Podcasts about Lady Macbeth

This week on From the Front Porch, it's a Literary Therapy session! Our literary Frasier Crane, Annie, is back to answer more of your reading questions and dilemmas. If you have a question you would like Annie to answer in a future episode, you can leave us a voicemail here. To purchase the books mentioned in this episode, stop by The Bookshelf in Thomasville, visit our website (search episode 530) or download and shop on The Bookshelf's official app: Melinda's voicemail: Show Don't Tell by Curtis Sittenfeld Five Tuesdays in Winter by Lily King Games & Rituals by Katherine Heiny (unavailable to order) Heating & Cooling by Beth Ann Fennelly (unavailable to order) I Guess I Haven't Learned That Yet by Shauna Niequist Take Good Care of the Garden and the Dogs by Heather Lende The Book of Delights by Ross Gay Here for It by R. Eric Thomas You Could Make This Place Beautiful by Maggie Smith Jessica's voicemail: Tim Johnston Stuart Turton Andy Weir Jeff Vandermeer Peng Shepherd Devolution by Max Brooks Light from Uncommon Stars by Ryka Aoki The Ferryman by Justin Cronin The Gone World by Tom Sweterlitsch The Fold by Peter Clines (unavailable to order) How to Live Safely in a Science Fiction Universe by Charles Yu Emily St. John Mandel Hailey's voicemail: The Women by Kristin Hannah The Last Love Note by Emma Grey Dept. of Speculation by Jenny Offill Brood by Jackie Polzin (unavailable to order) Forty Rooms by Olga Grushin (unavailable to order) The Wedding People by Alison Espach Shark Heart by Emily Habeck In Praise of Slowness by Carl Honore Olive, Again by Elizabeth Strout Dinosaurs by Lydia Millet Talia's voicemail: Lady MacBeth by Ava Reid Hide by Kiersten White Lucy, Undying by Kiersten White From the Front Porch is a weekly podcast production of The Bookshelf, an independent bookstore in South Georgia. You can follow The Bookshelf's daily happenings on Instagram, Tiktok, and Facebook, and all the books from today's episode can be purchased online through our store website, www.bookshelfthomasville.com.  A full transcript of today's episode can be found here. Special thanks to Dylan and his team at Studio D Podcast Production for sound and editing and for our theme music, which sets the perfect warm and friendly tone for our Thursday conversations.  This week, Annie is listening to Great Big Beautiful Life by Emily Henry. If you liked what you heard in today's episode, tell us by leaving a review on Apple Podcasts. You can also support us on Patreon, where you can access bonus content, monthly live Porch Visits with Annie, our monthly live Patreon Book Club with Bookshelf staffers, Conquer a Classic episodes with Hunter, and more. Just go to patreon.com/fromthefrontporch. We're so grateful for you, and we look forward to meeting back here next week. Our Executive Producers are...Beth, Stephanie Dean, Linda Lee Drozt, Ashley Ferrell, Wendi Jenkins, Martha, Nicole Marsee, Gene Queens, Cammy Tidwell, Jammie Treadwell, and Amanda Whigham.

Dr. Andrew Torchia, medical director at Heart of Chelsea Veterinary Group in New York City, shares some savvy tips on how to keep your cat and dog at healthy weights, engage in meaningful play and much more. Dr. Torchia shares his home with a pair of playful felines named Mango and Lady MacBeth. Tune in me-NOW! EPISODE NOTES: Bring Out the Healthy Best in Your Pet with Dr. Andrew Torchia

ISMENIA MENDES joined host NATHAN WINKELSTEIN, Red Bull's Associate Artistic Director, for a conversation focused on Lady Macbeth–a role that she played to great acclaim in our 2019 production of MAC BETH. They discussed the challenges and rewards of playing one of Shakespeare's most iconic leading women and she read an excerpt of Act 1 Scene 7: "Was the hope drunk wherein you dressed yourself?". (5/9/2022)

Send us a textTo commemorate Shakespeare's 461st Birthday, I am very happy to bring on to the Fixate & Binge Podcast, HANNAH YOUNG, a native of Stratford-on-Avon, the home of Shakespeare. Hannah is a classically trained actress who has performed extensively with the Royal Shakespeare Company over several seasons in her career. She features as Lady Macbeth in Cheek by Jowl's film ‘Acting' which is premiered this weekend in London's The Barbican Centre, and has also worked at the National Studio in London and in several West End productions.In this episode, Hannah shares her first experiences with Shakespeare, growing up in Stratford-on-Avon, recounting her work on the stage with stage and screen legends. She illuminates how she approaches her characters, and uses the text itself to explore clues and ideas about her portrayals for audiences.If you're a casual fan of Shakespeare, a budding academic, a Bardolater, or terrified of experiencing Shakespeare for the first time -- this is the perfect podcast  to hear from Hannah on how best to approach the immortal Bard.In this podcast, I also provide a spoiler-free review of Alex Garland and Ray Mendoza's film WARFARE -- currently in theaters and well-worth the price of admission to experience on the big screen!Thank you for listening! You can find and follow us with the links below!Read our Letterboxd reviews at:https://letterboxd.com/fixateandbinge/Follow us on Instagram at:https://www.instagram.com/fixateandbingepodcast/?hl=msFollow us on TikTok at:https://www.tiktok.com/@fixateandbingepodcastVisit our website at:https://fixateandbingepodcast.com/

PopaHALLics #141 "Sing Me a Song"A folk duo's pricey gig for one rich prerson. A utopian paradise hiding a dark secret. A serial killer tale: Is it real true-crime or made-up horror? And who IS Kate's favorite Mr. Darcy in "Pride & Prejudice"?Theaters:"The Ballad of Walllis Island," written by Tim Key and Tom Basden and directed by James Griffiths. An eccentric lottery winner (Key) recruits his favorite musical duo (Basden and Carey Mulligan) to play a private concert on his remote island home in this British comedy/drama. But old feelings and tensions threaten his dream gig.Streaming:"Paradise," Hulu. In this political thriller set in an underground bunker after a doomsday event, a Secret Service agent (Sterling K. Brown) comes under suspicion of killing the President of the United States (James Marsden) "Slow Horses," Apple TV.+  In the riveting third season of this spy thriller, the MI5 rejects at Slough House must find the abducted Catherine Standish (Saskia Reeves) and a sensitive file. All six episodes of the fourth season about the search for a London bomber are available."Pride and Prejudice" (2005), available on Netflix, Prime, Apple TV+, etc. Keira Knightley and Matthew Macfadyn star in Jane Austen's classic tale of the turbulent relationship between Elizabeth Bennet, the daughter of a country gentleman, and Fitzwilliam Darcy, a rich aristocratic landowner. Books:"Chasing the Boogeyman," by Richard Chizmar. The author narrates, first-person, how a serial killer terrorized his small Maryland hometown. But is this gripping story true crime or horror fiction? Compelling, creative, and scary."Lady MacBeth," by Ava Reid. In this reimagining of Shakespeare's most famous villainess, the Lady has a voice, a past, and witchy powers she needs to survive her husband, a Scottish brute, and his hostile court.The John Milton thriller series, by Mark Dawson. One of the world's deadliest assassins tries to give it up and help people as a way of making amends to those he killed. The British government who "created" him wants him dead. Jack Reacher fans will find a lot to like in this series (24-some books)."Drive Your Plow Over the Bones of the Dead," by Olga Tokarczuk. An eccentric recluse on the Czech/Polish border becomes convinced she knows why dead bodies keep turning up around her. Winner of the Nobel Prize for Literature.Music:PopaHALLics #141 Playlist (Wallis Island)  features the folky music of the film "The Ballad of Wallis Island."Click through the links above to wat

