Podcasts about Joan Sutherland

Today may be my final episode for Pride Month 2025, but it is most certainly not my final episode celebrating and affirming Pride and all our glorious forebears who preceded us! Today's episode is a belated birthday tribute to British tenor Peter Pears (22 June 1910 – 03 April 1986), most celebrated for his long-standing romantic and musical partnership with Benjamin Britten. However, as with my recent episode celebrating the artistry of Pierre Bernac apart from his performances of the music of Francis Poulenc, in today's episode, there is not a note of Britten's music to be heard. There is no question that Britten was a formative figure in Pears' artistic development, but throughout their lives together, he performed a wide range of music, from Pérotin to Lutosławski as an independent and enormously versatile artist. In this episode, I offer selections by Webern, Handel, Copland, Couperin, Stravinsky, Dowland, Tippett, Mozart, Holst, Bach, Copland, Berkeley, Schubert, Walton, Schütz, Debussy, Handel, Nordheim, Schumann, and David Bedford, among others, to offer a surprising portrait of this fascinating singer. Even if you have not (yet) acquired a taste for this (sometimes) controversial singer, I urge you to give it a listen, for not only does it present Pears in all his varieties, it also highlights his musical partnerships with Joan Sutherland, Sviatoslav Richter, Murray Perahia, Dennis Brain, Viola Tunnard, George Malcolm, Martha Mödl, Gré Brouwenstijn, Imogen Holst, and Noel Mewton-Wood (as well as a few clips with with his life-partner Britten at the piano). Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly or yearly support at whatever level you can afford.

durée : 01:28:38 - En pistes ! du jeudi 19 juin 2025 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Sa voix nous accompagne depuis le début de la semaine grâce à un coffret qui retrace sa carrière : aujourd'hui nous l'entendrons dans un de ses plus grands rôles, Lucia di Lamermoor. Un peu de piano aussi avec le nouveau récital du russe Yevgeny Sudbin qui revient à Scriabine... Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 01:28:38 - En pistes ! du jeudi 19 juin 2025 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Sa voix nous accompagne depuis le début de la semaine grâce à un coffret qui retrace sa carrière : aujourd'hui nous l'entendrons dans un de ses plus grands rôles, Lucia di Lamermoor. Un peu de piano aussi avec le nouveau récital du russe Yevgeny Sudbin qui revient à Scriabine... Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Si la Callas era la Divina, l'australiana Joan Sutherland va ser la Stupenda. Int

DescriptionJoan Sutherland aka La Stupenda in 60 Seconds. Take a minute to get the scoop!Fun FactJoan Sutherland's first major performance was as Dido in Purcell's "Dido and Aeneas" in 1947 at the Sydney University Musical Society. This debut showcased her burgeoning talent and marked the beginning of her illustrious career. Sutherland's powerful voice and emotive interpretation quickly garnered attention, setting the stage for her future successes on the world's most prestigious opera stages. This early performance was a critical stepping stone in her journey to becoming an operatic legend.__________________________________________________________________About Steven, HostSteven is a Canadian composer & actor living in Toronto. Through his music, he creates a range of works, with an emphasis on the short-form genre—his muse being to offer the listener both the darker and more satiric shades of human existence. If you're interested, please check out his music website for more. Member of the Canadian League Of Composers.__________________________________________________________________You can FOLLOW ME on Instagram.

