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This week Samantha Haring joins the podcast to talk about her paintings and drawings, in the artists words “I make quiet paintings in a noisy world”.Samatha's solo exhibition “Safe Havens” opens at Studio Break Gallery in West Chicago on Saturday May 17th, from 5-8PM. The exhibition runs though June 7th.Samantha's work was selected for our 2023 Studio Break Professional Competition by Jeff Stevenson, Artist & Gallery Director at Governors State University.
Join Stuart's fourth grade podcasters as they explore Stuart Country Day School's connection to the natural world. On this episode of Tartan Talk, they interview community members about Stuart's sustainable roots, including: Andres Duque, Lower School Art Specialist and Gallery Director, Alma Moxon Eisenacher ‘94, Associate Director of Engagement, and Darren Malone, Director of Facilities and Sustainable Planning. Stuart's Sustainability Page: https://www.stuartschool.org/about/sustainability Tartan Talk dives into life at Stuart Country Day School of the Sacred Heart, a leading preschool to Grade 12 private school in Princeton, NJ designed just for young women. From behind the scenes in the arts to research-backed conversations on what girls and families need to lead with confidence and purpose, each episode brings fresh perspectives from our dynamic team of hosts.
CURA Contemporary in Morgan Hill opened in the fall of 2024 as an art gallery and community space that hosts exhibitions, workshops, and art classes. The building was the brainchild of owners and longtime South County residents Dan and Kathy McCranie, who also own Colibri Art and Framing just across the street. The McCranies worked closely with Ellie Honl-Herman, the current Gallery Director, to develop CURA Contemporary's design and offerings. Ellie initially met Dan McCranie when she applied to be a part-time framer for Colibri. Her background as a university art professor and practicing artist opened up the opportunity for her to start curating exhibitions at Colibri Gallery and eventually develop her role as a thought partner and gallery director of CURA Contemporary.Since its opening, CURA Contemporary has hosted art exhibitions, workshops, and youth classes. The gallery's goals are to be a welcoming and inclusive space for the community, provide educational opportunities that build an appreciation for the arts, be a hub for the local and regional arts community, and be a multifaceted arts destination with its unique combination of an art gallery, wine bar, restaurant, and event space. In this conversation, we discuss Ellie's art practice, her journey to becoming gallery director of CURA Contemporary, and her spirit of experimentation.Follow CURA Contemporary on Instagram @CURA_contemporary. Follow Ellie on Instagram @elliehonl and @elliehonlphoto.
Join Tamara for an interview with oil painter Carmen Aguirre, a Miami native who got her BFA Fine Art in Miami, and then went to Spain for graduate study with Valencian classical painter Amadeo Roca Gisbert. Carmen moved to Savannah in 2016 and then spent about 10 years working for the former Grand Bohemian Gallery at the Mansion, eventually becoming Gallery Director. She is a figurative painter working in oil on canvas and/or panel. While she represents scenes of daily life, her objective is also to convey how the subject touches and inspires her. Check out more of Carmen's work and follow her here: https://www.instagram.com/carmenmaguirre/ https://www.carmenmariaaguirre.com/ Topics in their chat include: The sharp learning curve of her graduate program in Spain, where she was thrown into the deep end of representational oil painting; she reminisces about her college and grad school era of not being super concerned about what her art would lead her to, career-wise, but just being at peace about pursuing your art degree for learning's sake; living in Miami and attending Art Basel from when it began in 2002; how she moved to Savannah about 20 years ago after having visited her daughter here many times; how she met good friend and fellow painter Dana Richardson when coming across Dana painting in Forsyth Park; her preference for including a frame on her art to call it "finished;" lessons learned from a past solo show at the JEA in which she had 24 (!) paintings; what are mangroves?; her conceptual painting of an orange LifeSaver candy; her years of having real creative control over discovering new Savannah artists and bringing them into the Mansion's Gallery; her recent series of paintings exploring Daffin Park and depicting the sense of vast space there; and her goals for 2025 of: building up a big series of paintings, putting on a public show, and possibly starting a series of artist salons. Tune in and get all the details!
In this week's episode of the Arts to Hearts Podcast, Charuka Arora chats with Katie Chidester, the director of Brea Gallery. Katie shares her 25-year journey in the arts world, what makes the gallery a special community hub, and why spaces like this are essential for connection and creativity. She opens up about the challenges artists face, the importance of supportive communities, and her hopes for more inclusive spaces. Tune in for an inspiring conversation filled with insights, advice, and a peek into the heart of the Brea Gallery.
Creative capacity can extend beyond the production of compelling art. Case in point: Elise Gagliardi has found passion and talent in the worlds of art curation and gallery operations, and now she has expanded on this by becoming the director of the new ION Gallery in Kansas City. All while balancing her own art career … Read More Read More
Robyn Singerman explains what's happening to the Mason Gallery of Crafts and Fine Arts and the gallery store. The goal: Make the corner of Montgomery Road and Hudson Avenue in peace-loving Norwood THE arts destination.
In this episode of The Living Artist, we present a fourth Mash-Up of segments from three favorite TLA interviews over the years. Listen in as Preston speaks to three different, highly respected "gatekeepers" of the art world. These clips highlight segments from interviews with Chief Curator and Art Advisor and Kelly Huang, Founder and Gallery Director of UGallery Alex Farkas, and Curatorial Assistant of Art In Embassies Morgan Fox. If you want a peek behind the curtain in the art world, or simply need a shot of inspiration, listen in to this episode with these wonderful guests. Enjoy! For more information on Preston M. Smith and his artwork, visit https://www.pmsartwork.com, or follow him on Instagram at https://www.instagram.com/pmsartwork (social media everywhere @pmsartwork). You can also now subscribe to his YouTube channel at https://www.youtube.com/c/pmsartwork. If you would like to donate to the podcast to keep it going strong, you can do so here: https://www.pmsartwork.com/podcast The Living Artist makes the top of the Audible Blog's List of the Best Art Podcasts to listen to For Artists! Check it! Thrilled to announce that Artwork Archive just included The Living Artist on their list of the The Best Art Podcasts of 2021! Check it out. Excited that Agora Group International Fine Art included The Living Artist on its list of The Best Art Podcasts To Listen To (coming in at #5). Huge thank you to Feedspot for choosing The Living Artist for their list of the Top 70 Art Podcasts You Must Follow in 2023. It is a huge honor to have made this amazing list (coming in at #8) with so many other wonderful podcasts. Big thank you to Feedspot! You can check out this list and more of Feedspot at https://blog.feedspot.com/art_podcasts. Podcast theme music: "Music by Jason Shaw on Audionautix.com"
10/25/24: Smith Prof, Doctor of Rock, Steve Waksman: amplifying voices & Living History. MTA Pres Max Page w/ Lynn School Supt Evonne Alverez: MCAS as grad req't is discriminatory. SupraNatural Curator Donnabelle Casis & STCC Art Prof & Gallery Director Sondra Peron: Go see this show! Matthew Spurlock & Molly Merrett, leaders of the call for River Valley Co-op to boycott Israeli products.