We check in with Rebekah this week for the first time since hiding away with baby Hope and - uh oh - starlings are checking in on her too! At the compound, Klaus works with Marcel to convince Koleb and Finncent to reconsider alliances. Davina, annoyed at Kol's kidnapping, actually does put Klaus down, but then immediately gets a taste of the mercurial Mikaelson brotherly bond. Elijah heads out to intercept Rebekah and baby Hope, but his Lady Macbeth vibe freaks Rebekah out. Meanwhile, Hayley finds a way to protect the wolves, and it involves a wedding and (of course) an ancient ritual that seems suspicious at best. Remember to rate, review, and share, brothers!Follow us on Instagram and TikTok @doppelgangerspodcast!

durée : 01:28:01 - En pistes ! du vendredi 11 avril 2025 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Que ce soit dans Tosca de Puccini, Lady MacBeth de Chostakovitch ou encore dans le lied L'amour et la vie d'une femme de Schumann, place aux voix féminines dans cette émission. A retrouver aussi : une symphonie signée Wynton Marsalis, le Versailles du 17ème mis en musique au clavecin...

durée : 01:28:01 - En pistes ! du vendredi 11 avril 2025 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Que ce soit dans Tosca de Puccini, Lady MacBeth de Chostakovitch ou encore dans le lied L'amour et la vie d'une femme de Schumann, place aux voix féminines dans cette émission. A retrouver aussi : une symphonie signée Wynton Marsalis, le Versailles du 17ème mis en musique au clavecin...

Ava Roy grew up in rural Western Massachusetts, in an area rich in literature and theater. Ava met Ann Podlozny back east before Ava came to California to attend Stanford, which is where she created a theater production group. Today, Ava is the founding artistic director of We Players, a 25-year-old theater company based in San Francisco. Ann, who'll play Lady Macbeth in an upcoming, all-woman production of Macbeth, is based in London and came back to be in the play and to support her friend Ava in whatever way she can. While at Stanford, Ava let her art play, in the sense of public displays such as throwing banners off the clock tower and tying bodies to sculptures around campus. She discovered that art would be her life's work, not just a hobby. One idea she had while in Palo Alto was to do a production of Shakepeare's Romeo and Juliet held all around the Stanford campus. It was a success, as the audience grew and grew as it moved around, picking up more and more people along the way. Ava was able to turn this type of theater into an independently designed major. After graduating, she moved to the East Bay and started doing theater productions there and in The City. She started partnering with the National Park Service (NPS) in 2008 and then with SF Recreation and Parks in 2018. Ava's first production at Fort Point, the Civil War-era fort under the southern base of the Golden Gate Bridge, was in 2008. From 2009 to 2011, she had a three-year residency on Alcatraz, further deepening her relationship with the NPS. In 2013, she kicked off Macbeth at Fort Point. But a funny thing happened—a government shutdown that year effectively ended that run under the bridge. Fast-forward nearly a decade, and the NPS reached out to see whether Ava and We Players were interested in trying again to produce Macbeth at Fort Point. That brings us to the present day. Ava's friend Ann had left theater and had been working in movies. She'd also been taking epic walks—as in hundreds of miles at a time, all over the world. She was on one of these walks when she and Ava connected over Zoom and Ann offered to play the part of Lady Macbeth to Ava's Macbeth in We Players' upcoming production. Ann would not only play one of the two major roles in the play, but she would also be there for Ava to help with various aspects of putting it all together, including casting. It was somewhere in this time that the decision was made for this to be an all female-identifying and non-binary cast. We Players is run and was founded by women, but they hadn't done a production with a cast like this before. It was 2024, before the election. It just felt right. Ann and Ava talk about the themes of Macbeth and how they relate to the current times we're in, no matter who we are. Ava touches on how important it is for her to foster a caring, kind, nurturing environment among her cast members, and how poignant that is for such a violent play like Macbeth. Then we pivot to talk about how times have changed, 10 years removed from the last time they did this at Fort Point, and how they have not. Ava also describes what it's like inside of Fort Point, something we in San Francisco might not all know about. One point they want to emphasize for anyone who comes to see their show—it's cold as hell, even by SF standards. We Players' production of Macbeth at Fort Point opens on April 11 and runs through May 18. All shows start at 6 p.m., Thursday through Sunday (with a few exceptions), rain or wind (duh) or shine. Tiered tickets (for equitable access) are available at the We Players website. We recorded this episode in the Gramercy Towers in March 2025. Photography by Jeff Hunt

Avui hem sentit: "Lady Macbeth de Mtsensk" (fragments); Simfonia n

Hannah's been busy grinding out elementary school book fairs (drug-dealer mentality for the win), so the John Updike's Ghost podcast has put in a call to the bullpen, and out walks ... Cyndle Plaisted Rials! Cyndle is a writer and creative writing teacher who teamed with Sam on a book earlier this year, as well as the Beer & Weed project, so you know she's ready to go. She has not, however, read "To Kill a Mockingbird" or "Of Mice and Men," so weird stuff is on the way.  Here's what she and Sam had to chat about this week: - "All the Pretty Horses," by Cormac McCarthy — Sam has never read this, but it's awesome. If you've never read it, you should do it now. Just be prepared for very few commas.  - "Lady Macbeth," by Ava Reid — Cyndle finds this a little better than Shakespeare's historical works, anyway. It's a little bit of a "Wicked" situation and it might help to read the original; what is Lysander doing in this book? Decent audiobook.  - "Pickleballers," by Ilana Long — A racy book about people who play pickleball and like to bang. Sam laughed a few times, but didn't manage to finish this. Still, if you like romantic comedies, this is fine.  - "Rejection," by Tony Tulathimutte — You might have seen the story "The Feminist"? That's the lead story in this collection, which is a serious collection of bad dudes. And hyper-online.