Today's episode is with Paull-Anthony Keightley. Bass-baritone Paull-Anthony Keightley made his European debut in 2018 at the Deutsche Oper Berlin. He sang in eleven productions with the company before joining Theatre Basel for two seasons. In 2021 he joined the full-time chorus of Berlin's Staatsoper Unter den Linden and recently returned to Australia to join Opera Australia's full-time chorus. Paull began his career at the West Australia Opera, singing the roles of Colline in La Bohème, Parson & Badger in The Cunning Little Vixen and Zuniga in Carmen. He graduated from the Manhattan School of Music and Western Australian Academy of Performing Arts, and received awards from the Opera Foundation for Young Australians, the Joan Sutherland & Richard Bonynge Bel Canto Award and the IFAC Handa Australian Singing Competition.In addition to his career as a singer, Paull works as a vocal coach with his husband, pianist Thomas Victor Johnson. In 2021, Paull and Thomas joined forces with Simone Easthope founding vioro.co — a creative community dedicated to exploring, provoking, disassembling, reconstructing and sustaining practices in classical singing.  https://paullandthom.com/ @paullandthom https://paullanthonykeightley.com/ @paullanthony -- Hosted by Jessica Harper (soprano) & Jeremy Boulton (baritone), 'So You Think You Can Belto?' was created to empower emerging operatic practitioners across Australia and the world with access to the direct knowledge and relayed experiences of professionals. It aims to help inform emerging artists by holding a mirror to the opera system so that artists can make their own individually-informed decisions about auditions, competitions, engagements, and more. You'll hear everything from in-depth artist interviews, to long form panel discussions on topics concerning emerging artists. ⁠DONATE: ⁠⁠⁠⁠⁠⁠⁠⁠paypal.me/sytycbelto⁠⁠⁠⁠⁠⁠⁠ TWITTER: ⁠⁠⁠⁠⁠⁠⁠twitter.com/sytycanbelto⁠⁠⁠⁠⁠⁠⁠  FACEBOOK: ⁠⁠⁠⁠⁠⁠⁠facebook.com/soyouthinkyoucanbelto⁠⁠⁠⁠⁠⁠⁠  INSTAGRAM: ⁠⁠⁠⁠⁠⁠⁠instagram.com/soyouthinkyoucanbelto⁠⁠⁠⁠⁠⁠⁠ HASHTAG: #SoYouThinkYouCanBelto JESSICA: ⁠⁠⁠⁠⁠⁠⁠jessicaharpersoprano.com⁠⁠⁠⁠⁠⁠⁠ JEREMY : ⁠⁠⁠⁠⁠⁠⁠jeremyboulton.com.au⁠⁠⁠⁠⁠⁠⁠ DISCLAIMER: The views and opinions expressed are solely those of the individuals that appear on the program, not the views of the organisations that they are employed by, nor who they represent in other capacities. FUNDRAISING APPEAL: Please consider a donation (PayPal link above) to help us keep making high quality content for young and emerging artists. Further, get in touch if you're interested in show sponsorship! We thank donors for their generosity.

SynopsisOn today's date in 1840, a new opera by Gaetano Donizetti debuted at the Opéra Comique in Paris. This was La Fille du Régiment, or The Daughter of the Regiment. Other operas by the popular Italian composer were already playing in Paris, and others were scheduled. Despite being tailor-made to Parisian tastes, The Daughter of the Regiment was not well received.Apparently, French composers, Berlioz among them, felt threatened by the Donizetti blitz. “Monsieur Donizetti seems to treat us like a conquered country,” Berlioz wrote. “It is a veritable invasion. One can no longer speak of the opera houses of Paris, but only of the opera houses of Donizetti!”Well, eventually, Donizetti did win over French hearts and minds. And it's ironic to note that 100 years after its 1840 premiere, Paris was indeed an occupied country. In 1940, German tanks rolled into Paris, and at the Metropolitan Opera in New York, patriotic French soprano Lily Pons used her starring role in a revival of Donizetti's The Daughter of the Regiment to express her solidarity with the French Resistance. She added a rousing version of La Marseillaise to the finale of Donizetti's score, which brought sympathetic American audiences to their feet.Music Played in Today's ProgramGaetano Donizetti (1797-1848): La Fille du Regiment, excerpt; Joan Sutherland, soprano; Covent Garden Orchestra; Richard Bonynge, cond. London 414 520Claude-Joseph Rouget de Lisle (1760-1836) (arr. Berlioz): La Marseillaise; Jessye Norman, soprano; Paris Orchestra; Semyon Bychkov, cond. Philips 422 922