Allison Maslow, WVAL Board Member & Gallery Director, & Mark Webber, Artist & Educator, speaking about the exhibition, "Mark Webber: Interior Process," opening October 18, 2024 at the Circle Centre for the Arts, 130 Rear S. Franklin Street in Wilkes-Barre, with a reception from 5:00 to 8:00. The show will run through December 6th. The Wyoming Valley Art League will also host Fine Art, Fine Taste on October 24th at the Circle Centre, beginning at 6:00. www.wyomingvalleyartleague.org/
In Episode 7 of Season 13, I chat with Nina Treffkorn, co-director of Sydney contemporary art gallery, China Heights. Born to Buddhist parents that moved from a German commune to a conservative catholic small town in Ireland where she was raised, it's fair to say Nina has become used to looking at the world from the outside in. However her move to Sydney allowed her to discover a diverse art and fashion community she could belong to, and Nina has since found her place inside. And while it's Nina's style to lean into a uniform look as a tool to belong she is not strictly black and white. Nina may have stood out for her height as a child but she's learnt the value of having a unique story and style and while she finds peace is staying centred she uses her individual assets to her advantage, leading her to greater heights.
"Jungle Jungle" is an exhibition by Taiwanese artist Zhang Xu Zhan, which delves into the shared and diverse cultural narratives across regions, highlighting how music's meaning and folk tales evolve locally. Inspired by the folktale "Sang Kancil and the Crocodiles" encountered during an artist residency in Indonesia, Zhang interweaves similar stories like Taiwan's "The Mouse and the Buffalo" and China's "The Rabbit and the Crab." Through the lens of a fly's compound eye, the exhibition portrays these interchanging animal tales, using metaphors like mirrors and shadows to reflect cultural flows and human-animal connections. We speak to Rahel Joseph, the Gallery Director of Ilham Gallery who are hosting this exhibition, to discover more about the artist, his works and his unique approach to storytelling.
MONEY FM 89.3 - Prime Time with Howie Lim, Bernard Lim & Finance Presenter JP Ong
Traditionally, art collecting has been associated with older, affluent individuals, but millennials are rapidly embracing art as an alternative investment. So, what is driving this shift? What are they collecting? And how can aspiring collectors get started? Kim Tay, Co-Founder, and Gallery Director of The Artling explains. The Artling is an international Art and Design consultancy and online gallery focused on highlighting the best of contemporary art and design.The Artling offers consultancy services to both private and corporate clients, working with private collectors and with interior designers, architects and property developers. Presented by: Hongbin Jeong and Roshan Gidwani Feature produced and edited by: Nadiah Koh Do you have a story to tell on The Evening Runway show? Contact nadkoh@sph.com.sgSee omnystudio.com/listener for privacy information.
Artspeak Radio, Wednesday, 9am -10am CST, 90.1fm KKFI Kansas City Community Radio, streaming live audio www.kkfi.org Producer/host Maria Vasquez Boyd welcomes artist James Ramirez and Tj Templeton artist/Gallery Director for […] The post Artspeak Radio with James Ramirez and Tj Templeton appeared first on KKFI.
Titik Garis Bentuk: Drawing as Practice is an exhibition featuring works by 27 contemporary Malaysian artists, who use drawing as a centre in their practice. While traditionally, drawing was seen as part of an artist's preparatory work for a painting or sculpture, it is now regarded as a medium in its own right. The exhibition examines how artists are redefining the medium by blurring the boundaries between drawing and other art forms including installation, animation, and performance. We speak to Rahel Joseph, the Gallery Director of Ilham Gallery, and co-curator of the Titik Garis Bentuk exhibition, to find out more about how the wide range of works in the exhibition are being used by artists to expand conventional definitions of drawing as mark-making, on a two-dimensional surface.Image credits courtesy of Ilham Gallery: (Right) CCKua, To Wear Or Not To Wear. (Left) Jalaini Abu Hassan, Bomoh Hujan
Sarah sat down for a chat at the Space Program Recording Studios in November 2023 to ask Griff Williams, Founder of Gallery 16 about his 30+ years running a San Francisco-gallery. We also talk about his documentary "Tell them we were here" about 8 artists making art outside the gallery system and the impact they have made on the Bay Area's many diverse and underrepresented communities. About Gallery 16 Gallery 16 was founded in 1993 by artist Griff Williams with the primary focus of representing and advocating for the work of living contemporary artists. In addition to the regular exhibition schedule, the gallery sponsors artists talks, and hosts performances and music throughout the year. It's our belief that the brick and mortar gallery model, to be culturally relevant, needs to embody new strategies for facilitating and presenting artist's projects. The space, as Williams describes it, “allows for the artist to fail. We don't create exhibitions around curatorial agendas, but extend an invitation to artists we trust and hope they use the opportunity to challenge themselves without restrictions. Studio notes Gallery 16 https://gallery16.com/contact Gallery 16 Instagram https://www.instagram.com/gallery16/ Griff Williams website https://www.griffwilliams.com/ Tell Them We Were Here https://tellthemwewerehere.com/ --- Send in a voice message: https://podcasters.spotify.com/pod/show/thesidewoo/message
Paul Dahmen is the Gallery Director at Markowicz Fine Art's third location in Laguna Niguel, California. He was inspired to start painting with oil and acrylic paints by the age of nine with the encouragement of his grandmother, who had painted her entire life. However, an artist's life was not in the cards for him because he could not get through a university drawing class to save his life. Dahmen graduated with a Bachelor's Degree in English Literature and Art History from Wayne State University in Detroit, Michigan. He moved to Los Angeles after his studies to work in the film and television industry, and did so for over a decade, with the goal of working in the arts in some capacity in the future. Although he couldn't draw, his passion for the arts never diminished. He decided he would prefer representing artists in a gallery setting to help “connect the dots” between art collectors and artist's creations. This true passion led him to Laguna Beach to actively pursue his art gallery career.
