Podcasts about Lady Macbeth

Our goal words, as a reminderSarina: presenceJess: growthJennie: Teflon™KJ: inner compass#AmReadingJess: Atmosphere by Taylor Jenkins ReidKJ: The Spy Coast by Tess GerritsenJennie: Shakespeare: The Man Who Plays the Rent by Judi DenchSarina: Say You'll Remember Me by Abby JimenezTranscript below!EPISODE 454 - TRANSCRIPTKJ Dell'AntoniaHey, writers. KJ here announcing a new series and a definite plus for paid supporters of Hashtag AmWriting it's Writing the Book, a conversation between Jennie, who's just finished a Blueprint for her next nonfiction book, and me, because I've just finished the Blueprint for what I hope will be my next novel, Jennie and I are both trying to, quote, unquote, play big with these next go rounds, which is a meta effort for Jennie, as that's exactly what her book is about. And we're basically coaching each other through creating pages thoughts and encouragement, as well as some sometimes hard to hear honesty about whether we're really going in the right direction. So come all in on Team Hashtag AmWriting and you'll get those Writing the Book episodes right in your pod player, along with access to monthly AMAs, the Booklab: First Pages, episodes, and come summer, we shall Blueprint once again. So sign yourself up at AmWriting podcast.comMultiple Speakers:Is it recording? Now it's recording, yay. Go ahead. This is the part where I stare blankly at the microphone. I don't remember what I'm supposed to be doing. Alright, let's start over. Awkward pause. I'm going to rustle some papers. Okay, now one, two, three.KJ Dell'AntoniaHey, listeners, its KJ here. And this is Hashtag AmWriting, the weekly podcast about writing all the things, short things, long things, pitches, proposals, fiction, nonfiction. This is the podcast about getting that work done. And this week we're all here with a mid-year check in, but still introduce yourselves, people.Jess LaheyI'm Jess Leahy. I am the author of The Gift of Failure and The Addiction Inoculation, and you can find my journalism at The New York Times, The Washington Post and The Atlantic.Sarina BowenI'm Sarina Bowen, the somewhat exhausted author of many romance and thriller novels, and my brand new one is called Dying to Meet You.Jennie NashI'm Jennie Nash. I'm the founder and CEO of Author Accelerator and the author of 12 books in three genres. And today, not so tired. So you know, day by day.KJ Dell'AntoniaYay. I'm KJ Dell'Antonia, the author of three novels, most popular, which is The Chicken Sisters, and the most recent is Playing the Witch Card. And also the former editor and lead writer of The Motherlode at The New York Times, which feels like a total past life, And this is our mid-year "Are we achieving our goals?" check-in, and I badly wanted to make fun of Jess, who said she had to go get her notebook—so she would know her goals. But then I didn't realize I didn't have to, I didn't know mine, so I had to go get my notebook. So now I can't, and it's pretty much a crushing blow to me. So anybody achieved anything so far? I can't. I can totally believe we're six months into the year. It's been a really long six months, and also, I haven't done anything. Okay, that's me.Jennie NashKJ, you were saying that. Actually, it's funny, because you were saying that about was it January or February? You kept saying this month is lasting forever. You think you're just having that year.KJ Dell'AntoniaI am.Sarina BowenAren't we all though?KJ Dell'AntoniaI thought we were all having that year, but maybe not.Sarina BowenI'm looking at my goals page here, and I'm kind of astonished to see that I really am accomplishing a lot of them, because every day feels like such a battle. You know, it's I have write a romance, write a thriller, plan another romance, and maybe revise this one other thing. And, man, I'm doing it. I have written the words count for one entire book, even though neither of them is finished yet, but I'm, I'm chugging along. The other stuff I wrote down for doing at home and in my personal life is sort of happening, but it just feels, um, it feels hard, like the weight of the world is weighing down on my week. And so it's actually kind of lovely to look at this and see like, oh, okay, yeah. Well, we're getting some of this done.Jess LaheyThat's why we do this. That's why it's nice to check in. And I think it also, you know, it's, it goes back to a long time ago. We used to talk about accountability buddies, or accountability bunnies, as we have called them sometimes. And I think it's just great to have them, not just to hold you to task when you're not doing the stuff, but to help you, help you remember that it's important to check in and realize that we are getting the stuff done it may not look exactly like what we were expecting, and in fact, mine going forward, I'll go ahead and go next, because mine looks so different from what I expected it to be, and yet it's going really well. But before I move on, Sarina, is there any chance you could share with us for the big picture like mile high view, what was your word for this year?Sarina BowenWell, I did just notice that I left...KJ Dell'AntoniaOh! I have it your word was "present". I wrote them down. Your word was "present".Sarina BowenYou know. And I am. I am not doing a terrible job on presence. I'm not doing a bad job.KJ Dell'AntoniaJennie, your word was "Teflon".Jennie NashThat's what I thought. Let's stick with Sarina a minute, though, because I'm fascinated by the fact that the way you're describing that you're feeling, and the fact that you achieve these goals and you feel like you're doing well, all of that happened despite the fact that you didn't think it was... like, it's just the daily actions that that lead up to the goals, right? I mean, that sounds silly, but that's like you sit down and you do the work, and you achieve the things.Sarina BowenI guess I do. And part of what's disorienting about this year is that I'm actually writing less overall, and I am going more places. You know, presence means my presence is in several different states and countries, and so that it feels disorienting because I've had to be better at switching from working on the novel, to being on vacation with my family, to working on the novel, to doing a book tour in May, which was super time consuming. But I guess, you know, with some hiccups here and there, like I've been able to switch tasks in a way that is getting it done.Jennie NashThat's very cool.Jess LaheyIt's also nice every once in a while, you know, to look back on those stickers that are on the calendar. And for those of you who have joined us recently, we haven't really talked about stickers in a long time, but our sticker thing is, you know, we all tend to have the same kind of plan book, and on our calendar we get a sticker if we reach whatever goal it was for that day. Often it's a word count goal, and it's really nice to be able to look back... well, I guess it depends on the month, but generally speaking, it's really nice to be able to look back at the calendar and see those little stickers. Plus at the first day of every month, we have a little text thread where we decide what the sticker is going to be, what kind of vibe we're feeling that month, because we do have a lot of stickers. There's a lot of stickers, but Sarina has been killing it with her stickers, and I'm very impressed with her.Sarina BowenI do love to flip back and see how, you know, like, last month, it's like, oh, look at the good job you did. That's so pretty.Jess Lahey People ask me all the time if that undercuts that… you know, one of the things I talk about in The Gift of Failure and when I'm speaking at schools, is about, you know, trying to use the carrot and stick method to make kids do what you want them to do. And you're we're not supposed to rely exclusively on extrinsic motivators. We're supposed to rely on things that make us like want to do the thing for the sake of the thing itself. But when you when you reward yourself with something. It is an intrinsic process. And I think that the sticker, for us anyway, has been such a now, it's been going on for a long time, and it's such part of our language as a group of people, and it is really rewarding to slap that sticker on there.Sarina BowenI really believe you about intrinsic versus extrinsic goals, because I know for sure that no sticker chart I ever made for one of my children was any damn good, but like but mine is for me, and that's why it works.Jess LaheyDo you know that there's an exception when it comes to sticker charts? There is one situation in which sticker charts work really well for kids, and that's potty training, because there appears to be something about getting out of the diaper and into big boy or big girl panties/underpants, that makes them intrinsically motivated to do it. So if parents out there hearing this and thinking, oh man, sticker charts don't work, and they don't over the long term, but for potty training, for some reason they do anyway, I think it's great. And plus, when we buy the stickers, we're just envisioning all that writing we're going to do. And so when you put the little sticker on there, it's our nice little reward. Am I going next?Multiple Speakers: [Overlapping voices]: Yeah. You go next. Go for it.Jess LaheyAlright. So my year, my word this year, was a really appropriate and very topic specific, uh, one for me, and my word this year was "growth". And many of you know, I went back and went back to school and I got my master gardening certificate, and I'm now in my intern phase. I have to do two; I have to do 40 hours of volunteer work over the next two years to get my full certification. Working on that. But all things, looking back the first six months of this year, which is when this class ran, and when I was doing studying like I had to study botany and entomology and all that sort of stuff, I have grown a lot this year. In other news, I also after 10 years of debating and planning and learning, I finally got a beehive. So I now have bees, and I have my gardens going. So for me on that side, growth is crazy. And then in terms of my goals, something really interesting happened. And this is another reason having other writers or creatives in your life so important. So I was really struggling with the book proposal I actually wrote. I completed it, and my agent was liking how it was going, and everything was good. And then I just realized through the process of writing it, that it wasn't feeling like the right thing for me to be writing right now. And Sarina had planted an idea in my head months before about something she really wanted me to write like it occurred to her that it would be a really good idea, and I poo pooed it at first, and then I let my brain sort of ruminate on it for a bit, and I realized, oh my gosh, you're right. This is such a great topic. So I started again, which is fine, it's my book proposal. I can do what I want people, don't look at me like that all of you people. They would never do that because they don't look at me like that. I started with a new topic that's really exciting for me, and also requires a lot of growth for me. This isn't like something I could just spit out because I already know the material, and I it's caught... it's forcing me to have to grow in some ways, especially as doing statistical analysis and things like that. And thank you, Sarina, because I know at the moment you mentioned it in the first place, I dismissed it. And I didn't mean to sound dismissive, but you were right. It was a really good idea.Sarina BowenWow, I didn't know. I mean, I remember this conversation so well, but of course, like it's kind of your friend's jobs to spit ideas at you, like nobody is under any obligation to weigh them. But I find that when people spit ideas at me, I often have an early No, and then it it almost always takes till later until I'm like, Oh, wait...Jess LaheyYeah. Well, it wasn't until I do what I do as part of my process, which is to think, okay, from that angle, that's interesting. What would the chapters be? Let's say, just for fun, if I were to think about this, what would the chapters be? What might my introductory chapter look like? Oh, wait, there's that anecdote that would fit really well here. In fact, yesterday, I got a spam email that I saved because something in that email triggered an idea about something. So it's really... this one has been fun, and I have to credit Sarina with this one. So my goals are going to look a little bit different. But then this other thing happened, which is, I decided to start this new series for this from soup to nuts series that's sort of like a I have a really interesting idea for a nonfiction book. What do I do now? And you can get on that series if you if you become a supporter, because episode one was free, and the rest are going to be for supporters. And I'm guiding this person through the entire book process, the book proposal process. And I realized, aha, if I'm doing this in real time, this is a fantastic excuse for me to be doing the sections I'm assigning to her at the same time. So I'm working through my new proposal for this new idea at the same time she's working through her proposal, which also gets me in a really nice headspace for discussing those sections with her. I have to be very deep in those sections. She's working on her introduction right now and thinking about agents that she's going to query. And while I don't have to query an agent, I very much have to write the introduction. So we've been going back and forth on that, and it's caused me to have to think very deeply about mine too. So it's all, I think this is one of those, like, you know, right thing, right time. I like it. I'm happy, even though I haven't met the goals. I'm very happy.Jennie NashAre you sharing what your topic is? The new topic?Jess LaheyNot yet.Jennie NashOkay.Jess LaheyNot yet. Soon, I maybe, maybe for our end of the year, check in. I will.Jennie NashOkay.Jess LaheyI don't want to lose the juju.Jennie NashMy Word of the Year, thank you for reminding me was—thank you for reminding me was “Teflon.” And the reason for that was I had been involved in a trademark battle last year that was very upsetting to me, and I was wanting to step into my power, I think, is what that word “Teflon” meant, and not be pushed around by the winds of fortune, but to stand strong, in what I was doing, and who I was, and what I was standing for. That's what that's what “Teflon” meant to me. And here in the mid-year, oh, my tangible goals were, I wanted to write a book this year, a book about writing and KJ and I have been doing a series where we have been chronicling that progress. And where I stand today is, I feel great about it. I feel great about it, and the process of writing it has been kind of aligned with that idea of Teflon, of keeping really understanding what I want to say, what I believe, stepping into that power. That's actually what the book is about as well. So it's very meta, and it's been hard, much harder than I thought it was going to be, and also much more satisfying than I thought it was going to be, which is nice. And my other goals had to do with my business. I needed to get my business into... the way I describe it is to get it into integrity. I, at the end of last year, 2024, I did a last chance sale on the price that my book coaching certification course was priced at, and the intention was that I needed to raise my price a lot to bring it into integrity with what we were offering and what it was. And I made those moves. I had that and end of year sale, I raised the price, and I joined a business mastermind of other entrepreneurs in nobody's in a space topically close to mine, but a lot of people are in spaces that are similar-ish and the they're all women. Well, that's not true. There's we have one man and are in our cohort, but just people really trying to step into their power as entrepreneurs. And and I've been really giving myself over to this, the work of this business mastermind, and to learning from the coach who's running it. And in terms of Teflon, it feels like all, all of a piece, all the same thing of becoming who, who I am, and really tapping into what I believe. And I've been really surprised at how much more there is to learn. My own brain, my