Welcome to the Instant Trivia podcast episode 1021, where we ask the best trivia on the Internet. Round 1. Category: Music CLass. With C in quotation marks 1: It has 4 strings, 5 letters and 6 Bach solo suites written just for it. cello. 2: The Benedictine monks of Santo Domingo de Silos had a surprise 1994 international hit with an album of Gregorian these. chants. 3: Italian for "tail", this 4-letter word is a concluding part of a piece of music. coda. 4: A male alto voice is also known as this 12-letter word. a countertenor. 5: Joan Sutherland was one of these sopranos who decorated her arias with a "rainbow" of musical hues. a coloratura. Round 2. Category: The Roman God Or Goddess Of... 1: The sea, earthquakes and horses, 3 things that obviously go together. Neptune. 2: Wine (women and song apparently went to other departments). Bacchus. 3: Wisdom, spinning and weaving; this goddess could do it all. Minerva. 4: Roads and travel, for that nifty messenger service of his. Mercury. 5: Fire and metalworking, but not logic. Vulcan. Round 3. Category: Facts And Numbers 1: 3 is a common number for par in mini-this. golf. 2: There are 31,536,000 seconds in one of these time periods; and 52 weeks too. a year. 3: A typical adult has about 22 square feet and 8 pounds of this, the body's largest organ. skin. 4: In the open ocean, one of these catastrophic waves can sometimes travel as fast as a jet plane. a tsunami. 5: Sometimes called the world's driest place, the Atacama Desert on this continent gets less than 1 inch of rain a year. South America. Round 4. Category: You Make My Heart Sing 1: Billy Ray Cyrus found disfavor with country purists for this song, a No. 4 crossover pop hit. "Achy Breaky Heart". 2: Celine Dion had to be convinced by her husband/manager to do a demo for this 1997 movie song; it worked out okay. "My Heart Will Go On". 3: In 2020 Dua Lipa sang "Break My Heart"; in 1996 she gave the impossible demand "Un-Break My Heart". Toni Braxton. 4: A 2015 song by her begins, "This is my heartbeat song and I'm gonna play it". Kelly Clarkson. 5: Heart, a group formed by sisters Ann and Nancy Wilson, had a hit in 1977 with this song named for a predatory fish. "Barracuda". Round 5. Category: A Little Food And Drink 1: Though it triggered an E. coli scare in 2006, this leafy vegetable is generally safe to eat; ask Popeye. spinach. 2: This "city" sandwich consists of thin slices of beef, slices of American, and often sauteed onions on a roll. a Philadelphia cheesesteak. 3: Though often referred to as a wine, this Japanese alcohol is actually brewed more like a beer. sake. 4: This candy bar of chocolate, nougat, peanuts and caramel was named for a horse. Snickers. 5: This cereal once had a longer name; "oats" became "os". Cheerios. Thanks for listening! Come back tomorrow for more exciting trivia! Special thanks to https://blog.feedspot.com/trivia_podcasts/ AI Voices used

“A voice type is a group of voices with similar vocal ranges, capable of singing in a similar tessitura, and with similar vocal transition points (passaggi).[1] Voice classification is most strongly associated with European classical music, though it, and the terms it utilizes, are used in other styles of music as well. A singer will choose a repertoire that suits their voice. Some singers such as Enrico Caruso, Rosa Ponselle, Joan Sutherland, Maria Callas, Jessye Norman, Ewa Podleś, and Plácido Domingo have voices that allow them to sing roles from a wide variety of types; some singers such as Shirley Verrett and Grace Bumbry change type and even voice part over their careers; and some singers such as Leonie Rysanek have voices that lower with age, causing them to cycle through types over their careers. Some roles are hard to classify, having very unusual vocal requirements; Mozart wrote many of his roles for specific singers who often had remarkable voices, and some of Verdi's early works make extreme demands on their singers.[2]” --- Send in a voice message: https://podcasters.spotify.com/pod/show/antonio-myers4/message Support this podcast: https://podcasters.spotify.com/pod/show/antonio-myers4/support

