school for the Jewellery Quarter Academy.He tells us that doing homework can actually improve a child's progress by as much as five months - oh, and he said that teachers can tell when parents have done their child's homework for them!The Brummie Mummies podcast is a Laudable production brought to you by Brummie Mummies and Birmingham Live.

Lois Reitzes speaks with Karen Kelly, Director of Exhibits and Education at the Children's Museum of Atlanta. Their new exhibition is “Storyland: A Trip Through Childhood Favorites.”Plus, a conversation with mezzo-soprano Jamie Barton and Dr. Eric Nelson, artistic director of the Atlanta Master Chorale. See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

In the final episode of 2021, Tom Service meets mezzo-soprano Jamie Barton and composer and pianist Jake Heggie whose album ‘Unexpected Shadows' has been nominated for Best Classical Solo Vocal Album in the 2022 Grammy Awards. Jamie recently sang in Atlanta Opera's production of Jake's first major opera, Dead Man Walking, which tells the story of a nun who becomes the spiritual advisor to a convicted murderer on death row. They discuss the power of opera and song in tackling existential stories of life and death, engaging with new audiences and the need for greater representation and inclusion in opera and on the concert stage. Since the major explosion in the Port of Beirut in 2020, Lebanon has been in crisis with economic collapse, severe poverty, fuel shortages and political instability. But musicians are continuing to make their voices heard there, including the players of the Lebanese Philharmonic Orchestra and their conductor Lubnan Baalbaki, despite a significant number of the orchestra's players having to leave the country. Tom talks to the BBC Middle East correspondent in Beirut Lina Sinjab and conductor Lubnan Baalbaki about the fight to save the cultural life of Lebanon. Tom is also joined by Morag Grant whose new book ‘Auld Lang Syne: A Song and its Culture' traces the emergence of the song made famous by Robert Burns, and explores the traditions and rituals that emerged around its use as a song of parting, and as a song of New Year. Plus, we explore the sounds of Christmas and how they affect us with the BBC Big Band's Barry Forgie, music psychologist Alex Lamont and record producer Chris Alder.

That's what she said. Jams first Carmen StalkersDisappearing forever.The one and only Jambo

It's a wild ride performing during a pandemic. Hear tales from the tent with The Atlanta Opera Company Players - hilarious audience moments, masks while singing, and much more.  Tomer Zvulun hosts a lively, insightful conversation with Company Players and "Crossroads" performers, Jamie Barton, Morris Robinson, Micahel Mayes, and Megan Marino.

In this special podcast episode, we celebrate LGBTQ+ awareness month (February 2021) and discuss LGBTQ+ awareness and representation in the arts. In this lively conversation, we are thrilled to be joined by three wonderful panellists: Mezzo-soprano Jamie Barton who, in 2019, lit up the Last Night of the Proms as well as being named Personality of the Year by the BBC Music Magazine Awards. Jamie has also received the Richard Tucker Award, and won the BBC Cardiff Singer of the World competition (both main and song prizes). Edwin Outwater is a conductor, curator, producer, and all-around polymath. Edwin is Music Director at the San Francisco Conservatory of Music, and has collaborated with the likes of celebrated drag artist Peaches Christ, and heavy metal bands, such as Metallica. Christina Scheppelmann is one of only two women heading up a major opera company in the United States. She is currently General Director of Seattle Opera. Christina has worked in Milan, San Francisco and Washington, and was the first General Director at the Royal Opera House in Muscat, Oman. This is the first episode in our 'Under the Spotlight' podcast mini-series where we shine a light on 'hard' topics in the arts, and focus on guests living these experiences and who are working to create change in the sector. This episode is hosted by HP's Henry Southern Useful links and resources Connect with Jamie: Website: http://www.jamiebartonmezzo.com/ Facebook: https://www.facebook.com/jbartonmezzo/ Instagram: https://www.instagram.com/jbartonmezzo/ Turn the Spotlight: https://turnthespotlight.org/ Connect with Edwin: Website: http://www.edwinoutwater.com/ Facebook: https://www.facebook.com/Edwin-Outwater Instagram: https://www.instagram.com/eoutwater/ Connect with Christina: Website: https://www.seattleopera.org/  Instagram: https://www.instagram.com/scheppelmannch/ The Culture Bar is a podcast series created by HarrisonParrott focussing on conversations in culture and the arts. Find us on Spotify, iTunes, Google Podcasts, YouTube, Podbean, Deezer and all good podcatcher sites. #theculturebar  A special thank you to Robert Cochrane as the composer of the theme tune music, and Merlyn Thomas our editor. Use #theculturebar or follow us on Twitter @_TheCultureBar to keep up with our latest releases