own habits, my own tendencies, my own fears and weaknesses and strengths. It just as it just is really surprising to me, the older I get them, that there's still so much to learn. I don't, I don't, I guess I must have thought it so in some part of me that that you get to a place where you think you know everything, and it's just not true. It's just not true. So I've been really enjoying the learning, and I feel that my business is coming into a place that I always wanted it to be, and the word I would use for that is easeful, full of ease. And that doesn't mean that it's easy, but that it there's an elegance to it and a naturalness to it, and it keep using this word integrity, but it feels like a business that has a lot of integrity. And so I, too, Sarina, feel proud of this year so far and that I have done what I set out to do, and I find it curious that I have already raced to put in new goals and bigger goals and more goals, even for this year, that that it's not enough just to reach the big goals. So that's another topic, perhaps for another day, but kind of aligned with stopping to celebrate that you have achieved those things. I tend to be really bad at about that, and I just keep back filling new goals and new things. And, you know, the goal post keeps moving, but, yeah, I feel good about where I sit.Sarina BowenWell, fantastic. My....Jess LaheySuper happy for you.KJ Dell'AntoniaBig surprise in opening my notebook is that I too, am exactly on track to achieve my goal. Because my goal, at least the only one in capital letters, is "COMPLETE NOTHING", and I, I, in fact, am exactly on track to complete nothing this year. I did put some things under that, which is, I do want to draft about a book, but draft means draft. It says that right here on this page; it says draft does not mean finish. So, um...Sarina BowenAnd are we drafting?KJ Dell'AntoniaWe ,Well, we are sort of barely drafting, but we are, we are we are pulling together a book that is harder than the last ones that I have pulled together. I think, um. And my other goal for this year was my word was, well, they're words, but it was "inner compass". I am supposed to be stopping looking at other people to compare what I'm doing. I'm supposed to be letting other people, you know, do their thing without feeling responsible to it, listening to myself, not absorbing the tension of the world around me, and I, I am definitely still working on that. Like that has been a daily preoccupation of mine, is to work on this book, not some other book, not some more appealing book, not the book that some friend is is working on, not the book that I just read, that I really liked, but this book. Yeah, I'm I am doing it. I can't. I'm striving towards enjoying that process, right? Yeah, yeah. I want. I want. I don't want to be living so much in the world right now. That's and that's not actually a commentary on the world. I just think I need to write this book out of my own head. So it's kind of hard.Jess LaheyYeah, it is hard, but it's also, you know, for me, sometimes reassuring, to find ways to block the other stuff out. I mean, I had to make a very specific choice this year to get off Instagram. I'm not off completely, but I'm on it a lot less because I was finding myself. We've talked about this before. We've talked about jealousy and we've talked about FOMO before, but I had some friends who had terrific success with a book, and they absolutely 100% deserved it. And the they got insane media. And every time I went on there, I would see them or someone else and get... I felt it happen in me, in that moment, I felt myself go. But why didn't I get that? Why didn't I do that? And I had to, and I turned to Tim and I said, I have to stop going on Instagram, because it's making me feel really bad about myself, and about and not good for my friends who are having these incredible successes. And so, you know, I think it's just a maybe it's because I'm not putting a book out this year or whatever, but I it was, it was forcing me into a bad place. So sometimes shutting that stuff out, man, it's been good. And you know, my new favorite thing to do, instead of going into on Instagram, is...Jennie NashBees!Jess LaheyAnd I sit, I know! I go up and I sit with them. And I was just talking to my dad about this. He said, you know, he was watching the bees with me. And he said, you know, you could, like, if you put a chair up here, you could just sit up here for a long time and watch the bees go in and out and see how much pollen is on their legs and all that sort of stuff. And I said, oh, no, I do that. I sit up there, and it's like “Bee TV”, and I watch them go in and out and in and out and in and out, and I just watch what they do. And that's I'm trying to anytime I feel the need to, like, get on Instagram. I'm like, No, go, and watch the bees instead. That's more fun anyway, and it doesn't make you feel bad about yourself.Jennie NashI love that “Bee TV”. Come on. That's great.KJ Dell'AntoniaThey're pretty cool. I also love like, you know, like the this is where my head goes, and this is the thing I want to stop. Don't put, like, a camera on them and monetize them and, like, make them famous, viral bees, you know, like... ‘Come watch the bee camera channel and you can relax'. And like, I, I mean, you know, we totally do that, if you if you want to, but like, I need to stop having those thoughts about everything. Yeah, like, I have chicks? Should I be putting them on Instagram so everyone can see my chick? They're just they're chicks. I have chicks. It's fine to have chicks, without having chicks loudly, right?Jess LaheyWell, I actually had a really interesting— speaking of that. I had a very interesting moment where I realized I had been listening to music when I was gardening, and sometimes I'm listening to books. Shout out to Taylor Jenkins Reid's new book Atmosphere. I couldn't gobble it down fast enough. But I also can't hear what the bees are doing when I'm listening to something. So I can't and I have to listen, because you can tell when they're starting to get upset by the sound of their buzzing. Not it gets louder, it gets more intense. Little things happen, and so you can sort of back off or use the smoker and calm them down a little bit. And it's been really nice. And so I've taken the ear buds out of the ears, but in the defense of the people who have gone before me doing this and took the time to film it, I've learned a ton from them. So I'm very grateful to a bunch of people who. Did think to turn the camera on the bees, but I'm not going to be doing that myself.KJ Dell'AntoniaYeah, that wasn't meant to like, you know, yeah, no, no, no there. And I was just watching a YouTube video to show me how to set up a smoker. I mean, you know, yeah, all that stuff is great.Jess LaheyYeah it's, there's a I had to do something in the hive that really scared me. I had to get rid of some extra comb that was sticking up, and it's going to make the bees mad when you do it, because things are going to die, and I'm going to squish some things. And so I watched like, 10 instructional videos by other people on how to do it, so I'd covered every angle from an educational perspective. And Tim was like, “I have never seen you this intimidated to do anything... like you're so fearless”, and I'm like, but it's the bees. I'm freaked. I'm going to hurt the bees. So I watched a lot of videos to do that, and that was great. I learned a lot. So anyway, ah, but no, I will not be monetizing my bees. Those are for me. Those are for me. Alright. How's everybody feeling? Everybody good? I think this is good. Because you all going into this, people are like, oh, no, I'm afraid to look at my word. What if I didn't accomplish anything? And I think all of us are sort of leaving this feeling like, Oh, we did some stuff.KJ Dell'AntoniaThis is good, yeah, at least being the person that I, that I that I wanted to be this year.Jennie NashKJ, loved that you put complete nothing like you were trying to give yourself a break, right? You're trying to let yourself just be different, kind of be than bees, but and maybe you haven't allowed yourself that, but it gives you so much leeway, right? And drafting a book to your point is, there can be a lot of definitions of that.KJ Dell'AntoniaYeah, and I don't know, I just and I think it possibly has to do with having been in such a prominent and high profile position earlier in my career that I have this tendency to feel like, if I'm not getting feedback, I'm not doing anything. Like if I'm not sort of constantly, you know, loudly announcing myself to people, and telling them what I think, and what I'm doing, and how it feels to be doing the thing, and maybe what they should be doing, then I'm, I'm, you know, like, who even am I? And I can name like, writers that I want to be like, that are not like sort of living hugely and putting their chicks on social media unless they want to, like you could tell the difference between people who really want to and people who don't. And but I am scared that I am not as good as those writers, and therefore I should probably just stick to being a shouty person begging you to pay attention to me and I, yeah, um, I'm definitely just sort of trying to figure that, figure out my way within that world right now.Jess LaheyFair enough. Yeah, sometimes you need to do that.Sarina BowenYeah.Jess LaheyAlright. Well, I like it.KJ Dell'AntoniaOkay. Well, we know Jess has read something good lately because she mentioned, yes, Taylor Jenkins Reid's Atmosphere. Atmospheric?Jess LaheyLoved it. I listened on audio, by the way, and there are two female audio book narrators, one whom you probably have heard of a million times, Julia Whelan, who's everywhere, and she's fantastic. And then the other one I'm going to look up so that I can come up with it. But um...KJ Dell'AntoniaWhile you're looking her up, I wanted to say... I was trying to figure out why I'm not going to read this, this book. I like, love Taylor Jenkins Reid, I've loved her last ones, and I was, I don't like, I only like space books if they're like, set in the future, and space is sort of under control. Other than that, a space book, to me, is like a water book. And I, I don't, I don't like it. It's too much scary, okay, too much scary, unwieldy stuff. So I don't plan on reading this.Jess LaheyIt's just so you know, it's hardly about space. And by the way, the other narrator, narrator is Kristen DiMercurio, and it is a it is a romance, it is an adventure, it is a thriller. It's all those things, and it's just, she's, she really, the language is really, she's the language is just great.KJ Dell'AntoniaBut also, there's plenty of books. It's fine. If one does not interest you in this moment, read a different book. It's all good.Jess LaheyAbsolutely.KJ Dell'AntoniaYeah.Jennie NashI'm so curious. I know this is a ridiculous question to ask any writer, but how she lands on her topics. Because, like, tennis, you know, Malibu, celebrity space, like, it's so great, and...Jess LaheyShe had to do a lot. Lot of research for this book, because there's a lot of really highly technical stuff, and her protagonists are highly technical people. And so yeah, that she had to do a lot of research.KJ Dell'AntoniaThe Book Riot people pointed out that she's kind of the queen of women doing jobs.Jess LaheyYeah, But to also Lauren, Christina Lauren, also, they are big fans of like, they're, you know, agents, they're dude ranchers, they're, you know, they hop from thing to thing, and that's one of the things I enjoy about them. It's sort of like I could do this, or I could do that, and you get to, like, sample all these different lives through the characters that they do as well. Anything else people have read?KJ Dell'Antonia I just finished the book.Multiple Speakers:[All laughing]KJ Dell'AntoniaThank you. I just finished Tess Gerritsen's The Spy Coast at Sarina's recommendation, and it was so good, just really endlessly, just really entertaining. And not a low stress read, but a really great read. I'm going to read the next one.Jess LaheyIt's on my list too.Sarina BowenThen I would like you to know, that the next one I actually feel might be even better.KJ Dell'AntoniaOh, can't wait.Sarina BowenBecause she's done such a fantastic job of setting up this pretty unusual group of people. And in the second book, she really like... not eases, but sort of sinks into it and let's, lets the strange setup really play out in a way that is totally charming.Jennie NashWell, I've had rocky personal things going on in the last month, and so my reading has been sort of interestingly. I've gravitated towards different things that I might normally and there's a book that I've been gravitating toward at night when I want to sort of turn my brain off and just get ready to go to bed. And it's called Shakespeare: The Man Who Pays the Rent by Judi Dench. And it is the most charming book you will ever read. It's, it's Judi Dench talking to her friend, Brendan O'Hea about the roles that she's played over the years, the Shakespearean role she's played over the years. And so you'll get a chapter on like Lady Macbeth. But it's, it's just Judi Dench riffing about like that time when Anthony and, you know, Sir Anthony, and she's talking about, you know, like all the famous actors, and it's, and then she's, you know, Brandon will ask her, Well, how do you play the scene when she's, you know, washing her hands or whatever, and she'll just say these very charming things about... it's just so fun and insightful, and you can just, it's almost like reading poems. They're just little snippets of, oh, now we're going to read about when she played Titania. And it's just so great. So it's just nothing but total delight. And it also makes you realize the incredible work that actors do. So...Jess LaheyI may have to do that one on audio, because I'm assuming she reads that one, and oh my gosh, that would just be an amazing audio read.Jennie NashShe does. And my daughter listened to it and said, it could not be more charming. Yeah.KJ Dell'AntoniaSarina, have you read anything lately?Sarina BowenI am in a big drafting phase and not a big reading phase, and everything I checked out of the library ends up being recalled before I finish it. It's just really pathetic over here.KJ Dell'AntoniaWell, I'm going to, I'm going to do one for you then. We both read, Say You'll Remember Me by Abby Jimenez. And we enjoy Abby Jimenez.Sarina BowenYes, we did!KJ Dell'AntoniaWe both enjoyed the heck out of that one. And also it has lots of career in it. If you like a hot vet. Yeah, that's a hot vet book.Sarina BowenIt was darling. And what we especially loved about it is how much she gets out of a book that, on paper, not a whole lot happens, which sounds like a condemnation of the book, but it's absolutely not. Like she just doesn't need... big drama to make this book fantastic. And that was just really skillful.KJ Dell'AntoniaYeah, no, it's, it's excellent, huge fun. Alright, kids, we would love to hear, if you, I mean, go back, look at your goals from the beginning of the year. Are you also surprisingly achieving what you set out to achieve? Um, or, you know, do you want to regroup? What's going on with you? We would, we would love to hear back. If you hit the show notes and comment in the in the comments, we will absolutely talk back to you, because, you know...Jess LaheyYeah, yeah.KJ Dell'AntoniaThat's our idea of fun. Jess LaheyMight even have to do a little chat thread in, in, in Substack when this comes out. Well, we'll see how it goes.KJ Dell'AntoniaYeah, I don't know. People don't seem to love chatting or comments. I can't figure this out. We cannot figure out how to talk to y'all, but we would like to. We're trying. Okay?Jess LaheyWe very much miss some of the forums part of it, but we'll figure it out. Alright. This has been fantastic, and until next week, everyone keep your butt in the chair and your head in the game. The Hashtag AmWriting podcast is produced by Andrew Perilla. Our intro music, aptly titled Unemployed Monday was written and played by Max Cohen. Andrew and Max were paid for their time and their creative output, because everyone deserves to be paid for their work. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit amwriting.substack.com/subscribe