Luciano Pavarotti sempre va explicar que va ser gr

Koans are the record of provocative, and often paradoxical, exchanges between Zen masters and their students developed in medieval China. In her practice and writing, renowned Zen teacher Joan Sutherland reimagines the koan tradition with allegiance to its root spirit and to its profound potential for vivifying, subverting, and sanctifying our lives. In this episode, Joan is joined by clinical psychologist Megan Rundel in a conversation exploring how practice with Zen koans makes us permeable to the joys and the anguish of this life—and to the primordial mystery we glimpse behind the veil of the everyday. This episode was recorded during a live online event on July 27th, 2022. A transcript is available at ciispod.com. You can also watch it on the CIIS Public Programs YouTube channel. To find out more about CIIS and public programs like this one, visit our website ciis.edu and connect with us on social media @ciispubprograms. We hope that each episode of our podcast provides opportunities for growth, and that our listeners will use them as a starting point for further introspection. Many of the topics discussed on our podcast have the potential to bring up feelings and emotional responses. If you or someone you know is in need of mental health care and support, here are some resources to find immediate help and future healing: -Visit 988lifeline.org or text, call, or chat with The National Suicide Prevention Lifeline by dialing 988 from anywhere in the U.S. to be connected immediately with a trained counselor. Please note that 988 staff are required to take all action necessary to secure the safety of a caller and initiate emergency response with or without the caller's consent if they are unwilling or unable to take action on their own behalf. -Visit thrivelifeline.org or text “THRIVE” to begin a conversation with a THRIVE Lifeline crisis responder 24/7/365, from anywhere: +1.313.662.8209. This confidential text line is available for individuals 18+ and is staffed by people in STEMM with marginalized identities. -Visit translifeline.org or call (877) 565-8860 in the U.S. or (877) 330-6366 in Canada to learn more and contact Trans Lifeline, who provides trans peer support divested from police. -Visit ciis.edu/counseling-and-acupuncture-clinics to learn more and schedule counseling sessions at one of our centers. -Find information about additional global helplines at https://www.befrienders.org.

Alena Bernardi is an indie artist and soprano originally from Detroit, Michigan who blends her classical and musical theater roots with pop, folk, rock, jazz, and neo soul. Alena's vocal stylings have been called the perfect hybrid between Karen Carpenter and Joni Mitchell with the flexibility and prowess of classical soprano Joan Sutherland. During the covid-19 pandemic of 2020 (or the “great pause”) Alena founded a boutique online musical school, Unicorn Music Academy, that focuses on teaching it's students music through composition, improvisation, songwriting and play. During one of Unicorn Music Academy's Community Songwriting classes in April 2020, one month after Los Angeles had taken its pause, Blue & Yellow was born. Song: Blue and Yellow

Realizamos, a vista de pájaro, un acercamiento a la vocalidad en la ópera de Gluck, con Orfeo y Eurídice como epicentro. Comentamos el caldo de cultivo en el que nace, los antecedentes y consecuentes, la naturaleza y la forma. Con ejemplos abundantes. Se escuchan fragmentos de aquella ópera en las voces de Kathleen Ferrier y René Jacobs, de Polifemo de Porpora, de Alcina de Haendel por Joan Sutherland, del oratorio San Filippo Neri de Alessandro Scarlatti y el final del segundo acto de Idomeneo de Mozart dirigido por John Eliot Gardiner. Escuchar audio

01 - V. Bellini, Norma “Svanir le voci... Me protegge”, Franco Corelli, dir. Antonino Votto Teatro Regio di Parma, 29.12.197102 – G. Donizetti, Lucia di Lammermoor “Verranno a te” Joan Sutherland e Alfredo Kraus (Ariel Bybee Alisa) Metropolitan di New York, il 13 novembre 1982. The Metropolitan Opera Orchestra diretta da Richard Bonynge.03 – G. Rossini Otello Recitativo e terzetto - San Carlo 2016 Direttore Gabriele Ferro, Othello - John Osborn, Desdemona - Nino Machaidze, Rodrigo - Dmitry Korchak, Jago - Juan Francisco Gatte.04 - Fidelio – Quartetto Atto I “Mir ist so wunderbar”. Antonio Pappano direttore. Amanda Forsythe, Lise Davidsen, Georg Zeppenfeld and Robin Tritschler perform. Royal Opera House Covent Garden.05 – W. A. Mozart Die Zauberflöte Atto I, Quintetto – “Hm! Hm! Hm! Hm!” • Orchestra di Budapest Failoni Chamber Orchestra, direttore Michael Halasz, Wilfried Gahmlich, Elisabeth Norberg-Schulz, Georg Tichy, Hellen Kwon, Herbert Lippert, Kurt Rydl, Lotte Leitner.06 - Don Giovanni – Sestetto. Edita Gruberova (Donna Anna), Ann Murray (Donna Elvira), Susanne Mentzer (Zerlina), Francisco Araiza (Don Ottavio), Claudio Desderi (Leporello), Natale De Carolis (Masetto) | Teatro alla Scala, 1987 direttore Riccardo Muti.