Books referenced in this episode:Eleven Minutes by Paulo CoelhoThe Art of Asking by Amanda PalmerL'Élégance du hérisson (The Elegance of the Hedgehog) by Muriel BarberyFollow Maren on Instagram: @supermarenFollow Claire on Instagram: @clairegallowaysopranoCheck out her Core Singer Essentials Course here: https://www.clairegalloway.com/core-singer-essentials/Sign up for the Bodice Ripper Project newsletter and get exclusive behind-the-scenes content: http://www.bodiceripperproject.com/Get Maren's debut book, Pandemic Passion: A COVID-19 novella on Kindle UnlimitedFull Transcript and Show Notes: http://www.bodiceripperproject.com/e019/

Eric Nelson will be hosting the live virtual discussion "Spirited Conversations: Behind the Scores" at noon today with Jamie Barton. You can register to hear the conversation by visiting atlantamasterchorale.org.City Lights Producer Summer Evans talks with Author Shermaine Perry-Knights. about her new children's book "I Move A Lot And That's Okay."The online Atlanta Music Festival runs today through the 30th.

Join us as we head to Atlanta, GA, to talk with the wonderfully funny and extremely talented mezzo-soprano, Jamie Barton, about finding balance in all things, love and laughter in the midst of a pandemic, and the motto “sometimes ya gotta do what ya gotta do”. ;) https://www.jamiebartonmezzo.com/

This week, on Inside Julia’s Kitchen, host Todd Schulkin welcomes opera singer Jamie Barton, currently appearing in the Houston Grand Opera’s production of Bon Appétit, an operetta based on an episode of The French Chef. Todd and Jamie discuss what it takes to turn Julia into an opera character. Plus, Jamie shares her Julia Moment.Image Courtesy of Bree Anne ClowdusHeritage Radio Network is a listener supported nonprofit podcast network. Support Inside Julia's Kitchen by becoming a member!Inside Julia's Kitchen is Powered by Simplecast.

Deska mezzosopranistky Jamie Barton s písněmi současného amerického skladatele Jakea Haggieho. Poslechněte si recenzi Jozefa Červenky.

Lois Reitzes interviews chef Hugh Acheson about his new cookbook "How To Cook: Building Blocks and 100 Simple Recipes for a Lifetime of Meals"; filmmaker Matthew Cherry and illustrator Vashti Harrison about the film "Hair Love"; and opera singer Jamie Barton about her upcoming performances with the Atlanta Opera.

Join Jennifer Johnston, as she talks to the celebrated American mezzo-soprano Jamie Barton about lockdown from her home in Atlanta, Georgia. You’ll hear her talk about coping with a travelling minstrel’s life, cooking from scratch, body positivity, finding balance and her Nanna’s biscuits.  Notes From Musicians Kitchens is a cookbook written by musicians as a means of digitally breaking bread with each other, of sharing and appreciating our diverse food cultures, and of creating new memories, all of which will raise money for Help Musicians U.K. Join me, Jennifer Johnston, as I talk to the American mezzo-soprano, Jamie Barton, about body positivity, finding balance and her Nanna’s biscuits. www.notesfrommusicianskitchens.com

