Podcast appearances and mentions of Richard Billingham

Sunday Worship for February 23, 2025, from Queen Anne Lutheran Church in Seattle, our 10:30 service—Pastor Dan Peterson; Cantor Kyle Haugen.Prelude—Settings of the African American spiritual GIVE ME JESUS); Free improvisation; Richard Billingham (b. 1934) • Introit—Psalm 13:5, 6, 1 • Gathering Hymn— Give Me Jesus, ELW 770 •   First Reading— Genesis 45:3-11, 15  • Psalm 37:1-11, 39-40 • Second Reading—1 Corinthians 15:35-38, 42-50 • Gospel—Luke 6:27-38 • Sermon—Pastor Dan Peterson • Hymn of the Day— There's a Wideness in God's Mercy, ELW 587 • Distribution Anthem—Deck Thyself, My Soul, with Gladness, arr. G. F. Handel (1685– 1759), adapted by St. James Music Press • Sending Hymn —Go, My Children with My Blessing, ELW 543 • Postlude—Jubilate, Fela Sowande (1905–1987)⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Link here to view the bulletin.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Enjoying our worship recordings? Consider giving a gift to our church; ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠go to this link.⁠⁠

In this episode Gary Mansfield speaks to Natalie Chapman (@nataliechapmanartist)Natalie Chapman paints portraits that engage with family identity and issues based around dysfunctional relationships and social documentary. She is influenced by the work of photographers Richard Billingham and Nan Golding, and have similarly focused on spontaneous snapshot- compositions, saturated colour space and incidental objects in order to set a scene of everyday life. She has returned to the same old photographs of her childhood, to re-arrange her memories and work through family history and its daily struggle. Natalie wants her work to feel edgy and to seduce the viewer into contemplating ambiguous tension, a sense of emptiness, boredom and anxiety. Her process involves capturing memories using small collages of family portraits with interior scenes recalled from childhood. These studies are scaled up on large canvases to create presence and intensify personal stories using gritty expression and garish colour. She wants to create images about human relationships that are simultaneously tender and dysfunctional. For more information on the work of Natalie Chapman go tohttps://nataliechapmanartist.co.uk To Support this podcast from as little as £3 per month: www.patreon/ministryofarts For full line up of confirmed artists go to https://www.ministryofarts.orgEmail: ministryofartsorg@gmail.comSocial Media: @ministryofartsorg Hosted on Acast. See acast.com/privacy for more information.

Dr Frances Hatherley is a writer, researcher and curator. Her writing provokes critical engagements with working-class women's subjectivities, creativities, art works, and notions of a classed-aesthetics.In 2018 she was awarded her PhD from Middlesex University titled “Sublime Dissension: A Working-Class Anti-Pygmalion Aesthetics of the Female Grotesque” examining the intersections of class and gender in the formations of grotesque, and sublime femininities in art and visual culture.She has published writing on surrealism and the subversive female grotesques of Leonora Carrington's book The Hearing Trumpet and in David and Al Measles' film Grey Gardens, and on working-class sexualities and fat femininities in characters from the comic Viz, as well as challenging stereotypes of working-class aesthetics in the photography of Richard Billingham. Other articles discuss class, sexuality, education in film and television.In 2020 She published her first book on Jo Spence, with a foreword by Marina Warner, titled Class Slippers: Jo Spence, Fantasy, Photography & Fairytales.Frances has been involved in curating several exhibitions in the UK, the first at the Pelz Gallery working with Patrizia di Bello and a group of MA students, with a show titled “Cultural Sniping: Photographic Collaborations in the Jo Spence Memorial Library” in Spring 2018. She co-curated the exhibition “Jo Spence: From Fairytales to Phototherapy” at the Arnolfini, Bristol, December 2020 – June 2021. Before Christmas, she was involved in curating the expanded film project “The Hurrier: Poor on the Roll” with Anne Robinson showing at galleries APT and Five Years, taking up topics of women, work, sexuality, and time travel.And she's currently working on her second book exploring her conception of the Anti-Pygmalion in representations of women in art and popular culture with a focus on the practices of working-class cultural workers in Britain. 