Tod Johnston speaks with Joan Sutherland, the founder of The Haven, a Western Australian charity providing support to women and children affected by domestic violence. Through Joan's generosity she  went on to help thousands of others. The Haven provides a range of services, including crisis accommodation, counselling, and legal support, and has been instrumental in creating safe spaces for those in need. Join us as we explore the importance of community support, the challenges of running a charity, and the power of hope in the face of adversity.See omnystudio.com/listener for privacy information.

Inauguramos una serie que nos llevará a conocer algunas de las más importantes y recordables arias en la que los o las protagonistas pierden la razón, a veces de forma momentánea. Hoy tratamos tres memorables páginas de Bellini. Abre el fuego el aria que cierra Il pirata. Maria Callas -a la que habremos de volver este año ya que en diciembre hará cien de su nacimiento- nos ofrece su monumental interpretación en el Carnegie Hall de Nueva York en 1959 bajo la batuta de su fiel Nicola Rescigno. Ella misma nos brinda la memorable aria del sonambulismo de Amina de La sonnambula en la versión scaligera de 1955 con la dirección de Bernstein. Cambiamos de tercio y traemos a Joan Sutherland para recordar el aria del Elvira de I puritani, una página de original estructura que concluye con una animada cabaletta y en la que el personaje aparece cortejado por su tío Giorgio y su pretendiente, Riccardo, que cantan en esta versión Nicolai Ghiaurov y Piero Cappuccilli. Richard Bonynge está al mando de la Sinfónica de Londres. Escuchar audio

¿A que se refería Luciano Pavarotti cuando decía que Joan Sutherland era la voz del siglo? ¿Por qué Bidu Sayao dijo que Sutherland encarnaba la perfección en el canto? ¿Que significa soprano sfogato? Descúbrelo en esta emisión. --- Send in a voice message: https://podcasters.spotify.com/pod/show/arturo-magaa-duplancher/message

2023-01-23 | Depth in Practice | Through Forests of Every Color | Joan Sutherland by Appamada

2023-01-16 | Depth in Practice | Through Forests of Every Color | Joan Sutherland by Appamada

2023-01-09 | Depth in Practice | Through Forests of Every Color | Joan Sutherland by Appamada

In Fall 2023 Seattle Opera will present Handel's ALCINA, a magical opera seria about the vagaries of love, attraction, and gender. Seattle Opera Dramaturg Jonathan Dean introduces Handel operas and ALCINA, with musical examples from recital albums by Andreas Scholl and Sarah Connolly as well as recordings of ALCINA dating from 1959 (conducted by Ferdinand Leitner and starring Joan Sutherland); from 1962 (conducted by Richard Bonynge and starring Sutherland, Teresa Berganza, Monica Sinclair, and Luigi Alva); and 1999 (conducted by William Christie and starring Renee Fleming, Susan Graham, Kathleen Kuhlmann, Timothy Robinson, and Natalie Dessay).

2023-01-02 | Depth in Practice | Through Forests of Every Color | Joan Sutherland by Appamada

As the ABC celebrates its 90th birthday, we delve into our archives to revisit key moments in Australian performing arts history. Highlights include Laurence Olivier on tour, Nureyev and Fonteyn dancing into Australian hearts and Indigenous theatre taking centre stage.Also, Ian McKellen makes his Australian debut, Dorothy Hewett revolutionises Australian playwriting, Philip Glass writes a piece for organ and didgeridoo and Joan Sutherland records a stupendous La Traviata in a 17th-century Italian theatre.