Some interviews are longgggggg overdue and this WKXL NH Unscripted episode with Emily Karel (Glass Dove Productions) is one such interview. How I went so long with having her into the studio I'll never know. Amazingly talented and brilliant she absolutely gives us a masterclass on how to provide a backstory for a character using Lady Macbeth as her example. We also talk about the pressure of performing solo on stage and a heckuva lot more!

Some interviews are longgggggg overdue and this one with Emily Karel (Glass Dove Productions) is one such interview. How I went so long with having her into the studio I'll never know. Amazingly talented and brilliant she absolutely gives us a masterclass on how to provide a backstory for a character using Lady Macbeth as her example. We also talk about the pressure of performing solo on stage and a heckuva lot more!

Welcome back to Play Big! Emma Race and Rana Hussain are starstruck and taking notes from a lineup of game-changers, covering everything from modern-day sports leadership to the standing rule mystery. In this episode: Kate McCarthy breaks down the latest sports news and opens up about her life-changing ADHD diagnosis. Plus, she settles the “standing rule” mystery.Belinda Clark AO looks ahead to the future of cricket and gives a masterclass on modern-day leadership and when to say yes.Bobby McCumber speaks to the rise of women in both sports and comedy.Fernwood Fitness regular turned General Manager, Amanda Magnabosco shares her story.And… if Lady Macbeth was a WD, who's filling out the rest of the team?Play Big - created in collaboration with the Office for WomenDownload the Broad Radio app to listen live. Hosted on Acast. See acast.com/privacy for more information.

Send us a textPlaywright Megan Gogerty streamed into the Playwright's Spotlight right before the opening of her one-woman show and reimagining of the story of Beowulf. It's a fascinating episode with tons of wisdom to take in, unpack, and apply. We discuss one-person adaptations and letting the play be itself, the importance of intuition, the use of two ideas that collide, and knowing what the question is. We delve into the structure of a one-person vs multi-actor piece, the structure of a one-person show, the audience as another character, smaller markets and selling widgets, who you vs who knows you, accessibility, gatekeeping, and asking for permission, and the role of the audience and making them ask questions. The more this podcast grow, the more every episode offers something new. Megan delivers. Enjoy. AND, if you're in the LA area be sure to catch the West Coast premiere of her production FEAST at The Count's Den through April 6th through the ticket link below -https://events.immersiveartcollective.org/events/immersiveartcollective/1511665Megan Gogerty is a playwright and comedian. Her solo show Lady Macbeth and her Pal, Megan played at the Edinburgh Fringe Festival and won the Audience Pick of the Fringe at the Cincinnati Fringe Festival. Her play Bad Panda (Theatre Without Borders, Beijing; Iron Crow Theatre Co.; WordBRIDGE Boomerang Playwright honoree) is published by Original Works Publishing and was translated into Spanish for a five-month run at Del Teatro Milan in Mexico City. The Atlanta Journal-Constitution listed her solo show Hillary Clinton Got Me Pregnant in their yearly Top Ten Best Plays. Megan's musical drama Love Jerry was produced in the New York Musical Theatre Festival where it won three Talkin' Broadway Citations and four NYMF Excellence Awards including Excellence in Writing. She was a Playwright's Center Jerome Fellow, A WordBRIDGE alum, and earned her MFA in Playwriting from the University of Texas at Austin. She currently teaches playwriting at the University of Iowa and is a regularly returning visiting-faculty for the Playwright's Lab at Hollins University.For tickets to FEAST through April 6th, 2025, visit - https://events.immersiveartcollective.org/events/immersiveartcollective/1511665To watch the video format of this episode, visit - https://youtu.be/ZJBqlXMom-8Links to resources mentioned in this episode -Know Theatre of Cincinnati - https://www.knowtheatre.comWalking Shadow Theatre Company - https://www.walkingshadow.orgLenaea High School Theatre Festival - https://www.lenaea.orgMoving Arts - https://movingarts.orgOriginal Works Publishing - https://www.originalworksonline.comNew Play Exchange - http://newplayexchange.orgWebsite and Socials for Megan Gogerty -Website - www.megangogerty.comBlueSky - @megangogertyTikTok - @megangogertyWebsites and socials for James Elden, PMP, and Playwright's Spotlight -Punk Monkey Productions - www.punkmonkeyproductions.comPLAY Noir -www.playnoir.comPLAY Noir Anthology –www.punkmonkeyproductions.com/contact.htmlJames Elden -Twitter - @jameseldensauerIG - @alakardrakeFB - fb.com/jameseldensauerPunk Monkey Productions and PLAY Noir - Twitter - @punkmonkeyprods                  - @playnoirla IG - @punkmonkeyprods       - @playnoir_la FB - fb.com/playnoir        - fb.com/punkmonkeyproductionsPlaywright's Spotlight -Twitter - @wrightlightpod IG - @playwrights_spotlightPlaywriting services through Los Angeles Collegiate Playwrights Festivalwww.losangelescollegiateplaywrightsfeSupport the show