This week, June Thomas talks with opera singer Jamie Barton. Barton is a critically acclaimed American mezzosoprano who performs at major opera houses all around the world and maintains an active social media presence that serves as a hub for conversations about body positivity, diet culture, social justice issues, and LGBTQ rights, You can hear her on Studio 360 and watch her on YouTube. They talk about what it really means to travel as an opera singer. Barton explains the challenges of being responsible for providing your own tools for the work you do, and how she’s collaborating online with other artists during the current pandemic. Afterward, June and Isaac Butler discuss what they found most surprising about the interview and answer their very first listener question, about working with an editor.  Send your questions about creativity and any other feedback to working@slate.com. Podcast production by Morgan Flannery. Learn more about your ad choices. Visit megaphone.fm/adchoices

This week, June Thomas talks with opera singer Jamie Barton. Barton is a critically acclaimed American mezzosoprano who performs at major opera houses all around the world and maintains an active social media presence that serves as a hub for conversations about body positivity, diet culture, social justice issues, and LGBTQ rights, You can hear her on Studio 360 and watch her on YouTube. They talk about what it really means to travel as an opera singer. Barton explains the challenges of being responsible for providing your own tools for the work you do, and how she’s collaborating online with other artists during the current pandemic. Afterward, June and Isaac Butler discuss what they found most surprising about the interview and answer their very first listener question, about working with an editor.  Send your questions about creativity and any other feedback to working@slate.com. Podcast production by Morgan Flannery. Learn more about your ad choices. Visit megaphone.fm/adchoices

This week, June Thomas talks with opera singer Jamie Barton. Barton is a critically acclaimed American mezzosoprano who performs at major opera houses all around the world and maintains an active social media presence that serves as a hub for conversations about body positivity, diet culture, social justice issues, and LGBTQ rights, You can hear her on Studio 360 and watch her on YouTube. They talk about what it really means to travel as an opera singer. Barton explains the challenges of being responsible for providing your own tools for the work you do, and how she’s collaborating online with other artists during the current pandemic. Afterward, June and Isaac Butler discuss what they found most surprising about the interview and answer their very first listener question, about working with an editor.  Send your questions about creativity and any other feedback to working@slate.com. Podcast production by Morgan Flannery. Learn more about your ad choices. Visit megaphone.fm/adchoices

Ranky Tanky performs live in our studio, and explains to Kurt Andersen how their music is rooted in the regional Gullah culture — descendants of West African slaves who lived on isolated islands along the coasts of Georgia and the Carolinas. For our Guilty Pleasures series, comic Tig Notaro says why she loves the widely loathed band Nickelback, especially their song “Photograph.” And mezzo-soprano Jamie Barton, a rising star of the opera world, performs love songs directed at women that were meant to be sung by men, and tells Slate’s June Thomas how a sense of bisexual pride drives such performances. Learn more about your ad choices. Visit megaphone.fm/adchoices

Ranky Tanky performs live in our studio, and explains to Kurt Andersen how their music is rooted in the regional Gullah culture — descendants of West African slaves who lived on isolated islands along the coasts of Georgia and the Carolinas. For our Guilty Pleasures series, comic Tig Notaro says why she loves the widely loathed band Nickelback, especially their song “Photograph.” And mezzo-soprano Jamie Barton, a rising star of the opera world, performs love songs directed at women that were meant to be sung by men, and tells Slate’s June Thomas how a sense of bisexual pride drives such performances. Learn more about your ad choices. Visit megaphone.fm/adchoices