Emma Wilson is the Director of the Portland Art Gallery, which is celebrating ten years of representing established and emerging artists at its expansive, light-filled space in Portland Maine's Old Port district. The Gallery Director for the past eight years, Emma has been an integral part of executing the gallery's unique and successful vision. Her focus on artist and buyer relationships and communication have proven critical to the Portland Art Gallery's ability to support artists at every stage of their career. This approach, coupled with modern marketing techniques, have made the Portland Art Gallery one of the leading art galleries in Maine. Emma and the gallery staff have truly created a place where community and creativity flourish. Join our conversation with Emma Wilson today on Radio Maine.
Friday, February 2 at 3pm ARTS – Live & Local! Carol Newman & guests: CCC Art Professor, Gallery Director & Exhibit Founder Kristin Shauck with invited Artists Arnold Pander & Penny Treat in Au Naturel – The Nude in the 21st Century at the Royal Nebeker Gallery. Director Danyelle Tinker and actor Michael Murdoch from...
In s3e49, Platemark host Ann Shafer talks with Valpuri Remling, collaborative printer and manager of the pro workshop at Tamarind Institute, University of New Mexico, Albuquerque, which was established in 1960 by the legendary June Wayne in order to preserve and promote the art of lithography. Valpuri, a native of Rovaniemi in Finnish Lapland, graduated from the program in 2009. After working at Helsinki Litho with Matti Hintikka and Kalle Berg, Valpuri returned to Albuquerque in 2015 to assume the position of printer and workshop manager from Bill Lagattuta, Tamarind's longtime collaborative printer. In her role, Valpuri collaborates with visiting artists, manages multiple publishing projects, and advises other workshops and manufacturing entities on best practices in lithography. Every year she directs the research of Tamarind apprentice printers and mentors the next generation of lithographers. Ann and Valpuri talk about growing up on the Artic Circle, how the two Tamarind shops function side by side, research into new lithograph tools and techniques, the printshop ballet, collaborating with artists, being true to oneself, and the surprising opportunity for artists to have work printed at Tamarind by students. Brandon Gunn, Tamarind Master Printer, Director of Education, and Professor of Practice. Arikah Lynne, 2023–24 Apprentice Printer. Brandon Gunn demonstrating a rainbow roll for a cohort. Bill Lagattuta, Marjorie Devon, and Rodney Hamon. Rodney Hamon and Bill Lagattuta with a cohort. Alyssa Ebinger and Valpuri Remling in the pro shop. Kylee Aragon Wallis, Gallery Director. Tamarind founder June Wayne. Garo Antreasian and Clinton Adams. Diana Gaston, Director. Marge Devon, retired Director. Matti Hintikka, Valpuri Remling, and Kalle Berg at Helsinki Litho. Adam Ostreicher. The Procession, 2007. 5-plate etching and aquatint. Tru Ludwig. Ask Not…, 1997. Etching and aquatint, engraving, and softground etching. 36 x 24 in. Tusche test stone. Jeffrey Gibson (American, Mississippi Choctaw-Cherokee, born 1972). Mighty Real, 2021. Four-color lithograph. Sheet: 36 11/16 x 25 ¼ in. Published by Tamarind Institute; printed by Valpuri Remling and Lindsey Sigmon. USEFUL LINKS Tamarind Institute website: www.tamarind.unm.edu Map to find Tamarind-trained shops and printers: www.tamarind.unm.edu/map/fatp_map.html# Instagram accounts @tamarindinstitute @tamarindeducation @valpuriremling Other printmaking podcasts Platemark Hello, Print Friend The Unfinished Print NewsPrint Podcast The Print Cast All About Printmaking with Phil and Amy
This week on Arts to Heart's Podcast, our host Charuka Arora sits down with Brea Gallery's director, Katie Chidester. Katie, who has been part of the arts community for about 25 years now, talks about Brea Gallery, what it does, and why it's important to have such community-building initiatives. Katie Chidester share with us why she became a creator and what it's like working in a visual art space. Talking about being in the arts field, Katie acknowledges the hardships artists often have to face as they battle self-doubt and are expected to succeed without any help or support. For artists, it become necessary to have a community where they are not afraid to approach someone for guidance or collaboration. More people need to step up and take it upon themselves to create such an inclusive community where an artist, or a non-artist, feels welcome instead of being intimidated. Brea Gallery was set up in 1980 in Brea, California, and during the last 38 years, it has constantly strived to provide contemporary art exhibitions for artists and non-artists alike. The gallery's aim is to engage the community though aesthetic, educational, and intellectual experiences. Apart from its art exhibitions, Brea also offers artist lectures, workshops for all ages, a gift shop, and live art demonstrations. To listen to more of this interesting conversation between Katie and our host Charuka, tune in to this week's podcast. We are calling all women artists for our incredibly special “ATH Magazine Anniversary Issue”. Showcase you work to a global audience and get a chance to win 1,000 USD Art Grant: Submit your artwork . Order Arts To Hearts Magazine #4 here: Learn how you can UNLOCK YOUR CREATIVE POTENTIAL in 2023. Sign up for our FREE Mini guide & workbook. Check out the Arts To Hearts Shop at Join ATH directory for women artists here: Listen and subscribe on Apple Artist Services:
In this latest Art of Investment episode, the focus is definitely on Art rather than Investment, as Paul hands over the microphone to Simon Melling our CEO. Vermeer Partners is delighted to be sponsoring this year's D Contemporary Gallery Summer Exhibition, and in this podcast Simon is in conversation with the Gallery Director and Curator: Irene Pouliassi. Their wide-ranging discussion covers: the challenges of curating an exhibition to be both challenging and commercial; if contemporary art really is more shocking than the art of the great masters; the art market as an investment opportunity, and if a five-year old really could ‘do better'… If you are interested in finding out more, we would be delighted to show you round the gallery ourselves - so please do get in touch on 020 7123 5200 or info@vermeerllp.com The exhibition runs from 6th – 24th June at D Contemporary 23 Grafton Street, London W1S 4EY https://www.dcontemporary.com/passages