As the ABC celebrates its 90th birthday, we delve into our archives to revisit key moments in Australian performing arts history. Highlights include Laurence Olivier on tour, Nureyev and Fonteyn dancing into Australian hearts and Indigenous theatre taking centre stage. Also, Ian McKellen makes his Australian debut, Dorothy Hewett revolutionises Australian playwriting, Philip Glass writes a piece for organ and didgeridoo and Joan Sutherland records a stupendous La Traviata in a 17th-century Italian theatre.

durée : 01:28:39 - Andréa Ferréol, comédienne - par : Priscille Lafitte - L'actrice Andréa Ferreol est une enfant d'Aix en Provence et de son festival d'art lyrique : l'opéra est son berceau, la voix - celle de Luciano Pavarotti, Joan Sutherland, Teresa Berganza, Maria Callas, Samuel Ramey… - est son Graal. - réalisé par : Claire Lagarde

2022-12-19 | Depth in Practice | Through Forests of Every Color | Joan Sutherland by Appamada

2022-12-12 | Depth in Practice | Through Forests of Every Color | Joan Sutherland by Appamada

2022-12-05 | Depth in Practice | Through Forests of Every Color | Joan Sutherland by Appamada

2022-11-28 | Depth in Practice | Through Forests of Every Color | Joan Sutherland by Appamada

2022-11-21 | Depth in Practice | Through Forests of Every Color | Joan Sutherland by Appamada

Tomorrow morning I leave for three weeks and I've been desperately trying to come up with topics that would be a bit easier to produce while I'm away. What could be easier than birthdays for this month and next? Well… leave it to your intrepid producer to make that as complicated as it could be. But there's a good reason: so many exceptional singers have birthdays this month and next! In fact, November is so chock full of such artists that I decided to focus exclusively on the Birthday Girls. And what a lineup! Iconic divas like Joan Sutherland and Victoria de los Ángeles; tragically short-lived singers like Saramae Endich and the beloved Lucia Popp; forgotten artists like Kjerstin Dellert, Caterina Mancini, and Geneviève Touraine; exceptional Black artists like Barbara Hendricks and Marietta Simpson: all are represented. And let's not forget the pop divas, both celebrated (Tina Turner, Joni Mitchell, Bonnie Raitt), and less well-remembered (Chi Coltrane, Bonnie Bramlett). And that's just the tip of the iceberg. So lift a glass, cut a piece of Geburtstagkuchen, and tune in to Countermelody in celebration of these exceptional women! [n.b. This episode was posted before the death of Ned Rorem, who will be properly commemorated in next week's episode.] Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly support at whatever level you can afford. Bonus episodes available exclusively to Patreon supporters are currently available and further bonus content including interviews and livestreams is planned for the upcoming season.

2022-11-14 | Depth in Practice | Through Forests of Every Color | Joan Sutherland by Appamada

2022-11-07 | Depth in Practice | Through Forests of Every Color | Joan Sutherland by Appamada

Earlier this year, in an episode entitled “Women of Color Sing Mahler,” I provided many of my listeners to their first exposure to the Mexican contralto Oralia Domínguez (25 October 1925 - 25 November 2013). Domínguez is famed for her collaborations with such musical giants as Maria Callas and Herbert von Karajan, but on her own terms, she ranks alongside those monumental true contraltos like Marian Anderson and Kathleen Ferrier. Though there is no question that she was underrecorded, she left a handful of classic commercial recordings, and a plethora of recorded live performances which an artist both technically grounded and fearless in expression, one whose legato singing exuded repose just as her phenomenal coloratura singing generates genuine excitement. I cannot say enough about this artist, who has rapidly become one of my very favorites! The episode features Domínguez in a wide range of material, from Monteverdi, Handel, and Vivaldi to the meat and potatoes roles in the standard operatic repertoire (Verdi, Rossini, Donizetti, Ponchielli, Saint-Saëns, Massenet) as well as less familiar fare by Michael Tippett and Mexican composers Silvestre Revueltas and Salvador Moreno. Along the way our Earth Goddess is joined by fellow singers Joan Sutherland, Martina Arroyo, Mirella Freni, József Simándy, Monica Sinclair, and, of course, Maria Callas. A bonus episode published concurrently on Patreon presents Domínguez in extended operatic scenes and further rare song material. Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly support at whatever level you can afford. Bonus episodes available exclusively to Patreon supporters are currently available and further bonus content including interviews and livestreams is planned for the upcoming season.