durée : 01:48:24 - Comme un samedi - par : Arnaud Laporte - Après Bérénice, Lady Macbeth et la Dame aux Camélias, Marie-Sophie Ferdane incarnera prochainement Barbara. Carte blanche à une comédienne qui n'a pas peur de se glisser dans la peau de personnages anticonformistes. Son programme ce soir : idoles, cinéma gore et tableau éclairé à la bougie. - réalisation : Alexandre Fougeron - invités : Marie-Sophie Ferdane Comédienne; Ruppert Pupkin Chanteuse-performeuse; Yannick Haenel Ecrivain; Clémentine Deroudille Journaliste, auteur, éditrice.; Olivier Marguerit Musicien; Jessica Puppo Réalisatrice et scénariste

The show opens with a discussion over mental health and political ideology. It should not be surprising, but the more emotionally unhinged and mentally unwell, the more likely you will lean Left. I needed an extra day to process my thoughts on Ukraine's attack on Russia's nuclear bombers. It's not the win the media and the Left want you to think it is. In fact, our whole world moved a lot closer to WWIII than most are willing to admit. The “Free Palestine” movement really needs to be declared a terrorist organization. They really did bring the intifada here and it will continue to escalate if we do not respond proactively now. We just now learned the FBI had a way to hide documents and evidence in their system, which would make it almost impossible to find. This explains why so many investigations seem to stall or get lost once inside the FBI. This also provides a reminder to the audience to be a little more patient with the time it's taking the DOJ and the FBI to go after the corrupt and the law-breakers. According to the Secret Service, Joe Biden would get lost in his own closet. The more we learn, the more it seems Jill Biden was a lot closer to Lady Macbeth than anyone knew. Pam Bondi has announced several arrests in the “swatting” ring that was endangering 100s of Trump supporters and elected officials. It looks like more arrests may be coming. Finally, the Left is still trying to figure out how to keep from losing the male vote, especially the young, male vote. As long as they keep demonizing Alpha males and putting up weak Beta's as examples, they will continue to lose the male vote. To help, I close with a poem by Rudyard Kipling entitled, “If...” Please take a moment to rate and review the show and then share the episode on social media. You can find me on Facebook, X, Instagram, GETTR,  TRUTH Social and YouTube by searching for The Alan Sanders Show. And, consider becoming a sponsor of the show by visiting my Patreon page!!