If a loved one were ever to die, how far would you be willing to go to bring them back? Orpheus, the ancient Greek musician, goes to hell and back to have a love of his life, Eurydice, by his side again. The gods cut a deal with Orpheus: he can bring his love back from hell, but all throughout the journey, she has to follow behind him and he is not allowed to look back at her. Unable to resist, he turns to see her,  and the gods take her for a second time. In a moment of overwhelming grief, Orpheus asks, “What will I do without Eurydice?”  In this episode, host Rhiannon Giddens and her guests reflect on Christoph Gluck's operatic adaptation of the Orpheus myth and how grief can be all-encompassing, but so can love. At the end of the show, mezzo-soprano Jamie Barton sings “Che farò senza Euridice” from the Metropolitan Opera stage. The Guests Mezzo-soprano Jamie Barton grew up in a musical family, with days full of bluegrass, classic rock, and music history quizzes about the Beatles. In her role debut as Orfeo, she searches for this hero’s vulnerability, dramatically and vocally, and figures out how to embody a version of this character that’s modeled on Johnny Cash.  Author Ann Patchett stumbled upon her love for opera while writing her book Bel Canto. But the Orpheus myth has been part of her life -- and has influenced her writing -- for quite a lot longer.  She’s fairly certain that she would travel to the depths of hell to save her husband of 25 years.  Jim Walter lost his wife to cancer in 2015. He cared for her through some very difficult years, and kept hope alive even when things looked hopeless. He says that nowadays his grief usually isn’t as immediate and gut-punching as it once was, but he is still sometimes overcome with sadness at unexpected moments.  

Aria Code returns for Season 2 with 10 stunning arias and one big theme: desire. Opera singers and experts talk about the things we want the most – love, power and freedom. In its first season, Aria Code became a low-key hit for both longtime opera fans and folks discovering it for the first time. Each episode opens a window into one aria – a feature for a single singer – and explores how and why these brief musical moments have imprinted themselves in our collective consciousness and what it takes to stand onstage and sing them. Starting Nov. 13, 2019, the second season will explore the many facets of desire, from pining for an absent lover to killing for power. World-renowned opera stars — Anna Netrebko, Jamie Barton, Eric Owens and many more — offer insight into the motivations of their characters and, in turn, our own. Hosted by Grammy Award-winner and MacArthur “Genius” Fellow Rhiannon Giddens, Aria Code is produced by WQXR in partnership with The Metropolitan Opera.

Mezzo-soprano Jamie Barton is a rising opera star, performing on some of the world’s most venerable classical music stages. In concert halls from London to New York, Barton not only flaunts her velvety rich tone, but also her commitment to social justice as an openly queer performer. Now, Barton and pianist Kathleen Kelly have put together a recital program that celebrates women, currently on tour. The pair perform three songs from the feminist recital tour live in Studio 360. Learn more about your ad choices. Visit megaphone.fm/adchoices

Mezzo-soprano Jamie Barton is a rising opera star, performing on some of the world’s most venerable classical music stages. In concert halls from London to New York, Barton not only flaunts her velvety rich tone, but also her commitment to social justice as an openly queer performer. Now, Barton and pianist Kathleen Kelly have put together a recital program that celebrates women, currently on tour. The pair perform three songs from the feminist recital tour live in Studio 360. Learn more about your ad choices. Visit megaphone.fm/adchoices

The ancient Greek “Orpheus myth” has inspired a vast array of artistic works, and composer Christoph Willibald Gluck is known for contributing their own operatic interpretation to the canon. Gluck’s adaptation explores the profound nature of grief, the power of love, and the rousing spirit of redemption in our two young lovers, portrayed on the Metropolitan Opera stage by mezzo-soprano Jamie Barton and soprano Hei-Kyung Hong. In this episode of The Metropolitan Opera Guild Podcast, lecturer and music librarian Tanisha Mitchell guides us through Gluck’s elegant masterpiece

American Mezzo soprano, Jamie Barton, is taking the world by storm.  Her powerful voice, engaging personality, and humble attitude, are just a few of the reasons why she is loved by all who hear her.  In this episode, we talk about her career after competitions, working towards a balanced lifestyle, and her experiences from the stage.