Chaque vision est singulière, porteuse de sens et de changement. Le but de ce format est de rassembler de nombreux artistes et que chacun nous délivre sa vision et son expérience de la photographie.     Une voix assez grave, posée mais aussi quelques oscillations qui laissent transparaître une grande sensibilité et une émotivité assumée. Notre invité du jour, Léo d'Oriano, est un jeune photographe à l'approche documentaire, guidé par une démarche lente et nourrie par des pratiques multiples : portraits, paysages, photo de rue, qu'elle soit prise sur le vif ou mise en scène. C'est avant tout l'émotion et l'histoire racontée aux spectateurs qui le guident et qui le font appuyer sur le déclencheur. Nous avons le plaisir d'avoir passé une heure en sa compagnie pour ce podcast enregistré dans le 11ème arrondissement.     Diplômé en 2018 de l'école des Gobelins, Léo d'Oriano a depuis réalisé plusieurs projets passionnants. Tous sont guidés par la thématique de la résilience, par exemple, celle des groupes sociaux face aux bouleversements de leur milieu qu'ils soient écologiques, économiques ou même politiques. Il utilise le médium photographique pour montrer ce qu'il voit, tout simplement, comme un témoignage et une raison d'aller vers l'autre, mais en aucun cas pour imposer un regard. Dans ce contexte de “l'après“, quelque chose a profondément changé, voire disparu, et pourtant quelque chose demeure. C'est la coexistence de ces deux états que le photographe souhaite mettre en lumière.     Dans ce podcast, le photographe nous parle de ses différentes séries : Koriyama, Come on Blackpool et sa plus récente, À bas bruit. Comme il l'explique : « Après une catastrophe, le quotidien est amené à changer et à se reconstruire. Cet événement devient un marqueur temporel, on se réfère à lui lorsqu'on évoque le passé, le présent évolue sous la forme d'un nouveau quotidien et le rapport au futur peut être plus flou et soulever d'autres attentes ».      Ces deux premières séries, l'une réalisée au Japon et l'autre au Nord-Ouest de l'Angleterre, sont donc intimement liées, à la fois par la thématique mais aussi par la manière de les aborder techniquement (l'utilisation du diaporama sonore par exemple). Laissant passer du temps pour que cette résilience puisse apparaître, loin de la recherche d'émotions « à chaud » qui nourrissent l'information quotidienne, Léo d'Oriano s'attache à brosser le portrait de villes qui ont subi par le passé un traumatisme.     La réalisation de son dernier travail, À bas bruit, commence en pleine pandémie. Dans l'impossibilité de se rendre à Blackpool pour continuer son projet, le photographe traverse des semaines de doute, de stress et de questionnements, qu'il partageait la plupart du temps avec ses amis. Il décide à ce moment-là de raconter les débuts et l'évolution d'une histoire polyamoureuse qui prend place dans un espace clos, une maison en baie de Somme. Travaillant dans son cercle proche, Léo d'Oriano a photographié un couple d'amis pour qui l'histoire d'une nuit à trois est devenue le point de départ d'une histoire d'amour non commune. Avec pudeur et délicatesse, il livre le récit de cette relation et de son évolution. Bonne écoute !    Essayez gratuitement Lightroom pendant 7 jours :  http://urlr.me/HbxDw Nous soutenir  https://visionspodcast.fr/nous-soutenir/    Pour aller plus loin  Les vilains petits canards de Boris Cyrulnik, Family de Masahisa Fukase, Ray & Liz de Richard Billingham, Les dernières retrouvailles de Minju Song   Liens  https://www.instagram.com/leodoriano  http://www.leodoriano.com/  https://www.instagram.com/podcastvisions/    https://www.visionspodcast.fr/   

Deirdre "Dee" Kelly (born 1971) also known as White Dee, is a British TV personality and actor. In 2014 and 2015 she appeared in the TV documentary series Benefits Street and in 2014 she took part in Celebrity Big Brother. She plays Liz in the 2019 film Ray & Liz, directed by Richard Billingham. In this interview we talk about her Roman Catholic upbringing, and growing up in Birmingham. We also hear about Dee becoming a cult TV personality through the Benefits Street series and appearing in Celebrity Big Brother.