On March 18, 1925, a massive tornado (that would become known as the Tri-State Tornado) touched down in parts of Missouri, Illinois, and Indiana. It would go down in history as the world's deadliest tornado. What else was making headlines on such a horrible day?SOURCES“Advertisement: Pacific Gas and Electric Company (Page 2).” Daily Gazette (Martinez, California), March 18, 1925. www.newspapers.com.“Annapolis, Missouri.” Wikipedia, May 11, 2024.https://en.wikipedia.org/wiki/Annapolis,_Missouri. “Arrest Neponset Man As Jack the Hugger.” The Boston Globe (Boston, Massachusetts), February 3, 1925. www.newspapers.com.Associated Press. “Rules Shepherd Is McClintock's Heir.” The Decatur Daily Review (Decatur, Illinois), October 28, 1926. www.newspapers.com.Blakemore, Erin. “The Deadliest Tornado in US History Blindsided the Midwest in 1925.” History.com. Accessed October 8, 2024.https://www.history.com/news/deadliest-tornado-tri-state-1925-united-states. “Chronology of McClintock Murder Case.” Streator Daily Free Press (Streator, Illinois), May 26, 1925. www.newspapers.com.Gibbons, Roy J. “Free Press Reporter Spends Day In Jail With Shepherd.” Streator Daily Free Press (Streator, Illinois), May 26, 1925. www.newspapers.com.“He Hugged Two At Once.” The Tribune (Scranton, Pennsylvania), June 29, 1925. www.newspapers.com.“Home Folk Will Not Believe Mrs. Shepherd a ‘Lady MacBeth.'” Streator Daily Free Press (Streator, Illinois), May 26, 1995. www.newspapers.com.“Jack the Hugger.” The Evening Courier (Camden, New Jersey), December 15, 1925. www.newspapers.com.“Law Forges Strong Chain Around William Shepherd Accused of Murdering Last of McClintock Family to Get Great Fortune Which Some Say Carries Curse.” The Brooklyn Eagle (Brooklyn, New York), March 22, 1925. www.newspapers.com.“Mother and Baby Blown to Tree Top by Tornado, but Escape by Miracle.” The Commercial Appeal (Memphis, Tennessee), March 20, 1925. www.newspapers.com.“Police Seek Hugger After Two Attacks.” Wilkes-Barre Times Leader (Wilkes-Barre, Pennsylvania), March 18, 1925. www.newspapers.com.“Several Reported Killed By Tornado at Annapolis, MO.” Springfield Leader and Press (Springfield, Missouri), March 18, 1925. www.newspapers.com.“Three Held, Others Sought in Mine Blast; Little Hope Held for 34 Men.” Pittsburgh Post-Gazette (Pittsburgh, Pennsylvania), March 19, 1925. www.newspapers.com.“Tornado, Fire, Flood, and Mine Disasters Take Big Toll In Day.” Pittsburgh Post-Gazette (Pittsburgh, Pennsylvania), March 10, 1925. www.newspapers.com.United Press.“Shepherd Given Freedom Under Bond As Jury Acquits Him of Charge of Murder.” Belvidere Daily Republican (Belvidere, Illinois), June 27, 1925. www.newspapers.com.US Department of Commerce, NOAA. “1925 Tornado.” National Weather Service, March 5, 2015. https://www.weather.gov/pah/1925Tornado_iq. US Department of Commerce, NOAA. “1925 Tornado.” National Weather Service, March 5, 2015.https://www.weather.gov/pah/1925Tornado_ss. “William Darling ‘Darl' Shepherd .” Find a Grave. Accessed October 8, 2024. https://www.findagrave.com/memorial/203215798/william-darling-shepherd. SOUND SOURCESAl Jolson. “I'll Say She Does.” www.pixabay.com/music.Lucille Hegamin and The Dixie Daisies.“Cold Winter Blues.” www.pixabay.com/music.Sophie Tucker. “Reuben Rag.” www.pixabay.com/music.

emocleW, emocleW, emocleW to the Distraction Pieces Podcast with Scroobius Pip!This is your bonus FRIDAY REWIND episode! Today, we catch up with Cosmo Jarvis, originally episode 316 from 2020-03-11.Original writeup below!–––––––––––––––––––––––––––––––––––––––––––––Following on perfectly from last week's episode with Niamh Algar, in that she and Cosmo star in ‘Calm With Horses', which is coming to cinemas very soon - the perfect follow on episode right here! You may know Cosmo from his starring turns in Lady Macbeth, or maybe Peaky Blinders - his presence leaves a long lasting impression in whatever you will see him in, and it's a treat to hear him talk about the craft and hear his insights into it, especially when mirrored with Pip's. So kicking things off with some good pizza chat up-top, we lead effortlessly into his dealings with type 1 diabetes, which blossoms into the power of encouragement and learning on the job, life changing moments which somehow don't change life, the ease of dipping your toe into the creative output pool and whether it's a good thing or not, indeed the forthcoming Calm With Horses, and loads of respectful talk about his co-stars and actors / directors he's worked with. Excellent stuff, great to hear from him!PIP'S PATREON PAGE if you're of a supporting natureIMDBINSTAGRAMSHOGUNPIP TWITCH • (music stuff)PIP INSTAGRAMSPEECH DEVELOPMENT WEBSTOREPIP TWITTERPIP IMDBPOD BIBLE Hosted on Acast. See acast.com/privacy for more information.

This week, you join us for a fragrant journey through a scented sleepover and a quest to find perfect perfumes for an actress playing Lady Macbeth, & a concert pianist (no less!) We're talking about the delicate allure of Roger & Gallet Osmanthus, the olfactive grandeur of Amouage Epic Woman, and the operatic drama of Merchant of Venice Maria Callas. We'll also explore the tempestuous beauty of 4160 Tuesdays Tempest Rose and tease an exciting upcoming collaboration with author Joanne Harris. But that's not all! We tackle two intriguing listener prescriptions that will captivate your imagination. An actress seeks a powerful scent to embody Lady Macbeth on stage, while a pianist desires a fragrance to echo her passionate performance and boost her confidence. From smoky gunpowder to mossy forests, we explore scents that evoke strength, witchery, and wild nature. Prepare to be spellbound by fragrances that transport you to moonlit covens, ancient ceremonies, and the very essence of power. Whether you're stepping onto the stage or into your own spotlight, this episode promises to awaken your senses and inspire your inner performer. Don't miss this aromatic adventure that blends intrigue, Shakespeare, music, and the transformative power of perfume. Tune in and let your imagination run wild... We discuss: @kga_beauty_pr #kgascentedsleepover @rogergallet Osmanthus @amouageofficial Epic Woman @themerchantofvenice Maria Callas @4160tuesdays Tempest Rose (and founder and perfumer Sarah McCartney's forthcoming collaboration with @joannechocolat new novel – a prequel to Chocolat!) Then there's two of the most artistically intriguing #listenerprescription questions we've ever had: one from Gemma Varnom – an actress soon to play Lady Macbeth, who's looking for a suitably powerful perfume to wear on stage; and another from a pianist about to give the performance of her life – seeking a scent that might echo the passion of the music while boosting her self-confidence. For Gemma (the actress portraying Lady Macbeth): @beaufortlondon Tonnere@zoologistperfumes Moth@andreamaack Coven @papillonartisanperfumes Spell 125@vallense Source For Astri (the concert pianist): @fredericmalle Portait of a Lady@frassai Blondine @ramonmonegal Flamenco Extrait de Parfum @lorchestreparfum Piano Santal