The Guilty Feminist Presented by Deborah Frances-White and Jayde Adams Episode 170: Women in Music with special guests Jamie Barton and Errollyn Wallen Recorded 14 September 2019 at the BBC Proms. Released 7 October 2019 The Guilty Feminist theme by Mark Hodge and produced by Nick Sheldon. More about Deborah Frances-White http://deborahfrances-white.com https://twitter.com/DeborahFW https://www.virago.co.uk/the-guilty-feminist-book https://www.intelligencesquared.com/events/the-power-of-womens-voices-with-yvette-cooper-and-daisy-goodwin More about Jayde Adams https://twitter.com/jaydeadams https://ilovejaydeadams.com/the-ballad-of-kylie-jenners-old-face More about Jamie Barton https://twitter.com/jbartonmezzo http://www.jamiebartonmezzo.com https://wigmore-hall.org.uk/whats-on/select-seats/jamie-barton-kathleen-kelly-201911301930 https://www.youtube.com/watch?v=sDtyJyidhlc https://www.bbc.co.uk/sounds/play/m0008h24 More about Errollyn Wallen https://twitter.com/ErrollynWallen http://www.errollynwallen.com https://www.bbc.co.uk/programmes/m0007k0n https://www.youtube.com/watch?v=Gk4ZOM8EX4I For more information about this and other episodes… visit guiltyfeminist.com tweet us twitter.com/guiltfempod like our Facebook page facebook.com/guiltyfeminist check out our Instagram instagram.com/theguiltyfeminist or join our mailing list eepurl.com/bRfSPT Guilty Feminist jewellery is now available https://www.road-from-damascus.co.uk The Negotiations special episode of the podcast is now available to purchase. http://guiltyfeminist.com/product/include-yourself-podcast/ Come to a live recording! Monday 21 October, Kings Place in London. Tickets on sale now. Tuesday 5 November, Manchester podcast festival. Tickets on sale now. Wednesday 6 November, Dublin podcast festival. Tickets on sale now. Tuesday 3 December, Secret Policeman’s Ball in Manchester. Tickets on sale now. Monday 9 December, Kings Place in London. Tickets on sale now. Saturday 4 January, Gramercy Theater New York. Tickets on sale now. Leave us a review and rate us on Apple Podcasts!

“It transports me back into this bedroom that I had as a kid. Sitting in my bay window, overlooking the field, leading up to the forest. There's nothing else out there.” Opera singer Jamie Barton grew up in an isolated rural community in northwest Georgia. Her first listen to Chopin's Nocturne No. 21 in C Minor — found on a CD titled Chopin and Champagne — began an obsession with classical music that turned her teenage alienation into a powerful sense of belonging to music and connection with its listeners, whoever they are and wherever they come from. Subscribe wherever you get your podcasts to receive a new episode every day or delve deeper into our companion playlist. Jamie Barton is a mezzo-soprano. She is singing the part of Orfeo in the Metropolitan Opera's fall production of Orfeo & Euridice. Did you like the track Jamie chose? Listen to the music in full: Nocturne No. 21 by Frédéric Chopin

John Wilson presents Front Row from the BBC Proms, with the American mezzo soprano Jamie Barton, about to perform as the soloist at the Last Night of the Proms, singing Verdi, Bizet, Saint-Saens and paying tribute to Judy Garland with Over the Rainbow. Composer Daniel Kidane talks about his new piece, commissioned to open the Last Night of the Proms this Saturday, which is called Woke. How will Brexit impact Classical Music? John is joined by the Association of British Orchestras director Mark Pemberton, opera impresario Wasfi Kani from Grange Park Opera and Claire Fox, The Brexit Party MEP who is on the Culture Committee of the European Parliament. They discuss whether classical musicians will be particularly affected by Brexit, deal or no deal. Violinist Daniel Pioro performs Biber's Passacaglia in G minor live. Presenter: John Wilson Producers: Rebecca Armstrong and Tim Prosser