Sam explains the concept of koans — repeatable phrases that help us think more deeply about ourselves and the world around us.You can find Joan Sutherland's book, “Through Forests of Every Color: Awakening with Koans,” here.Sam has taught mindfulness and social emotional learning to teens, families and adults all over the world for more than 12 years. She obtained her master's degrees in clinical and educational psychology from Columbia University, and an M.S. in emotion science from Mid-Sweden University. You can reach out to Sam on Instagram here!Try the Headspace app free for 30 days here!

2022-10-31 | Depth in Practice | Through Forests of Every Color | Joan Sutherland by Appamada

durée : 01:46:29 - Été Classique Après-midi du mercredi 10 août 2022 - par : Julien Hanck - Le rendez-vous des collectionneurs et autres amoureux du disque, cet après-midi un beau panaché d'artistes d'hier et d'aujourd'hui : Fritz Wunderlich, Joan Sutherland, Marie-Nicole Lemieux, Alina Pogostkina et Michael League. - réalisé par : Fanny Constans

As the ABC celebrates its 90th birthday, we delve into our archives to revisit key moments in Australian performing arts history, including Laurence Olivier on tour, Nureyev and Fonteyn dancing into Australian hearts and Indigenous theatre taking centre stage. Also, Ian McKellen makes his Australian debut, Dorothy Hewett revolutionises Australian playwriting, Philip Glass writes a piece for organ and didgeridoo and Joan Sutherland records a stupendous La Traviata in a 17th-century Italian theatre.

As the ABC celebrates its 90th birthday, we delve into our archives to revisit key moments in Australian performing arts history. Highlights include Laurence Olivier on tour, Nureyev and Fonteyn dancing into Australian hearts and Indigenous theatre taking centre stage. Also, Ian McKellen makes his Australian debut, Dorothy Hewett revolutionises Australian playwriting, Philip Glass writes a piece for organ and didgeridoo and Joan Sutherland records a stupendous La Traviata in a 17th-century Italian theatre.

As the ABC celebrates its 90th birthday, we delve into our archives to revisit key moments in Australian performing arts history. Highlights include Laurence Olivier on tour, Nureyev and Fonteyn dancing into Australian hearts and Indigenous theatre taking centre stage.Also, Ian McKellen makes his Australian debut, Dorothy Hewett revolutionises Australian playwriting, Philip Glass writes a piece for organ and didgeridoo and Joan Sutherland records a stupendous La Traviata in a 17th-century Italian theatre.

From the vocal fireworks featured in the famous “mad scene” to the popularized sextet Lucia continues to fascinate audiences today. Many sopranos have taken the role, including, Maria Callas, Joan Sutherland, Renata Scotto, Lisette Oropesa and the current Lucia, Nadine Sierra. On today's episode of The Metropolitan Opera Guild Podcast, we have lecturer Tanisha Mitchell discussing the inner workings of this operatic staple.

durée : 00:20:17 - Disques de légende du jeudi 05 mai 2022 - Disque de légende du jour : "L'art de la prima donna" par la cantatrice australienne que l'on surnomme «La Stupenda» (la stupéfiante) : Joan Sutherland, aux côtés de l'Orchestre de l'Opéra Royal de Convent Garden dirigé par Francesco Molinari-Pradelli.

Massimiliano Becco Gagliardo together with his cello, piano and voice studies, achieved a BA master's degree in Disciplines of Arts, Culture and Communications at the Turin University in Italy, He also became a Certified Master Coach at Southbank London University, a Bioenergetic Consultant Ph.D. in London, a Professional Consultant Practitioner with a master's degree at Oxford University and a Bioenergetic Counselor (socio-somatic approach) at IPSO Institute in Milan.Massimiliano enjoyed 21 years as a successful international opera singer around the world before deciding to focus on bioenergetic counseling, artist management and voice/career coaching both for performers and non-performers. He holds live sessions in Turin and online worldwide in English, French, Spanish and Italian.Currently, he is a university professor at Mountview in London, at the University of Verona in Italy and at the TMA Academy in Turin along with being Senior Artist Manager with Athole Still Artists Ltd. in London and a freelance counselor and coach online.https://www.thebigfatvoice.com/Instagram