This week on From the Front Porch, it's a Literary Therapy session! Our literary Frasier Crane, Annie, is back to answer more of your reading questions and dilemmas. If you have a question you would like Annie to answer in a future episode, you can leave us a voicemail here. To purchase the books mentioned in this episode, stop by The Bookshelf in Thomasville, visit our website (search episode 530) or download and shop on The Bookshelf's official app: Melinda's voicemail: Show Don't Tell by Curtis Sittenfeld Five Tuesdays in Winter by Lily King Games & Rituals by Katherine Heiny (unavailable to order) Heating & Cooling by Beth Ann Fennelly (unavailable to order) I Guess I Haven't Learned That Yet by Shauna Niequist Take Good Care of the Garden and the Dogs by Heather Lende The Book of Delights by Ross Gay Here for It by R. Eric Thomas You Could Make This Place Beautiful by Maggie Smith Jessica's voicemail: Tim Johnston Stuart Turton Andy Weir Jeff Vandermeer Peng Shepherd Devolution by Max Brooks Light from Uncommon Stars by Ryka Aoki The Ferryman by Justin Cronin The Gone World by Tom Sweterlitsch The Fold by Peter Clines (unavailable to order) How to Live Safely in a Science Fiction Universe by Charles Yu Emily St. John Mandel Hailey's voicemail: The Women by Kristin Hannah The Last Love Note by Emma Grey Dept. of Speculation by Jenny Offill Brood by Jackie Polzin (unavailable to order) Forty Rooms by Olga Grushin (unavailable to order) The Wedding People by Alison Espach Shark Heart by Emily Habeck In Praise of Slowness by Carl Honore Olive, Again by Elizabeth Strout Dinosaurs by Lydia Millet Talia's voicemail: Lady MacBeth by Ava Reid Hide by Kiersten White Lucy, Undying by Kiersten White From the Front Porch is a weekly podcast production of The Bookshelf, an independent bookstore in South Georgia. You can follow The Bookshelf's daily happenings on Instagram, Tiktok, and Facebook, and all the books from today's episode can be purchased online through our store website, www.bookshelfthomasville.com.  A full transcript of today's episode can be found here. Special thanks to Dylan and his team at Studio D Podcast Production for sound and editing and for our theme music, which sets the perfect warm and friendly tone for our Thursday conversations.  This week, Annie is listening to Great Big Beautiful Life by Emily Henry. If you liked what you heard in today's episode, tell us by leaving a review on Apple Podcasts. You can also support us on Patreon, where you can access bonus content, monthly live Porch Visits with Annie, our monthly live Patreon Book Club with Bookshelf staffers, Conquer a Classic episodes with Hunter, and more. Just go to patreon.com/fromthefrontporch. We're so grateful for you, and we look forward to meeting back here next week. Our Executive Producers are...Beth, Stephanie Dean, Linda Lee Drozt, Ashley Ferrell, Wendi Jenkins, Martha, Nicole Marsee, Gene Queens, Cammy Tidwell, Jammie Treadwell, and Amanda Whigham.

Dr. Andrew Torchia, medical director at Heart of Chelsea Veterinary Group in New York City, shares some savvy tips on how to keep your cat and dog at healthy weights, engage in meaningful play and much more. Dr. Torchia shares his home with a pair of playful felines named Mango and Lady MacBeth. Tune in me-NOW! EPISODE NOTES: Bring Out the Healthy Best in Your Pet with Dr. Andrew Torchia

ISMENIA MENDES joined host NATHAN WINKELSTEIN, Red Bull's Associate Artistic Director, for a conversation focused on Lady Macbeth–a role that she played to great acclaim in our 2019 production of MAC BETH. They discussed the challenges and rewards of playing one of Shakespeare's most iconic leading women and she read an excerpt of Act 1 Scene 7: "Was the hope drunk wherein you dressed yourself?". (5/9/2022)

Send us a textTo commemorate Shakespeare's 461st Birthday, I am very happy to bring on to the Fixate & Binge Podcast, HANNAH YOUNG, a native of Stratford-on-Avon, the home of Shakespeare. Hannah is a classically trained actress who has performed extensively with the Royal Shakespeare Company over several seasons in her career. She features as Lady Macbeth in Cheek by Jowl's film ‘Acting' which is premiered this weekend in London's The Barbican Centre, and has also worked at the National Studio in London and in several West End productions.In this episode, Hannah shares her first experiences with Shakespeare, growing up in Stratford-on-Avon, recounting her work on the stage with stage and screen legends. She illuminates how she approaches her characters, and uses the text itself to explore clues and ideas about her portrayals for audiences.If you're a casual fan of Shakespeare, a budding academic, a Bardolater, or terrified of experiencing Shakespeare for the first time -- this is the perfect podcast  to hear from Hannah on how best to approach the immortal Bard.In this podcast, I also provide a spoiler-free review of Alex Garland and Ray Mendoza's film WARFARE -- currently in theaters and well-worth the price of admission to experience on the big screen!Thank you for listening! You can find and follow us with the links below!Read our Letterboxd reviews at:https://letterboxd.com/fixateandbinge/Follow us on Instagram at:https://www.instagram.com/fixateandbingepodcast/?hl=msFollow us on TikTok at:https://www.tiktok.com/@fixateandbingepodcastVisit our website at:https://fixateandbingepodcast.com/

PopaHALLics #141 "Sing Me a Song"A folk duo's pricey gig for one rich prerson. A utopian paradise hiding a dark secret. A serial killer tale: Is it real true-crime or made-up horror? And who IS Kate's favorite Mr. Darcy in "Pride & Prejudice"?Theaters:"The Ballad of Walllis Island," written by Tim Key and Tom Basden and directed by James Griffiths. An eccentric lottery winner (Key) recruits his favorite musical duo (Basden and Carey Mulligan) to play a private concert on his remote island home in this British comedy/drama. But old feelings and tensions threaten his dream gig.Streaming:"Paradise," Hulu. In this political thriller set in an underground bunker after a doomsday event, a Secret Service agent (Sterling K. Brown) comes under suspicion of killing the President of the United States (James Marsden) "Slow Horses," Apple TV.+  In the riveting third season of this spy thriller, the MI5 rejects at Slough House must find the abducted Catherine Standish (Saskia Reeves) and a sensitive file. All six episodes of the fourth season about the search for a London bomber are available."Pride and Prejudice" (2005), available on Netflix, Prime, Apple TV+, etc. Keira Knightley and Matthew Macfadyn star in Jane Austen's classic tale of the turbulent relationship between Elizabeth Bennet, the daughter of a country gentleman, and Fitzwilliam Darcy, a rich aristocratic landowner. Books:"Chasing the Boogeyman," by Richard Chizmar. The author narrates, first-person, how a serial killer terrorized his small Maryland hometown. But is this gripping story true crime or horror fiction? Compelling, creative, and scary."Lady MacBeth," by Ava Reid. In this reimagining of Shakespeare's most famous villainess, the Lady has a voice, a past, and witchy powers she needs to survive her husband, a Scottish brute, and his hostile court.The John Milton thriller series, by Mark Dawson. One of the world's deadliest assassins tries to give it up and help people as a way of making amends to those he killed. The British government who "created" him wants him dead. Jack Reacher fans will find a lot to like in this series (24-some books)."Drive Your Plow Over the Bones of the Dead," by Olga Tokarczuk. An eccentric recluse on the Czech/Polish border becomes convinced she knows why dead bodies keep turning up around her. Winner of the Nobel Prize for Literature.Music:PopaHALLics #141 Playlist (Wallis Island)  features the folky music of the film "The Ballad of Wallis Island."Click through the links above to wat

We check in with Rebekah this week for the first time since hiding away with baby Hope and - uh oh - starlings are checking in on her too! At the compound, Klaus works with Marcel to convince Koleb and Finncent to reconsider alliances. Davina, annoyed at Kol's kidnapping, actually does put Klaus down, but then immediately gets a taste of the mercurial Mikaelson brotherly bond. Elijah heads out to intercept Rebekah and baby Hope, but his Lady Macbeth vibe freaks Rebekah out. Meanwhile, Hayley finds a way to protect the wolves, and it involves a wedding and (of course) an ancient ritual that seems suspicious at best. Remember to rate, review, and share, brothers!Follow us on Instagram and TikTok @doppelgangerspodcast!

durée : 01:28:01 - En pistes ! du vendredi 11 avril 2025 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Que ce soit dans Tosca de Puccini, Lady MacBeth de Chostakovitch ou encore dans le lied L'amour et la vie d'une femme de Schumann, place aux voix féminines dans cette émission. A retrouver aussi : une symphonie signée Wynton Marsalis, le Versailles du 17ème mis en musique au clavecin...

durée : 01:28:01 - En pistes ! du vendredi 11 avril 2025 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Que ce soit dans Tosca de Puccini, Lady MacBeth de Chostakovitch ou encore dans le lied L'amour et la vie d'une femme de Schumann, place aux voix féminines dans cette émission. A retrouver aussi : une symphonie signée Wynton Marsalis, le Versailles du 17ème mis en musique au clavecin...

Ava Roy grew up in rural Western Massachusetts, in an area rich in literature and theater. Ava met Ann Podlozny back east before Ava came to California to attend Stanford, which is where she created a theater production group. Today, Ava is the founding artistic director of We Players, a 25-year-old theater company based in San Francisco. Ann, who'll play Lady Macbeth in an upcoming, all-woman production of Macbeth, is based in London and came back to be in the play and to support her friend Ava in whatever way she can. While at Stanford, Ava let her art play, in the sense of public displays such as throwing banners off the clock tower and tying bodies to sculptures around campus. She discovered that art would be her life's work, not just a hobby. One idea she had while in Palo Alto was to do a production of Shakepeare's Romeo and Juliet held all around the Stanford campus. It was a success, as the audience grew and grew as it moved around, picking up more and more people along the way. Ava was able to turn this type of theater into an independently designed major. After graduating, she moved to the East Bay and started doing theater productions there and in The City. She started partnering with the National Park Service (NPS) in 2008 and then with SF Recreation and Parks in 2018. Ava's first production at Fort Point, the Civil War-era fort under the southern base of the Golden Gate Bridge, was in 2008. From 2009 to 2011, she had a three-year residency on Alcatraz, further deepening her relationship with the NPS. In 2013, she kicked off Macbeth at Fort Point. But a funny thing happened—a government shutdown that year effectively ended that run under the bridge. Fast-forward nearly a decade, and the NPS reached out to see whether Ava and We Players were interested in trying again to produce Macbeth at Fort Point. That brings us to the present day. Ava's friend Ann had left theater and had been working in movies. She'd also been taking epic walks—as in hundreds of miles at a time, all over the world. She was on one of these walks when she and Ava connected over Zoom and Ann offered to play the part of Lady Macbeth to Ava's Macbeth in We Players' upcoming production. Ann would not only play one of the two major roles in the play, but she would also be there for Ava to help with various aspects of putting it all together, including casting. It was somewhere in this time that the decision was made for this to be an all female-identifying and non-binary cast. We Players is run and was founded by women, but they hadn't done a production with a cast like this before. It was 2024, before the election. It just felt right. Ann and Ava talk about the themes of Macbeth and how they relate to the current times we're in, no matter who we are. Ava touches on how important it is for her to foster a caring, kind, nurturing environment among her cast members, and how poignant that is for such a violent play like Macbeth. Then we pivot to talk about how times have changed, 10 years removed from the last time they did this at Fort Point, and how they have not. Ava also describes what it's like inside of Fort Point, something we in San Francisco might not all know about. One point they want to emphasize for anyone who comes to see their show—it's cold as hell, even by SF standards. We Players' production of Macbeth at Fort Point opens on April 11 and runs through May 18. All shows start at 6 p.m., Thursday through Sunday (with a few exceptions), rain or wind (duh) or shine. Tiered tickets (for equitable access) are available at the We Players website. We recorded this episode in the Gramercy Towers in March 2025. Photography by Jeff Hunt