In this week's episode we talk to English actress Emily Beecham about her latest film Little Joe and why she's inspired by the work of photographer, artist and filmmaker Richard Billingham.

On the outskirts of Birmingham and the margins of society the Billingham family perform extreme rituals and break social taboos as they muddle through a life decided by factors beyond their control. At times shocking and laced with an unsettling humour, three episodes unfold as a powerful evocation of the experience of growing up in a Black Country council flat. Director Richard Billingham joins us for a conversation on his raw, intimate, biographical tale of dysfunctional family and fractured memories. About the filmmaker Richard Billingham: In 1997 he was the first recipient of the Deutsche Borse Photography Prize and the following year BBC2 broadcast his film Fishtank, (47mins) produced by Artangel and filmmaker Adam Curtis. He exhibited at the Venice Biennale 2001 and was nominated for the Turner Prize, also 2001. He has made work about his immediate family, about animals in zoos around the world and about the British landscape. Recently he has written and directed his first feature film for cinema called ‘Ray & Liz’, shot on location in the Midlands where he grew up. His work is held in many collections including San Francisco Museum of Modern Art, The Metropolitan Museum, New York, V & A and Tate Galleries, London. For news and updates go to: kimstim.com/film/ray_and_liz

Welcome back to the second installment in our monthly series covering new releases. This week, Film Comment Editor-in-Chief Nicolas Rapold is joined by critic Emily Yoshida, who has written for Vulture and Vanity Fair, and frequent FC contributor Devika Girish. The three sat down to discuss Lulu Wong's The Farewell, which has already received a fair amount of attention for its sweet story about a family reacting to the illness of a beloved grandmother in China. They also talk about two lesser known films that recreate vivid moments from the past in Argentina and England, Benjamín Naishtat's Rojo and Richard Billingham's Ray & Liz, before wrapping up with The Art of Self-Defense, starring Jesse Eisenberg.

Voici le podcast cinéma de Bobo Léon sur Cinémaradio avec la critique du film  Ray and Liz  réalisé par Richard Billingham avec Ella Smith, Justin Salinger. C'est un film social anglais autobiographique sur les souvenirs de jeunesse du réalisateur et surtout sur la vie de ses parents. Un film assez trash qui ne nous a pas emballé. On te dit pourquoi dans ce podcast.   La BO de ce film est intéressante et à écouter sur Cinémaradio, la radio du cinema.

Voici le podcast cinéma de Bobo Léon sur Cinémaradio avec la critique du film  Ray and Liz  réalisé par Richard Billingham avec Ella Smith, Justin Salinger. C'est un film social anglais autobiographique sur les souvenirs de jeunesse du réalisateur et surtout sur la vie de ses parents. Un film assez trash qui ne nous a pas emballé. On te dit pourquoi dans ce podcast.   La BO de ce film est intéressante et à écouter sur Cinémaradio, la radio du cinema.