Oliver goes ‘Inside the Huddle’ with two-time Grammy award winner mezzo-soprano Michelle DeYoung.... But first, in ‘Chalk Talk’, mezzo-soprano Jamie Barton blends her musical activities with frankly stated positions on social and political issues... In the ‘Two Minute Drill’, two summertime young artist programs take new directions... Guest co-host guest Ashlee Hardgrave joins the OBS nuts for the whole show, and they take a phone call from a listener... Next time, it could be you! Plus, don't miss the 3-hour epic live show on August 12 starting at 7 pm CT... www.facebook.com/OBSCHI1 www.operaboxscore.com www.wnur.org/popup

Ursula von der Leyen has used a last-minute speech in the European Parliament to try to persuade a majority of MEPs to back her as Jean-Claude Juncker's replacement. She will be the first female president of the European Commission of MEPs support her at a secret ballot this afternoon. But she prompted howls of derision from Brexit Party MEPs as she said she was prepared to agree to further postpone the UK's departure from the EU. More businesses in Spain are starting to sell online due to growing demand. But how can small manufacturers benefit from the boom? Without any question, online shopping is convenient. It saves you from hurrying to a store after work, walking through different aisles and carrying your shopping bags home. Instead, you can sit on a sofa, look at the products on the website of your favourite store and with a few clicks, the goods are on its way to your home. During the last year, eCommerce in Spain was worth almost 28 billion Euro. Compared to 2017, that means an increase of 17 percent. Many counterfeit notes are now in circulation, particularly in Murcia and police warned business-owners to be particularly watchful when €10 and €20 notes are handed over in payment. THE final bull run at this year’s San Fermin festival in Pamplona saw three people gored this morning (July 14). In total eight people have been gored over the course of the eight runs. During the run six bulls run with a pack of steers to the bullring. They are destine d to be killed in bullfights. With crime rates on the rise in Barcelona, some residents are taking the initiative and resorting to techniques of the past, which are now being made more effective thanks to modern technology. In the UK while the leadership race drones on.............. Military chiefs are a ‘pack of white middle-aged men’ who run a force awash with sexism, racism and bullying, an explosive new report claims. The study, the most in-depth the armed forces has ever commissioned, says ‘an unacceptable level of inappropriate behaviour persists’ across the RAF, Army and Navy. The company behind Northern Rail has handed its boss a £256,000 pay rise – despite the train line causing disruption for thousands of passengers last year. Manfred Rudhart, chief executive of Northern Rail’s owner Arriva, saw his pay boosted from £1.08million to £1.34million last year. He now earns 51 times the amount of the average Arriva employee. Killer drivers are being sentenced to just over five years in jail on average – with many set to walk free after serving just half their term. In another indictment of ‘soft justice’ Britain, analysis of Ministry of Justice data shows the average sentence last year for causing death by dangerous driving was five years and three months – against almost nine years for manslaughter. Just over half of convicted drivers were sentenced to less than five years in jail. An American opera singer will perform a song thought to be an anthem of the gay rights movement at the Last Night Of The Proms. Jamie Barton, 37, from Georgia, U.S., is set to join the BBC Symphony Orchestra and Chorus in September to close the musical event. The mezzo-soparano will sing Judy Garland's hit Somewhere Over The Rainbow and wear the same colours that are seen on biseuxal activists' flags at marches.