Hannah's been busy grinding out elementary school book fairs (drug-dealer mentality for the win), so the John Updike's Ghost podcast has put in a call to the bullpen, and out walks ... Cyndle Plaisted Rials! Cyndle is a writer and creative writing teacher who teamed with Sam on a book earlier this year, as well as the Beer & Weed project, so you know she's ready to go. She has not, however, read "To Kill a Mockingbird" or "Of Mice and Men," so weird stuff is on the way.  Here's what she and Sam had to chat about this week: - "All the Pretty Horses," by Cormac McCarthy — Sam has never read this, but it's awesome. If you've never read it, you should do it now. Just be prepared for very few commas.  - "Lady Macbeth," by Ava Reid — Cyndle finds this a little better than Shakespeare's historical works, anyway. It's a little bit of a "Wicked" situation and it might help to read the original; what is Lysander doing in this book? Decent audiobook.  - "Pickleballers," by Ilana Long — A racy book about people who play pickleball and like to bang. Sam laughed a few times, but didn't manage to finish this. Still, if you like romantic comedies, this is fine.  - "Rejection," by Tony Tulathimutte — You might have seen the story "The Feminist"? That's the lead story in this collection, which is a serious collection of bad dudes. And hyper-online.

Some interviews are longgggggg overdue and this WKXL NH Unscripted episode with Emily Karel (Glass Dove Productions) is one such interview. How I went so long with having her into the studio I'll never know. Amazingly talented and brilliant she absolutely gives us a masterclass on how to provide a backstory for a character using Lady Macbeth as her example. We also talk about the pressure of performing solo on stage and a heckuva lot more!

Some interviews are longgggggg overdue and this one with Emily Karel (Glass Dove Productions) is one such interview. How I went so long with having her into the studio I'll never know. Amazingly talented and brilliant she absolutely gives us a masterclass on how to provide a backstory for a character using Lady Macbeth as her example. We also talk about the pressure of performing solo on stage and a heckuva lot more!

Send us a textPlaywright Megan Gogerty streamed into the Playwright's Spotlight right before the opening of her one-woman show and reimagining of the story of Beowulf. It's a fascinating episode with tons of wisdom to take in, unpack, and apply. We discuss one-person adaptations and letting the play be itself, the importance of intuition, the use of two ideas that collide, and knowing what the question is. We delve into the structure of a one-person vs multi-actor piece, the structure of a one-person show, the audience as another character, smaller markets and selling widgets, who you vs who knows you, accessibility, gatekeeping, and asking for permission, and the role of the audience and making them ask questions. The more this podcast grow, the more every episode offers something new. Megan delivers. Enjoy. AND, if you're in the LA area be sure to catch the West Coast premiere of her production FEAST at The Count's Den through April 6th through the ticket link below -https://events.immersiveartcollective.org/events/immersiveartcollective/1511665Megan Gogerty is a playwright and comedian. Her solo show Lady Macbeth and her Pal, Megan played at the Edinburgh Fringe Festival and won the Audience Pick of the Fringe at the Cincinnati Fringe Festival. Her play Bad Panda (Theatre Without Borders, Beijing; Iron Crow Theatre Co.; WordBRIDGE Boomerang Playwright honoree) is published by Original Works Publishing and was translated into Spanish for a five-month run at Del Teatro Milan in Mexico City. The Atlanta Journal-Constitution listed her solo show Hillary Clinton Got Me Pregnant in their yearly Top Ten Best Plays. Megan's musical drama Love Jerry was produced in the New York Musical Theatre Festival where it won three Talkin' Broadway Citations and four NYMF Excellence Awards including Excellence in Writing. She was a Playwright's Center Jerome Fellow, A WordBRIDGE alum, and earned her MFA in Playwriting from the University of Texas at Austin. She currently teaches playwriting at the University of Iowa and is a regularly returning visiting-faculty for the Playwright's Lab at Hollins University.For tickets to FEAST through April 6th, 2025, visit - https://events.immersiveartcollective.org/events/immersiveartcollective/1511665To watch the video format of this episode, visit - https://youtu.be/ZJBqlXMom-8Links to resources mentioned in this episode -Know Theatre of Cincinnati - https://www.knowtheatre.comWalking Shadow Theatre Company - https://www.walkingshadow.orgLenaea High School Theatre Festival - https://www.lenaea.orgMoving Arts - https://movingarts.orgOriginal Works Publishing - https://www.originalworksonline.comNew Play Exchange - http://newplayexchange.orgWebsite and Socials for Megan Gogerty -Website - www.megangogerty.comBlueSky - @megangogertyTikTok - @megangogertyWebsites and socials for James Elden, PMP, and Playwright's Spotlight -Punk Monkey Productions - www.punkmonkeyproductions.comPLAY Noir -www.playnoir.comPLAY Noir Anthology –www.punkmonkeyproductions.com/contact.htmlJames Elden -Twitter - @jameseldensauerIG - @alakardrakeFB - fb.com/jameseldensauerPunk Monkey Productions and PLAY Noir - Twitter - @punkmonkeyprods                  - @playnoirla IG - @punkmonkeyprods       - @playnoir_la FB - fb.com/playnoir        - fb.com/punkmonkeyproductionsPlaywright's Spotlight -Twitter - @wrightlightpod IG - @playwrights_spotlightPlaywriting services through Los Angeles Collegiate Playwrights Festivalwww.losangelescollegiateplaywrightsfeSupport the show

On March 18, 1925, a massive tornado (that would become known as the Tri-State Tornado) touched down in parts of Missouri, Illinois, and Indiana. It would go down in history as the world's deadliest tornado. What else was making headlines on such a horrible day?SOURCES“Advertisement: Pacific Gas and Electric Company (Page 2).” Daily Gazette (Martinez, California), March 18, 1925. www.newspapers.com.“Annapolis, Missouri.” Wikipedia, May 11, 2024.https://en.wikipedia.org/wiki/Annapolis,_Missouri. “Arrest Neponset Man As Jack the Hugger.” The Boston Globe (Boston, Massachusetts), February 3, 1925. www.newspapers.com.Associated Press. “Rules Shepherd Is McClintock's Heir.” The Decatur Daily Review (Decatur, Illinois), October 28, 1926. www.newspapers.com.Blakemore, Erin. “The Deadliest Tornado in US History Blindsided the Midwest in 1925.” History.com. Accessed October 8, 2024.https://www.history.com/news/deadliest-tornado-tri-state-1925-united-states. “Chronology of McClintock Murder Case.” Streator Daily Free Press (Streator, Illinois), May 26, 1925. www.newspapers.com.Gibbons, Roy J. “Free Press Reporter Spends Day In Jail With Shepherd.” Streator Daily Free Press (Streator, Illinois), May 26, 1925. www.newspapers.com.“He Hugged Two At Once.” The Tribune (Scranton, Pennsylvania), June 29, 1925. www.newspapers.com.“Home Folk Will Not Believe Mrs. Shepherd a ‘Lady MacBeth.'” Streator Daily Free Press (Streator, Illinois), May 26, 1995. www.newspapers.com.“Jack the Hugger.” The Evening Courier (Camden, New Jersey), December 15, 1925. www.newspapers.com.“Law Forges Strong Chain Around William Shepherd Accused of Murdering Last of McClintock Family to Get Great Fortune Which Some Say Carries Curse.” The Brooklyn Eagle (Brooklyn, New York), March 22, 1925. www.newspapers.com.“Mother and Baby Blown to Tree Top by Tornado, but Escape by Miracle.” The Commercial Appeal (Memphis, Tennessee), March 20, 1925. www.newspapers.com.“Police Seek Hugger After Two Attacks.” Wilkes-Barre Times Leader (Wilkes-Barre, Pennsylvania), March 18, 1925. www.newspapers.com.“Several Reported Killed By Tornado at Annapolis, MO.” Springfield Leader and Press (Springfield, Missouri), March 18, 1925. www.newspapers.com.“Three Held, Others Sought in Mine Blast; Little Hope Held for 34 Men.” Pittsburgh Post-Gazette (Pittsburgh, Pennsylvania), March 19, 1925. www.newspapers.com.“Tornado, Fire, Flood, and Mine Disasters Take Big Toll In Day.” Pittsburgh Post-Gazette (Pittsburgh, Pennsylvania), March 10, 1925. www.newspapers.com.United Press.“Shepherd Given Freedom Under Bond As Jury Acquits Him of Charge of Murder.” Belvidere Daily Republican (Belvidere, Illinois), June 27, 1925. www.newspapers.com.US Department of Commerce, NOAA. “1925 Tornado.” National Weather Service, March 5, 2015. https://www.weather.gov/pah/1925Tornado_iq. US Department of Commerce, NOAA. “1925 Tornado.” National Weather Service, March 5, 2015.https://www.weather.gov/pah/1925Tornado_ss. “William Darling ‘Darl' Shepherd .” Find a Grave. Accessed October 8, 2024. https://www.findagrave.com/memorial/203215798/william-darling-shepherd. SOUND SOURCESAl Jolson. “I'll Say She Does.” www.pixabay.com/music.Lucille Hegamin and The Dixie Daisies.“Cold Winter Blues.” www.pixabay.com/music.Sophie Tucker. “Reuben Rag.” www.pixabay.com/music.