Nicholas Hytner's new production at London's Bridge Theatre is Lucinda Coxon's play Alys Always, based on Harriet Lane's novel. A journalist decides to set her sights on a joining the exalted circle of a grieving best-selling author. Ray and Liz is the debut film from photographer Richard Billingham; weaving a story from his 1996 collection of autobiographical portraits of his hard-drinking and hard smoking parents living on the margins of society in a Black Country council home. Max Porter's new novel Lanny is a follow-up to his much-lauded debut Grief Is The Thing With Feathers. A magical child communicates with the present and a mysterious past Photographer Martin Parr has an exhibition. Only Human at London's National Portrait Gallery combining old and previously unseen works. ITV's police drama The Bay is set in the picturesque surroundings of Morecambe, Lancashire. Might it become the new Broadchurch? Tom Sutcliffe's guests are Christopher Frayling, Charlotte Mullins and Emma Jane Unsworth. The producer is Oliver Jones Podcast Extra recommendations: Christopher: If Beale Street Could Talk and Moonlight. Also The Salt Path by Raynor Winn Emma-Jane: The Good Immigrant USA by Nikesh Shukla and Chimene Suleyman Charlotte: Studio Voices by Michael Bird and The National Sound Archive Tom: the disputed Caravaggio at the Colnaghi Gallery

In ITV's new psychological thriller Cheat, a university lecturer accuses a student of cheating in her essay, sparking a series of retaliations which threaten to spiral out of control. Film and TV lecturer James Walters reviews the show which stars Katherine Kelly and Molly Windsor.Photographer Richard Billingham, dubbed the 'pioneer of squalid realism', won a Turner Prize nomination for his images of his parents' alcoholic and troubled life in a Black Country tower block. He discusses his return to those roots with his first feature film Ray & Liz, an unflinching portrait of growing up in poverty and on the margins of society.The late editor and memoirist Diana Athill, who died in January aged 101, agreed to be the subject of a long one-to-one interview, which had the premise of it only being broadcast after her death. Eddie Morgan, the man behind Diana Athill: Final Say - which goes out on Sky Arts tonight - discusses the background to the project.As London club Fabric hits 20 this year, despite other clubs closing across London and the UK, we look at the changes and challenges in clubbing today, the value of club culture, and what it takes to be successful. John speaks to journalist and DJ Kate Hutchinson and to Bill Brewster, author of Last Night a DJ Saved My Life: The History of the Disc Jockey.Presenter John Wilson Producer Jerome Weatherald

Bathtime for Udo Last week Rob and Graham received a mystery phone call asking them to review Hideo Nakata's "Ring". They're not dead yet, and although the news that this is a twentieth anniversary reissue is making them feel incredibly old they still have to find out if the film still holds up. After that it's Off the Shelf, which sees Graham challenging Rob to watch the Victorian phallic lunacy of Walerian Borowczyk's "The Strange Case of Dr Jekyll and Miss Osbourne", then Graham gets acquainted with Richard Billingham's "Ray & Liz" before looking ahead to next week's releases.  Stay tuned for news of Indiana Jones's drunkest adventure yet! If you like the podcast, send us some support by visiting The Geek Show (http://thegeekshow.co.uk) and clicking on The Geek Shop tab. Alternatively, we'd massively appreciate it if you gave us a star rating or review wherever you get your podcasts from, or check out some of the other podcasts that make up The Geek Show Podcast Family (https://audioboom.com/channel/the-geek-show) .  #Podcast #Reviews #Movies #Films #CinemaEclectica #Eclectica #TheGeekShow #Ring #Ringu #Tartan #AsiaExtreme #ArrowAcademy #TheStrangeCaseOfDrJekyllAndMissOsbourne #Horror #RichardBillingham #RayAndLiz #Serenity #IndianaJones #WalerianBorowczyk #HideoNakata #Adaptations #Books #KoujiSuzuki // PATREON (https://www.patreon.com/thegeekshow)

In this episode of Truth & Movies, Michael Leader, Simran Hans and Beth Webb assemble to discuss Captain Marvel, the 21st film in the MCU – and the studio’s only feature-length offering to date to be fronted by a female character. That’s followed by a look at British kitchen sink drama Ray & Liz, from photographer-turned-filmmaker Richard Billingham, and lastly our female superhero-themed Film Club pick for this week, 1984’s Supergirl. See acast.com/privacy for privacy and opt-out information.