Episode 48 of ‘All About Art': From Auction House to Gallery Director: Discussing Artistellar with Adele Smejkal In this episode, I interview Adele Smejkal, Founder and Director of Artistellar Gallery. It started off as a nomadic gallery and online platform in 2020, dedicated to scouting UK emerging and early-career talents. The gallery now has a permanent space in London, where I will be hosting an event through All About Art in collaboration with Adele and Artistellar. You can book free tickets via Eventbrite here. Artistellar also started to represent artists and attend international art fairs in 2023. The gallery has a strong curatorial approach that heavily focuses on women artists, and has become known for scouting and identifying talented artists early on. Listen on to hear me ask Adele what it was like starting her own business, and her approach on choosing artists to exhibit. We talk about the balancing act when curating shows and thinking about commercial viability. We also touch on her experience running her blog and garnering a large online following on social media, and how that has impacted her other professional endeavors. Thank you to Adele for coming on and to Artistellar for the collaboration and for hosting the art-world networking event for the occasion! You can find out more about Artistellar here: https://www.artistellar.com/ You can follow the gallery on Instagram here: https://www.instagram.com/artistellar_gallery/ You can follow Adele on Instagram here: https://www.instagram.com/adele.sme/ You can support All About Art on Patreon here: https://www.patreon.com/allaboutart ABOUT THE HOST: I am an Austrian-American art historian, curator, and writer. I obtained my BA in History of Art at University College London and my MA in Arts Administration and Cultural Policy at Goldsmiths, University of London. My specializations include contemporary art, specifically feminism and artificial intelligence in artistic practice, as well as museum policies and arts engagement. Here are links to my social media, feel free to reach out: Instagram @alexandrasteinacker Twitter @alex_steinacker and LinkedIn at Alexandra Steinacker-Clark COVER ART: Lisa Schrofner a.k.a Liser www.liser-art.com
Josh Farr is a photographer, curator, graphic/web designer, photo printer, furniture-builder, and Gallery Director at the Vermont Center for Photography. https://vcphoto.org/ www.rickyartist.com
Breann Ritchie had a keen interest in the arts from an early age. She actively pursued her passion for creating and in 2011, graduated with an Honours Bachelor of Arts in Art and Art History from the University of Toronto and a Diploma in Visual Arts from Sheridan Institute. Breann has actively sought creative spaces to connect with other artists, art collectors and gallerists. She was involved with a number of prominent galleries in Hamilton and the surrounding communities. She worked extensively with the Hamilton and Mississauga arts communities by acting as a jury member for public art installations, local exhibitions and arts award ceremonies. She was Chair of the Hamilton Arts Council's Visual Arts Committee for several years raising awareness for artists exhibiting locally by creating a series of artist talks and providing informational support for businesses exhibiting original art. Breann worked for several years with the prestigious artist agency, Progressive Fine Art, liaising with art galleries in Canada and the United States to further market and celebrate the work of their artists. From there, she moved into a Registrar and Art Consultant position with Crescent Hill Gallery in Mississauga. Breann now works as the Gallery Director at Crescent Hill where she has had the opportunity to work with brilliant local and international collectors and some of the most influential artists in Canada. She continues to maintain her own art practice and exhibits locally in between spending time with her two young boys.
Andrea Bastug is Director of Hamilton Selway and our hearts! She does us the MAJOR solid of starting from the very beginning! School, internships, moving, debt, cold emails, and more! She's an incredible resource and not only in regards to her career but also into the markets of editioned works and secondary markets- vital components of the Art World Ecosystem© (lol I made that up) and how they can be incorporated into any artist's practice and collector relations! We end talking about what is in her Artworld Survival Kit© (I'm on a roll) and this is not an ep to be missed! ANDREA RECOMMENDS RuPaul's Drag Race What's The Why LOCATE YOUR HOSTS UPON THE INTERNET Andrea Bastug: - @dreabell, HamiltonSelway.com HOP S 3 Ep 12: Vanessa Prager First Interview! Vanessa Prager Portraits at Diane Rosenstein Alexis Hyde - @hydeordie, alexishyde.com Dr. Erika Wong; - @topractisepractice, www.topractisepractice.com Email us: hydeorpractise@gmail.com Music by Alexander Rossi: AlexanderRossi.me
Christopher Hodges artist and gallerist from the fabulous Utopia gallery many thanks for the chance to chat art at your gallery. Christopher will be exhibiting at Utopia gallery from Feb 4-26th in there, ‘Thirty Five', show celebrating 35 years of Utopia Sydney. Congratulations!! To find out more about Christopher check out his website here. https://www.christopherahodges.com