emocleW, emocleW, emocleW to the Distraction Pieces Podcast with Scroobius Pip!This is your bonus FRIDAY REWIND episode! Today, we catch up with Florence Pugh, originally episode 188 from 2018-02-07.Original writeup below!–––––––––––––––––––––––––––––––––––––––––––––A powerful conversation, full of energy and positivity and just pure satisfying goodness for your podcast enjoyment, as Pip and Florence get right down to it and cover everything from said favourite film Lady Macbeth (surely you've seen that by now and if not, amend that!), the subtle differences behind the scenes of indie and blockbuster films and merits of the former, the backlog of projects and the weirdness of doing promo several years after, her attitude towards nudity in film roles and how the media handles it versus how she handles it, her upcoming role as Paige in Fighting With My Family and the insane logistics of that, the dichotomy of murder on screen and nudity on screen and how it seems society in general is far more comfortable seeing violence, the female perspective as a director as opposed the male gaze, growing up in a loud family and her acting history and last but certainly not least, a pitch from she and Pip for a combined role in Peaky Blinders. How can they lose? One's thing's for sure - you won't, so get yourself comfy and listen in won't you!PIP'S PATREON PAGE if you're of a supporting natureIMDBINSTAGRAMPIP TWITCH • (music stuff)PIP INSTAGRAMSPEECH DEVELOPMENT WEBSTOREPIP TWITTERPIP IMDBPOD BIBLE Hosted on Acast. See acast.com/privacy for more information.

Dive into the darkness with BlinkOpera: Macbeth.  Soprano Sara Gartland—our electrifying Lady Macbeth—takes you inside Shakespeare's legendary tale of ambition and madness. From the witches' fateful prophecies to the bloody consequences of the pursuit of power, discover how Verdi's haunting score brings this dark drama to life.

Guilt and shame can provoke people to kill themselves, as Lady Macbeth did in Shakespeare's famous play. But we don't have to fall prey to the devil's lies. In this message from Hebrews 9, Pastor Lutzer gives us four truths that deliver from guilt and depression. We need hope, especially when everything is falling apart inside. To support this ministry financially, visit: https://www.oneplace.com/donate/172/29

Guilt and shame can provoke people to kill themselves, as Lady Macbeth did in Shakespeare's famous play. But we don't have to fall prey to the devil's lies. In this message from Hebrews 9, Pastor Lutzer gives us four truths that deliver from guilt and depression. We need hope, especially when everything is falling apart inside. This month's special offer is available for a donation of any amount. Get yours at https://rtwoffer.com or call us at 1-888-218-9337. 

Many feel trapped in their misery, seeing suicide as their only escape. Yet Christ offers hope and resources beyond our circumstances. In this message from Hebrews 9, Pastor Lutzer helps us grasp why the precious blood of Christ gives us a reason to live. No depression is so deep that any of us is without hope. To support this ministry financially, visit: https://www.oneplace.com/donate/172/29

Many feel trapped in their misery, seeing suicide as their only escape. Yet Christ offers hope and resources beyond our circumstances. In this message from Hebrews 9, Pastor Lutzer helps us grasp why the precious blood of Christ gives us a reason to live. No depression is so deep that any of us is without hope. This month's special offer is available for a donation of any amount. Get yours at https://rtwoffer.com or call us at 1-888-218-9337. 

Check out Cam's latest novel / audio drama here! Happy Valentine's Day, it's time to discuss the messiest love triangle of the decade! Cam argues that Challengers is an intricate restaging of Shakespeare's Macbeth — where no one is allowed to die. This wrinkle presents fresh insights about both works of art, and some creative character mapping reveals an unexpected, revelatory Lady Macbeth hiding in plain sight. Maggie analyzes the strategic deployment of color through the film, as it both clarifies and complicates the relationships between our three characters. She also takes a close look at the film's music and sound design, arguing that they act as a stand-in for absent characters and unrequited passions. LINKS: Patreon, YouTube, Spotify, Instagram Feedback & Theories: secondbreakfastpod@gmail.com

durée : 00:15:51 - Disques de légende du mardi 11 février 2025 - Lady Macbeth est l'une des œuvres les plus sordides du répertoire lyrique... Chef-d'œuvre de Chostakovitch, elle sera réprimée par censure stalinienne avant de revoir le jour, 25 ans après, dans une version très édulcorée...

Dans cet épisode on analyse le phénomène des retellings mythologiques qui ont envahis les librairies ces dernières années en se demandant s'ils apportent véritablement quelque chose à ces histoires où s'ils ne sont qu'un autre scam du capitalisme.La chaîne YouTube de Luna : https://www.youtube.com/@lunalitquoiLa chaîne YouTube de Enzo : https://www.youtube.com/@EnzoReadsInstagram : @enzoreads & @lunalitquoi Le podcast : https://www.instagram.com/livreslaughlove/Tiktok : https://www.tiktok.com/@livreslaughlovepo?lang=enSpotify : https://open.spotify.com/show/7v8cthhH5O72pXNo7hnhq1?si=03f6d0fcc0994fc0Livres mentionnés :- Lady Macbeth, Ava Reid- Circé, Madeline Miller- L'odysée, Homère- L'iliad, Homère- Le chant d'Achilles, Madeline Miller- Angels before man, rafael nicolás- Le voleur de foudre, Rick Riordan- L'odysée de Pénélope, Margaret Atwood- Lavinia, Ursula K. Le Guin- Electra, Jennifer Saint- Ariadne, Jennifer Saint- Les mémoires d'Adrien, Marguerite Youcenar- Le silence des vaincues, Pat Barker- Les femmes de Troyes, Pat Barker- Clitemnestra, Costanza Casati- Le banquet, Platon- L'aveuglement, José Saramago- Ces soleils ardents, Nincemon Fallé- Hello beautiful, Ann NapolitanoSources :https://www.youtube.com/watch?v=7tL3Pbc_zhUhttps://islandmag.com/read/who-owns-the-greek-myths-by-katerina-cosgrove

In this week's episode of Teaching My Cat to Read, we're entering into the world of Macbeth—a play packed with witches, ambition, and one very messy quest for power. Whether you're a fan of Shakespeare or just curious about all the drama, this episode is for you!We'll chat about those three witches and their prophecies, Macbeth and Lady Macbeth's wild journey from power couple to full-blown chaos executors, and why this tale still grips us in the modern day. So, grab a cuppa, cuddle up with your cat (or dog—we're not picky), and join us as we break down this iconic play. It's a breakdown of Shakespeare like you've never heard it before—fun, relatable, and maybe even a little spooky.Content WarningsMurder, child deathSupport the showRecommend us a Book!If there's a book you want to recommend to us to read, just send us a message/email and we'll pop it on our long list (but please read our review policy on our website first for the books we accept).Social MediaWebsite: https://teachingmycattoread.wordpress.com/Email: teachingmycattoread@gmail.comInstagram: https://www.instagram.com/teachmycat2read/Tumblr: https://teachingmycattoread.tumblr.comYoutube: https://www.youtube.com/channel/UCFXi9LNQv8SBQt8ilgTZXtQListener Surveyhttps://forms.gle/TBZUBH4SK8dez8RP9

Michael, Pax, and Rob wrap up this month's Lounge talking about Ghost Stories: Stephen Fry's Definitive Collection, Batman: Resurrection by John Jackson Miller, Lady Macbeth by Ava Reid, The Lord of the Rings: The War of the Rohirrim, Sure I'll Join Your Cult by Maria Bamford, what makes a good Sherlock Holmes pastiche, and more.