**How Are You** Keith watches Films Guy becomes a coffee sbob Leigh gets back on the tubes & Ryan watches some live story telling. **Weird News** Welding Dogs, yorkie blockages & bisrobing plane passengers **Jim Carrey Retrospective** 25 years on from Ace Ventura: Pet Detective, The Mask & Dumb and Dumber, we revisit Jim Carrey's career. **Discovery Season 2 - Mid Season review** Ryan and Keith look at Season 2 of Star Trek: Discoveryand see if Riker's beard will be replaced by Saru's Ganglia **Ray & Liz: interview with Richard Billingham** After a showing of Ray & Liz at MAC Birmingham, Laura speaks to BAFTA nominated, Turner Prize-nominated and Deutsche Börse Prize-winning artist, photographer and director Richard Billingham about his powerful autobiographical drama. Buy our merch at: https://rdbl.co/2Eos24i Donate at https://www.ko-fi.com/GeekyBrummie Follow Geeky Brummie on Twitter - https://www.twitter.com/GeekyBrummie Follow Geeky Goings On on Twitter - https://www.twitter.com/GeekyGoingsOn Follow Geeky Brummie on Instagram - https://www.instagram.com/GeekyBrummie Like Geeky Brummie on Facebook - https://www.facebook.com/GeekyBrummie

How Are You Keith watches Films Guy becomes a coffee sbob Leigh gets back on the tubes & Ryan watches some live story telling. Weird News Welding Dogs, yorkie blockages & bisrobing plane passengers Jim Carrey Retrospective 25 years on from Ace Ventura: Pet Detective, The Mask & Dumb and Dumber, we revisit Jim Carrey's career. Discovery Season 2 - Mid Season review Ryan and Keith look at Season 2 of Star Trek: Discoveryand see if Riker's beard will be replaced by Saru's Ganglia Ray & Liz: interview with Richard Billingham After a showing of Ray & Liz at MAC Birmingham, Laura speaks to BAFTA nominated, Turner Prize-nominated and Deutsche Börse Prize-winning artist, photographer and director Richard Billingham about his powerful autobiographical drama. Buy our merch at: https://rdbl.co/2Eos24i Donate at https://www.ko-fi.com/GeekyBrummie Follow Geeky Brummie on Twitter - https://www.twitter.com/GeekyBrummie Follow Geeky Goings On on Twitter - https://www.twitter.com/GeekyGoingsOn Follow Geeky Brummie on Instagram - https://www.instagram.com/GeekyBrummie Like Geeky Brummie on Facebook - https://www.facebook.com/GeekyBrummie

Mark Cosgrove (Watershed Cinema Curator) and Tara Judah (Watershed Cinema Producer) share thoughts and insights on photographer turned filmmaker Richard Billingham's superb portrait of deprived 1980s Birmingham family life Ray & Liz; Out of Blue Carol Morley's unmissable adaptation of a Martin Amis novel; plus Swedish outsider, genre defying Border.In the second half of this extended podcast Mark is joined by Filmic co-curator Phil Johnson to share their highlights from this two month series of films, concerts and live performances and to discuss the what is it that, especially in Bristol, creates such an inextricable bond between film and music.