Anyone can open up a gallery—real or virtual—and start selling art. I mean anyone. You don't have to hold a degree or pass a test. You don't have to have ethics or morals or know anything at all about art. But I am impressed by what UGallery is doing and the services they have been providing artists and clients since 2006. Everything about them feels different. On this episode of The Art Biz, I'm joined by Alex Farkas, founder of UGallery.com. Their business model is different from others in that online space. They know art. They curate the work so there aren't thousands of random artists competing for eyeballs. UGallery is paid on commission, so they only make money if art sells.They invest in marketing to help sell more art. They are looking for relationships with their artists and nurture their artists to help them sell better online. The focus of UGallery is on painting, but you should listen to their story even if you are not a painter because you need to know that there are people and companies out there who are on your side and doing things the right way. Highlights The beginnings of the UGallery journey. (2:53) Storytelling to promote UGallery artists and their work. (4:39) Curating art on the website in non-traditional ways. (7:19) The process of finding and connecting with artists. (11:05) Working with artists to help them succeed. (16:10) What is selling at UGallery? (19:09) Finding and marketing to clients. (20:36) Artist to customer—the order fulfillment process. (23:09) Maintaining ecommerce platforms and client relationships. (28:00) Mistakes that many artists make when applying to UGallery. (33:55) Tips for a better online presentation and ecommerce platform. (36:22) What's coming next for UGallery. (38:30) This Week's Assignment Assess where you show and sell your art. Consider what venues you are (and aren't) working for and why? How can you find more of the right places? What venues aren't working for you and why? Make a plan to move on from those. Mentioned ArtBizAccelerator.com UGallery.com New York Foundation for the Arts (NYFA) What is Your Art Business Costing You? Are your online art marketplaces profitable for you? Ensuring a Profitable Art Business (Episode 96) Advocating for Artists in Their Communities with Louise Martorano (Episode 118) Resources Show notes, images, and listener comments How to Price Your Art free report Art Biz Connection artist membership Quotes “It's important that we find ways to combine the old school aspects of a gallery with the new school aspects of the technology that we use.” — Alex Farkas “We see this as a partnership. We don't succeed unless the artists succeed.” — Alex Farkas “Part of the relationship is making sure that artists understand if they put the time and money in upfront, it comes back out later.” — Alex Farkas “Think about what you're trying to accomplish and what your goal is, and then work from there.” — Alex Farkas About My Guest Alex Farkas is the Gallery Director of UGallery. His love of art traces back to his hometown, Jerome, a tiny arts community in northern Arizona. Alex grew up creating sculptures in his uncle's woodworking studio and learning about the art business in his mother's gallery. He co-founded UGallery in 2006 with the goal of helping emerging artists connect with patrons. As one of the first ever online art galleries, UGallery significantly improved the opportunities available for artists. The gallery has been featured in the New York Times, Vogue, and Art in America. He currently lives, and UGallery is based, in San Francisco.
Holly Wilson, Native American Artist from Oklahoma, and Dr. LaLaine Little, Gallery Director at Misericordia University in Dallas, PA, speaking about the exhibition, "On Turtle's Back: Holly Wilson" at the Pauly Friedman Art Gallery at Misericordia through October 11, 2022. There will be a presentation by Holly Wilson on October 10 beginning at 5:30 pm, and the event is free and open to the public. For more information: www.misericordia.edu/art
In this episode of The Living Artist, Preston sits down with Alex Farkas, Co-Founder and Gallery Director of UGallery. Alex co-founded UGallery in 2006 with the goal of helping emerging artists connect with patrons. As one of the first ever online art galleries, UGallery significantly improved the opportunities available for artists. The gallery has been featured in the New York Times, Vogue, and Art in America. Alex shares with Preston the importance of UGallery being a family company, his love of art, changes in the online art world, a history of art in his family, the importance of focusing on what matters as a company, custom made boxes, curating a small and deliberate roster of artists, and much more. Enjoy this conversation with Alex Farkas! If you would like to learn more about or apply to join UGallery, you can visit here: https://www.ugallery.com. You can also follow UGallery on Instagram: https://www.instagram.com/ugallery For more information on Preston M. Smith and his artwork, visit https://www.pmsartwork.com, or follow him on Instagram at https://www.instagram.com/pmsartwork (social media everywhere @pmsartwork). You can also now subscribe to his YouTube channel at https://www.youtube.com/c/pmsartwork. Thrilled to announce that Artwork Archive just included The Living Artist on their list of the The Best Art Podcasts of 2021! Check it out. Check out The Living Artist in the Spotlight section of Discover Pods (https://discoverpods.com/podcast-spotlight-living-artist/). Great interview with links to all sorts of places! Thank you to Discover Pods. You can now support the Podcast with a donation. Go to https://www.pmsartwork.com/podcast to check it out and donate. Huge thank you to Feedspot for choosing The Living Artist for their list of the Top 60 Art Podcasts You Must Follow in 2021. It is a huge honor to have made this amazing list (coming in at #11) with so many other wonderful podcasts. Big thank you to Feedspot! You can check out this list and more of Feedspot at https://blog.feedspot.com/art_podcasts. Podcast theme music: "Music by Jason Shaw on Audionautix.com"
The Gallery Director of the Gallery Underground Steena Fullmer gave us a primer on the different types of glass artwork process (stained glass, fusing and glass blowing), as well as her own process for creating beautiful art pieces. Also find out about some exciting events coming up at the Gallery, future shows, how themes are chosen each month for exhibitions, and some signature annual events organized by the Arlington Artists Alliance. And why did she name her company "BuddhaKittyGlass?
A teenage trip around the galleries of Italy sparked a life-long love for the arts, and as soon as he could Simon Martin, art historian, author and the director of Pallant House Gallery, returned. After a ‘Swallows and Amazons' childhood he's studied in the most prestigious institutions in Venice, been knocked out in a train station in Delhi, experienced an inexplicable rush of energy when being touched by the Dalai Lama, curated exhibitions in Japan, explored visual artists' response to Hiroshima and Nagasaki, enjoyed artistic surprises in Copenhagen, researched and many books and much more. Learn more about your ad choices. Visit megaphone.fm/adchoices
Baugh discusses upcoming courses for the 2022 Fall Semester on the WRAM Morning Show.