emocleW, emocleW, emocleW to the Distraction Pieces Podcast with Scroobius Pip!This is your bonus FRIDAY REWIND episode! Today, we catch up with Cosmo Jarvis, originally episode 316 from 2020-03-11.Original writeup below!–––––––––––––––––––––––––––––––––––––––––––––Following on perfectly from last week's episode with Niamh Algar, in that she and Cosmo star in ‘Calm With Horses', which is coming to cinemas very soon - the perfect follow on episode right here! You may know Cosmo from his starring turns in Lady Macbeth, or maybe Peaky Blinders - his presence leaves a long lasting impression in whatever you will see him in, and it's a treat to hear him talk about the craft and hear his insights into it, especially when mirrored with Pip's. So kicking things off with some good pizza chat up-top, we lead effortlessly into his dealings with type 1 diabetes, which blossoms into the power of encouragement and learning on the job, life changing moments which somehow don't change life, the ease of dipping your toe into the creative output pool and whether it's a good thing or not, indeed the forthcoming Calm With Horses, and loads of respectful talk about his co-stars and actors / directors he's worked with. Excellent stuff, great to hear from him!PIP'S PATREON PAGE if you're of a supporting natureIMDBINSTAGRAMSHOGUNPIP TWITCH • (music stuff)PIP INSTAGRAMSPEECH DEVELOPMENT WEBSTOREPIP TWITTERPIP IMDBPOD BIBLE Hosted on Acast. See acast.com/privacy for more information.

This week, you join us for a fragrant journey through a scented sleepover and a quest to find perfect perfumes for an actress playing Lady Macbeth, & a concert pianist (no less!) We're talking about the delicate allure of Roger & Gallet Osmanthus, the olfactive grandeur of Amouage Epic Woman, and the operatic drama of Merchant of Venice Maria Callas. We'll also explore the tempestuous beauty of 4160 Tuesdays Tempest Rose and tease an exciting upcoming collaboration with author Joanne Harris. But that's not all! We tackle two intriguing listener prescriptions that will captivate your imagination. An actress seeks a powerful scent to embody Lady Macbeth on stage, while a pianist desires a fragrance to echo her passionate performance and boost her confidence. From smoky gunpowder to mossy forests, we explore scents that evoke strength, witchery, and wild nature. Prepare to be spellbound by fragrances that transport you to moonlit covens, ancient ceremonies, and the very essence of power. Whether you're stepping onto the stage or into your own spotlight, this episode promises to awaken your senses and inspire your inner performer. Don't miss this aromatic adventure that blends intrigue, Shakespeare, music, and the transformative power of perfume. Tune in and let your imagination run wild... We discuss: @kga_beauty_pr #kgascentedsleepover @rogergallet Osmanthus @amouageofficial Epic Woman @themerchantofvenice Maria Callas @4160tuesdays Tempest Rose (and founder and perfumer Sarah McCartney's forthcoming collaboration with @joannechocolat new novel – a prequel to Chocolat!) Then there's two of the most artistically intriguing #listenerprescription questions we've ever had: one from Gemma Varnom – an actress soon to play Lady Macbeth, who's looking for a suitably powerful perfume to wear on stage; and another from a pianist about to give the performance of her life – seeking a scent that might echo the passion of the music while boosting her self-confidence. For Gemma (the actress portraying Lady Macbeth): @beaufortlondon Tonnere@zoologistperfumes Moth@andreamaack Coven @papillonartisanperfumes Spell 125@vallense Source For Astri (the concert pianist): @fredericmalle Portait of a Lady@frassai Blondine @ramonmonegal Flamenco Extrait de Parfum @lorchestreparfum Piano Santal

emocleW, emocleW, emocleW to the Distraction Pieces Podcast with Scroobius Pip!This is your bonus FRIDAY REWIND episode! Today, we catch up with Florence Pugh, originally episode 188 from 2018-02-07.Original writeup below!–––––––––––––––––––––––––––––––––––––––––––––A powerful conversation, full of energy and positivity and just pure satisfying goodness for your podcast enjoyment, as Pip and Florence get right down to it and cover everything from said favourite film Lady Macbeth (surely you've seen that by now and if not, amend that!), the subtle differences behind the scenes of indie and blockbuster films and merits of the former, the backlog of projects and the weirdness of doing promo several years after, her attitude towards nudity in film roles and how the media handles it versus how she handles it, her upcoming role as Paige in Fighting With My Family and the insane logistics of that, the dichotomy of murder on screen and nudity on screen and how it seems society in general is far more comfortable seeing violence, the female perspective as a director as opposed the male gaze, growing up in a loud family and her acting history and last but certainly not least, a pitch from she and Pip for a combined role in Peaky Blinders. How can they lose? One's thing's for sure - you won't, so get yourself comfy and listen in won't you!PIP'S PATREON PAGE if you're of a supporting natureIMDBINSTAGRAMPIP TWITCH • (music stuff)PIP INSTAGRAMSPEECH DEVELOPMENT WEBSTOREPIP TWITTERPIP IMDBPOD BIBLE Hosted on Acast. See acast.com/privacy for more information.

Dive into the darkness with BlinkOpera: Macbeth.  Soprano Sara Gartland—our electrifying Lady Macbeth—takes you inside Shakespeare's legendary tale of ambition and madness. From the witches' fateful prophecies to the bloody consequences of the pursuit of power, discover how Verdi's haunting score brings this dark drama to life.

Guilt and shame can provoke people to kill themselves, as Lady Macbeth did in Shakespeare's famous play. But we don't have to fall prey to the devil's lies. In this message from Hebrews 9, Pastor Lutzer gives us four truths that deliver from guilt and depression. We need hope, especially when everything is falling apart inside. To support this ministry financially, visit: https://www.oneplace.com/donate/172/29

Guilt and shame can provoke people to kill themselves, as Lady Macbeth did in Shakespeare's famous play. But we don't have to fall prey to the devil's lies. In this message from Hebrews 9, Pastor Lutzer gives us four truths that deliver from guilt and depression. We need hope, especially when everything is falling apart inside. This month's special offer is available for a donation of any amount. Get yours at https://rtwoffer.com or call us at 1-888-218-9337. 

Many feel trapped in their misery, seeing suicide as their only escape. Yet Christ offers hope and resources beyond our circumstances. In this message from Hebrews 9, Pastor Lutzer helps us grasp why the precious blood of Christ gives us a reason to live. No depression is so deep that any of us is without hope. To support this ministry financially, visit: https://www.oneplace.com/donate/172/29

Many feel trapped in their misery, seeing suicide as their only escape. Yet Christ offers hope and resources beyond our circumstances. In this message from Hebrews 9, Pastor Lutzer helps us grasp why the precious blood of Christ gives us a reason to live. No depression is so deep that any of us is without hope. This month's special offer is available for a donation of any amount. Get yours at https://rtwoffer.com or call us at 1-888-218-9337. 

Check out Cam's latest novel / audio drama here! Happy Valentine's Day, it's time to discuss the messiest love triangle of the decade! Cam argues that Challengers is an intricate restaging of Shakespeare's Macbeth — where no one is allowed to die. This wrinkle presents fresh insights about both works of art, and some creative character mapping reveals an unexpected, revelatory Lady Macbeth hiding in plain sight. Maggie analyzes the strategic deployment of color through the film, as it both clarifies and complicates the relationships between our three characters. She also takes a close look at the film's music and sound design, arguing that they act as a stand-in for absent characters and unrequited passions. LINKS: Patreon, YouTube, Spotify, Instagram Feedback & Theories: secondbreakfastpod@gmail.com

durée : 00:15:51 - Disques de légende du mardi 11 février 2025 - Lady Macbeth est l'une des œuvres les plus sordides du répertoire lyrique... Chef-d'œuvre de Chostakovitch, elle sera réprimée par censure stalinienne avant de revoir le jour, 25 ans après, dans une version très édulcorée...

Dans cet épisode on analyse le phénomène des retellings mythologiques qui ont envahis les librairies ces dernières années en se demandant s'ils apportent véritablement quelque chose à ces histoires où s'ils ne sont qu'un autre scam du capitalisme.La chaîne YouTube de Luna : https://www.youtube.com/@lunalitquoiLa chaîne YouTube de Enzo : https://www.youtube.com/@EnzoReadsInstagram : @enzoreads & @lunalitquoi Le podcast : https://www.instagram.com/livreslaughlove/Tiktok : https://www.tiktok.com/@livreslaughlovepo?lang=enSpotify : https://open.spotify.com/show/7v8cthhH5O72pXNo7hnhq1?si=03f6d0fcc0994fc0Livres mentionnés :- Lady Macbeth, Ava Reid- Circé, Madeline Miller- L'odysée, Homère- L'iliad, Homère- Le chant d'Achilles, Madeline Miller- Angels before man, rafael nicolás- Le voleur de foudre, Rick Riordan- L'odysée de Pénélope, Margaret Atwood- Lavinia, Ursula K. Le Guin- Electra, Jennifer Saint- Ariadne, Jennifer Saint- Les mémoires d'Adrien, Marguerite Youcenar- Le silence des vaincues, Pat Barker- Les femmes de Troyes, Pat Barker- Clitemnestra, Costanza Casati- Le banquet, Platon- L'aveuglement, José Saramago- Ces soleils ardents, Nincemon Fallé- Hello beautiful, Ann NapolitanoSources :https://www.youtube.com/watch?v=7tL3Pbc_zhUhttps://islandmag.com/read/who-owns-the-greek-myths-by-katerina-cosgrove