Dcn. Garlick, Dr. Frank Grabowski, and Thomas Lackey are reunited to discuss the first part of Agamemnon, the first play in Aeschylus' Oresteia. Check out thegreatbookspodcast.com for more information.From our written guide available to our supporters:The first play of the Oresteia tells of the homecoming of Agamemnon and is predominately animated by revenge. Aeschylus presents us with questions concerning the legitimacy of the Trojan war, how Argos has suffered without its king, and why Clytemnestra has plotted to murder her husband. Though chronologically Odysseus has not return home yet, one should compare this text to the Odyssey and Odysseus' own homecoming – written almost three hundred years prior by Homer. Aeschylus draws heavily from Homer but changes small but significant details, which creates a narrative that presents a profound lesson on the weaknesses of lex talionis as enacted by the blood avenger model. Throughout Agamemnon and into Libation Bearers, we are invited to consider whether a new model of justice is needed.I. The Opening: Unease and Gender Inversions (1)The play begins with an invocation to the gods, as will the following two plays. Through the watchman, Aeschylus communicates the time and setting to his audience in a manner typical of Greek drama. The watchman's opening monologue conveys a disquieting mood of fear and quiet dread. As observed, Lackey describes the opening as “a little eerie and a little bit off.” Notably, the watchman yearns for the return of Agamemnon, his king, and we note the king's absence has left the kingdom, Argos, in suffering (24, 37). One thinks here of the suffering of Ithaca without Odysseus in the Odyssey. The opening passages invites us to ask: “What has life been like in Argos over the past decade during the king's absence?” and “What is the effect of the empty throne of Argos upon its people?” From the outset, Aeschylus will play with gender roles and descriptions. Notice Clytemnestra, Agamemnon's wife, “maneuvers like a man” (13), while Agamemnon himself will be presented as effeminate. This thematic inversion invites readers to examine Aeschylus' pedagogical purpose for such language. As Dr. Grabowski observes, the toying with gender traits parallels Shakespeare's Macbeth, wherein Lady Macbeth similarly exhibits masculine qualities of ambition and dominance. As the play progresses, readers gain insight into life in Argos during Agamemnon's ten-year absence. The people long for an end to their suffering, for “an end to their pain” (23). Notably, Aeschylus allows us to see how Argos viewed the Trojan war (44), which is largely presented, at first, as a just war in which Agamemnon was the “great avenger” of Zeus punishing Troy for its violation of guest-friendship (45), i.e., Prince Paris absconding with Menelaus' wife, Helen. The reader should note whether Agamemnon's return starts to adjust this narrative....Check out our whole guide on the Oresteia.

Today on Art of the Cut we speak with Nick Emerson about editing Conclave, for which he's nominated for an ACE Eddie for Best Edited Feature Film, Dramatic/Theatrical. Nick has been on Art of the Cut before, when we discussed the film Emma. His other credits include the feature films Lady MacBeth, Eileen, and Greta, and TV series including The Life and Adventures of Nick Nickleby and Life After Life. This discussion includes - among other things - the importance of slowly “drip-feeding the story to the audience, the use of slo-mo to add weight and importance, and how and when to break the 180 degree rule. If you'd like to read along with this podcast and see some of the clips that we talk about, please check out: borisfx.com/blog/aotc

Lady Macbeth is best known to us as Shakespeare's scheming, sleepwalking villain. But, as with most of his so-called history plays, Shakespeare's version of the Macbeths is largely fictional.  Dr. Eleanor Janega talks to the best-selling crime writer - and Gone Medieval fan - Val McDermid who has dragged the truth about the real Queen Macbeth out of the shadows to reveal a woman caught up in the patriarchal prejudices and vicious political intrigues of her time.  Gone Medieval is presented by Dr. Eleanor Janega. The audio editor and producer is Rob Weinberg. The senior producer is Anne-Marie Luff.All music courtesy of Epidemic Sounds.Gone Medieval is a History Hit podcast.Sign up to History Hit for hundreds of hours of original documentaries, with a new release every week and ad-free podcasts. Sign up at https://www.historyhit.com/subscribe. You can take part in our listener survey here: https://uk.surveymonkey.com/r/6FFT7MK

Welcome to the Daily Compliance News. Each day, Tom Fox, the Voice of Compliance, brings you compliance-related stories to start your day. Sit back, enjoy a cup of morning coffee, and listen to the Daily Compliance News—all from the Compliance Podcast Network. Each day, we consider four stories from the business world: compliance, ethics, risk management, leadership, or general interest for the compliance professional. Lady MacBeth lives. (Greek Reporter) Is CFIUS corrupt? (WSJ) Auditing firms call the value of metrics ‘speculative.' (FT) Treasury department sanctions Beijing-based cybersecurity company. (NYT) For more information on the Ethico Toolkit for Middle Managers, available at no charge, click here. Check out the entire 3-book series, The Compliance Kids, on Amazon.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode of Editors on Editing, Glenn Garland interviews Nick Emerson.  Nick has edited such singular projects as Starred Up, I Am Not a Serial Killer, Lady Macbeth, Emma, Life After Life, Idiot Prayer and Eileen. Now he has brought his exceptional skills to the powerful film Conclave. Thanks again to ACE for partnering with us on this podcast, check out their website for more. Want to see more interviews from Glenn? Check out "Editors on Editing" here. The Art of the Frame podcast is available on Apple Podcasts, Spotify, Google Podcasts, Anchor and many more platforms. If you like the podcast, make sure to subscribe so you don't miss future episodes and, please leave a review so more people can find our show! --- Support this podcast: https://podcasters.spotify.com/pod/show/artofthecut/support

A drink, as much as it was songs and a group activity, wassail has been a traditional part of the Christmas season in England, and particularly a favorite of Twelfth Night celebrations, for centuries, including before and during the life of William Shakespeare. In Shakespeare's Macbeth, Lady Macbeth talks about wine and wassail going together to muddle up the brain, Falstaff mentions a wassail candle in Henry IV Part II, and three other references in Shakespeare's plays refer to wassail as something that happened at night and existed somewhere between a greeting and something that could lead to trouble. Here today to share with us the songs from Shakespeare's lifetime that were considered wassail songs, as well as to help us unravel the complicated history of what it meant to go wassailing from the house and how that's related to Christmas and even apple trees, is our guest and musical historian, Debi Simons.   Get bonus episodes on Patreon Hosted on Acast. See acast.com/privacy for more information.