Ursula von der Leyen has used a last-minute speech in the European Parliament to try to persuade a majority of MEPs to back her as Jean-Claude Juncker's replacement. She will be the first female president of the European Commission of MEPs support her at a secret ballot this afternoon. But she prompted howls of derision from Brexit Party MEPs as she said she was prepared to agree to further postpone the UK's departure from the EU. More businesses in Spain are starting to sell online due to growing demand. But how can small manufacturers benefit from the boom? Without any question, online shopping is convenient. It saves you from hurrying to a store after work, walking through different aisles and carrying your shopping bags home. Instead, you can sit on a sofa, look at the products on the website of your favourite store and with a few clicks, the goods are on its way to your home. During the last year, eCommerce in Spain was worth almost 28 billion Euro. Compared to 2017, that means an increase of 17 percent. Many counterfeit notes are now in circulation, particularly in Murcia and police warned business-owners to be particularly watchful when €10 and €20 notes are handed over in payment. THE final bull run at this year’s San Fermin festival in Pamplona saw three people gored this morning (July 14). In total eight people have been gored over the course of the eight runs. During the run six bulls run with a pack of steers to the bullring. They are destine d to be killed in bullfights. With crime rates on the rise in Barcelona, some residents are taking the initiative and resorting to techniques of the past, which are now being made more effective thanks to modern technology. In the UK while the leadership race drones on.............. Military chiefs are a ‘pack of white middle-aged men’ who run a force awash with sexism, racism and bullying, an explosive new report claims. The study, the most in-depth the armed forces has ever commissioned, says ‘an unacceptable level of inappropriate behaviour persists’ across the RAF, Army and Navy. The company behind Northern Rail has handed its boss a £256,000 pay rise – despite the train line causing disruption for thousands of passengers last year. Manfred Rudhart, chief executive of Northern Rail’s owner Arriva, saw his pay boosted from £1.08million to £1.34million last year. He now earns 51 times the amount of the average Arriva employee. Killer drivers are being sentenced to just over five years in jail on average – with many set to walk free after serving just half their term. In another indictment of ‘soft justice’ Britain, analysis of Ministry of Justice data shows the average sentence last year for causing death by dangerous driving was five years and three months – against almost nine years for manslaughter. Just over half of convicted drivers were sentenced to less than five years in jail. An American opera singer will perform a song thought to be an anthem of the gay rights movement at the Last Night Of The Proms. Jamie Barton, 37, from Georgia, U.S., is set to join the BBC Symphony Orchestra and Chorus in September to close the musical event. The mezzo-soparano will sing Judy Garland's hit Somewhere Over The Rainbow and wear the same colours that are seen on biseuxal activists' flags at marches.

Jamie Barton.

The Atlanta Opera's production of "Dead Man Walking" tells the story of Sister Helen Prejean and her relationship with death row inmate Joseph de Rocher. It's based on Prejean's real-life book chronicling her prison ministry. Prejean wrote about her experiences as a spriritual counselor to death row inmates Elmo Patrick Sonnier and Robert Lee Willie in the book, which the production amalgamates into de Rocher's character. GPB's Sarah Zaslaw spoke to Tomer Zvulun , the Atlanta Opera's artistic director, and Georgia native Jamie Barton , who plays Sister Helen in the production. They discussed ideas of justice, forgiveness and how the opera wrestles with the dignity of victims and perpetrators of violence.

Ars Lyrica Houston and mezzo-soprano Jamie Barton perform music inspired by pursuit, love, and even madness.

Picks from across the week on In Tune, including mezzo-soprano Jamie Barton, harpsichordist Mahan Esfahani, guitarist Derek Gripper, organist and choir director Robert Quinney, baroque violinist Rachel Podger and last but not least the Canadian bass-baritone Gerald Finley.

Nabucco is the opera that got Verdi back in the game after a long time away from composing, but its premiere almost didn't happen. Hear how it was saved and in an ironic twist of fate, how the opera shortened the career of the soprano who saved it. On this week's episode of He Sang/She Sang, mezzo-soprano Jamie Barton and dramaturg Cori Ellison discuss Verdi's connection to the plight of the Hebrew slaves, why this year's revival at the Metropolitan Opera is so special and the cultural significance of "Va, pensiero."  Cori Ellison's YouTube pick (Riccardo Muti, Opera di Roma) Merrin Lazyan's YouTube pick (Plácido Domingo and Liudmyla Monastyrska, The Royal Opera) This episode features excerpts from the following album: Verdi: Nabucco (Deutsche Grammophon, 1983)— Piero Cappuccilli, baritone; Plácido Domingo, tenor; Evgeny Nesterenko, bass; Ghena Dimitrova, soprano; Lucia Valentini Terrani, mezzo-soprano; Chorus and Orchestra of the Deutsche Oper Berlin conducted by Giuseppe Sinopoli