In today's episode, Tara talks about what it looks and sounds like when a voice ages. This is a topic that hasn't been talked about enough and yet there are ways to do something to help stop some of aging effects. And to keep singing through the years with your best voice! Do you notice when people's voices sound different as they age? UT Southwestern Medical center says: Muscles and tissues in the larynx have atrophy (shrinkage of muscles), thinning of the mucous membranes and a stiffening of connective tissue. It shows ups in these ways: Higher pitch in men Lower pitch in women Loss of projection and resonance Volume and endurance is reduced Vocal tremors May sound weak or raspy or breathy Voice is drier From The Academy of Orthopedic Surgeons—The aging of our muscles related to breathing, as well as our spine and its curvature can affect the voice. The heart muscle also becomes less able to propel large quantities of the blood, causing tiredness. Helps to keep our voice singing with good quality: Be aware of your sound and if it's breathy, raspy, etc. Get regular exercise. Drink tons of water. Use your voice daily. Do SOVT exercises. Watch the foods you put in your body. Get a full night of sleep. Do vocal exercises that help with flexibility. Seek out finding a vocal coach.   There are some amazing singers who are singing into their senior years like: Tony Bennett https://www.youtube.com/watch?v=JTdKZllVqpw   Angelo La Forese https://www.youtube.com/watch?v=S5JU95a2Z0o   Micheal Trimble (episode 25) Joan Sutherland   Montserrat Cabelle https://www.youtube.com/watch?v=EKB2wAYZTYw   Barbra Streisand- https://www.youtube.com/watch?v=9kP-EP3ucis   Don't ever give up on your voice, no matter your age!! Keep training and keep using it!   Make sure you grab all the free vocal helps that I have for you, including some flexibility vocal warmups. Click here to get your FREEBIES: https://tarab.vipmembervault.com/products/courses/view/4   You can subscribe  to THE ENGAGING VOICE on the platform you listen on: Stitcher, Google Podcasts, Spotify, iHeart radio, Youtube and Apple Podcasts. And now, it's also on Amazon Music Audible and PlayerFM too!! AND you can share this episode to social media or with your friends!   Give them a gift today by sharing this free podcast with them!

For Ausmusic month, a century of Australian music history from Dame Nellie to Dame Joan, and a walk through Percy Grainger's Hoard House.

It's a story we've been telling for centuries, in spite of the damage it's caused. The story of the sculptor Pygmalion and his statue Galatea crops up everywhere from Broadway musicals to glam rock records to computer programming. In the fourth episode of Ghost Echoes, we take inventory of Galateas. Music and Sound Notes: -- “In Every Dream Home a Heartache” can obviously be found on Roxy Music's For Your Pleasure. -- The recording of the doll song from Offenbach's Tales of Hoffmann is performed by Joan Sutherland with Richard Bonynge conducting l'Orchestre de la Suisse Romande. -- The excerpts from the My Fair Lady film soundtrack are “Wouldn't it be Loverly” performed by Marni Nixon and “I've Grown Accustomed to her Face” performed by Rex Harrison. -- Kate Bush's “Misty” is on her album 50 Words for Snow. Further reading, listening, etc.: -- Ovid's Metamorphoses has been translated into English by many, including A.D. Melville. Information on Project Borghild and sex dolls generally came from Anthony Ferguson's The Sex Doll: A History and “A (Straight, Male) History of Sex Dolls” by Julie Beck in the Atlantic. On Bernard Shaw's Pygmalion, Charles A. Berst's Pygmalion: Shaw's Spin on Myth and Cinderella was useful, as were this story from Studio 360 and Bernard Shaw's own preface and postscript to the play. Here's “The Sandman” by E.T.A. Hoffmann. Examples of conversation with ELIZA came from this piece by Oliver Miller in Thought Catalogue. -- The marching band audio in the Project Borghild scene comes from this archival video. All excerpts from Pygmalion are from the 1938 film version starring Wendy Hiller and Leslie Howard. The montage towards the end features clips from Her, Ex Machina, Battlestar Galactica, Blade Runner and Blade Runner 2049.

Joan Sutherland, Nicolai Gedda and Spiro Malas.

Joan Sutherland.

Joan Sutherland.