In this week's episode of Teaching My Cat to Read, we're entering into the world of Macbeth—a play packed with witches, ambition, and one very messy quest for power. Whether you're a fan of Shakespeare or just curious about all the drama, this episode is for you!We'll chat about those three witches and their prophecies, Macbeth and Lady Macbeth's wild journey from power couple to full-blown chaos executors, and why this tale still grips us in the modern day. So, grab a cuppa, cuddle up with your cat (or dog—we're not picky), and join us as we break down this iconic play. It's a breakdown of Shakespeare like you've never heard it before—fun, relatable, and maybe even a little spooky.Content WarningsMurder, child deathSupport the showRecommend us a Book!If there's a book you want to recommend to us to read, just send us a message/email and we'll pop it on our long list (but please read our review policy on our website first for the books we accept).Social MediaWebsite: https://teachingmycattoread.wordpress.com/Email: teachingmycattoread@gmail.comInstagram: https://www.instagram.com/teachmycat2read/Tumblr: https://teachingmycattoread.tumblr.comYoutube: https://www.youtube.com/channel/UCFXi9LNQv8SBQt8ilgTZXtQListener Surveyhttps://forms.gle/TBZUBH4SK8dez8RP9

Michael, Pax, and Rob wrap up this month's Lounge talking about Ghost Stories: Stephen Fry's Definitive Collection, Batman: Resurrection by John Jackson Miller, Lady Macbeth by Ava Reid, The Lord of the Rings: The War of the Rohirrim, Sure I'll Join Your Cult by Maria Bamford, what makes a good Sherlock Holmes pastiche, and more.

Dcn. Garlick, Dr. Frank Grabowski, and Thomas Lackey are reunited to discuss the first part of Agamemnon, the first play in Aeschylus' Oresteia. Check out thegreatbookspodcast.com for more information.From our written guide available to our supporters:The first play of the Oresteia tells of the homecoming of Agamemnon and is predominately animated by revenge. Aeschylus presents us with questions concerning the legitimacy of the Trojan war, how Argos has suffered without its king, and why Clytemnestra has plotted to murder her husband. Though chronologically Odysseus has not return home yet, one should compare this text to the Odyssey and Odysseus' own homecoming – written almost three hundred years prior by Homer. Aeschylus draws heavily from Homer but changes small but significant details, which creates a narrative that presents a profound lesson on the weaknesses of lex talionis as enacted by the blood avenger model. Throughout Agamemnon and into Libation Bearers, we are invited to consider whether a new model of justice is needed.I. The Opening: Unease and Gender Inversions (1)The play begins with an invocation to the gods, as will the following two plays. Through the watchman, Aeschylus communicates the time and setting to his audience in a manner typical of Greek drama. The watchman's opening monologue conveys a disquieting mood of fear and quiet dread. As observed, Lackey describes the opening as “a little eerie and a little bit off.” Notably, the watchman yearns for the return of Agamemnon, his king, and we note the king's absence has left the kingdom, Argos, in suffering (24, 37). One thinks here of the suffering of Ithaca without Odysseus in the Odyssey. The opening passages invites us to ask: “What has life been like in Argos over the past decade during the king's absence?” and “What is the effect of the empty throne of Argos upon its people?” From the outset, Aeschylus will play with gender roles and descriptions. Notice Clytemnestra, Agamemnon's wife, “maneuvers like a man” (13), while Agamemnon himself will be presented as effeminate. This thematic inversion invites readers to examine Aeschylus' pedagogical purpose for such language. As Dr. Grabowski observes, the toying with gender traits parallels Shakespeare's Macbeth, wherein Lady Macbeth similarly exhibits masculine qualities of ambition and dominance. As the play progresses, readers gain insight into life in Argos during Agamemnon's ten-year absence. The people long for an end to their suffering, for “an end to their pain” (23). Notably, Aeschylus allows us to see how Argos viewed the Trojan war (44), which is largely presented, at first, as a just war in which Agamemnon was the “great avenger” of Zeus punishing Troy for its violation of guest-friendship (45), i.e., Prince Paris absconding with Menelaus' wife, Helen. The reader should note whether Agamemnon's return starts to adjust this narrative....Check out our whole guide on the Oresteia.

Today on Art of the Cut we speak with Nick Emerson about editing Conclave, for which he's nominated for an ACE Eddie for Best Edited Feature Film, Dramatic/Theatrical. Nick has been on Art of the Cut before, when we discussed the film Emma. His other credits include the feature films Lady MacBeth, Eileen, and Greta, and TV series including The Life and Adventures of Nick Nickleby and Life After Life. This discussion includes - among other things - the importance of slowly “drip-feeding the story to the audience, the use of slo-mo to add weight and importance, and how and when to break the 180 degree rule. If you'd like to read along with this podcast and see some of the clips that we talk about, please check out: borisfx.com/blog/aotc

Lady Macbeth is best known to us as Shakespeare's scheming, sleepwalking villain. But, as with most of his so-called history plays, Shakespeare's version of the Macbeths is largely fictional.  Dr. Eleanor Janega talks to the best-selling crime writer - and Gone Medieval fan - Val McDermid who has dragged the truth about the real Queen Macbeth out of the shadows to reveal a woman caught up in the patriarchal prejudices and vicious political intrigues of her time.  Gone Medieval is presented by Dr. Eleanor Janega. The audio editor and producer is Rob Weinberg. The senior producer is Anne-Marie Luff.All music courtesy of Epidemic Sounds.Gone Medieval is a History Hit podcast.Sign up to History Hit for hundreds of hours of original documentaries, with a new release every week and ad-free podcasts. Sign up at https://www.historyhit.com/subscribe. You can take part in our listener survey here: https://uk.surveymonkey.com/r/6FFT7MK

In this episode of Editors on Editing, Glenn Garland interviews Nick Emerson.  Nick has edited such singular projects as Starred Up, I Am Not a Serial Killer, Lady Macbeth, Emma, Life After Life, Idiot Prayer and Eileen. Now he has brought his exceptional skills to the powerful film Conclave. Thanks again to ACE for partnering with us on this podcast, check out their website for more. Want to see more interviews from Glenn? Check out "Editors on Editing" here. The Art of the Frame podcast is available on Apple Podcasts, Spotify, Google Podcasts, Anchor and many more platforms. If you like the podcast, make sure to subscribe so you don't miss future episodes and, please leave a review so more people can find our show! --- Support this podcast: https://podcasters.spotify.com/pod/show/artofthecut/support

A drink, as much as it was songs and a group activity, wassail has been a traditional part of the Christmas season in England, and particularly a favorite of Twelfth Night celebrations, for centuries, including before and during the life of William Shakespeare. In Shakespeare's Macbeth, Lady Macbeth talks about wine and wassail going together to muddle up the brain, Falstaff mentions a wassail candle in Henry IV Part II, and three other references in Shakespeare's plays refer to wassail as something that happened at night and existed somewhere between a greeting and something that could lead to trouble. Here today to share with us the songs from Shakespeare's lifetime that were considered wassail songs, as well as to help us unravel the complicated history of what it meant to go wassailing from the house and how that's related to Christmas and even apple trees, is our guest and musical historian, Debi Simons.   Get bonus episodes on Patreon Hosted on Acast. See acast.com/privacy for more information.

While I was growing up, Gilda Cruz-Romo was a fixture on the stage of the Metropolitan Opera. At the time, I did not fully appreciate her, as I thought of her as a second-string singer on the roster. I saw her once on the Met tour as Desdemona opposite Jon Vickers, but for reasons none too flattering to me, I undervalued her. In recent years, however, I have completely revised my opinion, and now think that Gilda Cruz-Romo was both the most significant Mexican soprano ever to appear on the world's stages, but also simply one of the finest lirico-spinto sopranos of the twentieth centuries. Fortunately there are many people that agree with me, including some devoted fans who have posted an extraordinary number of live recordings of the artist on YouTube and elsewhere. And this is especially helpful because, incredibly, Cruz-Romo never made any commercial recordings. This episode fully explores the career and repertoire of our subject for today, and includes performances of the soprano in her core Verdi and Puccini repertoire (including such surprises as Odabella, Lady Macbeth, and Turandot!), as well as less expected forays into Mozart and bel canto. Throughout her virtues shine forth: a plangently beautiful voice with a particularly radiant top wedded to an incredibly secure technique, which afforded her enormous flexibility and coloratura facility. Added to this, and paramount to her artistry, is a dedication to her craft and to music which sweeps all before it and raises her work into the realm of the sublime. I think of this episode (the last completely new episode I'll be putting out this season) as a pre-birthday tribute, as the diva turns 85 years old on February 12, 2025. Other singers heard on the episode are tenors Carlo Bergonzi, Colenton Freeman, and John Alexander, and baritone Matteo Manuguerra; among the conductors are Zubin Mehta, Nicola Rescigno, Riccardo Muti, Peter Maag, and Julius Rudel. Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly or yearly support at whatever level you can afford.

Ben's film work includes: Lady Macbeth, Limbo, Disobedience, The Wonder, Scrapper, Conclave, and The Teacher, as well as the documentaries: 9/11: Phone Calls From The Towers and The Reason I Jump. Ben's television work includes: Prime Suspect, Merlin, The Lazarus Project, and War Of The Worlds.

Il giovedi è un giorno di festa. Evviva.Parenzo canta la Parisi... a tutti.Primo duello tra il capogruppo leghista Alessandro Verri e Annarita Briganti. Clima torrido.Seconda sfida col dottor Andrea Ruggeri.Si aggiunge un Enzo Spatalino in forma smagliante. Andremo all'analisi peniena con Parenzo in modalità tigre.Lorenzo Pezzotti, drag queen, invita re Spatalo al gay pride con i culetti di fuori.Lady Macbeth e il compagno dominano la scena bdsm. Lei calpesta, lui si fa schiacciare.

Nikolái Semionovich Leskov (Gorojovo, Orlov, 1851-San Petersburgo, 1895). Es uno de los escritores más heterodoxos y controvertidos de la literatura rusa. Destacan en su producción títulos como 'Vida de una mujer de pueblo' o la novela corta 'La pulga de acero'. 'Lady Macbeth de Mtsensk' se publicó en 1865. 