If you have ever wanted to shoot the breeze with a gallerist, you will want to pay close attention to this episode of The Art Biz. I'm joined today by Jeremy Tessmer, the gallery director at Sullivan Goss Gallery in Santa Barbara, California. In our conversation, Jeremy shares his views of artist's professionalism, what he thinks of online platforms, and how he taught himself art history (and why that was important to him). Jeremy describes Sullivan Goss as an on-ramp for collectors and artists—one that connects their roster of local, regional, national, and international artists. You'll hear him discuss 3 qualities that he looks for in artists, two of which are non-negotiable, and how he views the artists in his gallery as a family. He says that “dealers should have some sense of responsibility for the well-being of their artists,” and, as you listen to our conversation, you'll understand why that has become so important to him. Highlights The niche that the Sullivan Goss Gallery fills and Jeremy's role within it. (2:37) Sullivan Goss is an on-ramp gallery with the aim of expanding the art world. (7:49) The different art world need to become more aware of each other. (10:05) Jeremy's journey from writer and tech specialist to art gallerist. (14:04) Is it important for artists to be steeped in art history? (23:34) Overcoming the anxiety of influence to connect with other artists. (26:21) The 3 qualities Jeremy looks for in the artists he represents. (33:30) The responsibility a gallery has for nurturing its artists' careers. (36:10) The value of understanding the long game and defining your real interest in an artist's career. (41:11) Things an artist should never say or do to gain the attention of a gallerist. (46:18) Mentioned Sullivan Goss Gallery Alfred Stieglitz's Gallery- An American Place Milton Avery exhibition at The Wadsworth Atheneum David Zwirner's Platform Harold Bloom's Anxiety of Influence Susan McDonnell Art Sullivan Goss on Instagram @sullivangoss Jeremy Tessmer Arts on Instagram @jeremyarts The Art Biz Connection Optimize Your Online Marketing Resources Show notes, images, and listener comments How to Price Your Art free report Art Biz Connection artist membership Guest Bio Jeremy Tessmer is the Gallery Director and Curator of vintage American art at Sullivan Goss. He has been with the firm almost 20 years, working in every area of the business, including: curation, sales, marketing, and design of everything from exhibition spaces to internal databases and processes. He has special knowledge of the American Modern movement, especially as it occurred on the West Coast. He has also been heavily involved with the gallery's publication program, helping to produce nineteen books and numerous catalogs, including those on local artists Ray Strong and Hank Pitcher.
High Visibility: On Location in Rural America and Indian Country
We are grateful to share Dyani White Hawk and Jovan C. Speller taking part in a podcast format we are calling The Long Conversation -- one that offers folks the chance to cultivate a thread of ideas and relationships without the presence of an interviewerPlease find extensive show notes, transcripts, and links on the episode site. Dyani White Hawk (Sičáŋǧu Lakota) is a visual artist and independent curator based in Minneapolis, Minnesota. Most recently, her work was included in the 2022 Whitney Biennial, and also presented as a major solo exhibition at the Kemper Museum of Contemporary Art. Dyani also previously served as Gallery Director and Curator for the All My Relations Gallery in Minneapolis.Jovan C. Speller is a multidisciplinary artist based in Minnesota. She has received a McKnight Visual Artist Fellowship and the Carolyn Glasoe Bailey Foundation Minnesota Art Prize. Her installation In Lottie's Living Room was featured in the High Visibility Exhibtion at the Plains Art Museum, and her exhibition Nurturing, and Other Rituals of Protection was recently presented by the Minneapolis Institute of Art.This Long Conversation was an experiment, one born from a desire to share with a wider audience what might happen when these two friends and collaborators had the space to relax into a conversation about life, art, family, land, and whichever topics and contexts emerged through that flow. In the time that transpires here, we hear both artists at a point of transition between exhibitions -- with major projects ahead -- reflecting on how the central presence of Black and Native women help us understand the dimensions of the cultural moment we all are walking through.Their time together opens with the power of intergenerational knowledge in their collaborative work Choosing Home, and expands to consider Jovan's time spent with relatives in rural North Carolina learning family history, and Dyani's time with Native women across the continent who speak the languages of their people. Rooted in these experiences, the conversation asks how artists, institutions, and communities can better honor and more deeply support the cultural histories and lived experiences that animate these connections.Land is a constant presence and relational force throughout, ground on which we're left with a deeper understanding of these artists' creative practice but also with a sense of the kind of futures we could all inhabit.High Visibility is an initiative of Art of the Rural and Plains Art Museum. Gratitude to the National Endowment for the Arts and the Andy Warhol Foundation for the Visual Arts for their support of this work.
Garzon is currently the Gallery Director at Residency Art in Inglewood, CA. Born and raised in Inglewood, Garzon saw that there was a dearth of commercial art spaces in South Central that centered artists' of color and provided a platform for their work. This led to the formation of Residency Art, which is committed to celebrating contemporary artists that continue to make projects for communities of color. Before his work in the art space, Garzon worked in advertising and media planning as Media Director at the Publicis Groupe in Los Angeles and New York. Garzon has served on the Young Professionals' Advisory Board of InnerCity Arts and the LA County Department of Arts and Culture public art selection committees. Garzon has curated several noteworthy exhibitions including The New Contemporaries 1&2, Vaguely Political by Devin Reynolds, 1992: An Examination of the Iconography from the '92 LA Rebellion and Atmosphere of Certain Uncertainty by Devin B. Johnson. He has also led curatorial efforts for Felix Art Fair, Art Basel Miami and Our LA Voices at Grand Park.
State of the Arts Episode 71 just published! One Martine Gallery is a contemporary and pop art gallery that recently sprung up in the rapidly developing city of White Plains, New York. This week's guest is none other than the curator of One Martine Gallery, Walker Manzke. For over a decade, White Plains has been growing into a bustling metropolis. An elegant office building stood vacant at the end of Martine Avenue for a while. A building that Walker Manzke's business partner, real estate developer Martin Ginsburg, eventually converted into luxury apartments. In the lobby of this building is One Martine Gallery which is not only for residents to enjoy but for anyone who would like to explore this not-so-hidden gem. This charming gallery features original works, limited editions, emerging art, sculptures and decorated objects. The intimate, enchanting space can be rented out for special events as well. The gallery is both tastefully whimsical and captivating at the same time. Walker Manzke favors local artists and also reviews work for consignment. In fact, every piece on display is up for sale. Work from his roster of artists is exhibited on a rotational basis. Seeing the bigger picture in the future, he has a goal of bringing more artwork to White Plains and breathing new life into the small visual arts scene in our growing city. More public art displays, a surrounding cultural scene and a world of opportunities for rising new artists are all goals he along with other dedicated collaborators are working towards. When One Martine Gallery hosted its opening day, both the Mayor of White Plains and the Governor of New York were in attendance. I am so very pleased to have interviewed this ambitious, cultured, friendly and intelligent art director on this fascinating episode of State of the Arts.