What is it like to jump feet first into a successful community arts organization, honoring tried-and-true programming while trying to bring in something new and challenge expectations in a way that isn’t alienating? Sandee McGee is an artist and Gallery Director at the Umpqua Valley Arts Association in Roseburg in southern Oregon. She talked to us about creating a space where community arts and more traditional art practices can cohabit with challenging contemporary work, and how they might benefit from each other. Sandee tells us about the backlash involved in going in a new direction, away from more traditional material-based practices to contemporary art, and the role of the mission statement of the organization in navigating that terrain. Arguably, the value of culture is what comes after and surrounds the event or exhibition in addition to the particular work itself. Where traditional art shows generate very short and polite conversations, more conceptual work prompts deeper, and sometimes more polarized conversations with a longer reach. But we can’t expect everyone to have an expert knowledge of art, so how do we open ourselves up and invite people in, without taking away the moment of discovery? It’s about building an audience by meeting people where they are and creating a comfortable zone where new ideas aren't threatening. Signage is a way in for many people, so being generous with information around the work and the premise of the show is an important aspect of accessibility. How a show is curated and the nuances of the language that is used can have a huge impact. In a small town you can really do damage with the way you talk about the work, and how you present it. There is fear of misunderstanding on both sides: the artist and the audience are both vulnerable to ridicule and “not knowing”. Links: Sandee McGee: http://sandeemcgee.virb.com/portfolio Umpqua Valley Arts Association: https://uvarts.com/ Richard Billingham: https://www.saatchigallery.com/artists/richard_billingham.htm Marie Watt: http://www.mariewattstudio.com/ Cynthia Lahti: http://cynthialahti.blogspot.com/ The Ford Family Foundation: https://www.tfff.org/ Mika Aono Boyd: https://mikaboyd.com/home.html John Whitten: http://www.johnwhitten.com/

Abordamos la decimoquinta edición del Festival de Cine Europeo de Sevilla, con ardor y emoción por el séptimo arte. Como siempre, desde Radiopolis, con nuestro humilde programa, La Gran Evasión, hemos dado cobertura al festival de nuestra ciudad. Una edición espectacular, con apuestas arriesgadas, cine comprometido y de calidad desbordante. Comentamos las vivencias del festival, acompañados de Antonio Holguín y Manuel Broullón, dando nuestras impresiones de las grandes obras que hemos tenido el privilegio de ver. La ganadora, Donbass, una visión del conflicto nacionalista y la cotidianidad grotesca Ucraniana-Rusa, de Sergei Loznitsa. La terrible Joy, Sudabeh Mortezai documenta una realidad atroz que refleja la vida de las prostitutas nigerianas, la protagonista Joy Anwulika Alphonsus, se llevó el premio a la mejor actriz. Pearl, de Elsa Aimiel, otra historia arriesgada, de héroes deformados, de maternidad, en un submundo desconocido, el culturismo femenino. El Rey, impresionante trabajo de actores, con un puesta en escena fascinante y un durísimo contenido, lleno de preguntas y verdades, la obra de Alberto San Juan, con Willy Toleto y Luis Bermejo. Vivir deprisa, amar despacio, un doloroso retrato del parís de los 90, la relaciones homosexuales y el Sida, que irrumpía arrasándolo todo, entre un hombre maduro y un chico, contenido trabajo de Honoré. Touch me not de Adina Pintile, M de Zauberman, La Ciudad Oculta de Victor Moreno, fascinante viaje a las cloacas de nuestros mundo. Dovlatov de Alexey German Jr. Oscuro y Lucientes de Samuel Alarcón, Shéhérazade de Jean-Bernard Marlin, la obra inclasificable Roi Soleil de Albert Serra, el provocador brochazo de cine de Lars Von Trier y La Casa de Jack. Ray & Liz de Richard Billingham, Strike de Trevor Hardy, un stop motion deslumbrante, o la fabulosa retrospectiva que loa la grandiosa figura de Roy Andersson…Cine en letras mayúsculas. Apretujados en la torre de Radiopolis, desgranamos esta fantástica edición del SEFF, bebiendo zumito, Antonio Holguín, Manuel Broullón, Raúl Gallego, Gervi Navío, José Miguel Moreno y una invitada sorpresa, dando cancha a los jóvenes cinéfilos del futuro, Raquel Moreno…...que grande es el Cine. De coda final os dejamos las brillantes entrevistas de Joseph Michael (José Miguel Moreno), nuestro intrépido reportero. Escucharemos las reflexiones de Roy Andersson, Victor Moreno, Hardy, Lacuesta, Makridis, Zauberman, Aimiel y Alberto San Juan. No dejen de creer en los héroes y de vivir a través del Cine. Saludos desde La Gran Evasión. Gervi Navío