Does ambition have to be seen as corrupting, or like a kind of illness'? These are the questions the business writer Stefan Stern asks in his book, Fair or Foul: the Lady Macbeth Guide to Ambition. He argues that far from the cliché of a scheming wife, Shakespeare's Lady Macbeth demonstrates a more sophisticated understanding of human nature, that could help us navigate the pitfalls of ambition today.The playwright Zinnie Harris made Lady Macbeth the hero of her adaptation of the classic play last year. But now she's focused on the figure of The Duchess of Malfi, in a contemporary retelling. Played by the actor Jodie Whittaker, the Duchess defies her family's wishes and control, and asserts her own desires, with devastating results. The Duchess is on at the Trafalgar Theatre, London until 20th December.Mary Queen of Scots spent nearly two decades imprisoned under the orders of Elizabeth I. From her chambers she wrote countless letters, many of them in code. Now 400 years after her death a new cache of encrypted letters has been uncovered. Jade Scott, a historian and expert on Mary's correspondence, brings her captivity to life in Captive Queen: The Decrypted History of Mary, Queen of Scots. Producer: Katy Hickman

Two years ago for Halloween, I presented the first of my “Haunted Opera House” episodes. At the time, I had such a plethora of creepy musical material that I produced a bonus episode of material that otherwise would have ended up in the dung heap (like the body of Faust at the end of Schnittke's Faust Cantata, which closes the episode). We also hear music from Damn Yankees featuring the red-hot Gwen Verdon; Dvořák's Rusalka (a stunning duet with Teresa Stratas and Gwendolyn Killebrew); Respighi's comic opera Belfagor (in which a devil [Lajos Miller] encounters his superior in a cunning young woman [Sylvia Sass]; Ernest Bloch's Macbeth (in which Inge Borkh gives a luminous performance of Lady Macbeth's Sleepwalking Scene); Willem Pijper's strange musical drama based on the medieval legend of Halewijn, a Bluebeard of the Lowlands; La Chute de la Maison Usher, (the climax of Claude Debussy's incomplete opera based on Edgar Allan Poe's Fall of the House of Usher); and Antikrist, Rued Langgaard's unique, indescribable, and nearly unstageable mystery play. But it is Iva Bittová's gleefully deranged performance of Alfred Schnittke's gruesome Faust tango which will, I predict, find its way into your nightmares! Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly support at whatever level you can afford.

Eva Le Gallienne was a legend of the American stage - not only for her performances on Broadway but for her support of the development of off-Broadway and regional theatrical companies across the country. She made only one appearance on Suspense in "Phobia" (originally aired on CBS on June 26, 1947), where she played a wealthy wheelchair-bound woman with a fear of metal, a kleptomaniac sister, and a corpse in the house. Then she plays one of theatre's richest and most complex villainesses as Lady MacBeth in "MacBeth" from Great Plays (originally aired on NBC on July 12, 1953).

The Prime Minister's chief of staff Sue Gray has left her post and has been replaced by Morgan McSweeney. It's led some papers to claim "the lads have won this round". To discuss, Nuala McGovern is joined by Caroline Slocock, former civil servant and author of Margaret Thatcher and Me, which reflects on women and power. Actor Cush Jumbo has reprised the role of Lady Macbeth alongside David Tennant in Macbeth which has just transferred to the Harold Pinter theatre in London. She joins Nuala to discuss how she is approaching one of Shakespeare's most famous female characters. A recent government survey showed a sharp decline in the number of female-led businesses. Last year, only 15% of businesses employing fewer than 250 people were owned or led by women, down from 18% in 2022. Debbie Wosskow, serial entrepreneur and co-chair of the Invest in Women Taskforce, joins Nuala. Kate Mosse is soon to release The Map of Bones, the fourth and final instalment in her series of novels The Joubert Family Chronicles, which begin in 1562 and follow a persecuted Huguenot family, charting generations of courageous and resilient women. Adventurer Elise Wortley is following in the footsteps of forgotten female explorers… all whilst wearing the same, historically accurate clothing. She joins Nuala to tell her more about her mission. Presenter: Nuala McGovern Producer: Emma Pearce

Having garnered absolute power through bloody means, Empress Wu Zetian begins seeing apparitions, haunted by her violent schemes. With her husband incapacitated, the Empress at first held counsel on his behalf from behind a curtain. But she soon officially proclaimed herself a divine ruler. Working alongside a prominent Buddhist monk, she built temples and universities in China, creating a new holy land. Yet as the formidable leader enters her seventies, the guilt about how she got to this position begins to play on her conscience… Listen as Anita and William discuss how Empress Wu Zetian grew 7th century China into a Buddhist powerhouse.  survey.empirepoduk.com Twitter: @Empirepoduk Email: empirepoduk@gmail.com Goalhangerpodcasts.com Assistant Producers: Anouska Lewis and Evan Green Producer: Callum Hill Exec Producer: Neil Fearn Learn more about your ad choices. Visit podcastchoices.com/adchoices

On the afternoon of March 25, 1934, Belle Bradley found one of her tenants, forty-five-year-old Eric Madison, dead on the floor of the apartment he rented with his wife, Nellie. Madison had been shot in the back four times with a .32 caliber revolver and there was no sign of Nellie Madison, nor was there any evidence of a break-in or a robbery. In the days that followed, investigators quickly determined that Nellie had shot her husband and they tracked her to a remote cabin in northern California, where she was arrested and taken back to Los Angeles and charged with the murder.To the Los Angeles police and press, Nellie Madison was suspicious from the very start; not for any obvious reason or evidence against her, but because she openly defied the categories and characteristics used to define a wife and woman at the time. Although she was only thirty-three years old, she had been married five times and yet had no children. She also had a strong skillset from having worked many jobs, and having been raised on a farm in Montana, she was a skilled survivalist who had never needed the help of a man. Going into the murder trial, it was these facts, more than any physical evidence or witness testimony, that would count against her.After a two-week trial, Nellie Madison was found guilty for the murder of her husband and sentenced to death, making her the first woman to ever sit on death row in the state's history. However, Nellie's death sentence was hardly the end of her case; in fact, it was the turning point in the story that would finally bring the truth about Eric's death into the light.Thank you to the incredible Dave White of Bring Me the Axe Podcast for research!ReferencesCairns, Kathleen. 2005. "Saved From the Gallows." California Supreme Court Historical Society 5-14.—. 2007. The Enigma Woman: The Death Sentence of Nellie May Madison. Lincoln, NE: University of Nebraska Press.2015. A Crime to Remember. Television. Directed by Christine Connor. Accessed July 23, 2024.Los Angeles Evening Post-Record. 1934. "Calls woman Lady Macbeth." Los Angeles Evening Post-Record, June 20: 1.—. 1934. "Hint Madison is still alive." Los Angeles Evening Post-Record, June 13: 1.—. 1934. "Mrs. Madison facinc noose; plans appeal." Los Angeles Evening Post-Record, June 23: 1.—. 1934. "Self defense may be argued." Los Angeles Evening Post-Record, June 6: 1.—. 1934. "Widow unmoved by death story." Los Angeles Evening Post-Record, April 12: 7.Los Angeles Times. 1934. "Auditor found slain; wife hunted in inquiry." Los Angeles Times, March 26: 15.—. 1934. "Death clew hunt pushed." Los Angeles Times, April 1: 17.—. 1934. "Death plea hits widow." Los Angeles Times, June 20: 17.—. 1934. "Deatn case widow mum." Los Angeles Times, Marchh 27: 19.—. 1934. "Doubt cast on identity." Los Angeles Times, June 14: 17.—. 1934. "Madison may be exhumed." Los Angeles Times, June 16: 13.—. 1934. "Second pistol bought by Mrs. Madison hunted in mysrtery murder case." Los Angeles Times, March 28: 5.—. 1934. "Slaying of mate denied." Los Angeles Times, June 15: 36.—. 1934. "Widow veils death tale." Los Angeles Times, March 28: 17.Rasmussen, Cecilia. 2007. "Unwitting pioneer of the battered-woman defense." Los Angeles Times, February 4.The People of California v. Nellie May Madison. 1935. 3826 (Supreme Court of the State of California, May 27).Underwood, Agness. 1934. "Widow weeps when held in murder quiz." Los Angeles Evening Post-Record, March 29: 1.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

This week, Liberty and Vanessa discuss Never Saw Me Coming, Lady Macbeth, The Seventh Veil of Salome, and more great books! Subscribe to All the Books! using RSS, Apple Podcasts, or Spotify and never miss a book. Sign up for the weekly New Books! newsletter for even more new book news. Learn something new, sharpen your skills, and expand your horizons with our Better Living Through Books newsletter. Better Living Through Books is your resource for reading material that helps you live the life you want. From self-help to cookbooks to parenting to personal finance, relationships, and more, Better Living Through Books has got you covered. If it's part of life, it can be part of your reading life. That's what Better Living Through Books is all about. Visit bookriot.com/betterliving to subscribe for free, or become an All Access member starting at $6 per month or $60 per year and get unlimited access to members-only content in 20+ newsletters, community features, and the warm fuzzies knowing you are supporting independent media. This content contains affiliate links. When you buy through these links, we may earn an affiliate commission. Books Discussed On the Show: Never Saw Me Coming: How I Outsmarted the FBI and the Entire Banking System—and Pocketed $40 Million by Tanya Smith Lady Macbeth by Ava Reid Zero Stars, Do Not Recommend by MJ Wassmer  Queen B by Juno Dawson How to Leave the House by Nathan Newman  The Seventh Veil of Salome by Silvia Moreno-Garcia Drawn Testimony: My Four Decades as a Courtroom Sketch Artist by Jane Rosenberg The Dark We Know by Wen-yi Lee For a complete list of books discussed in this episode, visit our website. Learn more about your ad choices. Visit megaphone.fm/adchoices