While I was growing up, Gilda Cruz-Romo was a fixture on the stage of the Metropolitan Opera. At the time, I did not fully appreciate her, as I thought of her as a second-string singer on the roster. I saw her once on the Met tour as Desdemona opposite Jon Vickers, but for reasons none too flattering to me, I undervalued her. In recent years, however, I have completely revised my opinion, and now think that Gilda Cruz-Romo was both the most significant Mexican soprano ever to appear on the world's stages, but also simply one of the finest lirico-spinto sopranos of the twentieth centuries. Fortunately there are many people that agree with me, including some devoted fans who have posted an extraordinary number of live recordings of the artist on YouTube and elsewhere. And this is especially helpful because, incredibly, Cruz-Romo never made any commercial recordings. This episode fully explores the career and repertoire of our subject for today, and includes performances of the soprano in her core Verdi and Puccini repertoire (including such surprises as Odabella, Lady Macbeth, and Turandot!), as well as less expected forays into Mozart and bel canto. Throughout her virtues shine forth: a plangently beautiful voice with a particularly radiant top wedded to an incredibly secure technique, which afforded her enormous flexibility and coloratura facility. Added to this, and paramount to her artistry, is a dedication to her craft and to music which sweeps all before it and raises her work into the realm of the sublime. I think of this episode (the last completely new episode I'll be putting out this season) as a pre-birthday tribute, as the diva turns 85 years old on February 12, 2025. Other singers heard on the episode are tenors Carlo Bergonzi, Colenton Freeman, and John Alexander, and baritone Matteo Manuguerra; among the conductors are Zubin Mehta, Nicola Rescigno, Riccardo Muti, Peter Maag, and Julius Rudel. Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly or yearly support at whatever level you can afford.

Ben's film work includes: Lady Macbeth, Limbo, Disobedience, The Wonder, Scrapper, Conclave, and The Teacher, as well as the documentaries: 9/11: Phone Calls From The Towers and The Reason I Jump. Ben's television work includes: Prime Suspect, Merlin, The Lazarus Project, and War Of The Worlds.

Il giovedi è un giorno di festa. Evviva.Parenzo canta la Parisi... a tutti.Primo duello tra il capogruppo leghista Alessandro Verri e Annarita Briganti. Clima torrido.Seconda sfida col dottor Andrea Ruggeri.Si aggiunge un Enzo Spatalino in forma smagliante. Andremo all'analisi peniena con Parenzo in modalità tigre.Lorenzo Pezzotti, drag queen, invita re Spatalo al gay pride con i culetti di fuori.Lady Macbeth e il compagno dominano la scena bdsm. Lei calpesta, lui si fa schiacciare.

Nikolái Semionovich Leskov (Gorojovo, Orlov, 1851-San Petersburgo, 1895). Es uno de los escritores más heterodoxos y controvertidos de la literatura rusa. Destacan en su producción títulos como 'Vida de una mujer de pueblo' o la novela corta 'La pulga de acero'. 'Lady Macbeth de Mtsensk' se publicó en 1865. 

Does ambition have to be seen as corrupting, or like a kind of illness'? These are the questions the business writer Stefan Stern asks in his book, Fair or Foul: the Lady Macbeth Guide to Ambition. He argues that far from the cliché of a scheming wife, Shakespeare's Lady Macbeth demonstrates a more sophisticated understanding of human nature, that could help us navigate the pitfalls of ambition today.The playwright Zinnie Harris made Lady Macbeth the hero of her adaptation of the classic play last year. But now she's focused on the figure of The Duchess of Malfi, in a contemporary retelling. Played by the actor Jodie Whittaker, the Duchess defies her family's wishes and control, and asserts her own desires, with devastating results. The Duchess is on at the Trafalgar Theatre, London until 20th December.Mary Queen of Scots spent nearly two decades imprisoned under the orders of Elizabeth I. From her chambers she wrote countless letters, many of them in code. Now 400 years after her death a new cache of encrypted letters has been uncovered. Jade Scott, a historian and expert on Mary's correspondence, brings her captivity to life in Captive Queen: The Decrypted History of Mary, Queen of Scots. Producer: Katy Hickman

Two years ago for Halloween, I presented the first of my “Haunted Opera House” episodes. At the time, I had such a plethora of creepy musical material that I produced a bonus episode of material that otherwise would have ended up in the dung heap (like the body of Faust at the end of Schnittke's Faust Cantata, which closes the episode). We also hear music from Damn Yankees featuring the red-hot Gwen Verdon; Dvořák's Rusalka (a stunning duet with Teresa Stratas and Gwendolyn Killebrew); Respighi's comic opera Belfagor (in which a devil [Lajos Miller] encounters his superior in a cunning young woman [Sylvia Sass]; Ernest Bloch's Macbeth (in which Inge Borkh gives a luminous performance of Lady Macbeth's Sleepwalking Scene); Willem Pijper's strange musical drama based on the medieval legend of Halewijn, a Bluebeard of the Lowlands; La Chute de la Maison Usher, (the climax of Claude Debussy's incomplete opera based on Edgar Allan Poe's Fall of the House of Usher); and Antikrist, Rued Langgaard's unique, indescribable, and nearly unstageable mystery play. But it is Iva Bittová's gleefully deranged performance of Alfred Schnittke's gruesome Faust tango which will, I predict, find its way into your nightmares! Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly support at whatever level you can afford.

Eva Le Gallienne was a legend of the American stage - not only for her performances on Broadway but for her support of the development of off-Broadway and regional theatrical companies across the country. She made only one appearance on Suspense in "Phobia" (originally aired on CBS on June 26, 1947), where she played a wealthy wheelchair-bound woman with a fear of metal, a kleptomaniac sister, and a corpse in the house. Then she plays one of theatre's richest and most complex villainesses as Lady MacBeth in "MacBeth" from Great Plays (originally aired on NBC on July 12, 1953).