On this week's episode of The Album Atmosphere, we sit down with the Arts Council of SW Indiana's Gallery Director, Andrea Adams, to discuss St. Vincent's 2015 self titled album.
Opening an art gallery during a pandemic, choosing a festival theme, collaboration, Art fairs, grant funding, stress of organising events People + Places mentioned: Zuzana Lapitková Lee Jeans (sponsor) - https://www.lee.com Ali Saltan - http://www.alisaltan.com Soraya Zaman - http://www.sorayazaman.com https://www.dusankochol.com OFF Bratislava - https://offbratislava.sk FOG Bratislava - https://www.fogbratislava.sk Audio engineering by Mickey at CushAudio Services Music by Peat Biby Supported in part by: EEA Grants from Iceland, Liechtenstein + Norway – https://eeagrants.org And we appreciate the assistance of our partners in this project: Hunt Kastner – https://huntkastner.com + Kunstsentrene i Norge – https://www.kunstsentrene.no
Opening an art gallery during a pandemic, choosing a festival theme, collaboration, Art fairs, grant funding, stress of organising events People + Places mentioned: Zuzana Lapitková Lee Jeans (sponsor) - https://www.lee.com Ali Saltan - http://www.alisaltan.com Soraya Zaman - http://www.sorayazaman.com https://www.dusankochol.com OFF Bratislava - https://offbratislava.sk FOG Bratislava - https://www.fogbratislava.sk Audio engineering by Mickey at CushAudio Services Music by Peat Biby Supported in part by: EEA Grants from Iceland, Liechtenstein + Norway – https://eeagrants.org And we appreciate the assistance of our partners in this project: Hunt Kastner – https://huntkastner.com + Kunstsentrene i Norge – https://www.kunstsentrene.no
It was my absolute pleasure to sit down with Bracken Sansbury, Gallery Director at Art and Light Gallery in Greenville, SC. Their contemporary fine art gallery began as an homage to local artists and creatives and has since expanded to represent a range of artists honing their craft. Hear our different perspectives as Gallery Director and Hospitality Purchaser on a new construction hotel we recently worked closely on! Then Bracken graciously answers all my burning questions about how to get started buying art personally and as a hotelier. Notable mentions in this episode include Auro Hotels and AC Hotel Greenville.Artists mentioned in this episode that you should check out: Nino Yuniardi, Keith Grace, Laurel Siwicki, Marlise Newman, and Jennifer Bedenbaugh.
Hello and welcome to Masterpiece Conversations, a series of podcasts that in each episode brings together a leading curator and art dealer to offer a taste of what people are really talking about right now in a particular field. I'm Thomas Marks, editor of Apollo magazine, and I'll be your host for these discussions, in which we're aiming to override the perceived ‘church and state' separation between museums and the art market – or at least to explore what conversation and collaboration between them makes possible. We'll be talking about what first drew our guests to their particular fields – and what's really inspiring them at this point about the art they're immersed in. And we'll dive into what the priorities are for museums and the market in that field at the moment – where they coincide and where they might even diverge productively. For this episode the focus is on antiquities. I'm delighted to be joined by Tom Hardwick – an Egytologist who writes about Egyptian sculpture and the history of collecting, and Consulting Curator of the Hall of Ancient Egypt at the Houston Museum of Natural Science – and by Madeleine Perridge, Gallery Director at Kallos Gallery, London, among the leading international specialists in artworks from the ancient world. It's great to have you both with me… See acast.com/privacy for privacy and opt-out information.
We discussed: - gallery submissions - what it means to be a gallery director - making editions of your artwork - tiered edition pricing - exclusivity breeds desire - consistent pricing worldwide - certificates of authenticity (COA) - where and with what material to sign artwork - unique photographic works (vs editions) - the importance of using archival materials - social media - online exhibitions 3 artist she likes right now: Edward Bateman - https://www.art.utah.edu/faculty-list/edward-bateman/ Christopher Colville - http://christophercolville.com Vanessa Marsh - http://www.vanessamarshfineart.com People + Places Mentioned: Magnum Photos - https://www.magnumphotos.com Mark Klett - http://www.markklettphotography.com Kate Breakey - http://www.katebreakey.com Orotone - https://en.wikipedia.org/wiki/Orotone Blue Mitchell - https://wisefoolpod.com/publisher-photographer-blue-mitchell-one-twelve-publishing-portland-oregon-usa/ Linda Connor - https://www.clarkgallery.com/artists/linda-connor Lumen Prints - https://www.lomography.com/magazine/321837-how-to-make-lumen-prints https://www.photoeye.com/gallery/index.cfm https://www.youtube.com/channel/UCwJhTjd8f4tnY7QDOHb9TBg Hosted by Matthew Dols http://www.matthewdols.com Supported in part by: EEA Grants from Iceland, Liechtenstein + Norway https://eeagrants.org and we appreciate the assistance of our partners in this project: Hunt Kastner - https://huntkastner.com Kunstsentrene i Norge - https://www.kunstsentrene.no Transcript available: https://wisefoolpod.com/transcript-for-episode-157-gallery-director-at-photo-eye-gallery-anne-kelly-santa-fe-nm-usa/
In her inaugural episode of Radio Maine, Dr. Lisa has a conversation with Gallery Director, Emma Wilson. They talk about the past year of doing business during Covid and how the gallery, and artists, forged a path forward while taking care to provide needed connection, communication and compassion along the way. Hear about how the team at the Portland Art Gallery expanded their artist roster and available artwork to offer more creative space for their artists and more options for their loyal art buyers and collectors from Maine to Hong Kong.