The Prime Minister's chief of staff Sue Gray has left her post and has been replaced by Morgan McSweeney. It's led some papers to claim "the lads have won this round". To discuss, Nuala McGovern is joined by Caroline Slocock, former civil servant and author of Margaret Thatcher and Me, which reflects on women and power. Actor Cush Jumbo has reprised the role of Lady Macbeth alongside David Tennant in Macbeth which has just transferred to the Harold Pinter theatre in London. She joins Nuala to discuss how she is approaching one of Shakespeare's most famous female characters. A recent government survey showed a sharp decline in the number of female-led businesses. Last year, only 15% of businesses employing fewer than 250 people were owned or led by women, down from 18% in 2022. Debbie Wosskow, serial entrepreneur and co-chair of the Invest in Women Taskforce, joins Nuala. Kate Mosse is soon to release The Map of Bones, the fourth and final instalment in her series of novels The Joubert Family Chronicles, which begin in 1562 and follow a persecuted Huguenot family, charting generations of courageous and resilient women. Adventurer Elise Wortley is following in the footsteps of forgotten female explorers… all whilst wearing the same, historically accurate clothing. She joins Nuala to tell her more about her mission. Presenter: Nuala McGovern Producer: Emma Pearce

Having garnered absolute power through bloody means, Empress Wu Zetian begins seeing apparitions, haunted by her violent schemes. With her husband incapacitated, the Empress at first held counsel on his behalf from behind a curtain. But she soon officially proclaimed herself a divine ruler. Working alongside a prominent Buddhist monk, she built temples and universities in China, creating a new holy land. Yet as the formidable leader enters her seventies, the guilt about how she got to this position begins to play on her conscience… Listen as Anita and William discuss how Empress Wu Zetian grew 7th century China into a Buddhist powerhouse.  survey.empirepoduk.com Twitter: @Empirepoduk Email: empirepoduk@gmail.com Goalhangerpodcasts.com Assistant Producers: Anouska Lewis and Evan Green Producer: Callum Hill Exec Producer: Neil Fearn Learn more about your ad choices. Visit podcastchoices.com/adchoices

On the afternoon of March 25, 1934, Belle Bradley found one of her tenants, forty-five-year-old Eric Madison, dead on the floor of the apartment he rented with his wife, Nellie. Madison had been shot in the back four times with a .32 caliber revolver and there was no sign of Nellie Madison, nor was there any evidence of a break-in or a robbery. In the days that followed, investigators quickly determined that Nellie had shot her husband and they tracked her to a remote cabin in northern California, where she was arrested and taken back to Los Angeles and charged with the murder.To the Los Angeles police and press, Nellie Madison was suspicious from the very start; not for any obvious reason or evidence against her, but because she openly defied the categories and characteristics used to define a wife and woman at the time. Although she was only thirty-three years old, she had been married five times and yet had no children. She also had a strong skillset from having worked many jobs, and having been raised on a farm in Montana, she was a skilled survivalist who had never needed the help of a man. Going into the murder trial, it was these facts, more than any physical evidence or witness testimony, that would count against her.After a two-week trial, Nellie Madison was found guilty for the murder of her husband and sentenced to death, making her the first woman to ever sit on death row in the state's history. However, Nellie's death sentence was hardly the end of her case; in fact, it was the turning point in the story that would finally bring the truth about Eric's death into the light.Thank you to the incredible Dave White of Bring Me the Axe Podcast for research!ReferencesCairns, Kathleen. 2005. "Saved From the Gallows." California Supreme Court Historical Society 5-14.—. 2007. The Enigma Woman: The Death Sentence of Nellie May Madison. Lincoln, NE: University of Nebraska Press.2015. A Crime to Remember. Television. Directed by Christine Connor. Accessed July 23, 2024.Los Angeles Evening Post-Record. 1934. "Calls woman Lady Macbeth." Los Angeles Evening Post-Record, June 20: 1.—. 1934. "Hint Madison is still alive." Los Angeles Evening Post-Record, June 13: 1.—. 1934. "Mrs. Madison facinc noose; plans appeal." Los Angeles Evening Post-Record, June 23: 1.—. 1934. "Self defense may be argued." Los Angeles Evening Post-Record, June 6: 1.—. 1934. "Widow unmoved by death story." Los Angeles Evening Post-Record, April 12: 7.Los Angeles Times. 1934. "Auditor found slain; wife hunted in inquiry." Los Angeles Times, March 26: 15.—. 1934. "Death clew hunt pushed." Los Angeles Times, April 1: 17.—. 1934. "Death plea hits widow." Los Angeles Times, June 20: 17.—. 1934. "Deatn case widow mum." Los Angeles Times, Marchh 27: 19.—. 1934. "Doubt cast on identity." Los Angeles Times, June 14: 17.—. 1934. "Madison may be exhumed." Los Angeles Times, June 16: 13.—. 1934. "Second pistol bought by Mrs. Madison hunted in mysrtery murder case." Los Angeles Times, March 28: 5.—. 1934. "Slaying of mate denied." Los Angeles Times, June 15: 36.—. 1934. "Widow veils death tale." Los Angeles Times, March 28: 17.Rasmussen, Cecilia. 2007. "Unwitting pioneer of the battered-woman defense." Los Angeles Times, February 4.The People of California v. Nellie May Madison. 1935. 3826 (Supreme Court of the State of California, May 27).Underwood, Agness. 1934. "Widow weeps when held in murder quiz." Los Angeles Evening Post-Record, March 29: 1.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

This week, Liberty and Vanessa discuss Never Saw Me Coming, Lady Macbeth, The Seventh Veil of Salome, and more great books! Subscribe to All the Books! using RSS, Apple Podcasts, or Spotify and never miss a book. Sign up for the weekly New Books! newsletter for even more new book news. Learn something new, sharpen your skills, and expand your horizons with our Better Living Through Books newsletter. Better Living Through Books is your resource for reading material that helps you live the life you want. From self-help to cookbooks to parenting to personal finance, relationships, and more, Better Living Through Books has got you covered. If it's part of life, it can be part of your reading life. That's what Better Living Through Books is all about. Visit bookriot.com/betterliving to subscribe for free, or become an All Access member starting at $6 per month or $60 per year and get unlimited access to members-only content in 20+ newsletters, community features, and the warm fuzzies knowing you are supporting independent media. This content contains affiliate links. When you buy through these links, we may earn an affiliate commission. Books Discussed On the Show: Never Saw Me Coming: How I Outsmarted the FBI and the Entire Banking System—and Pocketed $40 Million by Tanya Smith Lady Macbeth by Ava Reid Zero Stars, Do Not Recommend by MJ Wassmer  Queen B by Juno Dawson How to Leave the House by Nathan Newman  The Seventh Veil of Salome by Silvia Moreno-Garcia Drawn Testimony: My Four Decades as a Courtroom Sketch Artist by Jane Rosenberg The Dark We Know by Wen-yi Lee For a complete list of books discussed in this episode, visit our website. Learn more about your ad choices. Visit megaphone.fm/adchoices