Meet Hascy.An introductory class in college unearthed her passion for art history and opened the door for a very art-filled career. Armed with an Art History degree and a passion for people, Hascy set off into the world of auction houses and art galleries.LOOKING FOR MORE?Show Notes: https://www.howdidyouendupthere.com/podcast-episodes/an-art-gallery-director-in-the-rural-northeastInstagram: @howdidyouenduptherepodContact: howdidyouenduptherepod@gmail.com
We discuss: How she chooses artists for the gallery, Should artists frame works for exhibitions, Art Fairs, How galleries choose which art and artists to take to art fairs, Sister galleries, The role of a gallery, Online art sales, The lack of transparency in the artworks, The role of artist statements, How to use social media as an art gallery, How she sets the gallery program http://www.sandy-brown.com Hosted by Matthew Dols http://www.matthewdols.com
While are Positions Art Fair in Berlin we had a chance to discuss: Artist residencies, Self sabotage and insecurities, Art Photography market, Learning from youtube, The importance of the story behind the work, How galleries choose art fairs to participate in, How to format an artist CV, How to write an effective artist statement, and Selling art through online platforms (Artsy, Saatchi, etc). http://projekteria.net About Projekteria [Art Gallery] is a contemporary art gallery engaged in the promotion of contemporary art based on photography. With a clear international vocation, the gallery organizes exhibitions presenting emerging local and international photographers carefully selected by allowing their discovery. Please be sure to visit our Patreon page and help support the podcast by being part of the conversation. The more money raised, the larger the global reach we can offer you: https://www.patreon.com/thewisefool For more information about the host, Matthew Dols http://www.matthewdols.com
While in Berlin we had a chance to discuss: the Polish Art Market, Academia, Middle class art collectors, The language of hashtags, Globalization vs localisation in the art market, Strategies of how a gallery can choose which artists to exhibit at art fairs, The return on investment of art fairs, the fact that it takes a gallery 3-4 times participating in an art fair to make ti profitable, the nature of collectors and their private museums, Soft power, Expectations, How galleries select artists to represent, the fact that artists should not send unsolicited portfolio to galleries, that galleries like to have artist recommended to them by trusted relations, Warsaw gallery weekend, Exclusivity, that there needs to be a trust between gallery and artists, Agreements between galleries on consistent prices between markets, Secrecy has a big value in the art market, why is the price of art negotiable?, the fact that artists should produce as much as possible, editioning your art, Tiered pricing of editions, that perfection can be boring, the beauty of hand made imperfections, necessity of collaboration, the difference between a gallery and a museum, and that fewer and more prestigious exhibitions is better than quantity of lesser exhibitions. http://www.galeria-szydlowski.pl About Szydlowski Gallery was founded in 1996 by Stefan Szydlowski, who already had created Gallery Library in Legionowo (1990-1994) as part of the institution he was running. Already back then, he had close tights with artists such as Erna Rosenstein, Edward Krasinski and Koji Kamoji, who not only participated repeatedly in exhibitions at Gallery Library, but also had an impact on the choice of other artists collaborating later with Gallery Szydlowski. It is still in the Gallery Library that historical exhibitions such as Ping-Pong by Edward Krasinski (1993), or Haiku Water by Koji Kamoji (1994) took place. Szydlowski Gallery was officially opened in Warsaw with an exhibition of works by Koji Kamoji. The Gallery's programme focuses on contemporary Polish classics such as Erna Rosenstein and Wojciech Fangor and combines them with established young artists from Poland and other countries (such as Germany, UK, Taiwan and Japan). Gallery Szydlowski represents the heritage and archive of Wojciech Fangor, a key figure in contemporary art after 1945 in Poland, as well as at a global scale. Gallery Szydlowski issued a number of catalogues devoted to the work of Wojciech Fangor and Maria Stangret-Kantor, among others. Today, Gallery Szydlowski is an art consulting institution working with Polish and international artists, curators and critics, an important knot in the network of galleries and museums crucial for Polish culture. Please be sure to visit our Patreon page and help support the podcast by being part of the conversation. The more money raised, the larger the global reach we can offer you: https://www.patreon.com/thewisefool For more information about the host, Matthew Dols http://www.matthewdols.com
While at the Berlin Art Fair, Alia Fattouh and I had a chance to talk about: The importance of art fairs in introducing artists to curators, museums and patrons, Saudi Arabian art, Pre-october 2018 Saudi art market, Saudi art council, YSA - Young Saudi artists, How galleries choose artists, Artist introducing other artists to galleries, Do not email or drop off portfolios with galleries, it does not work, References will get you represented, Artist selling work through social media rather than a gallery, Galleries build careers for artists, Instagram as a way to be discovered, Social media as a resource for artist sand galleries, Artist selling out of their studios, A strong interest of Saudi Artists in new medias, traditional techniques are less common, Social engagement through art, Addressing issues in a mature way, Highlighting without criticising, Language barrier, Vision 2030, Artist residencies, Partnership with Pace Gallery, 2139 exhibition, the importance of having management and business skills, Do not follow trends, have your own vision, Building the career of an artist is a long term endeavour, Galleries should learn to grow with their artists, Artist poaching among galleries, Long term planning, Artists and galleries setting yearly goals and strategies, Know your market, and the need to do research, look at what else is being exhibited and collected in a market https://www.athrart.com About Director of Athr Gallery, Jeddah, where she recently moved after residing in New York for eight years. Founded by Hamza Serafi and Mohammed Hafiz, Athr is one of the driving forces behind the Contemporary art scene in Saudi Arabia. She co-founded TandemWorks with curator and sister Mayssa Fattouh in Beirut in 2015, an award-winning non-profit arts initiative that encourages change on social, cultural and environmental issues with interventions in the public realm. She previously served as Director at Lombard Freid Gallery in New York. During her tenure there, she worked closely with international artists, introduced a number of artists such as Huguette Caland and Kemang Wa Lehulere, and spearheaded initiatives with the West Asian market. Before moving to New York in 2011, Fattouh was Education Manager at Canvas, Dubai, a publication dedicated to art and culture from West Asia, where she developed art classes for collectors across the Gulf, the first initiative of its kind in the region. Fattouh received her BA from the American University in Beirut in Political Studies and holds a Masters degree from Institut d'Etudes Politiques, Science Po Paris in Conflict Resolution and Development. Please be sure to visit our Patreon page and help support the podcast by being part of the conversation. The more money raised, the larger the global reach we can offer you: https://www.patreon.com/thewisefool For more information about the host, Matthew Dols http://www.matthewdols.com Transcript available: https://wisefoolpod.com/transcript-for-episode-023-gallery-director-alia-fattouh-athr-gallery-jeddah-saudi-arabia/